Wind Walkers Release New Music Video "Eating My Heart Out" (via Fearless Records),

Genre-blending metalcore outfit Wind Walkers have today released the official music video for their poignant new track "Eating My Heart Out" (via Fearless Records), directed by Alex Kouvatsos at Blackwolf Imaging. Speaking about the inspiration behind the song, vocalist Trevor Borg commented:

"This song captures the guilt, feeling of distance and identity conflict that comes with life as a musician and being on the road. You can feel such a divide in identity, having to be what your career needs and who your family needs at the same time. I’m sure this song will resonate with people dealing with turmoil in a relationship, but I truly wrote this song to be a portrait of guilt in having uncertain dreams, with the intent to resonate with other artists and people who share the same conflicts. I also intended for it to serve as a message to the fans and lovers of music about the sacrifices that go into the art form they hold so dear to their heart."

Prior to today, the quintet announced signing with Fearless Records and dropped "The End Aesthetic" through their new label home which has clocked up 164k views and counting on YouTube and nearly 1.2 million streams on Spotify alone. Watch "Eating My Heart Out"  below, and stream the track here,

After wrapping up their triumphant run with Memphis May Fire, Wind Walkers will next be hitting the road across North America on Our Last Night's Final Tour alongside Grayscale beginning in August. Tickets are on sale at the link here, and be sure to stay tuned for more Wind Walkers news coming soon.

The Final Tour Dates with Our Last Night + Grayscale:

Aug 8 - St. Louis, MO @ The Factory

Aug 9 - Chicago, IL @ Riviera Theatre

Aug10 - Minneapolis, MN @ The Fillmore

Aug 12 - Omaha, NE @ The Admiral

Aug 14 - Denver, CO @ Fillmore Auditorium

Aug 15 - Salt Lake City, UT @ Rockwell at The Complex

Aug 16 - Garden City, ID @ Revolution Concert Hall

Aug 18 - Vancouver, BC @ Vogue Theater

Aug 19 - Seattle, WA @ Showbox SoDo

Aug 20 - Portland, OR @ Roseland Theater

Aug 22 - Sacramento, CA @ Channel 24

Aug 23 - Anaheim, CA @ House of Blues

Aug 24 - Phoenix, AZ @ The Van Buren

Aug 25 - Albuquerque, NM @ Revel

Aug 27 - Oklahoma City, OK @ Tower Theatre

Aug 28 - Dallas, TX @ House of Blues

Aug 29 - Austin, TX @ Emo's

Aug 30 - Houston, TX @ House of Blues

Sep 5 - Ft. Lauderdale, FL @ Revolution Live

Sep 6 - Orlando, FL @ Hard Rock Live

Sep 7 - Atlanta, GA @ The Eastern

Sep 9 - Charlotte, NC @ The Fillmore

Sep 10 - Silver Spring, MD @ The Fillmore

Sep 11 - Philadelphia, PA @ Franklin Music Hall

Sep 12 - Montclair, NJ @ Wellmont

Sep 13 - Boston, MA @ Roadrunner

Sep 15 - Quebec City, QC @ Theatre Capitole

Sep 16 - Montreal, QC @ MTELUS

Sep 17 - Toronto, ON @ HISTORY

Sep 19 - Buffalo, NY @ Town Ballroom

Sep 20 - Cleveland, OH @ The Agora

Sep 21 - Royal Oak, MI @ Royal Oak Music Hall

Sep 23 - Green Bay, WI @ EPIC Event Center

Sep 24 - Indianapolis, IN @ Egyptian Room @ ONC

Sep 25 - Cincinnati, OH @ Bogart's

Sep 26 - Nashville, TN @ Ryman Auditorium

Trevor Borg - Vocals

Timothy Comeau - Guitar

Neil Comeau - Guitar

Craig Martin - Bass

Ethan Cheesman - Drums

TSS Partner With Labelmates Windwaker for "Would you be my therapy (Redux)?" Video

French metal alchemists TSS (formerly The Sunday Sadness) have steadily built their reputation in the global metal scene, thanks to their innovative blend of emo, metalcore, alternative rock, and synthwave. They've recently added elements of phonk and neo-metal to their sonic blend. The band was founded in 2016 by Kirby, who sought to combine his emo and metalcore roots into a fresh new sound. He quickly solidified the TSS lineup with John on guitar and vocals andHugo on drums.

TSS will release their new album END OF TIME, out June 27 via Fearless. Pre-order it here.

They team up with labelmates Windwaker for "Would you be my therapy? (Redux)" Watch the video below.

TSS are known for seamlessly sewing elements of emo, metalcore, alternative rock, synthwave, and more into their signature style. The single "Would you be my therapy? (Redux)" (Feat. Windwaker) boasts a pulsating groove that runs through the entirety of the song and just won't quit. It's also quite possibly the sexiest metalcore track you've ever heard.

The band gave it a twist because it's such a game changer in their history and because they wanted to partner with a band with whom they align on many levels!

"Would you be my therapy? will always be a very special song to us," TSS states. "It is the one song that defined our new musical direction, which is now a blend of neo-metal, phonk, emo-core, and industrial music. It's also the first song that really got attention not only from the public but also from our label, Fearless Records. It is then an honor for us to give it a second life through this collaboration with Windwaker, which we consider one of the most innovative band in our label's roster right now. "

ABOUT TSS:
TSS's origin story can be traced back to December 2017, with "The Wrong Way," their firstsingle release. In May 2018, they released "Lost In The Crowd," a track that set the stage for their first live performance, which found them opening for Asking Alexandria in Paris. This show established TSS as an up and coming force in the French music scene.

Their 2018 single "Someone," a blend of synthwave and retrowave, was a turning point that showcased John as a second lead vocalist. This shift was followed by their self-titled debut EP in May 2019, led by the single "Damn I Hate It," which fans loved, thanks to its fusion of funk, synthwave, and emo elements. The band's growing popularity was further confirmed with a sold-out release show in Paris.

As the band evolved, they started to introduce French lyrics into their songs, leading to the release of "YAYAYA" in September 2019. Their originality attracted the attention of independent label PlayTwo, resulting in the creation of the album REGRETS in collaboration with Warner Music and TV broadcaster TF1. In September 2021, the band rebranded to TSS, marking the occasion with the release of the single "1996," which garnered significant attention in France.

February 2023 saw TSS embrace a more aggressive style with "Tes Pleurs," a modern metalcore track inspired by Bring Me The Horizon and Poppy. This new direction broadened their audience while maintaining their unique gothic/K-pop aesthetic. The band's experimental spirit led to the August 2023 release of "Fantasize," a viral hit that fused alternative rock, J-rock, phonk, and metal, earning millions of streams on Spotify.

The momentum continued with "Would You Be My Therapy?" in December 2023, a track that topped iTunes rock charts and caught the attention of many labels. In September 2024, having signed a deal with Fearless Records.

TSS's journey, characterized by constant innovation and genre-blending, has positioned them as a rising force in the modern metal scene, with a growing fanbase across diverse musical communities.       

TSS Sharing "Ending Scene" Visualizer —

French metal alchemists TSS (formerly The Sunday Sadness) have steadily built their reputation in the global metal scene, thanks to their innovative blend of emo, metalcore, alternative rock, and synthwave. They've recently added elements of phonk and neo-metal to their sonic blend. The band was founded in 2016 by Kirby, who sought to combine his emo and metalcore roots into a fresh new sound. He quickly solidified the TSS lineup with John on guitar and vocals andHugo on drums.

TSS will release their new album END OF TIME, out June 27 via Fearless. Pre-order it here.

Today, they are sharing the visualizer for new single "Ending Scene." Watch the visualizer below 

TSS love to play with their sound — cross-pollinating metal, pop, emo, synths, and their native tongue into their very own, combustible, culturally impactful, and fingerprint-distinct blend. With the mega-dynamic "Ending Scene," they come in like a lion and go out like a lamb. The song is engineered in reverse — rather than build towards tension and release, it starts off full-throttle with battering ram double-bass percussion, a teeth-baring riff assault, and nightmare-inducing shrieks and growls.

"ENDING SCENE" will leave you struggling to catch you breath until things gradually slow down to a lilting anti-crescendo. The song's softly gorgeous fadeout is fully cathartic and you will emerge from the experience cleansed and clear-headed.

"'Ending Scene' is an attempt to create the most violent emo song possible," says the band. "With raw and violent breakdowns and blast beats forth the verses, and a mix of heavy riffs and angelic clean vocals that suddenly turn into savage screams for the chorus, 'Ending Scene' depicts the point of view of someone that's considering suicide after ending a tragic love story."

Violent emo, indeed!

ABOUT TSS:
TSS's origin story can be traced back to December 2017, with "The Wrong Way," their firstsingle release. In May 2018, they released "Lost In The Crowd," a track that set the stage for their first live performance, which found them opening for Asking Alexandria in Paris. This show established TSS as an up and coming force in the French music scene.

Their 2018 single "Someone," a blend of synthwave and retrowave, was a turning point that showcased John as a second lead vocalist. This shift was followed by their self-titled debut EP in May 2019, led by the single "Damn I Hate It," which fans loved, thanks to its fusion of funk, synthwave, and emo elements. The band's growing popularity was further confirmed with a sold-out release show in Paris.

As the band evolved, they started to introduce French lyrics into their songs, leading to the release of "YAYAYA" in September 2019. Their originality attracted the attention of independent label PlayTwo, resulting in the creation of the album REGRETS in collaboration with Warner Music and TV broadcaster TF1. In September 2021, the band rebranded to TSS, marking the occasion with the release of the single "1996," which garnered significant attention in France.

February 2023 saw TSS embrace a more aggressive style with "Tes Pleurs," a modern metalcore track inspired by Bring Me The Horizon and Poppy. This new direction broadened their audience while maintaining their unique gothic/K-pop aesthetic. The band's experimental spirit led to the August 2023 release of "Fantasize," a viral hit that fused alternative rock, J-rock, phonk, and metal, earning millions of streams on Spotify.

The momentum continued with "Would You Be My Therapy?" in December 2023, a track that topped iTunes rock charts and caught the attention of many labels. In September 2024, having signed a deal with Fearless Records.

TSS's journey, characterized by constant innovation and genre-blending, has positioned them as a rising force in the modern metal scene, with a growing fanbase across diverse musical communities.       

FLAT BLACK Release Acoustic Version of "Sideways" Recorded Live at SiriusXM Octane

Guitarist Jason Hook introduced his new band FLAT BLACK last year. The former Five Finger Death Punch guitarist teamed up with a trio of young and talented musicians and signed with Fearless Records. Their debut album Dark Side of the Brain arrived last summer. The album was produced by Hook and Chris Collier (Korn), and recorded at both Hook's home studio and The Hideout. Get it here or here. 

The band has released the acoustic version of the single "Sideways," which was recorded live at SiriusXM Octane.

Listen to "Sideways" here.

"Hard rock and metal isn't just a sound, it's an attitude and a vibe," says Hook. "Sometimes, it's Marshall stacks and pyro in an arena, and sometimes, it's stripped down to its most vulnerable components. We could not be more stoked to be asked by SiriusXM Octane to launch their new acoustic series and we are excited to share it worldwide with this release."

Flat Black are also launching a guitar contest today, Friday, April 25. They are giving away a signed Epiphone Hummingbird Aged Antique Natural Gloss guitar in partnership with Gibson Gives. For over 130 years, the iconic and leading American instrument brand Gibson has been shaping sound across generations and genres. Gibson, and its charitable non-profit division Gibson Gives, believe in the power of music, and that getting instruments into the hands of those with a desire to make music is a life-changing event. Gibson Gives, a 501(c)(3), is committed to making the world a better place by supporting non-profit organizations and developing programs in our efforts to advance musicians through music education, and health and wellness initiatives worldwide 100% of all donations to and from Gibson Gives go towards giving the gift of music. In the last five years, Gibson Gives has raised over $5.5 million and enabled $52.5 million in funding for key organizations through product donations and meaningful giving worldwide. For more information, go here.

ABOUT FLAT BLACK:
"I feel like FLAT BLACK is a secret I've been keeping for three years," Hook says. "It's finally time to unleash this band on the world. I'm grateful to Sully from Godsmack for giving us the chance to get out on the road and play for such an amazing group of fans."

Despite having reached a commercial summit with his prior band, thanks to multiple platinum certifications, sold-out arena shows, and a string of No. 1 singles, Hook remains as hungry for musical blood and thunder as the day he first picked up a guitar at the age of six. He is eager to not only replicate but to surpass his past successes with his new band.  

Having left his prior band in February 2020, which was right before COVID-19 put the entire world on pause, Hook wanted to assume creative control and let his musical free spirit soar in a project that was truly his. He opted to gamble on himself. With great risk comes great reward and the decision to form FLAT BLACK clearly worked out in his favor.

"As a musician, I crave freedom and I wasn't ready to stop creating," Hook shares.

"Life is short," he continues. "We all want to feel satisfied and happy with what we are trying to accomplish in life." 

 The pandemic shutdown allowed him the opportunity to assemble the right musicians and carefully craft their debut album. FLAT BLACK are armed with an arsenal of riffs that'll rattle your teeth loose from your gums, stadium-sized hooks, arena-ready anthems, and choruses that are guaranteed to touch a nerve. All of those factors combined make FLAT BLACK poised for success.

The origin stories of the rest of the players are indicative of a lifelong love of music and plenty of road-worn experience. The desire to play courses through their veins and propels them forward, which is why they all meshed so well with Hook.

Singer Wes Horton was introduced to music at age 13, thanks to his sister and Guitar Hero. He honed his vocal chops by playing in local bands and making online videos. Various music industry friends and acquaintances would become the connective tissue between himself and Hook. Horton knew he wanted to be a frontman, and FLAT BLACK afforded him that opportunity. Wes loves the fact that his bandmates prioritize songcraft — and that allows him to be the singer he has always wanted to be. 

Bassist Nick Diltz, who was born and raised in Los Angeles, is the son of a legendary rock music photographer who brought him to concerts during his formative years. He recalls being inspired by watching a VHS video of U2 performing at legendary venue Red Rocks. Seeing fans clamoring for a piece of Bono in the footage is a vision that never left his head. This first exposure to the power of a true rock icon solidified Nick's destiny as a live performer.

Drummer Rob Pierce hails from Nashville, aka Music City. His dad was a race car driver and his grandfather was a pastor. He grew up racing go karts and at first, wanted to follow in his dad's footsteps until he joined the fourth grade band and was bitten by the music bug. He chose the snare drum over the saxophone and from that moment on, music was the only thing that mattered. Rob got his first drum kit at age 11, which he set up in his dad's car shop. He learned to play his instrument next to 1,000 horsepower engines, which influences his highly energetic style to this day.The chemistry between the players in FLAT BLACK is palpable. And while FLAT BLACK's songs are built to take up real estate in the brains of fans for weeks at a time, the true nature of the band's material is meant to be experienced live. FLAT BLACK are now ready to hit the road and bring these brutal bangers to the masses live and in the flesh.

FLAT BLACK ARE:
Jason Hook — Guitar
Wes Horton — Vocals
Rob Pierce — Drums
Nicholas Diltz — Bass

Wind Walkers Drop New Track "The End Aesthetic" + Official Music Video With New Record Label Home Fearless Records

It's a great day to be a Wind Walkers fan! Today, the genre-blending metalcore powerhouse made their triumphant return with their new single "The End Aesthetic" (produced by Nick Matzkows and Jon Eberhard) and the official music video. Furthermore, Wind Walkers announced signing with their new label home, Fearless Records. When asked about the inspiration behind today's track, the band shared:

“I think that lyrically this song ended up being a lot more self-observant than I had intended it to be. I started with the chorus which is more of an outward projection, expressing the feeling that everyone is hiding something about themselves. Whether that be hidden anxieties, fears, or vices. As I wrote more, this song kind evolved into something that looked more inward. It talks about my own issues with numbing to distract myself from how sick the world is and asks the question, “Was our environment designed to make us feel this way?”

Stream "The End Aesthetic" at the link here, and watch the music video  below.

Coinciding with today's release is the band kicking off their tour alongside Memphis May Fire, Caskets, and Elijah on The Shapeshifter Tour beginning tonight in Little Rock, Arkansas, and performing at fan-favorite festivals Sonic Temple and Welcome To Rockville. Shows are already selling out so be sure to get your tickets at the link here, and stay tuned for more Wind Walkers news coming very soon.

The Shapeshifter Tour Dates with Memphis May Fire, Caskets + Elijah:

April 16 - Little Rock, AR @ The Hall

April 17 - Dallas, TX @ Southside Music Hall

April 18 - Houston, TX @ Warehouse Live

April 19 - San Antonio, TX @ Vibes *Low Tickets*

April 21 - Mesa, AZ @ Nile Theater *Low Tickets*

April 22 - Los Angeles, CA @ The Belasco

April 23 - San Diego, CA @ Observatory SD

April 24 - Roseville, CA @ Goldfields (Sold Out)

April 26 - Seattle, WA @ The Crocodile (Sold Out)

April 27 - Portland, OR @ Hawthorne Theatre (Sold Out)

April 29 - Billings, MT @ Pub Station

April 30 - Salt Lake City, UT @ The Complex (Sold Out)

May 1 - Denver, CO @ Summit *Low Tickets*

May 3 - Columbia, MO @ The Blue Note *Low Tickets*

May 4 - Minneapolis, MN @ Varsity Theater * Low Tickets*

May 5 - Joliet, IL @ The Forge *Low Tickets*

May 6 - Grand Rapids, MI @ Elevation *Low Tickets*

May 8 - Columbus, OH @ Sonic Temple^

May 9 - Brooklyn, NY @ Brooklyn Monarch

May 10 - Worcester, MA @ Palladium *Low Tickets*

May 11 - Philadelphia, PA @ Union Transfer

May 13 - Baltimore, MD @ Soundstage (Sold Out)

May 14 - Charlotte, NC @ The Underground (Sold Out)

May 15 - Nashville, TN @ Brooklyn Brown *Low Tickets*

May 17 - Atlanta, GA @ Center Stage *Low Tickets*

May 18 - Daytona, FL @ Welcome To Rockville^

^Festival Date

Trevor Borg - Vocals

Timothy Comeau - Guitar

Neil Comeau - Guitar

Craig Martin - Bass

Ethan Cheesman - Drums

Ryan Woods Returns With New Single "Full Speed Ahead"

FEARLESS RECORDS artist Ryan Woods returns with his brand new, bedroom-y pop single "Full Speed Ahead."

He has shared the visualizer.

Watch it below.

Despite the title, the song is a dreamy, beautifully lazy slow burn. Woods sings the poignant lyrics, his voice drenched in emotion. "Full Speed Ahead" escalates in the choruses, giving full-on The Beatles' vibes alongside '60s-inspired harmonizing. It's like six songs all rolled into one.

"I wrote 'Full Speed Ahead' during quite a confusing time in my love life," Woods shares, laying his emotional cards face up on the table. "Being someone who has endured deep pain and trauma from past relationships, moving on, and healing is a very long and difficult process."

Woods continues, "I had quickly developed deep feelings for someone and the fact that they were reciprocating was thrilling, yet it also scared me to death. I felt like a deer in headlights, looking upon a train moving 'Full Speed Ahead.' My once-pure and beautiful feelings were now poisoned by fear and daunt. How excited I was to love somebody! But will they set me free or rub salt in my wounds?"

Last year, Woods shared the glorious video for "Garden." Watch it here.  

He also served up his rendition of the Minnie Riperton classic "Lovin' You." Watch that video here. 

More music from Ryan Woods is on deck for 2025.

He also has a show set for The Echo in Los Angeles on May 20. Get tickets here. 

ABOUT RYAN WOODS:
After one listen, it would be easy to assume Ryan Woods fell from the heavens and landed smack dab in the middle of modern pop music and culture. He defies genres and eras with an otherworldly je ne sais quoi. Flaunting a sky-high range and head-turning fashion sense, Woods exudes a swaggering gusto befitting of your favorite '70s rock star, yet he opens up with a level of candor decidedly intrinsic to Gen Z. Musically, he laces D.I.Y. pop with psychedelic experimentation and existential ruminations that are both provocative and catchy. Initially, he gained traction with covers on social media, even inciting a retweet from Shawn Mendes. Woods has cultivated his signature style by logging countless hours in both Nashville and Los Angeles sessions. "Bad Texter" was a breakthrough moment in 2021 — reeling in over 28 million Spotify streams and counting, it paved the way for his King of the Basement EP. Of the latter, Thomas Bleach raved, "This EP highlights that growth and introspective manner that has made him an artist you need to keep an eye on," while INTERSECT Magazine applauded, "Woods' lyrics are poetic, witty, and most of all, authentic." Now partnered with Fearless, Woods is ready to bring his dreamy compositions, which are so much more than bedroom pop, to an even wider audience. 

Archetypes Collide Drop Lyric Video for New Single "The Problem"

Arizona rock band ARCHETYPES COLLIDE — Kyle Pastor (vocals), Brandon Baker and Jared Knister (guitars), Ky Sanders (bass), and Tyler Flamm(drums) — quickly established themselves as a band unafraid to blur the lines between safety and innovation in heavy music. In their songs, soaring vocals, melodies, and heavy grooves swirl with passion and precision. They closed out 2024 by releasing the single "Hollow High." Watch the visualizer here.

They have released the lyric video for the new single "The Problem."

Watch it Below.

On "The Problem," the band has cranked the knobs as far as they can go It's powered by a gnarly riff that comes roaring from the '00s heavy music heyday. But while the song takes inspo from that era, this ain't no retro banger. Archetypes Collide have crafted a contemporary hard rock anthem with furious screams, layered and emotive vocal melodies, and killer, head-nodding choruses. "The Problem" is the logical next step for Archetypes Collide, who are poised to cut their own path in this genre.

"Setting boundaries, putting up walls, cutting off relationships," says Pastor. "It's an unfortunate reality we all have to deal with. But all too often people abuse these habits in the name of 'protecting their peace,' instead of taking responsibility for their actions. I wrote 'The Problem' after having to deal with this head on."

Archetypes Collide are touring the U.S. this spring in support of Fame on Fire and Haloescene. All dates are below.

ARCHETYPES COLLIDE ON TOUR:
WITH FAME ON FIRE + HALOSCENE:
4/1 — Baltimore, MD — Baltimore Soundstage
4/2 — New York, NY — Gramercy Theatre
4/3 — Philadelphia, PA — Brooklyn Bowl
4/5 — Worcester, MA — The Palladium Upstairs
4/6 — Richmond, VA — Amos' Southend
4/7 — Atlanta, GA — The Masquerade Hell
4/11 — Jacksonville, FL — Jack Rabbits Live
4/12 — Orlando, FL — The Beacham
4/13 — Houston, TX — Scout Bar
4/14 — Dallas, TX — Gas Monkey Bar N Grill
4/18 — Phoenix, AZ — Nile Theater
4/19 — Anaheim, CA — The Parish at House of Blues
4/20 — San Diego, CA — House of Blues
4/22 — Sacramento, CA — Goldfield Trading Post
4/23 — Portland, OR — Hawthorne Theatre
4/24 — Seattle, WA — El Corazon
4/25 — Salt Lake City, UT — The Complex
4/26 — Denver, CO — The Marquis Theater
4/29 — Lawrence, KS — Granada Theatre
5/3 — Omaha, NE — The Waiting Room
5/4 — St. Paul, MN — Amsterdam Bar & Hall
5/5 — Chicago, IL — Bottom Lounge
5/8 — Flint, MI — The Machine Shop

ABOUT ARCHETYPES COLLIDE:
ARCHETYPES COLLIDE demand repeated listening, mixing everything from Linkin Park and Bring Me The Horizon to The Chainsmokers, and Stranger Things-style retro synths, into a unique musical identity. A collection of singles and EPs drew a devoted fanbase and the attention of Oshie Bichar, bassist for Beartooth. Bichar enlisted his management, and the pair took Archetypes Collide under their wing. Soon after, SiriusXM's Octane got behind songs like "Your Misery," "Becoming What I Hate," and "Above It All." The band appeared on major festivals like Aftershock, Louder Than Life, and Welcome To Rockville, toured with genre giants The Amity Affliction, and crafted an ambitious self-titled debut album for Fearless Records. Archetypes Collide spent several weeks in the first part of 2022 making their inaugural full-length, with a super team surrounding them to execute their vision. Bichar produced alongside Nick Ingram (Dayseeker, Convictions, Hawthorne Heights) at Capital House Studio in Ohio. Additional production came from Jon Eberhard (Skillet, I Prevail, Until I Wake); The Plot In You frontman Landon Tewers lent a creative hand as well. The resulting album, mixed by Jeff Dunne (Ice Nine Kills, Wage War, Make Them Suffer), captures the vibrant spirit of the 2010s-era Warped Tour with a postmodern edge. It's a diverse but singular mission statement, brimming with authenticity and hope. ARCHETYPES COLLIDE aren't bound by preconceived notions or limitations. As single Kyle Pastor explains simply: "Why not take every shot, in every direction, under the umbrella of hard rock and metal?"

Volumes Return With Visualizer for Crushing New Single "Sidewinder"

Los Angeles quartet Volumes — Michael Barr [vocals], Raad Soudani[bass], Myke Terry [vocals], and Nick Ursich [drums] — have just dropped the visualizer for "Sidewinder," their first new track in over two years.

And trust us — it was worth the wait. 

The song is so sonically violent that it's the musical equivalent of the alien bursting from astronaut Kane's chest in the classic horror film Alien. The song is erected on djenty riffs that will loosen your teeth from your gums, industrial crunch, heavy artillery percussion, and the kind of screams that nightmares are made of. So, basically, it's a killer metal track. But the ante has been upped to 11.

Watch the visualizer below.

Volumes also discussed the song in an exclusive interview with Knotfest. Read it here.

"'Sidewinder' is an unapologetic hate letter to a world gone mad, especially the corruption within the music industry," Barr states, sharing insight into the subject matter that's as in your face as the sonics. "It offers an unfiltered perspective on a society in chaos, with no optimism or positivity. It’s a song that captures the feeling of everything unraveling as we know it."

 Volumes have been making a metallic racket since erupting onto the scene in 2010. Armed with a rich catalog spanning three EPs and four full lengths, with over 224 million streams and press praise from Kerrang!, Revolver, New Noise, and more, the band's signature, progressive metalcore style boasts djenty riffs, guttural screams, and crunchy synths. Volumes, who've welcomed singer Michael Barr back into fold twice, have never shied away from experimenting with their dual vocal sound or releasing reimagined and instrumental versions of their songs, demonstrating the depth and breadth of their songwriting prowess. They've hit the road with the likes of Ice Nine Kills, Counterparts, Northlane, Born of Osiris, Dance Gavin Dance, Secrets, and Crown the Empire. Clearly, Volumes cannot be bound by genre parameters and limitations. Now, with "Sidewinder," they are ready for the next era and the Volume(s) is turned all the way up.

TSS Announce New Album "END OF TIME" + Share "Something In the Way" Video

FEARLESS RECORDS welcomed French metal alchemists TSS (formerly The Sunday Sadness) to the label's global roster in 2024. 

TSS have steadily built its reputation thanks to its innovative blend of emo, metalcore, alternative rock, and synthwave. They've recently added elements of phonk and neo-metal to their sonic blend. The band was founded in 2016 by Kirby, who sought to combine his emo and metalcore roots into a fresh new sound. The band quickly solidified its lineup with John on guitar and vocals and Hugo on drums.

Today, they announce the forthcoming release of new album END OF TIME, out June 27 via Fearless. Pre-order it here.

The band has also shared the video for new single "Something in the way."

With this album and track, TSS are about to put themselves firmly on the international musical map. The song is sung in both English and the band's native tongue, adding an extra layer of sonic thrills. The song's universal appeal also lies in the alternately sung and screamed vocals, thick riffs, monster breakdowns, and liberal use of synths, which add more girth and heft to the track. Stick around for the utterly explosive ending. It will knock the wind out of you with its ferocity.
 

"'Something in the way' tells the story of a protagonist who witnesses the fall of a loved one into the darkness of depression, with no means of remedy," states the band. "The track starts with a drum 'n' bass theme and gets heavier and heavier, ending with the most violent breakdown the band has ever written — a perfect way to illustrate the torment of the soul the band wanted to portray. The band likes to end their live performance with this track, as its tempo and progression allow for jumping, dancing, headbanging but also crazy wall-of-deaths."

Mission accomplished.

ABOUT TSS:
TSS's origin story can be traced back to December 2017, with "The Wrong Way," their firstsingle release. In May 2018, they released "Lost In The Crowd," a track that set the stage for their first live performance, which found them opening for Asking Alexandria in Paris. This show established TSS as an up and coming force in the French music scene.

Their 2018 single "Someone," a blend of synthwave and retrowave, was a turning point that showcased John as a second lead vocalist. This shift was followed by their self-titled debut EP in May 2019, led by the single "Damn I Hate It," which fans loved, thanks to its fusion of funk, synthwave, and emo elements. The band's growing popularity was further confirmed with a sold-out release show in Paris.

As the band evolved, they started to introduce French lyrics into their songs, leading to the release of "YAYAYA" in September 2019. Their originality attracted the attention of independent label PlayTwo, resulting in the creation of the album REGRETS in collaboration with Warner Music and TV broadcaster TF1. In September 2021, the band rebranded to TSS, marking the occasion with the release of the single "1996," which garnered significant attention in France.

February 2023 saw TSS embrace a more aggressive style with "Tes Pleurs," a modern metalcore track inspired by Bring Me The Horizon and Poppy. This new direction broadened their audience while maintaining their unique gothic/K-pop aesthetic. The band's experimental spirit led to the August 2023 release of "Fantasize," a viral hit that fused alternative rock, J-rock, phonk, and metal, earning millions of streams on Spotify.

The momentum continued with "Would You Be My Therapy?" in December 2023, a track that topped iTunes rock charts and caught the attention of many labels. In September 2024, having signed a deal with Fearless Records.

TSS's journey, characterized by constant innovation and genre-blending, has positioned them as a rising force in the modern metal scene, with a growing fanbase across diverse musical communities.       

Bloodywood's "Nu Delhi" Out NOW + Band Touring With Babymetal This Summer

Bloodywood, torchbearers and metal barrier-breakers hailing from India, have released their new album NU DELHI, via Fearless Records.

Listen to and get it here. 

The band also shared the visualizer for "Kismat." Watch it here.

 NU DELHI is a love letter to the band's home region and, to the many shades of hard rock and metal theory music represents. The band frontloads their sonic style with elements of nu metal, modern metalcore, and melodic hard rock, adding plenty of Indian folk elements to keep things unpredictable, thrilling to listen to, and explosive. The end result is a fingerprint -distinct style. Bloodywood fuse so many cultural sounds and styles in their music, and that is why NU DELHI, when all is said and done, will be a global phenomenon.
 
Check out the band's recent feature at The Guardian here. 

Bloodywood will return to North America this summer, touring with BABYMETAL. "BEKHAUF," the band's collaboration with BABYMETAL, was lauded as a "cross-cultural folk-metal combo" (Revolver);  "a marvelous collision of styles" (Knotfest);  "an absolute epic track" (Consequence); and "insanely good" (The Charismatic Voice). Watch the video here. It serves as a true Asian metal cultural collision that grabbed the scene and beyond by the throat and forced the music world to pay attention. Now, they will hit the road together for a further global metal expansion.

BLOODYWOOD ON TOUR:
WITH BABYMETAL + JINJER:
6/13— Houston, TX 
6/14— Irving, TX
6/17— Tampa, FL 
6/18— Atlanta, GA 
6/20— Charlotte, NC 
6/21— Baltimore, MD 
6/24— New York, NY 
6/25— Boston, MA
6/27— Uncasville, CT 
6/28— Philadelphia, PA 
6/30— Laval, QC 
7/2— Toronto, ON 
7/3— Sterling Heights, MI
7/5— Milwaukee, WI —  Summerfest*
7/6— Maryland Heights, MO 
7/8— Chicago, IL 
7/9— Minneapolis, MN 
7/11— Denver, CO
7/14— Vancouver, BC
7/15— Kent, WA 
7/17— San Francisco, CA 
7/20— Las Vegas, NV 
7/21— Salt Lake City, UT
7/23— Phoenix, AZ

ABOUT BLOODYWOOD:
Bloodywood — comprised of Karan Katiyar, Jayant Bhadula, and Raoul Kerr — craft hard-hitting yet modern folk metal sound has made the world sit up, take notice, show up, and sing along. The band previously announced its worldwide signing to Fearless Records and shared the music/video for the song "Nu Delhi," which offers some insight into the band's history, as well as its home city. 
 
Bloodywood first caught the attention of the internet with their YouTube channel, when multi-instrumentalist, producer, and composer Katiyar and vocalist Bhadula were about to get deadly serious about their craft. Bolstered by the support they were getting, Bloodywood dropped "Ari Ari" in 2018. A Punjabi folk song made famous in the early 2000s remix boom in India by hip-hop act Bombay Rockers, Bloodywood pushed it further with help from the gritty New Delhi-based conscious hip-hop artist/rapper Raoul Kerr. 
 
With the additional accessibility from Kerr's English rap verses, Katiyar's inimitable flute melody, and Bhadula's powerful vocals, the band's first original song "Jee Veerey" dropped in 2018 and brought a flood of praise from around the world. With this release, the band discovered its sound and message. Songs like "Endurant" (an anti-bullying anthem) and "Machi Bhasad (Expect A Riot)" arrived in 2019 saw Bloodywood level up, adding Kerr as a full-time member. "We're trying to push the limits of the impact that music can have on the world," says Kerr. "Whether it's the battles within or the fight for a better world, our sound is meant to bring everyone together and win."
 
Joined on tour by drummer Vishesh Singh (a fixture since their early days), bassist Roshan Roy (a seasoned figure in New Delhi's indie music scene) and dhol player Sarthak Pahwa, Bloodywood took their music out of the studio and to concerts across Europe, UK and Russia for their first-ever tour.  The sold-out "Raj Against The Machine Tour" in 2019 was proof that an Indian metal band’s global online following would convert into packed venues. 
 
Even a global pandemic couldn't stop the juggernaut that was Bloodywood — "Yaad," released in early 2020 had deepened their storytelling. The band followed it up in late 2021 with "Gaddaar," taking aim at how politicians use religion to gain votes. Songs like "Aaj" and "Dana Dan" (the latter rallying against rape culture) built up to the release of their debut self-released album Rakshak in 2022. It was important to them to keep fighting the good fight, whether it was against one's closely-held inner demons or the decaying standards of global governance. It earned them a nomination for Best International Breakthrough Artist at the Heavy Music Awards in 2022. 
  
Bloodywood went on to perform to packed crowds and at major global festivals — from Lollapalooza India, Download Festival, Bloodstock (UK), Hellfest (France), Summer Breeze (Germany) to Brutal Assault (Czechia), to Fuji Rock (Japan) and American mainstays like Louder Than Life and Aftershock.
  
In 2024, "Dana Dan" even made it to a pivotal sequence in the Jordan Peele-produced action movie Monkey Man, directed by and starring Dev Patel.  Now, after more than a year of chipping away at their new material, Bloodywood are ready to unleash to the world their second album in the first part of 2025 showing the depth and power of Indian Folk Metal.

Kill The Lights Celebrate Anniversary of "Death Melodies" Anniversary With "Nothing Left" B-Side

Kill The Lights, which features former members of Bullet for My Valentine, Throw the Fight, Threat Signal, and Still Remains, dropped their incendiary sophomore album Death Melodies on March 8, 2024 via Fearless Records. 

Kill The Lights are celebrating the one-year anniversary release of Death Melodies by dropping the B-side "Nothing Left" and it's quite the ripper. The moshy, mid-tempo anthem features the band's ferociously familiar galloping, thrashy guitar solos and two-tier vocal attack, pitting corrosive screams with soaring melodic singing. This is how you celebrate a metallic milestone. While the band's intricate guitar work nods to the '80s, Kill the Lights always infuse their sound with a modern flair

"'Nothing Left' is a song that discusses the inner battle that those people dealing with anxiety and ADHD have with themselves on a daily basis," says singer James Clark. "'Nothing Left' talks about the daily tightrope that must be navigated to try and feel 'normal.' The song talks about the struggle, while also recognizes and accepts that it's something you have to live and deal with. Half the battle is managing the symptoms and taking each day at a time."

Certain bonds cross any and all borders and boundaries. Kill The Lights harbor this kind of connection between them. Even though you’ve got Michael "Moose" Thomas [drums] and Jason "Jay" James [bass] in Bridgend, Wales, James Clark [vocals] in Minneapolis, MN, Jordan Whelan [guitar] in Grand Rapids, MI, and Travis Montgomery [guitar] in Dallas, TX, the musicians lock into an impenetrable groove that eclipses physical distance. The band is especially adept at fusing classic, galloping guitar riffing with modern metal conventions, like alternately sung and screamed vocals and breakdowns that will incite pits to erupt. 

Of course, the musicians boast an incredible pedigree. Moose co-founded multi-platinum international heavyweights Bullet For My Valentine, while Jay also played in the band. James fronted Throw The Fight, and Jordan and Travis handled guitar duties for Still Remains and Threat Signal, respectively. Upon forming Kill The Lights, they uncovered uncontainable chemistry, releasing their debut LP The Sinner in the midst of the global COVID-19 pandemic. Among many highlights, "The Faceless" posted up 2 million-plus Spotify streams and counting followed by "Through The Night" and "Shed My Skin," which each crossed the 1 million mark. Metal Hammer rated it 4-out-of-5 stars and proclaimed "Kill The Lights nail the groove and the glory." After piling up millions of streams and earning acclaim from the likes of KERRANG! and New Noise, a sense of unwavering unity drives their second full-length offering, Death Melodies.

STARSET Share "dark things" Video

Visionary, sci-fi-inspired rock collective STARSET have shared the new single "dark things,"  a haunting descent into obsession and self-destruction. With shadowy melodies and hypnotic intensity, the track pulls listeners into a world where devotion turns dangerous and darkness takes hold. Lines like "Mayday, we've been sinkin' here slowly / Turning into something unholy" build a cinematic tension that is both mesmerizing and menacing.

As the chorus warns,"When you search the dark, you get dark things," STARSET deliver an immersive, spine-chilling anthem that lingers long after the final note.

Watch the video below:

"dark things" follows 2024-released tracks  "TOKSIK," "BRAVE NEW WORLD," and "DEGENERATE." 

Lauded by Forbes as having "one of the most firmly established brands of any modern rock band," Columbus, Ohio's STARSET are creating a true multimedia empire with music at its core. Their hits include RIAA Platinum-selling hit "My Demons" (2012) and RIAA Gold-selling single "It Has Begun" (2014), with others soon to follow. With a staggering 5 billion streams and a rapidly growing rabid global fanbase, 2024 sees STARSET poised to rise as one of rock's next superstar acts.

Bloodywood Announce New Album "Nu Delhi" Out 3/21 + Share "Tadka" Video

Bloodywood, torchbearers and metal barrier-breakers hailing from India, are thrilled to announce their new album NU DELHI, out March 21 via Fearless Records. Pre-order it here.

To celebrate the good news, the band has shared the video for new single "TADKA." Watch it below.

With "TADKA," the band offers up another gritty and groove metal anthem with traditional instrumentation. The song packs a nu metal punch, pairing monster truck-sized riffs and hellbound screaming with classic sounds that reflect their culture. Bloodwywood walk the line between genres fearlessly and without a net, and the result is a hard rock banger unlike which you've heard before.

It's quite a tasty track — literally.
 

"'Tadka' is a metal tribute to Indian food," the band declares. "The word 'Tadka' is a cooking process in Indian cuisine where spices are heated in hot oil or ghee to create a more aromatic flavor... It's about going the extra mile in the pursuit of a greater flavor."

The band continues, "The song highlights the multi-faceted chaos of Indian kitchens that are tasked with perfectly executing centuries-old recipes on a daily basis as well as the immense joy they brings to most people. This is a never-ending love story that connects an entire nation. From the fanciest fine dining restaurants to the simplest road side stall, everyone brings something magical to the table, but the undisputed champion of the cuisine is the Indian household kitchen. When you fuse these recipes and techniques with the love of an Indian family home, the result is unbeatable."

It's the kind of joy that Bloodywood just had to share — so they did.
 
"Tadka' follows the video for "BEKHAUF," the band's collaboration with BABYMETAL, which was lauded by Consequence, Revolver, Brave Words, Rock Sound, Crunchyroll, and more. Watch the video here. It was a true Asian metal cultural collision that grabbed the scene and beyond by the throat and forced the music world to pay attention!
 
Bloodywood will spend most of 2025 on tour. All currently confirmed dates are here, with additional dates, including U.S. tour planned for 2025. So stay tuned for more Bloodywood world domination.

The Plot In You Release New Live Video For "Been Here Before" (via Fearless Records)

After wrapping up a momentous 2024 with a sold-out US headlining run and sold-out shows in Latin America, The Plot In You are kicking off the new year with a live performance video of their track "Been Here Before" (via Fearless Records). The video comes two weeks before their North American headliner beginning on Valentine's Day in Royal Oak, Michigan, with Holding Absence, Boundaries and ACRES as support. Speaking about today's news, vocalist Landon Tewers shared:

"We’re thrilled to be heading out on tour this winter with our friends Holding Absence, Boundaries, and ACRES. In the meantime, we hope you enjoy the live video for our track "Been Here Before". This song marked the first time I drew inspiration from pop-punk artists, exploring themes of relationships and the push-and-pull dynamics of standing by someone during challenging times."

The band will also be performing at this year's Upheaval Festival and Inkcarceration 2025 on Friday, July 18th and Saturday, July 19th respectively. Dates on the US headliner are already selling out, so be sure to grab your tickets at the link here before they're all gone. Watch "Been Here Before (Live)" at the link here or below, and be sure to stay tuned for more The Plot In You news coming soon.

The Plot In You North America Headliner with Holding Absence, Boundaries + ACRES:

Feb 14 - Royal Oak, MI @ Royal Oak Music Theater - Low Tickets

Feb 15 - Chicago, IL @ Vic Theatre - Low Tickets

Feb 16 - Minneapolis, MN @ Skyway Theater

Feb 18 - Denver, CO @ Ogden Theater (Sold Out)

Feb 19 - Salt Lake City, UT @ The Depot (Sold Out)

Feb 21 - Sacramento, CA @ Ace Of Spades (Sold Out)

Feb 22 - Anaheim, CA @ House of Blues (Sold Out)

Feb 23 - Los Angeles, CA @ Fonda Theater

Feb 25 - Tempe, AZ @ The Marquee

Feb 26 - Albuquerque, NM @ Sunshine Theater

Feb 28 - San Antonio, TX @ Vibes Event Center

March 1 - Dallas, TX - Studio @ The Factory (Sold Out)

March 2 - Houston, TX @ White Oak Music Hall

March 4 - Nashville, TN @ Cannery Ballroom

March 5 - Atlanta, GA @ The Eastern

March 7 - Columbia, SC @ The Senate

March 8 - Richmond, VA @ The National 

March 9 - Baltimore, MD @ Baltimore Soundstage (Sold Out)

March 11 - Toronto, ON @ The Danforth Music Hall - Low Tickets

March 12 - Montreal, QC @ Beanfield Theatre (Sold Out)

March 14 - Worcester, MA @ Palladium

March 15 - Philadelphia, PA @ Union Transfer (Sold Out)

March 16 - New York, NY @ Webster Hall

Upheaval Festival

July 18 - Grand Rapids, MI @ Belknap Park

Inkcarceration 2025

July 19 - Mansfield, OH @ The Ohio State Reformatory

During 2023, The Plot In You kickstarted a new era with 'Vol. 1' with “Divide”, having generated 19 million Spotify streams and counting followed by “Left Behind”, exploding to the tune of 46.7 million Spotify streams with no signs of slowing down. Upon the arrival of “Forgotten”, Revolver praised it among the “6 Best New Songs Right Now”. The Plot In You's 'Vol. 2' EP is a powerful showcase of the band's evolution, blending raw emotion with polished musicality, and stands as a testament to the band's growth and artistic maturity, captivating listeners with its intense yet introspective narratives with tracks “Closure”, “Don’t Look Away”, and “All That I Can Give” further solidifying their place as one of the genre's most compelling acts.

AU's Windwaker Share Video for New Song "Arcane" From "HYPERVIOLENCE" Expansion Pack

Australia's WINDWAKER — vocalist Liam Guinane, guitarist Justin Keurntjes, bassist Indey Salvestro, drummer Chris Lalic, and synths/samples specialist Connor Robins — released HYPERVIOLENCE last summer via Fearless Records. The band also crashed domestic shores for their first-ever U.S. tour this summer, supporting Northlane. It was truly a smashing success where Windwaker won the audience over each and every night!

The band is dropping the HYPERVIOLENCE EXPANSION PACK deluxe record on February 14. Pre-order it here.

The EXPANSION PACK will include three new tracks, plus other surprises. 

They share the video for "Arcane." Watch it below.

"'Arcane' encapsulates the emotions and inner battles when faced with moments of uncertain change," Guinane shares. "Written early on in my journey joining as Windwaker's vocalist, the song explores the push and pull of self-doubt and determination, resulting in an anthemic track embracing the weight of new beginnings and forging a path forward."

It's a fearlessly dynamic track that steadily builds its tension throughout, leading to a colossal breakdown and a torrent of riffs and screams. The song also highlights the band's effortless incorporation of synths and hip-hop cadences into its ballistic hard rock acrobatics. It also features a singalong chorus that will bellow in the crowds of all future Windwaker gigs.

Windwaker previously shared the visualizer for "Apathy." Watch and listen here.

Shattering all restraint, Windwaker tear at the seams of their sonic boundaries, refining and finessing their craft into something truly unique. Concocting an unsuspecting recipe of electro-charged violence, sickly sweet pop hooks, bouncing hip-hop moments and slick riffage, the charismatic quintet move towards exciting new territory with each new release. And HYPERVIOLENCE is the summit of their efforts.

Windwaker will return to the U.S. for their second-ever tour of the market this coming winter with fellow Aussies Make Them Suffer. All dates are below.

Emerging out of Melbourne, Victoria, the Australian outfit has cultivated a dedicated and passionate fanbase, amassing millions of digital streams since their inception in 2017. Last July's release, "SIRENS," has cracked over 5 million Spotify streams in just a few months time, and saw the band travel across the nation in celebration on the Love In The Dark Tour with Caskets (UK) and alt., selling out nearly every date along the way.

The band's debut album Love Language was released in 2022 via Fearless Records and Cooking Vinyl, demonstrated an unpredictable and undeniable exploration of love across 12 tracks. Windwaker translate their electric and eclectic energy on record to the live stage, with JB Hi-Fi's STACK Magazine last year reviewing: "From full-on mosh to sensitive slowdance, the five-piece delivered a propulsive statement on the status of modern metalcore." The band have carved their name into the core of Australia's alternative music community and have toured alongside some of metal's most favored acts — Beartooth (US), I Prevail (US), Motionless In White (US), Enter Shikari (UK), Caskets (UK), Creeper (UK), Northlane, and more.

WINDWAKER ON TOUR:
WITH MAKE THEM SUFFER:
2/20 — Minneapolis, MN — Varsity Theater
2/21 — Chicago, IL — Bottom Lounge
2/22 — Detroit, MI — St Andrews Hall
2/23 — Lakewood, OH — The Roxy
2/25 — Pittsburgh, PA — Preserving Underground
2/26 — Toronto, ON — Opera House
2/27 — Montreal, QC — Beanfield Theater
2/28 — Boston, MA — Paradise Rock Club
3/1 — New York, NY — Gramercy Theater
3/4 — Baltimore, MD — Soundstage
3/5 — Richmond, VA — Canal Club
3/7 — Charlotte, NC — The Underground
3/8 — Cincinnati, OH — Bogart's
3/9 — Nashville, TN — Eastside Bowl
3/10 — Atlanta, GA — Masquerade (HELL)
3/12 — Tampa, FL — The Orpheum
3/14 — Houston, TX — White Oak Music Hall
3/15 — Dallas, TX — South Side Music Hall
3/16 — San Antonio, TX — The Rock Box
3/18 — Albuquerque, NM — El Rey
3/19 — Mesa, AZ — Nile Theater
3/20 — Los Angeles, CA — Echoplex
3/21 — Santa Ana, CA — Observatory
3/23 — Roseville, CA — Goldfields
3/24 — Portland, OR — Hawthorne Theatre
3/26 — Vancouver, BC — The Pearl
3/27 — Seattle, WA — El Corazon
3/29 — Salt Lake City, UT — The Complex
3/30 — Denver, CO — Gothic Theater 

AU's Windwaker Announce "HYPERVIOLENCE" Expansion Pack + Share "Apathy"

Australia's WINDWAKER — vocalist Liam Guinane, guitarist Jesse Crofts, bassist Indey Salvestro, drummer Chris Lalic, and synths/samples specialist Connor Robins — released HYPERVIOLENCE this past summer via Fearless Records. The band also crashed domestic shores for their first-ever U.S. tour this summer, supporting Northlane. It was truly a smashing success where Windwaker won the audience over each and every night!

The band is thrilled to announce that it is dropping the HYPERVIOLENCE EXPANSION PACK deluxe record on February 14. Pre-order it here.

The EXPANSION PACK will feature three new tracks, plus a new version of "SIRENS" featuring TSS, the further details of which will be announced at a later date.

But today, they are sharing the visualizer for "Apathy." Watch and listen below.

"'Apathy' is a reflection of the growing fatigue in today's society — a catchy upbeat anthem wrapped in a dark biting tone," the band states. "It tackles the overwhelming noise of politics and the relentless chatter both online and offline that leaves so many feeling disillusioned and detached."

Shattering all restraint, Windwaker tear at the seams of their sonic boundaries, refining and finessing their craft into something truly unique. Concocting an unsuspecting recipe of electro-charged violence, sickly sweet pop hooks, bouncing hip-hop moments and slick riffage, the charismatic quintet move towards exciting new territory with each new release. And HYPERVIOLENCE is the summit of their efforts.

Windwaker will return to the U.S. for their second-ever tour of the market this coming winter with fellow Aussies Make Them Suffer. All dates are below.

Emerging out of Melbourne, Victoria, the Australian outfit has cultivated a dedicated and passionate fanbase, amassing millions of digital streams since their inception in 2017. Last July's release, "SIRENS," has cracked over 4.5 million Spotify streams in just a few months time, and saw the band travel across the nation in celebration on the Love In The Dark Tour with Caskets (UK) and alt., selling out nearly every date along the way.

The band's debut album Love Language was released in 2022 via Fearless Records and Cooking Vinyl, demonstrated an unpredictable and undeniable exploration of love across 12 tracks. Windwaker translate their electric and eclectic energy on record to the live stage, with JB Hi-Fi's STACK Magazine last year reviewing: "From full-on mosh to sensitive slowdance, the five-piece delivered a propulsive statement on the status of modern metalcore." The band have carved their name into the core of Australia's alternative music community and have toured alongside some of metal's most favored acts — Beartooth (US), I Prevail (US), Motionless In White (US), Enter Shikari (UK), Caskets (UK), Creeper (UK), Northlane, and more.

WINDWAKER ON TOUR:
WITH MAKE THEM SUFFER:
2/20 — Minneapolis, MN — Varsity Theater
2/21 — Chicago, IL — Bottom Lounge
2/22 — Detroit, MI — St Andrews Hall
2/23 — Lakewood, OH — The Roxy
2/25 — Pittsburgh, PA — Preserving Underground
2/26 — Toronto, ON — Opera House
2/27 — Montreal, QC — Beanfield Theater
2/28 — Boston, MA — Paradise Rock Club
3/1 — New York, NY — Gramercy Theater
3/4 — Baltimore, MD — Soundstage
3/5 — Richmond, VA — Canal Club
3/7 — Charlotte, NC — The Underground
3/8 — Cincinnati, OH — Bogart's
3/9 — Nashville, TN — Eastside Bowl
3/10 — Atlanta, GA — Masquerade (HELL)
3/12 — Tampa, FL — The Orpheum
3/14 — Houston, TX — White Oak Music Hall
3/15 — Dallas, TX — South Side Music Hall
3/16 — San Antonio, TX — The Rock Box
3/18 — Albuquerque, NM — El Rey
3/19 — Mesa, AZ — Nile Theater
3/20 — Los Angeles, CA — Echoplex
3/21 — Santa Ana, CA — Observatory
3/23 — Roseville, CA — Goldfields
3/24 — Portland, OR — Hawthorne Theatre
3/26 — Vancouver, BC — The Pearl
3/27 — Seattle, WA — El Corazon
3/29 — Salt Lake City, UT — The Complex
3/30 — Denver, CO — Gothic Theater 

Bloodywood Team Up with BABYMETAL for New Single "Bekhauf"

Bloodywood, torchbearers and metal barrier-breakers hailing from India, share the new video today for new single "Bekhauf," featuring fellow international superstars BABYMETAL. Watch the video below.
 
An incredible cultural collision takes place on "Bekhauf." The track layers Bloodywood's gloriously gruff vocals and Indian folk sonic nuances with the sweetly melodic vocals of Japan's BABYMETAL. The hyper fast riffing and ferocious breakdown will incite moshpits and non-stop headbanging. Ultimately, the song reminds us that hard rock/metal is a universal language and welcoming to all styles, ethnicities, and genders. And that's truly a beautiful and brutal thing!
 
"'Bekhauf' means 'fearless' in Hindi," explains the band. "It was born out of the realization that fear can be seen as a choice, and that choice is our own. It's about using this knowledge to take control of our fears and eliminate the side of them that holds us back."
 
Bloodywood continue, "It also marks our first ever collaboration. We've been waiting to find the right artists to work with and when the possibility of the BABYMETAL collab emerged, we knew it was time. We were all fans of their music, but were still surprised by the level of synergy we managed to achieve on the track. It's a trilingual song and features English, Hindi. and Japanese, BABYMETAL even sang some parts in Hindi. but we think you can feel the message regardless and that's a testament to this synergy."
 
The band finishes, "The fact that we tied it all together by creating an anime/video game hybrid video pushes everything to the next level. This is a piece of Asian metal history and we're proud to share it with the world."

Bloodywood also announced this week the continuation of their RETURN OF THE SINGH tour their May 2025 Japanese tour, with pre-sale tickets going on sale this week. Dates are here.

This is a continuation of their rapidly selling extensive UK and European tour in February and March 2025. All dates are here.
  
Bloodywood — comprised of Karan Katiyar, Jayant Bhadula, and Raoul Kerr — craft hard-hitting yet modern folk metal sound has made the world sit up, take notice, show up, and sing along. The band recently announced its worldwide signing to Fearless Records and shared the music/video for the song "Nu Delhi," which offers some insight into the band's history, as well as its home city. Watch the video for the trilingual track, which has accrued over 3 million streams in just 7 weeks, here.    
 
Bloodywood first caught the attention of the internet with their YouTube channel, when multi-instrumentalist, producer, and composer Katiyar and vocalist Bhadula were about to get deadly serious about their craft. Bolstered by the support they were getting, Bloodywood dropped "Ari Ari" in 2018. A Punjabi folk song made famous in the early 2000s remix boom in India by hip-hop act Bombay Rockers, Bloodywood pushed it further with help from the gritty New Delhi-based conscious hip-hop artist/rapper Raoul Kerr. 
 
With the additional accessibility from Kerr's English rap verses, Katiyar's inimitable flute melody, and Bhadula's powerful vocals, the band's first original song "Jee Veerey" dropped in 2018 and brought a flood of praise from around the world. With this release, the band discovered its sound and message. Songs like "Endurant" (an anti-bullying anthem) and "Machi Bhasad (Expect A Riot)" arrived in 2019 saw Bloodywood level up, adding Kerr as a full-time member. "We're trying to push the limits of the impact that music can have on the world," says Kerr. "Whether it's the battles within or the fight for a better world, our sound is meant to bring everyone together and win."
 
Joined on tour by drummer Vishesh Singh (a fixture since their early days), bassist Roshan Roy (a seasoned figure in New Delhi's indie music scene) and dhol player Sarthak Pahwa, Bloodywood took their music out of the studio and to concerts across Europe, UK and Russia for their first-ever tour.  The sold-out "Raj Against The Machine Tour" in 2019 was proof that an Indian metal band’s global online following would convert into packed venues. 
 
Even a global pandemic couldn't stop the juggernaut that was Bloodywood — "Yaad," released in early 2020 had deepened their storytelling. The band followed it up in late 2021 with "Gaddaar," taking aim at how politicians use religion to gain votes. Songs like "Aaj" and "Dana Dan" (the latter rallying against rape culture) built up to the release of their debut self-released album Rakshak in 2022. It was important to them to keep fighting the good fight, whether it was against one's closely-held inner demons or the decaying standards of global governance. It earned them a nomination for Best International Breakthrough Artist at the Heavy Music Awards in 2022. 

Bloodywood went on to perform to packed crowds and at major global festivals — from Lollapalooza India, Download Festival, Bloodstock (UK), Hellfest (France), Summer Breeze (Germany) to Brutal Assault (Czechia), to Fuji Rock (Japan) and American mainstays like Louder Than Life and Aftershock.
  
In 2024, "Dana Dan" even made it to a pivotal sequence in the Jordan Peele-produced action movie Monkey Man, directed by and starring Dev Patel. 
Now, after more than a year of chipping away at their new material, Bloodywood are ready to unleash to the world their second album in the first part of 2025 showing the depth and power of Indian Folk Metal.

FLAT BLACK Share Live "A Bit of Lightning" Video

Guitarist Jason Hook introduced his new band FLAT BLACK last year. The former Five Finger Death Punch guitarist teamed up with a trio of young and talented musicians and signed with Fearless Records. Today, the band is thrilled to announce its debut album Dark Side of the Brain arrived in the summer.  The album was produced by Hook and Chris Collier (Korn), and recorded at both Hook's home studio and The Hideout. Get it here or here. 

The band shared a live video for "A Bit of Lightning." Watch it below.

"We wanted to put together a 'life on tour'-themed video for our single 'A Bit of Lightning," Hook says. "The video features candid scenes from our recent touring cycle. To me, this video gives the viewer a snapshot of what our life looks like on the road. I can tell you, if it looks like we're having fun, it's authentic."

Fresh off a fall tour with Godsmack, this video captures Flat Black in their natural habitat. It will grab you by the nape of your neck and drop you right into the pit at a Flat Black show! It also offers a behind-the-scenes look at the band interacting with fans and each other. If you ever wanted a bird's eye view into life with Flat Black, this video is it!

ABOUT FLAT BLACK:
"I feel like FLAT BLACK is a secret I've been keeping for three years," Hook says. "It's finally time to unleash this band on the world. I'm grateful to Sully from Godsmack for giving us the chance to get out on the road and play for such an amazing group of fans."

Despite having reached a commercial summit with his prior band, thanks to multiple platinum certifications, sold-out arena shows, and a string of No. 1 singles, Hook remains as hungry for musical blood and thunder as the day he first picked up a guitar at the age of six. He is eager to not only replicate but to surpass his past successes with his new band.  

Having left his prior band in February 2020, which was right before COVID-19 put the entire world on pause, Hook wanted to assume creative control and let his musical free spirit soar in a project that was truly his. He opted to gamble on himself. With great risk comes great reward and the decision to form FLAT BLACK clearly worked out in his favor.

"As a musician, I crave freedom and I wasn't ready to stop creating," Hook shares.

"Life is short," he continues. "We all want to feel satisfied and happy with what we are trying to accomplish in life." 

 The pandemic shutdown allowed him the opportunity to assemble the right musicians and carefully craft their debut album. FLAT BLACK are armed with an arsenal of riffs that'll rattle your teeth loose from your gums, stadium-sized hooks, arena-ready anthems, and choruses that are guaranteed to touch a nerve. All of those factors combined make FLAT BLACK poised for success.

The origin stories of the rest of the players are indicative of a lifelong love of music and plenty of road-worn experience. The desire to play courses through their veins and propels them forward, which is why they all meshed so well with Hook.

FLAT BLACK ARE:
Jason Hook — Guitar
Wes Horton — Vocals
Rob Pierce — Drums
Nicholas Diltz — Bass

TSS Share "DEAD!" (Feat. CVLTE) Video

FEARLESS RECORDS recently welcomed French metal alchemists TSS (formerly The Sunday Sadness) to the label's global roster. 

The band has steadily built a reputation with its innovative blend of emo, metalcore, alternative rock, and synthwave. They've recently added elements of phonk and neo-metal to their sonic blend. The band was founded in 2016 by Kirby, who sought to combine his emo and metalcore roots into a fresh new sound. The band quickly solidified its lineup with John on guitar and vocals, and Hugo on Drums.

Today, they've shared the video for  "DEAD!" (Feat. CVLTE), which is their second single for their new label home.

Watch it below.

TSS bring the synths and the riffs on their new song "DEAD," featuring Japanese group CVLTE. The song gets an added dose of heat from the layered vocals and lyrics which are partially sung in the band's native French language. All of these elements make for a truly cross-cultural metalcore anthem that cycles through multiple moods and tempos, as well as different genres, like pop and nu metal, in the space of a few minutes. The guitars have infinite girth, while the catchy chorus "I'm addicted to the pain" will wrap around your cerebral cortex and stay there. The quiet-loud dynamics and the industrial crunch that defines the closing breakdown are as explosive as it gets. TSS will take you to plenty of musical spaces and places on "DEAD."

"Our new single, 'DEAD!,' marks a turning point for us," the band states. "After years of mutually admiring each other's work and wanting to evolve the emo scene on our respective continents, we've finally joined forces with the Japanese band CVLTE. Since 2019, we've been exchanging, sharing our inspirations and visions for the future of the genre."

TSS further say, "'DEAD!' is the fruit of this unique collaboration: a song that blurs boundaries, fusing our influences and musical identities to redefine what alternative rock music can be today. This collaboration goes beyond music; it represents the union of two worlds passionate about alternative genre, fueled by two different cultures."

Regarding the accompanying video, the band says, "Shooting the video here in Europe, with [singer] Aviel by our side, was a powerful experience, symbolizing the culmination of several years of connection and creation. The result of this teamwork is DEAD! A powerfull hit radio song about toxic relationships, that mixes trap, metalcore, and cloud rap. In addition to the music, we have forged a strong friend relationship with CVLTE. This collaboration is just the beginning of long series of other featuring between the two bands."

It follows "Killing Me," their debut single for their new label. The visual is inspired by The Matrix and '00s-era horror films, and it will transport you to the glory days of aughts art. Watch it here.

In December 2023, a track that topped iTunes rock charts and caught the attention of many labels. In September 2024, having signed a deal with Fearless Records.

TSS's journey, characterized by constant innovation and genre-blending, has positioned them as a rising force in the modern metal scene, with a growing fanbase across diverse musical communities.    

Until I Wake Drop "Messenger" Lyric Video

Buffalo quartet Until I Wake — new vocalist Justin Smith, alongside bassistRyan Ridley, guitarists August Geitner and Niko Karras, and drummer Alex Curtin — recently announced their new album Renovate. It arrives on December 6 via Fearless Records. Pre-order it here. 

On Renovate, the band has upped the ante, cranking all knobs to 11. Pummeling verses collide with soaring, arena-ready choruses, all of which are backed with percussion so immediate it could replace your own heartbeat and a relentless barrage of neck snapping riffs — the kind that hard rock fans can't get enough of. Until I Wake have leveled up every element of their sound, and are re-invigorated by the addition of new singer Smith. They've honed their live chops with nonstop touring, appeared at key festivals, such as Download, Welcome to Rockville, Upheaval, and more, and have garnered press praise from Blabbermouth, Outburn, Kerrang!, and Alternative Press while amassing millions of streams. Now armed with a killer sophomore album and their lineup cemented, Until I Wake are poised to become "ones to watch" in the hard rock scene.

Today, the band shared the lyric video for latest single "Messenger." Watch it below.

"'Messenger' is a story of faith in what we cannot see or understand," Smith states. "The feeling that something is watching over us and guiding us from pain to growth. I wrote this song based off of a dream that strongly influenced my life toward the path of music and my faith in God."

 Until I Wake show off their moody side here. The band sprinkles hip-hop-inspired choruses and rhythms among its signature blend of molten metal, raging riffs, and alternately sung and screamed vocals. Fans of Linkin Park will find themselves magnetically attracted to UIW and "Messenger," which boasts a sick, galloping solo before a beautiful fade out.