Joan As Police Woman strips down 'Real Life' for 'Real Life Evolution' album, marking 20 years of 'Real Life' via Reveal Records

July 5, 2026

Hot on the trail of her 'Real Life Evolution' album, released early this month by iconic NYC artist Joan As Police Woman via UK independent Reveal Records., she presents an intimate performance of the title track - the 'Real Life (Real Life Anniversary Sessions)'. This is the latest offering from this video series, recorded by Adam Sachs at The Owl Music Parlor in Brooklyn and filmed by Ehud Lazin. Also as part of the 20th year anniversary of her debut album 'Real Life', she earlier shared stripped-down trio-format versions of 'Eternal Flame', 'Flushed Chest', 'The Ride','Anyone' and 'I Defy'.

Joan Wasser, known as Joan As Police Woman since 2004, is a critically acclaimed musician and producer, and a sought-after collaborator, dubbed “the coolest woman in pop” (The Times) and “one of the 21st century’s best musicians” (The Economist). As a singer, songwriter and multi-instrumentalist, her music defies easy categorization, crafting her own sound that blends various genres.

Joan confesses, “I wrote this song to romance a man. We met once for 3 minutes and I had decided he was The One. Bear in mind, this is ages ago. Conveniently, we lived 6000 miles apart. We were pen pals. It felt like high romance. He was brilliant actually - perhaps too smart. He was intractable and of course that drove me mad. The song describes the walk to the post office with the love letter - in this case, the cassette recording - and imagines the moment it lands in his hands. I brazenly put his name in the song. Unsurprisingly it didn’t work out between us. But the song did."

Unveiled exactly 20 years from her debut's release, Joan As Police Woman has reimagined her 'Real Life' album with numerous guests. Through countless performances, these renditions are brought to life by the brilliance of the players who helped define their sound. The result is ten stunning tracks with varied flavours and collaborators.

“People ask me all the time: “Do you ever get tired of playing your old songs?” The answer is an unequivocal no. And if I ever did, I’d reinvent them until the joy came back — not as an act of revision, but of rediscovery. Songs live beyond their creators. Like us, they settle into themselves over time, finding their own equilibrium. That spirit is the pulse of this new album — ten reimagined versions of every song from the original 'Real Life'. Some transformations are subtle. Others are seismic. All of them were made with an entirely new cast of collaborators," says Joan Wasser.

"Among them are two extraordinary vocalists. The inimitable Iggy Pop — whose band I’ve had the privilege of touring with, playing keys and singing — recorded a stunning version of 'Save Me' while we were on the road in New Zealand. We had to work around the birds outside, who apparently had strong opinions about the session. Then there’s Krystle Warren, a true original and one of my favorite singers alive. Her voice is so deeply soulful that 'I Defy' feels like it thoroughly enjoyed easily slipping into its brand new groove."

Joan As Police Woman has released ten albums of original material, two cover albums, and an anthology. She has recorded and performed with hundreds of artists, including Afrobeat legend Tony Allen, Lou Reed, Anohni & The Johnsons, Meshell Ndegeocello, Rufus Wainwright, John Cale, David Byrne, Dave Okumu, Chris Dowd, Lau, Scissor Sisters, Sparklehorse, Beck, Laurie Anderson, Lloyd Cole, Afel Bocoum, Dave Gahan, Tanya Donelly, Damon Albarn and Gorillaz.

Joan adds, "From my current touring trio, Will Graefe brings his emotionally masterful guitar work and Jeremy Gustin his remarkable rhythmic sensibility to several tracks. Parker Kindred’s inventive drum creations were the spark behind others. Thomas Bartlett unlocked a new dimension of the title track — honoring its original feeling while casting it in a warmer, amber light — and added Rhodes bass throughout. This album gave me the chance to reunite, decades on, with upright bassist Tony Scherr, guitarist Oren Bloedow, and funk bassist Danny Blume — musicians whose artistry has only deepened with time. I’m so glad to share this with you. I’m Real Life. You’re Real Life. We’re Real Life.”

The 'Real Life Evolution' album is out now, available everywhere digitally and also on CD and Limited Edition exclusive red marble vinyl from Bandcamp. Later this year, Joan embarks on her Real Life 20th Anniversary Tour, performing the 'Real Life' album as a trio, plus singles from her catalogue, fan favourites, deep cuts and many surprises! Tour tickets can be ordered at www.joanaspolicewoman.com/tour.

CREDITS
All songs written by Joan Wasser
Published by Fists of Fury (BMI / Domino Publishing),
except “I Defy” written by Joan Wasser & Anohni (Rebis Music (ASCAP))
Produced by Joan Wasser except “I Defy”, “We Don’t Own It” and “Feed The Light” produced by Joan Wasser & Parker Kindred
Mixed by Patrick Dillett at Reservoir Studios
Mastered by Chris Gehringer at Sterling Sound
Joan Wasser - vocals, piano, Wurlitzer, strings
Krystle Warren - vocals
Will Graefe - acoustic guitar
Oren Bloedow - electric guitar
Danny Blume - electric bass
Parker Kindred - drums
Krystal Warren - vocals on 'I Defy'
Iggy Pop - vocals on 'Save Me'
Album package concept & design by Judi Rosen
(p) & (c) 2026 Sweet Police LLC under exclusive licence to Reveal Records
Publicity by Shameless Promotion PR

REAL LIFE ANNIVERSARY TOUR 2026
NOV 5 London, UK - Union Chapel
NOV 6 London, UK - Union Chapel
NOV 7 Manchester, UK - RNCM (Royal Northern College of Music)
NOV 9 Glasgow, UK - Oran Mor
NOV 11 Brugge, Belgium - Cactus Club
NOV 12 Amsterdam, Netherlands - Zonnehuis (sold out)
NOV 13 Hamburg, Germany - Mojo Club
NOV 15 Aarhus, Denmark - Train
NOV 16 Copenhagen, Denmark - DR Concert Hall
NOV 18 Budapest, Hungary - House of Music Hungary
NOV 20 Roma, Italy - Angelo Mai
NOV 22 Berlin, Germany - Haus des Rundfunks & Großer Sendesaal

NYC art-rock mavericks ECCE SHNAK present vivacious single 'Eddie, Legalistic Homeslice'

July 1, 2026

NYC art-rockers Ecce Shnak present 'Eddie, Legalistic Homeslice', the second single from their full-length album “Dandy Variances", anticipated later this year via Records, Man Records. Recorded and produced by Jeff Lucci, this single was mixed by Grammy award-winning producer Mario McNulty (David Bowie, Prince, Nine Inch Nails, Julian Lennon),

Formed in the mid-noughties and forged in NYC's experimental scene, Ecce Shnak (pronounced Eh-kay sh-knock) is made up of David Roush (composer, bassist and baritone vocalist), Bella Komodromos (vocals), Chris Krasnow (guitar), Gannon Ferrell (guitar), and Henry Buchanan-Vaughn (drums).

"Like 'Larry, Sleepover Friend' from our 2019 'Joke Oso' EP, our new song is a garage-rock homage to a beloved friend of mine. Like 'Larry', 'Eddie' explores big themes in great friendships: their gnarly ambivalences, their absurd misunderstandings, their inside-jokes, and their contradictory mix of irreverence with utmost care," says David Roush.

'Eddie' reaches its lyrical denouement with what is said to be the “oldest prayer of friendship,” and also sounds like a throwaway Rivers Cuomo line: “I pray you don’t be a rat in a rat-suit! Pray you don’t be a rat in a rat-costume!”

"We are also overjoyed to feature two great friends as the co-stars of the music video, the preposterously funny and talented comedic duo Syd and Olivia! I was lucky to have met these two pugnaciously podcasting, thoughtfully Thespian, joke-slinging YouTube yokels on a fantastic journey to the Greek island of Crete two years ago, and the rest was thirst’ory," says David Roush.

Vocalist Bella Komodromos adds, "They absolutely kicked butt at their roles (as Eddie and Davey respectively) in this Wes-Anderson-hued buddy-comedy music video, directed and produced by DJay Brawner, famed for his work with Foo Fighters, Sum41, Panic! At The Disco, Ed Sheeran, Melanie Martinez and Lupe Fiasco. It is our ardent hope that all fans of Ecce Shnak and Syd and Olivia alike can shart out with their hearts out to this badass collaboration!"

Apart from directing and editing the new video with Brooks Jones, Beth Narducci and David Roush, Brawner also worked on the video for the album's lead track 'Vincent', an homage to superb music videos of yesteryear - for Meshuggah’s “Bleed” and 311's “Down”. Here, operatic trills collide with frantic rock energy in a high-decibel takedown ofa formulaic antagonist through the power of one's own voice.

With a reputation for astounding performances, Ecce Shnak's music a volatile yet meticulously crafted ecosystem, where technical precision meets inspired mayhem. Their 2025 'Shadows Grow Fangs' EP was recorded and produced by Jeff Lucci, mixed by Nicholas Vernhes (Animal Collective, Deerhunter, Wild Nothing, War on Drugs) and mastered by Grammy award-winning engineer Joe LaPorta (David Bowie, The Weeknd, Foo Fighters, Vampire Weekend).

Ecce Shnak recently wrapped up their UK tour with EMF, not long after Ecce Shnak featured on EMF's stellar track 'LGBTQ+ Lover' with both Davey and Bella contributing vocals. The accompanying video was filmed during their joint West coast tour in 2025 tour, along with Spacehog. EMF and Ecce Shnak once again hit the East coast and Midwest together this past spring,

As of July 1st, 'Eddie, Legalistic Homeslice'isavailable from digital music platforms, includingSpotify, Apple Music and Bandcamp. Ecce Shnak performs next on July 12th at New York's Cassette, along with DHÄRÄ, Jawaun Neal and Backflips. Starting at 7:30pm, this is a 21+ event.

CREDITS

Music written / composed by David Roush
David Roush - vocals/bass
Isabella Komodromos - vocals

Gannon Ferrell - guitar
Chris Krasnow - guitar
Henry Vaughn - drums

Recorded and produced by Jeff Lucci
Mixed by Mario McNulty
Video directed & edited by DJay Brawner, Brooks Jones, Beth Narducci, & David Roush

Starring Syd and Olivia
Single released by Records, Man Records
A&R: Beth Narducci for You + Me Entertainment
Publicity by Shauna McLarnon for Shameless Promotion PR

Indie rocker JONNY COUCH presents 'Where The Sidewalk Ends' from first album in 7 years

June 30, 2026

U.S. indie rocker Jonny Couch presents 'Where The Sidewalk Ends', his second single from his full-length record by the same name. The 'Where The Sidewalk Ends' album is Couch's first in seven years and his most ambitious work to date. This 10-track rock and roll journey features such fan favorites as 'Sweet Charlene' and more recent compositions, expanding on the melodic craftsmanship and emotional honesty that have become hallmarks of his songwriting,

Drawing inspiration from the 1950 film noir “Where the Sidewalk Ends”, this song channels its sense of mystery and shadowy city streets. its verses carrying a subtle detective-like atmosphere, the lyrics follow a lone figure moving through cold nights in search of connection and resolution.

As the track builds, it transforms into a driving, danceable chorus influenced by Giorgio Moroder and his work with Donna Summer, blending 70s-inspired disco synths with modern new wave production. The result is a cinematic hybrid—part noir, part euphoric release. Couch shares, "The tune has a bit of a detective feel in the verse, but then turns into quite a dance number. You can hear some 70's swirling disco synths on the track, mixed in with the more modern new wave production."

Between infectious rockers and ballads, Couch's music draws its origins directly from the power pop and new wave greats of the late '70s and early '80s. Now, back with renewed focus and a collection of songs rooted in timeless songwriting, strong melodies and rock-and-roll energy.

"This single has everything to do with healing. It's about the pain that eats away at us when a relationship is damaged. It's also about desire—the desire to repair that broken bond and finally find a place of peace with someone you still love. But does that person share the same desire to mend old wounds?” asks Jonny Couch.

“The process of forgiveness is always filled with tension because you never know whether the other person is willing to meet you halfway. You don't know if they'll make the same journey toward reconciliation. For me, that's what getting to the end of the sidewalk means: reaching that place where healing becomes possible."

Recorded at Mr. Pink Records in Bastrop, TX, this single was engineered, mixed, produced and mastered by Jonas Wilson (The Black Angels, Heartless Bastards, Sumbuck, Urban Heat), one of four accomplished producers involved in this album, each bringing their own talents to the sessions.

The first single, 'Overwhelmed', is fuelled by jangling guitars, a propulsive rhythm section, and an undeniable melodic hook, its lyrics exploring the frustrations of a relationship coming apart. Recorded at Landline Recording in Hoboken, NJ, it was engineered, mixed and produced by Jon Chinn (Wild Child, Lomelda, David Ramirez, Gina Chavez). The album's other two producers are Peter Mavrogeorgis (The National, Boy Harsher, Grinderman, Sharon Van Etten, Bootblacks) and Dan Haag(The Astrojet and The Black Swans, both fronted by Fountains of Wayne's Jody Porter.

A staple on the New York and New Jersey music scene, Couch was a NYC rock drummer before going solo in 2016. His acclaimed 'Animal Instinct' EP earned praise for its blend of soulful pop and rock sensibilities, with Louder Than War dubbing him "a Bryan Ferry pop crooner" and High Times calling his work "charming". 2019's debut 'Mystery Man' further solidified his reputation as a gifted songwriter with recognition in Bandcamp Daily's "Unsung Power Pop Gems From All Eras" feature and more.

Building a following through energetic performances and sharp songwriting, Couch has performed alongside The Fleshtones, Josie Cotton, The Nude Party, Paul Collins Beat, and The Plimsouls, and also at the Savannah Stopover Music Festival, Hoboken Arts & Music Festival, Jersey City's Lo-Fi Fest, and WFMU FM. He regularly appears on stage at NYC venues such as Sleepwalk, Bowery Palace and TV Eye, as well as Pet Shop in Jersey City, NJ.

The 'Where The Sidewalk Ends' album features cover artwork by renowned NYC artist Anne Muntges, known for her highly detailed drawings, prints, and installations. Exhibiting nationally and internationally, her work featured in the book "Women Who Rock: Bessie to Beyoncé, Girl Groups to Riot Grrrl".

As of June 30th, 'When The Sidewalk Ends will be available from digital platforms, including Spotify, Apple Music and Bandcamp. The full album -- now available for pre-order -- will be released on July 24th. The album release show takes place that evening at Brooklyn's Sleepwalk with other live dates in New Jersey, Georgia, New York and Illinois happening, along with a series of UK dates in August.

SINGLE CREDITS
Written by Jonny Couch a.k.a. Jonathan Edward Couch (BMI)
Jonny Couch - Vocals, Drums, Synths
Jonas Wilson - All Guitars, Bass, Additional Synths
Produced, Engineered & Mixed by Jonas Wilson
Recorded at Mr. Pink Records, Bastrop TX

Mastered By Jonas Wilson at Mr. Pink Records in Bastrop, TX

Album cover artwork by Anne Muntges
Video written and directed by Richard Jordan
Director of Photography & Editing by Charles Colfer
Starring Alexander Saris as "Guy" & Jonny Couch
Jonny Couch photos by Sumner Dilworth
Publicity by Shameless Promotion PR

LIVE DATES
JUNE 05 Jersey City, NJ @ Groove On Grove (free outdoor show) - Grove Street Path Plaza
JUNE 19 Savannah, GA @ The Wormhole (with Peter Dark Mav and Hale The Wolfe)
JULY 04 Brooklyn, NY @ Mama Tried (with Mighty Fine and 45 Adapters)
JULY 24 Brooklyn, NY @ Sleepwalk - Album Release Show (with Status Set / Jewel Thief)
AUG 03 Asbury Park, NJ @ Wonder Bar - for the 'Happy Mondays' series
AUG 11 Nottingham, UK @ Billy Bootleggers - for the "Ruby Tuesdays" series
AUG 12 Hastings, UK @ Jenny Lind Inn
AUG 13 London, UK @ Dublin Castle
AUG 16 Brighton, UK @ Daltons (with The DSM IV and Francis Pig)
SEPT 05 Chicago, IL @ The Cubby Bear (with Kicked By A Hand)

Keep up with Jonny Couch
Website | Bandcamp | Facebook | Instagram | YouTube | Spotify | Apple Music | SongKick | BandsInTown | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | BlueSky | Threads | Soundcloud | Link edIn | Email

Single Gun Theory / Delerium vocalist Jacqui Hunt unleashes ethereal masterpiece 'Desiderium'

June 26, 2026

Iconic Australian indie-pop singer-songwriter Jacqui Hunt has officially released her deeply anticipated "Desiderium" album with focus track "Cape of Light". Marking a profound artistic milestone, the album is a superb collection that moves through deeply personal reflections on grief, loss, healing and love. Released through her independent label QUSP alongside musical collaborator and husband Brian Conolly, "Desiderium" beautifully pairs sonically abstract, smooth synths with raw, organic pop structures—resulting in a cinematic body of work fused together by the ethereal thread of Jacqui’s poetic radiance.

Best known as the iconic vocalist and co-writer for electronic pioneers Single Gun Theory and a prominent guest vocalist for dreampop trailblazers Delerium, Hunt makes a triumphant return to center stage with this solo record. Merging elements of Kate Bush, Tori Amos, and Beth Gibbons, she describes the sonic landscape of the album as "like stepping out of your body for a while and grounding back to earth — floating on a synth wave while holding the raw reality of a simple piano. The bones that connect to the human voice like a string of air as it floats to the ether and returns to base."

Her first album in 18 years, "Desiderium" serves as both an ending and a beginning, deeply rooted in the circle of life and the passage of time. Named after the Latin noun for a profound yearning for something lost that cannot be replaced, this record reflects the emotional weight Hunt felt when unexpectedly losing both of her parents within a two-year span. With an overarching theme of longing and devotion, Hunt explores the desire to reconnect with what is now absent, delivering a poignant reminder to embrace one's authenticity and honour the "inheritance" of life.

The album's focus tracks showcase this striking versatility. "Planet" is an electro-ethereal soundscape building to a rhythmic frequency of dreamy vocals that merge into space, initially born from a poem sent by Conolly from overseas and transformed spontaneously by Hunt into a long-distance love song. Conversely, "Cycles" presents a raw, melancholic piano ballad of heartfelt simplicity. Enveloped in powerful symmetry, its music video was created by Kade Stenders, a young filmmaker whose parents (famed film director Kriv Stenders and photographer Lisa Stonham) directed several videos for Hunt's pioneering electronic band, Single Gun Theory, decades prior.

38 years after the debut of Single Gun Theory's landmark release "Exorcise This Wasteland", the band's timeless relevance was highlighted just recently when their music was featured on the Paris runway for French fashion house Chloé’s Winter 2026 parade. Hunt also achieved global recognition 29 years ago through her pivotal involvement with Delerium, collaborating as songwriter and vocalist on "Euphoria (Firefly)" for the seminal "Karma" album.

Jacqui Hunt’s stellar trajectory stands as a testament to her enduring impact across the global independent landscape. Her diverse solo and collaborative catalog includes her 2008 debut album "Auraphonic"—featuring the film-licensed track "Calisthenics" —and creative pursuits like the design duo CiiVE, alongside standout vocal contributions for Paul Mac, Vision Four 5, and David McClymont of seminal post-punk band Orange Juice.

'Desiderium' is out June 26th on CD and limited edition vinyl. Also available digitally,the album experience is complemented by the "Alice Magic (K.I.M Remix)", a re-envisioning of the original track by K.I.M (Kim Moyes) of legendary Australian electronic duo The Presets. All of this music is available across digital platforms such as Spotify and Apple Music.

CREDITS
Jacqui Hunt - vocals, keys, production
Brian Conolly - synth, bass, guitar, production
Laurence Pike - drums (‘Cecilia,’ ‘Cycles,’ ‘This Love,’ ‘Temple Of Illumination’)
Daniel Denholm - zither and strings on ‘Cecilia,’ cello solo on ‘Follow Me Here’
Lyrics by Jacqui Hunt, except ‘Planet’ - lyrics by Brian Conolly
Music written by Jacqui Hunt & Brian Conolly
Except ‘Cycles’ and ‘This Love’, written by Jacqui Hunt
and ‘Cecilia’, written by Jacqui Hunt & Daniel Denholm
Recorded at QUSP Studios in Sydney, Australia
Engineered by Brian Conolly
Mixed by Daniel Denholm
Mastered by Michael Lynch
Cover artwork by Qusp Studios
Album released by QUSP. UPC #9324690436552
Copyright 2026 Qusp Pty Ltd. Publishing 2026 Sony/ATV
Publicity by Shameless Promotion PR
Artist photos by Brian Conolly
Planet video original graphics by Brian Conolly. Directed by Jacqui Hunt
'Cycles' video directed & edited by Kade Stenders

Keep up with Jacqui Hunt
Website | LinkTree | Shop | Facebook | Instagram | Threads | Soundcloud | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | BlueSky | Threads | Soundcloud | LinkedIn | Ema il

California dreampop outfit Soft Science return with 'Spinning', heralding novel 'Sand' album

June 23, 2026

Sacramento-based outfit Soft Science presents 'Spinning', a propulsive and emotionally charged track and the first offering from their fifth album 'Sand', scheduled for release on September 4th via Shelflife Records in North America and Spinout Nuggets in the UK. The accompanying video was created by directed and edited by Matthew Maxwell.

Building on the band’s signature blend of dream pop, shoegaze and indie rock, ‘Spinning’ captures the dizzying frustration of being caught in an emotional loop—repeating the same conversations, hoping to be heard, and wondering if anything is finally getting through. Pairing shimmery atmosphere with a sense of restless momentum, the band manage to turn relationship fatigue into something hypnotic, melodic, and deeply relatable.

Comprised of longtime collaborators Katie Haley (lead vocals, percussion), Matt Levine(lead guitar), Ross Levine (guitar, backing vocals), Tony Cale (drums), Becky Cale (bass, backing vocals), and Hans Munz (atmospheric electronics), Soft Science crafts immersive dream pop defined by layered guitars, ethereal vocals, synth textures, and post-punk-influenced propulsion.

"Spinning is one of my favorite songs on 'Sand' - It has such strong energy. It’s the kind of song that is catchy and you can’t help moving to it, but it also has a lot of tension, which fits so well with the lyrics. Matt’s guitar work really adds to the mood and tension felt in the song," says Katie Haley.

"We had the melody and the idea of “Round and Round” and then Ross came up with the chorus lyrics “You got me spinning round, am I getting through now.” I loved it and felt inspired immediately to come up with the verses. Generally, I find ruminating on things, talking about the same issue over and over with no resolution, and prolonged indecision really irritating and I was dealing with a couple situations with these themes at that time. Once Ross set the chorus the rest of the words poured out."

With ethereal vocals, twin 12-string guitars, bass, drums, and synthesizers, the band layers luminous melodies, celestial harmonies, and propulsive rhythms into lush, transportive songs. As showcased via KEXP sessions and noted by critics, Soft Science pairs a bright melodic sensibility with a melancholy undertow, creating music that is both immediate and deeply atmospheric.

"I've always loved using straightforward driving guitars with a looping hook on the bass to create a constant sense of propulsion. On 'Spinning', I was looking for that energy. Katie's soft, flowing melody, aginst that really brought it together. The last thing we recorded was the chorus harmony she came up with - it really kicked it up a level. The missing link it needed, lifting the whole track," says Ross Levine.

Highlighting the track’s experimental approach, Matt Levine shares, "Spinning is really special. We were talking about doing backwards guitar leads, which, in a way, seemed easy, but how do you make it feel intentional? So I started high and descended with the general idea that I wanted the lead to do the opposite. To my amazement, the result of the first take was amazing. The next challenge was how to play a backwards lead forward live, something I've never had to work through before."

Across the ten tracks on 'Sand', Soft Science expand their sound while retaining the melodic clarity and emotional resonance that define their work. The album explores impermanence—how love, memory, and identity shift under pressure—and what it means to keep choosing connection in a world with no guarantees. Across ten tracks, the band balances shimmering atmosphere with urgency and movement, shaping one of their most immersive and emotionally direct releases to date.

Soft Science's latest album was 'Lines' (2023), preceded by 'Maps' (2018), 'Detour' (2013), and 'Highs and Lows' (2011), along with singles including a split 7” with The Luxembourg Signal (2015), and The House of Lovecover ‘I Don’t Know Why I Love You’and their rendition of Northern Picture Library's ‘Paris’ (both 2018).

Having earned critical acclaim over the years, Soft Science has done live sessions at KEXP, WFMU, and Part-Time Punks in Los Angeles, and has performed at New York Popfest, Paris Popfest, The Big Takeover’s 35th Anniversary show, Schellraiser Festival, Tremolo Fest and Dreamgaze PDX, apart from select US and European shows.

As of June 23, 'Spinning' available digitally everywhere, including Spotify, Apple Music and Bandcamp. The 'Sand' album will be released via Shelflife Records (US) and Spinout Nuggets (UK) - on both CD and vinyl - on September 4th.

ALBUM CREDITS
Lyrics written by Katie Haley & Ross Levine
All songs written by Katie Haley, Ross Levine, Matt Levine, Becky Cale & Tony Cale
except 'Thread', 'Without' and 'Sway' are written by
Katie Haley, Ross Levine, Matt Levine, Becky Cale, Tony Cale & Hanz Munz
Katie Haley - vocals, percussion
Ross Levine - backing vocals, synths, additional guitars
Matt Levine - guitar
Becky Cale - bass guitar, backing vocals
Tony Cale - drums
Hans Munz - additional electronics
Recorded at Shattered Records and The Pool House
Engineered by Jack O'Donnell
Additional Engineering by Ross Levine
Mixed by Kev Bolus at OneEleven
Mastered by Antony Ryan at Red Red Paw
Produced by Soft Science
Artwork by John Conley
c @ p Shelflife Records / Spinout Nuggets 2026
UPC code for the vinyl LP - 759159696649
UPC code for the CD - 759159696656

Keep up with Soft Science
Website | Bandcamp | Facebook | Instagram | Twitter | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | BlueSky | Threads | Soundcloud | LinkedIn | Ema il

Jah Wobble & Tian Qiyi unleash psychedelic Beatles reimagining with 'Tomorrow Never Knows', first glimpse of 'Mystic Liverpool' album

June 16, 2026

East London bassist and producer Jah Wobble and Liverpool-based ethno-psychedelic duo Tian Qiyi present their new single 'Tomorrow Never Knows', the first offering from the forthcoming album 'Mystic Liverpool: The Beatles' Psychedelic Psongbook', out August 14th via Cherry Red Records and Wobble's label 30 Hertz. A deeply personal reimagining of The Beatles’ psychedelic period, these songs are framed within a soundscape of Chinese, Mongolian and dub traditions.

'Tomorrow Never Knows' - the closing track on The Beatles' 1966 album 'Revolver' - may have been penned by John Lennon and Paul McCartney (with title lifted from a phrase coined by Ringo Starr), but Jah Wobble (aka John Wardle) and his sons John T Wardle and Charlie Wardle (aka Tian Qiyi) have made this song uniquely their own.

Jah Wobble is a founding member of Public Image Ltd (PiL) and formed Invaders of the Heart in 1982. In his 50-year career, he has achieved chart success, a Mercury Music Prize nomination and a rich discography. He has collaborated with Can's Holger Czukay, Jaki Liebezeit, U2's The Edge and producer François Kevorkian, in addition to Sinéad O’Connor, Massive Attack, Ginger Baker, Björk, Brian Eno, Pharoah Sanders and, most recently, Horace Andy on his 'Timeless Roots' album, Ken Boothe on his 'Old Fashioned Ways' album, and Jon Klein on the 'Automated Paradise' album.

Tian Qiyi takes their name from John T Wardle and Charlie Wardle's Chinese middle names, Tian Qi and Tian Yi. Meshing British, Chinese, Mongolian and dub traditions, their music bridges cultures to forge a sound that also weaves in post-punk and experimental production, their sound imbued with magnetic tension between ancient tradition and dub futurism, East and West, land and spirit.

The album draws largely on Jah Wobble’s signature dub bass, John T’s drums, Chinese percussion and yangqin, and Charlie’s erhu and vocals. Their clever rendition of “Strawberry Fields Forever” also sees Charlie playing morin khuur with the boys' mother Zi Lan Liao — a Royal Academy of Music–trained harpist and the most recognized gu-zheng performer worldwide — joining on gu-zheng.

Jointly produced by Jah Wobble, John T and Charlie, this album was recorded and mixed by John T at Pagoda Studios in Liverpool, where Tian Qiyi is now based.

But the Liverpool connection runs even deeper through their family. Zi Lan’s father, Mr K.H. Li (Liao Gui Xiong), arrived from Guangzhou in 1981 as Chinese Cultural Officer at the Pagoda and went on to establish the Pagoda Chinese Youth Orchestra — the ensemble Zi Lan (now also director of Pagoda Arts Centre) runs and that both her sons grew up playing in from the age of three. The record is dedicated to him; a lifelong Beatles fan, he owned everything they ever released on vinyl.

“The track that flipped it for me as a kid was ‘Strawberry Fields Forever,’” says Jah Wobble. “I didn’t have the language for what was going on in that song — I just knew it was more than music. The words you’d reach for are the ones people use about psychedelia: ego dissolution, a sense of unity, cosmic connection. I consider dub music to fit into the psychedelia genre, and John T grew up listening to dub, so Mystic Liverpool was always going to have that sensibility.”

The album moves through The Beatles’ psychedelic-era songbook with Chinese instrumentation and dub-inflected mixing, treating the material as the genuinely mystical music it always was rather than as nostalgic covers. As listeners will be pleased to discover, "Sgt. Pepper’s Lonely Hearts Club Band" and "Magical Mystery Tour" are particular touchstones.

'Tomorrow Never Knows' will be available from digital music platforms, including Apple Music and Spotify. On August 14th, the 'Mystic Liverpool' album - now available for pre-order - will be released digitally and as a CD Digipack.

Tian Qiyi (with guest Jah Wobble) performs in Todmorden on June 18th at The Golden Lion in Fielden Square. Jah Wobble is touring the UK throughout 2026 with The Invaders Of The Heart, with tickets available at https://jahwobble.com/#live

Pittsburgh's LOWSUNDAY continues 25-year comeback with ‘You’re So Wired’ and acclaimed ‘Black EP’

June 15, 2026

On the trail of the 'Low Sunday Ghost Machine - Black EP', newly released via Projekt Records, Pittsburgh darkwave-shoegaze pioneers Lowsunday present 'You’re So Wired', with the video produced by Jer Herring. Capturing the roller-coaster experience of being drawn to a highly energetic, erratic individual, who blurs the line between imagination and everyday life, this song channels a vibrant, alternative rock spirit that ultimately celebrates breaking free into a state of liberated peace.

Formed in 1994, Lowsunday (initially Low Sunday Ghost Machine) emerged as a "retro-futurist" pioneer, blending darkwave and shoegaze long before the genres saw their modern revival. The 'Black EP' is their second release of all-new material released since 1999, previewed by the darkly fascinating lead track 'This Is Not Heaven' and focus track 'Shattered'.

Their legacy was cemented with their 1996 debut album 'Low Sunday Ghost Machine'and the 1999 masterpiece 'Elesgiem', both with extended re-releases out via Projekt Records in the past 18 months (for the 30th and 25th anniversaries, respectively). With a cult reputation for mercurial sounds and blistering guitar work, their music set the stage for subsequent generations of alternative artists. Following a nearly 25-year hiatus, the band resurfaced as the duo of original member Shane Sahene (vocals, guitar, synth, bass, drums) and Bobby Spell (bass, guitar, drums).

At the end of 2025, Lowsunday released their ‘Low Sunday Ghost Machine - White EP', ranked second among Post-Punk.com's Best EPs of 2025, and showcased by the singles 'Love Language', 'Soft Capture' and 'Nevver'. Both a reflection and a resurgence, Lowsunday's two new EPs usher in a welcome return, marked by superb production and a renewed creative clarity, bridging three decades of distinct sonic legacy with balanced doses of escapism, dreamlike sounds, drones and feedback.

With a sound defined by atmosphere, precision, and heartfelt shadow and depths, Lowsunday is now asserting their presence with new strength. While the 'White EP'explored light and texture, the 'Black EP' is the darker counterpart and definitive statement. Shadow and intensity, layered guitars, tight rhythms, and austere synths, this new EP' distills the duo's vision into a sharper, more potent form — a bold declaration of their enduring artistic power.

"'You’re So Wired' is a song that touches on a manic type of experience. It also touches on the classic Chuang Tzu question, after having had a vivid dream: "am I man dreaming I am a butterfly or am I a butterfly dreaming I am a man?" -- The experience of not knowing if you’re awake or dreaming. In this case, the rapid eye movements shown in the video capture both dreaming and erratic behavior, making it hard to interpret which is which," says Shane Sahene.

"In the video, I love the way Jer shows the subject looking through a camera - like a search for honesty or an altered reality. It relates to the song like a form of detachment - just one step removed. Ultimately it’s the experience with this type of person - that when they’re gone, you miss the excitement they create and when you're together, the unpredictably can feel overwhelming. I enjoy the idea of being in a permanent dream state, like an overlay to reality, where one is only stabilized by their dreams. The beauty of the video comes when the escape has been made - just as the song opens up in the bridge - it captures a freedom that had been searched for and finally found."

Lowsunday's music blends glittering, pristine textures with infectious choruses, creating an evocative aura that feels both classic and perfectly suited for the modern era. Representing a daring progression toward deeper, echoing auditory environments, they alternate between steady beats, turbulent noise and delicate, ghostly movements. Exploring dark, expansive sonic territories, they seamlessly transition from harsh, grating feedback to fragile, dream-pop-inspired instances of deep yearning.

"For me, our 'Black EP' is deceptive, opening with energetic and wistful 'You’re So Wired' but followed by songs that are melancholy and introspective. These are the strongest songs we’ve yet done. With strong and memorable melodies, they invoke feelings of isolation and sadness, but in a way that feels familiar instead of depressing, leaving a sense of hope, " says Bobby Spell.

"And this video for 'You're So Wired' perfectly reflects the energy of this song - it feels light and energetic. It’s whimsical, a bit punk rock and a little bit dreamy escapism. Visually the video expresses this feeling with the primary character being a somewhat chaotic but interesting and enigmatic person."

The 'Low Sunday Ghost Machine - Black EP' is out now, available across digital platforms, including Spotify, Apple Music and Bandcamp, where the limited edition 7" of 'Static / Besides', can also be ordered. The vinyl edition of the album (limited to 200 copies), released on May 29th, can be pre-ordered via Bandcamp and the Projekt Records website.

CREDITS
Lyrics by Shane Sahene
Music written by Shane Sahene & Bobby Spell
Shane Sahene - vocals, guitar, synth, bass, drums
Bobby Spell - bass, guitar, drums
Recorded, Mixed, Mastered & Produced by Shane Sahene & Bobby Spell
EP cover photo by Shane Sahene. Layout by Christina Sahene
Digital Cover edit by Sam Rosenthal
Band photos by Christina Sahene
Videos by Jer Herring
Publicity by Shameless Promotion PR

Keep up with lowsunday
Website | LinkTree | Bandcamp | Facebook | Instagram | YouTube | Soundcloud | TikTok| Spotify | Apple Music | Amazon | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | BlueSky | Threads | Soundcloud | LinkedIn | Ema il

Portland's Wooden Overcoat shares "I Knew You Would', showcasing debut "Hello Sunbeam" EP

June 15, 2026

Portland psychedelic indie-pop outfit Wooden Overcoat unveils 'I Knew You Would' with its garage-meets-grunge sound, complete with a haunted vocal harmony you didn’t know you needed. The video was created by Italian multi-arts visionary Francesca Bonci, well known for her work with The Dandy Warhols, Tombstones In Their Eyes, Federale (The Brian Jonestown Massacre's Collin Hegna), Pete International Airport and Slowdive's Rachel Goswell.

Wooden Overcoat's recently released debut "Hello Sunbeam" EP is a sweet spot where lo-fi garage psych meets 90s shoegaze, anchored by layered harmonies and an evocatively intimate vocal delivery. Exploring vivid, emotionally resonant themes, this vibrant four-track collection presents a fantastic dreamlike environment for lovers of life.

The sonic brainchild of multi-instrumentalist Brant Hajek, Wooden Overcoat took its name from an old Americana euphemism for a coffin. Hajek’s creative process is personal, having returned to music after a hiatus. What started as a practice in self-production transformed into a deep creative obsession with soundscapes and gear. Recording in a rented basement, Hajek crafted this EP through spontaneous experimentation, propelled forward by sudden bursts of inspiration.

"The lyrics to ‘I Knew You Would’ are more about transcribing emotional impact than saying something meaningful. I wrote it when I was feeling a lot of grief, very uneasy, and it’s about the isolation you can feel going through bouts of depression, even when you have someone very close to you. Thinking about it in hindsight, I feel like I was writing about myself, hurling accusations for not being better, or finding the ability to improve things about myself or the way I was handling stress and grief," says Brant Hajek.

"Recording this EP almost ruined my life, and I hope it sounds like it. Each song is its own little world, in which I lost myself. With childlike wonder, exploring concepts and sounds, I was inspired to make something new each time just to keep the wheel turning. I loved the feeling of momentum, knowing I was creating something out of thin air and maybe grabbing ahold of something slippery and evasive.."

Hajek’s creative process is a deeply personal, layered journey towards the spark that turns an emotionally restless melodies into finished pieces. While he himself performed every instrument on thise EP, Wooden Overcoat is now a full band, bringing these tunes to the stage. With Hajek on guitar and lead vocals, he is joined by bassist Dillon Glusker, guitarist Mac and drummer Brian Levin.

Earlier, Wooden Overcoat released the shimmering lead track "Home" - a reverb-drenched sanctuary, blending in sun-drenched textures and a wash of tape echo and reverb, and "Finally Arrived" with its viscous guitars, slow thudding drums, rhythmic trance-like pulse and dreamy soundscape. Between mourning and romantic friction, it examines the delicate nature of human connection and tendency to view individuals as replaceable assets. "Heaven Right Now" is a reverb-soaked psych-rock track about hidden emotional fractures, shared suffering, and how people quietly break under pressure.

"This EP was written at a dark time in my life. My mother was diagnosed with cancer, the world was flipped on its head and never really recovered, political turmoil and conflicts overseas dominated the collective conscious, and it profoundly affected me. My relationship was suffering from cumulative stress and I can now see how it came through in what I created. Themes of beauty that doesn’t last, self-sabotage, dissociation, cynicism, and desire for connection but feeling removed from it," says Hajek.

The "Hello Sunbeam" EP is out now, available on digital platforms everywhere, including Spotify, Apple Music and Bandcamp.

CREDITS
Written, recorded, mixed and mastered by Brant Hajek
Performed by Brant Hajek
Recorded in a house in Portland, Oregon
Only humans made this art
Cover art + photo by Brant Hajek
Band photos by Brett Chauncey
Videos by Francesca Bonci
Publicity by Shameless Promotion PR

New Jersey's DEARDARKHEAD reveals 'In Another Life', previewing first album in 26 years

June 9, 2026

New Jersey alternative rock outfit Deardarkhead presents 'In Another Life', their second offering from 'The Pendulum Swings', - their first full-length album in 25 years. Balancing tension between crystalline guitar arpeggios, a wall of fuzzed out tremolo, and melodic baselines, the band concocts an introspective atmosphere about what could have been.

Built around soaring guitar leads and melodic bass hooks, this follows the lead track 'Letting Go'. A song about growth and change, centered on releasing old patterns and embracing new directions, this track features keyboardist Joe McGinty, known for his work with The Psychedelic Furs, Nada Surf, Ryan Adams and Deborah Harry, adding additional layers of atmosphere and texture.

Now made up of guitarist Kevin Harrington, drummer Robert Weiss and bassist James Malizia, who recently replaced Brandon Howard following the recording of this album. Deardarkhead has built a distinctive identity since the departure of vocalist-bassist Michael Amper in 2009, shifting fully into instrumental composition where melody and texture take the place of vocals.

With many notable milestones over their nearly four decades, including shows with the likes of Supergrass, The Psychedelic Furs, Everclear, Nothing and The Lilys, the new album captures an ever-evolving band, refining their voice through texture, atmosphere, and emotional momentum.

Taking their name from the 1867 Irish poem “Cean Dubh Dilis” by Samuel Ferguson -- a work about a beautiful dark-haired girl -- Deardarkhead was formed in 1988 in the Atlantic City, New Jersey area. Their identity rooted as much in mood as in melody, their music blends atmospheric dreampop, shoegaze shimmer and ethereal rock, unfolding as an original, guitar-driven psychedelic tightrope walk balancing moody textures and shimmering melodies.

Drummer, Robert Weiss was particularly inspired by sitar music for the rhythmic droning lead sections while writing the song. He shares, "'In Another Life' is about the choices you didn’t make which still haunt you to some degree. The what ifs we all think about, but ultimately have no real impact. There’s no way of knowing where a different path would have lead, so you can’t be too bothered about it. One must live in the present."

Deardarkhead's sixth recording and second full-length album, 'The Pendulum Swings' captures a period of renewed experimentation and refinement. Recorded at Miner Street Recordings in Philadelphia, they worked with producers Brian McTear and Amy Morrissey (The War on Drugs, Kurt Vile, Sharon Van Etten) and Grammy-nominated mastering engineer Joe Lambert (Animal Collective, Blonde Redhead, Beach House, M83, Wild Nothing).

Across ten instrumental tracks, the record moves through shifting moods ranging from soaring, psychedelic-tinged guitar anthems to driving post-punk rhythms and more ambient, abstract passages. The result is a dynamic and cohesive work that highlights the band’s signature blend of shimmering guitars, pulsing bass, and powerful percussion. The band pushes the envelope with their instrumental approach, using drum loops, unusual time signatures, ebow, bass VI, and expanded guitar layering.

Deardarkhead has released five recordings via Fertile Crescent Records, beginning with their 1998 debut album 'Unlock the Valves of Feeling', and featured on numerous US and Japanese indie compilations. In 2011, Captured Tracks released 'Oceanside: 1991-1993', a retrospective of their early material (and second released in their Shoegaze Archives series). They then joined iconic label Saint Marie Records in 2015, releasing their critically-acclaimed 'Strange Weather' EP with them in 2016.

As of June 9, 'In Another Life' is available from music platforms, including Spotify, Apple Music and Bandcamp. Now available for pre-order, 'The Pendulum Swings' album will be released on CD, digitally, and on 180-gram vinyl on July 10.

CREDITS
Written by Robert Weiss & Kevin Harrington
Kevin Harrington - guitars (all tracks) and bass VI, ebow & bass (track 10)
Robert Weiss - drums & percussion
Brandon Howard - bass (tracks 1-9)
Joe McGinty - keyboards (track 6)
Recorded at Miner Street Recordings, Philadelphia, PA
Produced, engineered & mixed by Brian McTear & Amy Morrissey
Mastered by Joe Lambert
Cover photography & design by Robert Weiss
Video directed and edited by William Murray
Band photos by Mike Maney & Rob Weiss
Publicity by Shameless Promotion PR

Keep up with Deardarkhead
Website | Bandcamp | Facebook | Instagram | Twitter | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | BlueSky | Threads | Soundcloud | LinkedIn | Ema il

The Joy Thieves unleash 'Apocalypse Pending' album with video for 'No Anchor' & focus track 'Ambush Vinez'

June 3, 2026

Chicago-based alternative collective The Joy Thieves release their full-length album 'Apocalypse Pending' on June 5th via Armalyte Industries. While the industrial-rock-punk-experimental supergroup known has always combined a wide array of musicians together in order to craft their signature sound, they stretch this concept to its very limits with this record.

Highly influenced by the hip hop music production techniques of the 80’s and early 90’s, 'Apocalypse Pending' finds the Joy Thieves Productions team of Dan Milligan and James Scott redefining themselves by utilizing a sample-heavy production to forge elements of industrial, rock, experimental, punk, hip hop, metal, and freeform jazz. But instead of sampling the music of others, they found inspiration in the talents of the band’s 80+ other members, resulting in an incendiary sound all their own.

Anxious to explore new musical territory, they challenged themselves by turning the entire song-creation process upside down. Instead of relying on members to contribute already-written songs, as they’d done in the past, they meticulously gathered hundreds of unrelated recorded musical fragments from their fellow Joy Thieves, then painstakingly reconstructed brand new pieces of music from these fragments, ultimately creating a fresh and innovative sound.

Longtime fans of the band will instantly recognize the iconic voice of Chris Connelly (Fini Tribe, Revolting Cocks, Ministry, Pigface). Seething with frustration and rage at one moment, and coolly delivering beat poetry the next, 'Apocalypse Pending' finds the multi-talented Connelly in his element; using the album’s densely layered, sonic collage as the perfect vehicle to deliver the band’s violently anti-fascist sentiments.  

The Joy Thieves have also shared videos for 'No Anchor' and ‘The Wrong End of Your Rifle’, created by Lumbra Productions. Eyeing the edge of collapse, capturing the zeitgeist with such precision, they touch on the decay of the individual, exploring the isolation of our modern world.

“These days, the process of simply writing and recording an album no longer seems to be enough for me. In order to feel fully engaged, I need new and exciting musical challenges - preferably ones that make me start wondering if I just might be in waaaay over my head. Once I get that feeling, there’s absolutely no question I’m on the right track," says Dan Milligan.

" In the case of 'Apocalypse Pending', that challenge began as a question - What kind of music would RZA or The Bomb Squad make if they had been raised on a steady diet of Gang of 4, The Jesus Lizard, and Ministry?"

Chris Connelly adds, “At their core, the lyrics for 'Apocalypse Pending' are violently anti-fascist. It’s funny how worked up and angry I get when I talk about these songs. But I’m finding I simply can’t hold back anymore; and it feels so good to lyrically address every aspect of this current horror show. I’m so glad we have a creative outlet to express these thoughts. At least until we all get Pussy Riot-ed into prison."

Since signing with London alternative-industrial label Armalyte Industries in 2018, The Joy Thieves have delivered 11 critically-acclaimed releases. 'Apocalypse Pending' is the latest -- produced, engineered and mixed by Joy Thieves Productions at Populist Recording + Mastering.

The Joy Thieves includes current, former, and touring members of Ministry, Stabbing Westward, The Rollins Band, Killing Joke, Pigface, RevCo, PIG, David Bowie, Blue October, Machines of Loving Grace, Depeche Mode, Nine Inch Nails, KMFDM, Naked Raygun, Foetus, My Life With the Thrill Kill Kult, Pegboy, Nitzer Ebb, Die Krupps and more.

The band crafts their cohesive signature sound from the contributions of its ever-growing 80+ roster of members, drawn from a diverse range of genres, including industrial, rock, punk, darkwave, hip hop and experimental music. Created by “all of us, and yet, none of us”, this is a sound all their own, their music aggressive, yet precise; confrontational, but refined; and harsh, yet melodic.

On June 5th, 'Apocalypse Pending' will be available on Digipack CD and across music platforms including Spotify, Apple Music and Bandcamp.

CREDITS
Track 1 written by Dan Milligan, DJ Darryl Hell
Tracks 2, 4, 7, 10,11 written by Chris Connelly & Dan Milligan
Track 3 written by Chris Connelly, Jeff Harris, Dan Milligan
Track 5 written by Chris Connelly, Dan Milligan, Derek Christopher, Dee J Nelson
Track 6 written by Chris Connelly, Dan Milligan, Derek Christopher, Jeff Harris
Track 8 written by Chris Connelly, Dee J Nelson, Dan Milligan
Track 9 written by Chris Connelly, Dan Milligan, Jane Jensen
Track 12 written by Chris Connelly, Dan Milligan, James Scott
Track 13 written by Chris Connelly, Dan Milligan, Dee J Nelson Nelson, Jeff Harris, Steven Archer
Produced, engineered & mixed by Joy Thieves Productions
at Populist Recording + Mastering, Wheaton, IL
Mastered by James Scott at Populist Recording + Mastering
Additional production by:
Derek Christopher at Penfield Studios, Mark Pistel at Room 5 Studios, Jeff Harris at JH Studios
Steven Archer at House of Wolves, Dee J Nelson at DJN Music Studio, Jane Jensen at Autozen Music, and DJ Darryl Hell at HellLab Studios
Art direction by Destiny Justic Scott
Original artwork by Charlie Athanas for Burning City
Videos by Joel Lopez by Lumbra Productions

Released via Armalyte Industries

Portland's Wooden Overcoat serves potent psych-pop on debut "Hello Sunbeam" EP

May 31, 2026

Portland dreampop outfit Wooden Overcoat presents their debut "Hello Sunbeam" EP, a sweet spot where lo-fi garage psych meets 90s shoegaze, all anchored by layered harmonies and an evocatively intimate vocal delivery. The focus track "Heaven Right Now" is a reverb-soaked desert psych-rock track about hidden emotional fractures, shared suffering, and how people quietly break under pressure.

Wooden Overcoat is the sonic brainchild of multi-instrumentalist Brant Hajek, having returned to music after a hiatus, recording songs he'd written in his late teens. What started as a practice in self-production transformed into a deep creative obsession with soundscapes and gear. Recording in a rented basement, Hajek built the foundation of the EP through spontaneous experimentation—often veering away from planned sessions to follow sudden bursts of inspiration.

"Recording this EP almost ruined my life, and I hope it sounds like it. Each song is its own little world, in which I lost myself. With childlike wonder, exploring concepts and sounds, I was inspired to make something new each time just to keep the wheel turning. I loved the feeling of momentum, knowing I was creating something out of thin air and maybe grabbing ahold of something slippery and evasive. There’s a feeling of satisfaction I can’t compare to anything else that I get when listening back to something fresh," says Brant Hajek.

"Over countless hours tinkering away with mics, pedals, amps, preamps, and the overall process of tracking and layering guitars, I wanted to make something that sounds old but fresh. I want something that sounds warm and dense, but somehow also airy. I think I achieved that. The curse of any recording artist is wishing you could go back and do it all differently. But instead of beating it to death, I want people to hear the rawness of the result of someone finally figuring out how to a make a record."

Hajek’s creative process is a deeply personal, layered journey towards the spark that turns an emotionally restless melodies into finished pieces. While he himself performed every instrument on thise EP, Wooden Overcoat is now a full band, bringing these tunes to the stage. With Hajek on guitar and lead vocals, he is joined by bassist Dillon Glusker, guitarist Mac and drummer Brian Levin.

The band debuted with the shimmering single "Home", enveloping the senses in a reverb-drenched sanctuary, blending in sun-drenched textures and a wash of tape echo and reverb, followed by "Finally Arrived" with its viscous guitars, slow thudding drums, rhythmic trance-like pulse and dreamy soundscape. A tapestry of personal mourning and romantic friction, at its core, it examines the delicate nature of human connection, lamenting a cultural tendency to view individuals as replaceable assets.

The video for both singles were created by Italian multi-arts visionary Francesca Bonci, well known for her work with The Dandy Warhols, Pete International Airport and Slowdive's Rachel Goswell, LA's Tombstones In Their Eyes, Federale (The Brian Jonestown Massacre's Collin Hegna), post-rock outfit The Quality of Mercury, and iconic British bard Philip Parfitt.

"This EP was written at a dark time in my life. My mother was diagnosed with cancer, the world was flipped on its head and never really recovered, political turmoil and conflicts overseas dominated the collective conscious, and it profoundly affected me. My relationship was suffering from cumulative stress and I can now see how it came through in what I created. Themes of beauty that doesn’t last, self-sabotage, dissociation, cynicism, and desire for connection but feeling removed from it," says Hajek.

"To me this album is about romanticism vs. reality. “Hello Sunbeam” is something I might say to myself when I’m having a bad day, joking about how grumpy I’m being. But it’s also something I might say when I look outside to see the clouds are parting for a bit and maybe things don’t have to be so dreary."

The name Wooden Overcoat—an old Americana euphemism for a coffin—hints at the project’s core philosophy: a playful balance of moody, mystical imagery with light-hearted humor. Hajek’s creative process is personal, the rough versions eventually coalescing into vivid, emotionally resonant themes. In contrast, this music is vibrant, creating a fantastic dreamlike environment for lovers of life.

The "Hello Sunbeam" EP is available from digital platforms everywhere, including Spotify, Apple Music and Bandcamp.

Iconic indiepop songstress Jacqui Hunt presents 'Desiderium' album with 2 sublime videos

May 27, 2026

Iconic Australian indie pop artist Jacqui Hunt presents her new album 'Desiderium' — out on CD & vinyl on June 26th — marking 40 years since launching pioneering electronic band Single Gun Theory. This superb collection moves through personal reflections on grief, loss, healing and love, it is released by her independent label QUSP with musical collaborator and husband Brian Conolly, previewed two superb videos — 'Planet', directed by Hunt with original graphics by Brian Conolly, and 'Cycles', which conveys an equally personal story.

Sonically abstract, smooth synths are intermittently spaced between organic pop structures. Songs that levitate, then ground, are fused together by the ethereal thread of Jacqui’s poetic radiance. Merging elements of Kate Bush, Tori Amos and Beth Gibbons, Hunt describes the feeling of this album "Like stepping out of your body for a while and grounding back to earth — floating on a synth wave while holding the raw reality of a simple piano. The bones that connect to the human voice like a string of air as it floats to the ether and returns to base."

"'Planet' is an electro-ethereal soundscape building to a rhythmic frequency of dreamy vocals that merge into the ether and dissipate into space. Initially a poem sent to me by Brian from overseas; I spontaneously turned it into a demo and sent it back to him from Sydney. He received it in a transit lounge in Kuala Lumpur. It conveyed so much to one another with so little. It is a love song; the poem stretches back through time and distance," says Jacqui Hunt.

'Cycles' presents a completely different landscape. A raw, melancholic piano ballad of heartfelt simplicity, it serves as a reflective turning point of grief, longing, and gratitude for a great love transitioned. Enveloped in powerful, multigenerational symmetry, this music video was created by Kade Stenders, a budding teenage filmmaker whose parents, famed film director Kriv Stenders and photographer Lisa Stonham, had previously directed several Single Gun Theory videos.

Jacqui shares, "There was a cyclic symbolism to this process, which was very fitting to the track and one that appealed to me, since 'Cycles' is very caught up in the life and death of my own father, who also directed theatre. The symbolic layers were of great importance to me, representing a huge turning point in my own life."

Primarily known as frontwoman of Single Gun Theory, formed in 1986, Hunt’s stellar artistic trajectory stands as a testament to her versatility and enduring impact across the global independent and electronic music landscape. As a powerhouse vocalist and intuitive co-writer, Hunt etched her name into Australian music history through her pivotal contributions to numerous projects.

Releasing three albums from 1987–1994, Single Gun Theory gained a steady international following, an ARIA nomination in the electronic dance category, and charted in Spain with ‘Exorcise This Wasteland’. With extensive placement in television and film, their music was most recently heard on the Paris runway for French label Chloé for their Winter 2026 parade.

Signed to Nettwerk Records, the band toured North America with Sarah McLachlanon her ‘Fumbling Towards Ecstasy’ tour, followed by a series of U.S. headline shows that gained them a loyal following. Releasing music in Australia through the cult label Volition, Single Gun Theory never officially broke up, but never toured again. Their latest release was the soundtrack for the film ‘The Monkey's Mask’ in 2001.

In the late 1990s, Hunt achieved global recognition through involvement with dreampop trailblazers Delerium, collaborated with Bill Leeb and Rhys Fulber as songwriter and vocalist on ‘Euphoria (Firefly)’ for the ‘Karma’ album, the Rabbit In The Moon remix of that song receiving a Juno Award.

Jacqui's solo career took center stage with her 2008 debut album ‘Auraphonic’, featuring the track ‘Calisthenics’ - licensed for the feature film ’Adore’ starring Naomi Watts. Expanding this independent creative footprint, 2017 also saw the debut album by her innovative design duo CiiVE.

A sought-after collaborator, Hunt co-wrote and voiced standout tracks like ‘Stay’ on Paul Mac’s Gold-certified debut album ‘3000 Feet High’, teamed with Volition label mates Vision Four 5 for their 2017 retrospective album ‘Cloud’, and crossed genres in 2022 to feature on ‘Centuries’, the solo album by David McClymont of seminal Scottish post-punk band Orange Juice. These diverse milestones highlight Hunt’s rare chameleon-like ability to seamlessly shift between genres and collaborative works.

Out now digitally, the 'Desiderium' album will be released on CD and limited edition vinyl on June 26th. The remix of the 'Alice Magic' by K.I.M, one half of the Australian charting band The Presets, is also available across digital platforms such as Spotifyand Apple Music.

Joan As Police Woman shares 'I Defy' feat. Krystle Warren, final single from 'Real Life Evolution' album (out June 12th)

May 26, 2026

n the home-stretch towards her “Real Life Evolution' album, out June 12th via UK independent Reveal Records, trailblazing NYC artist Joan As Police Womanpresents 'I Defy' feat. Krystle Warren. Co-written and originally performed with Anohni, this infectious version previews a stunning collection of new arrangements of the songs from her debut album 'Real Life'.

Joan is also sharing a live rendition of 'I Defy', accompanied by Will Graefe and Jeremy Gustin, as part of 'The Real Life Anniversary Sessions', following earlier videos for 'Eternal Flame', 'Flushed Chest', 'The Ride' and 'Anyone'. The entire series was recorded by Adam Sachs at The Owl Music Parlor in Brooklyn and filmed by Ehud Lazin.

Exactly 20 years since releasing 'Real Life', Joan has reimagined and re-recorded the album in full with numerous guests, including Iggy Pop, Will Graefe, Jeremy Gustin, Tony Scherr, Parker Kindred, Danny Blume, Oren Bloedow and Thomas Bartlett. Developed through countless performances, these renditions are brought to life by the brilliance of the players who helped define their sound.

“This song is dear to my heart. Anohni and I wrote it mid-conversation in her tiny apt on 15th St. “I defy, I love your way”. It’s a declaration, an insistent act of love. Finding the right voice for Anohni’s part in 'I Defy' required someone truly special. I’ve long considered Krystle Warren one of the finest singers alive, and when I reached out to her, she sent her vocals back within a day. When I heard them, I nearly fell over,” says Joan Wasser.

"When playing live with Will and Jeremy, we took it down, softened the edges and warmed it with some muted sunshine. Will’s voice has a warmth you could describe as tawny. Jeremy’s drumming glows."

Joan Wasser, known professionally as Joan As Police Woman since 2004, is a critically acclaimed musician and producer, and a sought-after collaborator, dubbed “the coolest woman in pop” (The Times) and “one of the 21st century’s best musicians” (The Economist). As a singer, songwriter and multi-instrumentalist, her music defies easy categorization, crafting her own sound that blends various genres. She has released ten albums of original material, two cover albums, and an anthology.

Joan As Police Woman has recorded and performed with hundreds of artists, including Afrobeat legend Tony Allen, Lou Reed, Anohni & The Johnsons, Meshell Ndegeocello, Rufus Wainwright, John Cale, David Byrne, Dave Okumu, Chris Dowd, Lau, Scissor Sisters, Sparklehorse, Beck, Laurie Anderson, Lloyd Cole, Afel Bocoum, Dave Gahan, Tanya Donelly, David Sylvian, Steve Jansen and Damon Albarn (who collaborated with Joan on her song 'Get My Bearings' and on Gorillaz' 'Song Machine' album). She also a member of Iggy Pop's touring band (on keys and vocals).

As of May 26, 'I Defy' is available digitally everywhere. The 'Real Life Evolution' album will be released on June 12th. Now available for pre-order on Bandcamp, it is available on CD, digitally, and Limited Edition exclusive red marble vinyl.

Later this year, Joan embarks on her Real Life 20th Anniversary Tour, performing the 'Real Life' album as a trio, plus singles from her catalogue, fan favourites, deep cuts, reworked covers and some surprises! Ahead of June's sold-out NYC shows at Joe's Pub, she has a free show at Bryant Park on June 18. Tour tickets can be ordered at https://linktr.ee/japw or www.joanaspolicewoman.com/tour.

CREDITS
Lyrics & Music written by Joan Wasser & Anohni
Published by Fists of Fury (BMI) / Rebis Music (ASCAP)
Joan Wasser - vocals, piano, Wurlitzer, strings
Krystle Warren - vocals
Will Graefe - acoustic guitar
Oren Bloedow - electric guitar
Danny Blume - electric bass
Parker Kindred - drums
Produced by Joan Wasser
Recorded by Danny Blume at Hidden Quarry Studios, Bearsville, NY
Mixed by Patrick Dillett at Reservoir Studios
Mastered by Chris Gehringer at Sterling Sound
Video recorded live at The Owl Music Parlor, Brooklyn, NYC
Adam Sachs - audio recording engineer & mixer
Ehud Lazin - videographer
Album cover photo by Judi Rosen
P & (C) 2026 Sweet Police LLC under exclusive licence to Reveal Records
Joan As Police Woman photos by Judi Rosen
Publicity by Shameless Promotion PR

NEW YORK PERFORMANCES
JUNE 18 New York, 7pm - Bryant Park (FREE SHOW)
JUNE 20 New York, NY, 7pm - Joe's Pub (SOLD OUT)
JUNE 20 New York, NY, 9pm - Joe's Pub (SOLD OUT)
JUNE 21 New York, NY, 6pm - Joe's Pub (SOLD OUT)

REAL LIFE ANNIVERSARY TOUR 2026
NOV 5 London, UK - Union Chapel
NOV 6 London, UK - Union Chapel
NOV 7 Manchester, UK - RNCM (Royal Northern College of Music)
NOV 9 Glasgow, UK - Oran Mor
NOV 11 Brugge, Belgium - Cactus Club
NOV 12 Amsterdam, Netherlands - Zonnehuis (sold out)
NOV 13 Hamburg, Germany - Mojo Club
NOV 15 Aarhus, Denmark - Train
NOV 16 Copenhagen, Denmark - DR Concert Hall
NOV 18 Budapest, Hungary - House of Music Hungary
NOV 20 Roma, Italy - Angelo Mai
NOV 22 Berlin, Germany - Haus des Rundfunks & Großer Sendesaal

Keep up with Joan As Police Woman
Website | LinkTree | Bandcamp | Facebook | Instagram | Twitter | YouTube | Spotify | Apple Music | BandsInTown | Joanthology Podcast | Press contact

Keep up with Reveal Records
Website | Bandcamp | Facebook | Twitter | Instagram | Soundc loud | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | BlueSky | Threads | Soundcloud | LinkedIn | Ema il

Jah Wobble & Tian Qiyi announce 'Mystic Liverpool' album, a psychedelic reimagining of The Beatles, out August 14th

May 26, 2026

Iconic bassist and producer Jah Wobble has teamed up with his sons' ethno-psychedelic duo Tian Qiyi on the fascinating new album 'Mystic Liverpool: The Beatles' Psychedelic Psongbook', a deeply personal reimagining of The Beatles’ psychedelic period. Framing these songs within a soundscape of Chinese, Mongolian and dub traditions, this album is out on August 14th via Cherry Red Records.

John Wardle, a.k.a. Jah Wobble is a founding member of Public Image Ltd (PiL) and formed Invaders of the Heart in 1982. In his nearly 50-year career, he has had chart success, a Mercury Music Prize nomination and a rich discography via his label 30 Hertz. He has collaborated with Can's Holger Czukay, Jaki Liebezeit, U2's The Edge and producer François Kevorkian, in addition to Sinéad O’Connor, Massive Attack, Ginger Baker, Björk, Brian Eno, Pharoah Sanders and, most recently, Horace Andy on his 'Timeless Roots' album, Ken Boothe on his 'Old Fashioned Ways' album, and Jon Klein on the 'Automated Paradise' album.

Tian Qiyi is a duo made up of John T Wardle and Charlie Wardle, taking its name from their Chinese middle names, Tian Qi and Tian Yi. Based in Liverpool, the duo bridges British, Chinese, Mongolian and dub traditions, their fascinating ethno-psychedelic music bridging cultures to forge a sound that also weaves in post-punk and experimental production, their sound imbued with magnetic tension between ancient tradition and dub futurism, East and West, land and spirit.

The album draws largely on Jah Wobble’s signature dub bass, John T’s drums, Chinese percussion and yangqin, and Charlie’s erhu and vocals. Their clever rendition of “Strawberry Fields Forever” also sees Charlie playing morin khuur with the boys' mother Zi Lan Liao — a Royal Academy of Music–trained harpist and the most recognized gu-zheng performer worldwide — joining on gu-zheng.

Album pre-order www.cherryred.co.uk/jah-wobble-tian-qiyi-mystic-liverpool-the-beatles-psychedelic-psongbook-cd-digipak-edition
Rough Trade CD pre-order www.roughtrade.com/en-us/artist/jah-wobble-and-tian-qiyi-mystic-liverpool

Jointly produced by Jah Wobble, John T and Charlie, this album was recorded and mixed by John T at Pagoda Studios in Liverpool. But the Liverpool connection runs even deeper through their family. Zi Lan’s father, Mr K.H. Li (Liao Gui Xiong), arrived from Guangzhou in 1981 as Chinese Cultural Officer at the Pagoda and went on to establish the Pagoda Chinese Youth Orchestra — the ensemble Zi Lan (now also director of Pagoda Arts Centre) runs and that both her sons grew up playing in from the age of three. The record is dedicated to him; a lifelong Beatles fan, he owned everything they ever released on vinyl.

“The track that flipped it for me as a kid was ‘Strawberry Fields Forever,’” says Jah Wobble. “I didn’t have the language for what was going on in that song — I just knew it was more than music. The words you’d reach for are the ones people use about psychedelia: ego dissolution, a sense of unity, cosmic connection. I consider dub music to fit into the psychedelia genre, and John T grew up listening to dub, so Mystic Liverpool was always going to have that sensibility.”

The album moves through The Beatles’ psychedelic-era songbook with Chinese instrumentation and dub-inflected mixing, treating the material as the genuinely mystical music it always was rather than as nostalgic covers. As listeners will be pleased to discover, "Sgt. Pepper’s Lonely Hearts Club Band" and "Magical Mystery Tour" are particular touchstones.

On August 14th, the 'Mystic Liverpool' album will be released as a CD Digipack and digitally via Cherry Red Records. It is now available for pre-order. Jah Wobble is touring the UK throughout 2026 with The Invaders Of The Heart - tickets are available at https://jahwobble.com/#live

The Horrors’ Tom Furse Reimagines Strange Fruit’s ‘Monopolar’ for New ‘Drips’ EP

May 16, 2026

British artist, producer and composer Tom Furse, celebrated for his work with The Horrors and MIEN (alongside The Black Angels' Alex Maas and Elephant Stone's Rishi Dhir), shares a transformative remix of 'Monopolar' for dreamgaze outfit Strange Fruit. Featured on their 'Drips' EP, newly released via Gentle Tuesday Recordings, Furse’s re-envisioning strips back the original’s sensory explosion to reveal a deeper, darker core—infusing the track with slow-burning breakbeat grooves, abrasive ambient textures, and a distinct acid house pulse. Furse lends his signature atmospheric lens to this centerpiece, immersing Strange Fruit in UK electronic innovation.

Furse has also built a solo and scoring practice, developing immersive, cinematic compositions rooted in texture and atmosphere. As a producer and remixer, he's worked with Depeche Mode, Charlotte Gainsbourg, Franz Ferdinand, Tame Impala, Temples and The Twilight Sad. A resident on NTS Radio and active visual artist, with commissioned work including projects involving Fatboy Slim and The Rolling Stones, his practice bridges audio and visual worlds, exploring narrative, abstraction, and sensory experience through a distinctly atmospheric lens.

Based in Jakarta, Strange Fruit is Baldi Calvianca (vocals & synth), Irza Aryadiaz(synth), John Tampubolon (guitar), Nabil Favian (bass) and Dino Kristianto (drums). Since their 2015 debut EP 'Dolphin Leap', they've moved fluidly between noise pop, krautrock, shoegaze and electronica. Now converging into a more focused, hybrid sound with deeper integration of electronic elements, this EP is driven by machine-led rhythms and analog textures, fusing emotional depth with rhythmic precision.

A lucid trip to the edge of sonic consciousness, the 'Drips' EP is a defining moment in the band’s evolution, unifying fragments of their kosmische experimentation to achieve a more cohesive sonic identity. Apart from joining an exclusive lineage of artists who have received the Furse treatment, this EP also involves renowned UK producer Sean Johnstone a.k.a. Hardway Bros (co-founder of A Love From Outer Space with Andrew Weatherall) with his downtempo club atmosphere and Jonathan Kusuma of Jakarta’s Dekadenz collective with his leftfield disco echo-rich bass drum tempos.

Produced by Strange Fruit and electronic producer Bernardus Fritz, the EP is driven by machine-led rhythms and analog textures, fusing emotional depth with rhythmic precision. The title track 'Drips' blends shoegaze textures and electronic elements in a dense, immersive soundscape, while 'Pouvoir Moteur' brings steady motorik rhythms that flow seamlessly down an endless highway. 'Iridescent' channels dancefloor euphoria through minimalist beats and atmospheric layering, balancing introspection with forward momentum while finding luminosity within adversity.

The album's lead track 'Monopolar' is a sensory explosion suspended between dream and awareness, and between the surreal and radiant. Gradually fading and blurred in technicolor, the video was directed by Mellow Splice, who also created the EP cover artwork, reflecting the track’s fluid and surreal qualities through abstract, water-like imagery.

Gentle Tuesday Recordings began as a recurring event night in Jakarta in 2017, founded by Calvianca together with Benedict Pardede and Moses Sihombing. It became a label in 2021, their name derived from a Primal Scream track.

The 'Drips' EP is available from digital platforms, including Spotify, Apple Music and Bandcamp. Cassette and vinyl releases are planned for mid-2026 in collaboration with Loide Records (South-East Asia & Japan) and TipTop Records(other territories worldwide).

CREDITS
Written by Baldi Calvianca & Irza Aryadiaz
Produced by Bernardus Fritz & Strange Fruit
Mixed by Nabil Favian
Guest vocals on 'Drips' by Putri Effendi
Vocals recorded by Aggasta Giovanno (Studiomaja)
Drums recorded by Devfian Julius Simputra (Studio 1 SAE Institute)
Premasters prepared by Hosea Hanelsan (Studio 1 SAE Institute)
Mastered by Sam at The Wall Studio in France, except Track 6 (mastered by Tom Furse)
Remixes by Jonathan Kusuma, Tom Furse and Sean Johnston
'Monopolar' video produced by Gentle Tuesday Recordings & Strange Fruit
Video directed by Mellow Splice. Filmed by Moses Sihombing & Hafizh Armynazrie
Edited buy Hafizh Armynazrie & Moses Sihombing
Photographer: Osman Luqman
Album cover artwork by Moses Sihombing and Hafizh Armynazrie of Mellow Splice
Bookings & Management - Benedict Pardede
Publicity by Shameless Promotion PR

Darkwave-shoegaze pioneers LOWSUNDAY unveil ‘Black EP’, new offering after 25-year hiatus

May 14, 2026

US darkwave-shoegaze pioneers Lowsunday is back with new music via Projekt Records - the 'Low Sunday Ghost Machine - Black EP', the second release of all-new material released since 1999. The album released focus track 'Shattered', the band has also shared a darkly fascinating video for 'This Is Not Heaven', produced by Jer Herring.

Lowsunday (initially Low Sunday Ghost Machine) emerged as a "retro-futurist" pioneer, blending darkwave and shoegaze long before the genres saw their modern revival. Their legacy was cemented with their debut album 'Low Sunday Ghost Machine' and the 1999 masterpiece 'Elesgiem', both re-released via Projekt Records in the past 18 months (for their 30th and 25th anniversaries, respectively).

When they dissolved, they left behind a cult reputation for mercurial sounds and blistering guitar work that set the stage for subsequent generations of alternative artists. Following a nearly 25-year period of inactivity, the band resurfaced as a duo in 2025—consisting of original members Shane Sahene (vocals, guitar, synth, bass, drums) and Bobby Spell (bass, guitar, drums).

Earlier, the Pittsburgh-based duo released their ‘Low Sunday Ghost Machine - White EP', ranked second among Post-Punk.com's Best EPs of 2025, and showcased by the singles 'Love Language', 'Soft Capture' and 'Nevver'. Both a reflection and a resurgence, Lowsunday's two new EPs usher in a welcome return, marked by superb production and a renewed creative clarity, bridging three decades of distinct sonic legacy with balanced doses of escapism, dreamlike sounds, drones and feedback.

With a sound defined by atmosphere, precision, and heartfelt shadow and depths since 1994, Lowsunday is now asserting their presence with a new force. While the 'White EP' explored light and texture, the 'Black EP' is the darker counterpart and definitive statement. Shadow and intensity, layered guitars, tight rhythms, and austere synths, this new EP' distills the duo's vision into a sharper, more potent form — a bold declaration of their enduring artistic power.

"The 'Black EP' was an exciting record to make — it just flowed through us, as did the White EP. We have many moments on the record where we don’t understand how the songs got to where they did. We recognize that the songs are somehow more than us — that’s the magic that keeps us coming back for more. I can’t help but view this new EP like the Jungian shadow. We let ourselves indulge in some of the darkest emotions we experience -- there is a confessional nature to it," says Shane Sahene.

"Musically, it’s a natural extension of the 'White EP'. We dreamed of releasing the two EPs back to back - one white, one black -- like a big, heavy record that looks like an Oreo. The cover art makes a completed 12 x 24 image when placed one above the other. This EP series will go down as a very pivotal moment for the band in that it has cleared our emotions and let out many creative impulses."

Their crystalline shimmer, classic song structures and melodic hooks makes for and atmospheric sound that is timeless and as relevant as ever, elevating the elements that defined their earlier work. A bold evolution into more cavernous soundscapes, oscillating between walls of chaotic feedback and fragile, ethereal passages, their resurgence delves into shadowy and vast acoustic realms, shifting from abrasive ripples of distortion to brittle, shoegaze-infused moments of intense longing.

Bobby Spell shares, "For me, this EP is deceptive, opening with energetic and wistful 'You’re So Wired' but followed by songs that are melancholy and introspective. These are the strongest songs we’ve yet done. With strong and memorable melodies, they invoke feelings of isolation (not a new theme for us) and sadness, but in a way that feels familiar instead of depressing, leaving a sense of hope".

As of May 15th, the 'Low Sunday Ghost Machine - Black EP' is available across digital platforms, including Spotify, Apple Music and Bandcamp, where the limited edition 7" of 'Static / Besides', can also be ordered. The vinyl edition of the album (limited to 200 copies), released on May 29th, can be pre-ordered via Bandcamp and the Projekt Records website.

NYC's Julia Greenberg shares 'Leaves' single, a masterclass in the art of letting go 'Born Sentimental' EP to be released via Magic Door Record Label

May 11, 2026

NYC-based singer-songwriter Julia Greenberg presents her new single 'Leaves', an uplifting track that feels remarkably hopeful despite being written amidst the quiet wreckage of personal loss. Mastering the art of letting go, she offers a poignant reminder that some seasons simply cannot be held captive. This is a hauntingly graceful prelude to her 'Born Sentimental' EP, slated for June release via New Jersey's Magic Door Record Label.

Directed by Julia Greenberg and edited by Nico Greenberg with Yumiko Takagi as director or photography, the accompanying video captures a small-town schoolhouse that is "frozen in time", this setting serving as a poignant monument to the people and milestones we’ve moved on from. The lens treats these relics as a visual meditation on the bittersweet friction between honoring our most precious, fleeting memories and finding the courage to keep walking toward the hope of an unmapped horizon.

'Leaves' sets the tone for the EP. Written over several years in the aftermath of a personal tragedy, the song is reminder that, try as we might, we can’t hang on to those autumn leaves. Referencing the incomparable and oft interpreted Kurt Weill song, Julia chastises herself: “There’s nothing dumber, than the girl who sings September Song in summer”, as she ruminates over her guitar in the shade while everyone else is at the lake.

Recorded live at Chrometop Studios, this music vibrates with the raw, lived-in chemistry of a quartet that has spent half a decade honing these stories while touring the Northeast, capturing their emotional and creative connections and vulnerabilities. It’s a deeply personal and gorgeous collision of alt-country grit and the sophisticated wit of American Standards, capturing a vulnerability that feels both timeless and bracingly honest. Co-produced by Bob Perry (The Winter Hours) and Julia Greenberg, this EP was engineered by Bob Perry and mastered by Ray Ketchem (Guided by Voices, Elk City, Gramercy Arms, Luna, Crash Harmony) at Magic Door Recording Studio in Montclair, NJ.

"These songs are unapologetically written and sung by a woman who has been around a while and has seen and lost a thing or two—and knows the power of the proximity of funny and mournful. The songs, and the kind of raw way I’m putting them out into the world, is a reaction to all the screens, and filters and bullshit projections of ourselves that rule us," says Julia Greenberg.

A chanteuse, theater composer and filmmaker with roots in the downtown NYC music scene, Julia Greenberg has released two albums of original music - 'Past Your Eyes'and 'Greenland' - both produced by James Mastro (The Bongos, Mott the Hoople, Ian Hunter, Patti Smith, John Cale). Her her music has been featured on 'This American Life' (including the ever-popular Dr. Phil episode, in which Phil Collins evaluates a breakup song she co-wrote), and Ronnie Spector also recorded one of her songs.

Greenberg's award-winning documentary 'Dory Previn: On My Way to Where' can now be watched on PBS, having had its world premiere at the SXSW Film & TV Festival in 2024. Prior to directing the film, Julia became the foremost interpreter of Previn’s music, performing her work around the country at venues such as Joe’s Pub, Mass MoCA, the 92nd Street Y, the Houston Museum of Fine Arts, and on WFMU and WNYC radio. She is also the archivist for Previn's estate.

Apart from co-writing the hit off-Broadway rock opera 'People Are Wrong!' with Robin Goldwasser, she composed the music for the off-Broadway play 'Cavedweller' with "Hedwig and the Angry Inch" composer Stephen Trask. In her spare time, she is a health justice advocate and co-curates the music program at the Rock Valley Schoolhouse in the Catskills.

"After years of interpreting other people’s songs and making a film about my musical idol, Dory Previn, this release feels like some kind of catharsis. It’s just me and my unadorned voice and musical companions of the last decade, doing what we do live, captured so beautifully by engineer and co-producer Bob Perry," says Julia Greenberg.

As of April 21, 'Leaves' is available across digital platforms, including Apple Music, Spotify, Amazon and Bandcamp, where it is currently available for download. On June 11, the 'Born Sentimental' EP will be released via Magic Door Record Label.

CREDITS
Music & lyrics for all songs written by Julia Greenberg
Jeremy Chatzky - upright bass
Will Holshouser - accordion
Tricia Scotti - backing vocals
Julia Greenberg - acoustic guitar
Bob Perry - electric guitar
Paul Moschella - drums
Stephanie Seymour - percussion
Recorded at Chrometop Studios
Co-produced by Bob Perry and Julia Greenberg
Engineered by Bob Perry
Mastered by Ray Ketchem at Magic Door Recording
Cover artwork by Jamil Azam
Artist photos by Yumiko Takagi
Released by Magic Door Record Label
Publicity by Shameless Promotion PR

Keep up with Julia Greenberg
Bandcamp | Facebook | Instagram | YouTube | Apple Music | Spotify | Amazon | Press contact

Keep up with Magic Door Record Label
Bandcamp | Facebook | Instagram | Sound cloud | YouTube | Magic Door Studio | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | BlueSky | Threads | Soundcloud | LinkedIn | Ema il

New Jersey's Deardarkhead presents 'Letting Go' feat. Joe McGinty, first taste of 'The Pendulum Swings', first full-length album in 26 years

May 10, 2026

New Jersey alt-rock dreampop outfit Deardarkhead presents their new single 'Letting Go', the first taste of 'The Pendulum Swings', an instrumental anthem built around soaring guitar leads and melodic bass hooks. A piece about growth and change, centered on releasing old patterns and embracing new directions, the track features keyboardist Joe McGinty, known for his work with The Psychedelic Furs, Nada Surf, Ryan Adams and Deborah Harry, adding atmosphere and texture.

Now made up of guitarist Kevin Harrington, drummer Robert Weiss and bassist James Malizia, who, in August 2024, took over from Brandon Howard, who recorded bass on this album. Deardarkhead has built a distinctive identity since the departure of vocalist-bassist Michael Amper in 2009, shifting fully into instrumental composition where melody and texture take the place of vocals.

With many notable milestones over their nearly four decades, including shows with the likes of Supergrass, The Psychedelic Furs, Everclear, Nothing and The Lilys, the new album captures an ever-evolving band, refining their voice through texture, atmosphere, and emotional momentum.

Taking their name from the 1867 Irish poem “Cean Dubh Dilis” by Samuel Ferguson -- a work about a beautiful dark-haired girl -- Deardarkhead was formed in 1988 in the Atlantic City, New Jersey area. Their identity rooted as much in mood as in melody, their music blends atmospheric dreampop, shoegaze shimmer and ethereal rock, unfolding as an original, guitar-driven psychedelic tightrope walk balancing moody textures and shimmering melodies.

“This first single 'Letting Go' is a song about growth. It’s a song about change. Letting go of old ways. It’s about taking a new direction and knowing that it’s going to be right," says Kevin Harrington.

Rob Weiss adds, "This started out as a piano piece by guitarist Kevin Harrington and quickly grew into a full blown anthem with soaring guitar leads and melodic bass hooks. In demand keyboardist Joe McGinty and fellow South New Jerseyan provided backing keyboard tracks for the song."

Deardarkhead's sixth recording and second full-length album, 'The Pendulum Swings' captures a period of renewed experimentation and refinement. Recorded at Miner Street Recordings in Philadelphia, they worked with producers Brian McTear and Amy Morrissey (The War on Drugs, Kurt Vile, Sharon Van Etten) and Grammy-nominated mastering engineer Joe Lambert (Animal Collective, Blonde Redhead, Beach House, M83, Wild Nothing).

This album moves through shifting moods ranging from soaring, psychedelic-tinged guitar anthems to driving post-punk rhythms and more ambient, abstract passages. The result is a dynamic and cohesive work that highlights the band’s signature blend of shimmering guitars, pulsing bass, and powerful percussion. The band pushes the envelope with their instrumental approach, using drum loops, unusual time signatures, ebow, bass VI, and expanded guitar layering.

To date, Deardarkhead has released five recordings on their own Fertile Crescent Records, their music also featured on numerous US and Japanese indie compilations, beginning with 1998 debut album 'Unlock the Valves of Feeling'. In 2011, Captured Tracks released 'Oceanside: 1991-1993', a retrospective of their early material as the second contribution to their Shoegaze Archives series. They then joined iconic label Saint Marie Records in 2015, releasing their critically-acclaimed 'Strange Weather' EPwith them in 2016.

'Letting Go' is out now, available from music platforms, including Spotify, Apple Musicand Bandcamp. Now available for pre-order, 'The Pendulum Swings' album will be released on CD, digitally, and on 180-gram vinyl on July 10.

CREDITS
Kevin Harrington - guitars (all tracks) and bass VI, ebow & bass (track 10)
Robert Weiss - drums & percussion
Brandon Howard - bass (tracks 1-9)
Joe McGinty - keyboards (track 6)
Recorded at Miner Street Recordings, Philadelphia, PA
Produced, engineered & mixed by Brian McTear & Amy Morrissey
Mastered by Joe Lambert
Cover photography & design by Robert Weiss
Video directed and edited by William Murray
Band photos by Mike Maney
Publicity by Shameless Promotion PR

Sneaker Pimps' Ian Pickering unleashes The Noise Who Runs' explosive new album ‘Re: GenX’

May 9, 2026

France-based UK alternative-electronic hybrid artist The Noise Who Runs has released his new album, aptly titled 'Re: GenX' album. Both a reckoning and a reply, this is a response from within a generation that inherited progress, equality, and expanding liberty, but failed to defend them when they came under threat.

The Noise Who Runs is songwriter, vocalist and multi-instrumentalist Ian Pickering of Sneaker Pimps (for whom he co-authored such hits as 'Spin Spin Sugar', '6 Underground' and 'Tesko Suicide') and also known for his work with Front Line Assembly). After relocating from Hartlepool in the north-east of England to Lille, France, 2023 brought his ‘Preteretrospective’ album, followed by 2024's ‘Come and Join the Beautiful Army’ EP, both met with rave reviews and airplay in more than 60 countries.

Mixed and mastered by Colin C at The Cell Studio, 'Re: GenX documents a civilization caught in a downward spiral. Framing systemic greed, perpetual warfare, and the erosion of human dignity as the foundational mechanics of a world engineered for its own ruin, this album assesses society fueled by the interests of the elite, leaving behind a singular, urgent uncertainty.

“This album is a reply to my own generation — what it stood for, what it stayed silent for, and how it enjoyed progress and liberty without doing much to protect any of it when it actually mattered. But it’s beyond generations, it’s humanity, society - it’s a class war, always has been — and the powerful rely on fear and division to stop people recognising that, even when we know all the tricks,” says Ian Pickering.

Across the record, exhaustion, outrage, and repetition form a recurring loop. Political failure, cultural denial, and performative morality are examined not as abstract forces, but as habits — things learned, tolerated, and repeated. Resisting slogans and solutions, Pickering holds up a mirror to complicity, comfort, and collapse. Re: Gen X is a sonic examination, leaving open the question of whether awareness, this time, will finally lead to action.

“Everything after 'Come and Join the Beautiful Army' desperately wanted to be simpler and more direct. All the songs were half-finished demos, and I finally treated myself to a half-decent electric guitar. Just playing along to try it out, the guitar found its way into the songs and gave them a bit of impetus — "I Think I'm a Psychopath and "This Song Sucks" clicked first, then "The Summer Talking" and "Bang Bang" followed naturally. I wanted the whole record to feel more immediate: shorter songs, more traditional shapes, and lyrics that were leaner, more precise, and less overthought," says Ian Pickering.

“It all really took shape lyrically after the summer of 2024 and the riots the summer Starmer came to power, and against the backdrop of a looming Trump 2.0 presidency. I chose to wait and record the vocals back home in Teesside as it felt right to put my voice in the place that made me. I went back to Hartlepool while visiting my mum in January 2025, and that sharpened everything — it felt like watching the consequences arrive years late, but fully formed. You can sense that sharpness in the vocals."

The album's focus track 'Just The English Way' is a sharp, darkly witty slice of alternative electronic commentary on English identity, exposing how politeness and tradition can mask deeper social and political fractures. It turns cultural understatement into critique, capturing a nation caught between quiet pride, denial, and the pressure for change.

Earier single 'Commercial Road' dissects a world where everything is for sale — bodies, truths, and even outrage itself. The song reframes relationships as mere transactions and identity as a casualty of exploitation or numbness - symptoms of a broader cultural sickness. 'The Bodies Are Under The Bus Again' is an anti-war song and the lead track, 'Bang Bang' capturing the psychic exhaustion of life lived inside permanent crisis mode, where outrage replaces thought and reaction supercedes responsibility.

The "Re: GenX" album is out now via TNWR Records, available everywhere, including Spotify, Apple Music and Bandcamp.

The Joy Thieves share 'No Anchor' feat. Chris Connelly, teasing 'Apocalypse Pending' album

May 5, 2026

After Chicago alt-rock outfit The Joy Thieves' boisterous April with the release of ‘The Wrong End of Your Rifle’ and bombastic video from Lumbra Productions, they present the second taste of their full-length album 'Apocalypse Pending', out June 5th via Armalyte Industries. 'No Anchor' doesn’t just make noise, but detonates with intent—leaving scorch marks where complacency used to stand.

‘No Anchor’ examines how increased isolation in our modern world has pushed people towards amorality and an increased sense of hopeless nihilism. Featuring Chris Connelly (Fini Tribe, Revolting Cocks, Ministry, Pigface) on vocals, this song articulates a world slipping free of moral gravity. Longtime mavericks at the edge of collapse, the band captures the zeitgeist with such precision.

While the first track vents our collective fury at a world where corporate giants and billionaires operate with total impunity, this new single shifts the lens toward the resulting decay of the individual, exploring a chilling world where the absence of a moral "anchor" leads to total societal and personal dissolution.

Revolving around musicians-producers Dan Milligan and James Scott (a.k.a. Joy Thieves Productions), The Joy Thieves is a musical supergroup that includes members of Ministry, Stabbing Westward, The Rollins Band, Killing Joke, Pigface, RevCo, PIG, David Bowie, Blue October, Machines of Loving Grace, Depeche Mode, Nine Inch Nails, KMFDM, Naked Raygun, Foetus, My Life With the Thrill Kill Kult, Pegboy, Nitzer Ebb, Die Krupps and more.

“These days, it seems like people are capable of being pushed or tempted to exist in a state where they are alone. No moral compass. No ethics. No empathy. No forgiveness. No anchor. In a society where guilt seems to be gone, people can act however they want,” says Chris Connelly.

Dan Milligan adds, “When I was writing the music for ‘No Anchor,’ I purposefully used ever-changing, off-kilter guitar riffs that seem to stray farther and farther from the song’s key as it progresses. Because the music never truly repeats, or settles down, it creates the sickening sense that everything is unresolved, and it’s only going to get worse."

Since signing with London alternative-industrial label Armalyte Industries in 2018, The Joy Thieves have delivered 11 critically-acclaimed releases. 'Apocalypse Pending' is the newest addition -- produced, engineered and mixed by Joy Thieves Productions at Populist Recording + Mastering.

Joy Thieves Productions crafts their surprisingly cohesive signature sound from the contributions of its ever-growing 80+ roster of members, drawn from a diverse range of genres, including industrial, rock, punk, darkwave, hip hop and experimental music, they produce a sound created by “all of us, and yet, none of us”. Creating a sound all their own, their music is aggressive, yet precise; confrontational, but refined; and harsh, yet melodic.

This new song cycle began with producer-drummer Dan Milligan re-recording iconic hip hop breakbeats with modern drum sounds. ‘The Wrong End of Your Rifle’ began exactly that way -- with a modern re-imagining of the one of the most famous breakbeats of all time (‘Ashley’s Roachclip’ by The Soul Searchers). This formed the basis upon which the entire track was built.

For a band with members all over the world, The Joy Thieves' music feels very Chicago. Anchored by their love of industrial rock, their music immediately outgrows the restrictions of the genre by stretching into the new realms, creating a sound that both honors the past while pushing its evolution into the future.

As of May 5th, 'No Anchor' is available from digital music platforms, including Spotify, Apple Music and Bandcamp, where ‘The Wrong End of Your Rifle’ can also be found. The 'Apocalypse Pending' album, now available for pre-order, will be released on June 5th

CREDITS
'No Anchor' written by Chris Connelly & Dan Milligan
'The Wrong End of Your Rifle' written by Chris Connelly, Dan Milligan, Derek Christopher, Dee J Nelson
Produced, engineered & mixed by Joy Thieves Productions
at Populist Recording + Mastering, Wheaton, IL
Mastered by James Scott at Populist Recording + Mastering
Add. production by Derek Christopher (Penfield Studios), Mark Pistel (Room 5 Studios), Jeff Harris (JH Studios), Steven Archer (House of Wolves), Dee J Nelson (DJN Music), Jane Jensen (Autozen Music), DJ Darryl Hell (HellLab Studios)
Art direction by Destiny Justic Scott
Original artwork by Charlie Athanas for Burning City

Released via Armalyte Industries