Tallah Release Heaviest Song To Date - 'A Primeval Detachment'; Accompanying Music Video Out Now

One of modern metal’s most unpredictable forces, Tallah, have dropped their latest single, “A primeval detachment,” from the forthcoming album Primeval: Obsession // Detachment, out September 5 via Earache Records. A sonic gut punch that heralds the start of the album’s second act, the track barrels into the darker depths of the record with no warning and absolutely no mercy.

The accompanying music video captures Tallah’s live insanity in all its sweat-drenched, limb-flailing glory. Shot in an underpass packed with fans, the video showcases the band in their natural habitat—raw, unhinged, and erupting with volatile energy like Mt. Vesuvius on steroids. At one point, frontman Justin Bonitz is seen hanging upside down from the ceiling mid-scream. Watch the video now below. The track will go live on streaming platforms from midnight, fans can pre-save it HERE.

Speaking on their latest single, Tallah share

“This is not only the heaviest entry on the record, but potentially the heaviest in our entire discography. It’s relentless, top to bottom. Acting as the opening track of Act 2, the intro to the song really sets the tone. The pretty string quartet from Act 1 is falling apart, and the album takes a much darker turn. The final breakdown of this track is going to be a highlight at live shows, guaranteed.”

Elaborating on the music video for “A primeval detachment”, Max Portnoy shares:

“Shooting this video affirmed one thing for me… We have the best fans. So many people rolled up to this random underpass on short notice. We had our friend pull up with a truck full of scaffolding, and we weren’t sure if the shoot would be shut down after 15 minutes of setting up, but our fans jumped in to help set up and tear down everything as fast as possible. Legitimately could not have done this video without them.”

In true Tallah fashion, the band has also launched The Primeval Game, a playable extension of the album’s concept designed in collaboration with Enzo Interactive. The immersive web-based experience drops players into the alien world that Primeval: Obsession // Detachment takes place in, and is updated monthly with new story content, song teasers, and hidden easter eggs. Play the game HERE. Speaking on the game, Justin Bonitz shares

“The ‘Primeval’ Game is a way to fully immerse yourself into this album. You get to interact with the world we’ve created and follow the story first hand. We’re updating the game every month, with new content that furthers the story, along with tons of album and song teasers and easter eggs scattered around. It’s a really fun and unique way of promoting an album that I’m surprised more bands aren’t doing.”

Primeval: Obsession // Detachment is Tallah’s third full-length—an uninhibited, ferocious concept record tracked entirely live with no click and no edits, just pure, unadulterated sonic chaos. Pre-order bundles are available now HERE.  Primeval: Obsession // Detachment arrives September 5th via Earache Records.

ABOUT TALLAH

Emerging from Pennsylvania in 2018, Tallah fuse the percussive force of second-generation drummer-turned-bassist Max Portnoy with the unpredictable dexterity of vocalist and viral phenom Justin Bonitz and the phenomenal guitarist duo of Derrick Schneider and Alex Snowden to form a sound that’s part brutalist nu-metal, part theatrical meltdown, and entirely their own. What began as a raw homage to the early-2000s metal they were raised on—Slipknot, Korn, Linkin Park—has since evolved into something far stranger and far more singular.

After making waves with their 2020 debut 'Matriphagy', a twisted concept album soaked in trauma and noise, the band were hailed by Knotfest as delivering “one of the best metal releases of the year” and by Metal Hammer as “leading the charge on the new wave of nu-metal.” The follow-up, 'The Generation Of Danger' (2022), saw them push their hybrid sound further into chaos—earning millions of streams, high-profile festival slots, and nominations at both the Heavy Music Awards and AIM Independent Music Awards.

But it’s on album three, 'Primeval: Obsession // Detachment' (out September 5, 2025 via Earache Records), that Tallah truly shatter what’s left of the mould. Decamping to Michigan to record the entire project live with longtime producer Josh Schroeder, the band abandoned edits, clicks, backing tracks, and rules. What remains is pure instinct—feral, volatile, and unrelentingly human.

Conceptually, the record unfolds across a sci-fi narrative that follows Ana, a nurse, and Sheelah, an assassin—two strangers manipulated by a shadowy force and driven to the edges of their morality. The mirrored structure, warped sonic callbacks, easter eggs and ambiguous lyrical layering reflect a story full of tests, dualities, and spiraling identity shifts.

To date, Tallah have clocked up 29.7 million Spotify streams and 6 million YouTube views.

TALLAH ARE

Vocals: Justin Bonitz

Guitar: Alex Snowden

Guitar: Derrick Schneider

Bass: Max Portnoy

Drums: Joel McDonald

DJ: DJ Navi

Tallah Announce Third Album; Drop New Single & Music Video "What we know"

Unpredictable, uncompromising and unrelentingly original, Tallah have never been easy to categorise. The Pennsylvania-bred unit are back with a vengeance today as they announce brand new album ‘Primeval: Obsession // Detachment’, due out September 5th via Earache Records and drop “What we know”—the first single and opening track.

Listen to "What we know" HERE and watch the accompanying music video Below.

Pre-Order 'Primeval: Obsession // Detachment" HERE.

Simultaneously maximalist, raw and unfiltered, “What we know” sets the tone for what’s to come—an album unshackled by rules or expectations. Blending acoustic guitars, trap-metal 808s, string quartets, talkbox solos and more into one furiously cohesive piece, the track is a mission statement for the chaos ahead.

“The first song that was written for the album, and easily my #1 Tallah song to date,” says bassist Max Portnoy. “The amount of experimentation on this track paved the road for the tone of the whole record. From performing the first half of the song on acoustic guitars, to layering trap-metal 808’s over a string quartet with dissonant plucks in the chorus, to a trading guitar solo with a talkbox and a slide, you can find so many fun tools we incorporated, without it feeling disjointed. To have all that experimentation, in a driving and energetic track with a massive chorus, made for my favorite piece of work yet. It was a no-brainer to start the record with this one.”

‘Primeval: Obsession // Detachment’ is a concept album rooted in narrative and boundless in scope. Set on an alien planet, it follows Ana, a nurse, and Sheelah, an assassin—two strangers pushed to the brink of their morality by the same mysterious group of beings. Their journeys spiral through tests of belief, identity, and loyalty, building toward a finale laced with twists, dualities, and mirrored consequences. Architect of the exceptional and intricate world-building Tallah have become known for on each of their albums, vocalistJustin Bonitz shares

“Primeval Obsession/Detachment is a concept album taking place on an alien planet. The story follows two characters, Ana (a nurse) and Sheelah (an assassin). Both are approached by the same group of beings, who ask the main characters to each perform a task that will test their values and push their morals to the limit before ending with twist after twist. The album explores morality, duty, personal beliefs, duality, and understanding one's place in society.”

Tracked live in Michigan with longtime producer Josh Schroeder, the record captures Tallah in their purest, most unhinged form. No click. No edits. No polish. Just instinct and execution. It also sees founding member, Max Portnoy, making a major creative shift from drums to bass and Justin recording the vocals for the whole album in one, continuous take.

Providing further context, Max Shares

“For me, this album is Tallah finding our voice. During the writing process, no boxes were in place. No rules were set. Whatever felt uniquely us, that was what made the cut. I'm not sure how to even label this record's sound beyond 'Tallah'. It's weird. It's experimental. It's driving, and energetic. It's raw. We recorded live, every instrument at the same time, with no click. That's how we play shows, so why would we record differently? This album also marks my first recording dedicated to bass. I translated my drum knowledge to a new instrument and it was a huge creative breath of fresh air for me.”

For vocalist Justin Bonitz, the experience was equally intense.

"I practiced for months and was able to record the entire album in one huge, continuous take with no edits or redos or anything! And I was recovering from pneumonia! Nobody is gonna believe me! It was honestly the highlight of my entire vocal career. I was unsure if I could pull it off, but I went into the booth, grabbed an SM57, turned off the lights, and whatever happened happened. I think it feels more intimate and naked with all the flaws and imperfections, which is perfect for the raw, organic sound of this album."

From mirrored track titles to reversed riffs, ‘Primeval: Obsession // Detachment’ is Tallah at their most deliberate and deranged. It’s a labyrinthine listen made for close listening and repeat immersion. As with everything they do, the chaos is crafted, and the madness is methodical.

‘What we know’ is streaming now. ‘Primeval: Obsession // Detachment’ arrives September 5th via Earache Records.

ABOUT TALLAH

Emerging from Pennsylvania in 2018, Tallah fuse the percussive force of second-generation drummer-turned-bassist Max Portnoy with the unpredictable dexterity of vocalist and viral phenom Justin Bonitz and the phenomenal guitarist due of Derrick Schneider and Alex Snowden to form a sound that’s part brutalist nu-metal, part theatrical meltdown, and entirely their own. What began as a raw homage to the early-2000s metal they were raised on—Slipknot, Korn, Linkin Park—has since evolved into something far stranger and far more singular.

After making waves with their 2020 debut 'Matriphagy', a twisted concept album soaked in trauma and noise, the band were hailed by Knotfest as delivering “one of the best metal releases of the year” and by Metal Hammer as “leading the charge on the new wave of nu-metal.” The follow-up, 'The Generation Of Danger' (2022), saw them push their hybrid sound further into chaos—earning millions of streams, high-profile festival slots, and nominations at both the Heavy Music Awards and AIM Independent Music Awards.

But it’s on album three, 'Primeval: Obsession // Detachment' (out September 5, 2025 via Earache Records), that Tallah truly shatter what’s left of the mould. Decamping to Michigan to record the entire project live with longtime producer Josh Schroeder, the band abandoned edits, clicks, backing tracks, and rules. What remains is pure instinct—feral, volatile, and unrelentingly human.

Conceptually, the record unfolds across a sci-fi narrative that follows Ana, a nurse, and Sheelah, an assassin—two strangers manipulated by a shadowy force and driven to the edges of their morality. The mirrored structure, warped sonic callbacks, easter eggs and ambiguous lyrical layering reflect a story full of tests, dualities, and spiraling identity shifts.

To date, Tallah have clocked up 29.7 million Spotify streams and 6 million YouTube views.

TALLAH ARE

Vocals: Justin Bonitz

Guitar: Alex Snowden

Guitar: Derrick Schneider

Bass: Max Portnoy

Drums: Joel McDonald

DJ: Ivan Little

TALLAH Drop New Track & Music Video "For The Recognition"; New Album Out November 18th Via Earache Records

Nu-Core quintet Tallah have released the latest chapter of their ongoing world-building saga that will become their sophomore album, The Generation Of Danger (out November 18th via Earache Records). The brand new single is titled "For The Recognition" and lands with a suitably frenetic accompanying music video. Find the new track on streaming platforms HERE and watch the official music video below. Pre-order The Generation Of Danger HERE.

Speaking on the release of their latest track, Tallah frontman, Justin Bonitz, adds 

“For The Recognition is a song about justifying why you are doing what you are doing. Blind ambition can only get you so far. If you have a dream, and you want to follow it to the end, you have to push yourself, be confident, and not allow anything or anyone to stand in your way. This is your vision, your story, and you have to do whatever it takes to bring all that hidden power to the surface and use it as fuel to show everyone how amazing you really are. Be honest and be the best”

Tallah founder and drummer, Max Portnoy adds 

“When I wrote this song, I made sure the ending pit hit really hard but was simple enough for us to trash our set up live. We took that mindset into the studio as well and smashed tons of lamps, microwaves, vases, etc and put those recordings in the song.”

Tallah's sophomore album, The Generation Of Danger, will be released on November 18th via Earache Records and much like their debut album, Matriphagy, will revolve around around an elaborate and horrific story dreamt up by the band, that continues to unfold in the build up to release. Pre-orders are available now, HERE. "For The Recognition" follows previous singles "Shaken (Not Stirred)",  'The Impressionist' and 'Telescope', which have clocked up over 1.07 million Spotify streams and 308k views on YouTube combined. 

The Generation Of Danger is a concept album about a genius scientist who gets fed up with being swept under the run. After the multi-billion-dollar corporation that employs him takes credit for his latest, award-winning invention, he snaps and retaliates against them by forcing them to take part in the greatest experiment the world of science has ever seen.

The album offers fans more than just an album of pioneering nu-core metal. Whilst it will most certainly be lauded for Justin Bonitz's acclaimed aptitude for embodying numerous characters and emotions in his outstanding vocal shape-shifting and ability to meld the ever-blossoming ingenuity of Tallah's intrepid musicians, The Generation Of Danger will reward those who delve deeper into the album and its supplementary content. The album was recorded once more with producer Josh Schroeder at Random Awesome Studio and continues to build the fascinatingly dark nu-core metalbeast Tallah have created and set loose. Pre-orders for the album are available now from earache.com/tallah

n celebration of The Generation Of Danger, Tallah have a stacked schedule of touring across the US. Currently on the road with Attila until October 19th, the band will then hit the road again on Friday, 4th November through November 19th with Drowning Pool. Tickets and further info available at linktr.ee/Tallah

Tallah US Tour Dates

* with Attila

% with Drowning Pool 

Thu Oct 13 – Otto Bar – Baltimore, MD *

Fri Oct 14 – Ground Zero – Spartanburg, SC *

Sat Oct 15 – The Loft Atlanta – Atlanta, GA *

Sun Oct 16 – Respectable Street – West Palm Beach, FL *

Tue Oct 18 – Hooligans – Jacksonville, NC #

Wed Oct 19 – Scandals Live! – Virginia Beach, VA #

Drowning Pool 

Fri Nov 4 – Sunshine Studios – Colorado Springs, CO %

Sat Nov 5 – Mesa Theater – Grand Junction, CO %

Sun Nov 6 – The Oriental Theater – Denver, CO %

Tue Nov 8 – Barnato – Omaha, NE %

Thu Nov 10 – The Rave – Milwaukee, WI %

Fri Nov 11 – St Croix Danbury Event Center – Danbury, WI %

Sat Nov 12 – Hard Rock Hotel – Sioux City, IA %

Sun Nov 13 – The Rust Belt – Moline, IL %

Tue Nov 15 – Amos Southend – Charlotte, NC %

Wed Nov 16 – Suck Bang Blow – Murrells Inlet, SC %

Fri Nov 18 – Southport Hall – New Orleans, LA %

Sat Nov 19 – The Haute Spot – Cedar Park, TX %

ABOUT TALLAH

Emerging from Pennsylvania in 2018 and combining the percussive force of second-generation drummer Max Portnoy with the pure, war-torn fury of vocalist and YouTube sensation Justin Bonitz, nu-core gang Tallah are on a mission to revamp and modernize the much-loved sound of popular nu-metal sensations of the early 2000s.

Drawing inspiration from the musical influences of their youth (the likes of Slipknot, Korn and Linkin Park), Tallah fuse the razor-sharp precision of these acts with the raw edges of modern hardcore music displayed by current sensations Code Orange, Vein, Candy and Fire From The Gods.

The band's debut album Matriphagy, a harrowing concept album of brutally disturbing metal, was met with critical acclaim, with Slipknot’s Knotfest crowning it “one of the best metal releases of the year” and Metal Hammer declaring Tallah are ‘leading the charge on the new wave of Nu-Metal”. Matriphagy was also devoured by the fans, with the album racking up 13 million Spotify streams in the months since its release.

2021 saw Tallah indulged fans with a colossal collaboration “Vanilla Paste” (where they were joined by members of the formidable Chelsea Grin, Fire From The Gods and Guerrilla Warfare), team up with Avatar for their North American tour in Sept/Oct 2021, hit up spots at major USA festivals such as Blue Ridge Rock Fest and Welcome To Rockville, and receive nominations for Best International Breakthrough Band at the UK's Heavy Music Awards and Best Live [Streamed] Act at the AIM Independent Music Awards.

Tallah's cruelly ferocious new album The Generation Of Danger, due for release on November 18th, 2022 via Earache Records will only serve to extend their fascinatingly dark nu-core metal further into the metal community.

To date, Tallah have clocked up 16 million streams and 6 million YouTube views. They have over 114k monthly Spotify listeners and have had tracks added to 25 Spotify editorial playlists.

TALLAH ARE

Vocals - Justin Bonitz

Guitar - Derrick Schneider

Guitar - Alex Snowden

Drums - Max Portnoy

DJ - Mewzen

Tallah Announce New Album 'The Generation Of Danger'; Drop New Video For New Track "Telescope"

Nu-Core quintet Tallah, one of modern metal's most explosive and unbridled forces, have announced their sophomore full-length album, The Generation of Danger, today. The album will be released on September 9th, via Earache Records and much like their debut album, will revolve around around an elaborate and horrific story, dreamt up by the band that will unfold over the coming months in the build up to release. Pre-orders are available now, HERE.

To further push the world-building boundaries the band are known for, Tallah have also released a desktop video that accompanies today's announcement. Fans can play HERE to uncover aspects of the dark The Generation of Danger universe including the first new single 'Telescope' and its accompanying music video that was also released today. Watch the video below and find the track on streaming platforms HERE.

Speaking on today's announcement, Tallah frontman, Justin Bonitz shares

“'The Generation Of Danger' is a completely new and fresh concept for us, both lyrically and instrumentally. We wanted to take what made 'Matriphagy' so good and jack it up to 150%. The tracks are monstrous, daunting, and the story the music tells dives into the idea of people hiding what they truly desire until someone else comes along and forces it to surface. It's a concept album about a genius scientist who gets fed up with being swept under the rug. After the multi-billion-dollar corporation that employs him takes credit for his latest, award-winning invention, he snaps and retaliates against them by forcing them to take part in the greatest experiment the world of science has ever seen.”

Drummer, Max Portnoy adds

“Telescope is one of fastest and most chaotic songs on The Generation Of Danger. It was the first song I started working on for the record and it went through hundreds of changes. It’s one of my top picks from the album with the song having 2 different choruses. One being a melodic one and one with a more rap type of vibe. The song has a lot to offer.”

“The TGOD game was something I’ve been wanting to do since we started thinking of unique ways to present this album. It was an idea I hadn’t seen anyone do before and it’s the perfect way of setting up the album’s concept while offering loads of easter eggs and teasers. You’re essentially placed directly into the story and I feel it’s the most immersive thing we’ve ever done. I’m super proud of how it turned out.”

As with Tallah's debut full-length, Matriphagy, The Generation Of Danger offers fans more than just an album of pioneering nu-core metal. Whilst it will most certainly be lauded for Justin Bonitz's acclaimed aptitude for embodying numerous characters and emotions in his outstanding vocal shape-shifting and ability to meld the ever-blossoming ingenuity of Tallah's intrepid musicians, The Generation Of Danger will reward those who delve deeper into the album and its supplementary content. The album was recorded once more with producer Josh Schroeder at Random Awesome Studio and continues to build the fascinatingly dark nu-core metal beast Tallah have created and set loose.

In celebration of The Generation Of Danger, Tallah will be greeting fans old and new with a vast schedule of touring activity in 2022, starting with a mammoth 52 date trek with All That Remains, Miss May I and Varials on a US tour over March, April and May. Tickets Available HERE.

The band will also finally be hopping across the pond to Europe once more for Bloodstock Open Air and Brutal Assaultfestivals in August.

TALLAH TOUR DATES 2022

US Tour Dates

Mar 12 – Worcester, MA (w/ All That Remains, Miss May I, Varials)

Mar 13 – Burlington, VT (w/ All That Remains, Miss May I, Varials)

Mar 14 – Niagara Falls, NY (w/ All That Remains, Miss May I, Varials)

Mar 16 – Cleveland, OH (w/ All That Remains, Miss May I, Varials)

Mar 17 – Flint, MI (w/ All That Remains, Miss May I, Varials)

Mar 19 – Cincinnati, OH (w/ All That Remains, Miss May I, Varials)

Mar 21, Columbus, OH (w/ All That Remains, Miss May I, Varials)

Mar 24 – Ft. Wayne, IN (w/ All That Remains, Miss May I, Varials)

Mar 25 – Sauget, IL (w/ All That Remains, Miss May I, Varials)

Mar 26 – East Moline, IL (w/ All That Remains, Miss May I, Varials)

Mar 27 – Joliet, IL (w/ All That Remains, Miss May I, Varials)

Mar 30 – Green Bay, WI (w/ All That Remains, Miss May I, Varials)

Mar 31 – Minneapolis, MN (w/ All That Remains, Miss May I, Varials)

Apr 01 – Sioux City (w/ All That Remains, Miss May I, Varials)

Apr 02 – Dubuque, IA (w/ All That Remains, Miss May I, Varials)

Apr 04 – Wichita, KS (w/ All That Remains, Miss May I, Varials)

Apr 05 – Denver, CO (w/ All That Remains, Miss May I, Varials)

Apr 07 – Salt Lake City, UT (w/ All That Remains, Miss May I, Varials)

Apr 08 – Boise, ID (w/ All That Remains, Miss May I, Varials)

Apr 09 – Bend, OR (w/ All That Remains, Miss May I, Varials)

Apr 10 – Portland, OR (w/ All That Remains, Miss May I, Varials)

Apr 12 – Bozeman, MY (w/ All That Remains, Miss May I, Varials)

Apr 13 – Spokane, WA (w/ All That Remains, Miss May I, Varials)

Apr 14 – Seattle, WA (w/ All That Remains, Miss May I, Varials)

Apr 16 – Reno, NB (w/ All That Remains, Miss May I, Varials)

Apr 17 – Chico, CA (w/ All That Remains, Miss May I, Varials)

Apr 18 – Sacramento, CA (w/ All That Remains, Miss May I, Varials)

Apr 19 – Los Angeles, CA (w/ All That Remains, Miss May I, Varials)

Apr 21 – San Diego, CA (w/ All That Remains, Miss May I, Varials)

Apr 22 – Tucson, AZ (w/ All That Remains, Miss May I, Varials)

Apr 23 – Albuquerque, NM (w/ All That Remains, Miss May I, Varials)

Apr 24 – Colorado Springs, CO (w/ All That Remains, Miss May I, Varials)

Apr 27 – Oklahoma City, OK (w/ All That Remains, Miss May I, Varials)

Apr 28 – Dallas, TX (w/ All That Remains, Miss May I, Varials)

Apr 29 – Austin, TX (w/ All That Remains, Miss May I, Varials)

Apr 30 – Houston, TX (w/ All That Remains, Miss May I, Varials)

May 02 – Pensacola, FL (w/ All That Remains, Miss May I, Varials)

May 03 – Tampa, FL (w/ All That Remains, Miss May I, Varials)

May 04 – Lake Buena Vista, FL (w/ All That Remains, Miss May I, Varials)

May 05 – Ft. Lauderdale, FL (w/ All That Remains, Miss May I, Varials)

May 07 – Greensboro, NC (w/ All That Remains, Miss May I, Varials)

May 09 – Atlanta, GA (w/ All That Remains, Miss May I, Varials)

May 10 – Nashville, TN (w/ All That Remains, Miss May I, Varials)

May 12 – Indianapolis, IN (w/ All That Remains, Miss May I, Varials)

May 13 – Warrendale, PA (w/ All That Remains, Miss May I, Varials)

May 14 – Harrisburg, PA (w/ All That Remains, Miss May I, Varials)

May 15 – Baltimore, MD (w/ All That Remains, Miss May I, Varials)

May 17 – Easton, PA (w/ All That Remains, Miss May I, Varials)

May 18 – Montclair, NJ (w/ All That Remains, Miss May I, Varials)

May 19 – Huntington, NY (w/ All That Remains, Miss May I, Varials)

May 20 – Hartford, CT (w/ All That Remains, Miss May I, Varials)

ABOUT TALLAH

Emerging from Pennsylvania in 2018 and combining the percussive force of second-generation drummer Max Portnoy with the pure, war-torn fury of vocalist and YouTube sensation Justin Bonitz, nu-core gang Tallah are on a mission to revamp and modernize the much-loved sound of popular nu-metal sensations of the early 2000s.

Drawing inspiration from the musical influences of their youth (the likes of Slipknot, Korn and Linkin Park), Tallah fuse the razor-sharp precision of these acts with the raw edges of modern hardcore music displayed by current sensations Code Orange, Vein, Candy and Fire From The Gods.

The band's debut album Matriphagy, a harrowing concept album of brutally disturbing metal, was met with critical acclaim, with Slipknot’s Knotfest crowning it “one of the best metal releases of the year” and Metal Hammer declaring Tallah are ‘leading the charge on the new wave of Nu-Metal”. Matriphagy was also devoured by the fans, with the album racking up 9 million Spotify streams in the months since its release.

2021 saw Tallah indulged fans with a colossal collaboration “Vanilla Paste” (where they were joined by members of the formidable Chelsea Grin, Fire From The Gods and Guerrilla Warfare), team up with Avatar for their North American tour in Sept/Oct 2021, hit up spots at major USA festivals such as Blue Ridge Rock Fest and Welcome To Rockville, and receive nominations for Best International Breakthrough Band at the UK's Heavy Music Awards and Best Live [Streamed] Act at the AIM Independent Music Awards.

Tallah's cruelly ferocious new album The Generation Of Danger, due for release on September 9th, 2022 via Earache Records will only serve to extend their fascinatingly dark nu-core metal further into the metal community.

Since its release, the band have clocked up 13.9 million streams and 5.7 million YouTube views on 'Matriphagy'. They have over 118,498 monthly Spotify listeners and have had tracks added to 25 Spotify editorial playlists.

TALLAH ARE

Vocals - Justin Bonitz

Guitar - Derrick Schneider

Guitar - Alex Snowden

Drums - Max Portnoy

DJ - Mewzen

EPK Here