Caitlyn Smith's HIGH & LOW Available Now on Monument Records

CAITLYN SMITH’S HIGH & LOW
AVAILABLE TODAY ON MONUMENT RECORDS
 
Self-Produced Third Album Arrives One Day After Smith Receives 
Nomination for ACM New Female Artist of the Year
 
Smith Sits Down with “CBS Mornings” to Discuss the 
Inspiration Behind the Record, Watch below

Monument Records’ powerhouse vocalist Caitlyn Smith arrives today with her self-produced album: High & Low, signaling the start of her “virtuoso creative era” according to The Tennessean. High & Low arrives after a week of celebratory moments and on the heels of Smith receiving a nomination for ACM New Female Artist of the Year. Listen HERE. 
 
“What a week! I’m both honored and grateful to be nominated for an ACM Award for ‘New Female Artist of the Year.’ What a joy it is to be in the company of such incredible artists,” shared Smith. “I moved to Nashville to chase this dream over a decade ago and to get that news the day before my third album drops is beyond anything I could have ever dreamed. This record is so personal and stepping into the producer chair for it was both terrifying and empowering, but I knew in order to grow I had to allow myself to get comfortable with the uncomfortable. I’m so excited to finally share it with the world." 
 
Smith sat down this morning with “CBS Mornings” to discuss the new project and the moments of vulnerability which inspired her to look inward for it. Watch the interview HERE.
 
For Smith, the making of High & Low represented a metamorphosis. Looking back, the award-winning songwriter realized she, as many do in the era of social media, had celebrated the “highs” of life publicly – while navigating the “lows” in private. Instead of showing vulnerability, it was easier to pretend everything was fine. But over the course of writing and producing High & Low, Smith learned to peel back the curtain, embracing all aspects of her life, including the “lows” she once held so close to vest. 
 
Smith recently kicked off her 2023 The Great Pretender Solo Tour, an unplugged, unaccompanied, unique arrangement in celebration of her new album. In partnership with DTour, the trek includes 15 independent venues across the country celebrating the stories behind the songs. Fender’s ‘Next Artist’ Alex Hall joins Smith as direct tour support. For tickets and more information visit CaitlynSmith.com.
 
DTOUR is a network of independent venues and promoters offering national artists locally owned, unique venue experiences across multiple markets. The partnership follows a history of supporting independent venues for Smith, who in 2021 teamed up with GRAMMY-nominated Old Dominion on the music video for her powerful song, “I Can’t,” to not only chronicle the desperate conditions many beloved live music venues faced due to the COVID-19 pandemic, but to encourage viewers to support the National Independent Venue Association by visiting togetherwecan.caitlynsmith.comto donate to NIVA’s Emergency Relief Fund.

The Great Pretender Tour:
April 18           Raleigh/Durham, NC     Cat’s Cradle
April 19           Charlotte, NC                 Visulite Theater
April 20           Atlanta, GA                    Vinyl
April 28           Davenport, IA                Raccoon Motel
April 29           Chicago, IL                    Avondale Music Hall
May 2              Pittsburgh, PA                Crafthouse Stage & Grill
May 3              Philadelphia, PA            City Winery Philadelphia
May 8              Boston, MA                   City Winery Boston
May 9              Portland, ME                 One Longfellow Square
May 26            Boise, ID                       The Olympic Venue
May 30            Salt Lake City, UT        The State Room
June 1              Denver, CO                   Fox Theatre
 
For more information, visit caitlynsmith.com.
 
About Caitlyn Smith
After winning a Critics Choice Award, earning a nomination for ACM New Female Artist of the Year and writing songs for the likes of Miley Cyrus, Dolly Parton, Meghan Trainor and John Legend, Garth Brooks, Caitlyn Smith has established herself as one of Nashville’s brightest rising stars. Undeniably one of the best vocalists of this generation, Smith’s 2018 Starfire and 2020’s Supernova saw her in the pages of TIME Magazine and The New York Times, and had her named to Rolling Stone’s 10 country artists to know and Paste’s 10 country artists to watch. Smith’s self-produced High, was released in April 2022, with her follow-up effort High & Low due April 14 on Monument Records.

Joe Bonamassa Puts Fans In The Front Row At Red Rocks With New Live Concert Film, Out Now

Blues Rock Star Joe Bonamassa Puts Fans In The Front Row At Red Rocks With Stunning New Live Concert Film Tales of Time
 
Featuring Groundbreaking Live Renditions From His Critically Acclaimed Studio Album ‘Time Clocks’, Including Fan Favorite “The Heart That Never Waits”

Watch the live performance video of “The Heart That Never Waits” below,
and stream the track here
 
Buy the ‘Tales Of Time’ BluRay/DVD Now

“A near spiritual experience.” – Classic Rock
“Bonamassa has never sounded better live…” – Rock and Blues Muse
“Needless to say, the playing is flawless…” – Guitarist Magazine
 

The three-time GRAMMY-nominated guitarist and 25xBillboardchart-topperJoe Bonamassahas just releasedTales Of Time, a sprawling and expansive live concert film and album shot at the breathtaking Red Rocks Amphitheatre in Colorado, out today in CD/DVD, CD/BR, vinyl, and digital formats. Hailed as “a near spiritual experience” by Classic Rock Magazine and featuring songs from his latest #1 studio album,Time Clocks,Tales Of Timecaptures a stratospheric performance by the blues-rock titan, as his virtuoso guitar style and unique technique and flair elevate the evening to an almost heavenly high.
 
To celebrate the release, Bonamassa has shared a clip of “The Heart That Never Waits(Live),” a monumental, 9+ minute rendition of the soulful and emotive standout fromTime Clocks. Featuring Bonamassa's signature guitar skills and powerful vocals, along with a dynamic rhythm section, the lyrics tell the story of a restless heart that cannot wait for love to come, always searching and yearning for a deeper connection. Bonamassa's heartfelt delivery and poignant phrasing capture the essence of the song's message, making it a standout track in his vast discography. Watch the live rendition HERE.
 
Tales Of Timewas produced by long-time collaborator and producer Kevin Shirley (Led Zeppelin, Iron Maiden, Journey). “This live show represents our most progressive and largest production to date, focusing on my most ambitious studio album to date,” commented Bonamassa. “My band was a force of nature on this show, and it truly was a special night.” For more information and to pre-order, please visit https://jbonamassa.com/

Bonamassa has just announced a handful of additional performances for 2023. Starting with the Capitol Theatre in Yakima, WA on Friday, May 26th, Bonamassa will wind his way across the west, culminating in a performance at the iconic Red Rock Amphitheatre in Morrison, CO on August 6th. Capping the summer with a previously announced two-night run with Styx and Don Felder in the northeast, Bonamassa will round out the year with performances at the Hertz Arena in Ft. Myers, FL on Friday, December 1st and Hard Rock Live in Hollywood, FL on Saturday, December 2nd. For more information and to purchase tickets, visit https://jbonamassa.com/tour-dates/
 
Cited by Guitar World as “arguably the world’s biggest blues guitarist,” Bonamassa is known for taking risks and venturing into uncharted territory throughout his wide-ranging career. His most recent full-length ‘Time Clocks’ marked his most raw, rocking studio album yet, with American Songwriter sharing, “Bonamassa pushes into fresh territory while staying within a blues-based framework,” and “there is more than enough proof in this sprawling set that Bonamassa doesn’t intend to rest on his laurels or take his star status in the blues-rock genre for granted.”
 
Bonamassa and his long-time manager Roy Weisman also recently announced Journeyman LLC, a full-service artist management, record label, concert promotion, and marketing company that builds awareness for independent artists worldwide. Journeyman provides the infrastructure needed to jumpstart the careers of exceptional independent artists, who are too often overlooked by the major labels or concert promoters while circumventing the resistance of typical “gatekeepers” who don’t support indie acts. “I wanted to take what I've had to learn the hard way to create a company that could make navigating this process a little easier,” Bonamassa explains.
 
For more information on ‘Tales Of Time’ and to purchase tickets to Bonamassa’s upcoming tour, please visit https://jbonamassa.com
 Joe Bonamassa – 2023 U.S. Tour Dates
May 26 - Capitol Theatre - Yakima, WA
May 27 - Backroads Blues Festival - Hayden Homes Amphitheatre - Bend, OR*
May 28 - Backroads Blues Festival - Chateau Ste Michelle Winery - Woodinville, WA*
August 2 - Vina Robles Amphitheatre - Paso Robles, CA
August 4 - The Cosmopolitan of Las Vegas - Las Vegas, NV
August 5 - Eccles Theater - Salt Lake City, UT
August 6 - Red Rocks Amphitheatre - Morrison, CO
August 12 - Northwell Health at Jones Beach Theater - Wantagh, NY**
August 13 - Bethel Woods Center for the Arts - Bethel, NY**
December 1 - Hertz Arena - Ft. Myers, FL
December 2 - Hard Rock Live - Hollywood, FL

*Featuring Kenny Wayne Shepherd and Joe Bonamassa
**Keeping the Blues Alive presents: Joe Bonamassa & Friends: Styx and Don Felder, formerly of the Eagles

About Joe Bonamassa
Blues-rock superstar Joe Bonamassa is one of the most celebrated performing musicians today. A three-time GRAMMY-nominee, Bonamassa earned his 25th No. 1 on the Billboard Blues Album Chart, with his latest studio album ‘Time Clocks.’
  
Bonamassa earned his third GRAMMY nomination with 2020’s ‘Royal Tea,’ recorded at the legendary Abbey Road Studios. The album brought Bonamassa full circle: reconnecting the guitar-slinging kid who stumbled across the best of British-blues in his dad’s vinyl collection to the player he is today. That same year, Bonamassa delivered a groundbreaking live performance from the legendary Ryman Auditorium in Nashville, where he played ‘Royal Tea’ in its entirety to over tens of thousands of people across the globe via livestream, recording the full set for the live concert film and album ‘Now Serving: Royal Tea Live From The Ryman,’ released in 2021.
 
Bonamassa also runs Keeping the Blues Alive Foundation, a non-profit that promotes music education and blues music by funding scholarships and providing music education resources to schools in need. To date, the foundation has provided schools and teachers with over $1 Million and has positively impacted 90,000 students in all 50 states.
 
Created by Bonamassa and Roy Weisman, Keeping The Blues Alive Records (KTBA Records) has released albums for many artists, including musical icon Dion’s ‘Blues With Friends,’ Chicago Queen of Guitar Joanna Connor’s ‘4801 South Indiana Avenue’ and British Blues-Rock star Joanne Shaw Taylor’s ‘Blues From The Hear Live,’ all of which debuted at No. 1 on the Billboard Blues Charts, while Blues-legend Larry McCray’s ‘Blues Without You’ debuted at No. 2. Bonamassa plans to produce and release more artists on KTBA Records this year.
 
Journeyman LLC, the newest endeavor between Bonamassa and his long-time manager Roy Weisman, is a vertically integrated music management, concert promotion, and marketing company that builds awareness for great live artists worldwide. After years of perfecting strategies, while building Joe Bonamassa’s career, the company will utilize the same savvy tactics which allowed them to overcome industry barriers that typically held back artists from achieving success. Bonamassa has been keen on using his experience to pay it forward to help other artists navigate the murky industry waters. Consequently, Journeyman sets itself apart in this way as being the true market maker for its artists.

ATHEIST - ANNOUNCE PIECE OF TIME, UNQUESTIONABLE PRESENCE, ELEMENTS, AND JUPITER VINYL AND CD REISSUES!

Earlier this year, progressive death metal legends ATHEIST re-released their entire discography, comprised of 4 albums that span the band's 30-year career, on all streaming services worldwide. The return to digital platforms was the first phase of a comprehensive re-issue campaign. Today marks the second phase, with which the band is offering their albums in various physical formats with all-new revised layouts. All four studio albums will be available on CD and vinyl on July 14th via Nuclear Blast.

ATHEIST's Kelly Shaefer comments, "We are proud to bring the musical catalog of ATHEIST to the mighty Nuclear Blast. We couldn't ask for a better place to land the musical creations of ATHEIST that now span over 30 years. It's exciting to know that our music will be made available on all formats by the biggest metal label on EARTH!"

The albums will be available in the following formats:

Piece of Time (1990)

• CD Jewelcase

• Red w/ Brown & Yellow Splatter Vinyl (Limited to 1500)

• Listen & Order here: https://bfan.link/atheist-piece-of-time

Unquestionable Presence (1991) 

• CD Jewelcase

• Sea Blue with Yellow and Light Blue Splatter Vinyl (Limited to 1500)

• Listen & Order here: https://bfan.link/atheist-unquestionable-presence

Elements (1993) 

• CD Jewelcase

• Purple w/ Blue Splatter Vinyl (Limited to 1500)

• Listen & Order here: https://bfan.link/atheist-elements

Jupiter (2010)

• CD Jewelcase

• Yellow w/ Blue & Brown Splatter Vinyl (Limited to 1000)

• Listen & Order here: https://bfan.link/atheist-jupiter

Pre-order the albums on the vinyl or CD of your choice here: https://nblast.de/AtheistShopInt

Listen to ATHEIST's discography at the link below: 
https://nblast.de/Atheist-DSPs

Colorado's A SHORELINE DREAM presents dark expansive journey on 'Driveaway' single

Delicate curves and beauty... a glorious dawn" – PopMatters

"Goth heaven... one of the leading lights of the neo-shoegaze movement" – DKFM

"A sonorous journey – a inward looking, lush and wonderfully orchestrated sonic adventure with dark intensity" ~ Spill Magazine

"A wild and beautiful thing" – The Big Takeover
 
"Shadowy and storming dreaminess" – Stereo Embers Magazine


Iconic shoegaze / postpunk outfit A Shoreline Dream presents 'Driveaway', a track that truly spells what A Shoreline Dream is all about. A song meant to drive to. A song that flows and wants to be put on repeat. Full of sea drenched layers and huge expanses.

Filmed in Barnum and Central City, Colorado, Jessica Halpine stars in this dark journey of a video, which was filmed, directed and edited by Ryan Policky with costumes by Tiffany Smyth and Jessica Halpine.

This is the latest audio-visual offering from their sixth full-length album 'Loveblind' album, released via Latenight Weeknight Records, which dives into recollections and past desires while looking forward in a wash of soundwaves towards a blinding future. With 40 minutes of goth-laced progressive soundscapes, this album features immense synth layers, the band's signature guitar and symphonic vocals.

Having changed lineups over the years, A Shoreline Dream since forming in 2005, today ASD revolves around multi-instrumentalist and vocalist Ryan Policky and guitarist Erik Jeffries. Their legacy became even more lush owing to collaborations with legends such as Ulrich Schnauss, Mark Kramer and The Engineers. The band also opened for Chapterhouse for their very final appearance.

"After many months of pushing ourselves through the pandemic, we came up with this early on in the exploration of the 'Loveblind' album. The visual concept is based on a lot of what has been happening to people just going about their normal everyday lives, only to be now forcefully expelled from feeling any sense of freedom. Now that many are getting back to our pre-pandemic lives, we’re finding ourselves in an entirely new situation. A situation where lines are constantly crossed, art is overly scrutinized, and people are at each others throats trying to separate themselves to try and reset their entire existence. Computers and technology advances are faster than we can control, and our realities are being changed at every moment by a whole new way of living. Some are giving up," says Ryan Policky.

"Some are using it as a way to escape. Others are just moving into a hibernation state. In the video this is entirely the case. A person expelled by an unknown force. Something that is part artificial, and mostly real. A state of dreamy and a state of confusion. We follow along as it all blends together in a place from distant past. A place where we all find ourselves eventually."

The pandemic has taken its toll on our mental well-being and the perception of money and power has blown previous years away. Dying to get back to the good times and moments of pure, unscathed lust, we long for new experiences to sweep us off our feet. 'Loveblind' reaches for that same energy, taking cues from previous A Shoreline Dream works, drawing from their progressive goth roots. Layers of moodiness, blissful explosions of rock and chugging tempo mix with the pain, love, hope and moments of near death experienced while creating the album itself.

"The video was shot on location in Barnum, Colorado, involving one of my favorite treks up in the mountains - the Central City Graveyard on the far end of town, hidden at the top of a mountain, buried in layers of trees with nonstop exploration. I utilized a bit of machine learning techniques to bring that element of out-of-control computer advancements, while merging in the lore of witches being cast away in the wardrobe stylings by Artsmyths, Inc., who helped pull together the style for our recent 'Loveblind' and 'Harlow Syndrome' videos," says Ryan Policky.

The 'Loveblind' LP is out now digitally, available everywhere, including Spotify, Apple Music and Bandcamp. The band have already started working on new material, and expect to be able to make an announcement about this soon.


Keep up with A Shoreline Dream
Website | Bandcamp | Facebook | Twitter | Instagram | Soundcloud | YouTube | Spotify | Apple Music | Press contact

Keep up with Latenight Weeknight Records
Website | Facebook | YouTube

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | Spotify | LinkedIn | Email

Ian Munsick Brings the West to the Rest with WHITE BUFFALO, Available Now

IAN MUNSICK BRINGS THE WEST TO THE REST:
SOPHOMORE ALBUM WHITE BUFFALO OUT NOW, LISTEN HERE

“White Buffalo” OMV Premieres Today Across All CMT Platforms,
Paramount Billboards in Times Square

Flagship Track "Long Live Cowgirls" Receives RIAA Gold Certification
with Nearly 100 Million Global Streams and Counting

Wyoming native Ian Munsick is spreading the Rocky Mountain gospel with the release of his highly anticipated sophomore album White Buffalo, out now (stream / purchase HERE). With 18 tracks that all credit Munsick as a co-writer and co-producer, White Buffalo is an ode to his homeland and serves as a raw, untamed depiction of the American West. 

“All I’ve ever wanted to do as a country music artist is represent the West,” Munsick shared. “The land, people, stories and culture are all what give me endless inspiration to create music. I started writing the songs for White Buffalo three years ago. I’d never been so eager to write, and a big factor in that excitement was the way you all responded to my last album, Coyote Cry. But this time, I really wanted to transport all five of your senses to where I was born and raised. I hope you smell the alfalfa pastures, taste the crack-of-dawn Folgers coffee, feel the numbing waters of the Blackfoot river, hear the summer wind blowing through the Indian Paintbrush and, finally, see the White Buffalo wandering through the Wyoming prairie. This album is for the West… thank you for letting me take you there.”

The official music video for the album’s title track premiered today across all CMT platforms and the Paramount billboards in Times Square. Shot at Diamond Cross Ranch in Jackson Hole, the video underscores the expansive Wyoming landscape and lifestyle. Munsick, who has been vocal about the influence of Native Americans on his upbringing and the larger western culture, shined the spotlight on friends Stephen Yellowtail, Dougie Hall and Sammy Jo Bird. Watch the video, directed by Cam Mackey, HERE.
 
Fans joined the high-energy entertainer in downtown Nashville last night for a pop-up show and live stream at Ole Red in partnership with Circle. He performed songs from the new album including “More Than Me,” “Dig” and his viral smash “Long Live Cowgirls” to a packed house. Check out the livestream HERE. The flagship track from White Buffalo, “Long Live Cowgirls” (with Cody Johnson) has topped SiriusXM The Highway’s Hot 30 Countdown and accumulated nearly 100 million global streams, recently becoming Munsick's first career RIAA Gold-certified single. The album also features country legend Vince Gill on “Field of Dreams” (listen HERE).    
 
Munsick will head back on the road for his headlining Long Live Cowgirls Tour on April 14 and will continue into May, including his first arena shows. The remaining stops feature Ned LeDoux, Ryan Charles, 49 Winchester, Ashland Craft and The Munsick Boys on select dates. He will also hit Stagecoach Festival on April 28 before heading to Nashville, TN for his sold-out, headlining debut at the world-famous Ryman Auditorium on May 16. 

Produced by Jeremy Spillman and Ian Munsick
*Produced by David Ryan Harris, Dave Villa and Ian Munsick
**Produced by Chris LaCorte and Ian Munsick
***Produced by Ian Munsick
^Produced by Ian Munsick and Jared Conrad
^^Produced by Dave Villa and Ian Munsick
†Produced by Ian Munsick and Phil O’Donnell
††Produced by Ben Simonetti and Ian Munsick
 
Long Live Cowgirls 2023 Tour + More:
April 14 // Clive, IA // Horizon Events Center#
April 15 // Ralston, NE // Liberty First Credit Union Arena#
April 25 // Tucson, AZ // Rialto Theatre$+
April 26 // Tempe, AZ // Marquee Theatre$
April 28 // Indio, CA // Stagecoach Festival^
May 4 // Billings, MT // First Interstate Arena at MetraPark†#@
May 6 // Denver, CO // Mission Ballroom#
May 16 // Nashville, TN // Ryman Auditorium#
Aug. 13 // Atlanta, GA // Buckhead Theatre *rescheduled from March 16
 
#With Ned LeDoux
$With Ryan Charles
+With 49 Winchester
^Festival date
†With Ashland Craft
@With The Munsick Boys
  
About Ian Munsick:
A native son of Wyoming, Ian Munsick is painting a stampeding, spirited portrait of the American West with his sophomore album White Buffalo, out now. The 18-track album spans unfiltered tales of romance and ranch life, hard-working anthems with honkytonk hooks and mountain-time odes to family and forever-young fun. It builds upon the spacious roots-pop beauty he introduced on his major label debut, Coyote Cry. Over the past three years, the 29-year-old has accumulated nearly 450 MILLION global streams and a host of accolades. He has been named an “Artist to Watch” by Spotify, CMT, Fender, MusicRow and more. A seasoned entertainer, having grown up tending cattle by day and playing music in a family band each night, Munsick toured recently alongside country music superstars Morgan Wallen and Cody Johnson. Beyond his noteworthy professional accomplishments, he has also become both a husband and a father. Now the Warner Music Nashville recording artist and multi-instrumentalist is representing his home, and its special cast of people, like never before. The first release from White Buffalo, standout duet “Long Live Cowgirls” (with Cody Johnson), hit No. 1 on SiriusXM’s The Highway Hot 30 Countdown and was named one of Amazon Music’s Best Country Songs of 2022. Fans of Ian Munsick will always find an open heart, natural awe and plainspoken honesty as he rides on… bringing the West to the rest. 

BRODEQUIN Re-Issues All Three Full-Lengths via Season of Mist

Brutal death metal outfit BRODEQUIN will be reissuing all three of its full-length records on LP and CD format via Season of Mist! The trilogy of ‘Instruments of Torture’ (2000), ‘Festival of Death’ (2001), and ‘Methods of Execution’ (2004) is a cohesive collection of the relentless, neck breaking brutality that define the Tennessean’s vicious sound. All three albums will be released on May 26, 2023 and can now be pre-ordered HERE.

In the meantime, "Methods of Execution" (2004), "Festival of Death" (2001), and "Instruments of Torture" (2000) are now streaming on all digital platforms!

BRODEQUIN will be performing as part of the Gored in the Heart of Texasfestival, which will take place during the weekend of September 21-23 in Haltom City, TX! The band has also be confirmed for the 2024 edition of Maryland Deathfest! The itinerary can be found below!

BRODEQUIN Live U.S. 2023:
09/21-23: Haltom City, TX @ Gored in the Heart of Texas Fest [TICKETS]

BRODEQUIN Live U.S. 2024:
05/23-26/2024: Baltimore, MD @ Maryland Death Fest [TICKETS]

The Brodequin was a French torture instrument used during the Middle Ages designed to destroy the legs of its victims. Enough ferocity was unleashed to not only shatter bone, but reduce the limbs to the point where the marrow would flow from the wounds.

Taking inspiration from this period in history three individuals from Knoxville, TN began composing music based off what was the most brutal of times. Brodequin chose and still uses period woodcuts and simple imagery from the era as a nod to its historical influence and as a way to demonstrate barbarity without the need for generic splatter illustrations that lack substance. This imagery would prove an important aspect of creating the bands unique brand among their peers and Brodequin’s version of brutal death metal. Brodequin is often cited as the band that pioneered the lyrical and visual themes of medieval punishment and torture used by many contemporary bands.

Brodequin’s first offering in 1998 “Instruments of Torture” made an immediate impact on the brutal death metal scene and was followed by another well received album entitled “Festival of Death”. For Brodequin’s third album “Methods of Execution” a new member (Jon Engman) was introduced and their first European appearances took place at Fuck the Commerce (Germany) and Obscene Extreme (Czech Republic). 

After a considerable hiatus Brodequin returned with a 2 song promo released in 2021 entitled “Perpetuation of Suffering”, featuring two of the three original members (Jamie & Mike Bailey) with a new drummer (Brennan Shackelford). With the lineup complete, Brodequin’s new material is among the best they have ever written. Plans are set for a 2023 release through Season of Mist Records.

“…It doesn’t get darker than that. It’s just like this giant mess of darkness. And I also feel that total commitment to what they’re doing.” - Ben Monder Guitarist on David Bowie’s Blackstar

Line up:
Jamie Bailey: Bass/Vocals
Mike Bailey: Guitar
Brennan Shackelford: Drums

Links:
www.brodequinofficial.com
www.facebook.com/brodequinTN
www.brodequin.bandcamp.com
www.instagram.com/brodequintn

Stream/download:
https://orcd.co/brodequin-methods
https://orcd.co/brodequin-festival
https://orcd.co/brodequin-torture

Shop: https://redirect.season-of-mist.com/BrodequinReisssues

Genre Bending Rock Artist CAGE WILLIS Releases New Album 'Who I Am' Out Now!; Announces Spring Tour with Legendary Classic Rock Band Foreigner!

Stream/Download Music

https://koji.to/cagewillis

Genre bending rock artist Cage Willis released his debut album Who I Am today! The album featuring “Hallucinate” and “Way Out Here"is best played turned up to 12! Who I Am was produced by Chris Robertson and engineered by Jordan Westfall. Cage will be on tour in support of the new record this spring with legendary classic rock band Foreigner!

“We recorded this record out in the boonies up in the hills of Kentucky. Such an inspiring place to be and create Who I Am. Getting to work with Chris and Jordy is such a blessing,” says Cage.

Genre bending, Alternative Outlaw, Southern Rock artist Cage Willis breaks all the rules with his debut album, Who I Am. Like dynamite drenched in gasoline, Who I Am delivers an undeniably explosive listening experience. Willis’ powerfully honest vocal, attitude fueled guitar playing, and inspirational songwriting will have you immersed in an instant. The debut album, produced by hit songwriter Chris Robertson of Black Stone Cherry, will leave your soul overflowing. A beautifully balanced masterpiece of modern tones paired with classic southern flavor. Follow Cage on social media for updates on new music, tour dates, and more!

Upcoming Cage Willis Shows:

4/7 - Mount Carmel, IL - Record Release Show - Vicks
4/21 - Louisville, KY - Hitching Post Inn
4/22 - Nashville, TN - 404 Bar
4/29 - Wichita, KS - Nortons Brewing Co
4/30 - Park City, KS - Hartman Arena w/ Foreigner
5/2 - Topeka, KS - Stormont Vail Events Center w/ Foreigner
5/3 - Ralston, NE - Liberty First Credit Union Arena w/ Foreigner
5/9 - Duluth, MN - Symphony Hall w/ Foreigner
5/10 - Fargo, ND - Scheels Arena w/ Foreigner
5/17 - Evansville, IN - Old National Events Plaza w/ Foreigner
5/19 Kalamazoo, MI - Wings Event Center w/ Foreigner
5/20 - Cincinatti, OH - Fretboard Brewing Co
5/21 - Salem, VA - Salem Civic Center w/ Foreigner
5/23 - Johnstown, PA - 1st Summit Arena w/ Foreigner
6/2 - Nashville, TN - The Cobra
6/3 - Willow Hill, IL - Sky Saloon
6/10 - Vincennes, IN - Electric River Jam

For More Information Please Visit:

Instagram

Facebook

YouTube

Spotify

Punk Rock Factory Unleash New Album 'It's Just A Stage We're Going Through' + Drop New Music Video For "Mamma Mia"

Irresistible pop-punk rascals PUNK ROCK FACTORY are celebrating the release of their new album by sharing a brand new single and video. Made world famous by pop icons ABBA when their now classic single shot to #1 in multiple countries in 1974, 'Mamma Mia' also became the title track of the smash-hit musical that launched in 1999.

PRF's reimagined version of 'Mamma Mia' - streaming here - is just one of 11 high-octane, certified bangers on their rabidly anticipated new album, It's Just A Stage We're Going Through, out today.

Having reworked the song, PUNK ROCK FACTORY have paid faithful homage to ABBA's original video for the track - recreating it frame by frame, right down to the white boots and hair styles. The band elaborate:

"We were already aware of the accompanying iconic video that the original song had. So we thought how absolutely hilarious it would be if we could recreate that video shot for shot. We love having fun with our videos, and we love any excuse to make idiots of ourselves so this was right up our street.

We got to work on trying to match the outfits as much as we possibly could (it’s not easy finding size 12 knee high boots)! We painstakingly looked for every element of each of the outfits and anything else you see in the video and we synced the original video to our track so we could learn our parts and make sure every little nuance was copied.

We shot the video at Band Studios in Bristol with our good friend Jay Hillyer after a very long drive back from our sold out show in Glasgow the previous day. We had the original video on a screen in front of us to make sure we could copy every part of the video as closely as we possibly could, and then spent most of the day in fits of tears laughing back at takes.

Mamma Mia is definitely one of our favourites from our new musicals themed album. We think it came out great and this has to be one of the most ridiculous videos we’ve ever had the pleasure of working on. We hope everyone finds it as funny as we did. Our hope is we can get it in front of ABBA, and hope they find it as funny!!"

A most splendid visual spectacular, watch it below.

New album, It's Just A Stage We're Going Through, is self-released today. The band commented:

"As we are a completely DIY operation, we adapt and learn each time we make a record, from the arrangement to production to how we work as a collective. We've created a record that we’re truly proud of and we hope it has the balls to stand up with all the other amazing bands out there on the scene today."

Rock N Load scored it 10/10, declaring, "The perfect next step for these guys... this is just another masterpiece."

The Razor's Edge praised, "There is a joyous feeling the band put over in the music and it’s infectious."

Moshville enthused, "PRF have this incredibly annoying knack of making everything they play sound like fun. If you have heard the original version, then it helps (and you can really appreciate what they’ve done with it). If you haven’t then you usually end up wanting to, just so you can compare it to the punk-poptastic sensation you just bounced through. Such was the case with me as I listened to It’s Just A Stage... Over and over again."

Punktastic favourably concluded, "The good news? ‘It’s Just A Stage We’re Going Through’ absolutely stands up as a pop-punk album. The bad news? You will have these songs living rent-free in your brain forever... ‘It’s Just A Stage We’re Going Through’ was meant to be fun, candy floss nonsense from a set of absolute professionals to get both young and old feet bouncing, and it absolutely achieves that goal." 

Distorted Sound summed up, "PUNK ROCK FACTORY have truly broken the mould with this release... Whether you’re a fan of musicals, or punk rock, or both, this album is a feel-good party-inducing release. It genuinely can be enjoyed by a vast audience, which is exactly why PUNK ROCK FACTORY have such a growing fanbase."

ABOUT PUNK ROCK FACTORY:

PUNK ROCK FACTORY are the kings of turning any song into a pop punk masterpiece. The boisterous four piece from South Wales take all your favourite tracks and make them sound like you never quite imagined they could! No-one is immune - these four lads have adapted everything from Disney classics and assorted rock & pop hits to TV themes from across the decades. 

Since their debut self-release in 2019, PUNK ROCK FACTORY have been steadily gaining a colossal online fan base. The cultural sensations have racked up over 26 million streams on Spotify and 5.1 million likes on TikTok, with over 250,000 followers on Instagram, and over 11 million views on YouTube.

The group rehearse, write, and record everything themselves in their own purpose-built studio, affectionately known as The Sausage Factory. They regularly include a wide range of special guests in their music, which have included the likes of actress/singer Jessica Darrow (Disney's Encanto), Jaret Reddick (Bowling For Soup), and Spencer Charnas (Ice Nine Kills) amongst others - now welcoming Simple Plan’s Jeff Stinco for a face-melting solo on ‘Waving Through A Window’(from ‘Dear Evan Hansen’).

PUNK ROCK FACTORY played their first ever live show at the UK's Bloodstock Festival in 2021 and followed up with a sold out UK tour and slots at Download and Slam Dunk in 2022. The band have steamrolled into 2023, selling out every show again on their second UK tour, including their largest headline show to date at Nottingham's infamous Rock City. With festivals practically queuing up to book them too, don't miss an opportunity to catch them on stage if you can!

New album It's Just A Stage We're Going Through is out now.

Prog Metal Outfit POH HOCK Share New EP ‘Gallimaufry’ Out Today!

POH HOCK

Share New EP ‘Gallimaufry’

Order HERE

Names Favorite Shredders for Metal Sucks

Read HERE

Progressive rock trio POH HOCK have released their new EP, ‘Gallimaufry’, which is out today on the group’s Bandcamp and all major streaming platforms.

The new record features the singles “Fragile Space” and “I Don’t”, and is the follow up to the project’s 2019 debut ‘Ātma’.

Commenting on the release of the new EP, POH HOCK shares:

“The dictionary definition [for Gallimaufry] is ‘a confused jumble or medley of things’. This EP is a collection of songs mixed with many different genres, and the title perfectly sums up the soundscape of the record. It is less guitar-centric and more focused on experimentation with songwriting, as well as a learning experience on different writing styles. This was also a more collaborative effort between Joey, Zak and I compared to my first EP, ‘Atma’. There are also guest musicians on every track, and it was fun working with all of them!”

POH HOCK, formerly the guitarist for the now defunct Native Construct, spoke with Metal Sucks about his favorite shredders under the age of 30. Check out the story HERE

If you are looking for innovative, complex, and moving music, then look no further than the work of POH HOCK KEE. Best known as the lead guitarist for metal bands Native Construct (defunct) and presently Replacire, the Boston-based artist would release his debut solo effort, 2019’s ‘ĀTMA’ EP, showing a whole new side to his musical proclivities.

Now four years later, POH HOCK returns with 'Gallimaufry', a new EP that explores even more diverse avenues and eclectic soundscapes.

POH HOCK are:

Poh Hock - guitar

Zak Baskin - bass

Joey Ferretti - drums

Lusitanian Ghosts present 'The Long Train' single, showcasing alternative pop-rock with traditional instruments

"Magnetic appeal... creating a broader cultural and sonic arsenal, while maintaining a buoyancy that takes the listener on a fantastic ride from start to finish" ~ The Spill Magazine

"Lusitanian Ghosts impressively channel tools of the past to create a beautiful sonic vision. Innovative in their use of traditional instruments to make modern pop-rock, this music is upbeat, quirky, feels familiar and is catchy as hell" ~ Big Takeover Magazine

"Highly melodic and sonically great...  a pertinent, contemporary collection of songs that is full of dignity" ~ Amplify Music Magazine


Trans-Atlantic alternative neo-folk collective Lusitanian Ghosts present 'The Long Train', engineered and mixed by SEBASTIAN MUXFELDT (Elbow, Peter Doherty, Teenage Fanclub) at Clouds Hill Studios in Hamburg.

This is the first single from the band's forthcoming 'Lusitanian Ghosts III' album, due out later this year via European Phonographic. The Ghosts offer a brilliant taste of the sonic prism through which they present ancient sounds in the 21st Century.

Lusitanian Ghosts is a Portuguese-Canadian-Swedish project that resurrects lost Portuguese chordophones and other European string instruments, promoting ancient sounds in the 21st century. Re-casting these heritage folk violas into rock n roll songs, the European artist collective writes from a socio-political perspective on building a better world, creating songs for the heart and mind, recording on analogue tape and releasing moving music on vinyl.

Founded by Neil Leyton and Micke Ghost, the collective is currently made up of João Sousa, Abel Beja (from Primitive Reason), ToZé Bexiga (from Raia) and Jan-Eric Olsson, performing on traditional Portuguese chordophone instruments, ancient regional guitars like the Amarantina, Beiroa, Campaniça, Braguesa, Toeira and Terceirense. These instruments, once on the verge of extinction, are the real "Lusitanian Ghosts" - Lusitania being an ancient Celtic tribe in what would become the central territory of Portugal.

“The Long Train is a song celebrating freedom, celebrating life, celebrating the act of setting yourself free so that you may reach that transcendental level of commitment that only comes with true love.” Confusing? “Oh, and it’s also about storks!” says Neil Leyton.

Micke Ghost adds, "'The Long Train' is a commentary on the state of the world today but with a bit of hope... like the New York Dolls took their electric guitars to the pawn shop. With a bit of plastic soul. .Written in Setubal, Portugal, this was recorded and mixed on analogue tape at Clouds Hill in Germany."

Recorded and mixed on analogue tape, this song features the violas Amarantina, Campaniça and Terceira in glorious mono and stereo versions, bringing a new vintage chordophone rock n roll sound from the Ghosts. It was tracked on a Studer A820 2″ analogue tape machine, mixed down to 1/4 inch tape on the AEG Magnetophon 15 A, including both stereo and mono mixes.

From a deep love of rock n roll rooted in strong vocal traditions from Elvis Presley to David Bowie, Neil Leyton and Micke Ghost craft folk-rock songs that will appeal to fans of The Waterboys, Nick Cave & The Bad Seeds, and newer alt-folk-rock experimental crossings of rock n roll with other genres and traditions, like XIXA.

Lusitanian Ghosts' sophomore album 'Exotic Quixotic' was released with a Deluxe Edition featuring bonus tracks, adaptations of the title track into Portuguese and Polish, feat. Joana Negrão (A Cantadeira) and Misia Furtak.

As of March 31, 'The Long Train' LP will be available everywhere digitally, including Spotify, Apple Music, and directly from the aritist via Bandcamp.

SINGLE CREDITS
António “ToZé” Bexiga - Viola Campaniça and piano
Janne Olsson - bass and Viola Beirão
João Sousa - drums and Adufe
Abel Beja - viola Terceira and backing vocals
Neil Leyton - vocals
Mikael Lundin aka Micke Ghost - vocals and Viola Amarantina

All songs by Neil Leyton and Mikael Lundin aka Micke Ghost
Published by Lusitanian Music Publishing
Produced by Neil Leyton and Mikael Lundin
Recorded at Clouds Hill Studios, Hamburg
Engineered & mixed by Sebastian Muxfeldt
Assisted by Schulie Pieper
Mastered by Chris von Rautenkranz at SoundGarden Hamburg
Cover art photography by Swedish photographer Stina Wigg


Keep up with Lusitanian Ghosts
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Aurora Dream Releases Debut Full-Length Album 'RUBIX' to all major platforms!

Miami-based instrumental prog and math rock project Aurora Dream founded by 26-year-old Venezuelan guitarist Daniel Morales has released their highly anticipated first full-length album titled RUBIX. This album is the follow-up to their latest single and music video "Comfy," which features the well-known Japanese guitarist Ichika Nito.

Prior to the release of "Comfy," Aurora Dream also put out a remixed and remastered version of "Parallel Colors" from 2016, this time featuring Chris Allisonon drums, and also the single "A New Infinite" that features well-known Australian guitarist Plini, along with his bassist Simon Grove.

RUBIX was produced by Randy Slaugh, who provided a lot more dynamics to the record with his modern production techniques and layers that enhanced the listening experience with creative genre fusions. The album was also co-produced by keyboardist and synth player Eric Guenther from "The Contortionist," who teamed up with Randy and added his psychedelic, progressive, and ethereal sounds that added a lot more dimension to the album, creating a truly immersive experience.

Well-known Australian drummer Chris Allison from Plini performed drums on RUBIX, giving the record a lot more energy through his performance. Mangus Steedperformed bass on the album, providing his unique bass lines, riffs, and phrases that complemented Chris' drums amazingly. Simon Grove mixed RUBIX, while well-known Venezuelan engineer Moises D' Bello mastered it.

RUBIX features some of the best guitar players in the modern scene, including Tim Henson (Polyphia), Nick Johnston, Javier Reyes (Animals as Leaders), Sithu Aye, Angel Vivaldi, Ichika Nito, Mark Holcomb (Periphery), Felix Martin, and Josh Martin (Little Tybee). Additionally, this album features a harp section by Gabriela Gutierrez (Hardcore Harp) on the track titled “Same Opposites.”

The album is truly a masterpiece and a monument for instrumental guitar music because it delivers a profoundly unique listening experience that showcases many interesting genre fusions with prog rock and math rock, combined with modern production that adds more personality to the record and makes it stand out from the rest. The features also add a lot to the experience, not only giving each track a different twist that is unique to each player but also creating one of the biggest album guitar crossovers we have seen yet.

The production layers of RUBIX are inspired by many different genres, including pop, psychedelic rock, lo-fi, synthwave, post-rock, emo, and experimental music. Aurora Dream and Daniel Morales continue to innovate and push the boundaries of guitar music with their unique sound that fuses many different styles and creates a very fun experience that showcases Daniel's talent with his guitar tapping, complex riffs, strange time signature changes, and melodic writing that add on to the experience, making it a roller coaster of emotions across the entire record.

This album is available for purchase and streaming on all music platforms.

RUBIX Vinyls and CDs are coming out later this year, along with music tabs.

T-shirts are available for sale here:

https://www.amazon.com/dp/B0BZJTKT9L?ref=myi_title_dp

Aurora Dream has set up a GoFundMe page where fans can pitch in to help fund their musical project. The ultimate goal is to plan a tour and land gigs at big music events, but they need your help to make it happen. If you're interested in contributing to this awesome cause, check out their page here: https://www.gofundme.com/f/help-me-get-aurora-dream-on-tour?utm_campaign=p_lico+share-sheet&utm_medium=copy_link&utm_source=customer
Every little bit counts, let’s make it happen!

“I started writing 'RUBIX' in early 2019 as a way to escape a very long depression that I was struggling with since the end of 2018. This was also around the time I wrote the song 'Doggy' as a memorial to my dog who had passed away due to cancer in early 2019. Playing guitar in my room helped me a lot, just like performing small shows at local venues, open mics, and bars around Miami and Wynwood. I never imagined that something that started as a simple bedroom produced album that was purely meant to be shared with my close friends and family would later turn into something much bigger after connecting with many talented people that shaped my artistic vision and helped me take it to another level through collaborations and other creative efforts," says Daniel.

He adds, "Despite all the collaborations and collective ideas, this record feels very personal to me because it embodies all of the emotions I experienced during some of my saddest and happiest times in the past four years. Just like a Rubik's cube, I was able to reshape my life into something much brighter that gives me purpose, belonging, and true fulfillment that aligns with who I am, not just as an artist, but also as a person. I will always be grateful for all the people who worked on this project, my fans, my friends, family, and all the people that supports my journey as I continue to deliver my vision as an artist through my music projects.”

Album Credits:

Guitars: Daniel Morales
Bass: Mangus Steed
Drums: Chris Allison
Keys & Synths: Eric Guenther
Harp on “Same Opposites”: Gabriela Gutierrez (Hardcore Harp)

Album Features:
Tim Henson (Polyphia) – Reframe / Reshape
Nick Johnston – Parallel Colors
Javier Reyes (Animals as Leaders) – Floral
Sithu Aye – Perfect Skies
Angel Vivaldi – Same Opposites
Ichika Nito – Comfy
Mark Holcomb (Periphery) – Happy Moon
Felix Martin – Doggy
Josh Martin (Little Tybee) – Rewind / Repeat

Production & Layering: Randy Slaugh
Mixed by: Simon Grove
Mastered by: Moises D’ Bello

Art Direction: Daniel Morales
Artwork: Jakub Krzyszkowski
Layout & Design: Rui Carneiro
Photography: 4102 Productions
Photo Edits: Alejandro Hernández

Aurora Dream is a Miami, Florida-based musical project that was founded by Daniel Morales in 2016, during his final months at university. The project was launched with the release of "Parallel Colors (Demo)," a single that was originally meant to be a personal release. However, due to high demand during live shows, Daniel decided to establish a separate project.

Aurora Dream pushes the boundaries of traditional guitar music with its unique fusions, writing styles, and production techniques. Despite this, the project retains its signature progressive, modern, and ethereal sound. As the driving force behind Aurora Dream, Daniel Morales has grown the project independently with the help of numerous talented individuals in the music industry. The result has exceeded his expectations, and the project has expanded beyond his original vision.

Daniel Morales, also known as “Duniel”, is a Venezuelan-American independent guitarist, entrepreneur, and composer. He is best known as the founder of the instrumental project Aurora Dream, and also releases music under his own name where he explores his creative ideas and continues to expand the boundaries of guitar music. Daniel composes, plays guitar, records, and manages his unique brand of instrumental progressive music, all from his bedroom studio. Born in Mérida, Venezuela, on September 11th, 1996, Daniel is considered to be one of the most successful and influential guitarists from his home country. His inspirations revolve around progressive rock, metal, emo, math rock, pop, and experimental music.

For More Information Please Visit:

Aurora Dream - Social Media Links:

Official Website

Instagram

Facebook

Twitter

Discord

Reddit

Donations

Daniel Morales - Social Media Links:

Official Website

Instagram

Facebook

Twitter

TikTok

Twitch

YouTube

Soundcloud

BandCamp

Discord

Reddit

FEAR FACTORY - Announce Mechanize + Re-Industrialized Reissues + Release Lyric Video for "New Messiah"

Industrial metal pioneers FEAR FACTORY have solidified their importance and have become champions of the Metal community. Today, the band is proud to announce that Re-Industrialized and Mechanize will be available as re-issues on June 23rd via Nuclear Blast Records.

In celebration of the reissues, the band releases a remixed and remastered version of their sleeper hit "New Messiah". Watch the lyric video for the single for the first time ever.

Stream the new single "New Messiah" here: https://fearfactory.bfan.link/new-messiah
Watch the lyric video for "New Messiah" below.

Pre-order/pre-save Re-Industrialized, here: https://fearfactory.bfan.link/re-industrialized
Pre-order/pre-save Mechanize here: https://fearfactory.bfan.link/mechanize

The Re-Industrialized reissue features a brand new remix (with live drums), by Greg Reely (Demanufacture, Obsolete, Mechanize), new artwork, and 6 bonus tracks.

Pre-order/pre-save Re-Industrialized, here: https://fearfactory.bfan.link/re-industrialized

Mechanize will feature the album as well as 3 bonus tracks.

Pre-order/pre-save Mechanize here: https://fearfactory.bfan.link/mechanize

FEAR FACTORY is currently on tour with headliner STATIC X on the "Rise Of The Machine"North American tour. The trek will also feature DOPE as well as selected dates withMUSHROOMHEAD and TWIZTID.

Confirmed dates for the tour are included below.
Apr 05: St Louis, MO - Del Mar Hall #
Apr 06: Indy, IN - The Vogue #
Apr 07: Chicago, IL - House of Blues #
Apr 08: Minneapolis, MN - The Fillmore Minneapolis #
Apr 09: Lincoln, NE - Bourbon Theater #
Apr 11: Denver, CO - The Summit #
Apr 13: Las Vegas, NV - House of Blues#
Apr 14: San Diego, CA - House of Blues #
Apr 15: LA, CA - Belasco Theater - *SOLD OUT* #

* Featuring special guest MUSHROOMHEAD
# Featuring special guest TWIZTID

Other live dates:
May 5: LA, CA - Whisky A Go Go

TRIGGER POINT Re-Release Debut Album 'A Silent Protest' Along with New Single “Picking Up The Pieces”

TRIGGER POINT

RE-RELEASE DEBUT ALBUM

“A Silent Protest”

LISTEN HERE

NEW SINGLE “Picking Up The Pieces”

LISTEN

NEW MUSIC VIDEO FOR “Picking Up The Pieces"

"Trigger Point seamlessly blends the hardest of metal with scathing melodies to create a true aural assault."

"Trigger Point picks up the pieces of a genre of music where emotion is expressed through aggressiveness, and musicianship becomes adapted to the mainstream."

Trigger Point formed in Los Angeles in the early 2000s, and independently released their debut album A SILENT PROTEST, produced and mixed by Logan Mader (Five finger death punch, Machine Head), in 2003, before signing to Corporate Punishment Records who re-released it Worldwide in 2005. The album quickly garnered (inter) national attention, as the band toured nationally through the 2000s, sharing stages with the likes of 36 Crazyfists, Shenoah, Hatebreed, Motorhead, Meshuggah, Otep, Devil Driver, and more, with fans drawn to their fresh mix of thrashy, screamo-tinged, melodic hard rock, that, while keeping up, diverged from the dominant nu-metal of the day.

A Silent Protest became an underground favorite, and in 2007 the band entered the studio with Producer Shaun Lopez (Crosses, Far, Deftones), to record their critically acclaimed follow-up Giving up the Ghost, but unable to secure a new label partner after the demise of the band’s label, Corporate Punishment Records, Trigger Point went on an indefinite hiatus.

In 2014, the band once-again partnered with Corporate Punishment’s Thom Hazaert, and independently released Giving Up The Ghost, debuting with a full album premiere on REVOLVER MAGAZINE, (who also premiered the track “Letters To The Living”, and the video for “Cabin Song”), and brought the band international attention once again.

Released before the advent of the streaming era, A Silent Protest has been noticeably absent from modern streaming services for the last 2 decades. Now the band has secured the rights to the recordings and answered the demands of fans around the world to finally bring this lost cult-classic album back to the masses. Trigger Point has also re-released the fan favorite “Picking up the Pieces” as a new single, as well as a new video (Directed by Rob Montague) consisting of archive tour and studio footage.

"'Picking up the Pieces' is one of the most meaningful songs on the album. It speaks of someone who despite being hurt and knocked down over and over again, they are still willing to pick themselves up and keep going. It was deeply personal to me then and still rings true now. Releasing this album has been a long time in the making and it’s great to give the fans what they have been asking for all these years," says Taylor Wallace, the band's vocalist.

A Silent Protest is out now on all streaming platforms.

For More Information Please Visit:

Spotify

Facebook

Instagram

NYC's Gramercy Arms presents youthful reminiscence on 'Fucked Up and Beautiful' single. The 'Deleted Scenes' LP is out now

"Gentle and perfectly arranged, it is both calming and genuine, straightforward and talented, giving space and voice everywhere that the song and its story requires. A hidden Americana-indiepop gem, Gramercy Arms show that music truly is a journey"~ The Spill Magazine

"A slice of mature, soulful pop, gentle and refined, a swirl of gorgeous boy-girl harmonies, laced with elegant guitar lines and the perfect balance between a slightly nostalgic then and a now calling out for such astute, chart-friendly pop. A future classic" ~ Big Takeover Magazine

"Melancholic yet radiant, emotively shadowed but joyfully rousing" ~ Ringmaster Review

NYC indie rock outfit Gramercy Arms presents 'F*cked Up and Beautiful' (including the clean companion version: 'Messed Up and Beautiful'), the third single from their acclaimed third album 'Deleted Scenes', released by New Jersey-based Magic Door Record Label.

Opening with the couplet “Back in school she lived so decadently / She took literature and LSD”, this autobiographically-inspired song reflects on frontman Dave Derby's undergraduate love affair with a combination of humor, nostalgia, and wistfulness.  

In addition to the core of Dave Derby (The Dambuilders, Lloyd Cole), Kevin March (Guided By Voices, Shudder To Think, Quiz Show) and Rainy Orteca (Joan As Police Woman), the song features gorgeous vocals by Verena Wiesendanger (Semi-Gloss) and lush pedal steel textures by John Leon (Royal Arctic Institute).

The accompanying video is a highly collaborative effort of band members recording themselves performing the song in remote locations. Featured here are Derby, Hilken Mancini (Fuzzy), Jessie Kilguss, Mike Errico, Doug Gillard (Guided by Voices), Chris Robertson (Elk City), Peter Hess (The Phillip Glass Ensemble), Gary Burton (Dovedale), Richard Alwyn Fisher (King Canutes), Phoebe Summersquash (Small Factory), as well as the Mack Family (Honey, Leila, and Theo).

“I guess you could say the basic video concept is what you might call a loose version of lo-tech sci-fi,” explains Derby. “The members of the band are supposed to be using a near-future technology sort of like the headsets in the 2013 film ‘Her’ that allows us all to sync up and perform the song virtually.”

A revolving collective, Gramercy Arms is inspired by the artistic heyday of ‘70-80s New York. Their addictive indie pop features exquisite hook-laden melodies that are lyrically driven and rich on vocal-harmony, interspersed with elements of 60s sunshine pop and folk-rock. 'Deleted Scenes' follows 'The Seasons of Love' (2012) and 'Gramercy Arms' (2008).

Produced, recorded and mixed by Ray Ketchem (Guided By Voices, Luna, Elk City) at Magic Door Recording in Montclair, NJ, this album was mastered by award-winning engineer Greg Calbi (John Lennon, David Bowie, Bruce Springsteen, Talking Heads, Patti Smith, Tom Petty, Todd Rundgren).

Earlier, Gramercy Arms teased the singles 'Yesterday's Girl' (plus an acoustic version), co-penned with music legend Lloyd Cole and performed as a duet with Derby and Renée Lo Bue (Elk City, Flowers of America), and 'Tricky Love Stuff', featuring violinist Claudia Chopek (Bright Eyes, The Little River Band), saxophonist Peter Hess (Phillip Glass Ensemble, Anti-Social Music, Slavic Soul Party).

'Deleted Scenes' is out now across online platforms, including Apple Music, Spotify and other online stores, as well as Bandcamp.

CREDITS
Produced, Recorded & Mixed by Ray Ketchem at Magic Door Recording
Mastered by Greg Calbi at Sterling Sound
Publishing Passive-Aggressive BMI / Warner-Chappell
Artist photos by Max Skaff and Debora Francis
Cover artwork by Debora Francis and Ray Ketchem

Keep up with Gramercy Arms
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Iodine to Re-Release There Were Wires' Self-Titled Debut For First Time on Vinyl

IODINE RECORDINGS will be re-releasing There Were Wires' self-titled debut on Friday, May 12. It marks the first time the classic and influential record will be available in 20 years. It's also the first time it will be released on vinyl.

The pre-order is now live here.

Listen to the 2023 God City remixed/remastered version of "Lukewarm Happy" below.

Unlikely but overwilling, the embryonic form of Boston's There Were Wires traversed every basement, rec hall, and dive club in the city to blow out speakers and vocal chords alike with their explosive brand of hardcore punk. Their blend of harshly emotive dissonance and punchy, anthemic songs pulled inspiration from bands like Converge, Portraits of Past, and Unbroken. Though it's true that TWW live shows were a powder keg of chaos, the true gooey center of the band revealed an honest vulnerability that belied the tough crowd of contemporaries, which gained them a small but devoted cult following in the New England scene. The band's debut self titled LP is being pressed for the first time on vinyl and has been completely remixed by Kurt Ballou (Converge) at God City Studios, and includes several out of print B-Sides and the band's 1999 demo. It will be available on two limited color variants! Members of TWW went on to form Disappearer, Doomriders, and No Flowers. 

The band will be playing a pair of reunion shows this spring, marking their first live appearances in almost 18 years.

THERE WERE WIRES LIVE:
4/28 — Cambridge, MA — The Sinclair
4/29 — Providence, RI — AS220 

Jenna Paulette Arrives with Debut Album, "The Girl I Was," Available Now

Hailing from Lewisville, Texas, Jenna Paulette’s roots as a cowgirl were first established as a young girl helping her family tend to their ranch. It’s where she always felt like her truest self, and where the grit that comes from a hard day’s work was born. Now, emerging on the other side of a ten-year-long toxic relationship, Paulette delivers her debut project with that same grit and vulnerability, facing the heartbreak of her past and diving confidently into her future – ultimately returning to the girl she was prior.
 
On the heels of being named Apple Music’s Country Riser of the Month for March, Paulette arrives with her debut album, The Girl I Was, today. Listen HERE.
 
The concept for the album, produced by Will Bundy with impressive writer credits including Rhett Akins, Jessie Jo Dillon and Ashley McBryde, surfaced while Paulette was attending a writers’ retreat. She was driving alone, content with her blue heeler as her passenger, enjoying the sunset in the distance, when an image of her eight-year-old self came to mind. She reminisced on the simplicities of life then – a freckle-faced child helping her grandfather on the ranch – dirty, full of purpose and well-loved. She was determined to get back to her.

“The picture of me that I believe God dropped into my head on the day we wrote ‘The Girl I Was’ in late April last year was taken when I was about eight, helping Granddaddy sell my uncle Hick's cattle,” reflects Paulette. “It’s the first time I ever felt like ‘myself.’ Every time I looked at this picture growing up it was a reminder to me of all the things I love about myself. My freckles in the summer sun. Drinking a hot orange can of Gatorade on a truck-bed or fence. Being covered in dirt while tending cattle. Dust in the air and the feeling of being capable—surrounded by FAMILY with the world at my fingertips. I am proud to say, the ‘Girl I Was’ is now the woman I am.”
 
With influences from country music’s past interwoven throughout, and a cover of country legend Gene Autry’s “Home on the Range” serving as bookends to the project, Paulette reflects on heartbreak and redemption with a delivery that’s reminiscent of her greatest musical heroes – Autry, The Chicks and Miranda Lambert among them. 
 
Kicking off with “Fiddle and a Violin,” the upbeat tune delivers a tongue-in-cheek introspection at two individuals who appear similar, but upon a closer look the differences that were present all along become apparent. Songs “You Ain’t No Cowboy” and “Bless Her Heart” continue to delve into the heartbreak of a relationship gone awry, with “Pretty Ugly” signaling its end (“Roses on the counter are wilted now / Nail holes where I took the pictures down / Right side nightstand looks a little bit dusty / Heartbreak makes pretty ugly”).
 
In contrast, glimpses of healing and new romance are present with wistful love song “Anywhere the Wind Blows,” and hopeful tune “Sun Keeps Comin’ Back Up,” ultimately leading to the transformative, self-discovery title track, “The Girl I Was” (“I can’t believe I ever thought she wasn’t good enough / I’m getting back to the girl I was”).
 
It’s a level of honesty that left The Tennessean musing “gripping clarity, emotion and feeling are more readily apparent in her work than ever before,” with Billboard noting she arrives “confident” and “carefree.”

For more information, visit www.jennapaulette.com and follow Paulette on social media @JennaPaulette.
 
About Jenna Paulette:
A CMT Next Women of Country in 2022 and Apple Music’s Country Riser of the Month for March, singer-songwriter Jenna Paulette — a cowgirl who came of age amid the gritty realities of ranch life — is part of Nashville’s growing wave of female artists who are rewriting the rules and charting their own paths. Her finely calibrated blend of toughness and sensitivity is on full display in tracks like “Country in the Girl” and “Pretty Ugly.” Her most recent single, "Anywhere the Wind Blows," gives a glimpse into Paulette's songwriting abilities and is a whimsical reflection on her mainstream presentation of western living. Paulette settled in Nashville in 2015, where she struck up a mentorship with Ashley Gorley – a veteran songwriter with 50+ No. 1 tunes under his belt – which ultimately led to her publishing deal with Sea Gayle Music in June 2021. Since collaborating with songwriters Will Bundy, Ashley McBryde, Rhett Akins and Jessie Jo Dillion, as well as opening for Mason Ramsey, Parmalee, John Michael Montgomery, Clay Walker and most recently Aaron Watson, Paulette has landed brand partnerships with Justin Boots, Boot Barn, Oak and Eden Whiskey and Ranch Water. Last year, Paulette continued to spotlight her authentic western lifestyle, performing the national anthem at the Professional Bull Riding World Finals; as well as day working on ranches across Texas, securing opening slots and performing in multiple festivals including CMA Fest. With her debut album, The Girl I Was, available now, Paulette continues building her audience as fans get a deeper look into who she is as an artist.

Lucy Kruger & The Lost Boys to release new 'Heaving' LP via Unique Records and Metropolis Records

"A rarity within music... one of Europe's most underrated talents" ~ The Revue

"Grandly superb... sonic depth and resonant dimension, infusing the music with weighty vibrancy" ~ Guitar Girl Magazine

“Scarily, startlingly good. Mesmerising. I was overwhelmed. I thought they’d be goodbut was kicked in the teeth by their power and theirsingular sensibility.. they were blindingly consummate andattuned to her vision. Really spectacularly good” ~ Jay Savage (Ex Director Sony ATV, ZA)

"With style and enigmatic poise... Kruger’s dreamy vocals spins visceral and poetic tales" ~ Texx and the City

As they gear up to release their new 'Heaving' LP, Berlin-based Lucy Kruger & The Lost Boys has joined with Metropolis Records for North America distribution as a result of a partnership agreement with Europe-based Unique Records, a division of Schubert Music Europe. Uniquely merging moody art pop, dark folk and delightful ambient noise, the group, led by South Africa-born artist Lucy Kruger, creates music that is full of atmosphere and intensity.

To encounter Kruger's music is to witness a singular journey of constant reflection that is producing an ever-widening arc of creativity.  Kruger has consistently engaged in a slow, steady exploration of what it takes to make music that is universal and enduring.

“I think that what I am able to offer as an artist is a detailed expression of my experience, for although the situation may feel unique to me, the feelings are universal. Giving them a sound and shape validates and creates space for those feelings, allowing listeners to feel seen, even at a distance. Even in the isolation of a bedroom. Especially in the isolation of a bedroom,” says Lucy Kruger.

“I’m really looking forward to working with Metropolis Records and feel as if 'Heaving' has found a good home on the other side of the ocean. Hopefully the band will be able to join the songs and the label for a visit and some shows very soon.‘

Kruger also recently released the single 'Howl', along with a lyrics video and a live performance video filmed in South Africa. Defiant and devastating, catchy and cutting, 'Howl' slips from casual storytelling into visceral, near violent, confession. Catharsis in the form of rock ‘n roll.

Earller, the band released the singles 'Burning Building', 'Stereoscope' and the title track 'Heaving' with accompanying film by Belgian director and motion designer Lena Nerinckx (Contour Collective).
 
Since releasing the final album in the 'Tapes Trilogy' in April 2022 and touring this material extensively, the band now shifts their attention to the 'Heaving' album, the collective sonic wealth between them allowing for a live set that drifts between introverted and ecstatic. On April 4, the band kicks off their European tour as the album launch takes place the following month (May 5) at the Lido in Berlin.

The 'Heaving' LP will be released on April 7 and will be available from fine music platforms, including Spotify, Apple Music and Bandcamp. 

CREDITS
Written and published by Lucy Kruger
2023 P & C Unique Records / Schubert Music Europe GmbH
Lucy Kruger: vocals, bass synthesiser, electronic production
Liú Mottes: piano, guitar
Jean-Louise Parker: vocals, violin, viola
Martin Perret: drums
Mixed by Simon Ratcliffe at Sound & Motion Studios (Cape Town)
Mastered by Uwe Teichert at Elektropolis (Brussels)
Drums recorded by Dirk Feistel at Studio X (Berlin)
Guitars recorded by André Leo (Berlin)
Viola recorded by Jean-Louise Parker (Berlin)

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MISCREANCE Announces Re-issue of 'Convergence'

Old school technical death metal revivalists MISCREANCE will be reissuing their debut album, 'Convergence,' via Season of Mist on May 19, 2023! The album was originally self-released by the Italian newcomers in in September 2022. For a taste of what to expect, listen to the single 'Incubo' below.

The band comments: "Beyond the apparent quietness of sleeping, unspeakable horrors and repugnant creatures will mold your fears into your worst 'INCUBO.'
Relieve all the monstrosities buried deep inside your mind, into a frenzied dance of riffs, screams and absurd rhythms from the underworld."

'Convergence' will be re-released on three different colored vinyl as well as CD formats. The record is now available for pre-order HERE while you can stream it across all digital platforms HERE.
 

Though many have tried, few bands have successfully replicated the mind-bending technical death metal formula that was established during the genre’s advent by the Godfathers of DEATH. That is until Italy’s Miscreance entered the ring in 2022 with its debut full-length, ‘Convergence.’ Unlike tech death contemporaries who are known for speed and extremity, Miscreance artistry lies within its carefully executed precision, underscoring the focused discipline behind the music’s eloquent complexities.

Miscreance is a project reborn from the ashes of Atomic Massacre. As the former band's members decided to change the course of their stylistic direction, they felt it was time for a rebirth, changing the name as well. In 2018, the band released its first demo, 'From Awareness to Creation,' which was originally co-produced by Red Wine Rites records in Switzerland and limited strictly to 100 copies.
 
Shortly after the demo release, the band ceased their search for a singer upon realizing that drummer Andrea F. was exactly what they were looking for, so they exhumed three songs from the pre-demo era and recorded a split with death metal grind-crushers Vile Apparition (AUS), released in late 2021.
 
In 2022, Miscreance made its debut with its first full-length, ‘Convergence,’ which took almost five years to complete. The offering quickly garnered the attention of Season of Mist, who formed a union with the emerging band and is now reissuing the full-length for worldwide distribution as the old school tech death revivalists prepare to unleash a sophomore offering onto the masses.
 

Recording Line-up:
Andrea Feltrin: Drums/Vocals
Andrea Granauro: Guitars
Tommaso Cappelletti: Guitars
Emiliano Zinà: Bass

Guest musicians:
Marco Scattolin: Keyboards/Synth
Todd Wilson: Spoken Words

Current Line-up:
Andrea Granauro: Guitars
Jean-Claude Rossignol: Bass
Andrea Feltrin: Drums/Vocals
Tommaso Cappelletti: Guitars

Links:        
https://www.facebook.com/Miscreance
https://www.instagram.com/miscreance_official/        
https://www.youtube.com/@miscreance2709    
https://miscreance.bandcamp.com/    

Mixing + Mastering:Marino De Angeli

Recording studio:Bridge Produzioni Audio & Studio, Susegana (TV), Italy

Artwork:James McCarthy

Stream here:https://orcd.co/convergence
Pre-order here:https://redirect.season-of-mist.com/MIS-CON 

Formats:
Digital
CD Digipak  
Black vinyl
Vinyl in various colours

Symphonic Metal Icons SIRENIA to Release New Album, '1977', on May 26, 2023

Pre-Order Starts NOW!

Performance Video for

"Twist in my Sobriety" (Tanita Tikaram Cover)



The symphonic metal icons effortlessly merge 80s rock and synthwave elements on their immense 11th studio album!

Exploring a new style like never before – symphonic metal icons SIRENIA revolutionize their melodic darkness on the brand new studio album, '1977', set to be released on May 26, 2023 via Napalm Records. Transporting the listener to a retro auditory arcade harking back to when groovy synthwave melodies dominated the world of music, the international band merges late 70’s and 80’s pop rock stylings with synthwave elements and their remarkable, hard-hitting symphonic melodies - shaking the listener to the core.

Showing off their multifaceted nature at its best, the first single cut from '1977' comes as an absolute time machine in form of the record's bonus track, “Twist in my Sobriety”.The cover of the million-times-over streamed track by German born British singer Tanita Tikaram matches the surprisingly deep voice that presents vocalist Emmanuelle Zoldanin a very new range, while the eerie mid-tempo appears in a brand new light of modern synth beats and characteristic synth-oboe. Transporting their fans right into smokey, neon lit nightclubs, the eclectic mix of '1977' opens up exciting new facets of symphonic, electronic and groove elements in SIRENIA’s music.

Bandleader, multi-instrumentalist, composer and songwriter Morten Veland states:

“'Twist in my Sobriety' is the first single from our upcoming album entitled '1977'. This is the bonus track of our 11th album, and it is a cover version of Tanita Tikaram's original from 1988. I have loved this song since it was released, and it has a very melancholic vibe to it, so it felt like an interesting project to make a SIRENIA version of it. I hope that you will enjoy it while we wait for the upcoming album release”

Join SIRENIA & watch the performance video for “Twist in my Sobriety"

Captured within the magic of 80’s sonics, the four-piece opens up their enchanting new offering with the mesmerizing opener “Deadlight”. The world of soulful violin and fragile piano lines builds up an energetic atmosphere, underlined by the wistful tunes of the multi-talented mezzo soprano voice of French singer Emmanuelle Zoldan. The track is followed by the fast-paced “Wintry Heart”, which gives a bittersweet taste of early 90’s vibes and roaring guitars, while “Nomadic” represents SIRENIA’s characteristic dark and heavy side as shredding guitar riffs alternate with playful interludes while relentless drums and symphonic electronic elements go hand in hand with one another.

“A Thousand Scars” marks a totally new fusion for SIRENIA, as heavy symphonic tunes dressed as remarkable rock riffs and poppy rhythms dance together with the feathery light vocals of Emmanuelle. With the eerie and epic tunes of “Fading to the Deepest Black”, the song is reminiscent of their last album, 'Riddles, Ruins & Revelations' (2021). Kicking off with vertiginous blast beats and a mesmerizing performance by Emmanuelle Zoldan, a warm vocal interlude by Morten Veland supports the song's stunning atmosphere before it leads into an impressive guitar solo. Following their operatic symphonic highs, the heavy side of SIRENIA is not forgotten and appears especially towards the end of their 11th record.

Pre-Order '1977' HERE!

Once again, Norwegian mastermind, bandleader, multi-instrumentalist, composer and songwriter Morten Veland produced the 11th record, while HK at Vamacara Studio, France, took care of the mixing. It’s proof that, after more than twenty years of existence, SIRENIA still ranks at the very top of the genre.

SIRENIA are:

Morten Veland – Vocals, guitars, bass, synth, programming

Nils Courbaron – Solo Guitar

Emmanuelle Zoldan – Vocals

Michael Brush – Drums

Liverpool'S THE ROOM presents 'Sleepless', a tale of internet addiction from 'Restless Fate' LP, their first recordings in 38 years

"A band who have a genuine need to create art, they create literate, film-like songs aimed as much at the mind as the feet. They are not looking back to past glories at all, but looking forward to future ones. In Restless Fate, they have already found one" ~ Louder Than War


Liverpool's The Room presents 'Sleepless', a song inspired by the modern-day phenomenon of internet addiction, social media and news junkies. Following lead track 'The Drift', this is the latest offering from their 'Restless Fate' LP, the band's first new recordings in 38 years.  Producer Mark Jordan has also created accompanying videos for both singles.

Originally formed by singer Dave Jackson and bassist Becky Stringer in 1979, they are once again joined by the band's original drummer Clive Thomas, as well as guitarist Darren Brown, keyboardist Ethan Kyme and drummer Tom McCabe.

Recorded and mixed at Ark Studios in Liverpool and released on 9x9 Records, this album was co-produced by Dave Jackson and Steve Powell (Michael Head & the Red Elastic Band, Autour De Lucie, Echo & The Bunnymen).

‘Restless Fate’ picks up where the band left off. At times shimmering, at times haunting, their melodic blend of progressive, alternative pop and sultry post-punk is just as relevant and captivating now as when they broke up in 1985. An exploration of man’s search for meaning and the dysfunction of the human condition, there is still a relentless optimism at the core of this record.

The Room recorded four John Peel sessions, appeared on The Whistle Test and worked with Television's Tom Verlaine and John Porter (Roxy Music, The Smiths, Billy Bragg) on their 'In Evil Hour' LP (1984). Recordings from Janice Long's BBC Radio One programme and Saturday Live were used for the 1985 release 'Jackpot Jack' EP. 2004 brought their 'No Dream (Best Of)' compilation, followed by 2005's 'Indoor Fireworks' LP, which was actually recorded in 1982.

Having toured the UK and the USA, The Room has also performed with The Fall, The Birthday Party, Bauhaus, Southern Death Cult, Violent Femmes, Tom Verlaine, John Foxx and The Red Guitars.

Following the band's split, Becky and Dave went on to form several other bands: Benny Profane, Dust and Dead Cowboys. Dave has also recorded under his own name and, most recently, he issued a string of releases as The Room in the Wood (with Paul Cavanagh).

"It's great to revisit old stuff, but writing new songs as The Room is where the excitement really lies. New Dreams from an island cursed by Restless Fate," says Dave Jackson.

"'Sleepless' is about addiction to media that keeps us on our phones and obsessed by trivia. 'Red Admiral' is a reflection on childhood with an implied murder mystery hidden in the picture. 'Kingdom' is an atheists hymn. 'Crying Face' is about a Facebook troll I know. 'Bull in the Doorway' is about the paintings of Francis Bacon. 'Mirror World' is an oblique response to a misinformation in the media. 'Cursed Islands' is about an island off the coast of Napoli and also the redundant World Islands in Dubai. 'Time Comes' was another response to lockdown. 'The Reeds' is about a bereaved swan on Prince's Park Lake."

The 'Restless Fate' album is out now, available digitally across fine music platforms, including Apple Music, Spotify and Amazon. It can also be obtained on CD and as a vinyl record via Liverpool-based 9x9 Records.

CREDITS
Written by Dave Jackson, Darren Brown, Becky Stringer, Ethan Kyme
Recorded at Ark Studios, Liverpool
Recorded and mixed by Steve Powell
Produced by Steve Powell and The Room
Dave Jackson - vocals
Becky Stringer -bass
Darren Brown - guitar
Ethan Kyme - keyboards
Tom McCabe - drums
Released on Liverpool's 9x9 Records
'The Drift' video created by Mark Jordan

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