New Jersey's RAISED ON CANDY unveil 'Red M&M', teasing follow-up to Steve Albini-produced debut album

October 14, 2026

New Jersey alt-rock outfit Raised On Candy presents 'Red M&M', the second taste of their new album 'Play Marbles on the Turnpike', out in mid-November via Magic Door Record Label. Beneath its pull, the track hints at something far more unsettling, where desire and menace become difficult to separate. Its cryptic imagery and creeping sense of unease lend the song a dark, almost surreal quality.

Raised On Candy is Joe Penna (vocals, guitars) and Scotty Imp (drums, cymbals). Formed from the ashes of the band Buteo, Raised On Candy is the next step in the evolution of their music, weaving old school indie-rock and post-punk nuggets into tasty sonic delicacies. They've always called Montclair, New Jersey their home base. Scotty lives there and, while Joe lives in Riverside, Connecticut, he was born in Montclair and grew up in the nearby community of Toms River.

'Red M&M' is the second offering from a record that finds the duo expanding their noisy, hook-heavy sound without losing their wonderfully unruly edge. Built to hit hard, take this album takes multiple unexpected turns, the effect resonating well after the ride stops.

Raised On Candy produced this album together with Ray Ketchem (Guided By Voices, Luna, Elk City, Gramercy Arms, The Dambuilders), who also engineered, mixed and mastered it at Magic Door Recording Studio in Montclair. With a minimalist interplay of melodic vocals, slow burn builds and massive hooks, precise rhythms unite with pyro-friendly guitars, transforming chaos into sharp, noisy rock.

"This song is about someone who wants what someone else has and is using fear as a means of obtaining it, disguised as seduction. Before it’s too late, the spell is broken and the tables turn," explains Joe Penna.

"It's all about the atmospherics that are present throughout the song, which slowly wind their way to an inevitable, mortal confrontation. It reminds me a lot of an epic David vs Goliath battle, with the underdog eventually rising up and taking out that big ol’ bully once and for all."

In September, Raised On Candy shared 'Pickle Eyes', a tightly wound blast of melodic tension and explosive guitar-driven release. Equal parts melodic earworm and noisy joyride, the track barrels out of the gate with wiry guitars, explosive rhythms and an unmistakably off-kilter charm. It's a tantalizing glimpse of an album that promises sharp hooks, combustible guitars and plenty of glorious left turns.

Scotty and Joe met over 20 years ago through a mutual friend, but it wasn't until after the demise of Joe's band Transit Belle around 2005 that they would collaborate. They formed the band Buteo, which eventually parted ways around 2010 after releasing one album and touring. While Joe pretty much stopped playing music, Scotty continued playing drums in Overlake and Stuyvesant, the latter of which he still plays with today. In 2022, Joe returned to songwriting, leading to the birth of Raised On Candy.

Raised On Candy's self-titled debut album was recorded with legendary producer-engineer Steve Albini (Nirvana, Pixies, PJ Harvey, Robert Plant & Jimmy Page, The Breeders, Bush, Cheap Trick) at Electrical Audio and mastered by Matthew Barnhart (Superchunk, The New Pornographers, Bob Mould, The Mountain Goats) at Chicago Mastering Service. This would be one of the last records Steve ever worked on before passing away in May, adding a whole new level of emotion to this album, which would be released in July 2024.

"Joe had previously worked with Steve on a record for his band Transit Belle in 2002. Working with Steve was amazing. He made so many records we love; it was a no-brainer. He provided a ton of creative input into how the record should sound, and also added subtle but noticeable effects to make things amazing, as well as providing a ton of input as to the overall mix and vibe of the songs."

On October 13th, 'Red M&M' is online everywhere digitally, includingSpotify, Apple Music and Bandcamp. The 'Play Marbles On The Turnpike' album, now available for pre-order, will be released on November 13th.

CREDITS
Music written by Joe Penna and Scotty Imp
Lyrics written by Joe Penna
Joe Penna - Guitar, Vocals, Bass, Synths
Scotty Imp - Drums, Cymbals, Percussion, Piano, Backing Vocals
Produced by Raised On Candy with Ray Ketchem
Engineered, Mixed & Mastered by Ray Ketchem
Recorded at Magic Door Recording, Montclair, NJ from October 2025 to June 2026
Artwork design by Ray Ketchem
Released by Magic Door Record Label
Publicity by Shameless Promotion PR

California's SOFT SCIENCE unveil 'Without' video, highlighting their fifth album 'Sand'

October 13, 2026

Northern California quintet Soft Science presents 'Without', a standout track from their fifth album 'Sand', their most focused, poignant collection to date, newly released via Shelflife Records in North America and Spinout Nuggets in the UK.

Showcasing creative blend of vibrant vocals, layered harmonies, cascading guitars and electronic textures, the accompanying video was created by Italian visionary Francesca Bonci, known for her work with The Dandy Warhols,Federale (Brian Jonestown Massacre's Collin Hegna), Pete International Airport, Slowdive's Rachel Goswell, and Tombstones In Their Eyes, among others.

Soft Science features Katie Haley (lead vocals, percussion), brothers Matt Levine(lead guitar) and Ross Levine (guitar, backing vocals), partners Tony Cale (drums) and Becky Cale (bass, backing vocals), along with frequent collaborator Hans Munz (electronics).

"‘Without’ is one of my favorite songs on 'Sand'. It drifts slightly outside our usual orbit, built around a lyric that is both simple and quietly expansive: “There are things I do without, there are things that I can be without.” Those few words open a much larger question: in a world always urging us to want more, what can we release?' asked vocalist Katie Haley.

"Maybe it’s the pull of possessions, things in the world beyond our control, or the worry, destructive thoughts, and stressful situations we carry within us. Over the past few years, I’ve become more intentional about what I absorb and what I allow to take root in my mind, protecting space for my mental health and happiness. Sometimes less leaves room for more, and this sonic, psychedelic song floats through that possibility."

Pairing gauzy textures with restless momentum, Soft Science blends dream pop, shoegaze, and indie rock into a sound that is hypnotic, melodic, and emotionally direct, producing lush, transportive songs that balance melody, harmony, and rhythm.

"We used a reversed lead guitar on ‘Spinning,’ then experimented with reversing the rhythm guitars on ‘Without,’ which created a great vibe. Hans’ contribution to the breakdown is also one of the highlights of the entire record. For the ‘Without’ video, we wanted to move beyond a traditional band performance and create a more conceptual piece," explains guitarist Ross Levine.

"Shauna at Shameless Promotion PR connected us with Francesca Bonci, and we love what she created for the song. As we worked through the concept, I suggested incorporating. breakdancing silhouettes, which she wove into the psychedelic, dreamlike sequence. We’re very happy with the result and feel the visuals deepen the experience of the song."

Building on their signature sound, 'Sand' is both intimate and expansive - rooted in melody, atmosphere, and emotional depth. Across these ten songs, they pair shimmering textures with renewed urgency, offering an immersive record that explores the fragile, cyclical nature of love, tracing how relationships can shift beneath our feet while still offering moments of clarity, devotion, hope, and renewal.

Previewed by the singles 'Spinning', 'Understand' and 'Fade', the album emits a strong sense of being stuck in cycles: spinning, circling, repeating old patterns, trying to be heard, trying to understand what went wrong. Propulsive energy, ethereal vocals and luminous guitars unite as Soft Science finds beauty in moments that inevitably slip away.

Critically acclaimed, Soft Science has done live sessions at KEXP, WFMU and Part-Time Punks, and performed at New York Popfest, Paris Popfest, The Big Takeover’s 35th Anniversary show, Schellraiser Festival, Tremolo Fest, Dreamgaze PDX, and other festivals across the USA. Soft Science was also highlighted on Sound Opinions’ “Shoegaze Genre Dissection” as one of the hosts’ recent genre favorites (August 21, 2026, Show 1082).

Soft Science's latest album 'Lines' (2023) was preceded by 'Maps' (2018), 'Detour' (2013), and 'Highs and Lows' (2011), along with a split 7” with The Luxembourg Signal (2015) and The House of Love cover ‘I Don’t Know Why I Love You’ and a rendition of Northern Picture Library's ‘Paris’ (2018). With 'Sand', Soft Science pushes further into the noisier edges of dream pop while preserving the hooks, texture and emotive resonance at the center of their work. Examining how love, memory and identity are shaped by change, they ask what it means to stay connected in an uncertain world.

'Sand' is out September 4 on CD and vinyl, with digital availability through major streaming and download platforms, including Spotify, Apple Music and Bandcamp.

ALBUM CREDITS
Lyrics written by Katie Haley & Ross Levine
All songs written by Katie Haley, Ross Levine, Matt Levine, Becky Cale & Tony Cale
except 'Thread', 'Without' and 'Sway' are written by
Katie Haley, Ross Levine, Matt Levine, Becky Cale, Tony Cale & Hanz Munz
Katie Haley - vocals, percussion
Ross Levine - backing vocals, synths, additional guitars
Matt Levine - guitar
Becky Cale - bass guitar, backing vocals
Tony Cale - drums
Hans Munz - additional electronics
Recorded at Shattered Records and The Pool House
Engineered by Jack O'Donnell
Additional Engineering by Ross Levine
Mixed by Kev Bolus at OneEleven
Mastered by Antony Ryan at RedRedPaw
Produced by Soft Science
Artwork by John Conley
c @ p Shelflife Records / Spinout Nuggets 2026
Vinyl UPC code 759159696649 / CD UPC code 759159696656
Video by Francesca Bonci
Publicity by Shameless Promotion PR

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Alt-rock icon CHRIS CONNELLY teases 'Bye Bye Johnny Viola' (on JOHN CALE) ahead of new album celebrating LOU REED

October 13, 2026

Iconic Scottish-born Chicago-based artist Chris Connelly will be releasing his new album 'Doo Wop In The Dark: A Portrait of Lou Reed' via Shipwrecked Industries with distribution by Virtual Label. This colossal 21-track offering is a bombastic reflection on artistic inheritance, tracing how Reed’s restless, confrontational sensibility helped shape Connelly’s own creative identity.

Ahead of that, Connelly presents 'Bye Bye Johnny Viola', following the lead tracks 'Nothin' But A Rock Song' and 'House of 70's'. He explains, "'Bye Bye Johnny Viola' is a postmortem on John Cale being fired from the Velvet Underground. Like'House of 70's', the timeline whirls with events of the time: it's 1968, Valerie Solanas has shot Andy Warhol, 'White Light/White Heat' was a sonic hammer on the hippie dream, and Lou sent Sterling Morrison round to John's apartment to fire him."

'Doo Wop In The Dark: A Portrait of Lou Reed' presents a unique mix, including Lou Reed compositions -- spanning his career from the Velvet Underground onwards -- and songs penned by Connelly, detailing the creative and often turbulent path of Reed's life from his teenage years through to his death in 2013.

Moving between tenderness, menace, alienation, decadence and damaged beauty, Reed is treated not simply as an influence to be celebrated, but as a catalyst for an entire way of making music. The result is both deeply personal and deliberately expansive: a record about finding your own voice by wrestling with the voices that came before you, and about how an artist’s work can become part of another's emotional and creative vocabulary.

'Doo Wop In The Dark' echoes Connelly's acclaimed 2022 album 'Eulogy to Christa: A Tribute to the Music & Mystique of Nico' - one of the most unique, tragic and misunderstood female artists in the history of modern music. Similarly, this new album is dedicated to the wildfire, tempestuous spirit of Lewis Allan Reed (a.k.a. Lou Reed), as well as Chris's dear friend Zak Boerger (1973 -2025).

While mostly produced by Connelly and his Sons of the Silent Age bandmate Alan Holden Berliant, four tracks from this album were produced by Chris Bruce (Meshell Ndegeocello, Seal, Aaron Neville, Bob Dylan, The Waterboys, Sheryl Crow). Mixed by Berliant and Bruce from 2023 to 2026, this record was mastered by James Scott at Populist Recording & Mastering.

Connelly shares a story to highlight the meaning of this album to him:
"The kid was out shopping with his mother: a mandated, boring, endless Saturday afternoon. Spring, maybe summer, 1974. Downtown Edinburgh, some department store. On Princes Street, she shopped; he wandered aimlessly from the toys to the records. He was too old for toys, and didn’t really care about records – not yet – but something caught his nine year-old eye: a nightmarish yet beautiful photo of a strange yellow ghost. Not man not woman, all ghost, as yellow as the sodium street light that illuminated the streets there at night. The ghost seemed to be dancing, arms aloft, blurry jewelry, black lips, dead eyes. It was the Rock N Roll animal.

Fast forward to 2026, and 52 years later the same kid is still obsessed with the same photo. The same kid ended up buying the record in the late 70s or early 80s when he was informed by everything that this untamable spirit was every bit the drug dervish, serpent king of NYC, and the encapsulation and custodian of all the real rock myths, along with Iggy, Bowie, and The Dolls."

That kid is Chris Connelly, who now brings us 'Doo Wop In The Dark' -- arguably his finest work to date -- along with supporting videos, select live dates, and sleeve notes by Lou Reed biographer Aidan Levy (author of https://aidan-levy.com/books/).

An alternative music icon, Connelly has been making music for over four decades. Since his days with Fini Tribe, he has consistently pushed the creative envelope through such projects as Ministry, The Revolting Cocks and Pigface, as well as his solo work (with over 20 releases) or the four books he has authored. 2025 brought Fini Tribe's 3-disc anthology "The Sheer Action of Fini Tribe: 1982-1987', preceded by 'The Lives and Loves of the Serial Homesick, Vol. 1', an album dedicated to his beloved Edinburgh and 'The Birthday Poems' featuring Monica Queen (Belle and Sebastian, Thrum).

On October 16th, 'Doo Wop In The Dark' will be released everywhere digitally, including Apple Music, Spotify, Amazon and Bandcamp, where it is also available as a limited edition two-CD set. A selection of tracks is also being made available on vinyl.

ALBUM CREDITS
Chris Connelly - vocals, guitar, harmonium, bass, keyboards, glockenspiel
Chris Bruce - guitar, programming, bass, keyboards, pedal steel guitar
Alan Holden Berliant - guitar, keyboards, bass, programming

Jebin Bruni - additional keyboards on 'Bye Bye Johnny Viola'

Produced by Chris Connelly & Alan Holden Berliant,

except 'Babyface', 'Bye Bye Johnny Viola', 'Doin’ The Things That We Want To' and 'One Too Many Mysteries' produced by Chris Bruce

Mixed by Alan Holden Berliant & Chris Bruce in Chicago & New York (2023-2026)

Mastered by James Scott at Populist Recording & Mastering
Liner notes by Aidan Levy
Cover photography by Derick Smith
Cover layout by Kimberly Blessing
Published by: Sony/ATV Music, Universal Music Group, Sister Ray Enterprises, Concord Music
© and ℗ 2026 Chris Connelly - All rights reserved

Released by Shipwrecked Industries LLC

'Nothin' But A Rock Song' video produced by Iain Mutch a.k.a. Walkerandwilliam
'House of 70's' video produced by Someoddpilot Studios
Directed and edited by Chris Eichenseer
Dancers: Kira Ledholm, Jay Drenkel
Management: Kimberly Blessing at Shipwrecked Industries
Chris Connelly photos by Derick Smith
Publicity by Shauna McLarnon at Shameless Promotion PR

Darkwave-shoegaze pioneers Lowsunday revisit ‘Call Silence’ with 2 distinct electronic music visionaries

October 10, 2026

Pittsburgh-based darkwave-shoegaze pioneers Lowsunday present 'Call Silence Remixed', a 2-track released via Projekt Records, involving two artists with deep histories in the dark-music world, each of them finding their own unique way to re-envision the same song. Taking the original 'Call Silence' in radically different directions, together, they create a striking conversation between post-punk, EBM, industrial, darkwave, drone and ethereal music.

The 'Silent Tribe Remix' by Psychotribe (aka Peter Guellard from DEATĦ B¥ LØVE) pushes the song into EBM and electronic territory, transforming its post-punk tension into something darker, more mechanical and hypnotic. The 'Call Silence' Remix by Sam Rosenthal (founder of Projekt Records and the creative force behind Black Tape For A Blue Girl), uses stark drones, spacious electronic layers and distant vocals to uncover a more vulnerable, emotional and atmospheric side.

Formed in 1994 as Low Sunday Ghost Machine, they emerged as a "retro-futurist" pioneer, blending darkwave and shoegaze long before the genres saw their modern revival. Their legacy was cemented with extended re-releases of their 1996 debut album 'Low Sunday Ghost Machine' and 1999 masterpiece 'Elesgiem' (for their 30th and 25th anniversaries). Having played an integral role in Lowsunday’s history over the years, Rosenthal served as an important catalyst in their return to music in 2025 after a nearly 25-year hiatus, now a duo made up of original member Shane Sahene (vocals, guitar, synth, bass, drums) and Bobby Spell (bass, guitar, drums).

Their recently-released 'Low Sunday Ghost Machine - Black EP' and preceding ‘White EP' (ranked second in Post-Punk.com's Best EPs of 2025) presents the band's first new material released since 1999. Both a reflection and a resurgence, these Lowsunday releases usher in a welcome return, marked by superb production and a renewed creative clarity, bridging three decades of distinct sonic legacy with balanced doses of escapism, dreamlike sounds, drones and feedback.

Lowsunday also present a stunning noir video for 'Call Silence - Silent Tribe Remix by Psychotribe', starring Shane Sahene and Sereny Welsby. Capturing tension between partners, perfectly set amidst brutalist backdrops like the University of Pittsburgh’s Posvar Hall, this video was filmed, produced and directed by Peter Guellard. Enormous concrete surfaces, repeating geometric patterns, tunnels, corridors, and overwhelming architectural scale provided exactly the intended atmosphere.

"Peter Guellard is an incredibly driven and talented musician and producer. He takes this somewhere completely outside of anything we would've done and his video offers an entirely different experience. What began as a Hitchcock type drama, full of possible endings and unanswered questions, became something deeper—a beautifully constructed mystery. He has captured its coldness, its darkness, its depth, and its contrasts with awesome precision. The imagery has the power of a still ocean: seemingly calm on the surface, yet immense, mysterious, and full of worlds beneath it," says Shane Sahene.

"Sam Rosenthal’s remix captured a vulnerability we seldom show, bringing a completely different vision. The stark, droning layers and almost percussive reverbs create a palpable mood. He managed to uncover and amplify the emotional sentiment within the song, while making it feel entirely new. It’s been an honor to have our song reimagined by two people we have so much respect and appreciation for."

Bobby Spell adds, "Peter’s visual interpretation is as stark as that particular architecture and surroundings, visually creating a feeling of insignificance and loneliness. The feeling of isolation it creates is palpable and Sereny’s and Shane's characters compound that feeling with their apparent detachment. Peter had a clear vision of exactly what he wanted to do with it".

As of October 9, 'Call Silence Remixed' is out everywhere, including Spotify, Apple Music and Bandcamp. Lowsunday's two limited edition vinyl EPs and their expanded anniversary reissue albums are also available via Projekt Records' store. Further, Lowsunday's 'She Follows Rain' was also recently released as part of Cherry Red Records' 4-CD boxset 'We Are The Beautiful'.

Lowsunday perform next at Pittsburgh's Brillobox on Friday, October 9. Presented by Play Alone Records, they join Choir Boy., along with Crash Davidian and DJ Krass Advert.

CREDITS
Lyrics by Shane Sahene
Track 1 written by Shane Sahene, Bobby Spell & Peter Guellard
Produced by Peter Guellard
Track 2 written by Shane Sahene, Bobby Spell & Sam Rosenthal
Produced by Sam Rosenthal
Mastering & cover artwork by Shane Sahene
Released via Projekt Records
Video filmed, produced & directed by Peter Guellard
Starring Shane Sahene & Sereny Welsby
Publicity by Shauna McLarnon for Shameless Promotion PR

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Montreal indie rock artist Martin Saint explores the art of leaving on “Endless Bridge" single

October 6, 2026

Montreal-based indie rock/alt-pop artist Martin Saint presents his new single "Endless Bridge", a poignant exploration of love, loss, forgiveness, and letting go. The song follows a relationship from its tender, snow-covered beginnings through heartbreak and separation, ultimately arriving at the possibility of reconciliation and emotional release.

Drawing on the atmospheric DNA of ’80s artists such as The Mission, The Church and Echo and the Bunnymen, "Endless Bridge" evokes changing seasons, long distances, and the passage of time. Its imagery moves between the innocence of early romance, a sense of divine grace, and the vulnerability of confronting what remains after two people part.

At its core, the song is about what happens when love is tested by time and distance. Rather than holding on at all costs, the narrator gradually arrives at a place of acceptance—where forgiveness becomes a form of freedom, and letting go becomes its own expression of love. The final image, like an offering carried out to sea, captures that surrender: painful, beautiful, and ultimately liberating.

Martin Saint is a Montreal-based singer-songwriter who is perhaps best known as lead singer and guitarist of The Ember Glows and Citylake prior to that. Since The Ember Glows parted ways in 2024 after half a decade and a solid string of releases, Martin has established himself as a solo artist. Apart from writing, recording and performing his own music, he also collaborates with a handful of fellow Montreal artists, such as Johnny Couteau, SU, DJ Sarcastic, and HJ & The Constellations.

"Endless Bridge" is Martin's first new music since his full-length "Seekers" album, released in spring of 2025. With glimmers of Nick Cave, David Bowie, Leonard Cohen, Bauhaus and The Doors infused through his work, his music presents a unique cinematic mood permeated by poetic lyrics, baritone vocals, and hooks over soundscapes.

"The song "Endless Bridge" is about as close to a love song as I’ll ever get, but there’s a bittersweetness to it. Beginnings, endings, renewals. It expresses faith in the future and letting go of forces holding us back, even if this may take a lifetime. There’s definitely a spiritual undertone tucked in there. Musically, I wanted something that’d sound epic. Something that is melancholic and foggy, but ultimately also uplifting and catchy," says Martin Saint.

"In between the two albums, I went back into the studio to re-record "Endless Bridge", one of my holder songs that I had originally released back in 2017 with my former band Citylake. I felt this song, in particular, deserved a dedicated rework and a new release — under my own name this time around. This song and its performance reflects where I am at this moment in time, as well as how far I’ve come since the period that the song was penned."

On 'Endless Bridge', Martin Saint is accompanied by Julie Abel on piano, Frank Bones on drums, and Jack Vignavong on bass. Recorded and co-produced by Frank Bones and Martin Saint at Indica Studio 24, Studio Pacifique and Martini Lounge, with recording assistance from Olivier René de Cotret, the single was mixed by Frank Bones with cover photography and design by Ursa Minor.

Martin Saint has also published "Under The Full Angry Moon", a quality collection of song lyrics spanning a few years, along with a number of short poems and his own drawings to illustrate specific songs. The book comes with QR codes that lead to the respective recordings. Just as his music combines some of the dark elements of 80s UK post-punk with a touch of psychedelia, this book also blends cinematic imagery with dramatic delivery.

Out October 6th, "Endless Bridge" is available everywhere online, including Spotify, Apple Music and Bandcamp. Work is already underway towards Martin's next full-length album in 2027.

NYC art-rockers ECCE SHNAK announce East Coast tour, previewing new album. 'Anna O' single is out now

October 5, 2026

NYC art-rockers Ecce Shnak are pleased to announce their upcoming nine-date East Coast tour, running November 11 through November 20, marking a significant new step toward the release of their forthcoming full-length, “Dandy Variances”, due in early 2027 via Records, Man Records.

Formed in 2011, Ecce Shnak (pronounced “Eh-kay sh-knock”) is made up of David Roush (composer, bassist and baritone vocalist), Bella Komodromos (vocals), Chris Krasnow (guitar), Gannon Ferrell (guitar), and Henry Buchanan-Vaughn(drums). Known for their mind-blowing live shows, Ecce Shnak was forged in New York’s vibrant experimental music community, having developed a distinctive collision of art-rock ambition, grunge weight, theatrical songwriting, and experimental instincts.

This is the first string of live dates for Ecce Shnak since they hit the West and East Coast, as well as Great Britain, with UK music legends EMF, a relationship that also led to contributing guest vocals on EMF's stellar single 'LGBTQ+ Lover'.

Now Ecce Shnak takes their explosive performances through Connecticut, Pennsylvania, New York, Massachusetts, Quebec, Ontario, New York, New York and Maryland. As they move toward a full-length, audiences can hear some new material alongside songs from the band’s catalog, including 2025's 'Shadows Grow Fangs' EP, mixed by Nicholas Vernhes (Animal Collective, Deerhunter, Wild Nothing, War on Drugs) and mastered by Grammy award-winning engineer Joe LaPorta (David Bowie, The Weeknd, Foo Fighters, Vampire Weekend).

Show-goers will catch an early glimpse of "Dandy Variances", which pushes the band’s established sound into a broader and more ambitious territory, including the singles 'Vincent', 'Eddie, Legalistic Homeslice' and their latest -- 'Anna O'. Combining art-rock swagger, grunge muscle and a distinctly theatrical sense of scale, this was based on a poem penned by Roush's mother Robin Kneubuhl.

Recorded and mixed by Roush and Jeff Lucci, this was mixed with Grammy Award-winning producer Mario McNulty (David Bowie, Prince, Nine Inch Nails) and mastered by multi-platinum engineer Kris Crummett (Sum 41, Sleeping With Sirens). The music video, directed by LA film producer DJay Brawner, sees Bella Komodromos play Anna, who is deeply distressed and entrapped in an asylum. Through an act of heroic resistance to the abuse, she finally sets herself free.

'Anna O' is out now, available from digital music platforms, including Bandcamp. Tickets for the tour are already available for sale now.

NOVEMBER 2026 TOUR
Wed, Nov 11 - Hamden, CT @ Space Ballroom (with Lee Emi & Cal in Red)
Thu, Nov 12 - Philadelphia, PA @ Nikki Lopez (with Coral Moons)
Fri, Nov 13 - New Paltz, NY @ Scry Chappelle
Sat, Nov 14 - Boston, MA @ O'Brien's Pub (with Jordan Dean)
Sun, Nov 15 - Montreal, QC @ L'Esco
Tue, Nov 17 - Toronto, ON @ Dance Cave
Wed, Nov 18 - Buffalo, NY @ Mohawk Place
Thu, Nov 19 - Brooklyn, NY @ Main Drag (with Dream Prescription, PUSH! & The After Hours)
Fri, Nov 20 - Baltimore, MD @ Metro Gallery (with Catie Turner & Kiss Bang)

'ANNA O' CREDITS
Music by David Roush
Words by Robin Kneubuhl

Recorded and produced by Jeff Lucci
Mixed by Mario McNulty
Mastered by Kris Crummett
DJay Brawner - Video Director & Senior Executive Producer
Max Rose - Executive Producer
Co-produced by David Roush, Beth Narducci & Brooks Jones
Single released by Records, Man Records
Publicity by Shauna McLarnon for Shameless Promotion PR
Ecce Shnak photos by Rose Callahan. Stylist: Fay Leshner

Manchester's CAULBEARERS announce new album, sharing the lead track 'Brothers At The Wheel'

September 29, 2026

Manchester-based outfit Caulbearers return with ‘Brothers At The Wheel’, an urgent and uncompromising single that confronts the structures of power governing modern life, while ultimately offering solidarity and collective action as an alternative to despair. It's is a rich and timely preview of their forthcoming album 'Come Back Home', out on October 30th via Single Cell Recordings..

A collective of musicians formed in 2007 and led by Damien Mahoney, Caulbearers are known for blending diverse musical styles, including soul, funk, hip-hop, dub, nu jazz, folk and post-punk influences. With contributors hailing from around the UK and Europe, their DIY ethic has coursed through every element of their releases, from design, production, videos and gigs to the recording process itself.

Mixed by Seadna McPhail (Badly Drawn Boy, Jah Wobble, Everything Everything, I Am Kloot, Happy Mondays) and mastered by Jim Spencer (New Order, Johnny Marr, Charlatans, Factory Floor) at Eve Mastering, this song was recorded by Mahoney and Chris Hamilton at Toast Recordings and Seadna McPhail at Airtight Studio..

'Brothers At The Wheel' traces a journey of political awakening - from a naive plea for those in power to change course before disaster hits, to disillusionment at the resulting hollow words and empty promises that leave the status quo intact.

“If we truly consider humanity as a brotherhood and sisterhood of equals, it seems the ultimate betrayal of our family to exploit, to oppress and to victimise others whilst creating structures that concentrate wealth in the hands of an ever-smaller, unaccountable minority,” explains Damien Mahoney.

“The 'wheel' in the title is that system -- a machine built to keep turning for profit and power, regardless of the cost to people, communities, or the planet.”

The song's resolution isn't despair but solidarity: a call for unity at the grassroots level, recognising that the same struggle echoes in other streets, other words, other languages. In resisting the forces intent on dividing us, the lyrics point to real power within the collective -- like a seed that can grow into something more balanced, harmonious, and connected.

The song's urgency isn't just lyrical -- it's built into the music itself. 'Brothers At The Wheel' comes straight out of the traps with an unrelenting groove: strings, bass, and keys locked into a single insistent pattern, guitar answering in the gaps, percussion driving it forward, while the vocal melody cuts its own path in short, sharp phrases that swap between landing on and off the beat.

Past the tempo shift, the song opens into a second movement: a soaring, wordless lament from ethereal folk artist Ruth Blake — beautiful and mournful, yet defiant, a celebration of the human spirit. Underneath, the arrangement builds in waves — guitars layering, cello and violin rising, keys, bass and drums gathering weight — swelling to a crescendo before dissolving.

'Brothers At The Wheel' is available everywhere digitally from September 29th, including Spotify, Apple Music and Bandcamp, the latter version also including a bonus radio edit, capturing the awakening in full — appeal, disillusionment, and the turn toward unity — within a tighter arc. On October 10, Caulbearers' album release show will take place at The Carlton Club in Manchester, joined by Ruth Blake and number of special guests, and support from John Haycock.

CREDITS

Lyrics & Music written by Damien Mahoney

Damien Mahoney — vocals
Ruth Blake - vocals
Stefan Skrimshire - cello
Will Lenton - keys
Anton Hunter - guitars
Grenville Harrop - drums
Dan Mitchell - bass
Gavin Mullan - percussion
Olivia Moore - violin
Produced & Edited by Damien Mahoney
Mixed by Seadna McPhail at Airtight Studios
Recorded by Chris Hamilton at Toast, Damien Mahoney at Padded Cell & Seadna McPhail at Airtight
Mastered by Jim Spencer at Eve Mastering
Cover design & artwork by Latent Variables
© 2026 Single Cell Recordings

Publicity by Shameless Promotion PR

BEAUTY IN CHAOS unveils fifth album ‘Quiet Place’, marking milestone anniversary of their debut

September 28, 2026

Iconic alt-rock / post-punk supergroup Beauty In Chaos returns to where it all began with ‘Quiet Place', - the band’s fifth studio album, arriving exactly eight years after releasing their debut record ‘Finding Beauty In Chaos’. More than an anniversary, the timing marks a remarkable full-circle moment for the LA-based project, bringing together the spirit of its beginnings with eight years of musical exploration, unlikely collaborations, and an ever-expanding family of artists.

Produced by Grammy-nominated producer Michael Rozon (Ministry, Jarboe, Wayne Hussey, The Melvins), ‘Quiet Place’ is a ten-track collection showcasing the latest from Beauty In Chaos. Released September 28th via LA-based 33.3 Music Collective, the album brings together familiar voices and new collaborators while continuing the project's distinctive blend of dark rock, atmospheric textures, powerful guitars, and richly layered songwriting.

The lead single 'Home' featuring Ashton Nyte of famed South African goth rockers The Awakening also marked eight years since BIC's first single 'Storm'. As vocalist and co-writer of that debut offering, this is a fitting reunion for a song about connection and finally finding where you belong. The 'Home' video was filmed by Nyte and longtime BIC collaborator Vicente Cordero (Industrialism Films). For the album release, the focus / highlight track is 'You Made Me A Weapon ft. Julian Shah-Tayler'.

BIC curator Michael Ciravolo describes 'Quiet Place' as “quite possibly our most diverse album, with a collection of songs that just work together”. This double vinyl release also includes many other returning BIC alumni, including Cinthya Hussey(with a bit of help from her Mission main-man husband Wayne Hussey), Whitney Tai, Julian Shah-Tayler, Betsy Martin, Leo Luganskiy, and Kommunity FK’s Patrik Mata.

Two new voices join the BIC family on this album - Nick Schultz, formerly with The Faces Of Sarah, and Strangelove’s Brent Meyer. The Deluxe CD also includes three cover song renditions, with Michael Ciravolo himself contributing vocals.

“Since I had several additional new singers in mind, Michael Rozan and I just kept writing songs, but the idea of releasing this album on the same date as our debut was important to me… so I had to make the call to stop at these ten tracks," says Michael Ciravolo.

"I am very aware that ten songs is indeed a ‘big’ listen in today’s chaotic world, but I believe in my heart that our audience is more discerning and open to a true deep-dive listen.”

Beauty In Chaos has come a long way since LA-based guitarist Michael Ciravolo(formerly of Human Drama and Gene Loves Jezebel and current President of Schecter Guitars) launched this project in 2018. Over the years, BIC has involved members of The Mission, The Cure, Ministry, Cheap Trick, The Offspring, Gene Loves Jezebel, Marilyn Manson, Human Drama, Bauhaus, Nine Inch Nails, Van Halen, A Flock of Seagulls and dUg Pinnick, ICE-T, Rolan Bolan and Zakk Wylde, among other luminaries.

‘Quiet Place’ is available in a 100-copy Limited Edition package, which includes a beautiful 180g double vinyl pressed on Ocean Blue Glitter. Each of the 100 copies are hand-numbered and include an eight-page lyric booklet, a Special CD, and a set of three BIC guitar picks. As with all BIC albums, the full digital version is included and sent for immediate download!

A ‘Goth Black’ double vinyl, a Deluxe 13 song CD, and a digital version are also available at the BIC Store. While all of the artists that are part of the growing BIC Family believe in enjoying music in a physical format, ‘Quiet Place’ can also be heard on all streaming platforms, including Apple Music, Spotify and Bandcamp.

CREDITS
Curated by Michael Ciravolo
Recorded, Mixed & Produced by Michael Rozon at SAINTinLA Studio
Executive Producer: Tim Perry (33.3 Music Collective)
Mastered by Dale Becker
Cover paintings by Maren Platzhoff
All songs copyright 2026 Beauty In Chaos Music (ASCAP)
'Home' Video filmed by Vicente Cordero & Ashton Nyte
Directed & Edited by Ashton Nyte
Featuring Ashton Nyte (vocals), Michael Ciravolo (guitar) & Tish Ciravolo (bass)
Publicity by Shameless Promotion PR

Electronic trailblazers DELERIUM & iconic avant-garde singer DIAMANDA GALÁS present “Into The Light“

September 25, 2026

Legendary Canadian electronic duo Delerium presents "Into The Light", a stunning collaboration with iconic American avant-garde singer and performer Diamanda Galás, released via Metropolis Records. An exquisite work of downtempo electronica, this track reveals itself as an opus of shadowy ethereal brilliance.

Delerium is a Canadian electronic music group founded in 1987 by the globally renowned duo of Bill Leeb and Rhys Fulber. Over the course of four decades, their music has encompassed a diverse range of styles that include dark instrumental soundscapes, ambient trance and electronic pop music.

"Into The Light" is the first offering from “Exaudire" -- Delerium's 16th album to date -- out in January 2027. It embodies portions of “Deliver Me From Mine Enemies: IV. Ε Ξελόυ Mε [Deliver Me]“, which was written and performed by Diamanda Galás and included on her 1986 album “The Divine Punishment". Produced by Leeb and Fulber, this was mixed and mastered by Greg Reely.

"Delerium has always been inspired by ancient spiritual callings through the ages. Having followed and listened to Diamanda Galás music and voice, I felt there was a certain connection. I have always wanted to work with her on a collaboration and now was the right time. 'Into The Light' is a perfect example of how Diamanda channels pain into beauty, and her inner demons are exorcised into art," says Bill Leeb.

Before forming Delerium, Leeb and Fulber had made a name for themselves with the highly influential electronic-industrial group Front Line Assembly (Leeb was also an early member of Skinny Puppy). Originally intended as a side project for exploring dark ambient instrumental compositions, Delerium ultimately took on a long and beautiful life of its own.

Since their 1994 album 'Semantic Spaces', Delerium has received two Juno awards and grown to massive fame through collaborations, involving vocals by Leigh Nash (Sixpence None the Richer), Lisa Gerrard (Dead Can Dance), Kirsty Hawkshaw (Opus III), Emily Haines (Metric), Jacqui Hunt (Single Gun Theory), Matthew Sweet and Kristy Thirsk (Rose Chronicles).

Worldwide chart success came in 2000 with the anthem "Silence (featuring Sarah McLachlan)", reaching #1 in numerous countries. Its remixes are also hailed among the greatest trance songs of all time (with the Tiësto remix voted the 12th-greatest dance track of all time by Mixmag readers).

With Front Line Assembly already part of the Metropolis Records roster, Delerium signed to the label for the release of the albums "Mythologie" (2016) and "Signs" (2023). Bill Leeb also released his widely acclaimed debut solo album "Model Kollapse" via Metropolis in 2024.

Delerium has also seen sync licensing placements with songs appearing in films such as "Brokedown Palace" and "Lara Croft: Tomb Raider". “Silence" was also recently heard in the hit BBC drama "Industry".

“Into The Light“ is out now across fine digital platforms, including Spotify, Apple Music and Bandcamp. Already available for pre-order, 'Exaudire' will be released digitally, on CD and as a double album on Oxblood vinyl on January 22nd, 2027.

CREDITS
"Into The Light" written by Bill Leeb, Rhys Fulber and Diamanda Galás
"Into The Light" embodies portions of “Deliver Me From Mine Enemies: IV. Ε Ξελόυ Mε [Deliver Me]”, owned, written and performed by Diamanda Galás (used by permission).
Recorded, mixed and mastered by Greg Reely
Produced by Bill Leeb and Rhys Fulber
Cover artwork by Dave McKean
Diamanda Galás cover photograph by Kristofer Buckle
Released by Metropolis Records

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New Jersey's QUIZ SHOW honors old friends & forges new paths on ‘XONO’ EP (Out September 28th)

September 24, 2026

New Jersey-based indie rock trio Quiz Show present their new 'XONO' EP, released via New Jersey's Magic Door Record Label. This three-song collectioncaptures the band at a point of transition, blending noisy, high-energy power-trio rock with a growing acoustic side in their performance.

Quiz Show is made up of Chris Matthews, a founding member of of legendary DC hardcore band Shudder To Think, and bassist Jesse Krakow, together with drummer Joe Billy III, who replaced the original drummer Kevin March (Guided By Voices, The Dambuilders, Shudder To Think).

You could say Quiz Show is a continuation of unfinished business. After a quarter-century break, Chris Matthews picked-up his guitar and again began to write songs, triggered by a chance meeting with his former Shudder To Think bandmate Kevin March. Now both living in Montclair, Kevin and Chris ended up forming Quiz Show with Frank Gibbons on bass.

This EP reflects Quiz Show’s recent evolution, honoring longtime influences and collaborators while pointing toward the band’s next chapter. Once again, Quiz Show worked with award-winning producer Ray Ketchem (Guided By Voices, Luna, Elk City, Gramercy Arms, The Dambuilders), who produced, recorded, mixed and mastered thie EP at Magic Door Recording Studio in Montclair, NJ.

The title track 'XONO' is about the high hopes of friendship and love, and the difficulties that lie therein, exploring the painful gap between idealized romantic aspirations and the harsh truth that a promising bond is ultimately doomed to fail. Chris Matthews shares, "I really love 'XONO' for being a tight, quick, and complex song. There is some great simplicity and pleasant dissonance in the music. That it tells a story about difficult relationships is something I am proud to have found a way to spell out".

The second track, 'Haircut Sphinx', is a cover of a Guided By Voices song, written by Robert Pollard and recorded for their 'Mirrored Aztec' LP from 2020. .

"We were inspired to record the song to honor the genius of Pollard and his relentlessly amazing songwriting in Guided by Voices, and also to pay homage to our good friend Kevin March, GBV’s drummer on this song and many others," says Chris Matthews.

"We slowed the tempo of the song and added an organ (played by Jesse) to capture a more sludgy feel. We also changed the ending to bring out what seemed to us a really cool musical change with a great vocal line that we thought was worth repeating."

The EP closes with an acoustic version of 'Pom Pom Boy', a first generation Quiz Show song. Chris Matthews explains, "Originally released on our 'Quiz Show' album, we recorded this version to give this song a new life in a different costume." Written by Kevin March and Chris Matthews in Chris’ basement years ago, it captures the spirit of what these two created when they sat down just to play and see what happens. This track highlights the multi-talents of Joe Billy III, whose killer drumming was set aside to showcase his acoustic guitar skills.

Quiz Show makes music still squarely within the punk and alternative rock spectrum with elements of Hüsker Dü, Pixies, Ramones, Fugazi, Sonic Youth, and Girls Against Boys. Blending the melodic hooks and songcraft of alternative pop with the raw energy and noise of punk, their layered guitars, heavy drums, and bass create a dense, dynamic sound that rewards repeated listens.

Their 2023's debut 'Quiz Show' album is an electrifying collection full of protest, friendship and frustration. Their 'Flotsam' EP, released in 2024 and engineered by Ketchem and Brian Robbins (Blondie, Bring Me The Horizon, Papa Roach), explores the shattered, lost stories of people’s lives. Both releases received widespread critical acclaim.

"Our new 'XONO' EP captures the life of Quiz Show over the last year. After a run of EPs as a power trio, schedules and real life made time for the band tight. Nevertheless, we found a way to write, practice, and record 'XONO' and 'Haircut Sphinx'. These songs give the best sense of where we have been trying to go with the band," explains Chris Matthews.

"Joe and Chris are now playing as a duo and will be including an acoustic break in their live sets. The new recording of 'Pom Pom' shows how this will look"

As of September 28, the 'XONO' EP is out everywhere, including Apple Music, Spotify and Bandcamp. Quiz Show perform October 2 at Crossroads in Garwood, NJ, along with The Van Pelt.

IGGY POP joins JOAN AS POLICE WOMAN for a Powerful Reimagining of “Save Me”

September 23, 2026

Continuing the celebration of her new album 'Real Life Evolution', released via UK label Reveal Records, NYC singer-songwriter Joan As Police Woman has teamed up with the illustrious Iggy Pop on 'Save Me'. The track is one of ten fresh interpretations of songs from Joan’s 2006 debut 'Real Life' album, reimagined two decades after its original release with a new cast of collaborators and released exactly 20 years from her debut.

Joan Wasser, known as Joan As Police Woman since 2004, is a critically acclaimed musician and producer, and a sought-after collaborator, dubbed “the coolest woman in pop” (The Times) and “one of the 21st century’s best musicians” (The Economist). As a singer, songwriter and multi-instrumentalist, her music defies easy categorization, crafting her own sound that blends various genres.

"Some transformations are subtle. Others are seismic. All of them were made with an entirely new cast of collaborators. Among them are two extraordinary vocalists. The inimitable Iggy Pop — whose band I’ve had the privilege of touring with, playing keys and singing — recorded a stunning version of 'Save Me' while we were on the road in New Zealand. We had to work around the birds outside, who apparently had strong opinions about the session. Then there’s Krystle Warren, a true original and one of my favorite singers alive. Her voice is so deeply soulful that 'I Defy' feels like it thoroughly enjoyed easily slipping into its brand new groove," says Joan.

Music has a way of taking on a life of its own, evolving and revealing new meaning as the years pass. Through countless performances, the new renditions on this extraordinary album are brought to life by the brilliance of the players who helped define their sound. This remarkable opportunity to hear Joan return to the music that helped define her artistic journey brings new perspective, texture, and energy to songs that have already stood the test of time.

"My friend’s reaction when I told them who sang this? “Iggy Fucking Pop”?? And yes, I am lucky enough to have been able to record him in a professional studio in New Zealand (a hotel room next to the pool on a day off). Thank goodness for portable recording rigs," explains Joan Wasser.

"To me, Iggy is one of the great romantics. A few years ago, when I joined his band on Wurlitzer organ and vocals, I began to weep while in rehearsal for The Passenger. His voice is simply one of the greatest of all time. It holds a commanding masculinity alongside a profound connection to the fully range of human experience. This song carries that same quality I’ve always heard in him: a raw, aching desperation that few singers can touch. I am forever grateful to the “Godfather of Punk”.

The Real Life Anniversary Sessions video for 'Save' Me' was filmed at The Owl Music Parlor in Brooklyn by Ehud Lazin, and recorded by Adam Sachs as Joan is accompanied by Jeremy Gustin on drums and Will Graefe on guitar and vocals, the 'Real Life Anniversary Sessions)' video. Earlier, Joan shared similar intimate versions of 'Feed The Light', 'Eternal Flame', 'Flushed Chest', 'The Ride','Anyone', the title track 'Real Life', 'I Defy', and the most recent offering in this series - 'Christobel'.

"Will Graefe brings his emotionally masterful guitar work and Jeremy Gustin his remarkable rhythmic sensibility to several tracks. Parker Kindred’s inventive drum creations were the spark behind others. Thomas Bartlett unlocked a new dimension of the title track — honoring its original feeling while casting it in a warmer, amber light — and added Rhodes bass throughout," says Joan.

"This album gave me the chance to reunite, decades on, with upright bassist Tony Scherr, guitarist Oren Bloedow, and funk bassist Danny Blume — musicians whose artistry has only deepened with time."

Joan As Police Woman has released ten albums of original material, two cover albums, and an anthology. She has recorded and performed with hundreds of artists, including Afrobeat legend Tony Allen, Lou Reed, Anohni & The Johnsons, Meshell Ndegeocello, Rufus Wainwright, John Cale, David Byrne, Dave Okumu, Chris Dowd, Lau, Scissor Sisters, Sparklehorse, Beck, Laurie Anderson, Lloyd Cole, Afel Bocoum, Dave Gahan, Tanya Donelly, Damon Albarn and Gorillaz.

'Real Life Evolution' is out everywhere digitally and on CD and Limited Edition exclusive red marble vinyl on Bandcamp. Tickets for Joan's 'Real Life 20th Anniversary Tour' -- in November 2026 and February 2027 -- can be ordered at www.joanaspolicewoman.com/tour.

'SAVE ME' SINGLE CREDITS

Written and Produced by Joan Wasser
Published by Fists of Fury (BMI / Domino Publishing)

Iggy Pop - vocals
Joan Wasser - vocals, piano & melodica
Will Graefe - guitar
Jeremy Gustin - drums
Recorded by Adam Sachs live at The Owl Music Parlor, Brooklyn, NYC & Studio 222 in Taupō, New Zealand
Additional production by Urian Hackney
'Real Life Anniversary Session' video filmed by Ehud Lazin
Adam Sachs - audio recording engineer & mixer

Mixed by Patrick Dillett at Reservoir Studios
Mastered by Chris Gehringer at Sterling Sound
Album package concept, design & photos by Judi Rosen
(p) & (c) 2026 Sweet Police LLC under exclusive licence to Reveal Records

Publicity by Shameless Promotion PR

REAL LIFE ANNIVERSARY TOUR
NOV 5 London, UK - Union Chapel
NOV 6 London, UK - Union Chapel
NOV 7 Manchester, UK - RNCM (Royal Northern College of Music)
NOV 9 Glasgow, UK - Oran Mor
NOV 11 Brugge, Belgium - Cactus Club
NOV 12 Amsterdam, Netherlands - Zonnehuis (sold out)
NOV 13 Hamburg, Germany - Mojo Club
NOV 15 Aarhus, Denmark - Train
NOV 16 Copenhagen, Denmark - DR Concert Hall
NOV 18 Budapest, Hungary - House of Music Hungary
NOV 22 Berlin, Germany - Haus des Rundfunks & Großer SendesaalFEB 12 Paris, France - Alhambra
FEB 14 Amsterdam, Netherlands - Zonnehuis
FEB 16 Bremen, Germany - Kulturzentrum Radio Bremen
FEB 17 Heidelberg, Germany - Kulturhaus Karlstorbahnhof
FEB 19 Schorndorf, Germany - Club Manufaktur
FEB 21 Brighton, UK - Komedia
FEB 22 Cambridge, UK - Cambridge Junction (J2)
FEB 23 Norwich, UK - Norwich Arts Centre
FEB 24 Leeds, UK - Howard Assembly Room
FEB 26 Bologna, Italy - Estragon Club
FEB 27 Milan, Italy - Santeria Toscana 31

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British alt-pop artist SICKY offers mischief and revenge on new ‘Bubblegum Party’ single

September 22, 2026

British alternative artist SICKY unveils his new single 'Bubblegum Party', a playful, infectious slice of indie rock that pairs catchy pop sensibilities with his trademark off-kilter style. Beneath the bubblegum facade lies a gloriously messy breakup party, served with a crooked grin as sweetness meets spite, chaos and a wicked sense of fun.

'Bubblegum Party' offers the first taste of his forthcoming full-length 'Redland' album - his fourth to date. Full of mischief, attitude and a darker sense of humour, here SICKY delivers one of his most fun and irreverent songs to date. 'Redland' is an album about friends lost along the way. It's a good bit darker than its predecessor Troubled Delight.

"Ultimately, 'Bubblegum Party' is a tale of sweet revenge. A public humiliation of someone who absolutely had it coming to them. It's a work of fiction but has a large toe touching reality. We've all met the cocky arrogant lowlife type who tries to control someone they're supposed to be close to. Well, in this song, he gets his comeuppance at our heroine’s birthday party," says Mick Butler.

"The bubblegum reference is effectively a middle finger gesture by the metaphorical blowing of an exploding gum bubble in someone's direction. It's poppy, it's silly and it's just a bit of fun amongst some much darker moments on the 'Redland' album".

SICKY is the solo project of Mick Butler, whose brand of melodic Britpop-infused indie rock spells good news for fans of Beck, Supergrass and early Blur. Originally from the Black Country region of England, he is now based in Shropshire.

While Mick Butler has had his run of playing in bands, ranging from the brass soaked pop of Papa Mantra to the dirty stomp of SUMO, he now derives pleasure from banging out tunes and crafting new material. Literally everything you hear in his music is him squeezing noises out of anything that'll sing.

In 2025, SICKY released his widely acclaimed 'Troubled Delight' album, preceded by his sophomore 'Garbage Town' album in 2022. Prior to that, in 2021, he debuted with 'Bowling Balls', partially inspired by Prince, Bowie and Ray Bradbury's book 'The Martian Chronicles'.

'Bubblegum Party' is now available from fine digital platforms, including Spotify, Apple Music and Bandcamp, where his 'Troubled Delight' album can also be found. The 'Redland' album is out November 20th.

CREDITS
Written by Mick Butler (SICKY)
Recorded, mixed and produced by SICKY in Shropshire
Mastered by Streaky Mastering
Cover artwork by Robin Firth
SICKY photos by Helen Marshall
Publicity by Shameless Promotion PR

37 years since forming, New York Tri-State rock veterans JACK'S MAZE resurface with ‘Let It Go’

September 22, 2026

Many years since forming in 1989, American rocker outfit Jack's Maze is back with new material. Their new single 'Let It Go' is a driving, dark melodic, emotional progressive rock song that opens the next chapter for a band with a storied history. Originally based in Hightstown, New Jersey, Jack’s Maze originally cut their teeth in the early 90's as a band in the New York tri-state scene after initially launching as Laughing Jack.

Previewing their forthcoming album 'Once In A Blue Moon', set for release in January 2027 via Pennsylvania indie imprint RPM Entertainment, the story behind this record entails a journey 37 years in the making. Jack's Maze is an enduring tale of music, friendship, perseverance, and unfinished dreams, now ready to take their next major leap forward.

"I first came up with the basic music and melody for 'Let It Go' about 15 years ago! I would play it off and on and always singing “…and the music take you/me away, then all questions are answered today…”. However, the rest of the lyrics and music were done recently. The concept is obviously how music can be a remedy for what may troubling you at any given time - it’s an escape and freedom - but, for me at least, sometimes it can be a double-edge sword," says frontman Frank Cinquegrana.

"There is constantly music in my head - just about every waking minute, whether I am proactively humming/singing or playing it in my head on purpose. Half the time I hear it in my head like background music, whether I’m working, eating, having sex or even socially conversing with others! In fact, there is a song playing in my head at the moment I am writing this; and driving me absolutely crazy!!! Music is usually freedom but sometimes it can be chains."

Founded in 1989 as Laughing Jack, the band soon took on the name Jack's Maze and built a solid reputation by playing throughout New York City and surrounding states, drawing from the expansive creativity of progressive rock, the power of classic rock, and diverse influences ranging from Led Zeppelin, Pink Floyd and Rush to early Genesis and Mozart.

The original lineup featured Frank Cinquegrana on lead vocals and lyricist, Robin Ross on keyboards and guitars, Scott Cowan on rhythm guitar, Joe Torres on bass, Joe Granowski on drums, and Bill Snyder on lead guitar, Robin also served as the band's composer and a driving creative force behind its music.

By 1993, Jack's Maze completed their debut album 'Lost in the Maze', which was subsequently shelved when life happened and the music went quiet. Despite never receiving an official release at the time, the album remained an important part of the band’s story. That music quietly waited nearly three decades to be discovered when the band reunited in 2022 to bring that unfinished chapter to life.

On the 30th anniversary of the album, Jack’s Maze finally released this record, giving fans the opportunity to hear music that had waited nearly 30 years to be discovered. The powerful track 'Big Machines' emerged as the band’s anthem—a fitting representation of the energy, ambition, and timeless character of their music. Unfortunately, Snyder passed away in 2021, but his playing and contribution to the band's music remain an enduring part of the band's legacy.

After resurfacing from their decades-long hibernation, the band has not been sitting idle - now moving forward with their second album 'Once In a Blue Moon'. Cinquegrana's broad musical perspective and powerful storytelling remain central to the identity of Jack’s Maze. Developing the band's progressive-rock sound and original compositions with Robin Ross, they have been able to continue exploring the many musical influences that define Jack’s Maze through songwriting, recording and collaboration that continues to drive the band's creative vision.

For Robin Ross, the decades in between have been productive, allowing the band to continue making new music following their reunion, taking things to a new level. A multi-faceted musician, songwriter, and producer who has released numerous albums, he has also designed and developed several recording spaces, including Triple R Studios and Sound Complex near NYC.

Now a central figure in the creative pulse of Milford, Pennsylvania, Ross has since grown his current hub, Baa Baa Leaf Music, into a creative sanctuary and production house. It it here where he recorded, mixed and produced this new album, working alongside famed master engineer Jonathan Duckett (Phillip Glass, Kenny G, David Sanborn).

Jack’s Maze is more than a band - it is a story of music, friendship, perseverance, and unfinished dreams finally brought back to life. The band’s journey proves that great music never truly dies out. Driven by an enduring love of music, they continue to celebrate the sound they created decades ago, while keeping the spirit of progressive rock alive for a new generation. The maze may have started in 1989, but their journey is far from over.

On September 22, Jack's Maze releases 'Let It Go' across digital platforms, including Apple Music, Spotify, Amazon Music and Bandcamp, where their 'Life In The Maze' album is also available on CD or digital download.

CREDITS
Music by Frank Cinquegrana, Robin Ross, Scott Cowan, Joe Torres
Lyrics by Frank Cinquegrana
Frank Cinquegrana – vocals & drums
Robin Ross – keyboards
Scott Cowan – guitar & background vocals
Joe Torres – bass
Tina Ross – ghost vocals
Recorded at Baa Baa Leaf Studio in Milford, PA
Produced, recorded & mixed by Robin Ross
Supervising engineer Jonathan Duckett
Video produced by Tina Ross
Publishing & booking: RPM Entertainment Enterprises, LLC
Band photos by Tina Ross
Publicity by Shameless Promotion PR

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Luke Haines & Mike Smalle deliver 'The Black Maria, O', latest in Bring Your Own Hammer series

September 21, 2026

Bring Your Own Hammer (BYOH), in partnership with Dimple Discs, presents 'The Black Maria, O', a remarkable new collaboration between acclaimed British music legend Luke Haines (The Auteurs, Baader Meinhof, Black Box Recorder) and Irish musician, songwriter and producer Mike Smalle (Cane141, Augustus & John, B-Movie Lightning).

Accompanied by a superb animated video by visual artist and filmmaker Jules Hackett, the song reaches back to New York in 1887, where an original song of the same name by Irish-American lyricist Edward Harrigan and composer David Braham was performed as part of the musical comedy 'McNooney’s Visit'. Haines and Smalle take this long-forgotten piece of Irish-American musical history and transform it into a striking 21st-century re-interpretation of long-forgotten but superb lyrics, retaining the extraordinary language and atmosphere of Harrigan’s lyric while placing it within a radically contemporary musical setting.

'The Black Maria, O' evokes the criminal underworld of late 19th-century America, with references to the slang term “Black Maria”, used for police wagons, and to the prison on Blackwell Island near to Manhattan. This is a vivid example of the approach at the heart of Bring Your Own Hammer: taking historical sources, forgotten stories and voices from Ireland and the Irish diaspora and reinterpreting them through contemporary music.

A musician, songwriter and author, Luke Haines has recorded music under various names and with various bands.. His books include the bestselling "Bad Vibes – Britpop" and "My Part in Its Downfall". His latest solo album, 'Izzy Wizzy Let's Get Busy', is out now on Cherry Red Records.

Hailing from the west of Ireland, Mike Smalle has, in the past two decades, released a wealth of music under various names, exploring a wide range of styles from ambient and folk to pop, electronic, and experimental music. In 2021, he released the album 'Pagan Pulse' under his ownname. He has also collaborated with Cathal Coughlan, Jah Wobble, Simon Fisher Turner, and Mark Eitzel.

The single is the latest preview of 'From The Tombs', the forthcoming second album in Bring Your Own Hammer’s ambitious Music & History Series following "My Grief on the Sea", a collection of songs about the sea, maritime voyages, and migration to and from Ireland during the 1800s, dedicated to the memory of Cathal Coughlan (Microdisney, Fatima Mansions), one of Ireland’s most revered artists, who was also involved in this project. This barnstorming 21-song double album is a journey through the history of crime, law and order in Ireland and among the Irish Diaspora in the 19th century.

Bring Your Own Hammer is a masterclass in collaborative artistry that unites historical scholarship and contemporary composition. Curated by Dr. Richard Mc Mahon (lecturer in History at MIC, Limerick and currently a visiting fellow at the Institute of Criminology, University of Cambridge), BYOH explores forms of invented history, rooted in historical sources from Ireland and overseas, with support from Dr. Niall Whelehan (senior lecturer at the University of Strathclyde in Glasgow, who has written widely on the history of modern Ireland and the Irish diaspora with a focus on the 19th century).

Bringing some of Ireland’s and Britain’s finest songwriters together with historians to create new and original song cycles based on historical sources and to interpret song material rooted in the history of 19th-century Ireland and of the Irish Diaspora. Not a band, nor an ensemble or even a collective, Bring Your Own Hammer is a faction - one that is armed with voices and instruments and dedicated to re-interpreting historical material in song form.

Smalle also spearheaded the album's title track 'From The Tombs', honouring its tragic subject matter through the lens of high-calibre, polished indie-pop. He is joined by June Miles-Kingston (Fun Boy Three, The Communards, Everything But the Girl), Bernard Butler (Suede, McAlmont & Butler, The Tears), Fergal Lawler (The Cranberries), Marcus Holdaway (The High Llamas), Ian Catt (Saint Etienne) and Terry Edwards (Madness, PJ Harvey, Nick Cave, The Near Jazz Experience).

The most recent release from this landmark record is "Quinn the Adventurer", performed by celebrated Irish songwriter Adrian Crowley, bringing an extraordinary true story from Ireland's past vividly into the present through song.

Other contributors to the album include Sean O’Hagan (Microdisney, Stereolab, High Llamas), Audrey Riley, Cian Nugent, Linda Buckley, Tony Higgins, SJ McArdle, Michael Walsh, Lisa Lambe, Miriam Ingram, Hugh Bunker (Fatima Mansions), Damian O'Neill (The Undertones), Brigid Mae Power, Anne Gilpin (Morton Valence), Lavinia Blackwall (Trembling Bells), Inni-K, NQL. Kelsey Michael, Neil Farrell (Toasted Heretic) and Michael J. Sheehy.

'The Black Maria, O' is available on digital platforms, including Apple Music, Spotify, and Bandcamp. The previous singles can also be found there, along with the 'My Grief On The Sea' album on CD and limited edition vinyl.

EDDIE SKULLER "House Where Nobody Lives" showcases Tom Waits tribute EP "Blind Love"

September 20, 2026

New Jersey artist Eddie Skuller presents 'House Where Nobody Lives', a standout track from his ‘Blind Love’ EP, which originally appeared on Tom Waits' Grammy-winning album 'Mule Variations', which received the Grammy Award for Best Contemporary Folk Album. This features Eddie’s son Jack Skuller on guitar, Jeremy Chatzky (Springsteen, Steve Earle, Ronnie Spector) on bass, and Nick Kinsey on drums and keyboards.

This four-track homage to Waits’ songwriting revisits a storyteller with a rare ability to capture human character, emotion and melody, as well as his ability to find beauty and humanity in unexpected places.

Eddie Skuller’s vocal was recorded completely live to 2-inch tape during the tracking session. Nick Kinsey then worked his studio magic, even incorporating a four-track cassette recorder to capture some otherworldly sounds from his vintage Optigan keyboard.

"One of those beautiful Tom Waits songs I wish I had written, Waits' lyrics express the idea that love is what gives a house true value: "If there's love in a house, it's a palace for sure." The lyrics also suggest the personal emptiness that can follow when we lose sight of what matters most," says Eddie Skuller.

"I've always been intrigued by abandoned homes, wondering about the faded memories and lost stories they once held. I discovered a fascinating video collection of abandoned homes on the "Urban Exploring With Kappy" YouTube channel. Documenting historic abandoned houses, he captures both their exteriors and interiors. He graciously gave me permission to repurpose some of his footage for this new lyric video, which I manipulated to create a more abstract and ethereal backdrop for the video."

With a unique vocal style, Skuller brings a raw, analog intimacy to these compositions, exploring the space between homage and reinvention. Performed with reverence, restraint and emotional intelligence, he allows the songs' emotional complexity to emerge, his delivery favoring intimacy over imitation.

Based in Jersey City, Eddie Skuller went to the opposite edge of the state to record this EP - namely, the upstate New York studio The Chicken Shack with producer-proprietor Nick Kinsey, known for his work with Kevin Morby, Waxahatchee and Scott McMickey. Fun fact: Waits himself is said to have made his Mule Variations album in another converted chicken shack on the opposite coast.

Apart from the artists mentioned earlier, this EP also involves Ryder Cooley of Dust Bowl Faeries on accordion. Skuller's performance reveals layers of tenderness, nostalgia, and quiet hope. Captured without edits or vocal overdubs, the recording preserves the spontaneity of the recording and the imperfections of analog production, the vocals captured live with the band.

Eddie Skuller explains, "These four songs share a dark melancholy of lost love and desire, but all resolve with a sense of hope for a positive future outcome. That’s what draws me in to these songs and what connects them. In my live show, it’s the spirit of hope that people take with them. What makes this experience unique for me is that it was recorded live in studio to tape.... The songs became meditative dirges and the lyrics read as pure poetry."

Skuller earlier shared his renditions of ‘Downtown Train’ and ‘You Can Never Hold Back Spring’, two of Waits' most quietly affecting songs, revealing a gentler side of Waits’ catalog, where grit gives way to tenderness and reflection. Blending collage, illustration, photography, typography and animation, the music video is a collaboration with French collective SPX ETC (artists Sandrine Pagnoux and Sophie Etchart), sparked through Sandrine’s Tom Waits editorial for 46pgs magazine.

Skuller is also a regular guest vocalist with The Losers Lounge, the acclaimed tribute series curated by The Psychedelic Furs’ Joe McGinty and regularly held at Joe’s Pub and City Winery in NYC. His live performances have drawn praise for their authenticity, emotional clarity, and musical integrity.

The 'Blind Love' EP is out now, available everywhere digitally, including Spotify, Apple Music and also directly from the artist via Bandcamp.

CREDITS
Produced & Mixed by Nick Kinsey at the Chicken Shack Studio, New York
Mastered by Christopher Colbert at National Freedom Studio, Oregon
Eddie Skuller - vocals
Jeremy Chatzky - bass
Jack Skuller - guitar
Nick Kinsey - drums, percussion, keyboards
Ryder Cooley - accordion
EP cover photo and design by Eddie Skuller
‘You Can Never Hold Back Spring’ video produced for SPX ETC
by Sophie Etchart & Sandrine Pagnoux
Single cover photo & design by SPX ETC
Original artist photos by Eddie Skuller
Publicity by Shameless Promotion PR

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Pittsburgh's LOWSUNDAY turns loneliness into darkwave seduction on 'Someone To Talk To'

September 17, 2026

US darkwave-shoegaze pioneers Lowsunday lean straight into the heavy ache of isolation on their intoxicating new single, 'Someone to Talk To', exploring the painful tension between the desperate need for connection and the harsh realization that the person we trust may not be who they seem.

Following the adrenaline-infused 'You’re So Wired' and 'This Is Not Heaven', the new single is lifted from their scorching 'Low Sunday Ghost Machine - Black EP' recently released via Projekt Records, the very label that supported them before disbanding decades ago. Wrapping listeners in a shadowy, dreamlike atmosphere, this song turns heartbreak and disillusionment into something strangely serene.

The lyrics follow someone reaching out for companionship while getting caught in a web of deception, emotional dependence, and misplaced trust. It hits on a central truth about chronic loneliness: how it can cloud our judgment, causing us to mistake basic attention for genuine care and completely overlook warning signs until the truth is impossible to ignore. The repeated declarations of love set against accusations of cruelty capture the song’s core emotional contradiction, showing how attachment can survive even after trust has been destroyed.

Formed initially as Low Sunday Ghost Machine back in 1994, the band emerged as retro-futurist pioneers, blending darkwave and shoegaze long before either genre experienced its modern revival. After a nearly 25-year hiatus, Lowsundayresurfaced in 2025 as a duo featuring original members Shane Sahene on vocals, guitars, synth, bass, and drums, alongside Bobby Spell on bass, guitars, and drums.

Their return was cemented by extended 30th and 25th-anniversary re-releases of their 1996 debut album 'Low Sunday Ghost Machine' and the 1999 masterpiece 'Elesgiem' through Projekt Records, followed closely by their late 2025 ‘Low Sunday Ghost Machine - White EP', which ranked second on Post-Punk.com's best EPs list. Now, the 'Black EP' -- their second release of all-new material released since 1999 -- serves as the darker counterpart and definitive statement to that release.

"This song goes into darker, more abstract places," explains Shane Sahene, talking about interacting with people who walk through life handing out broken hearts as a form of exchange. "The figurines with the eyeball heads almost suggest being naive—that we sometimes think with our eyes and not our heads—that we can love at face value and totally miss the underlying reality that some people actually don't want to be loved. As the song goes, 'when you said you had my back, it was your first attack.'"

Shane Sahene also notes the curious irony of the track: "It makes us very happy to play. It’s so dark in concept that it emotionally feels like being in a calm ocean at night or walking into a cave."

The release is further anchored by a striking companion music video crafted by creative partner Jer Herring. "This video perfectly captures the delicate coldness, detachment, and loneliness of this song," says Bobby Spell. "Jer has a way of drawing on the essence of a song and bonding it with imagery that demonstrates isolation and miscommunication in a variety of modern scenarios."

Blending shimmering, pristine textures with infectious choruses, Lowsundaybridges three decades of distinct sonic legacy with a renewed creative clarity. The 'Black EP' is available now across digital platforms like Spotify and Apple Music, with a physical vinyl edition (limited to 200 copies) available through Bandcamp.

RAISED ON CANDY shares 'Pickle Eyes', announcing follow-up album to Steve Albini-produced debut

September 15, 2026

American alt-rock outfit Raised On Candy presents their new single 'Pickle Eyes', a tightly wound blast of melodic tension and explosive guitar-driven release. The first warning shot ahead of their sophomore album 'Play Marbles on the Turnpike', forthcoming via Magic Door Record Label, the track sets the tone for a record that finds the duo expanding their noisy, hook-heavy sound and unruly edge.

A tightly wound blast of melodic tension and explosive guitar-driven release, the track sets the tone for a record that finds the duo expanding their noisy, hook-heavy sound without losing its wonderfully unruly edge. It's the first warning shot from an album built to hit hard, take unexpected turns and linger long after the ride stops.

Equal parts melodic earworm and noisy joyride, the track barrels out of the gate with wiry guitars, explosive rhythms and an unmistakably off-kilter charm. It's a tantalizing glimpse of an album that promises sharp hooks, combustible guitars and plenty of glorious left turns.

Raised On Candy is Joe Penna (vocals, guitars) and Scotty Imp (drums, cymbals). Formed from the ashes of the band Buteo, Raised On Candy is the next step in the evolution of their music, weaving old school indie-rock and post-punk nuggets into tasty sonic delicacies. They've always called Montclair, New Jersey their home base. Scotty lives there and, while Joe lives in Riverside, Connecticut, he was born in Montclair and grew up in the nearby community of Toms River.

Raised On Candy produced this album together with Ray Ketchem (Guided By Voices, Luna, Elk City, Gramercy Arms, The Dambuilders), who also engineered, mixed and mastered it at Magic Door Recording Studio in Montclair from October 2025 to June 2026. With a minimalist interplay of melodic vocals, slow burn builds and massive hooks, their music unites precise rhythms with pyro-friendly guitars, transforming chaos into sharp, noisy rock.

"This song is about the personal enrichment that comes from having the courage to embrace the people and things that appear to be different from you. Without curiosity, we are choosing a life unlived, opting instead for intolerance and ignorance. Buy the ticket, take the ride," says Joe Penna.

"We assembled this one as sort of a short scale boardwalk roller coaster - set the table with anticipation then let it all go with a couple of nice releases. After that, we give you a little time to catch your breath then bring it all back around one more time for the big finish. Once it stops, push the bar up and go get some zeppoles."

Scotty Imp adds, "I remember 'Pickle Eyes' being written really quickly. I knew exactly what the drums were supposed to do before I could actually play the parts. I kept getting ahead of myself doing those big fills. I was excited that the song needed such expressive & energetic drum parts."

Scotty and Joe met over 20 years ago through a mutual friend, but it wasn't until after the demise of Joe's band Transit Belle around 2005 that they would collaborate. They formed the band Buteo, which eventually parted ways around 2010 after releasing one album and touring. While Joe pretty much stopped playing music, Scotty continued playing drums in Overlake and Stuyvesant, the latter of which he still plays with today. In 2022, Joe returned to songwriting, eventually leading to the birth of Raised On Candy.

Raised On Candy's self-titled debut album was recorded with legendary producer-engineer Steve Albini (Nirvana, Pixies, PJ Harvey, Robert Plant & Jimmy Page, The Breeders, Bush, Cheap Trick) at Electrical Audio and mastered by Matthew Barnhart (Superchunk, The New Pornographers, Bob Mould, The Mountain Goats) at Chicago Mastering Service. This would be one of the last records Steve ever worked on before passing away in May, adding a whole new level of emotion to this album, which would be released in July 2024.

On September 15th, 'Pickle Eyes' will be released across digital platforms, includingSpotify, Apple Music and Bandcamp. The 'Play Marbles On The Turnpike' album, which is now available for pre-order, will be released on November 13th.

CREDITS
Music written by Joe Penna and Scotty Imp
Lyrics written by Joe Penna
Joe Penna - Guitar, Vocals, Bass, Synths
Scotty Imp - Drums, Cymbals, Percussion, Piano, Backing Vocals
Produced by Raised On Candy with Ray Ketchem
Engineered, Mixed & Mastered by Ray Ketchem
Recorded at Magic Door Recording, Montclair, NJ from October 2025 to June 2026
'Pickle Eyes' single artwork design by Ray Ketchem
Cover photo by Joe Penna
Released by Magic Door Record Label
Publicity by Shameless Promotion PR

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Ecce Shnak explore contradiction, captivity & resistance on new single ‘Anna O’

September 14, 2026

NYC art-rockers Ecce Shnak have released 'Anna O', the third single from their forthcoming full-length, 'Dandy Variances', which is now slated for release in early 2027 via Records, Man Records. The track arrives as a particularly unruly preview of the album, combining the band's art-rock swagger with grunge muscle and a distinctly theatrical sense of scale.

The story of 'Anna O' though, begins well before it became a song. Its lyrics originated as a poem by Robin Kneubuhl, mother of Ecce Shnak composer, bassist, and baritone vocalist David Roush. For the first time, Roush -- who has traditionally written the band's lyrics -- stepped aside and allowed someone else to write the words.

Kneubuhl wrote the poem months before Roush and producer Jeff Lucci began developing what would become 'Anna O'. In March 2019, the two were working on a noisy instrumental when they decided to try Kneubuhl's poem against the music. The combination proved unexpectedly natural, and the poem became the song's lyric.

The result is a captivating anthem with serious grunge energy. 'Anna O' takes the tension and ideas of Kneubuhl's writing and throws them into an explosive musical setting, with the song's art-rock ambition and theatricality pushing against its rawer, heavier instincts.

Kneubuhl has characterized the poem as “a lament about tragic contradictions in contemporary feminist thought and practice.” She wholeheartedly believes in the ideals of feminism, while also expressing concern that those ideals can be misused toward nefarious ends, with consequences for women and others alike. Those contradictions form the conceptual foundation of 'Anna O', giving the song a lyrical tension that sits beneath its deliberately unruly surface.

Frontman David Roush explains, "The song's tragic hero embodies both a noteworthy psychoanalytic patient of Freud’s protégé Josef Breuer and the real-life gun-slinging heroine Annie Oakley. Though Anna is beleaguered by the contradictions Kneubuhl observes in the poem's story, she ultimately emerges triumphant in the fight against patriarchy by the song’s end," explains

Ecce Shnak's own history is rooted in New York City's experimental music community. Formed in 2011, the band -- pronounced “Eh-kay sh-knock" -- is made up of David Roush (composer, bassist and baritone vocalist), Bella Komodromos (vocals), Chris Krasnow (guitar), Gannon Ferrell (guitar), and Henry Buchanan-Vaughn (drums).

While 'Anna O' marks a new chapter in the band's approach to songwriting, its production involves a number of accomplished studio figures. Roush and Jeff Luccirecorded and produced the single, with Lucci helping shape the musical foundation for Kneubuhl's poem. Grammy award-winning producer Mario McNulty (David Bowie, Prince, NIN, Julian Lennon) mixed the single, which was mastered by multi-platinum engineer Kris Crummett (Sum 41, Sleeping With Sirens, Dance Gavin Dance).

Themusic videowas directed by LA-based film producerDJay Brawner, who also did the videos for 'Vincent'and'Eddie, Legalistic Homeslice'. Ecce Shnak’s soprano,Bella Komodromos, plays Anna, who is deeply distressed and entrapped in an asylum. Through an act of heroic resistance, she overthrows her abusive doctor and his servile aid, finally setting herself free.

Ecce Shnak's acclaimed2025'Shadows Grow Fangs' EP was mixed byNicholas Vernhes (Animal Collective, Deerhunter, Wild Nothing, War on Drugs) and mastered by Grammy award-winning engineerJoe LaPorta(David Bowie, The Weeknd, Foo Fighters, Vampire Weekend).The band subsequently completed a West coast, East coast and aUK tourwithEMF, whose stellartrack 'LGBTQ+ Lover' also featured bothDavey and Bella on vocals.

Another glimpse into the full-length Ecce Shnak has been building toward -- a record where art-rock swagger, grunge grit, theatrical ambition, and experimental instincts collide -- 'Anna O'is out now, available from digital music platforms, includingSpotify, Apple Music and Bandcamp.

CREDITS

Words by Robin Kneubuhl
Music composed by David Roush

Postpunk-Shoegaze stalwarts A SHORELINE DREAM reflects on two rich decades on ‘20’, announcing 'Waiting' album

September 13, 2026

Twenty years since their debut album ‘Avoiding the Consequences’, Colorado postpunk-shoegaze outfit A Shoreline Dream mark the milestone with '20', a dark and deeply introspective single that looks back on the distance traveled while questioning what remains ahead. It also previews their new album ‘Waiting’, released via Latenight Weeknight Records.

With brooding lyrics, '20' turns the anniversary into something far more personal than a celebration. This is a head-on confrontation with time, uncertainty, sacrifice, and the weight of devoting so much of one's life to music. Hitting it hard and merging genres into one loaded number, this blast of "melodispych cave-of-the-well sound", as it has been called, is an appropriate way to celebrate the nearly 120 tracks the band has released to date - cavernous offers rooted in waves and inner-eye soundscapes.

Formed in 2005 and based in Barnum, Colorado,A Shoreline Dream is aduo of multi-instrumentalist and vocalist Ryan Policky and guitaristErik Jeffries. For just over two decades, Policky and Jeffries have built a catalog approaching 120 released tracks while developing a sound rooted in shoegaze, psychedelia, post-punk, and expansive guitar-driven experimentation.

“The track '20' just somehow came together so fluid and was just all my favorite sounds combined into one memory of our sound. Paying homage to our original vibes from way back when. I love goth. Love darkwave. Love huge walls of any genres sound, and this was trying to hit them all at once. Why not do something big at such a crazy place to be in this music career of ASD," says frontman Ryan Policky.

This single arrives on the heels of ‘Legacy’, which similarly reflects on the time, choices, and sacrifices behind one of Colorado’s longest-running independent music projects. A sludging, bass pumping song that reflects thoughts agout all that has been sacrificed - so many of the normal everyday life milestones achieves in the band's sometimes tragic, yet rewarding, legacy.

As they near this 20th anniversary, A Shoreline Dream look at that history from a deeply personal perspective. Years spent writing, recording, producing, and refining A Shoreline Dream's music have often meant choosing the demands of the creative process over many of the conventional milestones of everyday life. The song considers what remains when so much of a life has been devoted to making music, and whether the work itself ultimately becomes the legacy.

The release comes during one of the band's most prolific periods. Rather than treating 2026 as a year of reflection, A Shoreline Dream committed to releasing singles every month, while developing new material towards ‘Waiting’, the band's second full-length album of 2026, which will include nine tracks.

Their current creative roll follows a significant period of collaboration with Ride frontman Mark Gardener. Through A Shoreline Dream's partnership with Shameless Promotion PR, Policky and Gardener connected for a series of recordings that resulted in five co-produced and performed songs, the most recent of these appearing on the album ‘To Where They Have Gone’, released in February.

That relationship is part of A Shoreline Dream's love affair with the UK music community. The band has worked extensively with Ulrich Schnauss and has also collaborated with members of Engineers, Chapterhouse, Rocket Girl Records, and mastering engineer Mark Kramer (Urge Overkill, Bongwater, Shimmy Records).

“2026 has been the year of true sonic inspiration, and the first time I’ve found myself in a constant music writing mode. After working with Mark Gardener, my mind has been humming melodies to me daily," says Ryan Policky.

That renewed creative momentum has also been shaped by the world outside the studio. The response has been to make music that provides an alternative to that noise: music that is melodic, heavy, expansive, and immersive.

“It’s been a brutal human climate, and the distractions are so overwhelming in the media / toxic social media world. I’m f’ing over it. I just want explosive and melodic tunes to distract from this insane world, and these songs are exactly that. The tales of dealing with a world in chaos I hope resonate with all those out there looking for new musical vibes and explosive soundscapes. We have come back to the original feeling of A Shoreline Dream," says Ryan Policky.

ASD's 'Waiting' album arrives not as a retrospective statement, but as a marker of where they stand now. With Policky and Jeffries having maintained their creative partnership through changing musical landscapes and an evolving industry, 'Waiting' is their response to reaching the 20-year milestone by a band looking back without standing still. While ‘Legacy’ and '20' acknowledge an event-filled journey, ‘Waiting’ points firmly toward what comes next.

As of September 11, '20' is available from digital music platforms, including Spotify, Apple Music and Bandcamp, where 'Legacy' can also be found. The ‘Waiting’ album will be released on October 16th.

CREDITS
Written & produced by Ryan Policky
Recorded, mixed & mastered by Ryan Policky
Distributed by The Orchard
Copyright Latenight Weeknight Records, LLC
Cover art and photography by Ryan Policky
Publicity by Shauna McLarnon for Shameless Promotion PR

Then Comes Silence share 'Remaker Redeemer', second taste of 'Requiem Ballroom' album

September 11, 2026

Stockholm post-punk trio Then Comes Silence presents 'Remaker Redeemer', the second single from their forthcoming 'Requiem Ballroom' album, due in November via Metropolis Records. The music video, filmed by Damon Zurawski of Future Legends Films, captures the song perfectly, descending into the space between death and rebirth, where the final journey into darkness becomes a passage toward transformation, renewal and the possibility of another world.

Then Comes Silence has also just launched their European tour, which runs throughout September and October, bringing them to venues and like-minded music lovers in Belgium, the Netherlands, Germany, France, Italy and Czech Republic, before returning home to Sweden for the final show on this leg.

A tightly focused trio since 2022, Then Comes Silence was formed in 2012 by vocalist-bassist Alex Svenson in 2012. Drummer Jonas Fransson and guitarist Hugo Zombie, round out the band in its most direct, powerful and uncompromising form. One of the leading names on today’s goth, post-punk and darkwave scene, they are driven by a fascination with horror, the occult and the raw intensity of underground music, having forged a distinctive sound and a devoted international following.

The 'Requiem Ballroom' album itself is divided into two parts: 'Ballroom' was mixed by Jon Bordon (Nicole Sabouné, Melody Club, The Exploding Boy) and the 'Requiem' half was mixed by Tom van Heesch (Rammstein, Apocalyptica, Backyard Babies). Svante Forsbäck / Chartmakers (Rammstein, Amaranthe, Ville Valo, The Rasmus, Apocalyptica) assumed mastering duties.

"'Remaker Redeemer' introduces the second part of the album 'Requiem Ballroom'. It’s about new life, and being reborn with the old sins washed away. A kind of cleansing, a fresh start, and the feeling of beginning again. The choice of instruments and sound on this track is a way to explore something different this time," says Alex Svenson.

"Death is generally regarded, across many cultures, as the final blackout where nothing follows. Yet in another sense, death can also serve as a metaphor for change and transformation. To take the next step, change is inevitable."

Then Comes Silence earlier released 'Judgement Day', a driving anthem that embraces failure, reckless choices and the thrill of living without regrets, embracing a final celebration before the inevitable reckoning. The vivid behind-the-scenes documentary by Marzipan Moonlight offers a glimpse into the video's creation and the thriving spirit of Stockholm's goth community.

With the German post-punk scene their second home, Then Comes Silence has toured relentlessly for years. Continually expanding their geographic reach, they have cemented their reputation as one of the scene’s hardest working bands. With several releases through Metropolis Records, they have further strengthening their international presence. Their impending eighth album follows ‘Trickery’ (2024) and'Hunger' (2022), jointly released by Metropolis and Nexilis Records / Schubert Music.

With dark atmospheres, driving rhythms, razor-sharp hooks and explosive performances, Then Comes Silence continue to push forward. They have earned their place at the forefront of the modern gothic rock and post-punk movement, proving themselves to be a vital contemporary live acts with frequent touring across North America, Latin America and Europe.

Then Comes Silence have shared the stage with acts such as The Fields of the Nephilim, Clan of Xymox, The Chameleons, A Place To Bury Strangers, Pink Turns Blue and The Bellwether Syndicate, while appearing at many of Europe’s premier alternative festivals, including M’era Luna, Wave-Gotik-Treffen, Amphi Festival, Castle Party, Tomorrow’s Ghosts Festival and W-Festival.

On September 11, 'Remaker Redeemer' is out everywhere, including Apple Music, Spotify and Bandcamp, where their latest 'Trickery' album is available on vinyl and CD. The 'Requiem Ballroom" album will be released on November 20. Concert tickets can be obtained at https://linktr.ee/tcsontour

ALBUM CREDITS
Lyrics & Music written by Alex Svenson
Alex Svenson - vocals, bass and synthezisers
Jonas Fransson - drums
Hugo Zombie - guitars
Johan Lange (Agent Side Grinder) - synthesizer on Track 12
Produced by Alex Svenson
Recorded by Jörgen Wall and Tom van Heesch
'Ballroom' half mixed by Jon Bordon (Nicole Sabouné, Melody Club, The Exploding Boy)
'Requiem' half mixed by Tom van Heesch (Rammstein, Backyard Babies, Apocalyptica)
Mastered by Svante Forsbäck
Cover artwork by D.K. Griftegaard & Jonas Fransson
Released by Metropolis Records
Videos by Damon Zurawski at Future Legends Films
Mascots: Bengii, Lord of All Possible Pain and Mischief, El Pseudo & Johnny Nattsjö as Nebelmeer
Dancers: Jeff, Marisa, Mathias, Friðr, Grimm, Moa, Niklas & Elisabeth
Publicity by Shameless Promotion PR

LIVE DATES
SEP. 11 - Glain, Belgium @ Deux Ours
SEP. 12 - Rotterdam-Albrandswaard, Netherlands @ Baroeg Open Air 2026
SEP. 13 - Rennes, France @ Brewklyn
SEP. 14 - Paris, France @ Le Chinois
SEP. 15 - Rezé, France @ Cold Crash
SEP. 16 - Lyon, France @ Rock N'Eat
SEP. 17 - Marseille, France @ Le Molotov
SEP. 18 - Torino, Italy @ Ziggy Club
SEP. 19 - Castelfranco Veneto, Italy @ Sale Improve
SEP. 20 - Hlavní Město Praha, Czechia @ Subzero
OCT. 24 - Stockholm, Sweden @ Kollektivet Livet

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