BAEST Announces New Album, Unleashes Video for New Single, “Misfortunate Son (feat. ORM)”

Danish death metal commando BAEST will be unleashing its fourth studio album, 'Colossal,' on August 15, 2025 via Century Media Records! To celebrate the upcoming offering, the band is now sharing the crushing new single, “Misfortunate Son (feat. ORM)," which can be found along with an official music video created by Moshmallows below.

Produced by Tue Madsen at Antfarm Studio (Heaven Shall Burn, The Black Dahlia Murder, The Haunted, etc.), the album contains nine tracks across 42 minutes, including the already released singles "Colossus" and "Imp Of The Perverse," as well as an upcoming single with guest vocal features by Jesper Binzer of D-A-D on “King Of The Sun."

Pre-orders are now live HERE.

BAEST explains about the “Colossal” album and the band’s current activities as follows: “Paying homage to the heavy metal roots of our music, we wanted to incorporate fast, classic and rocking riffs. This album showcases our passion for melody and a new direction for our death metal. Keeping the energy of former releases and adding new flavours to the inferno, ‘Colossal’ stands out as an honest, original and exciting release. Recording it over the course of 2 years at Antfarm Studio with Tue Madsen has been a different but exciting process, leaving a lot of space in between material released off the album, with the two first singles ‘Colossus’ and ‘Imp Of The Perverse’ being almost a year old by now. We found that giving songs more time to grow felt right, and we also had to reinvent our own style and sound in that process, which leads to our satisfaction with ‘Colossal’ - it’s a broad album sound wise, and we feel this is the essence of BAEST. Playing some of the new tracks live on our recent tour with Danish rock legends D-A-D was helpful in cementing the appeal of the new tracks and helped us finish the album recordings between those shows. Next up, we embark on our first ever U.S./North America run supporting Arch Enemy, and we are following this tour up with a ton of European festivals. This will be the perfect platform to show the new material and get feedback from the fans - see you on the road!”

Adds BAEST about the new song: "'Misfortunate Son’ is the newest single release from our upcoming 4th album ‘Colossal.’ Recorded at Antfarm Studio with Tue Madsen (The Haunted, Heaven Shall Burn, Meshuggah), it brings forth a blend of melody and brutality. The song showcases our passion for classic heavy metal riffing while incorporating the signature catchiness we always strive for with BAEST! We brought our Danish heroes ORM to add some eerie vocals, contributing a darker mood to the track…”

In addition, BAEST will be laying waste to North America next week for the first time ever as they embark on the "Blood Dynasty" tour in support of Arch Enemy w/ Fit For An Autopsy and Thrown Into Exile! The band will launch their destruction in San Diego, CA next week, on April 15, and will batter audiences across the continent through May 10 in Stroudsburg, PA. The full itinerary can be found below while tickets can be found HERE.

The album’s artwork was created by Solomacello

GET TICKETS HERE

BAEST North American Tour Dates

(supporting Arch Enemy w/ Fit For An Autopsy + Thrown Into Exile):

04/14: San Diego, CA @ Observatory Northpark

04/15: Los Angeles, CA @ The Wiltern

04/16: San Francisco, CA @ The Regency Ballroom

04/18: Portland, OR @ Roseland Ballroom

04/19: Seattle, WA @ Showbox

04/20: Vancouver, BC @ The Pearl

04/22: Edmonton, AB @ Union Hall

04/23: Calgary, AB @ The MacEwan Hall

04/25: Salt Lake City, UT @ The Complex

04/26: Denver, CO @ Summit

04/28: Minneapolis, MN @ The Fillmore

04/29: Chicago, IL @ The Vic Theater

04/30: Detroit, MI @ Royal Oak Music Hall

05/02: New York, NY @ Palladium Times Square

05/03: Worcester, MA @ The Palladium

05/05: Philadelphia, PA @ Theatre of The Living Art

05/06: Silver Spring, MD @ The Fillmore

05/08: Montreal, QC @ L’Olympia

05/09: Toronto, ON @ Queen Elizabeth Theater

05/10: Stroudsburg, PA @ The Sherman Theater


Are you ready to rock? Something colossal is coming…

Baest are back, with a new sound and a badass attitude. Over the last decade, the Danish quintet have become one of the most celebrated and respected death metal bands in Europe. Their reign of terror began with debut album Danse Macabre, which emerged to great acclaim in 2019. Since then, the Danes have been relentless. Subsequent albums Venenum (2019) and Necro Sapiens (2021) cemented their reputation as extreme metal mavericks with an ear for lethal hooks, while their passionate dedication to playing live enabled them to spread the word at shows and festivals around the world. 

But things are slightly changing with album number 4: Colossal. Pieced together in the aftermath of Covid lockdowns, and fine-tuned over the last couple of years, the new Baest album is an absolute monster. The new songs are still rooted in the belligerent death metal that informed previous records, but Colossal represents a wholesale transformation. Inspired by and infused with old school, classic metal riffs and a giant helping of rock ‘n’ roll bombast, Baest have written an album that delights in the glory of heavy metal and the fine art of rocking out. Bursting at the seams with catchy riffs and classy melodies, with stylistic salutes to everyone from Ozzy Osbourne and Dokken, through to Iron Maiden and Whitesnake, this is the magnificent rock ‘n’ roll rebirth of Baest. 

“We went on tour with the Krisiun guys a couple of years back, and every soundcheck they were playing ZZ Top songs,” says Baest guitarist Svend Karlsson. “Everyone in the venue was rocking out, you know? So let’s rock! As a band, you have to mature a little and figure out that you have to write songs for yourself, and that way of thinking has brought the best out of us. When we talked to Tue about it, we called it ‘Ozzy death metal’. It’s really exciting to see what people think. We’re looking forward to people hearing this album. We released two singles last year that were in a different direction, but the fans haven’t heard the Dokken stuff yet! [Laughs]”

From the explosive assault of the opening Stormbringer, the new Baest album is an electrifying dose of the good stuff. Produced by the legendary Tue Madsen at Antfarm Studio in Denmark, Colossal never bends to current trends. Instead, this is a thrilling celebration of heavy metal, played with extreme metal intensity. Vocalist Simon Olsen has evolved into a truly formidable frontman, with a vastly expanded array of shouts and growls, and his band mates – Karlsson, guitarist Lasse Revsbech, bassist Mattias Melchiorsen and drummer Sebastian Abildsten – have grown in power and stature. As Karlsson explains, this change of direction was simply about Baest being true to themselves. 

“We began the process during Covid, and we found out that we needed to do something that everyone thought was fun,” he states. “Then we tried to zoom in on what makes different songs fun. On the first EP, before we signed to Century Media, there is a lot of melodic rock ‘n’ roll stuff. I think it’s there because we hadn’t learned yet to do more death metal riffs, so those were the riffs that Lasse and I had from our upbringing. This time, we turned back to all of those kinds of riffs, being influenced by Zakk Wylde and Jake E. Lee, Accept, Metallica and all that kind of stuff. We figured that if it’s fun and we enjoy playing it, then it’s going to fit! We finally had the guts to try it, and not to worry about what the death metal fans are going to think.”

Although they may anticipate a backlash from death metal purists, Baest are confident that their evolution will be well received. With songs ranging from the anthemic ‘80s metal fury of the title track, and the brutal rock squall of King Of The Sun (featuring a cameo from D-A-D’s Jesper Binzer), to the progressive, true metal avalanche of epic closer Depraved World, Colossal takes Baest back to the essence of their craft. 

“When we wrote Depraved World, that’s a riff from when Lasse was 14 years old,” says Karlsson. “He said, ‘I’ve got this riff!’ and we were like, ‘Let’s do an Iron Maiden death metal song!’ [Laughs] It’s so much fun, because it’s long and so different. The headline for the whole album is that it’s different, it’s catchy, and it’s rock ‘n’ roll. Rock ‘n’ roll vibes, but in the aggressive form of extreme metal. This is our first time working with Tue Madsen, and he’s a no-bullshit kind of guy. He’s been in the industry for so many records and with so many different bands, so he’s like, ‘Fuck what people think! Let’s do what seems fun and what sounds catchy!’”

2024 saw the release of two singles from Colossal: the viciously catchy Imp Of The Perverse, and the aforementioned Colossus. Both were rapturously received, and generated a lot of excitement about Baest’s next move. Now that they have the new music in the can, Svend Karlsson and his comrades are brimming with confidence and commitment to the heavy metal cause. Armed with songs that are guaranteed to send metal crowds into a joyous frenzy, Denmark’s smartest death metal band are perfectly placed to conquer the entire world. 

“I think we needed to figure out that we were okay with being a heavy metal band,” Karlsson shrugs. “There are also a lot of progressive elements to the record, that we started developing on the Justitia EP. That’s when we realised that it works live, and people really like the Ozzy riffs! So let’s do some more! We played a new, unreleased song on the last tour. Nobody had heard it before, but instantly everyone started clapping along and jumping and having fun. Everybody wants to party, right?”

BAEST line-up:

Svend Karlsson - Rhythm/Lead Guitar 

Simon Olsen - Vocals 

Lasse Revsbech - Rhythm/Lead Guitar 

Sebastian Abildsten - Drums & Percussion

Mattias ‘Muddi’ Melchiorsen - Bass

Album Artwork:

Solomacello

Production:

Tue Madsen at Antfarm Studio

Special Guests:

Jesper Binzer of D-A-D on "King Of The Sun"

ORM on "Misfortunate Son"

Formats (U.S.): Ltd. CD Digipak / LP / Digital Album

BAEST online:

OFFICIAL WEBSITE

FACEBOOK 

INSTAGRAM

YOUTUBE

STREAM // DOWNLOAD

Century Media online:

OFFICIAL WEBSITE

FACEBOOK

INSTAGRAM

YOUTUBE

Ashley McBryde to Receive Honorary Doctorate in Music from Arkansas State University

Grand Ole Opry member Ashley McBryde picked up her first guitar as a young girl and began crafting songs by the age of 12. Her passion for music grew as she joined her high school marching band, playing trumpet and French horn. Later, she attended Arkansas State University studying music with the intention of becoming a band director – until a professor encouraged to pursue her dream of being an artist. Now the GRAMMY Award winner is coming full circle as she is set to receive an Honorary Doctorate in Music from her alma mater.
 
“Everybody called my dad Doc and everybody called his dad Doc. I always wondered what that felt like - the pride that filled their chests when they were addressed by that title,” shares McBryde. “I am beyond grateful and so humbly honored to be recognized by my Alma Mater with a Doctorate in Music. To know I now carry that title in a field that has been my life's passion and purpose is a feeling I will cherish forever.”
 
“Arkansas State University is incredibly proud of Ashley McBryde, and I am honored she is part of our ‘Red Wolf Pack,’” shares Todd Shields, Chancellor at Arkansas State. “Her courage to pursue her dreams, her exceptional accomplishments, and the positive influence she has among so many people are deeply inspiring. She absolutely deserves this recognition, and I am very excited to award her the title of Dr. McBryde.” 
 
McBryde will attend Arkansas State’s Spring 2025 Commencement Ceremony at First National Bank Arena on May 10 in Jonesboro, Ark. to be recognized for her achievements and accept her Honorary Doctorate in Music.

Written by McBryde with Chris Harris and Patrick Savage and produced by John Osborne, she recently released “Ain’t Enough Cowboy Songs” via Warner Music Nashville, with Billboard observing the song as “a sterling, introspective look…at the values that embody a ‘cowboy song,’” while Tennessean notes “its creation relates well to the legacy of Kristofferson, the artist she honored at the CMA Awards.”
 
“Ashley McBryde is a truly special artist. She’s fundamentally an old-school country singer, and when she focuses on that, she’s one of the best we’ve got,” asserts  Stereogum, as American Songwriter affirms “Ain’t Enough Cowboy Songs” finds “McBryde in top form.”
 
McBryde is set to perform at Stagecoach, WE Fest, Peach Jam and Country Thunder festivals in Arizona, Florida, Wisconsin and Alberta among headlining dates this spring and summer. For tickets and additional information, visit AshleyMcBryde.com.

Ashley McBryde Tour Dates
 
April 10           John T. Floore Country Store // Helotes, TX
April 11           Cowtown Boots // El Paso, TX
April 12           Country Thunder Arizona // Florence, AZ
April 26           Stagecoach Festival // Indio, CA   
May 2              PNC Music Pavilion // Charlotte, NC with Cody Johnson
May 3              Credit One Stadium // Charleston, SC with Cody Johnson             
May 4              Country Thunder Florida // Kissimmee, FL
May 15            SKyPAC // Bowling Green, KY
May 16            Peoples Bank Theatre // Marietta, OH
May 17            The Event Center at Hollywood Casino // Charles Town, WV
May 29            American Music Theatre // Lancaster, PA
May 30            Parx Xcite Center // Bensalem, PA
May 31            Paramount Theatre // Charlottesville, VA
June 8              CMA Music Festival 2025 // Nashville, TN
June 13            IP Casino Resort Spa – Studio A // Biloxi, MS
June 14            Peach Jam // Clanton, AL
June 20            Golden Nugget Lake Charles Hotel & Casino // Lake Charles, LA
June 21            Wild Adventures Live! 2025 // Valdosta, GA
June 26            Country Stampede // Topeka, KS
July 12            Country Concert 2025 // Fort Laramie, OH
July 17            Kresge Auditorium // Interlochen, MI
July 18            Country Thunder Wisconsin // Twin Lakes, WI
July 19            The Amp at Log Still // Gethsemane, KY
July 25            Night In The Country Music Festival // Yerington, NV
Aug. 1             Happys Inn // Libby, MT
Aug. 2             Big Valley Jamboree // Camrose, AB
Aug. 7             WE Fest // Detroit Lakes, MN
Aug. 13           Put In Bay // Put-In-Bay, OH
Aug. 15           Country Thunder Alberta // Calgary, AB
Aug. 21            iTHINK Financial Amphitheatre // West Palm Beach, FL with Little Big Town
Aug. 23            The Wharf Amphitheater // Orange Beach, AL with Little Big Town
Sept. 13           Spyglass Ridge Winery // Sunbury, PA

About Ashley McBryde
GRAMMY, CMA and ACM award winner Ashley McBryde cut her teeth playing country songs in biker bars – and it shows. The Grand Ole Opry member’s 2018 major label debut Girl Going Nowhere (Warner Music Nashville) charmed The New York TimesNPRRolling Stone, Paste, The Washington Post and more, all en route to landing a GRAMMY nomination for Best Country Album. McBryde closed out 2019 with ACM New Female Artist, CMT Breakout Artist, a New Artist of the Year win at the 53rd Annual CMA Awards and two nominations for the 2020 GRAMMYs for Best Country Song and Best Country Solo Performance for “Girl Goin’ Nowhere.” Follow-up Never Will was tagged by Rolling Stone as one of the most anticipated of the year alongside NPR, who also ranked her Top 10 RIAA Platinum-Certified single “One Night Standards” as one of the best songs of 2019. The album earned McBryde a 2021 GRAMMY nomination for Best Country Album, making Never Will the only album nominated for Country Album of the Year by the ACMs, CMAs and the Recording Academy in the same award season. Her GRAMMY-winning duet with Carly Pearce, “Never Wanted To Be That Girl,” went all the way to No. 1 and earned McBryde and Pearce the ACM and CMA award for Musical Event of the Year. McBryde was honored with the 2022 CMA International Artist Achievement Award for the most significant creative growth, development and promotion of the country music industry outside of the United States. Her collaborative project Ashley McBryde Presents: Lindeville earned McBryde her third consecutive GRAMMY nomination for Best Country Album, making her a six-time nominee. Her latest album The Devil I Know was released to critical acclaim, earning a title as one of the best country albums of the year from Rolling Stone, Billboard, Slate, PASTE, Holler and more. Hailed as “one of country’s most cherished singer-songwriters” by Cowboys & Indians, McBryde offers poetic nostalgia with “Ain’t Enough Cowboy Songs,” available now. The Arkansas native performs at festivals including Stagecoach; CMA Fest; Country Thunder Arizona, Florida, Wisconsin and Calgary; WE Fest; and Country Stampede among additional headlining dates.  For more information, visit Ashley McBryde.com or follow her on FacebookInstagramXTikTok and YouTube.

Kenny Heads West To Finalize SPHERE Visual Reality; 1st Show May 22

SOMEWHERE ON THE WEST COAST – Kenny Chesney signed on to bring his iconic positive vibe country to Sphere with the idea that he could deepen how No Shoes Nation experienced so many of the songs they knew by heart. As much as his high energy stadium shows have defined summer in the 21st century, the man Variety deemed, “country music’s only true long-term stadium act” wanted to create something that captured the dynamics of those shows, but also offered an intimacy and immersion into the songs.

With no one realizing, the creative team behind so much of Sphere’s patented technology quietly embedded at several of last year’s personal record-setting Sun Goes Down shows to capture the intensity and drama. But they have also spent this time shooting footage that reflects Chesney’s life, experience and musical meaning across one of modern country’s farthest-reaching careers.
 
“We didn’t know when we signed on what we were signing up for,” Chesney marvels. “I realized every bit of video was going to have to be shot for this wraparound-the-audience screen, but I had no idea how much creating these moments – because it’s so much more than content – would open up my own creative portals. 
 
“We have to go to California to create the final edit, so we can understand the fullness of how people will experience the visuals, how it will marry to the music. But just the songs we saw earlier in the year, putting the show together is going to be a complete rush.”
 
Given the almost engulfing visual capabilities that deliver over 171 million pixels across a 160,000 square foot screen that wraps up, over and around the audience, the Sphere shows will deliver No Shoes Nation’s soundtrack in a way it’s never been seen or experienced before. With its 16K x 16K resolution wraparound screen, the world’s highest-resolution LED display, there’s an absorption factor at work for fans that will make this the ultimate live experience.
 
Beyond the all new, full-immersion content, the impossibly dialed-in sound quality, the Sandbar on the floor, DJ Brandi Cyrus ramping No Shoes Nation up before the show and a set list promising some surprises, the East Tennessee songwriter/superstar sought to make this experience something that changed the way people felt his music.
 
“You can’t know going into something like this what you are going to experience,” Chesney says. “But you open your arms to all of it, fall into the possibilities and learn a lot about not just the technology, but what else the music is made of. Embrace it all, because it’s awesome.”
 
Whether it’s a longtime favorite or something never played in concert, Chesney Live at Sphere is turning into a wild ride through a whole lotta life and love. Come early, or just drop by the Guitars, Tiki Bars and A Whole Lotta Love fan experience taking over a nearby two-story space at The Venetian Resort Las Vegas and grab a drink at the Spread the Love bar, then get ready for the man who made stadium summers a rite of passage. As Rolling Stone wrote, “No Shoes Nation fandom will descend upon Las Vegas in May… The shows will be a rare chance to see Chesney outside of the massive football stadiums he usually hits on tour.” 
 
Limited tickets remain for the Sphere residency at KennyChesney.com with packages available via Vibee, the official VIP Concert & Hotel Package partner for Kenny Chesney’s Live at Sphere residency, at KennyChesney.Vibee.com. All Vibee packages offer guests a choice of premium tickets including Sandbar (general admission floor) or reserved seating, a collectable laminate and lanyard, access to the No Shoes Island VIP Pool Party, exclusive Kenny Chesney curated gift bag and early access to the Guitars, Tiki Bars and a Whole Lotta Love experience on show days for crowd-free shopping on exclusive merch items, and access to a dedicated shopping lane during public hours. Vibee Hotel Packages include a two-night stay at The Venetian Resort Las Vegas (The Venetian or The Palazzo) or Virgin Hotels Las Vegas. 
 
Kenny Chesney Live at Sphere in Las Vegas is presented by Blue Chair Bay® Rum.

Photo Credit: Allister Ann

Kenny Chesney Live at Sphere Las Vegas
Thursday, May 22
Saturday, May 24
Sunday, May 25
Wednesday, May 28
Friday, May 30
Saturday, May 31
Wednesday, June 4
Friday, June 6
Saturday, June 7
Wednesday, June 11
Friday, June 13
Saturday, June 14
Wednesday, June 18
Friday, June 20
Saturday, June 21

SHADOW OF INTENT Announce New Album 'Imperium Delerium'; Drop New Single & Music Video "Feeding The Meatgrinder" feat. Corpsegrinder

Shadow of Intent have returned—and they’ve brought war with them. The New England metal titans today release “Feeding the Meatgrinder”, a merciless new single and it's accompanying music video, that serves as both harbinger and warning shot for their upcoming studio album, ‘Imperium Delirium’, set for release June 27 via Blood Blast Distribution. Pre-save the album HERE.

Featuring a guest vocal from death metal legend Corpsegrinder (Cannibal Corpse), “Feeding the Meatgrinder” is an unrelenting descent into sonic carnage. Lyrically, it paints a brutal anti-imperialist and anti-war narrative, describing the dehumanization and destruction of mass conflict in harrowing detail—its chorus a nihilistic refrain: “Continue to bleed or feed—you're feeding the meatgrinder.” Find the new track on streaming platforms HERE and watch the official music video below.

We couldn’t be more excited to kick off album 5 with this brand new track where we get to push our boundaries even further. A massive thank you to the great George Fisher aka Corpsegrinder for lending us his voice."

Lyrically and thematically, Imperium Delirium continues Shadow of Intent’s descent into the real-world horrors that define our past and foreshadow our future. From mythic allegory to modern bloodshed, the band’s subject matter confronts the sickness of empires, the seduction of violence, and the machinery of death that fuels it all. As always, the sound is enormous—melding symphonic grandeur, blackened melody, razor-sharp technicality, and punishing breakdowns into a style that remains utterly their own.

Since their formation in 2014, SHADOW OF INTENT have garnered a reputation for crafting mind-blowingly technical, prog tinged symphonic deathcore. Widely acknowledged as one of the forerunners of the current deathcore renaissance, the band's debut album 'Primordial' was named as one of Revolver Magazine's '15 Essential Deathcore Albums', with Metal Sucks giving their 2019 album 'Melancholy' a perfect 5/5 review, stating "you can expect Shadow of Intent to send echoes across metal for as long as they feel like making music". To date, they have clocked up 200 million streams, 62 million YouTube Views and have 340,000 monthly listeners on Spotify.

Shadow of Intent are currently playing the last few dates of their North America with Chelsea Grin, Signs Of The Swarm, and Disembodied Tyrant. Remaining dates below, tickets available from shadowofintent.com

Remaining dates:

04/11 Worcester, MA @ The Palladium

04/12 New York, NY @ Irving Plaza

04/13 Philadelphia, PA @ Brooklyn Bowl

04/15 Detroit, MI @ Majestic Theatre

04/16 Chicago, IL @ House Of Blues

04/18 Denver, CO @ Oriental Theater



04/19 Salt Lake City, UT @ The Depot

ABOUT SHADOW OF INTENT

Formed in 2014 by Ben Duerr and Chris Wiseman, Shadow of Intent have become one of the most respected and forward-thinking bands in modern metal. With four self-released albums—Primordial (2016), Reclaimer (2017), Melancholy (2019), and Elegy (2022)—the band has blended deathcore, black metal, symphonic and progressive elements with narrative and conceptual ambition. The band’s music and subject matter centers on the many evils in the world, whether myth or real-life events, and the future it may lead to.

2022’s Elegy charted at #4 on Billboard’s Top New Artist Albums, #6 Current Hard Music Albums, and #16 on Current Rock and Digital Albums charts. The band has clocked up 200 million streams, 62 million YouTube Views and have 340,000 monthly listeners on Spotify and toured alongside metal heavyweights including Cannibal Corpse, Whitechapel, The Black Dahlia Murder, Lorna Shore, and Cattle Decapitation.

Shadow Of Intent Are

Ben Duerr - Vocals

Chris Wiseman - Guitar, Vocals, Keyboards

Bryce Butler - Drums

Andrew Monias - Bass

Find Shadow of Intent Online

www.shadowofintent.com

DoFlame Releases Deluxe Edition, "GET BENT!" + Shares New Track "Lost In Time"

Last year, Toronto hardcore up-and-comer DoFlame released his sophomore album, BENT, on his new label Blue Grape Music, and he's barreling headfirst into 2025.

Today, DoFlame mastermind Mateo Naranjo dropped the deluxe version of the album, titled GET BENT! Listen here.

 

It features the new track "Lost in Time" and the recently released hip-hop infused "Drunk Talk" in a newly shuffled version of the album. Listen below.

 "Lost In Time" funnels DoFlame's sound back towards his brash punk and hardcore roots, but this time, with a big league mix from platinum engineer Josh Wilbur (KORN, Megadeath, Avenged Sevenfold). Appropriately, "Lost In Time" is the final statement from this seminal period of DoFlame development, a memorable punctuation to halcyon days that are worth remembering, but hard to recall.

"'Lost In Time' is about those that hold up a facade to get what they want: They lie chronically, hop town to town, and clique to clique," the artist says. "It's a burden to deal with these people, but it's bittersweet knowing they'll eventually get caught in their tracks. Those who move like that and get left behind, forgotten, and lost in time."

DoFlame has several U.S. and European dates booked through spring, with more to be announced in the coming months.  All dates are below.

DOFLAME LIVE:

U.S. DATES:
4/28 — Beat Kitchen   — Chicago, IL#   
4/30 — The Middle East — Cambridge, MA#  
5/1 — Songbyrd — Washington, DC# 
5/2 — Kung Fu Necktie — Philadelphia, PA#  
5/3 — TV Eye  — Brooklyn, NY#  
6/27 — The Rumble — Chicago, IL*
#With Bob Vylan
*Festival

EUROPEAN DATES:
5/16 — The Great Escape — Brighton, UK*
5/17 — Brudenell Social Club — Leeds, UK^
5/19 — The Pits — Kortrijk,  BE^
5/20 — La Source — Brussels, BE^
5/23— Supersonic — Paris, FR^
5/24 — Sniester Festival— Den Haag,  NL*
5/27 — Cassiopeia — Berlin, DE^
5/28— Blue Shell — Cologne, DE ^
*Festival
^Headline Date

ABOUT BLUE GRAPE MUSIC:
In 2022, industry veterans David Rath and Cees Wessels formed Blue Grape Music. The name will be familiar to rock music fans, as it was the merchandise company also launched by Wessels, who founded the venerable and esteemed record label Roadrunner Records in the '80s. Roadrunner earned a reputation as an iconic label that turned hard rock and metal acts into household names for several decades under Wessels' tutelage. Rath spent 21 years in the A&R department at Roadrunner, working on albums by a variety of RIAA-certified and culturally important acts, including but not limited to SlipknotKornTurnstileGojiraCoheed and CambriaWhite ReaperSlashTriviumDream Theater, and more. When the label changed management and ownership, Rath guided the company and oversaw the signings of bands like Young the Giant and Vance Joy. Ultimately, the Blue Grape executive team is powered by experience and a roll-up-your-sleeves-and-get-your-hands-dirty, by-any-means-necessary work ethic. Blue Grape's inaugural signing was the two-time Grammy nominee Code Orange and since then, the label has gone on to sign San Francisco punks Spiritual Cramp, hardcore heavyweights GEL, and Baltimore sludge slingers GASKET, with several new signing announcements expected to be announced this year. Blue Grape is distributed globally by The Orchard.

Darius Rucker’s ‘Riverfront Revival’ Charleston Music Fest Announces 2025 Lineup; Tickets on Sale April 11

For the fourth consecutive year, three-time GRAMMY Award-winner and Charleston native Darius Rucker has teamed up with SRE Entertainment to bring the highly anticipated Riverfront Revival music festival back to North Charleston’s Riverfront Park on Friday, Oct. 10, and Saturday, Oct. 11, 2025. The festival continues to impress each year, and this year’s lineup promises to deliver even more excitement with a return to its Country roots. 
 
In addition to Rucker, this year’s festival will feature another local legend, Bill Murray & His Blood Brothers, plus performances by Riley Green, The Red Clay Strays, Whiskey Myers, Flatland Cavalry, Lukas Nelson, Dylan Marlowe, Kashus Culpepper, Brittney Spencer, Clay Street Unit, Neon Union, Austin Williams, Daniel Donato’s Cosmic Country, Warrick McZeke, Faith Schueler, Whiskey Run and Elizabeth Covington.
 
“My love for Charleston has influenced so much of my career,” notes Rucker. “Riverfront Revival, which made my longtime dream of bringing a music festival to this community a reality, is a celebration of the Lowcountry that gets better every year.”
 
Presale tickets are available tomorrow, April 10, at 10 a.m. ET by signing up for a code via the festival newsletter HERE. General onsale will begin on Friday, April 11 at 10 a.m. ET via RiverfrontRevival.com.
 
Two-day weekend passes begin at $205 for general admission, with general admission plus and VIP levels also available, while one-day passes begin at $130 for GA with the same tier options available. VIP tickets, limited in quantity and sold out three years in a row, include dedicated entrances and viewing areas in front of the stages, exclusive premium lounge areas, bars and upscale air-conditioned restrooms. 
 
Each ticket sold will once again give back philanthropically to the Charleston community, with a portion of proceeds benefiting the Arts in Healing program at the Medical University of South Carolina (MUSC) and Just Be You, a local nonprofit dedicated to empowering teens with confidence, self-love and self-compassion.
 
To stay updated with details, visit RiverfrontRevival.com and follow @riverfrontrevival on Facebook and Instagram.

Kenny's Guitars, Tiki Bars @ SPHERE Makes It Personal

With Sphere production firing with sound, video and lights, Kenny Chesney is doing what he loves best: building something to take No Shoes Nation to new heights. Beyond the all-new, full-immersion content, the impossibly dialed-in sound quality, the Sandbar on the floor and a set list promising some surprises, the East Tennessee songwriter/superstar wanted to create a place where his fans could come together – whether they’re going to the show or not – and celebrate all the music, memories and moments along the way.
 
To document the moment, Chesney wanted to create a space to share the journey. Taking over a two-story space at The Venetian® Resort Las Vegas – the only resort connected to Sphere, he’s curating the multi-purpose Guitars, Tiki Bars and a Whole Lotta Love in partnership with Vibee, the destination experience company bringing fans closer to the music. Culling pictures, passes, license plates, handwritten lyrics, instruments and other mementos from two decades of stadium-sized summers, Guitars, Tiki Bars and a Whole Lotta Love is a place to pause and think about all the stories people lived tailgating, singing along or just meeting a few new friends.
 
“A lot has happened,” says the man Wall Street Journal called “The King of the Road” about the inspiration. “When you start creating something like this, you really step back and think about it. And these crazy summers tours, the fun and music made, wouldn’t have happened without No Shoes Nation, so I wanted to pull back the curtain and let them see at least a piece of it.”
 
And keeping in Chesney’s chill-out and enjoy the day ways, Guitars, Tiki Bars and a Whole Lotta Love comes with its very own beach bar. Christened “Spread the Love,” after his collaboration with The Wailers, the bar is a place to come together, have a drink – grown up or otherwise, meet up with friends or make new friends. Think of it as a lower impact tailgate situation that will be free and open to the public, whether or not you’re heading into Sphere, on Wednesday – Sunday of show weeks from 11 a.m. to 8 p.m.
 
“So much about how we do what we do is different with Sphere, so I want to make sure people can still have the core experiences,” Chesney explains. “Or maybe something that builds from that, creates a whole new way to pre-game, come together and just enjoy all the music we’ve shared whether you’re coming to the show or not.”
 
Kenny Chesney promised No Shoes Nation something very different when he began teasing his touring plans for 2025. Beyond taking the music into a more immersive dimension, he’s finding deeper meaning and nuance in many of the songs. To mirror that deepening sense of what this all means, Chesney wanted to create a space where the journey was as much a piece of the experience as the actual show. As Rolling Stone reported, “No Shoes Nation fandom will descend upon Las Vegas in May… The shows will be a rare chance to see Chesney outside of the massive football stadiums he usually hits on tour.” That intimacy and meaning infuses the experience for anyone who’s ever heard their life or found their meaning in his 33 No. 1s and myriad Top 5 and Top 10 hits.
 
Limited tickets remain for the Sphere residency at KennyChesney.com with official VIP Concert & Hotel Packages available via Vibee, the official VIP Concert & Hotel Package partner for Kenny Chesney’s Live at Sphere residency, at KennyChesney.Vibee.com. All Vibee packages offer guests a choice of premium tickets including Sandbar (general admission floor) or reserved seating, a collectable laminate and lanyard, access to the No Shoes Island VIP Pool Party, exclusive Kenny Chesney curated gift bag and early access to the Guitars, Tiki Bars and a Whole Lotta Love experience on show days for crowd-free shopping on exclusive merch items, and access to a dedicated shopping lane during public hours. Vibee Hotel Packages include a two-night stay at The Venetian Resort Las Vegas (The Venetian or The Palazzo) or Virgin Hotels Las Vegas. 

Photo Credit: Allister Ann

Kenny Chesney Live at Sphere in Las Vegas is presented by Blue Chair Bay® Rum.
 
Kenny Chesney Live at Sphere Las Vegas
Thursday, May 22
Saturday, May 24
Sunday, May 25
Wednesday, May 28
Friday, May 30
Saturday, May 31
Wednesday, June 4
Friday, June 6
Saturday, June 7
Wednesday, June 11
Friday, June 13
Saturday, June 14
Wednesday, June 18
Friday, June 20
Saturday, June 21

Sodom Announce New Album "The Arsonist" + Share Video for "Trigger Discipline"

We all know that good music is always also a question of sound. To this end, the human factor is crucial — along with the right equipment, of course — after all it's about authenticity and individual personality. With that in mind, German thrash metal band Sodom have come to a logical conclusion: To enable the most natural production possible, the drum parts on their latest album The Arsonist were recorded using a 24-track analog tape machine.

No studio tricks, no digital overdubs, or, to quote frontman Tom Angelripper: "No plastic! The difference in sound compared to today's standard drum productions is amazing and has had a positive effect on all the instruments. Naturally, time and effort as well as costs were also higher, but we're happy to fork out for a superior result."

However, it's not only the complex production process that testifies to the band's exceptional creative spirit, but also their diverse songwriting, which saw all four Sodom musicians — the aforementioned Tom Angelripper (vocals, bass), Frank Blackfire (guitar), York Segatz (guitar) and Toni Merkel (drums) — involved in the development of the material on The Arsonist. 

Tom Angelripper continues, "Frank contributed those typical Sodom riffs and hooks again, whereas York favors more epic songwriting. As a perfect complement to both of them, Toni, who is also an excellent guitarist, contributed a number of songs and helped to make the album even more versatile."

The first single and lyric video "Trigger Discipline," the toughest song on The Arsonist, is released today. The song sounds equally martial and is about a sniper who has completely lost control of his actions and shoots people indiscriminately.

Watch the "Trigger Discipline" lyric video below.

The Arsonist will be released on June 27, 2025 worldwide through SPV/Steamhammer as CD digipak, 2LP version, download and stream.
Pre-order info here.

Info about Sodom's Europe shows is here.

240KM/H X AGAPE : FACE 2 FACE NYC PRESALE LIVE NOW

240KM/H // NYC DEBUT
Agapē brings the Face 2 Face concept to NYC for the very first time 🚨

Catch @240kmh_ tearing up the decks at H0L0 on May 2nd for a night of high-speed, bouncy techno and raw, unfiltered energy. This one’s not for the faint of heart.

NYC, are you ready to go full throttle? 🏁

Lineup:
AFEM SYKO F2F FUMI
JUNKFILE F2F SSG_
ANDRES GARCIL F2F ANNA EBERG

BUY TICKETS

Hiroe Announce New Album "Wield" + Share "Tides" Video

Hiroe, the new darlings of the American post-rock underground, will release their debut album, Wield, on June 20 via Pelagic Records. Pre-order Wield here

The band has released their first single from Wield, the titanic-sized "Tides."

Stream "Tides" here. Watch the video below.

Both powerfully melodic and heavy, Wield shows the Philadelphia-based quintet mastering their craft, of creating compelling melodies that sound larger than life.

"The intention for 'Tides' was to evoke aural imagery akin to an unstoppable force colliding with an immovable object," comments the band. "Our studio intern's observation perfectly captured this sentiment: 'It sounds like a soundtrack for Godzilla fighting King Kong.' There's an undercurrent of frustration woven into the song. It serves as a metaphor for the very universal human experience for us all — the constant challenges, both monumental and mundane, that we all face in a struggle to exist."

2022 saw Hiroe burst onto the scene with an explosive debut EP full of soaring anthems and sublime soundscapes. Combining the sonic expansiveness of Deftones with the dynamic heaviness of bands like Isis and Caspian, Hiroe immediately already figured out how to make the most majestic sounding post-rock early in their career. 

"Our first release, Wrought, was a statement of creation," explains principal songwriter and guitarist Eric Kusanagi.
 
For the recording of WieldJill Paslier moved from bass to guitars, with Brian Kong (guitars), Jon Seiler (bass) and Dan Sagherian (drums) joining to complete the lineup. Produced once more by Mario Quintero (Spotlights), Wield capitalizes on everything the band learned in the creation of its predecessor, adding to it a new focus on textural intricacies and compositional detail.
 
"We wanted to show a larger range of musical themes on this record," continues Kusanagi. "You'll hear us dive into some synth work, some piano work, some really interesting effects that Mario helped us dial up." 

As a result, Wield packs in a huge range of details, which reveal themselves over repeated listens. 
 
Nevertheless, Wield is still an affair of instant gratification for fans of guitar driven post-rock. From the soaring leads of "Tides" to the epic finale of "I've Been Waiting For You All My Life," Hiroe show they've upped their game in every department, but especially that which tugs at your heartstrings.

Wield presents the brave new future we all need in these confusing times. A new American frontier on which we can build our wildest dreams and our most daring ambitions.

HIROE ON TOUR:
6/6 — Baltimore, MD — Monument City Brewing
6/7 — Washington, DC —The Pocket
6/13 — Brooklyn, NY — Gold Sounds
6/14 — Boston, MA — Deep Cuts
6/20 — Harrisburg, PA — JB Lovedraft’s
6/21 — Lancaster, PA  — The Upside
6/27 — Philadelphia, PA — Kung Fu Necktie
6/28 — Pittsburgh, PA — Ormsby's
7/23 — Indianapolis, IN — Black Circle (Post-Fest Pre-Show)

HIROE ARE:
Eric Kusanagi — Guitar
Jill Paslier — Guitar
Brian Kong — Guitar
Jon Seiler — Bass
Dan Sagherian — Drums

Mawiza Follow the Moon on New Video

While still ascending on the metal scene, Mawiza are empowered by their indigenous roots.

The Chilean band hail from the ancestral territory of Wallmapu, which belongs to the Mapuche Nation. By proudly embracing ancestral instruments, traditional chanting and the Mapuzungun language, their style of groove metal has brought them international acclaim. They've won a Chilean Grammy and performed alongside Mercyful Fate, Mastodon, Slipknot and Gojira. Having now signed with the French label Season of Mist, this year, Mawiza are releasing their spirited third album, which RollingStone named one of the 15 Latin Albums that they can't wait to hear.

As this band of warriors prepare to set up on new horizons, today, Mawiza are releasing a new video. Though the song reflects how their culture has changed, "Killari" beams with the strength that they draw from their native land.   

Watch the music video for "Killari" below.

Stream "Killari"
https://orcd.co/mawizakillari

Mawiza have shared a stage with metal's biggest influences, but the band are guided by the spirit of nature. In English, "Killari" means "Moonlight". Much like its namesake, the song reveals its transformative energy in phases. Double bass scampers under the cover of darkness as a clean, somber guitar melody is plucked like stars from the sky. "Chomü rayen teyfükan  (Destroy the withered flower)", the band howl in unison. "Taiñ mongen ñi afkülekan / Re rükükan mew (End our existence / Out of pure selfishness)".  

At home, Mawiza have seen the Mapuche Nation endure troubling times. Trees on their land have been cut down by developers. Many people from the tribe have been forced to move into the city. "My mother taught me to respect all life", says the band's vocalist and rhythm guitarist Awka. Between its scraping dissonant riffs and the flowing proggy grooves of bassist Zewü, "Killari" waxes and wanes between sorrow and anger. But by following the moon, the band find strength in transformation. "Wenu peaymi / Look to the sky!", Awka shouts with both his spear and axe raised as the drums circle into a thunderous breakdown. 

"You can feel low in the night", says Awka, who identifies as non-binary. "Our people have often witnessed oppression against those deemed 'deviant', 'nefarious' or 'diabolical' for not fitting into the concept of man and woman. In ancient times, masculinity and femininity were respected and understood as real forces in constant communication, prayer and movement. But as time passed, through way and the loss of the Spanish crown, the image of the Mapuche man became idealized as virile, strong and an overwhelming warrior, while the woman was seen as the source of future heirs.

"If there is one concept that we as young Mapuche embrace, it's total decolonization", he continues. "As wentxu or 'men' of the Mapuche people, we need zomo newen or 'feminine strength' to exist in a permanent state within each of us. We protect our Epu püllü or 'two spirits' with songs like 'Killari'.
    
"I feel a deep connection to the moon and how it influences all cycles of nature, including the transformation within ourselves", says drummer Txalkan, who wrote the music for "Killari". "The song weaves together rhythms and claves from various Latin American percussion styles. When I play it, I try and reflect that sense of movement and evolution through its variations". 

The video for "Killari" also reflects the changing forces within the Mapuche Nation. "In popular culture, Indians are often shown wearing dirty clothes or being covered in mud", the band says. "We wanted to look like kings". To make this fashion statement, they collaborated with three of the most prominent trendsetters in Latin America. Their stylish outfits were designed by Matías Hernán (@matias_hernan), Ceremonia (@ceremonia_) and Labios Enfermos (@labios.enfermos).

Even the filming location for "Killari" was chosen after an artist's own heart. What was once an abandoned underwear factory was converted by Chilean artist Beatrice di Girolamo into a woodworking studio. It's here, in this re-imagined space, that Mawiza uncover a modern piece of Mapuche artwork in the climbing light of Karü's  guitar solo. "Killari" first appeared on the band's previous album Kollong, which in English means 'mask'. While kollongs are traditionally carved from wood, by adding bits of moss and industrial plastic, this new version pieces together all the current aspects of Mapuche culture. 

"Naq uwamtuymi ta lüq pelom / Feel the white light descending", Awka chants. As he dons the mask, Mawiza becomes the sworn protectors of this illuminating ceremony.   
     
"Some ancient Mapuche concepts are impossible to translate" Awka says. "It would be easy to say that our society was inclusive with non-binary and gender-fluid people. But it is far more complex. Our words are not static. Our weavings are not tied with blind knots. Our ruke or 'house' are made to be disassembled.

"Our machi have always embodied this from the most visible perspective", he continues. "The body is a vessel for forces. The feminine force of küyen is crucial to our understanding and daily lives as Mapuche. Look to the sky and you can find the strength of your mother".  

The video for "Killari" was directed by  Andrés Hetzler (@andreshetzler).

In 2023, Mawiza released the single “Txükur” with the Mapuche rapper MC Millaray and a tremendous and very particular version of Metallica's “Battery”, which they adapted to Mapuzungun.

In August 2023, Mawiza were invited to record a live session by Joe Duplantier, leader of Gojira and owner of Silver Chord Studios in New York. They also visited West West Side Studio, owned by renowned producer Alan Douches and performed an acoustic concert at Selva Gallery in Brooklyn.

At the end of 2024, Mawiza re-released Kollong. This version includes new recordings of vocals done entirely in Mapuzungun and drums re-recorded by Txalkan.

This year, Mawiza will release their third album on Season of Mist.

Booking information
Europe: juan@thatmusicagency.com
Rest of the World: unai@cowboymusic.agency

Follow Mawiza
Instagram:  https://www.instagram.com/mawizakvlt
Facebook: https://www.facebook.com/mawizakvlt
TikTok: https://www.tiktok.com/@mawizakvlt
Spotify: https://open.spotify.com/artist/4oJP24bXA2fbdVmNGNmCtt
YouTube: https://www.youtube.com/@mawizakvlt

Follow Season Of Mist:
Online: http://www.season-of-mist.com
Facebook: http://www.facebook.com/seasonofmistofficial
Instagram: https://www.instagram.com/seasonofmistofficial
Twitter: https://twitter.com/SeasonofMist

Estonian Metalcore Force PRIDIAN Releases New Single “Endless” + Music Video

The wait is almost over: With “Endless," Estonia’s metalcore force PRIDIAN are releasing their fifth and last single from their upcoming record 'Venetian Dark,' which will officially be out in its full glory on May 16th, 2025, via Century Media Records. While “Endless” is being released with an impactful music video, the quartet shows once more what Estonia’s metal scene has to offer, raising the anticipation for their upcoming record. 

Vocalist Laur Lindmäe shares the inspiration for “Endless”:

“There’s something about the way they look at me now. Like I’m a symbol of something I never agreed to. A shape. A signal. A convincing surface. I’ve kept quiet long enough for them to mistake that for agreement. I’ve stood in their ceremonies, watched them raise empty words like banners. I echo their language without saying anything of my own. Not because I believe, but because it’s easier than being exposed. They don’t want truth. They want symmetry. Clean lines. No noise. I can still feel - The thing they’ve forgotten how to name. And I know they see it flicker in me, even if they don’t understand it. Maybe that’s why they keep me close. Maybe that’s what they’re afraid of. Society moves like a machine: polished, efficient, and emotionally numb. It performs belief but doesn’t feel it. It repeats the shape of meaning, but not the soul of it."

Watch the Music Video for "Endless" Below.

Vocalist Laur Lindmäe shares about the inspiration for 'Venetian Dark'

"Looking at it on a larger scale, I believe that humanity has lost its connection with nature, the planet, and even itself. We relentlessly exploit every last resource, driven by profit and greed. Our ideologies have grown superficial, and we are becoming less and less empathetic. Even if we end up destroying the Earth, we seem to have this cockroach-like ability to survive. We'll likely figure out how to launch ourselves into space, discover another planet to inhabit, and start the cycle all over again.”

Pre-Order 'Venetian Dark' HERE

PRIDIAN Live:

07/06/25: Mystic Festival 2025 Gdańsk (Poland)

28/06/2025: Hard Rock Laager 2025 (Estonia) 

12/07/2025: Käbliku Beer Camp & Rock'N'Roll 2025 (Estonia)

 16/08/25: Rockatgons Festival 2025 Riga (Latvia)

About PRIDIAN

Founded 2018 in Tartu, Estonia, metalcore quartet PRIDIAN channels the intensity of their experiences and emotions into a distinctive sound defined by dark, heavy grooves, commanding vocals, and cinematic melodies enhanced with electronic elements. Their first album, 'The Rotten Unknown' (released in 2021 under the name ÆØNS), earned a nomination for “Metal Album of the Year” at the Estonian Music Awards. Building on this success, PRIDIAN released the EP 'Cybergnosis' in 2023, and signed with label Century Media Records in September 2024. Now, with the release of 'Venetian Dark' as their first full length record as PRIDIAN, the quintet prove their place in the international metalcore scene but also why Estonia’s growing metal scene deserves more light in the future.

PRIDIAN are:

Laur Lindmäe - vocals

Jörg-Erik Hanikat - guitar

Martin Randalu - guitar

Robert Leht - drums

MACHINE HEAD | RELEASE MUSIC VIDEO FOR ' BØNESCRAPER' + CURRENTLY ON U.S. TOUR!

Bay Area icons MACHINE HEAD have sharpened their sound into its most direct and impactful form with the release of their eleventh album, UNATØNED. The record - which will be released on April 25th via Nuclear Blast Records - is a testament to momentum, an album honed to its sharpest edge, forged on creative discipline and the hunger to push forward. 

Today, the band unveil the energetic second single, 'BØNESCRAPER'. The release features a new music video as well as the announcement of the BØNESCRAPER edition LP of UNATØNED (shipping June 17). Watch the music video directed by Mike Sloat.

MACHINE HEAD comments, “This one is for those of us with darkness in our heart, a song about love lost, and a song for those who fail at love... but keep on trying… hence, we scrape our bones to numb the pain.”

Pre-order & pre-save UNATØNED:
https://machinehead.bfan.link/unatoned

Stream 'BØNESCRAPER'
https://machinehead.bfan.link/bonescraper

WATCH: 'BØNESCRAPER' Below

MACHINE HEAD is on their massive North American tour alongside labelmates and Swedish melodic death metal icons IN FLAMES, Italian metal titans LACUNA COIL, and American metalcore outfit UNEARTH. 

Tickets for the tour are available for purchase:
https://www.machinehead1.com/pages/tour

Confirmed dates for MACHINE HEAD's North American Tour 2025 with IN FLAMES, LACUNA COIL, UNEARTH are:

04.05 U.S. Oakland, CA @ Fox Theater
04.07 U.S. Phoenix, AZ @ The Van Buren
04.09 U.S. San Diego, CA @ Observatory North Park
04.10 U.S. Los Angeles, CA @ The Wiltern
04.12 U.S. Las Vegas, NV @ Sick New World **
04.13 U.S. Salt Lake City, UT @ Union
04.15 U.S. Denver, CO @ The Fillmore Auditorium
04.17 U.S. San Antonio, TX @ The Aztec
04.18 U.S. Houston, TX @ House Of Blues
04.19 U.S. Dallas, TX @ House Of Blues
04.21 U.S. Raleigh, NC @ The Ritz
04.22 U.S. Silver Spring, MD @ The Fillmore
04.23 U.S. Brooklyn, NY @ Brooklyn Paramount
04.25 U.S. Reading, PA @ Santander Arena
04.26 U.S. Boston, MA @ House Of Blues
04.27 CAN Montreal, QC @ M'Telus
04.28 CAN Toronto, ON  @ History
04.30 U.S. Cincinnati, OH @ Andrew J. Brady Music Center
05.02 U.S. Detroit, MI @ The Fillmore
05.03 U.S. Chicago, IL @ Radius
05.04 U.S. Minneapolis, MN @ The Fillmore
05.05 CAN Winnipeg, MB @ Burton Cummings
05.07 CAN Calgary, AB @ Grey Eagle Event Center
05.08 CAN Edmonton, AB @ Midway Music Hall
05.10 CAN Kelowna, BC @ Prospera Place

**Festival date -MACHINE HEAD& LACUNA COIL only

Written in motion – on the road, in hotel rooms, and across continents – it reflects the raw energy of their return to the global festival circuit after an 11-year hiatus. UNATØNED was recorded at Robb's Jam Room, Sharkbite Studios, and Drop Of Sun Recording between July 2023 and December 2024. The album was produced by Robb Flynn as well as Zack Ohren who was also responsible for the engineering. The mixing and mastering was handled by Colin Richardson and Chris Clancy at Audioworks UK and the mastering of the record was handled by Ted Jensen and his assistant Justin Shturtz. The only exception was the track 'LANDSCAPE ØF THØRNS' which was produced by Flynn and Joel Wanasek who was also in charge of mixing the single alongside Zack Ohren. MACHINE HEAD once again tapped Seth Siro Anton to create the album artwork.

Eleven albums deep, MACHINE HEAD remains as fierce, relevant, and unstoppable as ever

MACHINE HEAD is:
Robb Flynn | Vocals & Guitars
Jared MacEachern | Bass & Vocals
Reece Scruggs | Guitar
Matt Alston | Drums

More information:
https://www.machinehead1.com/
https://twitter.com/MfnH
https://www.instagram.com/machine_head/
https://www.youtube.com/c/machinehead/featured
https://www.facebook.com/MachineHead
https://www.tiktok.com/@machineheadofficial

Ecce Shnak shares live performance in support of debut Shadows Grow Fangs' EP

Alternative art-rockers Ecce Shnak present 'Prayer On Love' Live at Backroom Studios, a class performance of one of the highlight tracks on their debut 'Shadows Grow Fangs' EP'. A quintet that seemingly never sleeps, they shared videos for the EP's high-energy title track and it's only ballad   'Stroll With Me', just a few weeks ago.

Throughout June, Ecce Shnak (pronounced Eh-kay sh-knock) will be touring with platinum-selling legends Spacehog and EMF, hitting the U.S. West coast. Kicking things off in San Jose, California on June 14, the tour wraps up on June 28 in Las Vegas.

Frontman David Roush is composer, bassist and one of two singers, joined by Bella Komodromos (vocals), Chris Krasnow (guitar), Gannon Ferrell (guitar), and Henry Buchanan-Vaughn (drums). If there’s a fine line between wild-eyed, inspired genius and utter, irrepressible insanity, that’s where you’ll find Ecce Shnak, teetering on a neon tightrope.

Released via Record Man, Records, this EP showcases incomparable ingenuity and limitless invention, the NYC quintet delivering a sonic experience that blends art-rock and punk energy with some unexpected twists. Running the gamut from slow-burning meditations on love’s indispensability to mockery of the web from the perspective of a time-traveling poet, this EP is an intricately constructed, methodically fashioned, and undeniably offbeat... as serious and logical as it’s entertaining.

Recorded and produced by Jeff Lucci at the Art Farm (NY), this EP was mixed by Nicholas Vernhes  (Animal Collective, Deerhunter, The Fiery Furnaces, Dirty Projectors, Wild Nothing, The War on Drugs) and mastered by Grammy award-winning sound engineer Joe LaPorta (David Bowie, The Weeknd, Foo Fighters, Vampire Weekend, FKA Twigs, Twenty One Pilots).

Ecce Shnak subverts notions of style, playfully but reverently embracing multiple forms across the spectrum, while addressing weighty themes and notable trivia with striking articulacy. 'The Internet' is an eclectic gem that makes a fine mockery of the web from the perspective of a time-travelling poet. 'Prayer on Love' is a downtempo groove-inducing opus and the lead track 'Jeremy, Utilitarian Sadboy' is a hammering 150-seconds about 19th Century English philosopher Jeremy Bentham,  combining math-metal, post-rock and choral anthems. Folk gem 'Stroll With Me' weaves classical guitar into a ballad about a beloved friend who chose to leave this Earth.

 
The 'Shadows Grow Fangs' EP is out now, available from fine music platforms, includingSpotifyApple Music, YouTube Music and Bandcamp.  Tickets for the Spacehog / EMF / Ecce Shnak tour are now on sale, as are tickets for Ecce Shnak's upcoming May 7 show at NYC's Mercury Lounge. They will be joined by blues-inflected leather-clad punk rock trio OBOY! and British psych-garage trio Tummyache.

CREDITS
Music written / composed by David Roush
David Roush - vocals, classical guitar, drum kit, keyboard
Jeff Lucci - electric guitar, electric bass
Isabella Komodromos -vocals
Recorded and produced by Jeff Lucci at the Art Farm (NY)
Mixed by Nicholas Vernhes
Mastered by Joe LaPorta
Video directed by Milton Walker and David Roush
Animation by Shuyler Nazareth
Produced by Beth Narducci and David Roush
Artist photos by Tommy Krause
A&R: Beth Narducci for You + Me Entertainment
Publicity by Shauna McLarnon for Shameless Promotion PR

TOUR DATES (with EFM and Spacehog)
Jun 14   San Jose, CA  - The Ritz
Jun 15   San Francisco, CA  - Great American Music Hall (tickets)
Jun 17   Portland, OR  -  Star Theater
Jun 18   Seattle, WA  - The Neptune
Jun 20   Salt Lake City, UT  - Metro Music Hall
Jun 21   Denver, CO  - Oriental Theater
Jun 23   Phoenix, AZ  - Crescent Ballroom
Jun 24   San Diego, CA  - Music Box
Jun 26   Santa Ana, CA  - The Observatory
Jun 27   Los Angeles, CA  - The Regent
Jun 28   Las Vegas, NV  -  House of Blues


Keep up with Ecce Shnak
Facebook | Bandcamp | Instagram | Twitter | YouTube | TikTok | Spotify | Apple Music | YouTube Music | BandsInTown | Booking | Press contact

Keep up with Shameless Promotion PR
Website | Facebook Twitter Instagram | BlueSky | Threads Soundcloud | Link edIn | Email

COSMOSQUAD ANNOUNCES MIDWESTERN TOUR DATES, REUNITING FOR FIRST LIVE SHOWS IN 5 YEARS FEATURING THEIR CLASSIC LINEUP

Veteran progressive rock fusion trio Cosmosquad has announced a highly anticipated Midwest tour for April 2025, marking the band's first live performances in over five years. The tour will feature the group’s classic lineup, including guitarist Jeff Kollman, drummer Shane Gaalaas, and bassist Kevin Chown.

Formed in 1997, Cosmosquad pioneered a distinctive blend of metal and jazz fusion, drawing from the worlds of shredding metal riffs, intricate jazz chord structures, and improvisation. Over the years, the band has released five acclaimed albums, including Cosmosquad (1998), Squadrophenia (2001), Acid Test (2003), Live at the Baked Potato (2010), and their 2017 concept album The Morbid Tango, which received critical praise for its innovative fusion of genres.  “Born from the vibrant Los Angeles music scene of the ‘90s, Cosmosquad has always been a project that allows us to break free from the musical confines of our other high-profile session and touring work,” said Kollman. “We’re excited to reconnect with our fans and bring some fresh energy to our live performances after such a long break.”

Cosmosquad has remained a musical outlet where the trio merges their roots in classic rock with their shared love for jazz fusion. Despite each member’s extensive touring careers, the band has maintained their unique chemistry and a commitment to pushing musical boundaries.

Guitarist Jeff Kollman is known for his signature tone and fearless guitar work. His recent solo album, 2023 A.D. (released in 2024), features a guest appearance from Red Hot Chili Peppers drummer Chad Smith on the single “Tongs & Thongs.” Kollman continues to tour with Alan Parsons, alongside performances with legends like Chris Isaak, Lou Gramm (Foreigner), and many others.

Drummer Shane Gaalaas, originally from Canada, has built a legendary career through his long association with Japanese rock superstars B’z and has worked with notable artists including Glenn Hughes, Billy Idol, Slash feat. Myles Kennedy & The Conspirators, and Uli Jon Roth. Gaalaas’s ability to blend rock attitude with jazz sophistication has earned him recognition as one of the world’s finest drummers.

Bassist Kevin Chown is a prominent member of 90s rock band Steelheart and has previously toured with artists such as Sebastian Bach, Paul Gilbert, Tony MacAlpine, and Tarja Turunen. Chown has also contributed to multiple solo and collaborative projects, including The Bombastic Meatbats, alongside Jeff Kollman and Chad Smith.

Cosmosquad’s music continues to resonate with fans and critics alike, with glowing praise from industry legends such as Steve Lukather of Toto, who said, “Some of the best, most inspiring stuff I have heard in a long time! Incredible playing and just gorgeous melodic composition. This band is killer!”  and British record producer Terry Brown (Rush, Fates Warning, Voivod) who said “This album is so cool I cannot pick my favorite cut.  Just so much great material and killer execution.”

 TOUR DATES:

  • April 11, 2025: Sweetwater (Fort Wayne, IN)

  • April 13, 2025: Howard's (Bowling Green, OH)

  • April 18, 2025: Reggie’s (Chicago, IL)

  • April 19, 2025: Leroy’s (Porter, IN)

LINKS:

SOCIAL MEDIA:

Volbeat Share New Single "In the Barn of the Goat Giving Birth to Satan's Spawn in a Dying World of Doom"

VOLBEAT — Michael Poulsen (vocals, guitar), and Jon Larsen (drums), and Kaspar Boye Larsen (bass) — recently announced their ninth album God Of Angels Trust. This album arrives on June 6 via longtime label Republic/Universal. Pre-order it here.

The album will coincide with plenty of summer touring on the band's "Greatest Of All Tours Worldwide," with further dates and details below.

Today, the band has shared the video for "In the Barn of the Goat Giving Birth to Satan's Spawn in a Dying World of Doom."

Watch + listen below

It's quite the title and quite the song!

Poulsen shares the origin story, saying, "I had so much fun writing these lyrics. It's about the outcasts and fallen angels of God — all the angels that were cast out of Heaven. And I'm being told to collect them in this big wagon and bring them to a barn."

He continues, "There's a ritual going on where the fallen angels are being sacrificed to Satan's spawn to create soldiers for a new dark kingdom. So, instead of inviting my lady out to go to the cinema, I say, 'I have something better. You have to see what's going on in this barn... we've been invited to see the birth of Satan’s spawn and watch the world go down. How about that?"

He admits,"I think some people will read the lyrics and go, 'What’s wrong with this dude?' But, it's all for fun. It's like a silly horror movie. Or is it?"

Horror movie or not — it rips!

With God Of Angels Trust, The Danish band — which has scored ten #1 songs on the Billboard Mainstream Rock airplay chart, the most ever for a band based outside North America — has thrown caution to the wind, ignored comfort zones, and paid little heed to traditional songwriting in the search for something more immediate and surprising. The end result will thrill Volbeat's dedicated legion of fans.
 
"In the past, I've taken a long time to write and obsessed over so many elements of the songs before finishing them," says Poulsen. "This time, I wanted to make a Volbeat record without thinking too much about it. Instead of following any kind of structure I said, 'Okay, there are no rules. I can do anything I want. I can start with a chorus or do songs that are just a bunch of verses stacked on top of each other. Anything goes.' That was freeing for me and made it exciting to write this album."
  
Poulsen's excitement to thwart convention is palpable throughout God Of Angels Trust, a punchy, crunchy album that's undeniably Volbeat, yet marches to a fresh new metallic and melodic energy. 
 
Poulsen started working on songs for the follow-up to 2021's Servant of the Mind in the summer of 2024. Volbeat was taking a year-long break from touring to give Michael a chance to recover from throat surgery and to tour with his death metal band, Asinhell. Driven equally by his excitement to record a new Volbeat album and by his determination not to follow convention, Poulsen worked on songs for a mere three weeks with bandmates drummer Jon Larsen and bassist Kaspar Boye Larsen. Amazingly, they worked on a new song at every rehearsal. Three weeks into the process, Volbeat had arranged half of God Of Angels Trust. That's when Poulsen decided that having no rules meant he could follow his muse wherever it took him, and he veered off on a different path. He and the band still wrote and rehearsed two songs a week, but they started composing more familiar rock songs that drew from traditional elements. 
  
The band entered the studio with their longtime producer Jacob Hansen in the fall of 2024. As with the songwriting, Poulsen wanted to work quickly and rely on instinct, so they just plugged in and started to play. To keep the music sounding urgent and immediate, Volbeat recorded live in the studio, playing as few takes as possible before moving from one song to the next. 
 
When it came time to add lead guitar, there was no question that Volbeat would tap Flemming C. Lund, who currently tours with the band and worked with Michael in Asinhell. A mere 13 days after they started working with Hansen, Volbeat were finished.   
  
As impressive as it is that Volbeat wrote and recorded an entire album in about five weeks, what's more incredible is that God Of Angels Trust sounds as fleshed out, eclectic, and fulfilling as albums that have taken 10 times longer (or more) to create. In the end, creating such a strong album so quickly was a tremendous challenge that demanded Zen-like calm, a joy for exploration, maximal creativity, and razor-sharp concentration to pull off. 

The band's official D2C store is here.

Volbeat will return to the road on the "Greatest Of All Tours Worldwide," beginning in June and running throughout 2025. The tour begins in June with a co-headline Canadian run with Three Days Grace and special guests Wage War, which will be followed by headline treks in the U.S. with special guests Halestorm and The Ghost Inside, and Europe and the UK with special guests Bush and Witch Fever, iincluding today's newly-announced second show at Copenhagen's Royal Arena on September 20. All dates are below.

VOLBEAT ON TOUR:
GREATEST OF ALL TOURS WORLDWIDE:
2025 CO-HEADLINE WITH THREE DAYS GRACE + WAGE WAR:
6/7 — Vancouver, BC — Rogers Arena
6/9 — Calgary, AB — Scotiabank Saddledome
6/10 — Edmonton, AB — Rogers Place
6/12 — Saskatoon, SK — SaskTel Centre
6/13 — Winnipeg, MB — Canada Life Centre
6/16 — Laval, QC — Place Bell
6/17 — Quebec City, QC — Videotron Centre
6/19 — Toronto, ON — Budweiser Stage
6/21 — London, ON — Canada Life Place
6/22 — Ottawa, ON — Canadian Tire Centre

2025 US HEADLINE:
WITH SPECIAL GUESTS HALESTORM + THE GHOST INSIDE:
7/17 — Denver, CO — Ball Arena
7/19 — Salt Lake City, UT — Utah First Credit Union Amphitheatre
7/21 — Auburn, WA — White River Amphitheatre
7/22 — Ridgefield, WA — Cascades Amphitheater
7/24 — Wheatland, CA — Toyota Amphitheatre
7/25 — Inglewood, CA — Kia Forum
7/26 — Phoenix, AZ — Talking Stick Resort Amphitheatre
7/28 — Irving, TX — The Pavilion at Toyota Music Factory
7/29 — Houston, TX — 713 Music Hall
7/31 — Rogers, AR — Walmart AMP
8/2 — Franklin, TN — FirstBank Amphitheater
8/3 — Alpharetta, GA — Ameris Bank Amphitheatre
8/4 — Tampa, FL — MIDFLORIDA Credit Union Amphitheatre
8/6 — Charlotte, NC — PNC Music Pavilion
8/7 — Bristow, VA — Jiffy Lube Live
8/9 — Camden, NJ — Freedom Mortgage Pavilion
8/10 — Holmdel, NJ — PNC Bank Arts Center
8/12 — Bangor, ME — Maine Savings Amphitheater
8/13 — Gilford, NH — BankNH Pavilion
8/14 — Mansfield, MA — Xfinity Center
8/16 — Hershey, PA — Giant Center
8/17 — Cincinnati, OH — Riverbend Music Center
8/19 — Clarkston, MI — Pine Knob Music Theatre
8/21 — Noblesville, IN — Ruoff Music Center
8/22 — Tinley Park, IL — Credit Union 1 Amphitheatre

Rotting Christ Release New Live Album

ROTTING CHRIST have stood the test of time. Over the past 35 years, Sakis Tolis, his brother Themis and their brothers-in-arms have risen from Greece's blackened catacombs to become one of metal's most reliable forces.

Backed by a legacy that has both defined and defied black metal, last year, the Greek legends carved out a new set of dark, melodic scriptures with fresh rebellion on the unbreakable Pro Xristou

"...this is the most arena-worthy Rotting Christ have been in some time", No Clean Singing wrote about their latest album.  

Now, as they continue to tour the world, Rotting Christ are celebrating 35 years of evil existence with a new live album. This two-hour set was recorded at the Lycabettus Hill Theater in the band's hometown of Athens. Like a pantheon, it spans the band's entire career, from early evil classics like "The Sign of Evil Existence" and the gothic one-two punch of "Sorrowful Farewell" and "Among Two Storms" to " "Δαιμόνων Βρώσης (Demonon Vrosis)",  "Κατά τον Δαίμονα Εαυτού", "Like Father, Like Son" and other chiseled monuments from their modern Hellenic period.

Watch Rotting Christ celebrate 35 Years of Evil Existence Live in Lycabettus on Rotting Christ TV.

35 Years of Evil Existence - Live in Lycabettus is out now on Season of Mist.


Order & Stream

https://orcd.co/rottingchristliveinlycabettus
 

The formidable bond between brothers Sakis and Themis Tolis is not only felt across their unholy discography but also live and in the flesh. Having played more than a hundred shows all across the world in 2024, Rotting Christ continue to keep the true metal spirit alive time and time again.    

Rotting Christ @ Milwaukee Metal Fest
Friday, May 16 - Milwaukee, Wi @ The Rave/Eagles Club [TICKETS]

Pro Xristou (‘Before Christ’ in Greek), serves as a fervent tribute to the last Pagan kings who resisted the onslaught of Christianity, guarding their ancient values and knowledge. In this thematic odyssey, intricately woven through tracks such as ‘The Apostate’ and ‘Ygdrassil’, Rotting Christ delves into the legacies of historical figures such as Flavius Claudius Julianus and Nordic mythological kings, embodying the might of Pagan wisdom in the face of Christian adversity. The album encapsulates the essence of Rotting Christ’s signature style – melodic, yet harsh at times – reinventing themselves yet again, while remaining rooted in their 35-year legacy.

Line-up:
Sakis Tolis - Guitar, Vocals
Themis Tolis - Drums
Kostas "Spades" Heliotis - Bass
Kostis Fouk - Guitar

Biography:
Sébastien J. Gamez

Follow Rotting Christ:
Official Website: https://www.rotting-christ.com/en
Facebook: https://www.facebook.com/rottingchristofficial/
Instagram: http://www.instagram.com/rottingchristofficial/
Twitter (X): https://twitter.com/athanatoieste
YouTube: https://www.youtube.com/user/RottingChristOfficia
Bandcamp: https://rottingchristofficial.bandcamp.com/
Apple Music: http://itunes.apple.com/artist/rotting-christ/id28441629
Spotify: https://open.spotify.com/artist/7FhkwcO8Jd7BRWdllBpXBJ

Available Formats:
Digital Download
2CD Digipak
3x12" Vinyl Gatefold - Black
3x12" Coloured Vinyl Gatefold - Gold w/ Linen Lamination & Gold Foil
3x12" Coloured Vinyl Gatefold - Gold & Black Marbled
3x12" Coloured Vinyl Gatefold - Orange & Black Marbled
3x12" Coloured Vinyl Gatefold - Red & Black Marbled

Sleep Theory Drop "III" Video — WATCH // Headline Tour Kicks Off Next Month

Breakout four-piece Sleep Theory — vocalist Cullen Moore, guitarist Daniel Pruitt, bassist Paolo Vergara, and drummer Ben Pruitt — recently announced their eagerly awaited debut album, Afterglow, which arrives on May 16 via Epitaph Records. The album offers a stunning display of diverse rock flavors and was produced by David Cowell and mixed by Zakk Cervini (Bring Me The Horizon, Bad Omens, Architects). Pre-order it here

They are sharing the video for new single "III."

Watch it below.

The song is a thrill ride, mixing synths and raucous riffing with the band's signature, stadium-sized melodies.

"At its core, 'III' is about betrayal," shares Moore about the intensely personal subject matter. "It's that gut-wrenching feeling when someone you trusted completely lets you down. The song dives into that pain, but it's also about facing the truth, even when it hurts and realizing not everyone is who they say they are."

He continues, "I want people to really think about who they let into their lives. Not everyone deserves your trust, and sometimes, those closest to you can do the most damage."

However, the song is meant to inspire hope and to find the positives that are embedded in a painful moment. Moore finishes, "But beyond, it's about learning from those experiences rather than letting them break you. If this song helps someone feel less alone in that kind of situation, then it's done its job."

"III" follows "Static," which peaked at No. 16 on Spotify Viral 50 in the U.S. and is the band's fastest-growing song to date, with over 12 million streams since its release. The album's lead single "Stuck In My Head" ascended to the No. 1 lot on the Active Rock radio charts — a first for the band! The song is currently No. 26 and building at Alternative radio. All told, Sleep Theory have accumulated 300 million streams across nine singles in their brief but blockbuster career thus far.

Sleep Theory will embark on its first-ever headline tour, kicking off on May 20 in Birmingham, Alabama and winding through the U.S. before wrapping on June 28 in their hometown of Memphis. The band has also booked appearances at select festival dates.  Support will come from Nevertel,  Oxymorrons, and Stray View. Get tickets here

SLEEP THEORY ON TOUR:
WITH NEVERTEL, OXYMORRONS, + STRAY VIEW:

5/20 — Birmingham, AL — Workplay

5/21 — Mobile, AL — Soul Kitchen

5/23 — Corpus Christi, TX — Brewers Street Ice House

5/24 — Woodlands, TX — The Cynthia Woods Mitchell Pavilion (Buzzfest)*

5/25 — Dallas, TX — Dos Equis Pavilion (KEGL's BFD)*

5/27 — El Paso, TX — Lowbrow Palace

5/28 — Phoenix, AZ — The Marquee

5/29 — Las Vegas, NV — Brooklyn Bowl

5/30 — Anaheim, CA — House of Blues

5/31 — Reno, NV — Virgin Street

6/3 — Boise, ID — Knitting Factory

6/4 — Spokane, WA — Knitting Factory

6/6 — Salt Lake City, UT — The Complex

6/7 — Colorado Springs, CO — The Black Sheep

6/8 — Denver, CO — The Summit

6/10 — Lincoln, NE — Bourbon

6/11 — Minneapolis, MN — Varsity

6/13 — Madison, WI — Sylvee

6/14 — Chicago, IL — House of Blues

6/15 — Detroit, MI — St. Andrews Hall

6/16 — Grand Rapids, MI — Elevation

6/18 — Syracuse, NY — The Wescott

6/19 — Boston, MA — The Sinclair

6/20 — New York, NY — Gramercy Theater (SOLD OUT)

6/21 — New York, NY — Gramercy Theater

6/22 — Portland, ME — State Theater

6/24 — Pittsburgh, PA — Mr. Smalls
6/25 – Lexington, KY — Manchester Music Hall

6/26 — Nashville, TN — Brooklyn Bowl

6/28 — Memphis, TN — Minglewood Hall
*FESTIVALS

OTHER FESTIVAL DATES:

4/18 — Tuscon, AZ — Pima County Fair

5/17 — Daytona, FL — Welcome To Rockville

7/11 — Gettysburg, PA — Gettysburg Bike Week 

7/18 — Mansfield, OH — Inkcarceration 

9/21 – Louisville, KY – Louder Than Life 

10/5 — Sacramento, CA — Aftershock 

Sleep Theory combine energetic hard rock and metalcore, alongside the powerhouse vocalist Cullen Moore. Praised by Jelly Roll and David Draiman, they've toured with Shinedown, Falling In Reverse, and Beartooth. In under two years, they became the fifth most-played artist on Active Rock radio. Afterglow and the Paper Hearts EP merge heavy rock with pop and R&B, producing anthemic bangers and emotional ballads. Saluted by Revolver, Loudwire, and Amazon Music as an Artist to Watch in 2025, they've become one of heavy music's biggest breakouts. With Afterglow, the quartet proves ready to ascend to the next level. Sleep Theory deliver the dynamic, heavy bounce and massive vocal hooks that the rock world desperately needs. Moore is a powerhouse singer who outmatches nearly all his peers, recalling the most classic and timeless pop, R&B, and rock 'n' roll vocalists of the last several decades. Sleep Theory push themselves creatively at every turn, catapulting the genre to new sonic heights. 

Dogma releases "Banned"; EU Tour Announced!

Sinners, the time has come. Dogma’s newest invocation, "Banned," is here, a profane melody woven in flesh and defiance, a hymn to liberation wrapped in forbidden rhythms, a  fusion of metal and tango that tears through the veil of sanctimony.

Some acts are condemned, others are justified. Who draws the line? "Banned" tells another chapter of the story, the moment desire collides with imposed virtue, where submission is shattered, and pleasure becomes power.

But sinners, they are not stopping here.

For the first time ever, Dogma sets foot on European soil, joining forces with Patriarkh on the Sinning Over Europe Part 1 tour. With this, the first gates are broken, and their presence is marked across Hungary, Romania, Bulgaria, Slovenia, Italy, Switzerland, Germany, Netherlands, and Belgium.

This is only the beginning. There are more places to reach, more sinners waiting in the shadows. Let this be a warning: Europe is ready for Dogma, and they are ready to take it.

SINNING OVER EUROPE PART 1 TOUR DATES 

06.04 – Budapest, HUN @ Analog
07.04 – Cluj Napoca, ROM @ Form Space
08.04 – Bucharest, ROM @ Quantic
09.04 – Sofia, BUL @ Mixtape5
11.04 – Kranj, SLO @ Subart
12.04 – Milan, ITA @ Hellbrigade Fest
13.04 – Taneto, ITA @ Fuori Orario
14.04 – Monthey, SUI @ Pont Rouge
15.04 – Munich, GER @ Backstage
16.04 – Oberhausen, GER @ Helvete
17.04 – Hengelo, NLD @ Metropool
18.04 – Drachten, NLD @ Iduna
19.04 – Haarlem, NLD @ Patronaat
20.04 – Ghent, BEL @ Vierde Zaal
21.04 – Erfurt, GER @ From Hell

Get your tickets here: https://www.bandsintown.com/a/15542111

MEET & GREET WITH DOGMA: A CALL TO THE UNHOLY CONGREGATION

This first-ever European tour is not just about the stage. Dogma summons our sinners to a limited, intimate gathering beyond the lights and the noise. This is your chance to meet Dogma, to speak, to share, to be part of the movement.

These meet & greets are extremely limited. No show tickets included.  Reserve your place here: https://officialdogma.store/eu-meetngreet/

And sinner, if you come to the show, don’t come empty.  Wear your Dogma emblems. Let us see you under the crimson light adorned in your devotion.  “Banned” is out.  Europe awaits.  Will you join the sin?


MESSAGE FROM LILITH

Sinners,

For the first time, we set foot on European soil. A land steeped in history, contradiction, and rebellion, where saints were martyred, heretics burned, and revolutions born. Now, Dogma arrives, not to kneel, but to rise.

"Banned" is revelation. A wound torn open, a truth they buried, a desire they shamed. It is not just a song, but a confession, a defiance, a sin they tried to erase. Some will flinch, some will fall silent, and some will wake up, which one will you be?

To those who will stand before us on this tour, I want to see you. I want to see you wearing our emblems, our mark, your devotion. Show me that Europe is ready. Show me that Dogma belongs here.

This is just the beginning.

Rise. Sin. Be free. Cause this is not Banned.

 

About DOGMA:
Known for blending hard rock, metal, and theatricality, DOGMA’s shows are more than just performances, they’re experiences that push audiences to confront their innermost desires and truths. Their music, laden with powerful riffs and unapologetic sensuality, invites listeners into a world where self-expression is the ultimate form of freedom.

Join DOGMA in this provocative journey as they shatter the barriers between the sacred and the profane.

Connect with Dogma:

Website
Instagram
Facebook
YouTube

BLEED FROM WITHIN - release video for 'Violent Nature' + new album 'Zenith' out NOW

Metal titans BLEED FROM WITHIN have today released their brand new studio album, Zenith, via Nuclear Blast Records. After their most successful year to date, Zenith's whirlwind of accomplished songwriting, white-hot metal fury and hard-earned confidence proves the best is yet to come from the Scottish heavyweights. To coincide with the album release, they have also revealed a video for storming opening track 'Violent Nature'.

On the release of their new album, the band comment:

"Today is the day. Friday 4th April 2025 marks the release of our greatest work so far. This is the best collection of songs we ever put together and a massive step forward for us creatively. Since we released Hands Of Sin last year, we've worked very hard on delivering something essential to our needs. Something that gave purpose to the time we'd dedicated and something we felt was missing in modern metal. Now, almost a year later, we are ready to share it with the world and see where it takes us. Here's to the future.

Ali, Davie, Goonzi, Kennedy, Steven"


Purchase and stream Zenith now at: https://bleedfromwithin.bfan.link/zenith.ema

Catch BLEED FROM WITHIN across North America in 2025 supporting BULLET FOR MY VALENTINE and TRIVIUM on 'The Poisoned Ascendancy' tour, before they return to the UK and Europe for 'The Zenith Tour', where they'll be joined by AFTER THE BURIAL and GREAT AMERICAN GHOST.

THE POISONED ASCENDANCY NORTH AMERICAN TOUR 2025
supporting BULLET FOR MY VALENTINE and TRIVIUM

19.04.25 - MO, Chesterfield - The Factory
20.04.25 - NE, Omaha - Steelhouse
22.04.25 - WI, Green Bay - Epic Event Center
23.04.25 - MI, Grand Rapids - GLC Live At 20 Monroe
26.04.25 - IL, Chicago - Byline Bank Aragon Ballroom
27.04.25 - MI, Detroit - The Fillmore
29.04.25 - PA, Pittsburgh - Stage AE
30.04.25 - PA, Philadelphia - The Fillmore
02.05.25 - MA, Boston - MCM Music Hall At Fenway
03.05.25 - QC, Laval - Place Bell
04.05.25 - ON, Toronto - Great Canadian Resort Theatre
06.05.25 - DC, Washington - The Anthem
07.05.25 - NY, New York - The Rooftop At Pier 17
09.05.25 - PA, Bethlehem - Wind Creek Event Center
11.05.25 - TN, Nashville - The Pinnacle
13.05.25 - KY, Corbin - Corbin Arena
14.05.25 - GA, Atlanta - Coca-Cola Roxy Theatre
17.05.25 - NC, Charlotte - Skyla Credit Union Amphitheatre
18.05.25 - NC, Raleigh - Red Hat Amphitheater

2025 Festival Dates

10.05.25 - US, Sonic Temple Art & Music Festival
16.05.25 - US, Welcome To Rockville
15.06.25 - UK, Download Festival
26.06.25 - NO, Tons Of Rock
05.07.25 - TR, Headbangers Weekend
14.08.25 - DE, Reload Festival

THE ZENITH TOUR 2025
w/ AFTER THE BURIAL & GREAT AMERICAN GHOST

10.09.25 - BE, Antwerp - Zappa
11.09.25 - DE, Cologne - Live Music Hall
12.09.25 - DE, Hamburg - Docks
13.09.25 - DE, Berlin - Kesselhaus
14.09.25 - PL, Warsaw - Progresja
16.09.25 - FI, Helsinki - Tavastia
17.09.25 - FI, Tampere - Olympia-Kortteli
19.09.25 - SE, Stockholm - Klubben Fryshuset
20.09.25 - SE, Gothenburg - Pustervik
21.09.25 - NO, Oslo - Vulkan Arena
22.09.25 - DK, Copenhagen - Amager Bio
24.09.25 - CZ, Prague - Meet Factory
25.09.25 - HU, Budapest - Barba Negra
26.09.25 - AT, Vienna - SIMM City
27.09.25 - DE, Munich - Backstage
28.09.25 - CH, Zürich - Kompex 457
30.09.25 - FR, Villeurbanne - CCO La Rayonne
01.10.25 - FR, Toulouse - La Cabane
03.10.25 - PT, Lisbon - LAV - Lisboa Ao Vivo
04.10.25 - ES, Madrid - Salva Mon Live
05.10.25 - ES, Barcelona - Razzmatazz 2
07.10.25 - FR, Paris - Bataclan
08.10.25 - NL, Tilburg - 013 Poppodium
10.10.25 - UK, London - O2 Forum Kentish Town
11.10.25 - UK, Manchester - O2 Ritz
12.10.25 - UK, Glasgow - Barrowlands
13.10.25 - UK, Glasgow - Barrowlands

Tickets for all dates are available now at bleedfromwithin.com

Bleed From Within are:
Scott Kennedy - Vocals
Craig Gowans - Lead Guitar
Steven Jones - Rhythm Guitar & Vocals
David Provan - Bass
Ali Richardson - Drums