ARISING EMPIRE MEDIA ALERT: New Release Just Dropped From PLUME — WATCH + LISTEN

Rising alternative heavy act PLUME return with their striking new single "My Cortisol Face," the final release before their highly anticipated debut album Saferooms & Healing Frequencies arrives on September 25 via Arising Empire.

Blurring the lines between hyperpop shimmer, emotional metalcore and futuristic electronic production, "My Cortisol Face" captures PLUME at their most vulnerable and volatile. Glittering electronics collide with crushing guitars, ethereal clean vocals and piercing screams, creating a track that feels equally fragile, chaotic and euphoric.

Lyrically, the song dives headfirst into anxiety, distorted self perception and the exhausting battle against your own reflection. Images of glitter caught in the throat, ribs beneath paper thin skin and rehearsed smiles paint an unsettling picture of someone desperately trying to maintain the surface while everything underneath begins to fracture. The recurring question of whether this experience is a nightmare or everything they have been dreaming about sits at the emotional core of the track.

That conflict erupts in the chorus, where pain and style become almost inseparable. "My Cortisol Face" transforms inner turmoil into something strangely beautiful, balancing vulnerability with an undeniable sense of attitude and immediacy. As the song builds towards its desperate final moments, repeated questions of whether the pain will ever end underline the feeling of being trapped in an emotional freefall.

The single follows PLUME’s recent releases "Digital Waterboarding," "Furious Icon," "Angel Engine," and "A Cure For A Knife's Blade," each revealing another side of the band's rapidly evolving sonic identity. Since signing with Arising Empire earlier this year, the German four-piece has continued to establish itself as one of the most intriguing newcomers in modern alternative heavy music, combining pop sensibility with distorted guitars, synthesizers, fractured rhythms and a visual identity inspired by glam rock and contemporary digital culture.

Fronted by Pascal Pashaee alongside guitarist David Riederer, keyboardist Luka Lorch and drummer Richard Kilian, PLUME approach their music as more than a collection of songs. Their immersive live performances and carefully constructed visual world form an extension of a sound that refuses to sit comfortably within a single genre.

With their debut album Saferooms & Healing Frequencies set for release on September 25, PLUME are preparing to bring that vision into full focus. The 13-track record represents the next major step for a band increasingly determined to reshape the boundaries between pop, metalcore and forward thinking alternative music.

As the final glimpse of the album before its arrival, "My Cortisol Face" feels like a fitting statement of intent: intimate, dramatic, unpredictable and unapologetically PLUME.

Catch the band live:
9/19 — Lyon 07 France — La Petit Salon

ARISING EMPIRE MEDIA ALERT: New Releases Just Dropped From RESOLVE — WATCH + LISTEN

French metalcore force Resolve return with their brand new single "Spread My Ashes Into Space," marking the beginning of a bold new chapter for the band. Cinematic, crushing and deeply emotional, the track arrives alongside the announcement of their new album of the same name, Spread My Ashes Into Space" set for release on January 15. The album is available to pre-order here.

With "Spread My Ashes Into Space," Resolve push their unmistakable sound into vast new territory. Monumental riffs, atmospheric electronics and soaring melodies collide with moments of raw vulnerability, creating a track that feels both intensely personal and almost otherworldly in scale. While firmly rooted in the modern metalcore DNA that has defined the band, the single expands their sonic world with a renewed sense of ambition, depth and cinematic scope.

At its heart, "Spread My Ashes Into Space" explores the overwhelming desire to escape when the weight of reality becomes impossible to ignore. Space becomes a metaphor for absolute freedom, a place beyond expectations, pressure and noise. Against imagery of infinite darkness, solar flares and hyperspace, the song wrestles with the line between surrender and self preservation.

The band comments, "This first single and title track dive into the moment the breaking point is reached, and how that kickstarts a new perspective. The core of this song revolves around one specific question that kept coming up when writing the lyrics: "Is it a cure or an escape?"

"We've had times when the sheer weight of everything, the noise, the expectations, made me almost consider changing up my whole life and escape to a quieter, more serene place. In this song, space represents this: an ultimate silence and isolation. A place with 'no rules, no gods, just infinite black unknown.' It’s about the desperate need to find a sanctuary where you can finally be free from the weight of reality, a place where you can just exist however you see fit. This place has been harder and harder to reach for me these past few years, and we think we're not alone in that.

"Some might read the lyrics and see a dark surrender, but we want the audience to see it as written from a place of hope. It's that feeling of being an 'escape artist with no hands,' trying to find a way out when you're completely backed into a corner. Ultimately, it's a very raw admission that sometimes, the urge to disappear isn't about wanting to escape the actual world, but simply trying to save yourself from a system that feels too loud."

The title track sets the stage for what promises to be Resolve’s most expansive and emotionally charged album era yet.

Following two acclaimed albums, millions of streams, appearances at Hellfest and extensive touring alongside internationally renowned acts, the French quartet continue to establish themselves as one of modern metalcore’s most compelling voices. Heavy without sacrificing atmosphere and vulnerable without losing its intensity, "Spread My Ashes Into Space" captures Resolve at a pivotal moment, redefining their signature sound while remaining unmistakably themselves.

RESOLVE LIVE:
9/8 — Asheville, United States — The Orange Peel
9/9 — Norfolk, United States — The NorVa
9/11 — Stroudsburg, United States — Sherman Theater
9/13 — Hartford, United States — The Webster
9/14 — Rochester, United States — Anthology
9/15 — Sayreville, United States — Starland Ballroom
9/18 — Madison, United States — The Sylvee
9/19 — Columbus, United States — Newport Music Hall
9/20 — Louisville, United States — Louder Than Life 2026
9/21 — London, Canada — Forest City London Music Hall of Fame
9/24 — Quebec, Canada — Théâtre Capitole
1/20 — Reims, France — La Cartonnerie
1/21 — Strasbourg, France — La Laiterie
1/22 — Villeurbanne, France — Transbordeur
1/23 — Montpellier, France — Rockstore
1/24 — Limoges, France — CCM John Lennon
1/26 — Toulouse, France — Le Metronum
1/27 — Cenon, France — Le Rocher de Palmer
1/28 — Nantes, France — Warehouse
1/29 — Wasquehal, France — The Black Lab
1/30 — Paris, France — La Cigale

Novelists Release Video for New Single "Ravage" — WATCH // Tour With Bilmuri

Just days after Rock en Seine — one of France's leading music festivals which lineup included Deftones, The Cure, and Tyler and the Creator — and ahead of their North American tour with Bilmuri, Novelists release "RAVAGE," a new single accompanied by a largely self-produced music video. The release marks the beginning of a busy stretch for the Parisian five-piece, leading up to their headline show at the Olympia on April 23, 2027.

Since the release of their acclaimed album CODA in May 2025, Novelists have come a long way. Still releasing through their own label, ACKOR Music, the band continues to refine an increasingly distinctive identity without sacrificing their creativity, underpinned by some of the most accomplished vocal and instrumental performances in their scene. With a frontwoman equally at home in metal and pop, Novelists continue to break the mold. Their visual identity now matches the ambition of a band shaped by extensive touring around the world, as demonstrated by their new video directed by Bastien Sablé, whose credits include work with Aya Nakamura , "RAVAGE" is the latest expression of that artistic vision.

"'RAVAGE' was never meant to play it safe," the band says. "We kept pushing the track further: Heavier, more melodic, wilder… until a baroque cello somehow felt like the most natural thing in the world. The video came from exactly the same impulse. We had the budget to make life easier and hand the project over to a big production company, but we chose to produce most of it ourselves, to make that budget go as far as possible, and achieve the most ambitious result we could. There's something very Novelists about doing everything ourselves, even when it makes our lives unnecessarily complicated, simply because we're obsessed with bringing what's in our heads to life exactly as we imagine it."

The release kicks off a packed schedule for a band who has not slowed down over the past 18 months: Hellfest, Francofolies, Graspop, Download UK, Resurrection Fest, tours across the United States, Europe and China, and a La Cigale show that sold out weeks in advance. Next up: tTeir imminent North American tour with Bilmuri, followed by a European run with The Devil Wears Prada this autumn, before their biggest-ever Paris headline show in 2027.

NOVELISTS ON TOUR:
WITH BILMURI:

9/4 — Orlando, FL — House of Blues
9/5 — Myrtle Beach, SC — House of Blues
9/6 — Birmingham, AL — Avondale Brewing Co.
9/8 — Indianapolis, IN — Egyptian Room
9/10 — Philadelphia, PA — The Fillmore
9/11 — Philadelphia, PA — The Fillmore
9/12 — Buffalo, NY — Buffalo RiverWorks
9/13 — Toronto, ON — History
9/15 — Milwaukee, WI — Landmark Credit Union Live
9/16 — Grand Rapids, MI — GLC Live at 20 Monroe
9/18 — Columbus, OH — KEMBA Live!
9/19 — Louisville, KY — Louder Than Life
9/20 — St. Louis, MO — Red Flag
9/22 — Omaha, NE — Steelhouse
9/23 — Fayetteville, AR — Ozark Music Hall
9/25 — Albuquerque, NM — Revel
9/26 — Phoenix, AZ — The Van Buren
9/27 — Anaheim, CA — House of Blues
9/30 — Seattle, WA — Paramount Theatre
10/1 — Portland, OR — Theater of the Clouds @ Moda Center
10/3 — Reno, NV — Grand Sierra Resort and Casino — Grand Theatre
10/4 — San Francisco, CA — The Masonic

SHOWING TEETH Drops New "A Fate Worse Than Loneliness" EP — OUT NOW

Infiltrating the vanguard of heavy music with an uncanny and unpredictable sound like no other, acclaimed Nashville-based sonic alchemist SHOWING TEETH presents her much-anticipated debut EP, A FATE WORSE THAN LONELINESS, out now via Republic Records + Spinefarm. In tandem with the project, she opened up an online store and uncovered her first-ever official merch drop, featuring a "Bad Exchanges" camo hat, Labyrinth longsleeve shirt, and CD version of A FATE WORSE THAN LONELINESS — available here. 

To celebrate the EP's arrival, she also served up the music video for the new single "Make It Out" . The clip captures the uncontrolled energy of this disarmingly catchy anthem with gritty footage and an appropriately claustrophobic performance. Watch it below:

Musically, the track's glitchy riff slips into a buoyant palm-muted groove, while airy keys carry the verses. Boosted by alternately crunching and chugging distortion, SHOWING TEETH translates anxiety into a transfixing refrain as she accepts, "Maybe it's too late to pick me up…I'll throw myself back down….Even up to now, I'll tell myself, 'You'll never make it out'." 

Amplifying her internal struggle aloud without shame, she fearlessly wrestles with self-defeat on the hook and pushes through with honesty and heart intact.

She teased the EP with the brutal and bludgeoning "Bad Exchanges." The latter is quickly nearing one million total streams. Plus, she delivered a chaotic music video to accompany the song. Watch it here. 

Earning acclaim, Revolver hailed it as "a series of noise-tastic riff swerves, ground-unsettling gravity blasts, deliciously disjointed sound effects and, of course, the ultra-violent screams and squeals of project leader and vocalist Addison." Metal Hammer named it one of "The 12 Best New Metal Songs You Need To Hear Right Now," going on to profess, "Maybe it's the frequent blast-beats, or the shrieking, grindcore like screeches, but the Nashville artist really nails a sense of frenzied mania."

The EP also boasts "Rip," which has amassed over 1 million streams and counting thus far. Revolver touted it among the "6 Best New Songs Right Now," raving: "Beyond that textual heaviness, SHOWING TEETH goes next level berserk with her feral shrieks."

This fall, she will hit the road as support to President on the band's sold-out North American Campaign 2026 for six weeks across North America. This run commences on September 4 in Nashville, TN at Brooklyn Bowl Nashville, visits major markets coast-to-coast, and closes out on October 14 in Dallas, TX at House of Blues Dallas. All dates are below.
 
Experience A Fate Worse Than Loneliness and more to come from Showing Teeth this fall.

SHOWING TEETH ON TOUR:
WITH PRESIDENT:

9/4 — Nashville, TN — Brooklyn Bowl Nashville
9/5 — St. Louis, MO — Delmar Hall
9/8 — Chicago, IL — The Riviera Theatre
9/10 — New York, NY — Brooklyn Paramount
9/11 — Toronto, ON — Danforth Music Hall
9/12 — Montreal, QC — MTELUS
9/13 — Boston, MA — Big Night Live
9/15 — Philadelphia, PA — Theatre of Living Arts
9/16 — Silver Spring, MD — The Fillmore Silver Spring
9/18 — Louisville, KY — Louder Than Life*
9/19 — Huntsville, AL — Mars Music Hall
9/20 — Atlanta, GA — Shaky Knees*
9/22 — Orlando, FL — House of Blues Orlando
9/23 — Atlanta, GA — Buckhead Theatre
9/25 — Kansas City, MO — Warehouse on Broadway
9/26 — Denver, CO — Summit Music Hall
9/28 — Salt Lake City, UT — The Depot
9/29 — Las Vegas, NV — Brooklyn Bowl Las Vegas
10/1 — Garden City, ID — Revolution Concert House & Event Center
10/2 — Seattle, WA — Neptune Theatre
10/6 — Berkeley, CA — The UC Theatre
10/7 — Los Angeles, CA — The Wiltern
10/9 — San Diego, CA — House of Blues San Diego
10/10 — Phoenix, AZ — The Van Buren
10/12 — San Antonio, TX — Aztec Theatre
10/13 — Houston, TX — House of Blues Houston
10/14 — Dallas, TX — House of Blues Dallas
10/17 — Nashville, TN — Ceremony Festival*
*Festival Date

President Release "BLOOD OF YOUR EMPIRE" Out Now // U.S. Tour Starts — SOLD OUT

Multi-million streaming, UK-based collective PRESIDENT are pleased to reveal BLOOD OF YOUR EMPIRE, their debut full length via Atlantic Records. Listen and stream here.

Alongside the album release, the band shares "Sleepwalker."

Listen below. 

The album arrives the same day the band kicks off its first-ever headline tour, which is completely sold out.

PRESIDENT, who embarked on their first-ever full U.S. tour supporting Bad Omens earlier the year, are now headlining venues across North America. The live campaigns will feature support from Showing Teeth on select dates. The tour launches tonight at Brooklyn Bowl in Nashville, making additional stops across the U.S in Chicago, New York, Toronto, Boston, Atlanta, Denver, Seattle, Los Angeles. and more before wrapping up in Dallas at House of Blues on October 14.

The album is truly a moment in the overall President campaign.

"Blood Of Your Empire was born out of my own struggle with existential crisis and trying to make sense of belief, mortality, and humanity's relationship with faith," President says. "Religion has inspired incredible compassion, purpose, and beauty in the world — but it has also been responsible for unimaginable suffering and bloodshed throughout history. This album lives in the tension between those two truths. Writing it became a way for me to confront the fear, confusion, and questions I've carried for years, and turn them into something I'm truly proud of."

The album cover is a Eugène Delacroix painting, The Battle of Poitiers, which, consequently, hangs in the Louvre. 

Launching in 2025 and operating under the cloak of minimalism and anonymity, PRESIDENT have been cultivating intrigue with each single and live performance. Refusing to conform to the traditional structures of genre or identity, PRESIDENT prioritize intent over image.

PRESIDENT 2026 TOUR DATES:
9/4 — Nashville, TN — Brooklyn Bowl
9/5 — St. Louis, MO — Delmar Hall
9/8 — Chicago, IL — Riviera Theatre
9/10 — Brooklyn, NY — Brooklyn Paramount
9/11 — Toronto, ON — Danforth Music Hall
9/12 — Montreal, QC — MTELUS
9/13 — Boston, MA — Big Night Live
9/15 — Philadelphia, PA — Theatre of Living Arts
9/16 — Silver Spring, MD — The Fillmore Silver Spring
9/19 — Huntsville, AL — Mars Music Hall
9/20 — Charlotte, NC — The Underground
9/22 — Lake Buena Vista, FL — House of Blues
9/23 — Atlanta, GA — Buckhead Theatre
9/25 — Kansas City, MO — Warehouse On Broadway
9/26 — Denver, CO — Summit Music Hall
9/28 — Salt Lake City, UT — The Depot
9/29 — Las Vegas, NV — Brooklyn Bowl
10/1 — Garden City, ID — Revolution Concert House and Event Center
10/2 — Seattle, WA — Neptune Theatre
10/6 — Berkeley, CA — The UC Theatre
10/7 — Los Angeles, CA — The Wiltern
10/9 — San Diego, CA — House of Blues
10/10 — Phoenix, AZ — The Van Buren
10/12 — San Antonio, TX — The Aztec Theatre
10/13 — Houston, TX — House of Blues
10/14 — Dallas, TX — House of Blues

Traditional Heavy Metallers THE UNKNOWN Release New Album 'Graveyard of Empires' Out Now via Mission 84 Productions

Traditional thrashers THE UNKNOWN proudly release their sophomore album, 'Graveyard of Empires,' out now via Mission 84 Productions. Celebrating the launch of the new album, the band also shares their new single, "Land of the Pure," alongside an official lyric video.

The band comments on the new track:

“'Land of the Pure' is loosely inspired by the book 'Train to Pakistan' and the 1947 Partition of India and Pakistan, telling its story through the perspective of a small border village made up of people of multiple faiths. At its core, the song is a meditation on the fragility of peace, how quickly neighbors can become divided, and the human cost when that peace begins to collapse."

Musically, the track stands apart through its use of tabla and cello, with the latter performed by Dr. Joe “The Metal Cellist” from Israel. His performance, combined with the tabla and Matt Fisher’s emotional vocal delivery, gives the song a distinctly human character, while the collaboration itself quietly reflects one of the ideas at the heart of the track: that understanding and friendship can create something beautiful in a world where we can so easily be divided.

Watch the Official Lyric Video for "Land of the Pure" Below:

THE UNKNOWN is a U.S.-based heavy metal band forging a powerful blend of traditional metal and thrash. Drawing influence from bands such as Jag Panzer, Manilla Road, Anthrax, and Iron Maiden, their sound combines crushing riffs and driving rhythms with soaring melodies and commanding, emotive vocals.

Their debut album, ‘Vanishing Point,’ released through ZYX/GoldenCore Records, earned strong reviews from metal publications and fans around the world, establishing the band as a rising force in the underground heavy metal scene.

Now, THE UNKNOWN return with their new album, ‘Graveyard of Empires,’ pushing their sound even further with bigger arrangements, deeper atmosphere, and an even sharper edge. Rooted in the spirit of classic heavy metal while bringing their own modern intensity, the band continues their mission to keep true metal alive while carving out their own path within the genre.

The album's title is a conceptual statement. 'Graveyard of Empires' explores the fall not of nations, but of ideas, the collapse of peace, the erosion of the human spirit, the slow unraveling of everything we build and everything we believe in. From the battlefields of World War II to the death of civilizations that never got the chance to flourish, to the quiet question of what remains of humanity when humanity itself is no longer the only answer...

About the album, Aamir Syed comments:

"As an album, it isn't about geopolitics, but there is a running theme throughout the stories that we're telling. The empires that fall in this record are ideas, concepts, and the slow collapse of peace. The belief that we're building toward something, and then it falls apart due to greed and corruption. That's what we're mourning."

Order 'Graveyard of Empires' HERE

THE UNKNOWN Live:

September 11th - Hamden, CT @ The Cellar

September 13th - Brooklyn, NY @The Meadows

+ More Dates to Be Announced!

THE UNKNOWN are:

Aamir Syed - Guitars

Matt Fisher - Vocals

Andic Salcedo - Bass

Michael Dale - Guitars

COUNTRY SPLASH KICKS OFF INAUGURAL WEEKEND IN CABO SAN LUCAS

Country Splash’s inaugural weekend is officially underway, bringing country music against the backdrop of a destination getaway to launch the first-ever multi-day beachfront country festival in Cabo, with performances from Tucker Wetmore, Dasha and more launching the three-day experience at Paradisus Los Cabos.
 
As guests arrived at Paradisus Los Cabos, they were welcomed by sunny skies, oceanfront views and the festival’s service-first hospitality. With the all-inclusive resort and beach open for guests to settle into the destination throughout the day, the anticipation built ahead of the evening’s Main Stage performances.
 
At 7 p.m., Jacob Hackworth kicked things off as the sun began to set over Cabo, performing songs from his upcoming debut EP What Took You So Long, before Dee Jay Silver arrived to keep the energy building, blending country favorites with hip-hop, house and EDM between each act, followed by Blake Whiten, whose performance included his Billboard Hot 100-charting single “Bet On That.”
 
Dasha then took the stage to deliver a high-energy set that included her breakout hit, “Austin,” complete with a full-band show to cap it off.
 
Tucker Wetmore brought the inaugural night to its peak with a set featuring fan-favorites “Wind Up Missing You,” “3, 2, 1,” and “Sunburn.”
 
“Great to be able to do what I love at the beach,” Wetmore enthused a half-dozen songs in. “This is officially night one of Country Splash,” he proudly exclaimed to a ready-crowd before introducing his friend and co-writer, Hackworth, to join him on “Wine Into Whiskey.” With a 90-minute set that included “doing whatever I want up here,” Wetmore took the intentionally-intimate festival crowd back with “Casino” and brought a comedic side with banter in between his cover of "Drops of Jupiter” and leading the at-capacity-crowd through Beethoven, Queen and Journey sing-alongs on piano.
 
As day one came to a close, Country Splash Cabo’s opening night line-up set the tone for the rest of the weekend, with its intimate setting offering the energy of a can’t-miss festival alongside the personalized experience at the heart of Country Splash.
 
Country Splash continues Saturday with morning wellness programming hosted by Sports Research, a daytime pool party featuring Diplo and ADHD, a sunset acoustic performance from surprise guests and evening performances from Jon Pardi, LOCASH and Zach John King.
 
Single day tickets are still available for Saturday, September 5, and Sunday, September 6, featuring performances from Riley Green, Cameron Whitcomb, Lauren Watkins, VAVO and more. Tickets are available to purchase HERE.
 
On Saturday, September 5, and Sunday, September 6, Country Splash and official wellness partner Sports Research are bringing opportunities to reset and recharge through the weekend with a Saturday morning movement and meditation session and Diplo’s Wellness Experience on Sunday. Both experiences are scheduled for 9am and are available to book through Country Splash’s concierge team.
 
Throughout the weekend, Sports Research will serve as Country Splash’s wellness concierge, weaving hydration, recovery and self-care into the guest experience. The interactive Recovery Lounge will feature Sports Research Hydrate Electrolytes, Vitamin D3+K2 Gummies and Vitamin C Gummies, with Hydrate also available in the Members Private Club and dedicated wellness support for participating artists. Festivalgoers will also get an exclusive first look at what’s next from Sports Research, previewing a new product ahead of its official launch.
 
For updates and additional information, follow along @CountrySplash or visit CountrySplash.com.

Tucker Wetmore headlines Country Splash Cabo on Friday, Sept. 4. | Photo Credit: Daniel Pantoja

Chart-Topping Rock Heavyweights THEORY OF A DEADMAN Release New EP 'Part 1: Funeral Songs' — Out Now via ONErpm

Chart-topping veterans THEORY OF A DEADMAN are proud to release their new EP, 'Part 1: Funeral Songs,' out now via ONErpm. Celebrating the release, the band also shares the new single, "Monster Truck," alongside an official video.

Marking a new chapter for the band, comprising Tyler Connolly, Dave Brenner, Dean Back, and Joe Dandeneau, the new EP delivers their signature mix of gritty riffs, anthemic hooks, and unfiltered lyricism with a renewed sense of urgency.

On the new track, Connolly shares:

“'Monster Truck' came about when we went and watched grave digger practice one day. The driver Tyler was super cool. It was so loud and huge. I was like this is the sound of america."

On the EP release, he continues, "We're focusing now on a ‘more music more often’ kinda approach. With an EP out this September then another in March. Eventually will put them together as a whole LP with even more new songs for our fans sometime in 2027.”

Watch the Video for "Monster Truck" Below:

THEORY OF A DEADMAN have carved out their own lane as one of modern rock’s most unapologetic forces, racking up multi-platinum hits, chart-topping albums, and sold-out shows worldwide. Blending witty, candid songwriting with undeniable riffs and massive melodic hooks, the Canadian quartet—Tyler Connolly, Dean Back, Dave Brenner, and Joe Dandeneau—have built a career defined by both attitude and staying power.

From fan favorites like “Santa Monica” to gold-certified hit “All Or Nothing,” platinum singles “Hate My Life” and “Bitch Came Back,” and the double-platinum “Not Meant To Be,” the band has delivered a steady stream of rock staples. They’ve landed twelve Top 10 hits on the Billboard Mainstream Rock Chart, including four #1 singles: “Bad Girlfriend,” “Lowlife,” “History Of Violence,” and “Rx (Medicate).” The latter stands as the biggest hit of their career, earning a nomination for “Rock Song of the Year” at the iHeartRadio Music Awards.

Along the way, TOAD have achieved two Top 10 debuts on the Billboard 200, four Top 5 debuts on the Canadian Albums Chart, and multiple Juno Award nominations, while drawing praise from outlets including American Songwriter, Billboard, and Classic Rock Magazine.

Now, THEORY OF A DEADMAN are ready to further their prolific career with the release of their new EP, 'Part 1: Funeral Songs,' out now via ONErpm.

Order 'Part 1: Funeral Songs' HERE

THEORY is currently on The Dead / Seven Tour alongside fellow heavyweights Sevendustwith more headlining tour dates to be announced next week. For a full list of dates, please see below.

THEORY OF A DEADMAN Live:

THE DEAD / SEVEN TOUR 2026

Sep 4 - Huntsville, AL @ Mars Music Hall

Sep 5 - Atlanta, GA @ The Tabernacle

Sep 6 - Dothan, AL @ The Plant

Sep 8 - New Orleans, LA @ The Fillmore New Orleans

Sep 9 - Houston, TX @ Bayou Music Center

Sep 10 - San Antonio, TX @ Boeing Center at Tech Port

Sep 12 - Corpus Christi, TX @ Concrete Street

Sep 13 - Midland, TX @ Wagner Noël Performing Arts Center

Sep 15 - El Paso, TX @ Abraham Chavez Theatre

Sep 16 - Phoenix, AZ @ Marquee Theatre

Sep 18 - Las Vegas, NV @ Bel-Aire Backyard at Durango Casino & Resort

Sep 19 - Del Mar, CA @ The Sound at Del Mar

Sep 20 - Riverside, CA @ Riverside Municipal Auditorium

Sep 22 - Salt Lake City, UT @ Rockwell at the Complex

Sep 23 - Idaho Falls, ID @ Mountain America Center

Sep 25 - Boise, ID @ Revolution Concert House

Sep 26 - Umatilla, OR @ Rock The Locks Festival (No Return to Dust)

Sep 28 - Great Falls, MT @ The Newberry

Sep 29 - Bozeman, MT @ The Commons

Oct 1 - Sacramento, CA @ Aftershock Festival (No Return to Dust)

THEORY OF A DEADMAN are:

Tyler Connolly - Vocals, Guitars, Keys

Dean Back - Bass

Dave Brenner - Guitar

Joe Dandeneau - Drums, Vocals

Better Noise Signs Death Valley Dreams // Band Shares Cover of Chris Isaak's Melancholy Classic "Wicked Game"

BETTER NOISE MUSIC is pleased to welcome the ever-enigmatic DEATH VALLEY DREAMS to the label's roster. The band serves up a cocktail of brooding rock, atmospheric vibes, neo-new wave synths, and gloomy guitars. Indeed, Death Valley Dreams are a master class in gloriously melancholic music — they provide the soundtrack for nyctophiles.

Siphoning influence from '80s pioneers The Cure, Depeche Mode, Bauhaus, and Echo & The Bunnymen, as well as early '00s torchbearers The Killers, and Interpol while appealing to fans of newer acts like Nation of Language and Boy Harsher, Death Valley Dreams are magnets for those who prefer the darker side of life.

Lexie Viklund, Director of A&R, says, "Death Valley Dreams brings an exciting new dimension to the Better Noise roster. With a group of seasoned professionals coming together to pursue their shared passion for music, the possibilities are truly endless. We couldn't be more excited to welcome them to the Better Noise family."

Alongside the signing news, the band has shared its cover of Chris Isaak's elegiac "Wicked Game." They've added their own slow-burning spin to this haunting classic. 

Watch the video Below:

The cover is an inspired choice for Death Valley Dreams, whose own music thrives in the same space between darkness, desire, melancholy, and tension. Shimmering guitars, pulsing textures, and an intoxicating sense of suspense amplify the song's underlying ache, turning a familiar classic into something seductive, modern, and unmistakably their own.

There's an undeniable nocturnal quality to Death Valley Dreams’ rendition: Unsettling yet beautiful, like stumbling into a tantalizing late-night scene from a Quentin Tarantino film where you know something dangerous is about to happen. The song feels drenched in neon, shadows, desire, and mystery, capturing the magnetic pull of the original while heightening its cinematic allure. Rather than simply recreating "Wicked Game," DEATH VALLEY DREAMS tap into what made the song so enduring and reimagines it through their own dark-alternative lens.

"It's one of those songs that’s just hauntingly beautiful and dark," offers the band's singer and keyboardist. "I've always gravitated toward that kind of mood, and ‘Wicked Game' has always been one of those songs that stuck with me. It fits the world we've built as a band so naturally that it just made sense to take our own approach to it."

Fans of rock new and old can catch on the road this fall with The Rasmus and Saint Agnes. These September dates offer the perfect chance to experience DEATH VALLEY DREAMS in their element — after dark, surrounded by a room full of people discovering a band that feels destined for much bigger stages. All dates are below.

DEATH VALLEY DREAMS ON TOUR:
WITH THE RASMUS + SAINT AGNES:

9/6 — Chicago, IL — Bottom Lounge

9/8 — Toronto, ON — The Opera House

9/9 — Montreal, QC — Le Studio TD

9/10 — Allston, MA — Brighton Music Hall

9/11 — Quebec City, QC — Salle Montaigne

9/13 — New York, NY — Racket

9/14 — Philadelphia, PA — Union Transfer

9/16 — Flint, MI — The Machine Shop

9/17 — Louisville, KY — Louder Than Life Festival

9/19 — Minneapolis, MN — Varsity Theater

9/20 — St. Louis, MO — Delmar Hall

9/22 — Hidalgo, TX — Payne Arena

9/23 — Dallas, TX — The Studio at The Bomb Factory

9/24 — Houston, TX — Bad Astronaut

9/25 — Austin, TX — Come and Take It Live

9/27 — Englewood, CO — Gothic Theatre

9/28 — Salt Lake City, UT — The Grand at The Complex

9/29 — Grand Junction, CO — Mesa Theater

10/1 — Portland, OR — Hawthorne Theatre

10/2 — Boise, ID — The Shrine Social Club

10/3 — Seattle, WA — El Corazon

10/4 — Vancouver, BC — Rickshaw Theatre

10/6 — Sacramento, CA — Ace of Spades

10/7 — Reno, NV — Cargo Concert Hall

10/8 — San Francisco, CA — August Hall

10/11 — San Diego, CA — House of Blues

10/12 — Los Angeles, CA — The Regent Theater

Gavin Adcock’s Latest Release is “One Hell Of A Steal;” Listen Now

Georgia native Gavin Adcock is continuing his release streak, today sharing the eighth of 26 songs off his upcoming album, The Day I Hang It Up. Written by Adcock, Luke Laird, Jack Hummel and Chase McDaniel, “One Hell Of A Steal” is available everywhere now. Listen Below. 
 
“‘One Hell Of A Steal’ is for that buddy who swears he’s going to be single forever, and then finds a girl who changes everything,” Adcock shares. “I think a lot of people can relate to this one – or know someone who can.”

“One Hell Of A Steal” is Adcock’s latest release in a flurry of instant grat songs from the album, including “Workin’ Man,” “Having One Now,” “Anymore” and “Shoes,” marking five consecutive weeks of new music. “Shoes” left Country Central remarking, “unfortunately for the haters, he has done it again.”
 
American Songwriter has dubbed Adcock a “modern-day outlaw,” while Music Row Magazine hails his “rowdy, high-octane performance” —a reputation he’s bringing to fans across the country on his 30-city The Day I Hang It Up Tour. The trek features a rotating lineup of special guests, including Pecos & The Rooftops, Corey Kent, Tyler Nance, Jake Worthington, The Creekers, Braxton Keith and Mack Geiger.
 
A proven must-see live performer, Adcock has sold out venues coast to coast across multiple headline tours, including the Monster Energy Outbreak Tour Presents: Gavin Adcock, Actin’ Up Again (Again) Tour and Need To Tour. Most recently, he joined Morgan Wallen for select dates on both legs of Wallen’s 2025 and 2026 tours, earning explosive responses from audiences nationwide.
 
In addition to the standard CD/Vinyl, The Day I Hang It Up limited edition exclusive bone-colored vinyl is now available for pre-order. Built for the die-hards, this exclusive two LP is pressed on raw, bone-colored wax and wrapped in a killer limited-edition alternate cover. To cap it off, every copy drops with a custom 12x12 insert hand-signed by Adcock himself.
 
To purchase tour tickets or to pre-order limited edition vinyl, visit GavinAdcockMusic.com. 

The Day I Hang It Up Tour 2026
Sep 11 || Cleveland, Ohio || Jacobs Pavilion # ^                     
Sep 17 || Lubbock, Texas || Cooks Garage * %                                  
Sep 19 || Round Rock, Texas || Round Rock Amp %                         
Sep 24 || Baton Rouge, La. || Raising Cane's River Center Arena * %                      
Sep 25 || Oxford, Miss. || SJB Pavilion * %                           
 
Oct 15 || Macon, Ga. || Atrium Health Amphitheater > %                 
Oct 16 || Birmingham, Ala. || Coca-Cola Amphitheater > %
Oct 17 || Little Rock, Ark. || First Security Amphitheater > %          
Oct 22 || Fishers, Ind. || Fishers Event Center $ ^ 
Oct 23 || Knoxville, Tenn. || Knoxville Civic Coliseum $ ^
Oct 24 || Cary, N.C. || Koka Booth Amphitheatre $ ^ 
Oct 29 || Charlotte, N.C. || Bojangles Coliseum > % 
Oct 30 ||Savannah, Ga. || Enmarket Arena > % 
Oct 31 || Estero, Fla. || Hertz Arena > %
 
Nov 6 || Boston, Mass. || MGM Music Hall at Fenway > %
Nov 7 || Reading, Penn. || Santander Arena > %
Nov 13 || Detroit, Mich. || Masonic Temple Theatre > %
Nov 14 || Grand Rapids, Mich. || Van Andel Arena > %
 
Dec 10 || Las Vegas, Nev. || The Theater at Virgin Hotels !

PARMALEE RELEASES NEW TRACK “MEET MY MAKER”

Six time #1 hitmakers Parmalee release their latest song, “Meet My Maker.” Written by Matt Thomas, David Fanning, Andrew DeRoberts, Taylor Phillips and Andy Albert, the catchy love song shows appreciation for God sending the perfect person to one’s life and gives thanks to the Maker. Recently earning the longest-running number one by a band in nearly 14 years on the Billboard Country Airplay chart, Parmalee’s current single, “God Knew Better,” is currently climbing the country charts. Listen to “Meet My Maker” Below. 

“We’re excited to release ‘Meet My Maker,’ a song about thanking the Man Upstairs for creating the person you’re with,” says Matt Thomas. “At its heart, it’s about love, faith, and being grateful for the person standing beside you.”

Parmalee is currently on tour:
9/5 Bedford, TX - Bedford Beats and Eats Fest
9/11 Chittenango, NY - The Haven of The Wild – Chittenango, NY
9/12 Norwalk, CT - Norwalk Oyster Festival
10/4 Doswell, VA - State Fair of Virginia
10/10 Palmyra, MO - Marion County Fairgrounds
10/16 Cave Creek, AZ - Harold’s Cave Creek Corral
11/13 Indianapolis, IN - 8 Seconds Saloon

KEEP UP WITH PARMALEE
WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK | X

Fight From Within Release New Single “The End of My Rope” ​   

Upstate New York metalcore/hardcore band Fight From Within are back with their latest single, “The End of My Rope,” available now via Arson Theory. Produced by Daniel Thabet of Liquid Studios, the new track marks a new chapter for the band as they continue to sharpen their aggressive blend of metalcore, hardcore, and beatdown while expanding their reach with a newly announced run of dates supporting Tallah.

 

“The End of My Rope” captures Fight From Within at their most intense, delivering crushing heaviness, relentless energy, and the raw emotional urgency that has become central to the band's sound. Built for the pit but rooted in genuine frustration and perseverance, the track showcases a band continuing to push their sound forward without sacrificing the aggression that brought them together.

 

Alongside the new single, Fight From Within have announced “The Absence of Good Tour,” a tour supporting Tallah that will bring the band’s high-impact live show to stages across the country.

 

The new era also comes with a change behind the scenes, as Fight From Within are now under the management of Eric Ellis, formerly of Bury Your Dead. Ellis' experience within the heavy music community brings a new level of momentum as the band prepares to take “The End of My Rope” on the road and introduce Fight From Within to an even wider audience.

 

“The End of My Rope” is available now on all major streaming platforms.

 

Listen to The End of My Rope:

https://arsontheory.vyd.co/TheEndOfMyRope

 

WATCH the Lyric Video for "The End of My Rope Below:

FIGHT FROM WITHIN ON TOUR:

“The Absence of Good Tour” supporting Tallah

 

10-15 MILLERSVILLE, PA - PHANTOM POWER

10-16 HUNTINGTON, WV - JERK'S
10-17 ASHEVILLE, NC • SLY GROG LOUNGE
10-18 KNOXVILLE, TN- KARNS EVENT CENTER
1O-20 CLEVELAND, OH - FOUNDRY CONCERT CLUB
10-21 COLUMBUS, OH - SPACEBAR
10-22 EVANSVILLE, IN - SIX STRINGS ON FRANKLIN
10-23 CHATTANOOGA, TN - THE EDGE
10-24 ATLANTA, GA - 529 EAV
10-25 JACKSONVILLE, EL- THE ALBATROSS
10-27 GREENSBORO, NC - HANGAR 1819
10-28 VA BEACH, VA - SCANDALS LIVE
10-29 SALISBURY, MD - LURKING CLASS
10-30 ELMWOOD PARK, NJ - BLVD BAR & GRILL
1O-31 MANCHESTER, NH - BUNGALOW BAR

 

Tickets can be found HERE

 

Fight From Within were founded in Upstate New York in early 2021. Their sound lands at the intersection of metalcore, hardcore, and beatdown. With deeply diverse influences ranging from Bury Your Dead, Polaris, Evergreen Terrace, Emmure, Invent/Animate, Every Time I Die, and Attila, they have crafted their own distinct sound.

 

They have taken the stage at many key festivals, from Sonic Temple to The Gathering of the Juggles to Inkcarceration to Louder Than Life. The band headed into 2027 like a freight train — all gas, no brakes.

For More Information Please Visit:

 

Official Website

Spotify

Facebook

Instagram

YouTube

Merch

156/Silence Unleashes New Album 'From A Distance' and Release Album Title Track Featuring Alex Reade of Make Them Su

It's a great day for 156/Silence fans! Today, the Pittsburgh, Pennsylvania atmospheric metalcore powerhouse has released their new album 'From A Distance' via Pure Noise Records. 'From A Distance' is the quintet's sixth full-length and their most recent album release since 2024's critically acclaimed 'People Watching'. In celebration of today's news, the band has dropped the official music video for the album title track "From A Distance" featuring the inimitable Alex Reade of Make Them Suffer, who also appears in the video. When asked about the inspiration behind the song, the band shared:

"Love. Love is the most important thing in the world no matter what. Through all the bad and evil, there will always be more good. Even if it’s from a distance, the love we share is worth more than anything."

'From A Distance' is available now on all streaming platforms at the link here.                                                   Watch the "From A Distance (ft. Alex Reade)" music video below.

Having recently wrapped the 'It's Not You, It's Me' tour with Chiodos just last week, 156/Silence will next kick off their 'From A Distance'US headlining tour with Aviana, Heavensgate, and Fromjoy as support. The 20-date headlining run begins next Wednesday, September 9, in Worcester, Massachusetts, and concludes in the band's hometown of Pittsburgh, Pennsylvania, on Saturday, October 3. During the headliner, the band will also be bringing the heat at this year's Louder Than Life festival on Sunday, September 20. Never ones to rest on their laurels, 156/Silence will then cross the pond to hit the road on the EU/UK Flowers Tour with The Devil Wears Prada in October, and kick off the new year touring Australia alongside Thrown in February 2027. Dates are already selling out, so be sure to get your tickets at the link here before it's too late.

'From A Distance Tour' US Headlining Dates with Aviana, Heavensgate & Fromjoy:

Wed Sep 9 - Worcester, MA @ Palladium Upstairs - Sold Out

Thu Sep 10 - Brooklyn, NY @ The Meadows - Selling Fast

Fri Sep 11 - Philadelphia, PA @ The Foundry @ The Fillmore - Sold Out

Sat Sep 12 - Baltimore, MD @ Soundstage - Selling Fast

Sun Sep 13 - Richmond, VA @ Canal Club - Selling Fast

Tue Sep 15 - Durham, NC @ Motorco Music Hall - Selling Fast

Wed Sep 16 - Atlanta, GA @ Terminal West

Thu Sep 17 - Winter Park, FL @ The Conduit - Sold Out

Fri Sep 18 - Jacksonville, FL @ Albatross

Sat Sep 19 - Greenville, SC @ Radio Room - Selling Fast

Tue Sep 22 - Dallas, TX @ Puzzles Deep Ellum - Selling Fast

Wed Sep 23 - San Antonio, TX @ The Rock Box

Fri Sep 25 - Mesa, AZ @ Rosetta Room - Sold Out

Sat Sep 26 - Santa Ana, CA @ The Observatory - Selling Fast

Sun Sep 27 - Sacramento, CA @ Goldfield Trading Post - Selling Fast

Tue Sep 29 - Denver, CO @ Marquis Theater - Sold Out

Wed Sep 30 - Kansas City, MO @ RecordBar - Selling Fast

Thu Oct 01 - Chicago, IL @ Reggies Rock Club - Selling Fast

Fri Oct 02 - Detroit, MI @ TSDMAAC (Sanctuary) - Selling Fast

Sat Oct 03 - Pittsburgh, PA @ Preserving - Selling Fast

Louder Than Life Festival 2026

Sep 20 — Louisville, KY — Kentucky Expo Center

EU/UK Flowers Tour Dates with The Devil Wears Prada, Novelists and Oversize:

Oct 7 - Munchen, DE @ Backstage - Low Tickets

Oct 8 - Wiesbaden, DE @ Schlachthof

Oct 9 - Hamburg, DE @ Docks

Oct 10 - Eindhoven, NL @ Effenar

Oct 12 - Vienna, AT @ Simm City - Low Tickets

Oct 13 - Leipzig, DE @ Felsenkeller

Oct 14 - Prague, CZ @ Archa+

Oct 16 - Cologne, DE @ E-Werk - Low Tickets

Oct 17 - Antwerp, BE @ Zappa

Oct 18 - Paris, FR @ Élysée Montmartre - Low Tickets

Oct 20 - Bristol, UK @ Electric

Oct 21 - Leeds, UK @ Project House

Oct 23 - London, UK @ Electric Brixton

Oct 24 - Manchester, UK @ New Century Hall - Low Tickets

Oct 25 - Birmingham, UK @ Institute 1

AU Tour Dates with Thrown, Boundaries and Volatile Ways:

Feb 3 - Perth, AU @ Freo Social

Feb 5 - Adelaide, AU @ The Gov - Final Tickets

Feb 7 - Melbourne, AU @ Forum - Final Tickets

Feb 10 - Canberra, AU @ UC Hub

Feb 11 - Sydney, AU @ Liberty Hall - Final Tickets

Feb 12 - Newcastle, AU @ King St Bandroom

Feb 13 - Brisbane, AU @ The Tivoli - Final Tickets

ABOUT 156/SILENCE

156/Silence makes intense, foreboding, and haunting music. Their songs are cinematic, blending brutality with intellect. They draw on real and imagined terror, all woven into melody and power. Vocalist and lyricist Jack Murray, guitarist and primary songwriter Jimmy Howell, guitarist Ryan Wilkinson, drummer Kyle O’Connell, and bassist Mike Ernst form a formidable unit, forged through shared passions and losses since the band’s earliest incarnation first formed in Pittsburgh in 2015. 

2024’s crowd pleaser, People Watching, was a watershed moment, boasting breakout anthems “Better Written Villain” and “Character Development (Cold Start).” Distorted Sound wrote, “There is enough in the band’s repertoire to not only keep you entertained but also keep you guessing.”

From a Distance, its spiritual sequel and the band’s first album with Pure Noise Records, ups the ante with gut-wrenching depth and atmosphere. Their sixth album is dark and ponderous yet triumphantly self-assured. (It follows the devastating standalone single “Our Parting Ways,” released in 2025 in loving tribute to longtime bassist Lukas Booker, who passed away unexpectedly earlier that year.)

The group’s reputation as a live force of nature was earned on the road, where they deliver audience connection and sonic devastation while touring with the likes of The Devil Wears Prada, Chiodos, Fit For A King, Counterparts, Silent Planet, and The Acacia Strain, among other contemporaries. 

Produced by Josh Schroeder (King 810, Lorna Shore, The Plot In You), From a Distance finds 156/Silence heavy as hell, while leaning into atmosphere, mood, and emotional impact even harder. The group reverently namechecks classic game scores like Resident Evil and Silent Hill, and the heady concepts of prestige TV like Twin Peaks (a sample from Apple TV’s Severance opens the album). 

Murray’s lyrics remain keenly observational, personal, and incisive. From a Distance serves as a bold thematic companion to its predecessor. While earlier records often documented tension at close range, From a Distance observes from a wider vantage point, examining social behavior, celebrity worship, intrusive thoughts, and interpersonal connection with steely focus. 

That authenticity is crucial to the band’s ever-growing audience.  

No two 156/Silence albums are alike, from the unhinged frenetic chaos of Undercover Scumbag (2018) to the gloriously savage and technical Irrational Pull (2020), which Metal Hammer likened to Converge and Botch. The diverse ruminations found in Narrative(2022) took things even further. BrooklynVegan called that album “bolder and richer” and “an exciting step forward for [the] band.” 

People Watching continued the prolific outfit’s tradition of steadfast evolution and innovation. Revolver praised the dark melodic edge of the Animal Farm-inspired “Better Written Villain,” declaring, “156/Silence may have just penned an instant classic of their own canon.” 

As Howell points out, they’d never really tried singing choruses and hooks prior to People Watching. “It went so well that we decided to double down on that.” From a Distance also features guest appearances from some formidable vocalists: Mike Hranica of The Devil Wears Prada, Alex Reade of Make Them Suffer, and Tony Castrati of Crippling Alcoholism. It also cranks up the soundscapes. 

“I look toward bands we love that grew with their listeners, like Thrice and Bring Me The Horizon,” Howell says of their continuing creative mission. “They have a sound, but they grow and change. Some bands are comfortable repeating the same thing again. I don’t want to do that. I want to make you feel the way you do when you hear one of those important bands, without sounding like them.”

Murray describes the title track as “a love song” and “probably the most Twin Peaks-inspired song.”

From a Distance cuts deeper into People Watching’s lyrical heart. “Proxy Idols” tackles celebrity worship. “Order & Entropy”contemplates maintaining focus amid the utter devastation of things falling apart. “Swept from Under (Call of the Void)” sees Murraywrestling with intrusive thoughts. “They tell you to hurt yourself, even when you don’t feel bad,” he says. “It’s just the ever-looming shadow of weird and intrusive thoughts, and negativity, of just being swept from under by the void.” 

From straightforward hard rock to synth-heavy experimentation and all the way back to the band’s deadly mathcore roots, 156/Silencehave established themselves as unbound by any genre limitation. 

“We could go anywhere now, and that’s the goal,” Howell says. “Nothing is ever off the table.” 

BEHEMOTH - Unleash New Single & Video 'In League With Satan' + New Release "I, Scvlptor" Out Now!

Polish extreme metal legends, BEHEMOTH, unleash 'In League with Satan', the second single from their new studio release, I, Scvlptor, which is out today via Nuclear Blast Records (digitally) and Massacre Records (physically). The music video for 'In League with Satan' was produced by the acclaimed Polish production collective Grupa 13. The song and the video feature very special guest, Shagrath of Dimmu Borgir.

Nergal commented on the new single:
 
“When we were looking for a name for our tour with Dimmu Borgir, I thought it would be great to use a timeless slogan and basically quote the gods of satanic rock’n’roll — Venom and “In League with Satan” perfectly fit my vision. I honestly don’t remember what came first — the idea for the tour name or the idea of recording the song itself. What matters is that we recorded it on seven-string guitars with Shagrath from Dimmu as a guest vocalist. The song gained a massive weight and a completely new dimension. We’re planning to play it live and I think our version turned into something truly powerful.”

Stream I, Scvlptor in full: 
https://behemoth.bfan.link/i-scvlptor

Purchase the physical edition of I, Scvlptor:

Massacre Records: 
www.iscvlptor.com

Behemoth Webstore: 
https://behemoth-store.com/en-ea/collections/i-scvlptor
(all vinyl variants, cassettes and bundles sold out)

Watch the music video for 'In League With Satan' Below:

'I, Scvlptor', which is out today, is an exclusive release featuring eight previously unreleased songs - seven new studio recordings and one live track. It is an autonomous body of work that bridges the band's foundational past with their present creative fire. The release features brand-new studio material embodying the full force of Behemoth's live energy and intensity. Two tracks - 'Rise of the Blackstorm of Evil' (from The Return of the Northern Moon, 1992) and 'In Thy Pandemaeternum' (from Pandemonic Incantations, 1998) - are newly re-recorded versions of early Behemoth material, reshaped with modern sonics while preserving their original spirit; a tribute to the bands who had a huge influence on Behemoth - 'In League With Satan' (originally by Venom, feat. Shagrath of Dimmu Borgir) and 'The Return of Darkness and Evil' (originally by Bathory, feat. Sakis Tolis of Rotting Christ). Available on CD, LP, MC and Limited-Edition Box Set through Massacre Records worldwide and digitally via Nuclear Blast Records.

Nergal commented:
“We’re fucking excited about the release of I, Scvlptor. Even though it’s not a regular studio album and is, in fact, more of a compilation, the mere fact that it contains songs nobody has ever heard before makes it a significant release for us. What’s more, some of these tracks are likely a little different from what we offered on our last album, The Shit Ov God. That’s why we see I,Scvlptor as an important record — a connecting piece, a bridge between where we are now and whatever may come next in the distant future.”

Artwork: Bartek Rogalewicz/ LODGE.BLACK

In October 2026, two of the most influential forces in extreme metal join together for a monumental tour: Behemoth and Dimmu Borgir will embark on the “In League with Satan” co-headline tour (with special guests, Dark Funeral), storming across Europe and the UK. Details below:  


IN LEAGUE WITH SATAN TOUR 2026
BEHEMOTH + DIMMU BORGIR

09 Oct – Zurich, Switzerland – Halle 622
10 Oct – Zwickau, Germany – Sparkassen-Arena Zwickau
11 Oct – Esch-sur-Alzette, Luxembourg – Rockhal
13 Oct – Milan, Italy – Alcatraz
14 Oct – Munich, Germany – Zenith
16 Oct – Paris, France – Zenith
17 Oct – London, UK – O2 Brixton Academy
18 Oct – Den Bosch, Netherlands – Mainstage
20 Oct – Cologne, Germany – Palladium
22 Oct – Hamburg, Germany – Inselpark Arena
23 Oct – Berlin, Germany – Columbiahalle
24 Oct – Brno, Czech Republic – Hala Vodova
25 Oct – Katowice, Poland - Spodek 
27 Oct – Helsinki, Finland – Ice Hall
29 Oct – Stockholm, Sweden – B-K
30 Oct – Copenhagen, Denmark – K.B. Hallen

TICKETS: https://www.behemoth.pl/

AIRBOURNE’S New Self-Titled Album Out Today: A “Big, Bombastic” Blast Of Pure Aussie Thunder

AIRBOURNE’s NEW self-titled studio album, out today, September 4th, is a true rock ‘n’ roll tale of no compromise, no sleep and still no ballads (or bullshit); a story fuelled by the riveted will of four musicians, brothers Joel & Ryan O’Keeffe, ably supported by Justin Street & Brett Tyrrell, to create a body of work that proudly offers a full 21 gun salute to hard rock’s glorious traditions, its heritage and its heartbeat, whilst keeping sights firmly trained on the road ahead.

To celebrate the album's release, the band has dropped their new video for the song 'Kid in a Candy Store.'

 

Watch the Video For 'Kid in a Candy Store' Below:

AIRBOURNE’s sixth studio album is the one that plants the flag deepest for everything the Aussie outfit stands for, their unwavering commitment to The Great Rock ‘n’ Roll Cause, leaving everything (apart from Lemmy’s Bar, of course) on the stage on a nightly basis.

 

“When I look up to the sky, rub the blood and sweat from my eyes

Hell, no, I ain't dead yet, as long as I can breathe, I can get…”  ‘Gutsy’

 

PRODUCED BY Brian Howes (who helmed 2013’s ‘Black Dog Barking’); engineered by Mike Fraser (who worked on 2010’s ‘No Guts. No Glory’ & 2016’s ‘Breakin’ Outta Hell’); mixed by Zakk Cervini (BMTH, Architects, Evanescence); and mastered by the legendary Ted Jensen, ‘Airbourne’ The Album is the statement, line in the sand recording that only one band could have made.

 

For staunch sons of Warrnambool, Joel & Ryan, here was the moment: to create not just the finest body of work in the Airbourne canon, but to raise the bar as high as possible in the name of the hard rock community; to seek out new turf, to protect the ground hard won by heroes past, some sadly fallen, and to both strengthen and celebrate the special, sacred bond with rock fans everywhere…

 

“Our aim from the start was to create something iconic, gargantuan,” states vocalist / guitarist Joel, “real blockbuster shit. It’s a rocket we’ve been building and building; we’ve filled it with fuel, now we’re ready to let it go.”

 

“We said, this is it, let’s make the oracle,” continues drummer Ryan, “and if we’re going to do it, no corner can be cut. All of the things we love most about rock‘n’roll are on this record. I firmly believe it’s our very best work…”

 

In order to embrace the mighty task, AIRBOURNE felt it wise to stay close to home, with Music Farm Studio in the “jungle” outside Byron Bay, South Eastern Australia, the chosen locale; not only does Music Farm host the original Neve console from Albert Studios in Sydney, the desk on which AC/DC, Rose Tattoo and The Angels recorded their classic early albums, but it’s also home to late AC/DC guitarist / founding member Malcolm Young’s eight-track Neve, and naturally both were put to full an’ fruitful use on the

AIRBOURNE sessions.

 

By choosing vintage gear (and recording to tape), these sessions were never going to be gremlin free, but as things turned out, technical issues were just a part of the story, with near cyclonic storms, deadly snakes and even deadlier super sized spiders (the fabled Big Boy!) adding to the list of perils. They say what doesn’t kill (or bite) you makes you stronger, and for musicians and studio team alike the overriding vision never blurred; nights around the fire pit were spent talking about the big, bold, bombastic albums they’d skipped their homework to listen to; those layered, beautifully crafted records, the recognised classics, that had made them rock fans in the first place…

 

Next stop, Hothouse Studios in Melbourne; here, all recording was completed alongside engineer / studio owner, Craig Harnath. Rounding things off at Hothouse was an easy choice to make; not only was it where the band had recorded their first EP, but the console, also a Neve, is from Alberts Studio 2, allowing the connection to prime rock history to be maintained.

 

The challenge was there. The game on.

‘Here She Comes’, one of the two Lange / Adams co-writes, the other being ‘Who Put The Rhythm In You?’, followed in late July, which brings us on a mighty wall of Eddie Van Halen inspired feedback to album focus track, ‘Bogotá’, complete with lashings of EVH ‘Frankenstein’ action, the first time Joel had wielded the instrument!

 

It’s surely impossible to be a guitarist and not realise the significance of EVH, who (along with Lemmy, Doc Neeson, John Bonham, Bon Scott, Little Richard, Malcolm Young & Ozzy) gets a hand on heart namecheck on album closer, ‘Send Me To Rock‘N’Roll Heaven’, the song that most clearly defines the album’s key themes of lifestyle and legacy; of artists being kept alive in the hearts and minds of fans; of the rock ‘n’ roll torch being passed from one generation to the next, the flame still burning…

 

‘When you play this riff, you give me back my hands

When you drop the needle, I'm back in the band…’  ‘Alive After Death (Last Plane Out)’

 

‘AIRBOURNE’. Made with passion. Made in Australia. The Great Barrier Riff.

 

Now officially out of its cage.

AIRBOURNE Shows with Guns N’ Roses, November / December 2026.

11/29: Adelaide, AU

12/2 Townsville, AU

12/5 Brisbane, AU

12/8 Newcastle, AU

12/11 Melbourne, AU

12/14 Sydney, AU

12/17 Auckland, NZ

Wage War Announce New Album "LANDFALL" Out 10/9 + Band Shares Title Track

Florida's WAGE WAR — Briton Bond [lead vocals], Cody Quistad [rhythm guitar, clean vocals], Seth Blake [lead guitar], Chris Gaylord [bass], and Stephen Kluesener [drums] — continue to absolutely dominate 2026. After releasing the It Calls Me By Name EP this past spring, the band is now pleased to announce the new album Landfall, out digitally October 9 via Fearless Records. Pre-order it here.

The band has shared the visualizer for the vicious title track. Watch and listen below. 

Opening with a foreboding emergency broadcast-style alarm before erupting in a bludgeoning riff, Wage War continue to indulge their heaviest side with "Landfall." It's a groove-heavy, guitar-forward anthem that sounds like... vengeance. The hellbound screams of Bond are punctuated by Quistad's melodic singing, making it a gloriously unpredictable listen. Wage War are at their heaviest and most melodic — EVER — with this track, as they continue to push their own boundaries. It's Wage War, but bigger, stronger, louder, and as impactful as ever.

"'Landfall' is a song about imminent danger and the realization that we aren't in control," Wage War offer. "Referencing our Florida roots, the hurricane imagery became a way of talking about that feeling of being completely at the mercy of something bigger than yourself. Musically, we wanted the verses to feel heavy and threatening, with the chorus being somber and inevitable."

Wage War will return to U.S. stages for a headline tour this fall, with We Came As Romans, Varials, and Cane Hill as support. The "Emergncy Broadcast" tour kicks off October 25 in San Antonio and runs through Novemebr 27 in Orlando in the band's native Florida. Get tickets here.

WAGE WAR ON TOUR:
WITH WE CAME AS ROMANS, VARIALS, + CANE HILL:

10/25 — San Antonio, TX — The Aztec Theatre
10/26 — Houston, TX — White Oak Music Hall
10/29 — Las Vegas, NV — House of Blues
10/30 — Tempe, AZ — Marquee Theatre
10/31 — Riverside, CA — Riverside Municipal Auditorium
11/2 — Albuquerque, NM — Revel Entertainment Center
11/3 — Oklahoma City, OK — Diamond Ballroom
11/4 — Kansas City, MO — Uptown Theater
11/6 — Madison, WI — The Sylvee
11/7 — St. Louis, MO — The Pageant
11/8 — Columbus, OH — KEMBA Live!
11/10 — Indianapolis, IN — Egyptian Room at Old National Centre
11/11 — Cincinnati, OH — The Andrew J Brady Music Center
11/13 — Wallingford, CT — The Dome at Toyota Oakdale Theatre
11/14 — Sayreville, NJ — Starland Ballroom
11/16 — Toronto, ON — HISTORY
11/17 — Buffalo, NY — Buffalo RiverWorks
11/18 — Huntington, NY — The Paramount
11/20 — Silver Spring, MD — The Fillmore
11/21 — Philadelphia, PA — Franklin Music Hall
11/22 — Norfolk, VA — The NorVa
11/24 — Nashville, TN — Marathon Music Works
11/25 — Charlotte, NC — The Fillmore
11/27 — Orlando, FL — Hard Rock Live

Liverpool stalwarts The Room explore the dark side of Modern Life on new ‘Doom Pop!’ album

Liverpool post-punk pioneers The Room present their third album 'Doom Pop!', released via 9x9 Records, as well as the video for the album focus track ‘The Room’. Inspired by the strange days in we are living through, ‘Doom Pop!’ explores the rise of authoritarianism, disinformation, war and paranoia. But it equally draws inspiration from science fiction, horror, and cinematic liminal spaces.

Recorded and mixed at Ark Studios in Liverpool, this album was co-produced by Dave Jackson and Steve Powell (Michael Head & the Red Elastic Band, Autour De Lucie, Echo & The Bunnymen).

"We aimed at shorter, sharper, more pop-oriented songs than on our previous album 'The Telling', which was a continuous story told in eleven songs without repetition or distinct choruses. The ‘pop’ element mainly harks back to the roots of our music, updating our original spiky, post-punk independent sound with Ethan Kyme’s keyboard stylings. Lyrically, it is a response to the current climate of emerging fascism and paranoia that increasingly colonizes all media," says Dave Jackson.

"While the songs ‘Drones’, ‘Drill, Baby, Drill’, ‘Continent of Lies’ and ‘Doom Patrol’concern the paranoia and destruction emanating from worldwide warmongers and oligarchs, other songs are influenced by a love of science fiction, horror and liminal spaces. ‘The Room’ is about the film 'Stalker' and a man who guides ‘tourists’ through a Zone corrupted by alien technology. ‘Temptation Harbour’ references three films by the late director Bela Tarr.

Earlier, the band shared the lead track 'Drill, Baby, Drill!' and 'Things Have Learnt to Walk that Ought to Crawl', an adrenaline-fueled blast of melodic post-punk driven by jangling guitars, relentless momentum, and distinctive drumming. In re-envisioning their 1982 cult classic, The Room revisits their roots, exploring themes that remain topical today, proving the enduring power of this music, 

'Doom Pop!' is The Room's third album with 9x9 Records, preceded by 'Restless Fate' (2023) and 'The Telling'(2024). This a collection of eleven hook-driven post-punk songs confronts the anxieties of modern life, balancing political urgency with imagination and nostalgia.

"'Things Have Learnt to Walk that Ought to Crawl' is a the only older song re-envisioned for this album, and one of only three 1980s songs by The Room to survive in our live set. We decided to re-record and release it as it fits neatly into our new repertoire with its exhilarating jangly forward thrust, and also highlights Clive Thomas’ unique drumming," says Dave Jackson.

‘No One Comes Here From The Town’ is a response to Shirley Jackson’s 'The Haunting Of Hill House', and ‘Trespassing’ attempts to sum up Dave Jackson’s unproduced science fiction screenplay 'Trespassing' in a 3-minute pop song, tangentially influenced by Dave Bowie’s ‘Drive In Saturday’.

In a lighter, nostalgic vein, ‘Magic Games’ tells the story of a child in his grandmother’s parlour in the early 1960s, while ‘Stories’ is about an inspirational oral storyteller who once said, “Stories told thrice become our possessions”.

Favourites of John Peel, The Room was formed by singer Dave Jackson and bassist Becky Stringer in 1979, during the golden years of northern English post-punk. Reforming in 2022 after disbanding in 1985, they are now joined by guitarist Darren Brown, keyboardist Ethan Kyme, and original drummer Clive Thomas. They have since performed at Shiiine On festival and Preston Pop Fest, and have toured or played with The Red Guitars, Blue Orchids, Trupa Trupa, and Estonia with Shelton San.

The Room recorded four John Peel sessions, appeared on The Whistle Test and worked with Television's Tom Verlaine and John Porter (Roxy Music, TheSmiths, Billy Bragg) on their 'In Evil Hour' LP (1984), aside from releasing three other albums ('Bitter Reaction' in 1980, 'Indoor Fireworks' in 1982 and 'Clear!' in 1983. Recordings from Janice Long's BBC Radio One programme and Saturday Live were used for the 1985 release 'Jackpot Jack' EP. 

The Room toured the UK and the USA, and performed with The Fall, The Birthday Party, Bauhaus, Southern Death Cult, Violent Femmes, Tom Verlaine, John Foxx and The Red Guitars. Following the band's split, Becky and Dave went on to form Benny Profane, Dust and Dead Cowboys. Dave has also recorded under his own name and as The Room in the Wood (with Paul Cavanagh).

As of September 4th, the 'Doom Pop!' album is out on CD and limited edition mixed eco-vinyl with both physical formats available in North America via Darla Records. It is also available digitally, including on Spotify, Apple Music and Bandcamp. 

CREDITS
Lyrics by Dave Jackson
Music written by The Room
Dave Jackson – vocals
Becky Stringer – bass
Darren Brown – guitar
Ethan Kyme – keyboards (and Theremin on Track 1)
Clive Thomas – drums on all songs (except 8 & 10) and backing vocals on Track 3
Tom McCabe – drums on Tracks 8 & 10
Helena Jacks – backing vocals on Track 7
Recorded & Mixed by Steve Powell at Ark Recording Studios, Liverpool
Produced by Dave Jackson and Steve Powell

Mastered by Pete Maher 

Cover artwork by Genevieve Baker
Video by Marco Cecere
Publicity by Shameless Promotion PR
 
LIVE SHOWS
SEPT 11 - Birkenhead Future Yard
SEPT 12 - London Aces & Eights
SEPT 26 - Liverpool 81 Renshaw Street
OCT. 9  -  Edinburgh Wee Red Bar
NOV 13 - London Dublin Castle


Keep up with The Room
Website | Bandcamp | Facebook | Twitter | Instagram | YouTube | Spotify | Apple Music | Press contact

Keep up with 9x9 Records
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Keep up with Shameless Promotion PR
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Finnish Modern Metal Outfit BLIND CHANNEL Shares New Single "Stars We See" + Official Music Video

Today, Finnish modern metal outfit BLIND CHANNEL serves up the next musical glimpse of their upcoming studio album, ‘Painstream,’ with their mesmerizing new single “Stars We See,” which transforms an existential crisis into a powerful message of hope, reminding humanity that life’s fleeting nature is what makes it meaningful.

“Stars We See” arrives with a captivating music video made by Riivata Visuals.

The band comments:

“We’re incredibly relieved and grateful to have our band back, and absolutely blown away by the response to the first new releases. 'Stars We See' is a sneak peek at the new soundscapes and themes we discovered during our break, and it represents the more hopeful side of the upcoming album. This track will undoubtedly make its way into the setlist of the'Painstream Tour,' kicking off in November. We strongly recommend experiencing this new chapter live. Get your tickets, and we’ll see you out there!”

Watch the Official Video for "Stars We See" Below:

‘Painstream’ is BLIND CHANNEL’s sixth studio album, which will be out via Century Mediaon October 30th. The 12 new powerful tracks lead through the pain of growth, sharp self-reflection, and explosive energy. 

On 'Painstream,' the band comments:

“In a world filled with uncertainty, conflict, and division, pain is one thing all humans share. Rather than separating us, 'Painstream' explores the idea that pain can unite us, reminding us of our common humanity. We examine pain from personal, societal, and existential perspectives, while also uncovering something unexpected: hope.”

Pre-Order 'Painstream' HERE

In addition to the new single, tickets for BLIND CHANNEL’s extensive ‘Painstream’ European headlining tour in early 2027 are now on sale. Purchase your tickets HERE.

BLIND CHANNEL Live:

11/14 - Helsinki, Finland @ Helsinki Ice Hall

11/18 - Tokyo, Japan @ Shibuya Club Quattro

11/19 - Osaka, Japan @ Umeda Club Quattro

02/09 - Hamburg, Germany @ Markthalle

02/10 - Berlin, Germany @ Columbia Theater

02/11 - Warsaw, Poland @ Proxima

02/12 - Krakow, Poland @ Kwadrat

02/13 - Prague, Czech Republic @ Rock Cafe

02/14 - Leipzig, Germany @ Felsenkeller

02/16 - Munich, Germany @ Backstage Werk

02/17 - Vienna, Austria @ Simm City

02/18 - Milan, Italy @ Magazzini Generale

02/19 - Zurich, Switzerland @ Dynamo

02/20 - Stuttgart, Germany @ Im Wizemann

02/21 - Frankfurt, Germany @ Batschkapp

02/23 - Paris, France @ La Maroquinerie

02/25 - Bristol, England @ Thekla

02/26 - Wolverhampton, England @ KK's Steelmill

02/27 - Nottingham, England @ Rescue Rooms

02/28 - Glasgow, England @ Garage

03/02 - Manchester, England @ Club Academy

03/03 - London, England @ Underworld

03/05 - Antwerp, Belgium @ Zappa

03/06 - Amsterdam, Netherlands @ Melkweg

03/07 - Bochum, Germany @ Zeche

03/08 - Cologne, Germany @Live Music Hall

BLIND CHANNEL are:

Niko Vilhelm Moilanen – Vocals

Joonas Porko – Guitar

Olli Matela – Bass

Tommi Lalli – Drums

Aleksi Kaunisvesi – Synths

LUTHER Share "Five of Cups" Video

September holds plenty in store for LUTHER: Coinciding with their live appearances at Reeperbahn Festival (for the "Spotlight on: Heavy Reeperbahn"/MoreCore.de showcase), Envol et Macadam Festival in Québec, Canada (alongside Hatebreed and Despised Icon), and Local Core Festival in Hamburg, the Berlin group presents the brand new single "Five of Cups."

Watch the video below:

"The lyrics tell the true story of a trip to Naples, where a vacation turns into an unexpected journey through mystical and folkloric experiences, including a prophetic tarot reading and a series of appearances of occult signs. These forced encounters trigger a harsh but inescapable revelation: Sometimes in life, no one is ever completely on your side, and many of those around you may only be there to pick at the remains," explains singer Leo Luther.

The track showcases a new facet of LUTHER's sound. Whereas the last single drew heavily from nu-metal and deathcore influences, "Five of Cups" explores progressive post-hardcore and melodic alternative metal — with a hint of emo. This sonic spectrum appeals to fans of bands such as Loathe, Knocked Loose, Poppy, Korn, Kim Dracula, and The Mars Volta. 

Production, mix, and mastering were handled by Enrico Tiberi, current lead vocalist of The Ocean Collective.

LUTHER LIVE:
9/5 — Hamburg, DE — Local Core Festival
9/10–9/12 — Quebec City, QC — Envol et Macadam Festival (headlined by Bad Religion and Hatebreed)
9/18 — Hamburg, DE — Reeperbahn Festival
10/26— Berlin, DE — Female Fronted Is Not a Genre Festival

Siamese Drop New Single "nevermore"

Modern metal outfit SIAMESE just dropped their brand new single "nevermore," answering the calls of their fanbase. Initially featured as an exclusive track on the physical edition of their new studio album dissolution, released June 26 via Long Branch Records, "nevermore" is now available across all streaming platforms. Listen below.

Vocalist Mirza Radonjica offers insight into the highly relatable story behind the song, saying, "'nevermore' is about realizing that what looked like passion was actually conflict addiction. Some people don't fall in love with you, they fall in love with the chaos you bring into their story. The dramas and the war. The mythology they get to build around themselves by breaking someone else."

'nevermore' pushes the signature SIAMESE sound to the next level, blending heavy metalcore intensity with a catchy alt-metal chorus and wild EDM elements. Following a recent U.S. headline tour and mainstage appearances at festivals like Vainstream and Impericon, the Danish band will be hitting the road across the EU and UK this winter alongside DAYSEEKER and NORTHLANE.

Following Home (2021) and Elements (2024), over 100 million streams, and global tours with some of the biggest acts in the world —including KORN, COREY TAYLOR, and DAYSEEKE R— dissolution is the album SIAMESE never planned to make, but ultimately had to. It marks the band's most personal release to date. Written during a period defined by the departure of one of their primary songwriters, the record forced the band into a fundamental reset of their processes and intentions. With dissolution, SIAMESE evolved from a songwriting camp into a true, cohesive unit. The result is a sound heavier than anything SIAMESE have ever released: <ore instinctual, aggressive, and introverted. At the core of dissolution lies a deeply complicated father-son relationship.

The album represents the most comprehensive body of work SIAMESE has crafted so far. Throughout the creative process, the band collaborated with a tight circle of trusted contributors — including Zachary Baker, Mads Zelasny, Zach Jones, KJ Strock, and Paul Spirou. Each brought fresh perspectives to the table without compromising the core identity of the record.

Siamese will tour the EU and UK later this year, in support of DAYSEEKER + NORTHLANE.

SIAMESE LIVE:

11/28 — Wolverhampton, UK — KK's Steel Mill (w/ Dayseeker, Northlane)
11/29 — Wolverhampton, UK — KK's Steel Mill (w/ Dayseeker, Northlane)
12/1 — Leeds, UK — Project House (w/ Dayseeker, Northlane)
12/2 — Manchester, UK — Academy 1 (w/ Dayseeker, Northlane)
12/3 — Bristol, UK — Prospect (w/ Dayseeker, Northlane)
12/5 — Glasgow, UK — O2 Academy (w/ Dayseeker, Northlane)
12/6 — London, UK — O2 Academy Brixton (w/ Dayseeker, Northlane)
12/8 — Paris, France — Elysee Montmartre (w/ Dayseeker, Northlane)
12/9 — Oberhausen, Germany — Turbinenhalle 1 (w/ Dayseeker, Northlane)
12/10 — Hannover, Germany — Capitol (w/ Dayseeker, Northlane)
12/12 — Warsaw, Poland — Proxima (w/ Dayseeker, Northlane)
12/13 — Berlin, Germany — Huxley's (w/ Dayseeker, Northlane)
12/15 — Prague, Czech Republic — Lucerna Music Bar (w/ Dayseeker, Northlane)
12/16 — Munich, Germany — Tonhalle (w/ Dayseeker, Northlane)
12/18 — Amsterdam, Netherlands — Melkweg (w/ Dayseeker, Northlane)

GET TICKETS — HERE

SIAMESE ARE:
Mirza Radonjica – Vocals
Christian Lauritzen — Guitar, Violin
Marc Nommesen — Bass
Joakim Stilling — Drums