Fancy Hagood Signs with UTA

Leading global talent, entertainment, sports and advisory company UTA has signed singer/songwriter Fancy Hagood for worldwide representation in all areas.  
 
Hailing from Bentonville, AR, Hagood first found success writing hit songs for superstars including Christina Aguilera, Little Big Town, Rascal Flatts and Anderson East. His debut album, Southern Curiosity, was released in 2021 to critical acclaim, earning a nomination for “Best Country Record” at The Libera Awards. In the summer of 2022, he released the fan-favorite song “Blue Dream Baby” featuring Grammy Award winner Kacey Musgraves.
 
Hagood has received support from iconic artists like Brandi Carlile, who called him “an artist to watch,” and Sir Elton John, who asked Fancy to be a guest on his Rocket Hour Radio Show. He is also the host of two Apple Radio shows: Trailblazers, where he celebrates artists who have helped expand the Country Music genre by breaking down barriers, and Hallelujah Anyway, where he explores the myriad intersection points between music and spirituality. 
 
Hagood’s music has clearly resonated with listeners, garnering more than 30 million streams across multiple platforms. “Southern Sound,” the first single off his highly anticipated sophomore album, was released Wednesday, Oct. 4. He is currently opening for Brothers Osborne on a handful of dates on their fall tour.
 
About UTA
UTA unites ideas, opportunities and talent. The company represents some of the world's most iconic, barrier-breaking artists, creators and changemakers—from actors, athletes, authors and musicians to writers, gamers and digital influencers. One of the most influential companies in global entertainment, UTA's business spans talent representation, content production, as well as strategic advisory and marketing work with some of the world's biggest brands. Affiliated companies include Digital Brand Architects, KLUTCH Sports Group, Curtis Brown Group and MediaLink. UTA is headquartered in Los Angeles with offices in Atlanta, Chicago, Nashville, New York and London.
 
About UTA Music
UTA Music is at the forefront of culture with a client roster that ranges from timeless icons to rising hitmakers. Its full-service representation maximizes opportunities not only in music, but across television, film, gaming & e-sports, web3, fashion, and other business verticals. Over the past several years the music group has significantly expanded into numerous areas including music brand partnerships, music crossover and tour marketing. UTA works with a wide range of established and emerging artists across all genres of the industry, including 21 Savage, Anitta, Ari Lennox, Bad Bunny, Bebe Rexha, Burna Boy, Cardi B, Central Cee, Common, deadmau5, Florence and the Machine, Guns N’ Roses, Halsey, Illenium, J Cole, James Blake, Jamey Johnson, Jason Derulo, Jimmy Eat World, Karol G, Kaskade, Latto, Lil Nas X, Lil Wayne, Lizzo, LL Cool J, Machine Gun Kelly, Marshmello, Megan Moroney, Michael Franti, Midland, Muse, My Morning Jacket, Offset, Paramore, Post Malone, Romeo Santos, Rosalía, Spoon, Sublime with Rome, The Jonas Brothers, The Kid Laroi, Toby Keith, Tori Kelly, Train, Tyler Hubbard, WizKid, YG, Young The Giant, among many others.

Pictured (L-R): Natalie Osborne (Red Light Management), Nick Barnes (UTA), Marissa Smith (UTA), Fancy Hagood, Brian Hill (UTA), Lolo McClusky (UTA) | Courtesy of UTA

Jody Williams Songs Promotes Tenasie Courtright to Creative Manager

Tenasie Courtright has been named Creative Manager at Jody Williams Songs, promoted from her role as Creative Coordinator. Courtright is a Belmont University graduate with a degree in Music Business. She joined the company in December of 2022 and has quickly proven herself in the areas of calendar and office management. 
 
Under the guidance of Senior Director, Creative, Nina Jenkins Fisher, Courtright has effectively enhanced the company’s effort to creatively support their ten staff writers.
 
“Tenasie has become a very effective publisher in a short period of time and notching her up to Creative Manager was a no-brainer, just like hiring her,” shared Fisher. “She is enthusiastic about everything our songwriters touch and is curious about every piece of the industry. We’re lucky to have her on the team.”
 
Jody Williams Songs (JWS) represents Jeremy Spillman, Harper O’Neill, Peytan Porter, Vince Gill, Driver Williams, Jason Nix, Ashley McBryde, Natalie Hemby, Trent Dabbs, and Andy Austin. JWS is a joint venture with Warner Chappell Music.
 
Congratulate Courtright at tenasie@jodywilliamssongs.co.

Photo Credit: Aubrey Wise

Blacktoothed Share "Carried Away" Video — WATCH

In the newest musical offering from blacktoothed, listeners are taken on a poignant journey through the highs and lows of chasing after one's dreams. The new single, titled "Carried Away," magnificently intertwines melodic grace with profound lyrics.

Watch the video below. 

"Carried Away" eloquently expresses the dichotomy of time — a force that both propels dreams forward and serves as a reminder of the hurdles that yet lay ahead. Each note and each lyric invites listeners into a world where passion meets obstacle, and dreams are both a source of inspiration and a wellspring of tumultuous emotions.

In the haunting refrains of "Carried Away," blacktoothed provide not just a melody, but an empathetic voice to the silent struggles that echo in the hearts of dreamers worldwide.

"Ladies and gentlemen, whilst listening to our latest release, let yourself get carried away by the highest note ever to come out of the vocal chords of a male person at Sawdust Recordings, according to our dear producer Christoph Wieczorek. Damn, [singer] Henni was hitting that G on the last chorus note like a pro," says guitarist Mathilde.

Stream "Carried Away" here.

The band's latest album JULI was created in collaboration with the producing team of Sawdust Recordings (Christoph Wieczorek + Julian Breucker) and shows that blacktoothed have narrowed their sound and found their musical style. 

Stream or download JULI here.
 
BLACKTOOTHED ARE:
Hendrik | Vocals
Mathilde | Guitar
David | Drums

PHOTO CREDIT: Lucas Keitel

Enterprise Earth Announce New Forthcoming Album 'Death: An Anthology' out February 2 (via MNRK Heavy) + Unleash New Single + Music Video "King of Ruination"

Enterprise Earth fans, rejoice! The band has made their triumphant return with the announcement of their forthcoming new album, 'Death: An Anthology', stacked with features from some of deathcore's finest including but not limited to, Matt Heafy (Trivium), Darius Tehrani (Spite), and Wes Hauch (Alluvial). The upcoming full-length will be released on Friday, February 2 (via MNRK Heavy). In celebration of the news, the band has unleashed their apocalyptic new single "King of Ruination" featuring Ben Duerr from Shadow of Intent (which premiered on SiriusXM's Liquid Metal) along with the hauntingly brutal official music video directed by Nick Chance. Speaking on today's news, the band shared:

"'King of Ruination' ushers in the new era of Enterprise Earth, a violent and punishing force of groove-centric metal. This is merely a glimpse of what we have in store for you all on 'Death: An Anthology', thank you for listening."

Vocalist Travis Worland also commented:

"Coming from a heinously religious upbringing and background, death has been at the forefront of my mind since childhood. Going to Hell, going to Heaven, going nowhere at all, being stuck between two polar opposite eternities. So, I wrote about it. From all manner of perspectives. The death of self, the death of someone or something important to you, the death of a relationship, the death of individuality, fantastical stories of what awaits us when we die. Death takes many forms and can be spoken of in so many different lights. This is my story of death and dying. This is 'Death: An Anthology'."

'Death: An Anthology' will also be available in "Black Ice" and "Inferno" vinyl formats exclusive to the band (available here), as well as "Ghostly" and "Copper Nugget" vinyl formats through the MNRK Heavy Shop at the link here. Pre-order 'Death: An Anthology' here, stream "King of Ruination" (ft. Ben Duerr) here, and watch the official music video below.

Fans have their chance to see Enterprise Earth on The Fear & Dagger North American Tour with Paleface Swiss, Crown Magnetar, and VCTMS. For ticket information please click here, and be sure to keep 'em peeled for more Enterprise Earthnews coming very soon.

Enterprise Earth US Tour Dates:

Oct 11 – Fresno, CA – Full Circle Brewing

Oct 12 – Santa Cruz, CA – Memorial Building

Oct 13 – Portland, OR – Dante’s

Oct 14 – Seattle, WA – Substation

Oct 15 – Spokane, WA – The Big Dipper

Oct 16 – Missoula, MT – Zootown Arts Community Center

Oct 17 – Salt Lake City, UT – Metro Music Hall

Oct 18 – Denver, CO – The Roxy Theater

Oct 19 – Des Moines, IA – Lefty’s

Oct 20 – West Chicago, IL – The WC Social Club

Oct 21 – Indianapolis, IN – Hoosier Dom

Enterprise Earth Is:

Gabe Mangold [guitar, backing vocals, production]

Travis Worland [vocals] 

Brian Zackey [drums]

Dakota Johnson [bass]

Chicago's Evidence of a Struggle introduces 'Seize', final offering in an audio-visual storybook for their eponymous debut album

"Wonderfully cinematic, forward-thinking, open-minded, genre-hopping, rule-breaking... a symphony of sonics, subtlety and suppleness, and of the subverting of expectations" ~ Big Takeover Magazine

"'Keep It' is a relentless prowl of low rumbling concrete scattered with the glass shards of guitar and keyboards. The controlled chaos of the instrumentation is in slow motion and the song maintains both an epic feel as well as the queasy sense of being drunk and disorientated in an dystopian landscape" ~ Joyzine

"Fascinating... This melodic journey expertly fuses the innovative textures of art rock with the insurgent spirit of alternative music... a complex and immersive auditory universe" ~ Post-Punk.com

"'Combines the coolness of electric jazz, Krautrock-inspired post-rock and atmospheric art rock... a gripping and upbeat, yet refined, sound and thoughtful arrangement with sonic prowess" ~ Amplify Music Magazine

"Chaotic and lovely" ~ Punk Rock Beat


Chicago-based artist Evidence of a Struggle presents a new audio-visual experience for the latest single 'Seize'. This follows up 'Keep It', the only song on the album featuring vocals in a wonderful spoken-word meets post-rock clash.  His debut record, this 13-track collection takes the listener on a great instrumental journey, blending numerous sub-genres spanning the art rock and alternative music realm.

Surrounding the musings of multi-instrumentalist William P C Simmons V a.k.a. Rev. Billy Simmons, Evidence of a Struggle creates lush, cinematic, beautiful and sometimes chaotic compositions. While music thrives at night, other affairs rule his days. Rev. Billy owns and runs Rev. Billy's Chop Shop, a salon that is also an inclusive, creative space, hosting new artists' work bimonthly (and declared by Chicago Reader as the city's best gallery in 2019).

"Seize is the final song and animated video from Evidence of a Struggle's eponymous release from June 2023. It is a short of all seven videos made by artist John Airo from the 13-song instrumental album. Stay tuned for more from Evidence of a Struggle in 2024 and 2025 we have so much more for you to see and hear," says Rev Billy.

Launched in 2020, this ambitious debut album sees Rev. Billy play every instrument – guitar, drums, piano, synth and violin - recorded and engineered from his home studio, The Glue Factory. Once Covid restrictions were lifted, renowned sound engineer Sanford Parker (Voivod, Russian Circles, Yob, Eyehategod, Wovenhand, Darkthrone) helped produce, record and master the final versions of these songs.

Earlier, Rev. Billy collaborated with RCA artist Ké and artists on major labels RCA, Touch and Go, BMG and Universal. Evidence of a Struggle's next album involves collaborations with a wider circle of artists, including drummer Matt Walker (of1000faces, Smashing Pumpkins, Morrissey, Garbage, Filter) and bassist Alan Berliant (Chris Connelly, Mavis Staples, Saint Asonia), in addition to production support from Solomon Walker (Morrissey, Bryan Adams, Eastern Shadows, Year of the Rabbit).
 
The 'Evidence of a Struggle' album is out now and is available via Spotify, Apple Music and Bandcamp.

CREDITS
All music written by William P C Simmons V (aka Rev. Billy)
Performed by William P C Simmons V (aka Rev. Billy)
Produced by Sanford Parker
Loveless Publishing ASCAP
Video by John Airo

Keep up with Evidence of a Struggle
Bandcamp | Facebook | Instagram | YouTube | Twitter | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
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IAN PICKERING (Sneaker Pimps / Front Line Assembly) presents THE NOISE WHO RUNS' new single 'One Scratch Each'

"Ian Pickering is among the most relevant songwriters of this generation, with topical subject matter, sharp lyricism, a relatable attitude and music that is addictive as F*&@. The same spunk that the progenitors of punk and orderly chaos of early post-punk were made of" ~ The Spill Magazine

"Beguiling... anthemic yet accessible, gothic, grand and graceful, delicately dance-driven and dark, coiled and ornate, slow and seductive" ~ Big Takeover Magazine

"Poetic brutality... the anthemic grace and stature of something by The Sisters of Mercy: it has an Arctic chill through which a lyrical, passionate heat radiates" ~ Backseat Mafia

"Ethereal electronic intimation. Light and dark entangle... true splendour and prowess" ~ Ringmaster Review


UK-France duo The Noise Who Runs presents 'One Scratch Each', the first single from their new five-song EP ‘come and join the beautiful army’, to be released on November 22nd. This is a brooding, slightly menacing call to solidarity - an idealogical blueprint as to how the marketing and branding of the individual has resulted in increasingly negative impacts on society and humanity.

The Noise Who Runs is the brainchild of songwriter Ian Pickering (of Sneaker Pimps and Front Line Assembly), who also co-authored such hits as 'Spin Spin Sugar', '6 Underground' and 'Tesko Suicide'. Upon relocating from northern England to France, Pickering launched this project with Brazilian-French guitarist Felipe Goes.

Bandcamp  https://thenoisewhoruns.bandcamp.com/track/one-scratch-each   
Spotify  https://open.spotify.com/artist/1LRZbh7KDhJzKIuPaUJmud
Apple Music  https://music.apple.com/ca/artist/the-noise-who-runs/1515318356
'Preteretrospective' LP (April 2023) https://thenoisewhoruns.bandcamp.com/album/preteretrospective

Following up their April 2023 album ‘Preteretrospective’, which blended the abrasive beauty of electric guitars and electronica, 'One Scratch Each' is a more stripped-down take on the group’s sound - almost a bare, minimalist electronic groove, Felipe Goes’ electric guitar creating a raw, atmospheric complement to the drone bass keyboards and quirky drum machine rhythm. The vocals are simple and repetitive with just four different lyrics across the song, a distinct "less is more" approach.

“I would question the obsession of brands, marketing and advertising, primarily, on pushing such a vain, shallow concept of the individual - it’s a face-value, nothing beneath the surface kind of ideal. We are all born individuals, that should never need to be overtly demonstrated and insisted upon, it’s quite obviously what we all are. It can’t be proved with trinkets and adornments. The more salient point would be how we all come together as individuals and make a difference, a change for the better for the majority. Maybe the beautiful army lies in the forests away from the trenches; deserters, conscientious objectors and those that have been driven shellshock mad by the constant, oppressive noise of manufactured, idiotic right-wing culture wars,” says Ian Pickering.

“The beautiful army would be the people who reject the pathetic culture wars of populists, who proceed with compassion and empathy rather than instantly resort to knee-jerk outrage and sincerely believe that the some kind of optimistic future can still be salvaged from the slow-motion chaos of the inevitable car crash, in which we are currently forced to be passengers.”

As always with Pickering’s lyrics, the line between optimism and cynicism seem so blurred as to entwine like strands of DNA, the seemingly ever-present sense of contradiction - a trait that runs throughout all song by The Noise Who Runs and one that makes the tracks evolve and grow of their own accord the more you listen to them.

“The phrase "one scratch each" was a line left over from 'Takes A Long Cold Look And Then The Kitchen Sink', which was on the last album. Three little words - it doesn’t really need much else added to it - so musically, it felt, for us, like free rein to do something minimalist and less traditional and repeat the same phrase. This is a call for solidarity in a world constantly being sown with division and discord," says Pickering.

"So far, the start of the 21st Century seems remarkably like repeating the mistakes of the early 20th Century. In the First World War, all that flag-waving, jingoistic sense of and pride in nationality across Europe, the othering of governments and nations all engaged in the same exploitation of other continents, resulted in the most obscene and needless carnage and it feels, today, as if nothing has changed, other than that rather than conscripting us all and sending us to France and Belgium for the slaughter, the big push would appear to be starving us to death in our own homes while we work all the hours of the day for a monthly wage that barely covers the cost of living."

The full ‘come and join the beautiful army' EP was mixed and mastered by Colin C at The Cell Studio, whose clients include CBS, FOX, NBC / Universal, Showtime, HBO and Lionsgate Films and such artists as Front Line Assembly and Danny Saber (Black Grape, Alice Cooper, David Bowie, Madonna).

As of October 10, 'One Scratch Each' will be available across fine music platforms, including Spotify, Apple Music and Bandcamp, where this and the ‘Preteretrospective’ album can be obtained directly from the artist.

CREDITS
All songs written by Ian Pickering
Recorded and produced by The Noise Who Runs
Felipe Goes - guitars, pianos, keyboards
Ian Pickering - vocals, keyboards, pianos, beats
Mixing, mastering and additional production by Colin C. at The Cell Studio 
Publicity by Shameless Promotion PR
Artist photos by Théo Valenduc


Keep up with The Noise Who Runs
Website | Bandcamp | Facebook | Instagram | Twitter | Soundcloud | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | LinkedIn | Email

Pistols at Dawn Announce the Ready, Set, F'ing Rock Tour with Moon Fever this Fall!

Atlanta-based hard rock band PISTOLS AT DAWN announced they will be hitting the road this fall with Moon Fever on the Ready, Set, F'ing Rock Tour sponsored by Show4Me.com and TKO. The tour will kick off October 26th in Nashville, TN at The Eight Room.

Tickets are now available at https://www.pistolsatdawnband.com/tour

The band released their latest single "FLY" (Radio Edit) to radio. The single is at #39 on MEDIABASE and #37 on BILLBOARD this week! In addition the band announced a UK Tour with FOZZY in February 2024!

The single debuted on the SMR Active Rock Radio Charts at NUMBER 1 in TOP ADDS and NUMBER TWO in GREATEST GAINERS in it's FIRST WEEK! The single was the #3 Most Added (behind Metallica & Daughtry) on the Mediabase Active Rock Charts and the 2nd most added on the Billboard Rock Chart. "Fly" (Radio Edit) is from the band's debut album Ascension that came out on Megaforce Records/MRI Entertainment in 2022.

The single was added at MUSIC CHOICE, WIIL-Chicago, KEZO-Omaha, WJJO & WZRK/AM-Madison, WHXR-Portland ME, WRTT-Huntsville, KICT-Wichita, WZZU-Roanoke, WFXH-Savannah, WCPR-Biloxi, WWMP-Burlington, WCLG-Morgantown WV, WQWK-State College PA, WNNH-Concord NH, KBRE-Merced CA, WKIT-Bangor ME, WYYX-Panama City FL, WKHY-Lafayette IN, KGRR-Dubuque, WCCN-Neillsville WI, KSSI-RIdgecrest CA, KMMY-Sherman TX, KFML-Little Falls MN, KEDJ-Twin Falls ID, and WFRD-Hanover NH and was already in rotation at KQRA-Springfield MO.

STREAM "FLY" (Radio Edit)

https://lnk.to/FlyRadioEdit

10/26/2023  Nashville, TN The Eight Room            

10/28/2023  Atlanta, GA - Masquerade (Purgatory)

10/29/2023  Jacksonville, NC - Hooligans       

10/31/2023  Mechanicsburg, PA - Lovedraft's

11/2/2023   Burlington, VT - Higher Ground

11/4/2023   Providence, RI - Fete Lounge

11/6/2023 Rochester, NY - Photo City

11/7/2023   Columbus, OH - Rumba Cafe             

11/9/2023   Lincoln, NE - Cosmic Eye Live

11/10/2023  Des Moines, IA - Lefty's

11/11/2023  Sioux Falls, SD Bigs Bar

11/12/2023  Minneapolis MN - Turf Club

11/16/2023  Billings, MT - Pub Station (Taproom)

11/17/2023  Great Falls MT - The Newberry

When rules break, rock ‘n’ roll moves forward. Standing at a crossroads between 21st century attitude and old school arena-size ambition, Pistols At Dawn lock and load hard-hitting hooks, magnetic melodies, and intricate instrumentation in a searing signature style. The Atlanta quartet—Adam Jaffe [drums], Will James [lead guitar], Gabriel Cuevas [bass], and Jon Sookdew Sing [lead vocals+rhythm guitar]—re-energize the genre, while maintaining its edge. After independently amassing over 6 million streams and collaborating with icons such as GRAMMY® Award-winning producer and engineer Sylvia Massy [Tool, System of a Down, Johnny Cash], the group deliver eight anthems on their 2022 full-length album, Ascension, via distributor Megaforce Records/MRI Entertainment. “All of our influences come out in the music, but with our own stamp,” says Adam. “There’s definitely a hard rock vibe combined with progressive lyrics. When you add these elements together, it beautifully combusts in Pistols At Dawn.”

Speaking to this alchemy, in 2015 the band immediately entered the studio with producer Jeff Tomei [Smashing Pumpkins, Matchbox 20] to record their first singles before entertaining various other projects. During 2019, the original lineup joined forces again. Ultimately, original founder Jaffe completed the lineup with incendiary world class guitarist James, and elite progressive rock duo Sookdew Sing and Cuevas.

They unleashed music at a prolific pace in addition to personally engaging fans worldwide with an immersive online presence. “Cold” exploded to the tune of 1 million streams across platforms followed by "Gauntlet" and "All You Offer" with another million streams. Working with producer Jeff Tomei, they unleashed the Nocturnal Youth EP in 2021. The opener and lead single “Voices” impressively generated 1 million plays in under a month. In the midst of the Global Pandemic, they caught the attention of Massy and recorded what would become Ascension with the legendary producer behind the board alongside co-producer Chris Pierson.

Musically and thematically, it allowed a sliver of light to pass through the world’s darkness. “On Nocturnal Youth, we were going through a dark time in the Global Pandemic,” Jaffe states. “On Ascension, we’re coming into the light and embracing life. There’s still dark subject matter on the record, but it was positive to write. It melded together the way we’d always hoped.”

Anchored by a balance of extremes, the lead single “The Truth” nods to nineties alternative with a distinct and dynamic twist. Adam goes on, “It revolves around the constant noise we have in our head pushing and pulling our emotions so much that we sometimes lose total control and explode. We have to be careful to maintain our thoughts and emotions, or ‘The Truth’ is that they could tear us apart.”

Elsewhere, the opener and follow-up single “Under The Surface” immediately sets the tone with a hypnotic riff and hard-hitting vocal, barely containing its cathartic momentum in the searing lyrics, “Take what you want and leave me for dead. All that I need is under the surface.”

“This song deals with the hell some have to go through above ground with people constantly taking, lying, and poisoning,” he reveals. “So, you want to be buried deep to get away from society where no one will find you.”

“Fly” leans into a dark chorus and instantly memorable hook, equally soaring and shuddering all at once. It strikes a chord with its timeless theme presented through a nocturnal prism. “It’s a powerful and dark love song about wanting to disappear with your true love,” he elaborates. “Musically, diversity was important to us. So, each song really tells a different story with a distinct sound.”

Indicative of this diversity, “For You” steamrolls forward on a hulking groove fortified by a punchy riff and towering refrain. It sets the tone for the rollercoaster to follow. “It’s about finding someone really special who is worth changing for,” notes Adam. “If you find someone you love enough, you’ll change. It’s the light at the end of the tunnel.”

Ultimately, Pistols At Dawn ignite a fresh and fiery vision for rock all their own.
“We want to take you on a ride,” Jaffe leaves off. “We just love playing music. One moment, we hope you’re inspired to take on the world. In the next, we hope you scream along. In another, you just chill. It’s meant to be fun and exciting overall. At the end, we hope you want to take the ride again and again.”

For More Information Please Visit:

Official Website

Facebook

Instagram

TikTok

YouTube

FUMING MOUTH DEBUT NEW SINGLE, 'I'LL FIND YOU'

With less than a month to go before the release of their long-awaited new album, Last Day of Sun, New England death dealers FUMING MOUTH have unveiled the record’s 2nd single, ‘I’ll Find You’! The brutal, endearing new love song follows the previously released single ‘The Silence Beyond Life,’ also featured on the upcoming album due out November 3rd from Nuclear Blast.  

Commenting on ‘I’ll Find You,’ vocalist/guitarist Mark Whelan says:

“This is our first love song. It's about overcoming all the obstacles between you and the person you love. No matter how tired you are. No matter how lost they get. Find them."

Stream ‘I’ll Find You’: https://fumingmouth.bfan.link/ifnu.ema

‘I’ll Find You’ follows a theme of deep personal matters on Last Day of Sun, as Whelan draws from his own recent experience overcoming leukemia last year and the new found perspective he gained along the way. Now cancer free, the beloved frontman returns rejuvenated with renewed determination and inspiration on the band’s most crucial and ferocious record yet.

Whelan says of the new record:

“What started as a fictional concept album became incredibly real. I was facing certain death, but as I kept writing the album it’s theme became clear. You could die tomorrow. Seize the day.”

Pre-order Last Day of Sun: https://fumingmouth.bfan.link/ldos.ema

‘I’ll Find You’ Music Video below

About FUMING MOUTH:

A fiery, resurrected rage barrels its way out of hell’s erupting chasms with blistering fury; Fuming Mouth has returned. Lead singer, guitarist, and founder Mark Whelan emerges triumphant after a life-threatening battle with Acute Myeloid Leukemia, rekindling the inferno of their music with Fuming Mouth's second full-length album, Last Day of Sun.

What initially began as a full-on, fictional concept album underwent a profound transformation into a concept-reality hybrid, largely influenced by Whelan's harrowing conflict with his health and anear brush with death. Just three weeks away from recording the album, Whelan was struck with a devastating cancer diagnosis. While bravely fighting the illness, he rewrote melodies, drum sections, and lyrics, infusing the music with his personal journey of struggle and hope.

The recording sessions began in October 2022, with Grammy Award winning Kurt Ballou of Converge at his studio, God City, in Salem, Massachusetts. Ballou reached out to Whelan after his battle with cancer and encouraged him to get back to their previously scheduled recording session. Working closely with Ballou in both engineering and production, the band found a wonderful and collaborative experience, as Ballou invested himself wholeheartedly in shaping their sound and vision. Salem itself also helped shape the album, as the Halloween Season had begun. Droves of tourists and residents mixing with people in costume made the streets of Salem seem like Last Day of Sun had come to life. The city where the Witch Trials took place presented the perfect setting for the album to be recorded.

At the genesis of this record, there was no other artist that could have captured the album's essence better than Mariusz Lewandowski, with whom the band had already established a creative relationship through his work on the cover art of The Grand Descent. Tragically, Mariusz passed away while working on the album artwork, presenting the band with an immense obstacle to overcome. In tribute to his spirit and legacy, they joined forces with the talented artist Stefan Todorovic who crafted an evocative album cover depicting a Faustian city crumbling amidst the gray and sandy storms of the apocalypse. A colossal monster blocks the sun and hovers above the city as it burns, smoky buildings topple to the ground; all a visual representation of the chaos and darkness that permeates the album.

Fuming Mouth stands resilient, a testament to the indomitable human spirit. Amidst the carnage and depression lies a flicker of hope - a beacon of light that emanates from within. But as the last rays of the sun cast their shadow, the question remains. Will the people in Last Day of Sun survive? Will their worst inhibitions play out, will they rip each other to shreds, will they give up? Will everything they’ve built have been for not? Will they find a way to overcome, or will their panic lead to failure? 

FUMING MOUTH is:
Mark Whelan - Guitar, Vocals
Andrew Budwey - Guitar
Pat Merson - Bass
James Davis - Drums

Follow FUMING MOUTH:

https://www.fumingmouth.com/

https://www.facebook.com/fumingmouth/

https://www.instagram.com/fumingmouth/

https://twitter.com/FumingMouth

Photo Credit: @blackcardfilms

Osiah Announce New Album 'Kairos' Out December 8 (via Unique Leader Records) + Drop New Single + Lyric Video "A Great Nothing"

Deathcore quartet Osiah has today announced their new forthcoming album 'Kairos' set for release on Friday, December 8 (via Unique Leader Records). In celebration of the news, the band has unleashed their latest single "A Great Nothing" and the accompanying lyric video. Speaking on today's announcement, the band shared:

"Throughout Osiah’s musical journey we have constantly strived to find out who we are as a band, since our last album ‘Loss’ we have taken the time to experiment more in order to fully utilise our creative freedom and find the uniqueness that lies within us. We are incredibly proud of ‘Kairos’ and the reception already received for what is out there, we truly feel this album represents us better than any record previous and as a line up we’ve never been more capable than to push our musical boundaries. This is our strongest record to date, forged from the strongest of unity in our endeavours. We can’t wait for it to be out there."

Prior to today, Osiah released "Kardashev Denied" and the accompanying music video, as well as their 'Chronos' EP earlier this year which can also be found on the physical formats of the upcoming full-length. Pre-save 'Kairos' here, and watch the lyric video for "A Great Nothing" below.

Engineered, Produced by Andy Mallaby - https://iamandy.uk 

Mixed & Mastered by Christian Donaldson -https://christiandonaldson.ca/

Assisted Engineered by Dominic Grimard

Filmed by Loki Films - https://www.lokifilms.co.uk/ 

Thanks to MF Boxing Academy for letting us use their room.

Hailing from the extreme music melting pot that is the northeast of England, Osiah transcends the deathcore label with what could possibly be the most torturous barrage of filth the UK has produced in recent years. Crushingly intense breakdowns and deathly chops tread a familiar path, but jarringly detuned guitars, unpredictable tempo changes and vocals that range from wide-ranging pitched screams to commanding guttural bowel openers add an extra evil to the sound that cannot be put into words.

After releasing their first EP 'Reborn Through Hate' in 2015, Osiah released their first full-length album ‘Terror Firma’ in June 2016 via Siege Music. The album gained praise from Metal Hammer Magazine, Bloody Disgusting, and many other prestigious publications, cementing the band as the hottest and heaviest band on the UK deathcore scene.

The resulting work lead to the band signing to Unique Leader Records in 2018 and releasing their sophomore album 'Kingdom of Lies' in 2019. In 2021, Osiah released their third album 'Loss' and unleashed their latest EP 'Chronos' in early 2023.

Photo Credit: Brian McCartney

Jenna Paulette’s “You Ain’t No Cowboy” Encourages Mental Health Conversations Among Ag Workers on World Mental Health Day

JENNA PAULETTE’S “YOU AIN’T NO COWBOY” 
SHEDS LIGHT ON SOBERING REALITY OF ADDICTION 
& SUICIDE AMONG AGRICULTURE WORKERS
ON WORLD MENTAL HEALTH DAY

Watch the Powerful Music Video, in Partnership with the 
Texas Department of Agriculture.

Jenna Paulette has experienced firsthand the ebbs and flows of being a rancher alongside her family, working cattle on their ranch in Thackerville, Oklahoma. It’s where she learned the value of living off the land, along with the stressors that coincide with a livelihood that depends on factors outside of your control – weather, market prices, tariffs and more – and which often lead to increased rates of depression, addiction and suicide among ag workers. 
 
Challenging the traditional notion of how people view cowboys and the stigma that prevents many from speaking about their reality, Paulette debuts her official music video for “You Ain’t No Cowboy” in partnership with the Texas Department of Agriculture today to coincide with World Mental Health Day. Watch HERE.
 
Directed by Quinton Cook, the video spans nearly five minutes with the intention of encouraging mental health conversations among ag workers and providing resources for them to seek help by directing people to the 988 Suicide & Crisis Hotline. Opening with the sobering fact from the National Rural Health Association that the suicide rate among the agriculture community is 3.5 times higher than the national average, the video explores the spiral of a difficult season and a cowboy who relies on alcohol and drugs to cope.
 
For Paulette, it’s an important message that she hopes will help to change the perception of a cowboy. To her, a cowboy isn’t defined by the job, but is someone with the character to overcome any obstacle thrown their way. Expanding on the concept, she shares, “Whether you struggle with addiction, a cycle of harmful thoughts, suicide, depression, financial disaster, the list is long… Sometimes putting a stake in the ground is making a phone call to a helpline; sometimes it’s taking a hard look in the mirror at who you are and deciding that’s not who you want to be.
 
“The power to change and have a full life is there for the taking, you’re just a decision away from a redeemed life. This video is a call to action for those suffering and the end is a glimpse of hope into the life of a real man who is on the other side of adversity.”
 
As the story progresses, it ends on a hopeful note, inspired by the men in Paulette’s life who have weathered the storm, found help and came out stronger because of it – including her cowboy, Ross.
 
“The cowboys in my world, including Ross, the love of my life, have overcome one or many of those challenges… Ross is five years sober; he plays the cowboy in the video. I knew him after he quit using and drinking. He made a conscious decision to take his life back and with grace and the strength of God, good men and family around him he was able to do it,” she adds.
 
The moving song is one of 16 tracks off her debut album, The Girl I Was, which arrived in March, showcasing a level of honesty that left The Tennessean musing “gripping clarity, emotion and feeling are more readily apparent in her work than ever before,” and Billboard noting she arrives “confident” and “carefree.” Paulette made her Grand Ole Opry debut on Aug. 18 and is set to perform the National Anthem at the National Finals Rodeo on Dec. 13.
 
For more information and to keep up-to-date on the latest news, visit www.jennapaulette.com or follow @JennaPaulette across social media platforms.

About Jenna Paulette: 
A CMT Next Women of Country in 2022 and Apple Music’s Country Riser of the Month for March 2023, singer-songwriter Jenna Paulette — a cowgirl who came of age amid the gritty realities of ranch life — is part of Nashville’s growing wave of female artists who are rewriting the rules and charting their own paths. Paulette settled in Nashville in 2015, where she struck up a mentorship with Ashley Gorley – a veteran songwriter with 60+ No. 1 tunes under his belt – which ultimately led to her publishing deal with Sea Gayle Music in June 2021. Since collaborating with songwriters Will Bundy, Rhett Akins and Jessie Jo Dillion, as well as opening for Mason Ramsey, Parmalee, John Michael Montgomery, Clay Walker and most recently Aaron Watson, Paulette has landed brand partnerships with Justin Boots, Boot Barn, Ely Cattleman  and Ranch Water.
 
Her debut album The Girl I Was, is available now, showcasing Paulette’s finely calibrated blend of toughness and sensitivity in tracks like “Country In The Girl” and “Pretty Ugly.” Wearing her heart on her sleeve, The Tennessean noted of the project that “gripping clarity, emotion and feeling are more readily apparent in her work than ever before.” Paulette continued to spotlight her authentic western lifestyle, performing the national anthem at the Professional Bull Riding World Finals; as well as day working on ranches across Texas and performing in multiple festivals including CMA Fest. She recently made her Grand Ole Opry debut and will perform the national anthem at this year’s National Finals Rodeo on Dec. 13. For more information, visit www.jennapaulette.com.

Photo Credit: Wes Walker

TIM MONTANA'S AMERICAN THREAD BENEFIT CONCERT AND CLAYS SHOOT RAISES OVER $334K FOR U.S. MILITARY SPECIAL OPERATIONS FORCES AND FAMILIES

Special Surprise Performers at SOLD OUT Concert Included Colbie Caillat, Collective Soul, Darryl Worley, Elvie Shane, Michael Ray and Tyler Farr
 
To Date, Montana's 'American Thread' Events Have
Raised Over 1.1 Million Dollars 

Photo ID Left to Right: American Thread Founders Trevor Pardue, Tim Montana, Scott Graves
Photo Credit: Patrick Adas

Photo Credit: Patrick Adas

Music Knox Records/BBR Music Group recording artist Tim Montana's inaugural American Thread benefit concert, held October 2 at Nashville's City Winery, can be stamped as 'Mission Accomplished.'  The SOLD OUT special concert event (and the following day's clays shoot), benefiting Special Ops Xcursions, a nonprofit that supports U.S. special operations forces and their families, raised over $334,000 for men and women in uniform. Special surprise guest performers were Colbie Caillat, Collective Soul, Darryl Worley, Elvie Shane, Michael Ray and Tyler Farr.
 
The event also featured guest speaker Sgt. Omar "Crispy" Avila, a war hero and U.S. Army vet. Action sports legend Travis Pastrana and his sidekick, Street Bike Tommy(both of Nitro Circus fame), were also in attendance.
 
For the past three years, Montana has headed up the American Thread Sporting Clays Shoot in Nashville, drawing celebs who lent their time to help our nation's military heroes. This year, Montana continued that tradition with the fourth annual Tim Montana & Friends American Thread Sporting Clays Shoot, held the day following the concert at the Nashville Gun Club. After this week's events – four years since the clays shoot's inception – Montana has officially raised over 1.1 million dollars for Special Ops Xcursions.
 
"This year’s event was our biggest yet," says Montana. "From the artists that volunteered their time and talents, to the sponsors that made this possible, I’m so incredibly proud of what we’re doing for the veteran and active duty military community. Thank you Trevor Pardue, Scott Graves and all of our board members for your tireless work. Breaking a million dollars in just four years is no easy feat and we’re just getting started."
 
Montana plans to continue his American Thread events for years to come.

About Tim Montana
For as much as Tim Montana may be known as a wild man (and he certainly is), he really asserts himself as a tried-and-true storyteller. His story has twisted and turned with the unforgiving unpredictability of a Montana winter. He went from a rough youth spent off-the-grid in a trailer powered by a faulty generator to captivating a devout global fanbase, dropping successful independent albums, selling out shows, and earning the endorsement of childhood heroes such as Dave Grohl. At 21-years-old, Tim settled in Music City. He busted his ass and found a way to be heard. He caught the attention of David Letterman who personally booked Montana on The Late Show with David Letterman. Unlocking a creative chemistry with Billy Gibbons of ZZ Top, their collaborations included “This Beard Came Here to Party,” which served as the anthem for the 2013 World Series champion Boston Red Sox and the Nashville Predators during the 2017 Stanley Cup Playoffs. He co-wrote radio hits for Kid Rock such as “Tennessee Mountain Top” and “Greatest Show On Earth” for 2017’s Sweet Southern Sugar—which bowed in the Top 10 of the Billboard200. harlie Sheen espoused his admiration for Tim on social media and wound up directing he music video for “Mostly Stoned.” Following 2021’s Long Shots, Tim he let his grunge flag fly, while still telling the kind of stories fans fell in love with in the first place. Now, he infuses Space Needle-shaking grunge grit with a different kind of frontier poetry, bringing together vivid lyricism, vulnerable melodies, and vicious distortion. He's formally introducing himself on a series of 2023 singles for Music Knox Records/BBR Music Group/BMG, beginning with “Devil You Know,” currently Top 20 at Active Rock radio.
 
For more information on Tim Montana, visit timmontana.com.

Scotty McCreery Announces 'Cab in a Solo Tour' for 2024

With another recent RIAA certification under his belt, the most first-week adds at country radio (120) of his career for latest single “Cab in a Solo,” and on the heels of celebrating a milestone 30th birthday yesterday, Triple Tigers recording artist Scotty McCreery is ready to kick 2024 off with a bang. 
 
Having spent almost half his life in the spotlight making country music, the North Carolina native continues to push himself creatively as well as personally and is set to launch the next chapter in his career with his headlining Cab in a Solo Tour. Named after his current single of the same name, McCreery will be joined by Anne Wilson as direct support as well as Greylan James and Noah Hicks on select dates. The tour, produced by Live Nation, will kick-off at Hobart Arena in Troy, OH on Jan. 26, 2024, and trek across the U.S. with stops in Atlanta, Philadelphia, Boston and more.
 
“I’m on the road year ‘round, but I always love putting together specific tours and I think next year’s Cab in a Solo Tour is gonna be one of my favorites,” said McCreery. “Happy to have Anne Wilson join us on the road – she’s a great singer.  Depending on the city, either Greylan James or Noah Hicks will be opening up the show and they’re both fantastic performers. And who knows, maybe I’ll share a few songs from my upcoming new album! I’m looking forward to it!”
 
Tickets on sale Friday, Oct. 13 at 10 am local time. Purchase at ScottyMcCreery.com.

There are four pre-sales prior to Friday. Citi pre-sale begins today at 10 am local time through Thursday (Oct. 12) at 10 pm local time. Scotty McCreery Fan Club pre-sale begins today at 12 noon local time through Thursday (Oct. 12) at 10 pm local time. Anne Wilson Fan Club pre-sale begins tomorrow (Wednesday, Oct. 11) at 10 am local time through Thursday (Oct. 12) at 10 pm local time. Noah Hicks Fan Club and Greylan James Fan Club pre-sales begin on Thursday, Oct. 12 at 10 am local time through 10 pm local time that evening.

Cab in a Solo Tour Dates: 
1/26/2024        Troy                OH                  Hobart Arena +^
1/27/2024        Shipshewana   IN                    Blue Gate Performing Arts Center*^
2/1/2024          Durham           NC                  Durham Performing Arts Center +^
2/2/2024          Atlanta             GA                  Coca-Cola Roxy+^
2/3/2024          Chattanooga    TN                   Soldiers and Sailors Auditorium +^
2/8/2024          Brookings       SD                   Dacotah Bank Center +^
2/9/2024          Des Moines     IA                    Vibrant Music Hall+^
2/10/2024        Omaha             NE                   Steelhouse +^
2/22/2024        Independence  MO                  Cable Dahmer Arena +#
2/23/2024        Norman           OK                  Riverwind Casino
2/29/2024        Philadelphia    PA                   The Met +#
3/1/2024          Boston             MA                  MGM Music Hall at Fenway +#
3/2/2024          Syracuse          NY                  Landmark Theatre +#~
3/14/2024        Johnstown       PA                   1st Summit Arena +#
3/15/2024        Wallingford    CT                   Toyota Oakdale Theatre +#~
3/16/2024        Schenectady    NY                  Proctors Theatre +#~
 
*Previously Announced Date
+ Anne Wilson
^Greylan James
#Noah Hicks
~On sale October 20  
 
Written by McCreery, Frank Rogers and Brent Anderson and produced by Rogers, Derek Wells, and Aaron Eshuis, “Cab in a Solo” offers the first taste of new music from McCreery since the release of his 2021 album Same Truck. Stream “Cab in a Solo” HERE.
 
Upon its release, Taste of Country declared “McCreery’s country roots shine.” With a hint of neotraditional country and dash of 90’s country nostalgia, the heartbreak track finds the happily married father in unfamiliar territory – lamenting a failed relationship.

“Cab in a Solo” follows the recent success of “It Matters to Her” the fastest climbing single of McCreery’s career. The singer/songwriter has earned five consecutive No. 1 hits in the last few years including RIAA Platinum-certified No. 1 “Damn Strait” and RIAA Gold-certified No. 1 “You Time,” all found on Same Truck: The Deluxe Album. 
 
Earlier this summer McCreery joined the Brooks & Dunn REBOOT Tour 2023. He is currently out on the road for his own headlining tour with 25+ dates through the fall.
 
McCreery is among six inductees in the 2023 class scheduled to be enshrined in the North Carolina Music Hall of Fame during the annual induction ceremony this fall. The induction ceremony will take place on Thursday, October 19, 2023, at the Mooresville Performing Arts Center in Mooresville, N.C. VIP and General Reserved tickets are available HERE.
 
Previously Announced Headlining Dates
Oct. 12            Flint, MI                                  Capitol Theater Flint
Oct. 13            Winchester, VA                       Patsy Cline Theatre
Oct. 14            Harrisburg, NC                       Harrisburg Park Amphitheater
Oct. 20            Biloxi, MS                              Beau Rivage
Oct. 21            Hiawassee, GA                       Georgia Mountain Fairgrounds
Oct. 26            Edinburg, TX                          Bert Ogden Arena
Oct. 27            San Antonio, TX                     H-E-B Performance Hall – Tobin Center
Oct. 28            Ft. Worth, TX                         Billy Bob’s Texas
Nov. 4             Surf City, NC                          Southside Park
Nov. 17           Mashantucket, CT                  Foxwoods Resort and Casino
Nov. 18           Wilkes-Barre, PA                    F.M. Kirby Center for the Performing Arts
Nov. 19           New Philadelphia, OH            Kent State Tuscarawas Performing Arts Center
Nov. 30.          Roanoke, VA                            Berglund Performing Arts Center
Dec. 1              Wheeling, WV                        Capitol Theatre
Dec. 3              Nashville, TN                         Opry Country Christmas at the Grand Ole Opry
Dec. 6              Athens, OH                             Templeton Blackburn Alumni Memorial Auditorium
Dec. 7              Wabash, IN                             Honeywell Center      
Dec. 8              Ottumwa, IA                           Bridge View Center

McCreery will be back on the Opry stage on December 3 as part of “Opry Country Christmas.” Tickets can be purchased at Opry.com.

Lainey Wilson’s “Watermelon Moonshine” Hits No.1 At Country Radio

As the leading 2023 CMA nominee and reigning ACM Female Vocalist of The Year, “Watermelon Moonshine” hails as Wilson’s fifth consecutive #1song 

Multi award-winning singer songwriter and break-out actress, Lainey Wilson received her fifth consecutive No.1 song at Country Radio with “Watermelon Moonshine” off her critically acclaimed album, Bell Bottom Country.

“Watermelon Moonshine” follows as the second single from Bell Bottom Country, with the first being “Heart Like A Truck.” Earlier this month, “Watermelon Moonshine” also hit No.1 on Billboard’s Country airplay, making her the first solo female artist in two years to have a song reach No.1, and the female artist to have the most No.1’s on Billboard’s Country Airplay charts this decade. The last solo female to top the Billboard Country airplay was Wilson’s “Things a Man Oughta Know” in Sept. 2021. You can listen to “Watermelon Moonshine” HERE. 

“I’m so honored that 'Watermelon Moonshine' hit #1 on Country Radio this week! This song was co-written with two incredible songwriters, Josh Kear and Jordan Schmidt, and I couldn’t be more proud listening to folks sing it back at shows,” said Wilson. “This track represents the storytelling I grew up with and reflects on that young love we all like to reminisce on.”

Previously breaking the record for the shortest gap between No.1 singles at Country Radio this year with her song “Heart Like a Truck” and her “wait in the truck” collaboration with HARDY, there’s no sign of Wilson slowing down, as she continues to establish her prominence within the Country industry, most recently being named the most nominated artist at this year’s CMA Awards with a record-breaking nine nominations, including Album and Entertainer of The Year.

Already this year, Wilson has won four ACM Awards, two CMT Music Awards, three PCCA Awards, completed a 28-date sold-out headlining tour, made her Red Rocks Amphitheatre and Lollapalooza debut, was honored as Billboard Women in Music’s 2023 “Rulebreaker”, and started touring stadiums with Luke Combs as support on his world tour. Fans can also catch Lainey at festivals including Riverfront Revival, Rome River Jam, Desert Sky Music Festival, HARDY’s The Mockingbird & The Crow tour and at Wilson’s four sold-out “Wildflowers and Wild Horses” shows at NFR later this year. 

Photo Credit: Alyssa Gafkjen 

About Lainey Wilson:
As the leading female nominee and winner at the 2023 ACM awards with, Female Vocalist of the Year, Album of The Year, Visual Media and Musical Event of the Year and reigning CMA 2022 Female Vocalist and New Artist of the Year, Lainey Wilson has earned the enthusiasm of the industry. Critically-acclaimed and touted as a top “artist to watch,” to being crowned the most nominated artist at both the 2023 CMA Awards (with a record breaking nine nominations) and CMT Music Awards, the Louisiana native has made a name for herself in the industry as one of music’s hottest and most buzzed-about new artists. Landing her first No. 1 with her PLATINUM Certified ACM Song of the Year, “Things A Man Oughta Know,” nearly 10 years to the day after leaving her small farming community in a camper trailer to chase her dreams, she has won over legions of fans with her signature Bell Bottom Country sound and aesthetic, which blends traditional Country with a modern yet retro flare. A prolific and sought-after songwriter (having co-writer credits on songs by artists including Luke Combs, Flatland Calvary, and more), Lainey is a fresh, fierce voice in Nashville, delivering CMA-nominated album of the year with her label debut, Sayin’ What I’m Thinkin'. With a rockstar stage presence, her artistry has taken her across the globe, performing for sold-out crowds throughout the US, UK, and Germany with notable names like Jon Pardi, Luke Combs, Morgan Wallen, HARDY, Jason Aldean, Ashley McBryde, and more. After topping the country radio charts for a second time with the two-week No. 1 hit, “Never Say Never” with Cole Swindell, she recently achieved her third and fourth No. 1 song with “Heart Like a Truck” and HARDY collaboration “wait in the truck”. Her current single “Watermelon Moonshine” topped the Country charts marking her fifth No. 1 single and making her the first female artist in two years to reach No. 1 on the Billboard Country airplay chart.  Her critically acclaimed album, Bell Bottom Country, reached No. 9 on Billboard’s Country Albums Chart, quickly rose to No. 1 on iTunes charts and has amassed over 650 million streams to date. Wilson made her acting debut in Season 5 of the smash hit series Yellowstone as a musician character named Abby, where she premiered her original “Smell Like Smoke” as well as showcased other hits off her recent album including “Watermelon Moonshine” and “Hold My Halo”. Adding to her growing list of endeavors, Wilson was recently named “Tractor Supply Brand Ambassador,” was honored at Billboard’s Women in Music Awards with the Rulebreaker Award, and most recently joined forces with Wrangler as the face of their 2023 fall/winter women's collection. 

KEEP UP WITH LAINEY WILSON

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | X | FACEBOOK

END Share "Thaw" Video — WATCH

END — guitarist Will Putney, vocalist Brendan Murphy, guitarist Gregory Thomas, bassist Jay Pepito, and drummer Matt Guglielmo — will release their second album The Sin of Human Frailty on October 27 via Closed Casket Activities. Pre-order it here.

Today, the band has shared the video for "Thaw," featuring Heriot's Debbie Gough.

 Watch the video, full of frenetic visuals, below.
 

"'Thaw' is a thematically more bizarre exploration into electronics for END," the band shares. "It's a very boundary-less song and one of the more self-fulfilling moments found in the writing process.  As a musician, it's important to express the purest intent of your thoughts, and sometimes that requires reaching beyond the normal instrumentation one is accustomed to. The result is something new for us, but also a part of us. Thank you to Debbie Gough of Heriot for lending her voice to the track. And thank you for giving this new creative passage a listen."

END initially materialized during 2017. The group's From the Unforgiving Arms of God EP spawned the fan favorite "Necessary Death," and lead to a signing with label Closed Casket Activities.

Highlighted by "Covet Not" and "Absence," the band bulldozed the senses with their 2020 full-length debut, Splinters From an Ever-Changing Face. Brooklyn Vegan hailed "Pariah" as "an absolutely filthy dose of modern metalcore," and Kerrang! went as far as to describe their debut LP as "catharsis fed through a distortion pedal and shaped into a dense, destructive wrecking ball." Perhaps, Invisible Oranges put it best" "These gentlemen have come together to summon a fury seldom heard on any album from the realms of hardcore, grind, and black metal…"

In 2023, the members congregated once again to write and recorded what would become this sophomore release. "Part of the goal was to do things our way," states Putney. "We didn't want to lean on our influences too heavily, whether it's in terms of production, guitar tone, arrangement, or other elements. We were like, 'Let's just make a record that sounds like END.' I feel like there's more of an identity to the band than there has ever been on this record." The final result is a unique blend of HM2 driven Grind and Metallic Hardcore cross over with moments of Industrial chaos over ten tracks. Featuring guest vocal appearances by J.R. Hayes (Pig Destroyer), Debbie Gough (Heriot), and Dylan Walker (Full of Hell), this Graphic Nature Audio recording clocks in over 30 minutes of unhinged aggression and grind. Produced and engineered by Will Putney and featuring the art of Alex Eckman-Lawn, this release pushes the complexity of END both sonically and visually. Vinyl comes packaged in a ten panel die-cut jacket, pressed on deluxe colored vinyl and with a digital download code.

END ON TOUR:
WITH FULL OF HELL, INTER ARMA, + WAKE:
10/26 — Philadelphia, PA — Underground Arts 
10/27 — Baltimore, MD — Baltimore Soundstage 
10/28 — Cincinnati, OH — Legends Bar & Venue 
10/30 — Oklahoma City, OK — 89th Street 
10/31 — Austin, TX — Elysium 
11/02 — Mesa, AZ — Nile Theater 
11/03 — San Diego, CA — Brick By Brick 
11/04 — Los Angeles, CA — Lodge Room 
11/05 — San Francisco, CA — Great American Music Hall 
11/07 — Albuquerque, NM — Launchpad 
11/08 — Denver, CO — The Bluebird Theater 
11/10 — St Paul, MN — The Amsterdam 
11/11 — Chicago, IL — Avondale Music Hall 
11/12 — Detroit, MI — Sanctuary 
11/13 — Cleveland, OH — No Class 
11/14 — Toronto, ON — Lee's Palace 
11/15 — Montreal, QC — Les Foufounes Electriques 
11/16 — Cambridge, MA — Middle East/Downstairs 
11/17 — Hamden, CT — Space Ballroom 
11/18 — Brooklyn, NY — Monarch 

Thornhill Share "Viper Room" Video — WATCH

A palpitating fusion of swagger, driving beats, and swooning melodics alongside razor-sharp guitars, "Viper Room" is Thornhill at their most potent to date, drawing to mind the feverish urgency of early Muse with the trademark Thorny rock 'n' roll wizardry.

Also accompanied by a brand new music video featuring a lurid narrative worthy of Hollywood's own infamous club of the same name, "Viper Room" lavishly introduces the first new Thornhill material since their ARIA-nominated 2022 album Heroine — and it's a theatrical rock masterstroke.

"'Viper Room' discusses a one-sided urge to keep pursuing an individual out of stubborn lust and fear, even when given explicit warning to move on," the band states.

Thornhill solidified an undeniable reputation an innovative and immersive heavy act in the Australian scene. Debuting at #3 on the ARIA Album chart, Heroine also debuted at #1 on the Australian Album chart, and has since had more than 8.5 million streams to date.

Rounding out a huge 2022 appearing at Good Things Festival with headliners Bring Me The Horizon and many more in Melbourne, Sydney and Brisbane, Thornhill also ticked off some of their biggest Australian shows to date last year, selling out most of their headline tour, supporting The Butterfly Effect nationally, and performing their first ever U.S. headline shows on the East Coast, along with supporting ERRA and Alpha Wolf.

Amassing a heaving array of accolades over the years, including triple j's Feature Album and additions to countless Best Of The Year listings for their 2019 release The Dark Pool, Thornhill completed a regional Australian headline tour earlier this year as well as a mammoth North American run supporting The Plot In You and a performance in the UK for Radar Fest alongside Sleep Token, Monuments, and many more.

Pete International Airport releases 'Tic Tac' 7" vinyl version feat. Slowdive's Rachel Goswell - * PIA's new album 'It Felt Like the End of the World' is out now

Portland-based Pete International Airport has released 'Tic Tac' 7" vinyl version via Little Cloud Records, pressed on translucent yellow vinyl.  Featuring Slowdive goddess Rachel Goswell as both vocalist and co-writer, the single is complemented by a remix by the iconic Anton Newcombe (The Brian Jonestown Massacre) as the B-side.

Pete International Airport is the brainchild of guitarist Peter G. Holmström of The Dandy Warhols.  Named after one of their songs, this eclectic project builds immersive soundscapes that are also classic, catchy songs.  Holmström has an uncanny ability to curate, with a penchant for dropping collaborators into challenging creative spaces—both virtual and actual—then letting them duke it out.

'Tic Tac' is lifted from PIA's recently released third album 'It Felt Like The End of the World' - a meticulously crafted psychedelic rock journey into the dark heart of electronica.

"I co-wrote 'Tic Tac'. I bought his last album and I really liked it. Peter Holmström has different singers on each song and co-writes with everybody, which I think is a really interesting way to work. Obviously, Pete is a guitarist, first and foremost, and a very good one. He sent me music for 'Tic Tac, and it's actually changed a lot. It was a lot more guitar-y, the original musical piece that he sent me, and it got really stripped down and changed," says Rachel Goswell.

"I think he sent me that in 2020. That was a COVID lockdown year and I had a lot of stuff going on. It took me I think nearly about a year to actually get around to sitting down properly and writing it. I kept procrastinating about doing it and then once I'd done it, I was really pleased with it. But I think as a record, there's some great songs on it. I didn't know who else had written with him on this record, I was just really happy to be a part of it. It is quite a broad spectrum musically, and quite eclectic."

'Tic Tac' 7" feat. Rachel Goswell https://peteinternationalairport.bandcamp.com/album/tic-tac
Spotify  https://open.spotify.com/track/3YEpq8aiiUcYTQgjNs6zYe

'It Felt Like The End of the World' LP  https://peteinternationalairport.bandcamp.com/album/it-felt-like-the-end-of-the-world 
Vinyl order  https://bit.ly/3ZK7XNa
Spotify  https://open.spotify.com/album/17F3GvmGjaXZK7Eb28YHhL

This album features numerous other guests, including Alexander Hackett (Pang Attack) Lisa Elle (Dark Horses), Dion Lunadon (A Place To Bury Strangers, The D4), and Cheap Trick's Tom Petersson on 12-string bass, each tangling with PIA’s usual coterie of musical foils with songs merging into Holmström’s hyper-stylized world of symbols, themes and archetypes.

Mixed by Jeremy Sherrer at Spooky Electric Co. (Modest Mouse, The Shins, The Dandy Warhols), it was mastered by Dave Coley at Elysian Mastering.

'It Felt Like The End of the World' is available from fine digital platforms, such as Spotify, Apple Music and Bandcamp, where it is also available on CD and a Deluxe double-album in a gatefold sleeve, pressed on transparent vinyl with an orange blob or on transparent vinyl with a purple blob.

The 'Tic Tac' 7" release is available exclusively via Pete International Airport's Bandcamp, and also via The Dandy Warhols.

CREDITS
Music written by Peter G. Holmström
Vocals and lyrics by Rachel Goswell (Slowdive, Mojave 3)
Remix by Anton Newcombe (The Brian Jonestown Massacre)
Mixed by Jeremy Sherrer at Spooky Electric Co.
Mastered by Dave Coley at Elysian Mastering
Album art by Francesca Bonci
Artist photos by Mary Martley


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UK indiepop duo KARAMELIEN previews 'Digital Imogen' on the dangers of obsessive filtering. New album is out October 27

''A true work of beauty and professionalism, taking you to your very own ascension heights" ~ Amplify Music Magazine
 
"Upbeat, a joyous folk-rock affair... bedecked in kaleidoscopic sixties sparkle, a slight splash of psychedelia and a whole tsunami of charm and grace" ~ Big Takeover Magazine

"A hug of soulful indie pop with groove as infectious as its melodic breath and lyrical smile is poetic... seductive captivation" ~ Ringmaster Review


Ahead of releasing their debut album 'Living With The Moon', indie pop-rock duo Karamelien presents their new single 'Digital Imogen', a feisty in tongue-in-cheek warning of the dangers of society's worrying obsession with filtering our own photos on social media.

Based in East Grinstead, Karamelien is singer-songwriter Léanie Kaleido and guitarist Mark Foster - two long-time friends, whose music has forged an even stronger bond between them.

Bassist Lee Pomeroy (ELO, Take That, Rick Wakeman, Yes) also plays on this ballsy tune, giving an appreciative nod to indie goddess Shirley Manson of Garbage, a huge influence on Léanie in the 1990s.

The track was recorded and produced by Ian Caple (Massive Attack, Tricky, Mansun, Tindersticks, Vanessa Paradis). As EMI's in-house engineer back in the day, Ian was privileged to have worked with Kate Bush on her demos (and don't tell anyone but Simon Cowell was allegedly his tea boy back then!)

The track came about when Léanie was thinking about a friend called Imogen and her love of wordplay led her to conjure up Digital Imogen. With social media-fuelled pressure on young people to use filters to change people's features and airbrush impurities, Léanie decided to use this title as a semi-lighthearted protest at this unnerving pressure to look 'cartoon perfect' all the time.

 Album order  https://karamelien.bandcamp.com/album/living-with-the-moon-2
'Digital Imogen' single  https://ditto.fm/digital-imogen
Bandcamp https://karamelien.bandcamp.com/track/digital-imogen
Spotify  https://open.spotify.com/artist/1elrvczndFHZhvhdEv7rBJ 
Apple Music  https://music.apple.com/ca/artist/karamelien/1636277866

"I once interviewed Shirley from Garbage back in my days as a music journalist, and I always admired her gorgeously unflinching power and attitude. I'm hoping this song has shown that side of me, just a little bit. And Mark Foster's immense guitars have really brought this track to life and given it the balls it needed. He's such a dude!" says Léanie Kaleido.

"Imagine getting so obsessed with your 'perfect', filtered online self that you actually get too scared to even go out any more, in case you're seen as your true self? That's what Digital Imogen is about. Even though the name was inspired by a friend, she's nothing like Digital Imogen - she's a really cool person who doesn't give in to the crappy obsession with changing how we look. We should all be like the real Imogen, not the Digital one."

Mark Foster adds, "We wanted the guitars to sound pretty processed, and a little bit ugly - which I think we achieved! I was definitely channelling the spirit of Sonic Youth, J Mascis, and a host of other beautiful noise-niks on this one".
 
This follows the album's title track 'Living With The Moon' - an upbeat, breezy guitar-driven anthem that gives the musical finger to the armchair critics. At the same time, it addresses coming to terms with the ongoing struggle with mental health and embracing the ups and downs and ebbs and flows of life and all its mysteries.

Earlier, Karamelien released the single 'Wait For Me' featuring piano, mixing and production by Chris Mars (A Flock of Seagulls, Damian Wilson) and two tracks produced by RIDE's Mark Gardener at OX4 Sound Studio - 'Lionhearts' and the epic 'Ascension Heights', which features a guitar sample from Léanie's late father Top Topham (original founding guitarist of The Yardbirds). This particular song also features bassist Mo Pleasure (Earth, Wind & Fire, Michael Jackson) and involved Paul Statham (Dido, Simple Minds, Kylie Minogue).

As of October 9, the 'Digital Imogen' single is available on Spotify, Apple Music and Bandcamp. The full album, which will be released on October 27, is now available for pre-order via Bandcamp.

CREDITS
Written by Léanie Kaleido
Léanie Kaleido – vocals, piano, keys, tenor electric guitar
Mark Foster – guitars
Lee Pomeroy – bass
Produced by Ian Caple Recording
Mastered by Jon Astley  
Mark Foster - artistic director

BASK Announce 10-Year Anniversary Tour

Bask have taken us on quite a long, strange and headbanging trip. Ten years ago, the band came thundering down from the mountains of North Carolina with their debut album. 'American Hollow' cast their pastoral landscapes in in country-twinged doom, but on the next two albums, the hearty four-piece painted with a headier and heavier brush.

Now that they've got a solid decade under their belts, Bask are ready to keep on trucking. This December, they're touring up and down the East Coast, with three shows around their home state. These guys are no strangers to the open road either. They've toured with everyone from High on Fire and Pallbearer to Guided By Voices, honing their steamrolling riffs and trippy visuals for anyone who's in search of a good vibe.

Bask will play songs from across their wide-ranging discography, including cuts off their most recent release. 'III' was named one of the best records of 2019 by Metal Injection. Stream, download or purchase the album HERE.

Dates
December 9 - Charlotte, NC @ Snug Harbor [TICKETS]
December 10 - Richmond, VA @ Get Tight Lounge [TICKETS]
December 12 - Brooklyn, NY @ Saint Vitus [TICKETS]
December 13 - Boston, MA @ O'Brien's Pub [TICKETS]
December 14 - Philadelphia, PA @ Kung Fu Necktie [TICKETS]
December 15 - Chapel Hill, NC @ Local 506 [TICKETS]
December 16 - Asheville, NC @ Eulogy [TICKETS] *FREE SHOW*

Categorizing musical style often acts as a shortcut.  It allows us to quickly find what we think we’ll like and while defining a band by genre can be a positive for attracting new listeners, these barriers can also be limiting and may hinder our discovery of music that may inspire, embolden and provoke us.  Sometimes categories need to be broken and those limiting genre demarcations need to be shattered so that new musical expressions can emerge without limits.  North Carolina’s Bask is one of those special acts that transcend through even the most detailed categorizations in order to genuinely break new ground and take the listener on a journey of musical discovery that is acutely novel yet also warmly familiar.

Hailing from Carolina’s storied Blue Ridge Mountains, Bask was fully conceived in the fall of 2013 when guitarist Ray Worth, drummer Scott Middleton, bassist Jesse Van Note, and guitarist/vocalist Zeb Camp came together to produce sounds that were properly reflective of the lush yet rugged Appalachian habitat. The band’s newest record, ‘III,’ showcases a soulful juxtaposition of Americana rock ‘n’ roll with progressive and psychedelic elements, separating Bask from your average rock band from the South.

Since forming in 2013, Bask has released two formidable and critically acclaimed full lengths: “American Hollow” (2014) and “Ramble Beyond” (2017). The band has toured North America and Europe with the grammy award-winning HIGH ON FIRE and WEEDEATER, as well as other contemporary genre-challenging acts like PALLBEARER, KAYO DOT, ROYAL THUNDER and BLACK TUSK. The Carolinians have also successfully shared bills with a range of diverse artists, from GUIDED BY VOICES to CARCASS and even REFUSED. They’ve been featured on festivals such as Desert Fest Berlin and London, New England’s RPM Fest, Speedfest in the Netherlands, and Heavy Mountain in Asheville, NC.  

Each song on ‘III’ is inspired by legend, folklore, or mythology, reexamining characters and situations that are often misunderstood, overlooked or requiring deeper introspection. “III” fervently embraces the natural world, the cyclical nature of our human experience, and grapples with the some of the hardships of those events and happenings that make us who we really are.

Bask’s sound has been described as progressive and cinematic, containing glimpses of their native region’s unique tonality and heartfelt heaviness; something they unequivocally prove with ‘III.’ While expertly crafted songs like the incredibly catchy “New Dominion” and the rockin’ “Stone Eyed” present a heavier dynamic from the band, tracks like “Maiden Mother Crone” and “Rid of You” serve up a melancholy elegance that showcases the band’s roots, adding to the record’s vast yet cohesive dimensions. “Noble Daughters II-The Bow” combines heavy groove with accessible classic guitar rock sensibilities and dreamy sonicscapes.  The diversity in the record is cognizant of the band’s wealth of influences and the songs are crafted so intriguingly that the listener is often eagerly awaiting what’s coming next. 

“We just want to play heavy music from the heart.”
Scott Middleton, Bask

From the warm vocals and melodically homespun guitars of the opener “Three White Feet”, ‘III’ is sure to take the listener on an emotional journey through its many peaks and valleys. The record is something you just must hear for yourself to truly grasp both the depths and practicable complexities of Bask.  This is Americana.  This is soul.  And you simply haven’t heard this before.

Line-up:
Jesse Van Note – bass
Scott Middleton – drums
Ray Worth – guitar
Zeb Camp – guitar/vocals

Guest Musicians:
Jed Willis - Pedal Steel on “Maiden Mother Crone”
Meg Mulhearn - Violin on “Maiden Mother Crone”

Recording and Mixing: Matt Bayles @ Echo Mountain Studio (Asheville, NC)

Mastering: Brad Boatright @ Audio Siege

Cover Art: Adam Burke

Photo Credits: Jameykay & Arlie

Bio: Jeff Podoshen

Genre: Psychedelic rock

Available Formats: CD digipak, Vinyl (Coloured and Black)

For more on BASK, visit their official FACEBOOK, BANDCAMP, TWITTER, WEBSITE, and INSTAGRAM.

For more on SEASON OF MIST artists, visit our official WEBSITE, FACEBOOK, INSTAGRAM, YOUTUBE, and TWITTER.

METAL ALLEGIANCE SET TO ROCK ANAHEIM WITH SPECIAL 10th ANNIVERSARY SHOW ON JANUARY 25TH 2024

METAL ALLEGIANCE began as a celebration of heavy metal, powered by the almost tribal bond shared between the extreme music community’s most revered trailblazers, armed with a list of contributors onstage (and off) that read like a Wikipedia entry on the genre itself. 

On January 25th 2024, the band will re-assemble at The House Of Blues Anaheim for the bands 10th anniversary celebration (which will also coincide with the return of the Winter NAMM show). The night will be sponsored by Dean Guitars, ddrum and Heavys Headphones, with opening acts being Dieth, Held Hostage and QUOR. 
 
The last time Metal Allegiance played at the House of Blues Anaheim was in 2020, right before the world shut down; the show garnered rave reviews, such as North East Rock Review saying "I have attended a couple Metal Allegiance shows over the years and they seem to get better every year. When attending the NAMM show, this is one of the shows not to miss." Additionally, LA Metal Media added, "Metal Allegiance is an incredible coalition of the metal community’s most incredible and notable musicians today; a coalition that pays tribute to some of the best metal music ever written. Be sure to check out this amazing assembly of metal greats if you can whenever they play live."

Metal Hammer raved about one of their past Anaheim shows, "Tonight the mayhem rises exponentially as a platoon of legends descends on the House of Blues – tucked deep in the heart of downtown Disney – even the besieged bar staff pause to witness the carnage.”

“When Metal Allegiance first came together in 2014, no one could have guessed that ten years later, we’d be planning this anniversary show. The world feels different now than it did then, but we’re still here, music still unites and that is cause to celebrate. Among the many MA highlights over the past decade have been our shows in Anaheim, which always create a lot of great memories. This time will be no exception and no better way to mark our ten-year milestone. See you there!” - Alex Skolnick
 
Tickets can be purchased starting October 13 via Ticketmaster here https://tinyurl.com/4zxafxvh
 
Also available will be a VIP upgrade package, which will include:
 
• Early access into the venue
• Exclusive pre-show Meet & Greet with members of Metal Allegiance 
• Personal photograph & autograph signing with members of Metal Allegiance
• Collectible show poster (which they'll happily sign for you)
• Official Meet & Greet VIP laminate
• Crowd-fee access to the merch booth
 
VIP packages can be purchased via http://metalallegiance.bigcartel.com/product/vip-meet-greet-hob-2024

Please keep in mind that this is a VIP upgrade only.  A ticket to the concert is required to attend pre-show meet & greet.

“I never in my life imagined a band like MA would exist, let alone write and record one record… here we are a few records, an EP and many shows/tours later celebrating our 10th year of existence. Pretty surreal. It’s been a minute since the ‘Core4’ have been in the same room. Excited to see my brothers, jam and laugh w/ them again. Only one place to kick off the festivities and that's our home away from home at the House of Blues in Anaheim Cal-i-forn-i-A.” - Mark Menghi
 
Since the band's inception in 2014, Metal Allegiance is comprised of the core 4 members of (Mark Menghi – bass, songwriter, Alex Skolnick – guitars, David Ellefson – bass, and Mike Portnoy – drums), and has issued two full-lengths (2015's self-titled debut and 2018's Volume II: Power Drunk Majesty) and an EP (2016's Fallen Heroes). 
 
In addition to Menghi, Portnoy, Skolnick, and Ellefson, the show will feature John Bush (Armored Saint), Chuck Billy (Testament), Troy Sanders (Mastodon), Brann Dailor (Mastodon), Andreas Kisser (Sepultura), Bobby Blitz (Overkill), Gary Holt (Exodus/Slayer), Doc Coyle (Bad Wolves / God Forbid), Hel Pyre (Nervosa) and Chris Poland (ex-Megadeth), among others in addition to their usual unannounced surprise guests.

Members of Metal Allegiance are certainly looking forward to the show:
  
“Metal Allegiance’s annual Anaheim shows are always one of the metal events of the year! This will be our return to Anaheim for the first time since our last show there weeks before the world shut down at the beginning of 2020, so I can’t wait to get back and throw down with my metal brothers and sisters once again! \m/ “ - Mike Portnoy 
 
“It’s hard to believe it's been 10 years since we started Metal Allegiance out on the Motorhead Motorboat Cruise, but here we are, a couple of albums and a whole bunch of shows later, celebrating the strength and resilience of heavy metal together. Looking forward to the show as everything is back in the swing during NAMM 2024!” - David Ellefson
 
“Great to be part of this killer 10-year event with MA. The head-banging doesn't get any better than this!” - Bobby Blitz (Overkill)
 
“I am thrilled to get the band back together for a 10th anniversary Metal Allegiance throwdown! We look forward to another memorable show with all our friends!” - Troy Sanders (Mastodon)

“So stoked to be able to return once again to Metal Allegiance for the 10-year anniversary of the world's foremost collection of metal maniacs, all sharing a stage together! It’s been way too long, I am fired up for this! Bring it on!” - Gary Holt (Exodus / Slayer)
 

FOR MORE INFORMATION, VISIT:
http://metalallegiance.com 

METAL GODS JUDAS PRIEST ANNOUNCE NEW STUDIO ALBUM AND NEW SINGLE!

Following a storming headline show at Power Trip Festival in California last night, metal icons Judas Priest announced on stage the arrival of a brand-new studio album entitled Invincible Shield, set for release on March 8, 2024, via Epic Records. “Panic Attack,” the first single from the album, will be released this Friday, October 13, 2023.  The album is now available to pre-order here.

Power Trip festival took place at the weekend and saw the biggest names in metal gather for this sold-out event, where everyone from Metallica to Iron Maiden and AC/DC performed alongside the mighty Priest. Their surprise on-stage announcement was made to 200,000 fans at the festival and sent a shockwave of excitement amongst their loyal followers across the globe.

The undisputed hardest working band in metal will also be embarking on a world tour in 2024, the with the UK leg kicking off in Glasgow on March 11th and includes a show at London’s OVO Wembley Arena on March 21st.

Over the past 50 years Judas Priest have sold over 50 million albums worldwide and headlined the world’s biggest stadiums.  With their evolving music and live performances also came a powerful unique identity, a look which has both defined the group and influenced future generations of metal bands the world over.  With each year the Judas Priest legend continues to grow; 2022 saw them inducted into the Rock & Roll Hall of Fame and complete a sold-out rescheduled world tour in support of their 50th Anniversary.  As we roll into 2024, Judas Priest continue to retain their crown as one of the biggest and best bands in the world.

Follow Judas Priest:
Instagram | TikTok | Facebook | Twitter  |
YouTube

Photo credit: James Hodges Photography