THE ETERNAL Celebrate Release of New EP Celestial with Music Video for “Celestial Veil” Out Now on Reigning Phoenix Music!

Australian-Finnish dark progressive gothic metal collective THE ETERNAL celebrates the release of their new, critically-acclaimed EP, entitled "Celestial", that is out now on powerhouse label Reigning Phoenix Music.
 

To mark the day, the band have unveiled an official music video for “Celestial Veil”, a track that highlights their talent for slow-burning heaviness and emotional depth. The EP is available digitally and as a limited, eco-friendly recycled vinyl LP edition (exclusively available through the band’s official store and the RPM shop). Order your favorite choice of format at this location: https://theeternal.rpm.link/celestialPR

Built on restrained weight and a drifting sense of atmosphere, the new single “Celestial Veil” unfolds like a moment suspended in time. The video mirrors this feeling through cosmic imagery, light meets vast darkness, visually reinforcing the song’s themes of loss, distance, and fragile connection.

Featuring celestial metaphors, “Celestial Veil” captures the longing and grief of separation. As stars fade and time stands still, the song reveals that love, though fragile and doomed, remains a luminous force: eternal in memory and dreams beyond the darkness.

Watch the video clip now premiering below:

Following the success of their acclaimed 2024 album Skinwalker, THE ETERNAL now return with their new EP Celestial. Continuing their signature fusion of melancholic atmospheres, doom-laden heaviness, and progressive depth, the band once again delivers an emotive and cinematic journey through sound and spirit, unafraid to embrace both beauty and bleakness while charting new creative horizons.

With Mark Kelson (vocals/guitars) and Richie Poate (guitars) in Melbourne, joined by Niclas Etelävuori (bass, ex-Amorphis/Flat Earth) and Jan Rechberger (drums, Amorphis) in Helsinki, THE ETERNAL have solidified themselves as a truly international collaboration. Their music resonates with fans of acts such as Katatonia, Swallow the Sun, and Anathema - dark yet luminous, heavy yet emotionally transcendent!

THE ETERNAL is:
Mark Kelson / Guitar & Vocals
Richie Poate / Guitar
Niclas Etelävuori / Bass
Jan Rechberger / Drums & Percussion

More on THE ETERNAL:
Facebook | https://www.facebook.com/TheEternal
Instagram | https://www.instagram.com/theeternalofficial/
X | https://www.twitter.com/theeternalband
TikTok | https://www.tiktok.com/@theeternalofficial
YouTube | https://www.youtube.com/channel/UC4vJAnrZbwUesT_FlY03mdw

Lionheart Release New Album

California hardcore powerhouse Lionheart have officially entered full domination mode with the release of their new album Valley Of Death II, cementing one of the most aggressive and effective album campaigns modern hardcore has seen in years.
 

Musically, Valley Of Death II delivers exactly what its title promises. Crushing grooves, merciless riffs, and commanding gang shouts collide with an even darker, heavier, and more confrontational atmosphere than its predecessor. Serving as the long-awaited sequel to their 2019 fan favorite, the album finds Lionheart fully locked in, focused, and firing on all cylinders — a band that knows exactly who they are and how hard they want to hit.
 

Freshly released via Arising Empire, Valley Of Death II is not about reinvention, but escalation. One track after another underlines why Lionheart have reclaimed their position at the top of modern hardcore and why the response to this release cycle has been nothing short of overwhelming.
 

To complete this massive chapter, Lionheart will return to Europe in January 2026 for a huge headline tour, joined by hardcore royalty Madball, metalcore heavyweights Gideon, and German crossover force Slope.
 

From the first comeback blow to the final album drop, Lionheart make one thing unmistakably clear: this era isn’t about survival — it's about total domination.


Catch the band live in Europe — more info HERE.

Out Now From Redivider - Sounds Of Malice

REDIVIDER, a death metal band from Louisville, Kentucky, presents their debut full-length album Sounds of Malice, a concentrated expression of aggression, narrative depth, and old school brutality fused with modern execution. Formed in early 2021 by Jacob Spencer and Paul Nunavath, REDIVIDER was built with a singular intent: to write crushing death metal rooted in the atmosphere of the 1990s Florida scene while expanding on those foundations with contemporary precision and weight. Joined by Jake Atha and Alexander Farrington, the band forged their identity through live performance and focused songwriting, culminating in an album that reflects both their influences and their evolution.

Sounds of Malice opens with "Quartered and Devoured", a violent and immediate introduction to the record. The track pulls from Dungeons & Dragons mythology, portraying a ritualistic execution of a savage race by divine decree. The music is relentless and hook-laden, prioritizing tension, groove, and a sense of fury that refuses to let up. This track was chosen to lead the album for its visceral energy and capacity to immediately strike the listener.

The title track "Sounds of Malice" follows, drawing from a character created by Spencer for a campaign he never got to play. Told from the perspective of an evil wizard addicted to a substance called Liquid Pain, the song balances morbid fantasy with deeply structured guitar work. The dual solos from Nunavath are a highlight, combining melodic phrasing with unhinged dissonance. It is both personal and grotesque, a reflection of the band’s creative range.

"Shackled to Existence" is the album’s longest and most introspective piece. Originating from an idea by original drummer Tyler Lewis, it deals with the inevitability of death and the emptiness of existence. The track journeys through dynamic shifts, intricate harmonies, and a guitar solo that mirrors the emotional despair embedded in the lyrics. It showcases the band's ability to slow the pace without sacrificing impact.

In "Apocalyptic Waste", REDIVIDER offers their take on global ruin, inspired by the Book of Elder Evils from D&D lore. The song is structured to depict an unfolding disaster, beginning with chaos and closing in desolation. The drumming and riffing here lean into the modern death metal playbook while staying grounded in groove, reflecting both destruction and aftermath.

"Fratricide" continues the mythological thread, drawing inspiration from the Elder Scrolls universe. It recounts a cosmic battle between divine brothers over a goddess, resulting in the violent birth of existence itself. The music reflects that chaos through shifting rhythms and dissonant layers while still delivering heavy, crushing sections that ground the narrative in sonic weight.

"Bask in the Rot" moves into monster territory, a tribute to the Gelatinous Cube reimagined as a sentient mass of sewage and death. The band wrote the instrumental parts around Spencer’s vocal rhythm, resulting in a track that drags and smothers, matching the grotesque nature of the subject matter. Influenced by "Where the Slime Lives", it is slow, grinding, and impossible to ignore.

The album concludes with "Left to Rot", a hymn of devotion from the undead to Orcus, Lord of the Undead. One of the earliest songs written by the band, it encapsulates the themes present throughout the record. The arrangement grows from a heavy groove into a dramatic finale that resolves the tension built across the album. It is an appropriate end for a record that began with violent resistance to the gods and closes with a prayer for apocalyptic release.

Recorded at Round Table Recording Company and Michael Kent O’Bryan Studio, mixed by guitarist Paul Nunavath and mastered by Dan Swano at Unisound, Sounds of Malice captures REDIVIDER's live energy and commitment to authentic performance. The band wrote these songs with the stage in mind, crafting moments of impact, tension, and catharsis. Every song exists to be felt physically, with riffs meant to be remembered and choruses meant to incite chaos.

Though Sounds of Malice does not follow a strict concept, its cohesion comes from atmosphere and intention. From the first note to the last, REDIVIDER seeks to overwhelm the listener with stories of death, decay, addiction, ritual, and myth. The band channels their influences, from CANNIBAL CORPSE and MORBID ANGEL to DEATH and GORGUTS, not as a template, but as a foundation to build upon. This album is not a tribute. It is a statement of purpose. REDIVIDER has crafted a debut that is punishing, articulate, and unflinchingly true to the spirit of death metal.

About REDIVIDER:

REDIVIDER is a death metal band from Louisville, Kentucky, formed in 2021 by vocalist Jacob Spencer and guitarist Paul Nunavath. Joined by guitarist Jake Atha and bassist Alexander Farrington, the band draws influence from the early Florida death metal scene and bands like CANNIBAL CORPSE, MORBID ANGEL, DEATH, and GORGUTS. With a sound rooted in old school brutality and layered with modern aggression, REDIVIDER combines guttural vocals, dissonant riffs, and relentless groove to create music that is both violent and immersive.

The band made their live debut in 2022 and quickly gained recognition in the underground scene, sharing stages with acts such as CREEPING DEATH, CRYPTA, MASACRE, COGNITIVE, and SEE YOU NEXT TUESDAY. Their debut album Sounds of Malice is a conceptually rich, sonically punishing record that blends fantasy-driven storytelling with crushing heaviness. Written with live performance in mind, REDIVIDER’s music thrives on tension, rhythm, and unapologetic intensity, death metal built to be felt as much as heard.

REDIVIDER Lineup:

  • Jacob Spencer – Vocals

  • Paul Nunavath – Guitar

  • Jake Atha – Guitar

  • Alexander Farrington – Bass

  • Mike Hargrave – Drums (live)


Connect with REDIVIDER:

Billy Morrison & Ozzy Osbourne Collector’s Edition Picture Disc Vinyl Now Available! ​  

TLG|ZOID proudly presents Billy Morrison and Ozzy Osbourne Collector’s Edition Picture Disc Vinyl, arriving , January 9th and distributed by Virgin Music Group. The limited-edition 180g picture disc—available now online and at local record stores—is designed as a true collector’s piece, worthy of framing and displaying like fine art offering a rare and visually striking keepsake that celebrates their powerful collaboration.

 

Further cementing its impact, “Gods of Rock N Roll” has earned major critical acclaim, landing on Loudwire’s Best Rock Songs of 2025 (Ranked) and being named a Top 10 Song of 2025 in Wall of Sound's Year in Review by Senior Writer Ranga Gareth Williams at #1. The track also secured a spot on Ultimate Classic Rock’s Top 10 Songs of 2025 list, and was included in Amazon Music’s Best of Rock 2025, underscoring its broad cultural impact and cross-platform recognition from both fans and tastemakers.

 

This stunning release brings together both smash hits, “Gods of Rock N Roll” (featuring Steve Stevens and a beautiful score by Fred Coury) and “Crack Cocaine" (featuring Steve Stevens), united on one brilliantly crafted, art-forward vinyl. The picture disc format elevates the release into a gallery-worthy keepsake—an item meant not only to be played, but cherished, displayed, and celebrated. 

 

The release carries historic significance, as these two tracks represent the final studio recordings from Ozzy Osbourne, transforming the picture disc into a definitive collector's piece—one that captures the closing chapter of an era in rock history.

 

Billy Morrison shares: “I feel so incredibly fortunate to have been able to work with my best friend on those last two songs, CRACK COCAINE and GODS OF ROCK N ROLL, that when the idea of a picture disc vinyl with all the versions on it came up, thanks to my guys at TLG |ZOID, I jumped at the idea. We already had the wonderful cover shots that our photographer, Jane Stuart, had taken throughout the process of both releases, and I remember as a kid just loving the idea of a vinyl record with images on the actual vinyl! It was a no brainer, and a truly wonderful way to close out that chapter with a tip of the hat to Ozzy and the two amazing songs that we did together. I will always be able to watch that video of GODS, when Steve Stevens and I are belly laughing with Ozzy in the studio and hold that close as a treasured memory.”

Billy Morrison, the British guitarist, singer, and songwriter is primarily known as Billy Idol’s rhythm guitar player for the past 15 years alongside lead guitarist Steve Stevens. His recent collaboration with Ozzy Osbourne and Steve Stevens, “Crack Cocaine,” soared to #1 on the Mediabase Active Rock Chart, further solidifying his place as a powerhouse in the rock world. The Morrison Project is a testament to his collaborative spirit and fearless commitment to creating boundary-breaking music that unites artists and genres in bold, unexpected ways.

BEYOND THE BLACK - share video for 'Let There Be Rain' + new album 'Break The Silence' is out today

Today, symphonic metal sensation BEYOND THE BLACK are celebrating the release of their eagerly awaited sixth studio album Break The Silence!

Break The Silence is a concept album rooted in melodic metal with ethno influences, it explores themes of communication, inner strength, resilience and the urgent need to reconnect in a divided world. Tracks like 'Let There Be Rain', '(La Vie Est Un) Cinéma', 'Ravens' and 'The Flood' examine how words – and their absence – shape our reality. It’s an emotional, multi-layered experience that mirrors today’s complex world and invites fans to be part of this new chapter.

Coinciding with the album release, BEYOND THE BLACK have premiered a music video for the song 'Let There Be Rain', which features Gergana Dimitrova, a soloist of the Grammy award-winning ensemble The Mystery Of The Bulgarian Voices, on guest vocals.

Singer Jennifer Haben commented:
"'Let There Be Rain' is about embracing the storm instead of fighting it, because sometimes the rain is what we need to let go, find clarity and move forward. With this song, our chapter is complete and we’re excited that the full story is now yours to experience."

PURCHASE / STREAM THE NEW ALBUM BREAK THE SILENCE:
https://beyondtheblack.bfan.link/break-the-silence-album

WATCH THE MUSIC VIDEO FOR 'LET THERE BE RAIN': Below

BEYOND THE BLACK
'RISING HIGH' HEADLINE TOUR 2026
w/ guests: Setyoursails + Seraina Telli

15.01.26          UK-Manchester, O2 Ritz
16.01.26          UK-London, O2 Shepherd´s Bush Empire
17.01.26          FR-Paris, Bataclan
19.01.26          CH-Zurich, X-tra
20.01.26          DE-Munich, Tonhalle
22.01.26          HU-Budapest, Barba Negra
23.01.26          AT-Vienna, Arena
24.01.26          DE-Geiselwind, MusicHall
26.01.26          DE-Stuttgart, Wagenhallen
27.01.26          DE-Wiesbaden, Schlachthof
28.01.26          DE-Hanover, Capitol
30.01.26          PL-Warsaw, Proxima
31.01.26          DE-Leipzig, Haus Auenseee
01.02.26          DE-Berlin, Huxleys
03.02.26          DE-Hamburg, Insel Park Arena
04.02.26          BE-Antwerp, Trix
05.02.26          DE-Oberhausen, Turbinenhalle 
06.02.26          NL-Nijmegen, Doornroosje 
08.02.26          DK-Copenhagen, Pumpehuset
09.02.26          SE-Gothenburg, Pustervik
11.02.26          NO-Oslo, Vulkan
12.02.26          SE-Stockholm, Kollektivet Livet
14.02.26          FI-Helsinki, Aäniwalli

TICKETS HERE: https://beyond-the-black.com/#tour

About BEYOND THE BLACK:

German symphonic metal band BEYOND THE BLACK have become one of the most exciting forces in modern symphonic metal, carving an impressive path since their formation. It started with their debut album in 2015: Songs Of Love And Death was an instant success and stayed strong in the German Top15 for weeks, earning the Metal Hammer Award for “Best Debut.” Its successor Lost In Forever (2016) entered the German charts at #4 and paved the way for a major tour through Germany, the UK, Russia and Japan. Since their live debut in 2014, the band has played the world’s biggest metal festivals like Wacken Open Air and supported international metal acts such as AEROSMITH, KORN, SCORPIONS, SAXON, and WITHIN TEMPTATION.

With the release of their third album Heart Of The Hurricane, BEYOND THE BLACK launched their first European headline tour in autumn 2019 – over 20 shows in 10 countries, most of them sold out. The band returned to the studio soon after and in June 2020 released the highly anticipated Horizons, which entered the German album charts at #3 (CH #6, AT #16, BE #53). 

After the pandemic-induced break, BEYOND THE BLACK came back stronger than ever: Following a successful European tour in fall 2022, their self-titled fifth album BEYOND THE BLACK dropped in January 2023, charting in several countries (DE #2, UK #2 Rock, CH #6, AT #12, SE #12, US #7 Top New Artist) and marking a new career high.

Following a powerful festival summer, the band toured Australia and New Zealand for the first time in late 2023, as special guests of Swedish metal act THE HALO EFFECT. In early 2024, BEYOND THE BLACK played their most successful European headline tour to date – Dancing In The Dark – followed by more celebrated shows across the continent that summer.

In early 2025, the band reached another milestone with their first-ever Latin America tour, playing headline shows in Argentina, Chile and Mexico, as well as performing at Brazil’s renowned Bangers Open Air. In summer 2025, they will once again take the stage at Europe’s most prestigious festivals, including Wacken Open Air, Hellfest and Graspop.

The excitement continues as BEYOND THE BLACK launch their next European headline tour, Rising High, kicking off this month, tied with the release of their highly anticipated sixth studio album Break The Silence.

Brutal Planet Records Announce the Remastered Releases of SIX FEET UNDER Albums “Unburied” and “Bringer Of Blood” on CD and Vinyl

Brutal Planet Records drags Six Feet Under Unburied and Bringer of Blood from obscurity with their first fully distributed vinyl editions. Unburied is pressed on Opaque Turquoise Vinyl and on CD. These nine unreleased tracks—grim outtakes from the Undead, Unborn, and Torment sessions—capture Six Feet Under in their most visceral and unrefined state. As Chris Barnes noted: “I always felt like these tracks were excellent Six Feet Under material. Real raw and in their earliest form.” 

Previously available only as a flimsy, low-quality cardboard-sleeve promo that barely surfaced in the collector world, Unburied has long been considered nearly impossible to obtain. This Brutal Planet Records edition finally gives these unearthed horrors a proper home in a jewel case with a 12-page lyric booklet, remastered by Rob Colwell and officially welcomed into the Metal Icon Series.

Brutal Planet Records resurrects the album with its first worldwide retail vinyl release, pressed on Opaque Turquoise Vinyl and mastered for vinyl by Rob Colwell. Housed in a traditional jacket with a 12x12 lyric insert, this edition finally gives Unburied the high-quality physical treatment fans have been waiting for. Only 500 LPs are being pressed. When they're gone, they’re gone.

The only previous vinyl pressing appeared briefly in Italy as a magazine kiosk bonus. It sold out instantly, was never placed into retail distribution, and is now almost impossible to locate. This Brutal Planet Records edition finally gives Unburied a proper physical home with upgraded sound mastered for vinyl by Rob Colwell, a traditional jacket, and a 12x12 lyric insert.

Brutal Planet Records also brings Bringer of Blood back from the underground, resurrecting one of Six Feet Under’s most savage chapters with its first-ever U.S. vinyl release. Originally unleashed in 2003 and recorded at Morrisound Studios, this album captures the band at peak ferocity—thick, pulsing riffs, grisly atmosphere, and Chris Barnes’ unmistakable guttural roar carving through each track like a bone saw.

SIX FEET UNDER – UNBURIED (Jewel Case CD)

Release Date: Out Now

For years, Unburied was the ghost in the Six Feet Under catalog — originally released digitally in 2018, with only a tiny number of flimsy cardboard-sleeve promo CDs that almost nobody ever found. The nine tracks on this album were pulled from the Undead, Unborn, and Torment sessions, and as Chris Barnes himself has said: “I always felt like these tracks were excellent Six Feet Under material. Real raw and in their earliest form.”

Key Features & Collector Details

  • First-ever real CD distribution of Unburied

  • Jewel case CD with 12-page lyrics insert booklet

  • Nine previously unreleased tracks

  • Material sourced from the Undead, Unborn, and Torment sessions

  • Remastered by Rob Colwell

  • Part of the elite Metal Icon Series on Brutal Planet Records

  • Original cardboard-sleeve CD was extremely limited and poorly distributed

  • Licensed from Metal Blade Records

  • Limited to 1,000 copies worldwide


SIX FEET UNDER – UNBURIED (Opaque Turquoise Vinyl)
Release Date: February 15, 2026

One of the rarest items in the SFU universe is the old Italian kiosk-only vinyl pressing of Unburied. It was never distributed, vanished instantly, and has been almost impossible to locate since the day it appeared.

Key Features & Collector Details

  • First-ever worldwide retail vinyl release of Unburied

  • Nine previously unreleased tracks

  • Traditional jacket with 12x12 lyrics insert

  • Pressed on Opaque Turquoise Vinyl

  • Material sourced from the Undead, Unborn, and Torment sessions

  • Mastered for Vinyl by Rob Colwell

  • Part of the elite Metal Icon Series on Brutal Planet Records

  • Licensed from Metal Blade Records

  • Original Italian kiosk-only vinyl pressing was extremely limited to 444 copies

  • Limited to 500 copies worldwide

Windswept Resurrect Historic Witch Trials on 'The Devil's Vertep'

In 2017, Roman Sayenko of Drudkh started a new band built on raw black metal. Now, Windswept are casting a cold spell over a dark moment in Ukrainian history with their upcoming third album The Devil’s Vertep.

The Devil’s Vertep come out Friday, December 12, 2026 on Season of Mist Underground Activists, but you can hear all six blazing tracks by listening to the full album stream at Black Metal Promotion.

Listen Below:

Pre-order & Pre-save

https://orcd.co/windsweptthedevilsvertep

Available Formats
CD Digipak
12” Vinyl Gatefold — Black
12” Colored Vinyl Gatefold — Red & Black

Across The Devil’s Vertep, Windswept retrace the witch trials that took place in Western Ukraine between 1753 and 1754. The album blisteringly unfolds across six acts: the grim discovery narrated in “Infanticide,” the escalating procedures of “Investigation” and “Torture & Confession,” the witchdoctor’s craft in “The Potion,” the broader networks of sorcery in “Nest of the Witches,” and the judicial reckoning in “Verdicts.” With a cold hard gaze, Windswept transform archival records into unflinching black-metal.

While The Devil’s Vertep marks Windswept’s first venture into Ukrainian demonology and witchcraft, these themes trace back much earlier in Roman Sayenko’s creative path. In the autumn of 1996, Sayenko began developing an unfinished project titled KOZLONOGYI (Goat-Footed):  a concept rooted in the same folkloric and mythological territory that would later resurface within The Devil’s Vertep. Although KOZLONOGYI never moved beyond a few rehearsals, its sketches and early riffs became the foundation for Windswept’s latest work. By reviving and re-working these ideas nearly three decades later, Sayenko bridges eras of black metal evolution, imbuing The Devil’s Vertep with a distinctly 1990s sensibility and reverence for the early traditions that shaped his artistic identity.

Recorded, mixed, and mastered at Viter Music with production handled internally, The Devil’s Vertep balances immediacy with conceptual cohesion. Its stark presentation reflects the gravity of the source material, while the cover art by Obsidian Bone situates the work in a visual landscape as unsettling as the music itself. By channelling the voices of the past, Windswept expand their raw black metal vision into a work of historical remembrance, turning archival fragments into a haunting artistic statement.

Line-up:
R. — Vocals & Guitars
T. — Bass
V. — Drums

Production Credits:
Recorded at Viter Music. Produced & engineered by R. & V. Mixed & Mastered by V. at Viter Music.

Cover Art:
Obsidian Bone

PARADISE LOST UNVEILS NEW VIDEO FOR 'SALVATION' FROM ACCLAIMED NEW ALBUM 'ASCENSION'

Icons of goth and doom, PARADISE LOST have revealed a new music video for the song ‘Salvation’ from the band’s widely acclaimed new album, Ascension. Directed by longtime collaborator Ash Pears, the stunning, cinematic portrayal of one of 2025’s most haunting tracks provides further evidence of their unyielding creative vision decades into the band’s legendary career.

Commenting on the song and video, vocalist Nick Holmes states:

"Salvation embraces the belief in a higher power and seeking forgiveness for a lifetime of transgression, typically prompted by the approach of death or a significant crisis. However, the video, and given that it is Christmas, takes perhaps a more optimistic view. It portrays the connection between two individuals committed to upholding a beacon, a symbol they will protect until their last breath and pass on for others to embrace. Whether this force is ultimately good or bad will always remain a mystery."

PARADISE LOST’s first album in 5 years, following 2020’s acclaimed Obsidian, was produced by the band’s revered guitarist Gregor Mackintosh and mixed/mastered by Lawrence Mackroryand is adorned with artwork by renowned British artist George Frederic Watts’ classic painting The Court of Death (1870-1902). Their latest, critically lauded masterpiece soaked in misery and grief, soars with song’s like ‘Tyrants Serenade,’ ‘Serpent on the Cross’ and ‘Silence Like The Grave,’ that take listeners on an unforgettable journey through morose despair forged in soundscape of massive riffs and searing solos.

PARADISE LOST will embark on the second leg of their “Ascension of Europe” tour in February. Tickets are on sale now at: https://tix.to/Ascension

Purchase/Stream Ascension: https://paradiselost.bfan.link/ascension

About PARADISE LOST:

More than three decades into their career, and with over two million albums sold, PARADISE LOST remain the undisputed kings of metal’s dark side. Formed in Halifax in 1988, the band quickly became noted as the pioneers of gothic metal through their early groundbreaking albums like 1991’s aptly-titled Gothic, a mixture of heaviness intertwined with shadowy melody and atmosphere.  

Never a group to remain creatively static, across their career they’ve explored a myriad of avenues of dark music, from sludgy doom-death roots, to conquering the metal mainstream with the enormous, lush sounds of 1995’s Draconian Times, to more experimental, electronic leanings, leaving an influence on a trail of artists as varied as CRADLE OF FILTH, HIM, GATECREEPER and CHELSEA WOLFE.  

Now, in 2025, the Yorkshire quintet return with their staggering 17th album, Ascension, a record that sees their crown continue to gleam as it underlines just how they attained their position. Produced by guitarist Gregor Mackintosh at Black Planet studios in East Yorkshire, with drums and vocals captured at NBS and Wasteland studios in Sweden, its 10 tracks traverse the multitude of sounds in the band’s arsenal, from full-bore heavy metal to sky-high melody, all the while keeping a minor-key melancholy that remains irresistible.

Follow PARADISE LOST:

Website | Facebook | Instagram | X | Youtube | Spotify | Apple Music | Bandcamp

ATAVISTIA Unveil Lyric Video For "Eternal Oceans (Reforged)"

Symphonic melodic death metal band ATAVISTIA return with their reimagined and re-recorded album The Winter Way (Reforged), unleashed today via Blood Blast Distribution. The Winter Way (Reforged) showcases ATAVISTIA’s ability to merge cinematic orchestrations with ferocious metal intensity to form a catalyst for their epic storytelling. The new album is accompanied with a lyric video for the dramatic and enthralling “Eternal Oceans (Reforged)”.

Engulfed in the lyrical theme of a vast, cosmic sea, “Eternal Oceans (Reforged)” sees the pacing become slower with lower-tuned guitars, but without lessoning the power and resonance of the arrangement. The track demanded extreme changes from its original incarnation; the band focused intently on removing unnecessary details so that the most important parts of the song could make the greatest impact. Although the arrangement remains long, the orchestration and atmosphere were completely overhauled, and a guitar solo was added for a sudden burst of energy. It is as dynamic and thrilling as the untamable nature of the open water. 

Originally released in 2020, The Winter Way marked a defining moment for ATAVISTIA’s ambitious fusion of extreme metal and orchestral soundscapes. However, founder Mattias Sippola felt that its execution and production did not live up to his vision for the album. While working on a brand new record, unforeseen delays arose and during this pause, Sippola decided to completely reconstruct The Winter Way from the ground up. This new version is not a remix or remaster but an entirely new recording, featuring reworked arrangements, modern production, and rewritten orchestral and atmospheric elements. Some of the original drum and bass recordings remain but have been refined for tighter performance. The addition of Spencer Budworth’s powerful growls brings an entirely new energy to the mix, elevating the album to new heights.

The Winter Way (Reforged) was produced, mixed, and mastered by Matthew Richard Sippola at Atavistic Studios with engineering support from Maximilian Sepulveda. The recording lineup includes Mattias Sippola on vocals, guitars, orchestrations, and production, Max Sepulveda on drums, Spencer Budworth on backing vocals, and D’wayne Murray on bass. The album artwork was created by Simo Häsänen.

ATAVISTIA lineup:

Mattias Sippola - Guitar, Vocals, Composition, Production
Max Sepulveda - Drums, Engineering
Elia Baghbaniyan - Guitar
Spencer Budworth - Bass, Vocals
 

About ATAVISTIA:

Formed in 2017 in Vancouver, Canada, ATAVISTIA takes their fans on a spellbinding journey though vast sonic landscapes of snow covered forests, desolate tundras, and permafrost-laden landscapes. Fans of WINTERSUN, ENSIFERUM, DIMMU BORGIR, and XANTHOCHROID will be enthralled by the elements of melodic death metal, black metal, and Scandinavian folk that is intricately woven together throughout their diverse soundscape.

Taking inspiration from the majestic natural landscapes of their homeland, earthly seasons, and ancient Norse culture, ATAVISTIA’s grandiose sound matches these lyrical themes in an impressive symphony of destruction. Their debut EP, One With The Sun (2017) introduced their unique blend of beauty and ferocity, which they followed up with a stormy full-length in 2020 through The Winter Way. The next two releases, the full-length Cosmic Warfare (2023) and the EP Inane Duncam (2024), saw the band spreading their wings and exploring a wider variety of influences. Through it all, ATAVISTIA balances graceful melodies with a brutal rhythmic cacophony, swirling elegance and fury together like a ferocious northern blizzard.

On stage, ATAVISTIA is a force of nature, like waves crashing against a rocky shore. Their music washes over audiences worldwide, leaving them gasping for more long after the last note has faded. They have toured Europe twice alongside notable acts such as SKÁLMÖLD, METSATÖLL, and SEVEN SPIRES, and have opened locally for MOONSPELL, ELEINE, and OCEANS OF SLUMBER. ATAVISTIA has firmly established its presence in a niche among a wide swath of metal genres.

Are you ready to lose yourself in the juxtaposition of lush and arid, the dichotomy of hope and despair, and welcome the inevitable and beautiful end?

Out Now from Aunt Cynthia's Cabin!

The San Diego, CA, based psychedelic desert rock trio AUNT CYNTHIA'S CABIN, are preparing to celebrate their 2020 debut full-length album Misty Woman with a re-release containing a new bonus track. Recorded in the midst of the sun-scorched landscape in Austin, TX, at Electric Deluxe Recorders with Grammy-award winning producer Adrian Quesada, Misty Woman contains the influence of this impressive environment. The album will arrive on cyan and magenta vinyl, as well as on CD, via Black Throne Productions on December 19th, 2025.

"Kennel and the Dog" gently introduces the album with contrasting brighter guitar leads and grounding bass tones, before building into a fuzz-fueled powerhouse. There's a subtle underlying touch of shadow beneath the brightness of the psychedelic rock sound with doom influences. Found within are moments of catchiness, intriguing progressions and full immersion. "Which One Is the Jellyfish?" drifts away from the desert and down into the echoey depths as the prominent bass tones bring to life this watery world. A touch of drama carries through the enticing arrangement in which steadfast rhythms are interrupted with flourishes of keys, guitar licks and other sonic explosions. Seeing the overdrive turned up way past 11, this instrumental offering is characterful in its world building. 

The enticing seductive mood of "Misty Woman" is brought to life with a slow tempo, a more minimalist arrangement placing the focus on Brennan Justice's lead vocals. The playful layering of instrumental components sees the track ebb and flow, gently teasing. Gradually building into a full inviting sound, "Rider in the Desert Sun (Pt I)" sees a multitude of tones and textures manifest throughout it's journey. The presence of additional organ layers reveals a 'feel good' vibe in this instrumental track. Hidden further within, a heavier rock section reveals further stylistic influences in the band's sound. "Rider in the Desert Sun (Pt II)" follows on from it's brighter first half with a dustier, more raucous rock 'n' roll spirit. This guitar driven track brings memorable hooks in the lead vocal melody supported with fuzzy distortion laden chord progressions beneath. 

A sense of drama and adventure is prevalent from the off. "In the Valley"'s steadfast percussion hits contrast the bright tones of the guitar strums and notes that float above. There's an uplifting and comforting feel to this expansive and immersive instrumental offering. "There’s No Saving Cass" returns from the wild expanse of the valley into the Western plains. Subtle bass grounds the track while the lead guitar and lead vocal line entwine, rising and falling together. Reaching it's full arrangement, this charismatic track delves into the heart of the band's psychedelic rock style. "Grains of Sand", an interlude piece, briefly diverts in mood and feel. Acoustic guitar arrangement contribute to the track's melancholy feel that reverberates through a slow tempo and contemplative progressions. 

The intensity of "Black and Blue" hits instantly. The high octant feel and movement of the track's rhythms is instantly alluring. Dynamically, it ebbs and flows between brief moments of reflection and full on vigorous impact. Taken from the Miramar Sessions,the bonus track "Magic Touch" offers a more intimate feel of AUNT CYNTHIA'S CABIN's sound. 

About AUNT CYNTHIA'S CABIN:
AUNT CYNTHIA'S CABIN is comprised of San Diego’s Brennan Justice (guitar, lead vocals), Anthony DeFreitas (bass, vocals) and Jeremy Luvaas (drums, percussion). Beginning as a duo, Justice and DeFreitas' previous time in a surf rock ensemble saw the pair develop their signature western tones with an excessive use of spring reverb, translating now to the ethereal, dusty sound of psychedelic desert-rock. The band’s name is born from a fictional 1970s murder mystery novel dreamt up by the trio on a drunken night, capturing their embrace of “strange and heavy”, aptly fitting of the uncanny elements entwined in their sound. AUNT CYNTHIA'S CABIN produce an neo-psychedelic sound that carries an eerie quality. The sonic atmosphere envelopes with nostalgia. 

The trio began as a self-recording band with a home-brew analog-meets-digital rig set up. The DIY approach was left behind in 2019 when the outfit ventured from their hometown of San Diego, CA to Austin, TX to record Misty Woman in a studio they felt would best fit the vibe of their new compositions. Working with producer Adrian Quesada (The Black Pumas, 7-time Grammy-nominee) at Electric Deluxe Recorders, the very sun-beaten landscape that surrounds the studio fed into the quality and mood of the recordings. 

Initially released by Nasoni Records in February of 2020, the enthralling textures and captivating character of AUNT CYNTHIA'S CABIN's Misty Woman returns including the new track "Magic Touch", on vinyl and CD via Black Throne Productions on December 19th, 2025.

AUNT CYNTHIA'S CABIN is:
Brennan Justice (guitar, lead vocals)
Anthony DeFreitas (bass, vocals)
Jeremy Luvaas (drums, percussion)

Out Now - CORELEONI - Live At Hallenstadion Zurich

Swiss hard rock veterans CORELEONI, featuring members of GOTTHARD, are proud to unleash their new live album, Live At Hallenstadion Zurich, via Perception. Featuring a mix of classic GOTTHARD tracks and new favorites from CORELEONI’s latest studio album, III, Live At Hallenstadion Zurich documents a pivotal night in the CORELEONI saga.

One hot summer evening on July 3rd 2025, CORELEONI supported heavy metal legends JUDAS PRIEST at Zurich’s Hallenstadion, performing in front of 7,000 rock and metal fans. The show took the audience on a wild ride through classic GOTTHARD tracks and newer songs from III. An instant success, III had reached #2 on the Swiss album charts and found a place in the hearts of fans around the world. New tracks such as “Like It Or Not” and “Sick & Tired” became staple crowd-pleasers, right alongside beloved fan favorites such as “Sister Moon”, “Mountain Mama”, and “Standing In The Light”.

On Live At Hallenstadion Zurich, the band delivers nine songs in total and kicks off the show with two high-energy classics, “Downtown” and “Firedance”. “We wanted to go out and rock the shit out of our body”, explains guitarist Leo Leoni. Fellow guitarist Igor Gianola adds, “It seems we succeeded. The crowd was fantastic and we were able to deliver a great performance, as we wanted.”

CORELEONI’s energy and the audience’s passion electrified the show. “The night was fantastic”, remembers Leoni. “There was this special magic in the air, Zürich is always fantastic for us to play, but this was somehow a night to remember.”

The band also recalls fond memories of the bonds they forged with metal veterans JUDAS PRIEST, making the show a particularly notable highlight in CORELEONI’s career. “At the Hallenstadion we met Scott Travis on stage, who was there the whole show, and he spent some very nice words about our performance. He’s a great guy and a fantastic drummer, so we appreciated and proved our effort to get it right to the point”, recalls Gianola.

“It was an honour for us to support Judas Priest, they are one of the most important metal bands and I follow them also since I was a kid. It wasn’t the first time we played together, but especially in this location, it was like a mythos”, comments Leo Leoni.

About CORELEONI
Founded by guitarist Leo Leoni in 2018, CORELEONI started reviving the early GOTTHARD days successfully with their album duo consisting of The Greatest Hits - Part 1 and II. The band also convinced fans and critics alike with their high-energy performances all over Europe, making the five-piece write their very own material. The result titled III was finally released in early 2022 and saw the addition of gifted Albanian singer Eugent Bushpepa to CORELEONI’s powerful line-up, which is completed by guitarist Jgor Gianola (ex-GOTTHARD, ex-U.D.O.), bass player Mila Merker and drummer Alex Motta. The group’s latest record hit the official Swiss album chart at no. 2 and thereby cemented the high demand for their captivating craft. Of course, III guided the quintet’s way across the continent once again while making one thing even clearer: CORELEONI are more than just a studio band and need to be experienced (a)live to understand their vision in full. So what are you waiting for? Feel the magic & enjoy their second live offering, Live at Hallenstadion Zurich!

CORELEONI are:
Eugent Bushpepa | vocals
Leo Leoni | guitars
Jgor Gianola | guitars
Mila Merker | bass
Alex Motta | drums

Charlie Nieland's 'Stories From the Borderlines' is the Year's Most Unsettlingly Glamorous Album - a darkly essential NYC rock statement

Renowned NYC songwriter-producer Charlie Nieland presents 'Stories From The Borderlines', a dazzling and deeply personal album that explores themes of connection and severance. This is one of the most profound albums from Nieland, known of his work producing and writing for such artists as Debbie Harry, Rufus Wainwright, Blondie and Scissor Sisters. 

More than music, the meticulously crafted songs on this album—a geography of intention—are an act of imaginative resistance, passionately mining for light and truth in a darkening world.  Shaped by a reverence for pioneering '80s and '90s synth and guitar-driven music, these cinematic soundscapes and poignant songs involve drummer Billy Loose, Staten Island rapper spiritchild, guitarist Dan McAssey and Joe McGinty(The Psychedelic Furs, Ryan Adams, Nada Surf, The Loser's Lounge).  

"This set of songs is a kaleidoscope of styles. They are luminous secret rooms that reflect one human’s heart in a world at the precipice. Staying creative is resistance. As authoritarians attack culture, they make the mistake that imagination can be controlled when it actually emerges from the bottom up. Culture is not imaginary. It’s is rooted in imagination but it’s more real than what can be measured," says Charlie Nieland.

"These songs tell stories of growing up, of how we got severed, and how we connect. I burrowed into each idea over several years that were filled with love, uncertainty and family drama. The time allowed me to create and explore sound worlds with a cinematic eye; finding contrasts in texture and time. To create an experience that shifts with each listen. These songs are a geography of intention and intuition, mining for light in a dark world. Let’s find the switch."

Nieland also presents 'Shame' with a firecracker video, directed and edited by multi-faceted NYC-based artist Hypnodoll, and filmed by Alice Teeple. Fueled by the obsessive lust and repulsion that has been weaponized against the queer community, this song explores how fascination runs like blood from all sides, our own self-loathing driving us into the unknown.  

Previewed the epic lead track 'Win' feat. spiritchild and 'The Ocean Understands' EP, this new album presents a visceral blend of post punk, glam, dream pop and progressive rock. With sweeping melodies and restless rhythms, these unique soundscapes deliver an immersive journey, showcasing Nieland's continued evolution as an artist and producer. 

Nieland's backstory is extensive, having written, performed and produced music for decades. He was awarded a Gold record (UK) for his production work on Blondie's 'Greatest Hits Sight & Sound' and achieved a Top 10 Billboard Dance Chart Position with Debbie Harry's single 'Two Times Blue', which he co-wrote and produced. Hehas scored the feature film 'The Safety of Objects' (with Glenn Close), Showtime's pilot episode of 'The L Word' and the VH-1documentary 'NY77: The Coolest Year in Hell'.

An artist rich on nuanced songwriting and sonic exploration, he released the album 'Ice Age' (2014), followed by 'Hopeful Monsters' (2016) and ‘Divisions' (2021). After 20 years with Her Vanished Grace, he is half of the literature-inspired duo Lusterlit with Susan Hwang, and both produces and co-hosts the podcast 'An Embarrassment of Prog'.

'Stories From The Borderlines' is out now, available everywhere, including Apple Music, Spotify and Bandcamp.  Nieland returns in January with his next audio-visual offering. 

CREDITS 
All songs written by Charlie Nieland, except 'Win' (by Charlie Nieland & spiritchild


)
Charlie Nieland - vocals, 6 and 12 string electric and acoustic and e-bow guitars, lap steel guitar, fretted and fretless electric basses, upright piano, Fender Rhodes electric piano, Korg MS20 analog synth, virtual Mellotrons and string machines, autoharp, glockenspiel, percussion
Billy Loose - drums

Dan McAssey - guitar on 'Brutalist Monuments' & 'You Fell Down'
spiritchild - Vocals on 'Win'

Joe McGinty - keyboards on 'Today'
Recorded at home and at Saturation Point Studios in Brooklyn, NY
Produced, recorded, mixed & mastered by Charlie Nieland
© 2025 Athame Music, xspiritmentaleyez Music (Win)
Album cover art by Hypnodoll™ 

Videos for 'Redshift' and 'Drown' by Hypnodoll™
Video for 'Shame' by Hypnodoll™ and Alice Teeple
Artist photos by Alice Teeple and Bob Krasner
Publicity by Shameless Promotion PR

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The Mendenhall Experiment Release New EP 'Chasing Ghosts' ​   

From Southern California skies, The Mendenhall Experiment unleashes their new Chasing Ghosts EP — seven visceral tracks forged in fire, grit, and heart. Founded by Brandon Mendenhall, a guitarist born with cerebral palsy who refused every “you can’t,” this band transforms limitation into raw power. Joined by Nathan Stockton (legally blind & deaf) and a full-tilt lineup, they harness metal’s roar to shatter stereotypes and raise disability awareness. This EP is music for the bold, for the outsiders, for anyone daring to seize the day. The EP released today via Lucent Records distributed by Tuff Gong International.

 

Produced by acclaimed producer Chris Collier (Korn, Prong, Metal Church) and executive produced by Brandon Mendenhall and The Mendenhall Experiment, Chasing Ghosts delivers the band’s signature blend of crushing riffs, soaring melodies, and authentic emotion. 

 

“'Chasing Ghosts' is a collection of singles from our first two Ep’s 2017’s 'The Mendenhall Experiment' (self titled) and 2022’s 'Against All Odds'. We wanted to put all these songs together on a proper release, so that the fans can find these jams in one place and take them home. Some are deep cuts, some are brand new never before heard, some are fan favorites. In short, 'Chasing Ghosts' takes you on the journey that is The Mendenhall Experiment, Past, Present, and even a glimpse into the Future,” shares Brandon Mendenhall.

 

The band received another Danny Award from Daniel’s Music Foundation for the 6th Annual Danny Awards in NYC on October 25th 2025. 

 

Chasing Ghosts is avialable now on all major streaming platforms.

Formed in 2008 and based in Southern California, The Mendenhall Experiment (TMX)was born as Brandon Mendenhall’s own personal aspiration to be in a world-famous band while working within the limitations of Cerebral Palsy, knowing full well that the cards were stacked against finding musicians willing to work with him. Born with Cerebral Palsy, an incurable neurological disorder affecting movement, coordination and, balance; Brandon faces numerous challenges. With limited movement on his left side and zero mobility in his left hand, the odds were stacked against him from birth. However, inspired by acts such as Korn and Pantera, Brandon taught himself how to play guitar at the age of 19, rehabilitating his left hand without surgical intervention. 

 

The Mendenhall Experiment has been regularly performing on the infamous Sunset Strip in addition to gigs throughout the region opening for the likes of such metal mainstays as John 5, POD, Alien Ant Farm, Kill Devil Hill, Fear Factory, Prong, Flaw, Metal Allegiance, Smile Empty Soul, Cold, and more. In 2022 TMX received an award from Daniel’s Music Foundation in recognition of their continuing efforts to raise disability awareness in the music industry and performed to a sold-out audience at the award ceremony which took place at the Symphony Space Performing Arts Center on Broadway in New York City. In 2023 TMX signed with Satellite Touring and embarked on five national tours alongside artists such as Influence, Scream At The Sky and Andrew W. Boss. 

The Mendenhall Experiment is currently sponsored by Monster Energy, Ibanez Guitars, EMG Pickups, EVH Amplifiers, Evertune Bridges, and InTune Guitar Picks.

 

The Mendenhall Experiment is:
Brandon Mendenhall - Rhythm Guitarist
Mario Valadez - Vocalist
Nathan Stockton - Bassist
Cameron B. Casey - Percussionist

For More Information Please Visit:

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Lowsunday releases 'Low Sunday Ghost Machine - White EP', first record of all-new material in 25 years

Projekt Records artist Lowsunday emerges with their first record comprised of all-new material since 1999, bridging three decades of distinct sonic legacy. The 'Low Sunday Ghost Machine - White EP' delves into emotional isolation, this music laced with a counterbalance of escapism, dreamlike sounds, drones and feedback, with carefully-placed classic song structures with melodic hooks. This is the first of a two-EP series being released via Projekt.

Based in Pittsburgh, Lowsunday is now a duo made up of Shane Sahene (vocals, guitar, synth, bass, drums) and Bobby Spell (bass, guitar, drums), this EP serving as both a reflection and a resurgence. The band also presents their new video for 'Love Language'. 

Blurring the lines between post-punk, shoegaze, dreampop, and darkwave since 1994, Lowsunday brings something new to the music scene, treading sonic waters with screeching guitars and layer upon layer of arsenic-laced melodies, crowned with bittersweet and emotive vocals. From quiet intensity to sweeping sonic landscapes, Lowsunday makes a welcome return with their retro-futurist daydream.

The 'White EP' demonstrates a connection to the band’s history while showcasing a natural expansion that builds upon guitar-driven atmospheres, synth textures, emotive vocals and stripped down drum beats. A confident return to form that explores darker yet more expansive sonic territory, at times, they push atmospheres to the limits of noise and, at more delicate moments, into a dream pop air of deeper melancholia.

Sahene and Spell distill years of sonic exploration and inspiration into this release. Lyrically and sonically, these songs use classic post-punk rhythms and atmospheric layers to express simple, fundamental emotion.

This five-track EP arrives on the trail of the extended 30th anniversary remaster of their debut album 'Low Sunday Ghost Machine' a 2-CD feast recorded at the height of their ascent. The original nine tracks are complemented by a second disc with seven unreleased tracks, remixes and reinterpretations. Projekt also released the 25th anniversary remaster of their sophomore album 'Elesgiem' in 2024.

The 'Low Sunday Ghost Machine - White EP' is out now digitally everywhere, including Spotify, Apple Music and Bandcamp, and as a five-song vinyl release, limited to 200 copies. The 'Low Sunday Ghost Machine' reissue and Lowsunday's limited edition 7" of 'Static / Besides' can also be found on these platforms.

CREDITS
Lyrics by Shane Sahene
Music written by Shane Sahene & Bobby Spell
Shane Sahene: vocals, guitar, synth, bass, drums
Bobby Spell: bass, guitar, drums
Mastered by Bobby Spell & Shane Sahene
Album artwork by Shane Sahene
Layout by Shane Sahene
UPC 617026237121
Catalog # PJA-EE-371
2025 band photos by Christina Sahene
Video by Jer Herring
Publicity by Shameless Promotion PR 


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Detroit Illharmonic Symphony releases 'Everything Is Shattered' album feat. punk pioneers from TSOL, Circle Jerks & Black Flag

Detroit Illharmonic Symphony presents their new album "Everything Is Shattered" — a wild mashup of punk, indie rock, hip hop, and cinematic chaos that involves southern California punk pioneers Jack Grisham (TSOL) and Keith Morris (Circle Jerks, Black Flag), among others. This 14-track collection comes to us straight from California's legendary Geza X Records.

The lead track "Everything Is Shattered" sees Jack Grisham (from TSOL) joined by future superstar Max Galbreath (ttwopercentmilk) on vocals. Produced and recorded by Paul Roessler (The Screamers, Nina Hagen, 45 Grave) at Kitten Robot Studios, this is a high-energy cinematic post-punk anthem with Bond-theme intensity. The accompanying video has toured around the world, was featured on the PBS television show "Music California" and has won four awards, the most recent received this week at the Los Angeles Animation Festival.

Keith Morris of Circle Jerks and originally Black Flag, contributes vocals on “If You Cooperate”, a psychedelic surf-punk fever dream meets spaghetti-western soundtrack, with Cecilia Suhr on violin. These two songs and others on this album are from the bold 2025 animated motion picture "I’d Rather Be Turned Into Cat Food", featuring both Grisham and Morris, along with artists Tony Nittoli, Kristina Wong and John Andrews, best known for his work with MTV and for producing Beavis and Butthead.

Written and directed by Walter Santucci and produced by Evil Cat Land (whose pedigree includes animation for MTV, Nickelodeon, ABC, Disney, Ice T, Margaret Cho, Cedric the Entertainer and Monty Python's Graham Chapman), this film does to cinema what punk rock did to music.

Detroit Illharmonic Symphony is not based in the Motor City but rather in Los Angeles (with some members also further afield). Fusing elements of punk, indie rock, classical music, hip hop and soul, “Everything Is Shattered” is an album loaded with punk attitude, cinematic soundscapes, and hip hop swagger — the stuff that unique, left-of-center playlists are made of.

This latest record brings to life fantasies of TSOL jamming with the Beastie Boys in a Quentin Tarantino movie. At the same time, there is a rich diversity here worth exploring, as seen on "You Have One Minute to Disperse" and “She’s Never Gonna Love Me”, both of which features Malyque Smith on vocals. Diana Lynn appears on "Doo Doo On A Stick", where 70s soul merges with Sesame Street groove, while "Welcome to Fear City" — with Venetia Phillips on trumpet — paints hip-hop with a shade of 60s movie soundtrack cool.

While the five core members are Cool Walt (bass, cello, guitar, piano), Raga Roni(samples, drum programming, turntables), Malyque Smith (rapping and turntables), Cecilia Suhr (violin, cello, piano) and Lukecage (piano, saxophone, drums), the group's line up is constantly changing.

Since 2001, Detroit Illharmonic has released nine albums and scores for several film and television projects. With an exciting and unique mix of symphonic instruments, samples, turntables and the involvement of various vocalists, their work has been featured at Brooklyn Academy of Music, REDCAT (LA), University of Chicago, Royce Hall (UCLA), University of Notre Dame, Cinema Detroit, and American Cinematheque. In 2014, the video for their song "It's a Lovely Day" toured with the 50th anniversary re-release of The Beatles' "A Hard Day's Night", screening in 20 cities across the USA. Many of their music videos have screened in cinemas internationally and have won multiple awards.

Geza X Records is an imprint founded by legendary producer Geza X, whose legacy as the sonic architect of West Coast punk involves engineering seminal music by punk royalty—Dead Kennedys, The Germs, Black Flag, The Avengers, Redd Kross and The Weirdos. Geza X Records still works with radical new artists, continuing to defy convention and release unique, genre-bending music.

The 'Everything Is Shattered' album is out now, available everywhere digitally, including Spotify, Apple Music and Bandcamp. The title track single is also being released on 7" limited edition translucent blue vinyl record with the same cover art as the album! 

CREDITS
Written by Walter Santucci (Tracks 3-8, 10-11, 13); Jack Grisham & Walter Santucci (Track 1); Walter Santucci & Malyque Smith (Tracks 9, 12); Walter Santucci & Cecilia Suhr (Track 2)
Raga Roni - drums & drum programming
Cool Walt - bass, guitar, cello, piano
Max Galbreath - vocals on "Everything Is Shattered"
Jack Grisham - vocals on "Everything Is Shattered"
Keith Morris - vocals on "If You Cooperate"
Cecilia Suhr - violin on "If You Cooperate"
Venetia Phillips - trumpet "Welcome to Fear City"
Malyque Smith - vocals on "You Have One Minute to Disperse" & “She’s Never Gonna Love Me”
Diana Lynn - vocals “Doo Doo On A Stick”
Produced by Raga Roni, except "Everything Is Shattered' produced by Paul Roessler
Recorded by Donny Baker at ES Audio, Raga Roni at Evil Cat Land,
and "Everything Is Shattered' recorded by Paul Roessler at Kitten Robot Studios
Album released by Geza X Records
Published by Andthereitisthere / BMI (Jack Grisham) & Geza Music / BMI (Walter Santucci & Cecilia Suhr), ASCAP / Beats and Bluntz Publishing (Malyque Smith )
Publicity by Shameless Promotion PR


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Teen Metal Band Chained Saint Live Drop "Live at the Whisky A Go Go" EP

Teen metal band CHAINED SAINT — comprised of Ethan Kahn (guitar), Sebastian De Avila (bass), Cameron Cottrell (drums) and Sean Sterling (vocals) — were one of the most surprising musical discoveries of 2024 and their growth spurt further intensified in 2025. 

 Revolver, Guitar World, Loudwire, Metal Injection, Miami New Times, and Judas Priest legend Rob Halford all praised the band for their chops. SiriusXM's Liquid Metal added the band to their playlist, and their debut single "Animosity" served as the theme song for the WWE 2K24 DLC 4 trailer. Ahead of their first tour in the summer of 2025, Chained Saint shared the brand new single "1000 Tons." Watch the lyric video below:

Chained Saint appeared at several festivals through the rest of the year, including Welcome to Rockville, Rocklahoma, Louder Than Life, and VANS Warped Tour. Weather caused their set at LTL to be canceled, but Slaughter to Prevail personally invited Sterling on stage to perform with them in a moment of metallic magic.

Today, Chained Saint share their Live at the Whisky a Go GO EP, which was recording on August 15 of this year. It marked the band's second performance at the legendary L.A. venue and shows off the kind energy that can only be expended by youth, along with their serious skills.

Watch the full performance here.

Listen to and download the EP here and here.

"We love playing in Los Angeles and love playing at the Whisky a Go Go," the band says. "Besides being an iconic venue, it's intimate, and the energy is great. And there's nothing like playing in front of a packed house. We talked about releasing a live EP between the Blindside album and the new music we're releasing early next year. The August 15 show at the Whisky provided the perfect opportunity to show what it's like to see us live. We were also able to capture the set on video, for all of the people who haven't had the opportunity to see us live yet."

Born in a South Florida garage back in the summer of 2022, Chained Saint's recently released debut album, Blindside (out via independent label Patriark Records) combines the raw, organic riffery of the best old-school '80s thrash metal with a dash of modern-day brutality befitting the many challenges confronting the youth of 2024. The past and present collide, resulting in modern, metallic maelstrom made by a bunch of kids who play with fire in their veins — and their hands! Blindside, produced by William DuVall of Alice In Chains, focuses that fury into a powerfully concise, eight-song LP. The album was recorded and mixed to analog tape with no computers involved whatsoever in the recording sessions. No AI. No studio trickery. No bullshit. Just real riffs made by real players.

KALAMITY KILLS Releases Explosive New Single "Help!" Today, a Hard Rock Reimagining of THE BEATLES Classic

East Nashville hard rock breakout KALAMITY KILLS has released its brand new single "HELP!" today through Pero Recordings. Recorded live in the studio with choice overdubs for impact, the track delivers a fierce reinterpretation of THE BEATLES classic. The band has rebuilt the song with their trademark intensity, emotional depth, and modern heaviness.

Produced and mixed by guitarist Jamey Perrenot, this new version of "HELP!" captures the urgency and vulnerability of the original while pushing it into a darker and more electrified space. Soaring vocals, heavy guitars, tight harmonies, and driving rhythms create a sound that feels both familiar and completely refreshed.

A new performance video also debuts today. The visual showcases the full band performing the track with raw energy and conviction, giving fans a direct look at the chemistry and spirit behind the release.

About KALAMITY KILLS

KALAMITY KILLS is a hard rock band forged in the heart of East Nashville, Tennessee. Formed in 2022 by vocalist Jamie Rowe and guitarist/producer Jamey Perrenot, the band emerged from the ashes of a solo project into a fully realized sonic assault—fueled by raw emotion, modern aggression, and a deep respect for rock’s roots. With a sound that fuses the swagger of classic hard rock with the intensity and polish of modern metal, KALAMITY KILLS strikes a rare balance between power and vulnerability.

Best known for their debut self-titled album Kalamity Kills, the band quickly turned heads thanks to high-profile collaborations with members of KORN, 3 DOORS DOWN, LA GUNS, CONQUER DIVIDE, and UNDEROATH. Their music has earned national airplay on SIRIUSXM’s Octane, landed on the Billboard Active Rock charts, and crossed over into viral success without ever chasing trends.

More than just a studio project, KALAMITY KILLS is a growing force with a full live lineup, including bassist/vocalist Julia Lauren Bullock and drummer Rob Bodley. Their songs—ranging from explosive anthems to brutally honest ballads—tackle themes of faith, failure, hypocrisy, redemption, and the messy beauty of being human.

KALAMITY KILLS is for the outsiders, the misfits, the ones who’ve been burned and are still standing. Loud. Unapologetic. Unforgettable.
KALAMITY KILLS is:

  • Jamie Rowe – Lead Vocals

  • Jamey Perrenot – Guitar / Producer

  • Julia Lauren Bullock – Bass / Vocals (Live)

  • Rob Bodley – Drums (Live)

Connect with KALAMITY KILLS:

  • Website: https://kalamitykills.com

  • Facebook: https://facebook.com/kalamitykills

  • Instagram: https://instagram.com/kalamitykills

  • X (Twitter): https://x.com/kalamitykills

  • Jamie Rowe on X: https://x.com/jamierowe

  • YouTube: https://youtube.com/kalamitykills

  • TikTok: https://tiktok.com/kalamitykills

  • Spotify: https://open.spotify.com/artist/0Q7zrZUeUnTrX0OC2FvTqU?si=qZPINKoURFONBasOc9iB3g

  • Apple Music: https://music.apple.com/us/artist/kalamity-kills/1636401395

THE VICE Release Music Video for "Waltz de Anima"; New 3-track EP "The Red Tape Sessions" out now via Noble Demon!

Stockholm-based dark metal four-piece THE VICE have unveiled the music video for "Waltz de Anima", the epic closing track from their newly released 3-track EP "The Red Tape Sessions". The EP is available now via Noble Demon. 

About the track, the band comments: "Waltz de Anima", in my opinion is definitely our most 'epic' song to date. The chorus was the first segment written and it immediately felt like one of the 'big choruses' we'd wanted to write for a long time, but it just hadn't come to us yet. But from the first demo-recording of the song we knew that this was one for the books. It has a very majestic, regal tone to it which we kept close in mind when writing the rest of the song. And with the strange, smoke-drenched, early 1900's jazz-club-vibe in the intro and the interlude reminiscing of parties of the bourgeoisie in huge ballrooms centuries ago, or some twisted night at the Royal Opera or Ballet even, I think we did quite well in highlighting that mood throughout the entire song."

Watch the video for "Waltz de Anima" Below;

Listen to "The Red Tape Sessions" in full HERE

 

From the very beginning, THE VICE has followed their own crooked path, driven by a desire to carve out a place of their own within the scene.

And that grimy, wildhearted, metal/rock/pop fusion, with one foot firmly planted in the windswept, frozen North and the other cemented to the concrete of the streets, sure sounds like nothing else. Dark, blackened metal, ferocious rock 'n' roll, posh punk and harsh, hardcore attitude; mixed with a huge dose of the cultural colossi of the 90's such as Guns & Roses, Pantera, Prince, Grunge, Oasis, Neometal, Fight Club, The Matrix and Terminator 2 to name a few. All of that - and everything in between - comes close to describing the very essence of THE VICE.

 

Three full-length albums and numerous EPs into their career, the band stands as a confident, adrenaline-pumping unit - a bunch of loose cannons at the starting blocks, ready to commence the next chapter in THE VICE saga.

"The Red Tape Sessions" - a striking collection that builds upon the foundations of March’s "A Great Unrest" (Noble Demon), elevating both the production and songwriting while drenching it all in a strange, electrifying neon glow - is out now and available for purchase HERE.

 

The Vice are:
Rickard - Vocals & Guitars 
Charlie - Bass 
Petter - Drums
Joel Öhman - Guitar

For more info visit:
https://www.facebook.com/TheViceOfficial/  
https://www.instagram.com/theviceofficial/  
https://theviceonline.bandcamp.com/  
https://linktr.ee/nobledemon    

The Virgos Sign with Season of Mist

Season of Mist is proud to welcome The Virgos!

Following a decade of setting the standard for hardcore and metal as a member of Bad Seed, Harm's Way and Nails, vocalist and guitarist Andy Saba banded together with kindred spirits Danni Crockett and Eli Gerrity over an addiction to all things heavy. Channeling thick Sabbathian rhythms, Manowar's majesty and the hypnotic ass-shaking of Queens of the Stone Age, the Wilkes-Barre power trio have declared a new age for true heavy metal.

"We decided it was time to let the Apocalyptically loud horses of metal run free again, and shine a light on every color of the Dark Rainbow of Metal", Saba says.   

This year, The Virgos released their third and finest full-length. "Lord Have Mercy is a triumph in multiple heavy musical styles", writes Swim to the Sound. "Fans of everything from melodic hardcore to goth rock to stoner metal will be able to find something to love here". While familiar to lovers of Heaven and Hell, Into Glory Ride, Type O Negative and Lucio Fulci, the album's full-throttled blast of psychedelic pyrotechnics is unlike anything you've heard before or since. 

"The theme of Lord Have Mercy is that we missed out on the future", explains Saba. "Utopia isn't happening. We're going backwards now. Superstition, devilry, war, plagues, revolution...it's the Dark Ages again. So let's get with the times. Medieval times call for Medieval responses. If you want to understand the headspace I was in while writing this album, watch Fulci's 1983 movie Conquest several dozen times. It's all in there". 

Watch the video for "Yes", the heavy, hard and horny single from Lord Have Mercy below.

The Virgos entire discography is now available on digital streaming platforms through Season of Mist. 

https://orcd.co/thevirgoslordhavemercy       

Catch The Virgos on tour with Superheaven and White Reaper next week across the Northeast. 

The Virgos 2025 + 2026 U.S. Tour Dates 
with Superheaven and White Reaper

December 11 - Baltimore, Maryland @ Baltimore Soundstage [TICKETS]
December 12 - Rutherford, New Jersey @ Black Box [TICKETS]
December 13 - Amityville, New York @ Amityville Music Hall [TICKETS]
December 27 - Kingston, PA @ Doug's Boardroom [TICKETS]*
January 9 - Washington, D.C. @  Songbyrd [TICKETS]
*with Planning For Burial, If Kansas Had Trees

More dates for 2026 to be announced soon. 

The video for "Yes" was directed by Kyle Barber. 

Additional video credits
Assistant Director / Prop Master - Dana Lakacs
Wizard - Martin Glick
Witch - Demitria Saba
Dog Man - Nick Sedeski
PAs - Noah Gerrity, Kelsey Frank, James Platt, Nick Sedeski and Jordyn Thompson

Special thanks to Katie at Moxie Femme Studio, Gear Rental Tribe Productions, LLC, Indie Iron & Steel Industry and BUDK Knives & Swords

Familiar to lovers of True Heavy Metal, but unlike anything you’ve ever heard before or will again, now is the age of The Virgos, Pennsylvania’s Heaviest Band.   

Lineup
Andy Saba (ex-Bad Seed, ex-Harms Way, ex-Nails) - Vocals, Guitars
Danni Crockett (Rosary Guild) - Bass, Vocals
Eli Gerrity - Drums

Guest musicians
Chelsea Collins (Sower) - Vocals, Piano and Synth on "Babylon (Live)"
Pat Brier - Drums on "Hey Majesty" and "The Hypnotist (March of the Pseudoscientists)"

Recording credits
Recorded by Joe Loftus at JL Studios

Production credits
Produced and engineered by Taylor Young
Mixed by Taylor Young at The Pit in Los Angeles, California
Mastered by Brad Boatwright at Audiosiege

Booking Agent
Doomstar - luc@doomstarbookings.com

Download & Stream
https://orcd.co/thevirgoslordhavemercy

Follow The Virgos
Bandcamp:https://thevirgos.bandcamp.com/
Spotify:https://open.spotify.com/artist/1F7lqL76K5oMIhpwkiqGiA
Instagram:https://www.instagram.com/theevirgos/?hl=en
Apple Music: https://music.apple.com/us/artist/the-virgos/1581051952  
Bandsintown:https://www.bandsintown.com/a/15609690-the-virgos?came_from=250&utm_medium=web&utm_source=artist_event_page&utm_campaign=artist

Nate Vickers Jumps Headfirst On Brand New EP & Video For Title Track "Don't Look Down"!

Alt rock's breakout act to watch, Nate Vickers, ushers in a new chapter with his brand new EP, "Don't Look Down", out mow via Oxide Records. Embracing a bolder, rock edge, today's release is led by the anthemic title track, "Don't Look Down", and it's brand new music video, watch below.

Channeling the rush and collapse of a love that once felt live-saving, "Don't Look Down" captures the freefall of the aftermath. Anchored by a towering chorus, the EP as whole leans into Nate's heavier rock instincts while still leaving space for his vulnerable, confessional moments at the core of his writing.

To further celebrate the release, Nate Vickers is bringing "Don't Look Down" and the rest of his acclaimed discography to the stage for an intimate run in his home state of Texas. These debut headline dates mark a full circle moment for the Houston-based artist, serving as his first shows since joining Jared Leto and Thirty Seconds To Mars on stage for a one-time performance of "The Kill", a moment sparked by his viral cover. Tickets are available HERE.

Digging into the meaning of "Don't Look Down," Nate Vickers reflects:

"This song comes from the moment you realize love isn't saving you anymore-it's slowly killing you. It's about holding on to someone who keeps letting you fall, and burying the pain until you can't hide it anymore."

Speaking on today's EP release and finally taking these songs on the road, Nate continues:

"‘Don’t Look Down’ is my way of ending the year strong, while also closing this chapter of my career. I’m extremely excited for my debut headlining shows and all the new, heavier music I’ll be dropping in 2026."

With his smash hit "A Little Too Late" cementing Nate Vickers as a breakout voice and his previous single "Parasite" pushing his sound into a darker, more visceral territory, latest singles "Falling Away From Heaven" and "Deja Vu" build on that rising momentum. Seeing Vickersblending gritty guitars with pain and the pursuit of healing, his latest EP, "Don't Look Down" captures an artist unafraid to bare his scars while reaching for something greater.

Inspired by icons such as Linkin Park, Three Days Grace, and Bad Omens, Nate Vickers has crafted a sound that is unmistakably his own, drawing more than 1.5 million followers to his TikTok and 540K to his Instagram. Between viral, late-night covers and playlist-dominating originals, Vickers has also earned his place as a standout favorite on Pandora and Sirius XM's Octane. What began as a spark has now become an alt-rock wildfire.

Be sure to stay tuned for more Nate Vickers news coming soon.

Nate Vickers

2026 Headline Tour

April 24 - Houston, TX - The Bronze Peacock @ House of Blues

May 3 - Dallas, TX - The Cambridge Room @ House of Blues

May 16 - San Antonio, TX - Vibes Underground

Tickets are available HERE.