Fit for a King Announce New Album "Lonely God" + Share Video for Title Track

FIT FOR A KING  — Ryan Kirby, vocals; Bobby Lynge, guitar; Daniel Gailey, guitar; Trey Celaya, drums; and Ryan "Tuck" O'Leary — bass/vocals — are thrilled to announce their new album and eighth overall, titled Lonely God. It was recorded in Los Angeles with producer Daniel Braunstein [Spiritbox]. 

Lonely God will arrive on August 1 via Solid State Records. Pre-order it here. 

The band, which just wrapped up a sold-out North American tour with Killswitch Engage, Kublai Khan TX, and Frozen Soul, are dropping the video for the title track today, as well. Watch it below. 

It boasts ALL the sonic hallmarks FFAK fans have come to know and love — gnarly riffs, guttural growls, deep grooves, and a slightly industrial crunch that takes things to the next level, every single time. 

"In general, 'Lonely God' relates to the pursuit of power," shares Kirby about the track. "They're trading companionship, relationships, and love for power and money. You may have all of the power and be a 'God,' but it's a lonely spot because the world despises you."

Further expanding on the album itself, Kirby shares, "Lonely God is the result of us writing with no agendas. We didn't care about which song could be viral, or if we needed radio tracks, etc. We just wrote what we wanted, for the first time, in a really long time." 

He finishes, "All five of us have our fingerprints on this album. We found a way to balance our voices. We've always been genuine with the lyrics, and that's the case again. There’s so much heart behind all of the instrumentation too. There’s definitely a lot of growth because our bond is tighter than ever."

Fit For A King harness the power of their brotherhood in order to push forward. The music contains traces of the members' personal and collective experiences grafted onto an ever-evolving sonic palette of metalcore unpredictability, alternative melody, and deathcore brutality laced with electronic alchemy. As trends came and went in the background of the last decade, the quintet has weathered trials and tribulations as well as enduring the chaos of a world constantly influx. However, their bond stretches back to 2011 when Fit For A King unleashed their independent debut Descendants. They continually progressed with Creation/Destruction [2013], Slave to Nothing [2014], Deathgrip [2016], and The Path [2020]. Meanwhile, 2022's The Hell We Create marked their fifth Top 3 debut on the Billboard Top Christian Albums Chart and third straight Top 15 debut on the Top Album Sales Chart. Outburn applauded how, "With The Hell We Create, Fit For A King takes on a new depth," and KERRANG! assured, "It hits hard in all the right places." They've impressively garnered just shy of half-a-billion streams fueled by staples like "When Everything  Means Nothing," "The Price of Agony," "Breaking the Mirror," and more. Along the way, they also collaborated with the likes of August Burns Red, The Plot In You, The Ghost Inside, and We Came As Romans in addition to packing houses on tour. In 2025, you can hear their strength and camaraderie loud and clear on their eighth full-length offering, Lonely God [Solid State Records].

Wolves at the Gate Drop "DEATH CLOCK" Video

Wolves at the Gate will release new album Wasteland on May 30 via Solid State Records. Pre-order it here. 

The band has shared the video for "DEATH CLOCK."

Watch it below. 

The track is a moody rage, loaded with arena-sized hooks that keep pace throughout the entirety of the song. Ultimately, "DEATH CLOCK" will have fans bouncing and jumping up and down as if they were at a party celebrating the end of the world. It lyrically looks at the inevitable fate that awaits us all.

"'Death Clock' describes the world inside of your head," the band states. "Everyone undoubtedly thinks about death. The song is just being honest when it comes to the fact we all die and how it makes us feel. We wanted it to sound like you're racing against a clock."

Wolves At The Gate have quietly and naturally evolved since their emergence out of the Midwest in 2008. Their vision unfolded across albums such as Captors [2012], VxV [2014], Types & Shadows [2016], Eclipse [2019], and Eulogies [2022]. Blabbermouth rated the latter "9.0-out-of-10.0," while mxdwn summed it up as "powerfully moving." Along the way, the group tallied tens of millions of streams fueled by the likes of "Counterfeit," "Deadman," "Lowborn," "Peace That Starts The War," and more. Not to mention, they've performed alongside everyone from The Red Jumpsuit Apparatus and Red to Fit For A King, August Burns Red, and Born Of Osiris. In 2024, a core idea screamed out to guitarist Steve Cobucci, shaping the creative direction of the band's next evolution. It slowly, but surely seeped into the DNA of the music and his words.
 
"As I was working on the album and especially the lyrics, I began to realize that the Wasteland was a metaphor for a frame of mind that I don't want to live in, but a world I feel myself drawn back into over and over again," Cobucci reveals. "I hate it. It's a world of empty promises. It's a mirage. A counterfeit."

The musicians carefully pieced together what would become Wasteland. Cobucci co-produced the 13-track body of work with Josh Gilbert of Spiritbox, while the band recorded in New Jersey, San Diego, and Los Angeles. This time around, they added multiple dimensions to their signature sound, layering intriguing interludes and electronic overtures into the framework.

WOLVES AT THE GATE ARE:
Steve Cobucci — Vocals/Guitar
Nick Detty — Vocals
Joey Alarcon — Guitar
Abishai Collingsworth — Drums
Ben Summers — Bass

Fit For A King Share Video for New Single "No Tomorrow"

It opens slowly and from there on out, it's all gas, no brakes. The track quickly escalates into the moshy ragers that FFAK are known for, to the delight of their legion of fans, who will also love the sticks-in-your-brain, melodic chorus.

"This song is about love and tragedy," says singer Ryan Kirby. "A couple [is] experiencing the end of the world together. But instead of living through it in fear, they choose to enjoy their last moments enjoying each other and celebrating what they had."

"No Tomorrow" follows last year's "TECHNIUM," which featured The Plot In You vocalist Landon Tewers. Watch the video for that track below.

The band just wrapped up a sold-out North American tour with Killswitch Engage, Kublai Khan TX, and Frozen Soul.

More music and more touring is on deck for FFAK this year, with news about both coming soon. However, fans can catch the band at Welcome to Rockville in Florida and Sonic Temple in Ohio in May.

FIT FOR A KING ARE:
Ryan Kirby — Vocals 
Bobby Lynge — Guitar 
Daniel Gailey — Guitar 
Trey Celaya — Drums 
Ryan "Tuck" O'Leary — Bass/Vocals

Wolves at the Gate Drop "LAW OF THE [Waste]LAND" Visualizer

Wolves at the Gate will release new album Wasteland on May 30 via Solid State Records. Pre-order it here. 

Today, the band has shared the "LAW OF THE [Waste]LAND"  visualizer. 

Watch it below. 

"The song is a reflection on a world and humanity that has lost its grip on true justice," says singer/guitarist Stephen Cobucci. "But this isn't anything new. History tells endless stories of war, genocide, and injustice and a seemingly endless list of atrocities. There is something terribly broken in us by nature that exalts self-preservation. I've seen it firsthand in my own heart. I saw this confirmed to me by the words of an old Psalmist when he said, 'None is righteous, no, not one; no one understands; no one seeks for God.' As much as I tried to fight the reality of that truth, an honest look at myself told the same story."

He continues, "The song explores how we become both victims and enforcers of a merciless code. We cry out for justice but live by vengeance, doing what seems right in our own eyes while blaming the fallout on anything but ourselves. In the Wasteland, we crown ourselves as judge, jury, and executioner, all while crying out for peace we can't create. While confronting the chaos, we've normalized. We were hoping to ask a deeper question: What is left for the soul, when we abandon mercy and truth in pursuit of self-rule and self-preservation? Can mercy still come to the merciless?"

The song starts out ominously and quickly escalates to all fists and fury, alongside a groove that just won't quit. It's got ALL of the bounce.

Wolves At The Gate have quietly and naturally evolved since their emergence out of the Midwest in 2008. Their vision unfolded across albums such as Captors [2012], VxV [2014], Types & Shadows [2016], Eclipse [2019], and Eulogies [2022]. Blabbermouth rated the latter "9.0-out-of-10.0," while mxdwn summed it up as "powerfully moving." Along the way, the group tallied tens of millions of streams fueled by the likes of "Counterfeit," "Deadman," "Lowborn," "Peace That Starts The War," and more. Not to mention, they've performed alongside everyone from The Red Jumpsuit Apparatus and Red to Fit For A King, August Burns Red, and Born Of Osiris. In 2024, a core idea screamed out to guitarist Steve Cobucci, shaping the creative direction of the band's next evolution. It slowly, but surely seeped into the DNA of the music and his words.
 
"As I was working on the album and especially the lyrics, I began to realize that the Wasteland was a metaphor for a frame of mind that I don't want to live in, but a world I feel myself drawn back into over and over again," Cobucci reveals. "I hate it. It's a world of empty promises. It's a mirage. A counterfeit."

The musicians carefully pieced together what would become Wasteland. Cobucci co-produced the 13-track body of work with Josh Gilbert of Spiritbox, while the band recorded in New Jersey, San Diego, and Los Angeles. This time around, they added multiple dimensions to their signature sound, layering intriguing interludes and electronic overtures into the framework.

WOLVES AT THE GATE ARE:
Steve Cobucci — Vocals/Guitar
Nick Detty — Vocals
Joey Alarcon — Guitar
Abishai Collingsworth — Drums
Ben Summers — Bass

Wolves at the Gate Drop "Synthetic Sun" Visualizer

Today, the band has shared the visualizer for second single "SYNTHETIC SUN." Watch it below.

"As a culture, we're trying to create our own morality, but can't do so without a true moral standard," says vocalist/guitarist Steve Cobucci. "Rather, we do this individually, which ends up creating chaos. We all fall prey to this mindset. Creating your own morality will cause you to block out any semblance of truth outside of yourself. If you metaphorically block out the actual sun and create a synthetic sun, it will result in a slow and fatal poisoning."

The song's poignant and extremely current lyrical lean is complemented by the sonic heft. Syncopated beats and synths anchor the song, which will take up real estate in your brain long after the song fades out.

Wolves At The Gate have quietly and naturally evolved since their emergence out of the Midwest in 2008. Their vision unfolded across albums such as Captors [2012], VxV [2014], Types & Shadows [2016], Eclipse [2019], and Eulogies [2022]. Blabbermouth rated the latter "9.0-out-of-10.0," while mxdwn summed it up as "powerfully moving." Along the way, the group tallied tens of millions of streams fueled by the likes of "Counterfeit," "Deadman," "Lowborn," "Peace That Starts The War," and more. Not to mention, they've performed alongside everyone from The Red Jumpsuit Apparatus and Red to Fit For A King, August Burns Red, and Born Of Osiris. In 2024, a core idea screamed out to guitarist Steve Cobucci, shaping the creative direction of the band's next evolution. It slowly, but surely seeped into the DNA of the music and his words.
 
"As I was working on the album and especially the lyrics, I began to realize that the Wasteland was a metaphor for a frame of mind that I don't want to live in, but a world I feel myself drawn back into over and over again," Cobucci reveals. "I hate it. It's a world of empty promises. It's a mirage. A counterfeit."

The musicians carefully pieced together what would become Wasteland. Cobucci co-produced the 13-track body of work with Josh Gilbert of Spiritbox, while the band recorded in New Jersey, San Diego, and Los Angeles. This time around, they added multiple dimensions to their signature sound, layering intriguing interludes and electronic overtures into the framework.

WOLVES AT THE GATE ARE:
Steve Cobucci — Vocals/Guitar
Nick Detty — Vocals
Joey Alarcon — Guitar
Abishai Collingsworth — Drums
Ben Summers — Bass

Acres Share "Staring at the Sun" Video

UK band ACRES recently announced that their new album The Host arrives May 2 via Solid State Records. Pre-order it here.

They share the new single "Staring at the Sun." Watch the performance video, which presents the band in its most natural state with instruments in hand, here. There's also subtle voyeuristic vibe to the camera angles and you won't be able to look away. 

The song showcases the band's quiet-loud dynamics — Acres' deftness with melody, maelstrom, and romantic misery.

"'Staring at the Sun' is a classic miserable Acres love song," shares vocalist Ben Lumber. "The record goes in a brand new direction, but we wanted a few songs to nod to our roots with remnants of our old vibe. It's about not being able to let go of someone or something who has a hold over you."

"The Host represents a bold step in a new direction for us as a band, we've always pushed ourselves to evolve with every album and never write the same record twice," Lumber explains. "This time the process was unlike anything we've done before, working with Landon Tewers brought a fresh perspective and added a new flair to our sound that we’re really excited about!"

Audiences initially fell under Acres' spell in 2019 when they unveiled the fan favorite Lonely World. After grinding on the road, they made significant strides with 2023's Burning Throne. "My Everything" reeled in 2.6 million Spotify streams followed by "Hold On" with another 2 million Spotify streams. Kerrang! applauded how, "Acres display their potential with some big choruses to match," and When The Horn Blows hailed Burning Throne as "a classic metalcore album filled with swinging hooks, rough riffs, popping electronic elements and lovely vocals that turn into monster screams."
 
During October 2024, the band hopped the pond to record what would become The Host with none other than The Plot In You frontman Landon Tewers behind the board as producer. The musicians stayed at his Michigan studio. Beyond enjoying the onset of Halloween in America, they expanded their sonic palette by incorporating elements such as drop-tunings and leaning on the producer's perspective, acumen, and wisdom.

Acres will remain on the road through spring on tour with The Devil Wears Prada. They will also appear at select Beartooth shows. They just wrapped a support slot with The Plot In You. All upcoming dates below.

ACRES ON TOUR:
WITH THE DEVIL WEARS PRADA:
4/17 — Wichita, KS — Temple Live
4/18 — Des Moines, IA — Val Air Ballroom
4/19 — Fargo, ND — Sanctuary Events Center
4/20 — Winnipeg, MB — Park Theatre
4/22 — Edmonton, AB — Midway
4/23 — Calgary, AB — The Palace Theater
4/25 — Vancouver, BC — Commodore Ballroom
4/26 — Seattle, WA — Showbox SoDo
4/27 — Eugene, OR — McDonald Theatre
4/29 — Great Falls, MT — The Newberry
4/30 — Billings, MT — Pub Station
5/2 — Lincoln, NE — Bourbon Theatre
5/3 — Davenport, IA — Capitol Theater
5/4 — Springfield, MO — The Regency
5/6 —Oklahoma City, OK — Diamond Ballroom
5/7 — Little Rock, AR — The Hall
5/8 — Huntsville, AL — Mars Music Hall
5/9 — St Louis, MO — The Pageant
5/13 — Knoxville, TN — The Mill & Mine
5/14 — Charleston, SC — Charleston Music Hall
 

WITH BEARTOOTH:
5/5 — Shreveport, LA — Shreveport Municipal Auditorium
5/15 — Mobile, — Soul Kitchen Music Hall
5/16 — Dothan, AL — The Plant 

ACRES ARE:
Ben Lumber  // Alex Freeman // Ash Scott // Jack Rogers 

Wolves at the Gate Announce New Album "Wasteland" + Share "Parasite" Video

Wolves at the Gate are back with a brand new album. They will release Wasteland on May 30 via Solid State Records. Pre-order it here. 

The band has shared the video for the first single "Parasite." Watch it below.

The song is masterful mix of synths, screams, and stompy breakdowns, so basically everything you want in a metalcore song!

"Throughout the whole album, we are exploring different concepts through the lens of a broader narrative and story," says vocalist/guitarist Steve Cobucci. "With 'Parasite,' we wanted to write a song that explores the relationship between a parasite and its host. It's such a powerful metaphor for the way that we all relate with our own weaknesses, tendencies, and sin."

He continues, "There's a sense in which we hate the way that we continue to go back down the same dark paths, but we only walk those paths because there is something we want and something that we are getting out of it. We can say that we hate it as much as we want, but there is something enticing about it. It is a song essentially about the insanity of sin. The very thing that we crave is the very thing that hates us and wants to kill us. Chasing after sin is a bottomless pit. Always promising but never satisfying."
 
He finishes, "The chorus line captures that idea saying, 'And I died a million deaths to live.' That's the picture that I see of my own sinfulness. I chose to dive into things that I knew would result in a million deaths thinking that it would give me life and regardless of how many times I saw how shallow and empty it was, I still chased after it. This song is a lament of a reality that I know all too well. And so I wanted to write a song that would shine a bright light on it for me to remember that sin is an empty promise that leaves you hollow in the end. The same way a parasite feeds on you until you have no life left to give."

Wolves At The Gate have quietly and naturally evolved since their emergence out of the Midwest in 2008. Their vision unfolded across albums such as Captors [2012], VxV [2014], Types & Shadows [2016], Eclipse [2019], and Eulogies [2022]. Blabbermouth rated the latter "9.0-out-of-10.0," while mxdwn summed it up as "powerfully moving." Along the way, the group tallied tens of millions of streams fueled by the likes of "Counterfeit," "Deadman," "Lowborn," "Peace That Starts The War," and more. Not to mention, they've performed alongside everyone from The Red Jumpsuit Apparatus and Red to Fit For A King, August Burns Red, and Born Of Osiris. In 2024, a core idea screamed out to guitarist Steve Cobucci, shaping the creative direction of the band's next evolution. It slowly, but surely seeped into the DNA of the music and his words.
 
"As I was working on the album and especially the lyrics, I began to realize that the Wasteland was a metaphor for a frame of mind that I don't want to live in, but a world I feel myself drawn back into over and over again," Cobucci reveals. "I hate it. It's a world of empty promises. It's a mirage. A counterfeit."

The musicians carefully pieced together what would become Wasteland. Cobucci co-produced the 13-track body of work with Josh Gilbert of Spiritbox, while the band recorded in New Jersey, San Diego, and Los Angeles. This time around, they added multiple dimensions to their signature sound, layering intriguing interludes and electronic overtures into the framework.

WOLVES AT THE GATE ARE:
Steve Cobucci — Vocals/Guitar
Nick Detty — Vocals
Joey Alarcon — Guitar
Abishai Collingsworth — Drums
Ben Summers — Bass

The Devil Wears Prada Announce Spring 2025 Metalcore Spring Break Tour + Share Video for Acoustic Version of "Chemical"

THE DEVIL WEARS PRADA will return to the road this Spring! The Metalcore Spring Break Tour will kick off April 17 in Wichita, Kansas and runs through
May 14 in Charleston, South Carolina.  ERRA, Kingdom of Giants, and Acres will serve as support. 

The band will also appear at Sonic Temple and Welcome to Rockville along the way.

Tickets for The Metalcore Spring Break Tour go on sale Friday, December 13 at 10am local time. Get tickets here. 

TDWP have also dropped the acoustic version of their biggest streaming hit single "Chemical." The stripped down version further demonstrates the song's heft. Listen here. The accompanying video pays tribute to the fans and the community that TDWP has fostered and that has connected with the track on a deeply personal level. Watch it below.

"To mark five incredible years of 'Chemical' and its impact on both our band and fans, we’ve recorded a special stripped-down version that lays bare the raw emotion and meaning behind the song," the band states. "Playing it every night on the Eternal Tour has been one of the most powerful moments of the show, and we wanted to share this intimate version with fans around the world. Thanks for listening, it's only 'Chemical.'"

Regarding the tour, TDWP say, "We're beyond excited to announce Metalcore Spring Break! This tour is going to be a full-blown celebration of metalcore gone wild, featuring awesome performances from ERRA, Kingdom of Giants, and Acres. It's going to be massive energy, insane production, and a setlist with all the hits and some surprises you won't want to miss. We're pulling out all the stops to make this a show you will NEVER forget — it's party time!"

THE DEVIL WEARS PRADA ON TOUR:
WITH ERRA, KINGDOM OF GIANTS, + ACRES:
4/17 — Wichita, KS — Temple Live
4/18 — Des Moines, IA — Val Air Ballroom
4/19 — Fargo, ND — Sanctuary Events Center
4/20 — Winnipeg, MB — Park Theatre
4/22 — Edmonton, AB — Midway
4/23 — Calgary, AB — The Palace Theater
4/25 — Vancouver, BC — Commodore Ballroom
4/26 — Seattle, WA — Showbox SoDo
4/27 — Eugene, OR — McDonald Theatre
4/29 — Great Falls, MT — The Newberry
4/30 — Billings, MT — Pub Station
5/2 — Lincoln, NE — Bourbon Theatre
5/3 — Davenport, IA — Capitol Theater
5/4 — Springfield, MO — The Regency
5/6 —Oklahoma City, OK — Diamond Ballroom
5/7 — Little Rock, AR — The Hall
5/8 — Huntsville, AL — Mars Music Hall
5/9 — St Louis, MO — The Pageant
5/10 — Columbus, OH — Sonic Temple*
5/13 — Knoxville, TN — The Mill & Mine
5/14 — Charleston, SC — Charleston Music Hall
5/16 — Daytona Beach, FL — Welcome To Rockville*
*FESTIVAL DATE

Acres Announce "What It's Like to Feel Worthless" EP Out 10/25 + Share "Deadwieight"

UK band ACRES are pleased to announce their new EP, What It's Like to Feel Worthless, out October 25 via Tooth & Nail/Solid State Records. Pre-order it here.

Alongside the news of the five-song EP, the band has shared the visualizer for the single "Deadweight." Watch and listen below.

The song marks new territory for the band, as it stretched and flexed different creative muscles when crafting the track.

"When writing 'Deadweight,' we were really conscious keeping all the elements of what we're known for but also welcoming in the new sound," says singer Ben Lumber. "It's cathartic and anthemic. Lyrically, it's almost like a conversation between two people expressing how they feel about each other, and coming to terms with how they feel. It's the first time I've written this way."

Regarding the EP as a whole, Lumber states, "This EP is us trying new things and trying to express ourselves in a new way. We will forever try and change things up with every release but also keeping what our fans like about our band."

Following the success of 2019's Lonely World, a record that harnessed melody and melancholy, Acres found themselves playing the biggest shows of their career so far and achieving things they had only previously dreamt about. But when the world around them suddenly felt so uncertain, they had a choice to make of what they should do next. Instead of rushing out with something that they didn't fully believe, they locked themselves away and painstakingly created something that not only represented where they had been but also where they wanted to end up. The result was Burning Throne, a perfectly crafted account of what it means to stare into your own oblivion and learn about who you really are from it.

ACRES ARE:
Ben Lumber — Vocals 
Alex Freeman — Guitar
Ash Scott — Guitar 
Jack Rogers — Bass 
Konnor Walsh — Drums 

Miss May I Share 15th Anniversary Version of "Architect" Feat. Currents

SOLID STATE RECORDS recently signed Ohio metalcore favorites MISS MAY Ito its global roster.

The band announced the awesomely ambitious 15th anniversary edition of its classic, beloved album APOLOGIES ARE FOR THE WEAK (RE-RECORDED 15TH ANNIVERSARY EDITION).The album arrives August 23. Pre-order it here.

The anniversary edition has been entirely re-recorded and features cameos on every single song, ranging from Jake Luhrs of August Burns Red, Brandan Schieppati of Bleeding Through, Scott Lewis of Carnifex, and many others. See the full track listing below.

Today, the band has shared the anniversary version of "Architect," featuring Currents. Listen below.

"This was one of the first songs we ever wrote as a band and it's very special to us," states MMI. "It predates this album and can be found on our first demos. Having [singer] Brian [Wille] on this record is very special because we feel like Currents are our little brothers having taken them out on some of their first tours around the world and watching them grow into the juggernauts they are today. Brian specifically requested to do this track as it was one of his favorites when it was originally released. We are so happy to have him put his spin on it and join us for this celebration."

The band also created a throwback website in conjunction with the release.

Send your Friend Request here.

The sound and fury of Miss May I is deeply embedded in the hearts and minds of a legion of fans. The MMI faithful are from different backgrounds, of different ages, with diverse life experience, who all come together and connect with Miss May I's combination of brutal proficiency and impassioned delivery. The four-piece powerhouse, from the fertile metalcore grounds of America's heartland, have become an integral part of the worldwide heavy music community, transcending boundaries and limitations, galvanizing crowds, and energizing each person they encounter. Miss May I celebrate 15 years of savage metalcore and soaring melodic refrains, newly revitalized, and poised for an insurgent career renaissance; armed with unmistakable power, road hardened experience, a steadily building catalog, and unrelenting spirit, supported by a diehard community.

APOLOGIES ARE FOR THE WEAK (RE-RECORDED 15TH ANNIVERSARY EDITION):
"A Dance With Aera Cura" (Feat. Garrett Russell from Silent Planet)
"Architect" (Feat. Brian Wille from Currents)
"Not Our Tomorrow" (Feat. Brandan Schieppati from Bleeding Through)
"Arms Of A Messiah" (Feat. Scott Lewis From Carnifex)
"Apologies Are For The Weak" (Feat. Anthony Notarmaso from After the Burial)
"Harlots Breath" (Feat. Brook Reeves from Impending Doom)
"Tides" (Feat.Jake Luhrs from August Burns Red)
"Blessing With A Curse" (Feat. Trevor Wentwoth from Our Last Night)
"Porcelain Wings" (Feat. Telle Smith From The World Alive)
"Forgive And Forget" (Feat. Ryan Kirby + Ryan "Tuck" O'Leary from Fit for a King)

Miss May I will hit the road on a headline tour this fall, during which they will play Apologies Are for the Weak in full. All dates are below. The band has announced the first annual Relentless Fest, set for November 3 in Covington, Kentucky, during which they will play Apologies Are For the Weak in full.

MISS MAY I ON TOUR:
10/2 — Lakewood, OH — The Roxy
10/3 — Lansing, MI — Grewal Hall
10/4 — Chicago, IL — Bottom Lounge
10/5 — Des Moines, IA — Wooly's
10/6 — St. Paul, MN — Amsterdam Bar & Grill
10/8 — Denver, CO — The Oriental Theatre
10/9 — Salt Lake City, UT — Metro Music Hall
10/11 — Seattle, WA — El Corazon
10/12 — Portland, OR — Hawthorne Theatre
10/14 — Roseville, CA — Goldfields
10/15 — Pomona, CA — Glasshouse
10/16 — San Diego, CA — Brick By Brick
10/17 — Mesa, AZ — Nile Theatre
10/19 — Dallas, TX — Trees
10/20 — Austin, TX — Come And Take It Live
10/21 — Houston, TX — Warehouse
10/23 — Atlanta, GA — Masquerade
10/24 — Tampa, FL — Orpheum
10/25 — Charleston, NC — Music Farm
10/26 — Greensboro, NC — Hangar 1819
10/27 — Richmond, VA — The Canal Club
10/29 — Brooklyn, NY — Brooklyn Monarch
10/30 — Worcester, MA — Palladium
11/1 — Mechanicsburg, PA — Lovedraft's Brewing Co.
11/2 — Pittsburgh, PA  — Mr. Smalls
11/3 — Covington, KY — Relentless Fest*
*Festival Date

The Devil Wears Prada Announce Fall 2024 Tour

THE DEVIL WEARS PRADA have shared their Fall 2024 tour plans. The band will hit the road on a headline run, with support from Silent Planet, Like Moths to Flames, and Greyhaven. An additional act on the bill will be announced at a later date. All dates are listed below.

Tickets for The Devil Wears Prada Is Eternal Tour go on sale on Friday, July 12 at 10am local time. Tickets and VIP packages will be available here. 

TDWP will appear at When We Were Young in Las Vegas and Furnace Fest in Birmingham in October.

"The Devil Wears Prada Is Eternal," the band states. "We are thrilled to announce our Fall 2024 Headline Tour with an incredible lineup of bands. This will be the craziest TDWP show you've ever seen, so get your tickets now before they're all gone! See you in the pit."

TDWP also dropped the brand new single "Ritual" earlier this year and it's a taste of what's to come.

THE DEVIL WEARS PRADA ON TOUR:
WITH SILENT PLANET, LIKE MOTHS TO FLAMES, + GREYHAVEN:
10/25 — Grand Rapids, MI — The Intersection
10/26 — Milwaukee, WI — The Rave
10/27 — Chicago, IL — House of Blues
10/28 — Detroit, MI — St. Andrew's Hall
10/30 — Silver Spring, MD — The Fillmore
10/31 — Wilkes-Barre, PA — Mohegan Sun Arena
11/1 — Worcester, MA — The Palladium
11/2 — Toronto, ON — The Danforth
11/3 — Sayreville, NJ — Starland Ballroom
11/5 — Atlanta, GA — The Masquerade
11/6 — Nashville, TN — Marathon Works
11/7 — Raleigh, NC — The Ritz
11/9 — Ft Lauderdale, FL — Revolution
11/10 — St Petersburg, FL — Jannus Live
11/12 — Houston, TX — House of Blues
11/13 — San Antonio, TX — Vibes
11/15 — Dallas, TX — The Factory
11/16 — Lawrence, KS — The Granada
11/17 — Denver, CO — Summit Music Hall
11/19 — Salt Lake City, UT — The Depot
11/20 — Boise, ID — Knitting Factory
11/22 — Tacoma, WA — Temple Theatre
11/23 — Spokane, WA — Knitting Factory
11/24 — Portland, OR — Roseland
11/26 — Sacramento, CA — Ace of Spades
11/27 — Anaheim, CA — House of Blues
11/29 — Los Angeles, CA — Belasco
11/30 — Tempe, AZ — Marquee Theatre
12/1 — Albuquerque, NM — El Rey

The Devil Wears Prada Drop "Reasons (TDWP Version Feat. LØLØ)"

THE DEVIL WEARS PRADA have shared a new version of "Reasons," the collab track they released with electronic artists Excision and Wooli back in April 2023. The new version features LØLØ.

Listen to "Reasons (TDWP Version Feat. LØLØ)" Below. 

"When we made 'Reasons' with Excision and Wooli, we knew we had to play it live because the energy was just so high," the band explains. "We revamped the song to work in a TDWP set, and it went off so well that we decided to hit the studio and capture this new live version of the song."

They continue, "Bringing in the amazingly talented LØLØ as a feature has breathed even more life into the song, resulting in a song that defies genre and captures the spirit of how the song feels in a full room going absolutely nuts. We know that our fans will enjoy this version of 'Reasons' as much as we love playing it every night."

 LØLØ offers her insight into this unique collaboration, saying, "I was really excited when TDWP asked me to feature on this track. I've always thought they were so awesome but never thought I'd end up collaborating on a track with them. I think I probably just got a lot cooler."

TDWP will appear at major upcoming festivals — So What?! in Texas in June and When We Were Young in Las Vegas in October. They will also be appearing at Sundown Fest and Furnace Fest. 

PHOTO CREDIT: Imani Givertz

Greyhaven Sign to Solid State, Announce "Stereo Grief" EP+ Share "The Welcome Party" — WATCH

 GREYHAVEN — Brent Mills [vocals], Nick Spencer [guitar], Johnny Muench [bass], and Ethan Spray [drums] — have signed to Solid State Records.

The band will release the Stereo Grief EP on April 12. Pre-order it here.

Today, the band is sharing the video for the single "The Welcome Party." Watch it below. 

It's a rager with lots of forward-thinking, noodly riffs, and sonic twists and turns that will leave your head spinning in the best possible way.

"It's a classic Greyhaven song, but I think we've figured out what that means and how to do that the best way possible, while still exploring new things," says Mills about "The Welcome Party." He continues, "This is the first time I've tried to tackle a central concept throughout a release. This song, and the EP as a whole, really deal with framing life and death...If these songs can build a house, this is the first knock at the front door."

Further expanding on the EP, which takes inspiration from the classic short story And He Built A Crooked House by Robert A. Heinlein, Mills states,"The EP is a loose story of someone navigating existential fear relating to all life and all death on a grand scale through a multi-dimensional lens. I was inspired by a short story I read while we were tracking that sort of serves as a backdrop for what's going on in the lyrics. Overall, I feel like this is the best material we've written so far and it's only hinting at where we're going. We couldn't be more excited to release it with a new team behind us."

 
He continues, "On the EP, this character is traveling through a house where he watches all of these versions of himself. He experiences good and bad moments as well as regret. I struggle with a lot of anxiety and depression. I'm always thinking, 'I wish I could've done that differently.' By looking through the lens of a person who has access to every variation of life, the project is a way to process a really depressive episode. It leads to acceptance though." 

Greyhaven have magnified the scope of heavy music since emerging in 2013. The group transfixed audiences with Empty Black [2018] and This Bright and Beautiful World [2022], gathering streams in the tens of millions. Beyond praise from Revolver, KERRANG!, and more, New Noise Magazine professed, "Greyhaven have proven themselves as a force to be reckoned with in the post-hardcore and the heavy music scene at large with their latest release," and Blabbermouth applauded how "musicianship and eloquence are apparent." Throughout 2023, they assembled what would become Stereo Grief with producer Will Putney [Body Count, Norma Jean, Every Time I Die].

Greyhaven are also embarking on a North American tour this spring with Better Lovers. All dates are below.

GREYHAVEN ON TOUR:
WITH BETTER LOVERS, SEE YOU SPACE COWBOY, + FOREIGN HANDS:
4/18 — Indianapolis, IN — Old National Centre
4/19 — St. Louis, MO — Off Broadway
4/20 — Lawrence, KS — The Bottleneck
4/22 — Albuquerque, NM — Launchpad
4/23 — Tucson, AZ — 191 Toole
4/24 — San Diego, CA — Brick By Brick
4/29 — Roseville, CA — Goldfield Trading Post
4/30 — Portland, OR — Hawthorne Theatre
5/2 — Boise, ID — Knitting Factory
5/3 — Seattle, WA — El Corazon
5/4 — Vancouver, Canada — Rickshaw Theatre
5/6 — Edmonton, Canada — The Starlite Room
5/7 — Calgary, Canada — Dickens
5/9 — Winnipeg, Canada — Exchange Event Centre
5/10 — Fargo, ND — The Aquarium
5/11 — Minneapolis, MN — Fine Line
5/12 — Madison, WI — Majestic Theatre
5/14 — Grand Rapids, MI — The Pyramid Scheme
5/15 — Columbus, OH — The KING of CLUBS
5/16 — London, Canada — London Music Hall

PHOTO CREDIT: Errick Easterday (@easterxdaily) 

Lightworker Share "Burn Scar" Video

San Francisco's Lightworker — Joe Calderon [vocals], Grayson Hurd[guitar], and Ryan Johnson [drums] — recently announced their new album How the Beautiful Decay will land on April 19 via Solid State Records. Pre-order it here.

Today, the band has shared the video for "Burn Scar." Watch it BELOW.

"Put simply, 'Burn Scar' is a song about resisting the barriers society has instilled in us in favor of showing each other love and compassion," the band says. "It's a sincere hope that we have the courage to accept our faults, learn from them, and to nurture not only each other's friendships and community, but where we also inhabit before it's too late."
 
Lightworker first emerged with the Resilience EP in 2017. Their signature sound cemented on 2020's full-length debut, Fury by Failure. It tallied over a million streams powered up by the likes of "Empyre," "The Willing Martyr," and "Words Dissolve" [feat. Ryan Kirby of Fit For A King]. Meanwhile, a 2021 cover of the Hoobastank hit "Crawling in the Dark" maintained their momentum. During 2022, they recorded How The Beautiful Decay with Beau Burchell of Saosin in the producer's chair. The musicians made a conscious decision to let their heavier impulses lead the way in the studio. As a result, How the Beautiful Decay is a master class in beautiful brutality.

Lightworker will also embark on a short tour with Eyes Set To Kill, beginning tomorrow. All confirmed dates are below.

LIGHTWORKER ON TOUR:
WITH EYES SET TO KILL:
3/8 — Sacramento, CA — Goldfields
3/9 — Fresno, CA — Full Circle Brewing 
3/10 — West Hollywood, CA — Whisky A Go Go
3/21 — Albuquerque, NM — Launchpad
3/22 — Denver, CO — HQ
3/23 — Grand Junction, CO — Mesa Theater
3/24 — Las Vegas, NV — SINWAVE 

Lightworker Announce New Album "How the Beautiful Decay" + Share "First Light" Video

San Francisco's Lightworker — Joe Calderon [vocals], Grayson Hurd[guitar], and Ryan Johnson [drums] — will drop their new album How the Beautiful Decay on April 19 via Solid State Records. Pre-order it here.

Today, the band has shared the video for "First Light." Watch it below.

"As a band, each member hit a rough patch at least once the last few years," Lightworker explain. "The song broaches on those struggles with unflinching honesty about where our minds went. However, no matter how vivid and intrusive those thoughts became, hanging on for a glimpse of the next day was a simple yet powerful reminder that life is a gift of peaks and valleys worth experiencing."

"When we were first discussing the musical direction and what the record would be about, the title How The Beautiful Decay popped into my head and stayed there," shares Hurd about the album's overall vibe. "'Decay' suggests changing and withering over time. Often, you don't notice until years down the line that it started a long time ago. We noticed the decay happening in our own lives slowly but surely during the pandemic — we couldn't see friends and family and we were stuck in our homes for a period, not sure what to do. It wasn't until we had begun writing the record when we really noticed the effect this change had taken on us, for better or worse.  

"The title encompasses what we were going through and had gone through over the prior two years. The record is about recognizing the beauty in the world, but still acknowledging the darkness without fear and doing whatever you can to find a way through it."

Lightworker first emerged with the Resilience EP in 2017. Their signature sound cemented on 2020's full-length debut, Fury by Failure. It tallied over a million streams powered up by the likes of "Empyre," "The Willing Martyr," and "Words Dissolve" [feat. Ryan Kirby of Fit For A King]. Meanwhile, a 2021 cover of the Hoobastank hit "Crawling in the Dark" maintained their momentum. During 2022, they recorded How The Beautiful Decay with Beau Burchell of Saosin in the producer's chair. The musicians made a conscious decision to let their heavier impulses lead the way in the studio. As a result, How the Beautiful Decay is a master class in beautiful brutality.

Lightworker will also embark on a short tour with Eyes Set To Kill next month. All confirmed dates are below.

LIGHTWORKER ON TOUR:
WITH EYES SET TO KILL:
3/8 — Sacramento, CA — Goldfields
3/9 — Fresno, CA — Full Circle Brewing 
3/10 — West Hollywood, CA — Whisky A Go Go
3/21 — Albuquerque, NM — Launchpad
3/22 — Denver, CO — HQ
3/23 — Grand Junction, CO — Mesa Theater
3/24 — Las Vegas, NV — SINWAVE 

Silent Planet Share "SUPERBLOOM" Video — WATCH // Band Currently On Headline Tour

Today, the band has shared a deeply compelling narrative video for the title track.

Watch it below.

"We decided to make a video around an alternate interpretation of our title track 'SUPERBLOOM' that is largely inspired by Midsommar and the Heaven's Gate cult suicides," the band shares. "We teamed up with our longtime video partners Hometown Team, and collaborated on the story. We were fortunate to work with two actors who have an incredible amount of experience in the genre: Jenna Kannell (Terrifier) and Jess Matney. And a bunch of our listeners came along as extras. We feel that this video is our best work to date, and wanted to release it now to start alongside our SUPERBLOOM headline tour."

Silent Planet are currently on a headline tour of North America. All dates are below.

SILENT PLANET ON TOUR:
WITH AVIANA + JOHNNY BOOTH:

2/1 — Denver, CO — Summit Music Hall

2/2 — Kansas City, MO — recordBar

2/3 — Springfield, MO — The Outland

2/4 — Dallas, TX — South Side Music Hall

2/6 — San Antonio, TX — The Rock Box

2/7 — Houston, TX — RISE Rooftop

2/9 — Tampa, FL — The Orpheum

2/10 — Atlanta, GA — The Masquerade

2/13 — Indianapolis, IN — Hi-Fi

2/14 — Detroit, MI — The Shelter

2/15 — Chicago, IL — Bottom Lounge

2/16 — Columbus, OH — The KING of CLUBS

2/17 — New Kensington, PA — Preserving Hardcore

2/20 — Worcester, MA — Palladium

2/21 — Baltimore, MD — Baltimore Soundstage

2/22 — Greensboro, NC — Hangar 1819

2/23 — Nashville, TN — The Basement East

PHOTO CREDIT: Aaron Marsh

Silent Planet have consistently transfixed a diehard fanbase. The group dropped a string of acclaimed albums, including The Night God Slept [2014], Everything Was Sound [2016], When The End Began [2018], and Iridescent[2021]. Album standout "Trilogy" generated 5.3 million Spotify streams to sit alongside their genre-bending triumph "Panic Room" from the 2016 release, currently at 5 million. The guys notably took home "Best Underground Band" at the 2017 Alternative Press Music Awards and toured with the likes of Motionless In White, August Burns Red, Beartooth, and The Contortionist.

Over the course of two years, they recorded what would become SUPERBLOOMin Woodland Hills, CA alongside longtime producer and frequent collaborator Daniel Braunstein. A jarring turn of events split the process into two seasons. Trekking through a Wyoming snowstorm in November 2022, Silent Planet survived a vehicle accident. The van flipped over, leaving the group laying in the wreckage of a bitter Wyoming snowstorm as Garrett was hospitalized with a fractured back and head wound requiring stitches.

"The majority of us were awake when we felt the van start to slide," he says. "We had some time to come to grips with the fact we were about to go down and have a close brush with death. Afterwards, we talked about what to do with the band. We went back into the record with an increased willingness to take risks. It bolstered our confidence to try new things. When the accident happened, it did something to my head, and it fed into the album."

Along the way, they settled on a conceptual framework, expanding the scope of their vision like never before. "I grew up in Northern California," he continues. "There's a strip of the state known as Humboldt County, but it's called the 'Lost Cove.' It's a hotbed for strange and paranormal events like UFO and Big Foot sightings. There's so much we haven't uncovered. It's possible our reality as we know it is not complete. We started telling the tale of a 17-year-old who went missing. It's based on a true story with many details changed. Art dictates reality, and reality dictates art. Making this record was a very strange and mystical process. It's the most magical and inspired moment of our career so far.

Fit For A King Share Video for New Song "Keeping Secrets"

FIT FOR A KING have shared the video for the brand new single "Keeping Secrets." Watch it below. 

The track is the perfect storm of FFAK old and new, as it finds the band taking some creative risks where explosive breakdowns collide with furious screams and heightened melodic vocals. The lyrics also explore a deeply personal subject for the band.

"'Keeping Secrets' is a song that not only showcases some new elements for the band," says singer Ryan Kirby. "It goes back to some of the more popular elements of our older work. The song's theme of questioning if people can truly love you, if you don't open up and let them know the real you, is something my adopted daughter has struggled with greatly, and is the inspiration for the song." 

"Keeping Secrets" lands as the band prepares to head back out on road for the Winter 2024 leg of the Metalcore Dropouts Tour with labelmates The Devil Wears Prada. The Metalcore Dropouts 2nd Semester Tour finds Counterparts returning as support, along with Avoid as openers.  Leg 2 kicks off on January 16 in Kansas City and runs through February 24 in Minneapolis.

Tickets and VIP upgrades are available here.

THE DEVIL WEARS PRADA + FIT FOR A KING ON TOUR:
WITH COUNTERPARTS  + AVOID:
1/16 — Kansas City, MO — Uptown Theater
1/17 — Fayetteville, AR — JJ's Live
1/19 — Cincinnati, OH — Bogart's
1/20 — Milwaukee, WI — The Rave
1/21 — Cleveland, OH — House of Blues
1/23 — Buffalo, NY — Town Ballroom
1/24 — Albany, NY — Empire Live
1/26 — Harrisburg, PA — HMAC
1/27 — Huntington, NY — Paramount
1/28 — Sayreville, NJ — Starland Ballroom
1/30 — Hartford, CT — The Webster
1/31 — Richmond, VA — The National
2/2 — Raleigh, NC — The Ritz
2/3 — Myrtle Beach, SC — House of Blues
2/4 — Orlando, FL — House of Blues
2/6 — Corpus Christi, TX — Brewster Street Ice House
02/7 — Austin, TX — Emo's
2/9 — Tucson, AZ — Rialto Theatre
2/10 — San Diego, CA — Soma
2/11 — San Francisco, CA — The Regency Ballroom
2/13 — Boise, ID — Knitting Factory
2/14 — Spokane, WA — Knitting Factory
2/15 — Vancouver, BC — Commodore Ballroom
2/16 — Portland, OR — Crystal Ballroom
2/17 — Seattle, WA — Showbox SoDo
2/20 — Edmonton, AB — Midway Music Hall
2/21 — Calgary, AB — The Palace Theatre
2/23 — Winnipeg, MB — The Park Theatre
2/24 — Minneapolis, MN — The Fillmore

FIT FOR A KING ARE:
Ryan Kirby — Vocals 
Bobby Lynge — Guitar 
Daniel Gailey — Guitar 
Trey Celaya — Drums 
Ryan "Tuck" O'Leary — Bass/Vocals

Solid State/Tooth & Nail Records Welcome Acres to the Roster; Band Shares "A Different Shade of Misery" Video

STREAM "A DIFFERENT SHADE OF MISERY"

SOLID STATE/TOOTH & NAIL RECORDS WELCOME UK BAND ACRES TO THE ROSTER

TOURING WITH HOLDING ABSENCE, CAPSTAN, + CASEY THIS WINTER

SOLID STATE + TOOTH & NAIL RECORDS are pleased to welcome UK band ACRES to the roster. 

The band has shared the video for the new single "A Different Shade Of Misery," which was produced by Landon Tewers of The Plot in You. Watch it below. 

The song mixes equal parts brutality and melody, making for quite a thrilling listen.

"Lyrically this song is about regaining control of yourself and confronting your demons," says vocalist Ben Lumber. "I wrote this when I was at a really low point and I'd often sit there thinking, 'Man, you need to snap out of this.' At one point, I felt like my own worst enemy and I was fighting a war inside my own head. It's a really special song because, musically, it's a new direction and the start of a new era for our band. We've always aimed to reinvent ourselves with every release and this was one of those songs that just naturally came to us."

Acres are touring this winter in support of Holding Absence along with Capstan and Casey. All dates are below.

Following the success of 2019's Lonely World, a record that harnessed melody and melancholy, Acres found themselves playing the biggest shows of their career so far and achieving things they had only previously dreamt about. But when the world around them suddenly felt so uncertain, they had a choice to make of what they should do next. Instead of rushing out with something that they didn't fully believe, they locked themselves away and painstakingly created something that not only represented where they had been but also where they wanted to end up. The result was Burning Throne, a perfectly crafted account of what it means to stare into your own oblivion and learn about who you really are from it.

ACRES ON TOUR:
WITH HOLDING ABSENCE, CAPSTAN, + CASEY:
1/16 — Seattle, WA, US — Neumos
1/17 — Portland, OR, US — Hawthorne Theatre
1/19 — Roseville, CA, US — Goldfield Trading Post - Roseville
1/20 — Los Angeles (LA), CA, US — Echoplex
1/21 — Anaheim, CA, US — Chain Reaction
1/23 — Mesa, AZ, US — The Nile
1/24 — Albuquerque, NM, US — Launchpad
1/26 — Denver, CO, US — Marquis Theater
1/27 — Lawrence, KS, US — The Granada (half house)
1/28 — Dallas, TX, US — South Side Music Hall
1/30 — San Antonio, TX, US — Rock Box San Antonio
1/31 — Houston, TX, US — RISE Rooftop
2/2 — Tampa, FL, US — The Orpheum
2/3 — Atlanta, GA, US — The Masquerade - Hell
2/4 — Nashville, TN, US — The Basement East
2/6 — Lakewood, OH, US — Mahall's
2/7 — Chicago, IL, US — Bottom Lounge
2/9 — Detroit, MI, US — The Shelter
2/10 — Toronto, ON, Canada — Velvet Underground Toronto
2/11 — Montreal, QC, Canada — Le Studio TD
2/13 — Baltimore, MD, US — Baltimore Soundstage
2/14 — New York (NYC), NY, US — Gramercy Theatre
2/16 — Philadelphia, PA, US — The Foundry
2/17 — Worcester, MA, US — The Palladium

PHOTO CREDIT:  glkmedia (@glk.media)

Solid State/Tooth & Nail Records Welcomes Austin Quartet Colorblind + Band Shares "Way Out"

Solid State/Tooth & Nail Records is pleased to welcome Austin, Texas quartet Colorblind to the international roster.

To get acquainted with the band, check out "Way Out." Listen below.

The song is an explosive, alt rock anthem with woozy vocals and buttery beats. 

Also, get to know the band a little more personally by watching this video.

"We couldn't be more excited and honored to be joining the Solid State and Tooth & Nail Records family," the band shares. "Each of us have grown up listening to bands that this record label has helped bring up and put in front of the world, so to have gotten to this point in our individual careers is surreal to say the least. It's a dream come true to have partnered with a legendary record label with such a heavy-hitting and impactful roster.  We look forward to continuing to grow and learn as a band and team. We have a long way to go and there is much work still to be done. We just hope to give back and keep creating art that supplements people’s lives the way that so many artists have supplemented ours. Here's to the future!"

The band is currently on tour with Honey Revenge and Pollyanna. All dates are below.

Colorblind quickly began making a name for themselves by playing notable festivals like Vans Warped Tour, So What?! Music Festival, and Texas Independence Fest in their first year. Forming in 2017, Colorblind released their debut EP, which has accumulated over 5 million streams and helped them connect with brands such as Ernie Ball and Alternative Press. The band combines various aspects of rock, pop, and hip-hop to create a unique sound of their own. Their catchy and addictive vocal melodies combined with an energetic live show has made them a force to be reckoned with. They also toured with Until I Wake, Attack Attack!, and LIMBS in 2023.

COLORBLIND ON TOUR:
WITH HONEY REVENGE + POLLYANNA:
11/16  – Gainesville, FL  —  High Dive
11/17  – Tampa, FL  —  The Orpheum
11/19  – Birmingham, AL  —  Saturn
11/20  – Chattanooga, TN  —  Cabana’s
11/21  – St. Louis, MO  —  Off Broadway
11/22 – Oklahoma City, OK  —  89th St
11/24 – Albuquerque, NM  —  Moonlight
11/26  – Anaheim, CA  —  Chain Reaction
12/2 — Dallas, TX — Trees*
*Co-headline with Notions
  
And keep an eye out for more in 2024!

The Devil Wears Prada + Fit For A King Announce Winter 2024 Leg of Metalcore Dropouts Tour

SECOND SEMESTER KICKS OFF IN JANUARY

FIT FOR A KING + THE DEVIL WEARS PRADA are thrilled to announce the Winter 2024 leg of the Metalcore Dropouts Tour. The Fall 2023 leg wrapped up last week and the co-headline pairing is so good it needs to keep going!

The Metalcore Dropouts 2nd Semester Tour finds Counterparts returning as support, along with Avoid as openers. 

Leg 2 kicks off on January 16 in Kansas City and runs through February 24 in Minneapolis.

Tickets and VIP upgrades are available here and here and go on sales on Friday, October 27.

"When the Metalcore Dropouts tour started out with such a bang, we knew we had to keep the party going for all of the cities that we missed along the way," says TDWP's Jeremy DePoyster. "The shows have been absolutely psychotic and the hangs have been even better, and we are thrilled to be able to bring our buddies in Avoid along this time. These have been the best TDWP shows of our career, and the energy is pure chaos, insanity, and fun.  The Second Semester will be nonstop mayhem across North America — do NOT miss this tour!"

"Our time on Metalcore Dropouts was so incredible that we wanted to bring the show to even more cities," says FFAK's Ryan Kirby. "So behold… the second semester!"

THE DEVIL WEARS PRADA + FIT FOR A KING ON TOUR:
WITH COUNTERPARTS  + AVOID:
1/16 — Kansas City, MO — Uptown Theater
1/17 — Fayetteville, AR — JJ's Live
1/19 — Cincinnati, OH — Bogart's
1/20 — Milwaukee, WI — The Rave
1/21 — Cleveland, OH — House of Blues
1/23 — Buffalo, NY — Town Ballroom
1/24 — Albany, NY — Empire Live
1/26 — Harrisburg, PA — HMAC
1/27 — Huntington, NY — Paramount
1/28 — Sayreville, NJ — Starland Ballroom
1/30 — Hartford, CT — The Webster
1/31 — Richmond, VA — The National
2/2 — Raleigh, NC — The Ritz
2/3 — Myrtle Beach, SC — House of Blues
2/4 — Orlando, FL — House of Blues
2/6 — Corpus Christi, TX — Brewster Street Ice House
02/7 — Austin, TX — Emo's
2/9 — Tucson, AZ — Rialto Theatre
2/10 — San Diego, CA — Soma
2/11 — San Francisco, CA — The Regency Ballroom
2/13 — Boise, ID — Knitting Factory
2/14 — Spokane, WA — Knitting Factory
2/15 — Vancouver, BC — Commodore Ballroom
2/16 — Portland, OR — Crystal Ballroom
2/17 — Seattle, WA — Showbox SoDo
2/20 — Edmonton, AB — Midway Music Hall
2/21 — Calgary, AB — The Palace Theatre
2/23 — Winnipeg, MB — The Park Theatre
2/24 — Minneapolis, MN — The Fillmore