ARISING EMPIRE MEDIA ALERT: New Release Just Dropped From REVNOIR — WATCH + LISTEN

French modern metalcore force REVNOIR return with their powerful new single "Fracture," a gripping anthem that channels fear, resistance and the determination to keep fighting when hope feels increasingly difficult to hold onto. The release also marks the beginning of the pre-order for the band's highly anticipated debut album, Sometimes I feel you, sometimes I don't, set for release on November 27.

Described by the band as "a collective cry of resistance: the surrounding fear, and, in spite of it all, the refusal to give up," the track captures the tension of living in a world where silence, uncertainty, and helplessness can become overwhelming.

Built around the question of whether we simply stand by or find the courage to speak up, the track moves between raw vulnerability and outright defiance. Its lyrics paint a bleak picture of fear taking hold, voices being swallowed before they can be heard and people desperately searching for better days. Yet beneath that darkness lies a powerful sense of unity. "Fracture" ultimately refuses resignation, transforming anxiety, and isolation into a collective call to stand together.

Musically, REVNOIR deliver one of their most commanding statements to date. Stunning vocals collide with intricate, virtuosic instrumentation, and colossal modern production, steadily building toward a towering and unforgettable chorus. Heavy, atmospheric and deeply emotional, "Fracture" showcases the band's ability to balance vulnerability with sheer force while pushing their distinctive take on modern metalcore further forward.

Since emerging in 2023, REVNOIR have quickly established themselves as one of the most exciting new names in the French and European modern metal scene. Across their first two EPs and subsequent releases, the band have already accumulated more than 8 million streams, while their rapid rise earned them the title of Best Breakthrough Artist at Les Foudres 2025. Their growing reputation has also taken them to major stages across Europe, including Hellfest Main Stage, alongside extensive touring and festival appearances.

Their momentum has been equally evident on the live front. Following sold-out headline shows in Paris, REVNOIR have continued to expand their reach beyond France, including a European tour alongside Future Palace, proving that the intensity and emotion behind their music translate just as powerfully to the stage.

Pre-order here.

ARISING EMPIRE MEDIA ALERT: New Release Just Dropped From PLUME — WATCH + LISTEN

Rising alternative heavy act PLUME return with their striking new single "My Cortisol Face," the final release before their highly anticipated debut album Saferooms & Healing Frequencies arrives on September 25 via Arising Empire.

Blurring the lines between hyperpop shimmer, emotional metalcore and futuristic electronic production, "My Cortisol Face" captures PLUME at their most vulnerable and volatile. Glittering electronics collide with crushing guitars, ethereal clean vocals and piercing screams, creating a track that feels equally fragile, chaotic and euphoric.

Lyrically, the song dives headfirst into anxiety, distorted self perception and the exhausting battle against your own reflection. Images of glitter caught in the throat, ribs beneath paper thin skin and rehearsed smiles paint an unsettling picture of someone desperately trying to maintain the surface while everything underneath begins to fracture. The recurring question of whether this experience is a nightmare or everything they have been dreaming about sits at the emotional core of the track.

That conflict erupts in the chorus, where pain and style become almost inseparable. "My Cortisol Face" transforms inner turmoil into something strangely beautiful, balancing vulnerability with an undeniable sense of attitude and immediacy. As the song builds towards its desperate final moments, repeated questions of whether the pain will ever end underline the feeling of being trapped in an emotional freefall.

The single follows PLUME’s recent releases "Digital Waterboarding," "Furious Icon," "Angel Engine," and "A Cure For A Knife's Blade," each revealing another side of the band's rapidly evolving sonic identity. Since signing with Arising Empire earlier this year, the German four-piece has continued to establish itself as one of the most intriguing newcomers in modern alternative heavy music, combining pop sensibility with distorted guitars, synthesizers, fractured rhythms and a visual identity inspired by glam rock and contemporary digital culture.

Fronted by Pascal Pashaee alongside guitarist David Riederer, keyboardist Luka Lorch and drummer Richard Kilian, PLUME approach their music as more than a collection of songs. Their immersive live performances and carefully constructed visual world form an extension of a sound that refuses to sit comfortably within a single genre.

With their debut album Saferooms & Healing Frequencies set for release on September 25, PLUME are preparing to bring that vision into full focus. The 13-track record represents the next major step for a band increasingly determined to reshape the boundaries between pop, metalcore and forward thinking alternative music.

As the final glimpse of the album before its arrival, "My Cortisol Face" feels like a fitting statement of intent: intimate, dramatic, unpredictable and unapologetically PLUME.

Catch the band live:
9/19 — Lyon 07 France — La Petit Salon

ARISING EMPIRE MEDIA ALERT: New Releases Just Dropped From RESOLVE — WATCH + LISTEN

French metalcore force Resolve return with their brand new single "Spread My Ashes Into Space," marking the beginning of a bold new chapter for the band. Cinematic, crushing and deeply emotional, the track arrives alongside the announcement of their new album of the same name, Spread My Ashes Into Space" set for release on January 15. The album is available to pre-order here.

With "Spread My Ashes Into Space," Resolve push their unmistakable sound into vast new territory. Monumental riffs, atmospheric electronics and soaring melodies collide with moments of raw vulnerability, creating a track that feels both intensely personal and almost otherworldly in scale. While firmly rooted in the modern metalcore DNA that has defined the band, the single expands their sonic world with a renewed sense of ambition, depth and cinematic scope.

At its heart, "Spread My Ashes Into Space" explores the overwhelming desire to escape when the weight of reality becomes impossible to ignore. Space becomes a metaphor for absolute freedom, a place beyond expectations, pressure and noise. Against imagery of infinite darkness, solar flares and hyperspace, the song wrestles with the line between surrender and self preservation.

The band comments, "This first single and title track dive into the moment the breaking point is reached, and how that kickstarts a new perspective. The core of this song revolves around one specific question that kept coming up when writing the lyrics: "Is it a cure or an escape?"

"We've had times when the sheer weight of everything, the noise, the expectations, made me almost consider changing up my whole life and escape to a quieter, more serene place. In this song, space represents this: an ultimate silence and isolation. A place with 'no rules, no gods, just infinite black unknown.' It’s about the desperate need to find a sanctuary where you can finally be free from the weight of reality, a place where you can just exist however you see fit. This place has been harder and harder to reach for me these past few years, and we think we're not alone in that.

"Some might read the lyrics and see a dark surrender, but we want the audience to see it as written from a place of hope. It's that feeling of being an 'escape artist with no hands,' trying to find a way out when you're completely backed into a corner. Ultimately, it's a very raw admission that sometimes, the urge to disappear isn't about wanting to escape the actual world, but simply trying to save yourself from a system that feels too loud."

The title track sets the stage for what promises to be Resolve’s most expansive and emotionally charged album era yet.

Following two acclaimed albums, millions of streams, appearances at Hellfest and extensive touring alongside internationally renowned acts, the French quartet continue to establish themselves as one of modern metalcore’s most compelling voices. Heavy without sacrificing atmosphere and vulnerable without losing its intensity, "Spread My Ashes Into Space" captures Resolve at a pivotal moment, redefining their signature sound while remaining unmistakably themselves.

RESOLVE LIVE:
9/8 — Asheville, United States — The Orange Peel
9/9 — Norfolk, United States — The NorVa
9/11 — Stroudsburg, United States — Sherman Theater
9/13 — Hartford, United States — The Webster
9/14 — Rochester, United States — Anthology
9/15 — Sayreville, United States — Starland Ballroom
9/18 — Madison, United States — The Sylvee
9/19 — Columbus, United States — Newport Music Hall
9/20 — Louisville, United States — Louder Than Life 2026
9/21 — London, Canada — Forest City London Music Hall of Fame
9/24 — Quebec, Canada — Théâtre Capitole
1/20 — Reims, France — La Cartonnerie
1/21 — Strasbourg, France — La Laiterie
1/22 — Villeurbanne, France — Transbordeur
1/23 — Montpellier, France — Rockstore
1/24 — Limoges, France — CCM John Lennon
1/26 — Toulouse, France — Le Metronum
1/27 — Cenon, France — Le Rocher de Palmer
1/28 — Nantes, France — Warehouse
1/29 — Wasquehal, France — The Black Lab
1/30 — Paris, France — La Cigale

Novelists Release Video for New Single "Ravage" — WATCH // Tour With Bilmuri

Just days after Rock en Seine — one of France's leading music festivals which lineup included Deftones, The Cure, and Tyler and the Creator — and ahead of their North American tour with Bilmuri, Novelists release "RAVAGE," a new single accompanied by a largely self-produced music video. The release marks the beginning of a busy stretch for the Parisian five-piece, leading up to their headline show at the Olympia on April 23, 2027.

Since the release of their acclaimed album CODA in May 2025, Novelists have come a long way. Still releasing through their own label, ACKOR Music, the band continues to refine an increasingly distinctive identity without sacrificing their creativity, underpinned by some of the most accomplished vocal and instrumental performances in their scene. With a frontwoman equally at home in metal and pop, Novelists continue to break the mold. Their visual identity now matches the ambition of a band shaped by extensive touring around the world, as demonstrated by their new video directed by Bastien Sablé, whose credits include work with Aya Nakamura , "RAVAGE" is the latest expression of that artistic vision.

"'RAVAGE' was never meant to play it safe," the band says. "We kept pushing the track further: Heavier, more melodic, wilder… until a baroque cello somehow felt like the most natural thing in the world. The video came from exactly the same impulse. We had the budget to make life easier and hand the project over to a big production company, but we chose to produce most of it ourselves, to make that budget go as far as possible, and achieve the most ambitious result we could. There's something very Novelists about doing everything ourselves, even when it makes our lives unnecessarily complicated, simply because we're obsessed with bringing what's in our heads to life exactly as we imagine it."

The release kicks off a packed schedule for a band who has not slowed down over the past 18 months: Hellfest, Francofolies, Graspop, Download UK, Resurrection Fest, tours across the United States, Europe and China, and a La Cigale show that sold out weeks in advance. Next up: tTeir imminent North American tour with Bilmuri, followed by a European run with The Devil Wears Prada this autumn, before their biggest-ever Paris headline show in 2027.

NOVELISTS ON TOUR:
WITH BILMURI:

9/4 — Orlando, FL — House of Blues
9/5 — Myrtle Beach, SC — House of Blues
9/6 — Birmingham, AL — Avondale Brewing Co.
9/8 — Indianapolis, IN — Egyptian Room
9/10 — Philadelphia, PA — The Fillmore
9/11 — Philadelphia, PA — The Fillmore
9/12 — Buffalo, NY — Buffalo RiverWorks
9/13 — Toronto, ON — History
9/15 — Milwaukee, WI — Landmark Credit Union Live
9/16 — Grand Rapids, MI — GLC Live at 20 Monroe
9/18 — Columbus, OH — KEMBA Live!
9/19 — Louisville, KY — Louder Than Life
9/20 — St. Louis, MO — Red Flag
9/22 — Omaha, NE — Steelhouse
9/23 — Fayetteville, AR — Ozark Music Hall
9/25 — Albuquerque, NM — Revel
9/26 — Phoenix, AZ — The Van Buren
9/27 — Anaheim, CA — House of Blues
9/30 — Seattle, WA — Paramount Theatre
10/1 — Portland, OR — Theater of the Clouds @ Moda Center
10/3 — Reno, NV — Grand Sierra Resort and Casino — Grand Theatre
10/4 — San Francisco, CA — The Masonic

SHOWING TEETH Drops New "A Fate Worse Than Loneliness" EP — OUT NOW

Infiltrating the vanguard of heavy music with an uncanny and unpredictable sound like no other, acclaimed Nashville-based sonic alchemist SHOWING TEETH presents her much-anticipated debut EP, A FATE WORSE THAN LONELINESS, out now via Republic Records + Spinefarm. In tandem with the project, she opened up an online store and uncovered her first-ever official merch drop, featuring a "Bad Exchanges" camo hat, Labyrinth longsleeve shirt, and CD version of A FATE WORSE THAN LONELINESS — available here. 

To celebrate the EP's arrival, she also served up the music video for the new single "Make It Out" . The clip captures the uncontrolled energy of this disarmingly catchy anthem with gritty footage and an appropriately claustrophobic performance. Watch it below:

Musically, the track's glitchy riff slips into a buoyant palm-muted groove, while airy keys carry the verses. Boosted by alternately crunching and chugging distortion, SHOWING TEETH translates anxiety into a transfixing refrain as she accepts, "Maybe it's too late to pick me up…I'll throw myself back down….Even up to now, I'll tell myself, 'You'll never make it out'." 

Amplifying her internal struggle aloud without shame, she fearlessly wrestles with self-defeat on the hook and pushes through with honesty and heart intact.

She teased the EP with the brutal and bludgeoning "Bad Exchanges." The latter is quickly nearing one million total streams. Plus, she delivered a chaotic music video to accompany the song. Watch it here. 

Earning acclaim, Revolver hailed it as "a series of noise-tastic riff swerves, ground-unsettling gravity blasts, deliciously disjointed sound effects and, of course, the ultra-violent screams and squeals of project leader and vocalist Addison." Metal Hammer named it one of "The 12 Best New Metal Songs You Need To Hear Right Now," going on to profess, "Maybe it's the frequent blast-beats, or the shrieking, grindcore like screeches, but the Nashville artist really nails a sense of frenzied mania."

The EP also boasts "Rip," which has amassed over 1 million streams and counting thus far. Revolver touted it among the "6 Best New Songs Right Now," raving: "Beyond that textual heaviness, SHOWING TEETH goes next level berserk with her feral shrieks."

This fall, she will hit the road as support to President on the band's sold-out North American Campaign 2026 for six weeks across North America. This run commences on September 4 in Nashville, TN at Brooklyn Bowl Nashville, visits major markets coast-to-coast, and closes out on October 14 in Dallas, TX at House of Blues Dallas. All dates are below.
 
Experience A Fate Worse Than Loneliness and more to come from Showing Teeth this fall.

SHOWING TEETH ON TOUR:
WITH PRESIDENT:
9/4 — Nashville, TN — Brooklyn Bowl Nashville
9/5 — St. Louis, MO — Delmar Hall
9/8 — Chicago, IL — The Riviera Theatre
9/10 — New York, NY — Brooklyn Paramount
9/11 — Toronto, ON — Danforth Music Hall
9/12 — Montreal, QC — MTELUS
9/13 — Boston, MA — Big Night Live
9/15 — Philadelphia, PA — Theatre of Living Arts
9/16 — Silver Spring, MD — The Fillmore Silver Spring
9/18 — Louisville, KY — Louder Than Life*
9/19 — Huntsville, AL — Mars Music Hall
9/20 — Atlanta, GA — Shaky Knees*
9/22 — Orlando, FL — House of Blues Orlando
9/23 — Atlanta, GA — Buckhead Theatre
9/25 — Kansas City, MO — Warehouse on Broadway
9/26 — Denver, CO — Summit Music Hall
9/28 — Salt Lake City, UT — The Depot
9/29 — Las Vegas, NV — Brooklyn Bowl Las Vegas
10/1 — Garden City, ID — Revolution Concert House & Event Center
10/2 — Seattle, WA — Neptune Theatre
10/6 — Berkeley, CA — The UC Theatre
10/7 — Los Angeles, CA — The Wiltern
10/9 — San Diego, CA — House of Blues San Diego
10/10 — Phoenix, AZ — The Van Buren
10/12 — San Antonio, TX — Aztec Theatre
10/13 — Houston, TX — House of Blues Houston
10/14 — Dallas, TX — House of Blues Dallas
10/17 — Nashville, TN — Ceremony Festival*
*Festival Date

Silvertomb Drop "Graves in the Sky Video"

Doom Metal masters SILVERTOMB release their new single and video today. 

The song "Graves In The Sky" is also included on the upcoming studio album The Interpretation Of Nightmares. The album arrives November 13 via SPV.

Watch the video below.

Guitar player and singer Kenny Hickey says, "'Graves in the Sky' was a piece that was written from acoustic guitar and piano — a different creative approach for the band that yielded a new texture for the music, blending acoustic guitar, strings, and distorted guitar along with piano. I felt I was coming close to death at the time of writing this song and the lyrics deal with that reality!"

The Interpretation Of Nightmares will be released on November 13 through Steamhammer worldwide in the following configurations:
*CD DigiPak
*LP, 140 g, black vinyl, padded inner sleeve, coloured insert
*Exclusive LP Version and CD/LP Bundles with a shirt only at the Steamhammer shop
*Download + Streaming

Pre-order any and all configurations here.

FRAXURES UNLEASH HEXES — NEW IMMERSIVE ALBUM ARRIVES SEPTEMBER 4th VIA CLEOPATRA RECORDS

Southern California metal force FRAXURES unleash their highly anticipated new album, Hexes, September 4th via Cleopatra Records, accompanied by the release of the official video for the album’s title track, “Hexes.” 

A dark, heavy and deeply conceptual record, Hexes takes FRAXURES into ambitious new territory. Built around a singular premise, each song explores the forces that bind, haunt, manipulate and ultimately shape the human experience.

The title track serves as the gateway into that world.

The official “Hexes” video was directed and edited by FRAXURES bassist Vinny Marvaso of Marvaso Media and incorporates fragments from the upcoming film The Behemoth, creating a cinematic visual counterpart to the album’s ominous atmosphere and central theme. The Behemoth is forthcoming through Cleopatra Venom.

The release of Hexes follows the album’s third single, “Trauma Bond,” which introduced listeners to the record’s curse-driven concept through the destructive cycle of a relationship built around shared trauma.

Frontman Travis Neal described “Trauma Bond” as being about two people who remain helplessly connected despite the toxicity between them — trapped in a constant push and pull until the bond can finally be broken and freedom found outside the chaos.

That was only the beginning.

Across Hexes, FRAXURES expands the concept into a collection of individual stories, with each track examining its own form of darkness, while the album as a whole creates a larger narrative of entanglement, consequence, struggle and release.

Formed in 2020 in southern California, Fraxures line up as: Travis Neal (vocals), Fred Aching (drums), Vinny Marvaso (bass), Nolan Davis (guitar, vocals) and Esty Sanchez (guitar) - seasoned musicians from renowned acts such as William Shatner Band, Deadgroove, Kings Of Thrash, Divine Heresy, Powerflo, BillyBio, The Bloodline, and A Hero Within.  The members’ shared passion for creating earth-shattering music saw FRΛXURES emerge as a force to be reckoned with, blending the raw energy of metal with a modern edge. 

Born during the uncertainty of the pandemic, FRAXURES quickly developed into a formidable heavy music entity, combining the visceral impact of metal with melody, atmosphere and a distinctly modern edge. The members’ collective musical history is unmistakable, but rather than relying on the past, FRAXURES have used those foundations to establish an identity entirely their own.

That evolution has been reinforced onstage, where the band has performed alongside artists including Fear Factory, Snot, Taproot, Orbit Culture, Of Mice & Men and Unearth.

FRAXURES made their recorded debut with the critically acclaimed Firewater Sessions EP, produced by Billy Graziadei of Biohazard. Its combination of crushing riffs, expansive melodies and thought-provoking lyrics laid the groundwork for the band’s next chapter and ultimately led to FRAXURES joining the Cleopatra Records family.

The band subsequently released “Blackheart Serenade” and its interpretation of Depeche Mode’s “It’s No Good,” which broke onto Billboard’s Mainstream Rock chart.

Now, with Hexes, FRAXURES deliver the record toward which that momentum has been building.

For listeners who want to venture deeper into the album’s concept, the physical editions provide another layer to the experience, with the band inviting fans to “grab the vinyl or deluxe CD to explore the deeper meaning of each track.”

Hexes arrives worldwide September 4, 2026 via Cleopatra Records.

FRAXURES — HEXES

CD / VINYL: https://cleorecs.com/search?q=fraxures+hexes

DIGITAL: https://orcd.co/fraxures_hexes

Progressive Rock Duo DATURA LODGE Present A Psychological Thriller In Horror Inspired Video For "Hole"

Progressive rock duo DATURA LODGE delve into themes of regret and self-destruction through the warm analog comfort of David Lynch inspired visuals in the new release "Hole". Directed by Samantha Feyerabend-Muljat, the music video for "Hole" manifests in the form of a psychological horror as the protagonist spirals into self-sabotaging behaviors. The track is taken from the forthcoming, self-titled album set for release on October 2, 2026, via ARQUEN Records.

On the new release Nicky B explains the compositional process: "Musically this started for me with the small seed of the intro guitar and some effects I was playing with. It kind of fell together from there. One of the late additions to the arrangement that I am really happy with is the vibraphone in the bridge section. I was thinking specifically of the song 'Drifting' by Jimi Hendrix and knew Adam [Holzman, keys] would nail it since he had used similar sounds in his work with Steven Wilson. 'W' delivers an epic and emotional guitar solo that could not have been any more perfect for the song."

“W” adds: "This is undoubtedly the best song on the album. When we recorded this one, Ben proclaimed that 'this is the single!' Nicky B knocked it out of the park in the writer’s room and I think the band did a particularly good job handling the dynamics starting with the soft melancholy beginning and constantly building it up until it detonates with Nicky B belting the final chorus."

Director Samantha Feyerabend-Muljat comments on her creative approach:
"Since the band wanted to avoid a literal interpretation of the lyrics, I aimed to translate the emotional baggage into a tense, psychological mystery."

Emotional and captivating, the soundscape of "Hole" contains a dream-like atmosphere. The instrumental and vocals layers across the track are enveloping and immersive; they shut out the external world allowing one to become lost in their internal thoughts.

The band's debut self-titled album, Datura Lodge, is scheduled for release later this year via ARQUEN Records. 

Datura Lodge was produced by DATURA LODGE and Ben Karas. Tracks 1-5 were recorded at Frightbox Recording in Passaic, NJ, while tracks 6-9 were recorded at Frost Gauntlet Recording in Lyndhurst, NJ, all with engineer Ben Karas who mixed the album. The release was mastered by Andy VanDette at Evolve Mastering. The cover artwork for Datura Lodge was created by Samantha Feyerabend-Muljat.

Across the album, DATURA LODGE is joined by Adam Holzman on keyboards and Russell Holzman performing drums, with Ben Karas lending violin to "Stone". 

About DATURA LODGE:

DATURA LODGE is the latest musical endeavor from Nicky B and “W". Based out of Bergen County, New Jersey, USA, the duo has been performing music together since their early teens. From taking to stages locally in cover bands to releasing a video performing “Starless” by KING CRIMSON with John Wetton that amassed over 350,000 views on YouTube, the duo brings an array of experiences into their new project. 

Musical inspiration is primarily drawn from legendary progressive rock acts including GENESIS, KING CRIMSON, THE MARS VOLTA, and RUSH. DATURA LODGE strives to inject approachability into their sound while delivering hard-hitting hooks. Taking a bold creative direction, the band incorporates unexpected twists and turns across their tracks.


DATURA LODGE Is:

Nicky B - bass, vocals
“W” - guitar, vocals

Connect With DATURA LODGE:

Facebook: https://www.facebook.com/daturalodge
Instagram: https://www.instagram.com/daturalodge
Threads: https://www.threads.com/@daturalodge
Twitter/X: https://x.com/daturalodge
YouTube: https://www.youtube.com/@daturalodge
TikTok: https://www.tiktok.com/@daturalodge

Glam Rock Star BOBBIE DAZZLE Unveils New Single "Wonder" + Official Video

BOBBIE DAZZLE, the catsuit-sporting queen of UK Glam Rock, is proud to unveil her new single, "Wonder," taken from her upcoming sophomore album, ‘Star Power,’ set for release on October 2nd via Rise Above Records. The new track arrives alongside an official video.

Watch the Official Video for "Wonder" Below:

Since the release of her debut, BOBBIE DAZZLE has rapidly established herself as one of the most distinctive new voices in UK Glam Rock, sharing stages with legendary artists including Alice Cooper, Sweet, Lita Ford and Thunder’s Luke Morley, as well as appearing at London’s Hyde Park with Jeff Lynne’s ELO. Along the way, the artist born Siân Greenaway has transformed her flamboyant alter ego into a fully realized musical world built on infectious melodies, theatricality, dazzling musicianship and unapologetic fun.

Now, BOBBIE DAZZLE channels that whirlwind experience into ‘Star Power,’ an album that expands upon the sonic and visual identity established on ‘Fandabidozi’ while introducing a little more grit and bite. The eleven-song collection was overwhelmingly written by BOBBIEand keyboardist Chris Dando and was recorded in the same studio as her debut, creating a natural connection between the two records.

Star Power' features several notable collaborations. Former Runaways guitarist Lita Ford contributes a blazing guitar solo to the closing track, "Feel It Too," while Pendulum’s Gareth McGrillen co-wrote and plays bass on "Snakes And Ladders," bringing an unexpected connection between BOBBIE’s glam rock world and the electronic intensity of drum & bass.

Throughout ‘Star Power,’ BOBBIE’s love of classic rock, glam, progressive rock and theatrical songwriting remains at the forefront. The album’s opening title-track picks up where‘Fandabidozi’ left off, while songs such as "Jack Rabbit" showcase her willingness to embrace the grand, elaborate arrangements of her influences. Her signature flute playing also remains an integral part of the sound, adding another dimension to an album that refuses to be confined to a single era or genre.

Chris Dando once again plays a key role in shaping the BOBBIE DAZZLE sound, particularly through his intricate stacked vocal harmonies, while guitarist Ash Baker and bassist Leon Smith, both members of her live band, contribute throughout the record and to its production.

At its core, ‘Star Power’ is an album about joy, escapism and the power of music to provide a world away from everyday struggles.

Better Noise Signs Death Valley Dreams // Band Shares Cover of Chris Isaak's Melancholy Classic "Wicked Game"

BETTER NOISE MUSIC is pleased to welcome the ever-enigmatic DEATH VALLEY DREAMS to the label's roster. The band serves up a cocktail of brooding rock, atmospheric vibes, neo-new wave synths, and gloomy guitars. Indeed, Death Valley Dreams are a master class in gloriously melancholic music — they provide the soundtrack for nyctophiles.

Siphoning influence from '80s pioneers The Cure, Depeche Mode, Bauhaus, and Echo & The Bunnymen, as well as early '00s torchbearers The Killers, and Interpol while appealing to fans of newer acts like Nation of Language and Boy Harsher, Death Valley Dreams are magnets for those who prefer the darker side of life.

Lexie Viklund, Director of A&R, says, "Death Valley Dreams brings an exciting new dimension to the Better Noise roster. With a group of seasoned professionals coming together to pursue their shared passion for music, the possibilities are truly endless. We couldn't be more excited to welcome them to the Better Noise family."

Alongside the signing news, the band has shared its cover of Chris Isaak's elegiac "Wicked Game." They've added their own slow-burning spin to this haunting classic. 

Watch the video Below:

The cover is an inspired choice for Death Valley Dreams, whose own music thrives in the same space between darkness, desire, melancholy, and tension. Shimmering guitars, pulsing textures, and an intoxicating sense of suspense amplify the song's underlying ache, turning a familiar classic into something seductive, modern, and unmistakably their own.

There's an undeniable nocturnal quality to Death Valley Dreams’ rendition: Unsettling yet beautiful, like stumbling into a tantalizing late-night scene from a Quentin Tarantino film where you know something dangerous is about to happen. The song feels drenched in neon, shadows, desire, and mystery, capturing the magnetic pull of the original while heightening its cinematic allure. Rather than simply recreating "Wicked Game," DEATH VALLEY DREAMS tap into what made the song so enduring and reimagines it through their own dark-alternative lens.

"It's one of those songs that’s just hauntingly beautiful and dark," offers the band's singer and keyboardist. "I've always gravitated toward that kind of mood, and ‘Wicked Game' has always been one of those songs that stuck with me. It fits the world we've built as a band so naturally that it just made sense to take our own approach to it."

Fans of rock new and old can catch on the road this fall with The Rasmus and Saint Agnes. These September dates offer the perfect chance to experience DEATH VALLEY DREAMS in their element — after dark, surrounded by a room full of people discovering a band that feels destined for much bigger stages. All dates are below.

DEATH VALLEY DREAMS ON TOUR:
WITH THE RASMUS + SAINT AGNES:

9/6 — Chicago, IL — Bottom Lounge

9/8 — Toronto, ON — The Opera House

9/9 — Montreal, QC — Le Studio TD

9/10 — Allston, MA — Brighton Music Hall

9/11 — Quebec City, QC — Salle Montaigne

9/13 — New York, NY — Racket

9/14 — Philadelphia, PA — Union Transfer

9/16 — Flint, MI — The Machine Shop

9/17 — Louisville, KY — Louder Than Life Festival

9/19 — Minneapolis, MN — Varsity Theater

9/20 — St. Louis, MO — Delmar Hall

9/22 — Hidalgo, TX — Payne Arena

9/23 — Dallas, TX — The Studio at The Bomb Factory

9/24 — Houston, TX — Bad Astronaut

9/25 — Austin, TX — Come and Take It Live

9/27 — Englewood, CO — Gothic Theatre

9/28 — Salt Lake City, UT — The Grand at The Complex

9/29 — Grand Junction, CO — Mesa Theater

10/1 — Portland, OR — Hawthorne Theatre

10/2 — Boise, ID — The Shrine Social Club

10/3 — Seattle, WA — El Corazon

10/4 — Vancouver, BC — Rickshaw Theatre

10/6 — Sacramento, CA — Ace of Spades

10/7 — Reno, NV — Cargo Concert Hall

10/8 — San Francisco, CA — August Hall

10/11 — San Diego, CA — House of Blues

10/12 — Los Angeles, CA — The Regent Theater

Fight From Within Release New Single “The End of My Rope” ​

Upstate New York metalcore/hardcore band Fight From Within are back with their latest single, “The End of My Rope,” available now via Arson Theory. Produced by Daniel Thabet of Liquid Studios, the new track marks a new chapter for the band as they continue to sharpen their aggressive blend of metalcore, hardcore, and beatdown while expanding their reach with a newly announced run of dates supporting Tallah.

“The End of My Rope” captures Fight From Within at their most intense, delivering crushing heaviness, relentless energy, and the raw emotional urgency that has become central to the band's sound. Built for the pit but rooted in genuine frustration and perseverance, the track showcases a band continuing to push their sound forward without sacrificing the aggression that brought them together.

Alongside the new single, Fight From Within have announced “The Absence of Good Tour,” a tour supporting Tallah that will bring the band’s high-impact live show to stages across the country.

The new era also comes with a change behind the scenes, as Fight From Within are now under the management of Eric Ellis, formerly of Bury Your Dead. Ellis' experience within the heavy music community brings a new level of momentum as the band prepares to take “The End of My Rope” on the road and introduce Fight From Within to an even wider audience.

“The End of My Rope” is available now on all major streaming platforms.

Listen to The End of My Rope:

https://arsontheory.vyd.co/TheEndOfMyRope

WATCH the Lyric Video for "The End of My Rope Below:

FIGHT FROM WITHIN ON TOUR:

“The Absence of Good Tour” supporting Tallah

10-15 MILLERSVILLE, PA - PHANTOM POWER

10-16 HUNTINGTON, WV - JERK'S
10-17 ASHEVILLE, NC • SLY GROG LOUNGE
10-18 KNOXVILLE, TN- KARNS EVENT CENTER
1O-20 CLEVELAND, OH - FOUNDRY CONCERT CLUB
10-21 COLUMBUS, OH - SPACEBAR
10-22 EVANSVILLE, IN - SIX STRINGS ON FRANKLIN
10-23 CHATTANOOGA, TN - THE EDGE
10-24 ATLANTA, GA - 529 EAV
10-25 JACKSONVILLE, EL- THE ALBATROSS
10-27 GREENSBORO, NC - HANGAR 1819
10-28 VA BEACH, VA - SCANDALS LIVE
10-29 SALISBURY, MD - LURKING CLASS
10-30 ELMWOOD PARK, NJ - BLVD BAR & GRILL
1O-31 MANCHESTER, NH - BUNGALOW BAR

Tickets can be found HERE

Fight From Within were founded in Upstate New York in early 2021. Their sound lands at the intersection of metalcore, hardcore, and beatdown. With deeply diverse influences ranging from Bury Your Dead, Polaris, Evergreen Terrace, Emmure, Invent/Animate, Every Time I Die, and Attila, they have crafted their own distinct sound.

They have taken the stage at many key festivals, from Sonic Temple to The Gathering of the Juggles to Inkcarceration to Louder Than Life. The band headed into 2027 like a freight train — all gas, no brakes.

For More Information Please Visit:

Official Website

Spotify

Facebook

Instagram

YouTube

Merch

Victoriana Infused Electronic Metal Duo CODEX LOVELACE Release Album 'Galvanized Heart' With Video For "The Corps"

CODEX LOVELACE present the debut full-length Galvanized Heart. With a shared love of Victoriana, history, and a bit of cyber punk, CODEX LOVELACE, led by Joan Avant and Holly Royle (DISCONNECTED SOULS), fuses dark EDM with metal. The album release arrives alongside a new video for "The Corps". 

"The Corps" lifts the curtain on the darker side of entertainment. This song is about Les Petits Rats (little rats) who were corps ballet dancers in the nineteenth century and they were expected to prostitute themselves to certain patrons of the ballet. These are the girls in the shadows in Edgar Degas’ paintings being watched by lurking men.  

With high energy and eerie changing moods, "The Corps" delivers rhythmic intensity across electronics and metal instruments. Seductive lyrics and enthralling moments are met with a thunderous and shadowy quality revealing the sinister aspects beneath. 

Order Galvanized Heart HERE: https://codexlovelace.bandcamp.com/album/galvanized-heart

About CODEX LOVELACE:
Devised from a shared love of Victoriana, fantasy and admiration for history’s ‘invisible’ women, CODEX LOVELACE is an eclectic project led by Joan Avant and Holly Royle (DISCONNECTED SOULS). 

The band’s name is a direct reference to Ada Lovelace whose story, among others, is explored across the music and lyrics of their debut album, Galvanized Heart. Musically, the thunderous power of heavy metal, ethereal quality of orchestral arrangements and ambience of electronic textures become entwined across CODEX LOVELACE’s sound. 

The project arose from what was initially intended to be a sole collaboration song between Texas, US, based Joan Avant and Chester, UK, based Holly Royle. Before long, the scope of their creativity grew into a full-length offering. 

Produced by Joan Avant, the track list contains compositions spearheaded by both members demonstrating a wide breadth of genre and style influences from EDM to djent guitars. At the core, CODEX LOVELACE is designed to combine catchy simplicity, dance quality with intriguing textural layers, emotive soundscapes and stories of lives often overlooked. The debut album Galvanized Heart is scheduled to arrive on September 4th, 2026. 
 

CODEX LOVELACE is: 
Joan Avant: multi-instrumentalist, vocalist, composer & lyricist, producer. 
Holly Royle: multi-instrumentalist, vocalist, composer & lyricist.

Album Credits:
Guitar performance, bass, violin, drums, synth programming, vocal performance, composition and lyrics by Joan Avant
Guitar performance, synth programming, vocal performance, composition and lyrics by Holly Royle
Produced and mixed by Joan Avant
Mastered by Andy Fernihough
Cover artwork by Marisol Maerz
Photography by Tom Lloyd Photography / Joan Avant


Links:
Instagram: https://www.instagram.com/codex_lovelace/
YouTube: http://www.youtube.com/@CodexLovelace
Bandcamp: https://codexlovelace.bandcamp.com

BEHEMOTH - Unleash New Single & Video 'In League With Satan' + New Release "I, Scvlptor" Out Now!

Polish extreme metal legends, BEHEMOTH, unleash 'In League with Satan', the second single from their new studio release, I, Scvlptor, which is out today via Nuclear Blast Records (digitally) and Massacre Records (physically). The music video for 'In League with Satan' was produced by the acclaimed Polish production collective Grupa 13. The song and the video feature very special guest, Shagrath of Dimmu Borgir.

Nergal commented on the new single:
 
“When we were looking for a name for our tour with Dimmu Borgir, I thought it would be great to use a timeless slogan and basically quote the gods of satanic rock’n’roll — Venom and “In League with Satan” perfectly fit my vision. I honestly don’t remember what came first — the idea for the tour name or the idea of recording the song itself. What matters is that we recorded it on seven-string guitars with Shagrath from Dimmu as a guest vocalist. The song gained a massive weight and a completely new dimension. We’re planning to play it live and I think our version turned into something truly powerful.”

Stream I, Scvlptor in full: 
https://behemoth.bfan.link/i-scvlptor

Purchase the physical edition of I, Scvlptor:

Massacre Records: 
www.iscvlptor.com

Behemoth Webstore: 
https://behemoth-store.com/en-ea/collections/i-scvlptor
(all vinyl variants, cassettes and bundles sold out)

Watch the music video for 'In League With Satan' Below:

'I, Scvlptor', which is out today, is an exclusive release featuring eight previously unreleased songs - seven new studio recordings and one live track. It is an autonomous body of work that bridges the band's foundational past with their present creative fire. The release features brand-new studio material embodying the full force of Behemoth's live energy and intensity. Two tracks - 'Rise of the Blackstorm of Evil' (from The Return of the Northern Moon, 1992) and 'In Thy Pandemaeternum' (from Pandemonic Incantations, 1998) - are newly re-recorded versions of early Behemoth material, reshaped with modern sonics while preserving their original spirit; a tribute to the bands who had a huge influence on Behemoth - 'In League With Satan' (originally by Venom, feat. Shagrath of Dimmu Borgir) and 'The Return of Darkness and Evil' (originally by Bathory, feat. Sakis Tolis of Rotting Christ). Available on CD, LP, MC and Limited-Edition Box Set through Massacre Records worldwide and digitally via Nuclear Blast Records.

Nergal commented:
“We’re fucking excited about the release of I, Scvlptor. Even though it’s not a regular studio album and is, in fact, more of a compilation, the mere fact that it contains songs nobody has ever heard before makes it a significant release for us. What’s more, some of these tracks are likely a little different from what we offered on our last album, The Shit Ov God. That’s why we see I,Scvlptor as an important record — a connecting piece, a bridge between where we are now and whatever may come next in the distant future.”

Artwork: Bartek Rogalewicz/ LODGE.BLACK

In October 2026, two of the most influential forces in extreme metal join together for a monumental tour: Behemoth and Dimmu Borgir will embark on the “In League with Satan” co-headline tour (with special guests, Dark Funeral), storming across Europe and the UK. Details below:  

IN LEAGUE WITH SATAN TOUR 2026
BEHEMOTH + DIMMU BORGIR

09 Oct – Zurich, Switzerland – Halle 622
10 Oct – Zwickau, Germany – Sparkassen-Arena Zwickau
11 Oct – Esch-sur-Alzette, Luxembourg – Rockhal
13 Oct – Milan, Italy – Alcatraz
14 Oct – Munich, Germany – Zenith
16 Oct – Paris, France – Zenith
17 Oct – London, UK – O2 Brixton Academy
18 Oct – Den Bosch, Netherlands – Mainstage
20 Oct – Cologne, Germany – Palladium
22 Oct – Hamburg, Germany – Inselpark Arena
23 Oct – Berlin, Germany – Columbiahalle
24 Oct – Brno, Czech Republic – Hala Vodova
25 Oct – Katowice, Poland - Spodek 
27 Oct – Helsinki, Finland – Ice Hall
29 Oct – Stockholm, Sweden – B-K
30 Oct – Copenhagen, Denmark – K.B. Hallen

TICKETS: https://www.behemoth.pl/

AIRBOURNE’S New Self-Titled Album Out Today: A “Big, Bombastic” Blast Of Pure Aussie Thunder

AIRBOURNE’s NEW self-titled studio album, out today, September 4th, is a true rock ‘n’ roll tale of no compromise, no sleep and still no ballads (or bullshit); a story fuelled by the riveted will of four musicians, brothers Joel & Ryan O’Keeffe, ably supported by Justin Street & Brett Tyrrell, to create a body of work that proudly offers a full 21 gun salute to hard rock’s glorious traditions, its heritage and its heartbeat, whilst keeping sights firmly trained on the road ahead.

To celebrate the album's release, the band has dropped their new video for the song 'Kid in a Candy Store.'

Watch the Video For 'Kid in a Candy Store' Below:

AIRBOURNE’s sixth studio album is the one that plants the flag deepest for everything the Aussie outfit stands for, their unwavering commitment to The Great Rock ‘n’ Roll Cause, leaving everything (apart from Lemmy’s Bar, of course) on the stage on a nightly basis.

“When I look up to the sky, rub the blood and sweat from my eyes

Hell, no, I ain't dead yet, as long as I can breathe, I can get…”  ‘Gutsy’

PRODUCED BY Brian Howes (who helmed 2013’s ‘Black Dog Barking’); engineered by Mike Fraser (who worked on 2010’s ‘No Guts. No Glory’ & 2016’s ‘Breakin’ Outta Hell’); mixed by Zakk Cervini (BMTH, Architects, Evanescence); and mastered by the legendary Ted Jensen, ‘Airbourne’ The Album is the statement, line in the sand recording that only one band could have made.

For staunch sons of Warrnambool, Joel & Ryan, here was the moment: to create not just the finest body of work in the Airbourne canon, but to raise the bar as high as possible in the name of the hard rock community; to seek out new turf, to protect the ground hard won by heroes past, some sadly fallen, and to both strengthen and celebrate the special, sacred bond with rock fans everywhere…

“Our aim from the start was to create something iconic, gargantuan,” states vocalist / guitarist Joel, “real blockbuster shit. It’s a rocket we’ve been building and building; we’ve filled it with fuel, now we’re ready to let it go.”

“We said, this is it, let’s make the oracle,” continues drummer Ryan, “and if we’re going to do it, no corner can be cut. All of the things we love most about rock‘n’roll are on this record. I firmly believe it’s our very best work…”

In order to embrace the mighty task, AIRBOURNE felt it wise to stay close to home, with Music Farm Studio in the “jungle” outside Byron Bay, South Eastern Australia, the chosen locale; not only does Music Farm host the original Neve console from Albert Studios in Sydney, the desk on which AC/DC, Rose Tattoo and The Angels recorded their classic early albums, but it’s also home to late AC/DC guitarist / founding member Malcolm Young’s eight-track Neve, and naturally both were put to full an’ fruitful use on the

AIRBOURNE sessions.

By choosing vintage gear (and recording to tape), these sessions were never going to be gremlin free, but as things turned out, technical issues were just a part of the story, with near cyclonic storms, deadly snakes and even deadlier super sized spiders (the fabled Big Boy!) adding to the list of perils. They say what doesn’t kill (or bite) you makes you stronger, and for musicians and studio team alike the overriding vision never blurred; nights around the fire pit were spent talking about the big, bold, bombastic albums they’d skipped their homework to listen to; those layered, beautifully crafted records, the recognised classics, that had made them rock fans in the first place…

Next stop, Hothouse Studios in Melbourne; here, all recording was completed alongside engineer / studio owner, Craig Harnath. Rounding things off at Hothouse was an easy choice to make; not only was it where the band had recorded their first EP, but the console, also a Neve, is from Alberts Studio 2, allowing the connection to prime rock history to be maintained.

The challenge was there. The game on.

‘Here She Comes’, one of the two Lange / Adams co-writes, the other being ‘Who Put The Rhythm In You?’, followed in late July, which brings us on a mighty wall of Eddie Van Halen inspired feedback to album focus track, ‘Bogotá’, complete with lashings of EVH ‘Frankenstein’ action, the first time Joel had wielded the instrument!

It’s surely impossible to be a guitarist and not realise the significance of EVH, who (along with Lemmy, Doc Neeson, John Bonham, Bon Scott, Little Richard, Malcolm Young & Ozzy) gets a hand on heart namecheck on album closer, ‘Send Me To Rock‘N’Roll Heaven’, the song that most clearly defines the album’s key themes of lifestyle and legacy; of artists being kept alive in the hearts and minds of fans; of the rock ‘n’ roll torch being passed from one generation to the next, the flame still burning…

‘When you play this riff, you give me back my hands

When you drop the needle, I'm back in the band…’  ‘Alive After Death (Last Plane Out)’

‘AIRBOURNE’. Made with passion. Made in Australia. The Great Barrier Riff.

Now officially out of its cage.

AIRBOURNE Shows with Guns N’ Roses, November / December 2026.

11/29: Adelaide, AU

12/2 Townsville, AU

12/5 Brisbane, AU

12/8 Newcastle, AU

12/11 Melbourne, AU

12/14 Sydney, AU

12/17 Auckland, NZ

Finnish Modern Metal Outfit BLIND CHANNEL Shares New Single "Stars We See" + Official Music Video

Today, Finnish modern metal outfit BLIND CHANNEL serves up the next musical glimpse of their upcoming studio album, ‘Painstream,’ with their mesmerizing new single “Stars We See,” which transforms an existential crisis into a powerful message of hope, reminding humanity that life’s fleeting nature is what makes it meaningful.

“Stars We See” arrives with a captivating music video made by Riivata Visuals.

The band comments:

“We’re incredibly relieved and grateful to have our band back, and absolutely blown away by the response to the first new releases. 'Stars We See' is a sneak peek at the new soundscapes and themes we discovered during our break, and it represents the more hopeful side of the upcoming album. This track will undoubtedly make its way into the setlist of the'Painstream Tour,' kicking off in November. We strongly recommend experiencing this new chapter live. Get your tickets, and we’ll see you out there!”

Watch the Official Video for "Stars We See" Below:

‘Painstream’ is BLIND CHANNEL’s sixth studio album, which will be out via Century Mediaon October 30th. The 12 new powerful tracks lead through the pain of growth, sharp self-reflection, and explosive energy. 

On 'Painstream,' the band comments:

“In a world filled with uncertainty, conflict, and division, pain is one thing all humans share. Rather than separating us, 'Painstream' explores the idea that pain can unite us, reminding us of our common humanity. We examine pain from personal, societal, and existential perspectives, while also uncovering something unexpected: hope.”

Pre-Order 'Painstream' HERE

In addition to the new single, tickets for BLIND CHANNEL’s extensive ‘Painstream’ European headlining tour in early 2027 are now on sale. Purchase your tickets HERE.

BLIND CHANNEL Live:

11/14 - Helsinki, Finland @ Helsinki Ice Hall

11/18 - Tokyo, Japan @ Shibuya Club Quattro

11/19 - Osaka, Japan @ Umeda Club Quattro

02/09 - Hamburg, Germany @ Markthalle

02/10 - Berlin, Germany @ Columbia Theater

02/11 - Warsaw, Poland @ Proxima

02/12 - Krakow, Poland @ Kwadrat

02/13 - Prague, Czech Republic @ Rock Cafe

02/14 - Leipzig, Germany @ Felsenkeller

02/16 - Munich, Germany @ Backstage Werk

02/17 - Vienna, Austria @ Simm City

02/18 - Milan, Italy @ Magazzini Generale

02/19 - Zurich, Switzerland @ Dynamo

02/20 - Stuttgart, Germany @ Im Wizemann

02/21 - Frankfurt, Germany @ Batschkapp

02/23 - Paris, France @ La Maroquinerie

02/25 - Bristol, England @ Thekla

02/26 - Wolverhampton, England @ KK's Steelmill

02/27 - Nottingham, England @ Rescue Rooms

02/28 - Glasgow, England @ Garage

03/02 - Manchester, England @ Club Academy

03/03 - London, England @ Underworld

03/05 - Antwerp, Belgium @ Zappa

03/06 - Amsterdam, Netherlands @ Melkweg

03/07 - Bochum, Germany @ Zeche

03/08 - Cologne, Germany @Live Music Hall

BLIND CHANNEL are:

Niko Vilhelm Moilanen – Vocals

Joonas Porko – Guitar

Olli Matela – Bass

Tommi Lalli – Drums

Aleksi Kaunisvesi – Synths

LUTHER Share "Five of Cups" Video

September holds plenty in store for LUTHER: Coinciding with their live appearances at Reeperbahn Festival (for the "Spotlight on: Heavy Reeperbahn"/MoreCore.de showcase), Envol et Macadam Festival in Québec, Canada (alongside Hatebreed and Despised Icon), and Local Core Festival in Hamburg, the Berlin group presents the brand new single "Five of Cups."

Watch the video below:

"The lyrics tell the true story of a trip to Naples, where a vacation turns into an unexpected journey through mystical and folkloric experiences, including a prophetic tarot reading and a series of appearances of occult signs. These forced encounters trigger a harsh but inescapable revelation: Sometimes in life, no one is ever completely on your side, and many of those around you may only be there to pick at the remains," explains singer Leo Luther.

The track showcases a new facet of LUTHER's sound. Whereas the last single drew heavily from nu-metal and deathcore influences, "Five of Cups" explores progressive post-hardcore and melodic alternative metal — with a hint of emo. This sonic spectrum appeals to fans of bands such as Loathe, Knocked Loose, Poppy, Korn, Kim Dracula, and The Mars Volta. 

Production, mix, and mastering were handled by Enrico Tiberi, current lead vocalist of The Ocean Collective.

LUTHER LIVE:
9/5 — Hamburg, DE — Local Core Festival
9/10–9/12 — Quebec City, QC — Envol et Macadam Festival (headlined by Bad Religion and Hatebreed)
9/18 — Hamburg, DE — Reeperbahn Festival
10/26— Berlin, DE — Female Fronted Is Not a Genre Festival

Pennsylvania's Robin Ross & Carmine Gontz run deep with haunting new single 'Blood Lines'

Some family ties run deeper than blood—and some songs make those connections impossible to ignore. Pennsylvania’s Robin Ross and vocalist Carmine Gontz tap into that haunting, timeless space on 'Blood Lines', a sweeping rock anthem where melodic guitars, rich harmonies, and an emotionally charged performance explore the bonds, memories, and legacies that bind generations together.

Written and performed by Robin Ross with Jack's Maze, 'Blood Lines' is powered by Bill Snyder on guitar, Scott Cowan on melodic guitar, Frank Cinquegrana on drums and Joe Torres on bass.

Released via Pennsylvania indie imprint RPM Entertainment, this single was recorded at Baa Baa Leaf Music Studio in Milford, Pennsylvania, where Ross produced and mixed it, working alongside famed master engineer Jonathan Duckett (Phillip Glass, Kenny G, David Sanborn).  

Carmine Gontz is a rock artist known for his cinematic blend of gothic atmosphere, classic hard rock, and theatrical energy. The recipient of the Central Pennsylvania Music Award (CPMA) for Best Youth Artist, Carmine debuted with 'Planet 25', produced by Dan Malsch (Ghost, Motionless in White, Bowling for Soup). His new single 'Lost In Space' was produced by Matt Starr (Ace Frehely, Mr. Big) and features bass legend Rudy Sarzo (Quiet Riot, Ozzy Osbourne, Whitesnake) and drummer Mike Dupke (W.A.S.P., Dee Snider, Johh Mellencamp). Establishing himself as a rising voice in modern hard rock, Carmine is currently working on his debut album.

"Bloodlines survive through the years like sand in an hourglass. A new baby is born and a grandparent moves up in the sky. Everyday life moves on and the bloodline continues," says Robin Ross. "Life takes and gives the love of our heart as time passes. One day leads into the next and bloodlines find the root of humanity. Love life but do what one must do to survive throughout the bloodlines of generations."  

Emerging from the New Jersey and New York music scenes in 1988, Robin Ross has grown into a central figure in the creative pulse of Milford, PA. A multi-faceted musician, songwriter, and producer for over thirty years, he has released numerous albums while designing and developing several recording spaces, including Triple R Studios and Sound Complex near NYC. He has since grown his current hub, Baa Baa Leaf Music into a creative sanctuary and production house.

In the early ’90s, Ross co-founded Laughing Jack (later renamed Jack’s Maze), praised for a progressive rock style echoing the grandeur of Pink Floyd and Led Zeppelin. After years of an energy engineer career, 2021 marked a return to form, building Baa Baa Leaf Music from the ground up and reuniting with bandmates Frank Cinquegrana, Scott Cowan, and Joe Torres to record new material for the new album, titled 'Once in a Blue Moon', anticipated in autumn.

Just recently, Robin Ross & The Melodynes released the single "All I Want (Is A Lover)", a sun-drenched flower power pop tune, which was featured in the star-studded Apple TV+ and Peacock original series "Margo’s Got Money Troubles", starring Elle Fanning, Michelle Pfeiffer, Nick Offerman and Nicole Kidma. The soundtrack includes artists such as Dire Straits, Billy Idol, Madonna, Shania Twain and Reba McEntire. 

Earlier this year, they also released their second album 'Mind Space', showcasing their own blend of indie and classic rock sounds, involving Wharton Tiers, JoEllen Gaetani, Katlyn Albrecht, Emery Rhodes, Tony Anniello, Joe Torres, TW Howell and Nancy Isola. In 2025, Ross' other project Robin Ross & The TW Howlers also released their 'Back To The Forest' EP.

As of August 11, 'Blood Lines' is available on digital platforms, including Apple Music, Spotify, Amazon and Ban dcamp.

CREDITS
Lyrics by Robin Ross
Music written by Robin Ross, Frank Cinquegrana & Joe Torres
Robin Ross - keyboards/ lead guitar
Carmine Gontz - vocals 
Frank Cinquegrana - drums
Joe Torres - bass
Scott Cowan - melodic guitar
Bill Snyder - power guitar
Recorded at Baa Baa Leaf Music Studios (Milford, PA)
Produced & Mixed by Robin Ross
Supervising Engineer: Jonathan Duckett
Photography & video by Tina Ross
Album artwork & design by Tina Ross
Publishing & booking: RPM Entertainment Enterprises, LLC
Publicity by Shameless Promotion PR


Keep up with Robin Ross
Website | Bandcamp | Facebook | Instagram | YouTube | Reverbnation | Apple Music | Spotify | Booking contact | Press contact

Keep up with Carmine Gontz
Website | Facebook | Instagram | Twitter | YouTube | TikTok

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | BlueSky | Threads  | Soundcloud | LinkedIn | Email

JIM PETERIK & WORLD STAGE Announces New Album ‘River of Music: The Power of Duets Vol. 2’ Out on December 4th via Frontiers Music Srl

Today, JIM PETERIK & WORLD STAGE are proud to announce their new album, 'River of Music: The Power of Duets Vol. 2,' set for release on December 12th via Frontiers Music Srl. Celebrating the announcement, the band also shares the first single, "Back In The Day,"alongside an official music video, available below.

JIM PETERIK shares:

“I’m so excited about the release of the first single from my new 'River of Music: The Power of Duets Vol. 2' release. “Back In The Day” is one of my favorite tracks. It’s really a thrill to share the stage and vocals with my super talented son Colin Peterik. The song is a nostalgic look back at my younger days. 'We’d make the weekend last till early Monday morn!' Ah yes those were the days. 'When life gets too predictable we say- meet you back- back in the day!' The video for the song was created by the amazing Greg Bizzaro who always catches the essence of every song. Hope you enjoy these moments of our youth as much as we enjoyed re- living them! Stumbling back to school I remain."

Watch the Music Video for "Back In The Day" Below:

Few songwriters in the history of American rock have left a legacy as enduring as JIM PETERIK. From timeless anthems such as “Eye of the Tiger,” “Burning Heart,” “High On You,” “Vehicle” and “Caught Up In You” to countless collaborations spanning generations of artists, PETERIK has always understood that great music begins with great songs—and great voices.

With ‘River Of Music – The Power Of Duets Vol. 2,’ JIM PETERIK & WORLD STAGE return with a remarkable collection celebrating the magic that happens when exceptional singers come together in service of unforgettable melodies. 

Produced by legendary producer Ron Nevison (Led Zeppelin, Heart, Bad Company, Survivor) and featuring an all-star cast of musicians including Phil X, Tony Franklin, Kim Bullard, Denny Fongheiser and more, the album showcases ten powerful performances that blend soaring AOR, melodic rock, heartfelt balladry and PETERIK's unmistakable gift for storytelling.

At the heart of the album are a series of inspired vocal pairings featuring JIM PETERIKalongside an outstanding lineup of guest singers including Bree Gordon, Cathy Richardson, Kaity Heart, Tony Hitchcock, Dave Mikulskis and Colin Peterik. From the nostalgic warmth of “Back In The Day” and “Trains,” to the uplifting power of “Everest,” “The Best In Us” and “The Power Of Two,” each song captures a unique emotional connection while remaining unmistakably rooted in the classic melodic sensibilities that have defined PETERIK's extraordinary career.

Elegant, uplifting and filled with world-class musicianship, ‘River Of Music – The Power Of Duets Vol. 2’ is more than a collection of songs—it's a celebration of friendship, collaboration and the enduring power of melody. For fans of classic AOR and melodic rock, this is another essential chapter in the ever-evolving WORLD STAGE story.

Pre-Order ‘River of Music: The Power of Duets Vol. 2’ HERE

Line Up:

Denny Fongheiser: Drums

Phil X: Guitar

Tony Franklin: Fretted and Fretless Bass

Kim Bullard: Keyboards & Orchestration

Jim Peterik: Keyboards and Vocals

Ed Breckenfeld: Drums

Mike Aquino: Electric and Acoustic guitar

Bob Lizik: Bass

Kingdom Collapse Drop "Victorious" Video Feat. Wrestler Thunder Rosa

San Antonio, Texas-based rockers KINGDOM COLLAPSE have unleashed the beast! The band has shared the video for new single "Victorious," featuring champion AEW professional wrestler and former MMA star Thunder Rosa.

Watch it below.
 
The song is a high octane rager that comes out of the gates hard. The band deftly strikes a balance between aggression and melody, fearlessly toeing the line and kicking some ass. The video features Thunder Rosa doing what she does best — kick some ass. 

"'Victorious' is a signature Kingdom Collapse anthem that we did for our diehards," states singer Jonathan Norris. "Big riff, sing-along chorus, and a resilient attitude."

As for the accompanying video, bassist Aaron Smith says, "Since this one has such a motivational vibe, we invited our friend and AEW wrestler Thunder Rosa to be featured in the video. She's a badass so we knew she'd do a great job."

The song lives on their debut album Survivor, which will be released on October 30 via Mascot Records.

Pre-save it HERE.

Kingdom Collapse have hit the road hard in the U.S. and have spent the last month touring with Nashville rockers RED, and they will pause for breath before storming the festival stages and touring with Royale Lynn in July and then spending August on the road with Of Virtue and Savage Hands. Catching them live will make you understand how that kinetic energy has seen them share stages with the likes of Three Days Grace, Nothing More, 10 Years, From Ashes To New, Fire From The Gods, Saliva, Hinder, ATTACK ATTACK!, and Adelita's Way.

Kingdom Collapse originated from the childhood friendship between Norris and Smith, who grew up together, discovered music around the same time, and recognized its power after Jonathan lost his father at eight years old.

In order to cope, he immediately retreated into music and the embrace of a small community, which included Aaron's family. This was the turning point where both boys realized the power of friendship, the power of music, and their potential together. "I saw my father die right in front of my eyes," Jonathan sighs. "I didn't even know what was happening. In some ways, that darkness has never left. Music became my light. I connected with it, and it gave me hope for the future. Kingdom Collapse is a band that carries that torch." 

The band's current single is Top 30 at Active Rock and building.

TOUR DATES:
Tickets available HERE:

HEADLINE RADIO SHOWS:
9/2 — The Black Sheep — Colorado Springs, CO
9/4 — The Alpine — Reno, NV
9/6 — District at Knitting Factory — Spokane, WA

WITH ADELITAS WAY:
9/10 — Pop's Night Club — Sauget, IL
9/11 — The Machine Shop — Flint, MI
9/12 — The Castle Theatre — Bloomington, IL
9/13 — High Noon Saloon — Madison, WI
9/15 — The Forge — Joliet, IL
9/17 — The Green Door — Lansing, MI
9/18 — The King of Clubs — Columbus, OH

WITH LAKEVIEW:
10/15 — General Duffy's — Redmond, OR
10/16 — Ponderosa — Portland, OR
10/17 — Steel Creek — Tacoma, WA
10/18 — District Bar — Spokane, WA

WITH ADELITAS WAY:
11/4 — Come and Take It Live — Austin, TX
11/5 — Payne Arena — Hidalgo, TX
11/6 — Scout Bar — Houston, TX
11/7 — Haltom Theater — Haltom City, TX
11/8 — Vanguard — Tulsa, OK
11/10 — The Venue on Sunset — Springfield, MO
11/11 — Bottleneck — Lawrence, KS
11/12 — Matchbox — Omaha, NE
11/13 — Bigs Bar — Sioux Falls, SD
11/15 — Federal Theatre — Denver, CO
11/19 — The Newberry — Great Falls, MT
11/20 — The Pub Station — Billings, MT
11/21 — The Gem — Idaho Falls, ID
11/22 — The Complex — Salt Lake City, UT


9/10 — Sauget, IL — Pop’s
9/12 — Bloomington, IL — Castle Theatre
9/13 — Madison, WI — High Noon Saloon
9/15 — Joliet, IL — The Forge

KINGDOM COLLAPSE ARE:
Jonathan Norris — Vocals
Aaron Smith — Bass
David Work — Guitar
Gaston Flores — Drums

METAL ICON KAI HANSEN RELEASES NEW SINGLE "WAIT AND SEE"

With "Wait And See," Kai Hansen releases the third single from his upcoming solo album Born With A Hammer. Pre-order it here.

After the speed, freedom and rock 'n' roll spirit of "Welcome To Life," the new track turns towards the heavier side of the album and immediately feels darker, tighter and more intense.
 
At its core, "Wait And See" is driven by sharp riffs and a rhythm that keeps pressing forward, but there is also a subtle electronic pulse running underneath it. That slight electronic edge gives the song a restless, modern feel without taking away any of its weight. When the chorus opens up, the track finds the unmistakable mix of power, melody and bite that has always made Hansen's songwriting so distinctive.
 
What stands out most is how alive the song feels. Hansen is not trying to recreate an earlier era or to prove that he can still play this kind of music. The riffs, the small electronic details. and the directness of the performance all sound instinctive. The point is not simply that he can still make music this forceful; it is that he clearly still wants to.
 
That balance gives “Wait And See” its own character. It is one of the harder and more forceful songs on Born With A Hammer, but the electronic touches, changing textures and strong sense of melody keep it from ever feeling one-dimensional.

The release is accompanied by a new video built from footage captured during a trip to Slovakia. Away from the usual stage setting, it shows Hansen driving a Mustang, traveling through the country and spending time in the studio, offering a rare, more personal glimpse of the person behind the music.

Born With A Hammer was produced by Eike Freese, Kai Hansen and Alexander Dietz. The album was recorded with Eike Freese on guitar, Heaven Shall Burn’s Alexander Dietz on bass, Carcass drummer Dan Wilding, and Induction guitarist Tim Hansen.

Across 10 songs, Born With A Hammer brings together powerful heavy metal, punk attitude, hard rock drive and strong melodies. Following "Feeding The Beast" and "Welcome To Life," "Wait And See" makes it clear that the album does not follow one fixed direction, while still sounding unmistakably like Kai Hansen throughout.
 
Following the worldwide success of Helloween’s recent reunion era and its major international tours, Born With A Hammer sees Kai Hansen return his focus to his own musical world. His history is naturally present in "Wait And See," but it never weighs the song down. This is not a metal icon looking backwards; it is Kai Hansen sounding fully engaged with what comes next.

ABOUT KAI HANSEN:
Kai Hansen is one of modern heavy metal’s most influential creative forces. As co-founder of Helloween and founder of Gamma Ray, he shaped the sound and spirit of power metal and continues to influence artists and fans worldwide. His work with Helloween has brought him back to the biggest stages around the globe, while Born With A Hammer reveals another side of his creative drive — personal, direct and fully charged.