Impure Wilhelmina Stream EP Ahead of Release Date

IMPURE WILHELMINA are no strangers to reinvention. For the past 25 years, the Geneva quartet have rolled hardcore riffs, velveteen cleans, atmospheric sludge and gloomy melodies into post-metal that's as sharp and versatile as a Swiss Army Knife. 

Now, Impure Wilhelmina are breathing new life into several time-worn classics. 'Dead Decades' flips the smoky, after-dark romance of "La Javanaise" into a lovestruck indie rock triumph, while also paying a faithfully mind-bending tribute to King Crimson.    

'Dead Decades' comes out this Friday, October 6. Their new EP also includes a cover of The Cure, plus two unreleased songs from the recording sessions for Impure Wilhelmina's latest album 'Antidote'.

Listen to all of 'Dead Decades' a few days early below.

Pre-order: https://redirect.season-of-mist.com/IWDD
Pre-save: https://orcd.co/deaddecadespresave
   
“We'd been wanting to record some covers for a long time," says Impure Wilhelmina. "The opportunity came in 2022 after the forced cancellation of a European tour at the end of the pandemic. We chose three songs that we all love, released during three different decades - 60s, 70s and 80s - and all three are very far removed from our usual sound. Two previously unreleased tracks from the 'Antidote' album sessions complete the EP. The record has a very strong nostalgic vibe, and we're particularly proud of the result. Enjoy our Dead Decades!”

For 25 years, Impure Wilhelmina has been shaping a singular music on the borders of rock and metal. The Geneva quartet has never been afraid to reinvent itself and to push back the stylistic barriers, without ever losing its strong identity. Intensity, melody, power and melancholy are the key words that guide the band's discography, developing record after record a subtle blend of metal, post-hardcore, new wave and indie rock sounds.

Impure Wilhelmina has experienced many line-up changes over the years around Michael Schindl, singer-guitarist, main composer and lyricist. Founded in 1996, the group quickly built a reputation in the local, then Swiss and European independent scenes. The band has released a 7″, an EP, a split and seven full-length albums (see discography).

Impure Wilhelmina has regularly collaborated with sound engineers and producers Serge Morattel (I Can't Believe I Was Born In July – 2001, L'Amour, La Mort, L'Enfance Perdue – 2004, Prayers And Arsons – 2008) and Raphaël Bovey (Black Honey – 2014, Radiation – 2017). These five albums illustrate the constant musical evolution of the band, which from a very dark and metal base gradually incorporates more rock elements. The clear vocals occupy an increasingly important place in the compositions, reinforcing the intensity and melodic depth.

In 2015, thanks to the great response to Black Honey, Impure Wilhelmina signed with the reference metal label Season of Mist, which published Radiation two years later in 2017. Skillfully navigating between melodies and dissonances, always at the service of raw emotion, this sixth album was unanimously acclaimed by the press and the public, opening the doors to wider recognition.

In 2019, the band received great reward by being one of the four recipients of the grants for contemporary music awarded by the City of Geneva. This support has enabled Impure Wilhelmina to start working on a new album with confidence and with the will to develop their sound and get out of their comfort zone. The band put a lot of efforts in the elaboration and production of its new songs, notably by calling on Yvan Bing, producer and sound engineer, to accompany the four musicians throughout the creation process. This successful collaboration began in the summer of 2019 and continued for over a year, giving rise to Impure Wilhelmina's seventh album, Antidote. Released in may 2021, this album is a testament to the creativity and versatility of the band, which never ceases to explore new horizons without ever getting lost.
 
After two European tours in 2022 (with Crippled Black Phoenix and MØL, then Shores of Null), Impure Wilhelmina focused in 2023 on the vinyl reissue of their second album "I can't believe I was born in July", for its 20th anniversary, and the release of a new EP entitled “Dead Decades”, which features three covers and two previously unreleased tracks.

Line-up
Michael Schindl: Vocals/Guitars
Diogo Almeida: Guitars
Sébastien Dutruel: Bass
Mario Togni: Drums

www.impurenet.com
www.facebook.com/impurewilhelmina
www.instagram.com/impurewilhelmina
www.impurewilhelmina.bandcamp.com

Recording Studio:
‘La Javanaise’, ‘Fallen Angel’ and ‘Plainsong’: Kitchen Studio, Geneva (CH)
‘Nebulæ’ and ‘Ignoramus’: HOFA Studio, Karlsdorf (DE)

Mix: Kitchen Studio / Yvan Bing
Master: Caduceus Studios / Ladislav Agabekov

Cover artwork: Mehdi Benkler (photography) / Giganto.ch

Pre-order: https://redirect.season-of-mist.com/IWDD

Booking: 
Switzerland: Martina Kull / Glad We Met: martina@gladwemet.ch
Europe/World: booking@impurenet.com

Formats:
Vinyl
Digital

Alluvial Announce "Death Is But a Door" EP + Share "Bog Dweller"

ALLUVIAL — Kevin Muller [vocals], Wes Hauch [guitar, vocals], Tim Walker [bass], and Zach Dean [drums] — have announced their new EP,Death Is But a Door. It arrives on January 12 via Nuclear Blast.

Today, the band has shared the video for "Bog Dweller." Watch it below. 

The band also premiered "Fogbelt" over at SiriusXM's Liquid Metal. 

Alluvial will hit the road this month with TesseracT. All dates are below.

ALLUVIAL ON TOUR:
WITH TESSERACT:
10/5 — Charlotte, NC — The Underground
10/6 — Charleston, SC — Music Farm
10/7 — Norfolk, VA — Norva
10/8 — Baltimore, MD — Rams Head Live!
10/9 — Lakewood, OH — The Winchester*
10/10 — Chicago, IL — House of Blues
10/11 — Pittsburgh, PA — Roxian Theatre
10/13 — New York, NY — Irving Plaza
10/14 — Boston, MA — Paradise
10/15 — Philadelphia, PA — TLA
10/16 — Albany, NY — Empire Live*
10/17 — Montreal, QC — Corona Theatre
10/19 — Toronto, ON — Danforth Music Hall
10/20 — Grand Rapids, MI — Elevation
10/21 — St. Louis, MO — Red Flag
10/22 — Kansas City, MO — The Rino*
10/23 — Denver, CO — Summit Music Hall
10/24 — Salt Lake City, UT — The Depot
10/26 — Seattle, WA — The Showbox
10/27 — Vancouver, BC — Commodore
10/28 — Spokane, WA — Knitting Factory
10/29 — Portland, OR — Hawthorne Theatre
10/31 — San Francisco, CA — Regency Ballroom
11/1 — Los Angeles, CA — The Regent Theatre
11/3 — San Diego, CA — Observatory North Park
11/4 — Phoenix, AZ — Nile Theater
11/5 — Albuquerque, NM — Revel
11/6 — Oklahoma City, OK — 89th Street*
11/7 — Dallas, TX — The Granada Theater
11/8 — Austin, TX — Emo's
11/9 — Houston, TX — Warehouse Live
11/11 — Tampa, FL — The Orpheum
11/12 — Atlanta, GA — Buckhead Theatre
11/13 — Nashville, TN — Brooklyn Bowl
*Headline

Darkness and despair are a breeding ground for creativity in the right hands. Since their inception in 2017, Atlanta-based band Alluvial have embraced the grim and gloom that the world has to offer through an intricately balanced blend of rapid-fire polyrhythms, haunting, sludgy atmospheres and tightly wound grooves. The band takes a stab at creating an even more sinister sound than their previous album, Sarcoma, Death Is But a Door. 

"We wrote about 13 or 14 songs this summer, but we wanted to do this EP between Sarcoma and our next full-length. These songs align with the vibe we want to go for. We will always find a way to be darker from record to record in the same way that South of Heaven was heavier than Reign In Blood and Seasons In The Abyss was heavier than South Of Heaven," says Hauch. "It was that concept of chasing the dragon to find a way to top the message and vibe on the last record while finding a way to do it that made us excited." 

After releasing their instrumental debut full-length, The Deep Longing for Annihilation, the band hit the road. Although the album has racked up millions of streams, there was always an intent to add a vocalist to their following releases. Hauch had begun writing what would become Sarcoma in 2018 and recruited Muller, knowing his vocal prowess from the vocalist's time in Suffocation.  

Bringing Muller into the fold immediately elevated the band’s sound, but Death Is But a Door shows the synergy that the band has developed from working as a cohesive unit over the last few years.  

Although the band's mission is to drive into bleaker and heavier territory with each new release, they manage to bring balance to their sound. While they remain grounded in death metal, the band's approach finds them exploring all of their influences. From traditional thrash like Pantera or Metallica to darker grunge like Alice in Chains or Soundgarden and everything in between, Alluvial aim to keep listeners on their toes by pushing beyond the realms of death metal. 

"I wanted to have a band where we can write meaningful yet action-packed songs. Something that is terrifying but breaks your heart at the same time. I think we'll always chase that, but we want to find new ways to be heavy," says Hauch.  

With the band’s members being as ingrained in the death metal scene as they are — with members previously playing in The Faceless, Suffocation and more — listeners can rest assured they’ll be met with plenty of brutality throughout their music. The twists and turns into clean passages, atmospheric ambience, or any of the other musical avenues explored throughout Alluvial's music take them over the edge and invite listeners to return and find something previously undiscovered.   

Autarkh Descend Into Darkness on New Single

Autarkh venture into a bigger, brighter and more uplifting headspace on their new album. On the first two singles off Emergent, the Dutch contemporary metal band tapped in to supercharged industrial-sized riffs and even clean, radiant harmonies. But their new single "Duhkha" finds them struggling to hold onto that serene state of mind.

Watch the tormented lyric video for "Duhkha", which was created by Spread Motion Design below.

'Emergent' comes out November 10.

Pre-order: https://redirect.season-of-mist.com/AutarkhEmergent

Pre-save: https://orcd.co/autarkhemergentpresave

"'Duhkha' shows a darker side of the journey on 'Emergent'", says Autarkh. The song opens with eerie feedback and ominous sound effects that could've been ripped out of a slasher flick. Meanwhile, the band's founder Michel Nienhuis screams with vein-popping intensity about being consumed then thrown into an inferno.

The darkness that hangs like a shroud over "Duhkha" comes from a personal place. "Clouded gaze, clouded aura / Left behind with my past self", Nienhuis cries out, his final words before a tidal wave of battering electronic drums and gloomy dissonance pulls him under. 

"The final part of this song reflects an unreleased DODECAHEDRON song that was written as an homage to my former band mate Michiel Eikenaar, who passed away in 2019".

Dutch contemporary metal adventurers Autarkh are back with their sophomore full-length album Emergent. Michel Nienhuis, founder of Autarkh and Dodecahedrom, teamed up again with guitarist/producer David Luiten (Inferum), bassist Desmond Kuijk (Dear Mother) and electronics wizard Tijnn Verbruggen to create the follow-up to their highly acclaimed debut album 'Form In Motion', released by Season Of Mist on 12 March 2021. Monica Kendrick (Chicago Reader, US) on the relevance of the group’s debut: 

"And I’ll call it now: given the time to flourish and sink into the ears of an audience, Autarkh will become highly influential on the next generation of extreme metal." 

'Emergent' is another testament to Autarkh’s imagination and creativity. It delivers increased versatility and contrast, and sees the band expand towards more uplifting and consonant territories. Form In Motion explored the boundaries of sonic extremes; on 'Emergent', Autarkh broadens its horizon and shows diversity and nuance while preserving its intense and razor-sharp edge.

With nine tracks, 'Emergent' is a sonic exploration of the inner universe where all things light and dark can be encountered. The listener is lured into an "Open Focus" (a meditative state of mind) in preparation for an inward journey along the physical energy centers. From the thumping synth basses of "Strife" and the menacing sludgy melancholy of "Duhkha", we move into the bewildering blasts of "Trek", where stellar harmonies will eventually burst through the oppressive atmosphere. The trip continues with the crushing downtempo groove that enforces "Refocus", as well as the mind-bending a capella interlude "Aperture" and the frivolous "Eye Of Horus" and "Countless Kaleidoscopes", to finally deliver all-encompassing enlightenment with Ka. 

Composers Nienhuis’s and Luiten’s statements and states of mind capture the same capriciousness and unease of 'Form In Motion', this time leaving a more open, diverse and radiant imprint. With exciting vocal harmonies, bold contrasts and a vivid imagination, Autarkh sheds a bright light on the inner self and exposes it to the world with intensity and conviction. That makes Emergent an evocative release with a multilayered yet crystal-clear production that promises a bright future for Autarkh.

Line-up:
Michel Nienhuis: vocals & guitars
David Luiten: vocals & guitars
Desmond Kuijk: bass
Tijnn Verbruggen: synths & beats

Recording Studio: David Luiten Studio, Monodisc Studio, Moonbear Music & Engineering
Mix/Master: David Luiten

Cover artwork: Arno Frericks

Pre-order: https://redirect.season-of-mist.com/AutarkhEmergent
Pre-save:https://orcd.co/autarkhemergentpresave

Booking: info@autarkh.com

Formats:
CD Jewelcase
Digital
Vinyl in various colours

Links:
www.autarkh.com
www.facebook.com/autarkh
www.instagram.com/autarkhband
www.youtube.com/c/autarkh
www.autarkh.bandcamp.com

Spanish Thrashers ANGELUS APATRIDA Share New Single "Snob," ft. Jamey Jasta (Hatebreed)

Spanish thrash metal masters ANGELUS APATRIDA are now revealing yet another pummeling new offering! The new single "Snob" features guest vocals from Hatebreed's Jamey Jasta and is a vicious aural attack that channels classic thrash metal elements with a modern twist! The track can be found along with a lyric video below.

"Snob" is taken from the band's eighth studio album, 'Aftermath,' which is quickly approaching its release date on October 20, 2023 via Century Media Records!

ANGELUS APATRIDA vocalist/guitarist Guillermo Izquierdo comments on the single, “No doubt this is another highlight from ’Aftermath,’ pure and raw violence with this neck-breaking tune called “Snob." Together with the one and only Jamey Jasta from hardcore legends Hatebreed, we’ve been able to deliver an aggressive song full of message, with a bunch of fast and insane riffs and drums, colored with tons of groove and plenty of old school vibes! The lyric video has been done by our longtime friend and artist Josep Caballero from RCV Visual Studio. Grab a beer and your old skateboard and enjoy this future classic!"

ICYMI: "To Whom It May Concern" follows up the explosive first single, "Cold," which can be found HERE.

'Aftermath' follows Angelus Apatrida's 2021 eponymous full-length, which topped the official album charts in Spain at # 1! The release also debuted in Germany at # 49 and Switzerland at # 41.

'Aftermath' features a diverse cast of guest appearances by vocalist Jamey Jasta (Hatebreed), guitarist Pablo García (Warcry), singer Todd La Torre (Queensrÿche) and rapper Sho-Hai. The album was once again self-produced by the band, with recordings handled by Juanan López at Baboon Records in Albacete, Spain and mixing and mastering by Zeuss (Rob Zombie, Overkill, Hatebreed, Municipal Waste, Shadows Fall) at Planet-Z in Wilbraham, MA, USA.)

Pre-orders for 'Aftermath' are now live HERE.

“Aftermath” will be available in as Ltd. CD Jewelcase in O-Card packaging for its first pressing and Digital Album with two fresh live bonus tracks (11. Indoctrinate (Live in Bilbao 2023) and 12. Give ‘Em War (Live in Barcelona 2023)), or as 180g vinyl LP in the following variants: Ltd. transp. red LP (300x copies from cmdistro and various other retailers), Ltd. transp. orange LP (600x copies from amazon.es & Angelus Apatrida), Ltd. translucent tan colored LP (500x copies from all US outlets) and as Black LP.

Previously, Angelus Apatrida released a documentary that was directed by Mike Casey, entitled '28 Months Later: A Post-Apocalyptic Metal Documentary.' The film detailed the band's journey from preparing for 2021's self-titled opus leading towards the creation of 'Aftermath.' The clip can be seen HERE.

The band will also be appearing at several prestigious European festivals throughout the summer before heading on a European tour in support of 'Aftermath' together with Death Angel and Sacred Reich in October/November! The run will be followed by a string of

dates in Spain between November and February. The full itinerary and ticket links can be found HERE.

The world has taken a battering over the last few years, but ANGELUS APATRIDA is leading the fightback. 

Spain’s greatest ever exponents of forward-thinking thrash metal began their campaign at the turn of the century and have been a consistent force for heavy music ever since. From their ferocious 2006 debut album 'Evil Unleashed' and 2010’s widely acclaimed 'Clockwork' (the band’s first for Century Media), to more recent triumphs like 2018’s 'Cabaret de la Guillotine,' ANGELUS APATRIDA has become increasingly unstoppable. In 2023, they will release 'Aftermath,' a vicious and vital response to the chaos we see all around us. 

With touring plans for 2020 cancelled, ANGELUS APATRIDA simply switched focus to the creative process. The result was 'Angelus Apatrida,' a self-titled record that sought to redefine its creators’ era-blending sound, with renewed intensity and uproarious lyrical sensibilities that dug deep into the realities of the modern world. Climbing to the top of the official album charts in Spain at # 1 as well as marking the band’s first ever chart entries in Germany at # 49 and Switzerland at # 41 upon release in 2021, the album showcased a band at the peak of their powers. Understandably, ANGELUS APATRIDA were absolutely itching to get back on the road, which they eventually did with a vengeance.

“We started doing some shows trying to keep things going until the summer of 2021, and then at the end of the year we were able to do some important venues and festivals,” recalls guitarist/vocalist Guillermo Izquierdo. “We spent 2022 and 2023 touring, mostly in Europe and North America. We’ve played Hellfest, Graspop, Dynamo, Resurrection Fest, Rock Fest and Leyendas del Rock, and we did our first headlining tour in the U.S. and Canada. In February 2023 we did the last four dates of the tour in Spain with four total sell outs!”

Clearly one of the hardest-working bands in metal, ANGELUS APATRIDA were not content with simply returning to the live arena. Even as they toured, work on their next album began. Pre-production for 'Aftermath' was finished in March 2023, and the band swiftly hit the studio in their hometown of Albacete, once again collaborating with trusted live and studio engineer Juanan López on the capturing of these new metal explosions. The finished tracks were then sent to the legendary Zeuss (Rob Zombie/Overkill/Hatebreed) at Planet-Z in Wilbraham, Massachusetts and polished to a devastating sheen. The results speak for themselves: 'Aftermath' is titanium-plated modern thrash of the highest order.

“Every time we sit down and write new music, we try to do the best we can and to put all the new things and experiences we had over the last few years into the mix,” says Guillermo. “The new songs are pure ANGELUS APATRIDA. They’ve got every single essence of the band. There are many songs containing more personal feelings than on previous records. We’re going deep into our souls and feelings sometimes. Since we are living strange, difficult and dark times, we liked the concept of an aftermath. After everything that has happened since 2020 and is still happening in the world, in our society, and in our lives, a lot of strong feelings have come through in the music and lyrics.”

'Aftermath' is undoubtedly the most heartfelt and powerful record in ANGELUS APATRIDA’s illustrious history, but it’s also one of the heaviest and most direct. From the neck-wrecking adrenaline rush of opener "Scavenger" to the dark might of the closing "Vultures And Butterflies," the Spanish quartet’s eighth studio record displays the songwriting muscle and playing prowess of bands like Metallica, Testament and Pantera, while still delivering a huge, jolting dose of ANGELUS APATRIDA’s distinctive trademark attack.

“We can describe 'Aftermath' as what metal means to us,” Guillermo says. “It contains the best songs we've ever written. It is just very difficult to pick just one or two highlights on this album since every single track could be a single itself.”

Confirming their sturdy reputation in the global metal scene, ANGELUS APATRIDA invited some heavyweight figures to add their talents to 'Aftermath.' Hatebreed’s iconic frontman Jamey Jasta lends his caustic bark to "Snob," while Queensrÿche vocalist Todd La Torre lends his spectacular tones to "Vultures And Butterflies." Elsewhere, Pablo Garcia, guitarist with Spanish power metal legends Warcry, displays his virtuosity on the incendiary "Fire Eyes," and Spanish rap star Sho-Hai brings the noise on the brooding "What Kills Us All. "

With no need to regain momentum, ANGELUS APATRIDA is more ready than most to let rip again in 2023. 'Aftermath' marks a pinnacle in this band’s determined and always fruitful career. It’s a defiant, uplifting and resolutely metal-as-fuck response to an era defined by chaos and fear. It’s the sound of ANGELUS APATRIDA, doing what they do, but bigger, better, louder and with more passion than ever. 

“As soon as the album is released, we are starting a huge live campaign,” adds Guillermo. “We start with a big European tour that will cover most of the mainland and the U.K., and we are already working on getting back to Oceania and Asia, Latin America and making our return to the United States and Canada during the first half of 2024. Expect a great live festival season for summer 2024 and more tours! We’re coming!”

Line-up:

Guillermo Izquierdo – Vocals, Lead/Rhythm Guitars

David G. Álvarez – Lead, Rhythm Guitars

José J. Izquierdo – Bass Guitar

Víctor Valera – Drums

Special Guests:

Jamey Jasta (Hatebreed) - vocals, "Snob "

Pablo García (Warcry) - guitars, "Fire Eyes"

Todd La Torre (Queensrÿche) - vocals, "Vultures and Butterflies"

Sho-Hai - vocals, "What Kills Us All"

Produced by Angelus Apatrida.

Recordings handled by Juanan López at Baboon Records in Albacete, Spain

Mixing and mastering by Zeuss (Rob Zombie, Overkill, Hatebreed, Municipal Waste, Shadows Fall) at Planet-Z in Wilbraham, MA, USA.)

Album Artwork: Gyula Havancsák (Annihilator, Destruction,

Stratovarius)

Photo Credit: Javier Bragado

Discography:

Evil Unleashed – CD 2006

Give ‘Em War – CD 2007

Clockwork – CD/LP 2010

The Call – CD/LP 2012

Evil Unleashed / Give 'Em War – 2CD 2013

Hidden Evolution – CD/LP 2015

Cabaret de la Guillotine – CD/LP 2018

Angelus Apatrida – CD/LP 2021

Aftermath – CD/LP 2023

Follow/Stream:

PRE-ORDER // PRE-SAVE

OFFICIAL WEBSITE

FACEBOOK

TWITTER

INSTAGRAM

APPLE MUSIC

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TIDAL

Kraanuim Drop Extreme, Gory NSFW Music Video For New Track "Massive Piles of Festering Remains"

One of Europe's most lauded brutal death metal exports, Kraanium, have released the second single from their upcoming album, 'Scriptures of Vicennial Defilement' due out on November 3rd, 2023 and their first on recently announced label home, Unique Leader Records. The new track, titled "Massive Piles of Festering Remains" comes accompanied by one of the most extreme and NSFW music videos in recent years, you have been warned. Listen to the new track here, watch the new music video below and pre-order the album here.

                                        Speaking on their recent announcement, Kraanium share

"Check out the next installment ‘Massive Piles of Festering Remains’, from our upcoming album ’Scriptures of Vicennial Defilement’. We worked closely with Snuff Masks to bring you this delightfully gory master piece. 

Spread the word. We hope you all enjoy the brutality!”

ABOUT KRAANIUM

KRAANIUM was formed in 2001 and are one of the original pioneers of the slamming brutal death metal genre. Originally founded in the depths of hell in Norway, the band is now a multinational slam machine from all over Europe. 

Over the years they have released 5 full length studio albums, 3 split CDS with more releases in motion. Having toured all over Europe, USA, Russia, Asia as well as performing at many iconic festivals, they have built up a solid world wide fan base and will continue to spread the brutality of SLAM!

Since the passing of their dear brother Martin Funderud, (Former vocalist, 1978-2017), the band is dedicated to honor him as well as his passion for brutal music. Rest in Power.

CARNATION Flex Their OSDM Chops on New Single

'Cursed Mortality' casts Carnation in a deeper and darker light. The first four singles off the Belgian band's new album experiment with gloomy synths, melodic leads, clean vocals and lyrics inspired by sci-fi classics and a real life horror story from WWII. Their new single "Cycle of Suffering" is a brutal reminder of why Carnation are at the forefront of the old-school death metal revival.

"A mere month separates us from the highly anticipated launch of 'Cursed Mortality'," says the band. "It is with great excitement that we present to you the premiere of the album's last single 'Cycle of Suffering'".

Watch the thrillingly brutal performance video for "Cycle of Suffering".

Video Credits:
Director: Panda Productions
Lights: Ronny Snels
Make-up: Jenske Szkudlarski

'Cursed Mortality' comes out November 3.

Pre-save: https://orcd.co/cursedmortalitypresave
Pre-order: https://redirect.season-of-mist.com/CarnationCM

Simon Duson can make his voice sound big and beautiful. Just watch him belt and belch out one of the album's earlier singles in one take. But there's no clean singing on "Cycle of Suffering". Instead, Duson busts out his most cavernous, ghastly death growl. The rest of the band also take inflicting maximum punishment deathly seriously, pumping the song full of thunderous double bass kicks and a squealing guitar solo that seizes the spotlight.

"'Cycle of Suffering' is a relentless track that expertly treads the line between commanding lead sections and thunderous rhythmic riffage," says Carnation. "It's an absolute blast to perform, which is why we gave it an energetic music video that focuses on our live performance. Undoubtedly, this track will end up in the set list of many of our future live shows".  

Faithful fans will undoubtedly find what they have come to love and expect of Carnation  on ‘Cursed Mortality’. However, they can also expect the unexpected, as the band venture further into previously unknown territories.

The artwork for 'Cursed Mortality' was masterfully crafted by the late Mariusz Lewandowski (†), who is renowned for his remarkable talent in creating majestic. dark. surrealist. masterpieces. Lewandowski's haunting visuals perfectly capture the essence of the album.

Carnation also collaborated with the revered Lord of the Logos, Christophe Szpajdel, who created a brand new logo that perfectly encapsulates the essence of ‘Cursed Mortality'. Known for his iconic designs and ability to bring forth the spirit of the music through typography, Szpajdel's contribution further solidifies the album's visual identity.

The second decade of Carnation begins now. Prepare for an intense journey concerning the exploration of fleeting mortality.

Photo by Gaëlle Spaas

For the last decade, CARNATION has been at the forefront of reviving old school death metal. There’s something to be said about the artfulness of taking something so primitive and walking that fine line between keeping its classic authenticity without sounding tired or dated. CARNATION has always teetered this line, injecting a fresh and contemporary approach without losing the genre’s time-honored traditions. However, the band’s third endeavor sees CARNATION erasing those boundaries entirely and abandoning any and all conventions as they traverse into daring new territory. ‘Cursed Mortality’ pulls the Belgian death dealers deeper into experimental new waters, taking risks as the band steps out of the shadows of its predecessors and comes into its own identity. 'Cursed Mortality's' statement is clear: This is no longer simply a revival; this is CARNATION’s rebirth.

“We still play death metal and we still identify as such” explains frontman Simon Duson. “But we know that this is also our second decade performing it. And while it is very important for us to stay true to the old-school style, we know we had to open things up a bit and reach out to those who might be interested in extreme metal, but aren’t that much into the old aspect of it. It also feels fresher to us because we’ve decided to change our visual approach, with a new logo, a new look on stage and so on. In a way, it really feels like the beginning of a new chapter for CARNATION.”

Album number three is much more than just a new chapter, but rather feels like a sequel to an already storied career, punctuated by press accolades, an impressive history of live performances, and a lauded discography consisting of several EPs, splits, and two critically acclaimed full-length albums.

With the debut of its first EP in 2015, CARNATION quickly garnered the attention of fans, media, and most notably of all, record label Season of Mist, who quickly noticed the band’s potential and picked them up without hesitation. Upon forming this union, the band dropped its first full-length, ‘Chapel of Abhorrance,’ in 2018. Angry Metal Guy astutely noted that the Belgians’ debut album was “one of the best death metal debuts of the year, and CARNATION have earned their place as one of the most promising new bands in the genre'' while Distorted Sound Magazine echoed these remarks, calling ‘Chapel of Abborhance’ “one of most brutalizing, well executed and, above all, fun, death metal releases of 2018'' in its 9/10 review of the album.

CARNATION’s momentum only seemed to pick up from there. The band kept busy on the road, performing a variety of tours with their death metal brethren in Deserted Fear, Schirenc Plays, Pungent Stench, and Pestilence, while headlining stages in Japan and Brazil. Upon conquering the live circuit and laying waste to audiences across three different continents, the band unleashed its 2020 opus, ‘Where Death Lies,’ which broke them out from the underground with the kind of seismic force that most bands can only dream of. If the critics liked ‘Chapel of Abhorrance,’ ‘Where Death Lies’ was the moment they fell in love, enamored by Carnation’s relentless brutality and crushing precision.

While touring had been halted that year, CARNATION never stagnated nor waivered. The band’s tenacity paid off with their sophomore effort being named among one of the best records of the year by The Pit, Chicago Music Guide, Pandemonium Metal, and many more, while the single “Iron Discipline'' was singled out by Loudwire as one of the best songs of 2020. Legacy outlet Kerrang! also took notice, ranking the band among the “50 Greatest Death Metal Bands Right Now,” cracking the top 20 picks.

While the Belgian slayers still stay true to their roots, they step outside of their comfort zone with more groove, melody, and progression, showcasing their versatility as musicians and clearly defining their own unique sound. ‘Cursed Mortality’ sounds darker, with passages of melancholic melodies that compliment the heaviness.

Most bands might feel anxious about making such dramatic changes, especially to incorporate clean vocals within such extreme music, CARNATION embraces the unknown and does not fall victim to fear or monotony. “As artists, it's something natural,” explains Verstrepen about why the band has shifted direction. “Doing the same thing over and over again doesn't inspire us. We love to create and we love to explore new paths. We knew some people wouldn't like clean vocals in death metal, but we don't want to think of that too much. We stand 100% behind our music and we really like what we did here. Some people will drop out, but there will definitely be others joining! As Lemmy would say, 'You win some, you lose some.'”

Indeed, a personal metamorphosis is always a risk, but one that historically has paid off. The first records of bands like Black Sabbath, Carcass, Death, or even Bathory sound nothing like the mid-late era offerings of those very same artists, and yet, those records that strayed off the beaten path are regarded as some of the most seminal albums in the history of metal. Playing it safe sounds easy, but it isn’t always a part of a legend’s origin story. And CARNATION isn’t here to play by the rules; the band is ready to take a leap of faith and redefine an era.

CARNATION Lineup:
Simon Duson: Vocals
Jonathan Verstrepen: Lead Guitar
Bert Vervoort: Rhythm Guitar
Yarne Heylen: Bass Guitar
Vincent Verstrepen: Drums

Recording studio: Project Zero Studio

Producer / Mixing engineer: Yarne Heylen

Mastering studio and engineer: Joel Wanasek

Biography: Katy Irizarry

Artwork: Mariusz Lewandowski

Logo: Christophe Szpajdel

Links:
https://www.carnationband.com/         
https://www.facebook.com/CarnationBE/          
https://www.instagram.com/carnationbandofficial/
https://www.youtube.com/c/CarnationOfficialBE
https://open.spotify.com/artist/7s6SmrbyQvp26jN5EbnU9u

Pre-save: https://orcd.co/cursedmortalitypresave
Pre-order: https://redirect.season-of-mist.com/CarnationCM

Available Formats:
CD digipak
Digital
12” vinyl in various colours
Merchandise

Ministry Announces Spring 2024 North American Tour Joined By Gary Numan & Front Line Assembly Kicking Off Feb 27; 16th Studio Album HOPIUMFORTHEMASSES Coming March 1

Ahead of Ministry’s brand-new studio album, HOPIUMFORTHEMASSES, dropping March 1, 2024, the band will head out on a Spring 2024 North American tour, once again teaming up with touring comrades Gary Numan and Front Line Assembly.

The 29-date tour kicks off February 27 in San Francisco and runs through April 5 in Tucson, hitting major markets in the U.S. and Canada (see the full list of dates below). Tickets go on sale this Friday, October 6 at 10 AM local time. Find more info at www.ministryband.com/tour.

Says Ministry mastermind and creator Al Jourgensen, “So looking forward to doing another tour with Gary and the gang. We had such a blast the last time. The shows were amazing. Each band complements the other perfectly. Plus, both of our new releases are Kick Ass! Get your tickets and come join us.”

Ministry recently announced details for their groundbreaking 16th album,

HOPIUMFORTHEMASSES, slated for release March 1, 2024 via Nuclear Blast Records and issued the first single and video for “Goddamn White Trash,” featuring Pepper Keenan.

See the video for “Goddamn White Trash,” directed by Dean Karr, below.

Joined by Ministry’s current frontline of musicians – John Bechdel (keyboards), Monte Pittman and Cesar Soto (guitars), Roy Mayorga (drums) and Paul D’Amour (bass) – the 9-track HOPIUMFORTHEMASSES also has a slew of special guest contributors including Gogol Bordello’s Eugene Hutz, long-time collaborator and Lard companion Jello Biafra and Corrosion of Conformity frontman Pepper Keenan.

HOPIUMFORTHEMASSES will be available in three vinyl variants, a CD jewelcase and digital/streaming platforms. The vinyl variants include:green with yellow splatter (in stores everywhere); blue with pink splatter (nuclear blast exclusive); red with white splatter (band/tour exclusive).

Pre-order HOPIUMFORTHEMASSES HERE

The release of HOPIUMFORTHEMASSES follows Ministry’s acclaimed 2021 album Moral Hygiene that kickstarted another era for the band. The critically acclaimed LP wound up on year-end lists from the likes of Consequence of Sound and Loudwire, as the band continued to sell out venues coast-to-coast on the Industrial Strength tour.

MINISTRY SPRING 2024 NORTH AMERICAN TOUR

Joined By Gary Numan & Front Line Assembly

February 2024

27  San Francisco, CA @ The Warfield

29  Eugene, OR @ McDonald Theatre

March 2024

1    Portland, OR @ Roseland Theater

2    Seattle, WA @ Showbox SoDo

3    Vancouver, BC @ Commodore Ballroom

5    Calgary, AB @ Palace Theatre

6    Edmonton, AB @ Midway Music Hall

8    Winnipeg, MB @ Burton Cummings Theatre

9    Minneapolis, MN @ The Fillmore

10  Madison, WI @ The Sylvee

12  Columbus, OH @ Kemba Live

13  Detroit, MI @ Royal Oak Music Theater

14  Chicago, IL @ Aragon Ballroom

16  Toronto, ON @ History

17  Montreal, QC @ MTelus

18  Boston, MA @ Roadrunner

19  New York, NY @ Terminal 5

20  Bethlehem, PA @ Wind Creek Casino

22  Cherokee, NC @ Harrah’s Cherokee

23  Orlando, FL @ Hard Rock Live

24  Tampa, FL @ Jannus Landing

26  Birmingham, AL @ Avondale

27  Biloxi, MS @ Hard Rock Casino Biloxi***

29  Houston, TX @ House of Blues

30  Dallas, TX @ The Factory

31  Tulsa, OK @ Tulsa Theater

April 2024

2    Denver, CO @ Mission Ballroom

4    Las Vegas, NV @ The Theater at Virgin Hotels Las Vegas

5    Tucson, AZ @ Rialto Theatre

***Front Line Assembly is not appearing

For tickets and more information, visit www.ministryband.com/tour

ABOUT MINISTRY

Born in 1981 in Chicago, Ministry has been the lifetime passion project of founder Al Jourgensen, considered to be the pioneer of industrial music. In its early days, Ministry was identifiable by its heavy synth-pop material in line with the new sounds and technology that were being developed in the ‘80s. Ministry’s output began with four 12” singles on Wax Trax! Records in 1981 before the first LP With Sympathy in 1983 via Arista Records. As time progressed however, so did Ministry, quickly developing a harsher, and more stylized sound that the band soon became infamous for on seminal albums Twitch (1986), The Land of Rape and Honey (1988), and The Mind Is A Terrible Thing To Taste (1989). With the release of Psalm 69: The Way to Succeed and The Way to Suck Eggs (1992), Ministry hit an all-time high in the mainstream musical realm and received its first Grammy nomination. In total, Ministry has been nominated for a Grammy award six times. Eight more albums would follow before an indefinite break in 2013, only to be unearthed again in 2018 with AmeriKKKant, continuing to reflect Jourgensen’s views on the frightening state of society and politics. The 2021 album Moral Hygiene marked a new creative era of Jourgensen and the band. Ministry’s 16th studio album, HOPIUMFORTHEMASSES, will be released in early 2024 via Nuclear Blast Records.

Find Ministry Online

Website: www.ministryband.com

Facebook: www.Facebook.com/WeAreMinistry

Twitter: www.Twitter.com/WeAreMinistry

Instagram: www.Instagram.com/WeAreMinistry

Ministry Press Contact

Selena Fragassi

selena@fr-pr.net

TEMIC Release Epic Closer off New Album

TEMIC are prog's new supergroup, but all four members navigated quite the career maze to reach this point. These guys have played with Devin Townsend, Mike Portnoy's Shattered Fortress, Neal Morse, SHINING and Maraton. It's fitting then that their debut album is layered with twists and turns.      

Today, TEMIC are releasing the album's epic closer. Watch the video for "Mothallah", a seven-minute epic that never stops reaching for the stars.    

'Terror Management Theory' comes out November 17.

Pre-order: https://redirect.season-of-mist.com/Temic
Pre-save: https://orcd.co/tmtpresave

"Terror Management Theory" puts a proggy and positive spin on a new psychological theory. Instead of falling into despair over thoughts about our own mortality, the album finds a sense of purpose by recognizing that life is too precious not to live every moment to the max. Its grand closing statement,"Mothallah", presents TEMIC at their peak.

At just under eight minutes, the song has room for  twinkling keys, riffing synths, zero-gravity double bass kicks, two choirs and a classic arena rock solo that will have you down on both knees shredding your air guitar. "We will fight until the rays of light stand high", sings Fredrik Bergersen with such booming, keening conviction, that even a nihilist would have no choice but to believe that this band is truly divine.  

Here's what TEMIC have to say about their new single:

"The lyrics in ‘Mothallah’ come from the personified perspective of our inner survival-seeking selves, encouraging us to reconcile and reconnect with our inner strength and self-confidence, especially when facing great challenges or fighting fears.

The choir brings to life a sense of community and belonging, realizing that not only as individuals, but also as a species, do we all face challenges and ‘fight through the darkest night…’

For this self-produced video, we wanted to emphasize that the band members come from very different backgrounds, nationalities and ethnicities. Even when living thousands of kilometers away, it is music that bring us all together."

TEMIC came together from across the globe, but they also share a wide variety of influences.

Check out the playlist that the prog supergroup update each month on Spotify. The September edition features GoGo Penguin, The Dillinger Escape Plan, Periphery, Mastodon, Gojira, Infected Mushroom and Vangelis.  

https://open.spotify.com/playlist/11T7gAoZ7ljFxTGRaLjP4a?si=bbb3d00ba1404a8e   

Introducing TEMIC—prog’s newest, most ambitious, and most adrenaline-fueled act. TEMIC melds the creative minds of keyboardist and sound designer Diego Tejeida (Devin Townsend, Mike Portnoy’s Shattered Fortress, ex-Haken), guitarist Eric Gillette (The Neal Morse Band, Mike Portnoy’s Shattered Fortress), drummer Simen Sandnes (SHINING, Arkentype), and vocalist Fredrik Klemp (Maraton, 22).

The origins of TEMIC date back to 2017, when Tejeida and Gillette toured the world as band members of Mike Portnoy’s Shattered Fortress. From the very first chords they exchanged, their musical chemistry both on and off stage was undeniable, leading them to discuss the prospect of starting a new band together. Unfortunately, conflicting tour and recording commitments forced them to turn their attention elsewhere for years—that is, until the world came to a standstill in 2020, and Tejeida called Gillette to ask a fateful question:
“Remember how we said we should make music together? Well, how about now?”

Thus, the first demos for what would later become TEMIC’s 2023 debut album, Terror Management Theory, began to emerge. Within a few weeks after that initial phone call, the musical vision of TEMIC had become clear: Let’s create progressive music that is heavily influenced by high-energy electronic music, but arranged and orchestrated for a 5-piece modern prog rock/metal band—where, at last, the pulse can be the focus, and the vocal melody can be king.

Eager to join forces with the very best bandmates, Tejeida and Gillette first summoned the rhythmic power of their friend and drummer Sandnes. With characteristic enthusiasm, Sandnes seized the opportunity, prepared to contribute his percussive prowess as the heartbeat of TEMIC. When it came time to find the singer that would carry TEMIC’s melodies to new heights, Sandnes recommended vocal powerhouse Klemp, whose emotive delivery and unmatched intensity left no doubt that he was destined to be the voice of TEMIC. Finally, to round out the rhythm section of Terror Management Theory, dynamic bassist Jacob Umansky (Intervals) was invited on board as a guest player, gracing the album with an unrivaled groove and a signature low-end sound.

Together, this mammoth lineup is TEMIC, a high-energy, electronic-inspired, modern melodic prog metal band for the next generation.
 
Line-up:
Fredrik Bergersen (Maraton, 22) – Vocals
Eric Gillette (The Neal Morse Band, Mike Portnoy’s Shattered Fortress) – Guitars and Backing Vocals
Simen Sandnes (Shining, Arkentype)  – Drums and Percussion
Diego Tejeida (Devin Townsend, Mike Portnoy’s Shattered Fortress, ex-Haken) - Keyboards and Sound Design
 
Recording Studio: Drums and vocals recorded at Top Floor Studios (Gothenburg, Sweden)
Producer: Produced by TEMIC. Drums and vocals engineered by Jakob Herrmann Gothenburg, Sweden)
Mix/Mastering: Mixed and mastered by Rich Mouser at The Mouse House (Los Angeles, USA)
 
Guest musicians:
Jacob Umansky (USA) – Bass guitar on the whole album
Mosaic Gospel Choir (Norway) – Mothallah
Garden State Threshold Choir (USA) – Mothallah
 
Cover artwork: Hicham Hamzi

Pre-order: https://redirect.season-of-mist.com/Temic
Pre-save: https://orcd.co/tmtpresave
 

 Formats:
Digital
Digipak
2x 12” Gatefold in various colours
Merch
 
Follow Temic
https://temicband.com
www.facebook.com/TEMICBAND
www.instagram.com/temicband

BEWITCHER Announces New Rarities Compilation Album, Debuts New Song, "Manifesting Darkness"

Black magick metal masters Bewitcher will be releasing a brand new rarities and B-sidesalbum on November 17, 2023 via Century Media Records! 'Deep Cuts & Shallow Graves: Ten Years of Black Leather, Black Magic & White Hot Fucking Steel,' is a massive 17-track compilation of Bewitcher original demo recordings, including rare and previously unreleased material, all remastered as well as two brand new studio tracks. In celebration, the speed metal band is now debuting a brand new song, "Manifesting Darkness," along with a visualizer which can be found below.

Pre-orders are now available and can be found HERE.

The offering will be available as: Standard CD Jewelcase, Ltd. Gatefold white 2LP, Digital album. The artwork and tracklist can be found below!

Since their formation in 2013, Bewitcher has seen their signature “Black Magick Metal” sound go from humble beginnings to new heights of creativity and wild anthemic fervor. A small collection of long out-of-print demo tapes kicked off what has proven to be an enduring line of ripping studio albums, singles and EPs. They have earned a reputation as one of the hardest working touring acts around, bringing their volcanic, high energy live shows to every corner of North America and parts abroad.

Now, as the band reaches a new crucial milestone, they are taking a moment to look back on a

decade of diabolic speed and sorcery. Their latest offering, ”Deep Cuts & Shallow Graves: Ten Years of Black Leather, Black Magic & White Hot Fucking Steel“, is a massive 17-track compilation of Bewitcher’s original demo recordings, including rare and previously unreleased material, all remastered as well as two brand new studio tracks. Released November 17 on all formats, including a stacked double LP version, it is a compelling retrospective on the earliest days of this rising force in the world of heavy metal.

Line-Up:

M. von Bewitcher – vox & guitars

A. Hunter – drums & percussion

A. Magus – bass guitar & backing vox

Follow:

Official Website

Facebook

Instagram

Pre-order // Stream

Trevor Rabin pays tribute with emotionally powerful new single ‘Oklahoma’

Trevor Rabin, the South African guitarist, singer, multi-musician, writer and producer, recently announced ‘Rio’, his first solo album of vocal material in 34 years, set for release in just a week’s time on October 6, 2023 worldwide.

Today he is pleased to launch the third track taken from the album, the emotionally powerful ‘Oklahoma’. As Trevor describes:
“In 1995 I wrote the germ of a lyric inspired by the devastating bombing in Oklahoma.  It traumatized the entire nation and will always be a dark day for the country.  Thirty plus years later I believed the time was right and ok to tackle the song I had written.  It’s dedicated to family and friends who lost loved ones.”

Watch the video, created by Christian Rios, below.

‘Rio’ will be available as a Ltd CD+Blu-ray Mediabook & Ltd Deluxe Gatefold Red 180g 2LP + Blu-ray (including 8-page LP-booklet and obi strip), both featuring bonus material, 5.1 surround sound & liner notes. Also available as Standard CD Jewelcase, Gatefold 180g 2LP+LP-booklet (with etching on side D), and as Digital Album.  The cover for the album was created by Trevor himself: “I dabble with digital art so I sent some images of mine to the label and was pleasantly surprised when they liked them.”.

Pre-order and stream the new single here: https://trevorrabin.lnk.to/Rio

Watch the previously released videos below:
Big Mistakes: https://youtu.be/KPzga7UJwy4
Push: https://youtu.be/udpVPB223O0

The Ltd CD+Blu-ray Mediabook & Ltd Deluxe Gatefold Red 180g 2LP + Blu-ray also features the following bonus tracks:
1. Spek & Polly
2. Fragile (Demo)
3. Georgia

Given that his previous vocal-led solo album, ‘Can’t Look Away’, was released in 1989 (2012’s ‘Jacaranda’ was all-instrumental), Rabin has kept us waiting for more than three decades for a follow-up. Trevor admits that there was pressure from all sides, including his own family, to have speeded up the process.  However, the delay is excusable. Since leaving Yes following the ‘Talk’ album in 1994 and largely as a prequel to touring as part of ARW in 2016, the guitarist entered the time-consuming world of movie soundtracks. Not just any old movies, either. Trevor’s name appears as composer for such blockbusters as Con Air, Armageddon, Remember the Titans, Enemy Of The State, Deep Blue Sea, Glory Road, and Gone In 60 Seconds and both National Treasure movies, amongst many others. “Over the past ten years I was having ideas, concepts that I couldn’t implement due to my busy schedule,” he explains, adding: “To be honest, those years flew by in a flurry. I knew that this was the time, and once I found my momentum I worked on the album 24/7.”  The process proved a labour of love and as with his first and second solo records, ‘Trevor Rabin’ and ‘Face To Face’ (from 1977 and ’79 respectively), Rabin handled just about all of the instruments himself.

Stylistically, ‘Rio’– is tough to categorize. Besides guitar-driven rock-meets-pop, ‘Goodbye’ is Country & Western with an edgy drive, while ‘Tumbleweed’ begins in a burst of harmonies. No wonder its working title was ‘The Demographic Nightmare’.

“I wanted to get into many different areas,” Rabin states. “Of course there are ‘prog things’, but overall there are a lot of styles going on.”  As mentioned, Trevor plays the majority of the instruments on the record. However, on drums for a number of tracks is Lou Molino, while Trevor also contributes some drums and percussion. Vinnie Colaiuta provides drums on ‘Push’, and Rabin’s son Ryan Rabin helped out with some of the most important percussive arrangements. Along the way Trevor also drafted in a couple of friends, Dante Marchi and Liz Constantine, to sing back up on two songs, as well as Charlie Bisharat on violin.

TREVOR RABIN Online:
www.instagram.com/trevorrabin.official 
www.facebook.com/TrevorRabinMusic 
https://twitter.com/trevorrabin


INSIDEOUTMUSIC Online:
www.insideoutmusic.com
www.youtube.com/InsideOutMusicTV
 www.facebook.com/InsideOutMusic
www.twitter.com/insideouteu 

WYNONNA JUDD AND TRISHA YEARWOOD RELEASE REINVENTED VERSION OF “CRY MYSELF TO SLEEP” AHEAD OF A TRIBUTE TO THE JUDDS RELEASE

Today, Grammy-award-winning artists Wynonna Judd and Trisha Yearwood released their reimagined version of The Judds’ iconic song “Cry Myself To Sleep.” Written by Paul Kennerley, the track serves as the second single off A Tribute To The Judds, the highly anticipated compilation record in celebration of the beloved duo’s 40th anniversary, to be released on October 27 on BMG. 

Originally released in 1986 as the fourth single off the best-selling album Rockin’ With The Rhythm, and reproduced by Cactus Moser, “Cry Myself To Sleep” serves as a soulful and powerful new take on the critically acclaimed track. Blending the elements of Funk, Rock, and Country into the song, these once in a generation dynamites infuse their own sound while remaining true to the original record. You can listen to “Cry Myself To Sleep” HERE.

"I was absolutely delighted when Trisha showed up at the studio on the farm to record 'Cry Myself To Sleep' with me. We have known each other for years, but have never worked together. In today’s world of technology, artists often don’t get to be in the same room as the other person to record a song. It was so refreshing! I am thrilled with the song, and I cannot wait to sing it live with her," said Wynonna Judd.

“Getting to be a part of celebrating Judds music is such an honor. I’m a true fan, and singing with Wynonna has been a dream come true! I’m proud to be a part of honoring the music that Naomi and Wynonna created," said Trisha Yearwood.

A Tribute to The Judds brings together the music industry’s biggest power players across genres, revering the original music of The Judds into a powerful homage of their discography. 

Wynonna Judd Photo Credit: Jim Wright

Trisha Yearwood Photo Credit: Russ Harrington

About Wynonna Judd:
With the release of her 1992 self-titled solo debut, Wynonna emerged as a singular force in American music. Beyond the five Grammy Awards, the multi-platinum albums and sold-out tours, the country/soul vocalist built on the Appalachian traditionalism that defined The Judds to create a world where Top 5 dance/club hits were as possible as being inducted into the Country Music Hall of Fame.

Having practically grown up as America’s favorite musical daughter, Wynonna matured into a woman who embraced how life is filled with peaks and valleys, great thrills, and heavy disappointment. Those realities informed her 5-times platinum Wynonna and nearing 3-times platinum Tell Me Why, the albums that gave voice to every human being emerging into their own adulthood with joy in their heart.

Beyond the groundbreaking music she and her mother created as The Judds, Wynonna has grown into her once-in-a-generation vocal prowess with an ease that made people clamor to her. “No One Else On Earth,” “Tell Me Why,” “She Is His Only Need,” “Girls With Guitars,” and “I Saw The Light” set the next chapter in motion of for the girl from Ashland, Kentucky who became a global superstar.

About Trisha Yearwood:
Following three decades in the spotlight, numerous GRAMMY®, CMA® and ACM® Awards, countless multiplatinum certifications, and millions of fans entertained, the same passion still motivates and moves Trisha Yearwood. The singer, actress, author, chef, personality, and entrepreneur derives deep fulfillment from simply walking up to a microphone and pouring her heart out by way of a celebrated powerhouse voice. In 2019, Trisha unveiled her highly anticipated first full-length country record in over a decade, Every Girl. Every Girl: Deluxe includes a new acoustic re-recording of her first album’s lead single “She’s In Love With The Boy.” Trisha made history when the original “She’s In Love With The Boy” vaulted to #1 and cemented her as the first female country artist to have a debut single reach the top of the country charts. She made history once again in 2021, when “She’s In Love With The Boy” was named “the MOST listened to country song by a Female Artist in the history of Billboard’s Country Airplay Charts.”  Trisha remains a timeless entertainer whose influence permeates multiple facets of culture. Beyond fifteen albums, she hosts the EMMY® Award-winning Food Network hit Trisha’s Southern Kitchen and her Facebook Live show, T’s Coffee Talk. At the forefront of a veritable lifestyle empire, she penned four New York Times-bestselling cookbooks and has designed cookware, furniture, home accessories, area rugs, and a pet line. For more information, please visit www.trishayearwood.com.

RED REIGN RELEASES THIRD SINGLE FROM FORTHCOMING ALBUM

RED REIGN RELEASES THIRD SINGLE FOR “NO PEACE NO LOVE” FROM THEIR FORTHCOMING ALBUM 'DON’T LOOK BACK' DUE OUT ON OCTOBER 27 THROUGH DEKO ENTERTAINMENT AND PRODUCED BY DAVID IVORY (HALESTORM)

Richmond, VA-based rockers Red Reign take 80’s influences and steer them in a more contemporary direction – bridging the sounds of yesterday and today. The band is comprised of members singer/guitarist Carlton “Bubba” McMichael, guitarist Stevie Shred, bassist Larry Moore, and drummer Sammy Lee. Red Reign has worked with Grammy Award-nominated multi-platinum producer David Ivory (Halestorm) on both its releases: 2021’s self-titled EP and 2023’s forthcoming full-length Don’t Look Back.

Don’t Look Back, is bolstered by such standout tracks as their latest single “No Peace, No Love”, “Don’t Look Back” which is highlighted by a guest appearance from guitarist George Lynch (Dokken, Lynch Mob), and “Here I Am”. As the band explains about their latest single, ““No Peace, No Love” is a fun song about a couple who are trying to be intimate. It's the old message, to get the love they need, they need to keep the peace.” It brings us back to the old saying, "Happy wife/girlfriend, then happy life."”

Listen to “No Peace No Love” below

Having already shared the stage with the likes of Dokken, Extreme, Jackyl, Lita Ford, and Tesla, Red Reign looks forward to spreading the word further with live shows in support of Don’t Look Back which is already making critics take notice.

“Don’t Look Back” has an 80’s influenced sound that will take you back to a time that produced many great bands that remain as popular today as they did forty years ago. Let’s face it; great music always stays in style.” ROCK AT NIGHT

View video for “Here I Am” : https://youtu.be/U0Hpjpegtz8

Don’t Look Back will be available on CD and limited-edition vinyl. Preorder your copy now
and get a limited-edition bundle while supplies last: https://bit.ly/red-reign-merch

Bundle Includes:
- (1) Red Reign - Don't Look Back CD or LP
- (1) Red Reign - Coozie
- (1) Red Reign - Sticker
- (1) Red Reign - T-Shirt

For more information, visit:
www.facebook.com/RedReignBand/
www.dekoentertainment.com

Deko Entertainment–Art Has Value

Within Temptation Share New Track "Ritual" — LISTEN

BAND TO RELEASE NEW ALBUM BLEED OUT ON OCTOBER 20

Dutch metallers Within Temptation have released their brand-new single "Ritual" today. The song is the focus track of their upcoming eighth studio album Bleed Out, on October 20.

Reflecting the tumultuous state of the world, for their newest record the band have drawn inspiration from events such as the murder of Mahsa Amini in Iran and the war in Ukraine. But that isn't to say that there's no light to the heavy shade on Bleed Out. 

Sharon den Adel explains that the song "is one of the kinkiest songs the band have ever written and is fully inspired by From Dusk Till Dawn." She is referring to the iconic movie by Quentin Tarantino about a seemingly normal road trip turning into a vampire slayer party. "It's a fun track about seduction," she explains. "It's about the lady taking power in a male dominated world and taking her own initiative."

Listen to "Ritual" below.

Bleed Out signifies a bold leap forward for the band. From contemporary, hard-hitting, and djenty riffs to soaring melodies displaying their symphonic roots, Within Temptation have created a sonic journey that fuses diverse musical styles and thought-provoking themes. This is an album that is as epic as it is unflinchingly outspoken, and now more than ever, this is a band who is unafraid to make a stand on issues it cares about. Within Temptation have delivered a fist-in-the-air proclamation of both their moral convictions and their fearless approach to music.

WITHIN TEMPTATION IS:
Sharon den Adel — Vocals
Mike Coolen — Drums
Stefan Helleblad — Guitars
Ruud Jolie — Guitars
Martijn Spierenburg — Keyboards
Jeroen van Veen — Bass Guitars
Robert Westerholt — Guitars

COLIN STOUGH ANNOUNCES DEBUT EP PROMISELAND

Colin Stough today announces Promiseland, his debut EP after his successful run on American Idol earlier this year. The six-song project will be released on all DSPs on October 20. Pre-save/pre-add HERE.

The announcement accompanies the launch of the second single from the project, “Lonely Hour.” Stough describes the song as melancholic saying, “There are these moments after a breakup where everything kind of settles and the loneliness kicks in. It’s those moments after the day winds down before the night sets in and you can fall asleep. The moments where you can’t stop thinking about everything and you finally start feeling all of the pain and loss that comes after a relationship has run its course. It’s the lonely hour.” Listen now below.

Colin Stough is one of the most buzzed about newcomers in country music today, after taking top honors on Season 21 of American Idol. Stough, the “Brad Pitt of country music”, as dubbed by Katy Perry, “was born to be a star” and has “the taste” and the “vocal ability."

Stough has also released the pensive official music video for “Lonely Hour.” Shot in a single hotel room, the video is powerful in its simplicity. Stough says, “This song is a melancholic one and what’s more melancholy than sitting in an old motel with everything you own packed in a suitcase as the sun is setting. It’s loneliness at its deepest. That’s the feeling we wanted to capture in this video. It’s meant to be kind of simple but vulnerable, and honestly, just kind of sad.”

“Lonely Hour” and “Promiseland” follow the release of Stough’s debut song “Bad Day,” a testament to the working man’s plight to get through a particularly mundane day, and “I Still Talk To Jesus,” a deeply personal depiction of Stough’s struggle to find meaning in a lifetime of disappointments and letdowns, which ended up reaching the #5 slot on Billboard’s Country Digital Song Sales Charts and #18 on Billboard’s Digital Song Sales Charts.

Currently out on the road with headlining tour dates including a hometown show that sold out in one hour, Stough is ready for all of his fans to hear his debut project next month.

Photo Credit: Mike Rodway

About Colin Stough:

Colin Stough, a horse-loving, motorcycle-riding 19-year-old from Gattman, Mississippi, has lived through a lot in his relatively short life. And, every ounce of heartbreak can be heard in his gravelly yet commanding rock-leaning vocal. Dubbed “the Brad Pitt of country music” by Katy Perry — the southern-rock, country artist is an artist to watch as he continues to build his fanbase, following his run to become a finalist on the 2023 season of American Idol. Now, Stough readies his debut EP Promiseland for October 20, which will feature the previously released title track and “Lonely Hour.” 

KEEP UP WITH COLIN STOUGH

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Locket Share "Glowing" — LISTEN

NEW ALBUM SUPERLUMINAL OUT NOVEMBER 10 VIA FEARLESS RECORDS

Canadian alt rock band Locket will release their new album and second full-length Superluminal on November 10 via Fearless Records. Pre-order it here.  

Today, the band has shared the new single "Glowing." Listen below.

 "Sometimes the best thing you can do when you're in a dark place is surround yourself with good people, optimistic people, loving people," says frontman Brad Garcia. "You hope that the good in them will start to cast some light onto you — even if it just barely breaks through that dark cloud. This song is about desperately holding onto someone else's glow, and getting lost searching for your own."

About recording their second full-length, Garcia states, "When 'band world' got put on pause back in 2020, it almost felt like a sigh of relief. We found this sense of freedom in being able to just write music for no other reason than writing music. With real pressure we could just write riffs, not overthink anything. And I think because of that, sonically, the record feels so authentically us."

 He continues, "Thematically, I approached writing this record from this place of not knowing what's next (for the band or for ourselves as individuals). It ended up being this cathartic process of learning to deal with this central part of your life being forced across a tightrope, and ultimately learning to be alright if it slips and falls apart, because it might make way for a new chapter. We started writing this album as band guys in our twenties. By the time it comes out we'll be in our thirties, married, with a clearer understanding of who we are as people that have this insane privilege of making music together where people actually listen. We don't take that for granted. Also, we all think the album fuckin' rocks, so that's probably the most important thing."

Locket, whose core members (Garcia, guitarist Cory Bergeron and bassist Travis Morrison) have achieved more than they ever could have dreamed of when they started out 10 years ago in a band under a different name. Once reforming as Locket, they released the album All Out in late 2019. The record earned positive press from publications including Billboard, The Alternative,and New Noise, and the single "Hunnie" has racked up more than 1.6 million Spotify streams. 

VRSTY Drop "The Way It Is" — LISTEN

NEW ALBUM LEVITATE ARRIVES OCTOBER 27 VIA SPINEFARM 

BAND ON TOUR WITH MONUMENTS THROUGH OCTOBER 

New York City-based collective VRSTY (pronounced "Varsity") — Joey Varela [vocals], Javy Dorrejo [bass], Chris Cody [drums], and Paul Gregory [guitar] — will drop their new album Levitate. The album is out October 27 via Spinefarm. Pre-order it here. 

Today, the band has shared the "The Way It Is" visualizer. Listen here.

It's a moody romp that cycles through a variety of emotions and packs a powerful lyrical punch. 

"This is definitely the most chill song on the record, and one of the more emotional ones," says Varela. "'The Way It Is' is simply a song about knowing that you must save yourself... because nobody else will."

VRSTY ON TOUR:
WITH MONUMENTS + FOR THE FALLEN DREAMS:
9/26 — Spokane, WA — Big Dipper (Only For The Fallen Dreams)
9/27 — Seattle, WA — Substation
9/28 — Portland, OR — Dante's
9/29 — Sacramento, CA — Old Ironworks
9/30 — Santa Ana, CA — Constellation Room
10/1 — Phoenix, AZ — Nile Underground
10/3 — Austin, TX — Come and Take It Live
10/4 — Houston, TX — Scout Bar
10/5 — Dallas, TX — Trees
10/6 — Springfield, MO — The Riff
10/7 — Chicago, IL — Reggie's
10/8 — Detroit, MI — Sanctuary
10/10 — Lakewood, OH — The Foundry
10/11 — Albany, NY — Empire Underground
10/12 — Clifton, NJ — Dingbatz
10/13 — Rochester, NY — Montage Music Hall
10/14 — Manchester, NH — Angel City Music Hall
10/15 — Brooklyn, NY — Meadows

ABOUT VRSTY:
VRSTY (pronounced "Varsity") make music as energetic and richly diverse as the city that spawned them. Assembled by band leader Joey Tyler, a Puerto Rican singer from New York City raised on R&B, pop, and Spanish music and equally inspired by metallic post-hardcore, VRSTY blends genres with fearless ambition and visceral enthusiasm. A handful of EPs preceded 2020's debut album, Welcome Home, itself followed by a three-part series of sequel EPs solidifying the band's reputation.  
 
The band (comprised of guitarist Paul Gregory, bassist Javier Dorrejo, drummer Chris Cody, and Tyler) specializes in what Kerrang! described as "endless grooves and danceable parts, punctuated by breakdowns and completed with dark atmosphere." Meanwhile, "Massive,”"from 2020's Cloud City EP, remained the Most Played on SiriusXM's Octane for two consecutive weeks. In a 9/10 review, Outburn described Welcome Home as "effortless, fun, and above all genuine." Blabbermouth raved: "While other bands may have introduced the concept of genre-bending, VRSTY have refined it."
 
Genuine authenticity and uncompromising passion are crucial to everything about VRSTY. Levitate, the band's stunning sophomore set, is powered by spirited conviction and a commitment to follow their muse wherever it leads. It's an album of rich melodic hooks and headbang-inducing grooves. 
 
Tyler co-produced Levitate with Justin Deblieck (Ice Nine Kills, Motionless In White, Lorna Shore, Fit For A King). George Lever (Sleep Token, Holding Absence, Loathe) handled mixing duties. 
 
VRSTY commands the crowd anytime they perform, connecting with anyone who struggles with feelings of low self-worth, bad relationships, or generally feels like an outsider. It’s a feeling of shared community evident on the band's tours with the likes of 10 Years, Nonpoint, Secrets, and For The Fallen Dreams, among others. Ultimately, VRSTY aims to encourage, provoke, and inspire listeners. 

Boys Like Girls Share "NEW LOVE" — LISTEN

NEW ALBUM SUNDAY AT FOXWOODS OUT OCTOBER 20 VIA FEARLESS RECORDS

BAND TOURING THROUGH OCTOBER!

BOYS LIKE GIRLS will release their first full length album in 11 years, SUNDAY AT FOXWOODS, on October 20, 2023 via Fearless Records. Pre-order it here.

Today, the band has shared the latest single "NEW LOVE." Listen below.

It's a dreamy, shimmery epic that celebrates the universal emotion of love — in all of its different forms. The song's effervescent charm, escalating tempo, and sonic layers will wrap around you like a hug from the BFF you haven't seen in a year, but just reunited with. Put the top down and crank the knobs to 11.

"In early 2019, I was living in Los Feliz, California, renting out a studio in Burbank from the guys in Chromeo," shares frontman Martin Johnson about the song's origin story. "My room was across from Vaughn Oliver, who was busy creating the Power Tools 1 Sample Pack, and backed up right on Ryland Blackinton's room. We knew each other well from days of touring together as early as 2006, supporting Cartel in different bands, and more recently, on the OP tour in 2009 with Cobra Starship and Boys Like Girls. We finally did some work together touring and writing under my moniker 'The Night Game.'"

Johnson continues, "Ryland seems to always have an eerie pulse on my musical taste. It's one of those relationships where you musically finish each other sentences. I remember one day, Brandon Paddock and I were in the studio working on a record when I heard a beat coming through the wall from Ryland's room. It almost sounded like a Garth Brooks country shuffle from where I sat. I realized I was paying more attention to what I was hearing through the wall than what we were listening to out of the speakers. I stood up and stormed in there, Kramer-style, to see what he was cooking up. 'You like that?,'" he asked."

He finishes, "I didn't answer but instead started singing the chorus vocal pop outs in a melody reminiscent of a Dire Straits riff. We recorded them in and started scatting the in-between lyrics. The first verse came about five minutes later. What Ryland didn't know is that I was two or three weeks deep into the relationship with my now-wife and had plenty to talk about. It had been a really really long time since I had written a love song, maybe five years or so, and frankly, almost every song written for The Night Game had an undertone of darkness, desperation and resentment towards the music industry. I knew i was about to chase her across the country to Nashville and these would be my final days in L.A. and likely the last song I would write on the West Coast for some time. A couple years later at Blackbird Studio in Nashville with the boys, Brandon Paddock, and Dannen Rector, we started to assemble the big crashes and arrangement that you hear today. An alternate production with the original demo drums and keys will be available exclusively on the Target version of the album, available October 20. We're BOYS LIKE GIRLS and this is 'NEW LOVE.'"

The journey towards SUNDAY AT FOXWOODS began in May when "BLOOD AND SUGAR" marked the band's official return, garnering widespread acclaim from fans and critics alike. The track showcased BOYS LIKE GIRLS' evolution, while staying true to their distinctive pop-rock roots, leaving listeners eager for more. "LANGUAGE" further solidified their comeback as it resonated deeply with both longtime fans and newcomers, reigniting the band's musical flame. "THE OUTSIDE" delved into the bittersweet nostalgia of growing up and the power of music to shape one's identity. 
 
With their return gaining momentum, BOYS LIKE GIRLS are also back on the road. The tour promises a dynamic lineup with a variety of openers on select dates, including support from 3OH!3, The Ready Set, LOLO, Four Years Strong, Max Mernis, The Summer Set, Every Avenue, and SayWeCanFly. All dates are below.

BOYS LIKE GIRLS ON TOUR:
9/23 — Ft. Lauderdale, FL — The Revolution+
9/24 — Lake Buena Vista, FL — House of Blues Orlando+
9/26 — Houston, TX — Bayou Music Center+
9/27 — Dallas, TX — South Side Ballroom+
9/28 — Austin, TX — Stubb’s Waller Creek Amphitheater#
9/30 — Phoenix, AZ — The Van Buren%
10/1 — Los Angeles, CA — Hollywood Palladium&
10/2 — Las Vegas, NV — House of Blues Las Vegas&
10/4 — San Diego, CA — SOMA%
10/6 — San Francisco, CA — The Masonic†
10/8 — Portland, OR — Crystal Ballroom†
10/10 — Vancouver, BC — Commodore Ballroom†
10/11 — Seattle, WA — Paramount Theatre†
10/13 — Salt Lake City, UT — The Depot†
10/14 — Denver, CO — Fillmore Auditorium†
10/16 — Minneapolis, MN — The Fillmore Minneapolis†
10/18 — Madison, WI — The Sylvee†
10/19 — Chicago, IL — Byline Bank Aragon Ballroom@
10/21 — Cleveland, OH — House of Blues Cleveland@
10/22 — Detroit, MI — The Fillmore Detroit@
10/24 — Toronto, ON — HISTORY^
10/26 — Boston, MA — MGM Music Hall at Fenway†
10/27 — New York, NY — Hammerstein Ballroom†
10/30 — Philadelphia, PA — The Fillmore Philadelphia†
10/31 — Silver Spring, MD — The Fillmore Silver Spring†
11/1 — Raleigh, NC — The Ritz†

SUPPORT KEY:
+ – Four Years Strong and LOLO
# – Four Years Strong, LOLO, Max Bemis
% – 3OH!3, LOLO
& – 3OH!3, LOLO, The Ready Set
† – The Summer Set, LOLO
@ – The Summer Set, LOLO, Every Avenue
^The Summer Set, LOLO, SayWeCanFly

Taking Back Sunday Share New Single "Amphetamine Smiles" — WATCH + LISTEN

SPECIAL ALBUM RELEASE SHOWS ANNOUNCED

Taking Back Sunday — John Nolan (lead guitar, piano, vocals), Adam Lazzara (lead vocals), Shaun Cooper (bass), and Mark O'Connell (drums) — have shared "Amphetamine Smiles," the third preview track from their forthcoming new album 152, due October 27 via Fantasy.  The new track, a passionate call for reconnection that's as much about the band themselves as it is the world at-large, exemplifies the stirring reassurance that make Taking Back Sunday so special.

Listen to "Amphetamine Smiles" below.

This morning, fans can tune-in HERE for special livestream Q&A with Taking Back Sunday at 8:45AM PT/11:45AM ET, 15-minutes prior to the worldwide premiere of the "Amphetamine Smiles" official video at 9:00AM PT/12PM/Noon ET. 

"You could document the writing, arranging, and recording of 'Amphetamine Smiles,' but there's no way to explain how it came together," said Nolan. "It's the product of some kind of magic."

To celebrate the release of 152, the band's first album in seven years, Taking Back Sunday announced a series of special, intimate album release shows: November 6 at Lodge Room in Los Angeles; November 9 at Eastside Bowl in Nashville; and November 13 at Bowery Ballroom in NYC. On-sale begins Friday, September 29 at 10:00AM local time.

For more information, visit here.

In addition, the band also announced the ninth Annual Taking Back Sunday Holiday Spectacular at Mulcahy's Pub and Concert Hall in Wantagh, NY on December 13 and 14, and Starland Ballroom in Sayreville, NJ on December 15 and 16. Tickets are on sale now. 

Produced by Tushar Apte (whom the band met through a mutual collaboration with noted DJ Steve Aoki) and mixed by Neal Avron (Twenty One Pilots, Bleachers), 152, the long-awaited LP features, 10 intensely vulnerable and absorbing new tracks all delivered with fresh ambition and newfound purpose. Inspired by the long layoff and the cloud of uncertainty that blanketed the world (and music industry) these past few years, 152 stands among the most genuinely reflective and emotionally pure efforts of Taking Back Sunday's illustrious career. Pre-order 152 HERE.

From the album's intricate riffs and anthemic vocals to its elegantly warm synths and economical string arrangements, the quartet work-shopped these new tracks like never before. Previously released single "S'old," struggles with the obligations of adult responsibility and acceptance, while "The One," (also previously released) is a far-reaching anthem of love and brotherhood. "Keep Going" tracks the self-defeating darkness of betrayal, while "Quit Trying," is wrapped with "can't run from who you are" self-awareness. All through 152, the consistent thread is one of generosity, gratitude and ultimately, hope.

PHOTO CREDIT: Djay Brawner

TAKING BACK SUNDAY ON TOUR:
9/29 — Cocoa, FL — Cocoa Riverfront Park
9/30 — Jupiter, FL — Dastoberfest
11/6 — Los Angeles, CA – Lodge Room (Album Release Show)
11/9 — Nashville, TN – Eastside Bowl (Album Release Show)
11/13 – New York, NY – Bowery Ballroom (Album Release Show)
12/1 — Melbourne, Australia — Good Things Festival 2023
12/2 — Sydney, Australia — Good Things Festival 2023
12/3 — Brisbane, Australia — Good Things Festival 2023
12/13 – Wantagh, NY – Mulcahy’s Pub and Concert Hall (Holiday Spectacular)
12/14 – Wantagh, NY – Mulcahy’s Pub and Concert Hall (Holiday Spectacular)
12/15 – Sayreville, NJ – Starland Ballroom (Holiday Spectacular)
12/16 – Sayreville, NJ – Starland Ballroom (Holiday Spectacular)

HELGA release first single off debut album

Summoning a plethora of layers and genre, HELGA culminate their premier album 'Wrapped in Mist' into dirgeful lamentations of mortality and mental health, punctuated by formidable drums, spectral strings and chugging riffs. The album's first single, 'Skogen mumlar' (The Forest Murmurs), transcends forthwith into emotive dreamscapes that leave hairs trembling on goose-pimpled skin. Ennio Morricone echoing as the intro's muse.

"I've always had a fascination with Swedish folklore," says vocalist Helga Gabriel. "This song is about the forest-dwelling beings from those stories of old."

Watch the haunting video for 'Skogen mumlar' below.

'Wrapped in Mist' comes out November 24.

Pre-save: https://orcd.co/wrappedinmistpresave
Pre-order: https://redirect.season-of-mist.com/HelgaWrappedInMist

Photo by Ester Segarra

Hailing from the Swedish hinterlands of Dalarna and
Halifax, West Yorkshire, HELGA amalgamated in 2019 in
York, North Yorkshire. United by singer, Helga Gabriel, the
quintet delve into a musical alchemy on their pursuit of
darker manifestations.

“We draw on many different influences from Swedish folk
to progressive metal to post-rock to black metal to pop.
Distilling this into a single style is a challenge.” -Cai S.

Summoning this plethora of layers and genre, HELGA
culminate their premier album Wrapped in Mist into
dirgeful lamentations of mortality and mental health,
punctuated by formidable drumming, spectral strings and
chugging riffs.

The album’s opening track, Skogen mumlar (The Forest
Murmurs), transcends forthwith into emotive dreamscapes
that leave hairs trembling, Ennio Morricone echoing as the
intro’s muse.

But as the journey through Wrapped in
Mist transpires, songs such as Farväl (Farewell) reveal
HELGA’s black metal and darker sensibilities. Bewitching
through this myriad range, the album’s waltzing coda flirts
with a melodic baroque that crescendos with Opeth-esque
climax.

The inception of Wrapped in Mist promises to plunge
HELGA deep into the spotlight of mesmerising live
performances following release. From the hills and forests
of rural dwelling, this is a band destined for a journey worth
following.

Lineup

Helga Gabriel - Vocals

Cai Sumption - Guitar

Cameron Gledhill - Guitar

Ryan Fairclough - Bass

Sami Javed - Drums

Recording

Guitars and vocals recorded by Tom Peters at Trapdoor Studios
Drums recorded by Bob Cooper at Chairworks Studios 

Production

Produced and mixed by Luiz Felipe Netto

Mastered by Brad Boatright at Audiosiege

Additional musicians 

Damian Bolotin - Violin on "Skogen mumlar", "Vast and Wild" and "Wrapped in Mist".
Antonio Guerra - Grand piano on "Mountain Song" and "Vast and Wild".
Mafram do Maracanã - Percussion on "Skogen mumlar" and "Wrapped in Mist"
Bruno Migliari - Double bass on “Mountain Song”, “Skogen mumlar” and “Wrapped in Mist”
Luiz Felipe Netto - Acoustic guitar on "If Death Comes Now" & "Wrapped in Mist", as well as additional electric guitars, keyboards and string arrangements. 
Ayran Nicodemo - Violin on "Mountain Song", "Skogen mumlar", "Vast and Wild" and "Wrapped in Mist"
Bruno Serroni - Cello on "Farväl" and "Vast and Wild"
Joe Zeitlin - Cello on "Farväl", "Mountain Song", "Skogen mumlar", "Vast and Wild" & "Wrapped in Mist"

Cover art by David Thiérrée

Album layout by Per Wiberg

Photos by Ester Segarra

Pre-save: https://orcd.co/wrappedinmistpresave

Pre-order: https://redirect.season-of-mist.com/HelgaWrappedInMist

Links
https://helgamusic.bandcamp.com
https://facebook.com/helgadalarna
https://instagram.com/forestchildhelga

Lake Malice Announce Debut EP "Post-Genesis" & Release Brand New Single "Mitsuko"

WHAT THE PRESS ARE SAYING:

“Lake Malice are the UK’s most exciting new alt.metal band.”

Kerrang!

“They are destined to be the talk of the town. Dark, chaotic and devilishly fun, they ebb and flow between techno breaks and towering heaviness.”

Metal Hammer

“The sound of British heaviness to come.”

Rock SoundOne of the UK heavy music scene’s most exciting prospects, Lake Malice, have today released their raging new single ‘Mitsuko’, which they describe as “the pissed off love child of Linkin Park and Pendulum, wrapped up in the unfiltered aggression of Loathe.” The track will feature on their debut EP ‘Post-Genesis’, which the duo have announced will be released 27th October via SO Recordings (Enter Shikari / Placebo / Deaf Havana). As well as being destined for a digital release (pre-save now), ‘Post-Genesis’ will be available as a limited edition 12” vinyl HERE or at the band’s plethora of upcoming live dates (from release date, and while stocks last). 

Alice Guala (vocals) and Blake Cornwall (guitar/production) explain of the track:

"Mitsuko is a deeply personal and intense torrent of ‘full-on rage’, dealing with the complexities of family values, and raw emotions of a fragmented childhood. The title takes inspiration from the original ‘Battle Royale’ manga, where the character Mitsuko shares a similar struggle of family heartbreak and abandonment.”

Following extensive touring with the likes of As Everything Unfolds, Bloodywood, Skindred, Vukovi, Vended and Enter Shikari this year alone, Lake Malice are only now announcing their first ever headline shows across Europe, which will culminate in a date at The Black Heart in London on 6th December. Lake Malice really hit the ground touring in 2023, also delivering overwhelmingly energetic sets at festivals such as The Great Escape, Download and 2000trees, at which Kerrang! proclaimed they “have no right to be burning this hot already.” 

Lake Malice have been assuredly unleashing a string of innovatively heavy alt-anthems for a post-Pandemic world since 2021. This year’s ‘Bloodbath’ and ‘Stop The Party’, which will also appear on the forthcoming EP, have taken things up a gear, lighting up the airwaves of BBC Radio 1 and Kerrang! Radio, as well as receiving love from outlets like Kerrang! Online, Rock Sound and Metal Hammer and many more. The band’s unique splicing of hyperpop and metal also earned them two nominations at the Heavy Music Awards this year in the ‘Best UK Breakthrough Artist’ and ‘Best Breakthrough Live Artist’ categories. 

Photo Credit - Pearl Cook