Randall King Offers Baritone-Treatment on Holiday Classic “Silent Night”

With his highly anticipated 18-track sophomore album Into The Neon arriving Jan. 26, 2024, Warner Music Nashville’s Randall King isn’t making fans wait for new music, today offering his Billboard-praised “sturdy baritone” on holiday classic “Silent Night.”
 
King’s take on “Silent Night,” co-produced by King and Jared Conrad, juxtaposes his signature low-pitched vocals with the dancing high chords of the mandolin, and the steady strum of a steel guitar, offering an upbeat tempo on the holiday favorite. View “Silent Night” lyrics below.
 
“We ain’t silent on this night, it’s out now!” exclaimed King. “Early Christmas present from me to y’all!”
 
Into The Neon, also produced by King and Conrad, incorporates a unique blend of the influences from icons and modern masters alike who have inspired King’s sound; inclusive of the timeless ‘80s country twang of George Strait and Keith Whitley, and the blood pumping, Y2K-era rhythms of Dierks Bentley and Gary Allan. 
 
Showcasing his ability to traverse from a toe-tapping waltzer with “When My Baby’s In Boots” to the yearning lament of “I Could Be That Rain,” King lays it all on the line with songs that could just as easily be enjoyed while slow dancing under the starry night sky or while line dancing at a local honky tonk. 
 
King has stayed busy on the road while balancing time in the studio recording new music throughout 2023, recently returning from his first-ever European tour in September, Neon Overseas, with a set of 11 shows, including sold-out stops in Cologne, Germany; London England and more. As the year winds down, King continues to support Jon Pardi and Ian Munsick on select tour dates, while headlining stops in Las Vegas, NV during NFR; Salt Lake City, UT and more. 

For upcoming tour dates and more information, visit RandallKingMusic.com or follow @RandallKingBand across all social platforms.

 
Randall King 2023 Performances: 
Nov. 17 // Cleveland, OH // Agora Theater & Ballroom
Nov. 18 // Hershey, PA //  GIANT Center
Nov. 30 // Independence, MO // Cable Dahmer Arena
Dec. 1 // Tulsa, OK // BOK Center
Dec. 2 // Fort Worth, TX // Dickies Arena
Dec. 8 // Grand Junction, CO // Warehouse 25 Sixty Five
Dec. 9 // Salt Lake City, UT // Soundwell
Dec. 10 // Las Vegas, NV // Stoney's Rockin Country
Dec. 13 // Las Vegas, NV // South Point Casino
Dec. 14 // Las Vegas, NV // South Point Casino
Dec. 15 // Mesa, AZ // Denim & Diamonds
Dec. 16 // Las Cruces, NM // Whisky Dick's
 
About Randall King:
One of country’s new crop of modern traditionalists, Warner Music Nashville artist Randall King grew up on the endless plains of West Texas – and his sound is steeped in their timeless beauty with a mix of grit and grace. He grew up singing in the back of a ‘93 Chevy Suburban, mimicking the pure-country vocals of stars like Keith Whitley, George Strait, Alan Jackson and John Anderson and over the years became drawn to the electrifying energy of modern stars like Eric Church, Dierks Bentley and Jason Aldean. After years of hustling and a road-warrior’s diet of 150 shows each year, King produced and released the defiant 2016 EP, Another Bullet, then followed up with a 2018 self-titled album. Now, King is bringing an organic, timeless sound to the mainstream with his major label debut album Shot Glass. The 11-song collection, seven of which were co-written by King, centers around a night out at a bar, with each track representing a different point of view of those in the room. The album was named to Whiskey Riff’s Top 40 Country Albums of 2022 and Billboard’s All Genre 50 Best Albums of 2022 (So Far), making him the only male country artist to make the list. With over 200+ million career streams to his name, the 2023 Music Mayhem Magazine and 2022 Pandora and Country NowCountry Artist to Watch is looking to the anywhere-and-everywhere future with music that captures the essence of a Western poet who’s never been afraid to be himself.

COLIN STOUGH DELIVERS A RASPY-SOUL RENDITION OF “BLUE CHRISTMAS”

Country newcomer and 19 Recordings/BMG artist Colin Stough puts a raspy-Soul spin on a classic today (11/17), letting his sandpaper vocal loose for an icy, twangy rendition of “Blue Christmas.” Available across all streaming platforms and digital retailers, listen here.

Originally written by Billy Hayes and Jay W. Johnson, the colorful Christmastime anthem became a timeless favorite in the hands of The King, Elvis Presley, capturing the all-too-common twinge of holiday heartache. A fellow Mississippi native, Stough now puts his own mark on the track – while also paying homage to his roots.

Produced by Alex Maxwell, the singer-songwriter dials his blowtorch vocal down to a warm fireside glow, letting each heavyhearted word roll out slow and lonesome – just like the Big River itself. Meanwhile, his reverb-heavy guitar captures an edgy vibe somewhere between honky-tonk and Hot R&B, with a thick bass line and a festive touch of sleigh bells joining in. It adds up to a gritty-but-still-tender take on a tune Stough’s known his whole life.

“Elvis Presley is not only a legend overall, but he's also a Mississippi boy like me. I grew up about 30 minutes from where he was born,” Stough shares. “I love ‘Blue Christmas’ and wanted to do a version of my own. It’s got this smooth, bluesy vibe which I really dig.”

Releasing just as the holiday season begins, Stough’s “Blue Christmas” follows the October delivery of his debut EP,
Promiseland – a heady collision of grungy Southern Rock and pure-Country style that introduces a rising talent.

Just 19 years old and coming off a standout third-place finish on Season 21 of American Idol in 2022, Stough has stunned fans with a freight train of full-bodied vocal rasp and his down-home blend of Hard Rock and twang, both in the studio and on the stage.

Stough has spent this past year headlining shows across the nation, while also supporting artists like Kidd G and Drake White. Next on deck with Chase Matthew in 2024, find upcoming show dates 
here.

About Colin Stough:

A 19-year-old Country Rock phenom and native of Gattman, Mississippi, Colin Stough has come a long way in a few short years – and with his debut EP Promiseland, the 19 Recordings/BMG artist is still just getting started. After learning to play guitar at 8 years old, Stough first pursued artistic dreams at 10, boldly trading childhood possessions for his first guitar at a local pawn shop – an instrument he still plays to this day. After graduating high school, the naturally gifted singer and self-taught songwriter began working full-time as an HVAC technician, before his mother convinced him to audition for American Idol. Impressing judges Luke Bryan, Katy Perry, and Lionel Richie, Stough stunned viewers and soon built a thriving fan base, finishing third on Season 21 of the show in 2022. He spent the ensuing months writing and recording original music, while also touring nationwide to put his blowtorch vocal and guitar-slinging edge on full display. After signing with 19 Recordings/BMG, his distinctive mix of Southern Rock distortion and pure-Country style have helped tracks like “I Still Talk To Jesus” and “Bad Day” rack up more than 9.4 MILLION global on-demand streams, and in September 2023, Stough released the single “Promiseland,” along with an official music video. The hard-hitting anthem is the title track to Stough’s debut EP, which is out now and puts the emerging artist on track to reach even more dreams in the future. Stough has headlined across the country and opened for established artists like Kidd G and Drake White. Stay tuned for much more to come.

Photo Credit: Spencer R.

KEEP UP WITH COLIN STOUGH

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THE FRONTMEN'S ICONIC HITMAKING VOICES RETURN TO THE MAINSTREAM ON NEW EP, FAMILIAR FACES

THE FRONTMEN, three of ‘90s country’s most recognizable voices — Richie McDonald, formerly of Lonestar; Tim Rushlow, formerly of Little Texas; and Larry Stewart of Restless Heart — today dropped their latest EP via BBR Music Group/BMG Nashville.FAMILIAR FACES, a six-song compilation, is available HERE.

 

FAMILIAR FACES, produced by two-time GRAMMY-nominated Mickey Jack Cones, features three original songs, as well as three Lonestar, Little Texas and Restless Heart No. 1 hits, re-recordedFrontmen-style. The trio tag team lead vocals throughout the EP.

 

"We’re excited to finally get to share our new music with the world,” says McDonald. “Seems we’ve been working towards this moment for the better part of fifteen years. I guess good things do come to those who wait.”

 

The original songs on the project include the new track “I Need You,” alongside previously released songs “It Was Always You” and “Left Their Mark,” all hand-picked by the trio and Cones. Tune in on Monday, November 20 to iHeartRadio's Bobby Bones Show as the trio will join Bobby in studio to discuss the project.

 

“Since our first Navy / USO shows over 12 years ago, I’ve always felt there was something special about the three of our voices together,” explains Rushlow. “Getting the chance to finally show what we sound like collectively is a thrill. I love the authenticity and honesty in this music. Mickey Jack climbed aboard and became the fourth member as we all collaborated on this project. These songs have been impacting audiences in concert for a while, so we’re very excited to see it released.”

 

Classic tunes on the EP are songs most will instantly recognize: Lonestar's “Amazed (The Frontmen Edition),” Little Texas' “God Blessed Texas (The Frontmen Edition)” and Restless Heart's “I’ll Still Be Loving You (The Frontmen Edition).”

 

“To have this opportunity to share brand new music with music fans all over the world is just amazing,” adds Stewart. “Tim, Richie and I have created a bond in music that we can’t wait to share with country music fans of all ages. These new songs mean a lot to us and hope fans everywhere enjoy our latest new single release ‘I Need You’ along with the new re-records of our big hits on the Familiar Faces EP.”

Photo Credit: Alysse Gafkjen

About The Frontmen:
The Frontmen features three singers who were THE voices of three of the top country bands of the '90s: Richie McDonald, formerly of Lonestar, Tim Rushlow, formerly of Little Texas, and Larry Stewart of Restless Heart. From their rave review performances around the globe for our troops, to casinos, fairs and corporate events, to their globally televised performance on the steps of the hallowed Lincoln Memorial in Washington, DC, The Frontmen are making their mark on the country music scene. Stewart, Rushlow and McDonald have collectively sold over 30 million records and had over 30 major hits between them. They have a chemistry and brotherhood seldom matched, and they have logged the travel miles to prove it, wowing audiences around the globe with their brand of highly successful intimate unplugged shows. Powerhouse hits performed by The Frontmen include Restless Heart classics, “The Bluest Eyes in Texas,” “That Rock Won’t Roll,” “I’ll Still Be Loving You” and “Why Does It Have to Be (Wrong or Right)." Lonestar smashes such as “Amazed,” “Front Porch Looking In,” and “I’m Already There,” plus Little Texas hits including “God Blessed Texas,” “Amy’s Back in Austin,” and “What Might Have Been.” These songs and many others included in their shows are the soundtrack of a generation. With their combined vocal and instrumental talents, The Frontmen deliver a high-energy show packed with fan-favorites from their three award-winning and critically acclaimed bands. For more information, visit
thefrontmenlive.com.

KEEP UP WITH THE FRONTMEN
 
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Capstan Share "Bloom" — LISTEN

Florida five-piece CAPSTAN — Anthony DeMario [vocals], Joe Mabry [guitar], Harrison Bormann [guitar], Andrew "Boz" Bozymowski [bass, vocals], and Scott Fisher [drums] — have shared another new single.

Listen to and watch the visualizer for "Bloom"
here. Stream the song here.

"Bloom" demonstrates the softer side of Capstan. Driven by a lilting piano melody, gorgeous vocals, and layered harmonies, it's an emotional journey that packs a sonic lifetime into the space of four minutes. Stick around for the epic ending. It's quite the payoff.

"Every one of us will experience tremendous shifts throughout our lives," the band says, offering a closer look into the song. "We all change drastically as we age, especially as we attempt to overcome our past traumas. 'Bloom' speaks to the journey of learning to focus on the future, instead of the tragedies of the past. A song about growth, and the transition from cyclical self-destructive behavior into hopeful intention for what is to come. It's about the desire to impact the world in a positive, meaningful way, from the perspective of a person who was previously only able to view life through the lens of their trauma. The desire to be the love, be the change. We never stop growing. We never stop blooming."

"Bloom" follows the previously issued double singles "
Bête Noire" + "Heart to Heart."

Captan are touring next year with Holding Absence. All dates are below.

CAPSTAN ON TOUR:
WITH HOLDING ABSENCE, CASEY, + ACRES:

1/16 — Seattle, WA — Neumos
1/17 — Portland, OR — Hawthorne Theatre
1/19 — Roseville, CA — Goldfield Trading Post - Roseville
1/20 — Los Angeles, CA — Echoplex
1/21 — Anaheim, CA — Chain Reaction
1/23 — Mesa, AZ — The Nile
1/24 — Albuquerque, NM — Launchpad
1/26 — Denver, CO — Marquis Theater
1/27 — Lawrence, KS — The Granada (half house)
1/28 — Dallas, TX — South Side Music Hall
1/30 — San Antonio, TX — Rock Box San Antonio
1/31 — Houston, TX — RISE Rooftop
2/2 — Tampa, FL — The Orpheum
2/3 — Atlanta, GA — The Masquerade - Hell
2/4 — Nashville, TN — The Basement East
2/6 — Lakewood, OH — Mahall's
2/7 — Chicago, IL — Bottom Lounge
2/9 — Detroit, MI  — The Shelter
2/10 — Toronto, ON — Velvet Underground Toronto
2/11 — Montreal, QC — Le Studio TD
2/13 — Baltimore, MD — Baltimore Soundstage
2/14 — New York (NYC), NY — Gramercy Theater
2/16 — Philadelphia, PA — The Foundry
2/17 — Worcester, MA — The Palladium

Capstan released their second album
SEPARATE in 2021 via Fearless Records.

Reading indie outfit ROCKET KINGS shares 'The Yellow Bird of Fortune', a pop-rock gem from sophomore album 'Paving The Way'

"A true sonic thrill... Positive, clear, inspiring and fun with solid production... brings to mind to some quite celebrated artists - The Wedding Present, the Pixies, Supergrass and The Boo Radleys" ~ The Spill Magazine

"Harmonious, easy going and melodic with a 10/10 feel-good factor, Rocket King delivers a sound that will happily settle in your ears and leave you humming along unconsciously. This song has us looking forward to what delights the entire album may bring" ~ Amplify Music Magazine

"A delightful indie pop gem that combines folk influences with a contemporary twist... a sense of whimsy and joy... speaks to the band’s dedication to innovation and uniqueness while maintaining a sense of fun and enjoyment in their craft" ~ Skylight Webzine


Positively-vibed Reading-ased outfit
Rocket Kings presents their new single 'The Yellow Bird of Fortune', a highlight track from their uplifting 12-track 'Paving The Way' album, complete with a new video created by Lee Waters.

Formed in 2016, Rocket Kings is made up of Dave Stewart (ukulele, vocals), Bex Crossland (vocals, ukulele), David Heath (drums), Jess Tuthill (ukulele, vocals), and Yoshiko Nakayama (bass). United by their love of music, their positivity is infectious through the upbeat, original pop-rock songs they perform. With three ukuleles in their line-up, along with bass and drums: this is ukepop as you've never heard it before!  

"Dave stumbled across the phrase ‘The Yellow Bird of Fortune’ - a yellow bird is commonly believed to be a symbol of positivity and luck – and thought it would make a great song title. The song is written in a way that feels relatable and real. It’s about people and situations you are drawn to that are not good for you or that hurt you. Dave is an eternal optimist (as far as music goes anyway) and so he is always looking to find the best in different situations. He wrote this song about change, grabbing new opportunities and finding happiness," says Bex Crossland.

"David plays some of his most inspired drumming on this track, which is not surprising as it is his favourite song to play”.

Dave Stewart adds, "Bex will tell you that this is all very well for the optimists, but whilst "the optimists will always keep on smiling, time is ticking away for the rest". Recording the song was particularly exciting as it is one of two songs on the album that includes trumpet for the first time in the band’s history."

Earlier, the band shared the singles
'She's Going To Mars' and the title track 'Paving The Way'. With 12 tracks on offer, this sophomore album presents a fab sound reflecting a blend of The Beautiful South, Teenage Fanclub, Belle and Sebastian and The Cranberries, complemented by a healthy dose of ukuleles, melodies and harmonies.

The new' album was recorded, engineered, mixed and mastered by
Josh McCrohan at Creative Control Studio in Bracknell. Dave Stewart produced this record together with McCrohan, who has become a really important factor in Rocket Kings' sounds. Having provided professional sound services for Ian Anderson, Jethro Tull, Echo & The Bunnymen, Squeeze, Paul Young and Fairport Convention, among others, his input has been invaluable.

The band debuted on the music scene with
‘The Spellbound EP' in 2018, influenced by Teenage Fanclub, Lou Reed, The Kinks, The Wedding Present, Status Quo and The La’s. Their most recent album - 'Everyday Adventures' - was released in 2021. The band also recently shared a series of demos (from 2016), called 'Intense Whirlwind'.

The 'Paving the Way' album is out now, available digitally and also on limited edition vinyl and CD via
Bandcamp. The album will also be available via other fine digital outlets, including Spotify and Apple Music.  

CREDITS
All songs written by Dave Stewart except ‘Damn Tired’ and ‘Say it with a Smile’, which were written by Jess Tuthill
Recorded, engineered, mixed & mastered by Josh McCrohan at Creative Control Studio in Bracknell
Produced by Dave Stewart and Josh McCrohan  
Bex Crossland sang, played the ukulele, piano and tambourine.
Greg Forys played bass.
David Heath played the drums.
Dave Stewart sang, played the ukulele, shaker and tambourine.
Jess Tuthill sang and played the ukulele.  
Richard Vanryne played trumpet on ‘The Yellow Bird of Fortune’ and ‘Say it with a Smile’.
The choir on ‘The Time of Our Lives’: Ben Ash, Nicola Blair, Jude Brindley, Dawn Challis, Chris Clements, Anna Freshwater, James Gildersleve, Jason Helmore, Ruth Horbury, Alison Hull, Jane Jones, Stella Murphy, Barbara O’Donovan, Frances Osang, Zoe Robinson, Helen Savidge, Chris Taylor, Jayne Tricker, Alan Turner.
Front cover photo by Liz Pearmain
'The Yellow Bird of Fortune' video created by Lee Waters

Keep up with Rocket Kings
Bandcamp | Facebook | Twitter | Instagram | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
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Valleyheart Drop Audiotree Live Session — WATCH

Massachusetts trio VALLEYHEART, who craft dynamic, cinematic alternative rock earmarked by lyrical eloquence and sweet melodies, have shared their Audiotree session. Watch it below.

The tracks are available via all DSPs, while the full video session is now live on YouTube.

The band released its second album Heal My Head via Tooth & Nail. Get it here

ABOUT VALLEYHEART + HEAL MY HEAD:
Valleyheart's music summons the biggest and smallest corners of emotions alike, which has garnered them millions of streams and acclaim from American Songwriter, FLOOD, Vanyaland, and more. "At an individual and communal level, we deal with trauma and unsettling questions of our identity and existence," Klein shares about the deeply personal nature of Heal My Head. At the album's core is the ultimate and universal desire to connect. He continues, "From a lyrical perspective, I wrote this album to talk about and unwrap those things in my own life and relationships. When you open this door, there's a lot of pain to sift through, so I'm trying to create a language for listeners to have those conversations. I hope it's a platform for people, so they don't feel alone as they go through life." Valleyheart continue to build an emotional bond with audiences. Following the 2017 Nowadays EP, they deepened this connection with their debut album, Everyone I've Ever Loved, in 2018. "Friends In the Foyer" eclipsed 877K Spotify streams as the band took home the "Rock Artist of the Year" trophy at the 2019 Boston Music Awards. On its heels, the Scenery EP arrived to widespread acclaim. FLOOD noted that "they explore powerful, accessible soundscapes in an adequately sized package," while Substream hailed them as "equal parts boldness and beauty." Throughout 2020 and 2021, they assembled what would become Heal My Head at sessions at The Halo Studio in Portland, Maine, with longtime collaborator and co-producer Kevin Billingslea and at The Record Company in Boston. Kevin Billingslea and Klein co-engineered, co-produced, and co-mixed the album, with a portion of the record being self-produced by Klein at his home studio.  Overall, Heal My Head forges an instant and direct connection with its listeners.


VALLEYHEART ARE:
Kevin Klein — Vocals, Guitar, Producer
Chris Babbitt — Bass
Zakk Nix — Drums

Sleep Theory Share "Fallout" Video — WATCH

Breakout four-piece Sleep Theory — vocalist Cullen Moore, guitarist Daniel Pruitt, bassist Paolo Vergara, and drummer Ben Pruitt — have shared the video for "Fallout" from their Paper Hearts EP, out now via the Epitaph Records. Get the EP, which has been streamed over 33 million times, here.

The video features intense performance footage colliding with equally intense apocalyptic imagery, both of which fit the urgency of the song. It's a continuation of the end-of-the-world theme seen in the video for "
Numb."

It premiered over at Knotfest.com. Watch it
below.

"Creating 'Fallout' was a very personal for us, and seeing the music video come to life was surreal," the band states. "The emotion in the track is something we poured our hearts into, and we're thrilled that it resonates so powerfully with our fans. [Director] Orie [McGuiness] took our vision and elevated it beyond expectations. The way the music video captures the essence of the song is amazing. We truly couldn't have asked for a better visual representation for this song."

Sleep Theory will hit the road on a 40-date trek with Beartooth, The Plot In You, and Invent Animate in Winter 2024. All dates are below.

Since bursting onto the scene earlier this year, Sleep Theory have gone from strength to strength — and they show no signs of slowing down.

The Paper Hearts EP features two buzzy singles — "Numb" and "Gone or Staying" — and the songs have established Sleep Theory as one of the most exciting and talked about artists of 2023. The band was praised by Loudwire for its ability to "adapt 2000s arena rock and nu-metal for the future with their anthemic metal-tinged sound that would please any fan of Linkin Park and their ilk. At once enthralling, emotional and disarming, SleepTheory's supercharged single 'Numb' is everything a radio rock fan could want. You'll be humming it for days after." 

 With further press coverage from American Songwriter, Billboard, Celebrity Access, Punktastic, and beyond, as well as major nods from SiriusXM's Octane, Sleep Theory have had a huge 2023 and are clearly gearing up for an even bigger 2024.

In just the past three months, Sleep Theory's monthly listeners have more than doubled, while their YouTube channel views have tripled. They are averaging 1.5 million streams per week, while "Numb" is sitting at No. 16 on the Active Rock chart and continues to climb. The track was No. 1 on on Sirius XM Octane, while the band was the first rock artist included in SiriusXM/Pandora's Artist Accelerator program and will be a part of the Next Wave Concert Series this month.

They've toured with everyone from Shinedown to Set It Off, shared stages with I Prevail and Badflower, and have appeared at Louder Than Life, Rock Fest, ShipRockled, and Point Fest. They also count Jellyroll and Disturbed David Draiman as fans.

PHOTO CREDIT: Alex Bemis

SLEEP THEORY ON TOUR:
12/8 — Minneapolis, MN – The Armory - 93x Nutcracker at The Armory w/ Falling In Reverse, Daughtry

WITH BEARTOOTH, THE PLOT IN YOUR, + INVENT ANIMATE:
1/12 — Cincinnati, OH — Andrew J. Brady Center
1/13 —  Asheville, NC —  Orange Peel
1/14 — Louisville, KY —  Mercury Ballroom 
1/16 — Detroit, MI — Royal Oak
1/17 — Buffalo, NY — Town Ballroom 
1/19 — Toronto, ON — History
1/20 — Montreal, QC — M Telus
1/21 — Boston, MA — House of Blues
1/23 — Philadelphia, PA — Franklin Music Hall 
1/24 — Pittsburgh, PA — Roxian 
1/26 — New York, NY — Palladium Times Square
1/27 — Balitmore, MD — Rams Head
1/28 — Norfolk, VA — The NorVa
1/30 — Atlanta, GA — Tabernacle
2/2 — Charleston, SC — Charleston Music Hall
2/3 — Orlando, FL — House of Blues
2/4 - 2/10 — Shiprocked
2/11 — Tampa, FL — Jannus
2/13 — Huntsville, AL — Mars Music Hall
2/14 — New Orleans, LA — House of Blues
2/15 — Houston, TX — White Oak Music Hall
2/17 — San Antonio, TX — Boeing Center at Tech Port
2/18 — Dallas, TX — House of Blues
2/20 — Phoenix, AZ — Van Buren
2/21 — San Diego, CA — Soma
2/22 — Los Angeles, CA — The Wiltern
2/24 — Sacramento, CA — Hard Rock Hotel & Casino
2/25 — Portland, OR — Crystal Ballroom
2/27 — Seattle, WA — Showbox SoDo
2/28 — Spokane, WA — Knitting Factory
3/1 — Boise, ID — Knitting Factory
3/2 — Salt Lake City, UT — The Complex
3/3 — Denver, CO — The Fillmore
3/5 — Fargo, ND — Sanctuary Events Center
3/6 — St. Paul, MN — Myth Live
3/8 — Chicago, IL — Riviera
3/9 — Madison, WI — The Sylvee
3/10 — Sauget, IL — Pop’s
3/12 — Indianapolis, IN — Egyptian Room at Old National Center
3/13 — Nashville, TN — Marathon Music Works
3/14 — Fort Wayne, IN — The Clyde Theater

WITH STAIND, SEETHER, ASKING ALEXANDRIA, DAYSEEKER AYRON JONES, + TIM MONTANA:
4/19 — Tampa, FL — Amalie Arena
4/20 — Orlando, FL — Central Florida Fairgrounds

5/10 — Daytona, FL – Welcome To Rockville

Side-Line Magazine releases ‘Electronic Bodies’ MegaMix - free download complementing fab 'Electronic Bodies' compilation in aid of Ukraine

Following up September's 'Electronic Bodies' compilation, Side-Line Magazine has released the 'Electronic Bodies – Nightside Sessions' MegaMix by Seattle-based DJ Shane Aungst. Featuring more than 90 minutes of EBM underground beats, this album is available free of charge via Bandcamp with all donations going towards psychological support for Ukraine soldiers and citizens suffering from PTSD.

This two-part MegaMix includes 23 choice tracks from the original 'Electronic Bodies' compilation, created during long evening sessions in October 2023. Parts 1 and 2 each feature their own separate intro, created by New Mexico-based artist
Viscera Drip.
 
As with other mixes created by DJ Shane Aungst, these mixes dish up rare offerings in the EBM / Aggrotech / Industrial genres, complete with intense layering with sampling and edits. When not doing studio work, sampling, mixes, edits and remixes, he creates original material.

The original 
'Electronic Bodies' compilation offers 88 tracks from the electronic / EBM underground, following Side-Line Magazine's tradition of music releases aimed at raising funds for worthy causes, facilitated by the Belgian electro industrial magazine Side-Line.  

Curated by Side-Line's Chief Editor
Bernard Van Isacker, 'Electronic Bodies' takes a deep-dive into EBM (Electronic Body Music), New Beat and their contemporary offshoots. The geographic span of participating artists and resonant feedback to this album makes it clear that EBM still resonates worldwide since the genre took off over 40 years ago!

'Electronic Bodies - Nightside' Sessions' MegaMix https://sidelinemag.bandcamp. com/album/electronic-bodies- nightside-sessions
'Electronic Bodies' compilation 
https://sidelinemag.bandcamp.com/album/electronic-bodies-session-1
T-shirt 
https://sidelinemag.bandcamp.com/merch/electronic-bodies-t-shirt
T-shirt + Flask  
https://sidelinemag.bandcamp.com/merch/electronic-bodies-t-shirt-flask

"I recently came across an article detailing the psychological toll of the war initiated by Russia against Ukraine. The repercussions are devastating, with families torn apart and a surge in divorces and suicides. Many are grappling with PTSD, a condition that arises after experiencing traumatic events. Symptoms disrupt daily life, manifesting as flashbacks, avoidance behaviours, and a host of other issues. If we’re in a position to assist, we should," says Bernard Van Isacker.

"While it’s undeniably sombre, it’s essential to recognise our privileged position compared to their plight. Rather than symbolic gestures, I advocate for tangible action. The West should be doing more. The disparity between resources squandered on frivolities and the valiant efforts of the Ukrainian populace defending their homeland infuriates me."

Since launching in 1989, the Belgium-based magazine has released darkwave, postpunk, electropop, synthpop and industrial music compilations, offering artists a platform for wider exposure and spearheading charity initiatives. Notable recent compilations include
'Electronic Resistance - A Darkwave / Post-Punk Compilation From The Ukrainian Underground' and 'Electronic Resistance - Reconstruction'.

Side-Line is also offering an exclusive
 'Electronic Bodies' T-shirt and a combo package that includes a limited edition hand-numbered Electronic Bodies flask. Each merch order also includes a compilation download, ensuring that the beats never stop.

'Electronic Bodies - Nightside Sessions' is out now as a free download and by donation, as is the original 'Electronic Bodies' compilation, via
Bandcamp.

CREDITS
Mixed by DJ Shane Aungst
Intro by Viscera Drip
Artwork by Bernard Van Isacker
Released via Side-Line Magazine
Publicity by
Shameless Promotion PR

Keep up with Side-Line Magazine 
Website | Bandcamp | Telegram | Facebook | Twitter | Instagram | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | LinkedIn | Soundcloud | Email

SiM Announces First Ever North American Headliner PLAYDEAD World Tour Season 1 With Fame On Fire + Within Destruction

SiM

Announces:

PLAYDEAD World Tour Season 1

First Ever Headlining North American Tour

With Special Guests Fame on Fire + Within Destruction

SiM Will Also Perform at Welcome To Rockville In Spring 2024

PLAYDEAD VIP On Sale at 10 a.m. Local Time + Presale at Noon Local Time Today

Crunchyroll Presale Begins Wednesday, November 15 from 10 a.m. Local Time to Thursday, November 16 at 11 p.m. Local Time

Tour Tickets On Sale Friday, November 17 at 10 a.m. Local Time

Ticket Info HERE

Japanese reggae punx SiM have today announced PLAYDEAD World Tour Season 1, their very first North American headlining tour with special guests Fame on Fire and Within Destruction. The headliner will also have a separate, limited availability of VIP upgrades which include a meet and greet with the band plus an accompanying personal photo, autographed 'PLAYDEAD' vinyl, an exclusive Japanese merch item, and early entry into the venue on show day for easier merch shopping. VIP will be available for purchase at 10 a.m. local time today, and artist presale will be available shortly after at noon local time today. Crunchyroll presale begins tomorrow, Wednesday, November 15 at 10 a.m. local time and ends Thursday, November 16 at 11 p.m. local time. Tickets go on sale to the general public this Friday, November 17 at 10 a.m. local time. Speaking about the announcement, vocalist MAH commented:

"We're super excited to announce our first-ever headline tour in North America! Have you guys checked out our latest album "PLAYDEAD" which is filled with nu-metal bangers? I can't wait to see you guys in da pit!"

Prior to today, the band released their critically acclaimed latest album 'PLAYDEAD' (via UNFD), and released the official music video for "Under The Tree (Full Length Ver.)" as featured on the immensely popular anime series 'Attack On Titan' which recently aired its highly-anticipated series finale. Fans can also find "RED", the theme song for the latest season of Netflix anime series 'Kengan Ashura', on the album as well. Get your tickets at the link here as these are sure to go quickly, and stream 'PLAYDEAD' here.

PLAYDEAD World Tour Season 1 Tour Dates:

April 19 - Seattle, WA @ The Neptune

April 20 - Portland, OR @ Hawthorne Theatre

April 22 - San Francisco, CA @ August Hall

April 23 - Los Angeles, CA @ The Belasco

April 25 - San Diego, CA @ House of Blues

April 26 - Phoenix, AZ @ The Nile Theater

April 28 - Salt Lake City, UT @ Soundwell

April 29 - Denver, CO @ Summit

May 1 - Dallas, TX @ Echo Music Lounge

May 3 - Lawrence, KS @ Liberty Hall

May 4 - Minneapolis, MN @ Fine Line Music Cafe

May 5 - Chicago, IL @ Concord Music Hall

May 7 - Nashville, TN @ Basement East

May 8 - Louisville, KY @ Mercury Ballroom

May 10 - Charlotte, NC @ The Underground

May 11 - Atlanta, GA @ The Buckhead Theatre

May 12 - Daytona Beach, FL @ Welcome To Rockville*

May 14 - Philadelphia, PA @ Brooklyn Bowl

May 15 - Silver Spring, MD @ The Fillmore Silver Spring

May 18 - Detroit, MI @ St. Andrew's Hall

May 20 - Toronto, ON @ Danforth Music Hall

May 21 - Montreal, QC @ Theatre Beanfield

May 23 - New York, NY @ Irving Plaza

May 24 - Boston, MA @ Paradise Rock Club

*Festival Date

Indie Pop-Rock Artist, Harley Luck Unveils Emotion-Packed EP, Cloud Cover

Emerging indie pop-rock artist, Harley Luck, has released his EP, Cloud Cover, today. This musical journey is a poignant exploration of teenage romance and heartbreak, capturing the essence of coming of age and the universal experiences that resonate with most teenagers. Written and produced

by Harley Luck, Cloud Cover offers a unique blend of youthful energy within its lyrics and themes, artfully juxtaposed with mature instrumentation and production.

The title "Cloud Cover" comes from a metaphor that helped Harley Luck verbalize his past experiences. He states; “Growing up, I always heard people say “I wish I could lay in the clouds.” With such a soft appearance, they look like the perfect place to take a nap. While they look fluffy and comfortable, their looks are misleading and if you were to try to lay in the clouds, you would fall through. This idea of wanting something that you know you can’t have is a metaphor for my experiences. There was a girl that I liked and I knew I couldn’t be with because we were friends and I doubted that she felt the same way. Even though I understood the reality of it, I still became infatuated with the idea of it all. This EP is me verbalizing my emotions while going through this rollercoaster of coping with reality.”

The EP's tracklist is a carefully crafted narrative that mirrors the stages of infatuation and heartache. It kicks off with the energetic and infectious "Stay," representing the initial infatuation, expressing the desire for someone to stay in your life. "Alive" follows, delving deeper into the blossoming emotions, as real memories and connections begin to form, making the experience feel tangible and euphoric. The EP takes a pivotal turn with "Cut Off," reflecting the moment when ambiguity and mixed signals begin to cast doubts on the feasibility of being with the person you like. This marks the point where infatuation starts to shift into something seemingly unattainable. In the track "Cupid," the narrative reaches its climax. It's the moment when reality strikes, and the painful revelation emerges that feelings are not reciprocated. The metaphor of falling through the once-desired clouds takes center stage, portraying the loss of innocence and the return to stark reality.

Closing the EP, "Cloud," the focus track, carries a reflective and almost cinematic quality. It serves as the soundtrack for introspection and looking back at the journey, akin to a movie's pivotal scene where the protagonist reflects on the plot. Whether it's taking nighttime walks under the stars, gazing at the clouds, or simply craving the initial infatuation, this song encapsulates it all. Harley Luck's distinctive indie pop-rock sound, driven by evocative guitar arrangements, captures the raw emotions of each track. Influenced by a diverse range of artists like Harry Styles, Dominic Fike, Niall Horan, Taylor Swift, Olivia Rodrigo, The Maine, Five Seconds of Summer, Lauv, Jeremy Zucker, and more, the EP offers a unique sonic experience that resonates with a wide audience. Harley Luck penned Cloud Cover on a quiet night in an apartment just outside of New York City, with trains passing by and the distant city lights providing an inspiring backdrop. The EP is an introspective and emotionally charged masterpiece that offers an insightful reflection on teenage love and its complexities.

MORE INFO:
Harley Luck's musical odyssey began in his bedroom, offering solace for his anxiety. Using music as his therapy, he merged beats and poetry, forging a love for storytelling through song. His ability to convey emotions, even those inexperienced, grants him creative freedom, while his diverse musical palate shapes songs that stand apart. After years of musical exploration, Harley is poised to unveil his latest project, underlining his unwavering commitment to authenticity and growth. Influenced by Harry Styles' bold self-expression and inspired by brands like Converse that champion individuality, Harley envisions a community around his music that radiates self-acceptance. Rooted in rock but open to exploration, his music draws from a blend of influences, evolving from charming youthful compositions to descriptive narratives exploring a wide spectrum of emotions and experiences. Harley Luck's music is not just an artistic journey but a personal one, an exploration of identity, and an embrace of change in the pursuit of self-discovery.

THE ABBEY Release New Visualizer

Earlier this year, THE ABBEY marked their presence in the musical realm with the release of their debut album 'Word of Sin' on Season of Mist.

Today, the progressive doom metal band are unveiling a visually enthralling and intricately bound video from the album's climactic closing track, "Old Ones". This 12-minute atmospheric epic takes the listener on a mesmerizing journey through a sonic landscape filled with unexpected twists and turns, reflecting on the band's penchant for crafting immersive musical narratives.

Directed by the creative prowess of Jesse Heikkinen and brought to life through the innovative use of kaiber.ai, the visualizer for "Old Ones" serves as a compelling visual companion to the band's musical odyssey. It adds a layer of depth and complexity, further enchanting the experience of this expansive album closer.

You can watch it now below.

Order 'Word of Sin':
https://redirect.season-of-mist.com/TheAbbeyWOS
Stream:
https://linktr.ee/abbeyceremonial

The Abbey are joining Sólstafir on their ongoing tour across the European hinterlands. The label mates will play 12 shows together starting this Sunday.

Don't miss this chance to witness the majesty of 'Word of Sin' brought to life on stage.

Photo Credits: Sami Mustonen

Aleister Crowley’s Abbey of Thelema was located in Sicily, Italy, and functioned as ground zero for many of the occultist’s most complex and groundbreaking hedonistic pursuits. Here, Crowley codified his ritual practices and took his concept of “Magick” to new, unforeseen levels. He rebranded the temple as “Collegium ad Spiritum Sanctum,” translating to “A college towards the Holy Spirit.” But the Abbey of Thelema was not without its controversy: A young disciple died in 1922 after contracting typhoid fever from the drinking water. And a year later, Crowley was evicted by Italian dictator Benito Mussolini’s regime, yet the mystery and intrigue behind the Abbey of Thelema remain.
 
It was only appropriate, then, that Jesse Heikkinen, a veteran of the Finnish music scene and a solo artist under the Iterum Nata banner, branded his newest musical pursuit as The Abbey. Drawing lyrical inspiration from esoteric organizations, their beliefs and his own practices, Heikkinen and co-lead vocalist Natalie Koskinen (Shape of Despair) weaved ritualistic tales from the darkest corners of themselves to pair with music that is a provocative, alluring kaleidoscope of dark, heavy rock. The result is the mystical Word of Sin, The Abbey’s nine-song debut long-player.

The Abbey tale began when Heikkinen generated the sudden urge to try his hand at singing in a doom metal band after laying down guest vocals for fellow countrymen Fuzzifer. His idea was to form a doom metal band with “big vocals” — a project for fun’s sake that would thrive off writing from the heart and improvisation. Those plans involved former Sentenced and The Man-Eating Tree drummer Vesa Ranta — the first name that came to Heikkinen’s mind for the project.

Ranta, now a professional photographer and filmmaker, provided the steady backbone behind Sentenced’s groundbreaking career that was brought to its conclusion in 2005. According to Heikkinen, Ranta plays “like a battalion of marching giants,” a not-so-subtle nod to the drummer’s mastery of the quarter-note. Ranta quickly took to Heikkinen’s early demos and suggested they add a female singer. Enter Koskinen. Koskinen knew Ranta from a video shoot where she was serving as a makeup artist. Reluctant to try a new band considering her Shape of Despair and career obligations, Koskinen listened to Heikkinen’s first demo and decided to give the project a go. Janne Markus (guitar, also of The Man-Eating Tree) and Henri Arvola (bass) were soon tapped to complete the band’s lineup.

Word of Sin was recorded between April and November 2021 in several locations across Finland. Drums, bass and Markus’s guitars were tracked at Kratio Studio in Oulu by Kyösti Rautio. Rautio also served as co-producer and mixed the album, becoming the unofficial sixth member of The Abbey. Heikkinen, who recorded most of his vocals and guitars in his stepdaughter’s room, surrounded by My Little Ponies, Disney figurines and a pile of esoteric literature, is careful to point out that The Abbey fails to drop into any neat, little subgenre.
 
“The album was made purely for self-expressive reasons,” he says. “My music is the channel where I can be as true and authentic as possible. It is also a somewhat safe way to explore and express the dark side of myself and the collective consciousness. Word of Sin may seem like a tremendously dark piece as a rock album, but it’s pretty lightweight for a doom metal album! The material proved so strong that it was obvious that it wasn’t going to be another side project. I think using the means of improvisation made the music sound more like its creator instead of it being forced to be this or that — and that seemed to work really well for us!”

Regardless of where Word of Sin falls between the vast channels of doom and heavy rock, the vocal interplay between Heikkinen and Koskinen is undeniable. Each has songs where they take the lead, but their harmonies and trade-offs carry songs like “Rat King” and “Desert Temple” to the fore, creating a restless, captivating atmosphere resembling vintage rock from the 1970s. And, for his first go at singing lead in a band, Heikkinen proves to be quite the capable vocalist, carrying a smooth, almost airy delivery on “Crystallion” and “Widow’s Will.”

“I didn’t think of it that much — my vocals all came naturally,” he says. “I still think I’m more of a guitarist than a vocalist, really. During the writing and recording, I listened to King Crimson’s Red quite a lot, so I’m sure I got some influences from John Wetton’s singing on that album. The vocal harmonies were heavily inspired by bands like E.L.O, Queen and Yes.”

Heikkinen and Koskinen didn’t know each other before the formation of The Abbey. Heikkinen met Koskinen for the first time when she tracked vocals at his home studio, but their partnership generated immediate results. “Nowadays, I usually record my vocals at home, but in this case, as I had yet to meet Jesse in person, I wanted to record my parts at his place,” says Koskinen. “It’s very important to see what kind of energy is between the musicians I’m going to work with in the long run. It turns out that we are a perfect match musically. Later on, I traveled to Oulu to meet the rest of the guys [Janne and Henri] and I must say that we had a very strong bond from the beginning. Sometimes things just happen even when you don’t plan them.”

“The right lines for each were found really easily,” adds Heikkinen. “There already were dozens of vocal tracks in some of my demos, but every time Natalie found her place in the song, she added something new into it.”

The creative process behind Word of Sin proved so fruitful that the members of The Abbey are already thinking about a follow-up. It’s a testament to the material’s inherent strength and the immediate bond between all five musicians.

“The Abbey will most definitely be an active and serious project for me - I do hope it will turn out fun as well,” wraps Heikkinen. And closes Koskinen: “I do have a feeling this band will make a long trip together.”

Lineup
Henri Arvola – Bass
Jesse Heikkinen – Guitar, keyboard, percussions, vocals
Natalie Koskinen – Vocals
Janne Markus – Guitar
Vesa Ranta – Drums

Guest Musicians
Jarmo Heikkinen – Lute (track 8)
Joonas Karjalainen – Additional keys (tracks 1, 4, 5, 7, 9)
Mikko Kiiveri – Additional percussions (track 4)
Ossi Oikari – SFX (track 9)
Kyösti Rautio – Additional guitars (tracks 1, 3, 9) and additional keys (tracks 1, 4, 6, 9)

Recording Studio
Kratio Studios / Studio Beyond North Star

Producer / Sound Engineer
Produced by The Abbey & Kyösti Rautio. Recorded by Jesse Heikkinen & Kyösti Rautio

Mixing Studio & Engineer
Mixed in Kratio Studios by Kyösti Rautio except track 8 mixed by Jesse Heikkinen

Mastering Studio & Engineer
Mastered in Orgone Studios by Jaime Gomez Arellano

Cover Artwork Artist
Alexander Reisfar

Shop
https://redirect.season-of-mist.com/TheAbbeyWOS

Links
Facebook:
https://www.facebook.com/abbeyceremonial/
Instagram:
https://www.instagram.com/theabbeyceremonial/
Spotify:
https://open.spotify.com/artist/26x372PAVYvx68XalCRPp4
YouTube:
https://www.youtube.com/channel/UCPevbPFLgsO6Dvk4Pz0BFFA
Amazon Music:
https://www.amazon.com/music/player/artists/B00P1C54C6/the-abbey
Apple Music:
https://music.apple.com/us/artist/the-abbey/938182846
Bandcamp:
https://theabbey.bandcamp.com/album/word-of-sin

NIGHT CROWNED - Release New Album "Tales" and Share Video for "She Comes At Night"!

Following the success of their debut studio album Impius Viam, released in February 2020, and their highly acclaimed follow-up record Hädanfärd, released in July 2021, Night Crowned has solidified their place as one of Sweden's best-kept blackened death metal secrets. Comprised of former and current members of renowned acts such as Dark Funeral, Nightrage, and Cipher System, Night Crowned possesses a musical vision that is haunting yet clear and with Tales the band has released their third full-length album via Noble Demon today!

This release marks a new chapter for the band as they push the boundaries of blackened death metal to unprecedented levels. With Tales, Night Crowned embarks on an auditory assault that defies conventions and redefines the limits of the genre. The album features lyrics in both English and Swedish, allowing listeners to fully immerse themselves in the band's haunting storytelling. Jonathan Thorpenberg's mixing skills put the band's sound on full display, while Jani Stefanovic's mastering ensures that every note is hit with precision.

To celebrate the day in a fitting manner, the Swedish metallers have unleashed a new video with Live Impressions from their recent show in Gothenburg with an excerpt of the new album track "She Comes At Night". Watch it below.

"We had our friend Marcus from Marcus Wesslen Media over to make a documentary of our gig in Gothenburg. For this video we went with the song ”She comes at Night”. And in this song we really went full on with the folk influences, but it was really important for us to do so without losing our own identity. To have Therése‘s magical voice in the break just makes the song larger than life,"says the band.

Stream the single HERE

Vocalist Ken Romlin about the song: ’’Before we started to work on 'Tales' I wrote down ideas about which entities I wanted to write about. And the Mare was obvious that it needed to get a song, so it became 'She Comes At Night'. This was one of the first songs we wrote for this record."

Tales is out now on Noble Demon and available for purchase at at
THIS LOCATION

NIGHT CROWNED are:
K. Romlin - Vocals
H. Liljesand - Guitar & keys
J. Jaloma - Drums
J. Eskilsson - Guitar & vocals
P. Eldor Pettersson - Bass

Find Night Crowned online:

Facebook

Instagram

BandCamp

Find NOBLE DEMON online:

Official Website

Facebook

BandCamp

Twitter

YouTube

TikTok

Spotify

BLEED FROM WITHIN | 'Shrine Deluxe Edition' Is Out Now + Band Release Lyric Video For New Single 'Overthrone'

Bleed From Within have had an extraordinary year. They've just stepped off of the Lamb Of God Headbangers Boat cruise, following on from a colossal summer run which took in both headline shows, performances with Heaven Shall Burn and festival appearances at the likes of Brutal Assault (Czech Republic), Summer Breeze (Germany) and Alcatraz(Belgium), finishing up with a 13-date tour supporting Trivium across the UK. This was all on top of a hugely successful debut American tour earlier this year with August Burns Redand The Devil Wears Prada

To celebrate this exceptional year, 
Bleed From Within have released their Shrine Deluxe Edition today, alongside a new single titled 'Overthrone', which is accompanied by a lyric video.

Their stunning latest studio album 
Shrine was released in the summer 2022, marking the band's most groundbreaking work to date and staking out Bleed From Within's bold intent. The Scottish 5-piece claiming their position as the most exciting prospect in modern metal.

Steven Jones from the band stated,
''Upon releasing 'Shrine' in June 2022, it's safe to say that none of us expected what the following months would bring. It's been a hell of a year, with our most rigorous touring schedule yet putting us in places we've dreamed of since we started the band. This era of Bleed From Within is something we have worked so hard toward, and in this moment we are extremely grateful to all those who have made it possible. To all of our fans who fill the rooms and sing the words, to the team behind the scenes who keep the cogs moving on tour, in the studio, and everywhere between, and to the creative minds that help us bring our music to life - thank you. 17 months since its original release, we are so proud to now present this limited and deluxe edition of 'Shrine', featuring all of the songs that were recorded during the sessions. Here's to the months and years ahead!''

Watch the '
Overthrone' lyric video below.
Stream/order the Shrine Deluxe Edition here: 
https://bleedfromwithin.bfan.link/shrine-deluxe.ema

Watch the visualizer for 'The Will to Resist', also taken from the Shrine Deluxe Edition: https://youtu.be/YqKPB4bvyL8

Bleed From Within released their stunning studio album Shrine in June 2022. It was the most fiercely anticipated record of their career, and their most groundbreaking work to date. 

More from Shrine:
'Temple Of Lunacy' visualizer: 
https://youtu.be/dB4arT5XN_Y
Flesh And Stone' official music video: 
https://youtu.be/NF6tw5XQFSM
'Stand Down' official music video: 
https://youtu.be/kJDMOvGYVqE
'Levitate' official music video: 
https://youtu.be/BGKS3mW2XPM
'I Am Damnation' official music video: 
https://youtu.be/swF5fiPdONo

Shrine was recorded at Real World Studios and at Bleed From Within's HQ, UK. The record was self-produced. Mixing was handled by Adam 'Nolly' Getgood and Sebastian Sendon, with drum engineering handled by Adam 'Nolly' Getgood, guitar, bass and vocal engineering by Steven Jones, additional production by Jamie Finch, string composition by Simon Dobson and Parallax Orchestra, strings engineered by Peter Miles at Middle Farm Studios, and additional backing vocals by Hannah Boulton on the tracks 'Flesh & Stone' and 'Paradise'.  The Shrine artwork was created by David Provan, with layout by Simon Atkinson.

Bleed From Within have been to hell and back, but they are no strangers to enduring hardship. When a global pandemic threatened to shut down their plans, the Glaswegians collectively raised five middle fingers and pressed on. It’s no surprise that this unstoppable riff machine continues to crush forward at such a frantic pace – there's no putting the breaks on the heaviest band to ever emerge from Scotland.

The band’s reputation as one of the most formidable forces in modern metal has earned them tour slots with Megadeth, Lamb Of God, Testament and Heaven Shall Burn, to name just a few. 2021 saw them dominate the UK live scene; selling out their largest ever headline tour in November, capturing hearts on Bullet For My Valentine’s arena tour, slay a Lamb Of God livestream support slot, alongside (literally) blazing performances atDownload Festival and Bloodstock Festival.

Shrine has taken the most graft to put together of any record in their catalog, challenging their self-perception on both personal and technical levels - the culmination of two years hard work that embodies their artistic might. Armed with the learnings of evolving their sound over the last decade without ever losing sight of their DIY roots, this is Bleed From Within at their very best. There’s no denying the band’s inevitable next steps are world domination, with Shrine a turning point moment.

Bleed From Within are:
Scott Kennedy - Vocals
Craig Gowans - Lead Guitar
Steven Jones - Rhythm Guitar & Vocals
David Provan - Bass
Ali Richardson - Drums 

L.S. Dunes "Lost Songs: Lines and Shapes" Album Out Now!

L.S. DUNES' LOST SONGS: LINES AND SHAPES OUT NOW

FEATURES EARLY, RAW VERSIONS OF THEIR ACCLAIMED DEBUT ALBUM PAST LIVES 

L.S. DUNES JOIN PIERCE THE VEIL ON THE JAWS OF LIFE TOUR THRU DECEMBER 8

JUST ADDED — DECEMBER 11 HEADLINE SHOW AT THE PARAMOUNT IN HUNTINGTON, NY 

Today, L.S. Dunes — vocalist Anthony Green, guitarist Frank Iero, bassist Tim Payne, guitarist Travis Stever, and drummer Tucker Rule — have released Lost Songs: Lines and Shapes, a radically raw and revealing version of their acclaimed debut album, 2022's Past Lives.

Get Lost Songs: Lines and Shapes
HERE.

Lost Songs: Lines and Shapes features early, stripped-down versions of all Past Lives' 11 tracks. Listening to these songs in their hyper-intense, original form offers fans an entirely fresh perspective into Past Lives, while the uninitiated will appreciate it for what it is, a sterling artistic statement in its own right. Fans can also pre-order the Past Lives Deluxe Edition, a limited, 2-LP vinyl special package which includes both the original album and Lost Songs: Lines And Shapes, exclusively via the band's online store HERE.

Recently, the band teased the new collection with "Old Wounds" DEMO, a stripped-back version of the fan-favorite released this past summer. While not included in the Lost Songs collection, the track, featuring Green's beautifully exposed vocals and the haunting, intricate guitar work of Stever, is another vivid look into the group's creative process. Listen to "Old Wounds" DEMO HERE, and watch the official video below.

L.S. Dunes are currently in the midst of the Jaws of Life Tour with Pierce The Veil, with 18-dates remaining across the U.S. The band also recently added a special headline show December 11 at The Paramount in Huntington, NY. For ticket information, click HERE. Full itinerary below.  

JAWS OF LIFE TOUR
WITH PIERCE THE VEIL + DAYSEEKER:

11/14 — Orlando, FL — House of Blues
11/15 — Orlando, FL — House of Blues
11/17 — Myrtle Beach, SC — House of Blues
11/18 — Corbin, KY — The Corbin Arena
11/19 — Macon, GA — Macon City Auditorium
11/21 — Boston, MA — MGM Music Hall at Fenway
11/25 — Reading, PA — Santander Arena
11/26 — Columbus, OH — KEMBA Live!
11/28 — Chesterfield, MO — The Factory
11/30 — Chicago, IL — Byline Bank Aragon Ballroom
12/1 – Chicago, IL – Byline Bank Aragon Ballroom
12/2 — Des Moines, IA — Vibrant Music Hall
12/3 — Minneapolis, MN — The Armory
12/5 — Oklahoma City, OK — The Criterion
12/7 — Las Vegas, NV — Brooklyn Bowl
12/8 — San Diego, CA — Viejas Arena
12/11 —  Huntington, NY — The Paramount *Headline show

Dandy Warhols & Slowdive legends team up on Pete International Airport 'Tic Tac' feat. Rachel Goswell. 7” vinyl is out November 24

Portland-based Pete International Airport presents the video for 'Tic Tac' featuring Slowdive goddess Rac hel Goswell, directed by Francesca Bonci. A few weeks ago, they released their 2-track 'Tic Tac' 7" vinyl version via Little Cloud Records, pressed on translucent yellow vinyl, with the B-side featuring a remix by yet another music icon - Anton Newcombe of The Brian Jonestown Massacre.

Pete International Airport is the brainchild of guitarist Peter G. Holmström of 
The Dandy Warhols.  Named after one of their songs, this eclectic project builds immersive soundscapes that are also classic, catchy songs.  Holmström has an uncanny ability to curate, with a penchant for dropping collaborators into challenging creative spaces—both virtual and actual—then letting them duke it out.

'Tic Tac' originally featured on Pete International Airport's recently released third album
'It Felt Like The End of the World' - a meticulously crafted psychedelic rock journey into the dark heart of electronica, released just ahead of the 7" vinyl edition.

"I co-wrote 'Tic Tac'. I bought his last album and I really liked it. Peter Holmström has different singers on each song and co-writes with everybody, which I think is a really interesting way to work. Obviously, Pete is a guitarist, first and foremost, and a very good one. He sent me music for 'Tic Tac, and it's actually changed a lot. It was a lot more guitar-y, the original musical piece that he sent me, and it got really stripped down and changed," says Rachel Goswell.

"I think he sent me that in 2020. That was a COVID lockdown year and I had a lot of stuff going on. It took me I think nearly about a year to actually get around to sitting down properly and writing it. I kept procrastinating about doing it and then once I'd done it, I was really pleased with it. But I think as a record, there's some great songs on it. I didn't know who else had written with him on this record, I was just really happy to be a part of it. It is quite a broad spectrum musically, and quite eclectic."

This album features numerous other guests, including Alexander Hackett (Pang Attack) Lisa Elle (Dark Horses), Dion Lunadon (A Place To Bury Strangers, The D4), and Cheap Trick's Tom Petersson on 12-string bass, each tangling with PIA’s usual coterie of musical foils with songs merging into Holmström’s hyper-stylized world of symbols, themes and archetypes.

Mixed by Jeremy Sherrer at
Spooky Electric Co. (Modest Mouse, The Shins, The Dandy Warhols), it was mastered by Dave Coley at Elysian Mastering.

'It Felt Like The End of the World' can be found everywhere digitally, including
SpotifyApple Music and Bandcamp, where it is available as a Deluxe double-album in a gatefold sleeve, pressed on transparent vinyl with an orange blob or on transparent vinyl with a purple blob.

As of November 24, the 'Tic Tac' 7" will be available on vinyl exclusively via
Pete International Airport's Bandcamp and The Dandy Warhols. The digital version is currently available on these same two sites.

CREDITS
Music written by Peter G. Holmström
Vocals and lyrics by Rachel Goswell (Slowdive, Mojave 3)
Remix by Anton Newcombe (The Brian Jonestown Massacre)
Mixed by Jeremy Sherrer at Spooky Electric Co.
Mastered by Dave Coley at Elysian Mastering
Album art by Francesca Bonci
'Tic Tac' video directed by Francesca Bonci

Keep up with Pete International Airport 
Website | Bandcamp | Twitter | Facebook | Instagram | Soundcloud | YouTube | Spotify | Apple Music | Press contact

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Website | Facebook | Bandcamp | Twitter | Instagram | YouTube

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Beartooth Achieve First No. 1 at Active Rock Radio With "Might Love Myself"💖

The Surface was produced, mixed, engineered, and mastered by Caleb Shomo, with additional engineering by James Musshorn and additional production by Oshie Bichar. Stream, download, and purchase it along with merchandise, here
 
"Without question, it's the most anthemic they've ever sounded" — 
Metal Hammer
 
"A masterclass in the fusion of poppy punk elements with the infectious hooks of modern rock." — 
Knotfest
 
"...a collection of tracks that are the best and most consistent Beartooth have ever sounded on record. The impression these songs make is instant, but scratch beneath the surface, and there's so much more to love about the heart, hurt and craft that has gone into this album." — 
Kerrang!
 
"This is another instant classic from a band that seems incapable of delivering anything less." — 
Rock Sins

"Might Love Myself" Hits #2 on Billboard Mainstream Rock Airplay Chart in its 14th Week

Plus #9 on Hot Hard Rock Songs and #11 on Rock & Alternative Airplay

Marking Highest Placements on Respective Charts in the Band's Career

 
Billion-streaming rock band — Caleb Shomo, vocals; Zach Huston, guitars; Will Deely, guitars; Oshie Bichar, bass; and Connor Denis, drums — today announced their single "Might Love Myself" has earned them their first-ever #1 spot on the Mediabase Active Rock Radio chart.

Following its release in July, the song entered the Billboard Mainstream Rock Airplay chart and continued to rise over 14 weeks to #2, along with #9 on Hot Rock Songs and #11 on Rock & Alternative Airplay, the highest placements the band has ever achieved on said charts.  

Lead Singer, Caleb Shomo shares, "I was never truly ready to take on what the future held until this album. I think it’s pretty cool that the first song I wrote about self-love was the first song to hit number 1, and that says everything about the future of this band. Thank you all for the support during this transition in my life and in our music."
 
"Might Love Myself" arrived on Beartooth's fifth studio album, The Surface, released in October on Red Bull Records. With 90 million streams to date, it debuted at #1 on Billboard Hard Rock Albums, Luminate Alternative Albums, and Luminate Record Label Independent Current Albums, as well as #5 on Billboard's Top Album Sales. Celebrating a decade together this year, Beartooth will embark on their largest world tour in history, playing across 60 dates from January to November with 50% of tickets already sold out. Amidst the tour, they'll take to top-billing slots at ShipRocked and Rock Am Ring festivals.

Red Bull Records' Managing Director Greg Hammer shares, "We've been working with Beartooth for ten years across five records and we're beyond proud of what we've been able to accomplish together. They are constantly taking risks and pushing the envelope, with The Surface being no exception. This is undoubtedly one of the most exciting milestones they've achieved in their career, and we’re looking forward to what the future holds."

Beartooth have established themselves as an influential voice of their generation and a force in the rock space. This album in particular has welcomed a pivotal shift in the band's sound and story, with frontman Shomo focusing on the positives in his deeply personal and powerful journey through the music. It has attracted diehard fans and new listeners alike, proving self-love has a place in metal.

Beartooth Manager Thomas Gutches concludes, "I'll never forget Caleb playing me this song for the first time, minutes before taking the stage in front of a capacity crowd at London's Wembley Arena. In that moment, I knew we had a special song. Caleb continues to defy the odds as one of the most gifted songwriters of this generation."

The Surface was produced, mixed, engineered, and mastered by Caleb Shomo, with additional engineering by James Musshorn and additional production by Oshie Bichar. Stream, download, and purchase it along with merchandise, here

ABOUT BEARTOOTH:
Caleb Shomo first turned the pain of his struggle with mental health and self-image into music in 2013. Beartooth began as a living document, a diary, a journal of repressed rage and depression. Alone in his basement studio, screaming and singing, playing all the instruments, and self-producing a batch of furious but melodic songs filled with reflection and confession, the Ohio native stared into the abyss, initially with no intention of returning to the heavy music world that burned him as a teen. A decade later, the different pieces of his body of work connect in title, sound, and spirit. As the frontman hits 30, Beartooth’s fifth album, he Surface, completes this era in 2023. Even more importantly, it kicks off a new chapter filled with surprising optimism and just as honest. Depression is a sick, disgusting, aggressive disease below the surface. Shomo stands ready to bask in the light.
 
Like Nine Inch Nails, Beartooth remains a one-person band in the studio. On the heels of the introductory Sick EP (2013), Disgusting (2014) produced the band's first Gold single, "In Between." Aggressive (2016) and Disease (2018) expanded on the desperation and pain, each a step closer to a balance between the blood and tears of classic recordings and the shimmer of modernity.  
 
Rolling Stone heralded Beartooth as one of 10 Artists You Need to Know. The rabid response to Shomo's music demonstrated how many people related to his struggle for self-acceptance. Below (2021) topped the Rock and Alternative charts and several Best Rock/Metal Albums of the Year lists. As of 2023, the Beartooth catalog boasts more than 1 billion streams across all platforms. 
 
Beartooth began as both bomb and balm, an outright refusal to suffer in silence, weaponizing radio-ready bombast, delivering raw emotion mixed with noise-rock chaos. Other bands play the "devastating riffs and catchy hooks" game, but this music is the difference between life and death, and now, a sort of life after death while still here. The band Forbes sees "inching towards a tipping point of becoming the latest arena headliner" is now one step closer. 

unpeople Sign With SharpTone Records + Share "smother" Video

unpeople have announced their signing to SharpTone Records. The four piece, who toured alongside labelmates BETTER LOVERS recently, have also revealed the video for their debut single "smother," which was debuted on Alyx Holcombe's BBC Introducing Rock Show earlier this week.

Watch the video for "smother" 
below.

Stream "smother" on all platforms now
here.

Frontman Jake Crawford comments on the new single, saying, "'smother' is a song born of unfiltered introspection and sheer desperation. The intentionally prying first line 'Are you being honest with yourself?' was more of a question to myself, let alone the potential audience. Myself and [guitarist] Luke [Caley] were certainly 'feeling the pressure' at the time of the song's inception. Having come off the back of two massive breakups, one band and one personal, we were literally scrambling for 'something to live for.' Lyrically, it was a collaborative effort. Luke came up with the chorus, which I immediately connected with. It then inspired me to really dig into the suffocating feeling of being at a complete loss of direction at the time. The rest came relatively easily as we were certainly in similar boats, albeit from slightly differing perspectives."

In relation to signing to SharpTone Records, the band says, "Since the inception of unpeople, SharpTone was at the top of our list in terms of who would be our dream label to work with. We have such respect for the team and what they do. It is evident to us that they are equally as passionate about the music as we are. We are extremely excited to be part of such an awesome roster and feel very privileged to be able to call SharpTone our home."

UNPEOPLE ARE:
Jake Crawford — Guitar, Lead Vocals
Luke Caley — Guitar, Vocals
Meg Mash — Bass, Vocals
Richard Rayner — Drums, Vocals

GREEN LUNG RELEASE VIDEO FOR "HUNTERS IN THE SKY"

'Eight songs plus a spoken word intro is all this is, but it’s all that it needs to be. Welcome to Green Lung’s weird church' - Kerrang 5/5

This Heathen Land is an insanely great record, and Green Lung deserve to be massive' -  Blabbermouth 9/10

'London's stoner-doom heroes have brewed up a beguiling, surprisingly diverse concoction of killer riffs, bewitching folklore and knockout songs ... the sheer quality of songwriting edges ever upwards' - Metal Hammer 8/10

'One of the best rock albums this year, and you get the sense that they have just started to hit their stride too. A fantastic blast of occult hard rock' - Echoes & Dust

GREEN LUNG's third studio album, This Heathen Land, was released last week via Nuclear Blast Records. To celebrate, the band have revealed a new video for the track 'Hunters In The Sky', and revealed a host of UK/European tour dates for 2024 with support from LOWEN and SPIRIT ADRIFT.


Tom Templar comments "We're deeply grateful to everyone who has supported the release of THIS HEATHEN LAND over the past week, whether by listening to the album, picking it up in a record shop or spreading the word online - it's been a joy to see it connect with you all. To celebrate the album release we have one final music video to share with you all.

'Hunters in the Sky' was inspired by the Right to Roam movement, who protested the banning of wild camping on Dartmoor last summer. It's a song about standing up to the English aristocracy's attempts to control our common land, and a celebration of the beautiful Dartmoor landscape, from Wistman's Wood to Crockern Tor. We'd always wanted to write a song about the Wild Hunt, one of the most dramatic European folkloric motifs, and hopefully we've done it justice. We hope you enjoy it - and huge thanks to Billy Price for directing this and all the other videos for this album, and to Blackthorn Ritualistic Folk for dancing in the video and supplying some incredible folk costumes, especially a truly majestic replica of the Dorset Ooser, who you might see on stage with us soon.."

Watch the new video for 'Hunters In The Sky' below.

Find out more about The Right To Roam at: 
righttoroam.org.uk

Catch GREEN LUNG live on their their newly announced 2024 headline dates, as well as their imminent UK headline tour.

Tickets are available from greenlung.co.uk

GREEN LUNG is
Tom Templar - Vocals
Scott Black - Guitar
Joseph Ghast - Bass
John Wright - Organ
Matt Wiseman - Drums

CAVALERA - RELEASE LYRIC VIDEO FOR 'NECROMANCER' + KICK OFF 'MORBID DEVASTATION' UK/EUROPEAN TOUR ON NOVEMBER 9TH!

On July 14th, metal legends CAVALERA released the re-recorded versions of SEPULTURA's first EP Bestial Devastation and their first full-length album Morbid Visions via Nuclear Blast Records.


Today, the band offers fans the lyric video created by Costin Chioreanu for 'Necromancer' from the Bestial Devastation EP.


Max Cavalera states, "'Necromancer' stands out on the EP. The new version and video bring to life the magic that started 40 years ago. I consider it my first 'big' song!"

Iggor Cavalera comments, “'Necromancer' is a very special song for me, it is such a powerful force of riffs, beats, and screams. The video has a super cool vibe, dark and creepy."

Check out the lyric video for 'Necromancer', below.

In two days, CAVALERA will embark on their highly anticipated 'Morbid Devastation' UK/European Tour. Accompanying the brothers on stage will be Igor Amadeus Cavalera (HEALING MAGIC, GO AHEAD AND DIE) fulfilling bass duties and Travis Stone (PIG DESTROYER, DESOLUS) will be supplying lead guitars. INCITE will be opening the tour package each night.

Purchase your tickets, here: 
https://www.cavaleraconspiracy.net/tour

Morbid Visions and Bestial Devastation were re-recorded at The Platinum Underground. The albums were produced by Max Cavalera and Iggor Cavalera while John Aquilino handled the engineering. Arthur Rizk was responsible for the mixing and mastering of both albums. CAVALERA enlisted Eliran Kantor to create the artwork for both albums.

Order Morbid Visions here: 
https://cavalera.bfan.link/morbid-visions

Order Bestial Devastation here: 
https://cavalera.bfan.link/bestial-devastation

Southern UK indiepop duo KARAMELIEN releases 'Living With The Moon' album and new video for 'Digital Imogen'

"This invigorating album presents soulful indie pop at its best. A breath of fresh air that is rich on melody, its lyrics range from confessional to tongue-in-cheek with Kaleido’s sublime vocals to smoothen this pleasureful ride. A captivating offering!" ~ The Spill Magazine
 
"Upbeat, a joyous folk-rock affair... bedecked in kaleidoscopic sixties sparkle, a slight splash of psychedelia and a whole tsunami of charm and grace" ~ Big Takeover Magazine

"A hug of soulful indie pop with groove as infectious as its melodic breath and lyrical smile is poetic... seductive captivation" ~ Ringmaster Review

''A true work of beauty and professionalism, taking you to your very own ascension heights" ~ Amplify Music Magazine


UK indie pop-rock duo
Karamelien present their debut album, 'Living With The Moon', a grounding 9-track offering that breaks from the typical songwriter mould, with sonic offerings that draw inspiration from fuzzy Lo-fi, storytelling, trip hop, and reverb-drenched 1960s film soundtracks, with a greater emphasis on beats and basslines.

Based in East Grinstead, Karamelien is singer-songwriter
Léanie Kaleido and guitarist Mark Foster - two long-time friends, whose music has forged an even stronger bond between them. This Karamelien album follows the three albums that Léanie Kaleido released as a solo artist.

Léanie and Mark were joined by one of the UK's leading bass players, Lee Pomeroy (ELO, Take That, Rick Wakeman, Yes), on most of the album's tracks. However, the song
'Ascension Heights' features bassist Morris 'Mo' Pleasure (Earth, Wind & Fire, Michael Jackson, Janet Jackson, Ray Charles), who graced the track with his funkadelic bassline.

Karamelien also present the video for
'Digital Imogen', a feisty in tongue-in-cheek warning of the dangers of obsessing over own photos on social media, which was recorded and produced by Ian Caple (Massive Attack, Tricky, Mansun, Tindersticks, Vanessa Paradis), who was also EMI's in-house engineer back in the day.

Léanie Kaleido wrote the title track 'Living With the Moon' after a year of counselling for depression and anxiety, linked to menopause and not helped by Covid-enforced inactivity and unease. She says, "On our final session, my amazing counsellor Jude, who I have kept in touch with, described the acceptance of good and bad days as ‘like living with the moon’.  I told her that would make a great song title and promised her I’d write it – and I did!  So, the lyrics are a thank you to myself for getting the help I needed at the time, a finger to the armchair critics and the toxic people who didn’t help, and a willing surrender to the lunar power over us all. It’s about the feeling of freedom you get when you stop worrying so much about what everyone else thinks and learn to accept your weaknesses and discover your hidden strengths.”

Mark Foster says, "We wanted the guitars to sound pretty processed, and a little bit ugly - which I think we achieved! I was definitely channelling the spirit of Sonic Youth, J Mascis, and a host of other beautiful noise-niks on this one".

The duo earlier released the title track 'Living With The Moon' and 'Wait For Me'with piano, mixing and production by Chris Mars (A Flock of Seagulls, Damian Wilson). Two other tracks were produced by RIDE's Mark Gardener at OX4 Sound Studio - 'Lionhearts' and 'Ascension Heights', which features a guitar sample from Léanie's late father Top Topham (original founding guitarist of The Yardbirds) and also involved Paul Statham (Dido, Simple Minds, Kylie Minogue).

As of October 27, the 'Living With The Moon' album is available from fine digital platforms, including
 Spotify, Apple Music and Bandcamp.

CREDITS
All songs written by Léanie Kaleido except Track 6, written by Léanie Kaleido & Mark Foster
Mark Foster - artistic director
Léanie Kaleido – vocals, piano, keys, Rhodes, tenor electric guitar, guitaret, string arrangements, electronic bass
Mark Foster – guitars, theramin
Lee Pomeroy – bass on Tracks 1, 3, 6, 7, 8 and 9
Morris ‘Mo’ Pleasure - bass on 'Ascension Heights'
Top Topham – sample on 'Ascension Heights'
Chris Mars – piano on 'Wait for Me'
Joe Caple – drums on 'Sewing at Sea'
Tracks 1, 3, 6, 8 and 9 produced by Ian Caple Recording
Tracks 2, 4 and 7 produced by Mark Gardener at OX4 Sound
Track 5 produced by Chris Mars Music
Additional production on 'Ascension Heights' by Joolz Dunkley
Additional production on Track 7 by Ian Caple
Mastered by Jon Astley, except initial masters for Ascension Heights and Lionhearts singles mastered by Tim at Turan Audio


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