Modesty Blaise releases "Melancholia - Remaster" 25th Anniversary Edition on April 24th

April 24, 2026

Bristol-based indiepop collective Modesty Blaise presents the remastered 25th Anniversary edition of their seminal album "Melancholia", released via From Lo-Fi to Disco! Breathing new life into this cult-classic, its new polished, high-fidelity presence demands a place in the modern pop canon.

Featuring newly-restored audio, many outtakes from the original sessions and updated artwork in a fantastic new 3 Disc version, this release reflects on the album’s legacy and continued resonance. The 2026 remaster has been completed with a light-touch approach, focused on clarity and depth rather than reinvention. Greater dynamic range and enhanced detail bring new presence to the recording, revealing subtle textures and spatial nuance while preserving the character of the original mix.

Originally on CD and vinyl, "Melancholia" remains a quietly influential work more than two decades after its release — defined by emotional precision, sonic restraint, and a timeless sense of atmosphere.
At that time, the band was made up of Jonny Collins, David W Brown, Gregory Jones, Clem Courtney and Julien Clapperton.

Formed in 1993 by Jonny Collins, Modesty Blaise recorded their debut single 'Christina Terrace' with Edwyn Collins at the helm, leading to immediate success with a live appearance on ITV and inclusion among many end-of-year top music rankings. Other highlights include supporting Robbie Williams at London's O2 Arena, inclusion in a Rough Trade compilation, an ITV company documentary on Jonny Collins, and a BBC Radio session involving seventeen people.

“For quite a while, people have been asking us why our biggest album wasn’t available to stream. We decided that, if we were going to do it, we’d do it properly. The remastering process was really interesting. The point was to reveal extra detail within the songs," says Jonny Collins.

"We already knew it was dense, it’s been a longstanding thing within MB that, not only do we throw the kitchen sink in, we break in next door, rip out their sink and throw that in too. But modern mastering has brought more clarity; we’re really happy with it".

Gregory Jones adds, “The goal wasn’t to change the music - only to let it breathe the way it was always meant to.”

Earlier, the band released the remastered version of "Carol Mountain" and "The Little Things You Do", a lost masterpiece of baroque-pop with lush, orchestral depth, originally intended for its aborted 7-inch release. The respective videos were filmed in New York and Germany during the band's respective Melancholia tours so many years ago.

On April 24th, the "Melancholia - Remaster" album is available across digital platforms, including Spotify and Apple Music.

CREDITS
Written by Jonny Collins
Mixed & produced by Jonny Collins
Remastering at White House Studio by original engineer Martin Nichols
Jonny Collins - vocals & guitar
David W Brown - bass guitar
Gregory Jones - guitar & vocals
Clem Courtney - organ &vocals
Julien Clapperton - drums & cymbals

Video created by Jonny Collins

Germany tour footage filmed by Bernd Kabs

Cover artwork by Gregory Jones
Released via From Lo-Fi to Disco!

Austin dreampop outfit XANIMAL collaborate with Nagavalli on new single “The Awakening”

April 24, 2026

Electronic collective XANIMAL presents 'The Awakening', a high vibration track that reflects our shifting consciousness, weaving dreampop atmospherics and trip-hop rhythms with evocative world music elements across a downtempo landscape. This is a call to awareness, a reminder that we are all part of something greater and that, as the world evolves, so do we. The video was created by Fumihito Sugawara for Fumanstudios, who also designed the cover artwork.

Based in Austin, XANIMAL is made up of Claude McCan (Claude9, 35MM, Supercreeps), Noëlle Hampton (The Belle Sounds) and Ken Christensen (Love Athletics, East Coast Boogiemen). But on this single, East and West co-mingle harmoniously thanks to a collaboration with fellow Austin musician Nagavalli that infuses this track with meditative tranquility. An Indian-American artist, her brand of “Eastern Soul” blends pop, rock and trance with east-Indian overtones and melodies.

'The Awakening' is XANIMAL's second single, here lush atmospheric synths and hypnotic tablas unfold into funky breakbeats, creating a dynamic sonic landscape. Vocalist Noëlle Hampton delivers a haunting narrative of disillusionment and loss, reflecting the uncertainty and shadows of the modern world. In contrast, Nagavalli's ethereal vocalizations elevate the track, infusing it with a sense of hope and transcendence.

"We decided early on that XANIMAL was going to be a collaborative project and we knew we wanted to join forces with our friend Nagavalli at some point. She is truly magical and brings so much emotion and expression with her singing. I asked Claude if he could create something with a trance like world vibe, and he absolutely delivered. With Nagavalli’s vocals, our vision was complete," says Noëlle Hampton.

"We are having a massive awakening right now. Some of us are realizing our complicity through the inaction that led us here. Some are waking up from being in a gigantic cult of misinformation, misogyny, racism and fear. And some remain there, unfortunately. It certainly feels like we are right up against something massive in our consciousness, something that will hopefully lead to a better world. We will need to make our way through a dark time for a while but I believe a better life will prevail."

Not confined to a single genre, sound, or perspective, XANIMAL's music is a journey across sonic worlds -- ever-changing and ever-exploring. For instance, their debut single 'Love Axis', was remarkably different, a dance track that is more rooted in the bright pulse of 80s synth-pop. Hampton shares, "Our first release leaned into the dance track genre, lighter in mood and sexy. The world has changed a lot since then and I thought it would be appropriate to create something that mirrored the emotional turmoil we are all facing right now as our second track."

XANIMAL's creative vision grows from the understanding that their music doesn’t have to live within predictable confines, but instead should push genre boundaries and exist in its own space. Anchored by Hampton’s ethereal yet soulful vocals, they are emerging as a trio open to collaboration with other artists of a similar mind -- at home or around the globe.

"When we began working on new music after our first single, we initially built a groovy disco track and laid down some vocals. But then the presidential election happened, and suddenly that disco energy didn’t feel right. It no longer matched what we needed to express. I’ve always been drawn to darker, trip-hop–influenced grooves, so when Noëlle suggested shifting in that direction, it felt like the perfect move," says Claude McCan.

"When Noëlle delivered the lyrics and vocals, everything clicked—they fit the music so naturally. I knew we had something special. This track pulls together so much of my musical history while reflecting the emotional weight of the world right now. We wanted to reach beyond ourselves and connect with our Austin community. Nagavalli was someone we’d long hoped to collaborate with, and bringing her into the project opened the door to a more global sound. Her Eastern Soul vocals completely blew us away."

Released via New Human Music, 'The Awakening' is available from fine digital platforms, including Spotify, Apple Music and Bandcamp.

90s college rockers The Dambuilders return with fantastic video for "Shrine 2026" single

April 22, 2026

US indie radio faves The Dambuilders are back with “Shrine 2026” -- their first release in decades -- with their signature blend of emotional immediacy and sonic invention.. The new video portrays an underground society of alien rockers resurfacing for a mystical ritual after decades in hiding. Parts of the original 1994 video are blended with new footage to highlight the vast passage of time within the story's timeline.

Released via Magic Door Record Label, the B-side companion “I Hope We’re Not Too Late” was recorded and produced by Ray Ketchem at Magic Door Recording in Montclair, NJ and mastered by award-winning engineer Greg Calbi (Lennon, Bowie, Springsteen, Talking Heads, Patti Smith).

2025 saw the band's reformation with reunion shows at Dromfest and NYC Berlin, where they performed their 1989 debut album in its entirety. In late April, they once again perform in New York City and Providence, Rhode Island. Involving a host of special guests, these are the band's first performances in either city in 30 years, offering a rare opportunity to experience the band’s dynamic live presence.

"Bruno Corbo directed this video as an homage to the original video directed by Tryan George. Bruno and I are collaborating on the Dambuilders documentary “I Used to Be Different,” which chronicles the band from our origins in Honolulu to Boston, Berlin, and back. He created an elaborate backstory that connects the video to the original video. In the years following the initial video, where we played a rocking band of aliens who were brutally attacked by a paramilitary force, we have spent decades living underground. We are magically reconnected through the ritual of buying candles to light the shrine of rock and roll," explains Dave Derby.

"The video features performances by current band members (Dave Derby, Kevin March, Claudia Chopek, and Sean Eden) as well as cameos by original violinist Joan Wasser, original drummer Daniel Glass, Colin Burns, who created artwork for the band, and Alex Emanuel, who plays an agent in the original video. The video was a wonderful collaboration between the band, Bruno, cinematographer Sophia Williams, and art director Shelly Chung."

"Shrine 2006" is available on digital platforms, including Spotify, Apple Music and Bandcamp. Tickets for their East coast shows are also available now.

CREDITS
"Shrine 2026” written by Kevin March, Dave Derby, Eric Masunaga & Joan Wasser
"I Hope We’re Not Too Late” written by Dave Derby, Kevin March, Sean Eden & Claudia Chopek
Dave Derby - bass, vocals
Kevin March - drums, vocals
Sean Eden - guitar, vocals
Claudia Chopek - violin, vocals
Doug Gillard - additional guitars on “Shrine 2026”
Renée Lo Bue - backing vocals on “I Hope We’re Not Too Late”
Produced by Ray Ketchem
Recorded at Magic Door Recording, Montclair, NY
Mastered by Greg Calbi
Cover artwork by Colin Burns
Released via Magic Door Recording Label
'Shrine 2006' video directed by Bruno Corbo (2026) & Tryan George (1994)
Cinematography by Sophia Williams
Featuring Kevin March, Dave Derby, Claudia Chopek, Joan Wasser, Sean Eden, Daniel Glass, Alex Emanuel & Colin Burns
Publicity by Shameless Promotion PR

LIVE DATES
April 24 - NYC, Mercury Lounge (with Sleepyhead)
April 25 - Providence, RI - Myrtle (with Sleepyhead)

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Joan As Police Woman releases intimate 'Flushed Chest' & 'The Ride', previewing new 'Real Life Evolution' album ft. Iggy Pop & Krystle Warren

April 16, 2026

Renowned NYC artist Joan As Police Woman presents two new singles 'Flushed Chest' and 'The Ride' - both are new versions of classic tracks, previewing her new album “Real Life Evolution”, which will be released on June 12 via UK independent Reveal Records -- on CD, Limited Edition exclusive red marble vinyl and digitally.

Exactly 20 years since releasing her much-loved debut album "Real Life", Joan has re-recorded and imagined the album in full with guests including Iggy Pop and Krystle Warren. Twenty years in the making, this record was developed through countless nights on stage, these new arrangements brought to life by the musical brilliance of the players who helped define their sound. Other contributors include Will Graefe, Jeremy Gustin, Tony Scherr, Parker Kindred, Danny Blume, Oren Bloedow and Thomas Bartlett.

Joan Wasser, known professionally as Joan As Police Woman since 2004, is a critically acclaimed musician and producer, dubbed “the coolest woman in pop” (The Times) and “one of the 21st century’s best musicians” (The Economist). As a singer, songwriter and multi-instrumentalist, her music defies easy categorization, crafting her own sound that blends various genres. She has released ten albums of original material, two cover albums, and an anthology.

While 'Flushed Chest (Real Life Evolution version)' was recorded at Hayyam Studios in Istanbul by Ceylan Akcar and Sinan Sakizli, the video was recorded at The Owl Music Parlor in Brooklyn by Adam Sachs and filmed by Ehud Lazin. Accompanied by Will Graefe and Jeremy Gustin, this is the third video in the 'The Real Life Anniversary Sessions', following her powerful, stripped-down performances of 'Anyone' and 'The Ride'.

"I wrote 'Flushed Chest' shortly after I read “Time’s Arrow” by Martin Amis. It’s the story of a life, Jeff’s life, told in backwards chronological order. I wrote this one when I was in a period of intense listening to The Wailers; Bunny Wailer, Peter Tosh and Bob Marley, one of the greatest bands of all time. This song works well with the trio so we didn’t stray far from the original recording. Singing the 3-part harmonies with Will and Jeremy is a delight." says Joan Wasser.

"'Real Life Evolution' is ten reimagined versions of every song from the original 'Real Life' album. Some transformations are subtle. Others are seismic. All of them were made with an entirely new cast of collaborators.”

Joan As Police Woman is a sought-after collaborator who has recorded and/ or performed with hundreds of artists, including Afrobeat legend Tony Allen, Lou Reed, Anohni & The Johnsons, Meshell Ndegeocello, Rufus Wainwright, John Cale, David Byrne, Dave Okumu, Chris Dowd, Lau, Scissor Sisters, Sparklehorse, Beck, Laurie Anderson, Lloyd Cole, Afel Bocoum, Dave Gahan, Tanya Donelly, David Sylvian, Steve Jansen and Damon Albarn (who duetted with Joan on her song 'Get My Bearings' and invited her to feature on the Gorillaz album 'Song Machine'). She also a member of Iggy Pop's touring band (on keys and vocals).

“Music has saved my life. I am a devotee. It’s not something I can even choose or not choose, it’s just what it is. The album Real Life holds the key to my whole life. At the time I felt compelled to get it all into one record because I couldn’t imagine a world where I’d make another," says Joan Wasser.

"Now, twenty years later (and twelve albums into my career), the dream continues to unfold. I still live to play music. The shared experience of a concert is a constant reminder of our common humanity. 'Real Life; was the spark that lit my calling as a solo artist and I’m truly excited to revisit all the songs that mean so much to me and lovers of 'Real Life'.”

'Flushed Chest' and 'The Ride' are now available digitally everywhere. The 'Real Life Evolution' album is out on June 12th on vinyl, CD and digitally. It can be pre-ordered via Bandcamp.

With the coming Real Life 20th Anniversary Tour, Joan brings exclusive trio shows, performing the 'Real Life' album in full, along with key singles from across her catalogue, fan favourites, deep cuts, reworked covers and a few surprises! She next performs a small handful of shows in New York City at Joe's Pub. All tickets can be ordered at www.joanaspolicewoman.com/tour or https://linktr.ee/japw.

CREDITS
Lyrics & Music written by Joan Wasser
Published by Fists of Fury (BMI / Domino Publishing)
Produced by Joan Wasser
Mixed by Patrick Dillett at Reservoir Studios
Mastered by Chris Gehringer at Sterling Sound
Joan Wasser - vocals, piano on 'The Ride' & 'Flushed Chest'
Will Graefe - guitar & vocals on 'The Ride'; guitars & vocals on 'Flushed Chest'
Jeremy Gustin - drums & vocals on 'The Ride'; vocals on 'Flushed Chest'
Parker Kindred - drums & vocals on 'Flushed Chest'
'The Ride' recorded by Adam Sachs live at The Owl Music Parlor, Brooklyn, NYC
Ehud Lazin - videographer for 'The Ride'
'Flushed Chest' recorded by Ceylan Akcar & Sinan Sakizli at Hayyam Studios, Istanbul
Assisted by Ilker Cicek and Tolga Kurt
Album cover photo by Judi Rosen
P & (C) 2026 Sweet Police LLC under exclusive licence to Reveal Records
Joan As Police Woman photos by Judi Rosen
Publicity by Shameless Promotion PR

NEW YORK LIVE DATES
JUNE 20 New York, NY, USA, 7pm - Joe's Pub (SOLD OUT)
JUNE 20 New York, NY, USA, 9pm - Joe's Pub (SOLD OUT)
JUNE 21 New York, NY, USA, 6pm - Joe's Pub

NYC's ECCE SHNAK announces North American & UK tour dates with Britpop icons EMF

April 15, 2026

Genre-bending New York City outfit Ecce Shnak will join platinum-selling legends EMF for their North American tour, bringing them up and down the East Coast and even further into Canada. The two bands are also teaming up for a series of UK shows in June.

Forged in NYC's experimental scene, Ecce Shnak has a reputation for "high-wire" performances, their music a volatile yet meticulously crafted ecosystem, where technical precision meets a sense of inspired mayhem. Pronounced Eh-kay sh-knock, the band is made up of David Roush (composer, bassist and one of two singers), Bella Komodromos (vocals), Chris Krasnow (guitar), Gannon Ferrell (guitar), and Henry Buchanan-Vaughn (drums).

2025 set the stage for these developments when the bands toured the US West Coast, along with Spacehog. More recently, Ecce Shnak featured on EMF's stellar indie dance track 'LGBTQ+ Lover' with both Davey and Bella contributing vocals. The video footage was filmed during the 2025 tour.

"'LGBTQ+ Lover' is a friqq’n collaboration between EMF and Ecce Shnak! It's a loving homage to the LGBTQ+ community worldwide, and we will be bumping it as hard as possible on all nights," says frontman David Roush.

"We - EMF and Ecce Shnak - are absolutely ecstatic mofos to announce our East Coast US tour this May (with two dates in Canada as well). We’ll be rockin & shnakin’ on 10 stages over 11 days. EMF have also invited us to be the opening act for 6 joyful days in the UK early this June! So trampuce along with us. To quote EMF, “You deserve more than this world could ever give!”"

Ecce Shnak's music can be found on digital music platforms, including Bandcamp, Spotify and Apple Music. Tickets for Ecce Shnak and EMF live dates are now available.

CREDITS
All Ecce Shnak music written by David Roush
Released by Records Man, Records
David Roush - bass & vocals
Bella Komodromos - vocals
Chris Krasnow - guitar
Gannon Ferrell - guitar
Henry Buchanan-Vaughn - drums
Artist photos by Tommy Krause
A&R: Beth Narducci for You + Me Entertainment
Publicity by Shauna McLarnon for Shameless Promotion PR

TOUR DATES
MAY 07 Philadelphia, PA, USA - Nikki Lopez
MAY 08 Buffalo, NY, USA - Town Ballroom
MAY 09 Toronto, ON, Canada - Dance Cave
MAY 10 Montreal, QC, Canada - Bar Le Ritz
MAY 11 Boston, MA, USA - City Winery
MAY 13 New York, NY, USA - Sony Hall
MAY 14 Millersville, PA, USA - Phantom Power
MAY 15 Baltimore, MD, USA - Metro Gallery
MAY 16 Hamden, CT, USA - Space Ballroom
JUN 02 Manchester, UK - Gorilla
JUN 03 Worthing, UK - The Factory Live
JUN 04 Portsmouth, UK - Kola
JUN 05 Southend, UK - Chinnerys
JUN 06 London, UK - The Garage
JUN 07 Leeds, UK - Brudenell Social Club

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NYC's Julia Greenberg shares 'Leaves' single, a masterclass in the art of letting go

April 15, 2026

NYC-based singer-songwriter Julia Greenberg presents her new single 'Leaves', an uplifting track that feels remarkably hopeful despite being written amidst the quiet wreckage of personal loss. Mastering the art of letting go, she offers a poignant reminder that some seasons simply cannot be held captive. This is a hauntingly graceful prelude to her 'Born Sentimental' EP, slated for June release via New Jersey's Magic Door Record Label.

Directed by Julia Greenberg and edited by Nico Greenberg with Yumiko Takagi as director or photography, the accompanying video captures a small-town schoolhouse that is "frozen in time", this setting serving as a poignant monument to the people and milestones we’ve moved on from. The lens treats these relics as a visual meditation on the bittersweet friction between honoring our most precious, fleeting memories and finding the courage to keep walking toward the hope of an unmapped horizon.

'Leaves' sets the tone for the EP. Written over several years in the aftermath of a personal tragedy, the song is reminder that, try as we might, we can’t hang on to those autumn leaves. Referencing the incomparable and oft interpreted Kurt Weill song, Julia chastises herself: “There’s nothing dumber, than the girl who sings September Song in summer”, as she ruminates over her guitar in the shade while everyone else is at the lake.

Recorded live at Chrometop Studios, this music vibrates with the raw, lived-in chemistry of a quartet that has spent half a decade honing these stories while touring the Northeast, capturing their emotional and creative connections and vulnerabilities. It’s a deeply personal and gorgeous collision of alt-country grit and the sophisticated wit of American Standards, capturing a vulnerability that feels both timeless and bracingly honest. Co-produced by Bob Perry (The Winter Hours) and Julia Greenberg, this EP was engineered by Bob Perry and mastered by Ray Ketchem (Guided by Voices, Elk City, Gramercy Arms, Luna, Crash Harmony) at Magic Door Recording Studio in Montclair, NJ.

"These songs are unapologetically written and sung by a woman who has been around a while and has seen and lost a thing or two—and knows the power of the proximity of funny and mournful. The songs, and the kind of raw way I’m putting them out into the world, is a reaction to all the screens, and filters and bullshit projections of ourselves that rule us," says Julia Greenberg.

A chanteuse, theater composer and filmmaker with roots in the downtown NYC music scene, Julia Greenberg has released two albums of original music - 'Past Your Eyes'and 'Greenland' - both produced by James Mastro (The Bongos, Mott the Hoople, Ian Hunter, Patti Smith, John Cale). Her her music has been featured on 'This American Life' (including the ever-popular Dr. Phil episode, in which Phil Collins evaluates a breakup song she co-wrote), and Ronnie Spector also recorded one of her songs.

Greenberg's award-winning documentary 'Dory Previn: On My Way to Where' can now be watched on PBS, having had its world premiere at the SXSW Film & TV Festival in 2024. Prior to directing the film, Julia became the foremost interpreter of Previn’s music, performing her work around the country at venues such as Joe’s Pub, Mass MoCA, the 92nd Street Y, the Houston Museum of Fine Arts, and on WFMU and WNYC radio. She is also the archivist for Previn's estate.

Apart from co-writing the hit off-Broadway rock opera 'People Are Wrong!' with Robin Goldwasser, she composed the music for the off-Broadway play 'Cavedweller' with "Hedwig and the Angry Inch" composer Stephen Trask. In her spare time, she is a health justice advocate and co-curates the music program at the Rock Valley Schoolhouse in the Catskills.

"After years of interpreting other people’s songs and making a film about my musical idol, Dory Previn, this release feels like some kind of catharsis. It’s just me and my unadorned voice and musical companions of the last decade, doing what we do live, captured so beautifully by engineer and co-producer Bob Perry," says Julia Greenberg.

As of April 21, 'Leaves' is available across digital platforms, including Apple Music, Spotify, Amazon and Bandcamp, where it is currently available for download. On June 11, the 'Born Sentimental' EP will be released via Magic Door Record Label.

CREDITS
Music & lyrics for all songs written by Julia Greenberg
Jeremy Chatzky - upright bass
Will Holshouser - accordion
Tricia Scotti - backing vocals
Julia Greenberg - acoustic guitar
Bob Perry - electric guitar
Paul Moschella - drums
Stephanie Seymour - percussion
Recorded at Chrometop Studios
Co-produced by Bob Perry and Julia Greenberg
Engineered by Bob Perry
Mastered by Ray Ketchem at Magic Door Recording
Cover artwork by Jamil Azam
Artist photos by Yumiko Takagi
Released by Magic Door Record Label
Publicity by Shameless Promotion PR

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Pittsburgh's LOWSUNDAY presents 'This Is Not Heaven', teasing 'Black EP'

April 12, 2026

Legacy postpunk-shoegaze outfit Lowsunday unveils 'This Is Not Heaven', the first taste of their forthcoming 'Low Sunday Ghost Machine - Black EP', forthcoming via Projekt Records, the video for which was produced by Jer Herring.

This is the second of two 'duality' releases, presenting the band's first new material since 1999, following their ‘Low Sunday Ghost Machine - White EP'. Showcased by 'Love Language', 'Soft Capture' and the latest single 'Nevver', the 'White EP' ranked second among Post-Punk.com's Best EPs of 2025.

Formed in the mid-1990s in Pittsburgh, Lowsunday (initially known as Low Sunday Ghost Machine) emerged as a "retro-futurist" pioneer, blending darkwave and shoegaze long before the genres saw their modern revival. Their legacy was cemented with their debut album 'Low Sunday Ghost Machine' and the 1999 masterpiece 'Elesgiem', both of which were re-released via Projekt Records over the past 18 months (for their 30th and 25th anniversaries, respectively).

The band dissolved, leaving behind a cult reputation for mercurial sounds and blistering guitar work that set the stage for subsequent generations of alternative artists. Following a nearly 25-year period of inactivity, the band resurfaced as a duo in 2025—consisting of original members Shane Sahene (vocals, guitar, synth, bass, drums) and Bobby Spell (bass, guitar, drums).

"'This is Not Heaven' was the last song we recorded for the Black EP. We really enjoyed injecting the heavy synths on the chorus, the asymmetrical guitar leads and the driving bass line beneath an intricate and melodic rhythm guitar," says Shane Sahene.

"We felt this song captured everything we are about in that it hits the refrains with a shoegaze atmosphere, more electronic choruses and lyrical transparency, much less vague than many of our songs… it touches on many aspects of our sound."

Bobby Spell adds, "This was another really enjoyable song to write. The guitar textures and melody lines create a dark song with uplifting sections. The mood shifts in the choruses giving a feeling of brightness or a way out of melancholy".

Crafting a sound defined by atmosphere, precision, and heartfelt shadow and depths since 1994, Lowsunday is now asserting their presence with a new force. While the 'White EP' explored light and texture, the 'Black EP' is ultimately the 2026 series' darker counterpart and definitive statement.

Plunged into shadow and intensity with layered guitars, tight rhythms, and austere synths amplifying themes of isolation, reverie and introspection, the 'Black EP' distills Lowsunday's vision into a sharper, more potent form — a bold declaration of their enduring artistic power.

As of April 10th, 'This Is Not Heaven' is available from digital platforms such as Spotifyand Apple Music. The 'Low Sunday Ghost Machine - Black EP' will be released on May 15th digitally. The 'White EP' is available now via Bandcamp and the Projekt Records website - the vinyl edition of both EPs are limited to 200 copies. The two anniversary reissue albums, as well as the limited edition 7" of 'Static / Besides', can also be found on these platforms.

CREDITS
Lyrics by Shane Sahene
Music written by Shane Sahene & Bobby Spell
Shane Sahene - vocals, guitar, synth, bass, drums
Bobby Spell - bass, guitar, drums
Recorded, Mixed, Mastered & Produced by Shane Sahene & Bobby Spell
Single cover photo by Shane Sahene. Layout by Sam Rosenthal
Band photos by Christina Sahene
Videos by Jer Herring
Publicity by Shameless Promotion PR

Sneaker Pimps' Ian Pickering shares 'Commercial Road', previewing The Noise Who Runs' new 'RE: GEN X' album

April 8, 2026

UK alt-pop artist The Noise Who Runs presents 'Commercial Road', previewing the 'RE: GEN X' album, forthcoming via TNWR Records. A stark and confrontational snapshot of moral paralysis in an age that mistakes spectacle for substance, this song is set against the symbolic backdrop of a real street that becomes a metaphor for transaction, decay and quiet complicity. The song dissects a world where everything is for sale — bodies, truths, and even outrage itself.

The opening lines immediately establish a tone of uncomfortable intimacy, pulling the listener into scenes of exploitation and denial. Relationships are reframed as exchanges, identity as something eroded — whether through commodification (“trades promises for money”) or chemical numbness (“lithium disfigures what vanity implodes”). These are not just personal tragedies; they are symptoms of a broader cultural sickness, where the pursuit of profit renders the individual expendable, turning institutional failure into a practiced, daily routine.

The Noise Who Runs is songwriter, vocalist and multi-instrumentalist Ian Pickering, known for his work with Sneaker Pimps and Front Line Assembly. Native to Hartlepool in the north-east of England, Pickering co-authored such Sneaker Pimps hits as 'Spin Spin Sugar', '6 Underground' and 'Tesko Suicide'. In 2019, he launched this project, three years after relocating to Lille, France.

“Commercial Road is not a protest song in the traditional sense, it does have a kind of pre-'Out of Time' R.E.M. thing about it, even a Dylanesque aspect but it doesn’t offer solutions or slogans. Instead, it holds up a mirror: cold, unsentimental, and accusatory. It asks what we tolerate, what we ignore, and what we quietly become as a result. In a culture addicted to noise, it’s maybe a reminder that the real danger isn’t the fire — it’s the absence of it where it counts,” says Ian Pickering.

Earlier, The Noise Who Runs shared the timely anti-war song 'The Bodies Are Under The Bus Again' and the lead track, 'Bang Bang'. Capturing the psychic exhaustion of life lived inside permanent crisis mode, this is a song about running on empty — physically, emotionally, politically — where outrage replaces thought and reaction substitutes for responsibility.

The Noise Who Runs' new offerings follow the 2024 EP ‘Come and Join the Beautiful Army’ and the 2023 debut album ‘Preteretrospective’, both released to rave reviews and airplay in more than 60 countries. As with those, the new record was mixed and mastered by Colin C at The Cell Studio.

'RE: GEN X' is both a reckoning and a reply — a response from within a generation that inherited progress, equality, and expanding liberty, but failed to defend them when they came under threat. Framed by the cultural optimism of late-1980s youth and the 1990s second summer of love, the album questions how a generation defined by scepticism, freedom, and possibility became comfortable with inaction as those gains were slowly dismantled and how scepticism hardened into detachment, irony replaced action, and silence came to feel like neutrality. Rather than nostalgia, it offers a critique of passivity: what happens when a generation knows better, but does nothing.

On RE: GENX, Pickering documents a civilization caught in a downward spiral of its own making. The album frames systemic greed, perpetual warfare, and the erosion of human dignity not as anomalies, but as the foundational mechanics of a world engineered for its own ruin. It serves as a cold assessment of a society fueled by the interests of the elite, leaving behind a singular, urgent uncertainty: whether a collective realization of this decay can actually dismantle the structures of power or if the momentum of destruction has become unstoppable.

On April 8, 'Commercial Road' is available from fine music platforms, including Spotify, Apple Music and Bandcamp. On May 8, the "RE: GEN X" album will be released via TNWR Records.

Robin Ross & The Melodynes Revive 60s Flower Power with New Single "All I Want (Is A Lover)"

April 6, 2026

Robin Ross & The Melodynes are back with their new single "All I Want (Is A Lover)", bringing the sun-drenched sounds of the 1960s back to the forefront. Buoyant rhythms and warm acoustic textures carry a message of emotional openness, celebrating the kind of connection where love feels effortless and unrestrained.

A masterclass in flower power pop with a modern soul, the track has already caught the attention of major television supervisors, landing a featured spot in the star-studded Apple TV+ and Peacock original series "Margo’s Got Money Troubles". Starring Elle Fanning, Michelle Pfeiffer, Nick Offerman and Nicole Kidman, the series features the song during a pivotal scene in its second episode, airing April 15, 2026.

The single's classic wishful vibe complements the narrative of this show, which tells the story of a young mother navigating fame and financial struggle. The dropout daughter of a former Hooters waitress and an ex-pro wrestler, Margo is an aspiring writer faced with mounting debt and a new baby.

Appearing on the trail of their new "Mind Space" album, this track recalls the timeless harmony of The Mamas & The Papas mixed with the melodic grit of Tom Petty and The Kinks. With its retro-inspired charm and breezy, nostalgic tone, the track captures a longing for acceptance and authenticity, inviting listeners to leave behind expectations and embrace a bond that feels natural and true.

Recorded at Baa Baa Leaf Music Studio in Milford, Pennsylvania, this single was produced and mixed by Robin Ross, along with supervising engineer Jonathan Duckett (Phillip Glass, Kenny G, David Sanborn).

Written and performed by Robin Ross (guitar, bass and percussion) and JoEllen Gaetani (vocals), this feel-good anthem blends vintage influence with a timeless sense of optimism, echoing the spirit of an era while speaking to the freedom of loving without limits.

"I was recording a C-B-Am progression when a melody just flowed out, which I captured on a vocal scratch track. JoEllen and I later sat down to refine those initial takes, weaving my original phrasing into a cohesive story and writing new lines to perfectly fill the space," says Robin Ross.

"The song is about letting love live without the stigma often placed on those who don't 'match the norm.' Inspired by our own lives and the experience of being judged as a couple, this track is about moving past that and letting love flow like an atom in flight. It’s 'All I Want.'"

Emerging from the 80s New Jersey and New York music scenes, Robin Ross is now a central figure in the creative pulse of Milford, PA. A multi-faceted musician, songwriter, and producer for 30+ years, he has released numerous albums while launching and developing several recording spaces, including Triple R Studios and Sound Complex near NYC. He has since grown his current hub, Baa Baa Leaf Music Studio into a creative sanctuary and production house.

In the early ’90s, Robin Ross co-founded Laughing Jack (later Jack’s Maze), known for their progressive rock style. After a lengthy hiatus, 2021 marked a return to form, building his recording studio and reuniting with bandmates Frank Cinquegrana, Scott Cowan and Joe Torres to record new material, with a fresh Jack’s Maze release anticipated later this year. In 2025, he also released several records as Robin Ross & The TW Howlers and Robin Ross & The Bluesberry Jam.

'All I Want (Is A Lover)' is out April 7th via RPM Entertainment Enterprises and available from digital platforms, including Apple Music, Spotify, Amazon and Bandcamp, where the new 'Mind Space' album can also be found digitally and on CD.

CREDITS
Music by Robin Ross
Lyrics by Robin Ross & JoEllen Gaetani
Recorded at Baa Baa Leaf Music Studios (Milford, PA)
Produced & Mixed by Robin Ross
Supervising Engineer: Jonathan Duckett
Robin Ross - guitar, bass & percussion
JoEllen Gaetani - vocals
Released via RPM Entertainment Enterprises
Cover artwork design by Tina Ross
Video Produced by Tina Ross
Artist photos by Jerry Reganess
Publishing & booking: RPM Entertainment Enterprises, LLC
Publicity by Shameless Promotion PR

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New Jersey's The Melancholy Kings channel film noir romance in dreamy ‘New Girl’ single

April 6, 2026

New Jersey indie rockers The Melancholy Kings present ‘New Girl’, an acoustic-driven ode to a film noir ingenue immortalized on celluloid. Blending the heart-on-sleeve vulnerability of The Replacements with the expansive, atmospheric depth of Pink Floyd, this is the fourth single from their second album 'Her Favorite Disguise'. Released via Magic Door Record Label, this record taps into the vicissitudes of life in the Big Apple and its step-sister across the Hudson, with their rich tapestry and follies.

Featuring Mike Potenza’s hushed vocals and delicate acoustic foundations, the track eschews traditional indie-rock tropes for a cinematic, slow-burn arrangement. Sparse drums by Paul Andrew and atmospheric textures from both Peter Horvath on electric guitar and Scott Selig bowing harmonics on upright bass create a soundscape that is enriched by cellist Carolyn Jeselsohn, whose elegant lines weave a sense of timelessness through the mix.

The accompanying video was created by Scott Selig, who manipulated footage to create a slowly shape-shifting abstraction of film noir ambiance. A bittersweet tribute with hypnotic allure, the narrator pines for a ghost from the Golden Age of cinema, capturing the strange intimacy of loving someone who exists only in black-and-white frames. The lyrics cleverly deconstruct the boundary between what is "real" and what is "reel", as Selig’s video reinforces this dreamlike state.

Earlier, the band released 'Bitcoin Elegy' on the decline of meaningful personal relationships in the digital age, jangly guitar rocker 'Victoria' and their quasi-psychedelic single 'UV', which features famed trumpeter Mac Gollehon (David Bowie, Al Jarreau, Duran Duran, Mick Jagger, Hall and Oates).

The Melancholy Kings' core is singer-guitarist Mike Potenza (The Anderson Council, Crash Harmony, BARD, Gramercy Arms) and bassist Scott Selig (Ambulance, Uncle Moon, Deni Bonet Band, Super Tuesday), who met amidst corporate life in Manhattan, learning they were both active in the '90s-'00s NYC indie scene, playing in various "almost-famous" bands, touring and opening for legendary artists. Committing themselves to music, the lineup solidified with drummer Paul Andrew (Fluffer, Phantom Tollbooth) and guitarist Peter Horvath (The Anderson Council).

Following their 2019 eponymous debut record, 'Her Favorite Disguise' is an unapologetic nod to the rough-hewn '80s pre-grunge alt-rock era. Produced, recorded, mixed and mastered by Ray Ketchem (Guided by Voices, Luna, Elk City, Gramercy Arms, Crash Harmony) at Magic Door Recording Studio in Montclair, NJ, this album also involves Elk City vocalist Reneé LoBue, vocalist Olivia Selig, Ketchem on percussion, and accordionist Carl Riehl (Michelle Shocked, Uncle Moon).

'Her Favorite Disguise' is out now, available on limited edition 12" vinyl and everywhere digitally, including Apple Music, Spotify and Bandcamp.

CREDITS
Produced by Ray Ketchem, Scott Selig & The Melancholy Kings
Recorded, mixed & mastered by Ray Ketchem at Magic Door Recording, Montclair, NJ
Additional recording at The Old Stone House, Maplewood, NJ
String arrangements by Scott Selig
© 2025 The Melancholy Kings
Released by Magic Door Record Label
Cover art by Reneé LoBue. Art & design by Ray Ketchem
Photo on LP sleeve by Sonya Selig
Band photos by Carlo Cipriani
Publicity by Shameless Promotion PR

Electronic-dreampop outfit Strange Fruit releases surreal 'Drips' EP, a cosmic motorik trip

April 3, 2026

Indonesian electro-bliss outfit Strange Fruit presents their new 'Drips' EP, a lucid trip to the edge of sonic consciousness, released by Gentle Tuesday Recordings. A defining moment in the band’s evolution, this release unifies fragments of their kosmische experimentation over the past 11 years to achieve a more cohesive sonic identity. It also sees the Jakarta-based collective step into a new league with the involvement of world-class producers Hardway Bros, Tom Furse and Jonathan Kusuma in this release.

The band also share the video for the highlight track 'Monopolar', a sensory explosion that keeps us suspended between dream and awareness, between that which is surreal and radiant. Gradually fading and blurred in technicolor, the video is directed by Mellow Splice, who also created the EP cover artwork, reflecting the track’s fluid and surreal qualities through abstract, water-like imagery.

Strange Fruit is Baldi Calvianca (vocals & synth), Irza Aryadiaz (synth), John Tampubolon (guitar), Nabil Favian (bass) and Dino Kristianto (drums). Since their 2015 debut EP 'Dolphin Leap' via Leeds Records, they've moved fluidly between noise pop, krautrock, shoegaze and electronica. Now converging into a more focused, hybrid sound with deeper integration of electronic elements, this EP is driven by machine-led rhythms and analog textures, fusing emotional depth with rhythmic precision.

Rooted in hauntology, Strange Fruit drift deep into all the right places. 'Iridescent' channels a sense of dancefloor euphoria through minimalist beats and atmospheric layering, balancing introspection with forward momentum while finding a luminous dimension within darkness and adversity.

The title track, 'Drips', celebrates the band’s roots, blending shoegaze textures and electronic elements to create a dense, immersive soundscape. Sentimental yet rebellious, the interplay of rough guitar and bass noise with hybrid electronic textures creating a sense of hazy reverie. Baldi Calvianca’s vocals sounds mercurial, merging with bursts of light.

'Pouvoir Moteur' brings steady motorik rhythms, where repetitive sensations flow seamlessly down an endless highway. Irza Aryadiaz explains: “Here we take the obsession with factory machinery operated by humans and represent it through the repetitive 4/4 beats of German krautrock. It feels like breaking through space and time when the drum pattern is played consistently, moving nonstop.”

With unexpected song structures, chord progressions and subtle embellishments, this EP was produced with electronic producer Bernardus Fritz, who shares, “Strange Fruit's strength lies in their ability to create synthesizer sounds that are reverberant, wide, and surreal. Each track tells a story—there’s a journey between scenes, with cosmic sound design that reflects us as beings living in a different galaxy."

For this EP, Strange Fruit worked with three notable producers, who reinterpreted original tracks without compromising their original essence. Sean Johnstone a.k.a. Hardway Bros—a renowned UK DJ known for founding A Love From Outer Spacewith Andrew Weatherall—infuses downtempo elements and channels a slower club-house atmosphere. Jonathan Kusuma, a prominent member of Jakarta’s Dekadenz collective, explores extended leftfield disco with a strong focus on echo-rich, repetitive bass drum tempos.

Strange Fruit also worked with Tom Furse of The Horrors and now with MIEN(alongside The Black Angels' Alex Maas and Elephant Stone's Rishi Dhir). Re-envisioning 'Monopolar' with slower breakbeat grooves, noisier ambient textures and acid house influences, the band joins an exclusive club of artists remixed by Furse, including Tame Impala, Charlotte Gainsbourg, Temples and The Twilight Sad.

As of April 3, the 'Drips' EP is available across digital platforms via Gentle Tuesday Recordings, including Spotify, Apple Music and Bandcamp. It will be released on cassette on April 17, followed by a physical vinyl release, planned for mid-2026 in collaboration with Loide Records (SEA & Japan territories) and TipTop Records(Worldwide territories excluding SEA & Japan).

CREDITS
Written by Baldi Calvianca & Irza Aryadiaz
Performed by Strange Fruit
Produced by Bernardus Fritz & Strange Fruit
Guest vocals on 'Drips' by Putri Effendi
Mixed by Nabil Favian
Vocals recorded by Aggasta Giovanno at Studiomaja in Jakarta, Indonesia
Drums recorded by Devfian Julius Simputra at Studio 1 SAE Institute Jakarta
Premasters prepared by Hosea Hanelsan at Studio 1 SAE Institute, except for remixes
Mastered by Sam at The Wall Studio (France), except Track 6 mastered by Tom Furse
Track 5 - remix by Jonathan Kusuma
Track 6 - remix by Tom Furse
Track 7, 8 & 9 - remixes by Sean Johnston
All tracks published by Massive Music Entertainment,
except Monopolar (Hardway Bros Remix), Monopolar (Hardway Bros Live At The SSL Vocal Dub) & Monopolar (Hardway Bros Live At The SSL Dub) by Massive Music Entertainment / Minds on Fire
Album cover artwork by Moses Sihombing and Hafizh Armynazrie of Mellow Splice
'Monopolar' video produced by Gentle Tuesday Recordings & Strange Fruit
Video directed by Mellow Splice. Filmed by Moses Sihombing & Hafizh Armynazrie
Edited buy Hafizh Armynazrie & Moses Sihombing
Photographer: Osman Luqman
All Rights Reserved. © & ℗ Gentle Tuesday Recordings 2026
Bookings & Management - Benedict Pardede
Publicity by Shameless Promotion PR

Frenchy and the Punk declare 'War On War' with new video, announcing spring tour dates

April 2, 2026

Post-Punk duo Frenchy and the Punk present their new video for the powerful and compelling single ‘War on War’, along with an announcement of spring 2026 tour dates. Playing up to 100 shows a year, the duo thrives on the road. Now they are set to bring that energy to dozens of cities across the Midwest and East Coast before heading overseas for select UK dates.

Torchbearers of a new era in post-punk, Frenchy and the Punk was formed in 2005 byvocalist, percussionist, keyboardist and lyricist Samantha Stephenson and guitarist-composer Scott Helland, co-founder of Deep Wound (with Dinosaur Jr. icons J Mascis and Lou Barlow) and Outpatients, and also known for his exceptional solo music project Guitarmy of One.

Frenchy and the Punk, listed in the ‘Top 25 US duos’ by Yahoo! Music, is a powerhouse duo with a distinct sound, blending post-punk with a touch of new wave by way of electro-acoustic hybrid guitars, loop pedals, fiery live acoustic and electronic percussion, synth and rich commanding vocals.

The powerful video for ‘War on War' was filmed and edited by Samantha Stephenson in New York State. The single itself was mixed and mastered by William Faith (The Bellwether Syndicate, Faith and the Muse) at William Faith Music Production, with vocal recording and production at Kale Shelter Studios by Hillary Johnson, known for her work with Jeff Buckley, The Misfits, Rufus Wainwright, The Ramones, Nile Rodgers, Vernon Reid and more.

Following 'Not Under Your Spell', released at the end of 2025, this is the band's second release through Distortion Productions, having signed to the label after label-head Jim Semonik saw their performance at Dark Force Fest, in New Jersey last summer.

"This song is not only about war but also the deterioration of truth and destruction of progress. It's the belief that the majority of people in this country and the world do not want to go backwards and do not want to see bloodshed," says Samantha Stephenson.

"It is the frustration that the few, fueled by greed and lust for power, who manipulate for their and their cronies' advantage, cause such grief and destruction for the many. It is a call to voice opposition to the chaos and insanity. It is a call for unity beyond borders."

A veteran of the US hardcore punk scene, Scott Helland has spent years honing a dynamic, high-impact performance style that now drives Frenchy and the Punk’s electrifying live presence and genre-blurring sound. Over the course of his music career, he has shared the stage with Black Flag, Husker Du, GBH, C.O.C, Agnostic Front and CroMags, in addition to performing with Dinosaur Jr. on occasion.

Samantha's artistic expression came from a completely different place, having started in dance, piano and the visual arts. These two worlds collided forming a musical incarnation that moves effortlessly from bombastic and driving songs to atmospheric and almost transcendent soundscapes.

Both before and after their critically acclaimd albums 'Midnight Garden' (2024) and 'Zen Ghost' (2022), they have toured the US and Europe relentlessly. Fiercely DIY, they have earned a wide and loyal following, endearing audiences not only with their music but their engaging live shows. To see them together onstage is to witness their palpable connection and dedication to the creative life they lead.

'War On War' is out everywhere digitally, including Apple Music, Spotify and Bandcamp. A full-length album is also in the works, planned for release in late 2026

CREDITS
Written by Samantha Stephenson & Scott Helland
Samantha Stephenson - vox, keys & percussion
Scott Helland - guitar, bass & percussion
Music mixed & mastered by William Faith at William Faith Music Production
Vocal recording & production by Hillary Johnson at Kale Shelter Studios
Video filmed & edited by Samantha Stephenson
Released by Distortion Productions
Publicity by Shameless Promotion PR

TOUR DATES

April 3 - ITHACA, NY @ Nocturnal Cafe
April 4 - ROCHESTER, NY @ Bar Bad Ending
April 6 - SARATOGA SPRINGS, NY @ Desperate Annies
April 9 - LOUISVILLE, KY @ Planet of the Tapes
April 10 - DAYTON, OH @ Blind Bob’s
April 11 - INDIANAPOLIS, IN - Goth Prom @ Healer
April 12 - CHICAGO, IL @ LiveWire
April 14 - ST LOUIS, MO @ The Crack Fox
April 15 - COLUMBUS, OH @ Spacebar
April 17 - PITTSBURGH, PA @ Sidequest (with Ego Likeness)
April 18 - EASTON, PA - Coven @ Lafayette Bar
April 19 - DETROIT, MI @ Small's (with Past Self)
April 22 - RICHMOND, VA @ Fallout RVA (with Ego Likeness)
April 23 - ARLINGTON, VA - Dark Constellation @ Renegade (with Ego Likeness)
April 25/26 - HOLLY SPRINGS, NC @ Festival of Legends
May 22 - World Goth Day Online Fest @ FnP YouTube Channel
June 3 - NEWCASTLE, UK @ Trillian’s
June 4 - EDINBURGH, SCOTLAND @ Banshee’s Labyrinth
June 6 - MORECAMBE, UK @ ASDO Festival
June 12 - SOWERBY BRIDGE, UK @ Blind Pig

The Veldt announces 'Black Girl' single & exclusive EP for new tour with The Chameleons

April 1, 2026

The trailblazers known as The Veldt are back with their new single 'Black Girl', along with a video by Rob Weiss and James Eakins, heralding their 'Spanakopita' EP. Released as a tour-exclusive CD, featuring new tracks and experimental demos, this was created especially for their Arctic Moon Tour with post-punk legends The Chameleons. Kicking off April 7 in Minneapolis, this sweeping run of shows brings The Veldt's sound to a wide cross-section of East Coast, South-Central US and Midwest audiences, along with select Canadian dates.

One of the most notable first-wave shoegaze bands, formed in North Carolina in the 1980s by identical twins Daniel Chavis (vocals, guitar) and Danny Chavis (guitar), The Veldt have long occupied a distinctive space where shoegaze textures intersect with soul, gospel, and experimental rock. Drawing inspiration from artists as varied as Prince, Sun Ra and Pink Floyd, the band developed an approach that favors atmosphere, groove, and emotional nuance over rigid genre boundaries.

After relocating to New York City and expanding their lineup with bassist and programmer Hayato Nakao, the group deepened its sonic identity, incorporating layered production and electronic elements while maintaining a strong melodic core. Consistently prioritizing depth and mood, their recordings reward close listening and their live performances emphasize immersion.

The 'Spanakopita' EP includes mixes by Carlos Bess, engineer for the Wu-Tang Clan production circle, along with Will Brooks (Dälek) and Jason Furlow (aka Nosaj)of Nosaj Thing and New Kingdom, also known for his new project Wave Generatorsand famed collaboration with Morcheeba. Their involvement helped shape the project’s evolving fusion of post-punk atmosphere and DJ-culture experimentation—an approach developed through ongoing collaboration over the years working as a production team Illuminutty (a.k.a. VELDT).

The lead track 'Black Girl' reinterprets themes from the 1972 film 'Black Girl', reflecting the determination of a young dancer striving toward excellence, despite the social limitations surrounding her. Inspired by that spirit of persistence and vision, the track channels a modern, dream-pop-inflected atmosphere reminiscent of A.R. Kane, while moving beyond strict genre labels like shoegaze to incorporate broader influences and sonic elements.

"Many of the recordings on 'Spanakopita' point toward the direction of our next body of work. Alongside newly created material, the release also draws from a deep archive of previously unreleased recordings from past years - part of a larger collection scheduled for release this September on Little Cloud Records and 5BC Records - as we continue expanding the sound shaped through these collaborations," says Daniel Chavis.

The Veldt's music career has been rich, gradually building a solid legacy. Pitchfork included The Veldt's album 'Afrodisiac', produced by the legendary Ray Shulman (The Sundays, Bjork, The Sugarcubes) in the top 50 shoegaze albums ever released, while Stereogum included ‘Until You’re Forever’ in the top 31 shoegaze tracks. Their recent'Illuminated 1989' album, produced by Cocteau Twins' Robin Guthrie, was also widely acclaimed with support on six continents.

Over the years, The Veldt has collaborated with TV On The Radio, Mos Def, Lady Miss Kier (Deee-Lite), A.R.Kane and toured or played with Brian Jonestown Massacre, The Pixies, Throwing Muses, Echo & The Bunnymen, Cocteau Twins, Manic Street Preachers, Phantogram, Modern English, The Jesus and Mary Chain, Oasis, Chuck D, Living Colour and Schooly D.

Merging expansive sound design with rhythmic drive and vocal intensity, The Veldt's pairing with The Chameleons brings together two acts known for their commitment to sonic detail and emotional resonance. The Veldt’s presence on this tour underscores their own enduring relevance, continued artistic momentum and expanding horizons.

'Black Girl' is available as a Bandcamp exclusive. Tickets for The Veldt performances with The Chameleons are now available online, while the 'Spanakopita' CD can only be found at these shows.

CREDITS
Written, Recorded & Mixed by Illuminutty (Doityodamnself Prod)
Performed by Nakao Hayato, Danny Chavis & Daniel Chavis
'Evergreen' mixed by Dälek (Will Brooks)
'Dakini (Remix)' by Carlos Bess & Jason Furlow
Produced by Illuminutty (Doityodamnself Prod) aka VELDT
Mastered by James Populos (Populis Recording)
Artwork & Layout by Danny Chavis, Joe Nesbit, and Butterfly Soup Ltd.
Copyright 5BC / Little Cloud 2026
'Black Girl' video by Rob Weiss & James Eakins
Publicity by Shameless Promotion PR

TOUR DATES (with The Chameleons)
APR 7 — Minneapolis, MN @ Varsity Theater
APR 8 — Madison, WI @ Majestic Theatre
APR 10 — Chicago, IL @ Lincoln Hall
APR 11 — Detroit, MI @ The Magic Stick
APR 12 — Toronto, ON @ Mod Club
APR 13 — Montreal, QC @ Théâtre Fairmount
APR 14 — Somerville, MA @ Crystal Ballroom
APR 16 — Brooklyn, NY @ Warsaw
APR 17 — Washington, DC @ Black Cat
APR 18 — Philadelphia, PA @ Underground Arts
APR 19 — Asbury Park, NJ @ The Stone Pony
APR 20 — Richmond, VA @ Richmond Music Hall
APR 21 — Durham, NC @ Motorco Music Hall
APR 23 — Tampa, FL @ New World Music Hall
APR 24 — Orlando, FL @ The Social
APR 25 — West Palm Beach, FL @ Respectable Street
APR 26 — Jacksonville, FL @ Jack Rabbits
APR 27 — Atlanta, GA @ Center Stage – The Loft
APR 28 — Nashville, TN @ The Basement East
APR 30 — Fort Worth, TX @ Tulips
MAY 1 — Austin, TX @ Mohawk (Outside)
MAY 2 — Houston, TX @ Numbers

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Iconic US indie rockers THE DAMBUILDERS return with "Shrine 2026" single & live dates

April 1, 2026

American college radio faves The Dambuilders are back with their new single “Shrine 2026”, marking the band’s first new release in decades. Released via Magic Door Record Label in traditional A / B format, "Shrine 2026" comes with the companion track “I Hope We’re Not Too Late”, recorded and produced by Ray Ketchem at Magic Door Recording in Montclair, NJ and mastered by award-winning engineer Greg Calbi (Lennon, Bowie, Springsteen, Talking Heads, Patti Smith, Tom Petty).

2025 saw the band's reformation with reunion shows at Dromfest and NYC Berlin, where they performed their 1989 debut album in its entirety. In April, they will once again be performing in New York City and Providence, Rhode Island. Involving a host of special guests, these are the band's first performances in either city in 30 years, offering a rare opportunity to experience the band’s dynamic live presence.

“Shrine 2026” revisits one of the band's most beloved songs, from their 1994 album "Encendedor", reaffirming the group’s signature blend of emotional immediacy and sonic invention.

While The Dambuilders are most associated with the 1990s Boston rock scene, the band originated in Honolului, formed by Dave Derby, Tryan George and Eric Masunaga—veterans of Honolulu acts like the Exactones—and joined byelectric violinist Debbie Fox. After relocating to Boston in 1990, the group solidified into its definitive "classic" lineup by 1992, with Derby on vocals and bass, Masunaga on guitar, Kevin March on drums, and Joan Wasser on violin.

Now The Dambuilders re-emerge with a renewed sense of purpose with Dave Derbyand Kevin March joined by guitarist Sean Eden (Luna) and violinist Claudia Chopek (Dexys, Father John Misty, The Little River Band). Their performance of the B-side “I Hope We’re Not Too Late” uphold the bend's core elements and original identity while embracing an evolving sound.

The Dambuilders built a devoted following throughout the 1990s, touring North America, Europe and Australia alongside artists such as Lush, Luna, Jeff Buckley, Weezer and Better Than Ezra. They would release 3 records via the !Cuacha! Label and 3 albums for Elektra Records, along with a song cycle that dedicated a number of tracks to the 50 states (most notably,“Idaho” and “Delaware”).

"Encendedor" became a cornerstone of their catalog, with “Shrine” ranked at No. 17 in MTV’s 100 Greatest Songs of the ‘90s: Lollapalooza edition. Following the release of "Against the Stars" in 1997, the band stepped away from recording and touring, with its members going on to pursue a wide range of acclaimed musical projects in the years that followed.

Joan Wasser went on to work with Jeff Buckley before founding her iconic project Joan As Police Woman, and Kevin March joined Guided By Voices, having also done stints with Shudder To Think, Hot One and Mind Science Of The Mind. Eric Masunaga, who returned for The Dambuilders' 2025 reunion dates, continues his production work through Modulus Studios in Boston, while Tryan George became a video director for major acts like Smash Mouth, Our Lady Peace, and Toto.

Dave Derby went on to launch and become involved in multiple projects, including Lloyd Cole and The Negatives, Brilliantine and Gramercy Arms, for which he has collaborated with numerous luminaries, including members of Nada Surf, The Psychedelic Furs, Belly, Throwing Muses, Sparklehorse, The Philip Glass Ensemble, Dead Air, The Magnetic Fields, Codeine, Elk City, Lloyd Cole and the Commotions, Letters to Cleo, Fuzzy, The Monsieurs, A Girl Called Eddy, Small Factory, The King Canutes, Diesel, Royal Arctic Institute, Aeon Station and Semi-Gloss.

Fun facts: Derby launched a successful music for TV company Derby and Kotch with Michael Kotch (Eve’s Plum, Lloyd Cole and the Negatives), and did music for Sarah Silverman’s TV shows and film (“Jesus is Magic”). Working with Vitamin C (Eve’s Plum), they wrote music for Hannah Montana, Demi Lovato and Selena Gomez. Along with Jill Sobule, they created music for the Nickelodeon TV show “Unfabulous,” starring Emma Roberts. Derby and Kotch also won a BMI Music award for the theme song and score of MTV’s “70s House.”

37 years after their first record, The Dambuilders’ story is still being written. “Shrine 2026” starts a new chapter. As vital and compelling as ever, their songs remain just as emotionally resonant and sonically adventurous today. As of April 1, "Shrine 2006" will be available on digital platforms, including Spotify, Apple Music and Bandcamp. Tickets for their East coast shows are also available now.

CREDITS
"Shrine 2026” written by Kevin March, Dave Derby, Eric Masunaga & Joan Wasser
"I Hope We’re Not Too Late” written by Dave Derby, Kevin March, Sean Eden & Claudia Chopek
Dave Derby - bass, vocals
Kevin March - drums, vocals
Sean Eden - guitar, vocals
Claudia Chopek - violin, vocals
Doug Gillard - additional guitars on “Shrine 2026”
Renée Lo Bue - backing vocals on “I Hope We’re Not Too Late”
Produced by Ray Ketchem
Recorded at Magic Door Recording, Montclair, NY
Mastered by Greg Calbi
Cover artwork by Colin Burns
Released via Magic Door Recording Label
'Shrine 2006' video directed by Bruno Corbo (2026) & Tryan George (1994)
Publicity by Shameless Promotion PR

LIVE DATES
April 24 - NYC, Mercury Lounge (with Sleepyhead)
April 25 - Providence, RI - Myrtle (with Sleepyhead)

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Joan As Police Woman announces 'Real Life Evolution' album, releases intimate versions of 'Flushed Chest' and 'The Ride'

March 31, 2026

Renowned NYC artist Joan As Police Woman announces her new album “Real Life Evolution”, out June 12 via UK independent Reveal Records -- on CD, Limited Edition exclusive red marble vinyl and digitally. Exactly 20 years since releasing her much-loved debut album "Real Life", she has re-recorded and imagined the album in full with guests including Iggy Pop and Krystle Warren.

Joan Wasser, known professionally as Joan As Police Woman since 2004, is a critically acclaimed musician and producer, dubbed “the coolest woman in pop” (The Times) and “one of the 21st century’s best musicians” (The Economist). As a singer, songwriter and multi-instrumentalist, her music defies easy categorization, crafting her own sound that blends various genres. She has released ten albums of original material, two cover albums, and an anthology.

Twenty years in the making, this record was developed through countless nights on stage. These new arrangements are brought to life by the musical brilliance of the players who helped define their sound. In order of appearance, it features contributions by Will Graefe, Jeremy Gustin, Tony Scherr, Parker Kindred, Danny Blume, Krystle Warren, Oren Bloedow, Thomas Bartlett and Iggy Pop.

Now Joan As Police Woman is releasing 'Real Life Evolution' versions of two of the tracks from this album -- 'Flushed Chest', which was recorded at Hayyam Studios in Istanbul by Ceylan Akcar and Sinan Sakizli, and 'The Ride' was recorded at The Owl Music Parlor in Brooklyn by Adam Sachs.

'Flushed Chest (Real Life Evolution version)' is the latest video offering from 'The Real Life Anniversary Sessions', accompanied by Will Graefe and Jeremy Gustinand filmed by Ehud Lazin, following her powerful, stripped-down video performance of 'Anyone'.

"I wrote 'Flushed Chest' shortly after I read “Time’s Arrow” by Martin Amis. It’s the story of a life, Jeff’s life, told in backwards chronological order. I wrote this one when I was in a period of intense listening to The Wailers; Bunny Wailer, Peter Tosh and Bob Marley, one of the greatest bands of all time. This song works well with the trio so we didn’t stray far from the original recording. Singing the 3-part harmonies with Will and Jeremy is a delight." says Joan Wasser.

"'Real Life Evolution' is ten reimagined versions of every song from the original 'Real Life' album. Some transformations are subtle. Others are seismic. All of them were made with an entirely new cast of collaborators.”

Joan As Police Woman is a sought-after collaborator who has recorded and/ or performed with hundreds of artists, including Afrobeat legend Tony Allen, Lou Reed, Anohni & The Johnsons, Meshell Ndegeocello, Rufus Wainwright, John Cale, David Byrne, Dave Okumu, Chris Dowd, Lau, Scissor Sisters, Sparklehorse, Beck, Laurie Anderson, Lloyd Cole, Afel Bocoum, Dave Gahan, Tanya Donelly, David Sylvian, Steve Jansen and Damon Albarn (who duetted with Joan on her song 'Get My Bearings' and invited her to feature on the Gorillaz album 'Song Machine'). She also a member of Iggy Pop's touring band (on keys and vocals).

“Music has saved my life. I am a devotee. It’s not something I can even choose or not choose, it’s just what it is. The album Real Life holds the key to my whole life. At the time I felt compelled to get it all into one record because I couldn’t imagine a world where I’d make another," says Joan Wasser.

"Now, twenty years later (and twelve albums into my career), the dream continues to unfold. I still live to play music. The shared experience of a concert is a constant reminder of our common humanity. 'Real Life; was the spark that lit my calling as a solo artist and I’m truly excited to revisit all the songs that mean so much to me and lovers of 'Real Life'.”

As of March 31, 'Flushed Chest' and 'The Ride' are available digitally everywhere. The 'Real Life Evolution' album is out on June 12th on vinyl, CD and digitally. It can be pre-ordered via Bandcamp.

With her forthcoming Real Life 20th Anniversary Tour, Joan brings exclusive trio shows, performing the 'Real Life' album in full, along with key singles from across her catalogue, fan favourites, deep cuts, reworked covers and a few surprises! She next performs a small handful of shows in New York City at Joe's Pub. All tickets can be ordered at www.joanaspolicewoman.com/tour or https://linktr.ee/japw.

CREDITS
Lyrics & Music written by Joan Wasser
Published by Fists of Fury (BMI / Domino Publishing)
Produced by Joan Wasser
Mixed by Patrick Dillett at Reservoir Studios
Mastered by Chris Gehringer at Sterling Sound
Joan Wasser - vocals, piano on 'The Ride' & 'Flushed Chest'
Will Graefe - guitar & vocals on 'The Ride'; guitars & vocals on 'Flushed Chest'
Jeremy Gustin - drums & vocals on 'The Ride'; vocals on 'Flushed Chest'
Parker Kindred - drums & vocals on 'Flushed Chest'
'The Ride' recorded by Adam Sachs live at The Owl Music Parlor, Brooklyn, NYC
Ehud Lazin - videographer for 'The Ride'
'Flushed Chest' recorded by Ceylan Akcar & Sinan Sakizli at Hayyam Studios, Istanbul
Assisted by Ilker Cicek and Tolga Kurt
Album cover photo & artist photos by Judi Rosen
P & (C) 2026 Sweet Police LLC under exclusive licence to Reveal Records
Publicity by Shameless Promotion PR

NEW YORK LIVE DATES
JUNE 20 New York, NY, USA, 7pm - Joe's Pub (SOLD OUT)
JUNE 20 New York, NY, USA, 9pm - Joe's Pub (SOLD OUT)
JUNE 21 New York, NY, USA, 6pm - Joe's Pub

REAL LIFE ANNIVERSARY TOUR 2026
NOV 5 London, UK - Union Chapel
NOV 6 London, UK - Union Chapel
NOV 7 Manchester, UK - RNCM (Royal Northern College of Music)
NOV 9 Glasgow, UK - Oran Mor
NOV 11 Brugge, Belgium - Cactus Club
NOV 12 Amsterdam, Netherlands - Zonnehuis (sold out)
NOV 13 Hamburg, Germany - Mojo Club
NOV 15 Aarhus, Denmark - Train
NOV 16 Copenhagen, Denmark - DR Concert Hall
NOV 18 Budapest, Hungary - House of Music Hungary
NOV 20 Roma, Italy - Angelo Mai
NOV 22 Berlin, Germany - Haus des Rundfunks & Großer Sendesaal

Post-punk legends Jah Wobble & Jon Klein release ‘Automated Paradise' album

March 27, 2026

Jah Wobble (Public Image Ltd) and guitarist Jon Klein (Siouxsie & The Banshees, Specimen) have released their 'Automated Paradise' album, their third collaborative record and also their debut album as a duo with Peckham-based label Dimple Discs. These two legends first combined forces on the 'Metal Box – Rebuilt In Dub' album in 2021, they continue to collaborate live and in the studio.

This is Jah Wobble’s first post-punk album in recent years, these brash guitar-driven tracks reflecting his preoccupation with the declining state of the nation. Driven by his weekly experience with Klein at the "Tuned In" music community project in Merton, this record recalls the spirit of Mark Stewart - angry in an empathetic, constructive way. The lyrical content mainly came together in the studio.

"Making this record with Jon Klein was (as ever) an absolute buzz. Totally in the moment. The music comes from that silent place. It’s pre-existing. You just allow it to flow. Sometimes you organise it early in the process, sometimes you let it flow, with minimum direction," says Jah Wobble.

"Sometimes you conceptualise it from the get go (chord structures, set pre-ordained rhythms, bossa-nova, waltz, one drop, etc. Sometimes it’s the opposite of that (see under Can, Metal Box etc. Sometimes you refer to memory sometimes you are “in the moment”. This was one of those in the moment records, that got quickly recognised for what it was and was duly processed."

Dimple Discs earlier shared the motorik lead track ‘Fading Away’, pulsating with the raw electrical tension of British post-punk and new wave, and the fire-buster 'Who Wins?', a song about distrust — about the growing sense that the grand halls of power have become echo chambers of empty promises. Both songs capture moments when the atmosphere shifts in humanity's current trajectory.

"This album started to take shape with the more angular noises pieces, but then stepped away into different places occasionally almost ambient. The sketches I presented for some tracks were turned upside down once Jah got hold of them. He tried different ideas for lyrics at different stages of each song's evolution, sometimes improvising themes and tunes that we’d edit and organise, and other times composing final ideas prior to recording," explains Jon Klein.

"That age old tradition of waiting around in studios, whilst the engineer boffin endlessly twiddles knobs whilst speaking in numerical tongues is something we are keen avoid. We like to make things happen in the moment, in a way that attendees can follow. Often we complete a working draft to a piece of music from scratch in a few hours".

This album follows two 2025 albums for Wobble - ‘Dub Volume 1' (Dimple Discs) and the expanded reissue of the 2017 album 'The Usual Suspects', featuring 25 career highlights, re-recorded and including some of Wobble’s finest material, alongside tracks by Invaders Of The Heart and PiL.

Guitarist and producer Jon Klein was a member of Siouxsie and the Banshees from 1987 until 1994 (the 'Peepshow', 'Superstition' and 'The Rapture' era). Originally in the Bristol band Europeans, he then formed the glam-goth act Specimen and relocated to London, where he co-founded The Batcave nightclub. He has worked with Talvin Singh and Sinéad O'Connor, and co-produced a string of No. 1 albums for Warner-signed Fangoria, fueling a decade-long streak of chart-topping success in Spain.

'Automatic Paradise' is out now via Bandcamp, and available on both CD and transparent vinyl, with this pressing limited to 800 copies. Jah Wobble & The Invaders Of The Heart continue touring the UK in 2026, and tickets can be ordered at https://jahwobble.com/#live

CREDITS
'Fading Away' & 'Endless Sky' written by Jah Wobble, John Tian Chi Wardle & Jon Klein
'Automated Paradise', 'Make It Stop' & 'Terminal Terminal The End' written by Jah Wobble, Gilberto Giannacchi & Jon Klein
'Tempodrom' & 'Who Wins?' written by Jah Wobble, Izumi Karaage & Jon Klein
'Read Between The Lines' written by Jah Wobble, John Tian Chi Wardle, Jon Klein & Anthony Hopkins
Jah Wobble – bass on all tracks; vocals (tracks 1, 2, 4, 6, 7)
Jon Klein – guitar (all tracks); programming (tracks 1, 4, 7); synthesizer (track 1); EBow (track 4); clarinet, electric piano, glockenspiel, melodica, lap steel guitar (track 8); back vocals (tracks 1, 2, 3, 6)
John Tian Chi Wardle – drums (tracks 1, 4, 7)
Gilberto Giannacchi – drums (tracks 2, 5, 6)
Izumi Karaage – drums (tracks 3, 8)
Keiko Yamazaki – backing vocals (track 1)
Anthony Hopkins – keyboards (track 4)
Produced by Jah Wobble & Jon Klein
Engineered & mixed by Jon Klein at Tuned In Studio & Ground Control
Mastered by Anthony Chapman
Cover artwork & design by Jah Wobble
Released by Dimple Discs - Barcode 5052571225325
Vinyl catalogue ID #DEEDEE081LP / CD catalogue ID #DEEDEE081CD
Live photos byFergus Kelly / Room Temperature
Other photos byPeter McDowell
Publicity by Shameless Promotion PR

Portland's psychedelic pop-rock dreamers Wooden Overcoat shares shimmery debut single 'Home'

March 24, 2026

Previewing the debut "Hello Sunbeam" EP, this is the first official transmission of the project’s signature "gooey haze", blending the sun-drenched textures of 60s garage rock with the restless energy of raw fuzzed-out modern indie spirit. Between the wash of tape echo and reverb, the track finds a sweet spot where lo-fi garage psych meets 90s shoegaze, all anchored by layered harmonies and an evocatively intimate vocal delivery.

The sonic brainchild of multi-instrumentalist Brant Hajek, Wooden Overcoat began in the isolation of 2020, when he returned to music after a hiatus, recording songs he'd written in his late teens. What started as a practice in self-production transformed into a deep creative obsession with soundscapes and gear. Recording in a rented basement, Hajek built the foundation of the EP through spontaneous experimentation—often veering away from planned sessions to follow sudden bursts of inspiration.

"When I wrote "Home", it kind of poured out of me, and I think I’m still interpreting it. But to me, it’s about acknowledging something beautiful, even if it can’t last. Two people who feel naturally paired, like elements of nature, slowly decomposing and self-destructing," says Brant Hajek.

"It’s about the inevitable demise of anything, and ultimately that we need to appreciate what is here right now and live in that magical existence. It’s about having the capacity to admire even when things are burning out."

A study in productive contradictions; while the lyrics and aesthetics might suggest a certain darkness, they are often rooted in inside jokes and a sense of warmth. Hajek’s creative process is a deeply personal, layered journey involving mumbled placeholder lyrics and a patient wait for the specific spark that turns an "emotionally restless" melody into a finished piece.

While Hajek performed every instrument on the studio recordings to preserve the project’s intimate DIY spirit, he has since found his tribe, assembling a full live band to translate these compositions to the stage. With Hajek leading the way on guitar and lead vocals, Wooden Overcoat is rounded out by Dillon Glusker on bass, Mac on guitar, and Brian Levin on drums and backing vocals. Through community, the band creates a fantastic dreamlike environment for like-minded people.

The name Wooden Overcoat—an old Americana euphemism for a coffin—hints at the project’s core philosophy: a playful balance of moody, mystical imagery with light-hearted humor. Hajek’s creative process is personal, the rough versions eventually coalescing into vivid, emotionally resonant themes.

This is Wooden Overcoat's first collaboration with Italian multi-arts visionary Francesca Bonci, well known for her work with The Dandy Warhols, Pete International Airport and Slowdive's Rachel Goswell, LA's Tombstones In Their Eyes, Federale (The Brian Jonestown Massacre's Collin Hegna), post-rock outfit The Quality of Mercury, and iconic British bard Philip Parfitt.

As of March 24, "Home" is available from digital platforms everywhere, including Bandcamp. Wooden Overcoat's debut "Hello Sunbeam" EP will be released on May 9. Wooden Overcoat performs next on March 26 at Portland's Star Theatre with Gvth Dvddy and NIGHT SPOTS. Tickets are available here.

Alt-rockers Noir Addiction dish up mischief and mayhem on "Serve Me Some Crime" single

March 21, 2026

Alternative-industrial rockers Noir Addiction present their new single "Serve Me Some Crime", a sarcastic manifesto about embracing chaos and contradiction, where rule-breaking, humor and non-conformity become tools of personal freedom. Presented with a smashing new video directed & edited by ‪Jack Lucas Laugeni, it celebrates choosing instinct and madness over routine, control, and the suffocating seriousness of everyday life. This is the first taste of the album "Pretty Things Don’t Last", forthcoming via Berlin-based Soulpunx label.

Emerging with a raw, industrial-tinged soul, Noir Addiction is a powerhouse trio that harnesses a dark, heavy aesthetic against a backdrop of classic rock ’n’ roll grit. Founded by Sonny Lanegan, who handles vocals, guitars, synthesizers, and programming, the band is rounded out by drummer Roberto Catanzaro and Nessie Zorba on keyboards and percussion. A seasoned musician and producer, Lanegan’s creative vision was shaped by cutting his teeth in Los Angeles's high-octane music scene, where he honed his experimental style as singer-songwriter for White Pulp and co-founder of The Dead Good.

“Serve Me Some Crime” started from a really simple feeling: sometimes life gets too serious. Too structured. Too polite. The word “crime” in the song isn’t literal it’s more about breaking small, invisible rules. It’s about those moments when you don’t want to behave exactly how you’re expected to. A regular Sunday can feel predictable, almost scripted, and the song plays with the idea of shaking that up adding a bit of danger, irony, or mischief to something ordinary,” says Sonny Lanegan.

“At its core, the song is about freedom not the peaceful, inspirational kind, but the messy kind. The kind where you allow yourself to be contradictory, to not have it all figured out, to embrace a bit of chaos instead of pretending you’re always in control. It’s me saying: if life insists on being absurd, I might as well play along.”

Based in Italy, Noir Addiction has electrifying their way onto the music scene through their clever mix of glamorously haunting atmosphere, sense of decadence, rebellion and obsession, Noir Addiction bring a high-voltage fusion of dark rock, grunge attitude and shock-rock energy. By fusing heavy, distorted guitars and electronic textures with theatrics and raw emotion, they offer an immersive experience that is meant to be felt just as much as it is heard.

“There’s a lot of contradiction in the lyrics on purpose. Lines like “I don’t need forgiveness right now” or “I wear the joke to fight” reflect that push and pull between being sincere and hiding behind humor. I think many of us do that… we joke when things get uncomfortable, we act cool instead of saying what we really feel. The song lives in that space. Writing it felt like letting myself misbehave creatively. I didn’t overthink it, I followed the impulses that felt a little reckless. The lyrics came out in bursts, almost like I was arguing with myself. There’s tension in the song because that’s how I felt: torn between wanting to stay composed and wanting to blow everything up,” says Sonny Lanegan.

“When we recorded it, I wanted that tension to stay alive. We didn’t polish away the edges. The vocals needed attitude something slightly provocative, almost teasing. I wanted the track to feel cool but restless at the same time, like there’s something simmering underneath. We played with that contrast between restraint and release, keeping it tight in some moments and then letting it loosen just enough to feel unpredictable. That balance is really what gives the song its character”.

Sonny Lanegan brings years of behind-the-scenes studio and production experience to Noir Addiction. Many of his songs have also been licensed to and featured in American TV shows, cementing his presence in mainstream media and propelling him into notable collaborations with artists and producers, which has sharpened his sound and pushed his creative vision to new heights.

Lanegan eventually reconnected with his old friend Nessie Zorba, former bandmate in PostHuman, with whom they toured Europe, rekindling their deep musical connection and passion for relentless intensity and depth and channelling this unfiltered energy into this new, heavier, darker project. Drummer Roberto Catanzaro then joined in, bringing a new dynamic layer to their presence, his powerful and heavy-weighted performance adding body, urgency and raw impact to their overall sound.

Soulpunx is an independent record label and media production house founded in 2017 by music producer and film composer Konstantin Dellos. Dedicated to the creation and promotion of high-quality audiovisual art, the label's focus is modern rock and alternative music. Beyond music, Soulpunx produces short films, documentaries and music videos, always emphasizing powerful storytelling.

As of March 20, "Serve Me Some Crime" will be available across digital platforms, includingSpotify,Apple Music and Bandcamp. The full "Pretty Things Don’t Last" album will be released on July 16 via SoulPunx Records.

Noir Addiction will be touring in support of this EP, beginning with two special shows in Prague - at Subzero Pragueon May 14 and at Chapeau Rouge on May 15.

Modesty Blaise presents "The Little Things You Do" ahead of "Melancholia - Remaster" 25th Anniversary Edition

March 20, 2026

Bristol indiepop collective Modesty Blaise presents "The Little Things You Do", a lost masterpiece of baroque-pop, as a remaster that finally delivers the lush, orchestral depth originally intended for its aborted 7-inch release. The video footage was filmed during the Melancholia tour in Germany, just after the original album was released.

Previewing the remastered 25th Anniversary edition of their seminal album "Melancholia", this single breathes new life into this cult-classic, trading its mysterious history for a polished, high-fidelity presence that demands a place in the modern pop canon.

One of the many standout tracks from this record, 'The Little Things You Do' was slated to be the third single from the cult classic album but that didn’t happen - the band had started recording a video and then it stopped and now nobody can remember why! Frontman and founder Jonny Collins shares, “It was always going to be a single, that’s why we recorded a single version. I wonder what happened”.

The 2026 remaster was prepared with a light-touch approach, focused on clarity and depth rather than reinvention. Greater dynamic range and enhanced detail bring new presence to the recording, revealing subtle textures and spatial nuance while preserving the character of the original mix. Featuring newly-restored audio, many outtakes from the original sessions and updated artwork in a fantastic new 3 Disc version, this release reflects on the album’s legacy and continued resonance.

Modesty Blaise have also shared the lead track, "Carol Mountain" as a Bandcampexclusive, the video for which was created from footage shot when Modesty Blaise played in New York in 2002, when the band was made up of Jonny Collins, David W Brown, Gregory Jones, Clem Courtney and Julien Clapperton.

Modesty Blaise have been around since 1993 in various guises. In that year, they recorded their debut single 'Christina Terrace' with Edwyn Collins at the helm, garnering them immediate success with a live appearance on ITV and inclusion among many end-of-year top music rankings. Other highlights include supporting Robbie Williams at London's O2 Arena, inclusion in a Rough Trade compilation, an ITV company documentary on Jonny Collins, and a BBC Radio session involving seventeen people.

“For quite a while now, people have been asking us why our biggest album wasn’t available to stream. We decided that, if we were going to do it, we’d do it properly”, says Jonny Collins.

Originally on CD and vinyl, "Melancholia" remains a quietly influential work more than two decades after its release — defined by emotional precision, sonic restraint, and a timeless sense of atmosphere. The 2026 remaster has been completed with a light-touch approach, focused on clarity and depth rather than reinvention. Greater dynamic range and enhanced detail bring new presence to the recording, revealing subtle textures and spatial nuance while preserving the character of the original mix.

On March 20th, 'The Little Things You Do' is available across digital platforms, including Spotify, Apple Music and Bandcamp. The "Melancholia - Remaster" album will be released on April 24th.

Video created by Jonny Collins

Germany tour footage filmed by Bernd Kabs

Cover artwork by Gregory Jones
Released via From Lo-Fi to Disco!

Pittsburgh's LOWSUNDAY presents 'Nevver' single (via Projekt Records) "Low Sunday Ghost Machine - White EP", their first all-new material in 25 years, is out now

March 18, 2026

Legacy postpunk-shoegaze outfit Lowsunday presents 'Nevver', the final single from their new ‘Low Sunday Ghost Machine - White EP', following the earlier-released 'Love Language' and 'Soft Capture'. Released via Projekt Records and ranking second among Post-Punk.com's Best EPs of 2025, this is the band's first record of all-new material since 1999.

With early gothrock underpinnings, here Lowsunday capture a different energy than other tracks on this EP, with a slightly more down tempo and driving rhythm. Itt is uniquely sparse and delicate at times, relative to the band's typically multi-layered approach regarding atmospherics and dense noise. The accompanying video, produced by Jer Herring, drifts between dark postpunk atmosphere and a homage to classic outsider cinema.

'Low Sunday Ghost Machine - White EP' out now via Projekt Records.

Pittsburgh's LOWSUNDAY presents 'Nevver' single (via Projekt Records)
"Low Sunday Ghost Machine - White EP", their first all-new material in 25 years, is out now

FOR FANS OF: The Chameleons, Chapterhouse, Catherine Wheel, ACTORS, The Cure, Modern English, Clan of Xymox, Then Comes Silence, TRAITRS
GENRES: Post-Punk, Alternative Rock, Shoegaze, Darkwave, Dreampop
FOCUS TRACKS: Love Language, Nevver, Soft Capture
FCC sharing (no profanity)

FOR SHARING
'Nevver' video https://youtu.be/yjc8o5fccNU
Spotify https://open.spotify.com/track/7m6CKPmM0f9ZjQ2P7F1LwN
'Low Sunday Ghost Machine - White EP' https://www.projekt.com/store/product/arc00371
Bandcamp https://projektrecords.bandcamp.com/album/low-sunday-ghost-machine-white-ep
Spotify https://open.spotify.com/album/4s65dQ3vMabDJDIEXcVA2l
'Soft Capture' video https://youtu.be/i_5UeD04mlk
'Love Language' video  https://youtu.be/9ytV47-jnPQ
LinkTree https://linktr.ee/lowsundayofficial

Lowsunday Anniversary Reissue Series
'Low Sunday Ghost Machine (2025 remaster)' LP  https://projektrecords.bandcamp.com/album/low-sunday-ghost-machine-2025-remaster
Spotify https://open.spotify.com/album/2cSpagnncBdnhfhafF87Qj
'Innocence (2025 electro mix)' https://youtu.be/DPAJHEx1poU
'For A Moment (2025 electro mix)' https://youtu.be/mzQ2lSKMjGo
'Elesgiem' (2024 remaster) LP https://projektrecords.bandcamp.com/album/elesgiem-2024-remaster

FOR SHARING
Online press kit https://haulix.promo/rcf8
Download via Google Drive  https://tinyurl.com/Lowsunday-PressKit

"Shiny sparkles of jangle guitar that reverberate, rising against the ethereal vocal drift... moving effortlessly between ethereal, darkwave, shoegaze, postpunk, guitar sharpness, and dreampop driven dynamics" ~ Big Takeover Magazine

"A masterpiece, one of those records that simply stands the test of time and like a fine wine, gets better with age....Mercurial darkwave with blistering shoegaze guitars... The 'White EP' features five gorgeous tracks... both a victory lap for the band and a taste of great things to come" ~ Post-Punk.com

"Aloof vocals, orbits in telescopic solitude, peering through the lens of glamour and glitz, amidst the floating debris falling from the crest fallen clouds" ~ The Manc Review

"Synthetic perfection of early Depeche Mode & raw minimalism of German EBM pioneers.. experimental sophistication and electropop purity... elegant, hypnotic, and dramatic" ~ Skylight Webzine

"Timeless... romantic, dark, and reflective, but never too dramatic" ~ Myth of Rock

"A powerful, sonic journey" ~ Post-Punk.com

Legacy postpunk-shoegaze outfit Lowsunday presents 'Nevver', the final single from their new ‘Low Sunday Ghost Machine - White EP', following the earlier-released 'Love Language' and 'Soft Capture'. Released via Projekt Records and ranking second among Post-Punk.com's Best EPs of 2025, this is the band's first record of all-new material since 1999.

With early gothrock underpinnings, here Lowsunday capture a different energy than other tracks on this EP, with a slightly more down tempo and driving rhythm. Itt is uniquely sparse and delicate at times, relative to the band's typically multi-layered approach regarding atmospherics and dense noise. The accompanying video, produced by Jer Herring, drifts between dark postpunk atmosphere and a homage to classic outsider cinema.

Born in the mid-1990s within the local Pittsburgh scene, Lowsunday (initially known as Low Sunday Ghost Machine) emerged as a "retro-futurist" pioneer, blending darkwave and shoegaze long before the genres saw their modern revival. Their legacy was cemented with their debut album 'Low Sunday Ghost Machine' and the 1999 masterpiece 'Elesgiem', both of which were re-released via Projekt Records over the past 18 months (for their 30th and 25th anniversaries, respectively).

The band dissolved, leaving behind a cult reputation for mercurial sounds and blistering guitar work that set the stage for subsequent generations of alternative artists. Following a nearly 25-year period of inactivity, the band resurfaced as a duo in 2025—consisting of original members Shane Sahene (vocals, guitar, synth, bass, drums) and Bobby Spell (bass, guitar, drums).

"This is one of my favorite songs on the White EP. These lyrics are related to an increasing sense of apathy in the world - how it feels like even love isn’t enough sometimes and yet, the only fate worse is to let go of it. The feeling that happiness can be delicate and unhappiness can be so determined to take its place," says Shane Sahene.

"This song touches on very early influences and the recording captured some of the most unique guitar tones we've ever used. What's unusual is that, separately, Bobby had been working on a bass line and I had been playing this guitar part. It was serendipitous in how well they went together to form this song"

'Nevver' is a case in point, showcasing the band's legacy of creative experimentation and talent for weaving counter-culture cadences and weightless production with a sense of visceral vulnerability.

Bobby Spell shares, "Nevver was enjoyable for the two of us to compose. I had been playing with this menacing bass line that happened to be a perfect match for a guitar part Shane had been working on. It gave us an opportunity to explore darker tones and indicated the need for a more sparce production. The almost plodding tempo made this song more challenging and fun, imbuing it with a combination of creepy darkness with a dash of humor."

Serving as both a reflection and a resurgence, the 'White EP' ushers in a welcome return, marked by superb production and a renewed creative clarity, bridging three decades of distinct sonic legacy with balanced doses of escapism, dreamlike sounds, drones and feedback. This first of a two new EPs planned this year, their crystalline shimmer, classic song structures and melodic hooks shows their atmospheric sound to be as timeless and relevant as ever.

Expanding their sonic palette, the 'White EP' elevates the distorted melodies, electronic layers, and haunting vocals that defined Lowsunday's earlier work. A bold evolution into more cavernous soundscapes, oscillating between walls of chaotic feedback and fragile, ethereal passages, their resurgence delves into shadowy and vast acoustic realms, shifting from abrasive ripples of distortion to brittle, shoegaze-infused moments of intense longing.

The 'Low Sunday Ghost Machine - White EP' is out now digitally everywhere, including Spotify, Apple Music and Bandcamp, and as a vinyl release, limited to 200 copies. The 'Low Sunday Ghost Machine' reissue and limited edition 7" of 'Static / Besides' can also be found on these platforms.