SÓLSTAFIR Premieres Daring Music Video for New Song, "Blakkrakki”

Icelandic cowboys SÓLSTAFIR are now premiering the daring music video for their new single, "Blakkrakki," which captures the band's wild side. Meaning "The Black Dog," the title is a metaphor that has its origin in myth and folklore. Watch the video, which was created by Bowen Staines below.

The song is taken from the band's upcoming full-length, 'Hin Helga Kvöl,' which will be released on November 8 via Century Media Records, making it their debut to the label! Meaning "crepuscular rays" in Icelandic, the name "SÓLSTAFIR" refers to those piercing rays of sunlight that break through dark clouds at dusk. This imagery captures the essence of their upcoming album, a beacon of light and hope shining through the heaviest of times. As the band confronts their inner demons, shrugging off the trappings of rock and roll decadence, their music resonates with the universal struggle and triumph over hardship. 'Hin helga kvöl' is the holy war that we all face within. Pre-orders are now live HERE.

Bowen Staines, director for Don’t Panic Films, is shedding some light on the production of the video: “Regarding the production of the new music video for ‘Blakkrakki,’ this is actually the fifth video that I’ve been lucky enough to do with SÓLSTAFIR.

"This particular idea for a future video (which would ultimately become 'Blakkrakki') came to Addi and I maybe four or five years ago, when we discussed the possibility of putting everybody on a flatbed trailer, and then just drifting the thing around the runways at the Reykjavík Airport and shooting the whole thing in a single take. And so we put that idea onto the shelf for a few years until I heard a very early demo for ‘Blakkrakki’ almost four years ago at SÓLSTAFIR’s rehearsal space in Seltjarnarnes, the same day I asked them to learn ‘Dionysus’ at three-times the normal speed for the video we’d shoot for that song the next day. And I remember looking at Addi, and being like 'I want to do THIS one!' Four years later (but also, only a few weeks ago), the guys were playing the song while standing on a flatbed trailer doing sixty miles per hour on a stretch of highway surrounded on all sides by one of the oldest lava flows in Iceland.

"From a filmmaking standpoint, I opted to include shots that revealed the cameras, crew and our driver, Lexi, because I felt that it was really important to share that part of the process, as well as the teamwork that made this video happen in a single day. By comparison, both ‘Fjara’ and ‘Bláfjall’ had 60+ pages of shotlists, took nearly four months to shoot, and then another five or six months to edit… while ‘Blakkrakki’ was shot in a single day, and then edited over the following twenty-one — making this the fastest I have ever shot and edited a music video in my entire career. All of the camera movements and transitions were done 100% in-camera: there are no key-frames, digital fades or any motion paths, and as such, almost zero post-production.

"The most fun part of shooting the video was that everything was done totally guerrilla-style: active roads and highways, with the only items consistently strapped down being the cabs, amp heads, and the priceless Ludwig drumkit from 1963 that we BORROWED from a personal friend of the band… ‘Careful’ just doesn’t quite say it. Thankfully, the only thing that eventually/inevitably fell off was one of the Orange amp heads and one of Hallgrímur’s drumsticks, for which he had to run all the way back to find amongst the infinite expanses of highway, moss and lava far behind us.

"That being said, there was a point after we had done a dozen or so takes and had gotten comfortable with everyone being on the flatbed, where we found our way onto this huge stretch of road called Keilir and began hitting speeds upwards of fifty to sixty miles per hour — and every time a large truck passed us, you can actually see some of the cymbals flexing in a few of the shots that made it into the final video — as well as a couple really quick clips of some of us almost falling off the side while going up a steep switchback incline near Þingvellir.

"The final step was to transfer the whole video onto Super16mm film, so that it has a very organic, weighty feel to it. So yeah, this whole video was transferred directly onto reel-to-reel 16mm film, proving once again that the format is NOT dead! All in all, ‘Blakkrakki’ was a blast to make, and we hope you have fun watching it, too.”

Legendary Icelanders SÓLSTAFIR recently announced signing to Century Media Records. They are no strangers to the music world with their 20+ years of performing across the Globe as they consistently amaze audiences with their hearts on their sleeves from the first note. With a full catalog of truly exceptional timeless hits to perform, as well as some much-anticipated new music, the atmospheric Icelandic rock n’ roll sound that is uniquely SÓLSTAFIR always delivers to those who bear witness to their epic sets that take you on a journey through the ice and snow, fire and lava and breathtaking soundscapes of their homeland.

Lineup:

Adalbjorn Tryggvason – Vocals, Guitar

Saethor "Gringo" Saethorsson - Guitars

Svavar Traustason - Bass

Hallgrimur "Grimsi" Hallgrimsson - Drums

Recording: Abbey Road Studios, London

Production, Recording: Aðalbjörn Tryggvason, Jóhann Rúnar Þorgeirsson

Co-Production, Mixing: Fredrik Reinedahl

Mastering: Sigurdór Guðmundsson

Links:

Facebook

Instagram

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Stream // Download

Official Website

SÓLSTAFIR Premieres Music Video for Emotional New Song, “Hún andar," Announces Pre-Orders for New Album, “Hin helga kvöl”

Icelandic post-rockers SÓLSTAFIR are pleased to now reveal that their new full-length, 'Hin Helga Kvöl,' will be released on November 8 via Century Media Records, making it their debut to the label! Meaning "The Holy Torment," the new album will take fans on another deeply sentimental journey. In celebration, the band is now unveiling the emotional second single from the offering, "Hún andar," along with a stunning music video. The clip was produced by Nico for Pulse Films and can be found below.

Guitarist/vocalist Aðalbjörn Tryggvason comments: “'Hún andar,' meaning ‘She breathes,’ is an obituary to a living person whom I love very much, but the mind is gone due to mental illness and drug abuse.”

Pre-orders for the album will go live at midnight local time on Friday, August 8 HERE.

Legendary Icelanders SÓLSTAFIR recently announced signing to Century Media Records. They are no strangers to the music world with their 20+ years of performing across the Globe as they consistently amaze audiences with their hearts on their sleeves from the first note. With a full catalog of truly exceptional timeless hits to perform, as well as some much-anticipated new music, the atmospheric Icelandic rock n’ roll sound that is uniquely SÓLSTAFIR always delivers to those who bear witness to their epic sets that take you on a journey through the ice and snow, fire and lava and breathtaking soundscapes of their homeland.

Lineup:

Adalbjorn Tryggvason – Vocals, Guitar

Saethor "Gringo" Saethorsson - Guitars

Svavar Traustason - Bass

Hallgrimur "Grimsi" Hallgrimsson - Drums

Recording: Abbey Road Studios, London

Production, Recording: Aðalbjörn Tryggvason, Jóhann Rúnar Þorgeirsson

Co-Production, Mixing: Fredrik Reinedahl

Mastering: Sigurdór Guðmundsson

Links:

Facebook

Instagram

X

Stream // Download

Official Website

SÓLSTAFIR Shares New Song + Music Video “Hin Helga Kvöl”

Icelandic post-rockers SÓLSTAFIR are pleased to now reveal the brand new single, “Hin Helga Kvöl!" Meaning "The Holy Torment," the new offering conjures up nostalgia as it harkens back to the band's heavy roots while still layered with thick ambience and deep emotion. The song can be found along with a music video, which was directed by Karl Ágúst Guðmundsson for Polarama, at Below.

"It is a song about dying,” says guitarist/vocalist Aðalbjörn Tryggvason (guitar, vocals). “It is

about the realization that you will die sooner than later and consciously witnessing the end of your own world. It is one’s own personal idea of Ragnarök - or Armageddon. What happens afterwards? Are we reborn or are we simply food for the worms…”

SÓLSTAFIR recently announced signing to Century Media Records. They are no strangers to the music world with their 20+ years of performing across the globe as they consistently amaze audiences with their hearts on their sleeves from the first note. With a full catalog of truly exceptional timeless hits to perform, as well as some much-anticipated new music, the atmospheric Icelandic rock n’ roll sound that is uniquely SÓLSTAFIR always delivers to those who bear witness to their epic sets that take you on a journey through the ice and snow, fire and lava and breathtaking soundscapes of their homeland.

Stream or download the single HERE.

Photo by Katie Metcalfe

Lineup:

Adalbjorn Tryggvason – Vocals, Guitar

Saethor "Gringo" Saethorsson - Guitars

Svavar Traustason - Bass

Hallgrimur "Grimsi" Hallgrimsson - Drums

Recording: Abbey Road Studios, London

Production, Recording: Aðalbjörn Tryggvason, Jóhann Rúnar Þorgeirsson

Co-Production, Mixing: Fredrik Reinedahl

Mastering: Sigurdór Guðmundsson

Photos: Katie Metcalfe

Links:

Facebook

Instagram

X

Stream // Download

Official Website

Sólstafir Shares Bloody New Music Video for 'Dionysus'

Icelandic post metal band SÓLSTAFIR is now revealing a brand new music video for the song, "Dionysus," taken from their 2020 full-length, 'Endless Twilight of Codependent Love.' The bloody performance clip can be found below.

At its core, the music video for 'Dionysus' is an allegory for the inner-violence and tragedy of substance abuse, and for the struggle with an endless twilight of codependent love, inherent.
 

'Dionysus' was produced and filmed in Reykjavík (IS) between August and October 2021, and edited at the Don’t Panic Films studio in Boston, Massachusetts (USA). While the video was originally shot in 8K, the finished product was scanned in its entirety onto 35mm film stock for release.

'Endless Twilight of Codependent Love' can be streamed, ordered, and downloaded HERE.

A quarter of a century after singer/guitarist Aðalbjörn "Addi" Tryggvason co-founded atmospheric Icelandic metal quartet Sólstafir, they continue to follow their cardinal rule – that there are no rules. For them, writing an epic 10-minute song without a traditional verse/chorus trade-off feels natural. While they have done two albums in English, he mainly sings in their native tongue and his vocals are as much an instrument as a vessel for words. Their videos equally showcase the band and their Icelandic world that they commune with.

And their music flows however it pleases. “Having been a metal band for a long time and gone through shoegaze, atmospheric black metal, and post rock, I just feel privileged being able to mix all my favorite genres and get away with it,” says Tryggvason.

In the world of Sólstafir, artists as varied as The Beatles, Kraftwerk, Darkthrone, Ennio Morricone, and Billy Corgan swirl inside their heads, and such influences seep into their musical ether. Funnily enough, the cover for the group’s latest album Endless Twilight of Codependent Love might remind one of a famous Smashing Pumpkins album cover.

Painted in watercolor by Johann Baptist Zwecker in 1864, The Lady of the Mountain is the female personification of Iceland. It was first published in a book of Icelandic folk tales but was never shown in public. A black and white woodblock replica by the artist is what Icelanders have known until recently when two citizens found the original hidden in a Welsh museum gallery where it had been in storage for a century. Now it is back home and adorning the cover of the new Sólstafir album.

“Everybody knows the image of the Lady of the Mountain,” declares Tryggvason. All of a sudden, the original pops up and it’s like, ‘Oh my god, these are the most beautiful colors I've ever seen. And why does it remind me of Mellon Collie and the Infinite Sadness?’ So that's purely accidental. When we saw this photo, we had to use it. It's too beautiful.”

While early Sólstafir lyrics delved into Nordic mythology and critiques of organized religion, more recent songs explore their spiritual connection with nature, and lately, mental disorders ranging from depression to alcoholism and the taboo behind men in particular discussing those things for fear of being perceived weak.
 
“That’s the real darkness that you can't see, but you can feel it and people around you can feel it,” explains Tryggvason. “Of course, there are serial killers and plagues and whatever through history. But in modern day life, that's the true darkness around you. People kill themselves every day, and often people close to you who have been feeling so bad.”

He says the most personal song on Endless Twilight of Codependent Love is “Her Fall From Grace,” the lone track in English. It chronicles the pain of watching a loved one succumb to mental illness.

“It's very sad when you love someone and you see them get sick,” muses Tryggvason. “Like Layne Staley said, ‘Slow suicide is no way to go.’ But you’re just watching on the audience bench, preparing for the phone call. ‘Hey man, Johnny's dead.’ ‘All right, I knew Johnny was gonna die. I've been watching him in slow motion.’” He likens the experience to seeing a relative or parent be consumed by Alzheimer’s and turn into a different person than one remembers.

Although the band’s lyrics are predominately in Icelandic, that does not prevent outside listeners from appreciating the emotional power of their music. It has been said that many fans can feel his pain even if they do not overtly understand what he is singing about.

A beautiful moment in that regard occurred when Sólstafir played Bogota, Colombia in September 2017. It was the smallest show on their South American tour, and they presumed it would not be as lively. The 300 strong throng proved them wrong. “It felt like I was in Queen at Wembley Stadium,” Tryggvason recollects fondly. “They sang every goddamn word in Icelandic. How can you explain that?”

Such passionate reactions have not gone unnoticed in their homeland. Iceland picked Sólstafir to play a total of six events New York City, Seattle, and Toronto last fall called “Taste Of Iceland.” Tryggvason says the band enjoyed the event and their intimate industry showcases at Pianos (NYC) and Livenation (Toronto) during that same trip.

Counter-intuitive thinking has helped Sólstafir evolve and mature. The new track “Or” opens with a languid, bluesy feeling but gradually transforms into an angst-ridden, guitar-driven dirge. When they conjured their breakthrough song “Fjara” in 2011, the group feared its mellow nature might put off their longtime metal followers. Instead, they embraced it. That tune, along with the ambient, banjo-laden track “Ótta,” allowed the group to play both the Brutal Assault festival in the Czech Republic five years ago and then a family-friendly music event in the Netherlands the next weekend. The new rager “Dionysus” even features a return to their black metal roots that was not planned; the song just turned out that way over a year-long span.

“Our audience grew bigger and more diverse by us just being ourselves and doing nothing different really,” notes Tryggvason.

One of the joys for him and his bandmates – bassist Svavar "Svabbi" Austmann, guitarist Sæþór Maríus "Pjúddi" Sæþórsson, and newer drummer Hallgrímur Jón "Grimsi" Hallgrímsson, who contributed some lyrics this time out – is that their perception of how their new music will turn out never corresponds with reality. It is that unknown factor that keeps things exciting.

You can never foresee band magic,” declares Tryggvason. “The whole purpose of this is cooking up magic. And if you're cooking up magic with four or five weirdos, you can never foresee what's going to happen. You can't buy that. You have to live it or grow it.”

Recording line-up:
Aðalbjörn Tryggvason - Vocals, uitar
Sæþór M Sæþórsson - Guitar
Svavar Austmann - Bass
Hallgrímur Bárðdal - Drums

Recording: Sundlaugin Studio, Grótta
 
Mixing and mastering: Birgir Jón Birgirsson
 
www.solstafir.net
www.facebook.com/solstafirice
www.instagram.com/solstafir_official
 
Style: Icelandic Post Rock
 
Booking: Haydn@northernmusic.co.uk
 
Shop: https://redirect.season-of-mist.com/solstafir-twilight

BASTARÐUR Drops New Music Video for "Viral Tumor"

Crust punk outfit BASTARÐUR (ft. singer/guitarist Aðalbjörn "Addi" Tryggvason of Sólstafir) is now sharing the brand new music video for the song "Viral Tumor!" The track is taking from the band's 2021 debut album, 'Satan's Loss of Son.' The video can be seen below.
 

Tryggvason comments, "'Viral Tumor' was the first song written for this album and features all the things I wanted to achieve by doing this album, so making a performance video felt perfect, having a whole band playing a song written a time long ago alone in a garage."


'Satan's Loss of Son' is now available HERE.

Singer/guitarist Aðalbjörn Tryggvason has always worn his vast musical influences on his sleeve. Be it an ENTOMBED sticker emblazoned on his guitar, queueing up Ennio Morricone before a set, or paying homage to Lemmy Kilmister with his cowboy sensibilities, it’s no secret that his love for music cannot be contained to any one genre. Now, Tryggvason is taking his adoration for crust punk to an exciting new level with his latest project, BASTARÐUR, which channels influences such as NAPALM DEATH, TERRORIZER, MOTÖRHEAD,and DISFEAR. 

“The idea of writing death metal in the vein of old ENTOMBED came in 2018,” Tryggvason says on the project’s inception. “Not being able to channel my love for such music through my main band [SÓLSTAFIR], I began writing riffs, and riffs became songs, and all the sudden it had more crust punk elements than I had foreseen.” And yet, despite the apparent departure from SÓLSTAFIR’s sound, Tryggvason’s signature voice and brief moments of atmospheric texture color the record in familiar shades that ring true to his core musical identity.  

The band was born during personal turmoil, a prime example of turning a negative situation into a positive opportunity. “Living with my parents after a relationship break up and being unemployed, I set up a small studio in my dad’s garage, and after a few months there was an album of material,” explains Tryggvason. “Me and my good mate Birgir Jónsson, most known for his work with Icelandic metal act DIMMA, had for years talked about making music together, and this seemed the perfect time, so we got ourselves into a studio with former SÓLSTAFIR live sound guy Jóhann and recorded the album in a few days.” 

Tryggvason tapped several other co-conspirators to contribute towards his vision. Guest vocals are attributed to Marc Grewe (MORGOTH/INSIDIOUS DISEASE) and Alan Averill (PRIMORIDIAL), the latter of whom also penned the lyrics on two of the album’s tracks. Some of the blistering guitar solos were handled by Ragnar Zolberg, whom SÓLSTAFIR fans may know as he has filled in on bass for the band during occasional live shows, and Thrainn from SKÁLMÖLD. “I dare to call them Hanneman/King of Iceland,” Tryggvason says of the talented pair of axmen.  

BASTARÐUR’s debut also takes a cue from Tryggvason’s distant musical past and rudimentary beginnings. “I used to be in a punk band called BÖLVUN, where I played drums,” he explains. “’Afturhalds Kommatittir’ is from that band, so we got Ingi Thor Pálsson and Flosi Þorgeirsson to play on that song. Flosi also does a bass solo on ‘Viral Tumor.’ 

Now, after three years in the making, BASTARÐUR is finally ready to make its debut via Season of Mist!

Style: Crust punk 

Guest musicians: 
Guest vocals on "Neonlight Blitzkrieg" by Marc Grewe
Vocals on "Black Flag Fools" by Alan Averill 
Backing vocals on "Afturhalds Kommatittir" by Ásgeir Trausti, Júlli T og Siggi Hjálmur.
Guitar leads on "Burn" by Ragnar Zolberg
Guitar leads on "Neonlight Blitzkrieg" by Thrainn Árni Baldvinsson
Guitar leads on "Viral Tumor" by Ragnar Zolberg and Thráinn Árni Baldvinsson
Bass solo on "Viral Tumor" by Flosi Þorgeirsson 

Line-up:  
Adalbjörn Tryggvason - Vocals/guitar/bass
Birgir Jónsson – Drums 

Recording studio: Hljóðriti, Kleifarsel and Grótta 

Produced by: Aðalbjörn Tryggvason 

Recorded/mixed: by Jóhann Rúnar at Hljóðriti  

Cover art: Fannar Aumingi 

Pre-sales: https://redirect.season-of-mist.com/Bastardur-Satan  

Available formats: cd digipak, vinyl black and coloured 

BASTARÐUR Streams Entire New Album Ahead of Release

Crust punk outfit BASTARÐUR (ft. singer/guitarist Aðalbjörn "Addi" Tryggvason of Sólstafir) will be releasing their debut album, 'Satan's Loss of Son,' this Friday, October 29 via Season of Mist! The band is now streaming the album in its entirety ahead of its release! Listen to the full record below.

'Satan's Loss of Son' is now available for pre-orders HERE.

Singer/guitarist Aðalbjörn Tryggvason has always worn his vast musical influences on his sleeve. Be it an ENTOMBED sticker emblazoned on his guitar, queueing up Ennio Morricone before a set, or paying homage to Lemmy Kilmister with his cowboy sensibilities, it’s no secret that his love for music cannot be contained to any one genre. Now, Tryggvason is taking his adoration for crust punk to an exciting new level with his latest project, BASTARÐUR, which channels influences such as NAPALM DEATH, TERRORIZER, MOTÖRHEAD,and DISFEAR. 

“The idea of writing death metal in the vein of old ENTOMBED came in 2018,” Tryggvason says on the project’s inception. “Not being able to channel my love for such music through my main band [SÓLSTAFIR], I began writing riffs, and riffs became songs, and all the sudden it had more crust punk elements than I had foreseen.” And yet, despite the apparent departure from SÓLSTAFIR’s sound, Tryggvason’s signature voice and brief moments of atmospheric texture color the record in familiar shades that ring true to his core musical identity.  

The band was born during personal turmoil, a prime example of turning a negative situation into a positive opportunity. “Living with my parents after a relationship break up and being unemployed, I set up a small studio in my dad’s garage, and after a few months there was an album of material,” explains Tryggvason. “Me and my good mate Birgir Jónsson, most known for his work with Icelandic metal act DIMMA, had for years talked about making music together, and this seemed the perfect time, so we got ourselves into a studio with former SÓLSTAFIR live sound guy Jóhann and recorded the album in a few days.” 

Tryggvason tapped several other co-conspirators to contribute towards his vision. Guest vocals are attributed to Marc Grewe (MORGOTH/INSIDIOUS DISEASE) and Alan Averill (PRIMORIDIAL), the latter of whom also penned the lyrics on two of the album’s tracks. Some of the blistering guitar solos were handled by Ragnar Zolberg, whom SÓLSTAFIR fans may know as he has filled in on bass for the band during occasional live shows, and Thrainn from SKÁLMÖLD. “I dare to call them Hanneman/King of Iceland,” Tryggvason says of the talented pair of axmen.  

BASTARÐUR’s debut also takes a cue from Tryggvason’s distant musical past and rudimentary beginnings. “I used to be in a punk band called BÖLVUN, where I played drums,” he explains. “’Afturhalds Kommatittir’ is from that band, so we got Ingi Thor Pálsson and Flosi Þorgeirsson to play on that song. Flosi also does a bass solo on ‘Viral Tumor.’ 

Now, after three years in the making, BASTARÐUR is finally ready to make its debut via Season of Mist!

Style: Crust punk 

Guest musicians:  
Guest vocals on "Neonlight Blitzkrieg" by Marc Grewe 
Vocals on "Black Flag Fools" by Alan Averill  
Backing vocals on "Afturhalds Kommatittir" by Ásgeir Trausti, Júlli T og Siggi Hjálmur. 
Guitar leads on "Burn" by Ragnar Zolberg 
Guitar leads on "Neonlight Blitzkrieg" by Thrainn Árni Baldvinsson 
Guitar leads on "Viral Tumor" by Ragnar Zolberg and Thráinn Árni Baldvinsson 
Bass solo on "Viral Tumor" by Flosi Þorgeirsson 

Line-up:  
Adalbjörn Tryggvason - Vocals/guitar/bass 
Birgir Jónsson – Drums 

Recording studio: Hljóðriti, Kleifarsel and Grótta 

Produced by: Aðalbjörn Tryggvason 

Recorded/mixed: by Jóhann Rúnar at Hljóðriti  

Cover art: Fannar Aumingi 

Pre-saleshttps://redirect.season-of-mist.com/Bastardur-Satan  

Available formats: cd digipak, vinyl black and coloured 

BASTARÐUR Unleashes New Song, "The Whispering Beast"

Crust punk outfit BASTARÐUR (ft. Sólstafir singer/guitarist Aðalbjörn "Addi" Tryggvason) will be releasing its debut album, 'Satan's Loss of Son,' on October 29, 2021! The band is now sharing the latest single from the record, "The Whispering Beast," which can be heard below.

'Satan's Loss of Son' is now available for pre-orders HERE.

Singer/guitarist Aðalbjörn Tryggvason has always worn his vast musical influences on his sleeve. Be it an ENTOMBED sticker emblazoned on his guitar, queueing up Ennio Morricone before a set, or paying homage to Lemmy Kilmister with his cowboy sensibilities, it’s no secret that his love for music cannot be contained to any one genre. Now, Tryggvason is taking his adoration for crust punk to an exciting new level with his latest project, BASTARÐUR, which channels influences such as NAPALM DEATH, TERRORIZER, MOTÖRHEAD,and DISFEAR. 

“The idea of writing death metal in the vein of old ENTOMBED came in 2018,” Tryggvason says on the project’s inception. “Not being able to channel my love for such music through my main band [SÓLSTAFIR], I began writing riffs, and riffs became songs, and all the sudden it had more crust punk elements than I had foreseen.” And yet, despite the apparent departure from SÓLSTAFIR’s sound, Tryggvason’s signature voice and brief moments of atmospheric texture color the record in familiar shades that ring true to his core musical identity.  

The band was born during personal turmoil, a prime example of turning a negative situation into a positive opportunity. “Living with my parents after a relationship break up and being unemployed, I set up a small studio in my dad’s garage, and after a few months there was an album of material,” explains Tryggvason. “Me and my good mate Birgir Jónsson, most known for his work with Icelandic metal act DIMMA, had for years talked about making music together, and this seemed the perfect time, so we got ourselves into a studio with former SÓLSTAFIR live sound guy Jóhann and recorded the album in a few days.” 

Tryggvason tapped several other co-conspirators to contribute towards his vision. Guest vocals are attributed to Marc Grewe (MORGOTH/INSIDIOUS DISEASE) and Alan Averill (PRIMORIDIAL), the latter of whom also penned the lyrics on two of the album’s tracks. Some of the blistering guitar solos were handled by Ragnar Zolberg, whom SÓLSTAFIR fans may know as he has filled in on bass for the band during occasional live shows, and Thrainn from SKÁLMÖLD. “I dare to call them Hanneman/King of Iceland,” Tryggvason says of the talented pair of axmen.  

BASTARÐUR’s debut also takes a cue from Tryggvason’s distant musical past and rudimentary beginnings. “I used to be in a punk band called BÖLVUN, where I played drums,” he explains. “’Afturhalds Kommatittir’ is from that band, so we got Ingi Thor Pálsson and Flosi Þorgeirsson to play on that song. Flosi also does a bass solo on ‘Viral Tumor.’ 

Now, after three years in the making, BASTARÐUR is finally ready to make its debut via Season of Mist!

Style: Crust punk 

Guest musicians:  
Guest vocals on "Neonlight Blitzkrieg" by Marc Grewe 
Vocals on "Black Flag Fools" by Alan Averill  
Backing vocals on "Afturhalds Kommatittir" by Ásgeir Trausti, Júlli T og Siggi Hjálmur. 
Guitar leads on "Burn" by Ragnar Zolberg 
Guitar leads on "Neonlight Blitzkrieg" by Thrainn Árni Baldvinsson 
Guitar leads on "Viral Tumor" by Ragnar Zolberg and Thráinn Árni Baldvinsson 
Bass solo on "Viral Tumor" by Flosi Þorgeirsson 

Line-up:  
Adalbjörn Tryggvason - Vocals/guitar/bass 
Birgir Jónsson – Drums 

Recording studio: Hljóðriti, Kleifarsel and Grótta 

Produced by: Aðalbjörn Tryggvason 

Recorded/mixed: by Jóhann Rúnar at Hljóðriti  

Press-Kithttps://presskit.season-of-mist.com/Bastardur/  

Cover art: Fannar Aumingi 

Pre-saleshttps://redirect.season-of-mist.com/Bastardur-Satan  

Available formats: cd digipak, vinyl black and coloured 

ROTTING CHRIST, SOLSTAFIR, CANNABIS CORPSE + More Added to Metal Injection's Slay at Home Fest Finale

Season of Mist is pleased to announce that we have eleven esteemed artists performing at Metal Injection's upcoming final installment of their highly successful Slay at Home Festival! The stacked lineup will feature sets from ROTTING CHRIST, SÓLSTAFIR, CANNABIS CORPSE, BLACK TUSK, THE LION'S DAUGHTER, CARNATION, FOSCOR, and REPLACIRE while ABYSMAL DAWN guitarist Charles Elliott, members of GORGUTS, and members of VLTIMAS will be part of very special musical collaborations, respectively. The event will be live streamed via the Metal Injection YouTube channel from June 18-19 starting at 3:00 P.M. EDT both days. For those who want to tune in early, special panels will be held each day in advance of the performances. All information can be found HERE.

Slay at Home is free to watch, however, it will be supporting four very important charities for those who are feeling generous. The event has raised over $200,000 for various charities since its inception last year. The final event will benefit Musicares, The Iggy Fund, The Cancer Research Institute, and National Alliance On Mental Illness.

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Season of Mist Partners with Haulix for Upcoming "High Notes" Podcast Series!

Season of Mist is honored to announce a partnership with Haulix to create a mini-season of HIGH NOTES, the critically-acclaimed and first of its kind podcast about addiction and recovery in the music industry. The new episodes will debut in March on all streaming platforms. Listen and subscribe at THIS LOCATION.

HIGH NOTES logo created by Nick Ferran

HIGH NOTES logo created by Nick Ferran

“We at Season of Mist are extremely thankful for the meaningful work that James and Haulix are doing with High Notes,” says Katy Irizarry, North American Publicist for Season of Mist. “We are so proud of our artists and friends of the label who came together to share their addiction and recovery stories, a feat that requires much courage as there is still a dark stigma attached to this often misunderstood illness. We hope to help erase that stigma and, more importantly, that these stories will help those who are struggling to know they are not alone and that recovery is possible.”

Hosted by Haulix’s Director of Customer Engagement, James Shotwell, HIGH NOTES features exclusive, in-depth conversations with rock and alternative musicians in various recovery stages. Guests from the first two seasons include Shannon Larkin of Godsmack, Brian “Head” Welch of KoRn, Craig Mabbitt of Escape The Fate, Eric Christopher of Hospital Bracelet, Clint Lowery of Sevendust, Amanda Lyberg of Eva Under Fire, Donovan Melero of Hail The Sun, Bert McCracken of The Used, Anthony Green of Circa Survive, and more. Each episode delves into a different guest’s journey to sobriety and the role the music business played in helping (or hurting) their recovery.

“At Haulix, in addition to taking care of our customers, we take pride in using our industry reach to educate and shine a light on topics less heard about, like addiction and recovery,” says company founder and CEO Matt Brown. “Our High Notes series lets us tap into real-world experiences spoken by the artists themselves.”

Besides sharing new episodes, HIGH NOTES is also debuting a new logo for use exclusively in their partnership with Season Of Mist. The logo is the craftsmanship of designer Nick Ferran, who created all promotional art for the series.

Seasons 1 and 2 of HIGH NOTES are available now on all streaming platforms. The show is produced by Landon Defever, with additional help from programming consultant Laura Haggard. The show’s theme music is from the band You, Me, And Everyone We Know. Listen HERE.

For more information, please contact Katy Irizarry at Katy@season-of-mist.com.

ABOUT SÓLSTAFIR:
SÓLSTAFIR's music penetrates the mind, body, and soul. One does not need to speak their Icelandic tongue to understand the spectrum of raw emotion evoked by every song. ‘Endless Twilight of Codependent Love’ further solidifies the Icelandic rock giants’ place as masters of their craft, delivering their signature elegance and the unbridled passion upon which they've built their career. While a clear evolution, SÓLSTAFIR also pays homage to their metallic roots. Much like the vast expanse of their homeland, the band once again embodies the ever-turning wheel of the four seasons with their shifting light and darkness.
Buy/stream/download: som.lnk.to/solstafir-twilight
For more on SÓLSTAFIR, visit their official FACEBOOK, TWITTER, INSTAGRAM, and WEBSITE.

ABOUT NUMENOREAN:
NUMENOREAN unveil their staggering sophomore album 'Adore.’ Three years in the making, the album is a towering work of lustrous metallic art. Its deeply-nuanced tracks weave ferocity and beauty into sweeping pieces that are as haunting as they are cathartic. NUMENOREAN place themselves at the fore of the genre’s evolution with this profoundly moving work of modern, post-black metal brilliance.
Buy/Stream/Download: https://som.lnk.to/NumenoreanAdore
For more on NUMENOREAN, visit their official FACEBOOK, INSTAGRAM, and TWITTER.

ABOUT FLYINGFOX AB:
FlyingFox AB was founded when owner Erin Lynch decided to take her 22+ years of music industry experience to the next level. Originally hailing from South Jersey, US&A and coming from a long background of various jobs in almost every aspect of the business, including, but not limited to, music director of her college radio station, head of promotion for local record companies, Philadelphia Music Conference panel coordinator, warehouse manager for an established metal label, record company owner, touring merchandiser for several established acts over 19 years, tour manager and production manager over 15 years, band manager, and backstage manager for dozens of international artists and events in her current hometown of Stockholm, Sweden, she decided to take all of these years of experience in several departments, and combine them for an all stop shop.
For more on FLYINGFOX AB, visit their official WEBSITE, TWITTER, FACEBOOK, and INSTAGRAM.


For more on HIGH NOTES, visit their official TWITTER, STREAMING LINKS, and INSTAGRAM.

SÓLSTAFIR Announces Virtual Listening Party + Live Chat for New Album

Music will always be inspired by the environment in which it is created. With its incredible array of highly diverse landscapes ranging from white glaciers v...

Iceland rock giants SÓLSTAFIR will be hosting a live virtual listening party for their upcoming seventh studio album, 'Endless Twilight of Codependent Love.' The stream will take place tomorrow, November 3 @ 10:00 A.M. EST via the official Season of Mist YouTube in which fans can live chat with bassist Svavar Austmann and hear the record in full ahead of Friday's release. Tune in at THIS LOCATION.

'Endless Twilight of Codependent Love' is due on November 6 via Season of Mist! Pre-order it HERE.

'Endless Twilight of Codependent Love' was recorded at the Sundlaugin Studio (Iceland), where 'Svartir Sandar,' 'Ótta' and 'Berdreyminn' were also recorded by producer Birgir Jón Birgisson (Sigur Rós, Alcest, Damien Rice).

The cover artwork and track-list can be found below, together with the album info. The painting is a watercolour of the Lady of the Mountain, which was designed in 1864 by artist Johann Baptist Zwecker.

A quarter of a century after singer/guitarist Aðalbjörn "Addi" Tryggvason co-founded atmospheric Icelandic metal quartet Sólstafir, they continue to follow their cardinal rule – that there are no rules. For them, writing an epic 10-minute song without a traditional verse/chorus trade-off feels natural. While they have done two albums in English, he mainly sings in their native tongue and his vocals are as much an instrument as a vessel for words. Their videos equally showcase the band and their Icelandic world that they commune with.

And their music flows however it pleases. “Having been a metal band for a long time and gone through shoegaze, atmospheric black metal, and post rock, I just feel privileged being able to mix all my favorite genres and get away with it,” says Tryggvason.

In the world of Sólstafir, artists as varied as The Beatles, Kraftwerk, Darkthrone, Ennio Morricone, and Billy Corgan swirl inside their heads, and such influences seep into their musical ether.

Painted in watercolor by Johann Baptist Zwecker in 1864, The Lady of the Mountain is the female personification of Iceland. It was first published in a book of Icelandic folk tales but was never shown in public. A black and white woodblock replica by the artist is what Icelanders have known until recently when two citizens found the original hidden in a Welsh museum gallery where it had been in storage for a century. Now it is back home and adorning the cover of the new Sólstafir album.

“Everybody knows the image of the Lady of the Mountain,” declares Tryggvason. “It's like Marianne to the French and Minerva in Roman mythology. All of a sudden, the original pops up and it’s like, ‘Oh my god, these are the most beautiful colors I've ever seen. And why does it remind me of Mellon Collie and the Infinite Sadness?’ So that's purely accidental. When we saw this photo, we had to use it. It's too beautiful.”

While early Sólstafir lyrics delved into Nordic mythology and critiques of organized religion, more recent songs explore their spiritual connection with nature, and lately, mental disorders ranging from depression to alcoholism and the taboo behind men in particular discussing those things for fear of being perceived weak.

“That’s the real darkness that you can't see, but you can feel it and people around you can feel it,” explains Tryggvason. “Of course, there are serial killers and plagues and whatever through history. But in modern day life, that's the true darkness around you. People kill themselves every day, and often people close to you who have been feeling so bad.”

He says the most personal song on Endless Twilight of Codependent Love is “Her Fall From Grace,” the lone track in English. It chronicles the pain of watching a loved one succumb to mental illness.

“It's very sad when you love someone and you see them get sick,” muses Tryggvason. “Like Layne Staley said, ‘Slow suicide is no way to go.’ But you’re just watching on the audience bench, preparing for the phone call. ‘Hey man, Johnny's dead.’ ‘All right, I knew Johnny was gonna die. I've been watching him in slow motion.’” He likens the experience to seeing a relative or parent be consumed by Alzheimer’s and turn into a different person than one remembers.

Although the band’s lyrics are predominately in Icelandic, that does not prevent outside listeners from appreciating the emotional power of their music. It has been said that many fans can feel his pain even if they do not overtly understand what he is singing about.

A beautiful moment in that regard occurred when Sólstafir played Bogota, Colombia in September 2017. It was the smallest show on their South American tour, and they presumed it would not be as lively. The 300 strong throng proved them wrong. “It felt like I was in Queen at Wembley Stadium,” Tryggvason recollects fondly. “They sang every goddamn word in Icelandic. How can you explain that?”

Such passionate reactions have not gone unnoticed in their homeland. Iceland picked Sólstafir to play a total of six events New York City, Seattle, and Toronto last fall called “Taste Of Iceland.” Tryggvason says the band enjoyed the event and their intimate industry showcases at Pianos (NYC) and Livenation (Toronto) during that same trip.

Counter-intuitive thinking has helped Sólstafir evolve and mature. The new track “Or” opens with a languid, bluesy feeling but gradually transforms into an angst-ridden, guitar-driven dirge. When they conjured their breakthrough song “Fjara” in 2011, the group feared its mellow nature might put off their longtime metal followers. Instead, they embraced it. That tune, along with the ambient, banjo-laden track “Ótta,” allowed the group to play both the Brutal Assault festival in the Czech Republic five years ago and then a family-friendly music event in the Netherlands the next weekend. The new rager “Dionysus” even features a return to their black metal roots that was not planned; the song just turned out that way over a year-long span.

“Our audience grew bigger and more diverse by us just being ourselves and doing nothing different really,” notes Tryggvason.

One of the joys for him and his bandmates – bassist Svavar "Svabbi" Austmann, guitarist Sæþór Maríus "Pjúddi" Sæþórsson, and newer drummer Hallgrímur Jón "Grimsi" Hallgrímsson, who contributed some lyrics this time out – is that their perception of how their new music will turn out never corresponds with reality. It is that unknown factor that keeps things exciting.

You can never foresee band magic,” declares Tryggvason. “The whole purpose of this is cooking up magic. And if you're cooking up magic with four or five weirdos, you can never foresee what's going to happen. You can't buy that. You have to live it or grow it.”

Recording line-up:
Aðalbjörn Tryggvason - Vocals, uitar
Sæþór M Sæþórsson - Guitar
Svavar Austmann - Bass
Hallgrímur Bárðdal - Drums

Style: Atmospheric Post Rock

Recording: Sundlaugin Studio, Grótta

Mixing and mastering: Birgir Jón Birgirsson

Bio: Bryan Reesman

Cover Art: "Lady of the Mountain" by Johann Baptist Zwecker (1864)

Pre-sales: https://redirect.season-of-mist.com/solstafir-twilight

For more on SÓLSTAFIR, visit their official FACEBOOK, TWITTER, INSTAGRAM, and WEBSITE.

SÓLSTAFIR Premieres Official Video for New Song, "Her Fall from Grace"

Music will always be inspired by the environment in which it is created. With its incredible array of highly diverse landscapes ranging from white glaciers v...

Iceland rock giants SÓLSTAFIR have unveiled the harrowing official music video for their brand new song, "Her Fall from Grace." The stark video, which chronicles the pain of watching a loved one succumb to addiction and depression.

Vocalist Aðalbjörn Tryggvason comments: "We present to you the next single from our upcoming album “Endless Twilight of Codependent Love” entitled, “Her Fall From Grace”. We hope you enjoy it and take from it what you need."

"Her Fall from Grace" is taken from SÓLSTAFIR's seventh studio album, 'Endless Twilight of Codependent Love,' which is due on November 6 via Season of Mist! Pre-order 'Endless Twilight of Codependent Love' HERE.

'Endless Twilight of Codependent Love' was recorded at the Sundlaugin Studio (Iceland), where 'Svartir Sandar,' 'Ótta' and 'Berdreyminn' were also recorded by producer Birgir Jón Birgisson (Sigur Rós, Alcest, Damien Rice).

A quarter of a century after singer/guitarist Aðalbjörn "Addi" Tryggvason co-founded atmospheric Icelandic metal quartet Sólstafir, they continue to follow their cardinal rule – that there are no rules. For them, writing an epic 10-minute song without a traditional verse/chorus trade-off feels natural. While they have done two albums in English, he mainly sings in their native tongue and his vocals are as much an instrument as a vessel for words. Their videos equally showcase the band and their Icelandic world that they commune with.

And their music flows however it pleases. “Having been a metal band for a long time and gone through shoegaze, atmospheric black metal, and post rock, I just feel privileged being able to mix all my favorite genres and get away with it,” says Tryggvason.

In the world of Sólstafir, artists as varied as The Beatles, Kraftwerk, Darkthrone, Ennio Morricone, and Billy Corgan swirl inside their heads, and such influences seep into their musical ether.

Painted in watercolor by Johann Baptist Zwecker in 1864, The Lady of the Mountain is the female personification of Iceland. It was first published in a book of Icelandic folk tales but was never shown in public. A black and white woodblock replica by the artist is what Icelanders have known until recently when two citizens found the original hidden in a Welsh museum gallery where it had been in storage for a century. Now it is back home and adorning the cover of the new Sólstafir album.

“Everybody knows the image of the Lady of the Mountain,” declares Tryggvason. “It's like Marianne to the French and Minerva in Roman mythology. All of a sudden, the original pops up and it’s like, ‘Oh my god, these are the most beautiful colors I've ever seen. And why does it remind me of Mellon Collie and the Infinite Sadness?’ So that's purely accidental. When we saw this photo, we had to use it. It's too beautiful.”

While early Sólstafir lyrics delved into Nordic mythology and critiques of organized religion, more recent songs explore their spiritual connection with nature, and lately, mental disorders ranging from depression to alcoholism and the taboo behind men in particular discussing those things for fear of being perceived weak.
 
“That’s the real darkness that you can't see, but you can feel it and people around you can feel it,” explains Tryggvason. “Of course, there are serial killers and plagues and whatever through history. But in modern day life, that's the true darkness around you. People kill themselves every day, and often people close to you who have been feeling so bad.”

He says the most personal song on Endless Twilight of Codependent Love is “Her Fall From Grace,” the lone track in English. It chronicles the pain of watching a loved one succumb to mental illness.

“It's very sad when you love someone and you see them get sick,” muses Tryggvason. “Like Layne Staley said, ‘Slow suicide is no way to go.’ But you’re just watching on the audience bench, preparing for the phone call. ‘Hey man, Johnny's dead.’ ‘All right, I knew Johnny was gonna die. I've been watching him in slow motion.’” He likens the experience to seeing a relative or parent be consumed by Alzheimer’s and turn into a different person than one remembers.

Although the band’s lyrics are predominately in Icelandic, that does not prevent outside listeners from appreciating the emotional power of their music. It has been said that many fans can feel his pain even if they do not overtly understand what he is singing about.

A beautiful moment in that regard occurred when Sólstafir played Bogota, Colombia in September 2017. It was the smallest show on their South American tour, and they presumed it would not be as lively. The 300 strong throng proved them wrong. “It felt like I was in Queen at Wembley Stadium,” Tryggvason recollects fondly. “They sang every goddamn word in Icelandic. How can you explain that?”

Such passionate reactions have not gone unnoticed in their homeland. Iceland picked Sólstafir to play a total of six events New York City, Seattle, and Toronto last fall called “Taste Of Iceland.” Tryggvason says the band enjoyed the event and their intimate industry showcases at Pianos (NYC) and Livenation (Toronto) during that same trip.

Counter-intuitive thinking has helped Sólstafir evolve and mature. The new track “Or” opens with a languid, bluesy feeling but gradually transforms into an angst-ridden, guitar-driven dirge. When they conjured their breakthrough song “Fjara” in 2011, the group feared its mellow nature might put off their longtime metal followers. Instead, they embraced it. That tune, along with the ambient, banjo-laden track “Ótta,” allowed the group to play both the Brutal Assault festival in the Czech Republic five years ago and then a family-friendly music event in the Netherlands the next weekend. The new rager “Dionysus” even features a return to their black metal roots that was not planned; the song just turned out that way over a year-long span.

“Our audience grew bigger and more diverse by us just being ourselves and doing nothing different really,” notes Tryggvason.

One of the joys for him and his bandmates – bassist Svavar "Svabbi" Austmann, guitarist Sæþór Maríus "Pjúddi" Sæþórsson, and newer drummer Hallgrímur Jón "Grimsi" Hallgrímsson, who contributed some lyrics this time out – is that their perception of how their new music will turn out never corresponds with reality. It is that unknown factor that keeps things exciting.

You can never foresee band magic,” declares Tryggvason. “The whole purpose of this is cooking up magic. And if you're cooking up magic with four or five weirdos, you can never foresee what's going to happen. You can't buy that. You have to live it or grow it.”
Recording line-up: 
Aðalbjörn Tryggvason - Vocals, uitar
Sæþór M Sæþórsson - Guitar
Svavar Austmann - Bass
Hallgrímur Bárðdal - Drums

Style: Atmospheric Post Rock

Recording: Sundlaugin Studio, Grótta
 
Mixing and mastering: Birgir Jón Birgirsson

Bio: Bryan Reesman

Cover Art: "Lady of the Mountain" by Johann Baptist Zwecker (1864)
 
Pre-sales: https://redirect.season-of-mist.com/solstafir-twilight

For more on SÓLSTAFIR, visit their official FACEBOOKTWITTERINSTAGRAM, and WEBSITE.

SÓLSTAFIR Shares Visualizer for Haunting New Song, "Drysill"

SÓLSTAFIR's new song "Drýsill" is taken from the band's upcoming record 'Endless Twilight of Codependent Love'. "Drýsill" (Icelandic for demon) is about figh...

Iceland rock giants SÓLSTAFIR have unveiled their emotional new song, "Drýsill," along with a  haunting visualizer. The song and accompanying clip,  which was directed/created by Kim Holm and animated by David Hall, give an introspective look at the horrors of domestic violence.

Drýsill is taken from SÓLSTAFIR's seventh studio album, 'Endless Twilight of Codependent Love,' which is due on November 6 via Season of Mist! Pre-order 'Endless Twilight of Codependent Love' HERE.

"'Drýsill,' in Icelandic, means demon," explains lyricist and drummer Hallgrímur Jón Hallgrimsson.

"This is the story of a woman who fell for someone who promised her the world with his smile. She fell captive to his mind games. His intentions were riddled with evil as he fed off of her love. Her humanity disappears as he gains power by mentally and physically torturing her, keeping her locked away in a prison of her own mind. The video illustrates her personal journey through hell as she spirals further into the darkness of captivity until what feels like the end. But one day she is able to gather her strength and use the rest of her power towards the dark to fight her way back into the light. As she kills him with the very shovel he was going to use to bury her with, he is still smiling at her. Laughing at her. Mocking her. 

"This song is about fighting the demons that you allow to control your mind, and breaking free. It’s about rescuing yourself and finding the strength and the courage to be victorious, no matter how hurt you’ve been.
 
"We were excited to work with Kim Holm (Svartir Sandar album artwork) on this one as we felt he could perfectly capture the dark feelings of despair represented in this story with his art."
 
Director Kim Holm adds, "Depression is a deep dark demon filled cave that I've spent too much of my life in, and as I started finding visuals for Sólstafir's hauntingly brilliant Drýsill, life and art seemed to mix in terrible new ways. The lyrics deal with themes of death and abuse that I’ve luckily been spared, but the journey through the underworld seemed to metaphorically mirror each day working on it. I like to believe there’s a light at the end of the tunnel, but realistically it’s not so for everyone. Drýsill is a statement that for some, there should be no light. Only the end."

'Endless Twilight of Codependent Love' was recorded at the Sundlaugin Studio (Iceland), where 'Svartir Sandar,' 'Ótta' and 'Berdreyminn' were also recorded by producer Birgir Jón Birgisson (Sigur Rós, Alcest, Damien Rice).

A quarter of a century after singer/guitarist Aðalbjörn "Addi" Tryggvason co-founded atmospheric Icelandic metal quartet Sólstafir, they continue to follow their cardinal rule – that there are no rules. For them, writing an epic 10-minute song without a traditional verse/chorus trade-off feels natural. While they have done two albums in English, he mainly sings in their native tongue and his vocals are as much an instrument as a vessel for words. Their videos equally showcase the band and their Icelandic world that they commune with.

And their music flows however it pleases. “Having been a metal band for a long time and gone through shoegaze, atmospheric black metal, and post rock, I just feel privileged being able to mix all my favorite genres and get away with it,” says Tryggvason.

In the world of Sólstafir, artists as varied as The Beatles, Kraftwerk, Darkthrone, Ennio Morricone, and Billy Corgan swirl inside their heads, and such influences seep into their musical ether.

Painted in watercolor by Johann Baptist Zwecker in 1864, The Lady of the Mountain is the female personification of Iceland. It was first published in a book of Icelandic folk tales but was never shown in public. A black and white woodblock replica by the artist is what Icelanders have known until recently when two citizens found the original hidden in a Welsh museum gallery where it had been in storage for a century. Now it is back home and adorning the cover of the new Sólstafir album.

“Everybody knows the image of the Lady of the Mountain,” declares Tryggvason. “It's like Marianne to the French and Minerva in Roman mythology. All of a sudden, the original pops up and it’s like, ‘Oh my god, these are the most beautiful colors I've ever seen. And why does it remind me of Mellon Collie and the Infinite Sadness?’ So that's purely accidental. When we saw this photo, we had to use it. It's too beautiful.”

While early Sólstafir lyrics delved into Nordic mythology and critiques of organized religion, more recent songs explore their spiritual connection with nature, and lately, mental disorders ranging from depression to alcoholism and the taboo behind men in particular discussing those things for fear of being perceived weak.
 
“That’s the real darkness that you can't see, but you can feel it and people around you can feel it,” explains Tryggvason. “Of course, there are serial killers and plagues and whatever through history. But in modern day life, that's the true darkness around you. People kill themselves every day, and often people close to you who have been feeling so bad.”

The frontman says that band members have each had their personal struggles to deal with. They collectively became sober back in 2013. “Anyone in this band can talk about his depression or their state of mind during the day,” says Tryggvason. “It's an open, free dialogue in this band, so it's very healthy.

He says the most personal song on Endless Twilight of Codependent Love is “Her Fall From Grace,” the lone track in English. It chronicles the pain of watching a loved one succumb to mental illness.
“It's very sad when you love someone and you see them get sick,” muses Tryggvason. “Like Layne Staley said, ‘Slow suicide is no way to go.’ But you’re just watching on the audience bench, preparing for the phone call. ‘Hey man, Johnny's dead.’ ‘All right, I knew Johnny was gonna die. I've been watching him in slow motion.’” He likens the experience to seeing a relative or parent be consumed by Alzheimer’s and turn into a different person than one remembers.

Although the band’s lyrics are predominately in Icelandic, that does not prevent outside listeners from appreciating the emotional power of their music. It has been said that many fans can feel his pain even if they do not overtly understand what he is singing about.

A beautiful moment in that regard occurred when Sólstafir played Bogota, Colombia in September 2017. It was the smallest show on their South American tour, and they presumed it would not be as lively. The 300 strong throng proved them wrong. “It felt like I was in Queen at Wembley Stadium,” Tryggvason recollects fondly. “They sang every goddamn word in Icelandic. How can you explain that?”

Such passionate reactions have not gone unnoticed in their homeland. Iceland picked Sólstafir to play a total of six events New York City, Seattle, and Toronto last fall called “Taste Of Iceland.” Tryggvason says the band enjoyed the event and their intimate industry showcases at Pianos (NYC) and Livenation (Toronto) during that same trip.

Counter-intuitive thinking has helped Sólstafir evolve and mature. The new track “Or” opens with a languid, bluesy feeling but gradually transforms into an angst-ridden, guitar-driven dirge. When they conjured their breakthrough song “Fjara” in 2011, the group feared its mellow nature might put off their longtime metal followers. Instead, they embraced it. That tune, along with the ambient, banjo-laden track “Ótta,” allowed the group to play both the Brutal Assault festival in the Czech Republic five years ago and then a family-friendly music event in the Netherlands the next weekend. The new rager “Dionysus” even features a return to their black metal roots that was not planned; the song just turned out that way over a year-long span.

“Our audience grew bigger and more diverse by us just being ourselves and doing nothing different really,” notes Tryggvason.

One of the joys for him and his bandmates – bassist Svavar "Svabbi" Austmann, guitarist Sæþór Maríus "Pjúddi" Sæþórsson, and newer drummer Hallgrímur Jón "Grimsi" Hallgrímsson, who contributed some lyrics this time out – is that their perception of how their new music will turn out never corresponds with reality. It is that unknown factor that keeps things exciting.

You can never foresee band magic,” declares Tryggvason. “The whole purpose of this is cooking up magic. And if you're cooking up magic with four or five weirdos, you can never foresee what's going to happen. You can't buy that. You have to live it or grow it.”
Recording line-up: 
Aðalbjörn Tryggvason - Vocals, uitar
Sæþór M Sæþórsson - Guitar
Svavar Austmann - Bass
Hallgrímur Bárðdal - Drums

Style: Atmospheric Post Rock

Recording: Sundlaugin Studio, Grótta
 
Mixing and mastering: Birgir Jón Birgirsson

Bio: Bryan Reesman

Cover Art: "Lady of the Mountain" by Johann Baptist Zwecker (1864)
 Pre-sales: https://redirect.season-of-mist.com/solstafir-twilight


For more on SÓLSTAFIR, visit their official FACEBOOKTWITTERINSTAGRAM, and WEBSITE.

SÓLSTAFIR Reveals New Album Details, Live Streams New Single

SÓLSTAFIR's new opus 'Endless Twilight of Codependent Love' highlights the contrasting influences that have inspired the band over the years. The Icelandic p...

Iceland rock giants SÓLSTAFIR will be releasing their seventh studio album, 'Endless Twilight of Codependent Love,' on November 6 via Season of Mist! The cover artwork and tracklist can be found below. In conjunction with this announcement, the band will be live streaming the explosive first single, "Akkeri," via the official Season of Mist

The band has also previously released a teaser for the new record, which can be streamed HERE

'Endless Twilight of Codependent Love' was recorded at the Sundlaugin Studio (Iceland), where 'Svartir Sandar,' 'Ótta' and 'Berdreyminn' were also recorded by producer Birgir Jón Birgisson (Sigur Rós, Alcest, Damien Rice).

Pre-order 'Endless Twilight of Codependent Love' HERE.

A quarter of a century after singer/guitarist Aðalbjörn "Addi" Tryggvason co-founded atmospheric Icelandic metal quartet Sólstafir, they continue to follow their cardinal rule – that there are no rules. For them, writing an epic 10-minute song without a traditional verse/chorus trade-off feels natural. While they have done two albums in English, he mainly sings in their native tongue and his vocals are as much an instrument as a vessel for words. Their videos equally showcase the band and their Icelandic world that they commune with.
And their music flows however it pleases. “Having been a metal band for a long time and gone through shoegaze, atmospheric black metal, and post rock, I just feel privileged being able to mix all my favorite genres and get away with it,” says Tryggvason.

In the world of Sólstafir, artists as varied as The Beatles, Kraftwerk, Darkthrone, Ennio Morricone, and Billy Corgan swirl inside their heads, and such influences seep into their musical ether. Funnily enough, the cover for the group’s latest album Endless Twilight of Codependent Love might remind one of a famous Smashing Pumpkins album cover.

Painted in watercolor by Johann Baptist Zwecker in 1864, The Lady of the Mountain is the female personification of Iceland. It was first published in a book of Icelandic folk tales but was never shown in public. A black and white woodblock replica by the artist is what Icelanders have known until recently when two citizens found the original hidden in a Welsh museum gallery where it had been in storage for a century. Now it is back home and adorning the cover of the new Sólstafir album.

“Everybody knows the image of the Lady of the Mountain,” declares Tryggvason. “It's like Marianne to the French and Minerva in Greek mythology. All of a sudden, the original pops up and it’s like, ‘Oh my god, these are the most beautiful colors I've ever seen. And why does it remind me of Mellon Collie and the Infinite Sadness?’ So that's purely accidental. When we saw this photo, we had to use it. It's too beautiful.”
While early Sólstafir lyrics delved into Nordic mythology and critiques of organized religion, more recent songs explore their spiritual connection with nature, and lately, mental disorders ranging from depression to alcoholism and the taboo behind men in particular discussing those things for fear of being perceived weak.
 
“That’s the real darkness that you can't see, but you can feel it and people around you can feel it,” explains Tryggvason. “Of course, there are serial killers and plagues and whatever through history. But in modern day life, that's the true darkness around you. People kill themselves every day, and often people close to you who have been feeling so bad.”

The frontman says that band members have each had their personal struggles to deal with. They collectively became sober back in 2013. “Anyone in this band can talk about his depression or their state of mind during the day,” says Tryggvason. “It's an open, free dialogue in this band, so it's very healthy.

He says the most personal song on Endless Twilight of Codependent Love is “Her Fall From Grace,” the lone track in English. It chronicles the pain of watching a loved one succumb to mental illness.
“It's very sad when you love someone and you see them get sick,” muses Tryggvason. “Like Layne Staley said, ‘Slow suicide is no way to go.’ But you’re just watching on the audience bench, preparing for the phone call. ‘Hey man, Johnny's dead.’ ‘All right, I knew Johnny was gonna die. I've been watching him in slow motion.’” He likens the experience to seeing a relative or parent be consumed by Alzheimer’s and turn into a different person than one remembers.

Although the band’s lyrics are predominately in Icelandic, that does not prevent outside listeners from appreciating the emotional power of their music. It has been said that many fans can feel his pain even if they do not overtly understand what he is singing about.

A beautiful moment in that regard occurred when Sólstafir played Bogota, Colombia in September 2017. It was the smallest show on their South American tour, and they presumed it would not be as lively. The 300 strong throng proved them wrong. “It felt like I was in Queen at Wembley Stadium,” Tryggvason recollects fondly. “They sang every goddamn word in Icelandic. How can you explain that?”

Such passionate reactions have not gone unnoticed in their homeland. Iceland picked Sólstafir to play a total of six events New York City, Seattle, and Toronto last fall called “Taste Of Iceland.” Tryggvason says the band enjoyed the event and their intimate industry showcases at Pianos (NYC) and Livenation (Toronto) during that same trip.

Counter-intuitive thinking has helped Sólstafir evolve and mature. The new track “Or” opens with a languid, bluesy feeling but gradually transforms into an angst-ridden, guitar-driven dirge. When they conjured their breakthrough song “Fjara” in 2011, the group feared its mellow nature might put off their longtime metal followers. Instead, they embraced it. That tune, along with the ambient, banjo-laden track “Ótta,” allowed the group to play both the Brutal Assault festival in the Czech Republic five years ago and then a family-friendly music event in the Netherlands the next weekend. The new rager “Dionysus” even features a return to their black metal roots that was not planned; the song just turned out that way over a year-long span.

“Our audience grew bigger and more diverse by us just being ourselves and doing nothing different really,” notes Tryggvason.

One of the joys for him and his bandmates – bassist Svavar "Svabbi" Austmann, guitarist Sæþór Maríus "Pjúddi" Sæþórsson, and newer drummer Hallgrímur Jón "Grimsi" Hallgrímsson, who contributed some lyrics this time out – is that their perception of how their new music will turn out never corresponds with reality. It is that unknown factor that keeps things exciting.

You can never foresee band magic,” declares Tryggvason. “The whole purpose of this is cooking up magic. And if you're cooking up magic with four or five weirdos, you can never foresee what's going to happen. You can't buy that. You have to live it or grow it.”
 Recording line-up: 

Aðalbjörn Tryggvason - Vocals, uitar
Sæþór M Sæþórsson - Guitar
Svavar Austmann - Bass
Hallgrímur Bárðdal - Drums

Style: Atmospheric Post Rock

Recording: Sundlaugin Studio, Grótta
 
Mixing and mastering: Birgir Jón Birgirsson

Bio: Bryan Reesman

Cover Art: "Lady of the Mountain" by Johann Baptist Zwecker (1864)
 
Pre-sales: https://redirect.season-of-mist.com/solstafir-twilight

For more on SÓLSTAFIR, visit their official FACEBOOKTWITTERINSTAGRAM, and WEBSITE.