Twin Temple Announce Forthcoming New Album 'God Is Dead' Out Friday October 13

Twin Temple fans, rejoice! Today, the band has made their triumphant return in announcing their highly-anticipated sophomore album 'God Is Dead', set for release on the wickedest of days, Friday, October 13. In celebration of the unholy announcement, the high priest and priestess of Satanic Doo-Wop has released a new track from the forthcoming full-length, "Burn Your Bible". Speaking about 'God Is Dead', Twin Temple shares:

"Despite relentless death threats and moralizing, our allegiance to Satan and the golden oldies remains unwavering. 'God Is Dead' is our most blasphemous, horny and painstakingly period-correct work to date. Saturated with the blood of babies, and forged in the ashes of burning churches, we spared no one in the making of this album. See you in Hell!"

'God Is Dead' will also be available in "Pink Palace" (baby pink) and "Broken Church Glass" (Coke bottle green) vinyl formats, both available at the link here. Pre-order the album here and stream "Burn Your Bible" here.

After bewitching attendees at this year's San Diego Comic Convention for their signing debut, Twin Temple will soon be enthralling audiences across the US alongside Danzig, Behemoth, and Midnight starting this month. The band will also be making a special guest appearance in direct support of Tiger Army with T.S.O.L. opening at the Hollywood Palladium in late October. Click here for ticket information, and be sure to stay tuned for more Twin Temple news as the band prepares to unleash their latest infernal masterpiece on the world.

Upcoming Tour Dates With Danzig, Behemoth + Midnight

August 25 - Las Vegas, NV @ The Theater at Virgin Hotels

August 26 - Norco, CA @ SilverLakes

August 27 - Mesa, AZ @ Mesa Amphitheatre

August 28 - Albuquerque, NM @ Revel Entertainment Center*

August 31 - Oklahoma City, OK @ The Criterion*

September 1 - Irving, TX @ The Pavilion At Toyota Music Factory

September 2 - San Antonio, TX @ Tech Port Center

September 3 - Houston, TX @ White Oak Music Hall

September 6 - Atlanta, GA @ Coca-Cola Roxy

September 8 - Sayreville, NJ @ Starland Ballroom*

September 9 - Atlantic City, NJ @ Ovation Hall

September 10 - Reading, PA @ Reverb*

September 11 - Boston, MA @ MGM Music Hall at Fenway

September 13 - Cleveland, OH @ Euclid Masonic Temple

September 14 - Detroit, MI @ Masonic Temple Theatre

September 15 - Pittsburgh, PA @ Stage AE^

September 16 - Newport, KY @ MegaCorp Pavilion

September 17 - Chicago, IL @ Byline Bank Aragon Ballroom

September 19 - St. Louis, MO @ The Hawthorn^

September 20 - Kansas City, MO @ The Truman^

September 21 - Minneapolis, MN @ The Fillmore Minneapolis^

September 23 - Englewood, CO @ Gothic Theatre^

* With Behemoth and Midnight only

^ With Behemoth and Imperial Triumphant only

With Tiger Army + T.S.O.L.

October 27 - Los Angeles, CA @ Hollywood Palladium

GRAVEYARD Announce New Album "6" + Release Video For First single "Twice"

Swedish hard rock band GRAVEYARD have revealed details of their new album “6,” that's set to be released on September 29th via Nuclear Blast Records. Alongside the announcement, the band have also released the video for first single “Twice,” their first new music in five years. “6” is easily identifiable as the most striking, original album of GRAVEYARD’s story so far. A gently lysergic blend of desolate guitars, simmering Hammond and lithe, nimble bass and drums, the Swedes demonstrate a lightness of touch that they have only hinted at in the past.

The band comments, "Finally it’s here, ready to be harvested and enjoyed like the forbidden fruit in your backyard. We are very, very happy being able to share album number 6 with you all very soon. Peace out.”

Watch the video for first single “Twice” below-

Pre-order the album and stream “Twice” now at: https://graveyard.bfan.link/6-album.ema

The album was recorded at Silence Studios and Don Pierre Studios and was produced byDon Ahlsterberg, who previously worked with the band on “Graveyard” (2007), “Hisingen Blues” (2011) and “Lights Out” (2012).

About GRAVEYARD:

As enduring and authentic as an old school leather jacket, GRAVEYARD have long since mastered the art of rock’n’roll. Formed in 2006 in Gothenburg, Sweden, their shared passion for hard rock, psychedelia and the eternal bedrock of blues marked them out from the start. Led by vocalist/guitarist Joakim Nilsson, they opened their account with their now seminal self-titled Tee Pee Recordings debut in 2007, showcasing fiery chemistry and some wildly imaginative songwriting. Subsequently snapped up by the mighty Nuclear Blast Records, the band’s rise to prominence was swift and irresistible.
 
In 2008, guitarist Jonatan Ramm expanded the ranks, joining Nilsson, bassist Rikard Edlund and drummer Axel Sjöberg for the recording of second album Hisingen Blues. A critical smash that more than lived up to the hype, it established GRAVEYARD as rock’n’roll heavyweights. A thunderous, soul-stirring live band, with subtlety and swagger in equal amounts, they spent the next decade keeping fans of loose-limbed and earthy rock music in a near-constant state of rapture. From the rootsy clatter of 2012’s Lights Out to the magical, muscular grooves of 2018’s Peace (taking in the sepia-tinted folk doom of 2015’s Innocence & Decadence along the way), GRAVEYARD have made some of the most vital and vivid heavy rock of the 21st century.

GRAVEYARD is
Joakim Nilsson - vocals, guitar
Jonatan Ramm - vocals, guitar
Truls Mörck - vocals, bass
Oskar Bergenheim - drums

Follow GRAVEYARD:

https://www.facebook.com/graveyardofficial/

https://twitter.com/graveyard

https://www.instagram.com/graveyardmusic/

Sleep Theory Announce "Paper Hearts" EP + Share "Gone or Staying"

Sleep Theory — vocalist Cullen Moore, guitarist Daniel Pruitt bassistPaolo Vergara, and drummer Ben Pruitt — announced their signing to Epitaph Records earlier this summer. Today, the band has announced that it will release the Paper Hearts EP on September 29 via the label. Pre-order it here.

The band has also shared "Gone or Staying." Watch it below.

''Gone or Staying' is the breaking point in a relationship that is built on emotions and broken promises. It is the stuggle between wanting things to work and the need to move on," the band explains.

The numbers don't lie. 

Sleep Theory's recent single "Numb"  — follows the band's debut single "Another Way," which arrived in January 2023 and amassed 500k views on TikTok within 36 hours of release. Together, the two tracks have generated over 16 million streams and each shot to No. 1 on SiriusXM's Octane Chart, sitting in the top slot for three weeks a piece. The reaction was intense, and as such, the band was also selected for SiriusXM/Pandora's Artist Accelerator Program and will be a part of their Next Wave Concert Series in September. This all happened in the span of six months.

 But what seemed like an overnight success (or an "industry plant" playing to the algorithm, as some trolls theorized) has actually been years in the making.

Since retiring from the U..S Army several years ago, Moore has dedicated his life to carving his own path in the music industry. Officially starting Sleep Theory in 2019, the current incarnation of his musical journey began as a studio project to fuse his love of hard rock, funk, and R&B.

Now a four-piece band, which came to be on the back of a chance meeting via Facebook Marketplace, Sleep Theory have achieved a pair of No. 1 singles, played their first run of shows to massive crowds, and signed to Epitaph Records. Combining metalcore-like breakdowns with bluesy grooves and a pop sensibility made for modern radio, "Numb" has landed at No. 31 on the Active Rock chart.

Sleep Theory just wrapped up a tour with Shinedown, which happened to be their first tour ever, and that they will be supporting Set It Off later this month.

SLEEP THEORY ON TOUR:
WITH SET IT OFF:
8/25 — Oklahoma City, OK — Diamond Ballroom 
8/26 — Dallas, TX — The Echo Lounge & Music Hall 
8/28 — Tucson, AZ — Rialto Theatre 
8/30 — San Diego, CA — House Of Blues 

WITH I PREVAIL + BADFLOWER:
9/21— Columbus, OH — Kemba Live!

HEADLINE:
 9/28 — Las Vegas, NV — Hard Rock Cafe/G2 Rock Gathering

Carnation Break the Formula on New Single "Replicant"

CARNATION haven't stopped bringing back old-school death metal. The Belgian band still honor the genre's storied traditions on their upcoming album 'Cursed Mortality'. Just listen to new single "Replicant", which crashes downhill with the impending crunch of a boulder in a booby-trapped dungeon. 

But Carnation aren't slaves to the past, either. "Replicant" wasn't inspired by another gory slasher flick. It takes cues from the sci-fi classic 'Blade Runner'. Even though Simon Duson makes mince meat of the movie's most quotable line with his stench-spewing death growl, his cleans wring fresh anguish out of the gloomy melodic leads. 'Cursed Mortality' isn't just a revival. It's a rebirth.

Watch the medieval, headbanging video for "Replica" below.

         
Here's what Duson had to say about Carnation's new single: "What would you do if you came to realize that you were programmed to live for only four years? Would you accept the outcome, or try to figure out a way to extend your lifespan? Replicant is a song about dealing with the finiteness of our existence. The song was inspired by Roy Batty, a character from the movie Blade Runner. His tale perfectly embodies the message we want to portray with this track. Musically, it's quite diverse and different compared to most of the music we have created until now. We hope this will be a welcome surprise for new and old fans alike."

'Cursed Mortality' comes out November 3rd. The album is now available for pre-order HERE. Pre-save it HERE.

The surreal cover art for 'Cursed Mortality' was created by the late, great Mariusz Lewandowski, whose dark and surreal vision perfectly captures the feel of this album. Lord of the Logos' Christophe Szpajdel created a brand new logo and symbol to reflect this new era of Carnation.  

For the last decade, CARNATION has been at the forefront of reviving old school death metal. There’s something to be said about the artfulness of taking something so primitive and walking that fine line between keeping its classic authenticity without sounding tired or dated. Carnation has always teetered this line, injecting a fresh and contemporary approach without losing the genre’s time-honored traditions. However, the band’s third endeavor sees Carnation erasing those boundaries entirely and abandoning any and all conventions as they traverse into daring new territory. ‘Cursed Mortality’ pulls the Belgian death dealers deeper into experimental new waters, taking risks as the band steps out of the shadows of its predecessors and comes into its own identity. 'Cursed Mortality's' statement is clear: This is no longer simply a revival; this is Carnation’s rebirth.

“We still play death metal and we still identify as such” explains frontman Simon Duson. “But we know that this is also our second decade performing it. And while it is very important for us to stay true to the old-school style, we know we had to open things up a bit and reach out to those who might be interested in extreme metal, but aren’t that much into the old aspect of it. It also feels fresher to us because we’ve decided to change our visual approach, with a new logo, a new look on stage and so on. In a way, it really feels like the beginning of a new chapter for Carnation.”

Album number three is much more than just a new chapter, but rather feels like a sequel to an already storied career, punctuated by press accolades, an impressive history of live performances, and a lauded discography consisting of several EPs, splits, and two critically acclaimed full-length albums.

With the debut of its first EP in 2015, Carnation quickly garnered the attention of fans, media, and most notably of all, record label Season of Mist, who quickly noticed the band’s potential and picked them up without hesitation. Upon forming this union, the band dropped its first full-length, ‘Chapel of Abhorrance,’ in 2018. Angry Metal Guy astutely noted that the Belgians’ debut album was “one of the best death metal debuts of the year, and Carnation have earned their place as one of the most promising new bands in the genre'' while Distorted Sound Magazine echoed these remarks, calling ‘Chapel of Abborhance’ “one of most brutalizing, well executed and, above all, fun, death metal releases of 2018'' in its 9/10 review of the album.

Carnation’s momentum only seemed to pick up from there. The band kept busy on the road, performing a variety of tours with their death metal brethren in Deserted Fear, Schirenc Plays, Pungent Stench, and Pestilence, while headlining stages in Japan and Brazil. Upon conquering the live circuit and laying waste to audiences across three different continents, the band unleashed its 2020 opus, ‘Where Death Lies,’ which broke them out from the underground with the kind of seismic force that most bands can only dream of. If the critics liked ‘Chapel of Abhorrance,’ ‘Where Death Lies’ was the moment they fell in love, enamored by Carnation’s relentless brutality and crushing precision.

While touring had been halted that year, Carnation never stagnated nor waivered. The band’s tenacity paid off with their sophomore effort being named among one of the best records of the year by The Pit, Chicago Music Guide, Pandemonium Metal, and many more, while the single “Iron Discipline'' was singled out by Loudwire as one of the best songs of 2020. Legacy outlet Kerrang! also took notice, ranking the band among the “50 Greatest Death Metal Bands Right Now,” cracking the top 20 picks.

While the Belgian slayers still stay true to their roots, they step outside of their comfort zone with more groove, melody, and progression, showcasing their versatility as musicians and clearly defining their own unique sound. ‘Cursed Mortality’ sounds darker, with passages of melancholic melodies that compliment the heaviness.

Most bands might feel anxious about making such dramatic changes, especially to incorporate clean vocals within such extreme music, Carnation embraces the unknown and does not fall victim to fear or monotony. “As artists, it's something natural,” explains Verstrepen about why the band has shifted direction. “Doing the same thing over and over again doesn't inspire us. We love to create and we love to explore new paths. We knew some people wouldn't like clean vocals in death metal, but we don't want to think of that too much. We stand 100% behind our music and we really like what we did here. Some people will drop out, but there will definitely be others joining! As Lemmy would say, 'You win some, you lose some.'”

Indeed, a personal metamorphosis is always a risk, but one that historically has paid off. The first records of bands like Black Sabbath, Carcass, Death, or even Bathory sound nothing like the mid-late era offerings of those very same artists, and yet, those records that strayed off the beaten path are regarded as some of the most seminal albums in the history of metal. Playing it safe sounds easy, but it isn’t always a part of a legend’s origin story. And Carnation isn’t here to play by the rules; the band is ready to take a leap of faith and redefine an era.

Lineup:
Simon Duson: Vocals
Jonathan Verstrepen: Lead Guitar
Bert Vervoort: Rhythm Guitar
Yarne Heylen: Bass Guitar
Vincent Verstrepen: Drums

Recording studio: Project Zero Studio

Producer / Mixing engineer: Yarne Heylen

Mastering studio and engineer: Joel Wanasek

Biography: Katy Irizarry

Links:
https://www.carnationband.com/         
https://www.facebook.com/CarnationBE/          
https://www.instagram.com/carnationbandofficial/
https://www.youtube.com/c/CarnationOfficialBE
https://open.spotify.com/artist/7s6SmrbyQvp26jN5EbnU9u

Pre-save: https://orcd.co/cursedmortalitypresave
Pre-order: https://redirect.season-of-mist.com/CarnationCM

Available Formats:
CD digipak
Digital
12” vinyl in various colours
Merchandise

Southampton indie power pop artist Mike Gale releases 'Grumble Pie' single, previewing landmark album

"‘Summer, Be Gone’ actually feels like a warm zephyr floating through an open window on a balmy summer’s day... like water bouncing off silk... a most wonderful and unique chorus which goes against the pop-norm by being a ghostly shimmer of reverb and wistfulness" ~ Joyzine

"Adorned with easy grace, this is triumphal folk-pop at its finest... like something Tame Impala and The Beach Boys might have performed together under the heavy influence of Paul Simon" ~ The Spill Magazine

"Equal parts charming and entertaining. A presentation of Gale's unique mind and it's abilities as a wonderfully adept melody making machine" ~ Headstuff

"A beautifully articulated songbook throughout. Swimmingly brilliant in it's indie slacker charm" ~ Monolith Cocktail


British indie pop artist Mike Gale has released his new single 'Grumble Pie', the second taste of world / folk-inspired indie pop from his forthcoming album 'Thanks for Always Waving' (out September 8). This comes on the trail of 'Summer Be Gone', an atypical summer anthem, for which the accompanying video was filmed in Suzhou, China by Matt Wallwork, featuring the artist Kimvi. 

Gale may not be a household name, but his music is universal, positively-vibed lo-fi bedroom pop. Generating catchy melodies and harmonies despite dubbing himself "a prolific, lo-fi recluse", this will be his 20th album in 20 years. Initially writing and performing under the Co-Pilgrim and Black Nielson monikers, this is the twelfth album released under his own name.

"I've been listening to a lot of Tall Dwarfs music and their use of rhythm and space. I really love those guys and I think ‘Grumble Pie’ owes a lot to them. I found the really cool, driving percussion sample first and built the song up from there. I suppose that, lyrically, it's about trying to focus on the things you have, rather than don't have. Seems like something that should be easy to do," says Mike Gale.

“I remember Grumble Pie being that song that happens with most albums I've done, where you get a feel for the direction the album is going to go. I felt like I had a handle on the rest of the recording after this one. I also left my mistake in the guitar solo bit to remind myself never to do solos.”

While a multi-instrumentalist, playing all the instruments heard on this album, Gale considers himself to be primarily a guitarist. Singing for as long as he can remember, he formally began playing a the guitar and writing his own music around 20, citing The Lemonheads as a big influence in those early years.

Born in Southampton and raised there for some years, Mike Gale spent a good chunk of his childhood in North Devon and some of his formative years in Oxford, New York and Melbourne before returning home to settle on his beloved south coast of England.

With Gale taking melodic and percussive cues from influences such as Tall Dwarfs, Pavement and The Clean, 'Thanks for Always Waving' is ultimately one of his most pop-orientated albums to date, filled with mellow bongo beats and gentle washes of wavey organs.

Mike Gale explains, "I'm naturally introverted and have never enjoyed being onstage in front of people, so performing live was always my least favourite part of making music. Now I'm solo I feel no pressure to perform live at all, maybe one day but for now I'm happy. Recording by myself at home seemed to open a flood of songs and creativity. I think the lack of any expectations just helped me make music for the pure enjoyment of it."

As of August 8, 'Summer Be Gone' will be available from fine digital platforms, including Spotify, Apple Music and Bandcamp, where the full album (out September 8) is also available for pre-order.

CREDITS
Written and performed by Mike Gale
Produced, recorded and mixed by Mike Gale
Mastered by Todd Tobias (Guided By Voices, Circus Devils)
Single cover photo by Akira Deng
Video filmed by Matt Wallwork in Suzhou, China
Actress featuring Kimvi

Keep up with Mike Gale
Facebook | Bandcamp | Instagram | Twitter | Soundcloud | YouTube | Apple Music | Spotify | Press contact

Keep up with Shameless Promotion PR
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EXMORTUS Shreds On Classical Cover "Storm Of Strings"

Southern Californian melodic death shredders EXMORTUS have revealed the final single, "Storm Of Strings," ahead of the highly anticipated release of their 6th studio album, "Necrophony," that's out August 25th from Nuclear Blast Records. On their latest song, EXMORTUS puts their signature shred into a cover of legendary new age artist Yanni’s song “The Storm,” which was based off of the great Baroque composer Antonio Vivaldi’s concertos “The Four Seasons.”

Commenting on the single, guitarist/vocalist Conan says: 
"We've been meaning to cover this piece for a long time and now it feels right for Necrophony. Honoring two artists at once, we give you a heavy metal shred version of Yanni's arrangement of Vivaldi's Summer Concerto. Enjoy the groove, enjoy the passion!"

Pre-order "Necrophony":  https://exmortus.bfan.link/necrophony.a01

Stream "Storm Of Strings": https://exmortus.bfan.link/storm-of-strings

“STORM OF STRINGS” MUSIC VIDEO:

In celebration of “Necrophony’s” debut, EXMORTUS will invade Alhambra, California’s iconic metal roadhouse Grill ‘Em All for an album release party on Friday, August 25th.

EXMORTUS Tour Dates:

Sept 17 - Anaheim, CA - Metal Injection Festival @ House of Blues

Nov 18 - Los Angeles, CA - 1720 (w/Vio-Lence, Bonded By Blood)

About EXMORTUS:

Los Angeles-based neo-classical extreme metal mavens Exmortus return on new album, "Necrophony." Four years in the making, the group’s sixth album offers nothing but savage rebirth and fierce renewal. "Necrophony" marks a significant turning point—one foretold by the Legions of the "Undead" EP in 2019—for the Angelenos. Not only have they emerged from the throes of the pandemic stronger, faster and crazier, they’ve signed on to global metal powerhouse Nuclear Blast. The passion and fury of lead-off single “Oathbreaker” is merely the tip of Exmortus’ darkest tower. Follow-on singles like the powerful “Mind of Metal” and “Storm of Strings,” a whistle-stop, no-joke cover of Greek-American composer Yanni interpreting Vivaldi’s “The Four Seasons,” add greatly to Exmortus’ masterly oeuvre.
 
Exmortus was founded in 2002. The group issued a bevy of well-received demos and EPs that culminated in debut In Hatred’s Flame in 2008. Since then, Gonzalez—now flanked by specialists Phillip Nuñez (bass), Chase Becker (guitars, Warbringer), and Adrian Aguilar (drums, Vio-lence)—has gone on to release four more fan-favorite full-lengths. Exmortus have toured with Amon Amarth, Obituary, Death Angel, and more, playing gigs in North America and Europe. The group’s highlights have also included a stint with thrash legends Exodus at industry lighthouse event NAMM and a coveted spot on the 70000 Tons of Metal cruise. "Necrophony," a portmanteau of “necro” and “phony” (or “dead sounds”), is Exmortus bigger, badder and wickedly restless.
 
Written from a fresh slate, Necrophony’s origins can be traced to preludes “Masquerade,” “Overture,” and the intro to “Children of the Night.” Once Exmortus had the feel down, they settled on expanding on the motifs by forging Viennese sophistication with metal might. Careful observers will hear Exmortus’ clever use of the album’s musical theme throughout its 12-song range. That includes “Darkest of Knights” and the aforementioned “Children of the Night,” as well as Necrophony’s shorter bursts of bravado in “Oathbreaker” and “Beyond the Grave.” The most important attributes were, however, vibe and Exmortus’ careful crafting of their next-gen sonic fingerprint.
 
Whereas previous albums up through 2018’s "The Sound of Steel" have been predicated on heroic fantasy/sword & sorcery, "Necrophony" turns a decidedly darker page. Exmortus have gone from a "Conan the Barbarian" and "Gladiator" aesthetic to something blacker, more nefarious as illustrated by the eeriest and evilest Lovecraftian and Tolkien-esque tales. There’s even a classic horror thing happening. This is, of course, a reflection of our immediate world, and the darkness that’s engulfing everything in it.
 
Exmortus invited Renaissance man Zack Ohren (Fallujah, Immolation) to return as engineer, producer, mixer and mastering ace on "Necrophony." Certainly, the team that had cemented the group’s three previous albums into the annals of metaldom was going to work yet again. With Ohren at the helm, Exmortus holed up in Sharkbite Studios in Oakland, CA. "Necrophony" was fast-tracked in just under two weeks. The result is a clap of virtuosic metal sure to leave fans battered, bloodied, and hungry for more violent opulence.
 
With “Oathbreaker,” “Mind of Metal” and “Storm of Strings” ringing darkened ears Exmortus’ paroxysmal ascent to extreme metal’s upper echelons is guaranteed with "Necrophony." Bow in reverence to the high-flying, six-stringed dynasts now.

Follow EXMORTUS:
www.exmortusmusic.com
www.facebook.com/exmortusofficial
www.instagram.com/exmortus_official

New Jersey's CR and The Nones present 'The Ghosts Are Coming Home, second single from forthcoming album

"One of the great listens of the year, with this record Gennone has crafted a stirring song-cycle that’s redolent with musical finesse and real indie rock smarts" ~ Stereo Embers Magazine

"With a timbre similar to Elliot Smith and Christopher Cross, CR and The Nones has a huge and positive sound that recalls the best of 70s AM radio, as well as select output from certain 90s artists like Weezer and Better Than Ezra" ~ Amplify Music Magazine

"This feels like a new chapter for C.R.’s song-writing, stepping out from his musical roots and shaping his sound into something entirely his own" ~ For The Rabbits

"Gennone channels Neil Young in the melancholy delivery of vocals that perfectly conveys the longing of trying to reach for the stars while knowing you may not even grab one" ~ You Don't Know Jersey


New Jersey band CR and The Nones present the single 'The Ghosts Are Coming Home', previewing their second album by the same name and, to be released via Montclair-based Magic Door Record Label. This follows the first single from this record 'The Long Game'.

Self-produced by Chris Gennone (CR to his friends), this album was mixed by renowned producer Ray Ketchem (Guided By Voices, Luna, Versus, Elk City, Gramercy Arms) at Magic Door Recording Studio in Montclair, NJ and mastered by Nick Bolton at Bolton Sound in Jersey City.

Gennone came of age playing in a variety of different projects in suburban New Jersey, including his former band, CR and The Degenerates, who released five albums from 2016 to 2018. This new project has allowed him to expand the unique hybrid of folk, country, punk, and heartland rock. CR and The Nones retains the Degenerates' core of Chris Gennone, lead/slide guitarist Jim Abbott, and bassist John Dewitt.

Recalling past Garden State guitar music, Gennone’s soulful vocals and his band’s driving hooks invoke roads, journeys, and forward motion in general. Counting Neil Young and Jason Molina among major influences, his sound has always been propulsive. In 2020, CR and The Nones released their debut album 'Living In Fear' via Favorite Friend Records.
 
'The Ghosts Are Coming Home' is a culmination of the sound and aesthetic that CR Gennone has been building over many years and multiple bands. With an expansiveness and introspection that recalls The War on Drugs or early My Morning Jacket, the ten tracks here showcase an irresistible sincerity and heartfelt delivery.

"This is the oldest song on the record. I wrote it while I was recording 'Living in Fear', but it's gone through a variety of different arrangements. The vibe just didn't really fit with the rest of the songs and it felt like a good direction to go in for the next album," says CR Gennone.

"It's probably one of the most visual songs I've written. I was driving in my car and the lyrics and title came really fast, all at once. I had to pull over and put it in my phone. I had this overwhelming feeling at that moment in my life, that the chickens had come to roost. The ghosts are coming home."

Album pre-order  https://crandthenones.bandcamp.com/album/the-ghosts-are-coming-home-2
Order 'The Ghosts Are Coming Home' single  https://bit.ly/3qtxsoK
Bandcamp  https://crandthenones.bandcamp.com/track/the-ghosts-are-coming-home-2
Spotify  https://open.spotify.com/artist/1W5ERTYjN2pJJBQ8dV40IJ

Like many artists, the pandemic and resultant free time allowed Gennone to be more thoughtful, and purposive in his songwriting for this album. Being forced out of his normal songwriting process and comfort zone opened Gennone to new influences, and his resulting growth as a songwriter is evident. While friends from the NYC and NJ music scenes contributed ideas and sounds, some influences are not as obvious. Gennone recalls listening to Brian Eno non-stop while recording 'Ghosts', and the synth sounds and ambient textures that underpin much of the album are certainly a testament to that.

As of August 9, 'The Ghosts Are coming Home' single will be available from fine music platforms, including Spotify, Apple Music and Bandcamp. The full album 'The Ghosts Are Coming Home' will be released on September 8 and is now available for pre-order.

CREDITS  
Written by CR Gennone
CR Gennone - Vocals, Guitars, Tambourine, Synths, Piano
James Abbott - Guitar, Lap Steel
John Dewitt - Bass
Tom Barrett - Drums
Featuring Ryley Crowe (from the band Dusk) - Pedal Steel
Kyle Wilkerson (from the band Joy Cleaner) - Vocals
Skylar Adler - Drums
Donnie Law - Guitar
Chris Fox (from the band, Ruby Bones) - Guitar
Ross Burlingame - Piano  
Produced by CR Gennone
Engineered by CR Gennone, Skylar Adler, and Andrew Merclean
Mixed by Ray Ketchem at Magic Door Recording in Montclair, NJ
Mastered by Nick Bolton at Bolton Sound in Jersey City, NJ
Video filmed and edited by Joe Evans III
                                 

Keep up with CR and The Nones
Website | Facebook | Bandcamp | Instagram | Twitter | YouTube | Spotify | Apple Music | Press contact

Keep up with Magic Door Label
Facebook | Twitter | Instagram | Soundcloud | YouTube | Press contact

Keep up with Shameless Promotion PR
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RED REIGN AND DEKO ENTERTAINMENT TEAM UP FOR THE RELEASE OF FORTHCOMING ALBUM "DON’T LOOK BACK" OUT ON OCTOBER 27

Richmond, VA-based rockers Red Reign take 80’s influences and steer them in a more contemporary direction – bridging the sounds of yesterday and today. The band is comprised of members singer/guitarist Carlton “Bubba” McMichael, guitarist Stevie Shred, bassist Larry Moore, and drummer Sammy Lee. Red Reign has worked with Grammy Award-nominated multi-platinum producer
David Ivory (Halestorm) on both its releases: 2021’s self-titled EP and 2023’s forthcoming full-length Don’t Look Back.

Don’t Look Back, the ten-track LP is bolstered by such standout tracks as “Don’t Look Back”- highlighted by a guest appearance from guitarist George Lynch--“Here I Am,” and “No Peace, No Love.” As the band explains, “Don’t Look Back” is the favorite track as it does feature George Lynch. “It is all the ingredients for a great song: raw, heavy and melodic. It’s a song about reminiscing in the past, which were not great memories. After the reflection, this person decides to not look back any longer and one day decides to move forward with living their best life and making new, positive memories.” They continue, “Having George Lynch on a song is a dream come true. We met George through a mutual friend (Neeley from the ‘Classic Metal Show’). We asked George to guest star on a track and he agreed.”

Listen to the title track here: ADA.lnk.to/RedReignDLB

Having already shared the stage with the likes of Dokken, Extreme, Jackyl, Lita Ford, and Tesla, Red Reign looks forward to spreading the word further with live shows in support of Don’t Look Back. The band is thrilled to join the Deko Entertainment family as Sammy Lee asserts, “We are very excited to have teamed up with Deko Entertainment for our new studio album Don’t’ Look Back. Bruce, Charlie, and the Deko team have been wonderful to work with and share our vision for promoting the new album globally.” Deko Entertainment president, Bruce Pucciarello, agrees, “With our energy bill at Deko totally paid, we are dialing up the power…Red Reign.  High voltage!”

When asked the following questions about their future this is how the guys responded. What can fans expect from seeing the band live?

“Playing live shows is the most important factor of Red Reign. We are a live band before anything else. The energy we feed to the crowd makes every performance exciting and more unique than the last. After the show, we go out and connect with our fans which makes each show special in its own right.”

Tour plans?

“Our first goal is to get the new album released. Once that is completed, we will be focusing on touring and looking to play as many cities as we can.” Don’t Look Back will be available on CD and limited-edition vinyl."

Preorder your copy now and get a limited-edition bundle while supplies last: https://bit.ly/red-reign-merch

Bundle Includes:
- (1) Red Reign - Don't Look Back CD or LP
- (1) Red Reign - Coozie
- (1) Red Reign - Sticker
- (1) Red Reign - T-Shirt

For more information, visit www.facebook.com/RedReignBand/
Deko Entertainment–Art Has Value www.dekoentertainment.com 

California-based postpunk outfit Octavian Winters present 'Undertow' single, previewing debut EP

"The track feels like it was recorded in a studio deep beneath the earth, drawing power from subterranean caves and bubbling magma. There’s tectonic thunder in the pounding drums and rumbling bass... Such power, strong and true, a voice that scales the wall of sound beneath her with ease" ~ Joyzine


San Francisco post-punk outfit Octavian Winters presents their new single 'Undertow', a dark propulsive offering underlining an aspect of separation from the world and the darkness that comes out of it - a sort of ominous current capable of pulling someone away from all hope. The accompanying video was directed, filmed, edited and  produced by Jay Adams with design by Eric Olson and Steve Devaney.

Born into the ghostly isolation of San Francisco in 2022, Octavian Winters is Stephan Salit (guitar), Randy Gzebb (drums), Jay Denton (bass) and Ria Aursjoen (vocals, keyboards), who together weave their visceral and ethereal sound into a texture all its own – of stories once told but half-remembered, under a dusk of shadows and stars, in an abandoned city under the winter moon.

Drawing from darkwave and post-punk traditions, Octavian Winters dives into the ethereal, their layered music counterpointing edged grooves alongside lush synth textures and soaring vocal harmonies.

'Undertow' is the second single from the quartet's debut EP 'The Line of Curve', recorded in San Francisco at OW Studio and Room 5 Recording by Mark Pistel (Meat Beat Manifesto, Consolidated). Produced by Octavian Winters and William Faith (The Bellwether Syndicate, Faith and the Muse, Christian Death, The March Violets), whose credits include Jarboe, Clan of Xymox, Bootblacks and Autumn, the EP was mixed and mastered by Faith at 13 Studio in Chicago.

'Undertow' is loosely inspired by Hans Christian Andersen’s classic tale of the little matchgirl, standing outside a window on a winter’s night, separated from all sustenance and warmth. Ignored by everyone around, and unable to sustain herself after lighting all her matches for warmth, she freezes to death in the snow.

“Could you join me here, could you find a way to melt the bones of the night?” Aursjoen sings, referencing the theme of isolation again, and the yearning for connection that will never come. “I think we have seen this dark ‘undertow’ overcome so many people in different and tragic ways during quarantine,” says Ria Aursjoen.

Octavian Winters' story begins in late 2021 thanks to a jam session that spawned from unfinished business. Gzebb and Salit, former bandmates in Thrill of The Pull, had met to discuss a film/television publishing deal for Thrill’s catalog (a four-year licensing deal has since been finalized with Expressive Artists). A subsequent jam session produced several motifs, inspiring them to meet several times over the next weeks to explore.

Gzebb invited Aursjoen, who he had met earlier via another project, to a session and the musical chemistry was immediately evident. Gzebb brought in bassist Jay Denton to round out the line up. Randy Gzebb notes, "This gave us the chance to really focus on composition and fully flesh out the song ideas”.

Octavian Winters debuted with the single 'Ondine', a song that draws from a mythical tragedy of love for a sea nymph, and the search ever after for her after she returns to the sea. The music itself transports the listener to a mythical world of sea elementals and an almost courtly love,

Each member of Octavian Winters brings their own rich musical tapestry to the collective and have shared the stage with many iconic acts over the years, including Nine Inch Nails, Killing Joke, Lords of the New Church, Savage Republic, Christian Death, The Frozen Autumn, Everything Goes Cold and Black Tape for a Blue Girl.

Ria (Amenti) Aursjoen, who has synesthesia and has nurtured generational musical seeds planted by her opera diva grandmother Lillian, has recorded and performed in the UK and US in genres ranging from Celtic folk to progressive metal and darkwave. She left her graduate work in theoretical physics to pursue music, touring as a Celtic harpist and vocalist for several years before making her home in San Francisco.

Drummer Randy Gzebb relocated to California from Canada, immersing himself in the San Francisco and Los Angeles music scenes in various projects. He was a member of '80s gothic rock band Love Club, who were signed by Sandy Pearlman (The Clash and The Dictators), released on MCA Records, and produced by Bill Buchanan (Fields Of The Nephilim, Red Lorry Yellow Lorry, The Leather Nun).

Stephan Salit, who considers performing live his sacred space, has recorded and performed with a wide variety of groups including Specimen. Approaching each song as a canvas that calls for colour and depth, he views his playing as painting with sound.

Bay Area native Jay Denton, who spent some time on the road with Jack Kerouac, has had a diverse career performing classical and contemporary composers, and playing for various jazz and rock bands, including extensively with the house band at San Francisco’s famous Condor strip club. Jay has toured in London, Japan and across the United States.

As of August 2, 'Undertow' will be available from find music platforms, including Apple Music, Spotify and Bandcamp. 'The Line or Curve' EP will be released on October 13 via Stratis Capta Records.

CREDITS 
Music written by Octavian Winters
Lyrics by Ria Aursjoen
Ria Aursjoen - Vocals / Keyboards
Stephan Salit - Guitars
Randy Gzebb - Drums
Jay Denton - Bass
Recorded at OW studios San Francisco, CA
Vocals recorded by Mark Pistel, Room 5 Recording, San Francisco, CA
Mixed and mastered by William Faith at 13 Studio, Chicago, IL
Produced by Octavian Winters and William Faith
Artist photos by Dina Marie Robinson
Jay Adams - Video director, cinematographer, editor producer
Eric Olson - Design
Steve Devaney - Design at Uroboros Choke
Concept, storyboard, set and costume design by Ria Aursjoen
Featuring Cathenge art installation by David Normal


Keep up with Octavian Winters
Website | Bandcamp | Facebook | Instagram | Twitter | Tiktok | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | Soundcloud | LinkedIn | Email

GREEN LUNG Announce New Album "This Heathen Land

The UKs finest purveyors of occult rock, GREEN LUNG, have revealed the details of their highly-anticipated third album “This Heathen Land,” that will be released on the November 3rd via Nuclear Blast Records. Alongside the announcement comes the first taste of the record, in the form of single “Mountain Throne,” a conflux of pyrotechnic guitar work and thrilling hooks.

Vocalist Tom Templar comments "We couldn't be more excited to share This Heathen Land with the world. This album is the culmination of five years of work as a band; an odyssey into the weird and wonderful world of British folklore that melds together our myriad influences - classic rock, doom, NWOBHM, horror film soundtracks, the BBC Radiophonic Workshop - and fashions something out of them that is utterly our own. 'Mountain Throne' was the first song we wrote for the album, and feels like a natural bridge from the old Green Lung to the new. We've always been inspired by the story of the Pendle Witches, and such an iconic subject required an epic rallying cry of a song - we hope that we've done these folk heroes justice!"

Pre-order “This Heathen Land” on various formats now at: https://greenlung.bfan.link/thllp

Stream “Mountain Throne” on all platforms now at: https://greenlung.bfan.link/mtsg

“This Heathen Land” is the most complete manifestation of the band’s vision to date, fulfilling their long-held goal to, in the words of vocalist Tom Templar, “create the definitive soundtrack to the folk horror film in our heads.” On “This Heathen Land,” the band have forged a sound and identity that is entirely their own, while maintaining the Sabbathian heaviness and addictive songcraft which made their previous albums so beloved in the metal underground. From the cover art to the vinyl inserts and lyrical themes, “This Heathen Land” is a painstakingly-researched and executed heavy metal love letter to the folkloric landscape of the UK.

”This Heathen Land” was produced by Wayne Adams at Bear Bites Horse Studios and was mixed by Tom Dalgety (Opeth, Clutch, Ghost).

GREEN LUNG is
Tom Templar - Vocals
Scott Black - Guitar
Joseph Ghast - Bass
John Wright - Organ
Matt Wiseman - Drums

Follow GREEN LUNG:

https://greenlung.co.uk/

https://www.facebook.com/greenlungband/

https://twitter.com/greenlungband

https://www.instagram.com/greenlungband/

https://www.youtube.com/@greenlungband

CRYPTOPSY Reveals Vile New Single/Video "Flayed The Swine"

Canadian extreme-metal legends CRYPTOPSY have revealed their depraved, merciless new single, “Flayed The Swine,” today! Found on the band’s first full-length album in over a decade, “As Gomorrah Burns,” that’s out September 8th from Nuclear Blast Records, the influential death-dealers’ latest single, “Flayed The Swine,” is an accessible yet face-melting track that takes listeners down a dark and demented path to madness. In true CRYPTOPSY fashion, the track is accompanied by a horrific, blood-soaked video that will only fuel viewers’ nightmares.

Commenting on the new single, vocalist Matt McGachy says:

"‘Flayed the Swine’ is one of the catchiest Cryptopsy songs I have ever written. It is brutal, filled with massive groove sections and extremely vulgar.

Lyrically, it concentrates on a mental breakdown, an utter loss of control. We all have dark intentions, but we rarely act upon them. The protagonist by the end of the track most certainly wishes they hadn't.”

Pre-order “As Gomorrah Burns” and stream “Flayed The Swine”:

https://cryptopsy.bfan.link/flayed-the-swine.ema

CRYPTOPSY’s new track, follows their brutal lead single “In Abeyance.” Watch the video for it here: https://youtu.be/-uQXG3xLgAI

CRYPTOPSY will “Carnival of Death” on tour this summer/fall with special guests ABYSMAL DAWN, HATE and VISCERAL DISGORGE. Tickets are available now at https://www.bandsintown.com/a/2941-cryptopsy.

CRYPTOPSY Tour Dates:

09.07. US.    Manchester, NH - Jewel Nightclub

09.08. US.    Brooklyn, NY - Meadows

09.09. US.    Clifton, NJ - Dingbatz

09.10. US.    Pittsburgh, PA - Preserving Underground

09.11. US.    Atlanta, GA - The Masquerade (Hell)

09.12. US.    Tampa, FL - The Brass Mug

09.14. US.    Houston, TX - Scout Bar

09.15. US.    Austin, TX - Come And Take It Live

09.16. US.    Dallas, TX - TBC

09.17. US.    Albuquerque, NM - Launchpad

09.18. US.    Las Vegas, NV - Backstage Bar

09.19. US.    Mesa, AZ - Nile Underground

09.20. US.    San Diego, CA - Brick By Brick

09.21. US.    Los Angeles, CA - 1720

09.22. US.    San Francisco, CA - DNA Lounge

09.23. US.    Roseville, CA - Goldfield Trading

09.24. US.    Portland, OR - Dante’s

09.25. US.    Seattle, WA - El Corazon

09.26. CA.    Vancouver, BC - Rickshaw Theater

09.27. US.    Boise, ID - The Shredder

09.29. US.    Denver, CO - HQ

09.30. US.    Lincoln, NE - Cosmic Eye Live

10.01. US.    Joliet, IL - The Forge

10.02. US.    Grand Rapids, MI - The Pyramid Scheme

10.03. CA.    Toronto, ON - Lee’s Palace

10.04. CA.    Kingston, ON - Overtime Sports Bar

10.05. CA.    Quebec City, QC - La Source De La Martiniere

10.06. CA.    Montreal, QC - Foufounes Electriques

About CRYPTOPSY:

Death metal juggernaut Cryptopsy return to pummel our collective senses anew with their new album, “As Gomorrah Burns.” Their first for Nuclear Blast, the Montreal-based quartet—featuring founding member/drummer Flo Mounier, guitarist Christian Donaldson, vocalist Matt McGachy, and bassist Olivier “Oli” Pinard—advance their signature Northern power as they celebrate 30-plus years of extremity. The merciless blasts of “Lascivious Undivine” and “Flayed the Swine” offer Cryptopsy at their most intense and maniacal, while “In Abeyance” and “The Righteous Lost” groove savagely. “As Gomorrah Burns” underscores the animus of fan-favorite “None So Vile” (1996) and the meticulous technicality of “And Then You’ll Beg” (2000) with a strikingly sinister vibe.

Formed in 1992, Cryptopsy has released eight full-lengths—counting As Gomorrah Burns—to date. Out of the gate, the Quebecers set new standards in death metal with their no-compromise attack and next-level musicality. Debut album, “Blasphemy Made Flesh,” shell-shocked all that encountered it, as follow-ups “None So Vile,” “Whisper Supremacy” (1998), and “Once Was Not” (2005) positioned the Canadians as apex predators. Throughout their storied career, the group embarked on high-profile tours, such as the inaugural Death Across America tour in 1998, the Summer Slaughter Tour in 2008, and the Devastation on the Nation tour in 2017. To date, they’ve performed over 1,000 shows across 47 countries. The release of “As Gomorrah Burns” on Nuclear Blast re-positions Cryptopsy for yet another reign of death metal domination.

“As Gomorrah Burns” isn’t merely the follow-up to EPs “The Book of Suffering - Tome I” (2015) and “The Book of Suffering - Tome II” (2018). It’s another beast entirely. Crafted over two years during the pandemic, the initial sessions took place in a cabin in the forests of Quebec. McGachy calls the horror-like backdrop “surreal,” but, as with everything Cryptopsy, the songwriting process was expectedly arduous. Donaldson was the primary motivator behind “As Gomorrah Burns.” The guitarist and producer served as taskmaster and advocate, grinding out of his bandmates in McGachy, Mounier, and Pinard eight slabs of unadulterated barbarity. If Cryptopsy were formidable before As Gomorrah Burns, they’re absolutely monstrous now.

Conceptually, “As Gomorrah Burns” pits the Biblical story of Sodom and Gomorrah against the modern-day Internet. McGachy’s idea was to show how it’s both the birthplace of invention and a cesspool of exploitation. The stories are based on real-life incidences—online stalkers, cults, misinformation, isolation, and intimidation—but ornamented deviously to enhance their potency. Cryptopsy commissioned Italian artist Paolo Girardi (Power Trip, Temple of Void) to complement the old-world lyrical themes. If Renaissance masters Hieronymus Bosch and El Greco were thrust into McGachy’s modern mind, the stunning cover of “As Gomorrah Burns” would be the outcome. 

As with “The Unspoken King” (2008) and the self-titled (2012), Cryptopsy enlisted their bandmate Donaldson to helm the production, mixing, and mastering of As Gomorrah Burns. Dom Grimard, of Ion Dissonance fame, also came into the production fold. McGachy says the time in the studio took much longer than anticipated, but with Donaldson directing and everyone finally in the same room again post-pandemic, Cryptopsy were able to capture newfound vigor (and velocity) on As Gomorrah Burns. Tracks such as “Godless Deceiver,” “Ill Ender,” and “Praise the Filth” demonstrate Donaldson’s death metal mastery.
 
Aggressive to a fault yet thoughtful in its entirety, “As Gomorrah Burns”—with songs such as “In Abeyance,” “Flayed the Swine,” and “Lascivious Undivine”—pierces mundanity thoroughly and relentlessly. This is no-quarters death metal, the kind our bellicose world needed and only Cryptopsy could deliver.
 
“We are back,” says McGachy. “I want our fans to know we’re more than a legacy band. Yes, we have had massive cult favorite albums—like None So Vile—but we are creating modern and relevant extreme music 30 years later. We’re so proud of As Gomorrah Burns, and we can’t wait for you to hear it!”

Follow CRYPTOPSY:

Facebook / Instagram

Ashley McBryde Releases “Cool Little Bars” from Highly Anticipated THE DEVIL I KNOW

As GRAMMY award winner Ashley McBryde gears up for the release of The Devil I Know on September 8 via Warner Music Nashville, the Grand Ole Opry member revisits her roots with the release of “Cool Little Bars,” paying tribute to the dives, holes in the wall and often locals-only establishments that shaped the early days of her career. Listen to the song and pre-add/pre-save The Devil I Know HERE.
 
“As y’all know, I have a huge appreciation for bars that have stood the test of time and have a lot of character,” shares McBryde. “I played them for many, many years, and I’m proud of the education I gained, and I’m proud to be able to give such bars credit for my entertainment style.
 
“In a time when so many of our staple establishments are being torn down to make room for far less charming, sterile and predictable gathering spaces, I thought we’d better celebrate the ones we have left and the ones we’ve yet to warm a seat in. With the help of Trick Savage and Lainey Wilson, I think we said it pretty good. So, thank you for dart boards, sticky table tops, bathrooms with broken stall doors and bartenders that can mix a drink while whoopin’ an ass. We see you and we need you. God bless cool little bars.”
 
Written by McBryde with Savage and Wilson, today’s release highlights what makes a place special along with the desire to see them persevere and provide a space for the misplaced:

Climbing the charts in the top 25, “Light On In The Kitchen” earned placement on Rolling Stone’s all-genre “Best Songs of 2023 So Far,” praising the lead single as a “gorgeous tribute to the women who helped shape her” with “luminous guitars and McBryde’s tender delivery,” calling it “a comfortable crash pad for anyone who might take solace in its messages of support.”
 
The Arkansas native followed with title track “The Devil I Know” featuring “a big Southern-rock chorus with a blast of distorted riffage,” observes Stereogum, and “Learned To Lie,” which landed on Rolling Stone’s “Best Country Songs of 2023 So Far” noting, “When it comes to original sin, the devil lies in the details, especially when you’re a crack storyteller. Ashley McBryde tracks the lineage of an inveterate liar with clinical precision…her sneakily brilliant writing will floor you by song’s end.”
 
Last month, McBryde released album opener “Made for This,” a “guitar-heavy song accented by fast-paced drums,” shares American Songwriter, “as McBryde sings about a strong desire to chase one’s dreams - and the work ethic to back it up.”

McBryde will perform at the Oregon Jamboree Music Festival 2023 in Sweet Home, Oregon this evening and will be on the road throughout the spring and summer for a slew of headlining and festival shows along with tour dates with Jelly Roll and Dierks Bentley. For additional details and to purchase tickets, visit AshleyMcBryde.com.

Photo Credit: Katie Kauss

Ashley McBryde Upcoming Tour Dates

Aug. 4             Oregon Jamboree Music Festival 2023                      Sweet Home, OR
Aug. 5             Memorial Field                                                           Sandpoint, ID
Aug. 6             Big Valley Jamboree 2023                                         Camrose, Alberta
Aug. 11           Jiffy Lube Live*                                                         Bristow, VA
Aug. 12           Veterans United Home Loans Amphitheater*           Virginia Beach, VA
Aug. 17           Upper Peninsula State Fairgrounds                            Escanaba, MI
Aug. 18           Effingham Performance Center                                  Effingham, IL
Aug. 19           Hollywood Casino Amphitheatre*                             Maryland Heights, MO
Aug. 25           CHI Health Center Omaha*                                       Omaha, BE
Aug. 26           T-Mobile Center*                                                       Kansas City, MO
Aug. 27           Celebrity Theatre                                                        Phoenix, AZ
Sept. 2             Georgia Country Music Festival                                Marietta, GA
Sept. 5             Red Rocks Amphitheatre^                                          Morrison, CO
Sept. 14           Washington County Fairgrounds                                Abingdon, VA
Sept. 19           Paycom Center*                                                         Oklahoma City, OK
Sept. 21           Germania Insurance Amphitheater*                           Austin, TX
Sept. 24           Pilgrimage Festival 2023                                            Franklin, TN
Oct. 6              Variety Playhouse                                                       Atlanta, GA
Oct. 19            Gordy’s Hwy 30 Music Festival 2023                       Fort Worth, TX
Oct. 20            John T. Floore’s Country Store                                  Helotes, TX
Nov. 4             Anderson Music Hall                                                  Hiawassee, GA

* Jelly Roll Backroad Baptism Tour 2023
^ Dierks Bentley Gravel & Gold Tour

About Ashley McBryde
GRAMMY, CMA and ACM award winner Ashley McBryde cut her teeth playing country songs in biker bars – and it shows. The Grand Ole Opry member’s 2018 major label debut Girl Going Nowhere (Warner Music Nashville) charmed The New York Times, NPR, Rolling Stone, Paste, The Washington Post and more, all en route to landing a GRAMMY nomination for Best Country Album. McBryde closed out 2019 with ACM New Female Artist, CMT Breakout Artist, a New Artist of the Year win at the 53rd Annual CMA Awards and two nominations for the 2020 GRAMMYs for Best Country Song and Best Country Solo Performance for “Girl Goin’ Nowhere.” Her follow-up Never Will was tagged by Rolling Stone as one of the most anticipated of the year alongside NPR, who also ranked her Top 10 RIAA Platinum-Certified single “One Night Standards” as one of the best songs of 2019. The album earned McBryde a 2021 GRAMMY nomination for Best Country Album, making Never Will the only album nominated for Country Album of the Year by the ACMs, CMAs and the Recording Academy in the same award season. Her GRAMMY-winning duet with Carly Pearce, “Never Wanted To Be That Girl,” went all the way to No. 1 and earned McBryde and Pearce the ACM and CMA award for Musical Event of the Year. McBryde was also honored with the 2022 CMA International Artist Achievement Award for the most significant creative growth, development and promotion of the country music industry outside of the United States. Her collaborative project Ashley McBryde Presents: Lindeville featuring Brothers Osborne, Brandy Clark, Pillbox Patti, Caylee Hammack, Aaron Raitiere and Benjy Davis earned McBryde her third consecutive GRAMMY nomination for Best Country Album, making her a six-time GRAMMY nominee. Upon its release, Ashley McBryde Presents: Lindeville garnered applause from The New York Times, NPR, Variety, Vulture, Esquire, Rolling Stone, Billboard and Stereogum, among many more. With 11 songs all co-written by the Arkansas native, The Devil I Know is set for release on September 8, featuring chart-climbing lead single “Light On In The Kitchen,” along with the recently released title track, “Learned To Lie,” album opener “Made For This” and “Cool Little Bars.” McBryde is currently on the road with headlining shows and festival stops throughout the summer along with dates on Jelly Roll’s Back Road Baptism Tour 2023 and a night with Dierks Bentley at Red Rocks Amphitheatre in Morrison, Colorado before returning to Middle Tennessee for Pilgrimage Festival in Franklin on September 24. For more information, visit Ashley McBryde.com or follow her on Facebook, Instagram, Twitter, TikTok and YouTube.

Darius Rucker Sets ‘Carolyn’s Boy’ for Oct. 6 Release; New Song “Have A Good Time” Out Now

Having previously teased the forthcoming project on NBC’S “TODAY,” Diamond-certified star Darius Rucker announces that his first solo album in six years, Carolyn’s Boy, is set for release Oct. 6 via UMG Nashville and available for preorder now. Brand new song “Have A Good Time” is also available everywhere today, Aug. 4, as a further preview of the project alongside his latest single “Fires Don’t Start Themselves,” currently climbing the charts at Country radio.
 
“I wanted to name the record Carolyn’s Boy because Mom never got to see any of my success,” Rucker explained during the “TODAY” interview. “She died before any of this happened, so it’s just another homage to the greatest woman I’ve ever known.”
 
When asked why now is the right time to honor her, Rucker was reflective, conceding, “years ago, I wasn’t really sure what my place in Country music was and I was trying to find it. Now I have found it – I know – and I think it’s time to give that record.”
 
Rucker will return to “TODAY” on September 1 to perform new songs off the project along with his fan-favorite hits as part of the Citi Concert Series. Fans can also catch Rucker on his Starting Fires Tour, currently underway, and he’ll bring the new music to his hometown of Charleston, S.C. during his personally-curated Riverfront Revival Music Festival as it returns for a second year on album release weekend (Oct. 7 & 8).
 
In celebration of the album announcement, Riverfront Revival is offering a limited allotment of 6-Pack GA Weekend Ticket Bundles, allowing fans to bundle and save $15 per pass while supplies last at RiverfrontRevival.com. Showcasing the best of country and rock music along with the finest in food, arts and culture the Lowcountry has to offer, the 2023 lineup includes Rucker, Turnpike Troubadours, Lainey Wilson, Band of Horses and more.
 
For more information on all things Darius Rucker, visit DariusRucker.com and follow on social media @DariusRucker.

About Darius Rucker
Rucker first achieved multi-Platinum status in the music industry as lead singer and rhythm guitarist of the GRAMMY Award-winning band Hootie & the Blowfish, who have sold more than 25 million albums worldwide including their Double Diamond-certified (21x Platinum) debut Cracked Rear View, which remains among the top 10 best-selling studio albums of all time. Since releasing his first Country album in 2008, Rucker has earned a whole new legion of fans with four No. 1 albums on the Billboard Country chart, including RIAA Platinum-certified Learn to Live and True Believers, plus 10 No. 1 singles at Country radio and 11 Gold, Platinum or multi-Platinum certified hits. Rucker was inducted as a Grand Ole Opry member in 2012 and in 2014 he won his third career GRAMMY Award for Best Solo Country Performance with his Diamond-certified (11x Platinum) version of  “Wagon Wheel,” one of the top five best-selling Country songs of all time. He co-hosted the 54th annual CMA Awards in 2020 and topped the charts at Country radio once again with “Beers And Sunshine” in 2021. Rucker’s new single, “Fires Don’t Start Themselves” is available everywhere now as a preview of his forthcoming album set for Oct. 6 release, Carolyn’s Boy, as he performs the new music for fans this summer on his Starting Fires Tour.
 
As a lifelong philanthropist, Rucker co-chaired the capital campaign that generated $150 million to help build the new MUSC Shawn Jenkins Children's Hospital in his hometown of Charleston, S.C. and has raised over $3.6 million for St. Jude Children's Research Hospital through his annual Darius & Friends benefit concert and golf tournament. In addition, Rucker has advocated for over 200 charitable causes supporting public education and junior golf programs in South Carolina through the Hootie & the Blowfish Foundation and serves as a National Chair for the National Museum of African American Music in Nashville, Tenn. Rucker is also an avid sports fan, with his NFL x Darius Rucker Collection by Fanatics apparel line available at NFLshop.com, and he is part of the Music City Baseball investment group working to bring an MLB team to Tennessee in addition to serving as a partner at the MGC Sports & Entertainment agency.

TREVOR RABIN LAUNCHES 'BIG MISTAKES;' DEBUT SINGLE FROM 'RIO,' HIS FIRST NEW VOCAL-LED SOLO ALBUM IN OVER 30 YEARS

Trevor Rabin, the South African guitarist, singer, multi-musician, writer and producer, recently announced ‘Rio’, his first solo album of vocal material in 34 years, set for release on the 6th October 2023 worldwide. Today he is pleased to reveal the albums first single, ‘Big Mistakes’, alongside a brand new video. Watch it below.

Trevor comments: “‘Big Mistakes’ the first single on the album, is essentially about surviving my late teens/twenties, hence the lyric: ‘We played in the fire, we danced in the rain. Up all night we made Big Mistakes’. I should have called the song ‘I Can’t Believe I’m Alive.” Trevor plays all the instruments on the track, aside from the drums which were performed by Lou Molino, and backing vocals from Dante Marchi & Liz Constantine. ‘Rio’ will be available as a Ltd CD+Blu-ray Mediabook & Ltd Deluxe Gatefold Red 180g 2LP + Blu-ray (including 8-page LP-booklet and obi strip), both featuring bonus material, 5.1 surround sound & liner notes. Also available as Standard CD Jewelcase, Gatefold 180g

2LP+LP-booklet (with etching on side D), and as Digital Album. The cover for the album was created by Trevor himself: “I dabble with digital art so I sent some images of mine to the label and was pleasantly surprised when they liked them.”.

Pre-order now here: https://trevorrabin.lnk.to/Rio

The Ltd CD+Blu-ray Mediabook & Ltd Deluxe Gatefold Red 180g 2LP + Blue-ray also features the following bonus tracks:
1. Spek & Polly
2. Fragile (Demo)
3. Georgia

Given that his previous vocal-led solo album, ‘Can’t Look Away’, was released in 1989 (2012’s ‘Jacaranda’ was all-instrumental), Rabin has kept us waiting for more than three decades for a follow-up. Trevor admits that there was pressure from all sides, including his own family, to have speeded up the process. However, the delay is excusable. Since leaving Yes following the ‘Talk’ album in 1994 and largely as a prequel to touring as part of ARW in 2016, the guitarist entered the time-consuming world of movie soundtracks. Not just any old movies, either. Trevor’s name appears as composer for such blockbusters as Con Air, Armageddon, Remember the Titans, Enemy Of The State, Deep Blue Sea, Glory Road, and Gone In 60 Seconds and both National Treasure movies, amongst many others. “Over the past ten years I was having ideas, concepts that I couldn’t implement due to my busy schedule,” he explains, adding: “To be honest, those years flew by in a flurry. I knew that this was the time, and once I found my momentum I worked on the album 24/7.” The process proved a labour of love and as with his first and second solo records, ‘Trevor Rabin’ and ‘Face To Face’ (from 1977 and ’79 respectively), Rabin handled just about all of the instruments himself.

Stylistically, ‘Rio’– is tough to categorize. Besides guitar-driven rock-meets-pop, ‘Goodbye’ is Country & Western with an edgy drive, while ‘Tumbleweed’ begins in a burst of harmonies. No wonder its working title was ‘The Demographic Nightmare’.

“I wanted to get into many different areas,” Rabin states. “Of course there are ‘prog things’, but overall there are a lot of styles going on.”

As mentioned, Trevor plays the majority of the instruments on the record. However, on drums for a number of tracks is Lou Molino, while Trevor also contributes some drums and percussion. Vinnie Calaiuta provides drums on ‘Push’, and Rabin’s son Ryan Rabin helped out with some of the most important percussive arrangements. Along the way Trevor also drafted in a couple of friends, Dante Marchi and Liz Constantine, to sing back up on two songs.

TREVOR RABIN Online:
www.instagram.com/trevorrabin.official
www.facebook.com/TrevorRabinMusic
https://twitter.com/trevorrabin

INSIDEOUTMUSIC Online:
www.insideoutmusic.com
www.youtube.com/InsideOutMusicTV
www.facebook.com/InsideOutMusic
www.twitter.com/insideouteu

AMARANTHE - Announce New Album 'The Catalyst' At Wacken Open Air!

This afternoon, the holy ground for heavy music, the sacred space for metal heads saw the beginning of another glorious chapter for one of the brightest modern metal stars to date. Swedish six-piece AMARANTHE announced the release of their upcoming album The Catalyst live on stage after their bedazzling performance on Wacken’s main stage.

"So at last it is official! This has been a long time in the making, and more effort went into this album than any previous AMARANTHE record. You have already gotten a taste of what’s to come on “Damnation Flame”, but as the most varied and eclectic AMARANTHE album to date, expect the unexpected! We cover a lot of musical ground on 'The Catalyst', but the core of what we are about creatively is completely intact. It will be immediately obvious that you are listening to AMARANTHE, as much as it will be immediately obvious that this is both a leap forward as well as a step up. Can’t wait for all of you to hear what we have been cooking, as well as seeing us perform these pristine new songs on the road SOON!”, guitar player Olof Mörck states about this moment.

The Catalyst will see the light of day on February 23rd, 2024, via Nuclear Blast Records. The album will be available digitally and in different physical formats including CD, Vinyl, and a 2CD Special Edition.

Presave or preorder your format of choice here:
https://amaranthe.bfan.link/the-catalyst.a01

The Catalyst is the most conceptually coherent piece of work in AMARANTHE's storied history. Dedicated to notions of transformation and revelation, it delves deeper than any previous album, as Olof Mörck explains.
 
"We’ve done these things before, but we’ve never been as theatrical as we have this time," Mörck grins. "In fact, we all questioned whether we went too far this time, but I also figured that this band was always this way. Literally, the first seconds of our first video was a big explosion! But yes, The Catalyst is more theatrical than ever. We’ve never really been symphonic or orchestral before, but this time we just thought why not? Because we can! The key to this album is that we let go of the boundaries and decided to do something even more adventurous."

The Catalyst represents the culmination of 15 years of hard work and the breathless pursuit of a wholly original musical vision. Change is inevitable. Victory is assured.

Formed in 2008, AMARANTHE walked their own unique path from the start. With a sound that combined the sharpest, cutting edges of melodic metal, electronic rock, and razor-sharp pop, their impact was immediate and undeniable. Kicking off with their self-titled debut in 2011, the Swedes blazed a trail through the European metal scene and beyond, swiftly establishing themselves as a dazzling one-off, not least due to the unprecedented triple vocal attack that paired clean tones with exquisite melodic sensibilities and feral growls. Over the next few years, the sextet steadily grew in stature, releasing a series of praised studio records that jabbed persistently at the boundaries of modern metal.

AMARANTHE is:
Elize Ryd | vocals
Mikael Sehlin I growls
Olof Mörck | guitars, keyboards
Johan Andreassen | bass
Morten Løwe Sørensen | drums
Nils Molin | vocals

Pre-save or pre-order your copy of The Catalyst, here:
https://amaranthe.bfan.link/the-catalyst.a01

Visit AMARANTHE:
www.amaranthe.se
www.facebook.com/amarantheband
www.instagram.com/amarantheofficial
www.twitter.com/amaranthemetal
www.youtube.com/amaranthetv
www.nuclearblast.de/amaranthe

Horizon Theory Blast Off with "Astronomer"

MOUNT PLEASANT, MICHIGAN - HORIZON THEORY release their new single/video - "ASTRONOMER" Listen Here. Loneliness, Addiction, and Struggles come forth in the latest release from Horizon Theory, "Astronomer". Bringing a heartfelt portrayal of the loneliness that one can experience even in a crowded world. The song delves deep into the emotions that come with multiple life struggles we might experience from day to day.

The strength Horizon Theory brings through the voice of their music resonates with their audience - a sensational force comes in the dynamic work of their songwriting, and monster arena hard rock/metal delivery.

"Astronomer" is from the upcoming album Radio Silence

"Astronomer" is metaphorical, the loneliness you can feel even on earth with billions of other people and constantly looking for something more in life. Relationship issues, financial struggles, drug addiction, can lead to an extreme feeling of loneliness and depression. With this song we wanted to express these feelings that so many have." - Horizon Theory

Producer: Chris Black 

Recorded at Straight Jacket Studios 

Mixed by Chris Dawson 

Mastered by Maor Appelbaum 

Video by Akuro Productions  

PURCHASE "ASTRONOMER"

ABOUT:

Horizon Theory is a group of musicians that have joined together to create a soundscape for the future they envision. All of the which have cut their teeth in current or former bands and learned through the years what it takes to create a sound that will evoke emotion in listeners. Horizon Theory has the ability to take you on an emotional roller coaster while maintaining a hard rock sound with metal elements. Meaningful riffs, groove-oriented bass, tasteful and tribal drum beats, and soaring vocals lead the path to a fresh yet familiar sound that will be a staple of this band for years to come.

BAND MEMBERS:

Chris Black - Guitars

Luen Murr - Bass

Josh Harrington - Vocals

Jeff Hafer - Drums

CONNECT:

Facebook:

https://www.facebook.com/profile.php?id=100087913909620

Instagram:

https://www.instagram.com/horizontheoryofficial

Spotify:

https://open.spotify.com/artist/1nF8UnskBjnih2ynC0INum?si=ZOm5JryiTLS4prRWYVHDig

Spotify Single "Astronomer":

https://open.spotify.com/track/5V4Ag5x76cJIyxt78Nf85J?si=5ce7b7cdc1104465

YouTube Channel:

https://m.youtube.com/@horizontheory

YouTube Single "Astronomer":

https://youtu.be/iGf0JH8Fcos

TikTok: 

https://www.tiktok.com/@horizon_theory_music

Merch: 

https://horizon-theory.myshopify.com/collections/frontpage

Purchase "Astronomer":

https://ffm.to/astronomer

BEYOND THE BLACK - Release New Single 'Call My Name' + Announce 'Dancing In The Dark' Tour 2024

After the release of their very successful self-titled album Beyond The Black, which was released in January 2023 the band now share the brand new single 'Call My Name' with their fans. Beside that BEYOND THE BLACK also announce their Dancing In The Darktour for 2024.

Jennifer Haben comments: 
"With 'Call My Name' we wanted to create a song with whom you cannot help but bang your head real hard. It's organic, honest, and in your face. Inspired by the story of Stephen Kings The Dark Tower we've formed a symbiosis of its elements and our own to tell a whole new tale about yearning, persistence, and these wounds of human life that feel as if they will never heal completely."

Stream here the new song 'Call My Name': https://beyondtheblack.bfan.link/callmyname
Watch the video for 'Call My Name' below.

Order the album Beyond the Black here: https://beyondtheblack.bfan.link/beyond-the-black

German Symphonic Metal ascending stars BEYOND THE BLACK can already look back across a stratospherically successful career, despite their youthful years. Upon release, their 2015 debut album hit like a bomb in their home country. Songs Of Love And Death besieged the German Top 15 for weeks, which led to the band being awarded the Metal Hammer Award for “Best Debut” in 2015. Its successor Lost In Forever (2016) entered the German charts at #4 and paved the way for a huge tour throughout Germany and across countries like the UK, Russia, and Japan. Since the band’s live debut in 2014, they have played some of the world’s biggest Metal festivals like Wacken Open Air (several times) and have toured as support to heavyweights such as AEROSMITH, KORN, SCORPIONS, SAXON, and WITHIN TEMPTATION. During the campaign for their third record Heart Of the Hurricane (2018), BEYOND THE BLACK landed their first-ever European headline tour, which took them across 10 countries, with most dates selling out.

Before they’d even finished the Heart Of the Hurricane touring cycle, BEYOND THE BLACK had already gone back to the studio to write and record album number four. The result was Horizons, released in June 2020, which entered the German album charts at #3 (CH #6, AT #16, BE #53) marking the band’s most successful album release to date.

Now, two years later, BEYOND THE BLACK are back to launch a new chapter. Following the release of recently highly acclaimed tracks 'Reincarnation', 'Is There Anybody Out There', 'Winter Is Coming' and 'Dancing In The Dark', the band release their new, fifth studio album – the self-titled Beyond the Black on January 13th, 2023!

INTERLOPER - RELEASE NEW SINGLE ''SANCTUM'

Progressive heavy metal vehicle, ​INTERLOPER is proud to reveal their newest offering in the form of the single, 'Sanctum'. 

The 6-minute banger is a mix of the band's more technical elements and its very melodic guitar approach. 'Sanctum' is a glimpse into a new era of INTERLOPER.

Andrew Virrueta comments, "We present to you our newest song, 'Sanctum'! We’re extremely excited about having this song finally out. It is a step in a heavier direction, as well as a more progressive direction. We hope you love it! Thanks so much for sticking around with our ever-evolving music. We are always trying to push the boundaries with what is conventional, and we feel this song really showcases the full spectrum of what we are capable of. “

Stream 'Sanctum' here: https://interloper.bfan.link/sanctum-sgl.a01

Check out the 'Sanctum' guitar playthrough below.

INTERLOPER released their debut, full-length album SEARCH PARTY on June 11, 2021 via Nuclear Blast Records.

The deep cohesiveness of INTERLOPER’s writing process for SEARCH PARTY allowed for a creative project with no real boundaries or restrictions. The album was produced by the band and Joey Virrueta. Drums were recorded at Big Bad Sound LA by Jack Ruley and Zach Fisher, with the mixing and mastering completed once more by Andrew’s brother Joey Virrueta. The album artwork was created by Caelan Stokkermans.

Order your copy of Search Party in the format of your choice here: https://interloper.bfan.link/search-party.a01

INTERLOPER is:
Miles Dimitri Baker ​| Guitar
Tadpole Jones ​| Drums 
Andrew Virrueta |​ Vocals, Guitar

S.O.R.M - Swedish Hard Rockers Release Second Single from Upcoming Debut Album; "Under My Skin" to be Released August 25 on Noble Demon!

August 25 will see the release of Under My Skin, the highly anticipated debut full-length record by Swedish hard rock trio S.O.R.M, which will be coming out via Noble Demon.
With the release of the track "Crazy", today, the band has released the second single from the upcoming album. Watch the new video here, which is a continuation of the story line of the previously released track "Demon Child" (https://youtu.be/nhIEnKEEUtM):

S.O.R.M comments:
"Crazy is a part 2 of our single 'Demon Child' (2019). And the whole story is how your past can impact on your life in the future and that there’s a story behind every person's behavior and also, if you just take time to listen when your friend our partner need to talk, you can help that person by just lending them your ear. 'Hear their story before you judge'."

Get the song on all digital platforms HERE

Hailing from Lidköping, Sweden, and known for their unique blend of contemporary and traditional hard rock and heavy metal, S.O.R.M already drew attention in 2020 with their outstanding EP Hellraiser, which introduced the band to the world with the hook-laden and well received lead single "Gypsy Queen". Under My Skin finally follows as the band's debut, featuring catchy melodies, memorable singalongs and the spirit of something that is more than just music. With tracks like "I Die For My Rock 'n' Roll" (feat. DEE SNIDER guitarist Nick Petrino), the brand new single "Crazy", the title track "Under My Skin" and more, the Swedish trio raises the bar again in S.O.R.M style and delivers a debut that should not be missed in 2023!

Under My Skin will be coming out on August 25 via Noble Demon and is available for pre-order at THIS LOCATION

S.O.R.M are:
Micke Holm
Johan Östman
Robin Wernebratt

S.O.R.M online:

Official Website

Facebook

Instagram

Find NOBLE DEMON online:

Official Website

Facebook

BandCamp

Twitter

YouTube

TikTok

Spotify

TILL THE DIRT Annihilates With New Single "Starring Role"

After their volcanic introduction last month, extreme metal band TILL THE DIRT return with their followup single “Starring Role.” The catastrophic track is found on the band’s Scott Burns produced, debut record, “Outside The Spiral,” due out August 25th via Nuclear Blast Records.

Influential death metal legend, ATHEIST vocalist and TILL THE DIRT mastermind Kelly Shaefer comments on the new song:

“‘Starring Role’ is the first track on the album. It’s a song that ranks among my favorites on the record, and also a favorite of producer Scott Burns. It's a straight up ripper! It encompasses all of the unique hybrid qualities of this whole album. Lyrically it is a song about the oddness of dreams and the role we sometimes do not seem to play, or understand as we awake from them. This is a perfect banger for cranking loud, and driving at high speeds!”

Stream “Starring Role”: https://tillthedirt.bfan.link/starring-role

Recently signed to Nuclear Blast, Shaefer and crew made an explosive debut last month with their lead single and title track “Outside The Spiral,” which features TESTAMENT bassist Steve Di Giorgio. Watch the lyric video below.

Pre-Order “Outside The Spiral”: https://tillthedirt.bfan.link/outside-the-spiral-A

About TILL THE DIRT:

Kelly Shaefer is doing it again. With his new band TILL THE DIRT and their debut album “Outside The Spiral,” the legendary Floridian death metal revolutionary is set to inject a much-needed dose of fresh blood into this aging, saturated and self-referential thing that the style has morphed into over the decades. 
 
Everything in the genre of death metal basically rests on two pillars: extreme musical force and insane technicality – or in short, variations of more of the same that satisfies die-hard followers of this scene, but offers a rather limited artistic range. Now, Kelly and his co-conspirators in and around TILL THE DIRT have put all the fun back into extreme music by deliberately straying from the very formula that the Floridian guitarist unleashed onto the world as one of its leading proponents. One of the privileges of being a living legend is the freedom to do whatever you like without the need to prove anything to anybody. And this is exactly what happens on “Outside The Spiral.” Never shy in denying his death metal roots, Shaefer takes the liberty to amalgamate any musical influence into his songs as long as they fit. Don’t be surprised to find grunge, black metal, jazz, rock, dark wave, a dash of classic pop, and many other stylistic colors fused into tracks that range from relaxed malice to vitriolic face-ripping. 

A fly on the wall would have witnessed Kelly frantically composing night after night, only putting his guitar down to contact friends around the globe and sending them demos looking for feedback to either affirm his gut - feeling that his new material was going into interesting places or to put a stop to this fountain of creativity. Yet, one by one his friends were at least as excited about those tracks as the composer. A new metal juggernaut had started to roll and there was no stopping. Kelly recruited enlisted young musicians full of raw energy and passion to the cause of TILL THE DIRT and most importantly one of his first listeners offered his invaluable services: Scott Burns (ATHEIST, DEATH, OBITUARY, CANNIBAL CORPSE, CYNIC, MALEVOLENT CREATION, SUFFOCATION). 

"When Kelly sent me some demos, I was at first reluctant to listen to them,” reveals Scott Burns. "I thought I had kind of heard it all by now and I did not want to want to disappoint an old friend. When I finally gave the tracks a chance, it felt like being hit by an electric shock: These tracks were fresh, exciting, and fun – just like in the old days. Those demos blew me away. I was immediately hooked to the point where I really wanted to be involved. I really thought that I had stopped producing death metal for good, but here we are now!" 
 
The pieces of this puzzle started to fall into place and while the guitarist kept chucking out killer tracks at neck-breaking speed, the producer started to add structure to the process by drawing from decades of experience. "I could not believe my luck that Scott Burns is throwing the full force of his amazing talent and status behind TILL THE DIRT, " enthuses Kelly. "He obviously did not expect to be hijacked and put back on the producer's chair, but I am glad to say that it did not take much convincing. I am extremely happy about this privilege: The mighty Scott Burns is back to bang your heads!"
 
With “Outside The Spiral,” TILL THE DIRT take you on a surprise-filled tour de force that will redefine the extreme metal genre in at least as many ways as ATHEIST did more than 30 years ago. Don't take our word for it, trust your ears!
 

Line up:

Kelly Shaefer | Vocals
Jerry Witunsky| Guitars
Ian Waye | Guitars
Yoav Ruiz Feingold| Bass
Dylan Marks| Drums

Follow TILL THE DIRT:

Facebook / Instagram / Youtube / TikTok