Theodor Bastard Announce New Album '▽'

While they’ve remained relatively silent over the past six years, Theodor Bastard refuse to stay still. Amidst the shadows of the pandemic, war and invasive technology, the world music pioneers have been searching for a way out of the darkness that’s descended over our reality. The path that they discovered on their upcoming eighth studio album didn’t lead back to their home in the forest of Karelia, but away from it, into the coldness of the city, a collapsing civilization, and ultimately, rebirth.  

Today, Theodor Bastard are announcing their new album ▽ (pronounced V) with a thrilling music video for its bewitching lead single. While it reconnects with their roots in electronic music, “Sverkay” is a sure sign that the band are bound for dark new horizons.

“This album might never have happened”, Theodor Bastard producer, multi-instrumentalist and founding member Fedor Svolotch says. “So much has surrounded us during recent years: the pandemic, war, division, fear, anxiety over technology, and a sense that reality itself is becoming darker and more unstable. We have felt so much anger, pain, confusion and disappointment both in ourselves and in the world around us. All these emotions were gathering inside us, changing, darkening, searching for a form, until they eventually transformed into the unexpected on ▽”.

Watch the music video for “Sverkay” below:

▽ comes out November 13, 2026 on Season of Mist.

Pre-order

https://orcd.co/theodorbastardv

Pre-save on Spotify

https://open.spotify.com/prerelease/0K4F1n6atFEiEO5Y9N9v8y?si=VgItWmKBTK-7B0ImO8M0MQ&utm_source=copy-link

▽ reflects just how much has changed since the world last heard from Theodor Bastard in April 2020. While the band are still recognized internationally for blending ritual folk, electronics and world music, on their new album, they’ve re-embraced their early electronic impulses because that’s now how modern life feels: cold, sharp, tense.

“Our sound changed because the world changed”, Svolotch explains. “We had to destroy our own habits and expectations to make ▽. We wanted to start again, as if the band has no past, no safe place, no ready-made formula. As a result, this album is not a continuation of what came before. It’s a different door”.

Long-time fans of Theodor Bastard were pleasantly surprised late last year when the pulse-pounding analog synths of “Nebo” first appeared in the award-winning Russian crime drama The Method. But the latest single from

▽ is a giant leap from the softer, more earthly textures of the band’s recent studio ventures. Like a spaceship, “Sverkay” rumbles with distorted bass before it’s suspended high above the earth by a trap-like beat.  

The video for “Sverkay” was directed by Fedor Svolotch and stars Yana Veva. Theodor Bastard built the spaceship that appears in the video by hand. They also created the video’s practical and visual effects themselves. The concept for the spacesuit was created by Yana Veva and made by TomHem Studio.  

Additional video credits  

Screenwriters - Fedor Svolotch & Yana Veva

Director of Photography - Oleg Makoseev

Additional Camera - Vyacheslav Salikov

Film Editor - Fedor Svolotch

Gaffer & Assistant Director - Taras Frolov

Storyboard Artist - Yana Veva

Spacesuit Concept Art - Yana Veva

Spacesuit Fabrication - TomHem Studio

Spaceship Control Panel Fabrication - Andy Vladych

Spaceship Cockpit Concept - Alexey Kalinovskiy

Set Design and Construction - Alexey Kalinovskiy & Kusas

Props Master - Alexey Kalinovskiy

Practical Effects - Alexey Kalinovskiy & Kusas

Visual Effects - Maria Starostina & Fedor Svolotch

Colorist - Vyacheslav Salikov

With  ▽, Theodor Bastard return with dark electronics for dark times.  

Recording Lineup
Yana Veva - Vocals, Lyrics, Vocal arrangements, Synthesizers, Keyboards
Fedor Svolotch - Arrangements, Guitars, Bass guitar, Synthesizers, Analog synthesizers, Keyboards, Drum programming, Sound design, Sound production, Mixing
Christine Kazarian - Harp
Vyacheslav Salikov - Cello / Strings
Kusas - Percussion, Bells, Metallophone, Marimba, Jaw harp
Ekaterina Dolmatova - Backing vocals
Eli H - Bass guitar
Alexey Kalinovskiy - Keyboards, Synthesizer, Lap slide guitar
Vyacheslav Nikiforov - Drums
Sergey Smirnov - Drums
Maria Starostina - Flute, Backing vocals
Maxim Kostyunin - Guitar
Gale Dorothy - Vocals on Molnii i Svist

Current Lineup
Yana Veva - Vocals
Fedor Svolotch - Sound, Guitar, Electronics
Andy Vladich - Drums
Alexey Kalinovskiy - Keyboards
Kusas - Percussion
Vyacheslav Salikov - Cello
Ekaterina Dolmatova - Backing vocals

Production Credits
Producer - Fedor Svolotch
Sound Engineer - Fedor Svolotch
Mixing Engineer - Fedor Svolotch
Mastering Engineer - Boris Istomin
Recording Studio - Theo Records
Mastering Studio - Knob Studio

Cover Artwork
Fedor Svolotch

Artwork / Layout Designer
Yana Veva & Fedor Svolotch

Pre-order & Pre-save
https://orcd.co/theodorbastardv

Booking
Maxim Krupoderya
theodorbastard@gmail.com

Follow Theodor Bastard
Website: https://theodorbastard.com/
Bandcamp: https://theodorbastard.bandcamp.com/
Spotify: https://open.spotify.com/artist/2PQ9UX4kWDE3mf2fYGRzqF
Apple Music: https://music.apple.com/us/artist/theodor-bastard/204585292
YouTube: https://www.youtube.com/theodorbastard
Facebook: https://www.facebook.com/TheodorBastard/
Instagram: https://www.instagram.com/theodor_bastard/?hl=en

The Ghoulstars Announce Tour Supporting Turmion Kätilöt

Finnish horror punks The Ghoulstars are thrilled to announce that they are opening the first leg of fellow Finns Turmion Kätilöt’s Resodance Tour. During these six dates across Finland, The Ghoulstars will perform songs off their monstrously catchy debut album, The Dark Overlords of the Universe, which was featured on CNN’s Hollywood Minute.

Get tickets at https://turmionkatilot.com/shows/

The Ghoulstars Supporting Turmion Kätilöt Resodance Tour

December 3 - Jyväskylä, FI @ Lutakko

December 4 - Jyväskylä, FI @ Lutakko

December 5 - Joensuu, FI @ Kerubi

December 11 - Seinäjoki, FI @ Rytmikorjaamo

December 12 - Oulu, FI @ Tarkastamo

December 19 - Turku, FI @ Teatro

The Ghoulstars Additional 2026 Dates

October 24 - Kuopio @ Ottopoika [TICKETS]

More dates announcing soon.

The Dark Overlords of the Universe is out now on Season of Mist.

Order & Stream

https://orcd.co/theghoulstarsdarkoverlords

The Ghoulstars may be undead, but there’s nothing pale or lifeless about The Dark Overlords of the Universe. The title track crosses surf beats, heavy riffing and a hair-raising transition into a chorus that’s absolutely to die for. “We can’t wait to unleash this delightful horror upon the world”, Laakso says with an ominous glint in his bloodshot eye. “As V. Santura told me: ‘The record is unique, catchy and a really fun listen’”.        

With The Dark Overlords of the Universe, The Ghoulstars direct a monstrously catchy mash-up between metal, punk and B-horror.

Lineup
Markus "Daddy Ghoul" Laakso - Guitars
Toni "Ghoulio" Ronkainen - Drums
Arthur "LL Ghoul A" Thure - Vocals
Markus "Hella Ghoul" Makkonen - Bass

Guest musicians
Mathias "Vreth" Lillmåns (...and Oceans, Finntrol) - Backing Growls
Tommi "Tuple" Salmela (Tarot, Raskasta Joulua, Lazy Bones) - Backing Vocals on "The Dark Overlords of the Universe")

Production credits
Produced by Markus Laakso
Guitars recorded by Markus Laakso and Erkka Närhi
Vocals recorded by Markus Laakso and Mathias "Vreth" Lillmåns
Drums recorded by Erkka Närhi
Bass recorded by Samu Männikkö and Markus Laakso
Percussion recorded by Markus Laakso
Mixed & Mastered by V. Santura at Woodshed Studio in Germany

Cover art

Niko Anttila

Order & Stream
https://orcd.co/theghoulstarsdarkoverlords

Booking info

Finland

Rowan Rafferty at Nem Agency - rowan@nem.fi

Rest of the world

info@theghoulstars.com

Follow The Ghoulstars
Official website: http://www.theghoulstars.com
Bandcamp: https://theghoulstars.bandcamp.com

Spotify: https://open.spotify.com/artist/2Pr3ThFZK0tnUDqDSlMuBX

Apple Music: https://music.apple.com/us/artist/the-ghoulstars/1872811142

YouTube: https://www.youtube.com/@TheGhoulstars

Instagram: https://www.instagram.com/theghoulstars/
Facebook: https://www.facebook.com/theghoulstars/

Der Weg einer Freiheit Announce Instrumental Version of Innern

The German progressive black metal band Der Weg einer Freiheit are announcing an instrumental version of their critically-acclaimed sixth album. The instrumental version of Innern marks the album’s one-year anniversary by highlighting the compositions and instrumentation that underpins one of the band’s most introspective albums.  

Along with the announcement, today, Der Weg einer Freiheit are releasing the instrumental version of “Xibalba” across all digital platforms. The song carries particular significance for Innern. It was the first song on the album that the band finished the instrumentation for but was the last to receive vocals.  

Listen to the instrumental version of “Xibalba” below:

The instrumental version of Innern comes out on all digital platforms September 11, 2026 via Season of Mist.

Pre-save

https://orcd.co/derwegeinerfreiheitinnern

"The initial idea came from our bassist, Alan," says Der Weg einer Freiheit vocalist and guitarist Nikita Kamprad. Alan Noruspur spent months living with the instrumental version of "Xibalba" during the writing process for Innern. He found himself missing it once vocals were added. That attachment led the band to reconsider an idea they had floated even before the original release of Innern: a fully instrumental companion to the album.

The instrumental edition is not simply a muted version of the original mix. Kamprad built an entirely new mix for the release, rebalancing instrument levels and adding new atmospheric layers in places. "The instrumental version has to carry the same atmosphere, emotion and narrative on its own," he explains. "Removing the vocals allows all of these carefully crafted details to breathe." With the vocal layer gone, the synthesizers and ambient textures that give Innern its cinematic scale, treated by Kamprad as compositional elements rather than embellishments, move to the foreground, alongside the interplay between Kamprad and Nicolas Rausch's guitars, Alan Noruspur's bass and Tobias Schuler's drums.

"Every song usually begins as an instrumental composition, so in many ways, this version of Innern represents the songs in their original form” Kamprad says. “We don't see it as an alternative to the original album, but as another perspective on the same body of work, one that places the focus entirely on the music itself."

The original version of Innern is available now on Season of Mist

Order & Stream

https://orcd.co/derwegeinerfreiheitinnern

Catch Der Weg einer Freiheit this fall on their headline tour of Europe with Conjurer and Brnjsmin

Get tickets

derwegeinerfreiheit.de/live

Der Weg einer Freiheit 2026 European Fall Tour

with Conjurer and Brnjsmin

October 16 - Dresden, DE @ Groovestation
October 17 - Kraków, PL @ Zascianek
October 18 - Warsaw, PL @ Mechanik
October 19 - Brno, CZ @ Melodka
October 20 - Graz, AT @ Explosiv
October 21 - Milano, IT @ Q-Hub
October 22 - Wörgl, AT @ Komma
October 23 - Sion, CH @ Le Port Franc
October 24 - Langenthal, CH @ Old Capitol
October 25 - Maastricht, NL @ Samhain (without Brnjsmin)
October 26 - Cologne, DE @ Essigfabrik
October 27 - Marburg, DE @ KFZ
October 28 - Bremen, DE @ Tower
October 29 - Hanover, DE @ Bei Chez Heinz
October 30 - Rostock, DE @ Peter Weiss Haus
October 31 - Stuttgart, DE @ Kulturquartier

DER WEG EINER FREIHEIT stand now at the peak of a fifteen-year evolution. Their music is as concerned with silence as it is with sound, as shaped by introspection as by fury. As they prepare to bring Innern to European stages in autumn 2025, they do so not as provocateurs of extremity, but as artists navigating the fragile space between collapse and clarity. In a genre often defined by spectacle, DER WEG EINER FREIHEIT remain committed to vulnerability, transformation, and truth.

Line-up:
Nikita Kamprad — Guitars
Nicolas Rausch — Guitars
Alan Noruspur — Bass
Tobias Schuler — Drums

Production Credits:
Recorded, mixed & mastered in Würzburg, Germany by Nikita Kamprad.
Drums recorded separately at Studio Weißmann, Würzburg, Germany.

Cover Art:
Design & layout by Max Löffler (https://maxloeffler.com/)

Photography:
Mario Schmitt

Follow Der Weg Einer Freiheit:
Official Website: https://derwegeinerfreiheit.de/
Bandcamp: https://derwegeinerfreiheit.bandcamp.com/
YouTube: http://www.youtube.com/derwegeinerfreiheit
Instagram: http://instagram.com/derwegeinerfreiheit
Facebook: http://www.facebook.com/derwegeinerfreiheit
Spotify: https://open.spotify.com/artist/7e823b0KQoVtLG86Ui5xGD
Apple Music: https://music.apple.com/artist/der-weg-einer-freiheit/363526020
Deezer: https://www.deezer.com/artist/1386896
Tidal: https://tidal.com/browse/artist/4479035

TEMIC Release Pristine New Ballad "Broken"

TEMIC certainly lived up to the hype with their chart-topping debut, but the international prog supergroup have grown by leaps and bounds on their mighty and magical second album. Fans and critics are trembling in anticipation for Ceiba, the group’s thunderous ode to loss.  

Today, TEMIC are releasing the second advanced single from Ceiba.  “Broken” bares the album’s soul with grief and grace.

“‘Broken’ is built around overwhelming emotion and honesty”, TEMIC vocalist Fredrik Klemp says. “We wrote the song in 30 minutes. It came together instinctively. There was no need to overthink it or make it into something more than what it already was. We simply allowed it to be what it is. I think that’s where the song gets its strength”.

“The honesty of this song became very important to my vocal performance”, Klemp continues. “It connects to experiences and emotions that are deeply personal to me. Rather than distance myself from them, I wanted to let those emotions come through in my voice. My performance sits deliberately close to the edge, fragile and unsteady, as if it could give way at any moment”.  

Watch the music video for “Broken” Below:

Ceiba comes out October 2, 2026 on Season of Mist

Pre-order

https://orcd.co/temicceiba

Pre-save on Spotify

Ceiba - Upcoming Album by TEMIC | Spotify

Hear TEMIC perform “Broken” and other new songs from Ceiba on their fall headline tour with very special guests and Season of Mist labelmates Kingcrow.  

TEMIC Autumnal Offerings 2026 European Tour

with very special guests Kingcrow

October 17 - Toulouse, FR @ Ready For Prog Festival  [TICKETS]

October 18 - Pratteln, CH @ Z7 [TICKETS]

October 19 - Munich, DE @ Backstage [TICKETS]

October 20 - Maastricht, NL @ Muziekgieterij [TICKETS]

October 21 - Paris, FR @ Backstage By The Mill [TICKETS]

October 22 - Rüsselsheim, DE @ Das Rind [TICKETS]

October 24 - Toruń, PL @ Art Rock Festival [TICKETS]

More dates to be announced soon.

No matter how deep Ceiba digs into philosophical terrain, TEMIC continue to branch out in all directions both literally and figuratively. The album treats loss not as an end but as one more step along life’s path. “Your soul will never die”, assures lead single “Ceased To Be”, which crosses between prog’s technical sorcery and pop’s divine melodies with relative ease thanks to shrewd guidance from the group’s newest member and bassist Miguel Pereira (Withem, Big City). Supported by swaying leads, towering cleans and firm groove, 10-minute closer “As Long As We Last” promises to stay with us long after its final epic solo.    

“We wrote this album together with contributions from all five members”, the band says. “We allowed ourselves to explore the songs and really extend ourselves while always keeping the emotions at the front of our minds”.  

With Ceiba, TEMIC return with a thunderous ode of prog.  

Lineup

Fredrik Klemp (Maraton, 22) - Vocals

Eric Gillette (The Neal Morse Band, Mike Portnoy's Shattered Fortress) - Guitars, Backing Vocals

Diego Tejeida (Devin Townsend, Mike Portnoy's Shattered Fortress, ex-Haken) - Keyboards, Sound Design

Simen Sandnes (Shining, Arkentype)  - Drums

Miguel Pereira (Withem, Big City) - Bass

Production credits

Drums and lead vocals recorded at Lionheart Studio in Oslo, Norway

Lead vocals engineered and produced by Diego Tejeida

Mixed by Chris Edrich

Mastered by Pierrick Noël at Atelier Mastering

Cover artwork

Hicham Hamzi / H-Hich Design

Pre-order

https://orcd.co/temicceiba

Pre-save on Spotify

Ceiba - Upcoming Album by TEMIC | Spotify

Follow TEMIC

Official Website: https://temicband.com

Bandcamp: https://temic.bandcamp.com/album/terror-management-theory

Apple Music: https://music.apple.com/us/artist/temic/1695936703

Spotify: https://open.spotify.com/artist/21VXRBFEQrR6Xrot1y5t7I

Facebook: https://www.facebook.com/TEMICBAND

Instagram: https://www.instagram.com/temicband

YouTube:https://www.youtube.com/channel/UCaslvfVCVrV4cdARmdiQKGg

Untitled With Drums Premiere New Album Made Flesh

UNTITLED WITH DRUMS have shared the stage with Deftones and Baroness, but the band are giving their hybrid of ‘90s post-hardcore and 2000’s alt metal an even greater emotional charge on their upcoming second album, Made Flesh.

Made Flesh comes out tomorrow, Friday, August 21 on Season of Mist, but you can hear all 10 catchy and cutting songs today by listening to the full album stream on the Season of Mist YouTube channel.

Listen to Made Flesh Below":

Made Flesh comes out August 21, 2026 on Season of Mist

Pre-order & Pre-save

https://orcd.co/untitledwithdrumsmadeflesh

Made Flesh pushes Untitled With Drum’s familiar but fresh sound like never before. Lucas D.'s riffs cut harder while his more atmospheric passages stretch out further, woven through Nicolas Z.'s increasingly prominent synth work. Rémy D.'s drumming anchors the songs with assertive, sometimes intricate grooves, and Martin L.B.'s vocals and bass carry the record's emotional charge throughout.

No strangers to the specialist press or the festival circuit, Untitled With Drums have been together since 2014. The band released their debut album Hollow in 2020, just days before their native France entered its first COVID lockdown. Despite the timing, the album drew widespread praise and propelled the band to the stages of Hellfest, London’s Desertfest and the Nuits de Fourviere festival, where they opened for the Deftones and Baroness.

While the power of Lucas D.'s riffs is heightened, the ethereal soundscapes he weaves are even more expanded. They blend seamlessly with Nicolas Z.'s synthesizers, now more prominent than ever. Rémy D.'s drumming provides the songs’ backbone, delivering grooves with assertive nuances without neglecting more intricate patterns. This array of strengths wouldn't be complete without bassist Martin L.B..'s vocals, never failing to deliver an infectious emotional intensity. This energy serves Made Flesh's thematic focus: a satirical outlook on our times delivered from a multitude of perspectives, like donning and dropping one mask after another.

With this sophomore album, UNTITLED WITH DRUMS establish themselves as the beacon of a French rock scene struggling to take risks, too often settling for crude heaviness. Theirs cuts deeper — straight to the flesh.

Line-up:
Martin L.B. — Bass, Vocals, Additional Guitar

Lucas Delay — Guitar, Additional Guitar

Nicolas Zalachas — Keyboards

Remy D. Perrin — Drums, Additional Guitar

Additional Recording Lineup:

Etienne Marchal — Additional Guitar

Recording Studio:

Halle du Jeu de Paume (Vic-le-Comte, France).

Production Credits:

Produced and Mixed by Cyrille Gachet.

Mastered by Alan Douches at West West Side Music.

Cover Art:

Martin Le Borgne

Biography:

Clément Duboscq

Photography:

Angélique Delabre

Follow Untitled With Drums

Linktree: https://linktr.ee/uwd666

Bandcamp: https://untitledwithdrums.bandcamp.com/

Facebook: https://www.facebook.com/untitledwithdrums/
Instagram: https://www.instagram.com/untitled_with_drums/

YouTube:https://www.youtube.com/channel/UC07Z6EpQUvCmC84MN1Rhqzg

Spotify: https://open.spotify.com/artist/4XiFVuDepsbUebkmNbTjlu

Apple Music: https://music.apple.com/artist/untitled-with-drums/1433932755

Deezer: https://www.deezer.com/artist/50464792

Tidal: https://tidal.com/browse/artist/3842713

Holissstik Premiere Debut Album Chapter I: This Endless Solitude

As a founding member of the critically acclaimed Manes and Lethe, Tor-Helge Skei has pushed the boundaries of both black metal and electronic music. Now, after more than 30 years, he’s expanding his vision like never before with Holissstik, a dark collective experiment that features fellow underground legends and rising stars from the avant-garde.

Chapter I: This Endless Solitude comes out tomorrow, Friday, August 14, but you can hear all eight endlessly rewarding songs today by listening to the full album stream below.

“The inspiration for Holissstik comes from the Greek word Hólos, which is the root for the English word ‘whole’”, Skei says. “Collaboration is the heart and soul of this project. The idea is that each part cannot exist or be understood when separated from the whole. The sum is greater than its parts”.  

Pre-order & Stream

https://orcd.co/holissstiktheendlesssolitude

As could only be the case, Holissstik’s opening chapter started with Skei alone at his studio. But after meticulously sketching This Endless Solitude with his collection of guitars, recording software and homemade plug-ins, he allowed outside influences to take control. The album features more than 15 collaborators, including Martyna Hallas (Rage of Light), Marita Hellem (Martyra), French rapper Pierre Ripka, Paritta Monks and members of Manes and Lethe. It unfolds with surprising twists and turns right from the start, too. Lead single “The Rhythm of Silence” slips seamlessly through the cracks between trip-hop and industrial noise into rap.  

Much like the wilted flowers that lay on its cover, death and its psychological offshoots linger in the many corners of This Endless Solitude. Hypnotized by soft spinning synths, “Reoccuring Dreams”quickly descends into a nightmare. But amidst deep-seeded anxieties, intrusive thoughts and other ceaseless discomforts, like a rope that guides one out of a cave, Holissstik still cling to hope. “Hold it gentle / In the palm of your hands”, Halas offers during enchanting centerpiece “Would You Take This Heart”. As the title track ends the album by turning into the light, it’s not so much an invitation as it is an invocation to become something greater than ourselves.  

With This Endless Solitude, Holissstik emerge as a boundless, unified force.

Although the very nature of Holissstik demands that we expect the unexpected, the collective’s future certainly seems to guarantee obsidian horizons and torrential deluges of artistic truth. In other words, the project promises to persistently and ritualistically pummel us with devastating yet necessary, epic masterworks. Skei and his collaborators truly present the most immersive experiences possible and, in Manes language, offer a safe place in the unsafe; dive in with your hands bound, and be submerged within the imprisoning brilliance. Skei continues to participate in a range of outstanding groups, and yet Holissstik stands as the most unpredictable and, counterintuitive as it might sound, accessible undertaking in the history of his illustrious career.

Lineup
Tor-Helge Skei

Guest musicians

Anna Murphy - Vocals on “Obsession Six”

Christophe Denhez - Guitars on “The Rhythm of Silence”, Guitars, vocals and lyrics on “Behind Me”

Eivind Fjøseide - Guitars on all songs except “Projections”

Gabriel Trentini - Vocals and lyrics on “Obsession Six”

Kristoffer Oustad - Synth on “The Rhythm of Silence”, “Projections”, “Reoccuring Dreams”, “This Endless Solitude”

Tor-Arne Helgesen - Drums on all songs except “Behind Me” and “This Endless Solitude”

Marita Hellem - Vocals on “The Rhythm of Silence” and “This Endless Solitude”

Martyna Halas - Vocals and lyrics on “The Rhythm of Silence”, “My Salvation”, “Would You Take This Heart” and “This Endless Solitude”

Nik Košar - Vocals and lyrics on “Projections” and “Reoccuring Dreams”

Pierre Ripka - Vocals and lyrics on “The Rhythm of Silence”

Paritta Monks - Chanting on “Would You Take This Heart”

Rune Folgerø - Vocals on "This Endless Solitude"
Rune Hoemsnes - Drums on "Behind Me"
Stig Waltoft - Synth and sounds on "Would You Take This Heart"
Tom Engelsøy - Vocals on "Obsession Six"
​Torstein Parelius - Bass on "Behind Me" and "This Endless Solitude", lyrics on "This Endless Solitude"
Trond Johansen - Guitars ​on "Would You Take This Heart"

Production credits

Recorded, produced and mixed by Tor-Helge Skei

Mastered by Knut V. Prytz

Songwriting credits

All songwriting and arrangements by Tor-Helge Skei

Biography

Jillian Drachman

Cover art

Adrien Bousson

Pre-order & Stream

https://orcd.co/holissstiktheendlesssolitude

Available formats

CD Digipack with alternative cover

12” Vinyl (Black)

12” Vinyl (Clear, green and purple marbled)

Follow Holissstik  

Official website: https://www.holissstik.com/

Spotify: https://open.spotify.com/artist/2kUEjjZJGqkwgszR0HQ8IK?si=u6nO-aJkT2inWJlOaDT6Vg

Apple Music: https://music.apple.com/us/artist/holissstik/1895853949

Bandcamp: https://holissstik.bandcamp.com/

YouTube:https://www.youtube.com/channel/UCzTKclWOedWL9-sznSesabA

Facebook: https://www.facebook.com/holissstik

Instagram: https://www.instagram.com/holissstik/

Discord: https://discord.gg/rmfY8Jd8ww

Miscreance Perform Deadly Tech-Thrash Ritual on New Single “The Moaning Hill”

When they officially arrived on the scene in 2022, after crawling through Italy’s underground, Miscreance were likened to Death, Sadus, Voivod and other immortal beings who have shaped the alternate timeline that is the history of extreme metal. The band’s thrashing riffs and blistering tempo shifts recall death metal’s golden age, but their upcoming second album, Reminiscence, is far from just another blast from the past.

Today, Miscreance are releasing the third and final advanced single from Reminiscence. On “The Moaning Hill”, the band perform a deadly tech-thrash ritual that shreds through the folds of our reality.

“Through a collective hallucination, a voyage through time led us to discover a moment in human history that was lost”, the band says about the far-out path they took to Reminiscence. “‘The Moaning Hill’ is the site of a murky and feverish dream, where the intertwining of bodies merges with the ravaged sound of percussion. A horrible ritual of deformity and bloodshed await you under the moonlight!”

Listen to “The Moaning Hill” Below:

Reminiscence comes out August 28, 2026 on Season of Mist

Pre-order & Pre-save

https://orcd.co/miscreancereminiscence

Can’t wait for Reminiscence? Hear the entire album before it comes out by RSVPing to Miscreance’s upcoming Bandcamp Listening Party.

Reminiscence Bandcamp Listening Party

August 18 @ 1:00 pm Eastern Time

RSVP

https://miscreance.bandcamp.com/live/reminiscence-listening-party

While recorded in Italy, Miscreance discovered the concept for Reminiscence by sifting through the sands of time. Along with splintering riffs and trippy tempo shifts, the band uncovered a hidden world where jungle-dwelling hunters and digeridoo coexist with strange tongues, telepathic surgeries and a burning celestial corpse. As imagined by Iranian artist Mona Shiraz, the album’s cover art is a modern interpretation of the kind of painting that was all the rage during the Stone Age. “What we’ve created is a ‘lost album’”, Rossignol says. “It comes from an unknown civilization that’s both futuristic and extremely primitive. Through psychic powers and capabilities that transcend earthly comprehension, these primordial extraterrestrials have achieved total neural unity. Yet innate wickedness still lures inside of them, harboring the need for preys, scalps and lust”. Climbing “The Moaning Hill” is not for the faint of heart, but the intricate twists along its perverse path lead to truly sacred pleasures.

“You’ve never known the face of death / But now it becomes yours”, Feltrin growls amidst the many peaks hidden within “Oracle’s Rift”. As the band tear through a torturous passage with ruthless precision, the last thing you see – or hear – is death metal’s future mutating right before our eyes.

With Reminiscence, Miscreance unlock a mind-altering experience of old-school technical death metal.

Lineup
Andrea Feltrin - Drums and Vocals
Jean-Claude Rossignol - Bass
Tommaso Cappelletti - Guitars
Andrea Granauro - Guitars

Guest musicians
Leo Di Angilla - Percussion, Digeridoo, Flute, Berimbau

Recording and Production Credits
Recording Studio - Bridge Produzioni Audio in Susegana, Italy
Mixing and Mastering Studio - Majestic Studio in Silea, Italy
Producer - Marino De Angeli
Mixing, Mastering and Sound Engineer - Marino De Angeli

Cover art
Mona Shiraz


Follow Miscreance
Apple Music: https://music.apple.com/us/artist/miscreance/1502815524
Spotify: https://open.spotify.com/artist/2v4mzDLx1JSnxzq8CsYDzD
Bandcamp: https://miscreance.bandcamp.com/music
YouTube: https://www.youtube.com/channel/UC09Rq5Qo2p914wCf7PVFjqQ
Facebook: https://www.facebook.com/Miscreance/
Instagram: https://www.instagram.com/miscreance_official/

Gåte Release New Single "Strandvaskar"

Gåte are one of the most distinct bands to come out of Norway. The band have topped the Norwegian charts, won a Norwegian Grammy and represented Norway in the 2024 Eurovision Song Contest. Now, they are expanding their groundbreaking mix of Nordic folk and modern rock on their upcoming new album Sigil.

Today, Gåte are releasing “Strandvaskar” as the second advanced single from Sigil.  With Hardanger fiddle and mystical electronics, the song pulls from the Norwegian superstition that a body washed ashore must be given a proper burial, lest the sea return to reclaim what it’s lost.  

Listen to “Strandvaskar” below.

Sigil comes out September 25 on Season of Mist.

Pre-order

https://orcd.co/gatesigil

Sigil is Gåte’s most ambitious album yet. The album recounts ancient legend and folk narratives to ask what survives once illusion falls away.

"Strandvaskar" names the drowned rather than the finder. The song stages a quiet, unresolved dialogue between the two: a voice with no sound that speaks, eyes that flicker and slowly fill with blue as the sea reclaims its own. The narrator is pulled toward the dead and pulls back, not from horror but fear, letting go rather than being able to hold on.

Gåte’s upcoming fall tour will bring the band to nine cities across Norway, plus one date in Istanbul, Turkey. During this ten date run, they will perform  new songs from Sigil, along with fan favorites from their celebrated discography.

Gåte Concerts 2026

October 23 - Trondheim, Norway @ Havet [TICKETS]

October 30 - Drammen, Norway @ Union [TICKETS]

October 31 - Oslo, Norway @ Sentrum Scene [TICKETS]

November 5 - Haugesund, Norway @ Høvleriet [TICKETS]

November 6 - Stavanger, Norway @ Folken [TICKETS]

November 7 - Bergen, Norway @ Verftet [TICKETS]

November 12 - Skien, Norway @ Parkbiografen [TICKETS]

November 13 - Moss, Norway @ Verket Scene [TICKETS]

November 14 - Hamar, Norway @ Festiviteten [TICKETS]

November 21 - Istanbul, Turkey @ IF Performance [TICKETS]

During the fall of 2026, GÅTE will perform the album’s lead single “Sannsiger” and other new songs during a headline tour of Norway and one date in Istanbul, Turkey. Their concerts are well-known for being immersive and intense, balancing raw energy with a ritual-like focus that has earned them a glowing and growing reputation beyond the Nordic region.

Line-up:
Gunnhild Sundli — Vocals

Magnus Børmark — Guitars, Nyckelharpa, Sounds, FX, Programming, Percussion, Backing Vocals

Jon Even Schärer — Drums, Percussion, Programming, Mouth Harp, Backing Vocals

Arent Todal — Hardanger Fiddle, Nyckelharpa, Violin, Sounds, Backing Vocals

Mats Paulsen — Bass, Backing Vocals

Production Credits:
Recorded at MagnuStudio; Øra Studio.

Produced by Kristian Fanavoll Tvedt & Magnus Børmark.
Mixed & Mastered by Jacob Hansen at Hansen Studios.

Guest Musicians:
Kristian Fanavoll Tvedt — Synths, Programming, Sounds, Guitar, Backing Vocals
Maria Franz — Guest Vocals on "Sannsiger"
Olav Luksengård Mjelva — Hardanger Fiddle on "Bergteken", "Oskorsreia", "Strandvaskar", "Songen", "Aude"
John Stenersen — Hurdy-Gurdy on "Mi Jord"
Knut Anders Vestad — Concert Grand Piano on "Jostedalsrypa"
Marit Aspås — Cello on "Jostedalsrypa"
Sylvelin Sundli — Upright Piano on "Bòd frå djupet"

Cover Art:
Martine Solstad Larsen (Sigil Artist); Martin Kvamme (Cover Art and Design).

Photography:
Ole Ekker

Pre-save & Pre-order: https://orcd.co/gatesigil

Follow GÅTE:
Official Website: https://www.gåte.com/
Bandcamp: https://gaate.bandcamp.com/
Facebook: https://www.facebook.com/Gaateband/
Instagram: https://www.instagram.com/gaate_official/
TikTok: https://www.tiktok.com/@gaateband
YouTube: https://www.youtube.com/c/G%C3%A5temusic
Spotify: https://open.spotify.com/artist/3YxkGgMvqCQA75aFpy6524
Apple Music: https://music.apple.com/artist/g%C3%A5te/73355577
Deezer: https://www.deezer.com/artist/16043
Tidal: https://tidal.com/artist/12122/

Nordjevel Sign to Season of Mist

The Norwegian black metal band are joining Season of Mist’s Underground Activists imprint. Along with the signing, the band are announcing a headline tour of Europe. This 12-date run begins in March 2027. It’s  presented by Chäuer Studios Bärn and includes support from Svarttjern, Malphas and Unviâr.

Formed in 2015 by vocalist and lyricist Doedsadmiral, Nordjevel built its founding lineup on established Scandinavian talent, drawing early members from Marduk and Ragnarok. The band's sound shifted decisively in 2018 with the  arrival of guitarist Destructhor (ex-Morbid Angel, Myrkskog, Zyklon), moving from the melodic, folk-inflected black metal of their 2016 self-titled debut toward the denser, death-informed attack that has defined Necrogenesis (2019) and Gnavhòl (2022). Doedsadmiral's lyrics, compiled years ahead of the music they eventually accompany, anchor the band's recurring themes of war, death, anti-Christianity, Norse mythology and esoteric darkness in the specificity of Norwegian landscape and history.

Nordjevel's live history includes Inferno, Wacken, Hellfest, Bloodstock, Maryland Deathfest and Brutal Assault. Earlier this year, the band completed a European tour alongside Aeternus.

New music from Nordjevel is coming soon.

Nordjevel Incantation Tour 2027

24 March -Warsaw, PL @ Voodoo Club
25 March - Krakow, PL @ Club Zascianek
26 March - Berlin, DE @ Musikbrauerei
27 March - TBA
28 March - Bochum, DE @ Matrix
29 March - Namur, BE @ Belvedere
30 March - London, UK @ Underworld
31 March - Haarlem, NL @ Patronaat
1 April - Hamburg, DE @ Bambi Galore
2 April - Lichtenfels, DE @ Ragnarök
3 April - Luzern, CH @ Südpol
4 April - Colmar, FR @ Le Grillen

After a break in 2024, Nordjevel resurfaced and recorded their soon-to-be unveiled fourth studio album. Once again, they toured Europe, this time with Aeternus.

Line-up
Doedsadmiral — Vocals
Destructhor — Guitars
Sagstad — Guitars
John — Drums
R. — Bass (Live)

Follow Nordjevel
Official Website: https://www.nordjevel.com/

Bandcamp: https://nordjevel.bandcamp.com/

Instagram: https://www.instagram.com/nordjevel

Facebook: https://www.facebook.com/nordjevelofficial

YouTube: https://www.youtube.com/@NORDJEVELOFFICIAL

Soundcloud: https://soundcloud.com/nordjevelofficial

Spotify: https://open.spotify.com/artist/3Pfim1uupYVYG87GDtdw8r

Apple Music: https://music.apple.com/artist/nordjevel/1070770408

Deezer: https://www.deezer.com/en/artist/9600420

Tidal: https://tidal.com/browse/artist/7493886

Holissstik Realize Haunting Vision on "Reoccurring Dreams"

No matter how his genius takes shape, Tor-Helge Skei remains one of the most consistent and surprising artists in extreme music. As a founding member of the critically acclaimed Manes and Lethe, the Norwegian multi-instrumentalist and producer has pushed the boundaries of metal and electronic music. Now, he’s expanding his vision like never before with Holissstik, a new collective experiment that features fellow members of Manes and Lethe, underground legends and rising stars from the avant-garde.      

Today, Holissstik are releasing the third and final advanced single from Chapter 1: This Endless Solitude. Though haunted by the current state of the world, “Reoccurring Dreams” possesses the collective spirit that makes Skei and his collaborators such a unified force.    

“Collaboration is the heart and soul of Holissstik”, Skei says. “I’ve had the idea for ‘Reoccurring Dreams’ for quite some time. But, as is often the case, the song evolved, unplanned and uncontrolled, as Nik, Kristoffer, Eivind, Tor Arne and I worked on it together. While quite floaty, it twists off in unexpected directions. There’s even an Easter egg for fans of Manes and Diabolus, Mecum Semperterne! to find!”.

Listen to “Reoccurring Dreams” below:

Chapter 1: This Endless Solitude comes out August 14, 2026 on Season of Mist.

Pre-order & Stream

https://orcd.co/holissstiktheendlesssolitude

As one could reasonably expect, This Endless Solitude began in 2024 with Tor-Helge Skei alone at his studio in Norway, revisiting unfinished songs from previous projects. The album’s latest single opens as if falling deep into a trance, blanketed beneath one long, dark cloud of synth. Over the following years, Skei salvaged bits and pieces of old recordings while building new components from scratch using his curious collection of  recording software and homemade plug-ins. Jolted awake, “Reoccurring Dreams” tosses and turns between trip-hop, black metal, electronic and industrial.

Skei’s approach to production is still hands-on, but he’s invited outside influences to take control over Holissstik. “After I finished the initial sketches for the songs on This Endless Solitude, I wanted to hear where other people would take with them without being given any rules, limitations or restrictions”, he says. On “Reoccurring Dreams”, familiar faces appear in  current and former Manes members Eivind Fjøseide and Tor-Arne Helgesen. But the single also introduces two new collaborators. With just the lift of a finger, Norwegian experimental musician Kristoffer Oustad conjures a melody that will ring in your head for days on end. And though it may be hard to believe, the distorted voice speaking as if from another world is none other than Kamra vocalist Nik Košar.

“I see trees, but they look like men, standing”, recalls Košar, twisting a verse from the Bible on its head.  “I do not see myself, but I look, searching”. It’s not an admission of defeat, but a call to become something greater than ourselves.

“From the start, Holissstik felt like a serene light tap from somewhere beyond”, Košar says. “While I typically come from black metal, I love experimenting with different vocal styles. "‘Reoccurring Dreams’ strayed from the usual. The focus moved away from the vocals and their color into the rhythm, the words and the flow. The lyrics are inspired by a quote from the Bible, which I inverted. They don’t carry any religious meaning but reflect the current state of a blind society that struggles within the self-inflicted solitude born out of our removal from nature”.

“The whole creative process and its conclusion felt seamless and genius”,  Košar continues. “Working with Holissstik felt like a puzzle where all the pieces are already laid before you and you know exactly where you fit. It was a surreal experience that I am thankful to be a part of”.  

“Holissstik is like an audio ecosystem, where the collective is the creative force, the gardener and the nutrient”, Oustad says. “This is where you are the flower and the bee at the same time, both knowing and unaware of your impact and importance in the holistic process. I am proud and deeply honored to have been asked to be a part of it”.

“With Hollissstik, we’ve built something that transcends traditional metal by focusing on the ‘holos’ - the beauty of the complete, interconnected whole”, says Helgesen, who contributes drums to “Reoccurring Dreams”.

Fjøseide, who contributes guitar to the song, agrees. “Skei and I have worked together on music for more than 30 years. Together, we have a special chemical musical reaction that makes things very exciting”.

Although the very nature of Holissstik demands that we expect the unexpected, the collective’s future certainly seems to guarantee obsidian horizons and torrential deluges of artistic truth. In other words, the project promises to persistently and ritualistically pummel us with devastating yet necessary, epic masterworks. Skei and his collaborators truly present the most immersive experiences possible and, in Manes language, offer a safe place in the unsafe; dive in with your hands bound, and be submerged within the imprisoning brilliance. Skei continues to participate in a range of outstanding groups, and yet Holissstik stands as the most unpredictable and, counterintuitive as it might sound, accessible undertaking in the history of his illustrious career.

Lineup
Tor-Helge Skei

Guest musicians

Anna Murphy - Vocals on “Obsession Six”

Christophe Denhez - Guitars on “The Rhythm of Silence”, Guitars, vocals and lyrics on “Behind Me”

Eivind Fjøseide - Guitars on all songs except “Projections”

Gabriel Trentini - Vocals and lyrics on “Obsession Six”

Kristoffer Oustad - Synth on “The Rhythm of Silence”, “Projections”, “Reoccuring Dreams”, “This Endless Solitude”

Tor-Arne Helgesen - Drums on all songs except “Behind Me” and “This Endless Solitude”

Marita Hellem - Vocals on “The Rhythm of Silence” and “This Endless Solitude”

Martyna Halas - Vocals and lyrics on “The Rhythm of Silence”, “My Salvation”, “Would You Take This Heart” and “This Endless Solitude”

Nik Košar - Vocals and lyrics on “Projections” and “Reoccuring Dreams”

Pierre Ripka - Vocals and lyrics on “The Rhythm of Silence”

Paritta Monks - Chanting on “Would You Take This Heart”

Rune Folgerø - Vocals on "This Endless Solitude"
Rune Hoemsnes - Drums on "Behind Me"
Stig Waltoft - Synth and sounds on "Would You Take This Heart"
Tom Engelsøy - Vocals on "Obsession Six"
​Torstein Parelius - Bass on "Behind Me" and "This Endless Solitude", lyrics on "This Endless Solitude"
Trond Johansen - Guitars ​on "Would You Take This Heart"

Production credits

Recorded, produced and mixed by Tor-Helge Skei

Mastered by Knut V. Prytz

Songwriting credits

All songwriting and arrangements by Tor-Helge Skei

Biography

Jillian Drachman

Cover art

Adrien Bousson

Pre-order & Stream

https://orcd.co/holissstiktheendlesssolitude

Stoned Jesus Announce New Album Songs to Moon

After 15 years of trailblazing across doom metal, grunge, psychedelic and art rock, no height is too steep a climb for Stoned Jesus. The heavy progressive rockers are reaching a new creative peak with their forthcoming album trilogy. Its opening chapter, Songs to Sun, rose atop best of 2025 lists at Doom Charts, Rock Hard, The Obeliskand other critical institutions. Now, frontman Igor Sydorenko and his two bandmates are cycling into the darkest, most daring and deeply moving territory of their career with Songs to Moon.    

“We started The Songs trilogy last year with Songs to Sun, which is a loud and heavy album that’s big on choruses and meaty riffs” Sydorenko says. “While still heavy and catchy, Songs to Moon follows a similar trajectory to Led Zeppelin III, Opeth’s Damnation or Jar of Flies by Alice In Chains. The songs are recognizably Stoned Jesus, but they are bolder, more haunting and introspective than anything we’ve done before”.

Today, Stoned Jesus are announcing Songs to Moon with a ‘90s-style music video for the album’s lead single. While floating endlessly amidst uncertainty, the doomgaze of “Velvet” hits hard with one of the band’s biggest hooks.

“This song answers the question: What if Nirvana was shoegaze?”, Sydorenko teases.

Watch the music video for “Velvet” below:

Songs to Moon comes out October 16, 2026 on Season of Mist.

Pre-order

https://orcd.co/stonedjesussongstomoon

Pre-save on Spotify

https://open.spotify.com/prerelease/3eaQK0xSDe91fH92dLiMel?utm_source=copy-link

The Songs trilogy spans all phases of Stoned Jesus. Like dusk, Songs to Moon opens in the shadow of Songs to Sun. Previously released single “Under the Skin” plunged the band into a dark night of the soul with loud and heavy slabs of post-metal.

Songs to Moon discovers a more introspective side to Stoned Jesus, “I’ve noticed that in a lot of our songs, the narrator is either falling or starting to lose the ground under their feet”, Sydorenko says. “When writing ‘Velvet’, I asked myself, what’s next? What do I want to find once I reach the bottom? Or do I just want the fall to go on forever”.

Even on their most melancholic album, Stoned Jesus can’t be confined to just one shade of blue. With its grungy riffs and grainy video treatment, “Velvet” would slide into heavy rotation on MTV’s 120 Minutes. “Where will I end up / I never know”, Sydorenko sings with cool remove. As steadily pounding drums, harsh backing vocals from bassist Andrew Rodin and Sydorenko’s howling guitar solo push the song to the brink, it’s loud and clear that the band are only going up from here.  

The video for “Velvet” was created by Mykyta Donets.

Catch Stoned Jesus this summer on the European festival circuit.

Stoned Jesus 2026 European Festival Dates

August 8 - Rome, Italy @ Roma Stone Fest [TICKETS]

August 20 - La Maroutière, France @ V and B Fest [TICKETS]

August 29 - Teramo, Italy @ Suburbiae Festival [TICKETS]

October 30 - Vallet, France @ WeStill Fest [TICKETS]

Following in the steps of Led Zeppelin III, Opeth’s Damnation or Alice In Chain’s Jar of Flies, during its final lap, Songs to Moon strips down to acoustic guitar and Sydorenko’s hushed vocals. “And when the sun goes down / It brightens up my mood”. As the dreamy desperation of “Window In My Room” fades beneath the stark reminder of closer “One More Empty Day”, Stoned Jesus return to earth weary but wise beyond their years and ready to explore the next frontier.  

Recording Lineup
Igor Sydorenko - Vocals, Guitar, Bass, Keyboards
Andrew Rodin - Bass, Backing Vocals
Yurii Ciel - Drums, Backing Vocals

Live Lineup

Igor Sydorenko - Vocals, Guitar

Andrew Rodin - Bass, Backing Vocals

Ihor Biriuchenko - Drums, Percussion
   
Production Credits
Producer - Igor Sydorenko
Sound Engineer - Andy Rosczyk

Mixing and Mastering Engineer - Karl Daniel Lidén

Recording Studio

Goblin Sound Studio in Cologne, Germany

Mixing and Mastering Studio

Studio Tri-Lamb, Sweden

Cover Art
Vadym "Karaska" Karasiov

Follow Stoned Jesus
Linktree: https://linktr.ee/stonedjesusband
Apple Music: https://music.apple.com/artist/stoned-jesus/396799004
Spotify: https://open.spotify.com/artist/23lyMLxYNPS15hpVvFNptR
Instagram: instagram.com/stonedjesusband
Facebook: http://facebook.com/stonedjesusband
Twitter: twitter.com/stonedjesusband
TikTok: https://www.tiktok.com/@stonedjesusband
YouTube: youtube.com/c/StonedJesus
Bandcamp: stonedjesus.bandcamp.com

Weedeater Announce Additional Dates to 2026 U.S. Fall Tour

This fall, weed metal founders Weedeater are hitting the road in a cloud of sludgy smoke with their buds in Zeke, Royal Thunder and Yes Ma’am. To pour more Evan Williams into their gas tank, today, the Cape Fear, North Carolina band are announcing three new dates to their upcoming U.S. Tour.  Come October, they will now roll through Minneapolis, Minnesota, Charlottesville, Virginia and Savannah, Georgia.

During their upcoming U.S. fall tour, Weedeater will support GWAR for three dates ahead of headline appearances at two festivals. The band will stop first in California at Jacumba Breakdown for a night of choppers, camping and hot springs before joining the return of Emissions from the Monolith, where they’ve played every year since 2001.

Get tickets at https://weedmetal.com/

Weedeater 2026 U.S. Fall Tour Dates

with Zeke, Royal Thunder & Yes Ma’am + dates supporting GWAR

September 17 - Lexington, KY @ Green Lantern %

September 18 - St. Louis, MO @ Golden Record #

September 19 - Davenport, IA @ Capitol Theatre $

September 20 - Grand Rapids, MI @ The Intersection $

September 22 - Memphis, TN @ Satellite Music $

September 23 - Austin, TX @ Far Out Lounge #

September 24 - El Paso, TX @ Lowbrow Palace #

September 25 - Tuscon, AZ @ 191 Toole #

September 26 - Jacumba Springs, CA @ Jacumba Breakdown #

September 28 - San Diego, CA @ Casbah #

September 29 - Costa Mesa, CA @ Wayfarer #

September 30 - Fresno, CA @ Mario’s #

October 1 - San Jose CA @ The Ritz*

October 2 - Sacramento, CA @ Colonial Theatre *

October 4 - Seattle, WA @ El Corazon *

October 5 - Boise, ID @ Shrine Ballroom *

October 7 - Colorado Springs, CO @ Black Sheep *

October 8 - Lawrence, KS @ The Bottleneck *

October 9 - Minneapolis, MN @ Zhora Darling

October 10 - Chicago, IL @ WC Social Club *

October 11 - Youngstown, OH @ Emissions from the Monolith

October 13 - Rochester, NY @ Montage Music Hall *

October 14 - Reading, PA @ Reverb *

October 15 - Washington, DC @ Black Cat *

October 16 - Charlottesville, VA @ The Southern*

October 17 - Chattanooga, TN @ The Boneyard *

October 18 - Savannah, GA @ District Live*

% with Royal Thunder

$ supporting GWAR

# with Royal Thunder & Yes Ma’am

* with Zeke, Royal Thunder & Yes Ma’am

^ Weedeater only

While Weedeater’s new batch of limited edition Golden Tea shirts sold out in a matter of hours, starting today, fans can recreate the band’s unmistakable tone with the Does It Doom Weed Metal bass and guitar pedal. Designed by Nick Williams of Dunwich Amplification, this new pedal combines Dixie Dave’s legendary JD-10 overdrive/preamp with a Green Russian-inspired Muff fuzz in a powerful parallel design. The limited edition first run of pedals are signed by Dixie and Shep.   

Order the Weed Metal Pedal from Does It Doom

https://doesitdoom.com/product/weedmetalpedal/  

Weedeater's discography is available now on Season of Mist

Order
https://redirect.season-of-mist.com/Weedeatershop

Line-up:
Dixie Dave: Bass, vocals
Shep: Guitar, vocals
Ramzi Ateyeh: Drums

Origin: North Carolina
Style: Weed Metal

Follow Weedeater
Official Website: http://www.weedmetal.com/
Bandcamp: https://weedeater.bandcamp.com/music
Facebook: https://www.facebook.com/weedmetal
Instagram: https://www.instagram.com/weedeaterband/
Spotify: https://open.spotify.com/artist/40uWyieMnDCdIlba6Pr7xL
Twitter: https://twitter.com/weedmetal

Order
https://redirect.season-of-mist.com/Weedeatershop

For more on Season of Mist, visit our official WEBSITE, FACEBOOK, INSTAGRAM, YOUTUBE, and TWITTER

Savage Lands and Brutal Assault Announce Partnership

After witnessing the threat of deforestation first-hand in Costa Rica, Sylvain Demercastel and Megadeth drummer Dirk Verbeuren started Savage Lands, the world’s first environmental non-profit powered by the metal community. The 501 (c) (3) organization has led biodiversity initiatives around the globe while partnering with members of Metallica, Gojira, Alissa White-Gluz and Heilung, as well as other organizations like Hellfest and the Jane Goodall Institute.  

Today, Savage Lands are thrilled to announce a three-year strategic partnership with Brutal Assault, one of Europe’s premiere music festivals for heavy music. With this partnership, both organizations are sending a call to the cultural community by inviting all festivals and artists to join their ecological movement.

Together, Savage Lands and Brutal Assault will promote biodiversity through eco-friendly merchandise, festival-wide awareness campaigns conservation projects and the expansion of Brutal Forest, Brutal Assault’s long-term reforestation initiative, which has planted more than 12,000 trees across the Czech Republic.

Savage Lands are also launching a Biodiversity tour. Starting in 2027, the tour will travel to various European festivals, including Brutal Assault. The organization will lead environmental projects in each country that the tour visits.

“Savage Lands is thrilled to join forces with Brutal Assault in the fight for biodiversity. Through this partnership, our organization is crossing a threshold by expanding our international operations”, Savage Lands co-founder Sylvain Demercastel says. “The biodiversity crisis is bigger than any one organization. It demands new ideas, new alliances and new forms of leadership. On behalf of Savage Lands, I invite every festival, every artist, every cultural organization to support this movement and join The Army of the Trees”.

“This partnership reflects a shared conviction between Brutal Assault and Savage Lands”, Brutal Assault founders Martin “Shindy” Brzobohaty Vladan and Tomáš Fiala say. “For decades, festivals have shaped music, inspired generations and created unforgettable memories. Today, we have an opportunity to create something even greater: a lasting legacy through the ecosystems they help protect. Today, Brutal Assault is proud to answer the call”.

Read more about the partnership between Savage Lands and Brutal Assault on Brutal Assault’s website.

https://brutalassault.cz/en/brutal-assault-x-savage-lands

Get tickets to Brutal Assault 2026

https://brutalassault.cz/en

Savage Lands' debut album introduces several new species of metalhead to their ecosystem. Eurovision’s darlings Lord Of The Lost spill their blood and glitter over the spiky riffs that puncture “Out of Breath”. Holding court over lead single “Ruling Queen” with her serpentine cleans and lioness roar is none other than Alissa White-Gluz. “Now is the time to take a stand”, the band roar in a fierce rallying cry during the album’s climactic title track, backed by Julien Truchan from Benighted and other pillars from the French metal community.

“Our goals are attainable,” Sylvain and Dirk say. “By converting the land that we purchase into nature sanctuaries, Savage Lands will help set a precedent for environmental activism. But we must work together and quickly. Ecosystems are still under attack. If we don’t, then there won’t be any wildlife left to save”.

Raise your horns and join the Army of the Trees in support of the metal  non-profit.

Learn more about Savage Lands

https://savagelands.org/

Donate

https://savagelands.org/donation/

Core Lineup:
Poun - Vocals
Sylvain Demercastel - Guitars
Etienne Treton - Bass
Florian Pons - Drums

Special Member:
Dirk Verbeuren (Drums on "Black Rock Heart", "The Last Howl" and "Out of Breath)

Collaborators:
Stephane Buriez
Ardag Basmadjian
HK Nico + James at Vamacara

Guest Features:
Kai Uwe Faust - Vocals (Black Rock Heart)
Chloe Trujillo - Vocals (Black Rock Heart, Out of Breath)
Alissa White-Gluz - Vocals (Ruling Queen)
Kenneth Andrews - Guitar (Ruling Queen)
Andreas Kisser - Guitar (The Last Howl)
John Tardy - Vocals (The Last Howl)
Maria Franz - Vocals (No Remedy)
Lord Of The Lost - Vocals, Guitars (Out of Breath)

*Army of Trees features Steeven Corsini (Loco Muerte), Auré Jäger (Akiavel), David & Viber (Sidilarsen), Niko Jones (Tagada Jones), Julien Truchan (Benighted), Stéphane Buriez (Loudblast, Sinsaenum), Nils Courbaron (Bloodorn, Sirenia, DDC) and Aurelien Ouzoulias (The Beat Factory, Mörglbl).

Production:
Recorded, mixed and mastered by Adair Daufembach at Daufembach Studio in Los Angeles.

Cover Artist:
Brewster Agency  

Pre-order & Pre-save: https://orcd.co/savagelandsarmyofthetrees

Follow Savage Lands:
Official Website: https://savagelands.org/
Bandcamp: https://savagelands.bandcamp.com/album/army-of-the-trees
Apple Music: https://music.apple.com/artist/savage-lands/1712738479
Spotify: https://open.spotify.com/artist/5fft5SyNYhNar3PdYtKQSF
Facebook: https://m.facebook.com/p/Savage-Lands-100081754354224/
Instagram: https://www.instagram.com/savagelands_project/
YouTube: https://www.youtube.com/@savagelands9644

Green Carnation Perform Prog Miracle on New Single “The Messiah Complex”

After reaching crushing new peaks and delving into the deepest, darkest and most personal depths of their storied career during its opening chapters, the Norwegian prog bards Green Carnation are ending their critically-acclaimed album trilogy with a bold and uncompromising exclamation.

“A Dark Poem is by far our biggest achievement since Light of Day, Day of Darkness”, Green Carnation vocalist Kjetil Nordhus. “Our new album trilogy returns to the epic storytelling that put us on the map back in 2001. While the reception to Part I and Part II has been overwhelmingly positive for us, we do believe that Part III saves the best for last”.

Today, Green Carnation are releasing the title track as the second advanced single from A Dark Poem, Part III: The Messiah Complex. By performing a prog miracle, trilogy highlight “The Messiah Complex” reveals a dark truth about human nature.

“The title track from Part III of A Dark Poem is about our need to find external excuses for our behavior”, Green Carnation bassist and primary lyricist Stein Roger Sordal says. “This is nothing new, but with our uncritical way of working with our increasingly digital world, we seem unable to cope with the consequences of our actions”.

“‘The Messiah Complex’ is a standout song in the trilogy”, Nordhus adds. “The vibe to this song is quite unique for us, but it doesn’t take long to recognize that it is still very much a Green Carnation song. Bjørn’s guitar work lifts the song up, together with Jonathan’s drumming and, of course,  Stein Roger’s bass and vocals during the bridge”.

Listen to “The Messiah Complex” below:

A Dark Poem, Part III: The Messiah Complex comes out September 4, 2026 on Season of Mist.

Pre-order

https://orcd.co/greencarnationadarkpoempart3

Catch Green Carnation during their upcoming hometown shows and European summer festival dates.

During their headlining show in September at the Kilden Performing Arts Centre, the band will perform A Dark Poem in its entirety for the first and final time. Already, fans from 18 different countries have purchased tickets for this once-in-a-lifetime event.  

Green Carnation 2026 + 2027 Show Dates

August 1 - Ungarn, Hungary @ Feke Zaj Festival [TICKETS]

September 12 - Kristiansand, Norway @ Kilden Performing Arts Centre [TICKETS]#

September 25 - Bucuresti, Romania @ Bucharest Prog Day II [TICKETS]

September 26 - Barcelona, Spain @ Be Prog! My Friend [TICKETS]

May 1, 2027 - Kopervik, Norway @ Karmøygeddon [TICKETS]

#Performing A Dark Poem, Part I-III

With A Dark Poem, Part III: The Messiah Complex, Green Carnation finish a masterpiece that stands alongside Light of Day, Day of Darkness as the defining statement of their storied career.  

Recording lineup
Kjetil Nordhus - Vocals
Stein Roger Sordal - Bass, Rhythm Guitars, Lead Guitars, Keyboards
Bjørn Harstad - Lead Guitars, Effects
Endre Kirkesola - Keyboards, Synthesizers, Organs, Effects
Jonathan Alejandro Perez - Drums

Guest musicians
Ingrid Ose - Flute on “Broken Souls, Common Enemies”

Kristiansand Symphony Orchestra and Opera Choir on “A Dark Poem - Orchestral Suite”

Live lineup
Kjetil Nordhus - Vocals
Stein Roger Sordal - Bass
Tchort - Guitars
Bjørn Harstad - Guitars
Trond Breen - Guitars
Endre Kirkesola - Keyboards

Recording & Mixing Studio
dUb Studio

Mastering Studio

Rorysound Studios

Production Credits
Producers - Endre Kirkesola, Stein Roger Sordal, Kjetil Nordhus
Mixing & Sound Engineer - Endre Kirkesola

Mixing Assistant — Bjørn Harstad

Mastering Engineer — Lawrence Mackrory

Credits for “A Dark Poem - Orchestral Suite”

Recorded at Kilden Performing Arts Centre in Kristiansand, Norway

Performed by the Kristiansand Symphony Orchestra and Kristiansand Opera Choir

Symphone Orchestra Conductor - Alexander Hanson

Choir Preparation and Conductor - Anne Haugland Balsnes

Mixing & Sound Engineer - Simen Endresen Hefte

Mastering Studio - Rorysound Studios

Mastering Engineer - Lawrence Mackrory

Cover artist
Niklas Sundin


Pre-order & Pre-save
https://orcd.co/greencarnationadarkpoempart3

Follow Green Carnation:
Bandcamp: https://greencarnationsom.bandcamp.com/
Facebook: https://www.facebook.com/GreenCarnationNorway
Instagram: https://www.instagram.com/green2carnation/
Twitter (X): https://x.com/Green2Carnation
YouTube: https://www.youtube.com/channel/UC2vfEaTADayEniT7xbG-XCA
Spotify: https://open.spotify.com/artist/1ZaJhNBAhJ3HjPsWiB9sDc
Apple Music: https://music.apple.com/artist/green-carnation/72866964
Deezer: https://www.deezer.com/artist/8192
Tidal: https://tidal.com/browse/artist/23079

TEMIC Announce Mighty and Magical Second Album 'Ceiba'

From the moment they joined forces, TEMIC appeared as a dream come true for prog fans everywhere. The international supergroup features current and former members of Devin Townsend, Mike Portnoy’s Shattered Fortress, Neal Morse Band, Haken, Shining, Maraton and Big City. The group’s chart-topping debut lived up to the hype, but on their upcoming new album, Ceiba, they’ve grown by leaps and bounds.

Today, TEMIC are officially announcing the mighty and magical Ceiba with a soul-stirring video for the album’s lead single. While rattled by the encroaching shadow of death, “Ceased To Be” positively ascends by crossing the threshold between progressive metal, pop and hard rock.  

“Ceiba is a concept album about loss in all its various forms”, TEMIC says. “While more progressive than our first album, the songs are driven by honesty and emotions. ‘Ceased To Be’ is told from the perspective of someone who’s dying, while surrounded by their loved ones. Death is not feared nor resisted. Rather, it is observed as a sacred rite of passage”.

Watch the music video for “Ceased To Be” below:

Ceiba comes out October 2, 2026 on Season of Mist

Pre-order

https://orcd.co/temicceiba

The video for “Ceased To Be” was directed by Cesar Mendiburu. It was filmed in the Yucatan Peninsula, Mexico, beneath a Ceiba tree and inside a cenote, where Ah Puch, the Mayan god of death, welcomes a woman to the afterlife.

“Since the moment I received the invitation to be a part of ‘Cease To Be’, I felt an immediate calling to say yes”, actress Anna Kirse says. “Representing all the joy and pain of life, its transformation after death, and the relief of letting go in absolute surrender resonated with me immediately. It was a beautiful artistic challenge”.

“Filming the underwater scenes was a profound experience for me as well. It required me to face my own fear of disappearing beneath the water. Surrendering to the unknown and trusting that I was safe became a significant moment of growth for me. Every day of filming was filled with magic, creativity, genuine collaboration and incredible team spirit. I am deeply grateful, truly happy and very proud to be part of this video”.  

Additional video credits

Producer - Mountain Head Media

Actresses - Anna Kirse & Zizinete Marave

Screenplay - Esteban Erosa

Directors of Photography - Dreyken Hinojosa & Linda Alcocer

Underwater Photography - Esther White

Wardrobe - Gabriela Heredia

Production Assistant - Kinbe Hinojosa

TEMIC Autumnal Offerings 2026 European Tour

with very special guests Kingcrow

October 17 - Toulouse, FR @ Ready For Prog Festival  [TICKETS]

October 18 - Pratteln, CH @ Z7 [TICKETS]

October 19 - Munich, DE @ Backstage [TICKETS]

October 20 - Maastricht, NL @ Muziekgieterij [TICKETS]

October 21 - Paris, FR @ Backstage By The Mill [TICKETS]

October 22 - Rüsselsheim, DE @ Das Rind [TICKETS]

October 24 - Toruń, PL @ Art Rock Festival [TICKETS]

No matter how deep Ceiba digs into philosophical terrain, TEMIC continue to branch out in all directions both literally and figuratively. The album treats loss not as an end but as one more step along life’s path. “Your soul will never die”, assures lead single “Ceased To Be”, which crosses between prog’s technical sorcery and pop’s divine melodies with relative ease thanks to shrewd guidance from the group’s newest member and bassist Miguel Pereira (Withem, Big City). Supported by swaying leads, towering cleans and firm groove, 10-minute closer “As Long As We Last” promises to stay with us long after its final epic solo.    

“We wrote this album together with contributions from all five members”, the band says. “We allowed ourselves to explore the songs and really extend ourselves while always keeping the emotions at the front of our minds”.  

With Ceiba, TEMIC return with a thunderous ode of prog.  

Lineup

Fredrik Klemp (Maraton, 22) - Vocals

Eric Gillette (The Neal Morse Band, Mike Portnoy's Shattered Fortress) - Guitars, Backing Vocals

Diego Tejeida (Devin Townsend, Mike Portnoy's Shattered Fortress, ex-Haken) - Keyboards, Sound Design

Simen Sandnes (Shining, Arkentype)  - Drums

Miguel Pereira (Withem, Big City) - Bass

Production credits

Drums and lead vocals recorded at Lionheart Studio in Oslo, Norway

Lead vocals engineered and produced by Diego Tejeida

Mixed by Chris Edrich

Mastered by Pierrick Noël at Atelier Mastering

Cover artwork

Hicham Hamzi / H-Hich Design

Pre-order

https://orcd.co/temicceiba

Follow TEMIC

Official Website: https://temicband.com

Bandcamp: https://temic.bandcamp.com/album/terror-management-theory

Apple Music: https://music.apple.com/us/artist/temic/1695936703

Spotify: https://open.spotify.com/artist/21VXRBFEQrR6Xrot1y5t7I

Facebook: https://www.facebook.com/TEMICBAND

Instagram: https://www.instagram.com/temicband

YouTube:https://www.youtube.com/channel/UCaslvfVCVrV4cdARmdiQKGg

Wailin Storms Release Haunting New Video for “Its All Dark Now Where Your Eyes Used To Be”

Wailin Storms are catching fire with noisy and bluesy explosions of Southern Gothic Rock. Like moths to a flame, critics are mesmerized by the Durham, North Carolina band’s new album, The Arsonist.

As the band prepare to burn rubber on their upcoming U.S. East Coast Tour for The Arsonist, today, Wailin Storms are releasing a new video for the album’s chilling closer. Filmed in one take and recorded live with no editing inside an old church, the gothic ballad “It’s All Dark Now Where Your Eyes Used To Be” will haunt you to the grave.

”’It’s All Dark Now Where Your Eyes Used To Be” is about coming to terms with the realization that death comes for us all”, Wailin Storms vocalist and guitarist Justin Storms says. “I started writing this song when I was in Belgium, after I saw an old church that looked like a skull. It’s the last song on The Arsonist and is very spare and sad, but there’s also a sliver of hope. Life is temporary and that’s where its beauty lies”.  

Watch the music video for “It’s All Dark Now Where Your Eyes Used To Be” https://youtu.be/SPstFFB689w

Pre-order & Pre-save

https://orcd.co/wailinstormsthearsonist

Starting next week, Wailin Storms are igniting the stage with a headline tour of the U.S. East Coast. The band will perform songs off The Arsonist for the first time, along with crowd favorites from across their critically-acclaimed discography.

Wailin Storms 2026 The Arsonist U.S. Tour

July 29 - Johnson City, TN @ The Hideaway [TICKETS]

July 30 - Atlanta, GA @ Star Bar [TICKETS]

July 31 - Knoxville, TN @ The Pilot Light [TICKETS]

August 1 - Cincinnati, OH @ Motr [TICKETS]

August 2 - Youngstown, OH @ Westside Bowl [TICKETS]

August 3 - Columbus, OH @ Dirty Dungarees [TICKETS]

August 4 - Pittsburgh, PA @ The Government Center [TICKETS]

August 5 - Baltimore, MD @ Metro Gallery [TICKETS]

August 6 - Brooklyn, NY @ The Gutter [TICKETS]

August 7 - New Hope, PA @ John and Peter’s [TICKETS]

August 8 - Richmond, VA @ Cobra Cabana [TICKETS]

In September, Wailin Storms will join Messa in Asheville, North Carolina to kick off the official after party for the Acid Bath, Neurosis, Melvins and Kylesa show at Hellbender.

The Official Acid Bath After Party with Wailin Storms and Messa

Saturday, September 5 - Asheville, North Carolina @ Eulogy [FREE SHOW]

The video for “It’s All Dark Now Where Your Eyes Used To Be” was filmed at Eno House in Hillsborough, North Carolina.

Lineup
Justin Storms - Lead vocals, rhythm guitar
Ben Melton - Lead guitar, backup vocals, Rhodes organ, piano
Steve Stanczyk - Bass
Mark Oates - Drums

Recording credits
Recorded at Earth Analog in May 2025

Production Credits
Produced and engineered by Matt Talbott
Mixed by Mike Lust at Phantom Manor ("Dead End", "Heart of Mine", "You Never Answered", "The Arsonist", "Never Rest", "The Wind", It's All Dark Now Where Your Eyes Used to Be"
Mixed by Dave Downham at Gradwell House ("Saved", "Patient Night")
Mastered by Dave Downham at Gradwell House

All lyrics written by Justin Storms

Cover art
Justin Storms

Layout and design
Steve Stanczyk

Pre-order & Pre-save

https://orcd.co/wailinstormsthearsonist

Follow Wailin Storms
Spotify: https://open.spotify.com/artist/2e1J5JQpROgSuT7RcsUbZ2
Apple Music: https://music.apple.com/us/artist/wailin-storms/451185826
Bandcamp: https://wailinstorms.bandcamp.com
YouTube: https://www.youtube.com/@wailinstorms7
Facebook: https://www.facebook.com/wailinstorms/
Instagram: https://www.instagram.com/wailinstorms/?hl=en

Rotting Christ Announce Reissue of Sanctus Diavolos

ROTTING CHRIST are announcing the reissue of Sanctus Diavolos. Originally released through Century Media in September 2004, the Greek legends’ eighth full-length is the final pillar from their gothic period and one of the band’s most extreme and cohesive albums  

Season of Mist will reissue Sanctus Diavolos on black and colored vinyl on September 11, 2026.

Pre-order

https://redirect.season-of-mist.com/RCReissues

Sanctus Diavolos was the first album Rotting Christ frontman Sakis Tolis wrote after the departures of the band’s longtime guitarist Costas Vasilakopoulos and keyboardist Georgios Tolias. Sakis absorbed both roles himself, handling guitars, keys and vocals alongside his brother Themis Tolis on drums and Andreas Lagios on bass. Across ten songs, the album moves from the aggression of opener "Visions of a Blind Order" through mid-tempo, riff-driven black and gothic metal, pausing at the string-and-choir interlude "Sanctimonious," before closing on the sprawling, choir-drenched title track.

Thematically, Sanctus Diavolos frames its central figure as Lucifer the light-bearer, a seductive, welcoming presence. This distinction sets it apart from the band's earlier work and from most of the genre's stock devil-worship posturing. Symphonic and choral writing plays a larger role here than on any previous Rotting Christ album. “Visions of a Blind Order” features a guest solo from Gus G and choir arrangements by Christos Antoniou of Septicflesh, which were performed live by an eight-person choir.

Sanctus Diavolos was recorded at SCA Studios in Athens and mixed by Fredrik Nordström at Studio Fredman in Sweden.

Current Line-up:

Sakis Tolis — Vocals, Guitar

Themis Tolis — Drums

Kostis Foukarakis — Guitars

Kostas Cheliotis — Bass

Original Line-up:
Sakis Tolis — Vocals, Guitars, Keyboards
Themis Tolis — Drums
Andreas Lagios — Bass

Guest Musicians:
Gus G — Guest Solo on "Visions of a Blind Order"
Christos Antoniou — Choir Arrangement

Follow Rotting Christ:
Official Website: https://www.rotting-christ.com/en/

Facebook: https://www.facebook.com/rottingchristofficial/

Instagram: http://www.instagram.com/rottingchristofficial/

Twitter (X): https://twitter.com/athanatoieste/

YouTube: https://www.youtube.com/user/RottingChristOfficia/

Bandcamp: https://rottingchristofficial.bandcamp.com/

Apple Music: https://music.apple.com/artist/rotting-christ/28441629/

Spotify: https://open.spotify.com/artist/7FhkwcO8Jd7BRWdllBpXBJ/

Misery Index Release Ferocious New Single "Feral Future"

After 25 years, Misery Index continue to stand tall at the forefront of extreme music. The band, which features current and former members of Dying Fetus and Pig Destroyer, started 2026 off strong by re-signing to Season of Mist. Now, as they prepare to embark on a headline tour of Europe and the United Kingdom, the firebrands are unleashing their first new single in four years. While still the product of their high-intensity combination of death metal and grindcore, “Feral Future” answers the call of the wild.

“‘Feral Future’ is about changing the way we think about our relationship with nature”, Misery Index bassist and vocalist Jason Netherton says. “Nature isn’t something we rule over or exist outside of. It’s something we are immersed in everywhere all the time. This song champions the rewilding of damaged and corrupted human spaces and reclaims a more feral connection that respects the sublime wonder of nature”.  

Watch the lyric video for “Feral Future” below.

Stream “Feral Future”

https://orcd.co/miseryindexferalfuture

Misery Index An Epitaph for Endtimes EU + UK Summer Tour 2026

July 28 - Helsinki, Finland @ Kult [TICKETS]

July 30 - Wacken, Germany @ Wacken Open Air [TICKETS]

August 1 - Dortmund, Germany @ Dortmund Death Fest [TICKETS]

August 2 - Saint Maurice de Gourdans, France @ Sylak Open Air [TICKETS]

August 4 - Deinze, Belgium @ Elpee [TICKETS]

August 5 - The Hague, Netherlands @ Musicon [TICKETS]

August 6 - Schlotheim, Germany @ Party San Open Air [TICKETS]

August 8 - Swansea, United Kingdom @ Sin City [TICKETS]

August 9 - Manchester, United Kingdom @ Rebellion [TICKETS]

August 11 - Bridgwater, United Kingdom @ The Cobblestones [TICKETS]

August 13 - Munich, Germany @ Backstage [TICKETS]

August 14 - Dinkelsbühl, Germany @ Summer Breeze [TICKETS]

August 15 - Sulingen, Germany @ Reload Festival [TICKETS]

On “Feral Future”, Misery Index keep their social commentary razor-sharp. The band’s new single was one of the very first songs written for their upcoming eighth full-length and its untamed energy helped shape the album’s thematic core. Adam Jarvis pounds his drums until they’re one with the dirt while Mark Kloeppel and Darin Morris sharpen their axes into a filthy headbanging groove.

“This is our future”, Netherton growls during its final blood-pumping sprint. “Feral Future” might be a grim warning for the fate of our planet, but for Misery Index, it’s a sign of more greatness to come.  

The lyric video for “Feral Future” was created by Cloud Motion Design.

Misery Index previously released Live in Munich (2013), The Killing Gods (2014) and Rituals of Power (2019) with Season of Mist. The Killing Gods and Rituals of Power are available now through the label’s web shop.

Order

https://redirect.season-of-mist.com/MiseryIndexShop

“Misery Index is a band for the hellish news cycle we are all trapped in”, Invisible Oranges wrote in a review of Complete Control.      

Now, having toured their previous album extensively since 2022, Misery Index are back with Season of Mist ahead of their upcoming eighth full-length album. The band released their first new single in four years, “Feral Future”, ahead of their An Epitaph for Endtimes European and United Kingdom summer tour.  

Lineup

Jason Netherton - Bass, Vocals

Mark Kloeppel - Guitar, Vocals

Darin Morris - Lead guitar

Adam Jarvis - Drums

Songwriting credits

Music by Jason Netherton and Adam Jarvis

Lyrics by Jason Netherton

Production credits

Mixed by Ricardo Borges

Mastered by Jens Bogren at Fascination Street Studios

Booking contact

Enzo Marangelli (enzo@decibel-touring.com)

Order

https://redirect.season-of-mist.com/MiseryIndexShop

Follow Misery Index

Website: http://www.miseryindex.com

Bandcamp: https://miseryindex.bandcamp.com/

Spotify: https://open.spotify.com/artist/1kTUJy3zL57iEANLB9FpIA

Apple Music: https://music.apple.com/us/artist/misery-index/41588457

YouTube: https://www.youtube.com/c/MiseryIndexOfficial

Facebook: https://www.facebook.com/MiseryIndex

Instagram: https://www.instagram.com/miseryindex.official/

X: https://x.com/MiseryIndex

Emptiness Premiere Nowhere Speaks

On their new album, Nowhere Speaks, experimental metal band Emptiness unlock an unheard dimension that’s governed by their own awe-inspiring logic.  

Nowhere Speaks comes out tomorrow, Friday, July 17 on Season of Mist, but you can hear all ten absorbing songs today by listening to the full album stream below:

Pre-order & pre-save

https://orcd.co/emptinessnowherespeaks

Save for vocals, keyboards and additional effects, Emptiness performed Nowhere Speaks live in the studio, after four years of preparation, rehearsals and tests to ensure the music could be performed with the right weight and intention. This is not a production detail so much as a commitment to a specific kind of tension, the kind that does not survive being assembled in pieces. Emptiness’ previous album, Vide (2021), had no distortion, was sung entirely in French, and existed at the edge of silence; Nowhere Speaks moves in the opposite direction, and does so deliberately, opening exactly where Nothing But The Whole (2014) cut off mid-riff and closing by looping back to that album's opening riff.

From early in their career, EMPTINESS has worked this way: Jérémie Bézier handling production across all its dimensions, Olivier J.L.W. directing the visual work in its entirety. Sound and image conceived, shaped and finalized from within. Nowhere Speaks continues that closed circuit, as it always has been.

Nowhere Speaks is not a return. After the most introverted and isolated record of their career, the band opens outward into density and live intensity. The album, developed over an extended period of time, was composed by Jérémie Bézier and Olivier J.L.W., who oversee its production across both sonic and visual dimensions, bringing the work to completion as a unified whole, committed to tape live in the studio. The structural conceit of opening mid-riff from where Nothing But The Whole ended, and closing with that album's opening riff, is not nostalgia. It is the same logic that has always governed EMPTINESS: the cycle without a fixed point, beginning and ending inside each other, nothing and everything at the same time. The band has spent years demonstrating that they do not move in straight lines. Nowhere Speaks is a continuation from a point the listener was not meant to forget.

Line-up:
Jérémie Bezier — Vocals, Bass
Olivier J.L.W. — Guitars
Simon L. — Guitars
Dea Hydra — Synths
Laye Louhenapessy — Drums

Follow Emptiness:
Facebook: https://www.facebook.com/Emptiness.be
Instagram: https://www.instagram.com/emptiness.official
Bandcamp: https://emptiness.bandcamp.com/
Twitter/X: https://x.com/Emptiness_band
Spotify: https://open.spotify.com/artist/5AXPdt3zknCylvlnEi0JFO
Apple Music: https://music.apple.com/artist/emptiness/303855225
Deezer: https://www.deezer.com/artist/199828
Tidal: https://tidal.com/artist/4813509

Miscreance Reach Peak Tech-Thrash on New Single “Oracle’s Rift”

When they first crawled forth from Italy’s underground four years ago, Miscreance were likened to Death, Sadus, Voivod and other immortal beings from the alternate timeline that is the history of extreme metal. But on the band’s upcoming second album, they deliver a mind-altering experience that’s far from just another blast from the past.

Today, Miscreance are releasing the second advanced single from their upcoming new album. By venturing deep into an unrecognizable past, the band reach peak tech-thrash on “Oracle’s Rift”.

“Through a collective hallucination, a voyage through time led us to discover a moment in human history that was lost”, the band says about the far-out path they took to Reminiscence. “‘Oracle’s Rift’ takes us to where the skies end. Whirl to the dirge of judgement and walk the path to oblivion”.

Listen to “Oracle’s Rift” below:

Reminiscence comes out August 28, 2026 on Season of Mist

Pre-order & Pre-save

https://orcd.co/miscreancereminiscence

While recorded in Italy, Miscreance discovered the concept for Reminiscence by sifting through the sands of time. As the band chug, gallop and shred through steep shifts in tempo, “Oracle’s Rift” opens upon a hidden world where ancient cave dwellings house crystal dripstones and a shadowy all-knowing entity.  

“We are all very happy with how our first album turned out but we wanted to go bigger by tying Reminiscence to a specific concept”, guitarist Tommaso Cappelletti says.

Bassist Jean-Claude Rossignol explains further. “What we’ve created is a ‘lost album’, sent from an unknown civilization that’s both futuristic and extremely primitive. Through psychic powers and capabilities that transcend earthly comprehension, these primordial extraterrestrials have achieved total neural unity. Yet innate wickedness still lures inside of them, harboring the need for preys, scalps and lust”.

Old-school heshers will raise horns upon recognizing the mark of the greats on “Oracle’s Rift”. “We still play old-school tech-thrash", assures guitarist Andrea Granauro. But while faithful to both Atheist and Dark Angel as it is scrupulous to Coroner, Reminiscence isn’t an attempt to recall death metal’s glory days.

“You’ve never known the face of death / But now it becomes yours”, drummer Andrea Feltrin growls from deep within the many twisted passages of the album’s new single. As Miscreance tear through the final sprint of “Oracle’s Rift” before cleansing themselves in the fires of hell, the last thing you see – or hear – is death metal’s future mutating right before our eyes into an otherworldly fusion of whammy bar and bongo.

While recorded in Italy, Miscreance discovered the concept for Reminiscence by sifting through the sands of time. Along with splintering riffs and trippy tempo shifts, the band uncovered a hidden world where jungle-dwelling hunters and digeridoo coexist with strange tongues, telepathic surgeries and a burning celestial corpse. As imagined by Iranian artist Mona Shiraz, the album’s cover art is a modern interpretation of the kind of painting that was all the rage during the Stone Age. “What we’ve created is a ‘lost album’”, Rossignol says. “It comes from an unknown civilization that’s both futuristic and extremely primitive. Through psychic powers and capabilities that transcend earthly comprehension, these primordial extraterrestrials have achieved total neural unity. Yet innate wickedness still lures inside of them, harboring the need for preys, scalps and lust”. Climbing “The Moaning Hill” is not for the faint of heart, but the intricate twists along its perverse path lead to truly sacred pleasures.

“You’ve never known the face of death / But now it becomes yours”, Feltrin growls amidst the many peaks hidden within “Oracle’s Rift”. As the band tear through a torturous passage with ruthless precision, the last thing you see – or hear – is death metal’s future mutating right before our eyes.

With Reminiscence, Miscreance unlock a mind-altering experience of old-school technical death metal.

Lineup
Andrea Feltrin - Drums and Vocals
Jean-Claude Rossignol - Bass
Tommaso Cappelletti - Guitars
Andrea Granauro - Guitars

Guest musicians
Leo Di Angilla - Percussion, Digeridoo, Flute, Berimbau

Recording and Production Credits
Recording Studio - Bridge Produzioni Audio in Susegana, Italy
Mixing and Mastering Studio - Majestic Studio in Silea, Italy
Producer - Marino De Angeli
Mixing, Mastering and Sound Engineer - Marino De Angeli

Cover art
Mona Shiraz

Follow Miscreance
Apple Music: https://music.apple.com/us/artist/miscreance/1502815524
Spotify: https://open.spotify.com/artist/2v4mzDLx1JSnxzq8CsYDzD
Bandcamp: https://miscreance.bandcamp.com/music
YouTube: https://www.youtube.com/channel/UC09Rq5Qo2p914wCf7PVFjqQ
Facebook: https://www.facebook.com/Miscreance/
Instagram: https://www.instagram.com/miscreance_official/