alt. Come Out Swinging With "Sucker Punch" Single + Video

Exploding into view in 2026, Adelaide rockers alt. come out swinging with a swaggering new single "Sucker Punch," out now via Resist Records in Australia and SharpTone Records for the rest of the world.

With razor-sharp bounce, cleaving riffs, and palpitating oscillations between swooning melodies and snarl, "Sucker Punch" also harbours a powerful lyrical spine, heightened by its accompanying music video.

"This song is our final stand," the band shares. "A fight back against an oppressive force that has lied, cheated, and taken everything we hold dear. 'Sucker Punch' captures that breaking point, when you’ve had enough of the lies and the control. It's about fighting back, standing together, and being ready for the battle ahead. This time, we're prepared.”

First emerging onto the scene in 2019, alt. unveiled their debut EP dysfunctional in 2020 before releasing their debut full-length Abeyance in 2023. Weaving a dark spell early on via their blend of punk, pop, electronica and alternative rock, alt.'s modern sonic nostalgia instantly turned heads and ears, leading to the group generating millions of streams, touring with the likes of Northlane, Sleep Token, Plini, Karnivool and Cog, and working with some of the biggest names in the heavy scene on their own releases, spanning Northlane's Marcus Bridge through to Landon Tewers from The Plot In You, Zach Britt from Dream On, Dreamer and more.

With a towering reputation in a live setting along with their compelling back catalogue, 2026 now finds alt. stepping into new sonic waters with the arrival of "Sucker Punch". Retaining the infectious confidence of of their earlier works, alt. channel their sonic DNA into an exhilarating anthem that could simultaneously soundtrack a blockbuster battle while inciting a heaving mosh pit. Heads will roll.

Poison the Well Drop Video for New Single "EVERYTHING HURTS"

POISON THE WELL will release PEACE IN PLACE, their first album in 16 years, on March 20 via SharpTone Records. Pre-order it here

Today, they share the video for new single "EVERYTHING HURTS." Watch it below.

The song hones in on PTW's patented and signature quiet/loud dynamics, and it's a perfectly executed mix of moody and metallic. In the video, we follow singer Jeffrey Moreira in an almost voyeuristic way. The tension in both the song and the accompanying visual builds steadily. Tune in to see where they start and where they end, and pay attention to some easter eggs along the way.

"'Everything Hurts' is about the patience and effort it takes to keep relationships alive," says Moreira. "I care deeply about the people in my life, but even the people you love can be frustrating sometimes. And it's important to remember that we can be just as frustrating to them. We all have our moments — and I have my moments too. The ones that stick around are the ones you have a unique connection with. You can't put up with everyone's shit, so the people you keep close are the ones whose shit you actually want to deal with."

POISON THE WELL ARE:
Jeffrey Moreira — Vocals 
Ryan Primack — Guitar
Vadim Taver — Guitar 
Christopher Hornbrook — Drums 
Noah Harmon — Bass 

PTW recently announced their Spring 2026 headline tour. Converge will support with Balmora, SPY, The Armed, and The Barbarians of California appearing on different segments. Tickets and more information are available here. All dates are below.

POISON THE WELL ON TOUR:
4/2 — Cleveland, OH — House of Blues*
4/3 — Chicago, IL — Concord Music Hall*
4/4 — Pontiac, MI — The Crofoot*
4/6 — Pittsburgh, PA — Preserving Underground*
4/7 — Toronto, ON — HISTORY*
4/9 — Worcester, MA — The Palladium*
4/10 — Queens, NY — Knockdown Center*
4/11 — Philadelphia, PA — Fillmore*
4/12 — Baltimore, MD — Nevermore Hall*
4/25 — Las Vegas, NV — Sick New World%
5/7 — Denver, CO — Summit&
5/9 — Austin, TX — Stubb’s Outdoors&
5/10 — Houston, TX — House of Blues&
5/12 — Phoenix, AZ — Nile Theater&
5/13 — Los Angeles, CA — The Belasco&
5/15 — Anaheim, CA — House of Blues&
5/16 — San Diego, CA — The Observatory North Park&
5/17 — San Francisco, CA — The Regency Ballroom&
%Festival Date
*SPY and Balmora
&The Armed and The Barbarians of California

ABOUT POISON THE WELL:
In the space of barely a breath, Poison The Well pacify fits of jarring brutality with moments of fragile beauty. Their unmistakable melodic hardcore gently dilutes the effects of trauma, betrayal, depression, and loss with hard-won wisdom and diligently earned self-acceptance. For as much force as they commit to the riffs and the breakdowns, there’s an equal amount of naked emotion encoded in their relatable hooks. At this point, they are unassumingly, yet undeniably embedded in the DNA of modern metal and hardcore. Poison The Well’s 1999 debut, The Opposite of December… A Season of Separation has claimed spots on BrooklynVegan's 15 '90s Metalcore Albums That Still Resonate Today; KERRANG!'s 21 Best U.S. Metalcore Albums of All Time; Loudwire's 25 Best Metalcore Albums of All Time; and Revolver's 10 Most Influential Metalcore Albums of All Time. Stereogumput it best, "The Opposite of December… A Season of Separation influenced a whole generation of metalcore bands." Meanwhile, 2003's You Come Before You remains regarded among Metal Hammer's 100 Greatest Metal Albums of the 21st Century and Rock Sound's 250 Greatest Albums of Our Lifetime. Despite going on hiatus following 2009's The Tropic Rot, the group's influence has only expanded over the years (as evidenced by over 100 million streams across their catalog). After touring in 2015 and 2021, they've commemorated milestone birthdays of both You Come Before You and The Opposite of December... with in-demand headline jaunts. Once again, the members felt an intense need to create as a unit. Rallying together, the guys channeled the spirit of their most celebrated material through a prism of new experience on their sixth full-length offering, Peace In Place.

Moodring Share "Anywhere But Here"

The musical entity's name hints at volatility — color, emotion, and temperature in flux. Nowhere is that more evident than in death fetish, a defining album for a haunting and defiant new chapter. For founder and frontman Hunter Young, this is more than a record.

It's survival, reflection, and metamorphosis. It is art made from the raw materials of pain, purpose, and persistence.

The album, steeped in nu metal, alt, and industrial influences, arrives on March 27 via SharpTone Records. Pre-order it here.

Moodring have just dropped the visualizer for "ANYWHERE BUT HERE." Watch it below.

With its moody, quiet-loud dynamics, rich layers, and palpable sonic tension, the song is another thrill ride in which listeners can ride sidecar. It's the perfect execution of industrial ambience and metallic edge. 

"'Anywhere But Here' is about the breakdown of a relationship where a shared creative world became a source of manipulation and envy," shares Young. "The chorus lyric is coming from a place of irony, but also represents a longing for freedom and steadiness."

The Moodring origin story puts the timber and tone of the music in clear view.

Young conceived Moodring alone, in his bedroom, an exercise in catharsis through art. The resulting debut EP, 2021's Showmetherealyou, resonated with a surprising number of diverse listeners. That connection inspired Moodring to evolve into a creative outlet that transcended its simple origins.  Both sensual and suffocating, the Stargazer album followed in 2022. In a glowing review, Kerrang! praised the full-length as "hefty from the get-go" and likened it to "a cool wave of water lapping over you." The album's "vivacious" vocal work and vibe made new Moodring fans around the world.

The following year's EP, Your Light Fades Away, expanded the palette further, fusing ferocity, shimmering melody, and nü-metal groove into something equally cinematic and claustrophobic.  The "black-velvet nu-metal melodies and bleak-booming breakdowns" (Revolver) of 2025's "half-life" were, sadly, inspired by a life-changing medical diagnosis that left Young unable to tour with Moodring or his accomplished deathcore outfit, SharpTone Records labelmates PSYCHO-FRAME.

Unable to tour and unwilling to compromise, Young focused on writing and recording new music. death fetish  is the sound of transcendence—an artist refusing to disappear, even as the light fades.

For all its darkness, death fetish is not a surrender. It's a reclamation. It’s Young taking back control of his narrative — body failing, mind racing, still creating, still here. "I just wanted to make a dark, honest record," he says. "And if people don't like it, I don't really care. I had to do it for myself."

Moodring, once a more traditional "band," now exists as something far more elusive and infinite: A vessel for transformation, a mirror for mortality, and a living testament to pain and creation.

Levels Announce New Album Out 4/10 + Share Video for Double Single "Fume" + "Death Dance"

Central Arkansas quartet LEVELS  Kolby Carignan [vocals], Jager Felice[guitar], Jacob Hubbard [bass], and Dalton Kennerly [drums] — are thrilled to announce the April 10 release of their new album This Will Make You Feel Again via SharpTone Records. Pre-order it here. The band shares the video for the double single "Fume" and "Death Dance."

Watch it below


Regarding "Fume," the band states, "The song explores the emotional weight of a relationship pushed to its limits by burnout, miscommunication, and constant internal struggle. Through vivid imagery, it captures the tension between a love that's inevitably turning cold and the desire to try and reignite it. It is a plea for connection, an honest reflection on trying to break through emotional distance and offer refuge before everything is burned."

As for "Death Dance," it's "about obsession — when one person becomes home, poison, and salvation all at once. It's that feeling where leaving seems impossible, but staying slowly kills you. It's caught between survival and surrender, and the song feeds from that space."

The band retains a singular focus with the album — and that's to elicit a visceral response.

"For us, the main priority is to make you feel something," affirms Carignan. "If you come to a LEVELS show or listen to a record, you should leave fully nourished. We don't create songs; we create experiences." 

Overall, This Will Make You Feel Again is more than an album or a statement; it's a call to action. "As creativity becomes shackled to algorithms and artificial intelligence, TWMYFA subverts the standard and unapologetically delivers emotionally charged experiences grounded in reality and rhythm," the band declares. "Through its pulverizing riffs, electric energy, and hypnotic melodies, this release extensively explores elements of the modern human struggle—such as maintaining a sense of identity, reconciling religion with reality, and adapting in the wake of the unimaginable. From the void of collateral content, this album reaches out to offer you an escape: To feel."

LEVELS openly aim to provoke a physical and emotional response with their fluid and future-facing hybrid of metal, pop, drum 'n' bass, and dance music. They deliver pit-ready riffs, hooks tailor-made for arenas, and beat drops that could rouse any after-hours club to life. As such, they effectively encode vampiric sensuality and slick grooves within the metallic framework of 22nd century hard rock anthems. The band will move you in one way or another on their sophomore full-length LP, This Will Make You Feel Again. The group has defied categorization since its formation in 2016. New Noise awarded the PULSE EP [2024] a perfect score of "5-out-of-5," going on to marvel at "the band's ability to seamlessly transition between different genres and change up their sound at any time." Throughout 2025, the collective carefully assembled the album with producer Jonathan Dolese at the helm. Recording at KonKrete Studios in Nashville, TN, they bottled and distilled a wide swath of inspirations and emotions into ten airtight tracks. With such open-hearted honesty, LEVELS will undoubtedly make you feel. "When you hear the record, I hope you feel the way I did back in high school after a friend showed me a new song in the car," Jacob says. "Maybe you'll want to share it with everyone. There would be no better reaction."

Moodring Announce New Album "death fetish" Out 3/27

Moodring symbolize transformation. The musical entity's name hints at volatility — color, emotion, and temperature in flux. Nowhere is that more evident than in death fetish, a defining album for a haunting and defiant new chapter. For founder and frontman Hunter Young, this is more than a record. It's survival, reflection, and metamorphosis. It is art made from the raw materials of pain, purpose, and persistence.

The album, steeped in nu metal, alt, and industrial influences, arrives on March 27 via SharpTone Records.  Pre-order it here.

For all its darkness, death fetish is not a surrender. It's a reclamation. It’s Young taking back control of his narrative — body failing, mind racing, still creating, still here. "I just wanted to make a dark, honest record," he says. "And if people don't like it, I don't really care. I had to do it for myself."

Moodring, once a more traditional "band," now exists as something far more elusive and infinite: A vessel for transformation, a mirror for mortality, and a living testament to pain and creation.

Poison the Well Announce Spring 2026 Headline Tour + New Album "Peace In Place" Arrives 3/20

POISON THE WELL released the definitive album The Opposite of December... A Season of Separation in December 1999 and it went on to become a benchmark of the genre that has inspired a generation of bands. The album was chosen as one of the "15 '90s Metalcore Albums That Still Resonate Today" by Brooklyn Vegan; as one of the "21 Best U.S. Metalcore Albums of All Time" by Kerrang!; as one of the "25 Best Metalcore Albums of All Time" by Loudwire; and as one of the "Top 60 Best Hard Rock Albums of All Time" by Revolver. Its influence is indisputable.

But the band is not content to rest on the laurels of its past achievements, as mighty as those achievements are.

PTW are thrilled to announce their Spring 2026 headline tour. Converge will support with Balmora, SPY, The Armed, and The Barbarians of California appearing on different segments. Artist pre-sale tickets went live Wednesday, January 21 at 10am local time. General onsale began Friday, Janauary 23 at 10am local time.
 
Tickets and more information is available here

PEACE IN PLACE, their first album in 16 years, will arrive via SharpTone Records on March 20. Pre-order it here

POISON THE WELL ON TOUR:
4/2 — Cleveland, OH — House of Blues*
4/3 — Chicago, IL — Concord Music Hall*
4/4 — Pontiac, MI — The Crofoot*
4/6 — Pittsburgh, PA — Preserving Underground*
4/7 — Toronto, ON — HISTORY*
4/9 — Worcester, MA — The Palladium*
4/10 — Queens, NY — Knockdown Center*
4/11 — Philadelphia, PA — Fillmore*
4/12 — Baltimore, MD — Nevermore Hall*
4/25 — Las Vegas, NV — Sick New World%
5/7 — Denver, CO — Summit&
5/9 — Austin, TX — Stubb’s Outdoors&
5/10 — Houston, TX — House of Blues&
5/12 — Phoenix, AZ — Nile Theater&
5/13 — Los Angeles, CA — The Belasco&
5/15 — Anaheim, CA — House of Blues&
5/16 — San Diego, CA — The Observatory North Park&
5/17 — San Francisco, CA — The Regency Ballroom&
%Festival Date
*SPY and Balmora
&The Armed and The Barbarians of California
 
POISON THE WELL ARE:
Jeffrey Moriera — Vocals 
Ryan Primack — Guitar
Vadim Taver — Guitar 
Christopher Hornbrook — Drums 
Noah Harmon — Bass

The Gloom In The Corner Erupt With "Nope (Hollow Point Elysium)" Video

Erupting into 2026 ahead of the upcoming release of their third full-length album, Royal Discordance, due out February 27 via SharpTone Records, Melbourne's The Gloom In The Corner returns with a brand new single and accompanying visualizer "Nope (Hollow Point Elysium)."

A rhapsodic outing cleaving together sinuous verses and blistering dynamic shifts, "Nope (Hollow Point Elysium)" also hurls thematic pop culture nods deep into its core, emerging as a gripping and expansive step deeper once again into the Gloom Cinematic Universe.

"'Nope' is the ode to some of my favorite action movies and video games growing up," the band shares of their latest single. "A bullet ballet for metalcore that will — much like the definition of 'Hollow Point Elysium' — blow your head smooth off."

Watch the visualizer for "Nope (Hollow Point Elysium)" Below:

A record that could readily soundtrack an Anime epic, a Netflix smash series, or a sprawling open-world game, Royal Discordance is certainly not your average metalcore album. An action-packed opus hell-bent on sharp narratives and astonishing sonic dexterity, Royal Discordance journeys between an all-out onslaught (previous single "Assassination Run") through to cinematic-yet-sinister brutality on "Nope (Hollow Point Elysium)," grinning chaotic frenzy on "You Didn't Like Me Then (You Won't Like Me Now)," and a double closing sucker punch via the two-track suite "Love 1: A Quaver Through the Pale" and "Love 2: A Walk Amongst The Poppy Fields."

Insatiably showcasing their relentless pursuit for sonic evolution, and recorded in 2024 with producer Jonathan Delese in Nashville, Tennessee, Royal Discordance also ushers in some of Gloom's most universal songs to date, all while remaining true to their chaotic core in the process. Whether channeling My Chemical Romance and positivity or penning pit-splitting breakdowns, The Gloom In The Corner balance their tumultuous creative DNA with an album primed for multiple revisits; and one that devoutly treads new ground.

Over the years, The Gloom In The Corner have engineered a space for total sensory immersion via a series of releases, spanning their 2016 debut album Fear Me, through to their Homecoming EP (2017), Flesh & Bones (2019), Ultima Pluvia EP (2020) and their 2022 album Trinity, with the latter commanding a 5/5 star album review from New Noise Magazine, praising it as "a real stunner and a benchmark for metalcore going forward." Translating their rich sonic universe into a live setting, The Gloom In The Corner have dazzled stages around the globe, spanning Australia, Europe and North America, along with aligning a horde of elite collaborators including Fit For A King's Ryan Kirby, Fit For An Autopsy's Joe BadolatoCane Hill's Elijah Witt and many more.

Closing out 2025 in Europe supporting Swedish metalcore greats Aviana, The Gloom In The Corner will support American heavies King 810 nationally in Australia this March, and will also perform this October as part of the entirely sold out inaugural Hellbound Cruise alongside Parkway Drive, Polaris and more.

PRE- ORDER "ROYAL DISCORDANCE"

More info about The Gloom In The Corner's upcoming 2026 shows supporting King 810 in Australia HERE.

Poison the Well Announce New Album "Peace In Place" + Share "Thoroughbreds" Video

POISON THE WELL released the definitive album The Opposite of December... A Season of Separation in December 1999 and it went on to become a benchmark of the genre that has inspired a generation of bands. The album was chosen as one of the "15 '90s Metalcore Albums That Still Resonate Today" by Brooklyn Vegan; as one of the "21 Best U.S. Metalcore Albums of All Time" by Kerrang!; as one of the "25 Best Metalcore Albums of All Time" by Loudwire; and as one of the "Top 60 Best Hard Rock Albums of All Time" by Revolver. Its influence is indisputable.

But the band is not content to rest on the laurels of its past achievements, as mighty as those achievements are.

Today, PTW announce the March 20 release of PEACE IN PLACE, their first album in 16 years.   It will arrive via SharpTone Records. Pre-order it here

They are also sharing the video for "THOROUGHBREDS."

Watch it Below:

The song boasts all the hallmarks fans have come to know, love, and expect from Poison the Well — introspective lyrics, urgent riffing, massive breakdowns that cause tectonic plates to shift, and soaring melodies.

"Joining Poison the Well at 18 and chasing music shaped how I approach life," says singer Jeffrey Moreira. "Coming back 16 years later — unsure if I could still do what I once left behind — only reinforced how strong our bond is and how much this band has given me. I'm grateful to do this again with my friends, and to share a record made with honesty, intention, and connection at its core."

Regarding the new song "THOROUGHBREDS," he says, "Beasts of burden are hard to break—not because they're strong, but because they're stubborn. 'Thoroughbreds' is about realizing that some lifelong bonds don't fail early; they fail after you believed they were there to stay."

As for the album as a complete body of work, the singer shares. "Peace In Place is probably the most pissed record we've ever made. After stepping away from Poison the Well,  it felt like all the emotion from that time — frustration, heartache, disappointment — compressed into something heavy and unavoidable. But anger isn't what drives us. Connection is. Sometimes that connection starts in darker places, and having an outlet for those emotions is how we find our way forward. This record lives across that entire spectrum. It’s about turning something negative into something honest, putting it into the world, and realizing that even in anger, we’re still capable of moving forward, relating to each other, and finding some form of peace—if not happiness, then at least a place to stand."

PTW also collaborate with Frank Maddocks (Linking Park, Deftones) on the Peace In Place cover art.
 
POISON THE WELL ARE:
Jeffrey Moriera — Vocals 
Ryan Primack — Guitar
Vadim Taver — Guitar 
Christopher Hornbrook — Drums 
Noah Harmon — Bass

ABOUT POISON THE WELL:
In the space of barely a breath, Poison the Well pacify fits of jarring brutality with moments of fragile beauty. Their unmistakable melodic hardcore gently dilutes the effects of trauma, betrayal, depression, and loss with hard-won wisdom and diligently earned self-acceptance. For as much force as they commit to the riffs and the breakdowns, there’s an equal amount of naked emotion encoded in their relatable hooks. At this point, they are unassumingly, yet undeniably embedded in the DNA of modern metal and hardcore. Poison The Well’s 1999 debut, The Opposite of December… A Season of Separation has claimed spots on Brooklyn Vegan's 15 '90s Metalcore Albums That Still Resonate Today; KERRANG!'s 21 Best U.S. Metalcore Albums of All Time; Loudwire's 25 Best Metalcore Albums of All Time; and Revolver's 10 Most Influential Metalcore Albums of All Time. Stereogumput it best, "The Opposite of December… A Season of Separationinfluenced a whole generation of metalcore bands." Meanwhile, 2003's You Come Before You remains regarded among Metal Hammer's 100 Greatest Metal Albums of the 21st Century and Rock Sound's 250 Greatest Albums of Our Lifetime. Despite going on hiatus following 2009's The Tropic Rot, the group's influence has only expanded over the years (as evidenced by over 100 million streams across their catalog). After touring in 2015 and 2021, they've commemorated milestone birthdays of both You Come Before You and The Opposite of December... with in-demand headline jaunts. Once again, the members felt an intense need to create as a unit. Rallying together, the guys channeled the spirit of their most celebrated material through a prism of new experience on their sixth full-length offering, Peace In Place.

Moodring Share "Cannibal" Visualizer

Founded in Florida yet now based in Atlanta, Georgia, Moodring is a nu-metal x alt-rock project led by dynamic frontman Hunter Young.

The band's 2022 debut Stargazer captured attention from the tastemaker crowd, including a 4 out of 5 star review from Kerrang! The band recently signed to SharpTone Records. Today, Moodring have shared the visualizer for the new single "Cannibal." The track has a very late '90s and early '00s hard rock energy, with chunky riffs, kinetic synths, and the expected dark subject matter the Moodring are known for.

Watch it below.

"'Cannibal' was one of the last songs added to record, sonically focused on combining nu metal, alt rock, and industrial dance music," Young says. "The song takes the life and mating cycles of black widow spiders to compare and contrast intimate relationships of our own and how they can be 'cannibalistic,' nihilistic, and ultimately end in demise."

The song is also being used to in the trailer for the new season of the Crunchyroll series Clevatess. Watch it here.

Earlier this year, Moodring shared the video for "Half-Life." Watch it here.

LEVELS Drop "Black Dove" Video

Central Arkansas-based, cyber-industrial x metal quartet LEVELS — Kolby Carignan [vocals], Jager Felice [guitar], Jacob Hubbard [bass], and Dalton Kennerly [drums] — have come roaring out of the gates to close out the year with the video for the new single "Black Dove."

Watch it below.

The song, with its glitchy riffs, deep grooves, and kinetic vocals, will take up real estate in your brain for days on end. And the balls-out breakdown will leave you seeing stars.

"'Black Dove' is a requiem for lost faith and forbidden love, a haunting prayer that drifts through the ruins of devotion to ghosts born in the mind," the band explains

The new track follows "Covert One," which arrived over the summer.  Watch the video here.

LEVELS are known for fusing heavy music with elements of pop, electronic, and drum and bass. Since forming in 2016, they have independently amassed millions of streams, drawing influence from artists as diverse as Billie Eilish, The Prodigy, Static-X, and The Weeknd.

Following the success of their 2023 EP PULSE on SharpTone Records, which surpassed 1 million streams, LEVELS aren't adding to the noise, they're building something new, sharp, and unapologetically their own. Their sound fuses digital grit with raw emotion; dark, distorted, and built to break through the static. LEVELS have built their rise on a fierce DIY ethic, steadily growing from small rooms to bigger stages, playing alongside bands such as: Kittie, ERRA, Beartooth, The Devil Wears Prada, and more.

LEVELS are more than a band. Their ever evolving world is built from cinematic visuals, visceral performances, and immersive storytelling, standing out in a hyper-connected yet emotionally disconnected era. With each track, they seek to reignite authentic connection. As they continue to carve their path through the metal landscape, their mission remains clear: Don't bury emotion. Embrace it. Channel it. And turn it into something that makes you feel again.

VUKOVI Share Video For "Bladed"

Electrifying alt rock duo VUKOVI have dropped a stunning, volatile video for the track "BLADED," the final song from their critically acclaimed album MY GOD HAS GOT A GUN.

"BLADED" comes loaded with radiance and ruin, which is captured beautifully in the flawless video by Zak Pinchin.

VUKOVI's Janine Shilstone comments: "Closing the chapter of MGHGAG with my favorite track off the album. The video is monochromatic and enchanting with the undertones of destruction and mental illness. Beauty and poise doesn’t portray what truly lies beneath."

Watch the video for "BLADED" below.

Listen to "BLADED" here.

Catch VUKOVI live on their 2026 UK tour dates. Tickets are on-sale now HERE.

Purchase and stream MY GOD HAS GOT A GUN here.

ABOUT VUKOVI:
VUKOVI (from North Ayrshire, Scotland) are a dynamic two-piece alt-rock outfit fronted by vocalist Janine Shilstone and guitarist Hamish Reilly. Their sound combines blistering riffs and melodic vocals with elements of heavy-rock, noise-pop, and nu-metal, suitable for fans of Bring Me The Horizon, PVRIS, Don Broco and Royal Blood.

Following the critical success of their 2017 debut VUKOVI and the electrifying follow-up Fall Better (2020), VUKOVI truly ascended to stratospheric new heights with their third album, NULA (2022). While ‘La Di Da’, drawn from their debut, remains a perennial fan favourite, tracks such as ‘Lasso’, ‘Hades’ and the anthemic ‘I Exist’ continue to command chaos from fans in live settings across the globe.

VUKOVI released their latest album MY GOD HAS GOT A GUN via Sharptone Records in 2025, recorded and co-produced by legendary Machine at The Machine Shop Studio in Texas. The album garnered praise from BBC Radio 1, Kerrang!, Rock Sound and Metal Hammer for its cathartic yet exorcistic expression of themes surrounding mental health, religion and female empowerment. The album channels raw emotions through a refined, ferocious delivery, taking influence from titans such as Rage Against The Machine and Deftones.

Having toured with the likes of Babymetal, Enter Shikari, PVRIS, Nothing More and One Ok Rock, VUKOVI continue to build their audiences worldwide. The band have a reputation for their explosive live performances, with Janine famously able to command a crowd with such intensity where pits ignite at a single gesture. Their recent Main Stage performance at 2000 Trees Festival (UK) marked a pivotal moment, firmly cementing their status as future headliners.

VUKOVI boast an enviable history of appearances at major international festivals including Welcome To Rockville (USA), Sonic Temple (USA), Download Festival (UK), Graspop (BE), Resurrection (ES), Rock For People (CZ), Jera On Air (NL), Reload (DE) any many more.

VUKOVI ARE:
Janine Shilstone — Vocals
Hamish Reilly — Guitars

Surprise! Currents Drop "All That Follows" EP Today + Share "Rise & Fall" Video

Connecticut metalcore outfit CURRENTS have released their new EP All That Follows via SharpTone Records.

Listen here

The band has also shared the video for "Rise & Fall," which features career archival footage. Watch it below.

"'ALL THAT FOLLOWS' is the end of The Death We Seek. These are some of our favorite songs thus far and the beginning of a new chapter for us. We kept this close to our hearts and trusted our guts on what we really wanted. These songs are an exercise of independence, experimentation and collaboration within the band to lengths we haven’t gone before," says Wille. "Here, we explore disillusionment, inequality, betrayal, and the ambiguity of life and its purpose. This world can be both a great and terrible place; and good or bad, we pour all of those experiences into our music. While the result is rarely a happy story, sharing it all with you is always such a positive and cathartic experience. We're proud to put this out into the world and to see you connect with it in your own way."

Long before tallying hundreds of millions of streams and playing to sold-out crowds, the spark behind Currents began to flicker as early as 2011. Wille had joined the fold during 2015, and the band pushed forward with a series of critically acclaimed fan favorite releases such as The Place I Feel Safest [2017], I Let The Devil In EP [2018], The Way It Ends [2020], and The Death We Seek [2023]. Following the latter's release, Everything Is Noise raved, "Currents are one of the few that are capable of crafting a modern metalcore sound that is unrelenting in every which way whilst still being incredibly accessible." Beyond praise courtesy of MetalSucks and more, Distorted Sound rated it "9-out-of-10," proceeding to profess, "It makes the future of this brilliant set of musicians one of the most exciting prospects in music to this day." Along the way, they shared stages with everyone from Parkway Drive and Beartooth to Ice Nine Kills, We Came As Romans, and Miss May I.

 CURRENTS ARE:
Brian Wille — Vocals 
Chris Wiseman — Guitar 
Ryan Castaldi — Guitar 
Christian Pulgarin — Bass 
Matt Young — Drums

Excide Share "Call Box" Video

EXCIDE  Tyler Washington, Gill Gonzalez, Gage Lanza, Caleb Hogue, and Jacob Paris — will drop their second album Bastard Hymns on November 28 via SharpTone Records. Pre-order it here.

Today, the band unleashes "Call Box."

Watch the video below.

"'Call Box' was the 'click' moment for the record," says Washington. "Though it formed from a later demo, it's the song that most coherently synthesized every component of our desired outcome, and ended up being sort of the stencil we worked backwards from when in pre-production for the LP. I've referenced them previously but it's got ALL the goodies derived from our influences. The Cast Iron Hike-sort of grooves in the verses, the fuzzy Queens of the Stone Age bridge, and the HUGE ending that nods to the greats in Failure."

He finishes, "This song is Excide at its purest and best form to-date. No doubt a favorite on the record, and the perfect conclusion for it. It's my 'F*** you, thanks for the inspiration' song." 

Bastard Hymnsis the logical next step from the band's debut album, Deliberate Revolver. "Having felt like we accomplished what we came to do on the first record, there were no guidelines or barriers around where we were to go next. This opened up so many avenues for our creativity and exploration. We were lucky enough to begin working with SharpTone the following year, which put the band back in gear and opened up new possibilities for the path forward."

Sonically, the band was inspired by the grooves and energy of late '90s post-hardcore bands such as Cast Iron Hike and Snapcase, while siphoning melody and textural elements much the same as Quicksand and Cave In. The band was not afraid to shift gears a bit and take influence from the likes of Queens of the Stone Age, Soundgarden, and Failure, which, Excide admit, " allowed us to really push the sonic needle into uncharted territory, even further accentuated by Austin Coupe's co-writing and production."

Overall, the album is a "fuzzy, rocky, groovy, angry record. Seeped in the woes of growing up in a hillbilly hellscape, and living to tell the tale. The result wasBastard Hymns."

Moodring Return With Video for New Single "Half-Life"

Founded in Florida yet now based in Atlanta, Georgia, Moodring is a nu-metal x alt-rock project led by dynamic frontman Hunter Young.

The band's 2022 debut Stargazer captured attention from the tastemaker crowd, including a 4 out of 5 star review from Kerrang! Now, newly signed to SharpTone Records, the band has dropped the video for brand new single "Half-Life."

Watch it below.

"'Half-Life" is an incredibly personal (and intense) song, as it addresses the many changes in Young's life and in Moodring's configuration. With Young now unable to actively tour, Moodring became a concept that is malleable and can morph and take different shapes, and with different collaborators without defined borders and boundaries.

"'Half-Life' was one of the first songs written after I received a life-changing medical diagnosis and was forced to grieve losing the person that I thought I was and had identified as for most of my sentient life," Young shares, laying his cards face up on the table with no hesitation. "It was a devastating blow to an already-tarnished nervous system. This song and sub-sequential songs were my way of coping and writing an obituary for the person I lost in that doctor's office."  

He continues, "But when looking at 'Half-Life' through a broader lens, I believe anyone who's ever been forced to face realities or truths they cannot change can relate in ways that weren't the original intention."

Stay tuned for more from Moodring.

We Came As Romans + Currents Release Reimagined Version Of “Bad Luck” Feat. Anthony Notarmaso (After The Burial)

Just weeks after wrapping their triumphant Bad Luck U.S. headline tour, metalcore mainstays We Came As Romans have unveiled a reimagined version of single bad luck, this time joined by tourmates Currents and Anthony Notarmaso of After The Burial—two of the standout support acts from the tour’s powerhouse lineup. Stream We Came As Romans & Currents - bad luck feat Anthony Notarmaso HERE and watch the visualizer Below.

Originally released as the lead single from All Is Beautiful…Because We’re DoomedWe Came As Romans’ most thematically ambitious and emotionally honest record to date—bad luck quickly became a cornerstone of the album’s reflection on grief, transformation, and survival. Stream the album now HERE. The reimagined version brings new weight and perspective, layering in Brian Wille’s commanding vocals and Anthony Notarmaso’s unmistakable intensity. What began as a personal reckoning now expands, bridging three of the scene’s most respected forces into a single moment of cathartic heaviness.

We were fans of We Came As Romans and After The Burial long before having the pleasure of touring with them and making some life-long memories together,” shares Brian Wille of Currents. “It was a great time getting to collaborate on this new version of bad luck and we’re very excited to share it with all of you!”

I’m very flattered and honored that the WCAR boys wanted to include me on such an awesome track,” adds Anthony Notarmaso of After The Burial. “I still have the song stuck in my head!

The release follows We Came As Romans’ sold-out U.S. tour run and arrives ahead of their upcoming fall headline tour across Europe and the UK with Brand Of Sacrifice and Heavensgate, as well as appearances at major US festivals Louder Than Life and When We Were Young Fest.

ABOUT WE CAME AS ROMANS

We Came As Romans continue to progress and evolve at lightspeed, maintaining a place at the forefront of heavy music and culture. Never content to follow, they seamlessly alchemize crushing groove-driven catharsis, spacey electronics, and arena-size singalongs into a sound that refuses to sit still—effortlessly moving between metal, alternative, metalcore, and rock.

The Michigan-born five-piece—Dave Stephens, Joshua Moore, Lou Cotton, Andy Glass, and David Puckett—first broke through with Tracing Back Roots (2013), which cracked the Billboard 200 Top 10 and hit #1 on both the Independent Albums and Top Hard Rock Albums charts. Their self-titled 2015 album followed, debuting at #11 on the Billboard 200, cementing their status as modern metalcore royalty.

Following the tragic loss of original vocalist Kyle Pavone in 2018, the band has continued to honor his legacy with their 2022 album, Darkbloom, their highest-praised record to date. Kerrang! awarded it 4 out of 5 stars, calling it "a carrier for a knot of emotion, and a tribute to their friend." It featured career-defining tracks like "Black Hole" (ft. Caleb Shomo), now over 102 million Spotify streams, and "Daggers" (ft. Zero 9:36), which surpassed 32 million streams. Media outlets including Loudwire and Consequence praised the album for its emotional range, sonic heft, and unapologetic vulnerability.

Now, with 'ALL IS BEAUTIFUL...BECAUSE WE'RE DOOMED,' the band enters their most ambitious chapter yet—scarred, sharpened, and more fearless than ever.

We Came As Romans Are



Dave Stephens - Vocals

Joshua Moore - Guitar

Lou Cotton - Guitar

Andy Glass - Bass

David Puckett - Drums

WE CAME AS ROMANS New Album Out Now; Drop Music Video For 'one by one'

Michigan metalcore titans We Came As Romans have released their powerful new album 'ALL IS BEAUTIFUL...BECAUSE WE'RE DOOMED' today, via Sharptone Records. The release is highlighted by the release of focus track 'one by one' and arrives as the band's US leg of their massive Bad Luck World Tour nears the end of its climactic final week, with sold-out crowds across North America witnessing the band's most ambitious era yet. Stream'ALL IS BEAUTIFUL...BECAUSE WE'RE DOOMED' HERE and watch the video for "one by one" below.

"one by one" confronts the band's history with destructive patterns head-on, serving as both a reckoning and a commitment to breaking cycles that have haunted them throughout their career. Built on crushing riffs and the band's signature melodic power, the track features lyrical callbacks to their past while emphasizing the hard-won growth that comes from facing your demons.

Providing further context , We Came As Romans frontman, Dave Stephens shares

"We first wrote One by One on an acoustic guitar with raw vocals, and right away we knew we had something special. Even though the rest of the song took time to shape, that initial spark carried us through and made the journey worth it. At its heart, the lyrics reflect the process of healing—acknowledging mistakes, facing flaws, and slowly piecing yourself back together, one by one. I couldn’t be more excited to finally share this song and the story it tells with everyone."

The single arrived earlier this week, as anticipation reached fever pitch for 'ALL IS BEAUTIFUL...BECAUSE WE'RE DOOMED', the band's most conceptually ambitious work to date. The album—a 12-track journey that literally loops from its final seconds back to its beginning—explores two decades of the band's history through a philosophical lens of death, rebirth, and transformation. Following the release of "bad luck," "no rest for the dreamer," "culture wound," and "where did you go?," "one by one" completes the picture of an album that refuses to shy away from the darkest corners of the band's journey. Stream the album now HERE.

ABOUT WE CAME AS ROMANS

We Came As Romans continue to progress and evolve at lightspeed, maintaining a place at the forefront of heavy music and culture. Never content to follow, they seamlessly alchemize crushing groove-driven catharsis, spacey electronics, and arena-size singalongs into a sound that refuses to sit still—effortlessly moving between metal, alternative, metalcore, and rock.

The Michigan-born five-piece—Dave Stephens, Joshua Moore, Lou Cotton, Andy Glass, and David Puckett—first broke through with Tracing Back Roots (2013), which cracked the Billboard 200 Top 10 and hit #1 on both the Independent Albums and Top Hard Rock Albums charts. Their self-titled 2015 album followed, debuting at #11 on the Billboard 200, cementing their status as modern metalcore royalty.

Following the tragic loss of original vocalist Kyle Pavone in 2018, the band has continued to honor his legacy with their 2022 album, Darkbloom, their highest-praised record to date. Kerrang! awarded it 4 out of 5 stars, calling it "a carrier for a knot of emotion, and a tribute to their friend." It featured career-defining tracks like "Black Hole" (ft. Caleb Shomo), now over 102 million Spotify streams, and "Daggers" (ft. Zero 9:36), which surpassed 32 million streams. Media outlets including Loudwire and Consequence praised the album for its emotional range, sonic heft, and unapologetic vulnerability.

Now, with 'ALL IS BEAUTIFUL...BECAUSE WE'RE DOOMED,' the band enters their most ambitious chapter yet—scarred, sharpened, and more fearless than ever.

We Came As Romans Are



Dave Stephens - Vocals

Joshua Moore - Guitar

Lou Cotton - Guitar

Andy Glass - Bass

David Puckett - Drums

WE CAME AS ROMANS Drop Haunting New Single 'where did you go'

Michigan metalcore powerhouse We Came As Romans have released their haunting new single, "where did you go?," along with its accompanying official music video. The track, one of the final songs written for their forthcoming album' ALL IS BEAUTIFUL...BECAUSE WE'RE DOOMED' (due out August 22nd via Sharptone Records), marks a stark sonic departure for the band, embracing a darker, moodier atmosphere while exploring themes of identity, disconnection, and the ghosts of who we once were. Stream "where did you go?" HERE and watch the official video below. Speaking on the new track, We Came As Romans fontman Dave Stephens.

"Where did you go was one of the final songs we wrote for the album, and it came together in a way that just felt special. From the first few notes, we knew it had a completely different energy— way moodier than anything we'd done so far on the record. Where Did You Go? is about the haunting feeling of being left without answers. It's about losing a part of yourself. When we wrote it, we were reflecting on a version of ourselves we felt disconnected from—the parts of ourselves we used to believe in, the ones with better habits, more clarity, more hope. The production instantly brought me back to nights of driving around at night when I was younger and gave me this overwhelming feeling of nostalgia for a time when life felt a lot simpler. The nostalgia is real, but so is the growth that comes with asking yourself those hard questions,"

The track marks the fourth single from 'ALL IS BEAUTIFUL...BECAUSE WE'RE DOOMED,' following "bad luck," "no rest for the dreamer," and "culture wound." The album is a conceptual journey that loops seamlessly from its final moments back to its beginning and represents the band's most ambitious work to date, exploring cycles of death and rebirth through the lens of their 20-year career. 'ALL IS BEAUTIFUL...BECAUSE WE'RE DOOMED' arrives August 22nd via Sharptone Records, pre-orders are available now HERE.

We Came As Romans are currently one week into their massive Bad Luck World Tour, which kicked off July 22 in Toronto and runs through August 23 in their hometown of Detroit. The North American run features support from After The Burial, Currents, and Johnny Booth, with the band delivering explosive performances of new material alongside career-spanning favorites. Following the North American run, We Came As Romans will head to Europe and the UK this fall with Brand Of Sacrifice. The band also appeared at major festivals Welcome To Rockville, Vans Warped Tour Washington, Summerfest, Rock Fest and Inkcarceration and will also appear at Vans Warped Tour Orlando and When We Were Young. Remaining tickets are available HERE.

Bad Luck N. American Dates Artwork | Download HERE

BAD LUCK WORLD TOUR - NORTH AMERICA

With special guests 

After The Burial, Currents & Johnny Booth

July 30 – Charlotte, NC – The Fillmore

August 1 – Atlanta, GA – The Eastern

August 2 - Orlando, FL - House of Blues

August 4 – Houston, TX – House of Blues

August 5 – Dallas, TX – House of Blues

August 6 – Austin, TX – Emo's

August 8 - Phoenix, AZ - The Van Buren

August 9 – Los Angeles, CA – The Wiltern

August 10 – Sacramento, CA – Channel 24

August 12 – Portland, OR – Roseland Theater

August 13 – Tacoma, WA – Temple Theatre

August 15 – Salt Lake City, UT – The Union

August 16 – Denver, CO – Fillmore Auditorium

August 17 – Kansas City, MO – Uptown Theater

August 19 – St. Louis, MO – The Pageant

August 20 – Nashville, TN – Marathon Music Works

August 22 – Chicago, IL – House of Blues

August 23 – Detroit, MI – The Fillmore

ABOUT WE CAME AS ROMANS

We Came As Romans continue to progress and evolve at lightspeed, maintaining a place at the forefront of heavy music and culture. Never content to follow, they seamlessly alchemize crushing groove-driven catharsis, spacey electronics, and arena-size singalongs into a sound that refuses to sit still—effortlessly moving between metal, alternative, metalcore, and rock.

The Michigan-born five-piece—Dave Stephens, Joshua Moore, Lou Cotton, Andy Glass, and David Puckett—first broke through with Tracing Back Roots (2013), which cracked the Billboard 200 Top 10 and hit #1 on both the Independent Albums and Top Hard Rock Albums charts. Their self-titled 2015 album followed, debuting at #11 on the Billboard 200, cementing their status as modern metalcore royalty.

Following the tragic loss of original vocalist Kyle Pavone in 2018, the band has continued to honor his legacy with their 2022 album, Darkbloom, their highest-praised record to date. Kerrang! awarded it 4 out of 5 stars, calling it "a carrier for a knot of emotion, and a tribute to their friend." It featured career-defining tracks like "Black Hole" (ft. Caleb Shomo), now over 102 million Spotify streams, and "Daggers" (ft. Zero 9:36), which surpassed 32 million streams. Media outlets including Loudwire and Consequence praised the album for its emotional range, sonic heft, and unapologetic vulnerability.

Now, with 'ALL IS BEAUTIFUL...BECAUSE WE'RE DOOMED,' the band enters their most ambitious chapter yet—scarred, sharpened, and more fearless than ever.

We Came As Romans Are



Dave Stephens - Vocals

Joshua Moore - Guitar

Lou Cotton - Guitar

Andy Glass - Bass

David Puckett - Drums

WE CAME AS ROMANS Announce New Album 'ALL IS BEAUTIFUL...BECAUSE WE'RE DOOMED'; New Single "culture wound" + Official Video Out Now

Michigan metalcore titans We Came As Romans have announced their highly anticipated new album, 'ALL IS BEAUTIFUL...BECAUSE WE'RE DOOMED', set for release Friday, August 22nd via Sharptone Records. The announcement arrives alongside the release of the album's third single, "culture wound," and its accompanying official music video. Following the defiant anthems "bad luck" and "no rest for the dreamer," this latest track dives deep into the battle between our best and worst impulses. Stream "culture wound" HERE, watch the official video Below and pre-order 'ALL IS BEAUTIFUL...BECAUSE WE'RE DOOMED' HERE.

"culture wound" confronts the fundamental question at the heart of human existence: are we inherently good or inherently bad? The track wrestles with the forces—both internal and external—that shape who we become, delivered through the band's signature blend of crushing riffs and soaring melodies.



"culture wound is about taking a look inside and deciding which side of yourself is going to control your life. This song was written to question our human nature - is it inherently good or inherently selfish? Are we here to try and make something better for everyone or just survive for ourselves? All of the different "sides of ourselves" that we've discovered, struggled with, or left behind is really what this album is about, and our journey through all of those experiences is written in every song."

ALL IS BEAUTIFUL...BECAUSE WE'RE DOOMED' represents a profound creative evolution for We Came As Romans. Born from introspection and shaped by the band's own journey through triumph and tragedy, the album explores themes of existentialism, gratitude, loss, and the perpetual cycles of life. The record's conceptual framework—inspired by philosophical notions of death and rebirth—manifests in its very structure, with the album looping seamlessly from end to beginning, symbolizing that endings lead to new beginnings.

The album emerged from an intensive creative process that saw the band turn inward, mining their shared experiences for authentic emotional truth. What began as a struggle to find direction after 2022's grief-stricken, highly acclaimed 'Darkbloom', transformed into their most conceptually ambitious work to date. Each track ties to a specific moment or period in the band's history, creating a sonic autobiography that spans their entire career while focusing unflinchingly on the future.

"culture wound" serves as a centerpiece for the album's exploration of duality and self-examination. The track underwent extensive revision to achieve its final form—a testament to the band's commitment to getting every detail right on this deeply personal record.

We Came As Romans will support the new album with their massive Bad Luck World Tour, the North American leg of which kicks off on July 22nd in Toronto and culminates in what is sure to be a historical homecoming when they play legendary venue, The Fillmore in Detroit on August 23rd, the day after the album is released. The tour then heads to Europe and the UK in the fall. The band will also appear at major festivals including Warped Tour, Inkcarceration, and When We Were Young.

Bad Luck N. American Dates Artwork | Download HERE

BAD LUCK WORLD TOUR - NORTH AMERICA

With special guests 

After The Burial, Currents & Johnny Booth

July 22 – Toronto, ON – Rebel

July 24 – New York, NY – Palladium Times Square

July 25 – Worcester, MA – The Palladium

July 26 – Philadelphia, PA – The Fillmore

July 27 – Silver Spring, MD – The Fillmore

July 29 – Norfolk, VA – The NorVa

July 30 – Charlotte, NC – The Fillmore

August 1 – Atlanta, GA – The Eastern

August 2 - Orlando, FL - House of Blues

August 4 – Houston, TX – House of Blues

August 5 – Dallas, TX – House of Blues

August 6 – Austin, TX – Emo's

August 8 - Phoenix, AZ - The Van Buren

August 9 – Los Angeles, CA – The Wiltern

August 10 – Sacramento, CA – Channel 24

August 12 – Portland, OR – Roseland Theater

August 13 – Tacoma, WA – Temple Theatre

August 15 – Salt Lake City, UT – The Union

August 16 – Denver, CO – Fillmore Auditorium

August 17 – Kansas City, MO – Uptown Theater

August 19 – St. Louis, MO – The Pageant

August 20 – Nashville, TN – Marathon Music Works

August 22 – Chicago, IL – Byline Bank Aragon Ballroom

August 23 – Detroit, MI – The Fillmore

ABOUT WE CAME AS ROMANS

We Came As Romans continue to progress and evolve at lightspeed, maintaining a place at the forefront of heavy music and culture. Never content to follow, they seamlessly alchemize crushing groove-driven catharsis, spacey electronics, and arena-size singalongs into a sound that refuses to sit still—effortlessly moving between metal, alternative, metalcore, and rock.

The Michigan-born five-piece—Dave Stephens, Joshua Moore, Lou Cotton, Andy Glass, and David Puckett—first broke through with Tracing Back Roots (2013), which cracked the Billboard 200 Top 10 and hit #1 on both the Independent Albums and Top Hard Rock Albums charts. Their self-titled 2015 album followed, debuting at #11 on the Billboard 200, cementing their status as modern metalcore royalty.

Following the tragic loss of original vocalist Kyle Pavone in 2018, the band has continued to honor his legacy with their 2022 album, Darkbloom, their highest-praised record to date. Kerrang! awarded it 4 out of 5 stars, calling it "a carrier for a knot of emotion, and a tribute to their friend." It featured career-defining tracks like "Black Hole" (ft. Caleb Shomo), now over 102 million Spotify streams, and "Daggers" (ft. Zero 9:36), which surpassed 32 million streams. Media outlets including Loudwire and Consequence praised the album for its emotional range, sonic heft, and unapologetic vulnerability.

Now, with 'ALL IS BEAUTIFUL...BECAUSE WE'RE DOOMED,' the band enters their most ambitious chapter yet—scarred, sharpened, and more fearless than ever.

We Came As Romans Are



Dave Stephens - Vocals

Joshua Moore - Guitar

Lou Cotton - Guitar

Andy Glass - Bass

David Puckett - Drums

Knosis Unleash"Tanebi" Ahead of Debut Album "Genknosis" Out 8/1

Japanese metal juggernaut KNOSIS, the visionary project led by acclaimed multi-instrumentalist and vocalist Ryo Kinoshita, return with a blistering new single "TANEBI."

 It's the latest offering from their forthcoming debut full-length album, GENKNOSIS, arriving August 1 via SharpTone Records.

Following the release of the pulverizing singles "FUHAI" (featuring Yukina of Hanabie), "SHINMON," and the emotionally raw "DOKUNUMA," "TANEBI" (translated as "Seed Fire") continues to build the firestorm around GENKNOSIS. Combining razor-sharp riffs, thunderous rhythms, and Kinoshita's signature blend of guttural intensity and haunting melody, the track captures KNOSIS at their most urgent and dynamic.

With each new release, KNOSIS are solidifying their place as one of the most compelling and forward-thinking voices in modern heavy music. GENKNOSIS promises a genre-defying exploration of spiritual tension, emotional collapse, and the will to rise.

Watch the "TANEBI" visualizer

dead7 Drop "PLEASE" Video" (Feat. Marcus Vik)

dead7 will drop their new album LOVE WHAT YOU CAN WHILE YOU GOT SOMETHING LEFT TO LOVE on July 11 via SharpTone. Pre-order it here

On the album, the St. Louis, MO quintet — Jason Kozik [vocals], Dexter Greer[guitar], Tim Quinn [guitar], Stephen Salyer [bass], and Zach Guinn [drums] — temper guitar-driven grooves with electronics, atmospheric keys, and evocative vocals. Simultaneously, death and romance become interchangeable, rotating around an axis of relatable emotional turbulence.


dead7 have dropped the video for "PLEASE." The track features a guest appearance from Invent Animate's Marcus Vik.

Watch it Below:

"We were making a joke about being kind of horny, and we tried to encapsulate it," Kozik says about the song's interesting origin story. "It's about the highs of relationships. If you say, 'Please,' you could tell me to do anything. It doesn't matter, just ask nicely. It has our ridiculously low guitar tones that we love, but it also feels like a pop song. We really wanted to have fun with this one."

Fun, indeed!

Armed with this boundary-breaking style, dead7 initially rose up out of St. Louis during 2022. Following "unwanted" and "bite it," the group collaborated with Nathan Johnson of Fox Lake on "heaven only knows." Meanwhile, "tape mouth" surged with over 433K Spotify streams, paving the way for the new pain collection EP and all time does is pass and all i do is remember EP. Along the way, they packed headline gigs and graced the bills of festivals such as POINTFEST with Incubus, Bad Omens, Coheed and Cambria, The Pretty Reckless, and more. In late 2024, they caught the attention of Sharptone Records and inked a deal with the label. Hitting the studio, the band reteamed with frequent collaborators and producers Caleb Freihaut and Ben McGuiness to record what would become LOVE WHAT YOU CAN WHILE YOU GOT SOMETHING LEFT TO LOVE. This time around, the guys nodded to inspirations such as Loathe, Bring Me The Horizon, and Three Days Grace.