Crippled Black Phoenix Premiere New Album Sceaduhelm

More than 20 years removed from where they started, Crippled Black Phoenix are approaching a new threshold with their upcoming new album. Sceaduhelm is the UK macabre rockers’ most inward-looking and grave statement to date. It turns away from collective upheaval to face emotional erosion, fatigue and private collapse.

Sceaduhelm comes out tomorrow, Friday, April 17 on Season of Mist, but you can hear all 12 stark and striking songs today by listening to the full album stream below:

Pre-order

https://orcd.co/cbpsceaduhelm

Pre-save on Spotify

https://open.spotify.com/prerelease/6jvoEOyJQXUQmdI1WlVXrK

Where previous Crippled Black Phoenix records addressed historical violence and societal fracture, Sceaduhelm moves inward, listening to what accumulates in the aftermath: grief, complicity, damaged intimacy and the weight of endurance. The album unfolds as a unified psychological space rather than a traditional concept record, with slow builds, minimalist repetition, and unresolved tension carrying as much weight as melody. While stemming from founding member Justin Greaves (ex-Electric Wizard, ex-Iron Monkey), vocals are shared between Belinda Kordic (Killing Mood, Stabb), Ryan Patterson (Fotocrime, Coliseum, Mirrorless) and Justin Storms (Wailin Storms), each occupying a distinct but aligned emotional register across the album's twelve tracks.

Lyrically and thematically, Sceaduhelm is preoccupied with exhaustion as a condition rather than a moment, with time framed not as a healer but as an eroding force. Songs address burnout, grief, surveillance, institutional violence, and damaged intimacy, often blurring the line between the personal and the political. Musically, the album favours restraint over release, employing repetition, minimalism, and slow escalation to sustain tension without catharsis. Recorded across multiple locations and mixed with deliberate austerity, the record resists warmth, clarity serving discomfort rather than solace.

Within Crippled Black Phoenix’s wider catalogue, Sceaduhelm does not seek to resolve previous narratives or replicate past high points. Instead, it documents a moment of exposure and endurance, listening closely to what remains when spectacle fades and outrage exhausts itself. It stands as a severe, human record, concerned less with declaration than with persistence, and affirms once more the band’s refusal to stand still, soften its gaze, or offer easy answers.

Line-up:
Music - Greaves / Words — Patterson
Justin Greaves — Guitars, Drums, Samples
Ryan Patterson — Vocals
Belinda Kordic — Backing Vocals
Wes Wasley — Bass
Robin Tow — Percussion
Lucy Marshall — Synths

Apparently recorded at various times during 2023 to 2025 at:
Chapel Studios, Lincolnshire, UK
Engineered by Pieter Rietkerk

Additional sessions at:
Kapsylen Studio, Stockholm, Sweden
Engineered by Jörgen Jugglo Wall.
House Of Foto, Louisville, KY, USA
Engineered by Ryan Patterson
Mixed by Iver Sandøy at Solslottet Studio, Bergen, Norway.
Mastered by Magnus Lindberg, Stockholm, Sweden
Additional mixing by Pieter Rietkerk at Chapel Studios
Produced by Justin Greaves

Artwork by Erebus Art (Thanasis Stratidakis)


Thank to everyone who helped and supported this venture.

BIG thankye! to Kurt Ballou for his input and work on this album.

All CBP music published by Season Of Mist Publishing.

Lyrics for “No Epitaph, “The Precipice”, “Vampire Grave”, “Beautiful Destroyer”
Copyright 2026 Ryan Patterson (BMI)

Follow Crippled Black Phoenix:
Bandcamp: https://riseupandfight.bandcamp.com/
Facebook: https://www.facebook.com/CBP444/
Instagram: https://www.instagram.com/cbp_444/
Apple Music: https://music.apple.com/artist/crippled-black-phoenix/251718934
Spotify: https://open.spotify.com/artist/6WEyPcf9ezhNLm1xOBjbwH
Tidal: https://tidal.com/browse/artist/3607159
Deezer: https://www.deezer.com/artist/391823

Beyond Creation Announce 15th Anniversary Reissue of The Aura

From the beginning, it was clear that Beyond Creation possessed a special aura. Back in 2011, the Montréal four-piece quickly proved they were the next progressive evolution in technical death metal with their very first album. Now, fifteen years later, the genre still basks in the enduring glow of The Aura.

“Laden with atmosphere, The Aura stands out from the crowded 2011 tech/death scene thanks to the prominent use of fretless bass, varying drum patterns, and experimentation with tempo”, wrote Metal Injection in a recent retrospective. “Combine that with a variety of searing vocal styles and classically-influenced, lightening-fast sweeps, The Aura is a decadent joy to the mechanically and sonically minded”.

As the Independence Music Award winners and Canadian Grammy nominees prepare to perform their landmark debut in full for the very first time on their upcoming Latin American tour, today, Beyond Creation are announcing a special anniversary reissue of The Aura. The new limited-edition colored vinyl variant is cut at 45 RPM for superior sound quality. It comes with a double-sided full color poster and an embroidered patch.  

“Fifteen years ago, The Aura marked the beginning of our sonic journey”, Beyond Creation lead vocalist and guitarist Simon Girard reflects. “Our celebration of its 15th anniversary officially begins with this special limited-edition reissue. Join us in the celebration during our upcoming tour of Latin America with our special guests Fallujah, where we will perform the album in its entirety for the first time ever, as well as our new single ‘Reverence’”.

The special 15th anniversary edition of The Aura comes out July 17, 2026 on Season of Mist.

Pre-order

https://redirect.season-of-mist.com/BeyondCreationAll

Available formats

2x12” Colored Vinyl Gatefold with full-color poster and embroidered patch

Listen to the full album stream below.

The Aura immediately stood out as a shining achievement for technical death metal. With microscopic precision, the band spliced together classic brutality and prog’s unbending curiosity with an unforeseen tact for melody. “Coexistence” opened eyes far and wide to a new realm of possibilities, where headbanging riffs don't collide but resolve amidst an extended instrumental passage that glistens like the cosmos. After more than 6 million views on YouTube, “Omnipresent Perception” is still blowing people’s minds. Its fretless bass solo, while impossible to follow, leads along the path to enlightenment.  

“Are we the chosen ones?”, Girard wonders during “The Deported”, the album's epic 11-minute closer. He’s questioning humanity's own presumed superiority, but when it comes to Beyond Creation and the universe of progressive technical death metal, the answer is still a resounding “yes”.  

Beyond Creation’s full discography is available now on Season of Mist

Order

https://redirect.season-of-mist.com/BeyondCreationAll

In 2026, Beyond Creation released “Reverence”, their first single in eight years, ahead of the 15th anniversary of The Aura. To celebrate 15 years since the release of their landmark debut, the band announced a special limited-edition reissue of the album through Season of Mist. They will perform the album in full for the first-time ever during their 2026 Latin American Tour with special guests Fallujah.


Line-up
Simon Girard: Vocals & Guitars
Kevin Chartré: Guitars & Back Vocals
Hugo Doyon-Karout: Bass
Philippe Boucher: Drums


Order
https://redirect.season-of-mist.com/BeyondCreationAll


Follow Beyond Creation
Official website: https://www.beyondcreationofficial.com
Bandcamp: https://beyondcreation.bandcamp.com/
Spotify: https://open.spotify.com/artist/3HBOxN9iagI9Ot1kTHpPX8
Apple Music: https://music.apple.com/us/artist/beyond-creation/431171265

YouTube: https://www.youtube.com/user/BeyondCreationMetal
Facebook: http://www.facebook.com/BeyondCreationOfficial
Instagram https://www.instagram.com/beyondcreationofficial/

UADA Streams New Acoustic Album 'Interwoven' Ahead of Physical Release, Kicks Off North American Tour

As promised, enigmatic black metal horde UADA is now streaming its new acoustic album 'Interwoven' in its entirety below!

While the original April 10 release date is still being honored digitally, the physical copies will not be shipped until late May due to delays at the manufacturing plant. The album represents an acoustic journey tracing one song from each chapter of UADA's discography as well as various covers from the bands who've inspired them. 'Interwoven' will be released via Eisenwald and physical copies can be pre-ordered HERE.

In addition, UADA is now hitting the road! The band has joined forces with industrial metal artist MORTIIS for a very special co-headliner, featuring exclusive anniversary sets and supporting performances by Jerome Reuter’s ROME and WRAITH KNIGHT. UADA will be performing their seminal 2016 debut album 'Devoid of Light' in its entirety + a special CERMONIAL CASTINGS 30-year anniversary set featuring Wraith Knight. In addition, MORTIIS shall be performing songs from his groundbreaking 2001 full-length, 'The Smell Of Rain,' along with other volumes of dystopian despair. The tour kicks off tonight, April 10, in UADA's hometown of Portland, OR. The full itinerary can be found below while tickets are now available HERE.

UADA is also celebrating the 10 year anniversary of their debut album, 'Devoid of Light,' with a special reissue! Originally released in 2016, 'Devoid of Light' remains a remarkably focused debut - just five tracks, a little over thirty minutes - and yet a fully formed statement. The 'Devoid of Light (10th Anniversary Edition)' returns in an expanded form. Remastered by Arthur Rizk, who previously handled mixing and mastering for UADA's sophomore album 'Cult of a Dying Sun' and mastering for the acoustic album 'Interwoven,' the material gains depth without losing the character of the original recordings. This edition also includes previously unseen photography by Peter Beste, alongside rare archival material, expanded liner notes, and an exclusive bonus track. It will be released on July 17, 2026 via Eisenwald in CD format and 3 vinyl color variations; it is now available for pre-orders HERE.

Moreover, after much demand from fans, UADA will be returning to Milwaukee Metal Fest for the second time since leaving their mark during the 2024 edition. The festival will take place at The Rave/Eagle's Club from June 4 - 7, with UADA performing on the 7th. More info and tickets can be found HERE.

GET TICKETS HERE

THE WITCHES OF DYSTOPIA TOUR MMXXVI

(UADA + MORTIIS w/ Jerome Reuter’s ROME + WRAITH KNIGHT):

04/10/26: Portland, OR @ Dante's

04/11/26: Vancouver, BC @ Rickshaw

04/13/26: Calgary, AB @ Dickens

04/14/26: Edmonton, AB @ Starlite

04/16/26: Winnipeg, MB @ Sidestage

04/17/26: Minneapolis, MN @ Skyway at Studio B

04/18/26: Madison, WI @ Annex

04/19/26: Chicago, IL @ Reggies

04/20/26: Detroit, MI @ Sanctuary

04/21/26: Indianapolis, IN @ Black Circle

04/22/26: Covington, KY @ Madison Live

04/23/26: Pittsburgh, PA @ Preserving Underground

04/24/26: Toronto, ON @ Lee's Palace

04/25/26: Montreal, QC @ Cafe Campus

04/26/26: Quebec City, QC @ La Source

04/27/26: Boston, MA @ Brighton Music Hall

04/28/26: Brooklyn, NY @ Meadows

04/29/26: Bensalem, PA @ Broken Goblet

04/30/26: Baltimore, MD @ Metro

05/01/26: Raleigh, NC @ Chapel Of Bones

05/02/26: Atlanta, GA @ 529 EAV

05/03/26: Orlando, FL @ Conduit

05/05/26: Houston, TX @ Warehouse Live

05/06/26: Austin, TX @ Come And Take It Live

05/07/26: Dallas, TX @ Club Dada

05/08/26: Albuquerque, NM @ Launchpad

05/09/26: Denver, CO @ HQ

05/10/26: Salt Lake City, UT @ Urban Lounge

05/11/26: Las Vegas, NV @ Swan Dive

05/12/26: San Diego, CA @ Brick By Brick

05/13/26: Los Angeles, CA @ The Echo

05/14/26: San Jose, CA @ The Ritz

05/15/26: Eugene, OR @ John Henry's

05/16/26: Seattle, WA @ El Corazon

Additional UADA Tour Dates:

06/07: Milwaukee, WI @ Milwaukee Metal Fest

photographed by Peter Beste

Recording lineup: 

Jake Superchi - All Vocals, Guitars, and Percussion

Nate Verschoor - Bass

Special Guest:

C.E. Brown - Cello 

Cover Art: Peter Beste

Album Credits:

Engineered and mixed at Obsidian Spells between Summer 2023 and Spring 2024 by Jake Superchi 

Mastered by Arthur Rizk

Stream // Download: https://uada.lnk.to/interwoven

Formats:

Digital

Deluxe CD Artbook

Deluxe 180g Slipcase LP Shadow Black Vinyl

Deluxe 180g Slipcase LP Raven Smoke Vinyl

Deluxe 180g Slipcase LP Wolf's Blood Vinyl

Deluxe 180g Slipcase LP Elder Earth Vinyl

Follow/Stream UADA:

BANDCAMP

OFFICIAL WEBSITE

FACEBOOK

INSTAGRAM

SPOTIFY

APPLE MUSIC

YOUTUBE

WEBSTORE

Paul Cauthen Delivers Unfiltered 13-Track Album BOOK OF PAUL

With four albums and 442 million streams to-date, country iconoclast Paul Cauthen propels into a new chapter with Book of Paul, out now on Velvet Rose Records/Thirty Tigers. Fusing classic country grit, gospel power and a rhinestone rock-and-roll edge, Cauthen delivers 13 tracks filled with a booming baritone and personal truth. 
 
Listen to Cauthen’s Book of Paul Below.

With a well-documented distaste for playing by anyone else’s rules, the singer-songwriter known as “Big Velvet” returns to his East Texas roots, writing his own creative code in permanent ink with Book of Paul.
 
“It’s just being who you are – unapologetically yourself – and that’s every one of my records,” Cauthen says. “Does it dance? Does it make you cry? Does it make you feel? As far as I’m concerned I’ve made it already. I can already do whatever I want musically. And when you get to this point you look back. I have built my whole career going against the grain, and that’s what this record is. The freaking trials and tribulations of Paul. It’s everything I wanted on an album.” 
 
Tapping the strengths of longtime family friend and chart-topping co-writer Ryan Tyndell, Steve Rusch (Jessie Murph, Koe Wetzel), Sam Martinez (Tyler Braden, Carrie Underwood), Fustin (Priscilla Block) plus Nate Ferraro (Beyoncé) for production, they captured Cauthen’s unruly essence with all the charm of a rattlesnake (and the vocal venom to match). 
 
Cauthen co-write 12 of the 13 tracks while also playing bass and drums on select tracks, making sure each song had the twisted backbone he craved. “It’s a nitty gritty, swampy, East-Texas-muddy-roots kind of feel,” Cauthen says with pride. “My claws are deep in it.”
 
Cauthen wastes no time getting to his point. Led by his burly, vibrato-laden baritone, “Book of Paul” opens the album on a minimalist mix of acoustic guitar and snare, as the troubadour confesses to his wild side, while wrestling with the sin. He spares no detail – and makes no compromise. 
 
“If you look at the Bible, there is no book of Paul,” he explains. “I just wanted to write something that embodies me, because I’m sick of hearing records catered to what’s hot and what’s working. Me, I’ve always been this country boy, East Texas guy. Roots, rock and roll, Texas gospel. If you look back at all my albums, I’m proud to say I meant everything I’ve said.” 

Tracks like “Texas Swagger,” which Cauthen will perform on “The Kelly Clarkson Show” today (check local listings HERE), serve as a mission statement, with its bronc-bucking beat, dark twang, and barely contained sense of danger. Cauthen started off with a frenetic guitar riff and some eerie “yee haw” background vocals, then added a strong dose of Big Velvet attitude.
 
Meanwhile, Cauthen puts his code to the test on “Dark Horse,” a cosmic-Western ballad fueled by epiphany he calls “a long ride on the back of a mule on a bunch of mushrooms.” The lonesome “Road Dog” recalls the bleak resignation of Johnny Cash’s “Hurt,” with coyote yips and an acoustic-industrial vibe. And with the warm, relaxing shimmer of ‘70s rock, “Cigarettes & Billy Graham” burns with an easy self acceptance – an anthem for those preachers of the open road. 
 
Elsewhere, Cauthen enters a kind of voluntary lockup with the hypnotic, outlaw-country romance of “Ain’t No Crime,” and taps a “Chattahoochee” groove for the hazy, summertime twang of “Tossin’ Back Time” (feat. Jake Worthington). 
 
Soul pop and gospel twang reach a slow-rolling confluence on the East Texas love story “Bayou By You,” and Cauthen teams with Delaney Ramsdell for the aching barstool ballad, “Chain Smoking.” “Breakaway” saunters into the sunset with a supremely casual indie-roots strut. And a colorful, character-driven country throwback unfolds on “Blue Denim & Black Gold” (the album’s only outside cut, written by Tyndell and Jeff Hyde). 
 
Meanwhile, “Texas Gravel Road” unleashes every weapon in Cauthen’s creative arsenal. Built off a slowed-down latin beat, it’s a bellowing tribute to the blood, sweat and tears behind the star’s pockmarked path – a grungy gutter rocker draped in distorted dark twang. And with the album ending on “The Voice Inside (Silence),” Cauthen enters a state of acoustic prayer. With that velvet vocal at its most raw, an anguished internal battle between dark and light unfolds. … Yet those voices may be something else entirely. Knowing them is the key to Cauthen’s code, and the driving force behind his country music. 
 
“That’s what God is. That’s the spirit. That’s you. The un-talked about. That’s the good shit,” he explains. “This record is the Book of Paul, but I would say everybody needs their own book, and the chapters in life create that. What I mean is, bet on your own. Everybody pointing fingers at you because you’re the black sheep, or because you have this trait or that, that’s what actually makes you different. So bet on that.” 
 
Cauthen was taught to sing by his grandfather in a Church of Christ, and Cauthen hit the scene with the duo Sons of Fathers in 2009, before My GospelRoom 41Country Coming Down and Black on Black unveiled a vulnerable, fire-and-brimstone songwriter with brazen attitude – craving deliverance, yet possessed by a “bird dog” instinct for theatrical rapture. Cauthen has toured the world, collaborating with Margo Price, Orville Peck, Cody Jinks and Lana Del Rey. Fan favorites include “Cocaine Country Dancing,” “Fuck You Money” and his GOLD-certified collab with Shaboozey,“Last Of My Kind.” 
 
With his nearly sold-out Tonkin’ ‘N Tejas Tour, Cauthen continues to hit the Texas touring scene while adding stops at Nashville’s Ryman Auditorium on Sept. 11 and Denver’s The Mission Ballroom on Oct. 9. For more information or to purchase tickets, please visit paulcauthenmusic.com.

Paul Cauthen Tour Dates:
April 3  |  Helotes, TX  |  Floore’s Country Store
April 18  |  Kalispell, MT  | Majestic Valley Arena
July 11 | Saint Paul, MN | Minnesota Country Club Festival
July 16  |  Jackson, WY  |  Snow King Mountain
Sept. 11  |  Nashville, TN  |  Ryman Auditorium
Sept. 19 | Pryor, OK | Born & Raised Festival
Oct. 9  |  Denver, CO  |  The Mission Ballroom

Dungeon Synth Entity WRAITH KNIGHT Streams New Album, 'Of Arcane Magic & Forbidden Knowledge: The Necromantical Passage' in Full

Enigmatic dungeon synth entity WRAITH KNIGHT is now releasing a haunting new full length, 'Of Arcane Magic & Forbidden Knowledge: The Necromantical Passage,' today, April 2, via Out Of Season (USA) and Neuropa Records (Belgium)! WRAITH KNIGHT is now streaming the offering in its entirety below.

The album can be ordered now in CD format via BANDCAMP or via OUT OF SEASON in the U.S. or via NEUROPA for EU. Cassette and vinyl orders will be available in April.

Additionally, WRAITH KNIGHT will be touring North America in support of MORTIIS + UADA along with Jerome Reuter’s ROME on the upcoming 'Witches of Dystopia' tour! MORTIIS. MORTIIS shall be performing songs from his groundbreaking 2001 full-length, 'The Smell Of Rain,' along with other volumes of dystopian despair, while UADA will be performing their seminal 2016 debut album 'Devoid of Light' in its entirety + a special CERMONIAL CASTINGS 30-year anniversary set featuring WRAITH KNIGHT.

GET TICKETS HERE

THE WITCHES OF DYSTOPIA TOUR MMXXVI

(UADA + MORTIIS w/ Jerome Reuter’s ROME + WRAITH KNIGHT):

04/10/26: Portland, OR @ Dante's

04/11/26: Vancouver, BC @ Rickshaw

04/13/26: Calgary, AB @ Dickens

04/14/26: Edmonton, AB @ Starlite

04/16/26: Winnipeg, MB @ Sidestage

04/17/26: Minneapolis, MN @ Skyway at Studio B

04/18/26: Madison, WI @ Annex

04/19/26: Chicago, IL @ Reggies

04/20/26: Detroit, MI @ Sanctuary

04/21/26: Indianapolis, IN @ Black Circle

04/22/26: Covington, KY @ Madison Live

04/23/26: Pittsburgh, PA @ Preserving Underground

04/24/26: Toronto, ON @ Lee's Palace

04/25/26: Montreal, QC @ Cafe Campus

04/26/26: Quebec City, QC @ La Source

04/27/26: Boston, MA @ Brighton Music Hall

04/28/26: Brooklyn, NY @ Meadows

04/29/26: Bensalem, PA @ Broken Goblet

04/30/26: Baltimore, MD @ Metro

05/01/26: Raleigh, NC @ Chapel Of Bones

05/02/26: Atlanta, GA @ 529 EAV

05/03/26: Orlando, FL @ Conduit

05/05/26: Houston, TX @ Warehouse Live

05/06/26: Austin, TX @ Come And Take It Live

05/07/26: Dallas, TX @ Club Dada

05/08/26: Albuquerque, NM @ Launchpad

05/09/26: Denver, CO @ HQ

05/10/26: Salt Lake City, UT @ Urban Lounge

05/11/26: Las Vegas, NV @ Swan Dive

05/12/26: San Diego, CA @ Brick By Brick

05/13/26: Los Angeles, CA @ The Echo

05/14/26: San Jose, CA @ The Ritz

05/15/26: Eugene, OR @ John Henry's

05/16/26: Seattle, WA @ El Corazon

WRAITH KNIGHT is an epic dungeon synth/ambient fantasy musical project that is masterminded by OldNick/Nick Superchi (Ceremonial Castings, Mysticism Black, The Great Sorcerer, etc.).

Formed in 2022 with the debut release 'Deep in the Dungeons of the Dragonlord,' Wraith Knight is known for a heroic, epic high fantasy style that is reminiscent of Frazetta, Tolkien & Robert E. Howard stories.

Lineup:

Nick "OldNick" Superchi

For fans of: Summoning, Mortiis, & Tangerine Dream

Cover Artist: Kris Verwimp

Mixed & Mastered by Nick Superchi

Links:

BANDCAMP

FACEBOOK

INSTAGRAM

APPLE MUSIC

SPOTIFY

Green Carnation Premiere A Dark Poem, Part II: Sanguis

Had Green Carnation never returned from hiatus, the Norwegian prog bards would always be remembered for completing one of metal’s most ambitious individual epics. However, there was one tale - or three, to be exact - that eluded them for more than three decades, until last year. Now, after reaching crushing new highs on Part I of their forthcoming album trilogy, the band are descending into the deepest, darkest and most personal depths of their storied career with A Dark Poem, Part II: Sanguis.

A Dark Poem, Part II: Sanguis comes out tomorrow, Friday, April 3 on Season of Mist, but you can hear all six heart-wrenching songs today by listening to the full album stream, which premieres on the Season of Mist YouTube channel at Noon Eastern Time.

During the premiere, the band will chat with fans about the latest installment in their forthcoming album trilogy, as well as what the future might bring on Part III.  

A Dark Poem, Part II: Sanguis Full Album Stream Premiere Below.

“Sanguis invites listeners into our darkest inner rooms with some of the most raw and vulnerable songs that we’ve ever written”, Nordhus says.

“The lyrics are so personal that I had to go many rounds with myself over whether or not to tone them down”, says Sordal. “In the end, I chose to keep them as honest as possible”.  

Pre-order

https://orcd.co/greencarnationsanguis

Pre-save on Spotify

https://open.spotify.com/prerelease/7pUfKrzW4Q5vn0WAfPHCkS?si=uDZLcOH5Rh2-j8BcS956-g

“Part II deal with personal loss and sadness”, shares Nordhus, though as he’s quick to explain, Sanguis isn’t all gloom and doom. “Those feelings can be almost comforting, like stories you hear about the calm that people experience before they die”. Indeed, if A Dark Poem contains a silver lining, it’s in the creative partnership that’s helped Green Carnation endure for more than three decades. “It would be different if I had only known Stein Roger for two months”, Nordhus continues in explaining how he gives voice to the words of his dear friend. “It’s easy for me to understand and relate to all of his struggles, all of his pleasures and joys, because I’ve been a part of them as well”.  

Part II introduces more peaks and valleys into the overarching narrative of A Dark Poem, but nowhere does the album’s bleeding-heart core shine through more achingly than its closing ballad. Graced by Ingrid Ose’s soothing flute, “Lunar Tale” positively sparkles, even as it casts a rather grim beacon into the future. “The end justifies the means, you’ll see”, Nordhus sings with eerily quiet confidence. As the piano seeps beneath the moonlight, Sanguisleaves fans hanging in suspense over where this trilogy will end.  

Recording lineup
Kjetil Nordhus - Vocals
Stein Roger Sordal - Bass, Rhythm Guitars, Lead Guitars, Keyboards, Lead Vocals on "Loneliness Untold, Loneliness Unfold"
Bjørn Harstad - Lead Guitars, Effects
Endre Kirkesola - Keyboards, Synthesizers, Organs, Effects, Backing Vocals on "Lunar Tale"
Jonathan Alejandro Perez - Drums

Guest musicians
Ingrid Ose - Flute on "Lunar Tale"

Live lineup
Kjetil Nordhus - Vocals
Stein Roger Sordal - Bass
Tchort - Guitars
Bjørn Harstad - Guitars
Trond Breen - Guitars
Endre Kirkesola - Keyboards

Recording, Mixing & Mastering Studio
dUb Studio

Production Credits
Producers - Endre Kirkesola, Stein Roger Sordal, Kjetil Nordhus
Sound Engineers - Endre Kirkesola, Bjørn Harstad
Mixing engineer — Endre Kirkesola

Mixing assistant — Bjørn Harstad

Mastering Engineer — Lawrence Mackrory

Cover artist
Niklas Sundin

Pre-order & Pre-save
https://orcd.co/greencarnationsanguis

Available Formats
CD Digipack
12" Vinyl Gatefold (Black)
12" Vinyl Gatefold (Yellow and Red Marbled)
​12" Vinyl Gatefold (Orange and ​Coke Bottle Green)
12" Vinyl Gatefold (Gold Splatters)
12" Vinyl Gatefold (Silver, White and Black Marbled)
12" Vinyl Gatefold (Transparent Green and Purple Marbled)

Follow Green Carnation:
Bandcamp: https://greencarnationsom.bandcamp.com/
Facebook: https://www.facebook.com/GreenCarnationNorway
Instagram: https://www.instagram.com/green2carnation/
Twitter (X): https://x.com/Green2Carnation
YouTube: https://www.youtube.com/channel/UC2vfEaTADayEniT7xbG-XCA
Spotify: https://open.spotify.com/artist/1ZaJhNBAhJ3HjPsWiB9sDc
Apple Music: https://music.apple.com/artist/green-carnation/72866964
Deezer: https://www.deezer.com/artist/8192
Tidal: https://tidal.com/browse/artist/23079

ONLY HUMAN Premiere Inventive Debut Album Planned Obsolescence

ONLY HUMAN are already on the brink of a major discovery with their debut album. On Planned Obsolescence, the Danish upstarts invent an existential form of prog metal that speaks to our not-too-distant dystopia.

Planned Obsolescence comes out tomorrow, Friday, March 27 on Season of Mist, but you can hear all eight inventive songs today by listening to the full album stream on the Season of Mist YouTube channel.

Listen Below:

“The album is supposed to wake people up to all the ways technocracy is encroaching on society”, Only Human vocalist Patrick Grønbæch Christensen says. “Tech companies often design their products to have an expiration date, so that we’re forced to replace them with the newest model. Through our social media and the adoption of influencer culture, we now live in a reality where humans are products to be consumed and disposed of”.

Pre-order & Pre-save

https://orcd.co/onlyhumanplannedobsolescence

Concept albums are standard issue for metal, especially in the prog space. But when the five members of Only Human first put their heads together in 2023, they decided to build the very human fabric of the band around one increasingly prescient idea.

“We like a lot of bands that just play rock music, but we wanted ONLY HUMAN to be about something”, Christensen says. “We’re interested in creating a musical universe that portrays a future on the brink of collapse”.  

Planned Obsolescence reckons with technology’s increasingly hostile takeover. “Techno Fascist” comes crashing down amidst a turbulent downstream of low-tuned chugs. The intrusion of beats, blips and synthetic swirls into the heavy mainframe of “Breach” mirrors not only how technology has seeped into our everyday lives but also the looming threat that it poses in rendering humans obsolete.  

While Planned Obsolescence is full of existential dread, that doesn’t mean the album leaves us no hope. There’s nothing broken or even outdated about Only Human. The band’s fusion of heavy polyrhythmic grooves, anthemic hard rock and haunting electronic soundscapes hits like a deep breath of fresh air. “Defy and learn to walk again”, commands blood-pumping lead single “Automata”.

“When the world is going badly, the reason is because people gave up”, Christensen concludes. “Things aren’t hopeless. We can absolutely fight back. Hopefully, this album gets people to think about valuing humanity over profit”.

On Planned Obsolescence, Only Human invent existential prog metal for our dystopian future.  

Catch ONLY HUMAN live and in the flesh during their upcoming record release show, as well as at Sweden Rock Festival and Naestved Metalfest.

ONLY HUMAN Live in 2026

May 2 - Copenhagen, DK @ Rust (Record Release Show)

June 3-6 - Sölvesborg, SE @ Sweden Rock Festival

August 27-29 - Næstved, DK @ Næstved Metalfest

September 5 - Grindsted, DK @ Metalbox Festival

November 7 - Hjortshoj, DK @ Viruphuset (with Cold Night for Alligators)

“When the world is going badly, the reason is because people gave up”, Christensen concludes. “Things aren’t hopeless. We can absolutely fight back. Hopefully, this album gets people to think about valuing humanity over profit”.

Lineup
Patrick Grønbæch Christensen- Vocals
Martin Hastrup - Guitars
JaCK Kijne - Guitars
Andreas Pröll - Drums
Guillaume Blanjean - Bass

Recording, Mixing and Mastering Studio
Only Human Studio

Production Credits
Producer & Sound Engineer - Patrick Grønbæch Christensen
Mixing Engineer - Patrick Grønbæch Christensen
Mastering Engineer - Patrick Grønbæch Christensen (Digital and CD), Brett Caldas-Lima (Vinyl)

Cover Art
Guillaume Blanjean

Pre-order & Pre-save

https://orcd.co/onlyhumanplannedobsolescence

Available Formats
CD Digipack
12" Vinyl Jacket (Black)
12" Colored Vinyl (Transparent red with black and white splatters)
12" Colored Vinyl (Transparent red and black marbled)


Follow Only Human
Official Website: https://onlyhuman.band/
Bandcamp: https://onlyhumandk.bandcamp.com/
Instagram: https://www.instagram.com/onlyhumandk/
Facebook: https://www.facebook.com/OnlyHumanDK
Apple Music: https://music.apple.com/dk/artist/only-human/1742337573
Spotify: https://open.spotify.com/artist/11Cl9Vdw4xGPUMtcurjgg1
Youtube: https://www.youtube.com/@onlyhumandk

Via Doloris Premiere Debut Album Guerre et Paix

Via Doloris is rooted in an inward journey rather than orthodoxy. Conceived in solitude and shaped by discipline, composer and multi-instrumentalist Gildas Le Pape (ex-Satyricon) traces a melodic, atmospheric and introspective path through black metal’s foundations. On debut album Guerre et Paix, he’s joined by Frost, the legendary drummer of Satyricon and 1349, who provides a sense of persistence, grounded and unyielding.  

Guerre et Paix comes out this Friday, March 20 on Season of Mist, but you can hear all seven piercing songs today by listening to the full album stream on Black Metal Promotion.

Listen to Guerre et Paix Below:

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Born in Brittany, France, and based in Oslo, Le Pape first gained attention as guitarist in Satyricon from 2007 to 2013, touring extensively and contributing to the band’s self-titled album. After stepping away to explore a broad range of musical directions, he returned to extreme music with a renewed creative vision and sharpened intent. Via Doloris represents the culmination of that journey: a project shaped by solitude, discipline and an uncompromising sense of craft.

Rooted in Nordic black metal tradition yet guided by melody, restraint and emotional depth, Via Doloris occupies a space distinct from genre convention. Le Pape writes all music and lyrics, performing guitars, bass and vocals. The compositions favor measured, expressive arcs over aggression or spectacle, with melody serving as the driving force rather than ornamentation. Folk and pagan influences surface throughout the arrangements, lending the album a timeless, almost ritualistic atmosphere. Lyrics shift between French, English and Norwegian, each language chosen deliberately for its emotional weight and texture.

Frost’s nuanced playing adds both weight and subtlety to the record. Guest vocals on "Omniprésents" are performed by the late Raido (Ferriterium, Heimsgard, Karne).

Based in Oslo, Gildas Le Pape first gained attention in 2007 when he joined the legendary Satyricon as a guitarist. Over the next six years, he toured the world and contributed to the band’s recorded legacy, before stepping away to explore a broad range of musical directions. In time, this path led him back to extreme music, this time with a renewed creative vision and sharpened intent. In 2023, he invited his long-time collaborator, Frost — arguably one of the most accomplished drummers in the genre — to join him in bringing the debut release to life.

Line-up:

Gildas le Pape — Lead Vocals, Choirs, Guitars, Bass

Frost — Session Drums

Production Credits:

Drums and vocals recorded at Red Room Studios, Norway.
Drums and vocals engineered by Mattis Elvestuen, guitars engineered by Gildas Le Pape & Mattis Elvestuen.

Produced by Gildas le Pape.

Mixed by Nicolai Codling & Gildas le Pape.

Mastered by Magnus Gulbrandsen at Jeløy Sound Mastering.

Guest Artist:
Raido (Ferriterium, Heimsgard, Karne) — Guest Vocals on Track 3.

Cover Art:

Artwork by Gildas le Pape.

Photography:

Cover artwork & press photography by Linnea Syversen.

 

Follow Via Doloris:
Facebook: https://www.facebook.com/viadolorisofficial/

Instagram: https://www.instagram.com/via.doloris/

Bandcamp: https://viadoloris.bandcamp.com/

Spotify: https://open.spotify.com/artist/2R3PxQ7zeA3BpPhpI1JlxF

Apple Music: https://music.apple.com/artist/via-doloris/1862267909

Deezer: https://www.deezer.com/artist/362455292

Eihwar Premiere New Album 'Hugrheim'

Hot off a year of electrifying performances at Wacken Open Air, Midgardsblot and dates with The Hu, Eihwar are back to pull the world deeper into their Viking War Trance with hotly anticipated new album Hugrheim.

“Eihwar drags ancient, blood soaked combat directly into the heavy throb of the underground”, Folk N Rock writes in a track-by-track feature on Hugrheim. “They hammer voltage directly into iron battle axes, bringing sharpened steel to the dancefloor and burying war chants under some brutal weaponized distortion”.

Hugrheim comes out tomorrow, Friday, March 13 on Season of Mist, but you can hear all 10 pulse-pounding tracks today below.

Pre-order & pre-save

https://orcd.co/eihwarhugrheimalbum

With Hugrheim, Eihwar invite listeners into the hidden tenth world of Yggdrasil. The album is a thunderous trip, powered by war drums, pagan chants and questionable life choices.

Blending Nordic folk instrumentation with electro-industrial pulse and thunderous ritual percussion, Hugrheim captures the chaotic energy that has already rattled festival grounds from Wacken Open Air to Midgardsblot. Eihwar treat Norse mythology less like a museum piece and more like a very loud celebration. Ancient symbolism collides with trance languages, pounding rhythms and the kind of ritual enthusiasm that tends to make crowds forget they are supposed to stand still.

Across ten tracks, Hugrheim unfolds like a guided tour through the stranger corners of this unseen world. From the rune-bound trial of lead single “Nauðiz” and the invocation of “Freyja’s Calling” to the victorious chant of “Heill Óðinn,” each composition opens a new gateway into Hugrheim’s shifting landscapes, including the album’s eponymous track “Hugrheim”. There are battle rites, shadow realms and luminous gardens. There are also quite a lot of drums.

At the center of the story stand Mark and Asrunn, wandering spirits whose memories of Hugrheim slowly return while inhabiting human bodies on Midgard. Through chants, war drums and trance-driven rhythms, the duo translate that mythology into sound. The result is a concept album that moves easily between ritual atmosphere and outright pagan dancefloor energy.

There is something truly unique about Eihwar. In a way, the band relates to Vikings much like the Teenage Mutant Ninja Turtles relate to turtles: wild, over-the-top superheroes who don’t take themselves too seriously. And yet, from their mischievous spirit and contagious joy emerges a deep and moving poetry. A kind of childlike wisdom.

Following the release of Hugrheim, Eihwar will carry the Tenth World across Europe on a headline run presented under the banner Pagan Folk Nights, joined by special guest Mira Ceti. After commanding major festival stages and igniting packed club shows, the duo now bring their ritual drums, trance chants and industrial folk pulse into an extended continental campaign.

Line-up:
Asrunn — Vocals, Shamanic Drums
Mark — Vocals, War Drums, Lute, Folk Guitar, Tagelharpa, Percussion & Programming

Production Credits:
Mark & Asrunn of Eihwar — All Production, Mixing & Mastering at Eihwar Studio.

Artwork & Photography:
© Eihwar

Follow Eihwar:

Website: https://www.eihwar.com/
Bandcamp: https://eihwar.bandcamp.com/
BandsInTown: https://www.bandsintown.com/a/15564238-eihwar
YouTube: https://www.youtube.com/@eihwar
Instagram: https://www.instagram.com/eihwar.music/
TikTok: https://www.tiktok.com/@eihwar
Facebook: https://www.facebook.com/eihwar.music
Apple Music: https://music.apple.com/artist/eihwar/1700795908
Spotify: https://open.spotify.com/artist/2VFxoCJQPfQauZujESPjQK
Deezer: https://www.deezer.com/artist/224131655
Tidal: https://tidal.com/artist/41105436
Discord Invite: https://www.eihwar.com/

Booking Contacts:

Doomstar Bookings (Luc): luc@doomstarbookings.com
The Link Productions (Romain): romain@thelinkprod.fr

Available Formats:

CD Digipak
12" Vinyl Gatefold — Black
12" Coloured Vinyl Gatefold — Blue, Black & White Marbled
12" Coloured Vinyl Gatefold — Magenta, Crystal Clear, Pink & Blue Marbled
12" Coloured Vinyl Gatefold — Clear, Blue & Black Marbled
12" Feather Filled Vinyl Gatefold

Unverkalt Unveil Heavy and Hearfelt New Album Héréditaire

Unverkalt have always been drawn to the edge. Since emerging from Greece’s underground catacombs in 2017, the five-piece post-metal band have balanced boundless atmosphere with suffocating heaviness. But now, on their upcoming third album and first for Season of Mist, they are plunging into the darkness that’s always waited for them below. While wrestling with the weight of our accursed history, Héréditaire now stands as their heaviest and most heartfelt offering.

Héréditaire comes out tomorrow, Friday, February 27 on Season of Mist, but you can hear all nine foundation-shaking songs today by listening to the full album playlist on the Season of Mist YouTube channel.  

“Our aim has always been to blend softer, more romantic elements with extreme chaos. With Héréditaire that time has now come”, Unverkalt’s guitarist and chief composer Themis Ioannou says. “This album is a lament for what is far older than our very existence. It speaks of what seeps through generations, searching for an answer to one pervasive question: What do we carry that was never ours?”

Pre-order

https://orcd.co/unverkalthereditaire

Pre-save on Spotify

https://open.spotify.com/prerelease/5ndUNl3HyjsagbOuQCrakn?si=QESfESdPQwqHTC5MKNX4Jw

“This album is not meant to resolve”, the band says, “but to dissolve patterns from those who came before, faceless yet familiar. The colors have drained. What remains is veiled in black, not as a symbol, but as a truth that covers everything”.

On Héréditaire, Unverkalt lift the veil on our cursed existence with their heaviest and most heartfelt offering.

Recording Lineup:
Dimitra Kalavrezou — Vocals
Themis Ioannou — Guitars, Keys
Eli Mavrychev — Guitars, Vocals
Joscha Hoyer — Bass
Christian Eggers — Drums

Guest Musicians:
Sakis Tolis — Vocals on "I, The Deceit"

Songwriting Credits:
Comped by Themis Ioannou.
Lyrics by Dimitra Kalavrezou & Eli Mavrychev.
Lyrics for "I, The Deceit" by Dimitra Kalavrezou & Joscha Hoyer.

Recording Credits:
Recorded & Engineered by Unverkalt.
Drums Recorded & Engineered by Christian Eggers at Noir Surge Sound, Berlin, Germany.

Production Credits:
Produced by Themis Ioannou.
Vocals produced by Dimitra Kalavrezou & Eli Mavrychev.
Mixed by Joshua Barber.
Mastered by Lasse Lammert at LSD Studios, Lübeck, Germany.

Cover Art:
Themis Ioannou

Pre-order & Pre-save

https://orcd.co/unverkalthereditaire

Available Formats:
CD Digipak
2x12" Vinyl Gatefold — Black
2x12" ​Coloured Vinyl ​Gatefold ​— Black & Gold 'Sunburst'



Follower Unverkalt:
Bandcamp: https://unverkalt.bandcamp.com/
Instagram: https://www.instagram.com/unverkalt/
TikTok: https://www.tiktok.com/@unverkalt/
Facebook: https://www.facebook.com/Unverkalt/
Twitter: https://x.com/unverkalt/
YouTube: https://youtube.com/@unverkaltofficial/
Spotify: https://open.spotify.com/artist/55vU7DZVwI4ks0NpfKDAvK/
Apple Music: https://music.apple.com/us/artist/unverkalt/1524174404/
Last FM: https://www.last.fm/music/Unverkalt/

Out today from Dissentience!

DISSENTIENCE, the progressive death-thrash unit from Bethlehem, PA, returns with their most conceptually ambitious and sonically punishing release to date: Kaiju. Scheduled for release on February 20, 2026, Kaiju is a four-track concept EP that fuses cinematic horror, crushing riffs, and lyrical dread into a singular apocalyptic vision. Drawing inspiration from classic Japanese monster films and the unknowable terrors of Lovecraftian mythology, the record explores the narrative of a colossal, nameless beast as it decimates a city. Rather than paying tribute to kaiju lore in name alone, DISSENTIENCE builds a world where riffs, lyrics, and production align to place the listener in the path of annihilation.

The EP begins with "Obsidian Tomb", a track that captures the initial moments of catastrophe. A somber acoustic intro builds tension before the monster is unleashed. The song moves through blast-laden choruses, thrash-driven verses, and groove-heavy interludes, all while painting a picture of destruction through the eyes of a terrified populace. The band intentionally avoids naming the monster or the city to keep the setting timeless and the fear universal. This choice also reinforces the Lovecraftian tone by allowing the horror to remain undefined, inviting each listener to project their own dread into the story.

"Chaos Absolute" takes a different narrative angle by focusing on the political and social collapse that follows the attack. Opening with a syncopated, high-tension riff and shifting into a massive, deceptively catchy groove, the track evokes the panic and futility of global leaders attempting to respond to an unstoppable force. Frantic guitar harmonies, dissonant progressions, and a brief clean bridge section give way to some of the heaviest material on the record. The phrase “fall into chaos absolute” functions as both a summary of the storyline and a reflection of the listener’s experience as the music surges with desperation.

The title track "Kaiju" represents the climax of the EP, unleashing a relentless barrage of violence and devastation. The lyrics describe grotesque scenes of bloodshed and helplessness as the beast rips through the last remnants of resistance. Riffs churn beneath guttural vocals, with every passage dripping with urgency and rage. The music mirrors the scale of the narrative, building to overwhelming levels of sonic brutality. The repeated line “Kaiju will bring forth a new age of rot” serves as the thesis for the entire record, framing the monster not only as a literal destroyer but as a symbol of humanity’s self-inflicted reckoning.

The final track "Death Shroud" transitions into the aftermath. With the monster gone, what remains is a landscape of ash, grief, and existential dread. The band leans into dissonance and atmosphere, balancing crushing heaviness with bleak introspection. Survivors are left to make sense of their trauma, questioning whether the world can rebuild or if it even should. The Kaiju, now retreated, is no less present. Its legacy hangs in the smoke, a constant reminder of how fragile everything truly was. “The Kaiju may lay dormant, but the anguish remains” is the emotional core of the track and perhaps of the entire release.

Kaiju was produced by DISSENTIENCE in collaboration with Corey Pierce, recorded at Peach Pie Sound by Matt Menafro, mixed by Zeuss, and mastered by Alan Douches. The yet-to-be-revealed cover art is by Matt Stikker, known for his vivid and brutal visual storytelling. This release follows the band’s prior offerings Mask of Pretense (2018) and Empire Anatomy (2022), continuing their evolution as songwriters and sonic architects.

Refusing to imitate the past, DISSENTIENCE draws from influences like TRIVIUM, REVOCATION, SYLOSIS, THE BLACK DAHLIA MURDER, DEATH, and LAMB OF GOD, all while forging a sound that avoids the trappings of nostalgia. Their music is defined by technicality, brutality, and a refusal to be boxed into genre clichés. Critics have taken note. Decibel Magazine remarked that DISSENTIENCE channels the essence of classic thrash and death metal without creating a carbon copy. Metal Injection praised their ability to blend groove and fury in a way that hits with maximum impact.

With Kaiju, DISSENTIENCE has crafted more than just a record. It is a fully realized conceptual journey that pushes their sound further into new territory. Every song contributes to a unified narrative of destruction, dread, and reflection. It is a rare example of a metal record that is both musically blistering and thematically rich. Where others nod to monsters, DISSENTIENCE gives them voice, weight, and consequence.

About DISSENTIENCE: 

Formed in 2013 in Bethlehem, Pennsylvania, DISSENTIENCE is a progressive death-thrash metal band that combines the technical precision of death metal with the relentless energy of thrash. Rejecting retro imitation and genre stagnation, the band creates forward-thinking metal that is both aggressive and dynamic. Drawing influence from bands like TRIVIUM, REVOCATION, SYLOSIS, THE BLACK DAHLIA MURDER, DEATH, and LAMB OF GOD, DISSENTIENCE forges a sound built on sharp riffs, crushing rhythms, and inventive songwriting.

The lineup features Connor Valentin on guitar and vocals, James Vitale on guitar, Sean Langer on bass, and Nick Scherden on drums. Known for their intense live performances and refusal to be confined to a single subgenre, the band continuously pushes their sound in new directions. Their music balances chaos and melody while exploring dark themes through a modern lens.

After releasing their debut EP Mask of Pretense in 2018 and their full-length album Empire Anatomy in 2022, DISSENTIENCE returned with the concept EP Kaiju in 2026. The record blends the devastation of giant monster cinema with the dread of Lovecraftian horror, showcasing the band’s evolution in sound and narrative depth. DISSENTIENCE has earned a reputation as one of the most compelling rising forces in heavy music. Their mission is clear: to make metal that is uncompromising, inventive, and unapologetically intense.

DISSENTIENCE is:

  • Connor Valentin – Guitar / Vocals

  • James Vitale – Guitar

  • Sean Langer – Bass

  • Nick Scherden – Drums


Connect with DISSENTIENCE:

Out Today - Necronomicon Ex Mortis - Zombie Blood Nightmare

Chicago horror-death fiends NECRONOMICON EX MORTIS return with their most ferocious and unhinged release to date, the aptly titled Zombie Blood Nightmare. Out Now, this six-song EP is a whirlwind of 90s death metal stomp, 80s shred obsession, and tongue-in-cheek B-movie gore that cements the band’s identity as both serious riff-worshippers and gleeful purveyors of horror camp.

From the opening grind of “Left To Die,” listeners are thrown into a pit of decay and despair, guided by a colossal guest solo from none other than Jeff Young of MEGADETH. The song lurches like a doomed soul chained in a gore pit, every riff dripping with rot, until Young’s guitar screams carve through the gloom. Without pause, the band erupts into “No More Room In Hell,” a SUFFOCATION-inspired riff frenzy that pays homage to Dawn of the Dead. It’s a brutal sprint of tremolo riffs, spiraling solos, and lyrical nods to malls under siege and the endless march of the undead.

If excess is a virtue, “Chopped Up and Burned” is a cathedral. Seven minutes of gratuitous death-thrash chaos, the track features blistering guest solos from Matthew Mills and Jeff Young, and pays blood-soaked tribute to The Evil Dead. The band thrives in the chaos, with riffs piled high on top of each other until the track collapses under its own madness. By contrast, “Lumbering, Blood Sucking Freaks” staggers like its namesake: a mid-tempo, oozing collection of riffs that shouldn’t work together, yet somehow lock into an eerie, zombified groove.

The bloodthirst only intensifies with “Hungry For Brains,” a thrash assault structured around symmetrical diminished scales and spiked by a guest solo from James Norton, a personal connection from guitarist Michael Nystrom Bala’s college days. Lyrically blunt and musically savage, it’s a zombie anthem that gnashes at the listener until there’s nothing left but bone. The EP closes with “Démoni,” the most technically demanding of the set, inspired by the 1985 Italian horror film Demons. Featuring time-signature shifts, Suffocation-style brutality, and a grotesque slam section in 5/4, it’s also the only track without a Bala solo, but instead, Manuel Barbara takes command, shredding with reckless abandon as the song spirals into total madness.

Zombie Blood Nightmare is NECRONOMICON EX MORTIS at their most chaotic and gleefully grotesque, but also their most ambitious. Produced, recorded, and mixed by Charlie Waymire at Ultimate Studios, and mastered by Ernesto Homeyer, the EP boasts a sound as sharp and punishing as its subject matter. Genoicide Artworks provides the cover art, completing a package that is equal parts brutal, absurd, and lovingly steeped in the traditions of horror metal.

Over the past three years, the band has released a steady stream of EPs (Necronomicon Ex Mortis, Silver Bullet, The Mother of Death) and splits (You’ve Got Red On You with BLOODFEAST RITUAL), carving out a niche with their technical fury and horror-inspired narratives. They’ve drawn praise from No Clean Singing (“a band to watch”), Metal Noise (“there is so much depth and texture”), and Games, Brrraaains & A Head-Banging Life (“thrilling heaviness”), while even catching the attention of Christian Muenzner (ex-OBSCURA).

With Zombie Blood Nightmare, NECRONOMICON EX MORTIS deliver not just another step forward, but a gory leap through the gateway to hell. It’s a record that pays homage to their death metal forebears while shamelessly indulging in horror schlock and fretboard excess. It may open new doors, or as the band prefers to put it, “new gateways to hell.”

About NECRONOMICON EX MORTIS:

Formed in Chicago in 2023, NECRONOMICON EX MORTIS have quickly carved out their place in the metal underground with a sound that is equal parts 90s death metal stomp, 80s shred worship, and campy B-horror storytelling. Guitarist and songwriter Michael Nystrom Bala, guitarist and orchestrator Manuel Barbara, bassist Yusuf Rashid, drummer Joey Ferretti, and vocalist John Sawicki bring a mix of technical ferocity and tongue in cheek horror fun that is as brutal as it is entertaining.

Since their debut EPs Necronomicon Ex Mortis and Silver Bullet in 2023, the band has unleashed a steady stream of releases including You and Your Friends Are Dead: Game Over in 2024, The Mother of Death in 2024, and the split You’ve Got Red On Youwith BLOODFEAST RITUAL in 2025. Their relentless creativity culminated in the 2025 compilation From the Void…THEY CAME, which further established their reputation as prolific riff mongers with a love for the grotesque and absurd.

With recognition from outlets such as No Clean Singing, Metal Noise, and Games, Brrraaains & A Head-Banging Life, and praise from Christian Muenzner of OBSCURA, NECRONOMICON EX MORTIS are being hailed as a band to watch. Their music fuses thrashy death metal brutality with dizzying solos while embracing the bloody theatrics of cult cinema. Equal parts homage and parody, their songs invite listeners to bang their heads, laugh at the gore, and revel in the chaos.

At their core, NECRONOMICON EX MORTIS are here to shred, to bleed, and to drag metal deeper into the crypt, one zombie, demon, and undead riff at a time.

NECRONOMICON EX MORTIS is:

  • Michael Nystrom Bala — Guitars / Songwriting

  • Manuel Barbara — Guitars / Orchestration

  • Yusuf Rashid — Bass

  • Joey Ferretti — Drums

  • John Sawicki — Vocals


Connect with NECRONOMICON EX MORTIS:

Official Website: https://www.necronomiconexmortisband.com/
Bandcamp: https://necronomiconexmortis.bandcamp.com/
Facebook: https://www.facebook.com/profile.php?id=100090172921055
Instagram: https://www.instagram.com/necronomiconexmortisband/?hl=en
YouTube: https://www.youtube.com/@necronomiconexmortisofficial
Spotify: https://open.spotify.com/artist/5mwhqFK69UHCSeS9YtzSer
Apple Music: https://music.apple.com/us/artist/necronomicon-ex-mortis/1671465776

Bizarrekult Confronts All There Is on New Album Alt Som Finnes

True to black metal’s fiercely individual spirit, upon moving to Norway at the end of the 2000s, Roman V. started Bizarrekult as a lone wolf. Much like Roman’s previous two retreats into the studio, his upcoming third album emerged from a deeply personal crisis. Only on Alt Som Finnes, he’s not alone in confronting all there.  

Alt Som Finnes comes out this Friday, February 20 on Season of Mist Underground Activists, but you can hear all eight absorbing songs today by listening to the full album stream below.

“I was not ready for all this”, Roman says about Alt Som Finnes. “None of us are, when the time comes. But at the end of this journey, it seems to have all been worth it. The music gave me hints as to where to go and what can be”.  

Pre-order & Pre-save

https://orcd.co/bizarrekultaltsomfinnes

Alt Som Finnes maintains the classic energy of old school Norwegian black metal. “Verdens verste” rails against consumerism with blistering grooves. With its crazed riffs and blistering howls, there’s no escape from the feverish intensity of “Drøm”. But Bizarrekult’s new album strips away all of our defenses while adding more post-metal ambiance. “Avmakt” surges and seethes in a fight for control before losing power amidst melodies that fall then fade like dying pinpricks of light.  

No one will emerge unscathed from Alt Som Finnes. However, for the first time, Roman is joined in his struggle. The album features guest vocalists from Predatory Void, MØL and Dødheimsgard. Behind a steady pounding of double bass, lead single “Blikket Hennes” buzzes with the all-consuming darkness of a guilty conscience, only for Yusaf “Vicotnik” Parvez to enlighten us with soothing cleans. Despite being riddled with regrets, closer “Tomhet” breaks new ground as the first Bizarrekult song sung in English.

Am I alone like this? No, we are many”. As the album storms through the finish line, Roman and Kim Song Sternkopf howl together into the void. It’s a damning realization, but also a call for us to become something greater.  

On Alt Som Finnes, Bizarrekult confronts all there is with devastating clarity.

No one emerges unscathed from Alt Som Finnes. But while riddled with regrets, album closer “Tomhet” breaks new ground as the first Bizarrekult song sung in English. “Am I alone like this? No, we are many”. It’s a damning realization, but also a call for all of us to become something greater.

Line-up
Roman V. — Vocals
Ignat P. — Guitars & Bass
Alexander P. — Drums

Production Credits
Recorded at Seaside Room.
Produced, mixed & mastered by Miguel Tereso at Demigod Recordings, Portugal.

Guest Musicians
Yusaf "Vicotnik" Parvez (Dødheimsgard) — Vocals on "Blikket Hennes"
Lina (Predatory Void / Cross Bringer) — Vocals on "Drøm” (Recorded by Tim De Gieter)
Kim Song Sternkopf (Møl) — Vocals on "Tomhet"

Cover Art
Gravestench Art (https://www.instagram.com/gravestench_art/)

Photography
Radmila Volchenkova

Available Formats
CD Jewelcase

12” Vinyl (Black)

12” Vinyl (Purple, black and white marbled)

Pre-save & Pre-order 

https://orcd.co/bizarrekultaltsomfinnes

Follow Bizarrekult
Bandcamp: https://bizarrekult.bandcamp.com/
Facebook: https://www.facebook.com/bizarrekult/
Instagram: https://www.instagram.com/bizarrekvlt/
Spotify: https://open.spotify.com/artist/6Cj4Bc1WpdNZhGcKyQfWci/
Apple Music:https://music.apple.com/artist/bizarrekult/1455860457 Deezer: https://www.deezer.com/artist/11699593

TX2 Drops New Single "Murder Scene" Featuring Magnolia Park

LA-based alt-rock artist TX2 has today released his debut album End Of Us via Hopeless Records. The 13-track album features collaborations with Black Veil Brides, Magnolia Park, Ice Nine Kills, DeathbyRomy, and Ekoh, and arrives after a decade of building one of heavy music's most polarizing and devoted fanbases. Today’s release is highlighted by focus track, "Die Alone" which captures the album's emotional core. Fans can listen to the full album HERE

Speaking on today’s highly anticipated release,TX2 frontman, Evan Thomas shares

“After 11 years of building toward this moment, the band and I are excited to unveil our debut album, ‘End of Us’, structured as a rock opera. Each single leading up to this release has told a story painting the larger album theme of, ‘The Resistance’, the final survivors in a world devastated by a vampire holocaust. I hope the story we’ve told through our debut album reminds the X Movement and those all around us that they cannot erase us.”

End Of Us marks a turning point for an artist who did what most won't: weaponized being the internet's punching bag and turned online hate into undeniable momentum. With 1 million monthly Spotify listeners, 1.3 million TikTok followers, and 100 million streams on previously released singles before the album even dropped, TX2 turned algorithmic outrage into a self-sustaining business outside traditional development models.

The album collects previously released singles including "The End of Us" featuring Black Veil Brides, "Murder Scene" featuring Magnolia Park, "HOSTAGE (they will not erase us)," "The Rain," "Feed" featuring DeathbyRomy, and "Nice Guy" featuring Ekoh, alongside new tracks that complete the album's narrative arc. Between them, the previously released songs generated 100 million streams and 42 million TikTok likes in the last 12 months alone.

TX2 has earned co-signs from Caleb Shomo, Ice Nine Kills, Black Veil Brides, Magnolia Park, and From First to Last while building the X Movement, a Discord-based mental health community with thousands of active members. As an openly queer artist, his refusal to sanitize his advocacy has made him both a target and a lifeline.

Thomas describes the album's sound as "punk meets vampire-core with an Eminem edge," drawing from influences like My Chemical Romance, Green Day, Black Veil Brides, and Linkin Park while carving out space entirely his own. He self-directed all music videos alongside guitarist Cameron Rostami with horror aesthetics inspired by Resident Evil and Silent Hill.

TX2 begins his US "End of Us" headline tour this month before heading to Australia with Rain City Drive in March, followed. He then returns to the US for a North America tour supporting Black Veil Brides before heading to Europe for a massive European festival run including Download Festival (alongside Linkin Park, Guns N' Roses, and Limp Bizkit), Rock AM Ring, Rock Im Park, Rock For People, Novarock, Graspop, Jera On Air, and Vainstream. For tickets and further information head to tx2merch.com/pages/tour

TX2 - THE END OF US TOUR (w/ Buffalo Farm & Flat Out)

Feb 6 - Grey Witch - Las Vegas, NV

Feb 7 - SOMA - San Diego, CA

Feb 8 - Temblor Bowling Company - Bakersfield, CA

Feb 11 - Lowbrow Palace - El Paso, TX

Feb 12 - Come And Take It Live - Austin, TX

Feb 13 - Laser City Music Hall - Oklahoma City, OK

Feb 15 - Vinyl Music Hall - Pensacola, FL

Feb 17 - The East - Nashville, TN

Feb 18 - Off Broadway - St. Louis, MO

Feb 19 - xBk Live - Des Moines, IA

Feb 21 - 4th & Polk Music & Event Space - Topeka, KS

Feb 23 - Uptown Funk Dueling Pianos - Albuquerque, NM

Feb 24 - 191 TOOLE - Tucson, AZ

TX2 w/ BLACK VEIL BRIDES - NORTH AMERICA 2026

Apr 25 - Riverside Municipal Auditorium - Riverside, CA

Apr 26 - Grand Theatre at The Grand Sierra Resort - Reno, NV

Apr 28 - Showbox SoDo - Seattle, WA

Apr 30 - The Union Event Center - Salt Lake City, UT

May 1 - Fillmore Auditorium - Denver, CO

May 2 - The Astro - Omaha, NE

May 4 - House of Blues - Dallas, TX

May 5 - House of Blues - Houston, TX

May 6 - The Aztec Theatre - San Antonio, TX

May 8 - Tabernacle - Atlanta, GA

May 11 - Piedmont Hall - Greensboro, NC

May 12 - The NorVa - Norfolk, VA

May 14 - The Fillmore Philadelphia - Philadelphia, PA

May 15 - Stage AE - Pittsburgh, PA

May 17 - The Fillmore Detroit - Detroit, MI

May 19 - Egyptian Room at Old National Centre - Indianapolis, IN

May 21 - The Fillmore Minneapolis - Minneapolis, MN

May 22 - Ramova Theatre - Chicago, IL

May 23 - The Sylvee - Madison, WI

May 25 - HISTORY - Toronto, ON

May 26 - MTELUS - Montreal, QC

May 28 - Palladium Times Square - New York, NY

May 29 - The Fillmore Silver Spring - Silver Spring, MD

May 30 - The Palladium - Worcester, MA

ABOUT TX2

TX2 is the project of Los Angeles-based artist Evan Thomas, known for raw, emotionally charged alt-rock that refuses to play by the rules. Since going viral on TikTok in 2023 with "I Would Hate Me Too," TX2 has amassed 1 million monthly Spotify listeners, 1.3 million TikTok followers, and a touring resume that includes opening for Beartooth, I Prevail, Killswitch Engage, Ice Nine Kills, and Parkway Drive on the Summer of Loud tour.

Thomas founded the X Movement, a community dedicated to mental health awareness and creating safe spaces for fans who feel like they don't belong. He's openly queer, vocally advocates for LGBTQ+ rights and fan safety, and stays after every show to meet every fan, sometimes for hours. He's been called emo's most hated artist and its most necessary voice, often in the same breath. His debut album End Of Us is out now via Hopeless Records.

THE HELLACOPTERS RARITIES COMPILATION CREAM OF THE CRAP! VOLUME 3 IS OUT TODAY + FULL ALBUM STREAM AVAILABLE VIA YOUTUBE

Today marks the release of Cream Of The Crap! Collected Non-Album Works • Volume 3, the newest, long-overdue entry in a series of rarities collections by Swedish high energy rockers THE HELLACOPTERS, combining rare and lesser-known material from a myriad of singles, EPs, and compilation songs. The 24 tracks featured in this set have originally been released between 1998 and 2005, most of them only on vinyl and out-of-print CDs, and include originals like ‘Disappointment Blues’, ‘Freeway To Hell’, ‘Doggone Your Bad-Luck Soul’, 'Ferrytale' and ‘Long Gone Losers’ as well as cover versions of songs by Motörhead, Wilson Pickett, MC5, Smokey Robinson, Lynyrd Skynyrd, Bob Seger, Alice Cooper, The Ramones, The Nomads, Adam West – whose singer Jake Starr penned liner notes for this release – and many, many more. Furthermore, a lot of these songs have never been released digitally. Meticulously compiled by Robert Eriksson, transferred from master tapes and vinyl by Henke Jonsson, and remastered for maximum audio fidelity by Magnus Lindberg, with Cream Of The Crap! Collected Non-Album Works • Volume 3 THE HELLACOPTERS present a stunning collection of incredible, high-octane rock’n’roll on this more than 75 minutes long double vinyl, CD and digital release. Scroll down for the full track list and release formats.

Purchase or stream Cream Of The Crap! Collected Non-Album Works • Volume 3:
https://hellacopters.bfan.link/cotc

A full album stream via Youtube is available below;

ABOUT THE HELLACOPTERS

Less than three years after their triumphant, chart-storming comeback record, Eyes Of Oblivion, which entered on #1 in their home country, on #3 in Germany, and on #6 in Finland, Sweden's most consistently great rock outfit is back with another banger of an album called Overdriver, due out on January 31st, 2025.

In the meantime, THE HELLACOPTERS have celebrated their triumphant return by playing a show with the mighty Iron Maiden in Gothenburg in July 2022, and gigs with Ghost in Germany in June 2023, apart from their own string of headline shows throughout Europe. Eager to keep the rock flowing, February 16th, 2024 saw THE HELLACOPTERS release not one, but two stunning versions of their classic Grande Rock album, which was originally released in 1999. Grande Rock Revisited included a remastered original version and a remixed and partially re-recorded version as a companion piece, showing how the album could have sounded in a parallel universe with guitarist Dregen being in the band at the time. After making rock grande again, the group set sights on new material, debuting the phenomenal single 'Stay With You'  in May 2024 and releasing it as limited 7inch via Lightning Records.

Their ninth full-length Overdriver was recorded at Strawberry Studio & The Honk Palace and is the first HELLACOPTERS album entirely produced by Nicke Andersson. As you might expect from a HELLACOPTERS album it's filled to the brim with roaring guitars and earth-shattering grooves, fist-raising energy and anthemic choruses, while keeping the variety richer than ever before. Overdriver was hailed by many as a career highlight and it was a huge success, entering the Swedish charts on #1 and the German charts on #6 upon release.

THE HELLACOPTERS ONLINE:
https://linktr.ee/thehellacopters

PONTE DEL DIAVOLO Premiere Intoxicating New Album De Venom Natura

Fresh off of leaving a mark on their fiery debut, Ponte Del Diavolo are fanning the flames with their hotly-anticipated sophomore album. Drawing from the dark and dancing depths of the band’s dueling bassists and the raw spirit of their fiery live ritual, De Venom Natura delivers an all the more potent twist of blackened post-punk.

De Venom Natura comes out tomorrow, Friday, February 13 on Season of Mist, but you can hear all seven intoxicating songs today by listening to the full album stream below.

Pre-order & pre-save

https://orcd.co/pontedeldiavolovenomnatura

At the heart of De Venom Natura lies a central concept: Nature as both seduction and toxin, creation and annihilation. The record contemplates poison not as mere destruction, but as a transformative agent within an eternal cycle of life, death and rebirth. Across seven tracks, including “Lunga vita alla necrosi,” and “Il veleno della Natura,” the band articulate this duality through ritualistic repetition, lyrical invocations and a tension-driven sonic architecture.

Emerging from Turin’s underground in 2020, Ponte Del Diavolo have forged a distinct identity rooted in doom, black metal, post-punk and wave. Their uncommon dual-bass configuration remains central to the project’s character, grounding rhythmic guitars beneath wave-tinged female vocals and a raw, dynamic drum pulse. On De Venom Natura, that foundation is pushed further. The core instrumentation was recorded live at The Deepest Sea studio in Turin to preserve the immediacy and tension of their performances.

With De Venom Natura, Ponte del Diavolo extend their boundaries without abandoning their core identity. It is a record that channels stage-born intensity into a controlled studio ritual, where poison becomes revelation and decay becomes a form of consciousness.

PONTE DEL DIAVOLO craft a focused blend of doom, black metal, post‐punk, and wave—an aesthetic they call “blackened post‐punk.” Wave‐tinged female vocals anchor the project’s flaming core, supported by an uncommon dual‐bass setup that grounds the rhythmic guitars and a raw, dynamic drum pulse.

The result is an immersive, tension‐driven sound. Following the initial release of three EPs, the band signed to Season of Mist and unveiled their first full-length album, Fire Blades from the Tomb.

After two years on the road - appearing at leading European festivals such as Roadburn and Inferno in support of their debut - Ponte del Diavolo return with “De Venom Natura,” a record that extends and refines their musical boundaries.

Line-up:
Erba del Diavolo — Vocals
Khrura Abro — Bass
Kratom — Bass
Nerium — Guitar
Segale Cornuta — Drums

Production Credits:
Recorded at The Deepest Sea, Turin, Italy.
Produced & Engineered by Danilo Battocchio.
Mixed by Danilo Battocchio at The Deepest Sea.
Mastered by Magnus Lindberg at Redmount Studios, Stockholm, Sweden.

Guest Musicians:
Francesco Bucci
Sergio Bertani
Vittorio Sabelli
Gionata Potenti

Cover Art:
Francesco Dossena (https://www.instagram.com/facciobruttefacce/)

Photography:
Sergio Bertani

Pre-save & Pre-order: https://orcd.co/pontedeldiavolovenomnatura

Follow Ponte Del Diavolo:
Bandcamp: https://pontedeldiavolo666.bandcamp.com/
Facebook: https://www.facebook.com/PontedelDiavolo/
Instagram: https://www.instagram.com/pontedeldiavoloband/
YouTube: https://www.youtube.com/@pontedeldiavolo3847
Spotify: https://open.spotify.com/artist/4mAfr0B2wgIFbVBUAv9btD/
Apple Music: https://music.apple.com/artist/ponte-del-diavolo/1639072320
Deezer: https://www.deezer.com/artist/179497657
Tidal: https://tidal.com/artist/33773763

HÉR Premiere Debut Album 'Monochrome'

HÉR are seekers and storytellers. Their debut album, Monochrome, reflects polar extremes: fire and ice, violence and tenderness, bravery and care, the brutality of war and the solace that’s brought by peace.

“Throughout Monochrome, HÉR move freely between free jazz, folk, world music and deep Nordic-rooted atmospheres, without losing coherence”, Metal Epidemic writes in a 4/5 review.

“It’s as if Steve Von Till decided to score the Poetic Edda”, Jon Barbas writes for Heavy Metal Philosophy.

Monochrome comes out tomorrow, Friday, January 30, but you can hear all seven stirring songs today by listening to the full album stream on the Season of Mist YouTube channel.

Listen Below:

Pre-order & Pre-save

https://orcd.co/hermonochrome

Monochrome balances restraint with intensity. Throat singing, bowed strings, percussion and subtle electronics intertwine to form an album that feels both ancient and immediate. “Chant” opens with amidst a meditative expanse before moving into the spirit of the Icelandic fjords on “Needles and Bark”, trance-like introspection on “Patience in Observation,” the grounded momentum of “Going Down,” and the fervent, almost hymn-like force of “Praise the Day.”

“HÉR — meaning ‘here’ in Icelandic — is more than a name; it is a call to presence” the band says. “We stand ‘here,’ united by rhythm, voice, and story, ready to bring the raw essence of the North to those who are willing to listen, feel, and be transformed. Sit here with us — sestu hérna — and witness what begins now.”

By exploring the human nature described in Norse mythology, the musicians make a deep insight into the emotions embedded in its verses. They bring out the dark beauty of the North and its extremes: fire and ice, violence and tenderness, bravery and care, the brutality of war and the solace that peace brings, struggle and feast, the milky sweetness of honey and the salty tang of blood, love and hatred, birth and death, beginning and end, terror and awe…

Sestu hérna, sit here… sit here and listen, sit here and grow, sit here and drift away.

Line-up:
Maciej Świniarski — Vocal, Percussion
Tomasz Chyła — Vocal, Violin, Synth Percussion
Piotr Chęcki — Saxophone, Percussion
Tomasz Sadecki — Bass Guitar, Synth, Percussion
Sławek Koryzno — Drums, Percussion

Production Credits:
Recorded at Monochrom Studio, Gniewoszów, Lower Silesian Voivodeship, Poland.
Produced & Engineered by Ignacy Gruszecki.
Mixed & Mastered by Marcin Bors at Fonoplastykon, Wrocław, Poland.

Guest Musicians:
Magdalena Kuraś „Freya”

Cover Art:
Mary Zaleska

Photography:
Daria Szczygieł (https://dariaszczygiel.com/)

Pre-save & Pre-order: https://orcd.co/hermonochrome

Follow HÉR:

Bandcamp: https://hersom.bandcamp.com/
Facebook: https://www.facebook.com/herbandofficialprofile/
Instagram: https://www.instagram.com/her.bandofficial/
Spotify: https://open.spotify.com/artist/4yHViIb0eCl4eVMFcVnzm5
Apple Music: https://music.apple.com/artist/h%C3%A9r/1751778615

Hear Alkaloid's New Album a Day Early

Alkaloid know no bounds. Since joining forces in 2013, the supergroup has rearranged the very composition of progressive death metal. But upon returning to the stage last summer, Morean, Hannes Grossman, Linus Klausenitzer, Justin Hombach and Max Blok proved once and for all why they are metal’s maddest scientists. Their new live album, Bach Out of Bounds, is a genre-defying experiment that only true maestros can perform.

Bach Out of Bounds comes out tomorrow, Friday, January 23, but you can hear the all eight explosive compositions today by listening to the full album stream below.

“The audience who came and saw these performances went crazy for it”, Morean remembers. “I’m so happy that we can now share them with people everywhere. People aren’t going to know what hit them. Bach Out of Bounds is very different from what other metal bands – or even Alkaloid – normally do”.

Pre-order 
https://orcd.co/alkaloidbachoutofbounds

Pre-save on Spotify
https://open.spotify.com/prerelease/2pWtSI1XiPBUoM0TLenyKV?si=VX7Qw3CEQ5ec26ubrYgJiA&nd=1&dlsi=a691e08dbd9948ed

Chat with Alkaloid about their classical new invention tomorrow during the band’s Reddit AMA.

Alkaloid Bach Out of Bounds Reddit AMA

Friday, January 23 @ 18 CET / Noon Eastern Time

r/TechnicalDeathMetal

Recorded live in the Netherlands, Bach Out of Bounds brings the revered composer in conversation with the heaviest of underground arts. Across three separate performances – at the Bachfestival in Dordrecht, Paard van Troje in The Hague and on November Music in Den Bosch – Alkaloid present three faithful renditions of Bach classics alongside an award-winning ensemble. Heavenly vocals grace sacred aria “Agnus Dei”. Even the hellacious guitar solo on “Allegro” achieves perfect harmony with softly shredding strings.

Of course, being metal’s mad scientists, Alkaloid also unveil some fresh creations by re-imagining songs from their own acclaimed catalogue in Bach’s image. As if summoned by a siren’s call, “Beneath the Sea” is revealed as a speaker-shaking precursor to the band’s monster hit “Cthulhu”. New song “Haunter of the Void” goes where no metalhead has gone before: following a digitized brain into deep space's crushing void. “These will change everything”, Morean growls as “The Fungi from Yuggoth” spawns into a headbanging symphonic mutation.

With Bach Out of Bounds, Alkaloid deliver a classically innovative performance as only true maestros can.

With Bach Out of Bounds, Alkaloid deliver a classically innovative performance as only a true maestro can.

Lineup:
Morean — Vocals, Guitar
Hannes Grossmann — Drums
Linus Klausenitzer — Bass
Justin Hombach — Guitar
Max Blok — Guitar

Guest Musicians:
Max Blok — Guitar
Rianne Wilbers — Soprano
Chrysa Tsaltampasi — Soprano
Julija Hartig — Violin
Oene van Geel — 5-String Violin
Marieke Hopman — Accordion
Ketevan Roinishvili — Cello

Recording Credits:
Recorded live in The Netherlands at Bibelot (Dordrecht) & Paard van Troje (The Hague).
Front of house engineer: Laurens Voois

Production Credits:
Produced by Alkaloid.
Mixed by Hannes Grossman at Mordor Sounds, Germany.
Mastered by Victor Bullok at Woodshed Studio, Germany.

Songwriting Credits:
Music for "Allegro", "Adagio - All Is Vanity" and "Agnus Dei" written by Johann Sebastian Bach.
Music for "Cthulhu" written by Morean and Hannes Grossman.
Music for "Beneath the Sea" and "Haunter of the Void" written by Morean.
Music for "A Fool's Desire" written by Hannes Grossman.
Music for "The Fungi from Yuggoth" written by Christian Münzner.
Lyrics to "Adagio - All Is Vanity" based on "Es ist alles eitel" by Andreas Gryphius and adapted by Morean.
Lyrics to "Agnus Dei" taken from John 1:29.
Lyrics to "Beneath the Sea", "Cthulhu", "Haunter of the Void", "A Fool's Desire" and "The Fungi from Yuggoth" written by Morean.

Pre-order & Pre-save:
https://orcd.co/alkaloidbachoutofbounds

Pre-save on Spotify:
https://open.spotify.com/prerelease/2pWtSI1XiPBUoM0TLenyKV

Follow Alkaloid:
Website: https://alkaloid-band.com/
Bandcamp: https://alkaloid-band.bandcamp.com/
Spotify: https://open.spotify.com/artist/4KMQDFaAsPEKcqKzdvkYKc
Apple Music: https://music.apple.com/artist/alkaloid/368935306
YouTube: https://www.youtube.com/c/Alkaloidbandmetal
Facebook: https://www.facebook.com/alkaloid.metal
Instagram: https://www.instagram.com/alkaloid_metal/
Twitter: https://twitter.com/AlkaloidBand

Windswept Resurrect Historic Witch Trials on 'The Devil's Vertep'

In 2017, Roman Sayenko of Drudkh started a new band built on raw black metal. Now, Windswept are casting a cold spell over a dark moment in Ukrainian history with their upcoming third album The Devil’s Vertep.

The Devil’s Vertep come out Friday, December 12, 2026 on Season of Mist Underground Activists, but you can hear all six blazing tracks by listening to the full album stream at Black Metal Promotion.

Listen Below:

Pre-order & Pre-save

https://orcd.co/windsweptthedevilsvertep

Available Formats
CD Digipak
12” Vinyl Gatefold — Black
12” Colored Vinyl Gatefold — Red & Black

Across The Devil’s Vertep, Windswept retrace the witch trials that took place in Western Ukraine between 1753 and 1754. The album blisteringly unfolds across six acts: the grim discovery narrated in “Infanticide,” the escalating procedures of “Investigation” and “Torture & Confession,” the witchdoctor’s craft in “The Potion,” the broader networks of sorcery in “Nest of the Witches,” and the judicial reckoning in “Verdicts.” With a cold hard gaze, Windswept transform archival records into unflinching black-metal.

While The Devil’s Vertep marks Windswept’s first venture into Ukrainian demonology and witchcraft, these themes trace back much earlier in Roman Sayenko’s creative path. In the autumn of 1996, Sayenko began developing an unfinished project titled KOZLONOGYI (Goat-Footed):  a concept rooted in the same folkloric and mythological territory that would later resurface within The Devil’s Vertep. Although KOZLONOGYI never moved beyond a few rehearsals, its sketches and early riffs became the foundation for Windswept’s latest work. By reviving and re-working these ideas nearly three decades later, Sayenko bridges eras of black metal evolution, imbuing The Devil’s Vertep with a distinctly 1990s sensibility and reverence for the early traditions that shaped his artistic identity.

Recorded, mixed, and mastered at Viter Music with production handled internally, The Devil’s Vertep balances immediacy with conceptual cohesion. Its stark presentation reflects the gravity of the source material, while the cover art by Obsidian Bone situates the work in a visual landscape as unsettling as the music itself. By channelling the voices of the past, Windswept expand their raw black metal vision into a work of historical remembrance, turning archival fragments into a haunting artistic statement.

Line-up:
R. — Vocals & Guitars
T. — Bass
V. — Drums

Production Credits:
Recorded at Viter Music. Produced & engineered by R. & V. Mixed & Mastered by V. at Viter Music.

Cover Art:
Obsidian Bone

THE VICE Release Music Video for "Waltz de Anima"; New 3-track EP "The Red Tape Sessions" out now via Noble Demon!

Stockholm-based dark metal four-piece THE VICE have unveiled the music video for "Waltz de Anima", the epic closing track from their newly released 3-track EP "The Red Tape Sessions". The EP is available now via Noble Demon

About the track, the band comments: "Waltz de Anima", in my opinion is definitely our most 'epic' song to date. The chorus was the first segment written and it immediately felt like one of the 'big choruses' we'd wanted to write for a long time, but it just hadn't come to us yet. But from the first demo-recording of the song we knew that this was one for the books. It has a very majestic, regal tone to it which we kept close in mind when writing the rest of the song. And with the strange, smoke-drenched, early 1900's jazz-club-vibe in the intro and the interlude reminiscing of parties of the bourgeoisie in huge ballrooms centuries ago, or some twisted night at the Royal Opera or Ballet even, I think we did quite well in highlighting that mood throughout the entire song."

Watch the video for "Waltz de Anima" Below;

Listen to "The Red Tape Sessions" in full HERE

 

From the very beginning, THE VICE has followed their own crooked path, driven by a desire to carve out a place of their own within the scene.

And that grimy, wildhearted, metal/rock/pop fusion, with one foot firmly planted in the windswept, frozen North and the other cemented to the concrete of the streets, sure sounds like nothing else. Dark, blackened metal, ferocious rock 'n' roll, posh punk and harsh, hardcore attitude; mixed with a huge dose of the cultural colossi of the 90's such as Guns & Roses, Pantera, Prince, Grunge, Oasis, Neometal, Fight Club, The Matrix and Terminator 2 to name a few. All of that - and everything in between - comes close to describing the very essence of THE VICE.

 

Three full-length albums and numerous EPs into their career, the band stands as a confident, adrenaline-pumping unit - a bunch of loose cannons at the starting blocks, ready to commence the next chapter in THE VICE saga.

"The Red Tape Sessions" - a striking collection that builds upon the foundations of March’s "A Great Unrest" (Noble Demon), elevating both the production and songwriting while drenching it all in a strange, electrifying neon glow - is out now and available for purchase HERE.

 

The Vice are:
Rickard - Vocals & Guitars 
Charlie - Bass 
Petter - Drums
Joel Öhman - Guitar

For more info visit:
https://www.facebook.com/TheViceOfficial/  
https://www.instagram.com/theviceofficial/  
https://theviceonline.bandcamp.com/  
https://linktr.ee/nobledemon