Eva Under Fire, One of 2026's Buzziest Bands, Share Video for New Song "Starshine"

Fresh off a summer and fall tour with labelmates Five Finger Death Punch and emerging as the rock-band-to-watch of 2026, acclaimed Detroit, Michigan hard rock collective EVA UNDER FIRE unleash a brand new song and music video entitled ''Starshine'' out now via Better Noise Music. 

Listen to the single HERE.

Watch the video BELOW.

Booming stadium-ready drums set the tempo for the track. A hummable guitar lead wraps around the rhythm like a python, squeezing tighter until frontwoman Amanda Lyberg's alternately soulful and commanding vocals take hold. The tension increases, and she recognizes, "In the shadows, I'm a prisoner of my own head.'' The energy swings into the jet stream of a soaring refrain with a lament, ''I'm in the starshine losing time.'' It illuminates the group at their brightest. 

The accompanying music video shocks the song to life on-screen, while the subject matter captures how the band sucked the marrow out of every date on the four-month trek.

Regarding the song, Lyberg said, ''When you’re up at 3am and can't sleep because something feels off… that's the 'Starshine.' Reflecting on how amazing this tour has been, I felt the song was a really great description of those post-tour blues. We wanted something that would serve as a nod to the tour, the incredible people we met and all our memories made along the way. 'Starshine' is like the superpower we discovered being on a massive tour testing ourselves on the biggest stages across the US. It's changed us. It keeps us up at night. Normal life will never feel the same, and we wouldn't have it any other way.''

To recap Eva Under Fire's unstoppable year thus far, they dropped the new album Villainous. It featured a powerhouse collaboration with In This Moment's Maria Brink. Beyond amassing millions of streams, while, in a detailed profile, RIFF Magazine marveled at how ''It didn’t take long for Eva Under Fire vocalist Amanda Lyberg to embrace her larger-than-life persona on the Detroit band’s new album, Villainous.'' 

As mentioned, the band criss-crossed the country supporting hard rock juggernaut Five Finger Death Punch in arenas and amphitheaters coast-to-coast.

Be on the lookout for more tour dates and news soon.

For all of EVA UNDER FIRE's new music, Amanda Lyberg drew on her career as a licensed therapist to foster open dialogue among the band members, empowering everyone to be heard during the recording. Her work in therapy started in 2018 when she graduated with a Master of Arts degree in Psychology and went on to work at a mental health clinic in Detroit, Transcendence Behavioral Health (owned by Dr. Stephanie Williams). That same year, her father passed away due to a fentanyl overdose. Her mother survived the same batch that killed her father and has been sober for the past six years. In addition to her thriving and busy music career, Amanda is currently a practicing psychotherapist specializing in trauma work, grief, loss, and addiction recovery.

Her story turned into a 2023 short film, My Rockstar, which used EVA UNDER FIRE music throughout and has won over 20 awards at several film fests including Orlando Film Fest, Wild Rivers Film Festival, Toronto WILDfilm Festival, and many others.

Lauded as one of SiriusXM's 2023 "Ones To Watch," EVA UNDER FIRE released their critically acclaimed debut album, LOVE, DRUGS & MISERY via Better Noise Music in 2022. Its deluxe version includes the Top 20 Active Rock radio-charting single "Unstoppable" featuring country/rock artist Cory Marks. They've toured across the globe with acts including Bush, Bad Wolves, Pop Evil, Skillet, and Finger Eleven, while also appearing at some of rock's biggest festivals including Aftershock, Inkcarceration, and Rock Fest.

EVA UNDER FIRE—who have amassed over 100 million streams and 10 million YouTube views—substantially expanded their fanbase following their featured appearance in the horror-thriller The Retaliators (Better Noise Films) and the inclusion of their single "Blow (Feat. Spencer Charnas of Ice Nine Kills)" on the film's soundtrack. Their single "Heroin(e)" was also featured on the soundtrack for the 2020 film Sno Babies (Better Noise Films), which has over 65M global streams. "Heroin(e)" has a combined total of over six million global streams, while "Blow (Feat. Spencer Charnas of Ice Nine Kills)" has over 41.6M global total streams.

Progressive Trio SOURCE Release New Single "What Remains," Announce Album 'Resurgence'

Rooted sonically in heavy psychedelic prog rock and thematically in introspection, Colorado's SOURCE present the new single offering, "What Remains." The track lands ahead of the forthcoming 5th studio album, Resurgence. The full length is scheduled to arrive independently on January 15, 2027. 

On the new release, SOURCE shares:
"'What Remains' asks the question: what is left when all hope is lost? When everything I’ve believed is shattered, what remains? It looks at desperation and attachment to outcomes as one of the last barriers to the truth beneath all my delusions and invites  surrendering to what remains."

Thematically, the track was inspired by the band's personal experiences with touring; the hidden workload behind and the scenes, the moments missed and sacrifices made. "There were a few tours specifically where we all felt an unfathomable sense of dread that we had no control over our future as musicians." Vocalist, guitarist and keyboardist Benjamin Gleason comments. "But underneath that dread was this sensation of being fully present in the current moment. A new connection with the truth of our lives which felt safe and secure."

"What Remains" begins with a captivating bass melody that builds into an anthemic progression. Instrumental layers gradually emerge creating a softer, more emotional sound that takes inspiration from bands such as THE CURE and A PERFECT CIRCLE. Heavy distorted guitars, the driving melodic bass and electronic percussion provide movement with a a swooning 6/8 feel. 

Resurgence was produced by Benjamin Gleason and recorded at Cymatic Sounds Studios with engineer Justin Mirarck. Mixed by Benjamin Gleason and Justin Mirarck, and mastered by Tom Capeck. The album artwork for Resurgence is by Mike Gamble. 

Backing vocals on Resurgence are performed by Wes Watkins, Yasmine Hunter, Emma Phillips-Strain and Chipo Muzilikazi.

Alongside the announcement of Resurgence, limited edition multifoil, layered, textured posters of the album's cover art are available for pre-order. The striking artwork was created by artist Mike Gamble, who is best known for his thought provoking work and designs for TOOL. 

Order HERE: https://www.listentosource.com/product-page/resurgence-multifoilholographic-poster

About SOURCE:
Based out of Boulder, Colorado, SOURCE was originally formed in 2014 by Benjamin Gleason, Dan Crisafulli, and Georges Bou Serhal. With founding member Benjamin Gleason now joined by Justin Mirarack on drums and percussion and Pascal Faurie on bass, the trio craft immersive music inspired by their own introspection and transformative practices. 

While SOURCE explore self awareness, healing and personal evolution through their lyrics, musically they situate themselves in the realms of heavy psychedelic prog rock. Instrumental layers, powerful and emotive harmonies and a wide range of dynamics leads to a sound that is melodic with an enveloping feel. 

The band's first album Return To Nothing released in 2016 via Pavement Entertainment and that same year saw the band embark on the Forged in Fire Tour opening for HELLYEAH, IN FLAMES, and FROM ASHES TO NEW. Totality arrived in 2019 through Pavement Entertainment, followed by independently released albums Ethereal Self in 2021 and Emergence in 2023.

SOURCE recently unveiled their interpretation of RADIOHEAD's "Optimistic" ahead of their forthcoming fifth full-length studio album.


SOURCE Is:
Benjamin Gleason - Vocals, Guitars, Keyboards
Justin Mirarack - Drums, Acoustic Percussion, Electric Percussion
Pascal Faurie - Bass

Connect With SOURCE:
Official Website: https://www.listentosource.com/
Bandcamp: https://listentosource.bandcamp.com/
Facebook: https://www.facebook.com/listentosource
Instagram: https://www.instagram.com/listentosource
YouTube: https://www.youtube.com/@SourceBand
Spotify: https://open.spotify.com/artist/5zEuzw6dwKcnNtXahckDXi?si=Sl4CKg09RiaDAbG1jmNK_w&nd=1&dlsi=3ba80878878e40ce
Apple Music: https://music.apple.com/us/artist/source/1462541339
TikTok: https://www.tiktok.com/@listentosource

Minute After Midnight Drops "THE HATMAN" Video — WATCH

MINUTE AFTER MIDNIGHT, the brainchild of Derrick Ryan that sprouted from the fertile musical grounds of Nashville in 2016 and who cannot be tethered to singular genre parameters in favor of mixing alt, rock, and pop, previously announced that the new album MATTER OF TIME will arrive on November 13 via Fearless Records. Pre-order it here. 

Minute After Midnight shares the video for "THE HATMAN." Watch the lyric video below. 

Ryan offered this about "The Hatman": "The song introduces the darker force at the center of the world we’ve been building. He represents the darkness that exists alongside the light the part of yourself you can try to bury or contain, but eventually have to face. The more you try to run from him, the more powerful he becomes."

The same can be said for the song itself. It's one of the heaviest tracks in Minute After Midnight's repertoire thus far. It goes for the jugular from the opening notes and isn't afraid to pummel with breakdowns or super melodic choruses, for that matter (of time).

When the clock strikes twelve, one day gives way to the next. The slate wipes clean, life restarts, and another chapter commences. Minute After Midnight sounds like a new beginning born from the high-speed collision of bright pop-punk, heartfelt emo, intense metalcore, and expertly executed alternative rock steeped in the lore of an evocative mythos. The Tennessee-born singer, songwriter, multi-instrumentalist, and producer acts as a conductor both sonically and aesthetically, conceiving a larger-than-life vision and ushering it into existence. After quietly amassing tens of millions of streams and building buzz, he makes the most of the moment on his full-length debut LP, Matter of Time 

"Everything stems from the concept of time," says Ryan. "When you think about it, music itself is keeping time. The name—Minute After Midnight—is a reference to time. The title A Matter of Time was also fitting for the album. I always believed it was only a matter of time until this happened. I've got my chance to start now."

Derrick grew up between Bristol and Knoxville. Following college, he found his way to Nashville where he planted down roots. Pursuing a life in music, he honed his talents in genres as diverse as pop, country, electronic, and house, grinding to be heard non-stop, cultivating his voice with various features, and sharpening his songwriting skills alone. He introduced Minute After Midnight with independent tracks and received substantial activity on TikTok and airplay from SiriusXM Octane.

Anything went in the Matter of Time writing sessions as he channeled inspiration from the likes of My Chemical Romance, Fall Out Boy, All time Low, and Bring Me The Horizon. Ryan share, "I was nostalgic for the bands I would see at Warped Tour back in the day. I was trying to embrace that headspace for the record."

Ultimately, the album is designed to uplift and inspire hope. Because what else is there?

"When you listen to this, I hope you realize there is a light at the end of the tunnel," states Ryan. "Even in the darkest of dark, you can always keep moving forward. If you have dreams, it's only a matter of time until you accomplish them."

Heavy Rock Collective THE DEVIL'S BLIND HORSE Release New Single, "Sister"

Back with another tribute offering to the Heavy Rock and Roll Gods, THE DEVIL'S BLIND HORSE, spearheaded by Alex Knoll, returns with their much anticipated second single "Sister." Available on October 7, on all major streaming platforms, "Sister" is accompanied by a new lyric video release. Watch Below. 

Surprises are abound with TDBH’s signature fusion of psychedelic hard rock and metal. From the ABBA-inspired strings in the bridge to the blast beat passage during the outro chorus; soulful melody is intertwined with punch, cyclic riffs are intertwined with textures and depth.

The Knoll/Lynne core duo is once again supported by an all-star lineup comprised of Johan Niemann and Rikard Zander (Evergrey) on bass and keyboards respectively, whereas drum duties are handled by Emily Dolan Davies (The Darkness) on this ride. A very special guest appearance by Aarón Serfaty on bongos (Jon Anderson, Sérgio Mendes, Alan Pasqua) sets the tone early for an explosive, prog-tinged hard rocking journey.

The vision for a unique artistic flair to the sonic landscape prompted TDBH to partner with Mixing Engineer Marcus Jidell (Grammy Nominated and Swedish Grammis Winner - Candlemass, Avatarium, Soen) on “Sister”. Mastering is once again handled by Robert Pehrsson (The Hellacopters, Lucifer, Tribulation, Imperial State Electric) at Studio Humbucker.

After the collective’s introduction with their first single "Dragon," "Sister" will leave enthusiastic listeners wondering what may be next. The Devil’s Blind Horse is surely as excited to find out.

Following the recent release of “Dragon,” THE DEVIL'S BLIND HORSE are embarking on the beginning of an exciting chapter. The group is already gaining buzz for their forthcoming EP, “…Alas, we ride…”, more to revealed anon. 

“THE DEVIL'S BLIND HORSE is an unabashed celebration of all of the things that I love about music” says Alex - adding: “It is the journey in pursuing the music that I hear in my head... It’s my definition of that perfect collection of sounds and songs, artistically earnest and uncompromising, from beginning to end.”

Knoll, a veteran of the Los Angeles metal scene with a storied past in 999 Society and a brief stint in SPINESHANK, has crafted a unique soundscape with THE DEVIL'S BLIND HORSE. Drawing inspiration from legends like BLACK SABBATH, DEEP PURPLE, ROBIN TROWER, GRAVEYARD and OPETH, the band’s music transports listeners to a golden era of rock and roll, imbued with fresh energy and innovation.

About THE DEVIL'S BLIND HORSE:

Founded by Brazilian-born guitarist Alex Knoll, THE DEVIL'S BLIND HORSE is a heavy rock and roll project that blends 60s, 70s, and early 80s influences with progressive metal aesthetics. With a lineup of seasoned artists, the band delivers a powerful, genre-defying sound that resonates with fans of classic rock and metal alike.

THE DEVIL'S BLIND HORSE Is:

Alex Knoll - Guitars and others
VK Lynne - Lead and Background Vocals

"Sister" Credits:

  • Written by Alex Knoll and VK Lynne

  • Produced by Alex Knoll

  • Mixed by Marcus Jidell

  • Mastered by Robert Pehrsson (Studio Humbucker – Stockholm, Sweden)

  • Featured Musicians: Alex Knoll (Guitars, Programming), VK Lynne (Lead Vocals), Jennifer Knoll (Backing Vocals and Percussion), Johan Niemann (Bass), Rikard Zander (Keyboards), Emily Dolan Davies (Drums and Percussion), Aarón Serfaty (Bongos).

GRAVEYARD - Release Lyric Video For 'Back From The Grave', The Opening Track Of Their New Album "Fever" Which Is Out Now!

Rock titans GRAVEYARD have officially released their highly anticipated seventh studio album, Fever, out now worldwide via Nuclear Blast Records. Coinciding with the album’s arrival, the band has premiered an official lyric video for the album’s energetic opening track, ‘Back From The Grave’.

Right from the needle drop, the captivating groove of ‘Back From The Grave’ makes it unmistakably clear where the band is headed this time around: a triumphant return to GRAVEYARD’s heavy psych and heavy blues roots. Channeling the electrifying, vintage power of legendary albums like their much-loved classic Hisingen Blues, the track sets an explosive tone for the entire record—drenched in thick fuzz and fueled by a relentless rhythm section while still maintaining their soul-soaked grit.

The accompanying lyric video perfectly mirrors the hypnotic drive of ‘Back From The Grave’, pairing the track's infectious momentum with vintage visual styling that highlights the raw, bluesy swagger of the opening anthem.

Mixed by Pelle Gunnerfeldt—widely renowned for capturing the ferocious live energy of bands like The Hives, Refused, and Viagra Boys—and mastered by Robin Schmidt at 24-96 Mastering, Fever captures the unvarnished, high-voltage power of the Swedish quartet at full tilt.

Complemented by the record's bold visual identity created by Dutch artist Maarten Donders, Fever marks a celebrated return to form for the two-time Swedish chart-toppers. To mark today's release, GRAVEYARD will launch a co-headlining Scandinavian tour alongside BLUES PILLS, ahead of extensive European and UK tours throughout 2027.

As of today you can (and should!) stream Fever in full or puchase a physical copy via the link below.

PURCHASE / STREAM FEVER:
https://graveyard.bfan.link/fever

WATCH THE LYRIC VIDEO FOR 'BACK FROM THE GRAVE' BELOW:

GRAVEYARD LIVE:

02.10. SE  Stavanger Rockfest

w/ BLUES PILLS & SKRAECKÖDLAN
31.10. SE  Eskilstuna, Lokomotivet *
06.11. SE  Mejeriet, Lund *
07.11. DK  Århus, Voxhall *
13.11. SE  Örebro, Club 700 *
14.11. SE  Karlstad, Nöjesfabriken *
20.11. SE  Falun, Magasinet *
21.11. SE  Norrköping Arbis *
27.11. SE  Göteborg, Gothenburg Film Studios **
28.11. SE  Stockholm, Fållan **
04.12. FI  Tampere, Tavara-Asema **
05.12. FI  Helsinki, Tavastia **

*  with Skraecködlan
** with Blues Pills

EUROPEAN TOUR 2027 
w/ BLUES PILLS & SPIDERS

04.03.2027    DK    Copenhagen,    Amager Bio
05.03.2027    DE    Hamburg,    Große Freiheit 36
06.03.2027    DE    Wiesbaden,    Schlachthof
07.03.2027    NL    Utrecht,    Tivoli Vredenburg Ronda
09.03.2027    FR    Paris,    Élysée Montmartre
10.03.2027    CH    Zurich,    Volkshaus
12.03.2027    DE    Stuttgart,    Im Wizemann
13.03.2027    DE    Munich,    Muffathalle
14.03.2027    DE    Leipzig,    Täubchenthal
16.03.2027    AT    Vienna,    Arena
17.03.2027    PL    Warsaw,    Klub Stodoła
19.03.2027    DE    Berlin,    Metropol
20.03.2027    DE    Cologne,    Kantine
21.03.2027    BE    Brussels,    Ancienne Belgique
22.03.2027    DE    Saarbrücken,    Garage
24.03.2027    UK    Bristol,    O2 Academy
25.03.2027    UK    Nottingham,    Nottingham Palais
26.03.2027    UK    Manchester,    Manchester Academy 2
27.03.2027    UK    London,    Electric Ballroom

STARSET Share "t r a n s f u s 1 0 n" Video

STARSET, who've existed at the intersection of music and sci fi for most of their billion-streaming career, recently shared a pair of new tracks —
"p a r a d 0 x 1 c" and  "a n n 1 h 1 l a t 1 0 n" — to the delight of fans.

Today, they share the video for "t r a n s f u s 1 0 n." Watch it below.

"t r a n s f u s 1 0 n" begins with remarkable restraint, pulling listeners into an intimate, deeply personal moment before steadily building into a soaring payoff. Every new layer feels intentional, creating a sense of tension that culminates in one of the album's most emotionally resonant moments. The closing stretch arrives with staggering force, trading quiet vulnerability for an overwhelming surge of heaviness that lands with unmistakable emotional conviction. It's the kind of grand finale that lingers long after the final note.

Since emerging in 2013, Columbus, Ohio's STARSET have become one of modern rock's most distinctive and commercially successful acts, amassing nearly 5 billion global streams, including more than 1.7 billion on Spotify alone, earning RIAA Platinum and Gold certifications, scoring multiple Billboard Mainstream Rock Top 10 hits, and building a devoted global fanbase through cinematic storytelling and immersive live productions that blur the line between concert and science-fiction experience.

Lauded by Forbes as having "one of the most firmly established brands of any modern rock band," STARSET are creating a true multimedia empire with music at its core. STARSET are one of the most successful and visually and conceptually ambitious acts in rock music. The band's impact is best captured in its massive numbers: STARSET have accumulated billions of streams worldwide. Their breakout hit "My Demons" has become a rock staple, earning multi-platinum certifications and dominating alternative and active rock charts. Meanwhile, their cinematic, sci-fi–driven live shows sell out venues across North America, Europe, and beyond — due to the passionate vigor with which their fanbase follows the band.

Continuing to push creative boundaries both on and off the stage, STARSET will bring their transportive live production to cities across North America throughout September and October.

STARSET ON TOUR:
WITH BREAKING BENJAMIN, CHEVELLE, + KAMI KEHOE:
10/02 — Las Vegas, NV — Michelob ULTRA Arena
10/03 — Anaheim, CA — Honda Center
10/05 — Phoenix, AZ — Talking Stick Resort Amphitheatre
10/07 — Albuquerque, NM — First Financial Credit Union Amphitheater
10/10 — The Woodlands, TX — The Cynthia Woods Mitchell Pavilion
10/12 — Fort Worth, TX — Dickies Arena
10/13 — Rogers, AR — Walmart Arkansas Music Pavilion
10/16 — Tuscaloosa, AL — Mercedes-Benz Amphitheatre
10/17 — Alpharetta, GA — Ameris Bank Amphitheatre
10/19 — Tampa, FL — MIDFLORIDA Credit Union Amphitheatre
10/20 — West Palm Beach, FL — iTHINK Financial Amphitheatre
10/23 — Raleigh, NC — Coastal Credit Union Music Park at Walnut Creek
10/24 — Bristow, VA — Jiffy Lube Live

Weathers Release New Single "Teeth" and Official Lyric Video via Big Machine Rock

Alt-rock outfit Weathers has released their new track "Teeth" and the accompanying lyric video via Big Machine Rock. Prior to today, the band shared "Happy Pillz (Higher Dose)", a fresh reimagining of fan-favorite track "Happy Pills", and their latest banger, "Antidote". Speaking about the inspiration behind "Teeth", the band commented:

“'Teeth' is one of the most interesting songs we’ve ever written, not because it’s necessarily honest or deep and vulnerable, but actually because it was inspired by my celebrity crush. I wanted to deliver an idea of that kind of parasocial relationship or the thought we all have at least once when thinking about celebrities we like which is “would we be friends in real life?” However the twist being that this character in the song represents those people out there that think they have a personal relationship with someone they don’t know. Hence my favorite lyric, “you would like me, you would love me” which leans into the delusion that maybe they could be friends even though they don’t know that person at all.

We’ve all had celebrity crushes before and wondered what it would be like to meet them. I wanted to take things a step further and bring a dark ridiculous twist to the song making it feel possessive and scary. Fun fact, while writing this song we had this actors tv show playing in the room.”

Fans will soon have their chance to see Weathers hit the stage on the upcoming Moonbloom US tour alongside VOILÀ and Ella Red. The tour kicks off Tuesday, October 27, in Los Angeles, California at The Fonda and wraps on Sunday, November 15, in Denver, Colorado. Afterward, the band will bring the heat to their headlining show on Tuesday, November 17, in Salt Lake City, Utah at Urban Lounge (tickets available at the link here).

Stream "Teeth" here and watch the official lyric video below.

Upcoming Weathers US Tour Dates:

Tue 10/27 - Los Angeles, CA @ The Fonda

Thu 10/29 - Phoenix, AZ @ The Nile Theater

Sat 10/31 - Dallas, TX @ House of Blues

Mon 11/2 - Nashville, TN @ Brooklyn Bowl

Tue 11/3 - Atlanta @ The Masquerade*

Wed 11/4 - Charlotte, NC @ The Fillmore

Fri 11/6 - Philadelphia, PA @ Union Transfer

Sat 11/7 - New York, NY @ Irving Plaza

Sun 11/8 - Boston, MA @ Royale

Wed 11/11 - Detroit, MI @ St. Andrews

Thu 11/12 - Chicago, IL @ House of Blues

Sun 11/15 - Denver, CO @ Summit Music Hall

Tue 11/17 - Salt Lake City, UT @ Urban Lounge*

*Weathers only

ABOUT WEATHERS

Southern California-based alternative rock band Weathers — lead singer/frontman Cameron Boyer, guitarist Cameron Olsenand bassist Brennen Bates — have been consistently creating finely crafted introspective pop songs heavily inspired by the counter-culture of the 80s and 90s since forming in 2015. The band makes music that speaks to those among us who tend to forget that, regardless of outward appearances, everyone is struggling with something and that no one is alone. Weathers’ story is a tale of growing up, of coming into one’s own, and includes themes of depression or anxiety and the often difficult maintenance of mental health.

They first grabbed listeners' attention with 2016's "Happy Pills," which peaked at number 21 on the Billboard Alternative Songs chart. Initially, vocalist Boyer and guitarist Olsen met in 2012 while attending a battle of the bands in the Los Angeles suburb of Manhattan Beach. By 2015, they had formed Weathers, recruiting bassist Bates. Signing with RCA Records, they released their debut single, "I Don't Wanna Know," a swaggeringly moody song that drew comparisons to Walk the Moon and The Neighbourhood. Fans followed, and in March 2016 they landed a slot at SXSW. Their follow-up single, "Happy Pills,"garnered the band even more attention, becoming the most added track to rock radio in July 2016. In 2018, they issued the Kids in the Night EP, featuring the single "1983."

Molly Hatcher Drop "Once A Gambler" Video — WATCH

Southern Rock legends Molly Hatchet released their new single and video "Once A Gambler" today. The song is taken from the upcoming studio album Lost Horizon.

Watch the video below.

Guitar player Bobby Ingram says, "Win or lose, playing the game, living your life at high speed. Gambling that the winner takes it all. Once a gambling man, always a gambling man, with every aspect of life. Always thinking you are ready to bet it all, having a fierce attitude with no regrets. Living everyday with the positive attitude of betting everything. Even if losing it didn't matter. The next day you were back at sitting down and gambling to win as much as you can. Never looking back, always looking forward and betting on your life's winning to live another day and start it all over again but in another town when the winnings were good."

TOUR DATES:
10/2 — Murphys, CA — Ironstone Amphitheater
10/3 — Madera, CA — ApCal Rock N' Ranch Amphitheater
10/10 — Miami, OK — Buffalo Run Casino
10/11 — Phoenix, AZ — Celebrity Theatre
10/17 — Ponte Vedra Beach, FL — Ponte Vedra Concert Hall
10/23 — Peekskill, NY — Paramount Hudson Valley Theatre
10/24 — Jim Thorpe, PA — Penn's Peak
10/30 — Bristol, TN — The Paramount
11/12 — Nashville, IN — Brown County Music Center
11/14 — Wisconsin Dells, WI — Crystal Grand Music Theatre

DUSTIN LYNCH CALLS UP ASHLEY COOKE FOR “HOW YOU BEEN”

MULTI-PLATINUM, 10x #1 hitmaker Dustin Lynch teams up with Ashley Cooke on “How You Been,” an up-tempo country duet that turns one phone call into a rush of summer memories. Available everywhere today, listen BELOW.

Described by Lynch as a “chapter 2” to his 4X PLATINUM smash “Thinking ’Bout You,” “How You Been” finds an old connection suddenly back on the line, reopening a chapter neither side may have completely left behind. Ferris wheel first kisses, moonlit nights and a summer in Myrtle Beach come flooding back as a casual check-in starts sounding more like an invitation to pick up where they left off.

“I’m so happy to finally have a song out with Ashley. She sounds incredible on ‘How You Been,’ and from the first time I heard it, it felt like the perfect song for us to do together,” shares Lynch. “To me, it feels like chapter two of ‘Thinking ’Bout You.’ It’s that idea of reconnecting with somebody from your past and realizing those memories might still mean something to both of you. Ashley brings so much personality to her side of the song, and I can’t wait for everyone to hear it.”

“The second I heard this song, I was beyond excited Dustin asked me to be a part of it,” shares Cooke.“Not only is it an absolutely infectious melodically, but lyrically it packs a punch and has that clever double entendre I really love in a song. It’s that ‘invisible string’ story in a way that feels fun and flirty. Great song and even better duet partner, what more could you ask for?” 

Matching the song’s forward momentum, “How You Been” trades studio gloss for an up-tempo, driving arrangement with the feel of a full band in the room. Lynch and Cooke play both sides of the conversation, their vocals bringing a lived-in ease to a story that hangs on a deceptively simple question: if the memories are still this vivid, how far away is the past really?

“How You Been” offers another look at Lynch’s seventh studio album, Clean Slate, arriving October 30 via BBR Music Group/BMG Nashville. Across 12 tracks, the album finds Lynch taking stock of where he’s been and where he wants to go next, exploring love from every angle – from new possibilities and hard-earned perspective to heartbreak, second chances and the connections that refuse to disappear.

KEEP UP WITH DUSTIN LYNCH

WEBSITE | FACEBOOK | X | INSTAGRAM | YOUTUBE | TIKTOK 

ABOUT DUSTIN LYNCH:
Dustin Lynch has “built one of the most consistent recording careers in modern country music” (Billboard), achieving 10 number ones, four Top 5 albums, MULTI-PLATINUM status with 12 RIAA-certified singles and more than 5 BILLION cumulative global streams. Now, the proven hitmaker turns the page with his seventh studio album, Clean Slate, arriving October 30 via BBR Music Group/BMG Nashville. Across 12 tracks, Lynch takes stock of where he’s been and where he’s headed, exploring love, heartbreak, hard-earned perspective and the moments worth holding onto while staying true to the sound that has defined his career. The album includes “Easy To Love,” road-tested honky-tonk anthem “Made In A Bottle,” “How You Been” with Ashley Cooke and “Home To You” with MC4D. Lynch recently celebrated a decade-plus of chart-topping music with Setlist Staples - 10 #1’s, bringing together the songs that have become the foundation of his live show. Released alongside new RIAA certifications for “Small Town Boy” (5X PLATINUM), “Thinking ’Bout You” (4X PLATINUM), “Ridin’ Roads” (2X PLATINUM) and “Chevrolet (feat. Jelly Roll)” (PLATINUM), the collection underscores a catalog built to last. Beyond the charts, Lynch has headlined packed venues and toured with some of country’s biggest names, including Kane Brown, Luke Bryan, Brad Paisley and Blake Shelton. A longtime fixture in Las Vegas nightlife, he made history as Wynn Nightlife’s first-ever country music artist residency in 2025 and returned in 2026, further expanding his sound through genre-blending collaborations and his Club Set Remixes EP. Since his PLATINUM breakout “Cowboys and Angels” in 2012, the Tennessee native has earned industry recognition as a Grand Ole Opry member, alongside high-profile nominations from the Academy of Country Music Awards, American Music Awards, Billboard Music Awards, iHeartRadio Music Awards and CMT Music Awards.

Folk Metal Duo FORGOTTEN SHRINE Release New Single "Gods Of War," Inspired By The Music Of Skyrim

FORGOTTEN SHRINE traverse dramatic soundscapes and landscapes in the new single release, "Gods Of War." Drawing inspiration from the open-world, mythical realms of Skyrim, "Gods Of War" takes the form of a bard's song in FORGOTTEN SHRINE's characteristic dynamic style. The single is taken from the forthcoming full length Nox Aeterna, set to release independently on November 6, 2026.

Sofia Frasz comments on the origins of "Gods Of War": "I had the idea for this song way before Josh and I even started Forgotten Shrine. I first wrote the lyrics in February 2021, and was thinking about releasing an acoustic Exiled Hope EP at the time. I had wanted to make music that sounded like it could be a Skyrim-style bard’s song, but hadn’t quite found a place for it in the Exiled Hope canon yet. I finally revisited the song shortly after we started Forgotten Shrine, and recorded an updated demo in 2024. Then I sent the demo to Josh, and we embellished and reworked it together."

"Gods Of War" continues the overarching narrative of Nox Aeterna. The album's protagonists, the keepers of an ancient shrine dedicated to art, creativity, and freedom, are well on their way to finding the source of the approaching darkness. They grow weary, however, at the apathy of those they encounter on the road as the impending destruction of all creeps nearer. 

Nox Aeterna was produced, mixed and mastered by Joshua Dalviken. The album artwork was created by Josh Alexander and Joshua Dalviken, with the cover art for "The Parting Glass (Reforged)" created by Josh Alexander and Tricia Alexander. 

About FORGOTTEN SHRINE:
Created by Josh Alexander (Pennsylvania, USA) and Sofia Frasz (Maryland, USA), FORGOTTEN SHRINE fuses the sounds and textures of folk instruments with the power and darkness of metal. Through their genre-crossing arrangements FORGOTTEN SHRINE delve into fantasy realms creating both upbeat songs perfect for embarking on an adventure and heavier offerings for battling shadowy forces. 

Alexander and Frasz combine their compositional styles, instruments and vocal textures to produce dynamic and emotive music. The upcoming full-length sees the duo each take the reins across the track list while ensuring FORGOTTEN SHRINE's core identity remains cohesive. 

FORGOTTEN SHRINE is: 
Josh Alexander - Guitar, Bass, Hurdy Gurdy, Irish Bouzouki, Additional Instruments, Backing Vocals, Composition.
Sofia Frasz - Lead Vocals, Guitar, Lyrics, Composition.

Connect With FORGOTTEN SHRINE: 
Facebook: https://www.facebook.com/profile.php?id=61555238025771&mibextid=ZbWKwL
Instagram: https://www.instagram.com/forgottenshrineband
YouTube: https://www.youtube.com/@ForgottenShrineBand
Spotify: https://open.spotify.com/artist/0q7rFp0yxvWoxGWqIt21nI?si=p5jz0YOOROOHFy5jxHAW6A
Apple Music: https://music.apple.com/gb/artist/forgotten-shrine/1734698132

MYSTIC PROPHECY RELEASE LYRIC VIDEO FOR NEW SINGLE “MARCH OR DIE”

German heavy metal force MYSTIC PROPHECY has released a lyric video for their new single “March Or Die,” taken from the band’s upcoming studio album In Metal. The album will be released on November 27, 2026 via PERCEPTION – Powered by Reigning Phoenix Music.

Driven by classic heavy metal energy, powerful riffs and a defiant spirit, “March Or Die” is a song about standing together when everything around you descends into chaos. While its imagery draws from the battlefield, its message is rooted in everyday life: keep moving forward under pressure, face adversity head-on and refuse to give up.

Vocalist R.D. Liapakis comments:
“‘March Or Die’ may draw on the imagery of battle, but its message reaches far beyond the battlefield. At its core, the song is about human survival, perseverance and the need to keep moving forward, whatever life puts in your path. Time does not stand still, and neither can we: our actions determine the road ahead. Standing still is death – so, March Or Die!”

Stream “March Or Die”: https://mysticprophecy.rpm.link/marchPR

Pre-order In Metal: https://mysticprophecy.rpm.link/inmetalPR

[Video created and edited by: Death.Milk.Designs]

With more than two decades of history behind it, MYSTIC PROPHECY has long established itself as one of the driving forces of the German and international heavy metal scene. Following the success of its acclaimed albums Metal Division and Hellriot, the quintet surrounding charismatic frontman R.D. Liapakis, also known for his work as a vocalist with Michael Schenker, now returns with renewed energy, a strengthened lineup and a record built to hit with maximum impact.

MYSTIC PROPHECY is entering its next era with three powerful new additions to the fold. Tommy Gun takes over bass duties, while guitarist Dan Baune, known from NWOBHM act Monument, and drummer Christophe de Combe of Belgian metallers FireForce complete the renewed lineup. Together, they inject even more power, precision and fire into the unmistakable MYSTIC PROPHECY sound.

In Metal was produced by Dan Baune and R.D. Liapakis, with mixing and mastering handled by Henrik Udd. The album stays true to everything that has made MYSTIC PROPHECY a force for more than 20 years while pushing its sound firmly forward. Fans can expect powerful, concise hooks with instant shout-along appeal, technically brilliant riffs and a hard-hitting, monstrous sound. A modern production gives the songs weight, depth and unstoppable headbanging force without sacrificing the band’s classic heavy metal spirit.

Whether on stage or on record, MYSTIC PROPHECY has always treated heavy metal as a passionate ultimate fight: no compromises, no holding back, just pure power. With In Metal, the band is ready to prove once again why it remains at the forefront of international heavy metal. In support of their upcoming album, MYSTIC PROPHECY will hit the road in late 2026, joined by special guests IRON SAVIOR and GENERATION STEEL. Find all dates listed below!

In Metal will be released on November 27, 2026, via PERCEPTION. Pre-order the album now at: https://mysticprophecy.rpm.link/inmetalPR

MYSTIC PROPHECY is:
R.D. Liapakis – Vocals
Markus Pohl – Guitar
Dan Baune – Guitar
Tommy Gun – Bass
Christophe de Combe – Drums
 
MYSTIC PROPHECY live:
13.11. (DE) Siegburg | Kubana Live Club
26.11. (DE) Nürnberg | Hirsch
27.11. (DE) Lindau | Club Vaudeville
28.11. (DE) Freiburg | Kulturraum
03.12. (DE) Aschaffenburg | Colos-Saal
04.12. (DE) Bochum | Matrix
05.12. (DE) Oldenburg | MTS
10.12. (BE) Kortrijk | DVG Club
11.12. (DE) Osnabrück | Hyde Park
12.12. (DE) Köln | MTC
13.12. (DE) Mannheim | 7er Club

Connect with MYSTIC PROPHECY:
https://www.mysticprophecy.net 
https://www.facebook.com/mysticprophecy 
https://www.instagram.com/mysticprophecy_official 
https://www.youtube.com/@MysticProphecy 

French Folk Band SKÁLD Release Third Single "Dǫkksalir" + Lyric Video!

French dark folk entity SKÁLD release "Dǫkksalir," unveiling gentle melodies that unfold almost like a lullaby—perfectly fitting the concept of the enchanting yet frightening sirens lurking in the dark.

The song is taken from the band’s upcoming full-length album, Ørlǫg, which will be released this Friday, September 25, 2026. Ørlǫg marks SKÁLD's first release via Napalm Records and awakens ancient spirits as the band extends an invitation into times long gone but not forgotten.

Right in time to bring their new music to stages across Europe and the United Kingdom, SKÁLD are set for a major autumn UK/EU arena tour supporting The Hu, kicking off on September 29 in Glasgow.

SKÁLD about "Dǫkksalir":
"'Dokksalir' draws us into the dark depths of the sea; in the distance, the sirens' song calls to us, yet also terrifies us; mischievous spirits watch us and laugh at us; they already know we will be weak; the light no longer protects us; down below, eyes stare at you — perhaps it is you yourself watching yourself lose your way. Those siren voices are so beautiful."

Watch the lyric video for "Dǫkksalir"  below:

As the Norns weave our future, this album is a fascinating passageway into our pristine origins and the consequences of our choices. Ten new songs as stepping stones, Ørlǫg is an offering to listen, to dwell, to reflect—and to find something within yourself previously unknown. SKÁLD don’t just play music, they awaken ancient ways.

A staple band in the neofolk genre, SKÁLD deliver a striking work of art with their latest album, deferentially using their sources to keep old spirits alive and form the enchanting world of Ørlǫg. The language might sound unfamiliar, but the music still touches the soul.

SKÁLD about Ørlǫg:
"Ørlǫg is the cosmic web that influences the world and every person. Part of our Ørlǫg is determined by our birth, our past actions, and our upbringing, but Ørlǫg is not set in stone; our daily choices are constantly shaping it. What we do now and what we have done in the past determines what will happen to us in the future; we cannot escape the consequences of our actions. This album makes us question our choices — both individual and collective — and the patterns we accept or reject. The Norns weave our destiny, but we can take control of certain things: Travel, ride worlds, and grow. Each song on this album describes a situation, a place, a choice to be made. Let’s take hold of our Ørlǫg."

Get Your Copy Of Ørlǫg NOW!

SKÁLD LIVE 2026:
WARRIOR CHANT TOUR:
As Special Guest for The Hu
09/29 — Glasgow, UK — O2 Academy
10/01 — Bristol, UK — Prospect Building
10/02 — Bournemouth, UK — O2 Academy
10/03 — Newcastle, UK — O2 City Hall
10/05 — Belfast, UK — The Telegraph Building
10/06 — Dublin, IE — 3Olympia Theatre
10/08 — Birmingham, UK — O2 Academy Birmingham
10/09 — London, UK — O2 Academy Brixton
10/10 — Manchester, UK — O2 Apollo
10/11 — Norwich, UK — UEA LCR
10/14 — Brussels, BE — Ancienne Belgique
10/15 — Hamburg, DE — Sporthalle
10/17 — Munich, DE — Tonhalle
10/18 — Berlin, DE — Columbiahalle
10/19 — Warsaw, PL — Stodola
10/20 — Warsaw, PL — Stodola
10/22 — Cologne, DE — Palladium
10/23 — Utrecht, NL — TivoliVredenburg
10/24 — Tilburg, NL — 013
10/27 — Lyon, FR — Le Radiant
10/28 — Paris, FR — L'Olympia
10/30 — Zurich, CH — X-TRA
10/31 — Esch-sur-Alzette, LU — Rockhal
11/01 — Brussels, BE — Ancienne Belgique

SKÁLD ARE:
Christophe Voisin Boisvinet – Percussion, Nordic Fiddles, Harp, Horn, Vocals, Programming
Marti Ilmar Uibo – Percussion, Lyre, Kannel, Whistles, Jaw Harp, Vocals
Steeve Petit – Percussion, Vocals
Marie Potosniak – Fiddles, Vocals
Guillaume Levy – Irish Bouzouki, Citole, Gudok
Nathalie Lemoye-Voisin – Vocals
Ravn – Moraharpa
Michel Abraham – Vocals
Eyline Uibo – Vocals

EDDIE SKULLER "House Where Nobody Lives" showcases Tom Waits tribute EP "Blind Love"

New Jersey artist Eddie Skuller presents 'House Where Nobody Lives', a standout track from his ‘Blind Love’ EP, which originally appeared on Tom Waits' Grammy-winning album 'Mule Variations', which received the Grammy Award for Best Contemporary Folk Album. This features Eddie’s son Jack Skuller on guitar, Jeremy Chatzky (Springsteen, Steve Earle, Ronnie Spector) on bass, and Nick Kinsey on drums and keyboards.

This four-track homage to Waits’ songwriting revisits a storyteller with a rare ability to capture human character, emotion and melody, as well as his ability to find beauty and humanity in unexpected places.

Eddie Skuller’s vocal was recorded completely live to 2-inch tape during the tracking session. Nick Kinsey then worked his studio magic, even incorporating a four-track cassette recorder to capture some otherworldly sounds from his vintage Optigan keyboard.

"One of those beautiful Tom Waits songs I wish I had written, Waits' lyrics express the idea that love is what gives a house true value: "If there's love in a house, it's a palace for sure." The lyrics also suggest the personal emptiness that can follow when we lose sight of what matters most," says Eddie Skuller.

"I've always been intrigued by abandoned homes, wondering about the faded memories and lost stories they once held. I discovered a fascinating video collection of abandoned homes on the "Urban Exploring With Kappy"  YouTube channel. Documenting historic abandoned houses, he captures both their exteriors and interiors. He graciously gave me permission to repurpose some of his footage for this new lyric video, which I manipulated to create a more abstract and ethereal backdrop for the video."

With a unique vocal style, Skuller brings a raw, analog intimacy to these compositions, exploring the space between homage and reinvention. Performed with reverence, restraint and emotional intelligence, he allows the songs' emotional complexity to emerge, his delivery favoring intimacy over imitation.

Based in Jersey City, Eddie Skuller went to the opposite edge of the state to record this EP - namely, the upstate New York studio The Chicken Shack with producer-proprietor Nick Kinsey, known for his work with Kevin Morby, Waxahatchee and Scott McMickey. Fun fact: Waits himself is said to have made his Mule Variations album in another converted chicken shack on the opposite coast.

Apart from the artists mentioned earlier, this EP also involves Ryder Cooley of Dust Bowl Faeries on accordion.  Skuller's performance reveals layers of tenderness, nostalgia, and quiet hope. Captured without edits or vocal overdubs, the recording preserves the spontaneity of the recording and the imperfections of analog production, the vocals captured live with the band.

Eddie Skuller explains, "These four songs share a dark melancholy of lost love and desire, but all resolve with a sense of hope for a positive future outcome. That’s what draws me in to these songs and what connects them. In my live show, it’s the spirit of hope that people take with them. What makes this experience unique for me is that it was recorded live in studio to tape.... The songs became meditative dirges and the lyrics read as pure poetry."

Skuller earlier shared his renditions of ‘Downtown Train’ and ‘You Can Never Hold Back Spring’, two of Waits' most quietly affecting songs, revealing a gentler side of Waits’ catalog, where grit gives way to tenderness and reflection. Blending collage, illustration, photography, typography and animation, the music video is a collaboration with French collective SPX ETC (artists Sandrine Pagnoux and Sophie Etchart), sparked through Sandrine’s Tom Waits editorial for 46pgs magazine.

Skuller is also a regular guest vocalist with The Losers Lounge, the acclaimed tribute series curated by The Psychedelic Furs’ Joe McGinty and regularly held at Joe’s Pub and City Winery in NYC. His live performances have drawn praise for their authenticity, emotional clarity, and musical integrity.

The 'Blind Love' EP is out now, available everywhere digitally, including Spotify, Apple Music and also directly from the artist via Bandcamp. 

CREDITS
Produced & Mixed by Nick Kinsey at the Chicken Shack Studio, New York
Mastered by Christopher Colbert at National Freedom Studio, Oregon
Eddie Skuller - vocals
Jeremy Chatzky - bass
Jack Skuller - guitar
Nick Kinsey - drums, percussion, keyboards
Ryder Cooley - accordion
EP cover photo and design by Eddie Skuller
‘You Can Never Hold Back Spring’ video produced for SPX ETC
by Sophie Etchart & Sandrine Pagnoux
Single cover photo & design by SPX ETC
Original artist photos by Eddie Skuller
Publicity by Shameless Promotion PR


Keep up with Eddie Skuller
Website | Bandcamp | Facebook | Instagram | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
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NYHC Crossover Pioneers CRO-MAGS Unleash New Version of 1985 Demo Favorite "Everybody's Gonna Die (2026)"

Today, September 16th, is the 40th anniversary of the iconic CRO-MAGS debut ‘The Age of Quarrel’ and the seminal New York hardcore outfit, fronted by Harley Flanagan, is proudly launching their new version of "Everybody's Gonna Die (2026).” Taken from the 1985 demo, and featured on the upcoming album 'The Age of Quarrel: 40 Years of Quarrel,' the track is a tribute to their unforgettable 1986 debut.

Written by Harley in 1985, "Everybody's Gonna Die" didn't make the final track list for 'The Age of Quarrel,' though it proved to be a demo-era fan favorite. Now, the track reclaims its rightful spot on 'The Age of Quarrel: 40 Years of Quarrel,' alongside an official lyric video.



Watch the Lyric Video for "Everybody's Gonna Die (2026)" Below:

Forty years ago, New York City's CRO-MAGS defined the metal-punk crossover with their landmark 1986 album, ‘The Age of Quarrel.’ The intensity, influence, and groove of that record continue to resonate today, fueled by the band's enduring legacy and hard-earned reputation as one of heavy music's most volatile and influential acts. Led by founding bassist and vocalist Harley Flanagan, who assumed frontman duties beginning with 1989's ‘Best Wishes,’ CRO-MAGS bring ‘The Age of Quarrel’ full circle with a celebration of the album that started it all.

Joining Flanagan are original ‘AOQ’ guitarist Doug Holland and former CRO-MAGS/ Suicidal Tendencies guitarist Rocky George, plus Meg Mills, Zach Blair, and Arthur Rizk for fresh takes on classics including "Hard Times," "World Peace," and "Malfunction," along with the addition of the 1985 demo-era favorite "Everybody's Gonna Die." Flanagan is also joined by current band members Dominic Dibenedetto and Dave Sharpe. Drums on all tracks were handled by drum phenom Greyson Nekrutman. Produced and mixed by Arthur Rizk (Power Trip, Blood Incantation), ‘40 Years of Quarrel’ not merely revisits a pivotal crossover classic, but pours new fuel on the fire for old devotees and new converts to the CRO-MAGS cause. 

The decision to revisit 'The Age of Quarrel' began during the making of the "Wired for Chaos" documentary. Several songs had to be re-recorded for the film’s soundtrack because the original recordings couldn't be licensed, inspiring Harley Flanagan to re-record the entire album.

The project also provided an opportunity to address the complicated history surrounding the original record. None of the musicians who performed on 'The Age of Quarrel' were ever paid or received an accounting of the album’s sales. For years, Flanagan tried to reunite the original lineup to re-record the album and reclaim the rights to 'The Age of Quarrel' and 'Best Wishes' through the Copyright Reversion Act, but couldn't bring everyone together before that window closed.

For the new recording, Flanagan brought together friends, current bandmates, and musicians from other bands to celebrate an album that has impacted generations of fans. Forty years later, everyone who wrote the songs will finally be paid through ASCAP and BMI, with the remaining proceeds going to charity.

The project is Flanagan’s way of honoring the music, its creators, and the fans who have carried these songs forward for four decades while putting the past behind him. The songs belong to the fans. Love wins. The quarrel is over.

Pre-Order 'The Age of Quarrel: 40 Years of Quarrel' HERE

CRO-MAGS Live:

September 26 — Daytona Beach, FL @ Party Weekend

October 4 — Sacramento, CA @ Aftershock Festival

December 3-5 — Denver, CO @ Decibel Metal & Beer Fest

December 12 — Los Angeles, CA @ The Belasco - For the Children

More Dates TBA!

The history of Harley Flanagan and his band CRO-MAGS is integral not just to the history of hardcore, but to modern metal, rock, and punk itself. With roots stretching from the shadow of Warhol and the Velvets to CBGB’s hardcore matinees and L’Amour Brooklyn thrash-a-thons, all the way through current generations of punk and extreme metal, CRO-MAGS are the connective tissue. Just ask the likes of Dave Grohl, Green Day, and Turnstile. CRO-MAGSstand side by side with Black Sabbath, Motörhead, and Metallica as both an influence and a gamechanger.

The brainchild of a 14-year-old Harley Flanagan, CRO-MAGS began in 1981 while Flanaganwas playing drums for The Stimulators. By 1982/83, he had recorded the primal CRO-MAGSdemos — four songs that would become the blueprint for the seminal 1986 release, 'Age of Quarrel.' Initially a solo vision, Flanagan wrote and played all of the music himself. In 1985, alongside guitarist Parris Mayhew, vocalist John Joseph McGowan, and drummer Mackie Jayson, the genre-defining 'Age of Quarrel' demo was recorded. The full-length album followed in 1986, with Doug Holland of Kraut joining on second guitar.

Explosive both on and offstage, CRO-MAGS have had a tumultuous history, to put it mildly. Through multiple lineups, six studio albums beyond the original demos, and more than four decades of worldwide touring, CRO-MAGS remain one of the most iconic bands in American hardcore and metal. 

ERIC CHURCH REFLECTS ON THE MILES THAT MADE HIM IN NEW SONG “ON THE ROAD” OUT NOW

11-time GRAMMY nominee Eric Church has spent the better part of two decades turning the road into both a stage and a source of inspiration. Today, he releases new song “On The Road” via MCA, looking back at the iconic venues he’s played, the legends he’s shared the stage with and the moments that have shaped a life driven by a musical dream – all while proving the man Esquire dubbed “one of the most singular working artists in any genre” still has plenty of miles ahead. Listen BELOW.
 
Written by Church and produced by longtime collaborator Jay Joyce, “On The Road” traces the winding path of Church’s career through the memories that stay with him: playing to 50,000 people beneath the Northern Lights, taking the stage at Colorado’s iconic Red Rocks and sharing the stage with artists who helped define the music he came to make, including Kris Kristofferson, Willie Nelson and George Strait.
 
But the road has also carried moments no artist could ever anticipate. In one of the song’s most poignant lines, Church reflects on the Route 91 Harvest Festival tragedy as he sings, “I’ve seen the devil stop a show in Vegas / I’ve seen those angels get their forever wings.” Set alongside memories of career-defining stages and once-in-a-lifetime moments, the lines acknowledge the full weight of a life spent on the road.
 
As an artist who has become a North Star for a generation of musicians coming up behind him, Church turns that idea inward. The people and places that shaped him are now part of the path he’s paved for those following in his footsteps, and “On The Road” considers what it means to spend a life moving forward, knowing that someday the road will belong to someone else.
 
“Lookin’ back you think it’d seem so long, this winding path that I’ve been rollin’ on,” Church sings, before arriving at the song’s ultimate realization: one day he’ll be “just a name on a wall, and some other cowboy will hear the call.”
 
“There’s something about a life on the road where the miles start to blur together, yet the people and the moments never do,” shared Church. “Those are the things you carry with you. You realize how much of who you are was shaped somewhere between one town and the next, and maybe that’s why you never really stop wondering what’s waiting down the road.”
 
From the artists who inspired him to the artists now following his path, “On The Road” captures the continuing cycle of a life in music: the stages changing hands, the songs carrying stories forward and the next generation finding its own reason to answer the call.
 
For more information, visit EricChurch.com and follow on Facebook and Twitter/X @ericchurch and on Instagram@ericchurchmusic. 

Progressive Duo CEPHEIDAE VARIABLE Explore Restraint And Internal Pressure In The New Single, "The Waiting Storm"

In "The Waiting Storm," CEPHEIDAE VARIABLE present an immersive sonic offering representing internal turmoil between patience and appeasing a restless mind. The track lands ahead of their forthcoming album Primordial Reverie Ascendant, out January 8, 2027.

"The song centers on restraint and internal pressure," CEPHEIDAE VARIABLE explain. "This is heard in lines like 'I sit and lie in wait, a tempest ruminating'. As the track progresses, the 'beast' and 'storm' imagery point to something growing beneath the surface. An increasing urgency that can no longer be ignored. What begins as patience shifts toward inevitability.

Outside of the narrative, the lyrics also reflect periods of creative stagnation. Lulls in momentum where progress feels stalled. That tension between inactivity and pressure mirrors the track’s central themes."

Musically, "The Waiting Storm" contains the duo's most straightforward arrangement on Primordial Reverie Ascendant's track list. The song's catchy riffs convey a darker mood throughout the verses accompanied with fierce harsh screams. "The Waiting Storm" emerges into a soaring chorus with memorable lead vocal melody lines. 

Primordial Reverie Ascendant was produced, mixed and mastered by Ryan Koepke at Chromatic Variable Soundworks. The album cover artwork was created by Alex Eckman-Lawn (Original Artwork), with the Ascendant version and single artworks by Ryan Koepke.

About CEPHEIDAE VARIABLE:

CEPHEIDAE VARIABLE began in 2024 by British Columbia-based multi-instrumentalist Ryan Koepke as an instrumental project. Musically, Koepke seeks to produce grand soundscapes through carefully constructed layers of instrumental textures and tones. A key component of CEPHEIDAE VARIABLE is chaos and unpredictability. Emotive storytelling is interwoven through each track's arrangement. 

Following the release of the instrumental album, Primordial Reverie, in 2025, Chad Bernatchez (VOIDCHASER) joined CEPHEIDAE VARIABLE which led to a progression in creative direction to now incorporate clean and harsh vocals. With input from Bernatchez, the new release delves further into CEPHEIDAE VARIABLE's fictional realms bringing a new way of understanding the concepts first glimpsed in Primordial Reverie. 


CEPHEIDAE VARIABLE Is:

Ryan Koepke (Guitar/Bass)
Chad Bernatchez (Vocals/Lyrics)


Connect With CEPHEIDAE VARIABLE:

Official Website: https://cepheidaevariable.com
Bandcamp: https://cepheidaevariable.bandcamp.com
Facebook: https://www.facebook.com/cepheidaevariable
Instagram: https://www.instagram.com/cepheidaevariable_official
YouTube: https://www.youtube.com/@CepheidaeVariable
Spotify: https://open.spotify.com/artist/0DFZHr1N4hUKjmV1mccmdV
Apple Music: https://music.apple.com/us/artist/cepheidae-variable/1835047629
TikTok: https://www.tiktok.com/@cepheidaevariable

Traditional Heavy Metallers THE UNKNOWN Release New Album 'Graveyard of Empires' Out Now via Mission 84 Productions

Traditional thrashers THE UNKNOWN proudly release their sophomore album, 'Graveyard of Empires,' out now via Mission 84 Productions. Celebrating the launch of the new album, the band also shares their new single, "Land of the Pure," alongside an official lyric video.

The band comments on the new track:

“'Land of the Pure' is loosely inspired by the book 'Train to Pakistan' and the 1947 Partition of India and Pakistan, telling its story through the perspective of a small border village made up of people of multiple faiths. At its core, the song is a meditation on the fragility of peace, how quickly neighbors can become divided, and the human cost when that peace begins to collapse."

Musically, the track stands apart through its use of tabla and cello, with the latter performed by Dr. Joe “The Metal Cellist” from Israel. His performance, combined with the tabla and Matt Fisher’s emotional vocal delivery, gives the song a distinctly human character, while the collaboration itself quietly reflects one of the ideas at the heart of the track: that understanding and friendship can create something beautiful in a world where we can so easily be divided.

Watch the Official Lyric Video for "Land of the Pure" Below:

THE UNKNOWN is a U.S.-based heavy metal band forging a powerful blend of traditional metal and thrash. Drawing influence from bands such as Jag Panzer, Manilla Road, Anthrax, and Iron Maiden, their sound combines crushing riffs and driving rhythms with soaring melodies and commanding, emotive vocals.

Their debut album, ‘Vanishing Point,’ released through ZYX/GoldenCore Records, earned strong reviews from metal publications and fans around the world, establishing the band as a rising force in the underground heavy metal scene.

Now, THE UNKNOWN return with their new album, ‘Graveyard of Empires,’ pushing their sound even further with bigger arrangements, deeper atmosphere, and an even sharper edge. Rooted in the spirit of classic heavy metal while bringing their own modern intensity, the band continues their mission to keep true metal alive while carving out their own path within the genre.

The album's title is a conceptual statement. 'Graveyard of Empires' explores the fall not of nations, but of ideas, the collapse of peace, the erosion of the human spirit, the slow unraveling of everything we build and everything we believe in. From the battlefields of World War II to the death of civilizations that never got the chance to flourish, to the quiet question of what remains of humanity when humanity itself is no longer the only answer...

About the album, Aamir Syed comments:

"As an album, it isn't about geopolitics, but there is a running theme throughout the stories that we're telling. The empires that fall in this record are ideas, concepts, and the slow collapse of peace. The belief that we're building toward something, and then it falls apart due to greed and corruption. That's what we're mourning."

Order 'Graveyard of Empires' HERE

THE UNKNOWN Live:

September 11th - Hamden, CT @ The Cellar

September 13th - Brooklyn, NY @The Meadows

+ More Dates to Be Announced!

THE UNKNOWN are:

Aamir Syed - Guitars

Matt Fisher - Vocals

Andic Salcedo - Bass

Michael Dale - Guitars

MAD MAX Celebrate “Stories Of Destiny” Record Release With Brand-New “Dulces Falsos” Music Video

German hard rock titans MAD MAX celebrate the record release of “Stories Of Destiny” with a brand-new music video for “Dulces Falsos.” The song marks a special first in the band’s history: it is the first MAD MAX track ever recorded with Spanish lyrics and presents their classic “Piece Of Candy” in a powerful new version.

With “Dulces Falsos,” MAD MAX pay tribute to their loyal fanbase in Latin America. New lyrics by Andreas Baesler and the Spanish vocals give the song a fresh character while preserving the energy and spirit of the original.

Band mastermind Jürgen Breforth comments:
"Dulces Falsos" is the first song we ever recorded with Spanish lyrics. With this version of our classic "Piece Of Candy" we would like to say a very special thank you to all our fans in Latin America who have always stayed loyal to us and who have helped make the Mad Max comic a great success, especially in Colombia and Mexico.

Andreas Baesler has written a new and very up-to-date set of lyrics. The Spanish vocals give the song even more power, presence and raw energy. Many journalists see in "Dulces Falsos" an attitude and charisma reminiscent of bands such as HEROES DEL SILENCIO for example. That makes us very proud."

Watch the new video clip Below:

Stories Of Destiny finds MAD MAX celebrating 45 years of history while continuing to push forward with new material. Packed with powerful guitar-driven anthems, memorable melodies and timeless hard rock spirit, it combines newly recorded material, long-awaited hidden gems and collaborations with some of the most respected names in the rock and metal world. The album also introduces UK vocalist Alan Clark while welcoming original MAD MAX singer Andreas Baesler as a special guest for his first MAD MAX appearance in 45 years, creating a direct link between the band's earliest days and its present.

Founded in Münster, Germany in 1981 by guitarist, songwriter and bandleader Jürgen Breforth, MAD MAX have remained one of Europe's most enduring melodic hard rock and heavy metal acts for more than four decades. Renowned for their unmistakable guitar-driven sound, strong melodies and classic hard rock attitude, the band have built a loyal international following through countless albums, tours and festival appearances.

Reflecting on an extraordinary career while embracing the future, Stories Of Destiny is built around songs Breforth had the honor to co-write with acclaimed musicians including Sascha Gerstner (Helloween), David Readman (Pink Cream 69), Andreas Broon (The Sisters Of Mercy) and Michael Voss, known from his work with Michael Schenker. Reimagined and newly recorded in unmistakable MAD MAX fashion, the album captures both the band's musical roots and their continued evolution.

The visual world of Stories Of Destiny connects to the MAD MAX comic, created by Mexican comic artist Maestro Arturo Said. The comic tells the story of the band from its founding days in 1981 through the 1980s and up to MAD MAX’s first shows in Colombia in 2023, making the album both a musical and visual celebration of the band’s legacy.
 

Stories Of Destiny is out today via ROAR - A Division Of Reigning Phoenix Music. Order your album copy now at this location: https://madmax.rpm.link/storiesPR

Artist Line-Up:
Alan Clark - Vocals
Andreas Baesler - Vocals On "Dulces Falsos" & Duet Vocals On "Piece Of Candy"
Jürgen Breforth - Guitar
Dethy Borchardt - Guitar
Fabian Watermann - Bass
Axel Kruse - Drums


Connect with MAD MAX:
Facebook | https://www.facebook.com/madmax.legacy.band 
Instagram | https://www.instagram.com/madmaxgermanycom 
YouTube | https://www.youtube.com/@MADMAXLEGACY 
Website | https://madmax-germany.com 

Wage War Announce New Album "LANDFALL" Out 10/9 + Band Shares Title Track

Florida's WAGE WAR — Briton Bond [lead vocals], Cody Quistad [rhythm guitar, clean vocals], Seth Blake [lead guitar], Chris Gaylord [bass], and Stephen Kluesener [drums] — continue to absolutely dominate 2026. After releasing the It Calls Me By Name EP this past spring, the band is now pleased to announce the new album Landfall, out digitally October 9 via Fearless Records. Pre-order it here.

The band has shared the visualizer for the vicious title track. Watch and listen below. 

Opening with a foreboding emergency broadcast-style alarm before erupting in a bludgeoning riff, Wage War continue to indulge their heaviest side with "Landfall." It's a groove-heavy, guitar-forward anthem that sounds like... vengeance. The hellbound screams of Bond are punctuated by Quistad's melodic singing, making it a gloriously unpredictable listen. Wage War are at their heaviest and most melodic — EVER — with this track, as they continue to push their own boundaries. It's Wage War, but bigger, stronger, louder, and as impactful as ever.

"'Landfall' is a song about imminent danger and the realization that we aren't in control," Wage War offer. "Referencing our Florida roots, the hurricane imagery became a way of talking about that feeling of being completely at the mercy of something bigger than yourself. Musically, we wanted the verses to feel heavy and threatening, with the chorus being somber and inevitable."

Wage War will return to U.S. stages for a headline tour this fall, with We Came As Romans, Varials, and Cane Hill as support. The "Emergncy Broadcast" tour kicks off October 25 in San Antonio and runs through Novemebr 27 in Orlando in the band's native Florida. Get tickets here.

WAGE WAR ON TOUR:
WITH WE CAME AS ROMANS, VARIALS, + CANE HILL:
10/25 — San Antonio, TX — The Aztec Theatre
10/26 — Houston, TX — White Oak Music Hall
10/29 — Las Vegas, NV — House of Blues
10/30 — Tempe, AZ — Marquee Theatre
10/31 — Riverside, CA — Riverside Municipal Auditorium
11/2 — Albuquerque, NM — Revel Entertainment Center
11/3 — Oklahoma City, OK — Diamond Ballroom
11/4 — Kansas City, MO — Uptown Theater
11/6 — Madison, WI — The Sylvee
11/7 — St. Louis, MO — The Pageant
11/8 — Columbus, OH — KEMBA Live!
11/10 — Indianapolis, IN — Egyptian Room at Old National Centre
11/11 — Cincinnati, OH — The Andrew J Brady Music Center
11/13 — Wallingford, CT — The Dome at Toyota Oakdale Theatre
11/14 — Sayreville, NJ — Starland Ballroom
11/16 — Toronto, ON — HISTORY
11/17 — Buffalo, NY — Buffalo RiverWorks
11/18 — Huntington, NY — The Paramount
11/20 — Silver Spring, MD — The Fillmore
11/21 — Philadelphia, PA — Franklin Music Hall
11/22 — Norfolk, VA — The NorVa
11/24 — Nashville, TN — Marathon Music Works
11/25 — Charlotte, NC — The Fillmore
11/27 — Orlando, FL — Hard Rock Live

Swedish Metal Maestros WORMWOOD Unveil Official Music Video for "PURPOSELESS GEOMETRY"

Today, WORMWOOD, one of Sweden’s most distinctive and internationally acclaimed metal bands, proudly unveils the music video for "PURPOSELESS GEOMETRY," the second track taken from the recently released EP ‘Å,’ out now via Black Lodge Records / Sound Pollution. The EP contains two long tracks in classic WORMWOOD fashion, while also introducing new elements that have found their way into the sound as WORMWOOD continues to evolve as a band.

“PURPOSELESS GEOMETRY” portrays Stockholm from the margins of society, a city of buildings, roads, bridges, and other infrastructure created to bring structure and direction to human existence. Yet as the sense of belonging fades, so too does the meaning of the surrounding world. What once symbolized function, progress, and purpose gradually dissolves into empty geometric forms within an environment where the individual has become alienated from both society and themselves.

In the video, the words take center stage, accompanied by slow, almost documentary-like footage captured throughout Stockholm and its outskirts.

The video features previously unreleased handheld footage from the filming of the “YRA | EXTAS” music video, starring actress Astrid Hallén, alongside aerial drone footage shot by Svartna Film. The video also includes a separate acting performance by Crister Claesson.

The result serves as a visual extension of the song’s central theme: humanity placed amid the monumental structures of the modern city, while their original purpose slowly erodes and disappears.

Watch the Official Music Video for "PURPOSELESS GEOMETRY" Below:

With four full-length albums, one EP, a live release, and now the forthcoming ‘Å,’ WORMWOOD have built a catalog that continually evolves while deepening the band’s artistic identity. Their work has received widespread recognition: two nominations for “Rock/Metal of the Year” at P3 Guld, strong placements on the official Swedish charts, and recurring international praise from metal media around the world. WORMWOOD have also appeared on several global “Album of the Year” lists – a testament to their growing influence.

WORMWOOD’s reputation, however, is not confined to the studio. The band has toured extensively across Europe, performed at major festivals, and completed their own headline tours. Their audience continues to grow steadily, particularly in Germany, France, the Netherlands, the United Kingdom, and the United States, where their cinematic music videos and strong digital presence further enhance their visual and musical identity.

Today, WORMWOOD stands as one of the most forward-thinking and compelling bands in Swedish metal. With ‘Å,’ they take another step in their artistic evolution – one that promises to captivate both loyal fans and new listeners around the world.

Order 'Å' HERE

Produced by Sverker Widgren & Tobias Rydsheim

Since forming in Stockholm in 2014, WORMWOOD has developed a sound as unmistakable as it is atmospheric. With their characteristic fusion of extreme metal, Scandinavian melancholy, folk influences, and cinematic storytelling, the band has created a sonic landscape that both moves and mesmerizes. Their music effortlessly shifts between grand, epic scope and brutally grounded intensity – a balance few bands truly master.

WORMWOOD are:

Nine – Vocals

Tobias Rydsheim – Guitar, Keys, Vocals

Jerry Engström – Guitar

Oskar Tornborg – Bass, Vocals

Simon Samuelsson – Drums