RIKHTER. All night long. For the first time in NYC. No limits. No escape. Just pure, unrelenting techno. After his sold-out NYC debut with Agape, he’s ready to take it further—his first-ever all night long in the US. You know where to be. Don’t miss this.
📍 Brooklyn, Warehouse
🚪 Doors 11:00 PM - 6:00 AM
St. Louis horror metal outfit The Lion's Daughter will be releasing its brand new full-length, 'Bath House,' on October 13, 2023 as an independent entity! The band has teamed up with Knotfest to premiere their viscous new single, "Maximize Terror," .
“The intention of 'Maximize Terror' is just what the title suggests… it’s a violent panic attack nightmare. It’s the past two years of my dealing with a terrible anxiety disorder condensed into 3 and half minutes."
In addition, The Lion's Daughter will be performing live later this year! On October 13, the band will have a special Friday the 13th album release party in its hometown of St. Louis, MO. Then, the band will hit Black Circle Brewing in Indianapolis, IN on 11/11 for another rager! The full itinerary can be found below with more dates TBA!
'Bath House' is now available for pre-sales HERE.
The Lion's Daughter Live Dates (U.S.):
10/13: St. Louis, MO @ Red Flag (Album Release Show)
11/11: Indianapolis, IN @ Black Circle Brewing
“What we did see… was something altogether different, and immeasurably more hideous and detestable. It was the utter, objective embodiment of the fantastic novelist’s ‘thing that should not be.’” - H.P. Lovecraft, “At The Mountains of Madness”
Some creations are designed to elicit nightmares, evoking unspeakable terrors that are meant to shock, terrify, and mesmerize the masses. Since the release of its first full-length in 2012, The Lion’s Daughter has consistently put forth music that is just as disturbing as it is enticing, making a name for itself as a dark force among its musical contemporaries. And much like an eldritch horror, the band is constantly shape shifting like a Shoggoth, capable of fitting into many different musical spaces, while at the same time, fitting into no earthly dimensions just as an ancient alien rising up from centuries of arctic slumber with a mission to destroy and conquer.
And much like the Shoggoth, The Lion’s Daughter have defied all gods and masters, releasing its latest opus as an independent entity, breaking away from the corporate confines of a label. ‘Bath House’ is another generically unclassified masterpiece from the St. Louis horror quartet, pulling elements from everything from Faith No More to Godflesh to Samhain, creating a sound that’s way ahead of its time and yet certain to grab the listener by the throat.
“Saying that this album was influenced by everything-that-I’ve-ever-liked-ever isn’t a very good answer, but it’s an accurate one,” explains frontman Rick Giordano on the band’s unique sound. “I turned the left side of my brain off completely and let a lifetime of soaking up great art just come to the surface naturally. There are bits of all the things I love in there… from old Metallica to film scores to industrial and whatever else, but I think these things have melded together in a way that is cohesive and not just nonsensical genre-hopping. There are clean vocals and guitar solos, a lot of things that we’ve never tried before. It really feels like you uploaded my entire record collection to a hard drive and had an AI create an album based on that.”
As the music itself on ‘Bath House’ is a representation of Giordano’s musical palette, the lyrics are perhaps the darkest and most vulnerable of his career. The band strays away from fantasy on this record and instead, gets raw and relatable. “It’s all really ugly shit,” he says of the new album’s themes. “Which, for our band, is not shocking at all. But this time around, it’s all much more personal to me, which makes it a bit difficult and uncomfortable to talk about. I wasn’t in a great place while writing this record. Grief, fear, jealousy, and general devastation can be found all over this thing. That wasn’t my intention exactly, but like the music, I let the lyrics kind of write themselves without letting logic or reason interfere.”
To further illustrate the darkness that dwells within ‘Bath House,’ The Lion’s Daughter commissioned a perverse and unnerving image from UK artist Daniel Peacock for the album cover. The image not only works well in cohesion with the record, but also symbolizes that while ‘Bath House’ still very much carries the band’s signature sound, it still isn’t exactly what fans might expect. Giordano explains, “Our previous two album covers featured masked characters. I wanted to see what happens when you take the mask off. This record isn’t shrouded in mystery the same way the previous couple have been. It’s much more of an in your face kind of attack, and I felt the artwork should represent that. This horrible creature looks dangerous and frightening, but is also clearly in pain and also afraid. It’s the perfect image to represent whatever the fuck ugly thing lives in my head. On this record it is no longer hiding behind a mask… it is loose and it’s right outside your fucking house.”
As the St. Louis horror masters set forth on a new trajectory, the former trio has also added Black Fast guitarist Aaron Akin to the lineup, creating a sound that’s more intense and grand. “Aaron was the guitarist and vocalist of a band called Black Fast. They were hands down the best metal band to come out of St. Louis in decades. Once they disbanded, it was a no-brainer to try and get the guy who fronted my favorite local band to be in my band. Why wouldn’t I? Plus, as anyone who knows Aaron will tell you, he’s an all around great guy,” explains Giordano on how this new union came about.
And as a new union has been formed, former binds have been severed as The Lion’s Daughter is no longer tied to a label, doing this record fully independently for the first time in its career and taking full and total control. “It’s just nice to have 100% control over everything again,” Giordano says of the band’s new freedom. “That was the whole intention when we started this band years ago. We lost sight of that for a while. No disrespect intended towards anyone, but this band has always been pretty anti-music industry and anti-bullshit.”
Despite so many changes, The Lion’s Daughter is still the same band that cult followers have come to worship, but with everything cranked up to 11. With heavier music, a fuller sound, and darker themes, the band is maximizing terror with its monstrous brand of debauchery and unspeakable perversions. Unpleasant dreams…
Recording Lineup:
Rick Giordano - vocals, guitars, bass, synths
Erik Ramsier - drums
Scott Fogelbach - additional vocals on tracks 2, 7, 8
Live Lineup:
Rick Giordano - guitar and vocals
Scott Fogelbach - bass and vocals
Aaron Akin - guitar
Erik Ramsier - drums
Guest Musicians:
Sarah Vie - violin and vocals on tracks 2, 4, 7, 9
Recording Studio:
Encapsulated Studios
Producer // Sound Engineer // Mixing // Mastering:
Gabe Usery
Cover Artist:
Dan Peacock
Links:
Australian deathcore juggernauts and avid animal rights campaigners, To The Grave are back with another crushing new track - "Dead Skin Ski Mask". Stream the new track HERE and watch the accompanying video below. The brutal new track is the second single from their previously announced 'Offcuts EP' which will feature on the upcoming double deluxe edition of their phenomenal album, 'Director's Cuts', released earlier this year via Unique Leader Records. Both will be released on Friday, September 15th. Pre-save HERE
Speaking on his band's latest serving of no-punches-pulled brutality, vocalist Dane Evans shares
"Deadskin Skimask is one of my favourites from the whole of 'Director's Cuts' and 'Offcuts', this song almost ended up on the album until we realized it sucked and needed to take another run at it. What you hear now is the result of us trying to save it and I ended up pretty stoked on it.
"Something about it has given me Slipknot vibes all the way through this track, even the breakdown.
Straight up what I feel is our most violently-written song to date and I think it'll go off live.
Our good friend Jake kills his feature on this and it was cool to get to sample Pearl, go watch that movie."
To The Grave are one of the most uncompromising and outspoken bands in the deathcore scene today. Lyrically exposing a societal and environmental hell on earth whilst pushing the boundaries of accessible extremity, full of barbed hooks, thick with atmosphere and drenched in groove. They combine crushing riffs, blast beats and guttural vocals with a strong sense of social justice and animal rights activism.
Their sophomore offering, ‘Director’s Cuts’, was released earlier this year. It's a groundbreaking body of work that pushed the boundaries of deathcore with cinematic, horror movie inspired music videos and diverse soundscapes. The album spawned singles "Red Dot Sight", "Axe Of Kindness", "Cut Off The Head" and "Found Footage" the music videos for which have racked up 420,000 views on YouTube between them with the album hitting 2.68 million streams and counting across streaming platforms.
The 'Director's Cuts (Deluxe)' release coming on September 15th promises to be a collector's dream. With the additional "Offcuts EP" tracks, the release will be available in multiple formats, including a double disc, gatefold vinyl, and some killer pre-order merch items to choose from too. Click HERE to pre-order your copy now.
To The Grave will be heading to North America this fall for an extensive run of dates with Carnifex, Signs of The Swarm and Ten Seconds of Life. They will also be performing some off-date shows with Signs of The Swarm, The Last Ten Seconds of life and Tactosa. Full routing below, tickets and info HERE
To The Grave | Supporting Carnifex
10/11 - Tucson, AZ - The Rock
10/13 - San Antonio, TX - The Rock Box
10/14 - Austin, TX - Come And Take It Live
10/15 - Dallas, TX - Gilley0s (Monster Mosh Fest)
10/17 - New Orleans, LA - House of Blues
10/19 - Murfreesboro, TN - Hop Springs Beer Park
10/21 - Atlanta, GA - Masquerade - Heaven
10/22 - Orlando, FL - Level 13
10/24 - Greensboro, NO - Hangar 1819
10/25 - Virginia Beach, VA - Elevation 27
10/26 - Asbury Park, NJ - House of Independents
10/27 - Patchogue, NY - Stereo Garden
10/28 - Reading, PA - Reverb
10/29 - Hartford, CT - Webster Theater
10/31 - Syracuse, NY - The Song & Dance
11/01 - Columbus, OH - King of Clubs
11/02 - Louisville, KY - Headliners Music Hall
11/03 - Joliet, IL - The Forge
11/04 - Milwaukee, WI - The Rave
11/06 - Omaha, NE - Slowdown
11/07 - Denver, CO - Summit Music Hall
11/09 - Albuquerque, NM - Sunshine Theater
11/10 - Mesa, AZ - Nile Theater
11/11 - Los Angeles, CA - The Belasco
To The Grave | Supporting Signs of The Swarm
11/12 - Cupertino, CA - X-Bar
11/13 - Portland, OR - Dante’s
11/14 - Seattle, WA - El Corazon
11/15 - Vancouver, BC - Wise Hall
11/17 - Edmonton, AB - Starlite
11/18 - Regina, SK - The Exchange
11/20 - Detroit, MI - Sanctuary
11/21 - Toronto, ON - Garrison
11/22 - Montreal, QC - Le Fairmount
ABOUT TO THE GRAVE
One of Australia’s most uncompromising bands, To The Grave released 'Director's Cuts', their heaviest album to date both sonically and thematically, in February of this year to mass acclaim. Since the release of their 2019 debut album 'Global Warning', the caustic five piece have garnered international success, with 2021’s follow-up 'Epilogue', a re-issue of 'Global Warning' with bonus tracks, solidifying their position as “one of the country's heaviest exports.” (Revolver).
To The Grave have steadily built an audience in the underground, accumulating more than 11 million Spotify streams, racking up over 5.4 million YouTube views, all whilst decimating live audiences alongside Parkway Drive, Polaris, Cattle Decapitation, Thy Art Is Murder, Shadow of Intent, Angelmaker, Enterprise Earth, Vulvodynia and Alpha Wolf.
Now, following a sold-out national headline tour in 2022, global critical acclaim for the release of 'Director's Cuts', a new EP and plenty of touring for the remainder of 2023, the band are more focused than ever.
To The Grave are
Dane Evans - Vocals
Jack Simoni - Guitars, Programming
Luke Ringin - Guitars, Vocals
Matt Clarke - Bass, Vocals
Simon O’Malley - Drums, Vocals
SHERINIAN/PHILLIPS is the musical alliance of Derek Sherinian and Simon Phillips, whose parallel reputations in virtuosic sonic inventions combine on the backdrop of instrumental genre fusion. Though the two had written and recorded together in the past, commitments to other projects had kept them busy in their own circles for a time. Upon their reunion for the recording of 2020’s The Phoenix, the duo has been going strong with consistent new releases ever since. Now, they are pleased to announce the release of SHERINIAN/PHILLIPS LIVE, which exhibits the pair uniting once again for a collaborative effort, documenting a special concert recorded at The Grape in Ventura, California on August 29th, 2022. The set is due out on August 25th, 2023 on InsideOutMusic.
Joining Sherinian/Phillips are fellow creatives Ron ‘Bumblefoot’ Thal on guitar and Ric Fierabracci on bass to round out the lineup of the evening. Several tracks from the latest studio album offering, Vortex, made their way into the set, such as the title track “Vortex”, “Seven Seas”, and “Aurora Australis” (the original recording of which featured Bumblefoot), alongside other instrumentals.
Today, they share another track from their upcoming album SHERINIAN/PHILLIPS – LIVE which was recorded at
The Grape (Ventura, CA) on August 29th, 2022. Check the following link to listen to “Inertia (Live 2022):
SHERINIAN/PHILLIPS LIVE has every note - planned or jammed - captured like lightning in a bottle, taking listeners to the moment these sounds sparked from their instruments. The live performance sits naturally in a rock context, while reminiscent of jazz fusion concert structures, with room for each musician to stand out in a solo space, each carrying and trading unique melodies along the way.
Derek Sherinian: “After 20 years of making albums together, it was a great pleasure bringing this music to life with Simon for the first time.”
The album will be available in the following formats:
Black Vinyl | Ltd. CD Digipak | CD Jewelcase (North America)
Pre-Order is available via this LINK: https://dereksherinian.lnk.to/SherinianPhillips-Live
Line-Up:
Derek Sherinian (keys/synth)
Simon Phillips (drums)
Ron ‘Bumblefoot’ Thal (guitar)
Ric Fierabracci (bass)
Sherinian’s background as a composer and keyboardist extends well beyond his familiar Dream Theater run, with a notable solo career creating a landscape for contributions from an array of acclaimed musicians, alongside performance credits with the likes of Alice Cooper, Black Country Communion, Billy Idol, Whitesnake, Kiss, Black Label Society, and Sons of Apollo (doubling on production credits), among others.
Phillips has equally rooted himself as a well-respected drummer and composer in the rock, metal, and jazz worlds, with credits ranging from Toto, Judas Priest, Jeff Beck, The Who, Whitesnake, and Joe Satriani, to a discography in jazz fusion with Protocol, movie soundtracks, and beyond.
The diverse range of this pair’s individual talents collectively emerges through each work they craft together; Sherinian and Phillips continue to evolve their joint musical endeavors in new directions.
DEREK SHERINIAN online:
https://www.facebook.com/Derek-Sherinian-Official-361589234010473/
https://twitter.com/DerekSherinian
https://www.instagram.com/dereksherinianofficial/
SIMON PHILLIPS online:
https://www.simon-phillips.com/
https://www.facebook.com/SimonPhillipsMusic/
https://www.instagram.com/simonphillipsofficial/
INSIDEOUTMUSIC ONLINE:
www.insideoutmusic.com
www.youtube.com/InsideOutMusicTV
www.facebook.com/InsideOutMusic
www.twitter.com/insideouteu
After their volcanic introduction last month, extreme metal band TILL THE DIRT return with their followup single “Starring Role.” The catastrophic track is found on the band’s Scott Burns produced, debut record, “Outside The Spiral,” due out August 25th via Nuclear Blast Records.
Influential death metal legend, ATHEIST vocalist and TILL THE DIRT mastermind Kelly Shaefer comments on the new song:
“‘Starring Role’ is the first track on the album. It’s a song that ranks among my favorites on the record, and also a favorite of producer Scott Burns. It's a straight up ripper! It encompasses all of the unique hybrid qualities of this whole album. Lyrically it is a song about the oddness of dreams and the role we sometimes do not seem to play, or understand as we awake from them. This is a perfect banger for cranking loud, and driving at high speeds!”
Stream “Starring Role”: https://tillthedirt.bfan.link/starring-role
Recently signed to Nuclear Blast, Shaefer and crew made an explosive debut last month with their lead single and title track “Outside The Spiral,” which features TESTAMENT bassist Steve Di Giorgio. Watch the lyric video below.
Pre-Order “Outside The Spiral”: https://tillthedirt.bfan.link/outside-the-spiral-A
About TILL THE DIRT:
Kelly Shaefer is doing it again. With his new band TILL THE DIRT and their debut album “Outside The Spiral,” the legendary Floridian death metal revolutionary is set to inject a much-needed dose of fresh blood into this aging, saturated and self-referential thing that the style has morphed into over the decades.
Everything in the genre of death metal basically rests on two pillars: extreme musical force and insane technicality – or in short, variations of more of the same that satisfies die-hard followers of this scene, but offers a rather limited artistic range. Now, Kelly and his co-conspirators in and around TILL THE DIRT have put all the fun back into extreme music by deliberately straying from the very formula that the Floridian guitarist unleashed onto the world as one of its leading proponents. One of the privileges of being a living legend is the freedom to do whatever you like without the need to prove anything to anybody. And this is exactly what happens on “Outside The Spiral.” Never shy in denying his death metal roots, Shaefer takes the liberty to amalgamate any musical influence into his songs as long as they fit. Don’t be surprised to find grunge, black metal, jazz, rock, dark wave, a dash of classic pop, and many other stylistic colors fused into tracks that range from relaxed malice to vitriolic face-ripping.
A fly on the wall would have witnessed Kelly frantically composing night after night, only putting his guitar down to contact friends around the globe and sending them demos looking for feedback to either affirm his gut - feeling that his new material was going into interesting places or to put a stop to this fountain of creativity. Yet, one by one his friends were at least as excited about those tracks as the composer. A new metal juggernaut had started to roll and there was no stopping. Kelly recruited enlisted young musicians full of raw energy and passion to the cause of TILL THE DIRT and most importantly one of his first listeners offered his invaluable services: Scott Burns (ATHEIST, DEATH, OBITUARY, CANNIBAL CORPSE, CYNIC, MALEVOLENT CREATION, SUFFOCATION).
"When Kelly sent me some demos, I was at first reluctant to listen to them,” reveals Scott Burns. "I thought I had kind of heard it all by now and I did not want to want to disappoint an old friend. When I finally gave the tracks a chance, it felt like being hit by an electric shock: These tracks were fresh, exciting, and fun – just like in the old days. Those demos blew me away. I was immediately hooked to the point where I really wanted to be involved. I really thought that I had stopped producing death metal for good, but here we are now!"
The pieces of this puzzle started to fall into place and while the guitarist kept chucking out killer tracks at neck-breaking speed, the producer started to add structure to the process by drawing from decades of experience. "I could not believe my luck that Scott Burns is throwing the full force of his amazing talent and status behind TILL THE DIRT, " enthuses Kelly. "He obviously did not expect to be hijacked and put back on the producer's chair, but I am glad to say that it did not take much convincing. I am extremely happy about this privilege: The mighty Scott Burns is back to bang your heads!"
With “Outside The Spiral,” TILL THE DIRT take you on a surprise-filled tour de force that will redefine the extreme metal genre in at least as many ways as ATHEIST did more than 30 years ago. Don't take our word for it, trust your ears!
Line up:
Kelly Shaefer | Vocals
Jerry Witunsky| Guitars
Ian Waye | Guitars
Yoav Ruiz Feingold| Bass
Dylan Marks| Drums
Follow TILL THE DIRT:
Phoenix, AZ extreme metal quintet Atoll has unleashed a new stop motion visualizer for "The Simmering". With a haunting lyrical journey about the gruesome horrors of being boiled alive and a punishing sonic experience to boot, the track is taken from the band's upcoming new album 'Human Extract' out on August 25 via Unique Leader Records. Speaking on "The Simmering", Atoll vocalist Wade Taylor shared:
"We were going for a tone of pure pain, horror, and decay that would engulf the listener in the flames and bubbles of despair. "The Simmering" is an intense exploration of the darkest aspects of human suffering, offering an immersive journey into the depths of terror and torment. With punishing riffs and a suffocating atmosphere, we aim to transport the listener to the very edge of their sanity."
Prior to today, the band released the full-length's titular track "Human Extract". Watch the music video for "The Simmering" below, and stream the track by pre-saving 'Human Extract' here.
Atoll will be on the road this summer with Pyrexia, Animals Killing People, and Reeking Aura. For ticket information, please click on the links listed below.
Upcoming Atoll Tour Dates
July 30 - Little Rock, AR @ Heath's Hideaway** (tickets here)
July 31 - Nashville, TN @ The Cobra** (tickets here)
August 2 - Providence, RI @ Dusk** (tickets here)
August 3 - Frederick, MD @ 611 Cafe (tickets here)
August 4 - Richmond, VA @ Another Round (tickets here)
August 5 - Charlotte, NC @ The Milestone (tickets here)
August 6 - Spartanburg, SC @ Ground Zero (tickets here)
August 7 - Atlanta, GA @ The Masquerade (Purgatory) (tickets here)
August 8 - Tampa, FL @ Brass Mug (tickets here)
August 9 - Orlando, FL @ Conduit (tickets here)
August 10 - TBD
August 11 - Newark, DE @ Halftime Sports Bar (tickets here)
August 12 - Clifton, NJ @ Dingbatz (tickets here)
August 14 - Dallas, TX @ Reno's Chop Shop** (tickets here)
**Atoll onl
Emerging from the scorched desert wasteland in 2014, the Phoenix, Arizona-based death metal quintet, Atoll, has been aggressively serving up their unique style for nearly the last decade. Brilliantly blending groove-based slamming brutal death with more traditional death metal elements, grind, and at times even a sprinkle of ‘core, funk, and thrash. Their composition favors a "riff piling" approach rather than the more common and simplistic verse-chorus-verse arrangement, giving the music something of a progressive element with very few repeated riffs, and less predictable movements. Atoll has remained a staple in the metal fest scene, and you may have caught them live playing with the likes of Skinless, Gorgasm, Ingested, and Aborted. Their love of the tour bus life and an importance placed on always having the highest quality, high-energy performances have gained them a reputation for being a consistent, unrelenting live force.
April 2014 birthed this bulbous abomination that has grown into the mighty Atoll when they conspired to create percussive, not frills, chugging brutality. The band immediately shot up in the local AZ scene and very quickly began to expand their live performances throughout the southwest United States, building up momentum for their 2016 debut album, and straight up slammer, The Gathering Swarm. Produced by the late Griffin “The Father” Kolinski (Knights Of The Abyss) and Jamie King (Between The Buried And Me) the album was quickly picked up and released by Amputated Vein subsidiary, Ghastly Music.
The initial success of their debut album caught the eye of Gorehouse Productions who went on to release the 2017 sophomore album, Fallout Frenzy. The vocals on this album show significant expanse in dynamic range, incorporating highs, mids, and some of the most nasty gutterals you’ll ever hear. Lyrically Fallout Frenzy expanded further on the origins of the band name, embracing themes of the atom bomb tests of Bikini Atoll in the 1950’s, and the subsequent radioactive fallout and mutations that occurred after the bombings.
The critically acclaimed album, Zoopocalypse is released in 2019 through Gorehouse Productions. This album is in-your-face aggression from front to back. A departure from the more rudimentary slams of their earlier works, Zoo implements more technicality, more tremolo and scaling, mathier leads, and a generally more advanced death metal sound that would represent the direction of the band moving forward. The mix/master was completed by Miguel Tereso of Demigod Recordings (Analepsy, Organectomy), and features a guest vocal spot from Matti Way (Disgorge, Abominable Putridity, Pathology)
During the global limbo of lockdown Atoll was able to strike a deal with the legendary Unique Leader Records, and in 2022 put out the Prepuce EP. The mini-release serves as a taster of things to come as Atoll has completed the production of two upcoming full-length albums, scheduled to drop through Unique Leader in 2023 and 2024. This two-part release will be the most technically ambitious to date. Keep your eyes peeled on the tour front, and ears open because, like an atomic tsunami, Atoll is primed to decimate the masses.
Atoll is:
Andy Luffey - drums
Cameron Broomfield - bass
Chris Nick - guitar
Spencer Ferguson - guitar
Wade Taylor - vocals
For more than two decades, THY CATAFALQUE was a studio-only project. That changed in 2021, when Tamás Kátai and a rotating cast of heavy hitters performed at the Fekete Zaj Festival, which was captured on the live album Mezolit.
Now, Thy Catafalque have solidified as a live act (though they still surprise audiences with a special guest here and there). Back in May, they played Budapest Park in Kátai's native Hungary. The setlist included the elegant, cinematic cello of old favorites like "Kő koppan", the heady "Töltés", off the soon-to-be reissued 'Geometria', as well as "Néma vermek", the punishing, synth-swirled closer off the band's new album ‘Alföld’.
Watch the band play six songs off their Budapest Park setlist below.
'Alföld' is out now on Season of Mist. Stream the album HERE. Order it HERE.
Thy Catafalque's next show is on August 16 at this year's Feke Zaj Festival.
THY CATAFALQUE’s humble genius Tamás Kátai abandons any and all prenotions of tradition. Intertwining elements from a vast swath of unrelated genres, from jazz to pop to folk, and everything in between, THY CATAFALQUE masterfully crafts an eclectic sound that breaks down any generic barriers or borders. Following the massive success of 2021’s critically-acclaimed ‘Vadak’ the entity returns with ‘Alföld’ another esoteric monument in its already storied catalogue.
Originally, THY CATAFALQUE emerged as a black metal band founded by singer/keyboard player Tamás Kátai with the aid of guitarist/bassist János Juhász. Following their joined debut ‘Sublunary Tragedies’ (1999), the Hungarians evolved into quite different directions, but steadily gaining more followers in the process through the following albums, ‘Microcosmos’ (2001) and the self-released ‘Tűnő idő tárlat’ (2004).
On their fourth full-length, ‘Róka hasa Rádió’ (2009), THY CATAFALQUEinvited Ágnes Tóth from neo-folk outfit THE MOON AND THE NIGHTSPIRIT and Attila Bakos to add their haunting vocals. With fifth album ‘Rengeteg’ (2011), Tamás Kátai finally went solo with the help of guest musicians that again included Ágnes Tóth an Attila Bakos. Dubbing his eclectic musical amalgamation avant-garde metal, the Hungarian explored new sonic possibilities with ‘Sgùrr’ (2015). The sixth full-length turned out to be slightly more complex than its successor, ‘Meta’ (2016), which returned to a more direct approach without losing the steadily growing sonic diversity. In 2018, THY CATAFALQUE continued this path with the release of ‘Geometria’. THY CATAFALQUE delivered another spectacular musical mosaic with their ninth full-length entitled ‘Naiv’, inspired by the “Naïve Art” movement.
In 2021, THY CATAFALQUE return with ‘Vadak’. Meaning “Wildlings” in Hungarian, the album title is a deliberate clue to the exotic and feral essence of ‘Vadak.’ Like seedlings scattered throughout the forest by the mere forces of nature, THY CATAFALQUE’s imaginative sound grows with an organic sense of whimsy, cultivated within the vast influences of our megacosm. Thematically, ‘Vadak’ is a foreboding lesson in mortality. Emphasizing the fragility that is shared by man and beast alike, the record explores our Freudian life instincts, in which we inherently fear and run from the ultimate goal of existence: death.
At its core, ‘Alföld’ expresses the familiar hallmarks that are unique to only THY CATAFALQUE, and yet, it is an unpredictable magnum opus, returning to the raw side of Kátai and his esteemed co-conspirators. The album puts forth an elegance that cannot be matched or rivalled by any musical contemporary, taking fans on an adventure that is rife with excitement, drama, and unbridled craftsmanship.
Mixed by: Tamás Kátai in Budapest, Hungary
Mastered by: Imperial Mastering, Austin, Texas, U.S.A., Colin Davis
Recording line-up:
Tamás Kátai - guitar, bass, keyboards, programs, vocals
Martina Veronika Horváth (The Answer Lies In The Black Void, Mansur) - vocals
Lambert Lédeczy (Ahriman, Mörbid Carnage) - vocals
Bálint Bokodi - vocals
Gábor Veres (Watch My Dying) - vocals
Gábor Dudás (Reason) - vocals
Breno Machado - lead guitar
Daniele Belli - acoustic guitar, double bass
Dario Cei – flute
Chris Lyons - violin, viola
Ido Romano - ney
Samuel Chacon - fretless bass
Austris Apenis - French horn
Guest musicians:
Martina Veronika Horváth – Track 4
Lambert Lédeczy – Track 1, 4, 6
Bálint Bokodi – Track 2, 3
Gábor Veres – Track7, 9
Gábor Dudás – Track 6
Breno Machado – Track 1, 2, 3, 4, 7, 8
Daniele Belli – Track 5
Dario Cei – Track 5
Ido Romano – Track 6
Samuel Chacon – Track 3
Austris Apenis – Track 4, 7
Cover artwork:
Photography by Orsolya Karancz
Lay-out by Tamás Kátai
Links:
https://www.facebook.com/thycatafalque
https://www.instagram.com/thy_catafalque
https://www.youtube.com/user/kataitamas
Booking contact: kataitamas@gmail.com
THY CATAFALQUE Live Dates
August 16 2023 Fekete Zaj Festival, Mátra Kemping, Sástó, Hungary
Pre-sales: https://redirect.season-of-mist.com/TCAlfold
Pre-save: https://orcd.co/thycatalfold
Formats:
Digital
CD Mediabook
Vinyl in various colours
Hollywood's ART OF SHOCK — frontman Art Geezar, lead guitarist Nicholas Ertel, bassist Brice Snyder, and drummer Adrian Geezar — have announced their second album Shine Black Light, out September 8 via Century Media. Pre-order it here.
Today, the band has share the video for "Drag Me to Hell." Watch it below.
The clip was lensed by Chilean director Carlos Toro.
"'Drag Me to Hell' is very different from anything we've done in the past both lyrically and sonically," states Art Geezar. "Initially, it was difficult for me to share this song since it reflects my personal journey of survival. It captures a time when I felt powerless and somehow responsible for the violence inflicted upon me. It represents a moment when I couldn't envision a future beyond the endless cycle I was trapped in. However, like many others, I eventually realized that I wasn't alone and discovered the strength within myself to rewrite the ending of my story."
He finishes, "Unfortunately, there are still millions of people trapped in this nightmare. By sharing our journeys and showing solidarity with those who are still suffering, we can inspire them to find their inner strength. We can change the ending of the story. We are survivors."
The album takes a massive step beyond the thrashing intensities already synonymous with the speed-limit-shattering quartet from Dark Angeles. "Shine Black Light is an album that came out of extreme times," says Art. "The lockdown felt like the end of the world for us. Like many other bands at the time, we felt crushed. It was a frustrating time, but we also found some good in it."
When it came time to select a producer, ART OF SHOCK weren't afraid to step outside their own comfort zone. They tapped fellow San Fernando Valley native Taylor Young. Known largely as a band member of boundary-bursting hardcore acts, Twitching Tongues and God's Hate, as well as the man behind the boards for the likes of Drain or Suicide Silence, Taylor was hardly an obvious choice for the band. With that, ART OF SHOCK 2023 is a much more lethal proposition now than the band that made Dark Angeles in 2019. They've grown miles past the band whose story began several years ago in Mexico City. It was there that brothers Art and Adrian grew up, inspired by classic thrash and metal bands that became the fuel for their earliest musical endeavors. Their early ambitions and push to get out of their native country brought them to Los Angeles, where a scrappy lineup of ART OF SHOCK began to make a dent playing in Hollywood.
ART OF SHOCK (rounded out by lead guitarist Nick Ertel and bassist Brice Snyder) have shared bills over the years with the likes of Trivium, Hirax, and Sacred Reich and the experience only strengthened the band's live presence, but it was on the road where ART OF SHOCK have become a machine. Now, months before the release of Shine Black Light, the band has already completed two high-profile support slots: the rescheduled Sepultura jaunt in late 2022 and a Southwest and Californian run with machete-wielding death squad Brujeria in March 2023.
Wrapped in a sleeve by the legendary metal cover artist, Travis Smith (Opeth, Nevermore), Shine Black Light is full of twists, turns and unexpected moments from ART OF SHOCK.
Shine Black Light is an album born out of chaos and frustration that’s become the start of a new chapter for ART OF SHOCK. Their fuck-all attitude is finally paying off. "We've become the band that we always dreamed about being,” says Art. “Through successes and disappointments, we’ve never given up or let anything stop us. It wasn't easy but it's been worth it – and it feels like things are just beginning."
SHOP // STREAM // FOLLOW BLACKBRAID HERE
Indigenous Black Metal project Blackbraid has now launched the pre-sales for its highly-anticipated sophomore full-length, 'Blackbraid II,' via Bandcamp or The Official Blackbraid Merch Store.! The album will be available on CD as a 6-panel digi-sleeve, cassette, and two vinyl variants - a marbled emerald green "Moss" edition and golden/earth marbled "Spirit" edition.
'Blackbraid II' is due on July 7, 2023. The first two singles, "Moss Covered Bones on the Altar of the Moon" and "The Spirit Returns," are now available on all streaming services!
'Blackbraid II' follows up the solo black metal project's critically-acclaimed debut, which was named among one of the best metal albums if 2022 by Rolling Stone (#14), Decibel Magazine (#4), Metal Hammer UK (#7), and more!
Blackbraid is a solo indigenous black metal project from from the depths of the Adirondack wilderness creating music as raw and powerful as the mountains from whence it came…
Upon conquering North America on the recent Decibel Magazine Tour in which the band performed to many sold out audiences, Blackbraid has just returned from its European debut, performing to tens of thousands of fans at Hellfest Open Air and Copenhell! Next, Blackbraidwill headline the Kaupangr stage at this year's edition of the mighty Midgardsblot Festival in the Viking Gravemounds at Norway's iconic Borre Park from August 16-19.
Blackbraid Live Dates (EU):
08/16-18: Midgard (NO) @ Midgardsblot [TICKETS]
ICYMI: BLACKBRAID recently unveiled a pummeling live video for the song "Barefoot Ghost Dance on Blood Soaked Soil!" The clip was filmed during Blackbraid's sold out performance at Saint Vitus Bar in Brooklyn, NY in conjunction with "A Sortilege of Hell" festival, which took place on October 7th, 2022! The clip can be found at THIS LOCATION.
The song is taken from Blackbraid's debut full-length, Blackbraid I, which was released in the summer of 2022. The album can be ordered, downloaded, or streamed HERE.
Creator of Blackbraid: Sgah’gahsowáh
'Blackbraid II' Album Credits:
- Composed & performed by Sgah'gahsowáh
- Drums, recording, mixing & mastering by Neil Schneider
- Visual development & graphic design by Wolf Mountain Productions
- Guitar solo in “Twilight Hymn of Ancient Blood" performed by Randy Moore
- “A Fine Day to Die" originally composed by Quorthon (Bathory)
Album Art: Adrian Baxter
Photographer: Wolf Mountain Productions
Follow // Listen:
Shop/Pre-order:
Official Merch Store (USA)
Blackbraid is an independent artist and is not contracted to or owned by any music label.
DESTROYER 666 won't slow down. K.K. and his band of black thrash bullies rose out of Australia back in the early '90s with the triumphant, blistering speed of a phoenix. Despite several lineup changes, they've been hammering out lean, mean blackened thrash metal ever since. Their last album came out just at the end of 2022 and it served as yet another ass-kicking reminder that these burly Aussies will never surrender to anyone's bullshit.
This year, DESTROYER 666 have been celebrating their upcoming 30th anniversary by bulking up their already impressive body of work. On June 23, the band are re-issuing their very first demo, which you can get your hands on at the Season of Mist store HERE.
But before that happens, today, DESTROYER 666 are announcing another new release. 'To The Devil His Due' compiles four long out-of-print 7" EPs that originally came out between 1998 and 2010. This compilation only hint at the venom that would come at the hands of these bare-knuckle brawlers. But songs like "Satanic Speed Metal" and the spirited "Ghost Dance" already burn with maximum fury.
'To the Devil His Due' is out on August 25, 2023 via Season of Mist. Pre-order the compilation HERE.
DESTRÖYER 666 continue to do what they are best at: kicking ass and hammering out heavy metal that is slamming straight into the face. No compromise, no sell out, no bullshit!
DESTRÖYER 666 don’t do whiny nostalgia but simply stick to their old school roots, which are reaching straight down into the golden age of metal while allowing themselves to sound fresh and remain relevant. The band originally started out as a solo project of BESTIAL WARLUST guitarist KK in Australia in 1994. As early as with debut album ‘Unchain the Wolves’ (1997), fast-tracked towards international acclaim.
The even stronger second full-length, ‘Phoenix Rising’ (2000) had the Australians relocating to Europe to be able to satisfy the soaring demand for touring and festival shows. After a round of line-up changes, third full length ‘Cold Steel… For an Iron Age’ (2002) cemented the band’s excellent reputation.
After a hiatus caused among other issues by disenchantment with the business, DESTRÖYER 666 returned with ‘Defiance’ in 2009 and followed up on this success with the rough and gritty ‘Wildfire’ (2016) seven years later that saw them touring and performing at all the relevant metal festivals worldwide on a regular basis again. The Australians filled the gap between the latest albums with the hard-hitting EP, ‘Call of the Wild’ (2018) that comes with a distinct taste of an unrepentant classic flavor.
The outlaws from down under deliver another pummeling and relentless lesson in aggression with full length number 6(66). ‘Never Surrender’ is a furious assault of black thrash, chainsaw riffs, and warlike drums, offering no moment of reprisal as it rages on for 40 unyielding minutes.
DESTRÖYER 666 takes no prisoners!
Current lineup:
K.K.: Vocals, guitar
Ro: Guitar, vocals
Felipe: Bass
Kev Desecrator: Drums
Links:
https://www.facebook.com/destroyer666page
https://www.instagram.com/destroyer666_official/
Shop:
https://shop.season-of-mist.com/list/destroyer-666-to-the-devil-his-due
Fellow GRAMMY Award winners and Texas natives Miranda Lambert and Leon Bridges join forces to deliver an enchanting duet, with “If You Were Mine” set for release next Tuesday, June 6, across all major digital platforms. Pre-save HERE.
The heartfelt collaboration produced by Jon Randall sees Lambert and Bridges celebrating the objects of their affection from a distance, contemplating how they would cherish and treasure their beloved if fate ever granted them the opportunity. Together, the gifted singer-songwriters seamlessly fuse their unique musical styles, as Lambert’s powerful and emotive storytelling blends perfectly with Bridges’ velvety timelessness, creating remarkable vocal chemistry that will resonate with fans across genres.
“I have been a big fan of Leon for a while because he is very authentic as an artist and I love his music. I wrote this song with Ashley Monroe and Jesse Frasure, specifically with Leon in mind,” shares Lambert of the longing ballad of unrequited love. “Since we are both from Texas, we threw in a few Texas references, of course – the Frio River being one. When we finished this song, we sent it to Leon in hopes that he would want to collaborate and we were so glad that he said yes. I have really enjoyed getting to know him and I’m happy to have him as a new friend.”
“I was humbled to have Miranda ask if I’d join her on this beautiful duet she wrote,” adds Bridges. “Getting in the studio with her in Nashville to sing this song together was magic. There’s nothing better than two Texans on one mic!”
The release is the first glimpse at new music from Lambert, who has recently teased “some fun collaborations up my sleeve,” since her critically acclaimed and GRAMMY-nominated album, Palomino, celebrated by Variety for cementing her place as “the best ambassador country has to the world.” Lambert also recently added New York Times best-selling author to her impressive list of titles with debut book “Y’all Eat Yet?” available everywhere now and will return to Las Vegas for the next round of her Velvet Rodeo residency shows in July following a Nissan Stadium performance as part of CMA Fest next Friday, June 9.
Bridges is currently in the studio working on his fourth LP for Columbia Records while touring throughout the summer and fall of 2023.
For more information about Lambert and Bridges, including upcoming projects and performances, please visit their respective websites at MirandaLambert.com and LeonBridges.com.
Miranda Lambert and Leon Bridges’ “If You Were Mine” Single Art | Courtesy of Vanner Records /
About Miranda Lambert
Already a decorated songwriter, Academy of Country Music Entertainer of the Year, passionate shelter animal advocate, restaurateur and business woman, superstar Miranda Lambert adds New York Times best-selling author to her impressive list of titles with the arrival of her debut book, “Y’all Eat Yet?,” available everywhere now.
Palomino, her eighth solo album, arrived in 2022 as the largest female Country album debut of the year and earned a GRAMMY nomination for Best Country Album. Named among the best of the year by the New York Times, TIME, Rolling Stone, Billboard, Stereogum, People and many more, it marks the latest installment in a storied career that has spanned seven previous No. 1 solo albums, 11 No. 1 hit radio singles, more than 70 prestigious awards and countless sales certifications, earning the most-awarded artist in ACM history praise from NPR as “the most riveting country star of her generation.”
With her headlining Velvet Rodeo Las Vegas residency extended through late 2023 at Planet Hollywood Resort & Casino’s Bakkt Theater, the top streaming female Country artist of 2022 was also named to the TIME100 list honoring the world’s most influential people, with Pitchfork declaring that she “manages the hat-trick of both timelessness and timely activism.” Whether challenging conventional gender notions in her recent Top 10 hit “If I Was A Cowboy” or using her voice to write and record the inclusive “Y’All Means All” anthem for Netflix’s “Queer Eye,” the Texas native continues to expand the tent of the Country genre via her music.
Idyllwind, her clothing and cowboy boot collection, is an exclusive brand sold at all Boot Barn stores nationwide, while her home goods collection, Wanda June Home, is available exclusively at Walmart. She is also the first female artist to have her own venue on Broadway in Nashville with her Casa Rosa Tex-Mex cantina. An avid animal lover, Lambert’s MuttNation pet product line is available exclusively at Tractor Supply Co. with proceeds benefitting her MuttNation Foundation, a 501c3 nonprofit that has raised over $8 million since its inception in 2009. The Foundation’s mission is to promote the adoption of rescue pets, support animal shelters across the country, advance spay & neuter and assist with the transport of animals during times of natural disaster.
About Leon Bridges
Gold-Diggers Sound is the third solo album from Leon Bridges in a career trajectory that saw him going from working as a dishwasher and busking on the streets of his beloved Fort Worth, Texas to being signed to a major label, garnering multiple and ultimately winning a GRAMMY Award and performing at the White House for Former President Barack Obama within a two-year span. Following the release of his GRAMMY Award-winning sophomore album, Good Thing, Leon issued a steady stream of music including tracks with John Mayer, Kacey Musgraves, Kiana Ledé, Lucky Daye and Noah Cyrus as well as Texas Sun, a collaboration project with fellow Texans Khruangbin. Other career highlights include opening for Harry Styles on an arena tour, his breakout track “River” being certified Platinum, portraying Gil Scott Heron in Damien Chazelle’s First Man, appearing in a global GAP holiday campaign, garnering a CMT Award for his Crossroads collaboration with Luke Combs, performing at the Tom Ford NYFW show and MoMA’s Film Benefit honoring Tom Hanks, selling out Hollywood Bowl and back-to-back nights at Radio City Music Hall and partnering with eyewear brand VADA. Leon also released a track on Space Jam: A New LegacyOfficial Soundtrack. In 2022 he was nominated for two GRAMMYs for Best Traditional R&B Performance and Best R&B Album and also announced a global partnership with Wrangler. Leon just wrapped a trek around the globe for his Boundless Tour.
On a moonless night, metal powerhouse NUCLEAR BLAST dared to gaze into the pitch black abyss and summoned one of the most vicious and menacing forces roaming the European death metal scene to join their ranks. Today, both of them are proud to announce that ABORTED have inked a contract with NUCLEAR BLAST!
The true scenario behind the signing of this outstanding genre pioneer might have been a bit less dramatic but the promise of an exciting future remains.
ABORTED have announced their first single right in time for the kick-off of their North American Tour with Lorna Shore. "Infinite Terror" will come to haunt your dreams, destroy your ears and musically seal the devilish deal that NUCLEAR BLAST and ABORTED have closed to spread the word of brutal death metal all around the world!
Pre-save the single here:
https://bfan.link/aborted-infiniteterror
Sven de Caluwé (vocals) comments:
"We couldn’t be more excited to announce our signing to NUCLEAR BLAST — one of the premier labels for extreme music with tons of label mates we love. We are very excited to see where this mad caravan leads to next! After a very long and solid partnership with Century Media, it was time for us to try something new.
To celebrate our signing with NUCLEAR BLAST and the upcoming monster of a tour with our friends Lorna Shore, Ingested and more, we decided to unleash a new single. “Infinite Terror” will obliterate all your senses on October 19. The song is inspired by ‘Event Horizon’ and marks the debut of new guitarist Dan Konradsson (Ophidian I, Une Misère). Expect something dark, imposing, and HEAVY as fuck!"
Jaap Wagemaker, A&R Nuclear Blast Europe, adds:
"NUCLEAR BLAST is very excited to announce the signing of brutal death metal maniacs ABORTED.
ABORTED is one of the pioneers of the genre. Originally founded in Belgium, they have come a long way from the death/grind underground to creating a very successful, unique brand of horror-themed, cinematic extreme metal that’s highly compatible with today’s tech death and deathcore scenes. ABORTED have influenced a lot of bands worldwide, and for many bands being invited to go on tour with ABORTED meant the start of a successful career. ABORTED worked on their status even more by releasing classics such as The Necrotic Manifesto and Retrogore which somehow managed to surpass that album and showcased what the band is capable of: lifting death metal to a higher level of intensity, atmosphere and brutality.
NUCLEAR BLAST and ABORTED are looking forward to keep pushing the boundaries of high class brutal death metal together in the future!"
ABORTED live:
21.10. US Philadelphia, PA – Theatre of Living Arts
22.10. US New York, NY – The Gramercy Theatre
23.10. US Worcester, MA – The Palladium
24.10. US Baltimore, MD – Baltimore Soundstage
25.10. US Charlotte, NC – Neighborhood Theatre
26.10. US Nashville, TN – Brooklyn Bowl Nashville
27.10. US Atlanta, GA – The Masquerade (Heaven)
28.10. US Tampa, FL – The Orpheum
29.10. US Orlando, FL – The Abbey
31.10. US Houston, TX – White Oak Music Hall
01.11. US San Antonio, TX – Vibes Event Center
02.11. US Fort Worth, TX – Ridglea Theater
04.11. US Mesa, AZ – Nile Theater
05.11. US Los Angeles, CA – 1720
06.11. US Roseville, CA – Goldfield Trading Post
08.11. US Seattle, WA – El Corazon
09.11. US Portland, OR – Hawthorne Theater
11.11. US Salt Lake City, UT – The Complex
12.11. US Denver, CO – Summit
13.11. US Lawrence, KS – The Bottleneck
15.11. US Chicago, IL – Bottom Lounge
16.11. US Detroit, MI – St. Andrew’s Hall
17.11. US Cleveland, OH – House of Blues
18.11. US McKees Rocks, PA – Roxian Theatre
19.11. CA Toronto, ON – Phoenix Concert Hall
20.11. CA Montreal, QC – L'Astral
About ABORTED:
With their horror-themed, cinematic extreme metal, ABORTED have mastered a dark craft that’s tough to compete with. The Belgian band has been dominating the world of death metal since vocalist Sven de Caluwé formed the band 26 years ago. As the lone original member, he’s directed the band like a demented conductor.
ABORTED are shapeshifters, evolving from blazing deathgrind to groovier fare before settling into a technical approach on death metal.
Their ability to compose and perform an uncompromising mix of death metal and grindcore, complemented with provocative artwork and merchandise designs, has allowed ABORTED to become an essential pioneer of the extreme metal scene over the course of their career, that has seen them release 11 successful full-length albums since the mid-Nineties.
Despite the seemingly sinister image that’s portrayed by the bands wildly heavy, gore-fueled music, ABORTED have actively supported charity campaigns throughout their career. They’ve donated parts of their merchandise income to “National Alliance To End Homelessness”, teamed up with other bands to launch a shirt to benefit the Ukrainian war refugees and have also been a long term member of “Metalheads Against Racism”.
With their latest album ManiaCult, ABORTED entered the German charts at #33 and US Current Hard Music Albums at #7, while Retrogore charted at #4 of ‘Top New Artists’ on the Billboard Charts and TerrorVision entered the US Billboard Charts at #4 (Heatseeker) and #9 (Current Hard Music). After releasing music and playing worldwide tours for almost 30 years, they still push musical boundaries and managed to endlessly re-invent themselves.
ABORTED are:
Sven de Caluwé - vocals
Ian Jekelis - guitars
Daniel Konradsson - guitars
Stefano Franceschini - bass
Ken Bedene - drums
Shadow Work available for pre order May 15th at: https://ffm.to/shadowwork
The band will drop two new singles, "Make It Out Alive" and "Tell Me How You Really Feel" on May15th and a third single "Far Enough Away" on May 22, 2020. The first 3 singles will be instant gratification tracks along with a Jewel cover "Save Your Soul" which is only available when you pre-order the digital album.
“Make It Out Alive” was the last song written for our new album "Shadow Work" and I hope it inspires people to never give up. Times can get so tough and it can be easy to just want to let go of all the struggle. But I think the struggles we go through define us. Each crisis we go through, staring into an abyss of the unknown, makes us stronger when we come out the other side. I know that we will come out stronger, as a country and as a world, through the current crisis we find ourselves battling and every other crisis that comes our way in the future. We always do!" says Chris Taylor Brown.
"Make It Out Alive"
Link: https://ffm.to/makeitoutalive
"Tell Me How You Really Feel"
Link: https://ffm.to/tellmehowyoureallyfeel
Trapt is an American rock band that formed in Los Gatos, California, in 1997, best known for its chart-topping 2002 single "Headstrong". The group consists of lead vocalist Chris Taylor Brown, bassist Peter "Pete" Charell, guitarist Brendan Hengle and drummer Adam Prentice. They have released seven studio albums to date: Amalgamation (1999), Trapt (2002), Someone in Control(2005), Only Through the Pain (2008), No Apologies (2010), Reborn (2013), and DNA (2016).
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