BLACKBRIAR - release new single 'Forever and a Day'

Today BLACKBRIAR release their brand new single 'Forever and a Day'. The new album A Dark Euphony will be released on September 29th via Nuclear Blast Records. A Dark Euphony features 11 brand-new tracks.

Zora Cock comments:
“Forever and a Day is a tragically romantic song, inspired by 19th-century mourning traditions. While listening, I imagine a Victorian lady, dressed in a heavy black mourning gown. She lost her love a long time ago, and can't move on. One day, she replaces her black gown into a day dress to spend the day with someone, to see if there could be another future for her, only to realize she can't give her heart to another. It's the final single of our forthcoming full-length album.”

Stream 'Forever and a Day' here: https://blackbriar.bfan.link/forever-and-a-day
Watch the lyric video for 'Forever and a Day' below.
Pre-order the album A Dark Euphony here: https://blackbriar.bfan.link/a-dark-euphony

Also check out the latest singles 'Cicada', 'My Soul´s Demise' and 'Crimson Faces' here:

Stream 'Cicada' here: https://blackbriar.bfan.link/cicada
Watch the video for 'Cicada' here: https://youtu.be/cKYTrDM2mpw

Stream 'My Soul´s Demise'here: https://blackbriar.bfan.link/my-soul-s-demise
Watch the new video for 'My Souls Demise'here: https://youtu.be/QvPS2Cf2VNw

Stream 'Crimson Faces'here: https://blackbriar.bfan.link/crimson-faces 
Watch the new video for 'Crimson Faces'here: https://youtu.be/9zOVTkAMY9A

About BLACKBRIAR:

“Some say that there is beauty in darkness - terrifying visitors, worlds far gone, gothic romances, bone-chilling legends, sin-eaters, burning hearts frozen in time, songs with a misleading voice, and a truthful whisper. This and so much more for you to discover on A Dark Euphony.” Such are the words of vocalist Zora Cock about the band’s upcoming sophomore album, set to release in fall 2023 on Nuclear Blast Records. A telling sign coming from a band who has reveled in gothic beauty and metallic darkness since their onset, spanning three EPs and a full-length album, along with long-time collaborator Joost van den Broek.

Formed in 2012 by Zora Cock, René Boxem, Bart Winters, and Frank Akkerman, they crafted their first single in 2014 with 'Ready to Kill,' but it was 2015’s second single 'Until Eternity' that truly propelled them into the scene.  A sweeping track with an equally compelling and beautiful video, it continues to draw many to the act with over 20 million views since its debut. Taking advantage of the growing buzz surrounding the band, they independently recorded and released their first EP, Fractured Fairytales, as well as acquiring a second guitarist in Robin Koezen. This EP layed down an impressive foundation for the band’s ethereal and breathtaking sound and  brought about new opportunities for the act, including tour dates in The Netherlands, Germany, Belgium, France, Switzerland, Czech Republic, Hungary, and more, where the band played alongside EPICA, HALESTORM, IN THIS MOMENT, DELAIN and MaYan.

To keep moving ahead with full control of their creative ideals, the band successfully crowdfunded their follow-up EP, We’d Rather Burn, and brought it to life in October 2018. This EP would be the first time the band worked alongside esteemed producer Joost van den Broek to arrange and produce the effort, and this fruitful collaboration allowed BLACKBRIAR’s whimsical and enigmatic sound to reach new sonic heights.  Released the same day as their self-made video for 'I’d Rather Burn,' this EP showcased a stronger sense of dreamy atmosphere and brought listeners beautifully grim tales of witches, banshees, and sea sirens.  In the time following, keyboardist Ruben Wijga (ex-Re-Vamp) took a larger role within the band and began playing shows, after being involved in the songwriting process since Fractured Fairytales.

A busy 2019 followed, the band released a haunting single in May entitled 'Snow White and Rose Red.'  A duet with Ulli Perhonen, their take on the Grimm’s fairytale featured striking cinematic visuals to accompany the spellbinding track. Continuing to dig deeper into fairytale realms, BLACKBRIAR closed the year with their third EP, Our Mortal Remains.  Ever-sharpening their intoxicating blend of storytelling and breathtaking musicianship, the EP brought about new live exposures for the act as well.  Small, sold out tours with EPICA in 2019 and 2020, as well as a sold out opening for DELAIN’s Apocalypse & Chill release show in Utrecht followed, with more future plans then being put on hold due to COVID-19. 

Championing their continued independence, which included everything from songwriting, maintaining their web presence, overseeing merch, as well as shooting and producing their own videos and photos, BLACKBRIAR reached out to their ever-growing and loyal fanbase for assistance to make their full-length album a reality in 2020. Fans fervently heeded the call, reaching the € 25,000 goal in under 24 hours and ending with a total of € 70,000 and achieving all five stretch goals.  An impressive accomplishment for an independent act, which also showcases a strong internet presence with over 230,000 YouTube subscribers and 56.5 million channel views as well as 37.9 million Spotify streams and 275,000 monthly streamers on the platform.  

Entering 2021, the band relinquished a bit of control in signing exclusively with Doomstar Bookings to help properly support their highly anticipated first full-length album, The Cause of Shipwreck, which released in April.  Once again recorded with renowned producer Joost van den Broek (EPICA, AYREON, POWERWOLF) at Sandlane Recording Facilities, this release showcased the band’s continued evolution into masterfully dark gothic storytelling and theatrical aesthetics that entice you into a deadly yet spellbinding musical paradise. On the live front, launching into success with six sold out Dutch club shows, they later extended into more European territories such as Germany, Belgium, Switzerland, France, and the Czech Republic as the band moved into 2022. 

Despite a very successful 2021, the band still hungered for more, unleashing their latest single, 'Fairy of the Bog' in December.  A song about ‘het meisje van Yde’ (Yde girl), it’s a mixture of folklore, myth, and ancient local history wrapped into a more mystical and magical package that showcases what BLACKBRIAR does best. Due to winning ‘Drents Talent Award Culture 2021’ from ‘Stichting Kunst & Cultuur,’ BLACKBRIAR performed ‘I’d Rather Burn’ live on television together with the Dutch ‘Noordpool Orchestra in early 2022. In April, the band parted ways with founding member and bassist Frank Akkerman. Not a band to slow down, they welcomed Siebe Sol Sijpkens from The Netherlands as their new bassist.  A happy and energetic performer with a lifetime of global performances, he is a welcome addition to the act as they continue to strive forward.

With their vision looking firmly into the future, with a major label behind them, they set their sights on 2023 to conjure their most deadly siren song yet.  The band previously released the song 'Crimson Faces' to celebrate their partnership with Nuclear Blast Records, and now the world eagerly awaits the release of A Dark Euphony this fall. Set to contain 10 new original songs as well as a bonus track, they recently released their first single from it with 'My Soul’s Demise.' According to Zora, “We've had the pleasure of working with producer and musical genius Joost van den Broek, and we gave it our all to write this record and feel that this is our most complete, personal, and mature album to date.” With this in mind, the band launched a preorder campaign in April for the release, full of unique perks, which has been quite successful already. They have also been preparing on the road, with festival shows Wave Gotik Treffen, SummerBreeze, and Rock the Lakes in 2023, as well as being a special guest on CHARLOTTE WESSELS’s Club Tour.

With accolades behind them, such as being nominated three times for ‘Best Artist’ in EuroSonic/Noorderslag‘s Popgala Noord (2018, 2020, 2022), and continued fan support with current monthly streaming totals on YouTube and Spotify near 1.5 million streams, the world is primed and ready for a spectacular journey into darkness and beauty.

BLACKBRIAR is:
Zora Cock - VOCALS
René Boxem - DRUMS
Bart Winters - GUITARS
Robin Koezen - GUITARS
Siebe Sol Sijpkens - BASS
Ruben Wijga - KEYS

Alkaloid Streaming New Album A Day Early

Alkaloid are metal's maddest scientists. The Bavarian band have crafted songs about what lies beneath the Arctic crust, on top of an ongoing, multi-part saga about a galactic civilization that ascends to god-like levels of domination.

'Numen' is their most intricate, thought-provoking and batshit insane album yet. The 70-minute behemoth hits shelves and streaming platforms tomorrow, but you can listen to all eleven tracks now thanks to our friends at No Clean Singing.    

Pre-order: https://shop.season-of-mist.com/list/alkaloid-numen

Pre-save: https://orcd.co/numenpresave 

Alkaloid are still bonded together by their love of extreme metal. After all, they are a super group that's assembled from foundational members of Obscura, Dark Fortress, Triptykon and other genre heavyweights. The fiery, finger-tapped solo that squiggles loose halfway through lead single "Clusterfuck" is crushed like an ant between colliding moons.

But Numen finds the band playing around with all kinds of experiments. "The Cambrian Explosion" flips death metal on its horned head with seductive flurries of jazz and flamenco, while the title track is a dizzying seven-minute yarn of how a supermassive black hole came to burp up an unheard-of cosmic artifact that gives both the song - and the album - its name.  

"We proudly present our third album 'Numen', says Alkaloid. "Where 'The Malkuth Grimoire' dealt with the rearrangement of existing particles into new forms, and 'Liquid Anatomy' with the creation of new particles, this album looks at the universe from the perspective of imaginary deities detached altogether from the cycle of life and death of incarnated organisms. This hypothetical viewpoint is reflected on the scales of both biological and cosmological processes. If one could shape and manipulate life and the cosmos itself, how would one go about it, and what would it mean for everything in that cosmos?

Progressive extreme metallers Alkaloid prepare to unfurl their new many-tentacled full-length, 'Numen' via Season of Mist. Featuring members of Triptykon, Obscura, Dark Fortress, and Obsidious, the Germany-based quartet of Morean (vocals, guitars, concepts), Hannes Grossmann (drums), Christian Münzner (guitars), and Linus Klausenitzer (bass) construct upon, expand away from, and journey between previous full-lengths The Malkuth Grimoire (2015) and Liquid Anatomy (2018) on Numen. In every respect, Alkaloid recommence the purposeful warp of various metallic genres they dimensionally blur. Tracks like the video single for "Clusterfuck,” “The Cambrian Explosion,” and “Numen” posit heavy cosmological/Lovecraftian theoretic themes on top of musically-adept songs that are accessible yet undeniably intricate.
 
“We’ve all been around the block a few times by now as metal musicians,” says songsmith Morean. “The feeling that we’ve outgrown the narrow niche of pure extreme metal was a main motivator to start this band in the first place, ten years ago. The ‘prog’ tag is handy for us because, per definition, it already encompasses a wider range of possible styles and influences we can get away with than any one specific metal genre. This means we could ensure from the beginning that we’ll always be able to write whatever we want, no matter how crazy our ideas become. The heart of this band is always the songwriting, and we all like complex and virtuosic music in all its diverse manifestations. However, we do share a love for death metal as the smallest common denominator in the band, and we wanted to make sure no one thinks that just because we include melodies, clean guitars, and influences from other genres, we’d automatically sacrifice the brutality and relentless esthetic of extreme metal.”
 
'Numen' was written during the pandemic, but it was planned long before the scourge of disease wracked humanity. As a result, the songwriting sessions were predictably not "in the room" but over the Internet after the band members had isolated and worked on their constituent parts. Demos flew back and forth. Then, Tunker left amicably for personal reasons. Alkaloid could’ve folded, but the close-knit group soldiered on. They intensely relied on the professionalism and dependability of the collective to drive 'Numen' to completion. The complications of the two years it took to sonically inscribe the album into aeonic vastness didn’t fragment the end result. Instead, the process accelerated Alkaloid’s lambent, eldritch explorations. “Clusterfuck,” “The Cambrian Explosion,” “Numen,” and “A Fool’s Desire” expertly bridge the past to the future, where Alkaloid’s originative, daedal storytelling captures (and holds hostage) the imagination.

The title, 'Numen', got its start at the dawning of Alkaloid. It’s a word that Morean fell in love with immediately, and he knew it had a place in his creative endeavors. Whereas The Malkuth Grimoire talked about combining existing elements into new structures, and Liquid Anatomy dealt with the creation of new elements, 'Numen' tries to look at the universe from a kind of meta-perspective from an imaginary god, as if the space that everything happens in was given a voice and a role as observer and shaper of everything that happens. In it, sentient panspermic mycelia are swathed in Lovecraftian nastiness—like Shub-Niggurath and the Fungi from Yuggoth—while the new Dyson chapters interpret the aspiration to reach divinity rather literally, reshaping the entire galaxy by manipulating spacetime itself. Desperate to escape their doom, the Cephalopods from previous songs have returned, too. 'Numen' is dense but not impenetrable. In fact, from the first moments of opener, "Qliphosis," to the final contemplation of closer "Alpha Aur,” Alkaloid prove to be more charismatic than ever.
 
Line-up
Morean - guitars, vocals
Christian Münzner - guitars
Linus Klausenitzer - bass
Hannes Grossmann - drums

Recording Studio: Mordor Sounds, Nürnberg, Germany.

Producer: Hannes Grossmann & Alkaloid

Recording & mixing: Hannes Grossmann

Mastering: Alan Douches at West West Side Music studio in Hudson Valley, NY.

Guest musicians
Adam Wallis, Cydney McQuillan-Grace, John Schaffer, Lauren Gill, Sara Robalo, Shannon Bedford

Additional choir tracks on "The Cambrian Explosion" and "Shades of Shub-Niggurath"

Former Alkaloid guitarist Danny Tunker contributed to "The Cambrian Explosion"

Artwork & photos: Christian Martin Weiss

Biography: Chris Dick

Pre-order: https://shop.season-of-mist.com/list/alkaloid-numen

Pre-save: https://orcd.co/numenpresave 

Format
Digital download
CD Digipak w/mediabook
Black Vinyl (Gatefold)
Coloured Vinyl (Gatefold)

Links
https://alkaloid-band.com/
https://www.facebook.com/alkaloid.metal
https://www.instagram.com/alkaloid_metal/
https://twitter.com/AlkaloidBand
https://www.youtube.com/c/Alkaloidbandmetal
https://alkaloid-band.bandcamp.com
https://open.spotify.com/artist/4KMQDFaAsPEKcqKzdvkYKc

Reveal Records to release debut solo album from John Douglas (Trashcan Sinatras), one of Scotland's finest songwriters

"What a fantastic album... there is a unique gem within each and every track... There is just so much to love in this album. A sheer delight – recommended for everyone suffering from sensory overstimulation. This will calm your mind and ease you into healthy listening" ~ Amplify Music Magazine


Scotland's Reveal Records is pleased to announce that the debut solo album from one of Scotland’s finest songwriters - John Douglas of Trashcan Sinatras fame - will be released worldwide on October 6th.

At long last, fans and newcomers alike are treated to an intimate snapshot of the talent, charisma and depth of this celebrated Scottish indie songsmith. With this release comes the start of a new chapter in John Douglas' creative life as he simultaneously looks back at a lifetime of musical adventures and accolades and moves forwards.

The album 'John Douglas' features new recordings of some of John's favourite Traschcan Sinatras material, alongside new songs he has written and his own rendition of the Prefab Sprout classic ‘We Let The Stars Go’.

The eleven songs on this record were performed solo, recorded live at Kyoti Studio in Glasgow (with no overdubs) by producer Mark Freegard, who also mixed and mastered the album.

John Douglas expains, “I’ve often been encouraged by friends over the years to make a solo album, but the timing or inclination didn’t flow. Last year - out of nowhere - everything suddenly felt right and the process was quick and natural. Mark just set the mics up and I played my songs. No other musicians or overdubs. Me and my guitar. That way, I became the songs and they became me. The finished record, though varied in song styles, has a mood to it… it’s warm, thoughtful and quiet.. as I generally aspire to be.

Album order / Bandcamp  https://johndouglas.bandcamp.com/album/john-douglas-2023
Album pre-save / pre-order  https://revealrecords.lnk.to/JohnDouglas

Hailing from Irvine on Scotland’s west coast, John has a rich history, making music with Trashcan Sinatras for over thirty years. Apart from his role as a songwriter (and guitarist) there, John has been playing live gigs across the UK and Ireland as part of his partner Eddi Reader’s band.

He has also been performing solo sets at shows with musical friends, such as Norman Blake (Teenage Fanclub), Jill Jackson and James Grant (Love & Money). Whilst visiting Irvine recently, John was invited to guest with Martin McAloon (Prefab Sprout), the two artists having first met in 1990 during Trashcan Sinatras' ‘Jordan - The Comeback’ tour with Prefab Sprout.

On October 6th, John Douglas' album will be released on CD and digitally and will be available from fine music outlets worldwide. It can be obtained via Bandcamp ahead of the general release with early-birds receiving an immediate full album download, plus exclusive access to two bonus digital tracks ('Last Orders'and 'The Drink').

CREDITS
Written by John Douglas (1, 2, 4, 6, 11), Trashcan Sinatras (3, 5, 7, 8), Trashcan Sinatras / Dine (9) and Paddy McAloon (10)
All songs published by MCPS/PPL, except Track 10 (published by Sony/ATV Music Publishing LLC)
Recorded, mixed & mastered in Glasgow by Mark Freegard
Photographs taken on the Old Largs Road by Susie Lowe
Cover photo by Janette Ayachi at The Strand Club, Glasgow
Design by Martin Rowsell Simply Marvellous: Music
Thanks to Edna, Charlie, Sam and all my family, all the Trashcan Sinatras, Tom Rose, Boo Hewerdine and Jill Jackson
CD - REVEAL195CDX  - 7427137071599
Digital Album - REVEAL195DDX - 7427137071605

Keep up with John Douglas 
Bandcamp | Twitter | Instagram | Facebook | Press contact

Keep up with Reveal Records
Website | Bandcamp | Facebook | Twitter | Instagram | Soundcloud  

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | LinkedIn | Email

THE LION'S DAUGHTER Premieres Unnerving Music Video for New Song, "End Credits," via The Circle Pit

St. Louis horror metal outfit The Lion's Daughter has teamed up with The Circle Pit to premiere the utterly disturbing new music video for the haunting new single, "End Credits." The clip, which was created by Jakov Burov and is not for the faint of heart, can be found at THIS LOCATION.

"End Credits" is taken from the band's upcoming full-length, 'Bath House,' which is on October 13, 2023 as an independent entity!

The Lion's Daughter frontman Rick Giordano comments, "'End Credits' is about the horror of grief. It's a song that I never thought our band would have the guts to pull off, and it's quickly become my favorite on the album. Jakov Burov's animation is a perfect visual companion to leave you feeling broken beyond repair."

In addition, The Lion's Daughter will be performing live later this year! On October 13, the band will have a special Friday the 13th album release party in its hometown of St. Louis, MO. Then, the band will hit Black Circle Brewing in Indianapolis, IN on 11/11 for another rager! The full itinerary can be found below with more dates TBA!

ICYMI: The Lion's Daughter recently debuted a "Gremlins" inspired music video for the crushing single, "Maximize Terror," which can be found HERE.

'Bath House' is now available for pre-sales HERE.

The Lion's Daughter Live Dates (U.S.):

10/13: St. Louis, MO @ Red Flag (Album Release Show)

11/11: Indianapolis, IN @ Black Circle Brewing

Photo by: Chris Bauer

“What we did see… was something altogether different, and immeasurably more hideous and detestable. It was the utter, objective embodiment of the fantastic novelist’s ‘thing that should not be.’” - H.P. Lovecraft, “At The Mountains of Madness”

Some creations are designed to elicit nightmares, evoking unspeakable terrors that are meant to shock, terrify, and mesmerize the masses. Since the release of its first full-length in 2012, The Lion’s Daughter has consistently put forth music that is just as disturbing as it is enticing, making a name for itself as a dark force among its musical contemporaries. And much like an eldritch horror, the band is constantly shape shifting like a Shoggoth, capable of fitting into many different musical spaces, while at the same time, fitting into no earthly dimensions just as an ancient alien rising up from centuries of arctic slumber with a mission to destroy and conquer.

And much like the Shoggoth, The Lion’s Daughter have defied all gods and masters, releasing its latest opus as an independent entity, breaking away from the corporate confines of a label. ‘Bath House’ is another generically unclassified masterpiece from the St. Louis horror quartet, pulling elements from everything from Faith No More to Godflesh to Samhain, creating a sound that’s way ahead of its time and yet certain to grab the listener by the throat.

“Saying that this album was influenced by everything-that-I’ve-ever-liked-ever isn’t a very good answer, but it’s an accurate one,” explains frontman Rick Giordano on the band’s unique sound. “I turned the left side of my brain off completely and let a lifetime of soaking up great art just come to the surface naturally. There are bits of all the things I love in there… from old Metallica to film scores to industrial and whatever else, but I think these things have melded together in a way that is cohesive and not just nonsensical genre-hopping. There are clean vocals and guitar solos, a lot of things that we’ve never tried before. It really feels like you uploaded my entire record collection to a hard drive and had an AI create an album based on that.”

As the music itself on ‘Bath House’ is a representation of Giordano’s musical palette, the lyrics are perhaps the darkest and most vulnerable of his career. The band strays away from fantasy on this record and instead, gets raw and relatable. “It’s all really ugly shit,” he says of the new album’s themes. “Which, for our band, is not shocking at all. But this time around, it’s all much more personal to me, which makes it a bit difficult and uncomfortable to talk about. I wasn’t in a great place while writing this record. Grief, fear, jealousy, and general devastation can be found all over this thing. That wasn’t my intention exactly, but like the music, I let the lyrics kind of write themselves without letting logic or reason interfere.”

To further illustrate the darkness that dwells within ‘Bath House,’ The Lion’s Daughter commissioned a perverse and unnerving image from UK artist Daniel Peacock for the album cover. The image not only works well in cohesion with the record, but also symbolizes that while ‘Bath House’ still very much carries the band’s signature sound, it still isn’t exactly what fans might expect. Giordano explains, “Our previous two album covers featured masked characters. I wanted to see what happens when you take the mask off. This record isn’t shrouded in mystery the same way the previous couple have been. It’s much more of an in your face kind of attack, and I felt the artwork should represent that. This horrible creature looks dangerous and frightening, but is also clearly in pain and also afraid. It’s the perfect image to represent whatever the fuck ugly thing lives in my head. On this record it is no longer hiding behind a mask… it is loose and it’s right outside your fucking house.”

As the St. Louis horror masters set forth on a new trajectory, the former trio has also added Black Fast guitarist Aaron Akin to the lineup, creating a sound that’s more intense and grand. “Aaron was the guitarist and vocalist of a band called Black Fast. They were hands down the best metal band to come out of St. Louis in decades. Once they disbanded, it was a no-brainer to try and get the guy who fronted my favorite local band to be in my band. Why wouldn’t I? Plus, as anyone who knows Aaron will tell you, he’s an all around great guy,” explains Giordano on how this new union came about.

And as a new union has been formed, former binds have been severed as The Lion’s Daughter is no longer tied to a label, doing this record fully independently for the first time in its career and taking full and total control. “It’s just nice to have 100% control over everything again,” Giordano says of the band’s new freedom. “That was the whole intention when we started this band years ago. We lost sight of that for a while. No disrespect intended towards anyone, but this band has always been pretty anti-music industry and anti-bullshit.”

Despite so many changes, The Lion’s Daughter is still the same band that cult followers have come to worship, but with everything cranked up to 11. With heavier music, a fuller sound, and darker themes, the band is maximizing terror with its monstrous brand of debauchery and unspeakable perversions. Unpleasant dreams…

Recording Lineup:

Rick Giordano - vocals, guitars, bass, synths

Erik Ramsier - drums

Scott Fogelbach - additional vocals on tracks 2, 7, 8

Live Lineup:

Rick Giordano - guitar and vocals

Scott Fogelbach - bass and vocals

Aaron Akin - guitar

Erik Ramsier - drums

Guest Musicians:

Sarah Vie - violin and vocals on tracks 2, 4, 7, 9

Recording Studio:

Encapsulated Studios

Producer // Sound Engineer // Mixing // Mastering:

Gabe Usery

Cover Artist:

Dan Peacock

Photographer:

Chris Bauer

Links:

Bandcamp

Facebook

Instagram

YouTube

Spotify

Apple Music

CELESTE - Release New Single/Video 'With Idle Hands'

French extreme metal avant-gardists CELESTE have released a video for their new single 'With Idle Hands', another song from their upcoming new EP Epilogue(s), due out on November 17th through Nuclear Blast Records.

The EP features three exclusive bonus tracks from their most recent album, Assassine(s), released in 2022. Scroll down for the tracklisting and available formats.

'With Idle Hands' might be the most tender song CELESTE have ever written, and its English title and lyrics set it apart from anything the band has done previously. The vocals for this track have been contributed by Tim from US shoegaze metal band GRIVO.

WATCH THE VIDEO FOR 'WITH IDLE HANDS' BELOW

PRE-ORDER / PRE-SAVE THE NEW EP EPILOGUE(S)
https://celeste.bfan.link/epilogue-s

MORE FROM EPILOGUE(S):

WATCH 'IL SE VIDE LENTEMENT' (OFFICIAL VIDEO):
https://youtu.be/XTWUnu4X9cI

Having played more than 500 shows around the world, including appearances at several prestigious extreme music festivals, theaters and venues (Hellfest, Roskilde, Copenhell, SummerBreeze, Brutal Assault, Roadburn, Psycho Las Vegas...), with one EP and six albums under their belt, CELESTE have succeeded in creating their own musical atmosphere and are today considered to be one of the most important bands of the "French Avant-Garde Black-Metal" scene.

Check out the previously released music videos from ASSASSINE(S):

'Nonchalantes De Beauté': https://youtu.be/FQhZQdA2OTA
'(A)': https://youtu.be/gAsZZnxCzug
'Des Torrents De Coups': https://youtu.be/WmRIfUw1ymo
'De Tes Yeux Bleux Perlés':  https://youtu.be/3Gz9o8lrmtI
'Le Coeur Noir Charbon': https://youtu.be/sJn1YitKn_s
'Elle répète froidement' : https://youtu.be/fJZz7Z4rdys

CELESTE is:
Johan Girardeau - Vocals & Bass
Guillaume Rieth - Guitar
Antoine Royer - Drums
Sébastien Ducotte - Guitar

Iodine Releasing Classic, Out of Print Record From Garrison Now Available for The First Time In Over 20 Years

Garrison were born in Boston during the heyday of the prolific late '90s post-hardcore scene.

Their cohort featured heavy hitters like Piebald, Cave In, and Converge. Following in the footsteps of bands like Quicksand, Drive Like Jehu, and Texas is the Reason, Garrison drew from many influences to create a hyper-melodic sound that ranged from hardcore to emo — all without fitting neatly into any genre. They executed a complex and unique sound, seamlessly combining technical guitar riffs, melodic vocals, and heavy breakdowns in a way that few bands were able to achieve.

Garrison toured relentlessly, playing regularly alongside iconic bands of the era such as The Get Up Kids, Hot Water Music, Taking Back Sunday, and New Found Glory. Shortly after forming, the band found themselves signed to Revelation Records where they released their debut LP A Mile in Cold Water. The record was well received among fans and critics and made a place for itself as a notable release for the post-hardcore movement. The album opens with "After the Fight," which immediately hooks you with its melody, fast tempo, and emotional breakdowns, highlighting the band's hardcore roots and complex style. The LP rises with heavier post-hardcore moments, such as "The Dumbest Angel," and falls with several softer emo ballads, most notably on the somber closer "Favorite Goodbye Fuck."

Though Garrison went on to release numerous albums on Revelation Records and Iodine Recordings, A Mile in Cold Water remained their most significant and important release. While Garrison never broke in the same way that many of their peers did, this record clearly paved the way forward for many bands that followed in the post-hardcore and emo scenes.

Produced by Kurt Ballou (Converge) at God City Studio in 2001, Ballou returned in 2023 to completely remix the album to really make these songs shine the way they always intended to sound. Remastered by Jack Shirley (Quicksand, Joyce Manor) at The Atomic Garden. The album is being presented in a special gatefold jacket and features elements of the original art, and new artwork from Dan McCarthy.

The album is available for the first time in 20 years via Iodine Recordings on October 27. Get it here.

Listen to "The Dumbest Angel" here.

Garrison's original lineup will appear at The Middle East Downstairs in Boston on October 6 with Orange Island. They are also slated to play The Fest in Florida, as well.

Iodine Releasing Classic, Out of Print Record From Six Going on Seven

SIX GOING ON SEVEN'S SELF-MADE MESS OUT OCTOBER 27 VIA IODINE RECORDINGS

BAND SHARES "SEXY LIKE THE TITANIC" VIDEO — WATCH [[ADD LINK]]

Self-Made Mess is the debut album from Boston's indie rock/emo band Six Going On Seven. Out of print for over 25 years, this highly influential album helped define a genre that bridged the gap between hardcore influenced emo and indie-rock, with its complex bass and guitar harmonies and sincere vocals. Often referred to as a "band's band," Six Going on Seven came up alongside many of the household names we still discuss from the era: Jimmy Eat World, Hot Water Music, and The Get Up Kids, sharing the stage with them and many others.

Originally released on Some Records in 1997 and produced by Brian McTernan at Salad Days Studio, Self-Made Mess is being presented on a limited-edition vinyl pressing with all new artwork and remastered by Jack Shirley (Quicksand, Joyce Manor) at The Atomic Garden.

It arrives via Iodine Recordings on October 27. Get it here. 

Today, the band has shared the video for "Sexy Like The Titanic." Watch it below.

"Self-Made Mess was our first full-length, the culmination of three friends woodshedding/gigging around Boston in early days," the band says. "Follow me here: I drove to Boston in fall of 1994, we played our first show in January of '95, released a 7" the following year, and made Self-Made Mess in the summer of '96 — this one was recorded by our friend Brian McTernan after demoing over nine songs the year prior with another great engineer, who abruptly moved to Los Angeles to make a record with The Rolling Sones — true story. Faithful to our live sound, Youth (lost on the young) recorded on a shoestring budget in a small new jersey town (that, a story for another day) — 10 songs remastered for your listening pleasure, enjoy."

Impure Wilhelmina Cover King Crimson

As soon as Impure Wilhelmina got the idea for a covers album, they knew that "Fallen Angel" was a lock to make the track list. 

"King Crimson is a band that all of us listen to regularly", the band says, "and 'Fallen Angel' was a song that we quickly and unanimously agreed upon". 

Listen to Impure Wilhelmina's faithfully mind-bending cover of "Fallen Angel" below. 

"Fallen Angel" is the second single from the band's upcoming EP. The first was a cinematic cover of Serge Gainsbourg's "La Javanaise", which you can watch HERE. 

'Dead Decades' comes out on October 6, 2023. The EP also includes a cover of The Cure, along with two unreleased songs from their latest album 'Antidote'. 

Pre-order it HERE.

It makes sense that Impure Wilhelmina are fans of King Crimson. After all, the Geneva quartet have followed the British prog legends by constantly breaking the mold. For 25 years now, they've rolled hardcore riffs, velveteen cleans, atmospheric sludge and gloomy melodies into post-metal that's as sharp and versatile as a Swiss Army Knife. No wonder they've earned comparisons to KEN Mode, Paradise Lost and The Smiths.  

"We didn't really know what it would sound like to cover such a prog monument", the band said about "Fallen Angel". "But we were surprised - and also, very proud - to see how well it suited out harmonic style." 

For 25 years, Impure Wilhelmina has been shaping a singular music on the borders of rock and metal. The Geneva quartet has never been afraid to reinvent itself and to push back the stylistic barriers, without ever losing its strong identity. Intensity, melody, power and melancholy are the key words that guide the band's discography, developing record after record a subtle blend of metal, post-hardcore, new wave and indie rock sounds.

Impure Wilhelmina has experienced many line-up changes over the years around Michael Schindl, singer-guitarist, main composer and lyricist. Founded in 1996, the group quickly built a reputation in the local, then Swiss and European independent scenes. The band has released a 7″, an EP, a split and seven full-length albums (see discography).

Impure Wilhelmina has regularly collaborated with sound engineers and producers Serge Morattel (I Can't Believe I Was Born In July – 2001, L'Amour, La Mort, L'Enfance Perdue – 2004, Prayers And Arsons – 2008) and Raphaël Bovey (Black Honey – 2014, Radiation – 2017). These five albums illustrate the constant musical evolution of the band, which from a very dark and metal base gradually incorporates more rock elements. The clear vocals occupy an increasingly important place in the compositions, reinforcing the intensity and melodic depth.

In 2015, thanks to the great response to Black Honey, Impure Wilhelmina signed with the reference metal label Season of Mist, which published Radiation two years later in 2017. Skillfully navigating between melodies and dissonances, always at the service of raw emotion, this sixth album was unanimously acclaimed by the press and the public, opening the doors to wider recognition.

In 2019, the band received great reward by being one of the four recipients of the grants for contemporary music awarded by the City of Geneva. This support has enabled Impure Wilhelmina to start working on a new album with confidence and with the will to develop their sound and get out of their comfort zone. The band put a lot of efforts in the elaboration and production of its new songs, notably by calling on Yvan Bing, producer and sound engineer, to accompany the four musicians throughout the creation process. This successful collaboration began in the summer of 2019 and continued for over a year, giving rise to Impure Wilhelmina's seventh album, Antidote. Released in may 2021, this album is a testament to the creativity and versatility of the band, which never ceases to explore new horizons without ever getting lost.
 
After two European tours in 2022 (with Crippled Black Phoenix and MØL, then Shores of Null), Impure Wilhelmina focused in 2023 on the vinyl reissue of their second album "I can't believe I was born in July", for its 20th anniversary, and the release of a new EP entitled “Dead Decades”, which features three covers and two previously unreleased tracks.

Line-up
Michael Schindl: Vocals/Guitars
Diogo Almeida: Guitars
Sébastien Dutruel: Bass
Mario Togni: Drums

Links
www.impurenet.com
www.facebook.com/impurewilhelmina
www.instagram.com/impurewilhelmina
www.impurewilhelmina.bandcamp.com

Recording Studio:
‘La Javanaise’, ‘Fallen Angel’ and ‘Plainsong’: Kitchen Studio, Geneva (CH)
‘Nebulæ’ and ‘Ignoramus’: HOFA Studio, Karlsdorf (DE)

Mix: Kitchen Studio / Yvan Bing
Master: Caduceus Studios / Ladislav Agabekov

Cover artwork: Mehdi Benkler (photography) / Giganto.ch

Pre-order: https://redirect.season-of-mist.com/IWDD

Booking: 
Switzerland: Martina Kull / Glad We Met: martina@gladwemet.ch
Europe/World: booking@impurenet.com

Formats:
Vinyl
Digital

Alex Hall Releases Retrospective "Her To Here" from Upcoming Album Side Effects Of The Heart

Walking the line of modern and classic with his outlaw spirit and his heart of gold, Alex Hall explores the rewards and consequences of following one’s heart on his upcoming debut album, Side Effects Of The Heart. His latest, “Her To Here,” finds Hall reflecting on a series of events that ended a relationship. Listen Below.

Written by Hall, Todd Clark and Travis Wood, “Her To Here” encapsulates Hall’s old soul and gentleman ways through its soulful lyrical delivery.
 
       If I knew she was gonna call my bluff
       I woulda wrapped my stubborn arms around her instead of acting tough
       If I knew she wasn’t gonna hit the brakes
       I’d’a chased her down the drive not watched her drive away

       They’re ‘bout to turn the neon off
       I’m barely hanging on the rocks
       I leave my truck and catch a ride back home
       Start replaying old voicemails with the phone up to my ear
       How the hell’d I get from her to here?

Raised on a horse farm in North Georgia, Hall’s inspiration was born from country music legends Kris Kristofferson and Vince Gill, among others. Captivated by the art form, Hall began playing guitar at the age of 14. By 16, he had bartered a deal with his guidance counselor allowing him 60 absences in return for maintaining a passing GPA so he could begin pursuing his career. Intent on honing his skills, Hall formed a band and played over 125 dates a year across the southeast while completing his high school curriculum.
 
The influences and work ethic of his childhood drove the creation of the debut album, with a delivery reminiscent of the emotional honesty of Kristofferson, as Hall details the human experience of love, heartbreak, loneliness and what it costs to let the heart feel. 
 
Following the release of title track “Side Effects Of The Heart,” “Women And Horses (feat. Brandy Clark),” “Dad Now,” and “I Know A Guy,” “Her to Here” is the fifth song off Hall’s debut album Side Effects Of The Heart, due Sept. 15. Each track builds upon one another, further setting the tone for the rest of the highly anticipated album. Pre-order/save Side Effects Of The Heart HERE.
 
Hall hits the road this fall, supporting Tanya Tucker on tour stops in New York, N.Y., Knoxville, Tenn. and more. He’ll also perform at the Annapolis Songwriters Festival on Sept 16 and 17, and at AmericanaFest in Nashville on Sept. 22. For more information, visit MusicByAlexHall.com or follow @MusicByAlexHall on all social media platforms.

Cover art for Alex Hall’s Side Effects Of The Heart (Monument Records)

About Alex Hall:
Alex Hall is ready to launch the next chapter of his career with his brand-new record, Side Effects Of The Heart. A project that tells the stories of everything the Singer, songwriter, and guitar player’s heart has been through these last few years.
 
Growing up on a small horse farm on the outskirts of Gainesville, GA, Hall’s earliest memory is hearing Elvis Presley on is grandfather’s radio. It’s a sound he never forgot, and one that prompted him to pick up a guitar for the first time when he was only four years old. He started learning the instrument seriously in middle school, and quickly graduated from choir solos to bar gigs. By the time he was in high school, Hall was playing over 150 shows a year. 
 
After graduation, Hall moved to Nashville, TN and signed with Monument Records. He spent the last few years opening for Tanya Tucker and hitting the road with Brandy Clark, Little Big Town, and Tenille Townes. His debut EP on Monument Records, Six Strings, was a guitar focused project featuring the playing and vocal stylings of Hall’s heroes and friends – Vince Gill, Brad Paisley, John Osborne (of Brothers Osborne), Brad Tursi (of Old Dominion), Tenille Townes, and Kassi Ashton. Six Strings gained national acclaim from the likes of Vintage Guitar Magazine, Rolling Stone, and Cowboys & Indians, and helped Hall to be named to the Fender Next 2021 program. 
 
Now, ready to bare it all, Hall is releasing his first full project as an artist with Side Effects Of The Heart. Out this summer, the album has a song for everyone…and a few for the dreamers out there like Alex Hall himself.

Eric Sardinas Shares New Track "Tonight" — LISTEN

NEW ALBUM MIDNIGHT JUNCTION OUT OCTOBER 13 VIA EARMUSIC

Following the success of his recent single "Long Shot," blues-rock virtuoso Eric Sardinas ignites the scene once again with his scorching new single "Tonight," which is available now.

Listen to the new single below.

"I play slide guitar, I play blues, but it's rock 'n' roll that I interpret in my own way," says Sardinas, highlighting the driving force behind his music, a seamless blend of blues heritage and rock's unbridled energy. A master of his craft, Sardinas has garnered acclaim for his mesmerizing guitar skills, and raw, soul-stirring vocals. Nine years after the release of his last record, the new album Midnight Junction is poised to showcase his artistic journey while staying true to the blues rock roots that have earned him a dedicated global following.

 Sardinas is joined by an excellent rhythm section, compromised of Chris Frazier (Whitesnake, Foreigner) on drums, Koko Powell (Lenny Kravitz, Sheila E) on bass guitar, David Schulz (The Goo Goo Dolls, Bo Diddley) on keys and organ, with very special guest Blues harmonica legend Charlie Musselwhite. Produced by Matt Gruber.

Witness Eric Sardinas and his all-star crew keeping the great blues rock tradition alive and kickin! Midnight Junction is available as CD Digipak, 1LP (black/180g) and Ltd. Red Marbled LP (180g) for pre-order now here.

Wolves At the Gate Share Video for Cover of "Breaking the Habit"

LOST IN TRANSLATION COVERS ALBUM OUT SEPTEMBER 22 VIA SOLID STATE RECORDS

WOLVES AT THE GATE have shared the video for their cover of Linkin Park's "Breaking the Habit." Watch it below. 

The song appears on Lost In Translation, a full covers album. Lost In Translation arrives on September 22 via Solid State Records. Pre-order it here.

"There wasn’t much debate about covering a Linkin Park song because they all played a big role in our lives growing up," the band says. "The hard part was picking the right song that we could actually transform in a different way. The arrangement, sonic landscape, and lyrics of 'Breaking the Habit' ended up being something that connected with everybody unanimously. The genius of the original song is the utter simplicity of the components. The beat and dynamics of the song stay the same for almost the entire song, but at the same time still has so much movement.

"We tried to expand on that and add some more movement in the music to complement and accentuate the vocals. It was a bit of a debate to change the rhythmic elements of the song but doing things like breaking down the second verse became some of our favorite parts. The lyrics of the song were so easily relatable as we often feel the same need to express that type of frustration when faced with our own struggles. We hope our cover can express gratitude and love to Chester, his family, and the rest of LP."

ABOUT WATG:
Unrestricted by genre conventions and determined to raise the bar with each successive album, Wolves at the Gate deliver music and a message with a firm commitment to passion and authenticity. Tirelessly seeking out the light in seemingly overwhelming darkness, the Midwestern post-hardcore group balances soaring melodies with unrelenting metal and emotional heaviness. Eulogies arrives with confidence and forward motion born from reflection, introspection, and isolation.

The small-town Ohio-based five-piece band built the foundations for the album's 13 songs during the pandemic shutdown, shaping diverse tracks like "Shadows," "Peace That Starts The War," and "No Tomorrow" into stunning confessional epics. Wolves at the Gate's audience treasures each of the band's best-known songs for the emotional depth, passionate catharsis, and evocative power contained in them, as evidenced by the millions of streams for WATG anthems. These include "Counterfeit," "A Voice in the Violence," and "Drifter" (from 2019's Eclipse); "Asleep," "Flickering Flame," and "War in the Time of Peace" (from 2016's Types & Shadows); "Relief," and "The Bird and the Snake" (from 2014's VxV); "Dead Man," "The Harvest," and "Slaves" (from 2012's Captors), and "Heralds" (from 2011's We Are The Ones). 
 
WOLVES AT THE GATE ARE:
Steve Cobucci — Vocals/Guitar
Nick Detty — Vocals
Joey Alarcon — Guitar
Abishai Collingsworth — Drums
Ben Summers — Bass

Robben Ford Announces New Live Album "Night In The City" + Share New Single & Video For "Anto'Nate'n'Tate" — WATCH

"If a live recording really represents the best of you – that's a real, and even rare success." — Robben Ford

Robben Ford is, without doubt, one of the most exquisite blues guitarists of all-time, with a resume of collaborations reading like a veritable "who's who" of musical greats. It is for this very reason he can call upon some of the finest musicians out there to create a band that serves the music so well. That's why every album release is greeted with such excitement. Each listen is a musical journey undertaken to discover the wonders of his latest opus. 

As a live performer, he is revered, pouring heart and soul into every note that travels from stage to audience. On his latest release Night In The City, this master of his craft is presented like never before. Recorded at City Winery, Nashville in 2021, it was Ford's first performance after the COVID lockdown — something which only added to the excitement and expectation from both band and crowd. As Ford stated, "It had been so long since playing a significant, live show that expectations were very much heightened. There was an edge that kept us all on our toes and the audience was hungry for a good time. They were very supportive, which was great, because we needed that."

The superlative musicianship throughout is a joy to behold and something Ford in his role as bandleader was able to reflect on, saying, "The fact that I had such a great band is what made the evening for me. Each musician was the perfect man for the job and that helps a band leader relax. All the guys are top, in-demand players."

With a set list that covers material old and new, an exceptional evening was captured to be enjoyed by all. You can already dive into it, as the previously unreleased track "Anto'Nate'n'Tate" is available everywhere as you read these lines.

Listen to "Anto'Nate'n'Tate" on all digital platforms HERE.

Watch the video for "Anto'Nate'n'Tate" 

NIGHT IN THE CITY will be released on December 1 on earMUSIC as CD-digipak, 180g black vinyl in a gatefold sleeve and on all digital platforms.

PRE-ORDER HERE.

Post Profit Share "Cancer Culture" Video — WATCH // Band Signs to SharpTone + Touring With Nothing More

Newly signed SHARPTONE RECORDS band POST PROFIT have shared the video for the new single "Cancer Culture." Watch it here.

The video features the Longview, Texas trio — Matt Jackson [vocals, guitar], Nick Hawner [guitar +vocals], and Zach Hicks [drums + vocals] — doing their best TV news broadcast impersonation while having free reign for a day at the Texas Museum of Broadcasting and Communications in nearby Kilgore, Texas.

The dynamic track highlights Post Profit's undeniably unique musical blend, encompassing all of their influences and proudly displaying where they are as a band sonically. It also touches upon an oft-controversial topic that remains close to their hearts.
 
"It's all about cancel culture," Matt reveals. "People watch you and wait for you to make the wrong step so they can cross you out. This song was born from our frustration with the feeling of being overlooked and pushed aside, and us trying to overcome that and stay determined in our path."
 
As for inking a deal with SharpTone Records, the band had the following to say: "We're beyond excited to announce that we have joined the SharpTone family! Their roster is stacked full of bands that we have looked up to for years such as Loathe, Holding Absence, Don Broco, and Boston Manor, just to name a few. We feel right at home with these amazing bands and the welcome we've received has felt more like a homecoming. We're looking forward to working closely with SharpTone on our upcoming releases, and ushering in a new era of rock music alongside the label's very talented and accomplished roster."

Post Profit will be hitting the road, opening for fellow Texans NOTHING MORE this September, with the first show this Friday, September 8 in Nashville. All dates are listed below. Tickets can be purchased here.
 
ABOUT POST PROFIT
Some would say Post Profit have been waiting for this moment since the cradle, with each member being introduced to musical instruments between the ages of 2 to 6. 

Zach and Matt forged a friendship as toddlers ever since their moms became best friends from church in Longview, TX. Nick would later learn of Matt's vocal prowess through the high school intercom. "Matt's father was the high school principal," explains Nick. "And he'd have Matt on there in the mornings singing about refraining from drugs and alcohol and striving for good school attendance." 

Over the next few years, the trio would really get to know each other from attending and performing at local shows. Nick and Zach especially hit it off and quickly became inseparable, spending much of their time listening to music, eager to put their own band together. Meanwhile, Matt was sinking his teeth into a Dallas based metalcore band called Far From Earth.
 
During early 2017, Matt started hosting open jams every Sunday at a smoky East Texas dive bar and one night asked Zach to join on drums. Zach dragged his new friend Nick along on guitar and the trio quickly formed a strong musical bond. They would soon start slipping originals into their covers sets and after months of unrelenting practices and bar jams they booked their first show at a Halloween party in Tyler, TX.
 
With the experience of countless gigs across the South, Post Profit soon gained a reputation for their commanding and impactful live performance, including powerful 2021 and 2022 performances at Welcome To Rockville in Daytona, FL. Rallying around influences such as Deftones, Incubus, Failure, and Quicksand, the band refined their original songs and sound into what would become their 2022 debut self-produced album When You Think It's Right It's Always Wrong.  The release garnered over a million cumulative streams independently, and the success of their single "Smother" grabbed the attention of SharpTone Records, eventually landing them a deal.
   
POST PROFIT ON TOUR:
WITH NOTHING MORE + DEAD POET SOCIETY:
9/8 — Nashville, TN — Marathon Music Works
9/9 — Little Rock, AR — The Hall 
9/11 — Oklahoma City, OK — Diamond Ballroom
9/12 — Wichita, KS — The Cotillion Ballroom 
9/14 — Dallas, TX — The Factory In Deep Ellum
9/15 — Houston, TX — House of Blues 
9/16 — San Antonio, TX — Aztec Theatre 
9/18 — Mobile, AL — Soul Kitchen Music Hall 
9/19 — Huntsville, AL — Mars Music Hall
9/20 — Knoxville, TN — The Mill & Mine
9/22 — Fort Lauderdale, FL — Revolution Live
9/23 — Lake Buena Vista, FL — House of Blues
9/25 — Charlotte, NC — The Fillmore Charlotte

Kraanuim Sign To Unique Leader Records, Announce New Album and Drop New Single "Braindead Skullf*cking"

One of Europe's most lauded brutal death metal exports, Kraanium, have announced their signing to new label home, Unique Leader Records. The announcement also comes with news of the band's new album, 'Scriptures of Vicennial Defilement' due out on November 3rd, 2023 and a brand new single and music video for track 'Braindead Skullf*cking'. Listen to the new track here, watch the new music video below and pre-order the album here.

Speaking on their recent announcement, Kraanium share

"We are stoked to have signed with Unique Leader Records for our 6th Full length record!!!

It is an honor for us to be part of a label/roster with so much amazing Brutal history in the music scene, and we could not be happier with the decision.

Our newest album is by far our most brutal to date, and we are so fucking excited to share this next chapter in the Kraanium journey with you all, this album is complex, catchy, groovy and above all 110% Pure Northern Slammage.

Get ready for ´´Scriptures of Vicennial Defilement´´ !!!!"

Unique Leader Records CEO, Jamie Graham adds

‘Kraanium have long been held as one of the absolute leading names in European Brutal Death Metal. Everything about this record is just brutally delicious, from the production, through to the artwork to the concept, it epitomises what the genre represents and we are over the moon to bring the Northern Slam Titans to our roster’.

ABOUT KRAANIUM

KRAANIUM was formed in 2001 and are one of the original pioneers of the slamming brutal death metal genre. Originally founded in the depths of hell in Norway, the band is now a multinational slam machine from all over Europe. 

Over the years they have released 5 full length studio albums, 3 split CDS with more releases in motion. Having toured all over Europe, USA, Russia, Asia as well as performing at many iconic festivals, they have built up a solid world wide fan base and will continue to spread the brutality of SLAM!

Since the passing of their dear brother Martin Funderud, (Former vocalist, 1978-2017), the band is dedicated to honor him as well as his passion for brutal music. Rest in Power.

Autarkh More Man Than Machine on "Strife"

Autarkh's debut already sounded like a message from the future. But the Dutch band push their vision to even further extremes on 'Emergent', which comes out on November 10. The new album is now available for pre-order HERE.   

Today, Autarkh are releasing the first single off 'Emergent'. Watch the intense video for "Strife" below.  

'Emergent' still bristles with melodic dissonance, ambient droning and glitchy programmed beats. It's just that now, instead of looking for their reflection in the natural world, Autarkh journey inward in search of peace.  

"'Strife' shows how we took a different direction on 'Emergent': a more straightforward approach where specific atmospheres rather than the density and intensity of 'Form In Motion' are emphasized", says Nienhuis. "Guitarist David Luiten has done an outstanding job writing this track. The remarkable guitar theme – that we reused in the Autarkh III song "Lost In Sight" – captivated me instantly when I heard the original version (for a different project) in 2020, and led to this Autarkh version that we are delighted to share with you today!’’
    
"Strife" finds Autarkh locked in a battle with their inner demons. The song opens with drum pads that pound quietly, like trying to escape from your own personal prison. The mental anguish only escalates from there, spiked by a thousand megawatts of industrial-sized riffs. But the band doesn't lose hope. "My eternal summer is not so distant anymore", Nienhuis screams as if clawing toward a pinhole of light.    

Autarkh might be from the future. But they're still human after all.

Dutch contemporary metal adventurers Autarkh are back with their sophomore full-length album Emergent. Michel Nienhuis, founder of Autarkh and Dodecahedrom, teamed up again with guitarist/producer David Luiten (Inferum), bassist Desmond Kuijk (Dear Mother) and electronics wizard Tijnn Verbruggen to create the follow-up to their highly acclaimed debut album 'Form In Motion', released by Season Of Mist on 12 March 2021. Monica Kendrick (Chicago Reader, US) on the relevance of the group’s debut: 

"And I’ll call it now: given the time to flourish and sink into the ears of an audience, Autarkh will become highly influential on the next generation of extreme metal." 

'Emergent' is another testament to Autarkh’s imagination and creativity. It delivers increased versatility and contrast, and sees the band expand towards more uplifting and consonant territories. Form In Motion explored the boundaries of sonic extremes; on 'Emergent', Autarkh broadens its horizon and shows diversity and nuance while preserving its intense and razor-sharp edge.

With nine tracks, 'Emergent' is a sonic exploration of the inner universe where all things light and dark can be encountered. The listener is lured into an "Open Focus" (a meditative state of mind) in preparation for an inward journey along the physical energy centers. From the thumping synth basses of "Strife" and the menacing sludgy melancholy of "Duhkha", we move into the bewildering blasts of "Trek", where stellar harmonies will eventually burst through the oppressive atmosphere. The trip continues with the crushing downtempo groove that enforces "Refocus", as well as the mind-bending a capella interlude "Aperture" and the frivolous "Eye Of Horus" and "Countless Kaleidoscopes", to finally deliver all-encompassing enlightenment with Ka. 

Composers Nienhuis’s and Luiten’s statements and states of mind capture the same capriciousness and unease of 'Form In Motion', this time leaving a more open, diverse and radiant imprint. With exciting vocal harmonies, bold contrasts and a vivid imagination, Autarkh sheds a bright light on the inner self and exposes it to the world with intensity and conviction. That makes Emergent an evocative release with a multilayered yet crystal-clear production that promises a bright future for Autarkh.

Line-up:
Michel Nienhuis: vocals & guitars
David Luiten: vocals & guitars
Desmond Kuijk: bass
Tijnn Verbruggen: synths & beats

Recording Studio: David Luiten Studio, Monodisc Studio, Moonbear Music & Engineering
Mix/Master: David Luiten

Cover artwork: Arno Frericks

Pre-order: https://redirect.season-of-mist.com/AutarkhEmergent
Pre-save:https://orcd.co/autarkhemergentpresave

Booking: info@autarkh.com

Formats:
CD Jewelcase
Digital
Vinyl in various colours

Links:
www.autarkh.com
www.facebook.com/autarkh
www.instagram.com/autarkhband
www.youtube.com/c/autarkh
www.autarkh.bandcamp.com

Gary Moore Back To The Blues released on vinyl for the first time ever this October

BMG and Gary Moore release Back To The Blues on double heavyweight vinyl housed in a gatefold sleeve. The album will also be released both digitally and on CD.

Back To The Blues, was Gary Moore’s 13th solo album, where he went back to his traditional blues style. This album has never previously been released on vinyl, and contains new liner notes written by Dave Everley.  This release contains bonus tracks ‘Picture Of The Moon (Single Edit)’, ‘Cold Black Night (Live At VH1)’ and ‘Stormy Monday (Live At VH1)’.

Gary Moore rocked the world of Blues and Rock with his virtuoso guitar playing and soulful voice. Best known for his evocative solo hits, Parisienne Walkways and Still Got the Blues, and his on/off membership of Thin Lizzy, Gary Moore’s solo career comprises over twenty albums. Throughout the 1980s, Gary moved up the rock hierarchy, but turned his back on what he regarded as the empty flash of metal and reverted to his heart music – the blues – where ironically, he scored his biggest commercial success through his 1990s and 2000s blues albums.

As well as running his own bands, during a successful solo career, Gary mixed with the best that rock and blues could offer, playing live and on record with George Harrison, Jack Bruce, Ginger Baker, Greg Lake, BB King, Albert King, Albert Collins and many others. Gary Moore is regarded as one of the most influential Irish musicians of all time. Having been honored by both Gibson and Fender with signature guitars, the Northern Irish star is still seen as one of the best guitar players of all time.

To pre-order / pre-save Back To The Blues go to:
https://gary-moore.lnk.to/backtothebluesPR

ASINHELL unleash 'Desert Of Doom' single

For more than 20 years, vocalist/guitarist Michael Poulsen has been spearheading Danish rock and roll machine Volbeat, releasing eight full-lengths, selling millions of albums, and filling stadiums worldwide. Before fronting Volbeat, however, Poulsen formed death metal band Dominus, which recorded four fast, brutal albums in the mid '90s. When Poulsen was putting together songs for Volbeat's 2021 album, Servant Of The Mind, he wrote a bunch of death metal riffs and saved them on his phone. Then, when he was done with the Volbeat record, he reopened the rusty gates to Armageddon and started putting together songs for his new death metal band Asinhell, whose debut album Impii Hora (Latin for Ungodly Hour), is a tribute to Poulsen's favourite old-school groups.

Impii Hora will be released September 29th via Metal Blade. Pre-order it here.

Today, the band has shared new song "Desert Of Doom" and its official video. Watch it below.

"'Desert Of Doom' was inspired by Bolt Thrower, Death, Entombed, and Motörhead. Bang your head 'til it doesn't bang no more!," says Poulsen.

Poulsen has rekindled the death metal fire that fuelled his first band Dominus. He began jamming on riffs with long-time friend and neighbour, drummer Morten Toft Hansen (Raunchy). The two started playing in Morten's tiny garage: no mics, no P.A. — just a drum kit and a combo amp turned all the way up like they used when they were teenagers. Soon, the pair were completing a new song every time they got together. When it came time to add vocals, Poulsen turned to his good friend, who also happened to be one of his all-time favourite death metal growlers: Marc Grewe (Insidious Disease, ex-Morgoth).

"I had known Michael quite a long time and he always mentioned that we should do a death metal project one day, but I never took him too seriously because he was so busy with Volbeat," Grewe says. "Then he called for real and said, 'Yeah, I want to do it now. Are you up for it?' Immediately, I was like, 'Yes, of course!'"

With Asinhell fully formed, the three convened with Volbeat producer Jacob Hansen to produce, mix, and play bass on their debut album. When it was time to add lead guitar to the album, Michael looked no further than friend and The Arcane Order axeman Flemming C. Lund.

The album will be available in the following formats. Pre-order it here.

• Jewel case CD

• 180g Black Vinyl (Europe excl.)

• Crimson Red Marbled Vinyl (Europe excl.)

• White Vinyl (Europe excl., ltd. 1000)

• Gold/Black Dust (EMP excl., ltd.300)

• Clear w/ Red/White Splatter Vinyl (Europe Band store excl., ltd. 500)

• Silver Vinyl (US excl.)

• Silver w/ Red Splatter Vinyl (US. excl.)

• Black & White Melt Vinyl (US excl.)

• Red/Black Splatter Vinyl (US Band store excl., ltd. 500)

• ASINHELL ARE:

   Michael Poulsen — Guitar

  Marc Grewe — Vocals

  Morten Toft Hansen — Drums 

  FIND ASINHELL ONLINE:

  https://asinhell.com/

GREEN LUNG RELEASE VIDEO FOR 'MAXINE (WITCH QUEEN)' THE SECOND SINGLE FROM 'THIS HEATHEN LAND'

Occult rock darlings GREEN LUNG have released a new video for 'Maxine (Witch Queen)', the second single from their hotly anticipated new record This Heathen Land, which will be released on November 3rd via Nuclear Blast Records.

Vocalist Tom Templar comments "We've celebrated British witchcraft in our lyrics since our first EP, and with this new single we wanted to celebrate the most iconic witch of the modern era - Maxine Sanders. The High Priestess at the heart of Alexandrian Witchcraft, Maxine is an unsung national treasure, and one of the first people to connect genuine witchcraft with rock 'n roll back in the early Seventies. 'Maxine (Witch Queen)' is a love song to Maxine from the perspective of a member of her coven, and melds pounding riffage with psyched-out combo organs and stacked, multi-layered vocal harmonies. We were honoured to have several members of Maxine's real life coven appear in the music video, and advise on the ritual elements. Ultimately, the song is intended as a celebration of Maxine Sanders, which we hope will introduce new initiates to her life’s work, and help her legend to live on."

Watch the video for 'Maxine (Witch Queen)' below.

Pre-order This Heathen Land on various formats now at: https://greenlung.bfan.link/thllp

This Heathen Land is the most complete manifestation of the band’s vision to date, fulfilling their long-held goal to, in the words of vocalist Tom Templar, “create the definitive soundtrack to the folk horror film in our heads.” On This Heathen Land, the band have forged a sound and identity that is entirely their own, while maintaining the Sabbathian heaviness and addictive songcraft which made their previous albums so beloved in the metal underground. From the cover art to the vinyl inserts and lyrical themes, This Heathen Land is a painstakingly-researched and executed heavy metal love letter to the folkloric landscape of the UK.

This Heathen Land was produced by Wayne Adams at Bear Bites Horse Studios and was mixed by Tom Dalgety (Opeth, Clutch, Ghost).

In case you missed it, check out the first single 'Mountain Throne' on all streaming platforms here:  https://greenlung.bfan.link/mtsg

GREEN LUNG is
Tom Templar - Vocals
Scott Black - Guitar
Joseph Ghast - Bass
John Wright - Organ
Matt Wiseman - Drums

CARNATION Reveal the Rot on new single 'Metropolis'

Like so many of the best death metal bands, Carnation aren't shy about delivering capital punishment. "You will die in the darkness / Forfeit your life to progress", growls Simon Duson on "Metropolis", reaching all the way into the pit of his stomach.

"Metropolis" is punishing. The latest single off 'Cursed Mortality" will bludgeon your eardrums with grinding riffs and a blast beat that barrels full steam ahead, like a train with its brakes cut. But it also comes with a personal touch.

While the song gets its name from Fritz Lang's 1927 sci-fi classic, Duson is painfully familiar with the relentless pace of modern life, having had all the life sucked out of him by a previous job. 

"'Metropolis' reveals the corruption and filth concealed beneath the glitter and glamour of our world, echoing the dark undertones of our civilization's relentless advancement", says Carnation. "This song is a haunting reminder that often, what lies beneath the surface is far more enigmatic than meets the eye".

Watch the high-speed visualizer for "Metropolis" Below

'Cursed Mortality' comes out on November 3. Pre-order the album HERE. Pre-save it HERE

Faithful fans will undoubtedly find what they have come to love and expect of Carnation  on ‘Cursed Mortality’. However, they can also expect the unexpected, as the band venture further into previously unknown territories.

The artwork for 'Cursed Mortality' was masterfully crafted by the late Mariusz Lewandowski (†), who is renowned for his remarkable talent in creating majestic. dark. surrealist. masterpieces. Lewandowski's haunting visuals perfectly capture the essence of the album.

Carnation also collaborated with the revered Lord of the Logos, Christophe Szpajdel, who created a brand new logo that perfectly encapsulates the essence of ‘Cursed Mortality'. Known for his iconic designs and ability to bring forth the spirit of the music through typography, Szpajdel's contribution further solidifies the album's visual identity.

The second decade of Carnation begins now. Prepare for an intense journey concerning the exploration of fleeting mortality.

Photo by Gaëlle Spaas

For the last decade, CARNATION has been at the forefront of reviving old school death metal. There’s something to be said about the artfulness of taking something so primitive and walking that fine line between keeping its classic authenticity without sounding tired or dated. CARNATION has always teetered this line, injecting a fresh and contemporary approach without losing the genre’s time-honored traditions. However, the band’s third endeavor sees CARNATION erasing those boundaries entirely and abandoning any and all conventions as they traverse into daring new territory. ‘Cursed Mortality’ pulls the Belgian death dealers deeper into experimental new waters, taking risks as the band steps out of the shadows of its predecessors and comes into its own identity. 'Cursed Mortality's' statement is clear: This is no longer simply a revival; this is CARNATION’s rebirth.

“We still play death metal and we still identify as such” explains frontman Simon Duson. “But we know that this is also our second decade performing it. And while it is very important for us to stay true to the old-school style, we know we had to open things up a bit and reach out to those who might be interested in extreme metal, but aren’t that much into the old aspect of it. It also feels fresher to us because we’ve decided to change our visual approach, with a new logo, a new look on stage and so on. In a way, it really feels like the beginning of a new chapter for CARNATION.”

Album number three is much more than just a new chapter, but rather feels like a sequel to an already storied career, punctuated by press accolades, an impressive history of live performances, and a lauded discography consisting of several EPs, splits, and two critically acclaimed full-length albums.

With the debut of its first EP in 2015, CARNATION quickly garnered the attention of fans, media, and most notably of all, record label Season of Mist, who quickly noticed the band’s potential and picked them up without hesitation. Upon forming this union, the band dropped its first full-length, ‘Chapel of Abhorrance,’ in 2018. Angry Metal Guy astutely noted that the Belgians’ debut album was “one of the best death metal debuts of the year, and CARNATION have earned their place as one of the most promising new bands in the genre'' while Distorted Sound Magazine echoed these remarks, calling ‘Chapel of Abborhance’ “one of most brutalizing, well executed and, above all, fun, death metal releases of 2018'' in its 9/10 review of the album.

CARNATION’s momentum only seemed to pick up from there. The band kept busy on the road, performing a variety of tours with their death metal brethren in Deserted Fear, Schirenc Plays, Pungent Stench, and Pestilence, while headlining stages in Japan and Brazil. Upon conquering the live circuit and laying waste to audiences across three different continents, the band unleashed its 2020 opus, ‘Where Death Lies,’ which broke them out from the underground with the kind of seismic force that most bands can only dream of. If the critics liked ‘Chapel of Abhorrance,’ ‘Where Death Lies’ was the moment they fell in love, enamored by Carnation’s relentless brutality and crushing precision.

While touring had been halted that year, CARNATION never stagnated nor waivered. The band’s tenacity paid off with their sophomore effort being named among one of the best records of the year by The Pit, Chicago Music Guide, Pandemonium Metal, and many more, while the single “Iron Discipline'' was singled out by Loudwire as one of the best songs of 2020. Legacy outlet Kerrang! also took notice, ranking the band among the “50 Greatest Death Metal Bands Right Now,” cracking the top 20 picks.

While the Belgian slayers still stay true to their roots, they step outside of their comfort zone with more groove, melody, and progression, showcasing their versatility as musicians and clearly defining their own unique sound. ‘Cursed Mortality’ sounds darker, with passages of melancholic melodies that compliment the heaviness.

Most bands might feel anxious about making such dramatic changes, especially to incorporate clean vocals within such extreme music, CARNATION embraces the unknown and does not fall victim to fear or monotony. “As artists, it's something natural,” explains Verstrepen about why the band has shifted direction. “Doing the same thing over and over again doesn't inspire us. We love to create and we love to explore new paths. We knew some people wouldn't like clean vocals in death metal, but we don't want to think of that too much. We stand 100% behind our music and we really like what we did here. Some people will drop out, but there will definitely be others joining! As Lemmy would say, 'You win some, you lose some.'”

Indeed, a personal metamorphosis is always a risk, but one that historically has paid off. The first records of bands like Black Sabbath, Carcass, Death, or even Bathory sound nothing like the mid-late era offerings of those very same artists, and yet, those records that strayed off the beaten path are regarded as some of the most seminal albums in the history of metal. Playing it safe sounds easy, but it isn’t always a part of a legend’s origin story. And CARNATION isn’t here to play by the rules; the band is ready to take a leap of faith and redefine an era.

CARNATION Lineup:
Simon Duson: Vocals
Jonathan Verstrepen: Lead Guitar
Bert Vervoort: Rhythm Guitar
Yarne Heylen: Bass Guitar
Vincent Verstrepen: Drums

Recording studio: Project Zero Studio

Producer / Mixing engineer: Yarne Heylen

Mastering studio and engineer: Joel Wanasek

Biography: Katy Irizarry

Artwork: Mariusz Lewandowski

Logo: Christophe Szpajdel

Links:
https://www.carnationband.com/         
https://www.facebook.com/CarnationBE/          
https://www.instagram.com/carnationbandofficial/
https://www.youtube.com/c/CarnationOfficialBE
https://open.spotify.com/artist/7s6SmrbyQvp26jN5EbnU9u

Pre-save: https://orcd.co/cursedmortalitypresave
Pre-order: https://redirect.season-of-mist.com/CarnationCM

Available Formats:
CD digipak
Digital
12” vinyl in various colours
Merchandise

CANADIAN PROTO-PUNK GREATS TEENAGE HEAD RELEASE ‘PERFORMANCE: LIVE AT HEATWAVE’

First time ever released! Vinyl LP and DVD Documentary Film

In the summer of 1977 when the whole punk scene was blossoming in Toronto, word hit the street that some big-time manager was looking for the best punk band in Toronto. That guy turned out to be John Brower and he decided the best Toronto punk band was Teenage Headfrom Hamilton, Ontario, and the area’s answer to the Ramones, New York Dolls, and Stooges. And Brower’s decision was a wise one – Teenage Head (comprised of singer Frankie Venom, guitarist Gord Lewis, bassist Steve Mahon, and drummer Nick Stipanitz) quickly became the most popular Canadian punk band, on the strength of such classic studio efforts as 1979’s self-titled debut, 1980’s platinum-certified Frantic City, and 1982’s gold-certified Some Kinda Fun. 
 
But it was on the concert stage that Teenage Head was best experienced. And now, fans will be able to hear a vastly sonically improved version of one of their most popular shows recorded in 1980, with the arrival of Performance: Live at Heatwave on September 5, 2023 via SINGMarket. 

Pre order link here: 
https://market.singidea.com/market/asset/b1933438-b2e1-4dde-a5d0-6912cc8baff3

“Teenage Head was never booked to play the Heatwave Festival, that’s why our name never appeared on the poster or the ticket!,” remembers Mahon. “After our infamous sell out show at Ontario Place on June 2nd, 1980, we were set to headline a festival to be called the ‘Canadian Rock Festival’ on August 20th at Exhibition Stadium during the CNE (Toronto’s annual summer fair). Alice Cooper was set to play the same venue the night before, but when it turned out that Alice was not exactly in shape to get through the show, the thousands of fans in the Stadium expressed their unhappiness and ripped the place apart and did extensive damage to the sound system, as a result our show was cancelled. Our management team contacted our early supporter John Brower who was the promoter of Heatwave and of course he offered us a slot. Our set was recorded by Doug McClement on 8-track half-inch tape on his Comfort Sound truck.”
 
And according to the bassist, it turns out that the performance became one of the band’s best-known out of near-tragedy. “On September 7, 1980, a little after playing Heatwave we suffered a terrible accident traveling home from a gig in Palmerston, Ontario. Gord’s injuries were devastating, he was out of commission for the better part of a year. So, knowing we weren’t able to play the 3rd annual broadcast on Halloween, we quickly went into Amber Studios, also in Toronto. There, we mixed the Heatwave show, which Q107 did broadcast on Halloween 1980 (which explains all the not-so-great bootleg versions). It’s very possible that we may have never pulled that tape from the vaults had it not been for that accident. We are really lucky to have had these tapes. Now thanks to the wizardry of Peter Moore we finally have a great version that captures the power of the day. Doug Arrowsmith used two songs in the documentary Picture My Face: The Story of Teenage Head – and here are the rest.”
 
Performance:
Live at Heatwave will be available as a killer deluxe package (see below for details), as well as less expensive offerings that focus solely on the 1980 performance. But either way, fans of Teenage Head are in for a special blast from the past, according to Mahon – “So kick back, crank it up, grab a cold one and transport back to Mosport Park, August 23, 1980, it’s a TEENAGE HEAD PERFORMANCE LIVE AT HEATWAVE.” 

SING Deluxe Package - includes vinyl and DVD documentary film

Physical Items:
• LP: pink 180g high-quality vinyl with fluorescent green and yellow splatter
• CD: of entire album w/ bonus encore C’mon Everybody
• DVD Documentary: Picture My Face – The Story of Teenage Head
• 2’ x 3’ Poster
• 2 x 8” x 10” b/w 1980s-era band glossy photos
• 4 x 4 sticker of album cover
• Actual size Heatwave ticket stub reproduction

Digital Collectable High Resolution Items:
• MP3s of all album tracks
• Audiophile WAV files of all album tracks (including the encore track C’mon Everybody)
• Front cover of album
• Back cover of album
• Front of album insert
• Back of album insert
• 2’ X 3’ Teenage Head iconic live poster
• Two vintage setlists
• Two vintage 8” X 10” photos
• Two lyric sheets
• Heatwave ticket stub
 

PLUS:
• Golden Ticket to win a Fender bass guitar signed by Stephen Mahon!
 
 

FOR MORE INFORMATION, VISIT: 
www.singmarket.com