New Heavy Music From Banks Arcade — LISTEN + WATCH

Banks Arcade unleash their new album SECOND PLACE SUPERSTAR, a bold and emotionally charged statement from a band that has never been interested in fitting neatly into one genre. Blurring the boundaries between modern metal, alternative electronic music and hip-hop, the record captures Banks Arcade at their most ambitious, unpredictable and personal yet.

Built on contrast, SECOND PLACE SUPERSTAR moves effortlessly between crushing heaviness, infectious melodies, electronic experimentation and moments of striking vulnerability. Rather than settling into a single sound, Banks Arcade use the album to push their identity further, bringing together the raw physicality of metal with the maximalist energy of contemporary alternative music. It is an approach deeply rooted in the band’s history, drawing inspiration from underground electronic artists, modern hip hop and classic metalcore while constantly searching for something unmistakably their own.

Arriving alongside the album is "Last Time," a track that perfectly captures its more vulnerable and melodic side. Trading sheer aggression for emotional weight, the song explores the desperate final moments of a relationship that already feels like it is slipping away. Love, regret, and self-sabotage collide with the hope that maybe this time things could end differently.

Brooding production gives way to soaring, confessional hooks as the lyrics turn heartbreak into something visceral. Images of spilling blood like red wine, stitching a broken heart back together and being pushed to the point of flatlining underline the song’s tension between devotion and destruction. At its core, "Last Time" is about wanting to become enough for someone while knowing that your own patterns may ultimately drive them away. That push and pull between hope and resignation makes it a powerful representation of the emotional world surrounding SECOND PLACE SUPERSTAR.

That sense of reinvention has defined Banks Arcade from the beginning. Forged through the partnership of two best friends whose backgrounds stretch from jazz degrees to professional MMA fighting, the band emerged from New Zealand through constant relocation, struggle and an uncompromising drive to create something different. Those experiences became the foundation for a musical identity built around evolution rather than convention.

In recent years, Banks Arcade have transformed from New Zealand underdogs into an internationally established name in modern heavy music. The band have sold out headline shows across the Southern Hemisphere, taken their uncompromising live show to international stages including Download Festival, and shared stages with the likes of The Plot In You, Northlane, and Thornhill.

With SECOND PLACE SUPERSTAR, Banks Arcade continue exactly what has driven them from the start: dismantling expectations of what a modern heavy band should sound like. Heavy without being confined by heaviness, melodic without sacrificing intensity and experimental without losing its emotional core, the album brings together the many sides of Banks Arcade into their most expansive statement yet.

SECOND PLACE SUPERSTAR is out now via Arising Empire
 
BANKS ARCADE ON TOUR:


10/9 — Marrickville, AUS — From Ashes To New
10/11 — Melbourne, AUS — From Ashes To New
10/13 — Adelaide, AUS — From Ashes To New
10/15 — Newstead, AUS — From Ashes To New
1/17 — Sydney, AUS — Hellbound 2027

New Heavy Music From thrown

Swedish heavyweights thrown have officially launched the pre-order for their highly anticipated new album UNWANTED, set for release on November 6 via Arising Empire.

Few bands in modern heavy music have experienced a rise quite like thrown. In just a few years, the Swedish four-piece have gone from one of the scene's most exciting new names to a genuine international phenomenon, building a massive global audience with a sound that is instantly recognizable, relentlessly heavy, and impossible to ignore.

Now, UNWANTED captures thrown at the height of that momentum.

Following the impact of their acclaimed debut album EXCESSIVE GUILT, the new record takes everything that has made thrown one of today's most exciting heavy acts and pushes it even further. Crushing grooves collide with hardcore aggression, nu metal swagger, and an almost instinctive sense for hooks, creating songs that are brutally direct without sacrificing their infectious quality.

Lyrically, UNWANTED retains the raw honesty and confrontational attitude that have become inseparable from thrown. Frustration, self-reflection, resentment, isolation, and the absurdity of dealing with other people all find their way into the record, but rarely without the sarcasm, confidence, and blunt humor that give the band their unmistakable personality. Rather than dwelling on darkness, thrown turn it into fuel.

The first three singles have already demonstrated exactly how powerful that combination can be. "split" marked the beginning of this new chapter with a frantic collision of crushing heaviness and internal chaos. "rehearsed" followed with enormous grooves and a venomous edge, while "critic" turned outside noise and unsolicited opinions into a defiant statement from a band increasingly comfortable doing things entirely on their own terms.

Together, the tracks offer the first glimpse of an album that feels unmistakably thrown while showing just how far the band have come. UNWANTED is compact, aggressive, addictive, and built around impact. There is no unnecessary excess and barely a second wasted. That approach has propelled thrown to a level few emerging heavy bands reach this quickly.

Their 2022 debut EP EXTENDED PAIN surpassed 50 million streams across just five tracks and remained in Spotify's Global Metal Top 200 for almost a year. The momentum exploded further with 2024's EXCESSIVE GUILT, an eleven-track debut album delivered in little more than twenty minutes. Since then, thrown have grown to more than 1.5 million monthly listeners on Spotify and accumulated well over 100 million streams worldwide, establishing themselves as one of the biggest breakout stories in contemporary heavy music.

Their impact reaches far beyond streaming. thrown have taken their explosive live show across North America, Europe and Australia, touring alongside artists including Knocked Loose, Fit For A King, Counterparts, While She Sleeps, and Wage War, while steadily building an international headline audience of their own.

The band's remarkable ascent has also been recognised by the wider heavy music community. thrown took home Best Breakthrough Live Artist at the Heavy Music Awards in 2024, followed by Best Breakthrough Album in 2025, further underlining their position among the leading names of a new generation of heavy music.

At the centre of it all are Marcus Lundqvist on vocals, Johan Liljeblad and Andreas Malm on guitars, and drummer and producer Buster Odeholm. Together, they have created a sound that pulls from hardcore, metalcore, and nu metal while belonging completely to thrown: Massive grooves, abrasive production, unforgettable hooks and songs designed to hit immediately.

With UNWANTED, thrown are no longer simply proving why they are one of heavy music’s most exciting breakthrough bands. They are showing exactly why they have become one of the most compelling heavy acts of their generation.

No filler. No compromise. No slowing down.​

thrown LIVE:

10/1 — Asbury Park, United States — House Of Independents
10/2 — Allentown, United States — Archer Music Hall
10/3 — Norwalk, United States — District Music Hall
10/4 — Worcester, United States — Palladium
10/6 — Grand Rapids, United States — Elevation
10/7 — Milwaukee, United States — The Rave / Eagles Club
10/8 — Minneapolis, United States — Varsity Theater
10/9 — Kansas City, United States — The Truman
10/11 — Birmingham, United States — Furnace Fest 2026
10/13 — Jacksonville, United States — The Albatross
10/14 — Tampa, United States — The Orpheum
10/16 — Greenville, United States — Radio Room
10/17 — Greensboro, United States — Hangar 1819
10/31 — Göppingen, Germany — Core Fest 2026
11/27 — Johanneshov, Sweden — Fållan
11/29 — Hamburg, Germany — Grosse Freiheit 36
11/30 — Berlin, Germany — Huxleys Neue Welt
12/1 — Wien, Austria — Gasometer
12/3 — München, Germany — TonHalle München
12/4 — Wiesbaden, Germany — Schlachthof Wiesbaden
12/5 — Köln, Germany — Palladium Köln
12/6 — Paris, France — Élysée Montmartre
12/8 — Tilburg, Netherlands — Poppodium 013
12/9 — Antwerpen, Belgium — Trix
12/11 — Manchester, United Kingdom — Academy
12/12 — Glasgow, United Kingdom — O2 Academy Glasgow
12/13 — London, United Kingdom — Troxy
2/3 — Fremantle, Australia — Freo Social
2/5 — Hindmarsh, Australia — The Gov
2/7 — Melbourne, Australia — Forum Melbourne
2/10 — Bruce, Australia — UC Hub
2/11 — Moore Park, Australia — Liberty Hall
2/12 — Newcastle, Australia — King Street Hotel
2/13 — Brisbane, Australia — The Tivoli

THUNDERMOTHER Announce New Album "Mothers of Thunder" Out February 5, 2027

Swedish hard rock queens THUNDERMOTHER are back with their Napalm Records studio debut, Mothers of Thunder, out on February 5, 2027. Their seventh album once again proves that the genre's leading ladies can do everything men could — and maybe even better. Their rock 'n' roll vibe comes in with dirty riffs and cheeky lines, the powerful delivery begging for energetic live shows.

THUNDERMOTHER have previously proven to excel at just that: after opening for the legendary Scorpions and Judas Priest, playing at iconic festivals like Wacken Open Air, Summer Breeze, or Sweden Rock, and releasing their first live album, Live'n'Alive, in 2026, the four-piece is ready for a new era. Mothers of Thunder is high-energy encouragement for women as well as thrilling, head-bopping fun for everyone else.

Along with the announcement, THUNDERMOTHER turn the genre on its head with the first single, ''Bimbo Boost." Playing the epic riff to Deep Purple's "Smoke On The Water'' backwards, the four-piece addresses the pressure on female artists to always look perfect when going on stage — an expectation that passes by male musicians.

THUNDERMOTHER about '"Bimbo Boost'":
''It's damn hard being a woman. We have to do our makeup, straighten our hair, reverse aging, and always look our best. It's exhausting. We wish we had a magic guitar booster pedal that instantly did all of that for us! We love making fun music videos, and this time we went bananas!”

Watch the Official Music Video for ''Bimbo Boost'' Below:

With their seventh album, THUNDERMOTHER take a step to become nothing less than rock goddesses. Mothers of Thunder is their time to shine, putting genre colleagues in their places with ease. The future belongs to THUNDERMOTHER!

THUNDERMOTHER about Mothers of Thunder:
''We know that it's what every band says when they're releasing a new album, but this time it's true. This is the best THUNDERMOTHER album yet! The songwriting, the playing, and the lyrical themes have reached the next level, and we can't wait to share Mothers of Thunder with the world!

"Mothers of Thunder has killer riffs, groovy grooves, and powerful vocals paired with fun energy and the occasional serious tone. But most importantly, it has Filippa, Joan, Linnéa, and Majsan! Our musicianship gets a real chance to shine, and I think you can hear how much fun we're having through your speakers.

"This album is for you, the old fans, the new fans, and the future fans. Together we will make sure to keep rock'n'roll alive and kicking! We are THUNDERMOTHER, and this is Mothers of Thunder. Play it loud, sing along, and don't forget to ROCK!”

Get Your Copy Of Mothers of Thunder NOW!

THUNDERMOTHER LIVE 2026:
FESTIVALS:
11/14 — Vikingline, SE — Rock at Sea

MOTHERS OF THUNDER TOUR 2027:
WITH BONAFIDE:

2/19 — Utrecht, NL — Tivoli Vredenburg
2/20 — Cologne, DE — Live Music Hall
2/21 — Bochum, DE — Zeche
2/23 — Bensheim, DE — Musiktheater Rex
2/24 — Salzburg, AT — Rockhouse
2/26 — Obertraubling, DE — Airport Eventhall*
2/27 — Munich, DE — Backstage
2/28 — Memmingen, DE — Kaminwerk
3/2 — Zurich, CH — Dynamo
3/3 — Aschaffenburg, DE — Colos-Saal
3/5 — Stuttgart, DE — Im Wizemann
3/6 — Saarbrucken, DE — Garage
3/7 — Hanover, DE — Capitol
*THUNDERMOTHER ONLY

WITH THE KARMA EFFECT:
3/19 — Hamburg, DE — Große Freiheit 36
3/20 — Berlin, DE — Festsaal Kreuzberg
3/21 — Nuremberg, DE — Hirsch
3/23 — Linz, AT — Posthof
3/24 — Budapest, HU — Barba Negra
3/26 — Vienna, AT — SIMM City
3/27 — Leipzig, DE — Hellraiser
3/28 — Warsaw, PL — Hydrozagadka
3/30 — Copenhagen, DK — Vega
4/1 — Gothenburg, SE — Monument
4/2 — Oslo, NO — John Dee
4/3 — Stockholm, SE — Debaser Strand

THUNDERMOTHER ARE:
Filippa Nässil — Guitar, Backing Vocals
Linnéa Vikström Egg — Lead Vocals, Guitar
Majsan Lindberg — Bass, Backing Vocals
Joan Massing — Drums

Gavin Adcock Releases “Bad Off”: His Last Single Before THE DAY I HANG IT UP Arrives Oct. 2

Georgia native Gavin Adcock has been steadily releasing songs for eight weeks leading into the release of his third studio album, The Day I Hang It Up, due Oct. 2. Now, with just one week remaining until the album is here, the man American Songwriter called “a modern-day outlaw” is releasing his final taste of the project today. Listen to “Bad Off” Below.
 
Written by Adcock, Jack Rauton, Joybeth Taylor and Colton Venner, “Bad Off” depicts the downward spiral following a breakup, and the bad decisions that go along with it.
 
Life was going my way, now I’m seein’ sideways
And every move I make is wrong
Livin’ out a Waylon song
Guess I’m doin’ one thing right
Yeah I’m Bad Off, up to no good tonight
 
Adcock recently invited fans to vote on which city they wanted to see host his album release shows. The overwhelming response led the singer to choose two cities: Studio at The Bomb Factory in Dallas, TX on Oct. 5 and The Eastern in Atlanta, GA on Oct. 8. To celebrate the title of the 18th track on the album, “18,” tickets cost just $18 and can be purchased HERE for Dallas and HERE for Atlanta, respectively. 
 
With Music Row Magazine celebrating his “rowdy, high-octane performance,” it’s a reputation he’s bringing to fans across the country on his 30-city The Day I Hang It Up Tour. The trek features a rotating lineup of special guests, including Pecos & The Rooftops, Corey Kent, Tyler Nance, Jake Worthington, The Creekers, Braxton Keith and Mack Geiger.
 
A proven must-see live performer, Adcock has sold out venues coast to coast across multiple headline tours, including the Monster Energy Outbreak Tour Presents: Gavin Adcock, Actin’ Up Again (Again) Tour and Need To Tour. Most recently, he joined Morgan Wallen for select dates on both legs of Wallen’s 2025 and 2026 tours, earning explosive responses from audiences nationwide.
 
To purchase tour tickets or to pre-order limited edition vinyl, visit GavinAdcockMusic.com. 

The Day I Hang It Up Tour 2026                                       
Oct 15 || Macon, Ga. || Atrium Health Amphitheater > %                 
Oct 16 || Birmingham, Ala. || Coca-Cola Amphitheater > %
Oct 17 || Little Rock, Ark. || First Security Amphitheater > %          
Oct 22 || Fishers, Ind. || Fishers Event Center $ ^ 
Oct 23 || Knoxville, Tenn. || Knoxville Civic Coliseum $ ^
Oct 24 || Cary, N.C. || Koka Booth Amphitheatre $ ^ 
Oct 29 || Charlotte, N.C. || Bojangles Coliseum > % 
Oct 30 ||Savannah, Ga. || Enmarket Arena > % 
Oct 31 || Estero, Fla. || Hertz Arena > %
 
Nov 6 || Boston, Mass. || MGM Music Hall at Fenway > %
Nov 7 || Reading, Penn. || Santander Arena > %
Nov 13 || Detroit, Mich. || Masonic Temple Theatre > %
Nov 14 || Grand Rapids, Mich. || Van Andel Arena > %
 
Dec 10 || Las Vegas, Nev. || The Theater at Virgin Hotels !
 
Opener denotations:
$: Pecos & The Rooftops
^: Tyler Nance
%: The Creekers
>: Braxton Keith
!: Mack Geiger

Clutch Announce New Album 'Wasted Lands'; Share Music Video For Title Track

Maryland rock institution Clutch have announced their fourteenth studio album, Wasted Lands, set for release on January 22, 2027 via the band’s own Weathermaker Music. An extensive variety of pre-order bundles are available now HERE. The announcement arrives alongside the release of its raucously groovy, riff-driven title track, “Wasted Lands,” and accompanying official music video, available to stream HERE and watch below.

Written and recorded at their longtime Frederick, Maryland base, the Doom Saloon, Wasted Lands reunites Clutchwith producer Machine for the first time since 2015’s Psychic Warfare. The sheer velocity of their creative collaboration can be felt from the first note of the record and is expertly displayed on today’s release title track, “Wasted Lands”. Neil Fallon’s lyrical knack of conjuring characters from a handful of strange, sharply observed details and dropping them into Clutch songs with their own vibrant and storied mythologies has long been a defining characteristic of the Clutch canon. On “Wasted Lands,” he conjures a creature so malign that H.P. Lovecraft and Stephen King are invoked only to make clear that even they could not dream it up. Rumor casts it as a government experiment, a heavenly angel or an omen preparing the ground for the end of days. Nobody knows for certain. The locals call it Neil Patrick Fallon. Sharing some thoughts on today’s release, Neil Fallon says 

"The inspiration for the lyrics in Wasted Lands came about when it was brought to my attention that someone had been dragging my name on FaceBook (weird, right?). Apparently, I had reneged on a free t-shirt and dinner. I think it was a prize in a pay to play contest. Not to overstate the obvious, but it was a load of horse hockey. Many people tried to explain to this person that it was not me and that they had been hustled. But they simply would not believe it. So I thought, screw it, no half-measures. You want a monster? Let’s give you one."

Beneath Fallon’s lyrical story-craft, Jean-Paul Gaster, Dan Maines and Tim Sult lock into a classic-Clutch, riff-driven groove featuring a very intentional and strategically placed bass-drum hit from Gaster. One he knew would make the live crowd go wild. He shares

“There’s a part where Neil says, ‘Vegetable, mineral, man, or beast.’ And I put a bass drum on, ‘man or beast,’ and Machine thought that was kind of weird. He was like, ‘Man, you’re covering up the vocal!’ And I said, ‘No, that bass drum is gonna make the crowd go nuts, I guarantee it.’ And it does, because there’s nothing more exciting than having a big bass drum slam through a PA, and Neil singing a vocal on top of it. I mean, I get goosebumps from that, you know?”

Across Wasted Lands, Clutch keep their riff-heavy foundations intact while making room for a sharper melodic streak. Tracks including “Colorado Fuel and Iron,” “Stage Fright” and “Loaf and Jug” build their considerable weight around chord progressions as much as individual riffs. “Beware the Fever” brings banjo onto a Clutch record for the first time, using a rough demo played by Fallon and recorded by Gaster during a writing session. Despite several attempts to re-record the performance, nothing quite came close so the original recording is what went on the record. 

Fallon’s lyrics open in the rubble of the Georgia Guidestones on “The Drifter Returns” and close beneath an exploding star on “The Message is Clear.” The route between them runs through Colorado’s Highway 50, abandoned company towns, corporate appetites, creature-feature horror and deep space. 

Speaking on the announcement of their fourteenth studio album, Clutch share 

“Exploded monuments, haunted coal towns, robber barons, time cops, a chestburster, fifteen tons of antimatter and a creature called Neil Patrick Fallon. Wasted Lands came from one clear intention: write a great rock record that will make fans go nuts when they hear these songs live, while leaving enough space in the creative process to follow the unexpected turns that keep Clutch exciting to us and our fans after thirty-five years together.”

Wasted Lands will be released worldwide on January 22, 2027 via Weathermaker Music. To pre-order the album and see all music and apparel products available in the US and additional territories, go to clutchmerch.com

US fans will have the opportunity to experience some of the new material from Wasted Lands for the first time when the band head out on their 16-date US headline tour next month with support from Slomosa and Blood Vulture. The run begins October 16 at The Fillmore Charlotte and closes November 7 at The NorVa in Norfolk, taking Clutchthrough the South, Midwest and Northeast ahead of the album’s January release. Tickets are available from clutchmerch.com

Download Tour Art HERE

CLUTCH US TOUR 2026

WITH SLOMOSA AND BLOOD VULTURE

Fri, Oct 16 | Charlotte, NC | The Fillmore Charlotte

Sat, Oct 17 | North Myrtle Beach, SC | House of Blues

Sun, Oct 18 | Jacksonville, FL | FIVE

Tue, Oct 20 | Tampa, FL | The Ritz Ybor

Thu, Oct 22 | New Orleans, LA | House of Blues

Fri, Oct 23 | Robinsonville, MS | Bluesville at Horseshoe Tunica

Sun, Oct 25 | Fayetteville, AR | Ozark Music Hall

Tue, Oct 27 | West Des Moines, IA | Val Air Ballroom

Wed, Oct 28 | Green Bay, WI | EPIC Event Center *Date changed

Fri, Oct 30 | East Moline, IL | The Rust Belt

Sat, Oct 31 | Cincinnati, OH | The Andrew J Brady Music Center

Sun, Nov 1 | Fort Wayne, IN | The Clyde Theatre

Tue, Nov 3 | South Burlington, VT | Higher Ground

Thu, Nov 5 | Hampton Beach, NH | Hampton Beach Casino Ballroom

Fri, Nov 6 | Wilkes-Barre, PA | F.M. Kirby Center for the Performing Arts

Sat, Nov 7 | Norfolk, VA | The NorVa

CLUTCH WASTED LANDS AUSTRALIA TOUR 2027

With Special Guests Corrosion of Conformity

Sat, Jan 23 | Perth | Metropolis Fremantle

Mon, Jan 25 | Brisbane | Eatons Hill Hotel

Wed, Jan 27 | Sydney | Enmore Theatre

Fri, Jan 29 | Melbourne | Forum Theatre

Sat, Jan 30 | Adelaide | Froth & Fury Festival

SICKSENSE Release New EP Funerals, Alongside Official Music Video For "Seller's Remorse"

Reinvigorated and reinvented, modern metal act SICKSENSE return with the new EP release Funerals. Comprised of a ferocious collection of tracks that demonstrate a fresh sonic direction, SICKSENSE present a nu-metalcore dynamic with hints of melodic prog and djent. Alongside the arrive of Funeralsis a new official music video for the aggressive and unapologetic "Seller's Remorse."
 

"'Seller's Remorse' calls out hypocritical backstabbers." The band explain.

"Without giving away any spoilers, we had a fun day of laughs out in the sun filming the music video for this one!

The lyrics take a dig at the ones who are too lazy to build up anything meaningful themselves. So they decide to tear down harder working people instead, as a cope for their own shortcomings.

Sicksense is never shy to tell it like it is through sarcasm and blunt honesty."

 


Order Funerals HERE: http://funerals.sicksense.com/

Watch "Seller's Remorse" Below:

Nu-metalcore quintet SICKSENSE are preparing to bring Funerals to live stages across North America beginning this November. With eight headline dates in the Midwest and Eastern Canada, SICKSENSE will also be appearing as support for MUSHROOMHEAD & FEAR FACTORY, HEAL THE HURT, PRIMER 55, 40 BELOW SUMMER and EYES SET TO KILL. 

Tour Dates:

NOV 05 — DAVENPORT, IA @ REDSTONE ROOM
[COMING SOON]
NOV 08 — TOLEDO, OH @ FRANKIE’S
NOV 09 — CHICAGO, IL @ THE WC SOCIAL CLUB
NOV 10 — SAUGET, IL @ POP’S ^
NOV 11 — NASHVILLE, TN @ THE BASEMENT EAST ^
NOV 12 — GREENVILLE, SC @ THE RADIO ROOM +
NOV 13 — RALEIGH, NC @ CHAPEL OF BONES #
NOV 15 — RICHMOND, VA @ THE CANAL CLUB #
NOV 17 — HAMDEN, CT @ SPACE BALLROOM #
NOV 18 — QUEBEC CITY, QC @ L’ANTI BAR & SPECTACLES
NOV 19 — MONTREAL, QC @ PIRANHA BAR
NOV 20 — OTTAWA, ON @ DOMINION TAVERN
NOV 21 — MILLERSVILLE, PA @ PHANTOM POWER ~#
NOV 22 — LAKEWOOD, OH @ THE FOUNDRY
NOV 24 — LINCOLN, NE @ BOURBON THEATRE
DEC 03 — LUBBOCK, TX @ JAKE’S BACKROOM *
DEC 04 — AUSTIN, TX @ COME AND TAKE IT LIVE *
DEC 05 — HOUSTON, TX @ SCOUT BAR *
DEC 06 — DALLAS, TX @ THREE LINKS DEEP ELLUM *
DEC 08 — DENVER, CO @ HQ *
DEC 11 — SEATTLE, WA @ EL CORAZON *
DEC 12 — PORTLAND, OR @ HAWTHORNE THEATRE *
DEC 13 — BOISE, ID @ SHRINE SOCIAL CLUB *
DEC 15 — LAS VEGAS, NV @ GREY WITCH *
DEC 16 — WEST HOLLYWOOD, CA @ WHISKY A GO GO *
DEC 17 — ANAHEIM, CA @ HOUSE OF BLUES (THE PARISH) *
DEC 18 — TUCSON, AZ @ THE ROCK *
DEC 19 — PHOENIX, AZ @ CRESCENT BALLROOM *

SUPPORTING:
^ MUSHROOMHEAD & FEAR FACTORY
+ HEAL THE HURT
# PRIMER 55
~ 40 BELOW SUMMER
* EYES SET TO KILL

Purchase tickets HERE: https://sicksense.com/pages/tour-dates

At their core, SICKSENSE represent resilience, individuality, and fearless self-expression. Whether through brutally honest lyrics, high-energy live performances, or their hands-on approach to every aspect of the band’s creative vision, SICKSENSE continue to prove that heavy music has no boundaries when authenticity leads the way.

SICKSENSE is:

  • Vicky Psarakis — vocals, lyrics, keys

  • Robby J. Fonts — vocals, lyrics

  • Jackson Snowden — guitars

  • Richard Regier — bass, violin

  • Sam Neumann — drums

Connect with SICKSENSE:

Save Us Share "Last of Me" Video — WATCH

Transcontinental trio SAVE US — Miguel Owls [vocals], Chris Biddiscombe[guitar], and Benji Havercroft [drums] — will release their new album Death To Something on October 16 via Solid State Records. Pre-order the album, produced by Landon Tewers, here.

They have shared the video for "Last of Me." Watch it below. 

It's a lush, vocal-forward track that cycles masterfully through a course of quiet-loud dynamics. Strap yourself in; this one's an emotional thrill ride that will connect with fans of Deftones, Loathe, and Dayseeker.

"'Last of Me' was an emotional challenge for me," explains Owls. "I had so much I wanted to say, but I really pushed to keep it clear and honest without feeling wordy or cheesy. It's about finally breaking free from a toxic relationship and recognizing the grip it had on you for so long. There’s a lot of weight behind that realization, but also a sense of release. I truly hope this song helps people find the strength to let go, move forward, and start healing."

The origin story of SAVE US and how the globally-based band came together is quite simple. Back in 2023, Owls was regularly posting covers on social media and quietly cultivating a following online. Hailing from the Central Valley of California, he never expected to find his future bandmates in his DMs. Bristol, UK-based Biddiscombe stumbled upon one of the vocalist's Architects covers and sent a message on TikTok. Clicking right away, they commenced creating music (despite over 5,000 miles between them). Due to a factory day job from 1pm-9:30pm, Owls typically woke up at 5am in order to write with Chris and Benji before work. Prior to meeting in-person, the trio had remotely recorded a few tracks. Eventually, the singer crossed the pond to shoot the visual for "Distance" from their LUCID EP. Reacting with listeners, the track clocked north of 2.6 million Spotify streams. The group maintained their momentum with 2024's EXIST EP. A year later, they inked a deal with Solid State and decamped to Michigan where they recorded with sought-after producer and The Plot In You mastermind Landon Tewers.

Ultimately, the band's name reflects their shared experience.

"Chris and Benji were both ready to stop doing music," Owls reveals. "I was in the same boat. We were all on the edge of letting our dreams go. Out of nowhere, we found each other, went all the way in together, and the band genuinely saved us. We're always dabbling in emotion, so our goal is to reach you on a human level."


Mission accomplished on Death To Something, which in all actuality, brought the band members back to life.

All upcoming SAVE US Fall 2026 tour dates are below.

SAVE US ON TOUR:
WITH SAOSIN:

10/23 — Anaheim, CA — House of Blues Anaheim
10/24 — Tempe, AZ — Marquee Theatre
10/25 — Albuquerque, NM — Sunshine Theater
10/27 — San Antonio, TX — Vibes Event Center
10/28 — Dallas, TX — House of Blues Dallas
10/29 — Houston, TX — House of Blues Houston
10/30 — New Orleans, LA — House of Blues New Orleans
10/31 — Pensacola, FL — Vinyl Music Hall
11/1 — Orlando, FL — House of Blues Restaurant & Bar
11/3 — Nashville, TN — Brooklyn Bowl Nashville
11/4 — Raleigh, NC — The Ritz
11/6 — Sayreville, NJ — Starland Ballroom
11/7 — New York, NY — Webster Hall
11/8 — Worcester, MA — Palladium
11/10 — Philadelphia, PA — Brooklyn Bowl Philadelphia
11/11 — Baltimore, MD — Nevermore Hall
11/13 — Buffalo, NY — Town Ballroom
11/14 — Detroit, MI — The Majestic Theatre
11/15 — Chicago, IL — House of Blues Chicago
11/17 — Milwaukee, WI — The Rave / Eagles Club
11/18 — Minneapolis, MN — The Fillmore Minneapolis
11/20 — Denver, CO — Summit Music Hall
11/21 — Salt Lake City, UT — The Complex
11/22 — Boise, ID — Knitting Factory
11/24 — Seattle, WA — Showbox SoDo
11/25 — Portland, OR — Roseland Theater
11/27 — Los Angeles, CA — The Novo
11/28 — San Diego, CA — SOMA

Corey Kent's Highly Anticipated HEARTLAND ROCK AND ROLL Available Now

Multi-Platinum Sony Music Nashville recording artist Corey Kent releases his highly anticipated third major-label album, Heartland Rock and Roll, available everywhere today. The 16-track collection, which Entertainment Focus noted “doesn’t just feel like another release; it feels like a statement of identity,” captures the Oklahoma native’s signature blend of country, rock and soul while putting a name to the sound he has spent his career building. Listen to Heartland Rock and Roll  Below. 

Originally slated as a 15-track album, Heartland Rock and Roll grew at the last minute with the addition of the sultry “Don’t Stop Now,” written by Kent with Austin Goodloe, Lydia Vaughan and Joybeth Taylor. After Kent teased the song for fans, the response was immediate, convincing him the track needed to make the final album.

“My new song ‘Don’t Stop Now’ has gotta be the sexiest song I’ve ever written,” shares Kent. “It’s a new lane for me but I had so much fun writing and recording this one because it has so much soul and vibe to it. It almost feels like a Continuum-era John Mayer song, if John Mayer had a Southern accent. Early on I was influenced a lot by soul and R&B music and it’s been really fun to explore how I can incorporate that in my own sound.”

The song finds Kent exploring a more sensual side of his songwriting, painting an intimate scene, “We’re already halfway down the hall / Knocked a couple pictures off the wall,” before building into its soulful chorus:

Produced primarily by Austin Goodloe, with additional production from Jon Randall and Chris Farren, Heartland Rock and Roll spans 16 tracks that blend golden-hour nostalgia, rugged honesty, hard-earned perspective and the peace that comes with staying true to yourself. The album features previously released tracks including “Everyday Life,” “Rocky Mountain Low” featuring Koe Wetzel which Billboard called “an unyielding, rock-fueled anthem,” “Wannabe,” “Cigarette Burns,” “Rather Be Here” featuring Jason Aldean and current single “Empty Words,” which is Top 25 and climbing at country radio, logging almost 5 million streams per week.

“Heartland Rock and Roll is my third major label album, and it’s really the first time I’ve been able to finally name the sound I’ve been working towards my entire career,” said Kent. “The lyrics span from nostalgia, to honest regrets and gratitude for the simple things I value most in life. From top to bottom, this is me. Every artist wants to leave their mark in music... a way to say, ‘I was here and I did it my way.’ This feels like mine. This is heartland rock and roll.”

The album’s release follows a year of momentum for Kent, who has continued to build his profile on stages across the country while preparing for his biggest headline tour to date. Earlier this month, Kent announced his 2027 Heartland Rock and Roll Tour, a 20+ date cross-country trek kicking off Jan. 22 at Billy Bob’s Texas in Fort Worth and making stops in Houston, Detroit, Columbus, Atlanta, Pittsburgh, Boston and more before culminating April 30 with Kent’s headline debut at Nashville’s famed Ryman Auditorium. Tyler Nance and Jacob Hackworth will join as support throughout the tour. Tickets are available at coreykentofficial.com.

“This year I’ve played all over the world and opened up for some of my favorite artists,” shared Kent. “But now it feels like it’s time for a headline tour right here in the heartland…the Heartland Rock and Roll Tour! I’ve reimagined everything on this tour making this show unlike anything we’ve ever done. I hand picked some of my favorite venues in the country and it’s almost time!”

Infusing Oklahoma roots with the untamed energy of a rebel rocker, Kent has built his career on doing things his own way. From dancehalls and dive bars in Bixby, Oklahoma, to earning two No. 1 singles at country radio, more than 1 billion career streams and multiple RIAA certifications, Kent’s rise has been steady, hard-earned and fueled by conviction.

“I’ve been fighting my differences for so long, but now it’s like, ‘Let’s just use those,’” Kent explains. “I’m not trying to be anybody else. Bigger fades, ‘better’ lasts.”

To date, Kent has earned Platinum certification for “Something’s Gonna Kill Me,” Gold certification for “This Heart” and Triple-Platinum certification for his No. 1 breakthrough hit “Wild As Her.” Rolling Stone has praised the Oklahoman native for giving “the region’s signature sound a shot of mainstream sensibility,” while CMT and the Opry NextStage program have recognized him as an artist to watch. He has toured alongside Morgan Wallen, Jason Aldean, Parker McCollum, Jon Pardi and Koe Wetzel.

COREY KENT’S 2027 HEARTLAND ROCK AND ROLL TOUR

*Jan. 22 – Billy Bob’s Texas – Main Stage – Fort Worth, TX
*Jan. 23 – House of Blues – Houston, TX
*Jan. 28 – Majestic Theatre – Detroit, MI
*Jan. 29 – The Bluestone – Columbus, OH
*Jan. 30 – Dusty Armadillo – Rootstown, OH
*Feb. 4 – Wooly’s – Des Moines, IA
*Feb. 5 – Varsity Theater – Minneapolis, MN
*Feb. 6 – Bourbon Theatre – Lincoln, NE
*Feb. 18 – Buckhead Theatre – Atlanta, GA
*Feb. 19 – The Foundry – Greenville, SC
*Feb. 20 – Charleston Music Hall – Charleston, SC
*Feb. 25 – The Signal – Chattanooga, TN
*Feb. 26 – Coyote Joe’s – Charlotte, NC
*Feb. 27 – The Senate – Columbia, SC
*Mar. 11 – Stage AE – Pittsburgh, PA
*Mar. 12 – The Fillmore Silver Spring – Silver Spring, MD
*Mar. 13 – The Paramount – Huntington, NY
^Mar. 18 – Toad’s Place – New Haven, CT
^Mar. 19 – Aura – Portland, ME
^Mar. 20 – House of Blues – Boston, MA
*Apr. 30 – Ryman Auditorium – Nashville, TN
*Tyler Nance
^Jacob Hackworth

For the latest news and information about Corey Kent, visit coreykentofficial.com.

JOHN MORGAN ADDS FALL TOUR DATES AND RELEASES NEW SONG "CRY BABY"

Six time #1 hitmaker John Morgan is releasing his newest track, “Cry Baby.” The raw lovesong is written by John Morgan, Lydia Vaughn, Kurt Allison, and Tully Kennedy and produced by John Morgan and Brent Anderson. Listen to “Cry Baby” Below.

The country star is also adding fall dates to his touring schedule as his latest single “Kid Myself” is eyeing the top of the country airplay charts. After wrapping Brantley Gilbert’s Real American Tour, Morgan is adding ten headlining shows beginning November 12 in Myrtle Beach, SC and ending on December 5 in Starkville, MS. Tickets are on sale now and fans can buy tickets HERE. 

On his self-aware new song "Cry Baby," John Morgan turns the mirror on himself. He owns up to the moments he's let his temper get the better of him — and the guilt that follows when he sees the hurt he's caused reflected in someone he loves. It's a vulnerable, grown kind of love song, less about grand romantic gestures and more about the harder work of accountability, growth, and trying to be better for the person who's stuck by him. With his signature blend of grit and sincerity, Morgan delivers a heartfelt plea that balances toughness with tenderness — proof that real strength is admitting when you're wrong.  

Morgan is spending this fall touring, not only on Brantley Gilbert’s Real American Tour, but headlining his own dates with support from Erin Kinsey and Chris Ryan. Tickets are currently on sale HERE.

9/25 Uncasville, CT                Mohegan Sun Arena*
9/26 Verona, NY                     Turning Stone Resort Casino*
10/1 Huber Heights, OH         Rose Music Center at The Heights*
10/2 Rockford, IL                    BMO Center*
10/8 Savannah, GA                VyStar Pavilion
10/9 Roanoke Rapids, NC      Carolina Crossroads Amphitheatre*
10/15 Youngstown, OH           Covelli Center*
10/16 Cincinnati, OH               PNC Pavilion*
10/17 Toledo, OH                    Huntington Center*
11/5 Macon, GA                       Atrium Health Amphitheater*
11/6 Biloxi, MS                        Mississippi Coast Coliseum*
11/7 Corinth, MS                     Crossroads Arena*
11/12 Myrtle Beach, SC          The Boathouse
11/13 Wilmington, NC             Bowstring
11/14 Isle of Palms, SC          The Windjammer
11/15 Jacksonville, FL             Greater Jacksonville Agricultural Fair^
11/19 Nashville, TN                 Odies
11/20 Charlotte, NC                 Amos’ Southend
11/21 Winston-Salem, NC       The Ramkat
12/3 Chattanooga, TN             Barrelhouse Ballroom
12/4 Birmingham, AL               WorkPlay Soundstage
12/5 Starkville, MS                  Rick’s Cafe

* Brantley Gilbert's “Real American Tour” Date

^ Support for LoCash

KEEP UP WITH JOHN MORGAN
WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK


About John Morgan
: 

GRAMMY-nominated and 6x #1 hitmaker, John Morgan delivers country music with a blue-collar edge rooted in the only life he knows. Raised in Sylva, North Carolina — a small town in the Great Smoky Mountains — he grew up playing bluegrass festivals in his family band. Now a “Music City songwriting star” (Tennessean) and “in-demand songcrafter” (Billboard), John has written 16 songs for Jason Aldean alone — including Aldean’s #1 hits “How Far Does A Goodbye Go,” “Trouble With A Heartbreak,” “Whiskey Drink,” “Don’t Tell On Me” and the GRAMMY®-nominated “If I Didn’t Love You” with Carrie Underwood. His songs have also been recorded by Jon Pardi, Dustin Lynch and Thomas Rhett. After years behind the scenes, John’s breakout moment came with his debut single “Friends Like That (feat. Jason Aldean),” which shot to #1 at country radio — earning him his fourth #1 as a songwriter and first as an artist. Morgan’s songwriting also earned him the coveted CMA Triple Play Award. The momentum continues with his debut album Carolina Blue, out now. A blend of raw storytelling and small-town soul, the project features the rising single “Kid Myself,” currently climbing the charts. Having already played the Grand Ole Opry and toured with Jason Aldean, Kane Brown, Riley Green, ERNEST, Nate Smith and more, John is heading out on Brantley Gilbert's “Real American Tour” this fall where he will sing his hits and preview new music like his latest releases “Once in a Mile" and "Cry Baby." John has a track record that proves that he’s not just one of Nashville’s most sought-after songwriters - he’s one of its next big stars.

Legendary Hard Rock Icons STRYPER Release New Album 'Throne of Thorns' — Out Now via Frontiers Music Srl

Today, legendary Christian metal pioneers STRYPER proudly release their 18th studio album, ‘Throne Of Thorns,’ out now via Frontiers Music Srl. Decades into their journey, STRYPER continues to reaffirm their status as one of the most influential and enduring bands in classic metal, seamlessly blending their signature message with a sound that remains as powerful and relevant as ever.

Celebrating the release, the band also unveil their new single, "Shadowbreaker," alongside an official visualizer, available below.

On the new track, Michael Sweet comments:

“'Shadowbreaker' is a full throttle banger and a great way to end the album. It represents our heavier side perfectly, and where we’re at as a band in 2026.”

Watch the Visualizer for "Shadowbreaker"

‘Throne of Thorns’ showcases the band at the height of their creative powers, delivering a masterclass in songwriting and musicianship. The album is packed with grand, meticulously crafted arrangements, where thunderous rhythms, soaring guitar harmonies, and anthemic choruses come together in a style that is unmistakably STRYPER. Each track is infused with both intensity and melody, capturing the essence of classic metal while pushing their sound forward with renewed energy and purpose.

At the forefront stands the unmistakable voice of Michael Sweet, whose passionate, powerful, and instantly recognizable delivery continues to define the band’s identity. His vocal performance on ‘Throne of Thorns’ is nothing short of extraordinary, effortlessly moving between soaring highs and emotive depth, adding a timeless quality to every song.

Perry Richardson says:

"The best music doesn't come from comfort. It comes from living, struggling, growing, and refusing to quit. I hope these songs find you exactly when you need them."

With ‘Throne Of Thorns,’ STRYPER not only honors their legacy but expands upon it, offering an album that will resonate with longtime fans and newcomers alike. It’s a bold, inspired statement from a band that refuses to stand still—proof that true metal greatness only grows stronger with time.

Guitarist Oz Fox concludes:

"I’m really happy with the final outcome of this record and of the heart that went into it. Michael continues to pour everything he has into the music and the message; Robertbrings the power and energy that has always been the pulse of STRYPER; Perry’s musicianship, vocal talents, and dedication are second to none, and I’m grateful to be on this journey with all of them."

Order 'Throne of Thorns' HERE

Four decades and counting, STRYPER shows no signs of slowing down. The band will be back on the road starting this fall with a full U.S. For a full list of dates, see below.

STRYPER Live:

Sept 29th - Derry, NH @ Tupelo Music Hall

Sept 30th - Wantagh, NY @ Mulcahy’s Pub and Concert Hall

Oct 1st - Newton, NJ @ The Newton Theatre

Oct 3rd - Harrisburg, PA @ XL Live

Oct 4th - Warrendale, PA @ Jergel’s Rhythm Grille

Oct 6th - Marion, IL @ Marion Cultural and Civic Center

October 8th - McHenry, IL @ The Vixen

Oct 9th - Wisconsin Dells, WI @ Crystal Grand Music Theatre

Oct 10th - Green Bay, WI @ EPIC Event Center

Oct 12th - St. Louis, MO @ The Hawthorn

Oct 13th - Cincinnati, OH @ Bogart’s

Oct 15th - Nashville, TN @ The Cannery Mainstage

Oct 16th - Newton, NC @ Newton Performing Arts Center

Oct 17th - Kingsport, TN @ MeadowView Conference Resort & Convention Center

Oct 19th - Jacksonville, FL @ FIVE

Oct 20th - Orlando, FL @ House of Blues

Oct 22nd - Atlanta, GA @ Center Stage

Oct 23rd - Liberty, SC @ Pickens County PAC

Oct 24th - Hopewell, VA @ Beacon Theatre

Oct 25th - Stroudsburg, PA @ Sherman Theater

Dec 5th - San Juan, PR @ Coca-Cola Music Hall

STRYPER are:

Michael Sweet - Lead Vocals/Lead & Rhythm Guitar

Robert Sweet - Drums & Percussion

Oz Fox - Vocals/Lead and Rhythm Guitar

Perry Richardson - Vocals/Bass

From Ashes to New Announce Deluxe Version of "Reflections" + Share New Song "Love Me" — WATCH + LISTEN

Today, FROM ASHES TO NEW  — Danny Case (vocals), Matt Brandyberry (vocals), Lance Dowdle (guitar), Maty Madiro (drums), and Jimmy Bennett(guitar) —unleash an emotionally charged and engaging new single entitled “Love Me" out now via Better Noise Music. This hard-hitting yet hypnotic anthem sets the stage for the forthcoming Deluxe Edition of their acclaimed album REFLECTIONS, which arrives November 13, 2026.

 Listen to "Love Me" here.

Watch the official video below. 

Pre-order/pre-save Reflections (Deluxe Edition) here.

"Love Me" sees FROM ASHES TO NEW seamlessly evolve, while clinging tightly to the punchy rhymes, walloping choruses, and inventive soundscape architecture that transformed the band from Pennsylvania independent favorites to a Gold-certified international phenomenon who've achieved their first No. 1 single with "DRAG ME" (from Reflections) earlier this year.

"Love Me" cuts deep, breaking the skin and inciting true catharsis that’s as catchy as it caustic once the chorus kicks in.  You'll be chanting along to "LOVE ME" after just one listen.

Vocalist Matt Brandyberry states, "'Love Me' is about that person who was supposed to be there for you, but they completely vanish, essentially becoming a ghost. You still vividly remember how it felt when they were actually around, to the point where you can still feel their breath on your skin, even though no one is there. This track creates a heavy, haunting atmosphere that mirrors that exact feeling of reaching out for a presence right next to you, only to grasp at empty air. It captures the sheer desperation of watching your own memories turn into a cage that feels impossible to break out of."

"Love Me" follows the release of their new version of "Die For You," featuring quarreling alt-pop sister duo Neoni. Since its arrival in August, the collaboration picked up critical acclaim from the likes of Broadway World, antiMusic, Metal Underground, and Rock 'N' Load, to name a few.

In other news, FROM ASHES TO NEW will share news regarding their forthcoming 2027 plans October 6. 

2026 has been a banner year for FROM ASHES TO NEW. "Die For You," which enjoyed a viral moment as the band took a firm and active stance against bullying. It is currently #5 at active rock. As mentioned, "Drag Me" surged as the #1 track on Active Rock radio. Meanwhile, Reflections has tallied just shy of 100 million streams since its April release. Plus, the group hit the road (and stayed on it), touring with the likes of Shinedown, Coheed and Cambria, Black Veil Brides, TX2, and As December Falls.

The band also announced a hometown holiday show in Harrisburg, Pennsylvania set for Friday, December 11. It sold out during the pre-sale, so the band added an additional show on Saturday, December 12. Zero 9:36 and Sage will serve as support. Both shows will take place at Capital City Music Hall. 

 All confirmed and current FATN tour dates are below... with more to come!

FROM ASHES TO NEW:
10/1 — Sacramento, CA — Aftershock*
10/23 — Miramar Beach, FL — Shinedown’s Lunatic Ball Beach Weekend 2026
12/11 — Harrisburg, PA — Capital City Music Hall
12/12 — Harrisburg, PA — Capital City Music Hall
*Festival

AUSTRALIAN DATES:
10/9 — Sydney, AUS — Factory Theatre
10/11 — Melbourne, AUS — 170 Russell
10/13 — Adelaide, AUS — Lion Arts Factory
10/15 — Brisbane, AUS — The Triffid

TURMION KÄTILÖT - Unleash Ferocious Second Single ‘AMON-RA'

Finnish disco-metal pioneers TURMION KÄTILÖT have unleashed 'Amon-Ra', the explosive third single from their highly anticipated upcoming album, Resodance, which will be released on October, 23 via Nuclear Blast.

The track arrives alongside a cinematic, high-energy music video and the official announcement of the band’s European headlining tour kicking off in February 2027.

Known for their signature blend of crushing metal riffs and relentless electronic beats, TURMION KÄTILÖT deliver a true club banger with 'Amon-Ra'. The single raises the stakes for Resodance, showcasing the band's unmatched ability to fuse dark, aggressive themes with infectious, danceable rhythms. The accompanying music video matches the track's intensity, offering fans a visually stunning and characteristically chaotic spectacle.


Watch the video for 'Amon-Ra' below:
Listen to 'Amon-Ra': https://turmionkatilot.bfan.link/amonra
Pre-order Resodance: https://turmionkatilot.bfan.link/resodance


Vocalist Shag-U comments on the track:
“Amon-Ra brings out that delicious sense of twistedness that is absolutely essential to our music. Everyone must find their own interpretation of the world this ritual leads them into. This is a prophecy – the final omen before the album is unleashed.”

The Ultimate Live Spectacle: Colossal Disco

The strategic release of Resodance serves as the perfect fuel for the band's most massive headlining milestone to date. On October 24, 2026 - just one day after the full record drops - TURMION KÄTILÖT will host their monumental "Colossal Disco" event at the legendary Helsinki Ice Hall (Helsingin jäähalli).

Several thousand fans are set to pack the arena, ready to bring the ice-ring to a definitive boil.

To further support the new release, the band will take their legendary, high-octane live show across Europe in February 2027. The tour promises to bring the industrial dance floor to life, featuring a mix of brand-new tracks from Resodance alongside fan-favorite anthems.

17.02. DE ESSEN - Turock
18.02. NL HAARLEM - Patronaat
19.02. NL ARNHEM - Willemeen
20.02. DE BERLIN - Cassiopeia
21.02. PL WARSAW - Hydrozagadka
22.02. PL KRAKOW - Zaścianek
23.02. AT VIENNA - Szene Wien
24.02. DE MUNICH - Backstage
25.02. CH PRATTELN - Z7
26.02. FR PARIS - Backstage by the Mill
27.02. DE WEIHER - Live Music Hall

Tickets are available from: https://turmionkatilot.com/shows/

Line up:
MC Raaka Pee - vocals
Master Bates - bass
Run-Q - keyboard
DQ - drums
Shag-U - vocals
Bobby Undertaker - guitar

Social media:
Instagram: https://www.instagram.com/turmion_katilot_official
Tiktok: https://www.tiktok.com/@turmion_katilot
Facebook: https://www.facebook.com/turmionkatilot/
Youtube: https://www.youtube.com/channel/UCQtMLgHI32rJZO4ph6YMpbw 

LUNA KILLS GO SUPERNOVA WITH NEW SINGLE "SUPERVILLAIN"

LUNA KILLS are back with ''supervillain," a fierce new single that turns apocalyptic imagery into a sharp metaphor for ego, influence, and the destructive forces certain people can unleash around them. The single follows the band’s previous release, ''LOWER,'' which was released earlier this year via Sharptone Records, continuing the momentum established with DEATHMATCH (2025).

The new track arrives after a standout summer for the Finnish band, who brought their explosive live show to some of Europe's most prominent festivals, including Wacken Open Air, Alcatraz, Summer Breeze, Provinssi, Radar, and Reload. With an ever-growing live presence and more shows on the horizon, LUNA KILLS are carrying that momentum straight into their next chapter with Bloodstock 2027 already confirmed as part of what lies ahead.

At the heart of ''supervillain'' is the image of a sun going supernova: Something immense and powerful that ultimately destroys itself, while leaving devastation in its wake. 

''The lyrics depict our sun going supernova, and it serves as a metaphor of a certain type of people that suck the air out of the spaces they inhabit," said vocalist Lotta. "As their influence and power rises along their ego it will lead up to their inevitable fall which might have terrible consequences for others around them.''

LUNA KILLS have added a fresh run of dates to their 2026 tour schedule, with major festival appearances, headline shows and support slots taking them across Europe. The band will also join Future Palace for select dates, further expanding an already packed year of live activity.

LUNA KILLS ON TOUR:

10/01 — Helsinki, FI — On The Rocks*
10/02 — Jyväskylä, FI — Lutakko*
10/04 — Gothenburg, SE — Pustervik*
10/05 — Oslo, NO — John Dee*
10/06 — Copenhagen, DK — Pumpenhuset*
10/08 — Hamburg, DE — Markthalle*
10/09 — Amsterdam, NL — Melkweg*
10/10 — Cologne, DE — E-Werk*
10/11 — Sint-Niklaas, BE — De Casino*
10/13 — Stuttgart, DE — Im Wizemann*
10/14 — Frankfurt, DE — Batschkapp*
10/16 — Hannover, DE — Faust*
10/17 — Berlin, DE — Festsaal Kreuzberg*
10/23–10/25 — CopenHell Metal Cruise
11/04 — London, UK — The Garage*
11/05 — Manchester, UK — Academy 3*
11/06 — Glasgow, UK — Slay*
11/07 — Leeds, UK — Key Club*
11/09 — Paris, FR — Backstage at The Mill*
11/10 — Lyon, FR — Marché Gare*
11/12 — Milano, IT — Legend Club*
11/13 — Zurich, CH — Dynamo*
11/14 — Budapest, HU — Barba Negra*
11/16 — Vienna, AT — Arena*
11/18 — Prague, CZ — Rock Cafe*
11/19 — Munich, DE — Backstage Werk*
11/20 — Nuremberg, DE — Z-Bau*
11/21 — Leipzig, DE — Täubchenthal*
08/05–08/08/2027 — UK — Bloodstock Open Air*
*Supporting Future Palace

ABOUT LUNA KILLS:
LUNA KILLS are without a doubt the most refreshing modern metal act in the scene, combining alternative and nu-metal vibes with electronics inspired by game soundtracks. Their frontwoman Lotta with her jazz singing background and incredible fry scream vocals brings the audience to their knees - unless they are speeding around in moshpits, as often witnessed in their fiery live shows. Even as newcomers LUNA KILLS have already opened the door to their beloved gaming world as their music is featured in the hit mobile app Beatstar. The band, first formed in 2019, has now taken their first steps on European stages, gained the attention of multiple rock radios in their native Finland and are moving towards even bigger stages after their successful debut album DEATHMATCH via SharpTone Records.

LUNA KILLS ARE:
Lotta Ruutiainen — Vocals
Samuli Paasineva — Guitar
Jimi Kinnunen — Drums
Lassi Peltonen — Bass

Bullet For My Valentine Announce New Album "Social Apocalypse" + Share Video From Title Track — PRE-SAVE

Bullet For My Valentine will release their new album, Social Apocalypse, on March 19, 2027, via Spinefarm. The announcement arrives with a towering new single by the samename. "Social Apocalypse" is the band's first new song in four years; on the title track, Matt Tuck rages against "the end of the world as we know it," when "all hope has faded."

An accompanying video for "Social Apocalypse" is available to view below:

Thematically, Social Apocalypse combines the bare-faced lyrical introspection of people weathered and worn by the modern world with wide-eyed observations on a planet that feels as if it is coming off the rails at every turn. "Everything in life is changing at such a rapid pace, and it is hard to find a great deal of positivity when you look at events in the world," Tuck says. "People are being pitted against each other. The world is full of conflict instead of unity. As a father, I look at what the world is like for younger people, and how completely different it is now."

Working once more with producer Carl Bown — a veteran of four Bullet albums, alongside work with Sleep Token, While She Sleeps, Malevolence and more — each new album track was diligently scrutinized, constructed, and polished to its immaculate final form. "Carl doesn’t let you settle," Tuck notes. "He is always ready to speak up, push and challenge you to be the best version of you."

There are two collaborations on Social Apocalypse – a rarity for Bullet that brings thrilling new dynamics to the record — with Against The Current vocalist Chrissy Costanza stepping in to duet on "In The Absence Of You," and a hair-raising vocal turn from Lorna Shore’s Will Ramos on "I Don't Trust Tomorrow."

A very special limited white-label first pressing of Social Apocalypse (album)is available for pre-order exclusive via Ceremony of Roses HERE for 72 hrs only. For digital listeners, you can now pre-save the album HERE.

Then, on September 28, a full-range of offerings go on pre-sale, including standard and deluxe vinyl variants and a signed version of the CD. Head  HERE for more information.

Bullet For My Valentine have today announced their biggest tour yet; taking in arenas all over the UK and Europe. Having sold-out The O2 arena, London, last year as part of their co-headline run with Trivium, they are now returning as the sole headline act.

Pendulum will perform as very special guest across all shows, with Dark Devine appearing as openers.

BULLET FOR MY VALENTINE LIVE:
1/21 — Lisbon, Portugal — Sagres Campo Pequeno
1/22 — Madrid, Spain — Palacio Vistalegre
1/23 — Barcelona, Spain — Sant Jordi Club
1/25 — Milan, Italy — Forum
1/26 — Zurich, Switzerland — Hallenstadion
1/27 — Dusseldorf, Germany — Mitsubishi Electric Halle
1/29 — Hamburg, Germany — Sporthalle
1/30 — Copenhagen, Denmark — K.B. Hallen
1/31 — Stockholm, Sweden — Annexet 
2/2 — Helsinki, Finland — Ice Hall
2/4 — Katowice, Poland — MCK
2/6 — Munich, Germany — Zenith
2/7 — Paris, France — Zenith
2/9 — Luxembourg — Rockhal
2/11 — Frankfurt, Germany — Festhalle
2/12 — Stuttgart, Germany — Hanns-Martin-Schleyer-Halle
2/13 — Vienna, Austria — Stadthalle
2/15 — Budapest, Hungary — Budapest Arena
2/16 — Prague, Czech Republic — O2 Universum
2/17 — Berlin, Germany — Velodrome
2/19 — Amsterdam, Netherlands — AFAS Live
2/20 — Brussels, Belgium — Forest National
2/23 — Glasgow, Scotland — OVO Hydro
2/25 — Birmingham, England — bp pulse LIVE
2/26 — London, England — The O2
2/27 — Manchester, England — AO Arena

Tickets go on-sale Wednesday, September 30 at 9am HERE.

MYSTIC PROPHECY RELEASE LYRIC VIDEO FOR NEW SINGLE “MARCH OR DIE”

German heavy metal force MYSTIC PROPHECY has released a lyric video for their new single “March Or Die,” taken from the band’s upcoming studio album In Metal. The album will be released on November 27, 2026 via PERCEPTION – Powered by Reigning Phoenix Music.

Driven by classic heavy metal energy, powerful riffs and a defiant spirit, “March Or Die” is a song about standing together when everything around you descends into chaos. While its imagery draws from the battlefield, its message is rooted in everyday life: keep moving forward under pressure, face adversity head-on and refuse to give up.

Vocalist R.D. Liapakis comments:
“‘March Or Die’ may draw on the imagery of battle, but its message reaches far beyond the battlefield. At its core, the song is about human survival, perseverance and the need to keep moving forward, whatever life puts in your path. Time does not stand still, and neither can we: our actions determine the road ahead. Standing still is death – so, March Or Die!”

Stream “March Or Die”: https://mysticprophecy.rpm.link/marchPR

Pre-order In Metal: https://mysticprophecy.rpm.link/inmetalPR

[Video created and edited by: Death.Milk.Designs]

With more than two decades of history behind it, MYSTIC PROPHECY has long established itself as one of the driving forces of the German and international heavy metal scene. Following the success of its acclaimed albums Metal Division and Hellriot, the quintet surrounding charismatic frontman R.D. Liapakis, also known for his work as a vocalist with Michael Schenker, now returns with renewed energy, a strengthened lineup and a record built to hit with maximum impact.

MYSTIC PROPHECY is entering its next era with three powerful new additions to the fold. Tommy Gun takes over bass duties, while guitarist Dan Baune, known from NWOBHM act Monument, and drummer Christophe de Combe of Belgian metallers FireForce complete the renewed lineup. Together, they inject even more power, precision and fire into the unmistakable MYSTIC PROPHECY sound.

In Metal was produced by Dan Baune and R.D. Liapakis, with mixing and mastering handled by Henrik Udd. The album stays true to everything that has made MYSTIC PROPHECY a force for more than 20 years while pushing its sound firmly forward. Fans can expect powerful, concise hooks with instant shout-along appeal, technically brilliant riffs and a hard-hitting, monstrous sound. A modern production gives the songs weight, depth and unstoppable headbanging force without sacrificing the band’s classic heavy metal spirit.

Whether on stage or on record, MYSTIC PROPHECY has always treated heavy metal as a passionate ultimate fight: no compromises, no holding back, just pure power. With In Metal, the band is ready to prove once again why it remains at the forefront of international heavy metal. In support of their upcoming album, MYSTIC PROPHECY will hit the road in late 2026, joined by special guests IRON SAVIOR and GENERATION STEEL. Find all dates listed below!

In Metal will be released on November 27, 2026, via PERCEPTION. Pre-order the album now at: https://mysticprophecy.rpm.link/inmetalPR

MYSTIC PROPHECY is:
R.D. Liapakis – Vocals
Markus Pohl – Guitar
Dan Baune – Guitar
Tommy Gun – Bass
Christophe de Combe – Drums
 
MYSTIC PROPHECY live:
13.11. (DE) Siegburg | Kubana Live Club
26.11. (DE) Nürnberg | Hirsch
27.11. (DE) Lindau | Club Vaudeville
28.11. (DE) Freiburg | Kulturraum
03.12. (DE) Aschaffenburg | Colos-Saal
04.12. (DE) Bochum | Matrix
05.12. (DE) Oldenburg | MTS
10.12. (BE) Kortrijk | DVG Club
11.12. (DE) Osnabrück | Hyde Park
12.12. (DE) Köln | MTC
13.12. (DE) Mannheim | 7er Club

Connect with MYSTIC PROPHECY:
https://www.mysticprophecy.net 
https://www.facebook.com/mysticprophecy 
https://www.instagram.com/mysticprophecy_official 
https://www.youtube.com/@MysticProphecy 

ENSLAVED - unveils new single 'Tales Of Trees' + announces co-headline UK & European tour with Sólstafir

Last month, progressive trailblazers Enslaved officially announced their forthcoming studio album, Mið, set for release on October 30 via Nuclear Blast Records. Throughout their 35-year journey, across 17 albums, the Norwegian vanguard have continually redefined the boundaries of progressive black metal, weaving Old Norse histories and sacred traditions into complex modern soundscapes. With their latest offering, Enslaved turn their gaze toward the fundamental concept of the axis: the middle, the origin, and the infinite reach of the present moment.  

Building on the momentum of their latest tracks 'Solar Will' and 'Spirit Helper' (feat. Kevin Kicking Woman)', the band have now unveiled the album's next captivating single, 'Tales Of Trees'. The song uses the majesty and fragility of the natural world as a mirror for the human condition. Through a blend of complex progressive structures and searing black metal atmosphere, the band draws a poignant parallel between Mother Nature and the psyche.

Voicalist / bassist Grutle Kjellson states:

"Tales of Trees is indeed tales about trees, but perhaps not first and foremost in a botanical sense. Trees can grow, shine, and flourish, but they can also wither and burn. They need to be tended to and looked after in one way or another, and thus serve as a fitting parallel to the human mind, let alone humanity as a whole. Trees as symbols of something more than mere botanical creatures have appeared throughout history, both in mythological tales and in folklore. So, I think this tale is a fitting accompaniment the the heavy and yet dynamic tunes of this composition”

Guitarist Ivar Bjørnson adds:

“‘Tales of Trees’ can be both a tribute to our wooden relatives on this planet - who have had rather a lot of patience with us; and a metaphor for so much more. The winding time signatures of folk music and the adventurous spirit of classic prog are natural ingredients in my songwriting, and they feel particularly at home here.There is something about our kinship with trees that is both deeply familiar and wonderfully strange: everyday encounters with something we barely understand. That sense of recognition and mystery is at the heart of this song, opening another path into the world of ‘Mið’.”

Pre-order Mið here: https://enslaved.bfan.link/mid
Stream 'Tales Of Trees' here: https://enslaved.bfan.link/tales-of-trees
Watch the video for 'Tales Of Trees' Below:

To celebrate the arrival of Mið, Enslaved will hit the road across the UK and Europe in February 2027 as a co-headline with Iceland's Sólstafir, with support coming from Norway's Gaahls Wyrd.

Enslaved commented:

“Europe! In February we are heading out on a co-headlining tour with our good friends in Sólstafir. There is a kinship here that goes beyond a shared enthusiasm for questionable weather: the belief that music should be allowed to find its own path, even when it refuses to explain where it is going. Bringing ‘Mið’ into that company, and into a room with all of you, feels very right. Making a record is one part of the adventure; discovering what happens to it when we meet you out there is another. That exchange still means everything to us. See you in the flesh!”

Tickets will go on-sale on September 25 at 9am BST / 10am CESTfrom https://enslaved.no/

ENSLAVED & SÓLSTAFIR
CO-HEADLINE TOUR 2027
w/ Gaahls Wyrd


04/02/27 - DE Berlin, Festsaal
05/02/27 - DE Leipzig, Felsenkeller 
06/02/27 - DE Hamburg, Fabrik 
07/02/27 - DK Copenhagen, Amager Bio 
08/02/27 - DE Frankfurt, Batschkapp 
09/02/27 - FR Strasbourg, La Laiterie
11/02/27 - FR Rennes, Antipode 
12/02/27 - FR Clermont-Ferrand, La Cooperative de Mai 
13/02/27 - FR Toulouse, Le Metronum 
14/02/27 - ES Barcelona, Razzmatazz 2 
16/02/27 - FR Paris, Elysee Montmartre 
17/02/27 - UK London, Electric Ballroom 
18/02/27 - BE Liege, OM 
19/02/27 - NL Nijmegen, Doornroosje
20/02/27 - NL Utrecht, Tivoli Pandora 
21/02/27 - DE Cologne, Live Music Hall 
23/02/27 - CH Solothurn, Kofmehl
24/02/27 - IT Milan, Magnolia 
25/02/27 - AT Vienna, SIMM City 
26/02/27 - PL Warsaw, Progresja 
27/02/27 - CZ Brno, Fleda 

Enslaved live in 2026

18 Sep 26        NO - Sortland @ Sortland Jazzfestival 2026
29 Oct 26         NO - Bergen @ Kulturhuset - Album Release Show
30 Oct 26         NO - Oslo @ Big Dipper - Signing Session / Meet & Greet
31 Oct 26         NO - Oslo @ Oslo Spektrum w/ Dimmu Borgir & Satyricon

Enslaved live - North America 2027

27-30 May 27   US - Baltimore @ Maryland Deathfest 2027

Tickets available here: Tour - Enslaved

Enslaved are:
Ivar Bjørnson | guitars 
Grutle Kjellson | vocals, bass
Arve 'Ice Dale' Isdal | guitar
Håkon Vinje | keyboards
Iver Sandøy | drums

Website | Bandcamp | Facebook | Instagram | Twitter | Spotify | YouTube | Apple Music

Shock Rock Legends GWAR Premiere HD Version of the "School's Out" Music Video

With GWAR’s 20th anniversary celebration of their 2006 opus ‘Beyond Hell’ arriving this Friday, September 25th, the band are premiering the HD version of their “School’s Out”music video, a cover of the Alice Cooper classic. The newly remastered deluxe edition, available for the first time ever on vinyl via the band’s own Pit Records, is now completely sold out through the GWAR store.

Remastered by Paul Logus (Anthrax, Killswitch Engage), the anniversary edition breathes new life into one of the band's most ambitious and theatrical releases. Alongside the remastered album, the release also includes a previously unreleased outro track recorded during the original ‘Beyond Hell’ sessions that was left off the original release.

Check Out the HD Music Video for "Schools Out" (Remastered) Below:

Originally released in 2006, 'Beyond Hell' marked a defining moment in GWAR's legendary career. Produced by Devin Townsend, the album brought together two of metal's most unique creative forces, with Townsend helping shape one of the band's most ambitious and beloved releases.

"I had been a GWAR fan since I was a kid. I loved the freedom, the metal, the spectacle, and the passion that went into it all," recalls Townsend. "I met Brockie on a tour we did together and, after cornering him in an elevator basically telling him I'd work for free, I found myself co-producing 'Beyond Hell.' Dave and Corey came to Vancouver to stay with me, and we recorded at Profile Studios. The drums and basic tracks were done at Slave Pit in Richmond, Virginia, and the whole process took about three months."

He continues, "GWAR were, and are, an amazing combination of artistic freedom, absurdity, and hard work bundled up with metal and performance. Loved them then, love them now."

Chronicling the band's descent into Hell to rescue their long-lost comrade Flattus Maximus, 'Beyond Hell' remains one of GWAR's defining releases, featuring fan favorites including "Back in Crack," "Womb With a View," "Tormentor," and "The Ultimate Bohab."

Twenty years later, 'Beyond Hell' is ready to rise once again, louder, heavier, and more gloriously blasphemous than ever before.

GWAR Live:

09/23: Baton Rouge, LA @ Chelsea's Live *

* Supported by Weedeater and BRAT

The "Gor Gor Must Die!" Tour

10/27: Charlottesville, VA @ The Jefferson Theater *

10/28: Atlanta, GA @ The Masquerade (Heaven) *

10/29: Jacksonville, FL @ FIVE *

10/30-11/03: Miami, FL @ The Headbangers Boat

11/04: Fort Lauderdale, FL @ Revolution *

11/05: Orlando, FL @ The Beacham *

11/06: Myrtle Beach, SC @ House of Blues *

11/07: Winston-Salem, NC @ The Ramkat *

11/08: Nashville, TN @ Brooklyn Bowl *

11/09: Little Rock, AR @ The Hall *

11/10: Dallas, TX @ AM/FM *

11/12: Denver, CO @ Ogden Theatre

11/13: Salt Lake City, UT @ Rockwell at The Complex

11/14: Las Vegas, NV @ Brooklyn Bowl

11/15: Reno, NV @ Cargo Concert Hall

11/17: Tempe, AZ @ The Marquee

11/18: Anaheim, CA @ House of Blues

11/19: Berkeley, CA @ The UC Theatre

11/20: Chico, CA @ Senator Theatre

11/21: Bend, OR @ Midtown Ballroom

11/23: Seattle, WA @ Showbox SoDo

11/24: Spokane, WA @ Knitting Factory

11/25: Vancouver, BC @ Vogue Theatre

11/27: Edmonton, AB @ Midway Music Hall

11/28: Calgary, AB @ MacEwan Hall

11/30: Winnipeg, MB @ Burton Cummings Theatre

12/02: Lincoln, NE @ Bourbon Theatre

12/03: Milwaukee, WI @ The Rave *

12/04: Pontiac, MI @ The Crofoot Ballroom *

12/05: Cleveland, OH @ House of Blues *

12/06: McKees Rocks, PA @ Roxian Theatre *

12/08: Washington, DC @ 9:30 Club *

12/09: Worcester, MA @ The Palladium *

12/10: New York, NY @ The Palladium Times Square *

12/11: Philadelphia, PA @ The Fillmore Philadelphia *

12/12: Norfolk, VA @ The NorVa *

* X-COPS Open

French Folk Band SKÁLD Release Third Single "Dǫkksalir" + Lyric Video!

French dark folk entity SKÁLD release "Dǫkksalir," unveiling gentle melodies that unfold almost like a lullaby—perfectly fitting the concept of the enchanting yet frightening sirens lurking in the dark.

The song is taken from the band’s upcoming full-length album, Ørlǫg, which will be released this Friday, September 25, 2026. Ørlǫg marks SKÁLD's first release via Napalm Records and awakens ancient spirits as the band extends an invitation into times long gone but not forgotten.

Right in time to bring their new music to stages across Europe and the United Kingdom, SKÁLD are set for a major autumn UK/EU arena tour supporting The Hu, kicking off on September 29 in Glasgow.

SKÁLD about "Dǫkksalir":
"'Dokksalir' draws us into the dark depths of the sea; in the distance, the sirens' song calls to us, yet also terrifies us; mischievous spirits watch us and laugh at us; they already know we will be weak; the light no longer protects us; down below, eyes stare at you — perhaps it is you yourself watching yourself lose your way. Those siren voices are so beautiful."

Watch the lyric video for "Dǫkksalir"  below:

As the Norns weave our future, this album is a fascinating passageway into our pristine origins and the consequences of our choices. Ten new songs as stepping stones, Ørlǫg is an offering to listen, to dwell, to reflect—and to find something within yourself previously unknown. SKÁLD don’t just play music, they awaken ancient ways.

A staple band in the neofolk genre, SKÁLD deliver a striking work of art with their latest album, deferentially using their sources to keep old spirits alive and form the enchanting world of Ørlǫg. The language might sound unfamiliar, but the music still touches the soul.

SKÁLD about Ørlǫg:
"Ørlǫg is the cosmic web that influences the world and every person. Part of our Ørlǫg is determined by our birth, our past actions, and our upbringing, but Ørlǫg is not set in stone; our daily choices are constantly shaping it. What we do now and what we have done in the past determines what will happen to us in the future; we cannot escape the consequences of our actions. This album makes us question our choices — both individual and collective — and the patterns we accept or reject. The Norns weave our destiny, but we can take control of certain things: Travel, ride worlds, and grow. Each song on this album describes a situation, a place, a choice to be made. Let’s take hold of our Ørlǫg."

Get Your Copy Of Ørlǫg NOW!

SKÁLD LIVE 2026:
WARRIOR CHANT TOUR:

As Special Guest for The Hu
09/29 — Glasgow, UK — O2 Academy
10/01 — Bristol, UK — Prospect Building
10/02 — Bournemouth, UK — O2 Academy
10/03 — Newcastle, UK — O2 City Hall
10/05 — Belfast, UK — The Telegraph Building
10/06 — Dublin, IE — 3Olympia Theatre
10/08 — Birmingham, UK — O2 Academy Birmingham
10/09 — London, UK — O2 Academy Brixton
10/10 — Manchester, UK — O2 Apollo
10/11 — Norwich, UK — UEA LCR
10/14 — Brussels, BE — Ancienne Belgique
10/15 — Hamburg, DE — Sporthalle
10/17 — Munich, DE — Tonhalle
10/18 — Berlin, DE — Columbiahalle
10/19 — Warsaw, PL — Stodola
10/20 — Warsaw, PL — Stodola
10/22 — Cologne, DE — Palladium
10/23 — Utrecht, NL — TivoliVredenburg
10/24 — Tilburg, NL — 013
10/27 — Lyon, FR — Le Radiant
10/28 — Paris, FR — L'Olympia
10/30 — Zurich, CH — X-TRA
10/31 — Esch-sur-Alzette, LU — Rockhal
11/01 — Brussels, BE — Ancienne Belgique

SKÁLD ARE:
Christophe Voisin Boisvinet – Percussion, Nordic Fiddles, Harp, Horn, Vocals, Programming
Marti Ilmar Uibo – Percussion, Lyre, Kannel, Whistles, Jaw Harp, Vocals
Steeve Petit – Percussion, Vocals
Marie Potosniak – Fiddles, Vocals
Guillaume Levy – Irish Bouzouki, Citole, Gudok
Nathalie Lemoye-Voisin – Vocals
Ravn – Moraharpa
Michel Abraham – Vocals
Eyline Uibo – Vocals

IGGY POP joins JOAN AS POLICE WOMAN for a Powerful Reimagining of “Save Me”

Continuing the celebration of her new album 'Real Life Evolution', released via UK label Reveal Records, NYC singer-songwriter Joan As Police Woman has teamed up with the illustrious Iggy Pop on 'Save Me'. The track is one of ten fresh interpretations of songs from Joan’s 2006 debut 'Real Life' album, reimagined two decades after its original release with a new cast of collaborators and released exactly 20 years from her debut.

Joan Wasser, known as Joan As Police Woman since 2004, is a critically acclaimed musician and producer, and a sought-after collaborator, dubbed “the coolest woman in pop” (The Times) and “one of the 21st century’s best musicians” (The Economist). As a singer, songwriter and multi-instrumentalist, her music defies easy categorization, crafting her own sound that blends various genres.

"Some transformations are subtle. Others are seismic. All of them were made with an entirely new cast of collaborators. Among them are two extraordinary vocalists. The inimitable Iggy Pop — whose band I’ve had the privilege of touring with, playing keys and singing — recorded a stunning version of 'Save Me' while we were on the road in New Zealand. We had to work around the birds outside, who apparently had strong opinions about the session. Then there’s Krystle Warren, a true original and one of my favorite singers alive. Her voice is so deeply soulful that 'I Defy' feels like it thoroughly enjoyed easily slipping into its brand new groove," says Joan.

Music has a way of taking on a life of its own, evolving and revealing new meaning as the years pass. Through countless performances, the new renditions on this extraordinary album are brought to life by the brilliance of the players who helped define their sound. This remarkable opportunity to hear Joan return to the music that helped define her artistic journey brings new perspective, texture, and energy to songs that have already stood the test of time.

"My friend’s reaction when I told them who sang this? “Iggy Fucking Pop”?? And yes, I am lucky enough to have been able to record him in a professional studio in New Zealand (a hotel room next to the pool on a day off). Thank goodness for portable recording rigs," explains Joan Wasser. 

"To me, Iggy is one of the great romantics. A few years ago, when I joined his band on Wurlitzer organ and vocals, I began to weep while in rehearsal for The Passenger. His voice is simply one of the greatest of all time. It holds a commanding masculinity alongside a profound connection to the fully range of human experience. This song carries that same quality I’ve always heard in him: a raw, aching desperation that few singers can touch. I am forever grateful to the “Godfather of Punk”.

The Real Life Anniversary Sessions video for 'Save' Me' was filmed at The Owl Music Parlor in Brooklyn by Ehud Lazin, and recorded by Adam Sachs as Joan is accompanied by Jeremy Gustin on drums and Will Graefe on guitar and vocals, the 'Real Life Anniversary Sessions)' video. Earlier, Joan shared similar intimate versions of  'Feed The Light', 'Eternal Flame', 'Flushed Chest', 'The Ride','Anyone', the title track 'Real Life', 'I Defy', and the most recent offering in this series - 'Christobel'.

"Will Graefe brings his emotionally masterful guitar work and Jeremy Gustin his remarkable rhythmic sensibility to several tracks. Parker Kindred’s inventive drum creations were the spark behind others. Thomas Bartlett unlocked a new dimension of the title track — honoring its original feeling while casting it in a warmer, amber light — and added Rhodes bass throughout," says Joan.

"This album gave me the chance to reunite, decades on, with upright bassist Tony Scherr, guitarist Oren Bloedow, and funk bassist Danny Blume — musicians whose artistry has only deepened with time."

Joan As Police Woman has released ten albums of original material, two cover albums, and an anthology. She has recorded and performed with hundreds of artists, including Afrobeat legend Tony Allen, Lou Reed, Anohni & The Johnsons, Meshell Ndegeocello, Rufus Wainwright, John Cale, David Byrne, Dave Okumu, Chris Dowd, Lau, Scissor Sisters, Sparklehorse, Beck, Laurie Anderson, Lloyd Cole, Afel Bocoum, Dave Gahan, Tanya Donelly, Damon Albarn and Gorillaz.

'Real Life Evolution' is out everywhere digitally and on CD and Limited Edition exclusive red marble vinyl on Bandcamp.  Tickets for Joan's 'Real Life 20th Anniversary Tour' -- in November 2026 and February 2027 -- can be ordered at www.joanaspolicewoman.com/tour.

'SAVE ME' SINGLE CREDITS

Written and Produced by Joan Wasser
Published by Fists of Fury (BMI / Domino Publishing)

Iggy Pop - vocals
Joan Wasser - vocals, piano & melodica  
Will Graefe - guitar
Jeremy Gustin - drums
Recorded by Adam Sachs live at The Owl Music Parlor, Brooklyn, NYC & Studio 222 in Taupō, New Zealand
Additional production by Urian Hackney
'Real Life Anniversary Session' video filmed by Ehud Lazin
Adam Sachs - audio recording engineer & mixer

Mixed by Patrick Dillett at Reservoir Studios
Mastered by Chris Gehringer at Sterling Sound
Album package concept, design & photos by Judi Rosen
(p) & (c) 2026 Sweet Police LLC under exclusive licence to Reveal Records

Publicity by Shameless Promotion PR

REAL LIFE ANNIVERSARY TOUR
NOV 5  London, UK - Union Chapel
NOV 6  London, UK - Union Chapel
NOV 7  Manchester, UK - RNCM (Royal Northern College of Music)
NOV 9   Glasgow, UK - Oran Mor
NOV 11  Brugge, Belgium - Cactus Club
NOV 12  Amsterdam, Netherlands - Zonnehuis (sold out)
NOV 13  Hamburg, Germany - Mojo Club
NOV 15  Aarhus, Denmark - Train
NOV 16  Copenhagen, Denmark - DR Concert Hall
NOV 18  Budapest, Hungary - House of Music Hungary
NOV 22  Berlin, Germany - Haus des Rundfunks & Großer SendesaalFEB 12  Paris, France - Alhambra
FEB 14  Amsterdam, Netherlands - Zonnehuis
FEB 16  Bremen, Germany - Kulturzentrum Radio Bremen
FEB 17  Heidelberg, Germany - Kulturhaus Karlstorbahnhof
FEB 19  Schorndorf, Germany - Club Manufaktur
FEB 21  Brighton, UK - Komedia
FEB 22  Cambridge, UK - Cambridge Junction (J2)
FEB 23  Norwich, UK - Norwich Arts Centre
FEB 24  Leeds, UK - Howard Assembly Room
FEB 26  Bologna, Italy - Estragon Club
FEB 27  Milan, Italy - Santeria Toscana 31


Keep up with Joan As Police Woman
Website | LinkTree | Bandcamp | Facebook | Instagram | Twitter | YouTube | Spotify | Apple Music | BandsInTown | Joanthology Podcast | Press contact

Keep up with Reveal Records
Website | Bandcamp | Facebook  | Twitter | Instagram | Soundc loud | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter |  Instagram | BlueSky | Threads  | Soundcloud | LinkedIn | Ema il

IAN MUNSICK CELEBRATES GRAND OPENING OF IAN MUNSICK'S COWBOY BAR & WESTERN GRILL IN DEADWOOD, S.D.

On the heels of releasing his fourth studio album, The Mountain Goat, on Aug. 21, Wyoming native Ian Munsick capped his Western Road to The Mountain Goat Tour last Friday (Sep. 18) in Deadwood, S.D. with the grand opening of Ian Munsick’s Cowboy Bar & Western Grill. 
 
With a line spanning two blocks to get into the bar on Friday and Saturday morning, fans were met with sponsor activations by Schaefer Outfitter, Crown Royal and Coors, while Drew Kirby with Townsquare held a live radio broadcast. 
 
Munsick’s friends and family welcomed the crowd and helped break in the outdoor performance stage on Friday with a daylong celebration featuring appearances by Philip Bowen, Ross Cooper, Ashland Craft, Kylie Frey, Jenna LaMaster, The Munsick Boys, Tyler Nance, Faren Rachels, Kellen Smith, Kasey Tyndall and The Mountain Goat producers Jeremy Spillman and Mike Robinson.
 
During Robinson and Spillman’s set, Munsick made a surprise appearance to thank his friends and fans alike for showing up. Addressing his co-producers, Munsick remarked, “These guys have spent thousands of hours working on my music, and it’s an honor to have them as well as all of the other singer/songwriters that flew in from all over the country to be here. Thank you guys for being here, and welcome to Ian Munsick’s Cowboy Bar & Western Grill!”
 
To his fans, he added, “Most importantly, thank you guys for being here. I know a lot of you drove hours and hours, or had to hop on airplanes, to be here. So thank you.”
 
Munsick then offered fans a unique opportunity to ask him questions about his music, the bar, and more before playing an acoustic performance of “Long Live Cowgirls.” 
 
When asked about his favorite part of opening the bar, Munsick gave his wife Caroline the credit, sharing, “She was here from the very beginning. And the Keatings too: Arden, Alec, Gerard. They really allowed us to come in here and just do our thing. They have been a huge help, but Caroline… She told me the first time that we played the Red Dirt Fest at the Deadwood Mountain Grand five years ago, ‘We’re going to have our own bar here someday.’ And sure as shit, five years later here we are. Being able to watch my wife accomplish such an amazing feat in not a lot of time is pretty incredible.”
 
Ian and Caroline Munsick partnered with The Landmark Hotel & Casino to design the over 2,600 square foot space within the hotel. Personal touches throughout the bar include displays of Caroline and Ian’s first ACM Awards red carpet outfits designed by Manuel Cuevas, western inspired murals by Oglala Lakota and Mohawk Western Artist Isaiah Stewart, Munsick’s first Gold Record for Long Live Cowgirls with Cody Johnson and more. 
 
Munsick also recruited Chef Aaron Richards to curate the bar’s menu, hand picking each item and tailoring it to appeal to kids and adults alike. Among some of his Western-inspired picks are the Wild Bill Sampler, Mountain West Spring Rolls, Western Fried Steak, Ian’s Smash Burger and more. Munsick also picked the specialty cocktails on the menu which include the Medicine Man, Ian’s Filthy Martini and Doc Mule. 
 
On Friday evening, the bar closed from 6:30-10:00 p.m. for Munsick’s Deadwood Jam performance. Despite the show being cut short due to weather, Munsick broke the Deadwood Jam attendance record as the crowd of over 6,000 fans spilled out onto Main Street. The night ended with a sold out VIP After Party with a performance by Ryan Charles and surprise appearance by Munsick for “Stay Twangin’” and “Cowboy Killer.”
 
The bar’s grand opening is the latest in a month-long celebration of The Mountain Goat, which included the launch of his clothing line with Schaefer Outfitter; a pop up in Laramie, Wyo.; and his second headlining show at Red Rocks Amphitheatre in August. The Mountain Goat marks Munsick’s first independent release via WEST TO THE REST RECORDS / Triple Tigers Records, and received critical praise upon its release with Sports Illustratedobserving “Munsick pushes deeper into the raw, organic sound of the Rocky Mountains he grew up in;” while The Tennessean proclaimed “There’s a good reason you can’t spell ‘Munsick’ without music.”
 
Ian Munsick’s Cowboy Bar & Western Grill grand opening continued all weekend with drink specials and performances by his band, Rocky Mountain Fever. For future updates, follow @IanMunsickCowboyBar on Instagram.

Photo Credit: Austin Friedline