GREEN LUNG Announce New Album "This Heathen Land

The UKs finest purveyors of occult rock, GREEN LUNG, have revealed the details of their highly-anticipated third album “This Heathen Land,” that will be released on the November 3rd via Nuclear Blast Records. Alongside the announcement comes the first taste of the record, in the form of single “Mountain Throne,” a conflux of pyrotechnic guitar work and thrilling hooks.

Vocalist Tom Templar comments "We couldn't be more excited to share This Heathen Land with the world. This album is the culmination of five years of work as a band; an odyssey into the weird and wonderful world of British folklore that melds together our myriad influences - classic rock, doom, NWOBHM, horror film soundtracks, the BBC Radiophonic Workshop - and fashions something out of them that is utterly our own. 'Mountain Throne' was the first song we wrote for the album, and feels like a natural bridge from the old Green Lung to the new. We've always been inspired by the story of the Pendle Witches, and such an iconic subject required an epic rallying cry of a song - we hope that we've done these folk heroes justice!"

Pre-order “This Heathen Land” on various formats now at: https://greenlung.bfan.link/thllp

Stream “Mountain Throne” on all platforms now at: https://greenlung.bfan.link/mtsg

“This Heathen Land” is the most complete manifestation of the band’s vision to date, fulfilling their long-held goal to, in the words of vocalist Tom Templar, “create the definitive soundtrack to the folk horror film in our heads.” On “This Heathen Land,” the band have forged a sound and identity that is entirely their own, while maintaining the Sabbathian heaviness and addictive songcraft which made their previous albums so beloved in the metal underground. From the cover art to the vinyl inserts and lyrical themes, “This Heathen Land” is a painstakingly-researched and executed heavy metal love letter to the folkloric landscape of the UK.

”This Heathen Land” was produced by Wayne Adams at Bear Bites Horse Studios and was mixed by Tom Dalgety (Opeth, Clutch, Ghost).

GREEN LUNG is
Tom Templar - Vocals
Scott Black - Guitar
Joseph Ghast - Bass
John Wright - Organ
Matt Wiseman - Drums

Follow GREEN LUNG:

https://greenlung.co.uk/

https://www.facebook.com/greenlungband/

https://twitter.com/greenlungband

https://www.instagram.com/greenlungband/

https://www.youtube.com/@greenlungband

CRYPTOPSY Reveals Vile New Single/Video "Flayed The Swine"

Canadian extreme-metal legends CRYPTOPSY have revealed their depraved, merciless new single, “Flayed The Swine,” today! Found on the band’s first full-length album in over a decade, “As Gomorrah Burns,” that’s out September 8th from Nuclear Blast Records, the influential death-dealers’ latest single, “Flayed The Swine,” is an accessible yet face-melting track that takes listeners down a dark and demented path to madness. In true CRYPTOPSY fashion, the track is accompanied by a horrific, blood-soaked video that will only fuel viewers’ nightmares.

Commenting on the new single, vocalist Matt McGachy says:

"‘Flayed the Swine’ is one of the catchiest Cryptopsy songs I have ever written. It is brutal, filled with massive groove sections and extremely vulgar.

Lyrically, it concentrates on a mental breakdown, an utter loss of control. We all have dark intentions, but we rarely act upon them. The protagonist by the end of the track most certainly wishes they hadn't.”

Pre-order “As Gomorrah Burns” and stream “Flayed The Swine”:

https://cryptopsy.bfan.link/flayed-the-swine.ema

CRYPTOPSY’s new track, follows their brutal lead single “In Abeyance.” Watch the video for it here: https://youtu.be/-uQXG3xLgAI

CRYPTOPSY will “Carnival of Death” on tour this summer/fall with special guests ABYSMAL DAWN, HATE and VISCERAL DISGORGE. Tickets are available now at https://www.bandsintown.com/a/2941-cryptopsy.

CRYPTOPSY Tour Dates:

09.07. US.    Manchester, NH - Jewel Nightclub

09.08. US.    Brooklyn, NY - Meadows

09.09. US.    Clifton, NJ - Dingbatz

09.10. US.    Pittsburgh, PA - Preserving Underground

09.11. US.    Atlanta, GA - The Masquerade (Hell)

09.12. US.    Tampa, FL - The Brass Mug

09.14. US.    Houston, TX - Scout Bar

09.15. US.    Austin, TX - Come And Take It Live

09.16. US.    Dallas, TX - TBC

09.17. US.    Albuquerque, NM - Launchpad

09.18. US.    Las Vegas, NV - Backstage Bar

09.19. US.    Mesa, AZ - Nile Underground

09.20. US.    San Diego, CA - Brick By Brick

09.21. US.    Los Angeles, CA - 1720

09.22. US.    San Francisco, CA - DNA Lounge

09.23. US.    Roseville, CA - Goldfield Trading

09.24. US.    Portland, OR - Dante’s

09.25. US.    Seattle, WA - El Corazon

09.26. CA.    Vancouver, BC - Rickshaw Theater

09.27. US.    Boise, ID - The Shredder

09.29. US.    Denver, CO - HQ

09.30. US.    Lincoln, NE - Cosmic Eye Live

10.01. US.    Joliet, IL - The Forge

10.02. US.    Grand Rapids, MI - The Pyramid Scheme

10.03. CA.    Toronto, ON - Lee’s Palace

10.04. CA.    Kingston, ON - Overtime Sports Bar

10.05. CA.    Quebec City, QC - La Source De La Martiniere

10.06. CA.    Montreal, QC - Foufounes Electriques

About CRYPTOPSY:

Death metal juggernaut Cryptopsy return to pummel our collective senses anew with their new album, “As Gomorrah Burns.” Their first for Nuclear Blast, the Montreal-based quartet—featuring founding member/drummer Flo Mounier, guitarist Christian Donaldson, vocalist Matt McGachy, and bassist Olivier “Oli” Pinard—advance their signature Northern power as they celebrate 30-plus years of extremity. The merciless blasts of “Lascivious Undivine” and “Flayed the Swine” offer Cryptopsy at their most intense and maniacal, while “In Abeyance” and “The Righteous Lost” groove savagely. “As Gomorrah Burns” underscores the animus of fan-favorite “None So Vile” (1996) and the meticulous technicality of “And Then You’ll Beg” (2000) with a strikingly sinister vibe.

Formed in 1992, Cryptopsy has released eight full-lengths—counting As Gomorrah Burns—to date. Out of the gate, the Quebecers set new standards in death metal with their no-compromise attack and next-level musicality. Debut album, “Blasphemy Made Flesh,” shell-shocked all that encountered it, as follow-ups “None So Vile,” “Whisper Supremacy” (1998), and “Once Was Not” (2005) positioned the Canadians as apex predators. Throughout their storied career, the group embarked on high-profile tours, such as the inaugural Death Across America tour in 1998, the Summer Slaughter Tour in 2008, and the Devastation on the Nation tour in 2017. To date, they’ve performed over 1,000 shows across 47 countries. The release of “As Gomorrah Burns” on Nuclear Blast re-positions Cryptopsy for yet another reign of death metal domination.

“As Gomorrah Burns” isn’t merely the follow-up to EPs “The Book of Suffering - Tome I” (2015) and “The Book of Suffering - Tome II” (2018). It’s another beast entirely. Crafted over two years during the pandemic, the initial sessions took place in a cabin in the forests of Quebec. McGachy calls the horror-like backdrop “surreal,” but, as with everything Cryptopsy, the songwriting process was expectedly arduous. Donaldson was the primary motivator behind “As Gomorrah Burns.” The guitarist and producer served as taskmaster and advocate, grinding out of his bandmates in McGachy, Mounier, and Pinard eight slabs of unadulterated barbarity. If Cryptopsy were formidable before As Gomorrah Burns, they’re absolutely monstrous now.

Conceptually, “As Gomorrah Burns” pits the Biblical story of Sodom and Gomorrah against the modern-day Internet. McGachy’s idea was to show how it’s both the birthplace of invention and a cesspool of exploitation. The stories are based on real-life incidences—online stalkers, cults, misinformation, isolation, and intimidation—but ornamented deviously to enhance their potency. Cryptopsy commissioned Italian artist Paolo Girardi (Power Trip, Temple of Void) to complement the old-world lyrical themes. If Renaissance masters Hieronymus Bosch and El Greco were thrust into McGachy’s modern mind, the stunning cover of “As Gomorrah Burns” would be the outcome. 

As with “The Unspoken King” (2008) and the self-titled (2012), Cryptopsy enlisted their bandmate Donaldson to helm the production, mixing, and mastering of As Gomorrah Burns. Dom Grimard, of Ion Dissonance fame, also came into the production fold. McGachy says the time in the studio took much longer than anticipated, but with Donaldson directing and everyone finally in the same room again post-pandemic, Cryptopsy were able to capture newfound vigor (and velocity) on As Gomorrah Burns. Tracks such as “Godless Deceiver,” “Ill Ender,” and “Praise the Filth” demonstrate Donaldson’s death metal mastery.
 
Aggressive to a fault yet thoughtful in its entirety, “As Gomorrah Burns”—with songs such as “In Abeyance,” “Flayed the Swine,” and “Lascivious Undivine”—pierces mundanity thoroughly and relentlessly. This is no-quarters death metal, the kind our bellicose world needed and only Cryptopsy could deliver.
 
“We are back,” says McGachy. “I want our fans to know we’re more than a legacy band. Yes, we have had massive cult favorite albums—like None So Vile—but we are creating modern and relevant extreme music 30 years later. We’re so proud of As Gomorrah Burns, and we can’t wait for you to hear it!”

Follow CRYPTOPSY:

Facebook / Instagram

Ashley McBryde Releases “Cool Little Bars” from Highly Anticipated THE DEVIL I KNOW

As GRAMMY award winner Ashley McBryde gears up for the release of The Devil I Know on September 8 via Warner Music Nashville, the Grand Ole Opry member revisits her roots with the release of “Cool Little Bars,” paying tribute to the dives, holes in the wall and often locals-only establishments that shaped the early days of her career. Listen to the song and pre-add/pre-save The Devil I Know HERE.
 
“As y’all know, I have a huge appreciation for bars that have stood the test of time and have a lot of character,” shares McBryde. “I played them for many, many years, and I’m proud of the education I gained, and I’m proud to be able to give such bars credit for my entertainment style.
 
“In a time when so many of our staple establishments are being torn down to make room for far less charming, sterile and predictable gathering spaces, I thought we’d better celebrate the ones we have left and the ones we’ve yet to warm a seat in. With the help of Trick Savage and Lainey Wilson, I think we said it pretty good. So, thank you for dart boards, sticky table tops, bathrooms with broken stall doors and bartenders that can mix a drink while whoopin’ an ass. We see you and we need you. God bless cool little bars.”
 
Written by McBryde with Savage and Wilson, today’s release highlights what makes a place special along with the desire to see them persevere and provide a space for the misplaced:

Climbing the charts in the top 25, “Light On In The Kitchen” earned placement on Rolling Stone’s all-genre “Best Songs of 2023 So Far,” praising the lead single as a “gorgeous tribute to the women who helped shape her” with “luminous guitars and McBryde’s tender delivery,” calling it “a comfortable crash pad for anyone who might take solace in its messages of support.”
 
The Arkansas native followed with title track “The Devil I Know” featuring “a big Southern-rock chorus with a blast of distorted riffage,” observes Stereogum, and “Learned To Lie,” which landed on Rolling Stone’s “Best Country Songs of 2023 So Far” noting, “When it comes to original sin, the devil lies in the details, especially when you’re a crack storyteller. Ashley McBryde tracks the lineage of an inveterate liar with clinical precision…her sneakily brilliant writing will floor you by song’s end.”
 
Last month, McBryde released album opener “Made for This,” a “guitar-heavy song accented by fast-paced drums,” shares American Songwriter, “as McBryde sings about a strong desire to chase one’s dreams - and the work ethic to back it up.”

McBryde will perform at the Oregon Jamboree Music Festival 2023 in Sweet Home, Oregon this evening and will be on the road throughout the spring and summer for a slew of headlining and festival shows along with tour dates with Jelly Roll and Dierks Bentley. For additional details and to purchase tickets, visit AshleyMcBryde.com.

Photo Credit: Katie Kauss

Ashley McBryde Upcoming Tour Dates

Aug. 4             Oregon Jamboree Music Festival 2023                      Sweet Home, OR
Aug. 5             Memorial Field                                                           Sandpoint, ID
Aug. 6             Big Valley Jamboree 2023                                         Camrose, Alberta
Aug. 11           Jiffy Lube Live*                                                         Bristow, VA
Aug. 12           Veterans United Home Loans Amphitheater*           Virginia Beach, VA
Aug. 17           Upper Peninsula State Fairgrounds                            Escanaba, MI
Aug. 18           Effingham Performance Center                                  Effingham, IL
Aug. 19           Hollywood Casino Amphitheatre*                             Maryland Heights, MO
Aug. 25           CHI Health Center Omaha*                                       Omaha, BE
Aug. 26           T-Mobile Center*                                                       Kansas City, MO
Aug. 27           Celebrity Theatre                                                        Phoenix, AZ
Sept. 2             Georgia Country Music Festival                                Marietta, GA
Sept. 5             Red Rocks Amphitheatre^                                          Morrison, CO
Sept. 14           Washington County Fairgrounds                                Abingdon, VA
Sept. 19           Paycom Center*                                                         Oklahoma City, OK
Sept. 21           Germania Insurance Amphitheater*                           Austin, TX
Sept. 24           Pilgrimage Festival 2023                                            Franklin, TN
Oct. 6              Variety Playhouse                                                       Atlanta, GA
Oct. 19            Gordy’s Hwy 30 Music Festival 2023                       Fort Worth, TX
Oct. 20            John T. Floore’s Country Store                                  Helotes, TX
Nov. 4             Anderson Music Hall                                                  Hiawassee, GA

* Jelly Roll Backroad Baptism Tour 2023
^ Dierks Bentley Gravel & Gold Tour

About Ashley McBryde
GRAMMY, CMA and ACM award winner Ashley McBryde cut her teeth playing country songs in biker bars – and it shows. The Grand Ole Opry member’s 2018 major label debut Girl Going Nowhere (Warner Music Nashville) charmed The New York Times, NPR, Rolling Stone, Paste, The Washington Post and more, all en route to landing a GRAMMY nomination for Best Country Album. McBryde closed out 2019 with ACM New Female Artist, CMT Breakout Artist, a New Artist of the Year win at the 53rd Annual CMA Awards and two nominations for the 2020 GRAMMYs for Best Country Song and Best Country Solo Performance for “Girl Goin’ Nowhere.” Her follow-up Never Will was tagged by Rolling Stone as one of the most anticipated of the year alongside NPR, who also ranked her Top 10 RIAA Platinum-Certified single “One Night Standards” as one of the best songs of 2019. The album earned McBryde a 2021 GRAMMY nomination for Best Country Album, making Never Will the only album nominated for Country Album of the Year by the ACMs, CMAs and the Recording Academy in the same award season. Her GRAMMY-winning duet with Carly Pearce, “Never Wanted To Be That Girl,” went all the way to No. 1 and earned McBryde and Pearce the ACM and CMA award for Musical Event of the Year. McBryde was also honored with the 2022 CMA International Artist Achievement Award for the most significant creative growth, development and promotion of the country music industry outside of the United States. Her collaborative project Ashley McBryde Presents: Lindeville featuring Brothers Osborne, Brandy Clark, Pillbox Patti, Caylee Hammack, Aaron Raitiere and Benjy Davis earned McBryde her third consecutive GRAMMY nomination for Best Country Album, making her a six-time GRAMMY nominee. Upon its release, Ashley McBryde Presents: Lindeville garnered applause from The New York Times, NPR, Variety, Vulture, Esquire, Rolling Stone, Billboard and Stereogum, among many more. With 11 songs all co-written by the Arkansas native, The Devil I Know is set for release on September 8, featuring chart-climbing lead single “Light On In The Kitchen,” along with the recently released title track, “Learned To Lie,” album opener “Made For This” and “Cool Little Bars.” McBryde is currently on the road with headlining shows and festival stops throughout the summer along with dates on Jelly Roll’s Back Road Baptism Tour 2023 and a night with Dierks Bentley at Red Rocks Amphitheatre in Morrison, Colorado before returning to Middle Tennessee for Pilgrimage Festival in Franklin on September 24. For more information, visit Ashley McBryde.com or follow her on Facebook, Instagram, Twitter, TikTok and YouTube.

Darius Rucker Sets ‘Carolyn’s Boy’ for Oct. 6 Release; New Song “Have A Good Time” Out Now

Having previously teased the forthcoming project on NBC’S “TODAY,” Diamond-certified star Darius Rucker announces that his first solo album in six years, Carolyn’s Boy, is set for release Oct. 6 via UMG Nashville and available for preorder now. Brand new song “Have A Good Time” is also available everywhere today, Aug. 4, as a further preview of the project alongside his latest single “Fires Don’t Start Themselves,” currently climbing the charts at Country radio.
 
“I wanted to name the record Carolyn’s Boy because Mom never got to see any of my success,” Rucker explained during the “TODAY” interview. “She died before any of this happened, so it’s just another homage to the greatest woman I’ve ever known.”
 
When asked why now is the right time to honor her, Rucker was reflective, conceding, “years ago, I wasn’t really sure what my place in Country music was and I was trying to find it. Now I have found it – I know – and I think it’s time to give that record.”
 
Rucker will return to “TODAY” on September 1 to perform new songs off the project along with his fan-favorite hits as part of the Citi Concert Series. Fans can also catch Rucker on his Starting Fires Tour, currently underway, and he’ll bring the new music to his hometown of Charleston, S.C. during his personally-curated Riverfront Revival Music Festival as it returns for a second year on album release weekend (Oct. 7 & 8).
 
In celebration of the album announcement, Riverfront Revival is offering a limited allotment of 6-Pack GA Weekend Ticket Bundles, allowing fans to bundle and save $15 per pass while supplies last at RiverfrontRevival.com. Showcasing the best of country and rock music along with the finest in food, arts and culture the Lowcountry has to offer, the 2023 lineup includes Rucker, Turnpike Troubadours, Lainey Wilson, Band of Horses and more.
 
For more information on all things Darius Rucker, visit DariusRucker.com and follow on social media @DariusRucker.

About Darius Rucker
Rucker first achieved multi-Platinum status in the music industry as lead singer and rhythm guitarist of the GRAMMY Award-winning band Hootie & the Blowfish, who have sold more than 25 million albums worldwide including their Double Diamond-certified (21x Platinum) debut Cracked Rear View, which remains among the top 10 best-selling studio albums of all time. Since releasing his first Country album in 2008, Rucker has earned a whole new legion of fans with four No. 1 albums on the Billboard Country chart, including RIAA Platinum-certified Learn to Live and True Believers, plus 10 No. 1 singles at Country radio and 11 Gold, Platinum or multi-Platinum certified hits. Rucker was inducted as a Grand Ole Opry member in 2012 and in 2014 he won his third career GRAMMY Award for Best Solo Country Performance with his Diamond-certified (11x Platinum) version of  “Wagon Wheel,” one of the top five best-selling Country songs of all time. He co-hosted the 54th annual CMA Awards in 2020 and topped the charts at Country radio once again with “Beers And Sunshine” in 2021. Rucker’s new single, “Fires Don’t Start Themselves” is available everywhere now as a preview of his forthcoming album set for Oct. 6 release, Carolyn’s Boy, as he performs the new music for fans this summer on his Starting Fires Tour.
 
As a lifelong philanthropist, Rucker co-chaired the capital campaign that generated $150 million to help build the new MUSC Shawn Jenkins Children's Hospital in his hometown of Charleston, S.C. and has raised over $3.6 million for St. Jude Children's Research Hospital through his annual Darius & Friends benefit concert and golf tournament. In addition, Rucker has advocated for over 200 charitable causes supporting public education and junior golf programs in South Carolina through the Hootie & the Blowfish Foundation and serves as a National Chair for the National Museum of African American Music in Nashville, Tenn. Rucker is also an avid sports fan, with his NFL x Darius Rucker Collection by Fanatics apparel line available at NFLshop.com, and he is part of the Music City Baseball investment group working to bring an MLB team to Tennessee in addition to serving as a partner at the MGC Sports & Entertainment agency.

TREVOR RABIN LAUNCHES 'BIG MISTAKES;' DEBUT SINGLE FROM 'RIO,' HIS FIRST NEW VOCAL-LED SOLO ALBUM IN OVER 30 YEARS

Trevor Rabin, the South African guitarist, singer, multi-musician, writer and producer, recently announced ‘Rio’, his first solo album of vocal material in 34 years, set for release on the 6th October 2023 worldwide. Today he is pleased to reveal the albums first single, ‘Big Mistakes’, alongside a brand new video. Watch it below.

Trevor comments: “‘Big Mistakes’ the first single on the album, is essentially about surviving my late teens/twenties, hence the lyric: ‘We played in the fire, we danced in the rain. Up all night we made Big Mistakes’. I should have called the song ‘I Can’t Believe I’m Alive.” Trevor plays all the instruments on the track, aside from the drums which were performed by Lou Molino, and backing vocals from Dante Marchi & Liz Constantine. ‘Rio’ will be available as a Ltd CD+Blu-ray Mediabook & Ltd Deluxe Gatefold Red 180g 2LP + Blu-ray (including 8-page LP-booklet and obi strip), both featuring bonus material, 5.1 surround sound & liner notes. Also available as Standard CD Jewelcase, Gatefold 180g

2LP+LP-booklet (with etching on side D), and as Digital Album. The cover for the album was created by Trevor himself: “I dabble with digital art so I sent some images of mine to the label and was pleasantly surprised when they liked them.”.

Pre-order now here: https://trevorrabin.lnk.to/Rio

The Ltd CD+Blu-ray Mediabook & Ltd Deluxe Gatefold Red 180g 2LP + Blue-ray also features the following bonus tracks:
1. Spek & Polly
2. Fragile (Demo)
3. Georgia

Given that his previous vocal-led solo album, ‘Can’t Look Away’, was released in 1989 (2012’s ‘Jacaranda’ was all-instrumental), Rabin has kept us waiting for more than three decades for a follow-up. Trevor admits that there was pressure from all sides, including his own family, to have speeded up the process. However, the delay is excusable. Since leaving Yes following the ‘Talk’ album in 1994 and largely as a prequel to touring as part of ARW in 2016, the guitarist entered the time-consuming world of movie soundtracks. Not just any old movies, either. Trevor’s name appears as composer for such blockbusters as Con Air, Armageddon, Remember the Titans, Enemy Of The State, Deep Blue Sea, Glory Road, and Gone In 60 Seconds and both National Treasure movies, amongst many others. “Over the past ten years I was having ideas, concepts that I couldn’t implement due to my busy schedule,” he explains, adding: “To be honest, those years flew by in a flurry. I knew that this was the time, and once I found my momentum I worked on the album 24/7.” The process proved a labour of love and as with his first and second solo records, ‘Trevor Rabin’ and ‘Face To Face’ (from 1977 and ’79 respectively), Rabin handled just about all of the instruments himself.

Stylistically, ‘Rio’– is tough to categorize. Besides guitar-driven rock-meets-pop, ‘Goodbye’ is Country & Western with an edgy drive, while ‘Tumbleweed’ begins in a burst of harmonies. No wonder its working title was ‘The Demographic Nightmare’.

“I wanted to get into many different areas,” Rabin states. “Of course there are ‘prog things’, but overall there are a lot of styles going on.”

As mentioned, Trevor plays the majority of the instruments on the record. However, on drums for a number of tracks is Lou Molino, while Trevor also contributes some drums and percussion. Vinnie Calaiuta provides drums on ‘Push’, and Rabin’s son Ryan Rabin helped out with some of the most important percussive arrangements. Along the way Trevor also drafted in a couple of friends, Dante Marchi and Liz Constantine, to sing back up on two songs.

TREVOR RABIN Online:
www.instagram.com/trevorrabin.official
www.facebook.com/TrevorRabinMusic
https://twitter.com/trevorrabin

INSIDEOUTMUSIC Online:
www.insideoutmusic.com
www.youtube.com/InsideOutMusicTV
www.facebook.com/InsideOutMusic
www.twitter.com/insideouteu

AMARANTHE - Announce New Album 'The Catalyst' At Wacken Open Air!

This afternoon, the holy ground for heavy music, the sacred space for metal heads saw the beginning of another glorious chapter for one of the brightest modern metal stars to date. Swedish six-piece AMARANTHE announced the release of their upcoming album The Catalyst live on stage after their bedazzling performance on Wacken’s main stage.

"So at last it is official! This has been a long time in the making, and more effort went into this album than any previous AMARANTHE record. You have already gotten a taste of what’s to come on “Damnation Flame”, but as the most varied and eclectic AMARANTHE album to date, expect the unexpected! We cover a lot of musical ground on 'The Catalyst', but the core of what we are about creatively is completely intact. It will be immediately obvious that you are listening to AMARANTHE, as much as it will be immediately obvious that this is both a leap forward as well as a step up. Can’t wait for all of you to hear what we have been cooking, as well as seeing us perform these pristine new songs on the road SOON!”, guitar player Olof Mörck states about this moment.

The Catalyst will see the light of day on February 23rd, 2024, via Nuclear Blast Records. The album will be available digitally and in different physical formats including CD, Vinyl, and a 2CD Special Edition.

Presave or preorder your format of choice here:
https://amaranthe.bfan.link/the-catalyst.a01

The Catalyst is the most conceptually coherent piece of work in AMARANTHE's storied history. Dedicated to notions of transformation and revelation, it delves deeper than any previous album, as Olof Mörck explains.
 
"We’ve done these things before, but we’ve never been as theatrical as we have this time," Mörck grins. "In fact, we all questioned whether we went too far this time, but I also figured that this band was always this way. Literally, the first seconds of our first video was a big explosion! But yes, The Catalyst is more theatrical than ever. We’ve never really been symphonic or orchestral before, but this time we just thought why not? Because we can! The key to this album is that we let go of the boundaries and decided to do something even more adventurous."

The Catalyst represents the culmination of 15 years of hard work and the breathless pursuit of a wholly original musical vision. Change is inevitable. Victory is assured.

Formed in 2008, AMARANTHE walked their own unique path from the start. With a sound that combined the sharpest, cutting edges of melodic metal, electronic rock, and razor-sharp pop, their impact was immediate and undeniable. Kicking off with their self-titled debut in 2011, the Swedes blazed a trail through the European metal scene and beyond, swiftly establishing themselves as a dazzling one-off, not least due to the unprecedented triple vocal attack that paired clean tones with exquisite melodic sensibilities and feral growls. Over the next few years, the sextet steadily grew in stature, releasing a series of praised studio records that jabbed persistently at the boundaries of modern metal.

AMARANTHE is:
Elize Ryd | vocals
Mikael Sehlin I growls
Olof Mörck | guitars, keyboards
Johan Andreassen | bass
Morten Løwe Sørensen | drums
Nils Molin | vocals

Pre-save or pre-order your copy of The Catalyst, here:
https://amaranthe.bfan.link/the-catalyst.a01

Visit AMARANTHE:
www.amaranthe.se
www.facebook.com/amarantheband
www.instagram.com/amarantheofficial
www.twitter.com/amaranthemetal
www.youtube.com/amaranthetv
www.nuclearblast.de/amaranthe

Horizon Theory Blast Off with "Astronomer"

MOUNT PLEASANT, MICHIGAN - HORIZON THEORY release their new single/video - "ASTRONOMER" Listen Here. Loneliness, Addiction, and Struggles come forth in the latest release from Horizon Theory, "Astronomer". Bringing a heartfelt portrayal of the loneliness that one can experience even in a crowded world. The song delves deep into the emotions that come with multiple life struggles we might experience from day to day.

The strength Horizon Theory brings through the voice of their music resonates with their audience - a sensational force comes in the dynamic work of their songwriting, and monster arena hard rock/metal delivery.

"Astronomer" is from the upcoming album Radio Silence

"Astronomer" is metaphorical, the loneliness you can feel even on earth with billions of other people and constantly looking for something more in life. Relationship issues, financial struggles, drug addiction, can lead to an extreme feeling of loneliness and depression. With this song we wanted to express these feelings that so many have." - Horizon Theory

Producer: Chris Black 

Recorded at Straight Jacket Studios 

Mixed by Chris Dawson 

Mastered by Maor Appelbaum 

Video by Akuro Productions  

PURCHASE "ASTRONOMER"

ABOUT:

Horizon Theory is a group of musicians that have joined together to create a soundscape for the future they envision. All of the which have cut their teeth in current or former bands and learned through the years what it takes to create a sound that will evoke emotion in listeners. Horizon Theory has the ability to take you on an emotional roller coaster while maintaining a hard rock sound with metal elements. Meaningful riffs, groove-oriented bass, tasteful and tribal drum beats, and soaring vocals lead the path to a fresh yet familiar sound that will be a staple of this band for years to come.

BAND MEMBERS:

Chris Black - Guitars

Luen Murr - Bass

Josh Harrington - Vocals

Jeff Hafer - Drums

CONNECT:

Facebook:

https://www.facebook.com/profile.php?id=100087913909620

Instagram:

https://www.instagram.com/horizontheoryofficial

Spotify:

https://open.spotify.com/artist/1nF8UnskBjnih2ynC0INum?si=ZOm5JryiTLS4prRWYVHDig

Spotify Single "Astronomer":

https://open.spotify.com/track/5V4Ag5x76cJIyxt78Nf85J?si=5ce7b7cdc1104465

YouTube Channel:

https://m.youtube.com/@horizontheory

YouTube Single "Astronomer":

https://youtu.be/iGf0JH8Fcos

TikTok: 

https://www.tiktok.com/@horizon_theory_music

Merch: 

https://horizon-theory.myshopify.com/collections/frontpage

Purchase "Astronomer":

https://ffm.to/astronomer

BEYOND THE BLACK - Release New Single 'Call My Name' + Announce 'Dancing In The Dark' Tour 2024

After the release of their very successful self-titled album Beyond The Black, which was released in January 2023 the band now share the brand new single 'Call My Name' with their fans. Beside that BEYOND THE BLACK also announce their Dancing In The Darktour for 2024.

Jennifer Haben comments: 
"With 'Call My Name' we wanted to create a song with whom you cannot help but bang your head real hard. It's organic, honest, and in your face. Inspired by the story of Stephen Kings The Dark Tower we've formed a symbiosis of its elements and our own to tell a whole new tale about yearning, persistence, and these wounds of human life that feel as if they will never heal completely."

Stream here the new song 'Call My Name': https://beyondtheblack.bfan.link/callmyname
Watch the video for 'Call My Name' below.

Order the album Beyond the Black here: https://beyondtheblack.bfan.link/beyond-the-black

German Symphonic Metal ascending stars BEYOND THE BLACK can already look back across a stratospherically successful career, despite their youthful years. Upon release, their 2015 debut album hit like a bomb in their home country. Songs Of Love And Death besieged the German Top 15 for weeks, which led to the band being awarded the Metal Hammer Award for “Best Debut” in 2015. Its successor Lost In Forever (2016) entered the German charts at #4 and paved the way for a huge tour throughout Germany and across countries like the UK, Russia, and Japan. Since the band’s live debut in 2014, they have played some of the world’s biggest Metal festivals like Wacken Open Air (several times) and have toured as support to heavyweights such as AEROSMITH, KORN, SCORPIONS, SAXON, and WITHIN TEMPTATION. During the campaign for their third record Heart Of the Hurricane (2018), BEYOND THE BLACK landed their first-ever European headline tour, which took them across 10 countries, with most dates selling out.

Before they’d even finished the Heart Of the Hurricane touring cycle, BEYOND THE BLACK had already gone back to the studio to write and record album number four. The result was Horizons, released in June 2020, which entered the German album charts at #3 (CH #6, AT #16, BE #53) marking the band’s most successful album release to date.

Now, two years later, BEYOND THE BLACK are back to launch a new chapter. Following the release of recently highly acclaimed tracks 'Reincarnation', 'Is There Anybody Out There', 'Winter Is Coming' and 'Dancing In The Dark', the band release their new, fifth studio album – the self-titled Beyond the Black on January 13th, 2023!

INTERLOPER - RELEASE NEW SINGLE ''SANCTUM'

Progressive heavy metal vehicle, ​INTERLOPER is proud to reveal their newest offering in the form of the single, 'Sanctum'. 

The 6-minute banger is a mix of the band's more technical elements and its very melodic guitar approach. 'Sanctum' is a glimpse into a new era of INTERLOPER.

Andrew Virrueta comments, "We present to you our newest song, 'Sanctum'! We’re extremely excited about having this song finally out. It is a step in a heavier direction, as well as a more progressive direction. We hope you love it! Thanks so much for sticking around with our ever-evolving music. We are always trying to push the boundaries with what is conventional, and we feel this song really showcases the full spectrum of what we are capable of. “

Stream 'Sanctum' here: https://interloper.bfan.link/sanctum-sgl.a01

Check out the 'Sanctum' guitar playthrough below.

INTERLOPER released their debut, full-length album SEARCH PARTY on June 11, 2021 via Nuclear Blast Records.

The deep cohesiveness of INTERLOPER’s writing process for SEARCH PARTY allowed for a creative project with no real boundaries or restrictions. The album was produced by the band and Joey Virrueta. Drums were recorded at Big Bad Sound LA by Jack Ruley and Zach Fisher, with the mixing and mastering completed once more by Andrew’s brother Joey Virrueta. The album artwork was created by Caelan Stokkermans.

Order your copy of Search Party in the format of your choice here: https://interloper.bfan.link/search-party.a01

INTERLOPER is:
Miles Dimitri Baker ​| Guitar
Tadpole Jones ​| Drums 
Andrew Virrueta |​ Vocals, Guitar

S.O.R.M - Swedish Hard Rockers Release Second Single from Upcoming Debut Album; "Under My Skin" to be Released August 25 on Noble Demon!

August 25 will see the release of Under My Skin, the highly anticipated debut full-length record by Swedish hard rock trio S.O.R.M, which will be coming out via Noble Demon.
With the release of the track "Crazy", today, the band has released the second single from the upcoming album. Watch the new video here, which is a continuation of the story line of the previously released track "Demon Child" (https://youtu.be/nhIEnKEEUtM):

S.O.R.M comments:
"Crazy is a part 2 of our single 'Demon Child' (2019). And the whole story is how your past can impact on your life in the future and that there’s a story behind every person's behavior and also, if you just take time to listen when your friend our partner need to talk, you can help that person by just lending them your ear. 'Hear their story before you judge'."

Get the song on all digital platforms HERE

Hailing from Lidköping, Sweden, and known for their unique blend of contemporary and traditional hard rock and heavy metal, S.O.R.M already drew attention in 2020 with their outstanding EP Hellraiser, which introduced the band to the world with the hook-laden and well received lead single "Gypsy Queen". Under My Skin finally follows as the band's debut, featuring catchy melodies, memorable singalongs and the spirit of something that is more than just music. With tracks like "I Die For My Rock 'n' Roll" (feat. DEE SNIDER guitarist Nick Petrino), the brand new single "Crazy", the title track "Under My Skin" and more, the Swedish trio raises the bar again in S.O.R.M style and delivers a debut that should not be missed in 2023!

Under My Skin will be coming out on August 25 via Noble Demon and is available for pre-order at THIS LOCATION

S.O.R.M are:
Micke Holm
Johan Östman
Robin Wernebratt

S.O.R.M online:

Official Website

Facebook

Instagram

Find NOBLE DEMON online:

Official Website

Facebook

BandCamp

Twitter

YouTube

TikTok

Spotify

TILL THE DIRT Annihilates With New Single "Starring Role"

After their volcanic introduction last month, extreme metal band TILL THE DIRT return with their followup single “Starring Role.” The catastrophic track is found on the band’s Scott Burns produced, debut record, “Outside The Spiral,” due out August 25th via Nuclear Blast Records.

Influential death metal legend, ATHEIST vocalist and TILL THE DIRT mastermind Kelly Shaefer comments on the new song:

“‘Starring Role’ is the first track on the album. It’s a song that ranks among my favorites on the record, and also a favorite of producer Scott Burns. It's a straight up ripper! It encompasses all of the unique hybrid qualities of this whole album. Lyrically it is a song about the oddness of dreams and the role we sometimes do not seem to play, or understand as we awake from them. This is a perfect banger for cranking loud, and driving at high speeds!”

Stream “Starring Role”: https://tillthedirt.bfan.link/starring-role

Recently signed to Nuclear Blast, Shaefer and crew made an explosive debut last month with their lead single and title track “Outside The Spiral,” which features TESTAMENT bassist Steve Di Giorgio. Watch the lyric video below.

Pre-Order “Outside The Spiral”: https://tillthedirt.bfan.link/outside-the-spiral-A

About TILL THE DIRT:

Kelly Shaefer is doing it again. With his new band TILL THE DIRT and their debut album “Outside The Spiral,” the legendary Floridian death metal revolutionary is set to inject a much-needed dose of fresh blood into this aging, saturated and self-referential thing that the style has morphed into over the decades. 
 
Everything in the genre of death metal basically rests on two pillars: extreme musical force and insane technicality – or in short, variations of more of the same that satisfies die-hard followers of this scene, but offers a rather limited artistic range. Now, Kelly and his co-conspirators in and around TILL THE DIRT have put all the fun back into extreme music by deliberately straying from the very formula that the Floridian guitarist unleashed onto the world as one of its leading proponents. One of the privileges of being a living legend is the freedom to do whatever you like without the need to prove anything to anybody. And this is exactly what happens on “Outside The Spiral.” Never shy in denying his death metal roots, Shaefer takes the liberty to amalgamate any musical influence into his songs as long as they fit. Don’t be surprised to find grunge, black metal, jazz, rock, dark wave, a dash of classic pop, and many other stylistic colors fused into tracks that range from relaxed malice to vitriolic face-ripping. 

A fly on the wall would have witnessed Kelly frantically composing night after night, only putting his guitar down to contact friends around the globe and sending them demos looking for feedback to either affirm his gut - feeling that his new material was going into interesting places or to put a stop to this fountain of creativity. Yet, one by one his friends were at least as excited about those tracks as the composer. A new metal juggernaut had started to roll and there was no stopping. Kelly recruited enlisted young musicians full of raw energy and passion to the cause of TILL THE DIRT and most importantly one of his first listeners offered his invaluable services: Scott Burns (ATHEIST, DEATH, OBITUARY, CANNIBAL CORPSE, CYNIC, MALEVOLENT CREATION, SUFFOCATION). 

"When Kelly sent me some demos, I was at first reluctant to listen to them,” reveals Scott Burns. "I thought I had kind of heard it all by now and I did not want to want to disappoint an old friend. When I finally gave the tracks a chance, it felt like being hit by an electric shock: These tracks were fresh, exciting, and fun – just like in the old days. Those demos blew me away. I was immediately hooked to the point where I really wanted to be involved. I really thought that I had stopped producing death metal for good, but here we are now!" 
 
The pieces of this puzzle started to fall into place and while the guitarist kept chucking out killer tracks at neck-breaking speed, the producer started to add structure to the process by drawing from decades of experience. "I could not believe my luck that Scott Burns is throwing the full force of his amazing talent and status behind TILL THE DIRT, " enthuses Kelly. "He obviously did not expect to be hijacked and put back on the producer's chair, but I am glad to say that it did not take much convincing. I am extremely happy about this privilege: The mighty Scott Burns is back to bang your heads!"
 
With “Outside The Spiral,” TILL THE DIRT take you on a surprise-filled tour de force that will redefine the extreme metal genre in at least as many ways as ATHEIST did more than 30 years ago. Don't take our word for it, trust your ears!
 

Line up:

Kelly Shaefer | Vocals
Jerry Witunsky| Guitars
Ian Waye | Guitars
Yoav Ruiz Feingold| Bass
Dylan Marks| Drums

Follow TILL THE DIRT:

Facebook / Instagram / Youtube / TikTok

Polaris Share "Nightmare" Video

NEW ALBUM FATALISM OUT SEPTEMBER 1 VIA SHARPTONE RECORDS

Sydney melodic metalcore outfit Polaris return today armed with a ferocious new single and video "Nightmare."  

Watch the video below.

"Nightmare" is taken from the group's impending new album Fatalism, due out on September 1 via Resist Records in Australia and SharpTone Recordsfor the rest of the world. Pre-order it here.

Featuring an equally ominous music video capturing the track's dystopian themes, "Nightmare" also pays tribute to the recent devastating loss in the Polaris family.

As drummer and lyricist Daniel Furnari explains, "We created this video with our friend Ben Wrigley, AKA Third Eye Visuals, who found some amazing locations and imagery to help us convey the track when paired with his brilliant editing skills. This was the second of three music videos we filmed with [late guitarist] Ryan [Siew] earlier this year. It has been a challenging and very emotional task to complete these videos in light of what has happened, but after careful discussion with his family, we collectively felt that we wanted to share with the world the final things that Ryan created with us. We will proudly cherish the memories of him contained in this footage, and hope you will too."

Following the release of Fatalism's first single, "Inhumane," the origins of "Nightmare" trace back to the album's infancy, penned in 2022 during a week-long writing session in the Blue Mountains.

'Nightmare' is a reflection on the constant state of fear that the world at large seems to have lived in for much of the past couple of years — the feeling of waking up every day into a dystopia of uncertainty and anxiety where nothing really feels safe anymore," shares Furnari. "The more I thought about it, the more I arrived at the conclusion that maybe this fear was the biggest thing we all had in common during a time of such great division — that our collective dread was our greatest unifier. That concept then really helped to shape the thematic direction of the rest of the record.

He continues, "This was the second song that was written for the album and it started with that chorus melody, chords and lyrics, which I brought to the guys to build a song around. We fleshed it out on our first writing trip to the mountains and it developed into a very riff-heavy song, with the guitar being passed back and forth a lot between Rick and Ryan and all of us weighing in, so I think we all had an early attachment to it for that reason."

Fear: humanity's great divider, but also its most potent unifier. It’s this very notion that lies at the beating core of Polaris’s third album Fatalism; a record shaped by the sense of despair and dystopia that engulfed the world over the past few years, and the overwhelming accompanying sensation that we were powerless to change course.

Polaris have already firmly established their place as a fixture in the Australian heavy landscape via their first two albums, the ARIA-nominated The Death Of Me and 2017's The Mortal Coil, which debuted in the Australian Top 10. They have been awarded a laundry list of accolades, album of the year mentions in end of year lists, sold-out countless headline tours of Australia, and have toured across the globe. Not to mention performing at Download Festival, Unify Gathering in Australia, headlining Knight & Day Festival, and most recently performing the 2022 Good Things Festival headlined by Bring Me The Horizon.

Heart Of A Coward Announce New Album "This Place Only Brings Death" + Share Video For "Devour Me"

HEART OF A COWARD ANNOUNCE NEW ALBUM THIS PLACE ONLY BRINGS DEATH OUT SEPTEMBER 22 VIA ARISING EMPIRE

British heavyweights Heart Of A Coward have announced their  new album This Place Only Brings Death, set for release on September 22 via Arising Empire.

"This Place Only Brings Death is a self-reflective, heavy, and aggressive album that explores the harsh realities of modern society," says vocalist Kaan Tasan.

Pre-orders for This Place Only Brings Death will be available as CD, limited colored vinyl, together with unique merch options at the Arising Empire Store, band's shop, and many other online retailers. Pre-save/order This Place Only Brings Death here.

To herald this official start for their upcoming album, the band has shared "Devour Me." Watch the video below.

"'Devour Me' is written about tearing into open wounds to try and find answers, but only ending up exactly where you were before. The familiar feeling of being torn apart, getting nowhere and then being discarded," Tasan explains.

Heart of a Coward's newest album takes a bold, accessible turn, drawing heavily from metalcore influences as opposed to their previous leanings towards the progressive.

The album contemplates the inevitable theme of everything coming to an end, a sobering reality.
 
Heart Of A Coward released their debut album, Hope and Hindrance, in 2012, which received critical acclaim and helped establish the band's sound and style. They have since released several other albums — including Severance (2013), Deliverance (2015), and The Disconnect (2019).

HEART OF A COWARD ARE:
Kaan Tasan — Vocals
Carl Ayers — Guitar + Vocals
Dan Thornton — Guitar
Vishal "V" Khetia — Bass
Christopher "Noddy" Mansbridge — Drums

New Model Army To Release Live Album With Symphony "Sinfonia"

NEW MODEL ARMY TO RELEASE LIVE ALBUM WITH SYMPHONY SINFONIA OUT SEPTEMBER 15 VIA EARMUSIC

New Model Army are a band who continue to truly exist and thrive outside of any singular genre. Throughout their long and storied career, they have never taken the easy or safe choice, becoming notorious for shunning fame, and instead with each successive album pushing the boundaries of creativity.

It is the same principled, music-first approach that led to one of this year’s essential albums – Sinfonia. Recorded at Tempodrom, Berlin on July 15th, 2022, New Model Army and Sinfonia Leipzig, a full-scale orchestra, conducted by Cornelius During, may seem to some like an obvious evolution, however, in true New Model Army style they have broken down the barriers between band and orchestra in a new and exciting fashion. On Sinfonia, the band has redefined that relationship and defied expectation in a way that only they know how.

The show starts with a fully orchestral "Overture," but from the opening notes of "Devil's Bargain" to the closing of "Wonderful Way To Go," it is a complete journey across the time and space of a band who have always created vital, visceral music. The band and orchestra absorb each other alike and elevate the songs in both power and sensitivity.

All songs have been arranged for orchestra by long-time friend and guest violinist Shir-Ran Yinon, with whom New Model Army collaborated previously. However, this time they went above and beyond to create something unique, yet distinctly New Model Army.

Justin Sullivan states: "There have been many examples of rock bands playing with orchestras but not many good ones. We felt that the most important thing was that it must not sound or appear like a band with an added orchestra but had to be a unified 40-piece band."

Shir-Ran Yinon continues: "It felt like a big responsibility. When the band and I started working on this project, we immediately agreed that it should not turn into 'Justin Sullivan with orchestral accompaniment,' but must remain New Model Army. We all thought we had a unique opportunity to create something different and saw the orchestra as an integral and crucial part of it. The connection between the band, the conductor and the orchestra worked brilliantly."

The result is an album that subverts expectation of a previously well- trodden path between rock bands and orchestras. New Model Army's music lends itself perfectly to this new, fresh interpretation without losing its identity. Experimentation without compromise is the hallmark of New Model Army, and one of the primary reasons they are continually revered.

Dean White shares, "My enduring memory of it all was the spirit it was played with, one of camaraderie, willingness and joy and I think that comes through in the performance."

Michael Dean states, "What an experience this was! For me, the feeling of playing with such a massive sound was unbelievable. I remember in rehearsals, even before we started playing with the orchestra, just listening from the balcony I was absolutely blown away."

Ceri Monger: "The Sinfonia concert and the rehearsal days leading up to it were like going on a really cool, intense and adventurous holiday, a really special experience that was over before you knew it."

Cornelius During offers, "Music connects people. This has been known for a long time. For me personally, however, it has rarely been more noticeable than during the days we spent together with New Model Army and the Sinfonia Leipzig. There was an incredible atmosphere from the very first moment. The desire to push each other and to really put something special together" (...) "I look back on an unforgettable concert evening at the Tempodrom in Berlin - full of enthusiasm, passion and joy of playing."

Sinfonia will become available as a Double-CD Hardcover Mediabook, Triple 180g-Vinyl Gatefold and Digital. All live album’s first print CD and Vinyl LP Editions will include the full show on DVD.

A Strictly Limited earBOOK Edition with Double-CD, DVD, Blu-ray, 80- page book and an exclusive Bonus CD with 8 songs from the band’s “SO36” show in Berlin on July 17th, 2022, as well as various bundles will become available via an exclusive direct to consumer web shop.

Pre-Order Sinfonia here.

FORMATS:
Ltd. 2CD+DVD Mediabook / Ltd. 3LP+DVD Gatefold / Digital

DVD
Full live show together with the Sinfonia Leipzig orchestra, filmed at Tempodrom, Berlin, Germany, on July 15th, 2022

ON THORNS I LAY Hit New Heights on First Advanced Single

ON THORNS I LAY are Greek titans. The band came up through the underground during the early '90s, in the wake of Nightfall, Septicflesh and Rotting Christ. But while those bands were swayed more by symphonic and black metal, these Athenians developed a taste for the gothic. Which makes sense. After all, they are named after a Shakespearean sonnet. 

Now, 30 years and ten albums later, On Thorns I Lay have signed with Season of Mist. It's fitting then that their first offering for the label is a self-titled album. The lead single epitomizes the way this band conducts death and doom metal into an atmospheric thunder storm. A pale wan of keyboard casts a brooding shadow, while riffs reign down like lighting bolts.

But "Newborn Skies" reaches even greater new heights. The melodic leads just keep on climbing, until they ascend into a heavenly choir. "This song is talking about this critical moment in life when you need to reconsider, reanimate and restart in order to keep going and follow your dreams", the band says. "No matter how dark the ride has been, no matter how difficult and obscure, you have to make the final decision. You still have your fate in your hands".  

'On Thorns I Lay' is out October 13. Pre-save the album HERE. Pre-order it HERE.

ON THORNS I LAY started as a death metal band together with other cult bands in Greece in the early 90’s such as Rotting Christ, Septicflesh, Necromantia, Nightfall and started to spread their name in the local and global underground scene.

ON THORNS I LAY have released 9 albums so far such as “Orama”, “Crystal Tears” and “Aegean Sorrow” gaining great praise. The band have shared the stage with artists such as Dream Theater, In Flames, Anathema, Amorphis, Katatonia, Rotting Christ, Tiamat, The Gathering, Satyricon, Septic Flesh and many more. The band’s last album “Threnos” (2020) followed the path of atmospheric, yet emotional Doom Death Metal – paying tribute to the roots and representing the trademark sound of the band once again. ON THORNS I LAY continue to tell dense stories of loss and despair.

After their mini tour at the Baltic states with Rotting Christ in 2022, ON THORNS I LAY finished the recordings of their 10th album and first for Season of Mist. The self-titled LP pushes death-doom to epic heights, casting a newborn Gothic glow over muscular riffs and cavernous vocals hearkening back to the halcyon days of early ‘90s Peaceville death-doom.   

Current line-up:
Peter “Invoker” Miliadis: Vocals, bass (Dimlight, ex-Slaveatgod)

Chris Dragamestianos: Guitar

Nikolas Paraskevopoulos: Guitar (Dimlight, Yoth Iria)

Kostas Mexis: Bass (Aetherian, ex-Black Path)

Antonis Ventouris: Keyboard

Stelios Darakis: Drums (Dexter Ward, ex-Sacred Outcry, The Eternal Suffering, ex-Mortal Torment, ex-Lloth)
 
Recording line-up:
Peter “Invoker” Miliadis: Vocals, bass (Dimlight, ex-Slaveatgod)

Chris Dragamestianos: Guitar

Nikolas Paraskevopoulos: Guitar (Dimlight, Yoth Iria)

Antonis Ventouris: Keyboard

Stelios Darakis: Drums (Dexter Ward, ex-Sacred Outcry, The Eternal Suffering, ex-Mortal Torment, ex-Lloth)

Guest musicians

Fanny Melfi - Fallen From Grace 

Labros Kiklis - Fallen From Grace  

Stavros Papagiannakopoulos - Thorns Of Fire, Crestfallen  

Ilias Mantikos - Thorns Of Fire 

Katerina Tzitzou - Fallen From Grace 

Irina Dimaki - Fallen From Grace 

Anna Thana - Fallen From Grace 

Aris Karatzas - Crestfallen, Newborn Skies, Raise Empires, Among The Wolves 

Recording Studio:Devasoundz Studios

Producer:Fotis Benardo

Mix/Mastering:Fotis Benardo

Cover artwork:Dimitris Tzortzis

Pre-order:https://shop.season-of-mist.com/list/on-thorns-i-lay-on-thorns-i-lay
Pre-save:https://shop.season-of-mist.com/list/on-thorns-i-lay-on-thorns-i-lay
 
Formats:
CD Digipak
Digital download
Vinyl Gatefold (Black)
Vinyl Gatefold (Gold)
Vinyl Gatefold (Blade Bullet) 
Follow On Thorns I Lay
http://www.onthornsilay.net/
http://onthornsilay.bandcamp.com/
https://www.facebook.com/onthornsilay/
https://www.instagram.com/onthornsilayofficial/
https://twitter.com/onthorns
https://open.spotify.com/artist/7bGopU168qloFmaY1OcSwv

Portland-based indie pop artist BERKLEY presents 'Festival Day', rooted in Colorado and the pain of growing apart

"Equal parts catchy and groovy... recalls the carefully manufactured hits of pop kingpin Beck and songwriting savants Miike Snow. Shimmering synths envelop the listener like a warm bath, while a melodious electric guitar floats atop in the form of a rock-tinged bass line" ~ Dallas Observer

“Earnest and immediate pop-rock with shades of Americana and ’70s Laurel Canyon rock & roll" ~ Bandcamp Daily

"Superb. Here we have a super-catchy melody, a high feel-good factor, impeccable delivery and production. Fans of Ben Folds, Ethan Gold and Ben Kweller should take note" ~ Amplify Music Magazine

"Intertwines ‘70s country with modern pop and Berkley’s soft vocals layered to hazy guitars will remind you of a sunset in the countryside on a summer road trip" ~  Central Track

"Knows how to tug at the emotional heartstrings without ever venturing into the terrain of sappiness or maudlinism" - Ghost of Blind Lemon


Portland-based Colorado-raised artist Berkley will release his new single 'Fiesta Day', previewing his debut full-length album 'Pueblo', to be released via Oregon label Big Secret Records. Interrogating the small spaces shared between what-ifs of the past and the realities of the present is where Berkley’s songwriting sparkles. On 'Fiesta Day', Berkley blows the dust off the events that shape us to reveal what follows.

Over the pulsing rhythm that propels the track, Berkley revisits the end of a teenage friendship with clarity brought by time. The track pumps at a windows-down-driving tempo while Berkley pleads with the estranged: I don’t want you near / but I wish you were here / please understand me before the end of the world.

Set during Fiesta Day, a local celebration of Latinx culture in his hometown of Pueblo, Colorado, Berkley reclaims the pain of growing apart by reimagining a final conversation. Warbling Moog synthesizers, shaky guitars, and a lonesome piano represent the haunting memories of a lost connection.

Inspired by the first-person experimental video game Paratopic, which switches players’ perspective and place in time, the accompanying video takes viewers through different moments and locales in Berkley’s life, from a stretch of interstate in pre-COVID New Mexico to Berkley’s early 2000s high school years, his 20s spent in Los Angeles, and a 2008 sold-out performance in a northern Colorado theater. All footage was captured by the artist in his efforts to audio-visual cataloge his career.

Berkley is the musical moniker of Andrew Jones, a notable recording engineer who now channels his production and songwriting talents into this project. After exploring broad musical territory from recording with former Cher bassist and ASCAP award winner Bob Parr to 2016’s power pop collaboration with members of The Offspringto 2017’s “gorgeous” (AV Club) synthesizer project Sound for Bombs, Jones decided to sharpen his focus on electronic elements and pop song forms.

Earlier, he released 'Pueblo Nights', backed up by members of the Austin-based band Watering, which explores themes of memory, youth, and growth in Berkley’s hometown of Pueblo, Colorado as he recalls being in young dumb love in a small city’s punk rock and heavy metal music scene. Its straightforward laidback pop grooves are driven by shaky electric guitar tones and chiming keyboards.

“The passage of summer to fall in my hometown of Pueblo, Colorado is marked by this parade that takes place during an event called Fiesta Day. That time of year always reminds me of when a high school friend dropped out, seemed to change his identity, and left town. I was heartbroken and bitter about it until I wrote this song and realized I could have been a better friend and noticed why he did that. This is a song that sums up the album’s purpose well — taking responsibility for your part in the past and forgiving yourself, hoping others will too,” says Berkley.

In Berkley, Jones has found a palatable recipe for his wide range of influences and a renewed outlook on writing and performing. But his origins are unexpected. After touring in his own punk and metal bands in his teens and early 20s, Andrew Jones dipped his toe in the Los Angeles songwriting scene, ultimately finding himself among a team of writers developing early ideas for Michael Jackson’s comeback album.

Following Jackson’s death, Jones reevaluated his path in music and stopped writing and performing for three years while he taught university writing and literature. Jones’ muses returned in 2010 when he quit his teaching job to immerse himself in jazz guitar studies and rekindle his relationship with music and his primary instrument.

As of July 26, 'Fiesta Day' is available via Bandcamp, where the full 'Pueblo' album is available for pre-order. Set for release on September 1, it is available on CD and vinyl. The first 100 come in a random color (brown, army green, gray, or purple). It also includes exclusive audio from vintage Pueblo KDZA broadcasts and field recordings captured in Pueblo locales significant to Berkley's life. A seamless listening experience track to track, side per side - this is how Pueblo is meant to be heard.

SINGLE CREDITS
Music and lyrics by Andrew Jones aka Berkley
Berkley - vocals, guitars, keyboards, piano, drum machine
Ramon Muzquiz - drums
Recorded at The Nest Studio in Denton, TX
Engineered, mixed, and mastered by Andrew Jones
Additional recording at Huge Planet, Nashville, TN by Jake Davis
Field recording in Pueblo, CO by Andrew Jones and Josh Knobbs “Factor”
Cover layout and design by Dan Gremminger
Single cover photo by Sean Beeman
Artist photos taken by Juli Williams


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3TEETH Releases Stripped-Back New Single “Drift” & Music Video Giving Inside Look At Industrial Act In Studio Recording First New Album In 4 Years, ‘EndEx,’ Out September 22

Continuing with the series of monthly singles ahead of the release of new album EndEx in September, 3TEETH is sharing the brand-new track and video for “Drift,” offering a rare, stripped-back sound for the modern industrial act, honing in on a more emotive electro sound.

It’s paired with a music video that provides an intimate look at the five members in the studio, with insider portraits teeming with 3TEETH’s brand provocateur. There’s slithering reptiles, plumes of fire, an arsenal of artillery, loads of tech wizardy and desolate desert landscapes, taken from California’s Joshua Tree where the band holed up to work on EndEx.

See the video for “Drift” below;

Says 3TEETH frontman and creative lead Alexis Mincolla of the track, "Resignation is a testament to a life well-lived, a life unrestrained by fear or regret. It's the final triumphant flicker in the lantern, the last traces of a wild, fiery spirit burning brilliantly against the encroaching darkness as we drift from the mundane reality of flesh and bone to the spectral void where consciousness floats freely, unencumbered by the constraints of our physical existence."

3TEETH’s new album EndEx will be released by Century Media Records on September 22, showcasing the modern industrial act at their most raucous yet, unveiling bold revelations of humanity’s technosocial disintegration behind a brutal soundtrack that sounds all the alarms.

It’s the band’s first album since 2019’s Metawar, which Consequence just named as one of the Top 50 Industrial Albums of All Time, hailing 3TEETH as “one of the modern bands keeping industrial alive.”

EndEx features the handiwork of a solid extended team including the accomplished sound designer Mick Gordon (best known for his work on the gaming phenomenon DOOM) who produced several of the tracks along with producer Nick Rowe and mixer Sean Beavan (NIN), bringing in another dimension to the band’s unmistakable sound.

Early singles have included noisemaker “Paralyze” (featuring Ho99o9); the gripping sonic salvo, “Merchant of the Void,” that touches on the bleak landscape of modern society amid A.I. takeovers and economic collapse; “Slum Planet,” taking aim at the ills of a sick planet obsessed with over-consumption at all costs; and Scorpion,” a track in which the band’s instrumental arsenal is tempered by alluring female vocal chants that provide an ambient feel.

Early tracks have been hailed as some the “best new songs” by Metal Hammer and Revolver. While Metal Hammer says the new 3TEETH material “traces lineage in both Al Jourgensen and Trent Reznor,” Revolver hails the new music as “utterly gigantic and over-the-top in the best way possible” and applauds the return of 3TEETH in 2023 at a time “when we needed their apocalyptic, incendiary industrial-metal most.”

Ahead of the release of EndEx in late September, 3TEETH will release two more singles. Other highlights on the album include a cover of Tears for Fears’ “Everybody Wants to Rule the World,” continuing 3TEETH’s penchant for aggressive reworks of pop songs, previously seen on Foster the People’s “Pumped Up Kicks,” Sweet’s “Ballroom Blitz” and Dead or Alive’s “You Spin Me Round (Like A Record).”

EndEx will be available in CD, Gatefold LP, and digital album formats. Special formats include: 

• Red LP (available at all EU outlets)

• Red Smoke LP (available at all US outlets)

• Utra-Clear / Red Splatter LP (available from 3TEETH)

• Utra-Clear / Red Splatter LP (available from Revolver)

Pre-order EndEx here: https://3teeth.lnk.to/EndEx

ABOUT 3TEETH

3TEETH first manifested their cybersocial intentions as early as 2013: a musical entity born out of Mincolla’s Downtown L.A. weekly gatherings known as “Lil’ Death” With Xavier Swafford (keys, synth), Chase Brawner (guitars) and Andrew Means (bass, synth) joining Mincolla. 3TEETH released their first self-titled album the following year. Alliances with the likes of TOOL and Rammstein resulted in the collective’s first live performances and a rise to further notoriety with the release of 2017’s album shutdown.exe. which took 3TEETH to global stages. Working alongside producer and mixer Sean Beavan (NIN) at new label home, Century Media, 3TEETH upped their own sonic arms race with Metawar (2019) and entered a new echelon of cultural consciousness with a collection of tracks including the biting “President X” and their haunting take on Foster the People’s “Pumped Up Kicks.”

"The modern carriers of the industrial rock torch" — Revolver

"State-of-the-art sensory overload with take-no-prisoners level of aggression" — Rolling Stone

“3TEETH bring the aggression with aplomb” — Loudwire

“3TEETH are one of the modern bands keeping industrial alive”

— Consequence

3TEETH is:

Alexis Mincolla – vocals

Chase Brawner – guitars

Xavier Swafford – keyboards and synthesizer

Andrew Means – bass

Nick Rossi – drums

Find 3TEETH Online

Website: https://3teeth.org/

Facebook: https://www.facebook.com/3Teeth

Twitter: https://twitter.com/threeteeth

Instagram: https://www.instagram.com/3teeth/

YouTube: https://www.youtube.com/channel/UCdUZ81wDL5GF_v0XUOyJRSg

NYC artist GUITARMY OF ONE presents retro sci-fi inspired 'Soylent Seafoam Green' ahead of 'The Wave Files' LP

“An accomplished ex-punk who has made the striking transition to atmospheric soundtracks” ~ Big Takeover Magazine

"Helland has tapped something interesting and, dare we say, magical... Soundtracks for the movie in our minds" ~ PopMatters

"Fom hardcore punk to thrash metal, to folk-punk cabaret, to working with J. Mascis (Dinosaur Jr.), and more; Helland never fails to surprise with his continuous evolution as an artist" ~ Ghost Cult Magazine

"Outlandish, playful, mysterious... plays out like the soundtrack to an old detective television show" ~ Alt77


Guitarmy of One presents his latest adventurous offering 'Soylent Seafoam Green', the third single from his forthcoming crowdfunded album ‘The Wave Files’. With the title and mood inspired by the 1970s cult sci-fi movie 'Soylent Green', this song mixes dark ominous guitar riffing with surf guitar swells and foreboding reverb drenched melodies.

This is surf rock with a gothic edge from guitarist Scott Helland, an ex-hardcore punk bass player turned instrumental songwriter, whose first band (Deep Wound) was formed with alt-rock trailblazers J Mascis and Lou Barlow (Dinosaur Jr). He would later join hardcore/ crossover thrash stalwarts Outpatients, School of Violence and Darkside NYC before ultimately forming post-punk duo Frenchy and the Punk in 2005.

This solo project combines the thrilling sounds of spy-themed instrumental surf guitar music with punk vitality. Taking listeners on a sonic adventure to the realms of intrigue, danger and surf-soaked excitement, Helland channels that raw and unconventional spirit into a quirky fusion of genres.

"'Soylent Seafoam Green' is in keeping with my blend of the spy and surf sound and is quite dark for a surf song. However, it fits the theme of the 1973 dystopian thriller film 'Soylent Green' of which the song's title is based, but don't worry, listening to the song repeatedly won't lead to cannibalism!" says Scott Helland.

Earlier, Guitarmy of One released 'Kolchak meets the Sea Mobster', with a Spanish guitar-influenced twist and lead track ‘Top Secret Agent Man on a Wire Tapped Phone at Sea’, along with a fun spytastic video.

This record picks up where his latest album 'The Spy Detective Collective’ left off. Helland explains, "I wanted this album to be music you want to travel with - in your mind or physically. It’s action music, and I think it should ignite your imagination and take you on a journey. Wordless music relies on the visuals it creates so if it can take you on a sonic adventure across continents, or at least counties, my work is done. The idea for this album is rooted in spy and detective shows from the 60s, 70s and 80s. I want the music to be a sonic equivalent of those shows and movies where you’re riding the waves of intrigue and espionage so the music has to match that sense of urgency and excitement."

As a full-fledged espionage-inspired surf rock act, Guitarmy of One takes us on a thrilling musical journey, blending the realms of instrumental guitar, surf music and the mystique of spy themes within the one person band format. Helland weaves his mysterious and generous acoustic-electric melodies over propulsive spy riffs and electro beats, layering and building patiently toward engrossing payoffs.

Influenced by Spanish guitar, punk and metal, Guitarmy of One conjures up images of secret agents, high-speed chases, and hidden agendas through his intricate layered compositions. His mix of surf guitar techniques (i.e. reverb-drenched chords, lightning-fast tremolo picking, and tremolo bar vibrato albeit with a Bigsby bridge pedal) creates a sonic landscape that is both nostalgic and forward-thinking.

As of July 26, 'Soylent Seafoam Green' is available across digital platforms, including Spotify, Apple Music and Bandcamp, where the full album can already be ordered. On August 18, 'The Wave Files' album will be released on CD, as well as digitally.

CREDITS
Written, performed and produced by Scott Helland
All instrumentation by Scott Helland
Engineered by Jason Sarubbi Split Rock Studio, New Paltz, NY
Mastered by Jason Sarubbi
Cover Art by Nukui Bogard
Layout and Single Design Samantha Stephenson
'Top Secret' video filmed and fdited by Guitarmy of One
Artist photos by Samantha Stephenson

LIVE SHOWS
SEPT 1-3  Atlanta, GA - DragonCon 2023
OCT 7  New York, NY - Unsteady Freddie's Surf Rock Shindig


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Dying Wish Announce New Album "Symptoms of Survival" + Share "Watch My Promise Die" Video

Portland's own DYING WISH have announced their new album Symptoms of Survival. It arrives on November 3 via SharpTone Records. Pre-order it here. 

To accompany this exciting news, the quartet has shared the video for "Watch My Promise Die." Watch it below. 

"'Watch My Promise Die' is written about the overwhelming anxiety of pre-destined failure," says singer Emma. "When you commit everything you have to one area of your life, the idea of it falling apart looms with such heavy importance. The song is written from the perspective of toying with that fear, allowing your weakness to overcome before you lose everything in a means outside of your control."

As for the album as a whole, she continues, "Symptoms of Survival is an eleven-part piece covering the complexity of human suffering in all forms. From the honest and personal perspective of heartbreak, painful trauma, loss, rage, and regret — to the more objective perspective of war, greed, and ultimate survival."

WORM SHEPHERD Descend With Ominous New EP 'The Sleeping Sun' And New Single "The Dying Heavens"

Symphonic deathcore devastators WORM SHEPHERD are returning with their crushing new EP 'The Sleeping Sun', due out 8/18 via Unique Leader Records pre-save the EP HERE. As a blood-curdling taste of the release, the band has unleashed new single "The Dying Heavens" with an accompanying lyric video, available now. Watch below and listen HERE.

'The Sleeping Sun' EP marks the next grim chapter in WORM SHEPHERD's rapid ascent since their striking 2021 debut album 'In The Wake Ov Sol'. Across 5 epic tracks, the band showcase their trademark blend of destructive deathcore and cinematic orchestral arrangements.

On the creation of the EP, guitarist Tre Purdue shares: 

“This EP has a ton of layers to it. We wanted to capture a lot of elements that we haven’t tackled before and retain some of the sound we’ve had previously. When I wrote this EP I wanted you to experience something new every song. Going from emotional melodies to bone crushingly heavy… I think is something we captured perfectly on this EP and is only a taste of what’s to come, as we continue to grow and experiment with our sound.”

Fans may recognize "The Frozen Lake Part II" which was previously released as a standalone single along with a chilling music video earlier this year. Now the song has found its rightful place within the immersive narrative of 'The Sleeping Sun' EP, having racked up 55,000 YouTube views and over 153k Spotify streams.

Prepare to be entranced by WORM SHEPHERD's expansive symphonic visions when 'The Sleeping Sun EP' rises on 8/18.

ABOUT WORM SHEPHERD

Formed in 2019, WORM SHEPHERD are a cutting-edge symphonic deathcore band based in Brockton, MA.

Their debut album 'In the Wake Ov Sol' made waves upon its release in 2021, showcasing the band's dexterous musicianship and cinematic flair and was praised as "one of the most promising deathcore debuts in recent memory" (Distorted Sound), "an atmospheric and emotive masterpiece" (Metal Injection) and "a dynamic symphonic reimagining of deathcore" (Ghost Cult Magazine).

Blending blackened death metal, old school deathcore and dramatic orchestral arrangements, WORM SHEPHERD have quickly become a rising force in the extreme metal underground that shows no signs of slowing down.