Wailin Storms Sign to Season of Mist

Season of Mist is proud to welcome Wailin Storms.

Born the son of a church pianist and Baptist preacher, Justin Storms founded Wailin Storms in his hometown of Corpus Christi, Texas. After a pass through New York City, the band settled in Durham, North Carolina, where they’ve caught fire with their noisy explosions of Southern gothic rock. Together, the four-piece throw raw-boned blues punk, the gothic country of 16 Horsepower and the howling desires of Nick Cave into a raging fire that’s fed by the bones of a dead god.

Wailin Storms’ four studio albums have been showered with high praise from NPR, Brooklyn Vegan and Metal Hammer. Their third full-length, Rattle, was featured by The Needle Drop and named one of the best albums of 2020 by Treble, Riff Magazine, Angry Metal Guyand Machine Music.  "When someone asks me my favorite active bands, I always mention Wailin Storms”, Sean Frasier wrote for Decibel upon the announcement of the band’s previous album, The Silver Snake Unfolds. “[…] their music is heavy, their lyrics haunting, and their live show furious”.    

Now, fresh off sharing the stage with Acid Bath, Eyehategod and Black Tusk, Wailin Storms are fanning the flames with reckless abandon ahead of their soon-to-be-announced fifth album. Recorded by Matt Talbott of Hum in full analog, their first offering for Season of Mist promises to deliver a fiery baptism of Southern gothic rock.

“Our upcoming album was forged in the fires of love, death, fear, anxiety and other pangs of the heart”, Justin Storms says. “The songs draw from blues, folk, punk and metal, as well as René Magritte, Flannery O’Connor, David Lynch and my own obsession with fire as a kid. With Season of Mist’s backing, we are excited to bring its dark and fiery message to a wider audience across the international stage”.    

                                          Watch a simmering sneak peak from the album below>

Hot on the heels of critical high praise and thunderous applause from crowds on both sides of the Atlantic, Wailin Storms are ready to fan their flames with reckless abandon. Recorded by Matt Talbott of Hum in full analog, their upcoming fifth album and first for Season of Mist promises to deliver a fiery baptism of Southern gothic rock.

Lineup

Justin Storms - Lead vocals, Rhythm guitars

Steve Stanczyk - Bass

Mark Oates - Drums

Ben Melton - Lead guitar, Backing vocals


Booking contact
Europe - Marie-Liesse Leclère (marie.swampbooking@gmail.com)

North America - Wailin Storms (wailinstorms@gmail.com)


Follow Wailin Storms

Bandcamp: https://wailinstorms.bandcamp.com

Spotify: https://open.spotify.com/artist/2e1J5JQpROgSuT7RcsUbZ2
Apple Music: https://music.apple.com/us/artist/wailin-storms/451185826
YouTube: https://www.youtube.com/@wailinstorms7
Facebook: https://www.facebook.com/wailinstorms/
Instagram: https://www.instagram.com/wailinstorms/?hl=en

Photo by Kent Corley

TodoMal Announce Doomy New Album 'Graveyards of Joy'

TodoMal are announcing their third album and first for Season of Mist. Graveyards of Joy arrives as the closing chapter of a trilogy that the atmospheric doom metal band started in 2021 with Ultracrepidarian and deepened in 2023 with A Greater Good.

To commemorate this announcement, today, TodoMal are releasing a music video for the album’s lead single “Point of Coalescence”. The song is a fitting entry point to Graveyards of Joy; it’s dense, dark and uncompromising, dealing in shame, violence and the slow erosion of consciousness, with surreal and cosmic horror imagery that gives it an unsettling, almost theatrical edge.

Watch the music video for “Point of Coalescence” below:

Graveyards of Joy comes out July 3, 2026 on Season of Mist

Pre-order

https://orcd.co/todomalgraveyardsofjoy

 

Graveyards of Joy channels grief, anger and hard-won hope through a sound rooted in the slow-burning weight of classic doom and dramatic rock. Vast Hammond organ-driven passages give way to desolate folk; strings with Morriconian openness sit alongside heavy, anchoring riffs. The album draws on a wide range of reference points, from the orchestral sweep of Vangelis and the warmth of Deep Purple to the dramatic sensibility of Tindersticks and Nick Cave, without losing the solemnity that defines TodoMal.

TodoMal came to life in 2020, conceived by Anglo-Spanish musician and composer Christopher B. Wildman and musician, composer and producer Javier Fernández Milla: two veteran multi-instrumentalists of the Spanish underground scene whose careers span a wide range of projects and styles. A product of pure serendipity, TodoMal represents a deeply personal fusion of the solemnity of traditional doom metal and the expansiveness of space rock, interwoven with nuances of ecclesiastical music, classic hard rock and cinematic soundscapes.

 

Their debut album, Ultracrepidarian (2021), evokes the placid yet desolate moorlands of their base in northern Alcarria and the region of Matarraña (Teruel), two emblematic landscapes of Spain's so-called "emptied lands." With A Greater Good(2023), the duo crafted a collection of what they describe as "dark songs," evolving into a complex, dense and unclassifiable album that appeared on several year-end lists and sold through its initial pressing. Fuelled by this momentum, they expanded into a five-piece live ensemble, joining forces with Javier Félez (guitar; Teitanblood, Graveyard, Balmog), Javier "Bud" Martínez (drums; Dejadeath, Jade, Ktulu) and Cecilia Tallo (keyboards/vocals; Maud the Moth).

 

Graveyards of Joy is the third album and the closing chapter of a trilogy. Written in solitude following personal tragedy, it channels grief, anger and hard-won hope into nine tracks of slow-burning, widescreen doom. The music breathes: vast Hammond-driven passages give way to desolate folk, Morricone-like strings open onto dusty cinematic plains, and heavy riffs anchor songs that never lose sight of melody. A DIY record of striking emotional depth and modern, alternative edge.

Recording Line-up:
Wildman – Guitars and Vocals

Mile – Bass and Vocals

Javi – Guitars

Bud – Drums

Cecilia – Synths and Vocals

Production Credits:

Recording Studio: Trinitat-Montseny / 7th Middle Street / Moontower Studios

Producer: Javier Fernández Milla / Christopher B. Wildman; assisted by Javier Félez Rodríguez (drums recording and guitar engineering)

Mixing: Javier Fernández Milla at Trinitat Montseny

Mastering: Jaime López Arellano at Arda Recorders (Portugal)

Guest Musicians:

Cecilia Tallo (background vocals, tracks 4 and 6)

Teodora Gosheva (vocals)

Darío Garrido (acoustic guitars)

Manu Clavijo (live strings)

Cover Art:

Lluís Rigalt, Ruïnes (1865), Museu Nacional d'Art de Catalunya.

Photography:
Christopher B. Wildman

Pre-save & Pre-order: https://orcd.co/todomalgraveyardsofjoy


Follow TodoMal:

Bandcamp: https://todomalband.bandcamp.com/

Facebook: https://www.facebook.com/todomalofficial

Instagram: https://www.instagram.com/todo_mal_band/

SoundCloud: https://soundcloud.com/todomal

Spotify: https://open.spotify.com/artist/2grCvuOH8MibDqryxpW6jR

Apple Music: https://music.apple.com/artist/todomal/1587939438

Deezer: https://www.deezer.com/artist/146831572

Tidal: https://tidal.com/artist/5655213

Kingcrow Release Acoustic Version of "New Moon Harvest"

Italian progressive rock band Kingcrow are releasing an acoustic version of "New Moon Harvest", a song from their latest critically-acclaimed album Hopium. The acoustic version is available now on all digital streaming platforms.

The acoustic version of “New Moon Harvest” scales the song down to its core, allowing the melody and lyrical weight to carry it. The video was filmed in a treehouse with the full Kringcrow lineup, capturing the performance in an intimate, stripped-back setting that contrasts with the atmospheric density of Hopium.

Watch the video for the acoustic version of “New Moon Harvest” Below:

Hopium is out now on Season of Mist

Order & stream

https://orcd.co/kingcrowhopium

Hopium draws on progressive rock, ambient music, alternative rock and trip-hop, with references that span from Porcupine Tree and Radiohead to Leprous, Archive and Massive Attack. Within the album, “New Moon Harvest” is caught in the tension between the search for one’s inner self and the outside pressures from everyday life.

The upcoming album “Hopium” marks another step forward in pushing boundaries remarking the restless progressive  attitude of the band in incorporating countless influences into a personal sound.

Describing the band today is quite a difficult task, but one could state that the influence of different kinds of music, from progressive rock , ambient music, alternative rock and metal are all present in the music of KINGCROW.

With each release KINGCROW has taken a step further away from their original roots and is regarded today as one of the most exciting bands that Italy has to offer.

Line-up:

Diego Marchesi - Vocals

Diego Cafolla - Guitars, Keys, Backing Vocals

Ivan Nastasi - Guitars, Backing Vocals

Riccardo Nifosì - Bass, Backing Vocals

Thundra - Drums, Percussions

 

Recording Studio:
Sound Under Pressure (Rome, Italy)

Production Credits:

Produced by Diego Cafolla & Thundra Cafolla
Sound Engineer - Diego Cafolla

Mixed by Giampiero Ulacco at Holofram Studios (Francavilla al Mare, Italy)

Mastered by Marco Vannucci at Spitfire Mastering Studio (Italy)

Cover Art:
Devilnax


Follow Kingcrow:

Official Website: https://www.kingcrow.it/
Facebook: http://www.facebook.com/Kingcrowband
Instagram: https://www.instagram.com/kingcrow_official/
Twitter: http://twitter.com/KingcrowBand
Bandcamp: https://kingcrow1.bandcamp.com/
Spotify: https://open.spotify.com/artist/3nnSgQo8TIgiO5M5pv3mlV
Apple Music: https://music.apple.com/artist/kingcrow/594989536
Deezer: https://www.deezer.com/artist/1002506
TIDAL: https://tidal.com/browse/artist/6519112

Crippled Black Phoenix Premiere New Album Sceaduhelm

More than 20 years removed from where they started, Crippled Black Phoenix are approaching a new threshold with their upcoming new album. Sceaduhelm is the UK macabre rockers’ most inward-looking and grave statement to date. It turns away from collective upheaval to face emotional erosion, fatigue and private collapse.

Sceaduhelm comes out tomorrow, Friday, April 17 on Season of Mist, but you can hear all 12 stark and striking songs today by listening to the full album stream below:

Pre-order

https://orcd.co/cbpsceaduhelm

Pre-save on Spotify

https://open.spotify.com/prerelease/6jvoEOyJQXUQmdI1WlVXrK

Where previous Crippled Black Phoenix records addressed historical violence and societal fracture, Sceaduhelm moves inward, listening to what accumulates in the aftermath: grief, complicity, damaged intimacy and the weight of endurance. The album unfolds as a unified psychological space rather than a traditional concept record, with slow builds, minimalist repetition, and unresolved tension carrying as much weight as melody. While stemming from founding member Justin Greaves (ex-Electric Wizard, ex-Iron Monkey), vocals are shared between Belinda Kordic (Killing Mood, Stabb), Ryan Patterson (Fotocrime, Coliseum, Mirrorless) and Justin Storms (Wailin Storms), each occupying a distinct but aligned emotional register across the album's twelve tracks.

Lyrically and thematically, Sceaduhelm is preoccupied with exhaustion as a condition rather than a moment, with time framed not as a healer but as an eroding force. Songs address burnout, grief, surveillance, institutional violence, and damaged intimacy, often blurring the line between the personal and the political. Musically, the album favours restraint over release, employing repetition, minimalism, and slow escalation to sustain tension without catharsis. Recorded across multiple locations and mixed with deliberate austerity, the record resists warmth, clarity serving discomfort rather than solace.

Within Crippled Black Phoenix’s wider catalogue, Sceaduhelm does not seek to resolve previous narratives or replicate past high points. Instead, it documents a moment of exposure and endurance, listening closely to what remains when spectacle fades and outrage exhausts itself. It stands as a severe, human record, concerned less with declaration than with persistence, and affirms once more the band’s refusal to stand still, soften its gaze, or offer easy answers.

Line-up:
Music - Greaves / Words — Patterson
Justin Greaves — Guitars, Drums, Samples
Ryan Patterson — Vocals
Belinda Kordic — Backing Vocals
Wes Wasley — Bass
Robin Tow — Percussion
Lucy Marshall — Synths

Apparently recorded at various times during 2023 to 2025 at:
Chapel Studios, Lincolnshire, UK
Engineered by Pieter Rietkerk

Additional sessions at:
Kapsylen Studio, Stockholm, Sweden
Engineered by Jörgen Jugglo Wall.
House Of Foto, Louisville, KY, USA
Engineered by Ryan Patterson
Mixed by Iver Sandøy at Solslottet Studio, Bergen, Norway.
Mastered by Magnus Lindberg, Stockholm, Sweden
Additional mixing by Pieter Rietkerk at Chapel Studios
Produced by Justin Greaves

Artwork by Erebus Art (Thanasis Stratidakis)


Thank to everyone who helped and supported this venture.

BIG thankye! to Kurt Ballou for his input and work on this album.

All CBP music published by Season Of Mist Publishing.

Lyrics for “No Epitaph, “The Precipice”, “Vampire Grave”, “Beautiful Destroyer”
Copyright 2026 Ryan Patterson (BMI)

Follow Crippled Black Phoenix:
Bandcamp: https://riseupandfight.bandcamp.com/
Facebook: https://www.facebook.com/CBP444/
Instagram: https://www.instagram.com/cbp_444/
Apple Music: https://music.apple.com/artist/crippled-black-phoenix/251718934
Spotify: https://open.spotify.com/artist/6WEyPcf9ezhNLm1xOBjbwH
Tidal: https://tidal.com/browse/artist/3607159
Deezer: https://www.deezer.com/artist/391823

Gåte Sign to Season of Mist with Release of New Single “Sannsiger” (ft. Maria Franz)

Season of Mist is proud to welcome Gåte.

Gåte are one of the most distinct bands to come out of Norway. Starting in the early 2000s, the band broke new ground by mixing Nordic folk tradition and modern rock. In 2002, their debut album entered at #1 on the Norwegian Albums chart and won them the Spellemann Award (Norwegian Grammy) for Best Newcomer. Following two more successful albums, the band took a hiatus before returning in 2017 to critical acclaim and sold-out performances. They represented Norway in the 2024 Eurovision Song Contest and toured throughout Europe in 2025 with Leprous.

As they open a new chapter with Season of Mist, today, Gåte are releasing  “Sannsiger”, the first single from their soon-to-be-announced sixth studio album. Featuring Maria Franz from Season of Mist labelmate Heilung, the song sets a decisive tone for what the band has in store. It weaves Hardanger fiddle and nyckelharpa into their contemporary sound, threading together into an intense and immersive expression that’s shaped by repetition, tension and ritual movement.

Watch the music video for “Sannsiger” Below:

Stream “Sannsiger”

https://orcd.co/gatesannsiger

“Signing with Season of Mist reflects a shared ambition to work without compromise and with a long-term vision for reaching an international audience”, Gåte says. “The title of our  new single, ‘Sannsiger’, is a figure who is found in folklore and belief systems across cultures. They are understood as someone who interprets signs, visions and divine messages, in order to foresee what lies ahead. Within the context of this song, they also represent those who dare to speak uncomfortable truths. Throughout history, and still today, such voices have often been silenced, punished or attacked for challenging what others wish to keep hidden”.  

“‘Sannsiger’ hit me from the very first moment that I heard it”, Heilung vocalist Maria Franz says. “The song’s raw energy immediately resonated with me. I’ve been a fan of Gåte for many years, so accepting the invitation was a no-brainer. The band were wonderful to work with, and I’m very excited to hear the rest of their upcoming album”.

In anticipation of their upcoming new album, today, Gåte are also announcing a fall headline tour. The tour will bring the band to nine cities across Norway, plus one date in Istanbul, Turkey. During this ten date run, they will perform “Sannsiger”, along with other new songs and fan favorites from their celebrated discography.

Gåte Concerts 2026

October 23 - Trondheim, Norway @ Havet [TICKETS]

October 30 - Drammen, Norway @ Union [TICKETS]

October 31 - Oslo, Norway @ Sentrum Scene [TICKETS]

November 5 - Haugesund, Norway @ Høvleriet [TICKETS]

November 6 - Stavanger, Norway @ Folken [TICKETS]

November 7 - Bergen, Norway @ Verftet [TICKETS]

November 12 - Skien, Norway @ Parkbiografen [TICKETS]

November 13 - Moss, Norway @ Verket Scene [TICKETS]

November 14 - Hamar, Norway @ Festiviteten [TICKETS]

November 21 - Istanbul, Turkey @ IF Performance [TICKETS]

Gåte are also performing an acoustic set at Castlefest in the Netherlands on August 1, plus another acoustic set as special guests for Wardruna at the Nordic Night event in Oslo on June 13.

Rooted in the intersection of Nordic folk tradition and contemporary rock, Gåte have spent over two decades developing a sound that feels both ancient and fiercely present. Drawing on centuries-old ballads, oral traditions and traditional vocal forms, the band transform these sources into music that is physical, emotionally direct and unmistakably their own.

“Gåte have been drawing from traditional music and transforming it with modern means into something new right from their beginning”, Metal Hammer writes.

Rather than treat tradition as a fixed reference, Gåte approach it as a living force. Old material is not preserved for its own sake, but reworked and recontextualized, allowing it to resonate with contemporary urgency and relevance.

“Our music comes from a place where tradition is not something fixed, but something alive” the band says. “We draw from old sources because they still speak to us, and because they allow us to express something honest and human today.”

Lineup

Gunnhild Sundli

Magnus Børmark

Jon Even Schärer

Mats Paulsen

Arn Andersson Todal

Recording Lineup for “Sannsiger”

Gunnhild Sundli - Vocals

Magnus Børmark - Nyckelharpa, Percussion, Programming, Background Vocals

Jon Even Schärer - Drums, Percussion, Synthesizers, Background Vocals,

Mats Paulsen - Electric bass

Arent Todal - Hardanger fiddle

Kristian Fanavoll Tvdet - Synthesizers, Programming

John Stenersen - Nyckelharpa

Guest musicians

Maria Franz - Vocals

Kristian Fanavall Tvedt - Synthesizers, Programming

Songwriting credits

Music by Magnus Børmark, Gunnhild Sundli, Kristian Fanavoll Tvedt, Jon Even Schärer

Lyrics by Magnus Børmark, Gunnhild Sundli, Kristian Fanavoll Tvedt

Recording credits

Recorded at Kulturläven and Øra Studio in Trondheim, Norway

Production credits

Produced by Kristian Fanavoll Tvedt and Magnus Børmark

Mixed and Mastered by Jacob Hansen


Booking contact
Geir Tore Grinde (gt@allthingslive.com)


Stream
https://orcd.co/gatesannsiger

Follow Gåte
Website : https://www.xn--gte-ula.com/
Facebook : https://www.facebook.com/Gaateband/
Instagram : https://www.instagram.com/gaate_official/?hl=en
Bandcamp : https://gaate.bandcamp.com/music
Soundcloud : https://soundcloud.com/gate-official
Youtube: https://www.youtube.com/c/G%C3%A5temusic
Spotify: https://open.spotify.com/artist/3YxkGgMvqCQA75aFpy6524
Apple Music: https://music.apple.com/us/artist/g%C3%A5te/73355577
Amazon: https://music.amazon.com/artists/B001ESPU2U/g%C3%A5te

Erdve Bury Deeper Into What Remains on New Single "Ydos"

ERDVE are releasing "Ydos," the second single from the experimental sludge metal band’s upcoming third album Epigrama. Following the album’s grief-stricken lead single “Nyra”, “Ydos” moves deeper into a corroded place where self-doubt calcifies into something closer to self-destruction.

Watch the music video for “Ydos” Below:

Epigrama comes out May 29, 2026 on Season of Mist.

Pre-order & pre-save

https://orcd.co/erdveepigrama

Where Erdve’s debut album, Vaitojimas, laid the foundation, the band’s follow-up, Savigaila, pushed against it until something cracked. What follows now is not a next step but a deliberate pause, a period of stepping back from the noise to ask what the music is for, and what it needs to become in order to mean something true.

Epigrama answers that question but not in a comfortable way. The album was made with the care that comes from having learned, through trial and error, what it means to create without compromise. The band wrote, recorded, mixed, mastered, photographed and designed it themselves. Handing any part of it to someone else, would have been a betrayal of everything the album is about. Accountability runs through it like a fault line.

“Ydos” speaks to the weakness of facing the truth, shame and the inability to impose judgement upon oneself. The song is a descent from stagnation into what Erdve envision as the gradual consumption of the last remaining spark of life.

The band is known to dive into unexpected ventures by choosing to perform in places that intuitively seem incoherent to the type of music being played or are not considered to be regular venues. First such show took place in the church of St. John's 2019 and another one in Lukiškės Ex-Prison, both in Vilnius, Lithuania.

 

After the second album, the band took some time to rediscover their relationship with music and identified the elements that would convey their future vision in the most truthful way. This idea is followed by their 2026 release - EPIGRAMA, that delivers a familiar, yet a fundamentally different approach towards experimenting within the confines of heavy music and reflective storytelling. The goal was to craft a meticulous consistency between the music, lyrics and sound production, where every aspect of the song works together to create meaningful impact. This album marks a new beginning for ERDVE, in the process of rediscovery, experimentation and raw expression.

Line-up:

Vaidotas Darulis — Vocals, Guitars

Adomas Varnelis — Guitar

Valdas Voveraitis — Drums

Karolis Urbanavičius — Bass

Production Credits:

Self-produced by Vaidotas Darulis & Adomas Varnelis.
Mixed Vaidotas Darulis & Adomas Varnelis.
Mastered by Vaidotas Darulis.

Cover Art:

Photography by Vaidotas Darulis.

Designed by Vaidotas Darulis,

Vainius Česnauskas (https://www.instagram.com/vainius.art/),

Marija Česnauskienė-Dvarionaitė (https://www.instagram.com/maryces.art/).

Pre-order & pre-save

https://orcd.co/erdveepigrama

Available Formats:
CD Digipak

Digital Download

12” Vinyl Gatefold — Black

12” Coloured Vinyl Gatefold — Silver, Black & White Marbled

Follow Erdve:
Bandcamp: https://erdvesom.bandcamp.com/album/

Instagram: https://www.instagram.com/_erdve_/

Facebook: https://www.facebook.com/erdvelt/

TikTok: https://www.tiktok.com/@erdve

Spotify: https://open.spotify.com/artist/7uctedT9WR5dzqjAOx3jKN

Apple Music: https://music.apple.com/artist/erdve/1299788970

Tidal: https://tidal.com/artist/9229661

Deezer: https://www.deezer.com/artist/13602259

Beyond Creation Announce 15th Anniversary Reissue of The Aura

From the beginning, it was clear that Beyond Creation possessed a special aura. Back in 2011, the Montréal four-piece quickly proved they were the next progressive evolution in technical death metal with their very first album. Now, fifteen years later, the genre still basks in the enduring glow of The Aura.

“Laden with atmosphere, The Aura stands out from the crowded 2011 tech/death scene thanks to the prominent use of fretless bass, varying drum patterns, and experimentation with tempo”, wrote Metal Injection in a recent retrospective. “Combine that with a variety of searing vocal styles and classically-influenced, lightening-fast sweeps, The Aura is a decadent joy to the mechanically and sonically minded”.

As the Independence Music Award winners and Canadian Grammy nominees prepare to perform their landmark debut in full for the very first time on their upcoming Latin American tour, today, Beyond Creation are announcing a special anniversary reissue of The Aura. The new limited-edition colored vinyl variant is cut at 45 RPM for superior sound quality. It comes with a double-sided full color poster and an embroidered patch.  

“Fifteen years ago, The Aura marked the beginning of our sonic journey”, Beyond Creation lead vocalist and guitarist Simon Girard reflects. “Our celebration of its 15th anniversary officially begins with this special limited-edition reissue. Join us in the celebration during our upcoming tour of Latin America with our special guests Fallujah, where we will perform the album in its entirety for the first time ever, as well as our new single ‘Reverence’”.

The special 15th anniversary edition of The Aura comes out July 17, 2026 on Season of Mist.

Pre-order

https://redirect.season-of-mist.com/BeyondCreationAll

Available formats

2x12” Colored Vinyl Gatefold with full-color poster and embroidered patch

Listen to the full album stream below.

The Aura immediately stood out as a shining achievement for technical death metal. With microscopic precision, the band spliced together classic brutality and prog’s unbending curiosity with an unforeseen tact for melody. “Coexistence” opened eyes far and wide to a new realm of possibilities, where headbanging riffs don't collide but resolve amidst an extended instrumental passage that glistens like the cosmos. After more than 6 million views on YouTube, “Omnipresent Perception” is still blowing people’s minds. Its fretless bass solo, while impossible to follow, leads along the path to enlightenment.  

“Are we the chosen ones?”, Girard wonders during “The Deported”, the album's epic 11-minute closer. He’s questioning humanity's own presumed superiority, but when it comes to Beyond Creation and the universe of progressive technical death metal, the answer is still a resounding “yes”.  

Beyond Creation’s full discography is available now on Season of Mist

Order

https://redirect.season-of-mist.com/BeyondCreationAll

In 2026, Beyond Creation released “Reverence”, their first single in eight years, ahead of the 15th anniversary of The Aura. To celebrate 15 years since the release of their landmark debut, the band announced a special limited-edition reissue of the album through Season of Mist. They will perform the album in full for the first-time ever during their 2026 Latin American Tour with special guests Fallujah.


Line-up
Simon Girard: Vocals & Guitars
Kevin Chartré: Guitars & Back Vocals
Hugo Doyon-Karout: Bass
Philippe Boucher: Drums


Order
https://redirect.season-of-mist.com/BeyondCreationAll


Follow Beyond Creation
Official website: https://www.beyondcreationofficial.com
Bandcamp: https://beyondcreation.bandcamp.com/
Spotify: https://open.spotify.com/artist/3HBOxN9iagI9Ot1kTHpPX8
Apple Music: https://music.apple.com/us/artist/beyond-creation/431171265

YouTube: https://www.youtube.com/user/BeyondCreationMetal
Facebook: http://www.facebook.com/BeyondCreationOfficial
Instagram https://www.instagram.com/beyondcreationofficial/

Cryptopsy Release Uncensored Version of “Malicious Needs” Video

30 years since they first donned metal’s crown of horns, Cryptopsy remain insatiable as ever. The Montreal legends’ latest album, An Insatiable Violence, received their second nomination for Best Metal/Hard Music Album at this year’s JUNO Awards, a category they won two years ago. Now, as they prepare to celebrate the 30th anniversary of their Decibel Hall of Fame inducted album, None So Vile, with a headlining run on this year’s Decibel Magazine Tour, Cryptopsy are proving once more why they are the most vile band in death metal.      

Today, Cryptopsy are releasing the uncensored version of the music video for “Malicious Needs”, the second single and harrowing finale of An Insatiable Violence.  While initially labeled too vile for unfiltered consumption on YouTube, the uncensored video fully reveals the explicit desires feeding our digital fantasies.  

“‘Malicious Needs’ is the last song that we wrote for An Insatiable Violence and right away, we were all completely enamored with it”, Cryptopsy vocalist Matt McGachy says. “We are thrilled to finally unleash the fully uncensored version of the video, which brings the dystopian horror story behind our latest album writhing and screaming into the light! Come see us perform this song during our headline set on this year’s Decibel Magazine Tour, which starts this month! ”.

“Between the strength of the material on their latest release, An Insatiable Violence, and the anniversary celebration of their landmark, None So Vile, 2026 is clearly the year of Peak Cryptopsy”, Decibel Magazine’s Editor-In-Chief Albert Mudrian says. “We couldn’t be more honored to bring the band’s paramount present and potent past together to headline this year’s Decibel Magazine Tour”.

Watch the uncensored video for “Malicious Needs” Below.

Chat with Matt McGachy ahead of Cryptopsy’s headline run on The Decibel Magazine Tour during this Saturday’s Reddit AMA.

Cryptopsy Reddit AMA

r/TechnicalDeathMetal

Saturday, April 18 @ 1 pm Eastern Time

https://www.reddit.com/r/TechnicalDeathMetal/comments/1sjj69j/cryptopsy_ama_saturday_april_18_1_pm_eastern_time/

The Decibel Magazine Tour 2026

with Cryptopsy (celebrating 30 years of None So Vile), Necrot, Fulci and Blood Monolith

Get tickets: https://www.decibelmagazine.com/events/tour/

April 30 - Worcester, MA @ Palladium (Upstairs) [TICKETS]

May 1 - Brooklyn, NY @ Brooklyn Monarch [TICKETS]

May 2 - Baltimore, MD @ Baltimore Soundstage [TICKETS]

May 3 - Philadelphia, PA @ Decibel Metal & Beer Philly [TICKETS]

May 5 - Atlanta, GA @ Masquerade (Hell) [TICKETS]

May 7 - Houston, TX @ White Oak Music Hall [TICKETS]

May 8 - Dallas, TX @ The Studio [TICKETS]

May 9 - Austin, TX @ Come And Take It Live [TICKETS]

May 12 - Los Angeles, CA @ Belasco [TICKETS]

May 13 - San Diego, CA @ Brick By Brick [TICKETS]

May 14 - Berkeley, CA @ Cornerstone [TICKETS]

May 16 - Portland, OR @ Hawthorne Theater [TICKETS]

May 17 - Seattle, WA @ El Corazon [TICKETS]

May 20 - Denver, CO @ Oriental Theater [TICKETS]

May 22 - Minneapolis, MN @ Fine Line Music Cafe [TICKETS]

May 23 - Chicago, IL @ Bottom Lounge [TICKETS]

May 24 - Detroit, MI @ Crofoot Ballroom [TICKETS]

May 25 - Cleveland, OH @ The Grog Shop [TICKETS]

May 26 - Pittsburgh, PA @ Preserving Underground [TICKETS]

May 27 - Toronto, ON @ Lee’s Palace [TICKETS]

May 28 - Montreal, QC @ Fairmount Theatre [TICKETS]

An Insatiable Violence, None So Vile and other albums from Cryptopsy’s fearsome discography are now available through Season of Mist

Order

https://redirect.season-of-mist.com/cryptopsyall

Stream

https://orcd.co/cryptopsyaninsatiableviolence

With Cryptopsy’s latest career renaissance showing no signs of slowing down, the recent accolades are only the beginning. An Insatiable Violence reaches a new peak in a career loaded with them.

Lineup

Flo Mounier - Drums

Matt McGachy - Vocals

Christian Donaldson - Guitar

Oli Pinard - Bass

Guest Musicians

Mike DiSalvo performs vocals on "Embrace the Nihility"

Recording, Mixing & Mastering Studio

Christian Donaldson’s Studio

Production, Sound & Mixing Engineer

Christian Donaldson

Cover Art

Martin Lacroix

Photography

Maciej Pieloch

Biography

Adrien Begrand

Pre-order & Pre-save

https://orcd.co/cryptopsyaninsatiableviolence

Booking agents

USA - Continental Touring

www.continentaltouring.us

Europe - Avocado Booking

http://www.avocadobooking.com/

Follow Cryptopsy

Bandcamp: https://cryptopsyofficial.bandcamp.com/

Facebook: https://www.facebook.com/cryptopsyofficial

Instagram: https://www.instagram.com/cryptopsyofficial/

Spotify: https://open.spotify.com/artist/29PgYwTelpNl6370XLqFtN

Youtube: https://www.youtube.com/@CryptopsyDeathMetal

BandsInTown: https://www.bandsintown.com/a/2941-cryptopsy

Follow Season Of Mist

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Twitter: https://twitter.com/SeasonofMist

Impure Wilhelmina Release New Single "Blanche réalité"

With "Blanche réalité," post-hardcore vets IMPURE WILHELMINA offer the second glimpse into Le sanglot, their upcoming new album and first entirely in French.

"Blanche réalité" (White Reality) maps a state of persistent, low-grade alienation: a person going through the motions of daily existence, disoriented at the center of a world from which all warmth has been subtracted. The song finds its biographical root in a winter hike Impure Wilhelmina vocalist and guitarist Michael Schindl took, during which he nearly lost himself in the fog. That real, physical experience of erasure sits at the core of the song's emotional logic, grounding an otherwise interior state in something concrete and felt.

                                        Watch the official music video for "Blanche réalité" Below:

Le Sanglot comes out May 22, 2026 on Season of Mist

Pre-order & pre-save

https://orcd.co/iwlesanglot

The video for "Blanche réalité" extends the song's territory rather than illustrating it. Shot entirely on location in fog-bound natural landscapes with no band performance, the video follows a solitary figure moving through mist-consumed fields and bare woodland without ever arriving anywhere. The palette is almost entirely de-saturated, with animals functioning as the visual counterpart to the lyrics: present, unreachable, moving through the fog with a purposefulness the human figure lacks. Only in the final seconds does color return, a handful of amber leaves around water, an image that offers no clear resolution.

Line-up:
Michael Schindl — Vocals, Guitar
Mario Togni — Drums
Sébastien Dutruel — Bass
Edouard Nicod — Guitar

Production Credits:
Recorded at Kitchen Studio, Geneva, Switzerland.
Produced, engineered & mixed by Yvan Bing at Kitchen Studio, except for track 9, recorded by Serge Morattel at Rec Studio.
Mastered by Magnus Lindberg at Redmount Studio, Stockholm, Sweden.

Recording Line-up:
Michael Schindl
Mario Togni
Sébastien Dutruel
Edouard Nicod

Guest Musician:
Marion Leclercq (Mütterlein) on the track 6, ‘Train Mort’.

Cover Art:
Giganto (http://giganto.ch/)

Photography:
Mehdi Benkler

  

Pre-order & pre-save

https://orcd.co/iwlesanglot

Available Formats:
CD Digipak

Digital Download

12” Vinyl Gatefold (Black)

12” Vinyl Gatefold (Transparent Violet)

Follow Impure Wilhelmina:
Bandcamp: https://impurewilhelmina.bandcamp.com/
Facebook: https://www.facebook.com/impurewilhelmina/
Instagram: https://www.instagram.com/impurewilhelmina/
Apple Music: https://music.apple.com/artist/impure-wilhelmina/299336044
Spotify: https://open.spotify.com/artist/29luUtCyre5DdAujrV8Pob
Tidal: https://tidal.com/artist/4178564
Deezer: https://www.deezer.com/artist/1309118

The Ghoulstars Resurrect B-Horror on "Graverobbers from Outer Space"

Flying saucers, open graves, mind pollution, mushroom clouds and evil villains with a smile on their face. Meet The Ghoulstars, a fresh - and frightening blast from pop-culture’s past. Since beaming down onto their native haunt of Finland, this White Zombie-loving group of horror punks have captivated press and tantalized crowds without releasing a single bloody track. Until now! On their blockbuster debut album, The Dark Overlords of the Universe, no tome is too sacred for these ghouls to summon back to life!

“Fans of The Misfits, Wednesday 13, and White Zombie should swarm to this like freshly turned corpses sniffing out warm flesh”, Black Angel Promotion writes in an early review of The Dark Overlords of the Universe. “This isn’t Horror Punk done to death. This is Horror Punk resurrected - stitched together, jolted with lightning, and set loose on an unsuspected world”.

Pavillon666 howls in agreement. “This is a very strong debut for The Ghoulstars, sure to please fans of Misfits, White Zombie, or Murderdolls. If you enjoy music steeped in pop culture and horror films, grab this album and devour it like the vile creatures you are”.

Today, The Ghoulstars are thrilled to announce the second advance single from The Dark Overlords of the Universe. “Graverobbers from Outer Space” pays faithful homage to Ed Wood’s 1957 cult classic Plan 9 from Outer Space, but the band spin off a few spooky twists of their own.

“‘Graverobbers from Outer Space’ is one of my favorite songs on The Dark Overlords of the Universe”, The Ghoulstars guitarist Markus “Daddy Ghoul” Laakso says. “Horror movies are practically in my blood flow, especially quirky classics like Plan 9 from Outer Space. This song was written as a straightforward pile-driving tribute, though I can’t think of many punk rock songs that have a doomy C-part and güiro”.

Watch the fun and frightful music video for “Graverobbers from Outer Space” below:

The Dark Overlords of the Universe comes out May 15, 2026 on Season of Mist.

Pre-order & Pre-save

https://orcd.co/theghoulstarsdarkoverlords

Despite their ghostly appearance, The Ghoulstars are a collection of real talent. The band features an all-star cast of current and former members of death-doom royalty and Season of Mist labelmates Hooded Menace, stoner rockers Thermate and Finland’s Top Ten charting Kuolemanlaakso.

What bands these ghouls together on “Graverobbers from Outer Space” is their morbid fascination with classic cult cinema. Filmed in grainy black and white after Ed Wood’s own heart, the song’s music video leaps off the screen. Fellow horror aficionados will spot plenty of Easter eggs: Beetlejuice’s threads, the dashing and deadly Vampira, a flying saucer cited from a thinly veiled piece of string. The song’s infectious chorus will have even the crustiest of old metalheads barking at the moon. But it’s the dark and doomy riffs, followed by a mysterious presence of güiro, that add a delightfully unexpected twist to this monstrously catchy mash-up.  

The Dark Overlords of the Universe is a love letter to everything that blew our minds as kids”, Laakso says. “The album is loaded with huge riffs, big choruses, surprising curve balls and Easter eggs from old horror, sci-fi and coming-of-age movies. Holding it all together is our sheer joy in watching all the pieces fall into the right place.

The video for “Graverobbers from Outer Space” was directed, filmed and edited by Toni Hiltunen.

Additional video credits

An Anti-Teatteri Production

Written by Toni Hiltunen and Markus Laakso

Set design by Sami Kokkonen

Lighting and UFO by Toni Hiltunen

Starring Emilia Matilainen, Sami Kokkonen, Kalle-Pekka Salmela & The Ghoulstars  

The Ghoulstars may be undead, but there’s nothing pale or lifeless about The Dark Overlords of the Universe. The title track crosses surf beats, heavy riffing and a hair-raising transition into a chorus that’s absolutely to die for. “We can’t wait to unleash this delightful horror upon the world”, Laakso says with an ominous glint in his bloodshot eye. “As V. Santura told me: ‘The record is unique, catchy and a really fun listen’”.        

With The Dark Overlords of the Universe, The Ghoulstars direct a monstrously catchy mash-up between metal, punk and B-horror.

Lineup
Markus "Daddy Ghoul" Laakso - Guitars
Toni "Ghoulio" Ronkainen - Drums
Arthur "LL Ghoul A" Thure - Vocals
Markus "Hella Ghoul" Makkonen - Bass

Guest musicians
Mathias "Vreth" Lillmåns (...and Oceans, Finntrol) - Backing Growls
Tommi "Tuple" Salmela (Tarot, Raskasta Joulua, Lazy Bones) - Backing Vocals on "The Dark Overlords of the Universe")

Production credits
Produced by Markus Laakso
Guitars recorded by Markus Laakso and Erkka Närhi
Vocals recorded by Markus Laakso and Mathias "Vreth" Lillmåns
Drums recorded by Erkka Närhi
Bass recorded by Samu Männikkö and Markus Laakso
Percussion recorded by Markus Laakso
Mixed & Mastered by V. Santura at Woodshed Studio in Germany

Cover art

Niko Anttila


Pre-order & Pre-save
https://orcd.co/theghoulstarsdarkoverlords

Available formats
Digital Download
CD Digipack
12" Vinyl Gatefold (Black)
12" Colored Vinyl Gatefold (Yellow, red and white marbled)

Booking info

info@theghoulstars.com

Follow The Ghoulstars
Official website: http://www.theghoulstars.com
Bandcamp: https://theghoulstars.bandcamp.com

Spotify: https://open.spotify.com/artist/2Pr3ThFZK0tnUDqDSlMuBX

Apple Music: https://music.apple.com/us/artist/the-ghoulstars/1872811142

YouTube: https://www.youtube.com/@TheGhoulstars

Instagram: https://www.instagram.com/theghoulstars/
Facebook: https://www.facebook.com/theghoulstars/

Crippled Black Phoenix Release Gothic New Single “Vampire Grave”

CRIPPLED BLACK PHOENIX are releasing “Vampire Grave”, the third and final advanced single from the UK macabre rock band’s upcoming album Sceaduhelm. The song is one of the album's most immediately compelling, built around a central image of chosen decay and the kind of intimacy that survives only by abandoning the living world entirely. It features Louisville, Kentucky’s Ryan Patterson of the band’s Fotocrime, Coliseum and Mirrorless.  

Listen to “Vampire Grave” below:

Sceaduhelm comes out April 17th via Season of Mist.

Pre-order & pre-save

https://orcd.co/cbpsceaduhelm

Pre-save on Spotify

https://open.spotify.com/prerelease/6jvoEOyJQXUQmdI1WlVXrK

Written by Justin Greaves with lyrics by Ryan Patterson, "Vampire Grave" frames disillusionment not as crisis but as conclusion. Patterson's lyric follows a narrator who has quietly stopped arguing with the terms of existence and arrived, without drama, at an alternative: immortality in death alongside another person, in a grave of their own choosing. The vampire conceit is not deployed for atmosphere alone. It carries a genuine emotional logic, the sense that if there are no winners in life, then permanent withdrawal becomes the only rational act of devotion. The phrase "bloodsick and depraved" sets the register early, and the song does not soften from there.

Patterson, who has collaborated with Justin Greaves and Crippled Black Phoenix across several projects, speaks to the immediacy of the song's central image: "‘Vampire Grave’ was the first song we did together for this album; Justin sent me the music with that working title and I immediately imagined two immortal lovers, blood junkies on an eternal death trip. It's a barn-burner of a song driven by Justin's drums and guitar, and perfectly completed by Belinda's creepy and beautiful backing vocals. It's one of my favorite vocal performances and I'm excited for people to hear it."

Belinda Kordic joins Patterson on backing vocals, her presence lending the song a layered intimacy that runs deeper than mere arrangement. The song also features percussion from Robin Tow and synths from Lucy Marshall, building a density that distinguishes it from some of the album's starker, more skeletal compositions. The result is a song that remains entirely within Sceaduhelm's emotional territory while offering a stronger immediate grip than much of the surrounding material.

As with previous releases, Justin Greaves remains the sole composer of the music, each composition emerging from his own emotional and creative impulse. The lyrical dimension is separate and equally personal. The words and themes are written by the vocalists themselves, each lyricist expressing their own feelings, experiences, and perspectives rather than interpreting someone else’s narrative. Belinda Kordic, Ryan Patterson, and Justin Storms each author their own texts, bringing distinct emotional viewpoints into the material.

Lyrically and thematically, Sceaduhelm is preoccupied with exhaustion as a condition rather than a moment, with time framed not as a healer but as an eroding force. Songs address burnout, grief, surveillance, institutional violence, and damaged intimacy, often blurring the line between the personal and the political. Musically, the album favours restraint over release, employing repetition, minimalism, and slow escalation to sustain tension without catharsis. Recorded across multiple locations and mixed with deliberate austerity, the record resists warmth, clarity serving discomfort rather than solace.

Within Crippled Black Phoenix’s wider catalogue, Sceaduhelm does not seek to resolve previous narratives or replicate past high points. Instead, it documents a moment of exposure and endurance, listening closely to what remains when spectacle fades and outrage exhausts itself. It stands as a severe, human record, concerned less with declaration than with persistence, and affirms once more the band’s refusal to stand still, soften its gaze, or offer easy answers.

Biography:

Sébastien Gamez

Pre-save & Pre-order: https://orcd.co/cbpsceaduhelm

Publicists:

EU/World:

Sébastien Gamez

sebastien.gamez@season-of-mist.com

US/South America:

Will Yarbrough

will.yarbrough@season-of-mist.com

Follow Crippled Black Phoenix:
Bandcamp: https://riseupandfight.bandcamp.com/
Facebook: https://www.facebook.com/CBP444/
Instagram: https://www.instagram.com/cbp_444/
Apple Music: https://music.apple.com/artist/crippled-black-phoenix/251718934
Spotify: https://open.spotify.com/artist/6WEyPcf9ezhNLm1xOBjbwH
Tidal: https://tidal.com/browse/artist/3607159
Deezer: https://www.deezer.com/artist/391823

Green Carnation Premiere A Dark Poem, Part II: Sanguis

Had Green Carnation never returned from hiatus, the Norwegian prog bards would always be remembered for completing one of metal’s most ambitious individual epics. However, there was one tale - or three, to be exact - that eluded them for more than three decades, until last year. Now, after reaching crushing new highs on Part I of their forthcoming album trilogy, the band are descending into the deepest, darkest and most personal depths of their storied career with A Dark Poem, Part II: Sanguis.

A Dark Poem, Part II: Sanguis comes out tomorrow, Friday, April 3 on Season of Mist, but you can hear all six heart-wrenching songs today by listening to the full album stream, which premieres on the Season of Mist YouTube channel at Noon Eastern Time.

During the premiere, the band will chat with fans about the latest installment in their forthcoming album trilogy, as well as what the future might bring on Part III.  

A Dark Poem, Part II: Sanguis Full Album Stream Premiere Below.

“Sanguis invites listeners into our darkest inner rooms with some of the most raw and vulnerable songs that we’ve ever written”, Nordhus says.

“The lyrics are so personal that I had to go many rounds with myself over whether or not to tone them down”, says Sordal. “In the end, I chose to keep them as honest as possible”.  

Pre-order

https://orcd.co/greencarnationsanguis

Pre-save on Spotify

https://open.spotify.com/prerelease/7pUfKrzW4Q5vn0WAfPHCkS?si=uDZLcOH5Rh2-j8BcS956-g

“Part II deal with personal loss and sadness”, shares Nordhus, though as he’s quick to explain, Sanguis isn’t all gloom and doom. “Those feelings can be almost comforting, like stories you hear about the calm that people experience before they die”. Indeed, if A Dark Poem contains a silver lining, it’s in the creative partnership that’s helped Green Carnation endure for more than three decades. “It would be different if I had only known Stein Roger for two months”, Nordhus continues in explaining how he gives voice to the words of his dear friend. “It’s easy for me to understand and relate to all of his struggles, all of his pleasures and joys, because I’ve been a part of them as well”.  

Part II introduces more peaks and valleys into the overarching narrative of A Dark Poem, but nowhere does the album’s bleeding-heart core shine through more achingly than its closing ballad. Graced by Ingrid Ose’s soothing flute, “Lunar Tale” positively sparkles, even as it casts a rather grim beacon into the future. “The end justifies the means, you’ll see”, Nordhus sings with eerily quiet confidence. As the piano seeps beneath the moonlight, Sanguisleaves fans hanging in suspense over where this trilogy will end.  

Recording lineup
Kjetil Nordhus - Vocals
Stein Roger Sordal - Bass, Rhythm Guitars, Lead Guitars, Keyboards, Lead Vocals on "Loneliness Untold, Loneliness Unfold"
Bjørn Harstad - Lead Guitars, Effects
Endre Kirkesola - Keyboards, Synthesizers, Organs, Effects, Backing Vocals on "Lunar Tale"
Jonathan Alejandro Perez - Drums

Guest musicians
Ingrid Ose - Flute on "Lunar Tale"

Live lineup
Kjetil Nordhus - Vocals
Stein Roger Sordal - Bass
Tchort - Guitars
Bjørn Harstad - Guitars
Trond Breen - Guitars
Endre Kirkesola - Keyboards

Recording, Mixing & Mastering Studio
dUb Studio

Production Credits
Producers - Endre Kirkesola, Stein Roger Sordal, Kjetil Nordhus
Sound Engineers - Endre Kirkesola, Bjørn Harstad
Mixing engineer — Endre Kirkesola

Mixing assistant — Bjørn Harstad

Mastering Engineer — Lawrence Mackrory

Cover artist
Niklas Sundin

Pre-order & Pre-save
https://orcd.co/greencarnationsanguis

Available Formats
CD Digipack
12" Vinyl Gatefold (Black)
12" Vinyl Gatefold (Yellow and Red Marbled)
​12" Vinyl Gatefold (Orange and ​Coke Bottle Green)
12" Vinyl Gatefold (Gold Splatters)
12" Vinyl Gatefold (Silver, White and Black Marbled)
12" Vinyl Gatefold (Transparent Green and Purple Marbled)

Follow Green Carnation:
Bandcamp: https://greencarnationsom.bandcamp.com/
Facebook: https://www.facebook.com/GreenCarnationNorway
Instagram: https://www.instagram.com/green2carnation/
Twitter (X): https://x.com/Green2Carnation
YouTube: https://www.youtube.com/channel/UC2vfEaTADayEniT7xbG-XCA
Spotify: https://open.spotify.com/artist/1ZaJhNBAhJ3HjPsWiB9sDc
Apple Music: https://music.apple.com/artist/green-carnation/72866964
Deezer: https://www.deezer.com/artist/8192
Tidal: https://tidal.com/browse/artist/23079

Heilung Release New Podcast Episode for “Traust”

On their new podcast, Heilung are inviting longtime converts and newcomers into their sacred realm, where history and spirit converge into a healing ritual. Hosted by founding member, singer and shamanic practitioner Kai Uwe Faust, The Podcast journeys into the lore, traditions and primal forces that shape the world-renowned Nordic collective and their unmistakable Amplified History.

Having uncovered the mythological roots and historical references behind “Alfadhirhaiti” and “Marduk” during the two previous episodes of The Podcast, today, Heilung are releasing a new episode that is dedicated to “Traust”. Now a staple in the collective’s celebrated live ritual, this song first appeared on their second album, Futha, which debuted in 2019 at #3 on the Billboard Heatseekers chart and #4 on the Billboard World Music chart.

“This episode of the podcast offers an intense look at how belief, ritual and sound converge as Amplified History on ‘Traust’”, Faust says. “Through Merseburg charms and early ritual practice, I lead us into a realm of unbinding magic, where we reflect on sacrifice, transformation and the moments when human fear meets sacred necessity”.  

The release of this episode coincides with the arrival of the Pink Moon, which brings spring and a time for rebirth.    

Watch episode three of The Podcast Below:

Heilung are known around the world for transcending the boundaries of sound and history. Since forming in 2015, the Nordic collective have made their unmistakable presence felt everywhere from the Billboard charts to Glastonbury, The Game Awards and major Hollywood films. Their performance rituals draw crowds into an intimate, mystical space that threads together earth, fire and incense with throat singing, primordial rhythms, subtle electronic textures, a mesmerizing light show and instruments made from human bone.

Heilung’s full discography, including their latest release Lifa Iotungard, is available now on Season of Mist.

Order & Stream

https://orcd.co/lifaiotungard

In 2025, Heilung embarked on headlining tours of Europe, Australia and New Zealand. Along the way, they cast their spell over more of the world’s biggest stages, including Roskilde Festival, Download Festival and Glastonbury. But no matter where the future takes them, Heilung always begin their performance with a humbling reminder of where we all come from.

“Remember, we are all brothers. All people, beasts, tree and stone and wind, we all descend from the one great being that was always there, before people lived and named it, before the first seed sprouted.”

Line-up:
Kai Uwe Faust
Christopher Juul
Maria Franz

Order & Stream

https://orcd.co/lifaiotungard

Available Formats:
Digital Download
2x12" Vinyl Gatefold - Black
2x12" Coloured Vinyl Gatefold - Gold & Orange Mixed
2x12" Coloured Vinyl Gatefold - Crystal Clear & Black Marbled

ROTTING CHRIST Reissue Sleep of the Angels

Season of Mist is reissuing Sleep of the Angels, the fifth full-length album by Greek legends Rotting Christ. Originally released in January 1999 on Century Media, the album will now be available on vinyl through the band’s current label home.

Sleep of the Angels represents the furthest point from Rotting Christ's black metal origins. It is a record defined by melodic weight, brooding atmosphere, and a gloomy romanticism that remains striking in its internal coherence. At its center is the interplay between the heavy guitar work of Sakis Tolis and a constant, gauzy keyboard presence that lends the whole record an almost ecclesiastical quality. The result is the most gothic album in the band's ever-evolving discography.

Season of Mist will reissue Sleep of the Angels on June 19, 2026

Pre-order

https://redirect.season-of-mist.com/RCReissues

Available formats

Black 12" vinyl in gatefold
Gold 12" vinyl with black splatters in gatefold

 

Formed in Athens in 1987, Rotting Christ are one of extreme metal's most enduring and restlessly shape-shifting forces. By the time Sleep of the Angels was recorded in September 1998, Rotting Christ had spent three consecutive albums methodically expanding from the rawness of their early catalogue toward atmosphere, melody and a dark romanticism. The album closed a trilogy begun with Triarchy of the Lost Lovers(1996) and continued through A Dead Poem (1997), before the band pivoted again toward heavier, more industrial-inflected territory on Khronos (2000).

Guest contributors to Sleep of the Angels include Waldemar Sorychta on lead guitar on "Victoriatus" and "You My Flesh," and vocalist Eddy Kante on the partially German language "Der Perfekte Traum."

Catch Rotting Christ this month on the band’s tour of North America with Behemoth, Deicide and Immolation.

The Godless IV 2026 North American Tour

with Behemoth, Deicide, Rotting Christ + Immolation

Get tickets at https://www.rotting-christ.com/

April 9 - Baton Rouge, LA @ Chelsea’s Live*

April 10 - Houston, TX @ White Oak Music Hall*

April 11 - San Antonio, TX @ Vibes Event Center*

April 13 - Las Vegas, NV @ Fremont Country Club*

April 14 – San Diego, CA @ The Observatory Northpark

April 15 – San Francisco, CA @ The Regency Ballroom

April 17 – Boise, ID @ Knitting Factory

April 18 – Portland, OR @ Roseland Theater

April 19Seattle, WA @ Showbox SODO

April 21 – Salt Lake City, UT @ Union

April 22 – Denver, CO @ The Fillmore

April 23 - Kansas City, MO @ Warehouse on Broadway**

April 24 – Milwaukee, WI @ The Rave

April 25 – Chicago, IL @ The Vic

April 26 – St. Louis, MO @ The Pageant

April 27 - Louisville, KY @ Goodwood Whiskey Row*

April 28 – Norfolk, VA @ The NorVa

April 30 – Silver Spring, MD @ The Fillmore***

May 1 – Worcester, MA @ The Palladium****

May 2 – New York City, NY @ Palladium Times Square

May 3 - Albany, NY @ Empire Live*

May 4 – Buffalo, NY @ Riverworks

May 5 – Pittsburgh, PA @ The Roxian

May 7 – Daytona Beach, FL @ Welcome to Rockville**

May 9 – Charlotte, NC @ The Fillmore

May 11 – Toronto, ON @ History

May 12 – Montreal, QC @ Olympia

May 14 – Columbus, OH @ Sonic Temple Afterparty*

May 15 – Nashville, TN @ Brooklyn Bowl

May 16 – Atlanta, GA @ Masquerade

May 18 – Dallas, TX @ The Factory

May 20 – Phoenix, AZ @ The Van Buren

May 21 – Los Angeles, CA @ The Palladium

*Deicide, Rotting Christ + Immolation only

**Rotting Christ w/Immolation

***No Rotting Christ

****No Deicide

Rotting Christ Special 1989-1995 set at 2026Maryland Deathfest

Friday, May 22 - Market Place/Power Plant Live [Tickets]

Rotting Christ’s latest studio album, Pro Xristou, live album 35 Years of Evil Existence: Live in Lycabettus and newly re-recorded version of Aealo are available now on Season of Mist.

Order

https://redirect.season-of-mist.com/rottingchristshop

ONLY HUMAN Premiere Inventive Debut Album Planned Obsolescence

ONLY HUMAN are already on the brink of a major discovery with their debut album. On Planned Obsolescence, the Danish upstarts invent an existential form of prog metal that speaks to our not-too-distant dystopia.

Planned Obsolescence comes out tomorrow, Friday, March 27 on Season of Mist, but you can hear all eight inventive songs today by listening to the full album stream on the Season of Mist YouTube channel.

Listen Below:

“The album is supposed to wake people up to all the ways technocracy is encroaching on society”, Only Human vocalist Patrick Grønbæch Christensen says. “Tech companies often design their products to have an expiration date, so that we’re forced to replace them with the newest model. Through our social media and the adoption of influencer culture, we now live in a reality where humans are products to be consumed and disposed of”.

Pre-order & Pre-save

https://orcd.co/onlyhumanplannedobsolescence

Concept albums are standard issue for metal, especially in the prog space. But when the five members of Only Human first put their heads together in 2023, they decided to build the very human fabric of the band around one increasingly prescient idea.

“We like a lot of bands that just play rock music, but we wanted ONLY HUMAN to be about something”, Christensen says. “We’re interested in creating a musical universe that portrays a future on the brink of collapse”.  

Planned Obsolescence reckons with technology’s increasingly hostile takeover. “Techno Fascist” comes crashing down amidst a turbulent downstream of low-tuned chugs. The intrusion of beats, blips and synthetic swirls into the heavy mainframe of “Breach” mirrors not only how technology has seeped into our everyday lives but also the looming threat that it poses in rendering humans obsolete.  

While Planned Obsolescence is full of existential dread, that doesn’t mean the album leaves us no hope. There’s nothing broken or even outdated about Only Human. The band’s fusion of heavy polyrhythmic grooves, anthemic hard rock and haunting electronic soundscapes hits like a deep breath of fresh air. “Defy and learn to walk again”, commands blood-pumping lead single “Automata”.

“When the world is going badly, the reason is because people gave up”, Christensen concludes. “Things aren’t hopeless. We can absolutely fight back. Hopefully, this album gets people to think about valuing humanity over profit”.

On Planned Obsolescence, Only Human invent existential prog metal for our dystopian future.  

Catch ONLY HUMAN live and in the flesh during their upcoming record release show, as well as at Sweden Rock Festival and Naestved Metalfest.

ONLY HUMAN Live in 2026

May 2 - Copenhagen, DK @ Rust (Record Release Show)

June 3-6 - Sölvesborg, SE @ Sweden Rock Festival

August 27-29 - Næstved, DK @ Næstved Metalfest

September 5 - Grindsted, DK @ Metalbox Festival

November 7 - Hjortshoj, DK @ Viruphuset (with Cold Night for Alligators)

“When the world is going badly, the reason is because people gave up”, Christensen concludes. “Things aren’t hopeless. We can absolutely fight back. Hopefully, this album gets people to think about valuing humanity over profit”.

Lineup
Patrick Grønbæch Christensen- Vocals
Martin Hastrup - Guitars
JaCK Kijne - Guitars
Andreas Pröll - Drums
Guillaume Blanjean - Bass

Recording, Mixing and Mastering Studio
Only Human Studio

Production Credits
Producer & Sound Engineer - Patrick Grønbæch Christensen
Mixing Engineer - Patrick Grønbæch Christensen
Mastering Engineer - Patrick Grønbæch Christensen (Digital and CD), Brett Caldas-Lima (Vinyl)

Cover Art
Guillaume Blanjean

Pre-order & Pre-save

https://orcd.co/onlyhumanplannedobsolescence

Available Formats
CD Digipack
12" Vinyl Jacket (Black)
12" Colored Vinyl (Transparent red with black and white splatters)
12" Colored Vinyl (Transparent red and black marbled)


Follow Only Human
Official Website: https://onlyhuman.band/
Bandcamp: https://onlyhumandk.bandcamp.com/
Instagram: https://www.instagram.com/onlyhumandk/
Facebook: https://www.facebook.com/OnlyHumanDK
Apple Music: https://music.apple.com/dk/artist/only-human/1742337573
Spotify: https://open.spotify.com/artist/11Cl9Vdw4xGPUMtcurjgg1
Youtube: https://www.youtube.com/@onlyhumandk

Unverkalt Release “Oath Ov Prometheus” Live Studio Performance

Over the past decade, Unverkalt have drawn closer and closer to the edge. On their new album, the post-metal luminaries pull the veil from our cursed existence in search for an answer to one pervasive questions: What do we carry that was never ours? In response, Héréditaire now stands as their heaviest and most heartfelt offering.

As they prepare to bring Héréditaire to the stage, today, Unverkalt are releasing a live studio performance of the song that sparked their freshly blackened vision. “Oath Ov Prometheus” sets fire to the myth of man’s creation with the band’s command of smoky atmosphere and suffocating doom.  

“‘Oath Ov Prometheus” is one of the songs on our new album that we really love to perform”, Unverkalt vocalist Dimitra Kalavrezou says. “It was the first song we wrote for Héréditaire and our first with extreme vocals. We are very excited to bring it to the stage this year during our upcoming shows”.

Watch the live studio performance of “Oath Ov Promethues” Below:

Héréditaire is out now on Season of Mist.

Order & Stream

https://orcd.co/unverkalthereditaire

While Héréditaire is a pulse-pounding new direction for Unverkalt, the album’s arc traces back to our deepest and darkest origins. Amidst the tremolo-picked wreckage of “Penumbrian Lament”, long-held beliefs are swallowed into the void of guitarist Eli Mavrychev’s death growls. “It’s all sorts of dead ideas / They cling to us all the same”, Kalavrezou whispers, only to break into screams on “Introjects” beneath Joscha Hoyer’s throbbing bass line. “The concept behind the record is tied in with the album’s overall heaviness”, she says. “Each song peels back another blackened layer of memory, trauma and suffering, which linger over us like ghosts: invisible, yet endlessly present”.

Kalavrezou’s mystifying cleans remain one of Unverkalt’s defining traits. Even when trembling beneath the monolithic riff of “I, The Deceit”, her contempt for those who stand by as the world burns is heated when forged alongside her Athenian brother-in-arms Sakis Tolis from Rotting Christ. But as the album draws to a close, Héréditaire ends shadowed in doubt for the future. “Bathed in lies / Can we make it better” she wonders before disappearing into the shivering wake left by “Maladie de ‘Esprit”.

“This album is not meant to resolve”, the band says, “but to dissolve patterns from those who came before, faceless yet familiar. The colors have drained. What remains is veiled in black, not as a symbol, but as a truth that covers everything”.

On Héréditaire, Unverkalt lift the veil on our cursed existence with their heaviest and most heartfelt offering.

Recording Lineup:
Dimitra Kalavrezou — Vocals
Themis Ioannou — Guitars, Keys
Eli Mavrychev — Guitars, Vocals
Joscha Hoyer — Bass
Christian Eggers — Drums

Guest Musicians:
Sakis Tolis — Vocals on "I, The Deceit"

Songwriting Credits:
Comped by Themis Ioannou.
Lyrics by Dimitra Kalavrezou & Eli Mavrychev.
Lyrics for "I, The Deceit" by Dimitra Kalavrezou & Joscha Hoyer.

Recording Credits:
Recorded & Engineered by Unverkalt.
Drums Recorded & Engineered by Christian Eggers at Noir Surge Sound, Berlin, Germany.

Production Credits:
Produced by Themis Ioannou.
Vocals produced by Dimitra Kalavrezou & Eli Mavrychev.
Mixed by Joshua Barber.
Mastered by Lasse Lammert at LSD Studios, Lübeck, Germany.

Cover Art:
Themis Ioannou

Pre-order & Pre-save

https://orcd.co/unverkalthereditaire

Available Formats:
CD Digipak
2x12" Vinyl Gatefold — Black
2x12" ​Coloured Vinyl ​Gatefold ​— Black & Gold 'Sunburst'



Follower Unverkalt:
Bandcamp: https://unverkalt.bandcamp.com/
Instagram: https://www.instagram.com/unverkalt/
TikTok: https://www.tiktok.com/@unverkalt/
Facebook: https://www.facebook.com/Unverkalt/
Twitter: https://x.com/unverkalt/
YouTube: https://youtube.com/@unverkaltofficial/
Spotify: https://open.spotify.com/artist/55vU7DZVwI4ks0NpfKDAvK/
Apple Music: https://music.apple.com/us/artist/unverkalt/1524174404/
Last FM: https://www.last.fm/music/Unverkalt/

Defeated Sanity Release Pounding New Drum Playthrough for “Heredity Violated”

After crushing crowds with Sanguisugabogg, Despised Icon and Corpse Pile, next month, Defeated Sanity are hitting the road on their first U.S. headlining tour in support of their latest Billboard-demolishing album Chronicles of Lunacy. During this run across both U.S. coasts, the innovators of brutal death metal will perform Chronicles of Lunacy in its entirety, along with other fan favorites from their discography. Joining them on all 27 dates are Inferi and Organectomy.    

As they gear up for the start of their U.S. tour next month,  today, Defeated Sanity are releasing a new drum playthrough. While the song brings Chronicles of Lunacy to a horrifying end, “Heredity Violated” further cements their place on the throne as the most technically advanced band in brutal death metal.

“This song was based on a Latin-type rhythm and fused with a brutal riff”, Defeated Sanity drummer Lille Gruber says. “It also has a cool dotted note verses even cymbal thing going on”.

Watch the official drum playthrough for “Heredity Violated” below:

Get tickets for Defeated Sanity's 2026 U.S. Headlining Tour

https://defeatedsanity.com/

Defeated Sanity 2026 U.S. Tour Dates

with Inferi and Organectomy + Excrescence, Scasm and Horrific Vision on select dates

April 16 - Anaheim, CA @ Parish (HOB)* [TICKETS]
April 17 - Fresno, CA @ Fulton 55* [TICKETS]
April 18 - Santa Rosa, CA @ The California* [TICKETS]
April 19 - Sacramento, CA @ Starlet* [TICKETS]
April 21 - Seattle, WA @ El Corazon* [TICKETS]
April 22 - Portland, OR @ Dante's* [TICKETS]
April 23 - Boise, ID @ Shredder* [TICKETS]
April 24 - Salt Lake City, UT @ Ace's High Saloon* [TICKETS]
April 25 - Denver, CO @ HQ* [TICKETS]
April 27 - Milwaukee, WI @ X-Ray Arcade* [TICKETS]
April 28 - West Chicago, IL @ Social Club+ [TICKETS]
April 29 - Indianapolis, IN @ Black Circle+ [TICKETS]
April 30 - Cleveland, OH @ Grog Shop+ [TICKETS]
May 1 - Rochester, NY @ Montage Music Hall+ [TICKETS]
May 2 - Clifton, NJ @ Dingbatz+ [TICKETS]
May 3 - Baltimore, MD @ Metro+ [TICKETS]
May 4 - Raleigh, NC @ Chapel of Bones+ [TICKETS]
May 5 - Jacksonville, FL @ The Albatross+ [TICKETS]
May 6 - Tampa, FL @ Orpheum+ [TICKETS]
May 7 - Orlando, FL @ Conduit+ [TICKETS]
May 8 - Pensacola, FL @ Handlebar+ [TICKETS]
May 9 - Houston, TX @ Pub 529^ [TICKETS]
May 11 - Dallas, TX @ Three Links^ [TICKETS]
May 12 - Austin, TX @ Come and Take It Live^ [TICKETS]
May 13 - Lubbock, TX @ Jakes^ [TICKETS]
May 15 - Phoenix, AZ @ Nile Underground^ [TICKETS]
May 16 - Las Vegas, NV @ Backstage Bar^ [TICKETS]
* Excrescence
+ Scasm
^ Horrific Visions

Chronicles of Lunacy is out now on Season of Mist.

https://orcd.co/defeatedsanitythecroniclesoflunacy

The drum playthrough for “Heredity Violated” was created by Obscenery Films.

While it still hits from every odd angle, Chronicles of Lunacy does draw a jagged red line back to Defeated Sanity's brutal origins. After all, the band now share a label with their namesake. In true, DS fashion, the first song written for this album was "Heredity Violated", a headbanging grand finale that never stops chugging. "This album isn't as tough on the brain as the last two", says new guitarist Vaughn Stoffey, whose chunky riffs whip "Accelerating the Rot" into the fastest song in the band's canon. "It's rawer and more straightforward, which gets back to what fans love about Psalms of the Moribund".  

To dig up the sheer brutality that long-time fans have come to crave, Defeated Sanity returned to Thousand Cave Studios. New York City's most vile underground hotspot also served as the excavation site for the Billboard-charting The Sanguinary Impetus, which shoveled a fresh layer of dirt over the "polished" production of Passages into Deformity. But the band encouraged producer Colin Marston to get down and dirty with Chronicles of Lunacy. "We still wanted some of the high fidelity that you hear on modern death metal records", Schmidt says, "but this album has the same crushing low-end as Psalms or Chapters of Repugnance".  

The band execute this two-headed approach to monstrous effect on "Condemned to Vascular Famine". At just under six minutes, the song delivers the longest ass beating on Chronicles of Lunacy. At times, all four members sound like they're climbing up the walls in separate asylums, but after slipping in a brief nod to Bram Stoker's Dracula, the band come slamming down into the album's ugliest breakdown.  

"That's one of our favorites", the band says. "It lands at a crossroad of the DS sound that we ended up with on Chronicles of Lunacy. Even though it gets pretty fucking weird at times, there's still an emphasis on heavy, straight-up slamming"    

None of their albums are ever going to follow a straight line, but on Chronicles of Lunacy, Defeated Sanity return to sheer brutality.  


Lineup
Josh Welshman - Vocals
Vaughn Stoffey - Guitars
Jacob Schmidt - Bass
Lille Gruber - Drums

Guest musicians
Danny Nelson and Paolo Paguntalan provide backup vocals on "Amputationsdrang" and "Accelerating the Rot"

Recording Studio
Thousand Caves Studio in January 2024.

Production
Recorded, mixed and mastered by Colin Marston.
Produced by Colin Marston and Defeated Sanity.

Cover Art
Artwork by Jon Zig
Title lettering by Liz Schmidt
Layout by Alex Eckman-Lawn

Order & Stream
https://orcd.co/defeatedsanitythecroniclesoflunacy

Booking

Daniel Defonce TKO: danieldefonce@tkoco.com


Follow Defeated Sanity
Official Website:https://defeatedsanity.com/
Bandcamp: https://defeatedsanity.bandcamp.com
Facebook: https://www.facebook.com/DefeatedSanity
Instagram: https://www.instagram.com/defeated_sanity_official
Spotify: https://open.spotify.com/artist/0dy6peOuKo2QkwaNWPoJpx
https://music.apple.com/us/artist/defeated-sanity/277268753

Apple Music: https://music.apple.com/us/artist/defeated-sanity/277268753

ROTTING CHRIST Announce Reissue of Der Perfekte Traum

ROTTING CHRIST, a pillar of Greek metal, are reissuing Der Perfekte Traum for the first time on Season of Mist. Long out-of-print, this EP captures the band at a pivotal crossroads in their career between the melodic darkness of 1997’s A Dead Poem and the atmospheric depth of 1999’s Sleep of the Angels.  

Now reissued by the band’s longtime label home Season of Mist, the new vinyl edition of Der Perfekte Traum preserves an overlooked chapter of Rotting Christ’s legacy.

Season of Mist will reissue Der Perfekte Traum on May 15, 2026.

Pre-order

https://redirect.season-of-mist.com/RCReissues

Available Formats

12” Vinyl Gatefold (Black Coloured Vinyl)

12” Vinyl Gatefold (Gold, Orange & Black Marbled Coloured Vinyl) — Exclusive

Catch Rotting Christ next month on their North American Tour with Behemoth, Deicide, Rotting Christ and Immolation.

Get tickets at https://www.rotting-christ.com/

The Godless IV 2026 North American Tour

April 14 – San Diego, CA @ The Observatory Northpark

April 15 – San Francisco, CA @ The Regency Ballroom

April 17 – Boise, ID @ Knitting Factory

April 18 – Portland, OR @ Roseland Theater

April 19Seattle, WA @ Showbox SODO

April 21 – Salt Lake City, UT @ Union

April 22 – Denver, CO @ The Fillmore

April 24 – Milwaukee, WI @ The Rave

April 25 – Chicago, IL @ The Vic

April 26 – St. Louis, MO @ The Pageant

April 28 – Norfolk, VA @ The NorVa

April 30 – Silver Spring, MD @ The Fillmore*

May 1 – Worcester, MA @ The Palladium**

May 2 – New York City, NY @ Palladium Times Square

May 4 – Buffalo, NY @ Riverworks

May 5 – Pittsburgh, PA @ The Roxian

May 7 – Daytona Beach, FL @ Welcome to Rockville*

May 9 – Charlotte, NC @ The Fillmore

May 11 – Toronto, ON @ History

May 12 – Montreal, QC @ Olympia

May 14 – Columbus, OH @ Sonic Temple*

May 15 – Nashville, TN @ Brooklyn Bowl

May 16 – Atlanta, GA @ Masquerade

May 18 – Dallas, TX @ The Factory

May 20 – Phoenix, AZ @ The Van Buren

May 21 – Los Angeles, CA @ The Palladium

*No Rotting Christ

**No Deicide

Line-up:
Sakis Tolis — Vocals, Guitars
Themis Tolis — Drums
Jim “Mutilator” Patsouris — Bass (Live Tracks)

Production Credits:
Pre-produced by Sakis Tolis (Athens, Greece).
Tracks 1 & 2 recorded at Woodhouse Studios, Hagen, Germany, September 1998.
Produced and engineered by Xy (Samael). Mixed and mastered by Siggi Bemm.
Tracks 3–7 recorded live in Poland, "Out of the Dark" Tour, 1996.
Vinyl remastered by George Nerantzis (2021).

Follow Rotting Christ:
Website: https://www.rotting-christ.com/
Bandcamp: https://rottingchrist.bandcamp.com/music
Instagram: https://www.instagram.com/rottingchristofficial/
Facebook: https://www.facebook.com/rottingchristofficial/
Spotify: https://open.spotify.com/artist/7FhkwcO8Jd7BRWdllBpXBJ
Apple Music: https://music.apple.com/artist/rotting-christ/28441629

Via Doloris Premiere Debut Album Guerre et Paix

Via Doloris is rooted in an inward journey rather than orthodoxy. Conceived in solitude and shaped by discipline, composer and multi-instrumentalist Gildas Le Pape (ex-Satyricon) traces a melodic, atmospheric and introspective path through black metal’s foundations. On debut album Guerre et Paix, he’s joined by Frost, the legendary drummer of Satyricon and 1349, who provides a sense of persistence, grounded and unyielding.  

Guerre et Paix comes out this Friday, March 20 on Season of Mist, but you can hear all seven piercing songs today by listening to the full album stream on Black Metal Promotion.

Listen to Guerre et Paix Below:

Pre-save & Pre-order

https://orcd.co/viadolorisguerreetpaix

Born in Brittany, France, and based in Oslo, Le Pape first gained attention as guitarist in Satyricon from 2007 to 2013, touring extensively and contributing to the band’s self-titled album. After stepping away to explore a broad range of musical directions, he returned to extreme music with a renewed creative vision and sharpened intent. Via Doloris represents the culmination of that journey: a project shaped by solitude, discipline and an uncompromising sense of craft.

Rooted in Nordic black metal tradition yet guided by melody, restraint and emotional depth, Via Doloris occupies a space distinct from genre convention. Le Pape writes all music and lyrics, performing guitars, bass and vocals. The compositions favor measured, expressive arcs over aggression or spectacle, with melody serving as the driving force rather than ornamentation. Folk and pagan influences surface throughout the arrangements, lending the album a timeless, almost ritualistic atmosphere. Lyrics shift between French, English and Norwegian, each language chosen deliberately for its emotional weight and texture.

Frost’s nuanced playing adds both weight and subtlety to the record. Guest vocals on "Omniprésents" are performed by the late Raido (Ferriterium, Heimsgard, Karne).

Based in Oslo, Gildas Le Pape first gained attention in 2007 when he joined the legendary Satyricon as a guitarist. Over the next six years, he toured the world and contributed to the band’s recorded legacy, before stepping away to explore a broad range of musical directions. In time, this path led him back to extreme music, this time with a renewed creative vision and sharpened intent. In 2023, he invited his long-time collaborator, Frost — arguably one of the most accomplished drummers in the genre — to join him in bringing the debut release to life.

Line-up:

Gildas le Pape — Lead Vocals, Choirs, Guitars, Bass

Frost — Session Drums

Production Credits:

Drums and vocals recorded at Red Room Studios, Norway.
Drums and vocals engineered by Mattis Elvestuen, guitars engineered by Gildas Le Pape & Mattis Elvestuen.

Produced by Gildas le Pape.

Mixed by Nicolai Codling & Gildas le Pape.

Mastered by Magnus Gulbrandsen at Jeløy Sound Mastering.

Guest Artist:
Raido (Ferriterium, Heimsgard, Karne) — Guest Vocals on Track 3.

Cover Art:

Artwork by Gildas le Pape.

Photography:

Cover artwork & press photography by Linnea Syversen.

 

Follow Via Doloris:
Facebook: https://www.facebook.com/viadolorisofficial/

Instagram: https://www.instagram.com/via.doloris/

Bandcamp: https://viadoloris.bandcamp.com/

Spotify: https://open.spotify.com/artist/2R3PxQ7zeA3BpPhpI1JlxF

Apple Music: https://music.apple.com/artist/via-doloris/1862267909

Deezer: https://www.deezer.com/artist/362455292

Erdve Release Grief-Striken New Single “Nyra”

Lithuanian experimental metal band Erdve reveal “Nyra”, the lead single from their upcoming full-length album Epigrama. The song introduces the emotional and conceptual gravity that shapes the record, presenting grief not as a fleeting reaction but as a force that traps the individual within cycles of memories and unresolved responsibilities.

Watch “Nyra” below:

EPIGRAMA is out May 29th via Season of Mist.

Pre-order & Pre-save

https://orcd.co/erdveepigrama

Driven by dense atmosphere and deliberate pacing, “Nyra” unfolds as a suffocating meditation on loss and recollection. The composition develops through carefully structured tension rather than sudden aggression, allowing heavy, atmospheric guitars and restrained rhythmic movement to create a gradual sense of psychological pressure. This controlled intensity reflects the album’s broader commitment to intentional songwriting, where each element contributes to a cohesive emotional architecture.

Accompanying the single, ERDVE present a music video filmed at the Park of Europe in Joneikiškės, Lithuania. The visual unfolds among monumental sculptural works, including Double Negative Pyramid by Sol LeWitt (1999), Space of Unknown Growth by Magdalena Abakanowicz (1998), Lying Head by A. Jacovskis (2001), Chamber of Light by Aleš Veselý (1997), and White by Artūras Raila (1992).

Video Credits

Director and DOP - Vaidotas Darulis

Crew

Adomas Varnelis

Karolis Urbanavičius

Valdas Voveraitis

Simas Kazlauskas and family

Kernius Marcinkevičius

The band is known to dive into unexpected ventures by choosing to perform in places that intuitively seem incoherent to the type of music being played or are not considered to be regular venues. First such show took place in the church of St. John's 2019 and another one in Lukiškės Ex-Prison, both in Vilnius, Lithuania.

After the second album, the band took some time to rediscover their relationship with music and identified the elements that would convey their future vision in the most truthful way. This idea is followed by their 2026 release - EPIGRAMA, that delivers a familiar, yet a fundamentally different approach towards experimenting within the confines of heavy music and reflective storytelling. The goal was to craft a meticulous consistency between the music, lyrics and sound production, where every aspect of the song works together to create meaningful impact. This album marks a new beginning for ERDVE, in the process of rediscovery, experimentation and raw expression.

Line-up:

Vaidotas Darulis — Vocals, Guitars

Adomas Varnelis — Guitar

Valdas Voveraitis — Drums

Karolis Urbanavičius — Bass

Production Credits:

Self-produced by Vaidotas Darulis & Adomas Varnelis.
Mixed Vaidotas Darulis & Adomas Varnelis.
Mastered by Vaidotas Darulis.

Cover Art:

Photography by Vaidotas Darulis.

Designed by Vaidotas Darulis,

Vainius Česnauskas (https://www.instagram.com/vainius.art/),

Marija Česnauskienė-Dvarionaitė(https://www.instagram.com/maryces.art/).

Pre-order & Pre-save

https://orcd.co/erdveepigrama

Available Formats:

CD Digipak

Digital Download

12” Vinyl Gatefold — Black

12” Coloured Vinyl Gatefold — Silver, Black & White Marbled

Booking Contact:

Vaidotas Darulis

erdvelt@gmail.com

Follow Erdve:
Bandcamp: https://erdvesom.bandcamp.com/album/

Instagram: https://www.instagram.com/_erdve_/

Facebook: https://www.facebook.com/erdvelt/

TikTok: https://www.tiktok.com/@erdve

Spotify: https://open.spotify.com/artist/7uctedT9WR5dzqjAOx3jKN

Apple Music: https://music.apple.com/artist/erdve/1299788970

Tidal: https://tidal.com/artist/9229661

Deezer: https://www.deezer.com/artist/13602259