156/Silence Announce Signing With Pure Noise Records + Drop New Track "Our Parting Ways" and Official Music Video

Pittsburgh, Pennsylvania quintet 156/Silence have announced signing with their new label home, Pure Noise Records. In celebration of the news, the band has dropped their new track "Our Parting Ways" and the accompanying official music video, their latest release since their haunting 2024 full-length 'People Watching'. When asked about the song, the band shared:

"Our parting ways will always come together. The spaces left between what was and what is hold a place of their own to be remembered with grace. As the pages decrease in our story, we bleed to gain access to the memories of

the path we once shared."

Speaking about signing with Pure Noise Records, they commented:

"Pure Noise has always been a label we have all been fans of so when the option to sign with them was there we couldn’t pass it up. Everyone at the label has been so accommodating and supportive, very excited for the future of 156 with Pure Noise!"

Stream "Our Parting Ways" here, and watch the music video below.

The band has a stacked touring schedule for the remainder of 2025, and are currently on the road across North America with Counterparts, Thrown and Split Chain until October 26. Just a few days after the tour finale, they next hit the road with Fit For A King, Make Them Suffer, Spite, and Currents beginning October 30 before wrapping the year. Spring 2026 begins with their first EU/UK tour, reuniting with Fit For A King alongside Memphis May Fire and Acres. Click here for ticket information, and be sure to stay tuned for more 156/Silence news coming soon.

Supporting Counterparts and Thrown with Split Chain

OCT 15 Grand Rapids, MI – Elevation

OCT 16 Pittsburgh, PA – Roxian Theatre

OCT 17 Allentown, PA – Archer Music Hall

OCT 18 Baltimore, MD – Nevermore

OCT 19 Sayreville, NJ – Starland Ballroom

OCT 21 Albany, NY – Empire Live

OCT 22 New Haven, CT – Toad’s

OCT 23 Huntington, NY – The Paramount

OCT 24 Worcester, MA – The Palladium

OCT 25 Quebec City, QC – Salle Montaigne

OCT 26 Ottawa, ON – The Bronson

Supporting Fit For A King, Make Them Suffer, Spite, Currents

OCT 30 Phoenix, AZ – Marquee Theatre

OCT 31 San Diego, CA – Soma

NOV 01 Anaheim, CA – House of Blues

NOV 02 Los Angeles, CA – The Belasco

NOV 03 San Jose, CA – The Ritz*

NOV 04 Sacramento, CA – Ace of Spades

NOV 06 Spokane, WA – Knitting Factory

NOV 07 Boise, ID – Knitting Factory

NOV 08 Salt Lake City, UT – The Complex

NOV 09 Denver, CO – Fillmore

NOV 11 Kansas City, MO – Uptown Theater

NOV 12 St. Louis, MO – The Pageant

NOV 14 Chicago, IL – Riviera Theatre

NOV 15 Detroit, MI – Royal Oak Music Theatre

NOV 16 Cleveland, OH – House of Blues

NOV 18 Toronto, ON – History

NOV 19 Montreal, QC – Olympia

NOV 20 South Burlington, VT – Higher Ground*

NOV 21 Worcester, MA – The Palladium

NOV 22 Baltimore, MD – Rams Head Live

NOV 23 Cincinnati, OH – Bogart’s

NOV 24 Columbus, OH – Ace of Cups*

NOV 25 Philadelphia, PA – Franklin Music Hall

NOV 26 New York, NY – Palladium Times Square

NOV 28 Raleigh, NC – The Ritz

NOV 29 Nashville, TN – Marathon Music Works

NOV 30 Atlanta, GA – Tabernacle

DEC 01 Jacksonville, FL – Albatross*

DEC 02 St. Petersburg, FL – Jannus Live

DEC 03 Orlando, FL – House of Blues

DEC 04 New Orleans, LA – Gasa Gasa*

DEC 05 Houston, TX – White Oak Music Hall

DEC 06 San Antonio, TX – Vibes Event Center

DEC 07 Dallas, TX – The Bomb Factory

*156/Silence Headlining Date

Excide Share "Call Box" Video

EXCIDE — Tyler Washington, Gill Gonzalez, Gage Lanza, Caleb Hogue, and Jacob Paris — will drop their second album Bastard Hymns on November 28 via SharpTone Records. Pre-order it here.

Today, the band unleashes "Call Box."

Watch the video below.

"'Call Box' was the 'click' moment for the record," says Washington. "Though it formed from a later demo, it's the song that most coherently synthesized every component of our desired outcome, and ended up being sort of the stencil we worked backwards from when in pre-production for the LP. I've referenced them previously but it's got ALL the goodies derived from our influences. The Cast Iron Hike-sort of grooves in the verses, the fuzzy Queens of the Stone Age bridge, and the HUGE ending that nods to the greats in Failure."

He finishes, "This song is Excide at its purest and best form to-date. No doubt a favorite on the record, and the perfect conclusion for it. It's my 'F*** you, thanks for the inspiration' song." 

Bastard Hymnsis the logical next step from the band's debut album, Deliberate Revolver. "Having felt like we accomplished what we came to do on the first record, there were no guidelines or barriers around where we were to go next. This opened up so many avenues for our creativity and exploration. We were lucky enough to begin working with SharpTone the following year, which put the band back in gear and opened up new possibilities for the path forward."

Sonically, the band was inspired by the grooves and energy of late '90s post-hardcore bands such as Cast Iron Hike and Snapcase, while siphoning melody and textural elements much the same as Quicksand and Cave In. The band was not afraid to shift gears a bit and take influence from the likes of Queens of the Stone Age, Soundgarden, and Failure, which, Excide admit, " allowed us to really push the sonic needle into uncharted territory, even further accentuated by Austin Coupe's co-writing and production."

Overall, the album is a "fuzzy, rocky, groovy, angry record. Seeped in the woes of growing up in a hillbilly hellscape, and living to tell the tale. The result wasBastard Hymns."

Enthroned Release Scorching New Single "Ashspawn"

Belgian black metal institution Enthroned are opening a new chapter in their storied career with their upcoming twelfth album, which now stands as their most ferocious and personal work. Written in collaboration with occult author Gilles de Laval, Ashspawndescends into spiritual death, only to emerge reborn amongst the flames.

Today, Enthroned are releasing the album’s scorching title track as its second advanced single. “Ashspawn” embodies the band’s driving ethos, blazing into spiritual destruction as a path toward transcendence.    

Listen to “Ashspawn” below.

Ashspawn comes out December 5 on Season of Mist.

Pre-order & Pre-save

https://orcd.co/enthronedashspawn

More than three decades after their inception, Enthroned remain steadfast in their purpose: not to replicate the past, but to realign with the forces that birthed them. Ashspawn is the testimony of this alignment, a ritual weapon that rejects nostalgia and compromise. It is a resurrection of spirit through suffering, a reaffirmation of Enthroned’s place among black metal’s most visionary entities.

Line-up:

Nornagest — Vocals & Samplers

T. Kaos — Guitars & Bass

Menthor — Drums & Percussion

Production Credits:

Recorded at Ophiussa Studio, London, UK.

Produced by Menthor.

Mixed by Stefano Santi at SPVN Studio, Milan, Italy.

Mastered by Phil Bashford at The Hive, London, UK.

Cover Art:

Cover artwork by Jose Gabriel Alegria Sambogal
(https://www.instagram.com/josegabrielalegriasabogal/)

Photography:

Band photography by Emanuela Giurano

Pre-save & Pre-order: https://orcd.co/enthronedashspawn
  
Follow Enthroned:

Facebook: https://www.facebook.com/Frater.Silurian
Instagram: https://www.instagram.com/enthronedofficial/
Bandcamp: https://enthroned.bandcamp.com/
YouTube: https://www.youtube.com/@enthronedofficial
Spotify: https://open.spotify.com/artist/5lmT6zZl7aPNg8hv5UrJGz
Apple Music: https://itunes.apple.com/artist/enthroned/47713289
Deezer: https://www.deezer.com/artist/14611
Tidal: https://tidal.com/browse/artist/3604477

Booking Contact:
Bart Gabriel — Dragon Productions
bart@dragon-productions.com

CLOCKTOWERS Unleash Hypnotic New Single “Bend the Snake” from Upcoming Album Genesis

Rising modern rock outfit CLOCKTOWERS returns with their electrifying new single, “Bend the Snake,” a hypnotic and emotionally charged track from their forthcoming album Genesis. Blending metal’s modern edge with the soul of 70s rock, CLOCKTOWERS continues to cement their reputation as one of the most genre-bending acts in today’s rock scene.

From the moment the guitars kick in, “Bend the Snake” commands attention with a pair of interlaced riffs, equal parts intricate and infectious, that merge into an upbeat, snakecharmer-like groove. The rhythm section follows suit, with smooth basslines and tight drum work accentuating the hypnotic pulse of the song. When Tarek Puska’s baritone vocals enter, they carry a sense of authority and depth, enveloping each lyric in controlled intensity.
 

The harmonies complement the guitarwork with wit and skill, while the chorus fuses the grit of modern metal with the swagger of 70s rock. Midway through, the track takes a sharp, exhilarating detour into classic rock territory, echoing the free-spirited stylings of the band Free.

Lyrically, “Bend the Snake” ventures into mystical and philosophical territory. Penned by Dakota Logan, the song explores themes of illusion, reality, and the hidden forces shaping the world.

About CLOCKTOWERS:

CLOCKTOWERS is a genre-blending rock/metal duo that proves lightning can strike twice—first in the past, then in the most unexpected moment years later. The band was officially born in 2022, but the story begins long before that.

Vocalist Tarek Puska and multi-instrumentalist Dakota Logan first crossed paths in an earlier metal outfit that spent five years grinding through shows, songwriting sessions, and the chaotic rhythm of band life. Life eventually pulled them in different directions—but fate clearly had other plans. Years later, in the unassuming town of Reily, Ohio, the two reconnected by chance at a local pizza joint. A quick conversation turned into a jam session. One riff became a song—“Spirit Junkie”—and by the end of that session, CLOCKTOWERS had begun.

What followed was a creative eruption. Tarek and Dakota fell into a regular routine, meeting 2 to 3 days per week to write, explore sounds, and record from the ground up in a DIY home studio setting. Over the next two years, this process grew into their debut full-length album, Genesis—a record that pulses with heavy riffs, soaring melodies, and the kind of authenticity that only comes from lived experience and musical trust.

At its core, CLOCKTOWERS thrives on contrast and chemistry. Tarek, born in 1969, brings a lifetime of hard-earned perspective and vocal power rooted in classic metal and rock traditions. Dakota, born in 1995, injects fresh energy, fearless experimentation, and a modern edge that pushes the sound into uncharted territory. Their 25-year age gap isn’t a limitation—it’s a superpower. It allows the band to seamlessly blend old-school grit with new-school fire, delivering music that’s nostalgic without being dated, current without being trendy.

CLOCKTOWERS draws inspiration from a wide palette of heavy music: the swagger and electricity of AC/DC, the doom-soaked weight of BLACK SABBATH, the eerie theatricality of GHOST, the brooding darkness of TYPE O NEGATIVE, the bombast of KISS, and the razor-sharp muscle of METALLICA. Yet, these aren’t just influences—they’re launch pads. CLOCKTOWERS takes what’s familiar and twists it into something personal and raw, layering in textures, emotions, and hooks that make their sound unmistakable.

The band’s songwriting is deeply intentional. Some tracks stem directly from personal experience—loss, growth, heartbreak, and perseverance—while others flow from instinct and emotion, letting the pen follow the pulse of the heart. The result is music that hits hard not just sonically, but emotionally. Big choruses, pounding grooves, and intricate guitar work are matched with lyrics that are introspective, honest, and often cathartic.

One of their standout tracks, “Ashes,” caught the attention of Jason Viebrooks, known for his work with HEATHEN, GRIP INC., and now EXHORDER. Viebrooks lent his talents on bass and guitar alongside Dakota for the single, while Todd J. Farler, a seasoned drummer from Cincinnati, added a thunderous groove that elevated the track even further. It’s the only track on the record that features guest musicians—every other note, riff, and lyric on Genesis comes straight from the two founding members. That was a deliberate decision. CLOCKTOWERS is about preserving a raw, undiluted vision. No filler. No compromises.

With Genesis, CLOCKTOWERS has positioned itself not just as a band, but as a statement—a declaration that real, passionate, no-bullshit rock and metal is alive, evolving, and still capable of hitting you straight in the soul. Whether you’re a lifer raised on vinyl and leather jackets, or a newcomer looking for authenticity in a crowded digital landscape, CLOCKTOWERS offers something that resonates.

This is music forged in connection. Fueled by memory. Driven by instinct. And played with the kind of conviction that can only come from two people who live and breathe it.

CLOCKTOWERS is:

  • Tarek Puska – Vocals

  • Dakota Logan – All instruments (guitars, bass, additional production)

EDGE OF PARADISE Unveil Cinematic Cover of “Requiem for a Dream”

International cinematic rock band EDGE OF PARADISE have released their powerful reimagining of the iconic Requiem for a Dream theme. Known for fusing soaring vocals, heavy riffs, and immersive soundscapes, the band takes the haunting score into new depths, transforming it into a massive, larger-than-life experience that bridges the worlds of film and metal. 

Following the success of their latest album Prophecy (Napalm), the band continues to expand their multimedia universe, accompanying this powerful composition with a striking visual counterpart, a music video that immerses viewers in EDGE OF PARADISE’s signature fusion of sound, story, and atmosphere.

"This theme has always resonated deep within and inspired me to see how a simple melody can open entire worlds” says vocalist Margarita Monet. “With our version we wanted to amplify that emotion, the darkness, the light, and everything in between, and we're excited to experience it with you through our dimension, on the stages and beyond.”

The artwork created by Margarita was unveiled at the NoHo CineFest in Hollywood, where she received the Outstanding Artist Award for her visual work and storytelling. Her graphic novel’s narrative extends EDGE OF PARADISE’s cinematic universe, seamlessly connecting the band’s music, imagery, and philosophy through art. Additionally, the band’s song “The Unknown” will be featured in the upcoming feature film The Complete Course of Howard French, directed by Gustavo Sampaio,  expanding their presence across both the music and film landscapes.

Margarita adds: “What also makes this so special to me is how everything I love intertwines — making the art, the music, the visuals. From painting the cover and crafting the crown to shaping the story through dance and direction, every moment reflects a piece of my soul.”

This release follows a remarkable year for the band, supporting PROPHECY with North America and European tours. 

EDGE OF PARADISE will also embark on a string of dates alongside LOVE BITES to bring their show to audiences worldwide:

Tickets and VIP upgrades: https://www.national-acts.com/edgeofparadise
Nov 4 - New York City, NY - The Gramercy Theatre
Nov 5 - Baltimore, MD - Baltimore Soundstage 
Nov 7 - Lakewood, OH - The Winchester
Nov 8 - West Dundee, IL - Rookies Rochaus
Nov 10 - Lawrence, KS - The Granada Theater
Nov 11 - Dallas, TX - Trees Dallas
Nov 12 - Austin, TX - Come and Take It Live
Nov 14 - San Luis Obispo, CA Freemont
Nov 15 - Los Angeles, CA - The Vermont Hollywood

The “Requiem for a Dream” cover is now available worldwide on all streaming platforms https://ffm.to/2d1gqpw

"Requiem for a Dream (and the Angels of Static)" is mixed and mastered by Jacob Hansen, and engineered by Mike Plotnikoff and Rob Black. The music video was directed by Margarita Monet and Julian Oyanedel Santiesteban. 

AGNOSTIC FRONT (Featuring Darryl "DMC" McDaniels) Release New Single, "Matter Of Life & Death"

New York City offers a world of collisions of cultures, sounds, and attitudes; and the latest scorching offering from the city’s underground veins proves that this legacy lives on. Hardcore legends AGNOSTIC FRONT have teamed up with Darryl “DMC” McDaniels of RUN-DMC for a new single and music video, “Matter Of Life & Death” to reignite the flames of New York hardcore.

On "Matter Of Life & Death", AGNOSTIC FRONT and DMC prove that they have far more to offer than mere nostalgia. In a refreshingly modern take on genre-blending, the single charges into a snarling street fight between hardcore punk and old-school hip-hop swagger. Blasting out with razor-sharp riffs, thunderous beats, and DMC’s unmistakable cadence, the music hits harder than a Queens-bound freight train. Producer and New York Hardcore stalwart Mike Dijan keeps the sound raw and relentless, while director Blake Farber turns the video into a non-stop adrenaline reel. With mosh pits meeting boom boxes, fists in the air, and sweat flying off the walls, it's New York grit distilled into less than 3 minutes of pure energy.

In an era of overproduced and predictable genre mash-ups, “Matter of Life & Death” feels alive, dangerous, and necessary. AGNOSTIC FRONT and DMC are the perfect unlikely pairing: two giants from different musical worlds finding common ground in aggression, defiance, and their New York roots. 

And this is just the 2nd shot fired, leading into AGNOSTIC FRONT's highly-anticipated upcoming album, Echoes in Eternity, dropping November 7th. If you needed a reminder that the spirit of crossover still has teeth, this is it.

Watch the video Below.

Stream "Matter Of Life & Death" here: https://agnosticfront.rpm.link/moldPR 

Catch AGNOSTIC FRONT on tour:

EAST MEETS WEST TOUR DATES
Oct. 15 Denver, CO @ The Oriental Theater 
Oct. 16 Salt Lake City, UT @ Metro Music Hall 
Oct. 17 Boise, ID @ The Shredder  
Oct. 18 Portland, OR @ Hawthorne Theatre  
Oct. 19 Seattle, WA @ El Corazon  
Oct. 21 San Jose, CA @ The Ritz 
Oct. 22 Sacramento, CA @ Goldfield Trading Post 
Oct. 23 Berkeley, CA @ Cornerstone Berkeley
Oct. 24 Ventura, CA @ Ventura Music Hall 
Oct. 25 Pomona, CA @ The Glass House 
Oct. 26 Las Vegas, NV @ Swan Dive 
Oct. 28 Tucson, AZ @ The Rock 
Oct. 29 Mesa, AZ @ The Nile Theater 
Oct. 30 Palmdale, CA @ Transplants Brewery 
Nov. 01 San Diego, CA @ House of Blues
Nov. 02 Garden Grove, CA @ Garden Amp 

East Coast American Tour 2025
Dec. 4 Cambridge, MA @ The Middle East
Dec. 5 Atlantic City, NJ @ Anchor Rock Club
Dec. 6 NYC, NY @ Irving Plaza
Dec. 9 Richmond, VA @ The Canal Club
Dec. 10 Columbia, SC @ New Brookland Tavern
Dec. 11 Atlanta, GA @ The Masquerade (Hell)
Dec. 12 Melbourne, FL @ Pineapples (Moon Room)
Dec. 13 Miami, FL @ Gramps
Dec. 14 Tampa, FL @ The Orpheum
Dec. 15 Jacksonville, FL @ The Albatross
Dec. 16 Greenville, SC @ Radio Room
Dec. 17 Wilmington, NC @ Reggie’s 42nd Street Tavern
Dec. 18 Raleigh, NC @ The Pour House
Dec. 19 Lynchburg, VA @ Super Rad Arcade
Dec. 20 Altoona, PA @ McGarvey’s Bar & Grill
Dec. 21 Allentown, PA @ Archer Music Hall (Arrow)

About AGNOSTIC FRONT:
Founded in 1982, AGNOSTIC FRONT stand among the most esteemed pioneers of the hardcore genre. No band comes close in sonic and socio authenticity and sincerity, where the struggles of survival on the streets have quite literally given life to a sound that remains as impactful today as it was over four decades ago. AGNOSTIC FRONT‘s battering, socially critical sounds serve as the foundation of true New York hardcore and helped initiate the emergence of crossover thrash. Following a slew of pummeling offerings, the band, led by the inimitable roar of Roger Miret and Vinnie Stigma's legendary charismatic guitar playing, continue to showcase unapologetically honest lyrics and signature aggression in Echoes in Eternity. 

https://www.agnosticfront.com/ | Facebook | Instagram | Spotify 

Bambie Thug Shares Official Music Video for "Redrum"

Fresh off the heels of dropping their defiant single "REDRUM," Bambie Thug returns with the track's official music video. Directed by Jake Ringsell, the eerie video draws inspiration from one of cinema's most disturbing images: The Ludovico Technique from Kubrick's A Clockwork Orange. The forced transformation sets the tone for a nightmarish visual that descends into themes of indoctrination, control, and psychological breakdown. With distorted realities and unnerving intensity, Bambie paints a raw and rebellious reflection of the current world.

Speaking about the music video, Ringsell said, "As soon as I heard 'REDRUM,' I knew we were going to make something special. The song gripped me from the first moment. I'd already seen them perform it live at Glastonbury earlier that year, and the energy felt like a war cry — unapologetic and defiant. 

"In our first conversation about the video, Bambie mentioned one of cinema's most indelible images — 'The Ludovico Technique' from Kubrick's A Clockwork Orange. That reference struck a chord. The raw helplessness of that scene, the horror of forced transformation, became the thread we wove everything else upon. From there, the vision took on a life of its own: Hypnotic, visceral. and unflinching.

"This music video stands as my favorite collaboration to date. I hope it speaks with the same clarity and conviction that the song does — a mirror held up to the world, reflecting both its darkness and its fire."

Bambie Thug quite simply adds, "Interpret it for yourselves."

Since its release, "REDRUM" has received widespread praise from critics across the globe. Kerrang! hailed it as "raging and incredibly vital," while Wonderland noted, "Bambie's vocals in the hook pierce your eardrums, and the political lyricism is slick and profound," with Hot Press further commending their songwriting, stating, "The highlight of the song, however, is the lyrics: It's a loud, proud, rebel cry."

Produced by Shaun Lopez (††† & Deftones), "REDRUM" fuses sinister guitar riffs and crashing drums with Bambie's signature screams and politically charged lyrics into a powerful rebel cry. Lyrically locked in on the state of the world, the track is a fearless statement of who Bambie Thug is: An unwavering voice for the queer community and other marginalized groups and an artist that refuses to be silenced.

On the single Bambie Thug said, "'REDRUM' is a masterclass, sonically and lyrically. Seeing the reaction it's had live just emphasizes to me how important the song is. It's political, it's anti-war, it's a 'rebel cry' for the LGBTQIA community and for everyone who is fed up with living in this disconnected world. All I can offer to these turbulent times is my art and hope it wakes people up."

"REDRUM" marks Bambie Thug's first release under their global recording deal with Spinefarm, home to Bullet For My Valentine, Creeper, Dayseeker, and Black Veil Brides. This video continues an incredibly exciting year for Bambie, which as already seen them cap off a massive European arena tour with Babymetal and Poppy, a sensational debut performance at Glastonbury. and attend major London and Paris fashion week shows by Dilara Findikoglu, Ann Demeulemeester, Maximilian Raynor, and more.

ABOUT BAMBIE THUG:
Cork-born alt disruptor Bambie Thug (they/them/fae) is smashing through gender and socio-political stereotypes to create an era-defining sound that borders on elements of pop, rock, electronic and more. Self-coining the term ‘Ouija-pop’ to describe their sound, Bambie Thug has made serious waves over the last few years with a series of genre-defying singles and a critically acclaimed EP CATHEXIS. Bambie represented Ireland at the 2024 Eurovision Song Contest with their spellbinding entry "Doomsday Blue," finishing at sixth place — the highest placement for an Irish act in 24 years. Following the contest, "Doomsday Blue" flooded the charts globally, reaching the top 40 in Ireland (#23), Lithuania (#9), Greece (#12), Finland (#40), as well as earning their first UK chart entry at #67. A strikingly visual artist, Bambie’s cinematic videos have seen them transform into a variety of otherworldly characters such as "HIM" from The Powerpuff Girls, a lethal arachnid creature and a vampire bride. No stranger to the big stage, Bambie has played festivals across the world including Glastonbury, Download and Electric Picnic to much critical acclaim. Their show-stopping performances have been described as "a genderqueer, occult-tinged, strikingly theatrical edge” (Evening Standard), and they have received ongoing global support from the likes of NME, Kerrang!, Rolling Stone UK, GAY TIMES, BBC Radio 1, Spotify, Amazon Music and more.

AS I LAY DYING Ignite a New Chapter with Powerful Single “Echoes”

Metalcore mainstays AS I LAY DYING have roared back with their latest single, “Echoes," a track that signals not only a powerful sonic statement, but the beginning of an inspired new chapter for the band.

Layered in emotion, precision, and melodic depth, “Echoes” explores the internal battles we fight, the shadows we leave behind, and the strength found in forging a new identity. Delivered with unrelenting passion and signature intensity, the song highlights the band’s trademark balance of crushing heaviness and poignant introspection.

“Echoes” also marks the debut of a dynamic new AS I LAY DYING lineup, bringing together seasoned talent and fresh energy:

  • Tim Lambesis – Vocals

  • Chris Clancy – Bass, Clean Vocals

  • Bill Hudson – Guitar

  • Don Vedda – Guitar

  • Tim Yeung – Drums

"As the only primary songwriter on every AILD album, I’m always going to a find a path forward for this catalog of music that I’m so passionate about,"says Tim Lambesis."But sometimes things come together even better than expected. I’m incredibly grateful for my new bandmates. In addition to being incredibly talented, they genuinely care about my well being and the band we are now all a part of."

"Tim L and I first met almost 20 years ago and I’ve been in multiple bands with Tim Y,"adds Bill Hudson. "It’s an honor to be a part of the new chapter of As I Lay Dying. What a great way to get together and play with so many friends of 15+ years at the same time!"

"Excited to finally share this new chapter. Check out the music video for Echoes, proud of what we've created together. Hope you enjoy it,"affirms Chris Clancy.

This new formation infuses the band with renewed vitality and artistic momentum. Each member brings a unique voice and refined musicianship, helping to craft a sound that’s both familiar and forward-thinking, rooted in legacy, but boldly reaching into new territory.

Additionally, AS I LAY DYING will embark on an electrifying European tour this fall, celebrating the 20th anniversary of their landmark album Shadows Are Security. Fans will experience a career-spanning set, with deep cuts, timeless anthems, and a renewed fire on stage. Tickets are available HERE. 

Moodring Return With Video for New Single "Half-Life"

Founded in Florida yet now based in Atlanta, Georgia, Moodring is a nu-metal x alt-rock project led by dynamic frontman Hunter Young.

The band's 2022 debut Stargazer captured attention from the tastemaker crowd, including a 4 out of 5 star review from Kerrang! Now, newly signed to SharpTone Records, the band has dropped the video for brand new single "Half-Life."

Watch it below.

"'Half-Life" is an incredibly personal (and intense) song, as it addresses the many changes in Young's life and in Moodring's configuration. With Young now unable to actively tour, Moodring became a concept that is malleable and can morph and take different shapes, and with different collaborators without defined borders and boundaries.

"'Half-Life' was one of the first songs written after I received a life-changing medical diagnosis and was forced to grieve losing the person that I thought I was and had identified as for most of my sentient life," Young shares, laying his cards face up on the table with no hesitation. "It was a devastating blow to an already-tarnished nervous system. This song and sub-sequential songs were my way of coping and writing an obituary for the person I lost in that doctor's office."  

He continues, "But when looking at 'Half-Life' through a broader lens, I believe anyone who's ever been forced to face realities or truths they cannot change can relate in ways that weren't the original intention."

Stay tuned for more from Moodring.

Your Inland Empire Spark on New Single "Grinding"

From the ashes of Crown, rises a shiny new banner for dark wave. On Your Inland Empire, the duo of Stéphane Azam and David Husser take the heavy electronics that they first donned on Crown’s last album a step further into the darkness of the club.

Today, Your Inland Empire are releasing “Grinding” as the second single off their upcoming debut album. Churning with pulsing beats, sparking riffs and shadowy bass lines, the song cuts straight to the album’s core, dancing between conflicting emotions and industrial decay, through the darkness and into the light.  

Watch the video for “Grinding” below.

Your Inland Empire’ self-titled debut album comes out November 14, 2025 on Season of Mist.

Pre-order & Pre-save

https://orcd.co/yourinlandempireyie    

In 2021, Crown’s The End of All Things revealed a striking metamorphosis. The album shifted the duo of Stéphane Azam and David Husser away from their sludge-laden origins into a cinematic fusion of industrial rock, post-metal atmosphere and darkwave sensibility. Its balance of bleakness and accessibility was praised for expanding Crown’s sonic vocabulary, yet the record ultimately stood as both culmination and chrysalis: the closing of one chapter and the quiet emergence of another.

That emergence is now complete. Your Inland Empire opens a new frontier with their upcoming self-titled debut album. “Grinding” pulses against bleak meditations on distance and dissolution. “I’m falling apart / In the void of my heart”, Azam sings, as if through gritted teeth, as he drifts through a haze of electro-shocked guitars.

“When writing music and lyrics, I often have very abstract visions — living paintings that I try to transcribe into sound,” Azam explains. “It can be colors, shapes, landscapes, people, all evolving in my imagination like a trance”.

The video for “Grinding” was directed by Brice Hincker & Amelie Diane. Your Inland Empire would like to give a special thanks to Philippe Dolfus and Olivier Guillemin for their collaboration and support on the video.  

Line-up
David Husser — Guitars, Programming, Production, Experimentation
Stephane Azam — Vocals, Guitars, Songwriting, Experimentation
Nicolas Uhlen — Drums
Marc Strebler — Bass Guitar

Production Credits
Recorded & mixed by David Husser at La Grange Studio, France.
Mastered by Jaime Gomez Arellano at Orgone Studio, Porto, Portugal.

Cover Art
Design & layout by Jeffrey V. Daniels.

Photography
Band photos taken by Jennifer Brachet.

Pre-save & Pre-order

https://orcd.co/yourinlandempireyie

Available Formats
Digital Download
CD Digipak
12” Vinyl Gatefold – Black
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Irish singer-songwriter Ger Eaton heralds the release of debut album 'Season Changes'

Well known in his homeland thanks to a string of brilliant singles, Irish bard par excellence Ger Eaton is back with a large dose of Renaissance Pop. Finally, he will be releasing his long-awaited debut album 'Season Changes' via Dimple Discs, a Peckham-based label that has championed many Irish artists. In the home-stretch before its release, he shares the singles 'Hollow' and 'The Time It Takes To Fall'.

Ger Eaton is the singer and sonic auteur behind a remarkable and acclaimed set of songs, released as singles over the past two years, both on his own imprint and by enterprising indie label Dimple Discs, who spotted a good thing and snapped him up. An artist who has graced many a stage, his distinctive keyboards have graced many Irish bands of the last two decades.

With a rich progression from baroque pop and cinematic balladry to more folk elements, Eaton creates music that is laced with broad orchestral arrangements, drama, and honesty. Complimenting the video for his recent single 'Season Changes', a live rendition of 'Phoenix (Reborn)' and 'Season Changes' was also recorded live at Hyde Dublin.  

"‘Season Changes’ is essentially an old fashioned break-up LP. All of the songs deal with the complexities, both emotional and physical, that come with the ending of a very long and significant relationship. Mirroring the seasons, ‘Season Changes’ charts the often inevitable decay of a relationship, from the glowing bloom of its Spring, gradually ebbing away to its wintery conclusion," says Ger Eaton.

"The songs were written about and recorded during the end of my marriage, and I decided from the off that the Lyrics would be raw and honest… I felt I owed that much to myself. Musically, I wanted the arrangements and instrumentation to bring a lushness and drama that would wrap the words in the appropriate Musical Cloak ...For me, music has always been a place where I can both lose and find myself… a Solice … my Phoenix."
 
Beginning with 'I Thought I’d A Friend' and continuing through the beautiful 'Hollow', 'The Time It Takes To Fall', 'Phoenix (Reborn)', 'Home Again' and the most recent single 'Season Changes', Ger’s work carries echoes of Scott Walker, Jimmy Webb, Brian Wilson, Ian Brown and the high melodic heyday of the late 1960s, yet shot through with a contemporary slant and edge.  

Each new song and accompanying video has marked an exciting stage in Ger’s progress and has received recognition and tremendous support from national and regional radio programmers in his native Ireland and also in the UK, as well as music writers and tastemakers.

On October 17th, the 'Season Changes' album will be released on vinyl and CD. It will also be available from digital platforms, including Spotify, Apple Music and also Bandcamp. 

On October 23rd, Ger Eaton and his 11-piece band take the stage at The National Concert Hall in Dublin, with support  from Andrew Keeling & vocalist Toni Kay.  Tickets can be ordered at https://www.nch.ie/all-events-listing/metronome-ger-eaton-oct25

CREDITS
All songs written by Ger Eaton
Produced, recorded and mixed by Ger Eaton, Duncan Maitland & Sean Coleman
Recorded at Old County Studios, The House of Horns, Clane HQ and at Ger Eaton's home
Mastered by Anthony Chapman
Cover Illustration and Design by Josh Fogarty
Ger Eaton - vocals, drums, guitars, mellotron, xylophone, sitar, tabla & percussion
Duncan Maitland - acoustic & electric guitars, bass, mellotron & vocals
Sean Coleman - glockenspiel, mini moog, guitars, harmonium  & vocals
Kieran Eaton - flutes & recorders
Ronan Dooney - trumpets & flugelhorns
Graham Hopkins - drums
Gavin Fox - bass
Castle Quartet - Strings
String Arrangements - Andrew Keeling
Released via Dimple Discs. Catalogue No DD 027LP
Publicity by Shameless Promotion PR


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Seattle's AudioGust battles the noise on new single 'Easier', an escape from news fatigue

Seattle-based artist AudioGust presents 'Easier', which explores the mental toll of living in a world overflowing with bad news. This is the second single from his third album 'Falling From Down' — his most unflinching yet — a journey through collapse, resilience, and the fragile beauty of survival. This arrives on the trail of the post-grunge lead track 'Isotope'.

Opening with introspective verses that capture the strain of living in a world full of overwhelming news and challenges. The refrain— “Some days, it would be easier if I didn’t know”—becomes a mantra for that tension between awareness and avoidance. Midway, the song bursts into a high-energy pop-punk bridge, imagining what life might feel like if one could truly escape the weight of it all, before settling back into reflective intensity, acknowledging that life’s challenges inevitably return.

“I wrote ‘Easier’ out of frustration with how overwhelming it can be to take in all the bad news every day. There’s a fantasy in the song about how simple life might feel if you just tuned it all out — but in the end, you can’t really look away. The world always pulls you back," says Chris Evans.

"Easier serves as the emotional and thematic centerpiece of the album, hinting at a journey through struggle, growth, and resilience that listeners will encounter in the full release."

An accomplished songwriter, producer, and multi-instrumentalist, AudioGust is Chris Evans, whose journey started as a guitarist and bassist in various 1980s bands. After a decades-long detour in the software industry, he has returned to his true passion - writing and recording in his own studio, releasing loads of music and collaborating with artists worldwide.

With powerful, emotionally resonant music, AudioGust is known for his ability to blend high-energy performances with deeply personal storytelling. He has released over four dozen songs across multiple albums and EPs, including his debut 'Walk With Me', follow-ups 'Hope from Darkness' and 'Love and Pain', and his second album 'Here We Go Again', released earlier this year and exploring the highs and lows of creativity, and the unpredictable nature of inspiration.

The coming 'Falling From Down' album showcases a harder-edged post-grunge and modern rock sound while retaining the melodic hooks and storytelling that have become his signature. Combining raw rock intensity with strong melodies and emotionally resonant lyrics, AudioGust's tracks are full of energy and memorable hooks, reflecting both a deep understanding of rock’s past and a fresh, contemporary approach. His songs resonate long after the last note fades.

Crafting memorable melodies and thought-provoking lyrics, upbeat rhythms and arrangements, AudioGust's music speaks to the disenchanted and dreamers alike through sonic explorations of the modern human condition. AudioGust was also a finalist in the 2024 USA Songwriting Contest. Writing hooky anthems, AudioGust creates a sound vortex imbued with 90’s to 2000’s alt-rock, his guitar-driven music brings in a strong, driving rhythm section, big choruses and even bigger bridge sections.
 
'Easier' is out now, available from online music platforms, including Spotify, Apple Music and Bandcamp. The 'Falling From Down' album will be released on November 7.

ALBUM CREDITS
Music & Lyrics by Chris Evans
Guitar, Bass, Drums, Keyboards and Vocals by AudioGust
Produced & performed by AudioGust
Recorded, mixed and mastered at AudioGust studio in Clinton, WA
Cover artwork by Chris Evans
Artist photos by Ernie Shapiro
Publicity by Shameless Promotion PR

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NYC songstress Jessie Kilguss unveils brilliantly inspired ‘St. Teresa in Ecstasy’

NYC singer-songwriter Jessie Kilguss presents her single 'St. Teresa of Ecstasy', showcased in a brilliantly inspired video by Alex Dar, a sonic exploration of being moved by something magical and the sheer, vital power of all great art. Inspired by Bernini's dramatic Roman sculpture, this is a lyrical journey rooted in a feeling of being whisked away by something that feels celestial and profoundly greater than us all.

This is the second taste of her sixth album 'They Have A Howard Johnson's There',which was engineered, produced, mixed and mastered by Charlie Nieland (Debbie Harry, Rufus Wainwright, Blondie, Scissor Sisters) at Saturation Point Studios in Brooklyn. This song features drummer-percussionist Rob Heath (Madison Square Gardeners, Julia Nunes), guitarist-keyboardist Kirk Schoenherr (Tegan and Sara, Elle King, Chet Faker) and guitarist Andrea Longato (Duncan Shiek, Jeremy Jordan, Alphonso Ribeiro), with Charlie Nieland on bass, violin bow guitar and keys.

"The story of this song is really in the lyrics. I was visiting a friend in Rome and two different friends highly recommended I go see the sculpture The Ecstasy of St Teresa by Gian Lorenzo Bernini in the Cornaro Chapel of Santa Maria della Vittoria," explains Jessie Kilguss.

"I had a transcendent experience looking at this piece of art which I think I express better through song rather than just speaking or writing about it. Art (of all disciplines) has the ability to transport us to other places or states of being. The song is about experiencing the magic of this specific sculpture and maybe in a greater sense, the magic of being transported by something that feels bigger and more important than the everyday – something that feels otherworldly and divine."

Kilguss recently released the near-title track 'Howard Johnson's' with an era-inspired nostalgic video by Deborah Magocsi, for which she is accompanied by John Kengla (David Byrne, Ben Kweller, Serena Ryder) on guitar, bass and keys, Rob Heath on drums and percussion, and Dave Derby (The Dambuilders, Gramercy Arms, Lloyd Cole) and Charlie Nieland on backing vocals. Rembert Block (Rembert and the Basic Goodness. also features elsewhere on this album.

This offering follows her single 'Too Far From Texas' (a collab with Jim Andralis), 'You're the One' and 'Wuthering Heights'. Kilguss' 2022 album 'What Do Whales Dream About at Night?' LP features drummer Brian Griffin (Patti Smith, Brandi Carlisle, Lana Del Rey), bassist Whynot Jansveld (The Wallflowers, Butch Walker, Sara Bareilles), composer-producer Naren Rauch, and Nathan Schram (Bjork, David Crosby, David Byrne), with whom Kilguss ran the non-profit organization Musicambia.

A former actress, whose acting highlights include 'The Crucible' (with Daniel Day Lewis and Winona Ryder) and the stage production 'As You Like It' (directed by Royal Shakespeare Company founder Sir Peter Hall), Kilguss made songwriting her focus after working with musical heroes Marianne Faithfull and Mary Margaret O'Hara in the Tom Waits / William Burroughs musical 'The Black Rider'.
 
Kilguss also sings with the Loser’s Lounge, Gramercy Arms, Jim Andralis and the Syntonics and Benjamin Cartel. She's also performed at the Sundance Film Festival and with Freddie Stevenson, touring as support for The Waterboys' European tour. In June 2025, Kilguss was an artist in residence at Fish Factory Creative Center in Stodvarfjordur, Iceland where she wrote 9 new songs.

As of October 8, 'St. Teresa In Ecstasy' is available everywhere, including Apple Music, Spotify and Bandcamp with the full album to follow on November 14th. On November 5, Kilguss' Record Release Show is at Berlin Under A, with Life in a Blender and Charlie Nieland, who marks the release of his 'Stories From The Borderlines' album. 

ALBUM CREDITS
All songs written by Jessie Kilguss, except 'Jesus Was a Crossmaker' (written by Judee Sill)
Produced, engineered, mixed & mastered by Charlie Nieland at Saturation Point Studios, Brooklyn
Jessie Kilguss - vocals, arrangement
John Kengla – guitar, bass, keys on Howard Johnson’s, Fool’s Fight, Lost Causes, Jesus Was a Cross Maker
Kirk Schoenherr – guitar and keys on Chasing Down a Ghost and St Teresa in Ecstasy
Andrea Longato – guitar on St Teresa in Ecstasy
Rob Heath – Drums and percussion
Rembert Block – Backing vocals on Fool’s Fight, Chasing Down a Ghost and Lost Causes
Dave Derby - Backing vocals on Howard Johnson’s
Charlie Nieland – bass, violin bow guitar and keys on St Teresa in Ecstasy, Fool's Fight and Lost Causes, backing vocals on Howard Johnson’s
Single cover photo by Shervin Lainez
Video by Deborah Magocsi
Graphic design by Scott MX Turner
Publicity by Shameless Promotion PR


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Gideon Drop New Track "Wrong One" + Official Music Video via Sumerian Records

Tuscaloosa, Alabama quartet Gideon has released their new single "Wrong One" and the official music video (via Sumerian Records). Laden with in-your-face vocals and the band's iconic crushing beatdowns, today's drop is Gideon's second via their new label home, following "Til The Wheels Fall Off", released earlier this summer. Speaking about the inspiration behind "Wrong One", the band commented:

“We wrote this song at a time when we were simply fed up with always giving folks the benefit of the doubt. Never mistake kindness for weakness.”

Stream "Wrong One" here, and watch the official music video below.

Fans still have their chance to see Gideon bring the heat across the US alongside Kublai Khan TX, Drain, and Guilt Trip. Click here for ticket information, and be sure to keep 'em peeled for more Gideon news coming soon.

Upcoming Gideon US Tour Dates With Kublai Khan TX, Drain + Guilt Trip:

10/12 - Dallas, TX @ The Bomb Factory

10/14 - Kansas City, MO @ Uptown Theater

10/15 - Denver, CO @ Fillmore Auditorium

10/16 - Albuquerque, NM @ Sunshine Theater

10/17 - Tempe, AZ @ Marquee Theatre - SOLD OUT

10/20 - Salt Lake City, UT @ The Complex

10/21 - Boise, ID @ Knitting Factory

10/23 - Sacramento, CA @ Ace Of Spades - SOLD OUT

10/24 - San Jose, CA @ San Jose Civic Center

10/25 - Riverside, CA @ Riverside Municipal Auditorium - SOLD OUT

10/26 - Los Angeles, CA @ Hollywood Palladium - SOLD OUT

The Belair Lip Bombs Release New Single Back Of My Hand

The Belair Lip Bombs release “Back of My Hand,”  the third single/video from their new album, Again, out October 31st via Third Man Records. 

 

 The song undulates with an easygoing rhythm before bursting into Weezer-style guitar riffs on its heart-in-hand chorus. It’s another instance of the band’s total sincerity as Maisie implores a romantic connection to trust in the strength of their connection.

 

“Writing the lyrics was an up-and-down process,” Maisie explains. “I wrote the second verse first, the night I got home from the rehearsal where we wrote the song. I got a bit stoned and laid in bed with a notepad and a pen and the lyrics and the melody kinda just poured out of me, which pretty much never happens, so I guess it was a fluke.”

LISTEN HERE

PRE-ORDER

ARISING EMPIRE MEDIA ALERT: Defocus Return

German modern metalcore outfit Defocus are back with the video for new single "Coma," a track that pushes their intense, atmospheric heaviness to new extremes. Defocus once again deliver a song that feels both brutal and deeply immersive.
 

The band made waves with the debut album In The Eye Of Death We Are All The Same, which established them as one of the most promising heavy acts to emerge from Germany as of late. With millions of streams across their catalog, Defocus built a strong international following and proved that their sound resonates far beyond their home turf.
 

With "Coma," Defocus underline their unstoppable rise — a fierce and uncompromising anthem that confirms they are ready to step up to the next level.

Catch the band live with Breakdown of Sanity— tickets here. 

Watch the "Coma" music video Below.

DANKO JONES Pay Homage to KISS on New Video Single “Diamond In The Rough” feat. Marty Friedman (MEGADETH)

Toronto’s hardest-hitting rock ’n’ roll trio DANKO JONES are back with their explosive new single “Diamond In The Rough”, the latest cut from their upcoming album Leo Rising — out November 21, 2025, via Perception – A Division of Reigning Phoenix Music and Sonic Unyon (Canada)!

The track is a high-voltage homage to classic KISS, supercharged by a blazing guest solo from guitar legend Marty Friedman (MEGADETH, CACOPHONY).

The band comments: “Channeling early Kiss, this is a favorite of mine, especially with the one and only Marty Friedman on lead guitar!”

“Diamond In The Rough” channels the raw, unfiltered energy of 1970s arena rock. Friedman’s fiery fretwork ignites the song, adding his unmistakable touch of guitar heroism that takes the band’s signature power-trio sound into overdrive.

Listen / Download: https://dankojones.rpm.link/diamondPR

Watch the official video for “Diamond In The Rough” below.

Following the adrenaline-fueled singles “What You Need”, “Everyday Is Saturday Night,” and today’s release of “Diamond In The Rough”, DANKO JONES‘ forthcoming studio offering Leo Rising promises to be a masterclass in sweat-soaked, no-nonsense rock — produced to perfection by longtime collaborator Eric Ratz. Packed with razor-sharp riffs, thunderous rhythms, and infectious hooks, the album reaffirms that DANKO JONES are keeping rock alive by doing it better than anyone else.

John Calabrese laid down bass tracks from Finland, Rich Knox flew to Toronto to record drums, and Danko worked with producer Eric Ratz in the same city to capture vocals and guitars. Despite recording separately once again, the band’s chemistry is unmistakable. The result is pure DANKO JONES: tight, loud, and built for the stage.

Leo Rising may be their most electrifying and uplifting record yet — a jolt of high-octane rock made for packed clubs, open highways, and everything in between!

Pre-order Leo Rising and exclusive vinyl editions here:
https://dankojones.rpm.link/leorisingPR

About DANKO JONES
Every time someone announces the death of rock ‘n’ roll, Canada’s most incendiary power trio roll with the punches and keep rocking with maximum commitment to the cause. DANKO JONES are a three-piece rock ‘n’ roll band from Toronto. They never sleep. They sweat blood. And they are keeping rock alive by doing it better than anyone else.

On duty since 1996, these unstoppable road-hogs have devoted their lives to rousing the people with blistering, no-bullshit, all-action rock. They have rallied a global army of rock-hungry fans, and blown them away with a steady stream of explosive, anthem-packed albums and an absurd number of live shows. From early underground smashes like We Sweat Blood [2003] and Sleep Is The Enemy[2006], to the band’s recent, triumphant triumvirate of A Rock Supreme [2019], Power Trio [2021] and Electric Sounds [2023], DANKO JONES have been a relentless force for rock ‘n’ roll good, both in the studio and on the road. And they have absolutely no intention of stopping.

“You know what? I like the routine of recording, touring, writing, and repeat,” states singer/guitarist, Danko Jones himself. “I can do that till I’m dead! It may sound boring, but it’s so hard for a band to achieve. I don’t take this lightly. Also, it’s a page out of the MOTÖRHEAD handbook so it works! Since 'Electric Sounds' we’ve been touring and touring. We managed to play in Mexico and Greece for the first time, and we even played Prince Edward Island, a province in Canada we’d never been to before. Other than that, it’s been a life of gigs and writing more songs to play more gigs!”

Proving that their time was well-spent, Danko, bassist John Calabrese and drummer Rich Knox have conjured yet another blazing banquet of nourishing rock goodness on their 12th studio record, due for release later this year.

DANKO JONES are:
Danko Jones | vocals, guitars
John Calabrese | bass
Rich Knox | drums
 

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ROB ZOMBIE ANNOUNCES NEW ALBUM, THE GREAT SATAN, OUT FEB 27TH

Heavy metal legend, acclaimed filmmaker and pop culture icon ROB ZOMBIE returns for his 8th studio album, The Great Satan, out February 27th from Nuclear Blast Records. Following the success of his Top 10 charting record The Lunar Injection Kool Aid Eclipse Conspiracy (2021), Zombie is back, revisiting his early Hellbilly roots for a slaughterhouse of anthemic punk infused heavy rock/metal.

Out today is the record’s first single, “Punks And Demons,” accompanied by a video directed by Zombie.

Stream ‘Punks And Demons’: https://robzombie.bfan.link/punks-and-demons

Pre-Order The Great Satan: https://robzombie.bfan.link/the-great-satan

‘PUNKS AND DEMONS’ MUSIC VIDEO BELOW.

The Great Satan is available now for pre-order in a variety of formats including a limited box set and accompanying apparel at https://robzombie.bfan.link/the-great-satan.

About ROB ZOMBIE:

As a rock icon and filmmaker with a unique vision, Rob Zombie has continuously challenged audiences as he stretches the boundaries of both music and film. He has sold more than fifteen million albums worldwide, and is the only artist to experience unprecedented success in both music and film as the writer/director of nine feature films including “HOUSE OF 1000 CORPSES,” “THE DEVIL’S REJECTS,” “THE MUNSTERS” and the number one smash “HALLOWEEN.”

After four years, Rob Zombie is back with new music as he announces his latest record, THE GREAT SATAN, out on Nuclear Blast in 2026. The new music brings Zombie back to his Hellbilly roots with frenetic cuts such as ‘Punks And Demons,’ ‘Heathen Days,’ ‘(I’m a) Rock ‘N’ Roller’ and ‘Tarantula.’

Rob Zombie has achieved great success in the music industry, first as a member of the multi-platinum band White Zombie and later as a solo artist with even greater results collecting numerous multi-platinum and gold albums along the way including Hellbilly Deluxe, The Sinister Urge and Educated Horses. Rob Zombie’s most recent record, The Lunar Injection Kool Aid Eclipse Conspiracy (2021), debuted at #9 on Billboard’s Top 200 chart, making it his 7th consecutive solo album to debut in the top 10.

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KING ULTRAMEGA (Ft Richie Kotzen , Charlie Benante) Unveils New Single "Say Hello 2 Heaven", In Memory Of Chris Cornell

Alternative rock collective KING ULTRAMEGA, featuring members of ALICE IN CHAINS, ANTHRAX, MASTODON, and SOUNDGARDEN, have unveiled an emotional new rendition of the TEMPLE OF THE DOG classic, "Say Hello 2 Heaven", featuring Richie Kotzen on vocals and guitar. KING ULTRAMEGA crafted this single in loving memory of legendary vocalist Chris Cornell, while raising funds and awareness for MusiCares. MusiCares is the Recording Academy’s nonprofit that provides mental health, addiction recovery, and emergency services to those in the music community. 

Originally written by Chris Cornell as a tribute to MOTHER LOVE BONE vocalist Andrew Wood, KING ULTRAMEGA members Richie Kotzen, Charlie Benante, and Mark Menghi have now reinterpreted "Say Hello 2 Heaven" in memory of Chris Cornell. Richie Kotzen lends his soulful, expressive vocal delivery to the reimagined version of the song, imbuing it with deep personal meaning. Kotzen's performance puts emotional expression over technical preparation, resulting in an honest and moving take on the music.

"I lost my sister to suicide in 2022, and that kind of loss changes how you experience certain songs," Kotzen comments. "It's not something I set out to bring into the session, but it showed up. That's when it stopped feeling like just a tribute and became something more personal."

Bassist and mastermind Mark Menghi knew that "Say Hello 2 Heaven" would become an integral piece of KING ULTRAMEGA from the start, due to its lyrical message. Menghi chose to keep the song's arrangement and structure almost identical to the original, but the band took some creative liberties in lending R&B/soul-inspired stylings to the music. 

Menghi comments, "The lyrical message in 'Say Hello 2 Heaven' strikes a chord when you think back on how Chris wrote about Andrew's untimely passing, and here we are over 30 years later paying tribute to Chris with his song about his untimely passing. It's an emotional rollercoaster to say the least."

ANTHRAX Drummer Charlie Benante immediately agreed to play on "Say Hello 2 Heaven" due to his personal connection with the song. As a longtime fan of MOTHER LOVE BONE, Benante considers "Say Hello 2 Heaven" to be one of his all-time favorite songs.

About KING ULTRAMEGA:

KING ULTRAMEGA is a passion-driven musical project honoring the life, voice, and genius of Chris Cornell, one of the most gifted artists of our time. It launches in conjunction with SOUNDGARDEN’s long-overdue induction into the Rock and Roll Hall of Fame.

This project did not begin with a single, dramatic moment. Instead, it grew quietly and gradually, an organic result of years of conversations, inspiration, and deep reverence for a musician whose impact remains immeasurable.

"There is not a singular moment in time that led to this project," says bassist and producer Mark Menghi, the driving force behind KING ULTRAMEGA. "It was a trail of events that led to the formation of KING ULTRAMEGA and the evolving creation to pay tribute to the voice of a generation."

It started in 2020, in the midst of the pandemic, when Menghi recorded a version of "Rusty Cage" with friends. What began as a creative release soon became something larger. With every step forward, the project deepened in meaning and purpose. "I kept crossing the mental roadblock of 'you are entering uncharted waters, are you sure you wanna do this?'" Menghi reflects. "Chris is one of those dudes if you cover, you better do it justice."

The decision to continue became clear when SOUNDGARDEN guitarist Kim Thayil joined the project and re-recorded one of his own iconic tracks. "Once Kim got involved and re-recorded one of his own songs, I knew something was brewing,"Menghi says.

Thayil embraced the project wholeheartedly. "I’m super honored to record alongside all the amazing musicians appearing on the KING ULTRAMEGA project," he says. "I’m equally proud that it celebrates SOUNDGARDEN in this tribute to the songwriting of Chris. Ultra-admirably, everyone’s participation is supporting the work of the MusiCares Foundation. Thank you Mark Menghi, Charlie Benante and Reigning Phoenix Music (RPM)."

For Menghi, this project is as personal as it is musical. "I went through some very difficult times in my life. I should not be here right now, but I am," he shares. "I like to think my past trials and tribulations helped me understand Chris just a little, hence the formation of KING ULTRAMEGA."

Song selection was guided by instinct. "My mood. It's really that simple," Menghi explains. "'Rusty Cage' was recorded simply because it's one of my favorite songs featured on one of my favorite records." Other songs came to Menghi during moments of reflection and inspiration. "There is a bunch more in the can right now, all with drums fully recorded, which are currently being worked out for future releases."

The goal was never to reinvent Cornell’s work. It was about honoring it with the respect it deserves. "It really is only about honoring the legacy of Chris Cornell. Nothing more," Menghi says. Each musician brought their own voice, but always in service to the song and to Cornell’s memory.

"Each musician has their own individual musical stamp," Menghi explains. "You hear the absolute best of each one of them. You are talking about musicians who helped invent and shape musical genres and helped define their generations in popular culture, not just music, but society as a whole."

The cast of collaborators is remarkable. Kim Thayil, Charlie Benante, Joe Satriani, William DuVall, Bill Kelliher, Alissa White-Gluz, Kenny Aronoff, Menghi himself, among many others. The mix of past friendships and new connections created a unique bond among them. "I think back and go 'did I really ask Joe Satriani to do an instrumental reinterpretation of one of the greatest modern vocal songs ever recorded?' or 'what the fuck was I thinking asking the great Kim Thayil to re-record one of his own classic Soundgarden songs?'" Menghi laughs. Yet, no egos entered the room. "Each participating musician saw the vision and understood that this is about honoring the legacy of not only an inspiring musician, but an amazing husband, father and man."

For Menghi, Cornell’s music has always been a constant presence. "Chris Cornell has been one of only a very small handful of musical constants in my life," he says. "I never waivered, not once."

Certain moments in the process were surreal. Recording with Thayil was one of them. "I remember thinking back saying to myself 'holy fuck, I’m on a SOUNDGARDEN song with Kim Thayil. What planet are we on?'"

Throughout it all, Menghi served as the project’s creative director, always guided by one central question. "How would Chris like this?" Every choice, from guest musicians to mixes to artwork, was measured against that standard. "If there is even a shred of uncertainty at any point in the process, back to the drawing board we go."

The recordings were completed remotely over several years. The final tracks were mixed with care to ensure a cohesive sound that still captured the raw emotion of the performances.

Hope is the underlying theme that runs through KING ULTRAMEGA. It is an offering to longtime fans and an invitation for younger listeners to discover the timeless brilliance of Cornell’s work. "KU is just a blip in the Chris Cornell universe,"Menghi says. "We are a subtle reminder that Chris was a true musical genius."

For Menghi and his collaborators, KING ULTRAMEGA is both a deeply personal labor of love and one of the greatest honors of their musical lives. "To be here thirty-plus years later paying tribute to whom I believe was the king of those times is one of the greatest musical honors of my life."

Lineup for "Say Hello 2 Heaven":
Richie Kotzen - Guitar, Vocals
Mark Menghi - Bass
Charlie Benante - Drums

Connect with King Ultramega:

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