OVERT ENEMY Unleash New Lyric Video for “Psychotic Episode,” A Brutal Reflection on the Collapse of Mental Health in America

Texas metal juggernauts OVERT ENEMY have released the lyric video for “Psychotic Episode,” a relentless track from their latest album Insurrection, available now.

“Psychotic Episode” channels pure aggression into a blistering critique of the broken mental health system in America. The song dives into the chaos of a fractured mind, told through one person with three distinct voices. The concept draws inspiration from the psychological tension of films like Split and Glass.

The track is a prime example of OVERT ENEMY’s collaborative lyric writing, blending Leo Ortiz’s visceral storytelling with Hahn’s raw emotional delivery. Musically, “Psychotic Episode” is a storm of precision drumming, razor-sharp riffs, and guttural vocals. It is an aural descent into madness that is as technically impressive as it is thematically intense.

Insurrection pushes the band’s boundaries while staying true to their thrash metal roots, merging face-melting riffs, conceptual storytelling, and unrelenting energy across a diverse tracklist. The album cements OVERT ENEMY’s reputation as one of the most powerful forces in modern thrash.

About OVERT ENEMY:

Formed in 2013 in the heart of Mission, Texas, OVERT ENEMY has become a formidable presence in the global metal scene, known for their raw intensity, technical precision, and relentless pursuit of musical evolution. What began as a tribute to SLAYER guitarist Jeff Hanneman quickly grew into something much larger, as the band developed their own unique sound, blending Texas groove with thrash metal’s speed and aggression. Drawing influence from titans like SLAYER, PANTERA, FEAR FACTORY, and SEPULTURA, OVERT ENEMY has crafted a musical identity that pays homage to these greats while pushing the boundaries of modern metal.

At the core of the band’s sound is a dedication to the power of the riff. Whether it’s the crushing, groove-laden guitar work or their innovative dual-lead guitar harmonies, OVERT ENEMY delivers a high-energy, brutal assault that fans of traditional thrash, groove metal, and even modern progressive metal will appreciate. Their triple vocal approach, featuring vocals from Leo Ortiz, Laura Ortiz, and Robert Hahn, sets them apart from many other bands, giving them a diverse range of vocal textures that perfectly complement their hard-hitting instrumentation.

The band's journey has been fueled not only by their passion for music but also by a deep sense of resilience. Despite personal challenges—including Leo “Lizard” Ortiz’s battle with chronic back issues, Laura “Slayerella” Ortiz’s triumph over cancer, and other life-altering obstacles—the members of OVERT ENEMY have continually pushed forward, proving that their commitment to their craft is unwavering. This tenacity is reflected in their live performances, which have earned them the admiration of heavyweights like MAX CAVALERA of SOULFLY, DINO CAZARES of FEAR FACTORY, and ICE-T of BODY COUNT. OVERT ENEMY has also built a cult following through their tireless dedication to engaging with fans, using every opportunity to connect with their audience on and off stage.

The band’s early work, including the critically acclaimed Inception EP (2018) and Possession EP (2019), laid the groundwork for what was to come, demonstrating their ability to blend thrash’s raw energy with groove metal’s more deliberate, headbanging pace. Their commitment to the old-school metal ethos combined with a modern, forward-thinking approach has made OVERT ENEMY one of the most exciting underground metal bands in the post-pandemic era.

While thrash metal certainly runs through their veins, OVERT ENEMY refuses to be confined by genre. The release of Insurrection marks a new chapter for the band, as they delve into broader sonic landscapes and thematic complexity. The album reflects their growth both musically and personally, touching on themes ranging from personal struggle and mental health to global political unrest and conceptual sci-fi narratives. Every track offers something unique, showing the band’s ability to experiment with diverse sounds and ideas without losing their aggressive edge.

Outside of the studio, OVERT ENEMY has built a reputation as a DIY powerhouse, handling much of their own production, marketing, and fan engagement. Their strong DIY ethic has earned them endorsements from leading brands like Sawtooth Guitars, Emperor Cabs, FU-Tone, and GODPS Music. Despite the challenges of the pandemic, the band has used their time wisely, staying connected with their fans through live streams, social media, and consistent content releases. Their music has also found its way into independent films, further expanding their reach beyond the metal scene.

As they look to the future, OVERT ENEMY remains committed to creating music that not only reflects their personal experiences but also resonates with fans around the world. They are driven by faith, family, and a passion for their art, and they continue to be a beacon of the metal resurgence, blazing their own trail in the genre.

OVERT ENEMY is:

  • Leo “Lizard” Ortiz – Guitar/Vocals

  • Laura “Slayerella” Ortiz – Bass/Vocals

  • Robert Hahn – Guitar/Vocals

  • Saul Castillo – Drums

Return to Dust Share "New Religion"

Buzzed-about rock band RETURN TO DUST — Matty Bielawski [guitar, vocals], Graham Stanush [bass, vocals], Sebastian Gonzalez [guitar], and London Hudson [drums] — just wrapped their first arena tour, supporting Breaking Benjamin and Three Days Grace. The band is not stopping for a moment and will capitalize on the momentum by hitting the road to support Mammoth and Myles Kennedy this fall. Get tickets here.

Their share the explosive new single "New Religion." Listen here. 

Watch the lyric video below. 

The gritty riffs, gloomy tone, and grungy vocals capture everything that Return To Dust are — a modern rock band that nods to the past, while blazing their own path with their unique, modern sound.

”We are born into expectations about what our life should and shouldn't be," the band says about the song's deeper meaning. "if you let them influence you without resistance, you're no better off than a frog slowly boiling to death in a pot of water.”

It has been a busy few months for Return to Dust, having appeared at Louder Than Life and Aftershock, as new hit single "Bored" is No. 12* at Active Rock radio

RETURN TO DUST ON TOUR:
WITH MAMMOTH + MYLES KENNEDY:
10/31 — Rancho Mirage, CA — Agua Caliente Casino Resort & Spa
11/01 — Las Vegas, NV — House of Blues
11/04 — Dallas, TX — House of Blues
11/05 — Houston, TX — House of Blues
11/07 — Lake Buena Vista, FL — House of Blues Concert Hall
11/08 — Atlanta, GA — Tabernacle
11/09 — Charlotte, NC — The Fillmore
11/11 — Silver Spring, MD — The Fillmore
11/12 — Boston, MA — Citizens House of Blues
11/14 — Montclair, NJ — The Wellmont Theater
11/15 — McKees Rocks, PA — Roxian Theatre
11/18 — Cleveland, OH — Agora Theater & Ballroom
11/19 — Detroit, MI — The Fillmore
11/20 — Columbus, OH — KEMBA Live!
11/22 — Onamia, MN — Grand Casino Mille Lacs
11/23 — Green Bay, WI — EPIC Event Center
11/25 — Chesterfield, MO — The Factory
11/26 — Chicago, IL — House of Blues
11/28 — Oklahoma City, OK — Diamond Ballroom
11/29 — La Vista, NE — The Astro
12/02 — Kansas City, MO — Uptown Theater
12/03 — Denver, CO — Ogden Theatre
12/06 — Tempe, AZ — Marquee Theatre
12/07 — Anaheim, CA — House of Blues
12/12 — Seattle, WA — Unwrapped: An Acoustic Holiday*
*Radio Show

Return to Dust proudly look to the '90s-era grunge as a key source of inspiration for their grainy, gnarly, and modern blend of hard rock. 2024 saw the band unveil its independent self-titled full-length debut, Return To Dust, including standout single "Belly Up," which rose through the Active Rock chart  and was praised by Distorted Sound as "a grungy, punky thrill ride," while Revolver applauded the group's "Alice In Chains-inspired form of modern-day grunge." In the aftermath, they lit up the stages at major festivals like Inkarceration, Welcome To Rockville, and Sonic Temple, and joined rock legends Chevelle and Sevendust as support on tour. The group next signed to LAVA Records/Republic Records and dropped the Speak Like The Dead EP, which yielded the hit single "Bored." Tours with Pop Evil, Billy Corgan And The Machines Of God, Breaking Benjamin, and Three Days Grace ensued, and the band also appeared at Louder Than Life and Aftershock. With 2026 squarely in their sites, there is no ceiling to what Return to Dust can achieve. Fans can go here for more.

Aftermath Celebrates 40 Years with a Visualizer/Lyric Video for their Song "Eyes of Tomorrow" ​  

Chicago metal legends Aftermath are celebrating 40 years of musical chaos with the release of a brand-new visualizer/lyric video for their classic track “Eyes of Tomorrow.”The song, which originally appeared as the title track of their groundbreaking debut album, gets a powerful new visual treatment in honor of the band’s four-decade legacy.

 

Formed on October 31, 1985, Aftermath helped define and push the boundaries of the thrash and crossover scenes with their ferocious speed, technical precision, and thought-provoking lyrics. Now, four decades later, they’re commemorating this milestone by revisiting the song that captured the essence of their early vision—looking forward to the future while reflecting on their past.

 

The new “Eyes of Tomorrow” visualizer/lyric video was created by Dimitris Patelis, the same visionary artist behind the original Eyes of Tomorrow album artwork, bringing the legacy full circle with stunning visuals that connect the band’s past and present.

 

Frontman Kyriakos “Charlie” Tsiolis shares, "There are so many crazy stories in the annals of music history, from overnight success to horrible breakups and tremendous comebacks.  Our story may rival all of them.  Maybe forming on Halloween was a curse HAHA.  We were fortunate enough to be at the beginning of crossover thrash and then technical progressive thrash. Unfortunately, we released our debut album in 1994, the lowest point of thrash metal. We formed as a 4 piece, then became a 5 piece and went back to a 4 piece.   We had more bass players than Spinal Tap had drummers, we sued Dr. Dre, broke up and reformed 25 years later.  It’s actually a miracle to be finishing up our 4th album after these 40 years of chaos.   Looking back, we wouldn’t change a thing."

 

Currently the band is in the studio putting the finishing touches on their 4th studio album.  

 

The band states, "We are excited to be back in the studio. We can’t wait for everyone to hear this album. It’s heavy, it’s catchy, and in typical Aftermath fashion it sounds totally different from our previous albums."

 

The new album is being recorded at Electrowerks Recording, with engineering and mixing by Chuck Macak. Additional details, including the album title, tracklist, and release date, will be announced in the coming months.

 

WATCH the visualizer/lyric video:

Chicago based Aftermath, fronted by Kyriakos "Charlie" Tsiolis, formed in October 1985 when Charlie and his schoolmate Steve Sacco (Guitar) got together. This early incarnation with Adam (Bass) and Ray Schmidt (Drums) released their first demo in 1986 featuring “Sentenced to Death”, “Revenge”, “Shotgun” and “The Aftermath”.

In 1987, they unleashed their second demo entitled Killing the Future featuring the tracks “When Will You Die”, “Going No Place”, “Chaos”, “Meltdown” and “War for Freedom”. The band pursued a mind-blowing speed and technical brand of thrash that soon set them apart from the pack and in the process made them a pioneering crossover thrash band.

Aftermath unleashed their highly awaited masterpiece, No Time to Waste, through Zoid Entertainment/TLG/INgrooves on March 17, 2023. This release stands as the triumphant conclusion to a powerful trilogy, representing a notable departure from the somber tones of its predecessor.

 

In an exclusive statement, Kyriakos "Charlie" Tsiolis shared, "We take immense pride in this album, a culmination of a trilogy that commenced with our debut. Crafted during a challenging era in contemporary history, 'No Time to Waste' emerges as an anthem of hope. In contrast to our previous dark conceptual endeavor, we've refined this record. The ten tracks within are both weighty and charged, delivering a potent metal experience coupled with a profound message - that collectively, we can overcome, but time is of the essence."

 

AFTERMATH is:
Kyriakos "Charlie" Tsiolis - Vocals
Steve Sacco - Guitar
Ray Schmidt - Drums
George Lagis - Bass

For More Information Please Visit:

Official Website

Facebook

X

Instagram

Teen Mortgage Partner With Revolver to Premiere "Disappear" — WATCH // Band Touring This Fall + Next Spring

Washington, DC punk duo TEEN MORTGAGE — guitarist/vocalist James Guile and drummer Ed Barakauskas — have teamed up with Revolver to premiere the lyric video for gloriously discordant, grimy punk new single "DISAPPEAR."

Watch and listen Below.

"'Disappear' was inspired by The Almanac Singers 'I Don't Want Your Millions Mister,'" Guile states. "The subject matter is as relevant now as it was back then. Soulless technology barons continue to bring about a second gilded age for the USA. History shows us this type of feudalism goes hand in hand with fascist control. We present a very easy solution: These fascists must disappear." 

"Disappear" is featured on the band's debut album DEVIL ULTRASONIC DREAM, out now via Roadrunner Records. Get it here.

Teen Mortgage, who have shared stages with the likes of Weezer and Smashing Pumpkins. are in the middle of a headline tour. Get tickets here.

They will hit the road hard in 2026, as well, as they are set to tour with Joyce Manor, Militarie Gun, and Combat next spring. All dates are below.

TEEN MORTGAGE ON TOUR:
HEADLINE 2025:
10/28 — Bellingham, WA—The Shakedown
10/31 — Edmonton, AB, Canada—Double Dragon
11/1 — Calgary, AB, Canada—Modern Love
11/2 — Saskatoon, SK, Canada—Capitol Music Club
11/4 — Winnipeg, MB, Canada—Sidestage
11/5 — Minneapolis, MN—Zhora Darling
11/7 — Omaha, NE—Slowdown
11/ 8 — Iowa City, IA—Gabe's
11/ 9 — Cudahy, WI—X-Ray Arcade | Games, Music, and More
11/11 — St. Louis, MO—The Sinkhole
11/12 — Louisville, KY—Zanzabar
11/14 — Indianapolis, IN—Turntable
11/15 — Lakewood, OH—Mahall's
11/16 — Pittsburgh, PA—Bottlerocket Social Hall
12/10 — West Hollywood, CA—The Roxy Theatre
12/13 — Buffalo, NY—Buffalo RiverWorks 
 
WITH JOYCE MANOR, MILITARIE GUN, + COMBAT:
SPRING 2026:
3/09 — Phoenix, AZ—The Van Buren 
3/11 — Austin, TX—Stubb's Waller Creek Amphitheater 
3/12 — Houston, TX—House of Blues Houston 
3/13 — Dallas, TX—House of Blues Dallas 
3/14 — New Orleans, LA—House of Blues New Orleans 
3/16 — Orlando, FL—House of Blues Orlando 
3/17 — Atlanta, GA—Buckhead Theatre 
3/18 — N. Myrtle Beach, SC—House Of Blues Myrtle Beach 
3/20 — Baltimore, MD—Nevermore Hall 
3/21 — Boston, MA—Citizens House of Blues Boston 
3/22 — Philadelphia, PA—The Fillmore Philadelphia 
3/24 — Brooklyn, NY—Brooklyn Paramount 
3/25 — Buffalo, NY—Asbury Hall 
3/26 — Toronto, ON Canada—The Danforth Music Hall 
3/27 — Detroit, MI—Majestic Theatre 
3/28 — Chicago, IL—The Salt Shed 
4/26 — Madison, WI—The Sylvee 
4/27 — Minneapolis, MN—Varsity Theater 
4/30 — Des Moines, IA—Wooly’s 
5/01 — St. Louis, MO—Delmar Hall 
5/02 — Lawrence, KS—Liberty Hall 
5/04 — Denver, CO—Fillmore Auditorium 
5/05 — Salt Lake City, UT—The Depot 
5/07 — Great Falls, MT—The Newberry 
5/08 — Calgary, AB Canada—The Palace Theatre 
5/09 — Edmonton, AB Canada—Midway Music Hall 
5/11 — Vancouver, BC Canada—Commodore Ballroom 
5/12 — Seattle, WA—The Showbox 
5/13 — Portland, OR—Roseland Theater 
5/15 — San Francisco, CA—The Fillmore 

Koe Wetzel Releases Howling New Song “Werewolf”

Landing just in time for Halloween, Rolling Stone’s “unpredictable wild man” Koe Wetzel releases new song “Werewolf,” giving fans the perfect opportunity to embrace their own wild side – no costume required. Listen to “Werewolf” Below.
 
“‘Werewolf’ is a fun way of owning all the chaos that comes with me: the good, the bad and the loud,” shares Wetzel. “We had a blast making it, and who knows – maybe it’s the start of something or maybe it’s just an opportunity to cut loose.”
 
Co-written by Wetzel with Bones Owens and Burgess and produced by Josh Serrato, “Werewolf” channels the raw, untamed spirit fans have come to expect from Wetzel and finds the Texas native blurring the lines between monster and man:

The new song follows “Surrounded,” released as the first taste of new music since his chart-topping 9 Lives, with standout “High Road” featuring Jessie Murph landing on year-end “Best Of” lists from the likes of Rolling Stone, Billboard, LA Times, Tennessean, Holler and more. He also graced the cover of POLLSTAR and received three new RIAA certifications at the sold-out Red Rocks finale of the Damn Near Normal World Tour, which saw the rockstar perform for well over 200,000 fans globally with over 96% of all headline tickets sold – and even spawned its own live album.
 
For more information and to purchase tickets to all upcoming dates, visit KoeWetzelMusic.com and follow on Instagram and Facebook @KoeWetzelMusic, TikTok @Koe_Wetzel and Twitter/X @KoeWetzel.
 
Koe Wetzel Upcoming Shows
Dec. 5              WCOL Winter Jam  ||  Columbus, OH
May 30            Gulf Coast Jam 2026  ||  Panama City Beach, FL
July 16            Country Jam USA 2026  ||  Eau Claire, WI

About Koe Wetzel
Koe Wetzel never met a genre wall he couldn’t tear down. The Texan singer-songwriter has earned a rabid audience for his songs that mix country, rock, hip-hop, and even Nineties grunge. With his defining fifth studio album, 9 Lives, released in 2024 via Columbia Records, Wetzel earned recognition on several major year-end best-of lists, including Rolling Stone, Billboard, the Tennessean and more, with the Los Angeles Times naming lead single “High Road” (feat. Jessie Murph) as the No. 8 best song of 2024 across all genres. The single not only marked Wetzel’s debut at Country radio, it also held the No. 1 spot for five weeks and became his fastest song to reach the RIAA Platinum milestone to date. Previously, his 2016 album Noise Complaint endeared him to fans with its no-holds-barred lyrics about drunken nights, broken hearts and stints in jail, and included the Gold-certified hits “Love” (feat. Parker McCollum), “Something to Talk About” plus the infamous “February 28, 2016.” Wetzel’s 2020 major label debut, Sellout, only furthered his legend with the Platinum-certified “Drunk Driving” and “Good Die Young” plus the Gold-certified “Kuntry & Wistern.” The 2022 follow-up, Hell Paso, hit No. 3 on Billboard’s Country Albums and spawned hits on both the country and rock charts, including the Gold-certified “Creeps” and “Cabo.” To date, Wetzel has amassed 3.7 billion total streams and has created a genuine experience with his live concerts, which he describes as “total chaos.” Wetzel performed for well over 200,000 fans across the U.S. in Europe in 2024, with over 96% of all headline tickets sold, in addition to playing prominent festival sets and opening for Morgan Wallen on the superstar’s One Night at a Time Stadium Tour, while 2025 saw him again embark on a year of heavy touring both as a headliner and alongside Wallen and HARDY.

ATAVISTIA Unveil "The Atavistic Forest (Reforged)," Announce Album

Symphonic melodeath storytellers ATAVISTIA are set to return with The Winter Way (Reforged), a magnificent re-recording of their 2020 album, on December 12 via Blood Blast Distribution. Lead single “The Atavistic Forest (Reforged)” roars straight into the first verse, no intro needed. Charging riffs and ferocious vocals briefly give way to gorgeously atmospheric soundscapes, then ramp up the intensity as the sonic labyrinth whirls onward. Intended to be a powerful introduction to ATAVISTIA's new songwriting, performance, and production capabilities, "The Atavistic Forest (Reforged)" has been reworked more than any other song on the album. The band also revised the song's lyrics for clarity and thematic consistency, demonstrating an exacting attention to detail that showcases the care they put into each release. 

Sippola comments, "For the first time in my life, I’m happy with this album. It took quite the toll on my mental health releasing it when we did but there’s no reason to dwell anymore. It is the way it should’ve been!"

ATAVISTIA lineup:

Mattias Sippola - Guitar, Vocals, Composition, Production
Max Sepulveda - Drums, Engineering
Elia Baghbaniyan - Guitar
Spencer Budworth - Bass, Vocals
 

About ATAVISTIA:

Formed in 2017 in Vancouver, Canada, ATAVISTIA takes their fans on a spellbinding journey though vast sonic landscapes of snow covered forests, desolate tundras, and permafrost-laden landscapes. Fans of WINTERSUN, ENSIFERUM, DIMMU BORGIR, and XANTHOCHROID will be enthralled by the elements of melodic death metal, black metal, and Scandinavian folk that is intricately woven together throughout their diverse soundscape.

Taking inspiration from the majestic natural landscapes of their homeland, earthly seasons, and ancient Norse culture, ATAVISTIA’s grandiose sound matches these lyrical themes in an impressive symphony of destruction. Their debut EP, One With The Sun (2017) introduced their unique blend of beauty and ferocity, which they followed up with a stormy full-length in 2020 through The Winter Way. The next two releases, the full-length Cosmic Warfare (2023) and the EP Inane Duncam (2024), saw the band spreading their wings and exploring a wider variety of influences. Through it all, ATAVISTIA balances graceful melodies with a brutal rhythmic cacophony, swirling elegance and fury together like a ferocious northern blizzard.

On stage, ATAVISTIA is a force of nature, like waves crashing against a rocky shore. Their music washes over audiences worldwide, leaving them gasping for more long after the last note has faded. They have toured Europe twice alongside notable acts such as SKÁLMÖLD, METSATÖLL, and SEVEN SPIRES, and have opened locally for MOONSPELL, ELEINE, and OCEANS OF SLUMBER. ATAVISTIA has firmly established its presence in a niche among a wide swath of metal genres.

Are you ready to lose yourself in the juxtaposition of lush and arid, the dichotomy of hope and despair, and welcome the inevitable and beautiful end?

New Music is here as JON BABIN Ignites a New Era with Three Explosive Singles — “Bad Omen,” “Never Gonna Be The Same,” and “I’d Follow”

Chicago’s own JON BABIN has kicked open the doors of a new creative chapter with the release of three powerhouse singles — “Bad Omen,” “Never Gonna Be The Same,” and “I’d Follow.” Each track captures a different pulse of Babin’s evolving sound: dark, cinematic, and unapologetically human.



Blending the grit of alternative rock with the emotional gravity of modern pop, Babin continues to carve out a lane entirely his own.

"BAD OMEN"

is for anyone who is escaping a toxic situation. You do not have to ward off horrors of your life alone. This song is dreary, but the melody is infectious. Everyone will chant the lyrics

together as one!

"NEVER GONNA BE THE SAME"

is a beat that will have you dancing in your heels, laughing in your feels, and starting over.

BAND BIO:

Chicago native JON BABIN is a singer/songwriter. Jon combines rock n roll, ballads, and folk to create his own

musical flavor.

Jon has graced stages such as the world famous Cavern Club in Liverpool - the venue known as “the Birthplace of The Beatles” - as well as the Whisky A Go Go, also world renowned, and the most notorious rock club in America, located in West Hollywood.



Onstage, he uses an acoustic guitar and one vocal mic; while his albums (under his name) are full band recordings - with all instruments played by him.

You are guaranteed to have a wonderful time at his shows, as well as a fun and meaningful album listening experience.

CONNECT WITH JON BABIN

DISSENTIENCE Unleashes First Single “Obsidian Tomb” from Upcoming EP Kaiju

Bethlehem, PA metal act DISSENTIENCE has released “Obsidian Tomb,” the crushing first single from their forthcoming concept EP Kaiju, due out February 20, 2026, accompanied by a brand-new lyric video.

A blistering blend of thrash aggression, death metal precision, and cinematic atmosphere, “Obsidian Tomb” serves as the opening chapter in Kaiju’s apocalyptic narrative. The song begins with a somber acoustic passage before erupting into a relentless assault of blast beats, crushing riffs, and haunting melodies. Lyrically, the track captures the first moments of devastation as a colossal, nameless monster emerges from the depths to annihilate an unsuspecting city.


Rather than grounding the story in a specific place or era, DISSENTIENCE leaves the monster and setting deliberately vague, allowing listeners to project their own fears into the music. The result is a track that feels as timeless as it is terrifying.

Kaiju is a four-track concept EP inspired by Japanese monster cinema and Lovecraftian horror. Produced by the band alongside Corey Pierce, the record was engineered by Matt Menafro at Peach Pie Sound, mixed by Zeuss, and mastered by Alan Douches. The full EP will be released independently on digital and CD formats.

About DISSENTIENCE: 

Formed in 2013 in Bethlehem, Pennsylvania, DISSENTIENCE is a progressive death-thrash metal band that combines the technical precision of death metal with the relentless energy of thrash. Rejecting retro imitation and genre stagnation, the band creates forward-thinking metal that is both aggressive and dynamic. Drawing influence from bands like TRIVIUM, REVOCATION, SYLOSIS, THE BLACK DAHLIA MURDER, DEATH, and LAMB OF GOD, DISSENTIENCE forges a sound built on sharp riffs, crushing rhythms, and inventive songwriting.

The lineup features Connor Valentin on guitar and vocals, James Vitale on guitar, Sean Langer on bass, and Nick Scherden on drums. Known for their intense live performances and refusal to be confined to a single subgenre, the band continuously pushes their sound in new directions. Their music balances chaos and melody while exploring dark themes through a modern lens.

After releasing their debut EP Mask of Pretense in 2018 and their full-length album Empire Anatomy in 2022, DISSENTIENCE returned with the concept EP Kaiju in 2026. The record blends the devastation of giant monster cinema with the dread of Lovecraftian horror, showcasing the band’s evolution in sound and narrative depth. DISSENTIENCE has earned a reputation as one of the most compelling rising forces in heavy music. Their mission is clear: to make metal that is uncompromising, inventive, and unapologetically intense.

Fitzsimon and Brogan (FaB) presents 'The Hourglass Girl', a sonic commentary on serial dating

UK indie rock duo Fitzsimon and Brogan (FaB) present their new single 'The Hourglass Girl', a sharp, indie-rock takedown of modern-day dating, offering a catchy, powerpop-laced commentary on fly-by-night relationships. The central character acts like a black widow of the modern dating world. The story takes a cynical turn, as our subject is attractive and charming, but also calculated, counting down the time before moving on to her next catch.

This is FaB's second single this year, released through Booster Music WTPL France, following 'Flowers At Her Door' in August - a sonic and lyrical achievement that recalls Debbie Harry with the deep tone of German singer-songwriter Nico.

In a music landscape starved for originality, FaB proves that sometimes the freshest sounds are born from old-school inspiration. Made up of songwriter Neil Fitzsimon and vocalist Bee Brogan, both members of the Sony-licensed band Pretty Blue Gun, the two went on to form the London-based songwriting-production partnership FaB Productions and record their 'Big Blue World' album at Abbey Road's Studio Two, where The Beatles recorded so many great songs.

About the new single, Neil Fitzsimon explains, "We thought we’d turn the rather hackneyed phrase, "the hourglass girl", on its head and instead write a song about the ephemeral modern-day dating scene. The girl in question, the ‘hourglass’ girl, leads partners into thinking they have something special, whilst all the time, she is counting down the clock before she moves on to her next victim".

Creating remarkable power pop for now people, FaB has captured the attention of legends, with David Bowie's drummer Woody Woodmansey praising their ability to stand out from the crowd and Elvis Costello's Pete Thomas saying the avant-garde would be proud. 

FaB has crafted a project that's both emotive and lighthearted, successfully bridging the spirit of '60s and '70s songwriting with a truly new feel. Recorded at FaB Productions, this single was co-produced, mixed and mastered by Martin Smith (Electric Light Orchestra, Shakin' Stevens) at Garage Studios in London. The music and lyrics for 'Flowers at Her Door' are written by Fitzsimon, with Brogan handling vocals, keyboards, drums and engineering.  

FaB's 2020 album 'This Wicked Pantomime' was co-produced by Pat Collier (Katrina and the Waves, Primal Scream, Maximo Park) at Perry Vale Studios, London and involved dummer Woody Woodmansey (David Bowie Spiders from Mars), plus Elvis Costello drummer Pete Thomas. This followed the well-received albums 'Venus in Reverse' (2011), 'His Latest Squeeze' (2015), 'Big Blue World' (2018) and 'The Girl Who Shouted Love at the Heart of the World' (2019).

Those releases involved world-class musicians from The Art of Noise, Eric Claptonbassist Dave Bronze, Moody Blues' Tobias Boshell and Pip Williams (Walker Brothers). Having toured nationally and achieved Film and TV placements, they also wrote the musical 'Jack Dagger', showcased at the Greenwich Theatre, London for the Musical Futures Award, and also at the Bridewell and the Royal College of Music in London. With chart success in France, Belgium, and South Africa—and a song featured in a U.S. sci-fi film—the band is making waves on every front.

As of October 10, 'The Hourglass Girl' is available from music platforms globally, including Apple Music, Spotify and Bandcamp.

CREDITS
Music and Lyrics by Neil Fitzsimon
All guitars, bass played by Neil Fitzsimon
Vocals, keyboards, drums and engineering by Bee Brogan
Recorded and produced by FaB Productions, London
Mixed and mastered by Martin Smith at Garage Studios, London
Cover artwork by FaB Productions
All songs released via Booster Music WTPL, France
Publicity by Shameless Promotion PR

Keep up with Fitzsimon and Brogan (FaB)
Bandcamp | Facebook | Twitter | YouTube | Soundcloud | Apple Music | Spotify | Press contact

Keep up with Shameless Promotion PR
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THE NOCTAMBULANT Unveil "Bring The Sorrow", A Sinister Hymn From The Southern Void

Drawing from the raw bloodlines of blues, rockabilly, goth rock, and American country, Florida’s dark torchbearers THE NOCTAMBULANT open the gates to the abyss with their new single “Bring The Sorrow.”

With this release, the band channels the haunted spirits of the South, where gospel hymns curdle into laments and salvation tastes of rust and whiskey. “Bring The Sorrow” is the first true blast of sound from a forthcoming chapter in THE NOCTAMBULANT’s evolution, a forceful wake-up call from the shadows of the American heartland.

The track begins with the metaphorical crack of a Bible slamming shut on a pulpit, signaling the end of blind faith and the beginning of reckoning. Its lyrics twist the familiar words of Psalm 91, a passage once meant to promise protection and peace, into something deeply corrupted. In the world of “Bring The Sorrow,” faith offers no refuge, only torment. The song reimagines the sacred as profane, echoing through the backwoods of Appalachia and the swamps below, where every prayer is answered with silence.

“Bring The Sorrow” captures The Noctambulant’s signature fusion of dark Americana and gothic metal, where howling guitars and funeral dirges collide. It is both a sermon and a curse, a lament for a world where redemption has lost its meaning.

About THE NOCTAMBULANT:
In 2013, THE NOCTAMBULANT formed in Jacksonville, Florida, with a mission to spread the culture of Southern Appalachia through their unique interpretation of black metal. Merging the genre’s primal aggression with the crushing weight of blackened death metal and the haunting atmospherics of Southern Gothic, they sought to honor the myths, spirits, and eerie folklore of the region.

Founded by E. Helvete (Guitars, Vocals) and D. Franseth (Drums) following the breakup of their psychobilly band, THE NOCTAMBULANT emerged as they delved into the darker realms of black metal. With the addition of Lars Goerschafft (Bass) and, later, Rev Beaumont (Guitar), the band fully embraced a sound that merges relentless intensity with ghostly Appalachian storytelling, crafting an auditory spell of sorrow, brutality, and mysticism.

Their music weaves a sonic tapestry of feral blackened riffs, ominous melodies, and immersive soundscapes steeped in spectral Appalachian lore. Drawing inspiration from metal legends such as VENOM, CELTIC FROST, BATHORY, and DARK FUNERAL, THE NOCTAMBULANT channels both ferocity and haunting atmosphere, merging the unrelenting force of extreme metal with the ghostly echoes of ancient myths and the desolation of the Southern Gothic landscape. Their next album is set to emerge in 2026.

THE NOCTAMBULANT is:
E. Helvete - Guitars/Vocals
D. Franseth - Drums
Lars G - Bass
Rev. Beaumont - Lead Guitar

Links: 
Facebook: https://m.facebook.com/TheNoctambulant/
Instagram: https://www.instagram.com/thenoctambulant/
TikTok: https://vm.tiktok.com/ZMeEM8R9y/

HUNTERGIRL CELEBRATES ROOTS AND RESILIENCE WITH NEW SONG “DIRT” — OUT NOW

America’s sweetheart and powerhouse songwriter HunterGirl releases her new song “Dirt,” produced by CMA Award–winning Trent Willmon (Cody Johnson), today via 19 Recordings/BBR Music Group/BMG Nashville. Steeped in authentic country storytelling, “Dirt” paints a vivid picture of small-town traditions, family ties, and the timeless wisdom passed down through generations. From creek bank fishing trips and garden rows to Sunday talks and muddy four-wheeler rides, the track reflects HunterGirl’s own Tennessee upbringing with a heartfelt reminder: out of all the roads you take in life, make sure some of them are dirt. Listen Below.


The new release follows the success of her label-debut Tennessee Girl EP and breakout song “Ain’t About You,” further cementing HunterGirl’s reputation as one of country music’s most dynamic rising stars. Praised by People for her “incredible voice” and CMT for her “soaring vocals and superstar potential,” HunterGirl continues to connect with fans through songs that feel lived-in and universally relatable.


“‘Dirt’ is about the little things that shape who you are — the places, people, and memories that keep you grounded no matter how far you go,” shares HunterGirl. “For me, that’s Tennessee soil, my family, and all the lessons I learned growing up. I hope listeners hear their own roots in this song and are reminded of what makes life truly matter.”

HunterGirl, who first captured America’s heart as the runner-up on American Idol, was named to CMT’s 2024 Next Women of Country and has been spotlighted by MusicRow as “a major, major new talent.” With nearly 80 million global streams, a Grand Ole Opry debut to standing ovations, and tours with Luke Bryan and Kimberly Perry, she has quickly become one of Nashville’s most exciting new voices.

About HunterGirl: 

HunterGirl is a vocal powerhouse and sharp songwriter rooted in Tennessee storytelling. Onstage since age three and writing by nine, she has performed nationwide and worked with veterans nonprofits such as Operation Song, Freedom Sings, and A Soldier’s Child, helping service members turn their stories into songs. After moving to Nashville, she cut her teeth in Lower Broadway’s most storied rooms, building a loyal base and a reputation for command of the stage. In 2022, she captured national attention as the runner up on American Idol, delivering standout performances that won over millions. Idol judge Luke Bryan called her the “new age Miranda Lambert” and his “favorite female Country voice.” Momentum followed. Named to CMT’s 2024 Next Women of Country and praised by People for her “incredible voice,” she has shared stages with Old Dominion, Florida Georgia Line, Kane Brown, Alan Jackson, and Lainey Wilson, and toured with Luke Bryan and Kimberly Perry. MusicRow calls her “a major, major new talent.” With nearly 80 million global streams and a Grand Ole Opry debut, she continues to connect through songs that feel lived in and true to her roots. Her label debut EP Tennessee Girl showcased range and heart, led by fan favorites “Bad Boy” and “Ain’t About You.” She can fire off a big chorus, then drop to a line that hits like a confession, a mix of power and vulnerability that has become her calling card. On October 10, she returns with “Dirt” on 19 Recordings/BBR Music Group/BMG Nashville, a song that celebrates the people and places that shape you and the simple lessons that keep you grounded. It is the next step for an artist writing from real life and carving out her own lane in country music.

KEEP UP WITH HUNTERGIRL

WEBSITE | INSTAGRAM | TIKTOK | FACEBOOK | X | YOUTUBE

Jet Jaguar Release "Mach 10" Video

Mexican metal band JET JAGUAR have released the video for new single "Mach 10" today.

The song is appears on their upcoming album Severance.

 

 "Blazing fast and technically fierce, 'Mach 10' pays tribute to the raw power of fighter jets," states the band. "With shredding guitar leads and relentless double bass drumming, this track is built for speed and fans of high-octane metal!"

 

Watch the video below.

Severance will be released on October 24 through Steamhammer/SPV as CD, LP, and digital. Pre-order it here.

ØVI Unleashes “Lilith,” the Venomous Opening Track from Upcoming EP Hedera Helix

ØVI returns with “Lilith,” the searing first single from their forthcoming 2026 EP, Hedera Helix. A venomous ode to entanglement and emotional toxicity, “Lilith” sets the tone for an uncompromising and cathartic body of work.

Serving as the opening chapter of the EP, “Lilith” captures the seductive yet suffocating presence of manipulative forces and is a reflection on those who exploit vulnerability under the guise of intimacy. ØVI draws on the haunting image of poison ivy to illustrate how these figures creep in, beautiful yet parasitic, until they are finally confronted and cut away. It’s a track where attraction collides with revulsion, and clarity rises from the ashes of rage.

Driven by razor-sharp lyricism and a visceral soundscape, “Lilith” pulses with fury honed into focus, anger transformed into power. The track is accompanied by a cinematic music video that further delves into its themes of entrapment, temptation, and liberation, mirroring the song’s spiraling tension and eventual rupture.

“Lilith” also features prominently in the upcoming independent film The Roughneck, adding yet another layer of depth and resonance to the track’s uncompromising energy.

Named after the ivy plant known for its relentless spread and permanence, Hedera Helix is ØVI’s boldest work to date. Across four tracks, the EP explores toxic relationships, parasitic dynamics, and the reclamation of self. Each song vines outward with unchecked intensity, echoing the ivy’s invasive sprawl, not to destroy, but to mark, to grow, and to survive.

Rather than wallow in despair, Hedera Helix transforms pain into propulsion. It’s a soundtrack of confrontation, of breaking cycles, and of embracing rage as a form of renewal. ØVI’s message is clear: vulnerability is not weakness, and survival is not silence.

Connect With OVI:

Official Website: https://www.oviorder.com/
Bandcamp: https://oviorder.bandcamp.com/track/crucifixation
Facebook: https://www.facebook.com/profile.php?id=61554332926141
Instagram: https://www.instagram.com/oviorder/?hl=en
YouTube: https://www.youtube.com/@OVIORDER
Spotify: https://open.spotify.com/artist/5RjQGeAtl7pxJUmiEe7Qbe?si=HmcoaTnKTeGeXpEnRbmn3g
Apple Music: https://music.apple.com/us/artist/%C3%B8vi/1742286528
TikTok: https://www.tiktok.com/@oviorder

OVI is:

  • Michael Nolasco - Vocals/Guitar

  • Zed Amarin - Drums

  • Kevin McCombs - Bass

  • Brendan Collins - Guitar

Ancient Chinese Poetry Meets Symphonic Metal in WHEEL OF TIME’s "China Moon"

Progressive power metal project WHEEL OF TIME is set to release its latest single “China Moon”, a sweeping fusion of East and West that channels the grandeur of symphonic metal with the elegance of traditional Chinese poetics.
 

Encouraged by mentor and ex-MEGADETH guitarist Kiko Loureiro to emphasize national characteristics, Hong originally wrote “China Moon” in Chinese, in the style of Song Dynasty lyric poetry (Song Ci, 宋词), one of China’s most celebrated literary forms. The imagery recalls a poet of old, drifting half-dreaming on a moonlit river, contemplating fate and the fleeting nature of life.

Inspired in part by the 2023 Chinese animated film 30,000 Miles from Chang’an, Hong reimagined the song for an international audience, rewriting the lyrics while preserving its Chinese essence.

The single features a remarkable cast of collaborators: opera and stage vocalist Eszter Vegvari, whose dramatic delivery gives the song its emotional center; orchestrator Marcos Barilari, collaborating with WHEEL OF TIME for the second time and elevating the track with lush symphonic textures; and Ariel Tsao on the traditional Chinese Guzheng, weaving an authentic timbre into the arrangement. Together, they bring to life Hong’s vision of a cross-cultural musical journey that is both intimate and expansive.

The project’s debut full-length album Asymmetry is slated for release on November 12, 2025, promising a grand showcase of WHEEL OF TIME’s progressive, power, and symphonic fusion.

About WHEEL OF TIME:

WHEEL OF TIME is a progressive power metal project founded by Beijing-based composer and multi-instrumentalist Jimmie Hong. Blending the technical precision of progressive metal with the melodic strength of power metal and symphonic elements, WHEEL OF TIME creates expansive, narrative-driven music that crosses genres and borders. The project features collaborations with world-renowned musicians including Derek Sherinian, Tony MacAlpine, Michele Luppi, and Timo Tolkki. With a truly international lineup and a sound that integrates subtle Eastern melodic influences, WHEEL OF TIME explores themes of time, destiny, and self-discovery. The debut full-length album Asymmetry releases November 12, 2025.

Kirk Windstein Unleashes "ETHEREAL WAVES" Solo Album + Shares Lyric Video for "Lord of Retribution"

KIRK WINDSTEIN of Down, Crowbar, Kingdom Of Sorrow fame has just unleashed his latest solo effort Ethereal Waves through Perseverance Media Group, the label of Hatebreed frontman Jamey Jasta. 

He shares the lyric video for the sludge-tastic "Lord of Retribution." Watch and listen below.

The album is an epic, 10-song journey into the mind of one of our most prolific riff masters today.

The Crowbar/Down axeman's signature voice, riffs, and songwriting soar on Ethereal Waves.

Fresh off a sold-out Crowbar tour, Windstein is having a TikTok moment, reaching thousands of new fans on the platform.

Three vinyl variants are available, including signed copies. One bundle includes his new Cherry Chocolate Chipotle "Sauce Of Doom."

Get it here.

Deathcore Outfit BURIAL PATH Unveils Powerful New Track “Magnum Opus.”

Emerging from the crucible of reinvention, BURIAL PATH, one of the most electrifying voices in the deathcore underground, has released their latest single “Magnum Opus.”

From the opening surge to its final resonance, “Magnum Opus” embodies the transformative journey of the self: from destruction, to dissolution, to rebirth in gold. It is a sonic alchemy that combines visceral intensity with hauntingly ethereal soundscapes, evoking both the brutality of collapse and the beauty of transcendence.

“From flame to form, the self dissolves and reignites. Gold flows where the old self burned. The great work begins,” the band declares.

The single’s lyrics delve deep into themes of ego death, purification, and rebirth, drawing on esoteric imagery:

‘Calcination, a rebirth takes hold,
Through vitriol these veins flow of gold.
Ego death, reflection, unification within the cycle…’

With “Magnum Opus” BURIAL PATH continues to redefine deathcore, expanding the genre’s boundaries with both philosophical depth and sonic ferocity. The track serves not only as a declaration of artistic evolution but also as a ritualistic invocation, a call to embrace transformation in all its violent, radiant beauty.

About BURIAL PATH:

"Formed in 2023, BURIAL PATH consists of Aïcha Finnleikr (vocals) and Jack B (guitar) from Texas, and Nebraskan Matthew McClure (guitar).  Their sound is a refined evolution of Deathcore, leveraging modern production to craft an atmosphere that is both entrancing and resonant, designed to evoke deep emotions and provoke thoughtful introspection through their music.

Join BURIAL PATH in their journey through the depths of music and emotion with their debut single, "The Seeker." This introduction promises a profound resonance with listeners, marking the beginning of a transformative musical expedition.

Connect with BURIAL PATH:

  • Bandcamp

  • Facebook

  • Instagram

  • YouTube

  • Spotify

  • Apple Music

  • TikTok

INNERWISH Release New Single And Lyric Video For "Defend Our Children's Hope"

INNERWISH's "Defend Our Children’s Hope" is a powerful tribute to the next generation, urging us all to take responsibility for their future and defend their right to hope and opportunity. With their signature blend of driving riffs, soaring melodies, and anthemic choruses, INNERWISH deliver both a poignant message and a timeless heavy metal hymn.

The single is accompanied by a stirring lyric video that underscores its urgency. With lines like “We fall and then we rise / It’s the battle for a new dawn / We conquer not divide / Protect, defend our children’s hope,” the song speaks directly to today’s world of division and uncertainty. At its core, it’s a call for unity, resilience, and compassion, a reminder that safeguarding a better future is a responsibility we all share.

Watch the video Below.

Reflecting on the song’s origins, INNERWISH share:

"To be or not to be in the album? That is the question! For sure a question we asked ourselves a lot because having 15 songs makes you keep some of them out of the album. And it’s not a matter of being a lesser song, especially in this case, but it’s just the way it is sometimes. No matter what, this song has all the classical INNERWISH elements, the ones that lasted all these years. Groove, melodies and hook-y chorus. We talked about children on 'Sea of Lies' and we do it here as well. Different writer, different perspective/impression. Again, for the children. They are the hope of the mankind, they are our hope, they deserve way more. After all, this world isn’t their fault but ours."

In times where global crises weigh heavily on young generations, “Defend Our Children’s Hope” stands as both a warning and a rallying cry: we must not allow today’s failures to become tomorrow’s inheritance.
 

More by INNERWISH: https://innerwish.rpm.link/videosPR

About INNERWISH:

INNERWISH stand for melodic and melancholic heavy metal, played in a powerful and dynamic way. Their story began in Athens in 1995, and in their almost 30 years of existence they didn't only manage to be one of the most important metal bands from Greece, but also to establish themselves as a much-respected band in the European metal scene.
 

INNERWISH are:

Giorgos Eikosipentakis | vocals

Manolis Tsigos | guitars

Thymios Krikos | guitars

Antonis Mazarakis| bass

George Georgiou | keyboards

Franki Samoilis | drums
 

More on INNERWISH:

innerwish.gr | Facebook | Instagram | X | YouTube | RPM

DREW BALDRIDGE’S “CALL ME IF YOU GET ONE” OUT NOW

Chart-topping singer-songwriter Drew Baldridge released his nostalgic new song, “Call Me If You Get One,” via Lyric Ridge Records/BBR Music Group/BMG Nashville. The track, written by Brian Fuller,  Michael Lotten and Jordan Walker is now available HERE.

Rooted in Baldridge’s personal brand of Farm, Faith and Family, “Call Me If You Get One” draws inspiration mirrored in his own upbringing in southern Illinois. Growing up, Baldridge’s dad and grandpa would always say, “Call me if you get one,” whenever one of them would go hunting. Now, as a father himself, Baldridge looks forward to passing that tradition down to his son.

More than just a hunting story, the song captures the timeless bonds between generations and the emotions tied to cherished memories in the great outdoors. With heartfelt lyrics and Baldridge’s signature warmth, “Call Me If You Get One” is a reminder of the simple yet powerful ways family traditions carry forward through love and legacy.

“This song is really special to me,” says Baldridge. “It’s about those little things my dad and grandpa used to say that stuck with me. Now, I get to share those same memories and traditions with my son, and that means the world.”

​​To celebrate the release, Baldridge has teamed up with Rural King to highlight their shared values of family, tradition, and the outdoors. Fans who pre-save/add “Call Me If You Get One” with Spotify and Apple Music will be entered to win an exclusive Rural King prize bundle featuring hunting gear and outdoor essentials.

“Call Me If You Get One” joins recent releases “Deserve Her” and “Get Me Gone” featuring Emily Ann Roberts, expanding Baldridge’s growing catalog of new music as he continues writing and recording for an upcoming full-length project. Ahead of this week’s new release, he will perform at the NSAI Awards on Tuesday, September 23, highlighting his talents as both a performer and songwriter. Baldridge recently wrapped back-to-back tours with Cody Johnson and Bailey Zimmerman, and this fall he will join Jelly Roll and Shaboozey on the Down Under Tour 2025 before launching his own Country Born Tour across the UK and Europe.

ABOUT DREW BALDRIDGE:
Drew Baldridge is carving out a lane all his own with songs rooted in Farm, Faith, and Family. His 2025 highlights include the release of “Deserve Her,”  “Get Me Gone” featuring Emily Ann Roberts and his latest “Call Me If You Get One,” as well as a moving collaboration with Dove Award-winning collective I AM THEY on “Scars.” Baldridge’s latest radio single, “Tough People,” became his second consecutive Top 10 hit, following the RIAA GOLD-certified smash “She’s Somebody’s Daughter,” which reached No. 1 on Country Aircheck/Mediabase and No. 3 on Billboard Country Airplay. Notably, he is the only self-funded artist ever to hit No. 1 on Country Aircheck/Mediabase with his first chart-topping single via his Lyric Ridge Records label and holds the distinction of being the highest-charting independent artist ever on the Billboard Country Airplay chart. With more than 1.1 billion streams and impressions and 2 million social followers, Baldridge has quickly become one of country music’s most-watched rising voices. A powerhouse performer and songwriter signed to Sony Music Publishing, Baldridge has written more than 500 songs with cuts by Bailey Zimmerman, LOCASH, and others. He has toured with Cody Johnson and Bailey Zimmerman, and this fall will join Jelly Roll and Shaboozey on the Down Under Tour 2025 before launching his own Country Born Tour across the UK and Europe. Named to the CRS “New Faces” Class of 2025, an iHeartCountry “On The Verge”artist, and MusicRow’s Independent Artist of the Year, Baldridge continues to build a career that blends authenticity, perseverance, and a deep connection to fans.

KEEP UP WITH DREW BALDRIDGE
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Enter Borderland: AMORPHIS - 15th Studio Album Out Now via Reigning Phoenix Music

Borderland, the 15th studio album from Finnish metal visionaries AMORPHIS, is out now through Reigning Phoenix Music. Borderland represents a passage, a crossing into unexplored realms of sound and spirit. It’s the final call before AMORPHIS rise again on stage this autumn, a beacon for what lies ahead.

Borderland is not merely a name, but a threshold where past meets future, where myth bleeds into memory, and where music becomes both guide and guardian. With this record, AMORPHIS invite their listeners to step with them into a space at once familiar and untamed. Here, horizons shift, echoes resound, and new destinies are forged in sound.

The journey to Borderland began at Hansen Studios (Denmark) in late 2024 and early 2025, under the masterful production of Jacob Hansen (VOLBEAT, AMARANTHE, PRIMAL FEAR). The album’s striking artwork was created by renowned Dutch artist Marald Van Haasteren (METALLICA, BLACK SABBATH, KVELERTAK, ALCEST), while the ever-thoughtful lyricism of Pekka Kainulainen once again provides AMORPHIS’ music with a profound narrative depth.

Among the album’s highlights is the haunting focus track "Fog To Fog," a piece born of desolate landscapes and timeless echoes.

With Borderland, AMORPHIS cross yet another frontier in their sound, bridging myth and modernity, melody and heaviness, darkness and hope. It’s an album both monumental and intimate, inviting fans to follow them into landscapes where the only certainty is transformation.

Get your ‘passport’ to Borderland here: https://amorphis.rpm.link/borderlandPR

About AMORPHIS
With Borderland, the title of the album couldn’t have been chosen more fittingly. Throughout their career, spanning over more than three decades, AMORPHIS -- Tomi Joutsen (vocals), Esa Holopainen (guitars), Tomi Koivusaari (guitars), Olli-Pekka Laine (bass), Santeri Kallio (keyboards) & Jan Rechberger (drums & percussion) -- have been an ever-evolving act, wandering on an exciting boundary-pushing path. From their sinister death metal debut Karelian Isthmus over genre-defining mid-90s melodic death works like Tales From The Thousand Lakes and Elegy as well as the melodic 2000’s grandeur of Eclipse or Skyforger to records combining the very best of all prior eras to refreshing new soundscapes (f.e. Under The Red Cloud or Queen Of Time): Whatever this group works on promises long-range success.
 
With 2022’s Halo, the Finn’s were rewarded for their researching musical approach once again: The album marked AMORPHIS’ sixth no. 1 album in Finland, even cracked the top 3 of the official German album chart, and last but not least the sextet took home two awards from the prestigious Emma Gaala (“Band of the Year” & “Export of the Year”).
 
The impact of Halo became a driving force for what’s to come. Rather than rushing into a follow-up, the band chose to step back from live performances and focus fully on their next chapter. The result is Borderland - a meticulously crafted opus that builds on their celebrated recent era, while seamlessly weaving in new, timely elements. It’s a bold, organic continuation of their journey, shaped by experience and guided by vision.

AMORPHIS are:
Tomi Joutsen | vocals
Esa Holopainen | guitars
Tomi Koivusaari | guitars
Olli-Pekka “Oppu” Laine | bass
Santeri Kallio | keys
Jan Rechberger | drums & percussion
 

More from AMORPHIS:
amorphis.net | Facebook | Instagram | Threads | TikTok
X | YouTube | Spotify | Apple Music | RPM

NECRONOMICON EX MORTIS Disgorge First Single “No More Room In Hell”

Chicago’s horror-obsessed death metal crew NECRONOMICON EX MORTIS have returned with their first single, “No More Room In Hell,” taken from the forthcoming EP Zombie Blood Nightmare. The track arrives September 25th accompanied by a lyric video and delivers everything fans have come to expect from the band’s unique blend of 90s death metal stomp, 80s shred fireworks, and tongue-in-cheek B-movie gore.

“No More Room In Hell” is a suffocating, thrash-laden assault inspired by George A. Romero’s classic Dawn of the Dead. Clocking in at over five minutes, the track is an onslaught of feral riffs, frantic soloing, and guttural howls that summon visions of malls overrun by zombies and humanity fighting for survival. Equal parts homage and parody, it is NECRONOMICON EX MORTIS at their most brutal and unhinged.

The single offers a first glimpse at Zombie Blood Nightmare, which arrives February 20th, 2026. Produced, recorded, and mixed by Charlie Waymire at Ultimate Studios and mastered by Ernesto Homeyer, the EP features six tracks of shred-heavy, horror-drenched chaos, with guest solos from Jeff Young (MEGADETH), Matthew Mills, and James Norton.