Liverpool duo THE WOOD unveil brooding 'Let It Loose' single with brawling video, the first taste of their debut album

"A potent swaggering track for the ages. With solid songwriting, catchy guitar riffs and sonic hooks, the duo present a winning lesson in sonic with an “instant classic”. With haunting vocals and true groove, they offer up an introspective, yet infectious proposition, showcasing a seamless blend of their influences – this is a precious listening experience" ~ The Spill Magazine

Liverpool-based duo The Wood present their debut single 'Let It Loose', the first taste of their 'Days'album, set for release on November 15 via Riverdream Records. Made of up Alex Evans(vocals, backing vocals, percussion) andSteve Powell(guitars, bass, backing vocals, keys, percussion), they bring rock solid grooves, creating melodies full of beauty, passion, pain and the power of real soul.

The accompanying video is a surreal experience, filmed and edited by Dylan Cox at the Pro Flex Gym in Liverpool and featuring boxer Jake Harrison, along with a host of other shady characters.

There's something of the night about this song and in a very special way, like when you find yourself on unsteady feet, down a back street in an unfamiliar city late at night. There's something coming from the underground, the source of all the best discoveries. Feel the pull and follow it. Sometimes in life, things get to you. Don’t let the world drag you down. Let it loose.

Evans and Powell met when Steve was recording Alex at his Ark Recording Studiosin Liverpool and was blown away by his voice. From their first songwriting session, they realised they were creating music that was difficult to categorise yet somehow sounded familiar. With Steve on guitar and bass, they enlisted several talented friends, including Jake Howden-Woodward (Nova Twins) on drums and Martin Smith and Simon James (The Coral, Shack) on brass.

As a producer, Steve Powell is an expert at unearthing sonic magic, having recorded many notable artists records, including Michael Head and The Strands, John Power, def.fo, The Stairs and Ella Guru He also produced and played guitar on the first Michael Head and the Red Elastic Band record 'Arturius Revisited' and number one indie album 'Adios Senor Pussycat'.

“’Let it Loose’ is a song about not giving in. The everyday pressures of situations, relationships, ambitions, life’s occasional curveballs, and eventual optimism and hope. The insistent bassline of the verse, then the release of the chorus, like the clouds parting to let the sun work its magic. “Letting your mind go, waiting for the fear to fall,” says Steve Powell.

Alex Evans adds, “To me, ‘Let it Loose’ is about the rise and fall of life. The pressures we feel to take the leap of faith and overcome our insecurities and fears. The tension throughout the verse and the eventual release of the chorus reflects the stress, relief and beauty life throws at us every day. It's a journey we must see for ourselves. Let your mind go, Let it Loose.”

On 'Let It Loose', a fanfare of Mariachi trumpets leads the descent, deep down into a netherworld of delicious groove, it's all low-lit, loose-limbed and highly infectious. The muscles in your neck give way, helpless to its demands. You can't help it. Let it Loose. Once you're in, you're greeted by Alex Evans with a voice capable of turning real pain into raw beauty, this song a fine example of how it's done. Imbued with a rare natural soul, he leaps effortlessly from brooding, troubled depth to full-throated gospel glory as he leans in close to that groove.

Steve Powell's chiming guitar lands chords on the sparse landscape, strolling around the melody with its hands in its pockets, and chopping through the breaks with blasts of brass and a chorus of glorious harmonies, deep, wide and tall. Powell is the other half of The Wood, here on extensive duties of co-writing, playing guitar and bass, recording and producing.

Together as The Wood, they create music of passion and pain, of glory and redemption. Songs where all the right decisions have been made, deliberate and slowly, without any external pressure, only the enriching pleasure of artistic collaboration.

'Let it Loose' is available everywhere online, including Bandcamp and Spotify. The full 'Days' album will be released on November 15.

SINGLE CREDITS
Written by Alex Evans and Steve Powell
Alex Evans - vocals, backing vocals, percussion
Steve Powell - guitars, bass, backing vocals, keys, percussion
Produced and recorded by Steve Powell at Ark Recording Studios, Liverpool
Mastered by Pete Maher
Jay Irving – drums
Martin Smith – trumpet
Simon James – sax
Charlie Griffiths – backing vocals
Clair Griffiths – backing vocals
Photography by Kevin Barrett
Single cover artwork photo by Dylan Cox
Album cover graphics design by Pascal Blua
'Let It Loose' video filmed & edited by Dylan Cox @DylanCoxMedia
Special thanks to the boxer Jake Harrison @JakeHarrison_Boxing
and to Pro Flex Gym, Liverpool
Publicity by Shameless Promotion PR


Keep up with The Wood
Single order | Facebook | Bandcamp | Twitter | Instagram | YouTube | Spotify | Press contact

Keep up with Shameless Promotion PR
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Arch Enemy Announce New Album "Blood Dynasty" Out 3/28

After the surprise drop of their latest single "Dream Stealer" on July 31, extreme metal legends Arch Enemy are back with more exciting news. The Swedes are pleased to announce their 12th studio album Blood Dynasty, a long player with 11 new tracks full of Arch Enemy's powerful signature guitar riffs, guttural force and clean vocal surprises. 

The announcement also kickstarts the pre-order of the album. Pre-order Arch Enemy's new album Blood Dynasty here.

Arch Enemy founder and guitarist Michael Amott shares, "This new album pushes the boundaries of what we've done before — it's everything you've come to expect from this band, and then some! We can't wait for you to hear it and feel the energy we've poured into every track. Welcome to the Blood Dynasty!"

Blood Dynasty is available for pre-order in the following formats:

Special Edition CD (11 tracks)
Special Edition CD (US version) (11 tracks)
Ltd. Deluxe CD Box Set (11 + 2 bonus tracks)
Ltd. Deluxe A/B split (red&golden) LP (11 tracks) + bonus LP (2 tracks) + CD Artbook (13 tracks) + art print
black LP & LP-Booklet (11 tracks)
Ltd. deep blood red LP + LP-Booklet (11 tracks)
- Ltd. grey LP + LP-Booklet (11 tracks)
- Ltd. transp. red LP + LP-Booklet (11 tracks)
- Ltd. creamy white LP + LP-Booklet (11 tracks)
- Ltd. dark green LP + LP-Booklet (11 tracks)
- Ltd. bright gold LP + LP-Booklet (11 tracks)
- Ltd. red blood splatter (clear-red splatter) LP + LP-Booklet (11 tracks)
- Ltd. Liquid Blood Vinyl (limited to 666 copies) (11 tracks)
- Ltd. black ice LP + LP-Booklet (US version) (11 tracks)
- Ltd. milky clear LP + LP-Booklet (US version) (11 tracks)
- Ltd. tangerine colored LP + LP-Booklet (US version) (11 tracks)
- Digital album (11 tracks)

Next to the limited deluxe editions that feature two exclusive bonus tracks, fans can direct their attention to the Ltd. Liquid Blood Vinyl that is exclusively available in the band stores and limited to 666 copies.

ARCH ENEMY ARE:
Alissa White-Gluz — Vocals 
Michael Amott — Guitars 
Joey Concepcion — Guitars 
Sharlee D'Angelo — Bass 
Daniel Erlandsson — Drums

Acres Announce "What It's Like to Feel Worthless" EP Out 10/25 + Share "Deadwieight"

UK band ACRES are pleased to announce their new EP, What It's Like to Feel Worthless, out October 25 via Tooth & Nail/Solid State Records. Pre-order it here.

Alongside the news of the five-song EP, the band has shared the visualizer for the single "Deadweight." Watch and listen below.

The song marks new territory for the band, as it stretched and flexed different creative muscles when crafting the track.

"When writing 'Deadweight,' we were really conscious keeping all the elements of what we're known for but also welcoming in the new sound," says singer Ben Lumber. "It's cathartic and anthemic. Lyrically, it's almost like a conversation between two people expressing how they feel about each other, and coming to terms with how they feel. It's the first time I've written this way."

Regarding the EP as a whole, Lumber states, "This EP is us trying new things and trying to express ourselves in a new way. We will forever try and change things up with every release but also keeping what our fans like about our band."

Following the success of 2019's Lonely World, a record that harnessed melody and melancholy, Acres found themselves playing the biggest shows of their career so far and achieving things they had only previously dreamt about. But when the world around them suddenly felt so uncertain, they had a choice to make of what they should do next. Instead of rushing out with something that they didn't fully believe, they locked themselves away and painstakingly created something that not only represented where they had been but also where they wanted to end up. The result was Burning Throne, a perfectly crafted account of what it means to stare into your own oblivion and learn about who you really are from it.

ACRES ARE:
Ben Lumber — Vocals 
Alex Freeman — Guitar
Ash Scott — Guitar 
Jack Rogers — Bass 
Konnor Walsh — Drums 

1349 Streams New Album, 'The Wolf and The King,' Ahead of Tomorrow's Release

True Norwegian black metal horde 1349 will be releasing their eighth full-length, 'The Wolf and the King,' tomorrow, October 4, 2024, via Season of Mist! The band is now streaming the record in its entirety ahead of tomorrow's release! Listen below.

1349 comments, "We have come to our journey’s end. We knew that only our strongest, darkest and most dedicated effort would enable us to reach our destination. Yet here we stand.

"A vast darkness is what lies in front of us. Where our voyage ends, yours begin. We bring no light but Hellfire itself."

The forthcoming offering was mastered by Jarrett Pritchard and produced and mixed by Pritchard & 1349 frontman Ravn at NEW CONSTELLATION R.M.P.

Pre-orders for 'The Wolf and the King' are now live HERE.

In addition, 1349 is now spreading hellfire across Europe with support from Kampfar and Afsky. The full run of shows can be found below while tickets can be found HERE.

Recorded at Amper Tone in Oslo, Norway, and New Constellation R.M.P. in Orlando, Florida, The Wolf and the King was produced and mixed by Ravn and Jarrett Pritchard (Eulogy, Pulchra Morte), the band’s long-standing sonic wizard who also worked on their previous two albums. The lyrics were written by the band’s longtime wordsmith, Svartalv, who has been working with 1349 for twenty years.

Jordan Barlow’s elaborate artwork for The Wolf and the King reflects the album’s chronological position in 1349’s discography. “This is our eighth album, and the artwork and lyrics are filled with references to this number of infinity,” Ravn explains. “You can basically go on a quest finding references to the number in the artwork.” 

All told, The Wolf and the King is the exalted output of the joint force that is 1349. “We all work together to make the best black metal possible every time we release an album,” Ravn says. “This is our common goal. We’re a band on a mission.” 

1349 Lineup:

Archaon - Guitars

Frost - Drums

Ravn - Vocals

Seidemann - Bass

Recording Studio:

Amper Tone (Oslo, Norway) & NEW CONSTELLATION R.M.P. (Orlando, USA)

Production Credits:

Produced by Jarrett Pritchard & Ravn

Mixed by Jarrett Pritchard & Ravn at NEW CONSTELLATION R.M.P.

Mastered by Jarrett Pritchard at NEW CONSTELLATION R.M.P.

Cover Art: Jordan Barlow

Bio: J. Bennett

Pre-Order // Stream: https://orcd.co/1349thewolfandtheking

Links:

Official Website

Facebook

Instagram

X

Apple Music

Spotify

The cover artwork for 'The Wolf and The King' was created by Jordan Barlow

SOL INVICTO (Feat. Members of Deftones, Cypress Hill & Sikth) Announce Debut EP & Drop First Single

Underground metal visionaries Sol Invicto, the dynamic project formed by producer/guitarist Richie Londres, Stephen Carpenter (Deftones), and Eric Bobo (Cypress Hill), are thrilled to announce the release of their long-awaited debut EP, Loosely Aware’, dropping November 8th, 2024. Accompanying the announcement is the release of their first official single, “The Obvious Play”, alongside an official lyric video. Fans can pre-save the EP HERE, stream the new track HERE and watch the visualizer below.

Speaking on the EP, the band shares,

“It’s been quite the journey to get this to the people, just a taste of what’s to come.”

After years of experimentation and anticipation, Sol Invicto is finally ready to reveal the first taste of what’s to come with single ’The Obvious Play, featuring guest vocals from Sean Plague of Plague To Pyres (who are signed to Londres and Carpenter’s independent label Omyac Records). The EP marks the project's first official release following their extremely rare, private double album ‘Initium’ in 2017, a collection of demos and experimental tracks gathered over the years which was available only to members of their private club, Sol Invicto Comiti.

Loosely Aware showcases the band’s unique blend of furious riffs, razor-sharp lead guitar lines, industrial and electronic elements all infused with the percussive genius of Eric Bobo, drawing from the talents of Dan Foord (Sikth) on drums. The EP signals a bold new chapter for the band as they prepare to record a full-length metal album later this year. More on that coming soon. For now though, bask in the gloriously nasty, soul-crushingly heavy sounds of Sol Invicto’s “The Obvious Play” and get ready for ‘Loosely Aware’ to drop on November 8th.

About Sol Invicto

Sol Invicto is an underground metal powerhouse founded by producer/guitarist Richie Londres, alongside Stephen Carpenter of Deftones and Eric Bobo of Cypress Hill. Fusing heavy riffs, industrial beats, and Latin-infused percussion, the project has carved out its own unique space in the world of experimental metal.

 

The group initially blended Lo-Fi Industrial Drum & Bass with Carpenter’s crushing guitar work and Bobo’s dynamic percussion. As the sound evolved, Londres brought in Dan Foord from Sikth to take over on drums, pushing the band toward a more live, raw energy.

  

To date, Sol Invicto has released a single, exclusive double album titled Initium, a collection of demos and experimental tracks gathered over the years. Released in 2017 on limited edition signed vinyls, Initium remains a rare gem for members of the Sol Invicto Comiti and currently unavailable to the public.

After starting work on new music in 2018, the group’s plans were delayed, but 2024 will finally see the first official release from Sol Invicto—the 3-track EP titled ‘Loosely Aware’, featuring vocals from Sean Plague of Plague To Pyres, a Norwegian/British noisecore band signed to Carpenter and Londres’s label, Omyac Records.

 

'Loosely Aware’ is only the beginning for Sol Invicto. Waiting patiently to unleash their unique brand of heaviness into existence, they are now primed for global domination.

'Loosely Aware' is mixed by Adam “Nolly” Getgood (Periphery, Animals As Leaders). Mastered by Jaime Gomez Arellano (Ghost, Paradise Lost). Artwork by Kwonny.

Ray Hawthorne Announces New Album "Ray Hawthorne Sucks" & New Single "Body Count"!

Ray Hawthorne is back and louder than ever, delivering a heavy dose of sarcasm, rage, and brutal honesty with his upcoming album, "Ray Hawthorne Sucks" set for release on November 7th, 2024. Leading the charge is the ferocious new single, "Body Count", which puts Hawthorne's biting wit and raw energy front and center. Fans can pre-save the new album HERE. Fans can also purchase a limited run of exclusive vinyl HERE.

Renowned for his work in North Kingsley alongside Shavo Odadjian of System of a Down, his inaugural solo release "Heartbreak Feels Good in a Place Like This" had initially crowned him as the Heartbreak Hero. His upcoming album, "Ray Hawthorne Sucks"takes a hard left turn that channels frustration, irony, and self-deprecating humor into the signature Ray Hawthorne genre-blurring sound.

Speaking on today's single release, Ray Hawthorne shares:

"I have very little self control. Like almost none. I can get addicted to pretty much anything, and if it exists I’ve probably overdone it at some point. Whether something is generally considered good or bad for you, I will beat that shit into the ground until I just

can’t do it anymore. So “Body Count” is about just fucking running. Causing problems and running so far away from them that your avoidance becomes a new problem in itself. Sometimes I feel like my life is just a continuous loop of ignoring things until I find myself back at square one. But hey, it is what it is, I guess when you stop doing drugs you just find new ways to fuck up your life. Even if that new way is a consistent and ever increasing hunt for rare Ninja Turtles figures."

Lifting the curtain behind his upcoming album release, Ray continues:

"The last 9 months have been pretty fucking crazy for me. In a completely unexpected turn of events, people (for some reason) started giving a shit about the silly songs I record in my bathroom. This has been equal parts exciting and nerve-racking. Throughout the last 9 months I have panicked, blown out my voice a few times, injured myself during the LA marathon, celebrated my dog’s second birthday, and released a new song almost every week. I don’t know how or why, but that’s what I did. This album is a collection of some of my favorite songs throughout that process, and listening back to them all in one go is somewhat interesting to me. Hopefully it’s slightly interesting to you."

While his work in North Kingsley and his debut EP showcased a different persona, Hawthorne’s latest solo work breaks the mold, leaning into chaotic energy with the release of the no-holds-barred single "Body Count." Layered with pounding drums, distorted guitars, and his trademark emotive vocals, the track is an explosive anthem exploring the themes of self-criticism, guilt, and emotional vulnerability while grappling with feelings of helplessness and regret. "Body Count" doesn’t pull any punches—it's Hawthorne’s rallying cry for anyone who feels like they’re at the end of their rope.

"Ray Hawthorne Sucks" is a self-aware, tongue-in-cheek title, but it’s also a reflection of the album’s themes—self-doubt, frustration, and embracing the chaos. The project is a far cry from the more cinematic, heartfelt journey of his debut EP "Heartbreak Feels Good in a Place Like This". Instead, it plunges listeners into a gritty, unpredictable soundscape, blending post-punk, hardcore, and Hawthorne’s emo roots into a genre-defying mix that is as chaotic as it is cathartic.

Be sure to to stay tuned for more new music from Ray Hawthorne coming very soon.

ABOUT RAY HAWTHORNE

Ray Hawthorne is basically an emo Muppet. His life revolves around pop culture references, Ninja Turtles action figures, and his dog named Oliver. Oliver laid on Ray’s feet during the recording of every song on his forthcoming album “Ray Hawthorne

Sucks”. This was mostly a positive experience, but there’s a particular section during the song “Panic Mode” where Ray had to yell “HEY HEY HEY HEY” over and over again. This made Oliver very tense, and he thought he was being scolded. Ray felt really bad for confusing Oliver in such a way. After the recording was done treats were had by all, and all was well.

Klone Share New Track "Magnetic"

French art rock band Klone have shared "Magnetic," the latest single from their forthcoming full-length album, The Unseen, set for release on November 8 through Berlin's Pelagic Records. Pre-order it here.

A bold new journey through a singular yet contrasting soundscape, The Unseen is an immersive, dreamlike experience that pushes Klone's already sumptuous sound to new, magisterial heights and speaks to the significance of things that at first glance seem to lack it.

"Magnetic" is out now. Listen below.

Emotive and conceptual, Klone have once again broken new sonic ground and built further on their signature expansive sound. Since the release of Le Grand Voyagein 2019, Klone have risen to new heights across the globe, touring in Europe, USA, Australia, and Mexico alongside the likes of Devin Townsend, Leprous, Riverside, Pain of Salvation, Gojira, and blowing away festival crowds at Hellfest 2024, Prog Power USA, Midsummer Prog, and Cruise to the Edge. Coming off the back of their phenomenal album Meanwhile, which was released in 2023, The Unseen is a masterpiece of both performance and production that sees Klone wearing their years of experience proudly on their sleeves.

With every member and every instrument pushed to its expressive limit, The Unseen has a might and intensity to it that, whilst sometimes abrasive, simultaneously feels natural, coherent and unified as the band move from motif and melody as one; guided as ever by the unmistakable voice and vision of Yann Ligner.

"Magnetic," the third single taken from The Unseen, is a defiant and direct ode to love. The track's comparatively simple, yet undeniably effective structure sees the five-piece blend pounding drums and acoustic guitar warmth with soaring euphoric melodies and Ligner's powerful lyrics to reach a fist-pumping, pulse-racing crescendo.

With such an inimitable 25 years of music already behind them, it seems apt that The Unseen is also Klone's tenth full-length release. The album serves as a milestone that uses reflections on the past as a means of appreciating the beauty of the present, with the band employing their shared decades of creativity and collaboration to offer enlightening new perspectives on the here and now.

About "Magnetic," Yann Ligner says, "This track’s strength lies in its simplicity. Its simple structure gets straight to the point and offers a breath of fresh air. It is an honest, joyous and rebellious ode to love."

The Unseen will be released on November 8.

Manchester legacy act INCA BABIES releases 'Spacewalk', previewing 'Ghost Mechanic Nine' LP

"Combine Brian Setzer's twang, the silver lining amidst Bauhaus' dark expanse and the post-punk fever fired up by Gang of Four, you'd end up with the sonic output of long-time deathrock supremos Inca Babies... a captivating blend of angularity and intensity with a driving rhythm" ~ The Spill Magazine

"From their emergence in 1982, they've sculpted a perpetual warped seduction... Their almost serpentine invention and dark musical incitements have continued to inspire and invigorate... truly one of the leading lights and template setting protagonists of British rock ‘n’ roll" ~ Ringmaster Review

"Thirty years down the line the Inca Babies' recordings are not just a collection of outstanding songs from independent music's golden age, but for those of us who were there, they remain pretty much a life statement; a declaration of intent" ~ Isolation Records


Manchester post-punk death-rock rockers Inca Babies are back with a new collection of darkly invigorating tunes on their ninth studio album 'Ghost Mechanic Nine'. Ahead of this, they present the lead track 'Spacewalk', a timeless Rockabilly groove that was inspired by Link Wray, Alan Vega and Brian Setzer, but set in a 50s going on 2020s Sci-Fi space opera. The single also comes with B-side 'Monster In The Deep'.

This album visits a similar place to where Inca Babies started in the 80s with their psychobilly trash rock. 'Spacewalk' sees the band reconnect with their roots, where The Gun Club and The Cramps met - it is in this intersection where Inca Babies found their most passionate and loyal following. This song is a calling card for the album, taking listeners back to a sound that is raw, spiky and reminiscent of their early days in the 80s.

Today, the band is made up of Harry Stafford (guitar, keys, vocals), Rob Haynes(drums, percussion), Jim Adama (bass) and Kevin G. Davy (trumpet). This will be their first release in three years, following their 2021 album ‘Swamp Street Soul’. Continuing their explosive exploration of goth, punk and death-rock jazz-blues, Inca Babies deliver an album that explores the essence of the 80s death-rock vibe, with a tribute to the strong riffing and cool, dead-pan delivery of the dark wave scene at the time. 

“This is a rockabilly Sci-fi song about the wonders of the Space age. From Stanley Kubrick’s 2001 to the mega cities of Blade Runner and the fact that when I was a kid, in the far-off future, 2024 was supposed to be a silver suited, hover car space age with pills instead of Pizza," says Harry Stafford.

"We were to have a completely automated world on the moon. Thank God this fulsome nonsense never happened so it’s time to reintroduce Rockabilly to the world’s consciousness instead.”

Recorded at 6Db Studios in Salford under Simon ‘Ding’ Archer (The Fall, PJ Harvey), this album was recorded and mixed by ‘Ding’ and Stafford over two years, with with 'Ding' also contributing serious sonic and dub flourishes. Marco Butcher mastered this record at his Boombox studio in North Carolina.

Originally comprised of Harry Stafford, Bill Marten, Mike Keeble and Pete Bogg, Inca Babies began in 1983 in the now-legendary deck-access flats of Hulme in Manchester. Intended as executive ‘cities in the sky’, they quickly became cockroach-infested slums inhabited by students, artists and druggies. They released their 1984 debut single 'Interior' on their Black Lagoon label with an unusual sound for Manchester, which was then associated with Joy Division, Buzzcocks, The Fall and The Smiths. With a nod to their influences, Writer CP Lee dubbed them "the Hulme Cramps" for their Gothabilly twang.

A vibrant part of Britain's early postpunk / goth /death rock scene, they amassed a steady following through touring and by releasing a further six singles and four albums over the next five years, all of which entered the UK Indie Charts. They also recorded four sessions for BBC's legendary John Peel show between 1984 and 1988 before calling it quits that year.

Since reforming in 2007, they've released three albums and toured extensively around Europe, Russia, North America, India and beyond. Renewed interest in the Incas was propelled by Cherry Red Records 'Best of’ compilation release ‘Inca Babies 1983-87: Plutonium’. After Bill Marten's death in 2008, the band decided to continue creating music, subsequently releasing their Death Blues Album Trilogy - 'Death Message Blues' (2010), 'Deep Dark Blue' (2012) and 'The Stereo Plan' (2014).

As of October 3, 'Spacewalk' will be available everywhere, including SpotifyApple Music and Bandcamp. On November 29, the ‘Ghost Mechanic Nine’ album will be released on vinyl and digitally, and can be pre-ordered via Bandcamp and the Louder Than War shop.

CREDITS
Written by Harry Stafford & Rob Haynes
Harry Stafford – vocals, guitars & keyboards
Rob Haynes - drums & percussion
Jim Adama – bass guitar
Kevin G Davy - trumpet, horns
Simon 'Ding' Archer - sonic and dub flourishes
Released by Black Lagoon Records
Catalogue no. BLRLP0060
Recorded, mixed & produced by Simon ‘Ding’ Archer & Harry Stafford
Recorded at 6Db in Salford under Simon ‘Ding’ Archer
Mastered by Marco Butcher at Boombox Studio (North Carolina, USA)
Artwork created by Harry Stafford
Live photos by Simona Masoni
Publicity by Shameless Promotion PR

Keep up with Inca Babies
Facebook | Bandcamp | Twitter | Instagram | Soundcoud | YouTube | Spotify | Apple Music | Booking contact | Press contact

Keep up with Shameless Promotion PR
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TURMION KÄTILÖT - RELEASE NEW SINGLE 'PULSSI'

TURMION KÄTILÖT release today their second single ‘Pulssi’ featuring Kasperi Heikkinen from BEAST IN BLACK. The single coincides with the publication of the band's first autobiography ‘En tahdo unohtaa koskaan’ (‘I never want to forget’). The new album RESET will be released on October 25th via Nuclear Blast Records.

MC Raaka Pee comments about 'Pulssi': You know you're living when you feel your pulse up to your gums. The song arrangement and lyrics were born in one evening without any pre-planning or notes. That night the moon burned my face. This time, the song was kept really simple. I wanted to include a riff that I would have been able to play as a 14-year-old. Sort of like Smoke On The Water for many youngsters at the time when they first tried playing the guitar. For me, that was the 90s and you can hear that kind of middle school riffing in Pulssi. Works damn well I think! Give it a try yourself!

He continues about Reset: "I would say that Reset is like a bastard son or daughter of previous records - with tasty new spices added to the whole thing. It has everything you could ever want from us and more. One of the special twists of this album is the vocal parts: the fierce screams are counterbalanced by a huge melodiousness - often at the same time."

Stream 'Pulssi' here: https://turmionkatilot.bfan.link/pulssi 
Watch the band's new video for 'Pulssi' below:
Pre-Save Reset here: https://turmionkatilot.bfan.link/reset

About TURMION KÄTILÖT:
TURMION KÄTILÖT, the Finnish-singing industrial and electronic metal band hailing from the barren wastelands of Savo, is rapidly becoming a new favorite among open-minded metal fans in the mid-2020s. The odds of their rise to prominence are nothing short of great. Known for their ecstatic and theatrical concerts, TURMION KÄTILÖT invites you to dive into their twisted world of "disco metal." The current lineup features singers MC Raaka Pee and Shag-U, guitarist Bobby Undertaker, bassist Master Bates, keyboardist RunQ, and drummer DQ. Since the early 2000s, this vivid sextet has been delivering a unique blend of electrifying heavy music, characterized by its peculiar, perverted, and catchy style. Their journey includes numerous sold-out concerts, gold and platinum records, and Emma nominations (Finland's equivalent to the Grammys).
 
TURMION KÄTILÖT's depraved disco ball has also shone beyond Finland. Many fans remember their legendary European tour with PAIN in 2011. In the 2020s, their fame continued to grow, highlighted by their selection as the opening band for NIGHTWISH's sold-out European arena tour in 2022. Now, TURMION KÄTILÖT is ready to unveil their latest creation: Reset. Founding member and main songwriter MC Raaka Pee explains, "Reset is simply the perfect name for our new studio album. For us, Reset is more about taking advantage of everything we've learned over two decades and then adding new nuances to our metallic disco vortex." With twenty years and ten studio albums behind them, Turmion Kätilöt continues to push their boundaries. "We have relentlessly raised our own bar with every record," says the band. "Reset is our best album to date, and we simply couldn't be more satisfied."
 
Reset features all the hallmarks of TURMION KÄTILÖT: twisted synths, underfoot grooves, pounding beats, and cryptic lyrics, all with a stronger musical vision than ever before. The album is described as a "bastard child" of their previous records, with new spices added. The vocal parts, a mix of fierce screams and melodiousness, add a special twist.
 
"We have gained more courage to explore drastic musical and lyrical angles," the band states. "Sometimes the lyrics and the musical mood seem to come from completely different worlds, but that's exactly what makes the whole thing fascinating. That's what Turmion Kätilöt is all about!"
Key tracks from the album include singles "Yksi jumalista," "Pulssi," and "Sinä 2.0," though the band emphasizes that the entire album is a varied entity. "If we had to decide now which new songs to perform at future shows, we would play the whole new album!
"
 
The production of Reset benefits from the powerful sound engineered by keyboardist and producer RunQ in his brand-new studio. The album's sound palette ranges from completely organic to entirely electronic, creating a hugely powerful combination. Reset also offers an interesting opportunity to compare old and new TURMION KÄTILÖT with the song 'Schlachter,' a new German version of their classic 'Teurastaja.' Originally released on their debut album, this updated version features new arrangements and lyrics. While the band remains committed to singing in Finnish, they remain open to future possibilities. "In the future, we can sing in English, German, Swedish, or we may invent our own language. Let's see." MC Raaka Pee concludes with a confident smile, "Trust us, we know what we are doing. For this band, it took twenty years, but we finally know what we are doing. Now we are just going to enjoy the ride. So, if someone is interested in a wild ride on the twisted side, please reset and jump in!"       

EKOH Announces New Album "Pressure" + Shares "Throne" Feat. Skydxddy

From the purveyor of some of the best, most impassioned hip-hop and metal collaborations out there, EKOH is aiming to give his fans what they’re looking for this October: a full album. Due on October 29, EKOH will be releasing Pressure, an LP that will encapsulate the very things that have catapulted this young MC to the top of the Octane charts with every single. Pre-order it here.

Packed into each of the 15 tracks are elements of his coined genre, "heart hop," high-energy songs that highlight what makes the melding of rap and anthemic vocals so very special. 

For fans of lyricism that cuts through the monotony with truthful, honest depictions of the world, Pressure will be a treasure trove of frenzied songs, including "THRONE," which is EKOH’s latest collab with internet-favorite, Skydxddy. Listen below.

On "Throne," EKOH offers, "This is our rap and rock crossover about overcoming your personal demons and all of the people who doubted you to end up back on your throne." 

A dedication to triumph over defeat and paying homage to your own perseverance, Pressure, EKOH describes, "was the weight I carried through every moment of making this album. It wasn't just creative pressure — it was the pressure to hold everything together in my life, to meet expectations, to stay strong in my sobriety. That feeling consumed everything — my stress, my fear, even my joy. Every song is a release, a way to finally breathe again under all that weight. I don't know if pressure always creates diamonds, but it gave me the most raw, vulnerable, and boundary-pushing music I've ever made."

An MC with a business man's acumen, EKOH's crowd-pleasing hit "Freeverse 3" spawned a sponsorship and perhaps one of the biggest collabs of his career, a fully EKOH customized Vans shoe — check out EKOH's skate shoe here

Not a stranger to bringing crowds a set they didn't expect, Pressure is fueled by robust musicians including Buddy Nielsen from Senses Fail and the power-hitting, world renowned rapper, Tech N9ne.

Catch the show that has kicks flying through the air as EKOH travels across the U.S., including a few festival stops and venues across the states. Never one to disappoint, keep your eyes on this Vegas native who has his pulse on the genres that move bodies and bang heads — more coming your way soon!

On "Throne," EKOH offers, "This is our rap and rock crossover about overcoming your personal demons and all of the people who doubted you to end up back on your throne." 

A dedication to triumph over defeat and paying homage to your own perseverance, Pressure, EKOH describes, "was the weight I carried through every moment of making this album. It wasn't just creative pressure — it was the pressure to hold everything together in my life, to meet expectations, to stay strong in my sobriety. That feeling consumed everything — my stress, my fear, even my joy. Every song is a release, a way to finally breathe again under all that weight. I don't know if pressure always creates diamonds, but it gave me the most raw, vulnerable, and boundary-pushing music I've ever made."

An MC with a business man's acumen, EKOH's crowd-pleasing hit "Freeverse 3" spawned a sponsorship and perhaps one of the biggest collabs of his career, a fully EKOH customized Vans shoe — check out EKOH's skate shoe here

Not a stranger to bringing crowds a set they didn't expect, Pressure is fueled by robust musicians including Buddy Nielsen from Senses Fail and the power-hitting, world renowned rapper, Tech N9ne.

Catch the show that has kicks flying through the air as EKOH travels across the U.S., including a few festival stops and venues across the states. Never one to disappoint, keep your eyes on this Vegas native who has his pulse on the genres that move bodies and bang heads — more coming your way soon!

Pete International Airport presents 'Out Past The Razor Wire (HYM Post-Industrial Remix)' from November EP

Portland-based Pete International Airport presents the single 'Out Past The Razor Wire (HYM Post-Industrial Remix)', created by Holy Youth Movement, a long-term PIA collaborator. This racy adrenaline-filled track is the second taste of Pete International Airport's new 'Sea of Eyes' EP, set for release in November via cult label Little Cloud Records,

Influenced by the energy of rave culture, this is a sonic whirlwind of excitement for listeners, which would have fit perfectly in such iconic soundtracks as 'Hackers' or 'Snatch' with its motorik groove and dynamic energy.

Pete International Airport revolves around Peter G. Holmström of The Dandy Warhols and Sun Atoms, whose sonic vision takes us on a meticulously crafted psychedelic journey into the dark heart of electronic rock. Named after a Dandies song, this project nails the elusive aesthetic of unexpected yet inviting sound art. PIA's quest to build immersive soundscapes that are also timeless songs is successful, in part, due to Holmström’s uncanny ability to curate and his penchant for dropping collaborators into challenging creative spaces—both virtual and actual—then letting them duke it out.

The 'Sea of Eyes' EP consists of five tracks that are rooted in PIA's third album 'It Felt Like The End of the World', released in late 2023 - all five of them co-authored with and featuring vocals by Alexander Hackett. They earlier introduced 'Sea of Eyes' featuring vocals by Alexander Hackett of Montreal dream-gaze outfit Pang Attack. The intriguing shadow-dance video was directed by Francesca Bonci.

The 'Sea of Eyes' EP was mixed by Jeremy Sherrer at Spooky Electric Co. (Modest Mouse, The Shins, The Dandy Warhols) and mastered by Dave Coley at Elysian Mastering. Most tracks were recorded at Holmström’s Air Traffic Control studio in Portland, but drums were recorded at The Trench Studios by The Dandy Warhols' sound engineer Gregg Williams..

"I really wanted to showcase Alexander Hackett’s vocal and lyrical contributions to my record so, using the excuse of a video for 'Sea of Eyes' to release an EP of remixes seemed like a good idea.  Of course lots of remixes don’t use the vocals…anyway…I got to work with Andy Bell (Ride) and Tom Smith (Holy Youth Movement) as well as long time collaborator Daniel Sparks (omniscuro) to put it together," says Holmström.

"I first heard Pang Attack when SUUNS shared a track on their socials.  At first I was disappointed because it didn’t sound like SUUNS (I was obsessing on them hard) but, for some reason, I kept listening. There was something there that I connected with. Alex’s lyrics and melodic choices were perfect and I had to find out if he was interested in working with me. 'Sea Of Eyes' is the second song that Alex and I collaborated on. His lyrics perfectly capture the vibe of the world at that time".

The 'Sea of Eyes' EP is a logical progression (and continuation) of 'It Felt Like The End of the World' and the 'Tic Tac' 7" single, which jointly boast the cream of the neo-psychedelic crop, including Slowdive's Rachel GoswellThe Brian Jonestown Massacre's Anton Newcombe, Dion Lunadon (A Place To Bury Strangers, The D4), Cheap Trick's Tom Petersson, Lisa Elle of Dark Horses, and members of Sun Atoms, Guiding Light and Hopewell.

As of October 1, 'Out Past The Razor Wire (HYM Post-Industrial Remix)' will be be available exclusively via Bandcamp, where the EP is available for pre-order (digitally and on limited edition cassette). The album 'It Felt Like The End of the World' can also be found there, available digitally, on CD and vinyl as a Deluxe double-album with gatefold sleeve. The 'Tic Tac' single with Rachel Goswell and it's 7" vinyl version are available both via Pete International Airport and The Dandy Warhols.  

SINGLE CREDITS
Music written by Peter G. Holmström
Remix and additional production by Tom Smith (Holy Youth Movement)
Original track vocals and lyrics by Alexander Hackett (Pang Attack)
Instruments performed by Peter G. Holmström, except:
Alexander Hackett - Vocals
Paulie Pulvirenti - Toms, Octabans
Daniel Sparks - Drum Programming, Synths
Jeremy Sherrer - Synth, Drum programming
Produced by Jeremy Sherrer and Peter G. Holmström
All tracks recorded primarily at Air Traffic Control, Portland
All drums recorded at The Trench Studios by Gregg Williams
Vocals & additional instruments recorded in Montreal, LA & NYC
Additional production & mixing by Jeremy Sherre at Spooky Electric Co. (Austin, Florida & Spokane)
Mastered by Dave Coley at Elysian Mastering
Album art by Francesca Bonci
Publicity by Shauna McLarnon at Shameless Promotion PR
'Sea of Eyes' video directed by Francesca Bonci
Filmed by June Kang and Lê Thùy-Dương
Guest appearance - June Kang

Keep up with Pete International Airport 
Website | Bandcamp | Twitter | Facebook | Instagram | Soundcloud | YouTube | Spotify | Apple Music | Press contact

Keep up with Little Cloud Records
Website | Facebook | Bandcamp | Twitter | Instagram | YouTube

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BEHEMOTH - Release Live Video For 'The Thousand Plagues I Witness'

Polish extreme metal giants, the mighty BEHEMOTH, will release their monumental anniversary concert XXX Years Ov Blasphemy from 2021 on October 25th, 2024 as 3CD + BluRay, 3LP and Digital Album.

The career-spanning show, held at and filmed on three different locations, has a total running time of 90 minutes, divided into three different acts, and features fan favourites as well as a few selected deep cuts that BEHEMOTH had rarely played live before.

As a second preview you can now watch the live video for the song 'The Thousand Plagues I Witness' which originally appeared on their 1998 full length, Pandemonic Incantations.

PRE-ORDER / PRE-SAVE XXX YEARS OV BLASPHEMY:
https://behemoth.bfan.link/xxx-years-ov-blasphemy

LISTEN TO 'THE THOUSAND PLAGUES I WITNESS':
https://behemoth.bfan.link/the-thousand-plagues-i-witness

WATCH THE VIDEO FOR 'THE THOUSAND PLAGUES I WITNESS' BELOW.

ABOUT BEHEMOTH:

In the annals of metal there is no band more synonymous with an unswerving commitment to the single-minded defiance of expectation than BEHEMOTH. Over the course of their remarkable 33-year career, these Polish hellraisers – spearheaded by Adam Darski, aka Nergal – are more than just the architects of their country’s legendary extreme metal scene. Over the course of over three decades and twelve albums, Nergal’s singular vision has forged BEHEMOTH into something far more than a mere black metal band. Beyond any confines of genre, they have grown to become nothing less than the personification of rebellion, individuality and unflinching self-expression informed by a literate worldview and worldliness that’s resulted in a locking of horns with everything from the mainstream press to the Polish Catholic church – most notably manifesting in Nergal’s trial for blasphemy in 2010 that only served to expose the deep-seated hypocrisies that his music seeks to challenge.

VUKOVI Announce New Album "MY GOD HAS GOT A GUN" + Share Video "GUNGHO"

In the mist-shrouded hills of Scotland, where legends whisper through ancient stones, there emerged a band as enigmatic as the land itself: VUKOVI.

On January 24, VUKOVI will unleash their latest creation, MY GOD HAS GOT A GUN, via SharpTone Records, a provocative title that hints at the explosive content within. The album, produced by the legendary Machine at the fabled The Machine Shop Recording Studio in Austin, is the result of several intense weeks spent in the heart of Texas, where the band channelled the heat, the dust, and the raw, untamed energy of the landscape into their music. The album's artwork, a haunting and vivid creation, was painted by the band's Janine herself.

To usher in this new era, VUKOVI have bestowed upon the world their latest single "GUNGHO" and it's accompanying visuals.

Watch the video for "GUNGHO" Below.

When asked for comment on the dawn of this imminent new age, Janine offers, simply: "A new chapter of sound is about to unfold. These songs will speak to places we've all been, but few have heard."

Pre-order and pre-save MY GOD HAS GOT A GUN now here.

MY GOD HAS GOT A GUN is available in the following formats:
-Red, Black and White Splatter LP (Limited to 500 – Exclusively on the Band’s Store)
-Black & White Half & Half LP (Limited to 500 – Exclusively at Sharptone US)
-Black LP (Available via artist stores, label store and EU retail)
-Jewelcase CD (Available via artist stores, label store and worldwide retail)

ABOUT VUKOVI:
As the world waited with bated breath for new material, VUKOVI embarked on their first co-headlining tour across the United States with brethren Calva Louise, supported metal titans Babymetal across the UK, and conquered a number of major music festivals such as Welcome To Rockville, Sonic Temple, Download Festival, Rock For People, and Graspop (to name a few). How they found the time to crisscross the globe, leaving a trail of electrified audiences in their wake, remains a mystery.
 
Some say that when VUKOVI takes the stage, the air hums with a strange electricity, and time itself seems to bend, as if the band is channelling something otherworldly.
 
We asked the band for comment, but were offered no answers, only more questions. 
 
Their songs tell stories that are both intensely personal and universally relatable, exploring themes of mental health, love, and the human condition with a sharp edge. Yet, beneath the surface, there's always an undercurrent of something darker, a sense that the music is a portal to a world just beyond the veil of our reality.
 
As VUKOVI continue to carve their path through the rock landscape, one thing is certain: they are a band unlike any other, a force of nature that refuses to be tamed or fully understood. They invite us to join them on their journey, to explore the uncharted territories of sound and emotion, but they do so on their terms. In the end, perhaps it's the mystery that makes VUKOVI so compelling — a reminder that in a world where everything seems knowable, there are still secrets worth keeping

VUKOVI ARE:
Janine Shilstone — Vocals
Hamish Reilly — Guitars

MARILYN MANSON ANNOUNCES NEW ALBUM, 'ONE ASSASSINATION UNDER GOD - CHAPTER 1' OUT NOV 22ND VIA NUCLEAR BLAST

One Assassination Under God - Chapter 1, the 12th album by MARILYN MANSON will be released worldwide on November 22nd, 2024 via Nuclear Blast Records. The new album is available now for pre-order in a variety of formats with accompanying apparel at https://mm.bfan.link/oaug-ch-1

With the announcement comes MANSON’s latest single, ‘Sacrilegious’, and music video directed by Bill Yukich.

Stream ‘Sacrilegious’: https://mm.bfan.link/sacrilegious

‘SACRILEGIOUS’ MUSIC VIDEO BELOW

Stream MARILYN MANSON:

Apple Music | Spotify

Follow MARILYN MANSON:

Website | Facebook | Instagram | X | TikTok | Youtube | Store

PALEFACE SWISS Announce Third Full-Length Album 'Cursed'; Drop New Single "Hatred"

Switzerland's titans of brutality, Paleface Swiss, are back with a vengeance! Today, the band unveils their brutal new single, "HATRED", alongside the official announcement of their highly anticipated third full-length album, ‘Cursed’, set to drop January 3rd, 2025. Fans can experience the full, savage force of the new single and its accompanying music video by streaming the track HERE and watching the music video below. Pre-order your copy of 'Cursed' HERE.

"HATRED", the album's ferocious lead single, delivers everything fans have come to love from Paleface Swiss: relentlessly visceral intensity, Zelli’s instantly recognizable, rapid fire rap-style vocals, Yannick Lehmann's insane thrash-inspired solos and ten-ton heavy nu-metal-esque riffs and the pummeling rhythmic backbone of Tommy Lee's basslines and Cassiano "Cassi'" Toma's drumming, providing lightening fast blast beats and brutal beatdowns. Speaking on the track, Marc "Zelli" Zellweger shares

“When you’re a kid growing up, you're happy and you think everything is cool, but nowadays, every time you open your phone, it’s just a flood of negativity. We’re bombarded with so much bad news every day that finding anything positive feels nearly impossible. ‘Hatred’ is us venting our frustration about the things we can’t change. It may not be as deep as the other tracks on the album, but it’s for everyone who’s fed up with the constant negativity in the world. For the music video, we wanted to keep it simple and raw—a no-nonsense, old-school performance video with us going as hard as we can in a room. There are, however, a few easter eggs hidden in there that will make more sense as we release more videos from this album.”

"Hatred" also begins with album intro track, "Un Pobre Niño Murió", a reimagining of a song the band heard for the first time when they decamped to Tenerife, where their close friend and tour manager, Ron Steven Deris, lives, to write their new record. Elaborating on the story, "Zelli" continues

We went to Ron’s place in Tenerife, and every morning and every evening we had breakfast and dinner together. We always listened to vinyl while eating, and one evening he pulled out a Canary Islands folklore vinyl with very old songs—like all of the artists on these songs had been dead for many years—and this song came on with just one woman singing by herself. It’s supposed to be a children’s lullaby, but it was actually scary. The lyrics are the complete opposite of a lullaby.”

Cursed’ is a masterclass in modern brutality and encapsulates two years of creative exploration and raw personal experiences for the Paleface Swiss members. The band retreated to the seclusion of the Canary Islands to craft this sonic juggernaut. Collaborating with Ron Steven Deris at Misueno Studios and with long-time collaborator Florent Salfati (Landmvrks) helping to add the finishing touches, their work culminated in an album that marries the band’s signature heaviness with intricate conceptual storytelling. Zelli goes on to share:  

"This time we wanted to keep it simple and follow the lead of the big guys, taking the necessary time for it. However, it was still an exhausting process. I’m overjoyed with the result and can’t wait to unleash our first concept album upon the world."

The album features nine tracks, each paired with a specific flower on the album artwork that represents a different struggle, forming a bouquet of beauty and darkness that mirrors the band's tumultuous experiences. Zelli elaborates:  

“This record is for sure our most personal one so far. We've always written about topics like mental health, but we’ve usually written about people who are really close to us. On this record there wasn’t really much space for stories from other people. Between the time when we released "Fear & Dagger "and writing this record, there were periods when this is how we all felt. I’d say 80% of these two years were filled with so much happiness and joy, which I’m really thankful for, but the few dark days that we had ARE this record.”

To celebrate the release of ‘Cursed’ at the top of 2025, Paleface Swiss is gearing up to take their monstrous sound across North America with their biggest US Headline Tour to date. The tour kicks off on March 20th, 2025, in Detroit, MI, and will cover 30 cities, including Los Angeles, New York, and Toronto. Fans can expect blistering performances packed with the band's signature groove-laden riffs, unrelenting energy, and Zelli's insane vocal acrobatics. Full tour dates and tickets are available HERE. Speaking on the upcoming tour, Zelli enthuses  

"We can’t wait to return for a bigger US headlining tour... I would love to be sitting on the tour bus tomorrow. But like the cheese Switzerland is famous for, this also has to mature well first"

PALEFACE SWISS

NORTH AMERICA 2025 HEADLINE TOUR

3/20   Detroit, MI, St. Andrews Hall

3/21   Toronto, ON, Lees Palace

3/22   Montreal, QC, Club Soda

3/23   Worcester, MA Palladium (Upstairs)   

3/26   Albany, NY, Empire Live

3/27   Baltimore, MD, Soundstage

3/28   Pittsburgh, PA , Roxian Theatre

3/29   Greensboro, NC, Hangar 1819

3/30   Tampa, FL, Orpheum       

04/01 Orlando, FL, The Abbey

04/02 Atlanta, GA, Masquerade (Hell)

04/03 Nashville, TN, Eastside Bowl

04/04 Louisville, KY, Mercury Ballroom

04/05 St. Louis, MO, Red Flag

04/06 Wichita, KS, Wave (Indoors)          

04/08 San Antonio, TX, Vibes Underground

04/09 Dallas, TX, Southside Music Hall

4/10   Albuquerque, NM, Sunshine Theater

4/11   Mesa, AZ, Nile

4/12   Los Angeles, CA, The Regent

4/13   Roseville, CA, Goldfields       

4/15   Portland, OR, Dante's

4/16   Vancouver, BC, Rickshaw Theatre

4/17   Seattle, WA, El Corazon

4/18   Spokane, WA, The Knitting Factory

4/19   Salt Lake City, UT, Metro Music Hall

4/20   Denver, CO, Summit

4/22   Omaha, NE, The Waiting Room

4/23   Iowa City, IA, Wildwood

4/24   Minneapolis, MN, Varsity Theater

4/25   Milwaukee, WI, The Rave II

4/26   Chicago, IL, Thalia Hall

Armed with a brand new album, an ever-growing army of devoted fans, critical acclaim, sold-out headline shows and stellar festival performances garnering new fans wherever they go, Paleface Swiss have their sights firmly set total, global domination. Stay tuned, buckle up and kick back for the ride.

ABOUT PALEFACE SWISS

Since the release of their first album, 'Chapter 3: The Last Selection', independent outfit, PALEFACE SWISS have gained international recognition throughout the Deathcore and Beatdown Community. Known for their huge, aggressive riffs, brutally bombastic rhythm section, frontman, Zelli's outstanding vocals and a pinch of humor. This is Switzerland’s finest heavy music. Across their catalog, the band have gained 110 million streams, 21 million YouTube views on their own channel, and recently peaked at 1 million Spotify monthly listeners.

Chapter 3: The Last Selection’ was released on October 30th 2020, spawning four huge tracks “Curse Us”, “The Rats”, "Lights Out" and “Skalpell” which quickly ranked high in the beatdown/hardcore charts and saw the band become cover stars on Spotify’s Heavy Beatdown playlist.

In 2022 the band released their second full-length album 'Fear & Dagger'. The album was widely considered a huge step up for the band as plaudits began to roll in for frontman Zelli's vocal ability and the band's unflinching commitment to never shy away from brutally heavy riffs, face-melting technically insane guitar solos, punishing beatdowns or from facing difficult, emotional topics head on. Metal Injectionaccurately summed it up in their review by saying, "It's fun to get caught up in Paleface's unrelenting instrumentals, but Zelli's really the star of Paleface. This is largely because he treats his screams like rap bars." New Transcendence stating "Paleface have created one of the most emotionally relevant and intriguing beatdown releases to date" and Wall of Sound calling it "an unashamedly brutal and angry album".

The album shot the band into the upper echelons of the "New Wave Of Deathcore" and spawned singles "The Orphan", "Deathtouch", "Dead Man's Diary" feat. LANDMVRKS frontman Florent Salfati and fan favourite and stylistic curveball, "My Grave / Lay with Me". The album focused on more mature and critical topics related to the fears and struggles young people have to contend with in the 21st century, most importantly, the topic of mental health.

The ensuing 2 years saw the band's popularity sky-rocket. Honing their craft in the live arena, the band rapidly jumped from strength to strength, creating what is now one of the most thrilling and impactful live shows in modern metal. Their ability to win over any crowd, wether it be their own headline shows, touring the US with the likes of Body Snatcher or The Ghost Inside, touring the UK with the likes of Counterparts and Kublai Khan or at globally renowned festivals such as Sick New World, Hellfest Open Air, Summer Breeze, Cabaret Vert, Dynamo Metal Festival and more, one thing is for sure, Paleface Swiss will turn an audience into fans by the time they're done at every show they play.

To support their largely sold-out touring efforts, the band released a series of stand alone singles, "Best: Before Death" - now a staple and firm fan favourite in their live set list, "Please End Me" and "The Gallow".

Now, with the impending release of their third full-length album, 'Cursed', Paleface Swiss are set to write the next chapter or their incredible, epic journey as they reveal their most thematically and sonically ambitious album to date. Never pulling punches when it comes to heaviness, technicality or emotional vulnerability, Paleface Swiss are rewriting the rulebook on what it means to be an extreme metal band.

PALEFACE SWISS Are: 

Vox: Marc “Zelli” Zellweger

Guitar: Yannick Lehmann

Bass: Tommy-Lee Abt

Drums: Cassiano 'Cassi' Toma



Find Paleface Online 

www.palefaceswiss.com

GAEREA Reach Dynamic New Heights on "Suspended"

"As someone who's already heard Coma in full, you're getting a glimpse at one of the best metal records of 2024" - Metal Injection

"One of extreme music's most commanding, compelling forces" - Knotfest 

"...separates itself from the pack thanks to hearty doses of dark melody, top notch production and skilled songwriting"
- Decibel

"...builds upon itself until the sound and fury can’t be contained any longer, spilling over itself with raging vocals and pounding blast beats".- Metal Sucks

"Terrifying at times, but beautiful, almost like life" - New Noise

"Gaerea really aren’t like the other black metal bands...If you have any care for music as heartrending as it is heavy, this is a must-listen" - Angry Metal Guy

"...increasingly wizard-like and meteorically rising" - No Clean Singing

Gaerea thrive on the purging of raw emotions, but on their upcoming fourth album, the Portuguese masked sensations prove that they're no longer just a black metal band. With Coma, they're surfacing to the top of extreme metal.

While produced by their trusted confidant Miguel Tereso, Coma expands Gaerea's signature sound by pulling it in two seemingly opposing directions. "Suspended" is haunted by moments of intense beauty. The band's new single is accompanied by a video that's both stunning and soul-stirring. But the pensive moments only heighten its crushing blows.  


Watch the stunning, slow motion video for "Suspended" below.

Coma comes out October 25, 2024 on Season of Mist. 

Pre-order & Pre-save:
https://orcd.co/gaereacoma

With its sharp and slithering riffs, Gaerea's previous single spiked the anticipation for Coma to an almost unbearable degree. "Suspended" holds their captive audience in even greater suspense. Like a spider weaving its web, the somber, opening guitar melody unfolds with great care before the booming blast beats swallow you into the band's inescapable vortex. 

"I stand at a fateful divide / where choices collide", their tortured vocalist screams as if dangling from the grip of a soul-wrenching vice. "Hell breaks loose".

The never-ending maze that Gaerea dared us to enter during the album's first official single is obscured by an even thicker haze on "Suspended". But the band stay clear of any stylistic dead ends. The blindingly fast tremolo picking suddenly relents, opening up a post-rock passage that twinkles like a dying star. "No words can explain why I chose as I did", their vocalist sings in one great, long mournful sigh.

"Suspended" stands as the first song in Gaerea's mantle-worthy discography to feature clean singing, but the soft shift only sets up the song's final knockout. All at once, the riffs, blasts and screams come roaring back into the fray behind an elevated gothic choir, bringing the band's level of despair to crushing new heights. 

The video for "Suspended" was created by Guilherme Henriques.

To usher in this new era, Gaerea are touring behind Coma later this year. The masked sensations will return to North America in November with Zeal & Ardor and ZETRA.

Gaerea North American Tour 2024 with Zeal & Ardor and ZETRA

November 23 - Philadelphia, PA @ Union Transfer [TICKETS]
November 24 - New York, NY @ Le Poisson Rouge [TICKETS]
November 25 - Allston, MA @ Brighton Music Hall [TICKETS]
November 27 - Montreal, QC @ Le Studio TD [TICKETS]
November 28 - Toronto, ON @ Opera House [TICKETS]
November 29 - Detroit, MI @ The Majestic [TICKETS]
November 30 - Millvale, PA @ Mr. Smalls Theatre [TICKETS]
December 2 -   Indianapolis, IN @ The Vogue [TICKETS]
December 3 -   Chicago, IL @ Thalia Hall [TICKETS]
December 4 -   Minneapolis, MN @ Varsity Theatre [TICKETS]
December 6 -   Engelwood, CO @ Gothic Theatre [TICKETS]
December 7 -   Salt Lake City, UT @ Urban Lounge [TICKETS]
December 9 -   Seattle, WA @ The Showbox [TICKETS]
December 10 - Vancouver, BC @ Rickshaw Theatre [TICKETS]
December 11 - Portland, OR @ Wonder Ballroom [TICKETS]
December 13 - Berkeley, CA @ UC Theatre [TICKETS]
December 14 - Santa Ana, CA @ The Observatory [TICKETS]
December 15 - Phoenix, AZ @ Crescent Ballroom [TICKETS]
December 17 - Austin, TX @ Mohawk [TICKETS]
December 18 - Dallas, TX @ Studio at The Factory [TICKETS]

The beauty of Gaerea lies in the directness and simplicity found within their florid tapestry of extremity and aggression. Whether it is in the less-polished aural dynamite of Mirage, or in the lustrous textures of Coma, Gaerea is building a mighty edifice of metal. With talons dipped in the inky blood of black metal and scraped across the flesh of human suffering, Gaerea is leading a charge into the future of darkness, and all those who find beauty and power in the dark side of existence would do well to take heed.

Recording Studio
Demigod Studios at Redbox Studios

Production Credits
Produced by Gaerea
Recorded by Miguel Tereso at Redbox Studios
Mixed and Mastered by Miguel Tereso at Demigod Studios

Artwork
Nathan Lorenzana

Photography
Chantik Photography
 
Biography
Gaerea

Stream & Order: https://orcd.co/gaereacoma

Follow Gaerea:
Official Website: https://www.gaerea.com/
Facebook: https://www.facebook.com/gaerea
Instagram: https://instagram.com/gaerea_
TikTok: https://tiktok.com/@gaereaofficial
Spotify: https://open.spotify.com/artist/1wXoI3Ajpv4WwQ3LmcrSBw
Discord: https://discord.gg/CSyqFQZ6
YouTube: https://www.youtube.com/channel/UCdQOfL4E3Z_SpHLL52tOIpQ
Bandcamp: https://gaerea.bandcamp.com/
Twitter: https://x.com/gaerea_official

Booking & Management Contact: 
US Booking - nickstorch@artistgrp.com
World booking: https://www.teamwass.com / Contact info: tom.taaffe@teamwass.com

Available Formats:
Digital Download
CD Digisleeve
2X12" Vinyl Gatefold (Black)

Bike Routes Share "World Apart" Video — WATCH

Blue Grape Music recently announced the signing of Bike Routes. The artist will release his Rush of Energy EP on October 25. The EP is available on vinyl in several colorways. Pre-order it here.

Today, Bike Routes has shared the video for "World Apart," an upbeat, alt pop rock jam with both an '80s and post-hardcore vibe. 

Watch it below

"'World Apart' captivates the listener with pinpoint aggression towards the mundane motions of everyday life," says Bike Routes about the song's existential lean. "It tackles existential dread and the desire to start anew. No one ever tells you how hard it's gonna be to follow your dreams, and if what we do here even really matters. But, if nothing matters, then I think that it's alright, because it's impossible we're all here at the same time."

Bike Routes is David Lawrence Osterhout.

Deeply intimate, earnest, and heartfelt expressions of anxiety, heartbreak, and acceptance lie within deceptively sugary melodies and hooks. David’s acoustic guitar is the anchor, inviting listeners into a notebook full of emotion and authenticity. 

The Garden State gave the world Bruce Springsteen, The Misfits, Lifetime, and The Gaslight Anthem. There's perhaps a bit of the essence of each of those trailblazers within the Bike Routes sound. While the South Jersey singer/songwriter conjures the spirit of the iconic troubadours of indie rock, classic emo, and postmodern pop-punk, he distinctively carves a singularly unique identity all his own. 

Osterhout teamed up with producer Zach Tuch (Touché Amoré, Silverstein, Movements), looking to expand the Bike Routes sound. The resulting collection is the Rush of Energy EP — the first Bike Routes release via Blue Grape Music. 

Bike Routes excels in the live environment, as evidenced on a Spring 2024 tour with Hawthorne Heights. More touring is expected for later this year. 

ABOUT BLUE GRAPE MUSIC:
In 2022, industry veterans David Rath and Cees Wessels formed Blue Grape Music.  The name will be familiar to rock music fans, as it was the merchandise company also launched by Wessels, who founded the venerable and esteemed record label Roadrunner Records in the ‘80s. Roadrunner earned a reputation as an iconic label that turned hard rock and metal acts into household names for several decades under Wessels’ tutelage. Rath spent 21 years in the A&R department at Roadrunner, working on albums by a variety of RIAA-certified and culturally important acts, including but not limited to SlipknotKornTurnstileGojiraCoheed and CambriaWhite ReaperSlashTriviumDream Theater, and more. When the label changed management and ownership, Rath guided the company and oversaw the signings of bands like Young the Giant and Vance Joy.  Ultimately, the Blue Grape executive team is powered by experience and a roll-up-your-sleeves-and-get-your-hands-dirty, by-any-means-necessary work ethic. Blue Grape's inaugural signing was the two-time Grammy nominee Code Orange and since then, the label has gone on to sign San Francisco punks Spiritual Cramp, hardcore heavyweights GEL, and Baltimore sludge slingers GASKET, with several new signing announcements expected to be announced this year.  Blue Grape is distributed globally by The Orchard.

Skillet Share Video For New Single "All That Matters" + Partners With Vet Tix Offering Free Concert Tickets To Veterens

22x platinum, GRAMMY-nominated rockers SKILLET are partnering with VET TIX to provide free concert tickets to veterans. Their latest digital track, "All That Matters," off their upcoming album REVOLUTION (11/1/24), has resonated loudly with military families, and in support of them for every preorder of REVOLUTION placed between Sept 25th and Oct 10th, 2024, Skillet will donate one concert ticket.  Additionally, the band will grant a Hero's Wish, where a specific event wish is granted to Active Duty Military Personnel (up to six months after their deployments), severely wounded Veterans (Purple Heart Required) or the families of men and women killed in action (KIA).

Click here to pre-order/donate, learn more about Vet Tix here, and about Hero's Wish here

"Vet Tix is grateful for Skillet’s support of the Vet Tix mission," remarked Vet Tix Founder, CEO, and U.S. Navy veteran, Michael A. Focareto III.  "Their passion for creating music and performing live for their legions of fans, coupled with their generous donations to Vet Tix through this partnership exemplifies Skillet’s support for our veterans, military members, and their families."

"In 'All That Matters' I sing, 'my faith, my family, my freedom, that’s what’s backin’ me and gives me a reason for living, I gotta fight for what I believe in,'" says SKILLET lead singer John Cooper. "I think we're getting such strong feedback from military families because these words are what they live day in and day out - their entire lives are about fighting for what they believe in - fighting for our country, for their families and the rest of us as Americans.  We have loved playing shows at military bases, meeting these families and the brave men and women of the armed forces - I am thrilled we can partner with Vet Tix and do something to support them."

REVOLUTION's first single, "Unpopular," premiered on SIRIUS XM's OCTANE channel, is climbing the Active Rock radio chart and has received over 5M streams, and 1.5M views of its music video.

REVOLUTION is expected to only extend Skillet’s formidable legacy. As of 2024, the band have received two GRAMMY® Award nominations, picked up a Billboard Music Award, and landed three albums in the Top 5 of the Billboard 200. Selling over 22 million units worldwide with over 24 billion global streams to date, SKILLET have notched multi-platinum, platinum, or gold RIAA certifications for a total of 12 singles and four full-length albums. Their latest RIAA Gold certifications just hit this summer with the tracks "Legendary" and "Stars."  Not to mention, they have regularly attracted 10 million monthly listeners on Spotify alone, boasting “one of the most-streamed rock songs of all-time” with the 5x-platinum "Monster."

Last week SKILLET kicked of a co-headline tour with another one of the best-selling rock bands of the 21st century, SEETHER. Well known as two of the rock scene's biggest acts of the past two decades, the tour will hit 18 cities through October 20th. Tickets are available via Skillet.com.  Remaining routing below.
After years of selling out shows across Western Europe, Australia, Japan and more SKILLET will embark on their first-ever tour of the Middle East in November. The band will be playing in Turkey, Kazakhstan, United Arab Emirates, and more. All dates are below at at Skillet.com.

SEETHER + SKILLET ON TOUR:
9/25 — Chicago, IL — Radius
9/26 — Cleveland, OH — Agora Theater (Skillet only)
9/27 — Huntington, WV — Marshall Health Network Arena
10/2 — Kansas City, MO — The Midland Theatre
10/3 — St. Louis, MO — Saint Louis Music Park
10/5 — Houston, TX — White Oak Music Hall Lawn
10/6 — Dallas, TX — Texas Trust CU Theatre at Grand Prairie
10/8 — Lubbock, TX — Lonestar Events Center
10/9 — Albuquerque, NM — Revel ABQ
10/11 — Mesa, AZ — Mesa Amphitheatre
10/15 — Denver, CO — The Mission Ballroom
10/18 — Omaha, NE — The Astro Amphitheater
10/19 — Des Moines, IA — Vibrant Music Hall

ABOUT SKILLET:
After nearly three decades, eleven albums, and thousands of shows worldwide, Skillet play louder, fight harder, and sound more rebellious than ever. As of 2024, the band have received two-time GRAMMY® Award nominations, picked up a Billboard Music Award, and landed three albums in the Top 5 of the Billboard 200. Selling over 22 million units worldwide, they have notched multiplatinum, platinum, or gold RIAA certifications for a total of 12 singles and four full-length albums. Not to mention, they have regularly attracted 10 million monthly listeners on Spotify, boasting “one of the most-streamed rock songs of all-time” with the 5x-platinum “Monster.” Their presence has impressively surged throughout popular culture with syncs by WWE, Marvel, ESPN, and NFL in addition to coverage from USA Today, The New York Times, and more. As a live force of nature, they have touched down on four continents and in 26 countries, packing arenas everywhere from the Middle East to Russia. Not to mention, Skillet expanded their world with the graphic novel series EDEN. The first installment stood out as Z2 Comics’ best-selling book of all-time. Now, the global hard rock quartet—John Cooper [lead vocals, bass], Korey Cooper [guitar, keys], Jen Ledger [drums, vocals], and Seth Morrison [lead guitar]—deliver an insurgent, infectious, and inimitable body of work with their twelfth full-length offering and first-ever independent album, REVOLUTION, led by the single “Unpopular.”

THE HALO EFFECT ANNOUNCE NEW ALBUM 'MARCH OF THE UNHEARD'

Gothenburg's rising stars, THE HALO EFFECT, are back with a powerful new announcement - their highly anticipated second album, March of the Unheard, will be unleashed on January 10th, 2025, via Nuclear Blast Records.

Following the massive success of their critically acclaimed debut Days of the Lost, March of the Unheard delivers a triumphant continuation of the band’s signature sound. Packed with soaring melodies and electrifying energy, the new album promises to exceed fan expectations.

The first single from the album, 'Detonate,' is an upbeat anthem that blends melodic hooks with relentless energy. Accompanied by a thrilling music video, 'Detonate' sets the stage for what promises to be yet another landmark release, delivering a strong message for the unheard: "Break the chains of this deadlock, before we detonate!"

Guitar wizard and main songwriter Niclas Engelin comments: "Damn, time flies fast when you have so much fun touring, playing festivals, and creating new magic. Are we hitting album no. 2 already? Still running high from the energy from Days Of The Lost, and it's been a blast!”

He continues: "We just can't wait for you all to hear our new magic and I think you might like what you are about to hear! 'Detonate' , our first single from our new album March Of The Unheard , is an upbeat straight in the face song with all the melodies that you just can't be without! Obey The Riff!”

WATCH THE VIDEO FOR 'DETONATE' BELOW:
LISTEN TO 'DETONATE' ON ALL PLATFORMS: https://thehaloeffect.bfan.link/dsg
PRE-ORDER MARCH OF THE UNHEARD: https://thehaloeffect.bfan.link/motulp

Shortly after the album´s release, the band will embark on their first ever headline tour in Europe. Industrial outfit and label mates PAIN will be special guest on this tour and to round up this great package, melo-death shooting stars from Finland, BLOODRED HOURGLASS, will join as a support.

THE HALO EFFECT is:
Niclas Engelin | guitar
Jesper Strömblad | guitar
Mikael Stanne | vocals
Peter Iwers | bass
Daniel Svensson | drums

SÓLSTAFIR Premieres Daring Music Video for New Song, "Blakkrakki”

Icelandic cowboys SÓLSTAFIR are now premiering the daring music video for their new single, "Blakkrakki," which captures the band's wild side. Meaning "The Black Dog," the title is a metaphor that has its origin in myth and folklore. Watch the video, which was created by Bowen Staines below.

The song is taken from the band's upcoming full-length, 'Hin Helga Kvöl,' which will be released on November 8 via Century Media Records, making it their debut to the label! Meaning "crepuscular rays" in Icelandic, the name "SÓLSTAFIR" refers to those piercing rays of sunlight that break through dark clouds at dusk. This imagery captures the essence of their upcoming album, a beacon of light and hope shining through the heaviest of times. As the band confronts their inner demons, shrugging off the trappings of rock and roll decadence, their music resonates with the universal struggle and triumph over hardship. 'Hin helga kvöl' is the holy war that we all face within. Pre-orders are now live HERE.

Bowen Staines, director for Don’t Panic Films, is shedding some light on the production of the video: “Regarding the production of the new music video for ‘Blakkrakki,’ this is actually the fifth video that I’ve been lucky enough to do with SÓLSTAFIR.

"This particular idea for a future video (which would ultimately become 'Blakkrakki') came to Addi and I maybe four or five years ago, when we discussed the possibility of putting everybody on a flatbed trailer, and then just drifting the thing around the runways at the Reykjavík Airport and shooting the whole thing in a single take. And so we put that idea onto the shelf for a few years until I heard a very early demo for ‘Blakkrakki’ almost four years ago at SÓLSTAFIR’s rehearsal space in Seltjarnarnes, the same day I asked them to learn ‘Dionysus’ at three-times the normal speed for the video we’d shoot for that song the next day. And I remember looking at Addi, and being like 'I want to do THIS one!' Four years later (but also, only a few weeks ago), the guys were playing the song while standing on a flatbed trailer doing sixty miles per hour on a stretch of highway surrounded on all sides by one of the oldest lava flows in Iceland.

"From a filmmaking standpoint, I opted to include shots that revealed the cameras, crew and our driver, Lexi, because I felt that it was really important to share that part of the process, as well as the teamwork that made this video happen in a single day. By comparison, both ‘Fjara’ and ‘Bláfjall’ had 60+ pages of shotlists, took nearly four months to shoot, and then another five or six months to edit… while ‘Blakkrakki’ was shot in a single day, and then edited over the following twenty-one — making this the fastest I have ever shot and edited a music video in my entire career. All of the camera movements and transitions were done 100% in-camera: there are no key-frames, digital fades or any motion paths, and as such, almost zero post-production.

"The most fun part of shooting the video was that everything was done totally guerrilla-style: active roads and highways, with the only items consistently strapped down being the cabs, amp heads, and the priceless Ludwig drumkit from 1963 that we BORROWED from a personal friend of the band… ‘Careful’ just doesn’t quite say it. Thankfully, the only thing that eventually/inevitably fell off was one of the Orange amp heads and one of Hallgrímur’s drumsticks, for which he had to run all the way back to find amongst the infinite expanses of highway, moss and lava far behind us.

"That being said, there was a point after we had done a dozen or so takes and had gotten comfortable with everyone being on the flatbed, where we found our way onto this huge stretch of road called Keilir and began hitting speeds upwards of fifty to sixty miles per hour — and every time a large truck passed us, you can actually see some of the cymbals flexing in a few of the shots that made it into the final video — as well as a couple really quick clips of some of us almost falling off the side while going up a steep switchback incline near Þingvellir.

"The final step was to transfer the whole video onto Super16mm film, so that it has a very organic, weighty feel to it. So yeah, this whole video was transferred directly onto reel-to-reel 16mm film, proving once again that the format is NOT dead! All in all, ‘Blakkrakki’ was a blast to make, and we hope you have fun watching it, too.”

Legendary Icelanders SÓLSTAFIR recently announced signing to Century Media Records. They are no strangers to the music world with their 20+ years of performing across the Globe as they consistently amaze audiences with their hearts on their sleeves from the first note. With a full catalog of truly exceptional timeless hits to perform, as well as some much-anticipated new music, the atmospheric Icelandic rock n’ roll sound that is uniquely SÓLSTAFIR always delivers to those who bear witness to their epic sets that take you on a journey through the ice and snow, fire and lava and breathtaking soundscapes of their homeland.

Lineup:

Adalbjorn Tryggvason – Vocals, Guitar

Saethor "Gringo" Saethorsson - Guitars

Svavar Traustason - Bass

Hallgrimur "Grimsi" Hallgrimsson - Drums

Recording: Abbey Road Studios, London

Production, Recording: Aðalbjörn Tryggvason, Jóhann Rúnar Þorgeirsson

Co-Production, Mixing: Fredrik Reinedahl

Mastering: Sigurdór Guðmundsson

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