Fermentor - New Album Agreement

FERMENTOR’s latest sonic experiment, Agreement, drops August 15th, 2025. This 17-track instrumental album concludes a trilogy of improvised releases, following Mind Meldand Release Me. Agreement pushes their boundary-defying blend of blistering death metal and sprawling, freeform post-rock to new extremes, delivering cinematic brutality and storytelling without words through instinct-driven chemistry.

The album opens with "Wintry Earth," a bleak, droning descent marked by jagged time signatures, eerie guitar textures, and a brutal death metal finale that sets a tense, violent tone. "Whisper Flesh" follows, a raw improvisation where dissonant loops and jagged grooves shift between blast-heavy death metal and crushing, groove-laden choruses, spiraling into ritualistic heaviness.

"Dead Farm" and "Ceratops" offer contrasting explorations of heaviness. "Dead Farm" channels the primal force of SEPULTURA, seismic pulse of GOJIRA, and progressive sludge of MASTODON with groove-driven intensity. Meanwhile, "Ceratops" unfolds slowly from meditative calm into a cathartic, tectonic climax, showcasing the band’s dynamic range from muscular aggression to patient build.

"More Than Eight" dives into FERMENTOR’s signature improvised chaos, layering guitar loops instinctively over shifting rhythms. "Ghost Girl" ventures further into experimental territory, blurring meditative post-rock and thunderous groove metal with spiraling solos and ethereal textures.

"Roach God" captures raw vulnerability through imperfect, high-wire improvisation where mistakes become defining characteristics - an authentic snapshot of risk and discovery. "Rotted" is a relentless, riff-driven brutal death metal descent, free of loops and culminating in a monstrous breakdown forged in pure instinct.

"Deactivated" builds angular chaos with dissonant grooves, shifting time signatures, and a searing solo, exploding into a triumphant finale. The title track "Agreement" is a study in tension and release, layering palm-muted guitars over hypnotic loops, culminating in a crushing halftime outro, a seismic exhale of raw improvisation and controlled chaos.

"There With That" blends cinematic instincts and epic metal grandeur, balancing atmosphere and intensity with emotional clarity. "Human Caterpillar" immortalizes a glitching guitar pedal feedback during an improvisation, turning technical failure into a chaotic, avant-garde Easter egg and a tongue-in-cheek highlight released on April Fools’ Day.

"Transgression" blasts with thrash-rooted energy, tight cymbal chokes and groove-drenched riffs channeling the band’s early chemistry and old-school aggression. "Hides Behind Hands" offers a rare breath of melancholic reflection, trading brutality for beauty through shimmering loops and restrained percussion, inviting pause and introspection.

"Protohuman" is a kaleidoscopic hybrid of swirling loops, jagged rhythms, and pulverizing eruptions that merge FERMENTOR’s death-thrash roots with fearless experimentation. "Skybeam" unleashes a deafening blast of explosive energy, a chaotic tempest signaling the album’s climax.

Finally, "All Ashes" winds down with reflective melodies and subtle textures, a sonic exhale that gathers Agreement’s sprawling journey into a poignant, meditative farewell.

Agreement stands as a bold testament to FERMENTOR’s fearless embrace of improvisation, raw emotion, and genre-defying exploration. Through blistering death metal, expansive post-rock, and moments of beautiful imperfection, the album captures a journey of friendship, risk, and creative discovery. It invites listeners into a world where chaos and control coexist, forging a powerful, unspoken narrative that lingers long after the final note fades. This is more than an album. It is an immersive experience that challenges expectations and redefines the boundaries of instrumental music.

FERMENTOR is:

  • Dylan Marks - Drummer

  • Adam "Wally" Wollach - Guitarist


ABOUT FERMENTOR:
FERMENTOR is a San Diego-based two-piece instrumental metal band formed in 2008 by drummer Dylan Marks (ATHEIST, BEEKEEPER) and guitarist Adam “Wally” Wollach (BEEKEEPER, TRASHAXIS). Stripping away the comforts of a traditional band infrastructure, FERMENTOR relies solely on communicating through only two elements; drums and guitar. The two instruments acting more like contrapuntal voices, rather than just rhythm and melody.

Their musical chemistry was discovered in the summer of 2008 when the two cousins took advantage of an opening at Wollach’s recording studio. Having never collaborated before and with only four weeks to write and record, they created their first EP entitled Matanzaa.

After a brief period of living on opposite coasts, the duo regrouped and began to push their writing to a new level. With a newfound control of their unique synchronicity, they released two EPs; 2011’s self-titled album Fermentor and its follow up, Rate of Cognitionin 2015.

They quickly garnered a reputation for their explosive and unrelenting high-energy performances atypical of a duo, earning them the opportunities to share the stage with other experimental powerhouses such as BEHOLD!...THE ARCTOPUS, ATOMIC APE, and CAPTURE BY ROBOTS.

In 2020, they released their first full-length album Continuance. A highly creative and progressive album. Continuance plays with the listener’s ear by subverting expectations of tonality and song structure. This critically hailed record is bursting with intricate timings, propulsive arrangements, and unconventional riffing. It also marked the release of FERMENTOR’s first music videos, most notably the incredible video for "Seventh Circle", premiered by Decibel, which saw the duo in a high-energy pursuit of a mysterious orb.

2023 saw the band continuing to push their abilities as well as the conventions of instrumental metal with the release of their next full-length album, Mind Meld. Engineered at Singing Serpent Studios by Ben Moore (TERA MELOS, RETOX) and recorded, mixed, and mastered again by Wollach, Mind Meld showcases the growth and maturity of the duo as well as boasting the highest quality recordings of FERMENTOR’s catalog so far. Additionally, the band employed a unique approach by self-recording everything live, without click tracks or additional layers. Mind Meldreceived major critical acclaim, beloved by existing FERMENTOR fans as well as reaching many new fans through emphasis on more music videos and footage from the studio.

In 2024, FERMENTOR embarked on the FermenTOUR, traveling along the West Coast introducing new audiences to their unique brand of instrumental music.

In January 2025, FERMENTOR continued to challenge themselves and their fans with their latest album, Release Me. 17 tracks of brand new songs completely improvised in the studio, Release Me spans numerous genres, employs live looping and layering in single takes, resulting in the most diverse and innovative music of FERMENTOR’s career. To share the record with the world, FERMENTOR released a song from the album every week for 17 weeks until the date of the album release with accompanying music videos and footage from the studio, massively increasing their reach and acclaim.

Of course, FERMENTOR does not stop there! Relentless in their output, FERMENTOR is announcing yet ANOTHER 17-track, all-improvised album, entitled Agreement. The first track dropped just two weeks after Release Me.

Agreement continues FERMENTOR’s pursuit of unique and highly creative instrumental music, further cementing their use of looping and defiance of genre. Again the group will be releasing a song per week from the record along with music videos and documentation of the recording process.

FERMENTOR will hit the road again in 2025, as they remain ever dedicated to spreading their music and artistic vision to the world!

Electromancy - Visions of Utopia

ELECTROMANCY is thrilled to announce their new album, Visions of Utopia, arriving September 10th, 2025. Blending the frostbitten chaos of black metal, the crushing weight of doom, and the visceral ferocity of death metal, this seven-track journey dives into the emotional landscape of composer and multi-instrumentalist Steph Tranovich’s experience with chronic illness and disability. From searing despair and cathartic rage to fragile hope, Visions of Utopia is both a sonic onslaught and a testament to perseverance—turning pain into power and offering light to those navigating their own darkness.

Steph shares, “Visions of Utopia doesn’t lose sight of my struggles, but it sees a future that’s bright and hopeful and right over the horizon. These past few years I’ve seen a lot of progress in my health—and also some intense relapse. But I’ve grown again and have been finding ways to really thrive given my disability. This album takes you through that journey: hope, relapse, recovery, and a renewed appreciation for life.”

The album opens with “Intro,” a stark spoken-word track that lays the foundation for ELECTROMANCY’s story. Against a backdrop of haunting ambience and mechanical drone, it unflinchingly recounts the band's origin, their use of robotic instruments as assistive tech, and Steph’s personal evolution through illness. It sets the emotional tone for the record’s fusion of blackened intensity, doomy heft, and experimental death metal edge—grounding listeners in the human experience behind the cybernetic sound.

“Utopic Visions,” the second track, is a defiant incantation for a better world. It acknowledges the crushing weight of personal and collective suffering, but refuses to stop there—choosing instead to conjure something brighter. Downtuned guitars bring weight; piercing highs give shape; glitching synths and swirling textures enhance the hypnotic pull, while Shaun Gallagher’s commanding vocals slice through with clarity and conviction. It’s a dream of Utopia cast in distortion and dissonance, built for those ready to imagine—and fight for—something more.

Track three, “Brief Moments of Total Collapse,” captures the brutal volatility of chronic illness: one moment you’re rising, the next you’re falling harder than before. Its short runtime mirrors the rapid descent into relapse, while sharp dynamic shifts and death metal ferocity channel the whiplash of losing control. It’s a violent flash of vulnerability—a sonic snapshot of how quickly the ground can disappear beneath you.

At the emotional core of the album lies “Nonlinear Healing,” a sweeping ten-minute epic that embraces the messy, spiral-shaped nature of recovery. Weaving between grief and hope, open harmonies and bitter dissonance, it acknowledges that healing isn’t linear—it’s a process full of backslides, slow climbs, and moments of quiet resilience. Blackened textures, mournful doom, and layered melodies mirror this ebb and flow, settling not in triumph, but in steady perseverance. Sometimes, as Steph says, “the only thing we can do is keep moving forward.”

“Repair,” track five, offers a tonal shift—a flash of sunlight after the storm. This short, lively track bursts with playful energy, featuring call-and-response vocals that lift the refrain “up and up.” It’s a reminder that rebuilding can be joyful, even fun; that healing includes laughter, motion, and moments of celebration.

Next comes “Thriving Cyborg,” a groove-laden ode to adaptation and gratitude. Drawing from Steph’s lived experience of thriving with assistive technology, the track celebrates the communities, tools, and creativity that make life possible and fulfilling. Its funk-infused rhythm, bursts of synth, and hands-on manipulation of robotic instruments reflect the seamless blend of organic and inorganic at the heart of ELECTROMANCY’s identity. A brief moment of heaviness nods to continued struggle, but it’s the triumphant, polyrhythmic crescendo that defines this nine-minute track’s spirit—resilient, euphoric, and alive.

Closing the album is “Static Ecstatic,” a meditation on finding joy in the overlooked moments of daily life. Fusing blackened atmosphere, doomy depth, and experimental textures, the song explores the quiet fulfillment that emerges not from grand victories, but from stillness, presence, and the strange wonder of simply existing. It’s a gentle but powerful resolution—a final breath that grounds the listener after a journey of storms. In true ELECTROMANCY form, the record ends not with spectacle, but with hard-won peace.

About ELECTROMANCY:

Forged at the intersection of grief, resilience, and radical creativity, ELECTROMANCY is a boundary-defying black/doom/death metal duo from the Bay Area blending blistering sonic chaos with DIY robotics and raw human emotion. Formed in June 2019 by composer and multi-instrumentalist Steph Tranovich (they/them), alongside co-vocalist Shaun Gallagher (he/him), ELECTROMANCY uses custom-built robotic instruments as a form of assistive technology—enabling Steph to continue making music despite their chronic illness. Their discography, spanning from the brutal Technopagan to the emotionally complex Visions of Utopia, chronicles Steph’s journey through disability and healing, channeling pain, perseverance, and moments of cathartic joy. With influences like THOU, MESHUGGAH, and LITURGY, the band fuses intricate polyrhythms with avant-garde metal, while exploring themes of queer identity, grief, and radical strength. Their live shows are visceral, theatrical experiences—robot guitars and LED-lit mannequins sharing the stage with two unapologetically human voices. ELECTROMANCY isn’t just for metal fans—it’s for anyone searching for something different, something real, and something powerful.

ELECTROMANCY is:

  • Steph Tranovich (they/them) - composition, robotics, vocals

  • Shaun Gallagher (he/him) - vocals

BELPHEGOR Unleash Ferocious New Single “Sanctus Diaboli Confidimus," Band Signs with Reigning Phoenix Music

The unrelenting force of diabolical Black Death Metal, BELPHEGOR, returns with a blazing new single: “Sanctus Diaboli Confidimus.” Forged in chaos and crowned in blasphemy, the track marks a savage invocation of what is yet to come.

This release marks BELPHEGOR’s first under their freshly inked deal with Reigning Phoenix Music (RPM), setting the stage for a powerful alliance between one of extreme metal’s most revered entities and one of the scene’s most ambitious new labels.

Helmuth, the band’s co-founder and guiding force, shares: “It’s great to be working with Gerardo Martinez once again. He believed in Belphegor early on and was the one who brought us to North America in 2006. I look forward to a powerful new chapter with RPM.”

Gerardo Martinez, co-founder of RPM, echoes the sentiment: “Helmuth, Belphegor and I go back to 2006 and I'm extremely thrilled to be able to continue working with one of the best proponents of Black Death Metal art. Welcome to RPM! Here's to many more years of great music!”

On “Sanctus Diaboli Confidimus,” Helmuth describes: “A symbiosis of diabolical Black Death Metal. A glorification of the Devil. A hypnotic anthem of passion, fire and iron discipline. It stands for the absolute freedom to walk your own path, to reign within your own realm.”

About BELPHEGOR:

Since their formation in 1993 in Austria, BELPHEGOR have stood as one of the most brutal and transgressive forces in black death metal. Founded by vocalist and guitarist Helmuth Lehner, the band has spent over three decades refining a sound forged in fire and sacrilege, merging the violent precision of death metal with the ritualistic darkness of black metal.

Their musick is an invocation of infernal power, a soundwall of relentless blasphemy.

From the raw intensity of early releases like The Last Supper (1995), Blutsabbath(1997), and Necrodaemon Terrorsathan (2000), to the increasingly sophisticated compositions found on albums such as Lucifer Incestus, Bondage Goat Zombie, Pestapokalypse VI, and Totenritual, BELPHEGOR have continually pushed the boundaries of extreme musick. Each release marks a further descent into forbidden territory.

The band’s thematic focus with ritual magick, religious inversion, and arcane symbolism is matched by their technical mastery, multilingual lyrics, and sonic experimentation.

With their twelfth studio album The Devils (2022), BELPHEGOR delivered one of their most punishing and ambitious records to date.

Recorded at Fascination Street Studios with producer Jens Bogren, the album features nine meticulously crafted compositions that shift seamlessly between feral aggression and solemn majesty.

Tracks such as Glorifizierung des Teufels and Virtus Asinaria - Prayer incorporate choral passages and ritualistic structure, while Damnation - Höllensturz unfolds with a dynamic complexity that further amplifies the band’s compositional vision.

Lyrically, the album weaves together German, Latin, and English to cast incantations of death, desecration, and rebellion against sacred order. Accompanied by visionary artwork from Seth Siro Anton, The Devils stands as a high point in Belphegor’s canon and underscores their continued relevance in the global extreme metal landscape.

Following the success of The Devils, BELPHEGOR were honored with the 2023 Amadeus Austrian Music Award in the Hard and Heavy category, a rare moment of formal recognition in Austria for a band that has long walked a path far removed from mainstream acceptance. This accolade acknowledges their artistic legacy and highlights the contrast between their recognition and the transgressive nature of their craft.

Renowned for their intense live rituals, BELPHEGOR have toured relentlessly across Europe, the Americas, Asia, Australia, and beyond. They have appeared at Wacken Open Air, Knotfest, Bloodstock, Hellfest, Tons Of Rock, Sweden Rock, and numerous other prestigious metal festivals. Their stage presence is more than a performance, it is a ceremony of magick and infernal theatre, where sound, smoke, blood, and fire converge in a communion with darkness.

Now, as the band approaches its thirteenth studio album, a deeper and more arcane force begins to stir. The number thirteen bears ancient meaning: endings, thresholds, and the passage into the unknown. Rooted in primordial doctrine, the thirteenth seal is said to bind the final veil between worlds, the last barrier between order and chaos.

With this upcoming release, BELPHEGOR prepares to break that seal, not to follow, but to lead. To summon what lies beyond even their own previous creations: something more primal, more ritualistic, more devastating.

Early glimpses of new material point to a continuation of the dark artistic path begun with The Devils, now delving even deeper. The upcoming album takes shape as a focused ritual: precise, uncompromising, and rooted in the band’s unmistakable vision, the glorification of the Devil.

Prepare. The next chapter is imminent. 

More from BELPHEGOR:

www.belphegor.at | Facebook | Instagram | X | Youtube

AGENBITE MISERY - Remorse of Conscience

AGENBITE MISERY is a New Hampshire-based trio whose debut album Remorse of Conscience is one of the most ambitious concept records to emerge from the modern extreme metal underground. Formed in late 2022 by guitarist Sam Graff, bassist Cam Netland, and drummer Adam Richards, the band began with a deceptively simple idea: to adapt James Joyce’s Ulysses into an experimental metal album. What emerged from that idea is a 55-minute odyssey of layered sonic aggression and literary depth, an album that blends blackened sludge, dissonant death metal, post-punk, ambient drone, and more into a singular, genre-defying statement of purpose.

The name AGENBITE MISERY is itself a reflection of the band’s literary roots, pulled from a line in Ulysses that references the 14th-century English devotional text Agenbite of Inwit. The phrase, literally “again-bite of inner wit,” or modernized as “remorse of conscience," became the perfect thematic and philosophical framework for an album steeped in grief, alienation, and the search for meaning in modern life. The band’s name was chosen because it reflects the deep, biting sorrow that pervades the novel and their music. Though the original pronunciation might have been “ah-jehn-bite,” the band opts for a harder, contemporary “ae-ghen-bite” as a nod to their mission of dragging ancient texts into the present.

Remorse of Conscience was written over the course of 2023 and recorded in 2024, entirely self-produced by the band, with mixing by Eric Sauter and mastering by Brad Boatright. The recording sessions were a direct extension of the trio’s collaborative ethos: a commitment to honesty, maximalism, and transformation. Each of the album’s eight songs adapts a chapter from Ulysses, using lyrics pulled directly from Joyce’s prose and reshaping them into brutal, beautiful sonic forms. The band sees each track not merely as a song but as a new translation, an attempt to convert stream-of-consciousness literature into aural energy.

About AGENBITE MISERY:

AGENBITE MISERY is a New Hampshire-based trio that fuses literary ambition with the visceral force of experimental metal. Formed in 2022 by guitarist Sam Graff, bassist Cam Netland, and drummer Adam Richards, the band emerged from a shared academic background in literature and a mutual devotion to the most extreme and boundary-pushing corners of heavy music.

At its core, AGENBITE MISERY is a project rooted in transformation. Their work doesn’t merely incorporate influences, it dismantles them, reshapes them, and recontextualizes them within a vision that is as cerebral as it is punishing. Their sound weaves together elements of black metal, sludge, death metal, post-punk, ambient, and noise rock, unified not by style but by intent: to confront, to immerse, and to challenge.

Individually, the members bring a history of musical experimentation: Sam Graff and Adam Richards were longtime collaborators in the avant-garde project UNDER GREEN SUNS and the Boston metalcore outfit VICARIUM, while Cam Netland previously fronted the Connecticut stoner/black metal band COAGULATE. Together, they’ve forged something entirely distinct, a collective voice that draws from their diverse histories but refuses to be defined by any one genre or scene.

AGENBITE MISERY exists at the edge of metal and the margins of modern art, translating abstract ideas into concrete sound with unrelenting force. Whether performing live or recording in isolation, their ethos remains constant: dig deeper, aim higher, and never repeat what has already been done.

AGENBITE MISERY is:

Sam Graff – Guitars / Vocals / Synth
Cam Netland – Bass / Vocals
Adam Richards – Drums / Vocals

Connect with AGENBITE MISERY:

Out NOW from VICTIM OF FIRE - The Old Lie

Denver, Colorado's stadium crust act VICTIM OF FIRE deliver an engulfing sonic experience with a significant focus on twin guitar harmonies. Seeking to set the stage ablaze with their new album and forthcoming tour dates around North America and Canada this September, The Old Lie that is set for release on August 1, 2025 via Human Future Records/Return Trip Records.

The Old Lie is a continuation of the bands sound from where they left off with Disembrace in 2022. This album also sees a shift in the band's creative process, being the first to include contributions from every live member. The title track kicks off the release with a somewhat divergent sound. Steering into the melo-death territory, VICTIM OF FIRE showcase the genre fusion aspect of their sound while still retaining their roots as a d-beat crust band. "The Old Lie"’s lyrics come from a poem by the English Poet Wilfred Owens, lifting the curtain behind the bleak realities experienced by soldiers in World War One. 

Rife with harmonies, "Apocalyptic Inclination" exposes the 'warfare mindset' reinforced by politicians, especially in the US. "Wayward Light" continues the trajectory of the fast and melodic in a ferocious fury of riffs and harmonies. "Nightmares of Ceasefire" sees the fast and the furious endure, thematically exploring the perspectives of those who profit from war and death. "Soldiers Dream" is also influenced by Wilfred Owen's poem from which the song's title is taken. An enthralling combination of emotions, textures and tones, it's also the fastest track on the album.

A staple of the band's live shows "Discordance" was written from a more personal perspective about the process of adjusting to 'reality' following a period of touring. "Barren Path" sees VICTIM OF FIRE present an open and honest sharing of struggles with imposter syndrome. Shifting gears, "Front Towards enemy" embarks on a wild ride stylistically, deviating from the rest of the track list. Followed by "Disharmonist", the band's self proclaimed "magnum opus", the track original appeared as a single in 2021. For The Old Lie, it's been revamped with further harmonies and an increase in speed. VICTIM OF FIRE end with their own distinctive take on IRON MAIDEN's "Aces High". 

About VICTIM OF FIRE:
Initially formed in 2016, the Denver hailing blackened crust ensemble began as a side project filling in a creative gap and available studio time. Now, almost a decade later, the quartet are preparing to unearth their third studio album, The Old Lie, and bring their explosive sound to the masses around the US and Canada.

Inspired by the likes of TRAGEDY, DISFEAR, IN FLAMES, DISMEMBER and IRON MAIDEN, Austin reveals his creative influences, "harmonized guitars have always been my favorite part of music ever since I discovered IRON MAIDEN at the age of 16, and I’ve just been trying to recreate it in my bands wherever I can. Also not being afraid to take a risk with a song of musical style to see if it connects. We aren’t trying to be the crustiest crust band, we want to blend a bunch of styles together to make something fun and energetic to play live."

VICTIM OF FIRE is:
Austin (Guitar/Vocals)
Dustin (Bass)
Emily (Guitar)
Marc (Drums)

Album Credits:
Producer: Austin Minney
Recording Studio: All Aces Studios, Evergroove
Engineer: Austin Minney
Mastering: Brad Boatright (Audiosiege)
Mixing: Austin Minney
Album Cover Artist: Dan Bones

OLD MACHINES Unleashes Cosmic Doom With Title Track “The Cycles of Extinction”

Prepare for transmission: the machines have awakened. Today, OLD MACHINES has released “The Cycles of Extinction”, the thunderous and chilling title track from their upcoming debut album; a sweeping, cosmic metal concept record chronicling the death march of civilizations in the grip of mechanical genocide.

A monolithic descent into the void, The Cycles of Extinction, due out August 22nd, is the band’s bold, hour-long odyssey through blackened space, where eight tracks map the eternal cycle of galactic evolution and annihilation. With today's single release, the second track in the album’s chronology, Old Machines takes listeners into the heart of the empire’s unraveling.

The song opens with layered synths: choir vocals and pipe organ twisted through a haze of cinematic strings, conjuring an ominous prelude before launching into blast-driven intensity and haunting, melodic choruses. Combining elements of black, death, thrash, and power metal, the track nods to acts like EMPEROR, LIMBONIC ART, and even evokes unexpected comparisons to NOCTURNUS: influences both deliberate and incidental.

Lyrically, “The Cycles of Extinction” explores a galactic snare set by sentient AI known as the Old Machines. Once the architects of civilization, these cybernetic titans now harvest evolved organic life, luring entire species with techno-utopian promises before assimilating or obliterating them. The track narrates the rise of their horrific army, twisted, perverted reflections of once-living beings, bound to the will of the most diabolical artificial intelligence in existence.

A centerpiece in both sound and story, the single has become a live staple since the band’s first performance.

About OLD MACHINES:

From the darkest depths of the oceans of time and space comes a legend over two billion years old, which has spawned a multitude of harrowing galactic sagas. These stories arrive to us in the form of the debut album from OLD MACHINES titled The Cycles of Extinction, featuring eight songs regarding mysterious, malevolent horrors, which create the very extinction cycles all organic life forms are forever trapped in.  These are tales of horror, war, and genocide, spanning eight tracks for one hour of music which can be described as Extreme Cosmic Metal; combining elements of thrash, death, black, and power metal.  If any of this story sounds familiar, it may be because we have re-conceptualized plots from our favorite video games with a series of concept albums in chronological order, while musically, for now, being in the vein of bands such as BAL SAGOTH, EMPEROR, LIMBONIC ART, OBSIDIAN GATE, combined with the story-telling element of BLIND GUARDIAN. The Cycles of Extinction will be the first in a series of concept albums from OLD MACHINES, an ongoing project with current and former members of OXYGEN DESTROYER, SKELETAL REMAINS, SILVER TALON, THIRSTING ALTAR, and DOMINUS NOX. There will be more of such epics in this fashion because...extinction...is only the beginning....

OLD MACHINES is:

  • Gary Reavis - Vocals

  • Jason Stares - Keyboards

  • Brian Rush - Guitar

  • Devon Miller - Guitar

  • Joel Henigson - Bass

  • Chris Craven - Drums

Links:

ELEINE Unveil Official Video for "Promise Of Apocalypse (Symphonic Version)" from Forthcoming We Stand United EP

Known for their rich fund of musical influences, Swedish metal band ELEINE take fans into epic yet stripped down soundscapes with the symphonic version of their track "Promise Of Apocalypse." Wavering around Madeleine Liljestam’s stunning vocal performance, it’s strings and brass instead of bass, guitars and drums for a change building the foundation of the second single from the group’s anticipated new 5-track EP We Stand United (September 5, 2025 via RPM).

This new version additionally magnifies the core message of "Promise Of Apocalypse," which focusses on hope and renewal, and is strong anchor for those who seem to be lost in challenging situations for both body and mind.

Madeleine (vocals) & Rikard (guitar/vocals) recall the driving idea behind the song: “"Promise Of Apocalypse" was embraced by many fans and it was obvious to us that it deserved a beautiful symphonic version. When going through difficult times, including depression or maybe a rough temporary path - it’s easy to feel that you lost track of life and time. The message behind this song rings true; If you’re not happy where you are in life, it’s time to make a change. It’s maybe not obvious what you have to do - but a change has to be made for yourself!”

Watch the official video below.
Stream the single: https://eleine.rpm.link/poasymphonicPR

Pre-order/pre-save We Stand United: https://eleine.rpm.link/westandunitedPR

ELEINE are:

Madeleine Liljestam | vocals

Rikard Ekberg | guitars, vocals

Victor Jonasson | guitars

More on ELEINE:

eleine.com | Patreon | Facebook | Instagram | TikTok | X

YouTube | Spotify | Apple Music | RPM

SUPREME MYSTIC Releases Explosive First Single “Supreme Mystic” From Forthcoming Album Kala Rupa

Detroit heavy music force Supreme Mystic has released their first official single, “Supreme Mystic”, a thunderous and spiritually charged anthem that introduces the band’s forthcoming debut album Kala Rupa, due out October 3 via MahaVishnu Records in partnership with Third House Communications.

This self-titled track arrives with a compelling visualizer, setting the tone for what the band has coined Mo-Metal and DefRoc: a bold hybrid of heavy stoner rock, post-hardcore grit, spiritual mysticism, and raw Detroit power. “Supreme Mystic” is a rallying cry, a sonic invocation, and a mission statement all in one.

With punishing riffs, pulsating rhythms, soaring keyboard textures, and lyrics drawn from Vedic teachings, “Supreme Mystic” is both confrontational and transcendent. The track culminates in the ancient Sanskrit mantra Mrityur Mrityum Namo Mayaham, paying homage to the band’s deep connection to Eastern philosophy and the teachings of Krishna Consciousness.

The single marks a new chapter for Couls, stepping forward not just as a bassist, but as a full-fledged frontman, songwriter, and voice of purpose. The band’s lineup features Jeff Shankin (UNIVERSAL STOMP, EARTHMOVER) on drums, Alfredo Riojas on lead guitar, and Luis Ulloa on keyboards, completing a powerhouse unit known for dynamic live performances and philosophical depth.

About SUPREME MYSTIC:

SUPREME MYSTIC is a spiritually charged heavy rock band from Detroit, Michigan, fusing the grit of hardcore and metal with the depth of Vedic philosophy. Founded in 2023 by frontman and bassist Chino Noir (the evolved moniker of Mike Couls, known for his work with COLD AS LIFE, SWORN ENEMY, MERAUDER, and CRO-MAGS), the band draws from a lifetime of musical warfare and personal transformation. Their sound, described as Mo-Metal and DefRoc, merges elements of post-hardcore, stoner rock, grunge, doom, and groove metal with a message rooted in spiritual evolution, esoteric themes, and inner revolution.

Joined by drummer Jeff Shankin (UNIVERSAL STOMP, EARTHMOVER), guitarist Alfredo Riojas (a BERKLEE-trained shredder), and keyboardist Luis Ulloa (a young devotee of heavy music and mysticism), SUPREME MYSTIC creates music that is as punishing as it is purposeful. Their songs explore karma, mortality, illusion, and rebirth, often weaving in Sanskrit mantras and Eastern iconography with street-level truth and raw energy.

Equal parts intensity and intention, SUPREME MYSTIC is not just another heavy band. It is a movement of sound and spirit. Their debut full-length album Kala Rupa is set for release in Fall 2025.

PRIMAL FEAR Present Music Video For Anthemic New Single "Tears Of Fire"

Domination is within the metal world’s reach as PRIMAL FEAR premiere the official music video for "Tears Of Fire." The track is once again taken from their forthcoming record, which was already hailed as “absolutely stunning” (My Global Mind) and “the strongest PRIMAL FEAR album in recent times” (Metal Planet Music).
 
After ascending with clear guitar leads, the song erupts for the first time before vocalist Ralf Scheepers calls out one of the struggle-packed verses in his unmistakable tone.
 
He explains the intention behind "Tears Of Fire": “Heroic thoughts and words to make it clear that no one has to go through anything alone, but that there are always a few people by your side to go through thick and thin with you.”
 
But the presence of lament is of short duration: The energising pre-chorus lifts up those in sorrow and paves the way to the track’s hymnic chorus, leaving all of us looking into the future determinedly. Simply put: "Tears Of Fire" is another proof of the group’s world-class when it comes to writing ear-splitting music with a sensitive yet overall positive message.
 
Continuing the band’s successful collaboration with rEvolver and film maker Patric Ullaeus, PRIMAL FEAR also have shot a music video for their striking new single. The result picks up the lyrics of "Tears Of Fire" and shows the band in a rather dark setting combined with a hopeful blaze which portrays the song’s essence in a stunning way.
 
Watch the video below.
Stream the single: https://primalfear.rpm.link/tofPR

Pre-save the album & pre-order it in your preferred physical format (ltd. CD earbook, digipak-CD, jewel case-CD & various vinyl variants): https://primalfear.rpm.link/dominationPR
 
More from Domination:
"Far Away "OFFICIAL MUSIC VIDEO: https://www.youtube.com/watch?v=ed7iHIFNP0Y
"The Hunter" OFFICIAL MUSIC VIDEO: https://www.youtube.com/watch?v=yB34xHElQ80
 
Hitting the shelves on September 5, 2025 through Reigning Phoenix Music, Domination will also be celebrated live on stage in the form of a 21-date European tour with support coming from special guests and label mates ELEINE

About PRIMAL FEAR
 
Going strong for nearly three decades, the band founded and still led by Mat Sinner (bass, vocals) and Ralf Scheepers (vocals) have never let down their global fanbase. Relentless and constantly pushing their limits, PRIMAL FEAR ensure that no two albums ever sound the same. After “Code Red” [2023] hit some of the highest chart positions of their career, expectations for the next release were higher than ever. Now joined by gifted guitarist Thalìa Bellazecca and former touring drummer André Hilgers, the quintet were more than up for the challenge. And as Domination makes clear, no obstacle is too great for PRIMAL FEAR’s powerhouse songwriting trio - Sinner, Scheepers, and guitarist Magnus Karlsson, who also rejoins the band’s live line-up after several years away.
 
From the hard-hitting opener "The Hunter" and first single "Far Away," to the uplifting mid-tempo anthem "Tears Of Fire" and the epic ballad "Eden" - featuring a surprise guest appearance by AD INFINITUM’s Melissa Bonny - Domination delivers on all fronts. Add in neck-breakers like "Scream" and "Crossfire," and the reflective, string-and-piano-driven closer "A Tune I Won’t Forget," and it’s clear: PRIMAL FEAR aren’t here to reclaim the crown - they’re here to prove they’ve never left the throne of heavy/power metal royalty.
 
PRIMAL FEAR are:
Ralf Scheepers | vocals
Mat Sinner | bass, vocals
Magnus Karlsson | guitars
Thalìa Bellazecca | guitars
André Hilgers | drums
 
More on PRIMAL FEAR:
primalfear.de | Facebook | Instagram | X | TikTok | RPM

SIENA ROOT Present New Live Single "OUTLANDER"

Stockholm’s pioneering “dynamic root rock” outfit SIENA ROOT proudly present their second single and video, "Outlander (live)", from their monumental double live album Made in KuBa, releasing October 3, 2025 on Perception – A Division of Reigning Phoenix Music.

The audio was recorded during the band’s legendary March 2024 performances at Germany’s Kulturbahnhof in Jena—with every note captured straight to tape, no overdubs, and no safety net. Completed by footage capturing SIENA ROOT where they feel most at home—on stage—"Outlander" bursts with analogue intensity. The result is unfiltered, immediate, and vivid: a sonic journey from shadow into light, full of organic tension.

As the band explains:
“‘Outlander’ was the first song we worked on for our A Dream Of Lasting Peace album. It was one of those songs that came to us in a very natural way. The lyrics paved the way for the common thread that the rest of the album’s tracks would come to follow. A big part of that was how everyone in the band contributed to the songwriting—something that really defined the creative process this time around. This live recording features the extra energy and tension that the song deserves.”

Watch the video Below.
Stream ‘Outlander (live)’: https://sienaroot.rpm.link/outlanderPR

The release follows the first single "Wishing For More (live)", and offers another glimpse into the sound and spirit of the upcoming live album Made in KuBa.

Pre-orders are live for double digipak CD and half-speed mastered black double vinyl editions for maximum analogue depth:
https://sienaroot.rpm.link/madeinkubaPR

About SIENA ROOT

SIENA ROOT is a band renowned for its vibrant spectrum of styles, standout guest collaborations, and unique interpretations of classic rock. With eight full-length studio albums, one double live album, and three 7” singles to their name, each release showcases the group’s evolving sound and artistic depth.

Touring extensively across Europe since the early 2000s, SIENA ROOT has crafted a wide range of genre-blending songs. Live performances are the lifeblood of the band—frequently joined by prominent guest musicians, their shows often evolve into wild, improvised sessions that inspire future studio work. Their live act is known for its uncompromising approach, powered by heavy vintage equipment few bands have the passion or strength to take on the road. During the recording of their live albums, they even brought a full-size multi-track tape recorder across Europe.

This relentless dedication sets SIENA ROOT apart. A concert experience with the band is dramatic and exciting, visually as well as emotionally. It's a dynamic root rock experience.

SIENA ROOT are:

Zubaida Solid | vocals, keys

Johan Borgström | guitars

Sam Riffer | bass

Love Forsberg | drums, percussion

 

More on SIENA ROOT:

sienaroot.com I Facebook I Instagram I Spotify I Apple Music

HELLOWEEN Take Fans On Fantastical Journey With Lyric Video For New Long-Track ‘"Universe (Gravity For Hearts)"

Strap on your astronaut helmets and say sayonara to Japan! HELLOWEEN are blasting off, leaving behind the electrifying energy of their powerful lead single "This Is Tokyo" and setting a course for something even more spectacular: outer space.
 
Written by guitarist Sascha Gerstner, "Universe (Gravity For Hearts)" is a stunning, cinematic journey that does more than evoke the vast mystery of the cosmos. It reminds us of the boundless possibilities that lie beyond our world. The universe is an endless expanse, a place where it’s easy to get lost in thought, but also where we can tap into unknown energy and find the strength to overcome life’s greatest challenges.
 
HELLOWEEN’s latest single is a wild, emotional ride and a powerful reminder of something we too often forget: never stop dreaming.
 
“Everything in the universe is connected, and what looks like infinite stars could in reality be moments, hearts, and choices,” explains Gerstner.
 
"Universe (Gravity For Hearts)" opens with spacey guitar work and Michael Kiske’s signature high-pitched yet deeply soulful vocals, just before a thunderstorm of guitars, bass, and drums launches the 8.5-minute epic into full motion. It’s a high-speed musical escape from everyday life, crafted in the unmistakable style only the German metal legends can deliver.
 
Breathing room is a rare commodity in HELLOWEEN’s world, and their new track is no exception. With relentless drumming, intergalactic guitar tapping, and a jaw-dropping solo section, "Universe (Gravity For Hearts)" confidently joins the ranks of iconic long-form tracks like "Halloween,’" "Keeper Of The Seven Keys," and 2021’s "Skyfall."
 
So buckle up and enjoy the ride!
 
Watch the lyric video Below.
Stream the single: https://helloween.rpm.link/universePR

HELLOWEEN will celebrate four decades of metal mastery with a global 40th anniversary tour. The European leg begins in mid-October, with initial dates selling out quickly and additional shows in Madrid and Bochum already on sale. Featuring an ultimate set list packed with surprises, the tour will showcase the band’s unparalleled legacy and ongoing creative power.
 
Giants & Monsters pushes the boundaries of HELLOWEEN’s sound, thanks to the instincts of producers Charlie Bauerfeind and Dennis Ward, as well as the band’s relentless pursuit of excellence. Per example, drummer Dani Löble recorded all tracks using three different drum kits to capture the perfect vibe for each song, a testament to their attention to detail and love of experimentation.
 
The band’s chemistry continues to drive their success. “What keeps motivating us is the fact that we’re extremely different. It generates creative energy,” says guitarist Michael Weikath. Kai Hansen adds: “We try not to take ourselves and everything around us too seriously.” Deris sums it up: “In the end, we’re just seven guys who want to make music and enjoy the incomparable force that arises when we’re together. HELLOWEEN is way more powerful than the sum of its parts.”
 
With Giants & Monsters, HELLOWEEN boldly step into their fifth decade, proving once again why they remain one of the most influential and beloved bands in heavy metal.
 
Mixed at the legendary Wisseloord Studios in Hilversum, Netherlands (IRON MAIDEN, JUDAS PRIEST, DEF LEPPARD etc.), Giants & Monsters reaffirms the band’s position at the pinnacle of the metal world. Pre-order/pre-save Giants & Monsters: https://helloween.rpm.link/giantsmonstersPR
 
More from “Giants & Monsters”:
This Is Tokyo OFFICIAL MUSIC VIDEO:
https://www.youtube.com/watch?v=88Nn7CIpmWQ

HELLOWEEN are:
Michael Kiske | vocals
Andi Deris | vocals
Kai Hansen | guitars, vocals
Michael Weikath |  guitars
Sascha Gerstner |  guitars
Markus Grosskopf | bass
Daniel Löble | drums
 
More on HELLOWEEN:
helloween.org | Facebook | Instagram | Threads | TikTok
YouTube | X | Spotify | Apple Music | RPM

CHRONICLER OF ARDUL Unveils "Woodlands"

Dark fantasy infused symphonic death metal is the offering from CHRONICLER OF ARDUL. In the new single "Woodlands", composer and project mastermind David Williams extends an invitation to venture into a magical, orchestral led soundscape. It's serene and ethereal, yet something sinister lies beneath. Stream "Woodlands" Below.

"Delving deeper into the world of Ardul, 'Woodlands' captures the experience of wandering into the forest. Dark and mysterious, beautiful, and yet not comforting. There are dangers lurking in the shadows. Nature is unforgiving."

David Williams continues, "My next album will expand on the world already established by the symphonic death metal releases of Myrewood and Sword of Virné, as well as the short stories detailing further the events of the Myrewood's corruption. It will draw inspiration from countless video games and movies that had amazing music bring their worlds to life, such as Final Fantasy, Legend of Zelda, Lord of the Rings, and Octopath Traveler."

About CHRONICLER OF ARDUL:
CHRONICLER OF ARDUL was started as a passion project by David Williams when he wanted to combine his love of metal music and dark fantasy to tell a story that spanned over songs and albums. After graduating from Berklee College of Music, he puts his skills to the test to create the music for a story he had been working on for 9 years. The debut EP called Myrewood released late 2023, with its written short story partner, Myrewood Part 1, published in May 2024. The following EP, Sword Of Virné arrived in the summer of 2024. Musically, CHRONICLER OF ARDUL draws from the likes of SHADOW OF INTENT and MENTAL CRUELTY in the metal world, while also taking inspiration from Japanese composer Nobuo Uematsu. 

CHRONICLER OF ARDUL IS:
David Williams – Music and Lyrics

Links:
Website: https://chroniclerofardul.com/
Bandcamp: https://chroniclerofardul.bandcamp.com/
Instagram: https://www.instagram.com/chronicler_of_ardul/
TikTok: https://www.tiktok.com/@davidwmusic

INNERWISH Unleash Spy-Thriller Anthem with New Single ‘The Enemy Inside’

INNERWISH return with "The Enemy Inside," a spine-tingling ride through the shadowy world of espionage, laced with thunderous riffs and an irresistible groove that will burrow deep into your brain. With lyrics inspired by the moral complexities of spy life - most notably portrayed in Steven Spielberg’s “Munich” - the new single fuses classic heavy metal power with cinematic storytelling and an unmistakable nod to metal giants ACCEPT.

"Well, we love ACCEPT,” states the band. “And songs like this one show our love for their characteristic straightforward riffing. Almost in every album of ours, we have a song of that type. Never the same, yet the influence and inspiration is there. What can we do? We love that groovy metal! The lyrics are actually inspired by the movie “Munich” and the life of spies, plus the continuing moral dilemmas occurring through their decisions and acts.”

Watch the lyric video Below.

Listen to "The Enemy Inside": https://innerwish.rpm.link/enemyPR

Now, with "The Enemy Inside," INNERWISH bring fans a single that bridges the gap between classic and contemporary, blending old-school grooves with a modern edge.

"The Enemy Inside" continues the momentum generated by INNERWISH’s critically acclaimed 2024 album Ash Of Eternal Flame - an album hailed for its emotional depth, relentless energy, and the band’s signature blend of melody and metal might.

About INNERWISH

 

INNERWISH stand for melodic and melancholic heavy metal, played in a powerful and dynamic way. Their story began in Athens in 1995, and in their almost 30 years of existence they didn't only manage to be one of the most important metal bands from Greece, but also to establish themselves as a much-respected band in the European metal scene.

 

INNERWISH are:

Giorgos Eikosipentakis | vocals

Manolis Tsigos | guitars

Thymios Krikos | guitars

Antonis Mazarakis| bass

George Georgiou | keyboards

Franki Samoilis | drums

 

More on INNERWISH:

innerwish.gr | Facebook | Instagram | X | YouTube | RPM

Order/stream the album: https://innerwish.rpm.link/aoefPR
 

THE SORROW OF BEING IMMACULATE Announce 'Suicide Forest' and Release Title Track

Emerging once again from the shadows of rural Britain, anonymous solo project THE SORROW OF BEING IMMACULATE has announced the release of their new full-length album Suicide Forest, arriving September 26, 2025 via Drone Alone. Alongside the announcement, the title track "Suicide Forest" is now available for streaming. 

Written and recorded in solitude in a remote Welsh barn during winter 2024, Suicide Forest is an instrumental descent into psychological ruin, framed by loops of distorted guitar, subterranean bass, and meditative drones. The album’s eleven tracks move between suffocating sludge and eerie ambience, rooted in themes of trauma, detachment, and the long half-life of sorrow. There are no vocals. No catharsis. Just the sound of emotional erosion played at full volume.

The title track, "Suicide Forest," takes its name from Japan’s Aokigahara Forest, a place both feared and mythologized. Here, the song becomes an abstract tribute to those spaces where despair and silence meet. What begins as a crushing riff slowly unravels into layered interference, reverse guitars, and bleak repetition. It’s not a journey out, it’s a slow march inward.

The album was engineered and co-mixed by Mike Bannard at Safehouse Studios, Oxford, with mastering, artwork, and production handled by THE SORROW OF BEING IMMACULATE themselves. The result is a record that feels more exorcism than expression—music created not for others, but in spite of everything.

Suicide Forest follows 2024’s Church Music for Satanists EP, which gained underground attention for its immersive gloom and hypnotic minimalism. The new album expands on that aesthetic while deepening its emotional range and sonic intensity.

About THE SORROW OF BEING IMMACULATE:

THE SORROW OF BEING IMMACULATE is an anonymous solo project from Oxford, England, crafting bleak, instrumental sludge and drone since 2023. With no vocals, no public identity, and no live appearances, the music exists in complete isolation: just distortion, repetition, and emotional exhaustion.

Emerging from the Welsh countryside with the debut EP Church Music for Satanists in early 2024, THE SORROW OF BEING IMMACULATE quickly established a signature sound: hypnotic, heavy, and relentlessly minimal. The follow-up full-length, Suicide Forest, released by drone alone in 2025, pushed further into themes of anxiety, decay, and existential fatigue, blending guitar-driven doom with eerie drones and field-recorded interference.

Influenced by artists such as ELECTRIC WIZARD, SUNN O))), EARTH, and CARTER/TUTTI/VOID, the project explores psychological weight through slow repetition and spiritual dissonance. There are no lyrics because nothing more needs to be said. The riffs are the message.

For those drawn to the darker corners of sound, where catharsis is earned through endurance, THE SORROW OF BEING IMMACULATE offers a solitary descent.

Connect with THE SORROW OF BEING IMMACULATE:
 

KAUPE Unleashes First Single “RMR-1029” from Upcoming Album Destroyer of Worlds

Florida-based progressive metal innovators KAUPE have released the first single from their upcoming full-length album Destroyer of Worlds, due out October 17, 2025 via Morbid Subculture. The track, titled "RMR-1029", is now accompanied by a gripping new music video.

“RMR-1029” marks a turning point for KAUPE, a band known for their instrumental intensity. This time, they’ve enlisted legendary vocalist Scott Angelacos (BLOODLET, JUNIOR BRUCE, HOLLOW LEG) and sample artist Viewer Discretion (formerly of ACP PRO) to help craft a ferocious statement on the breakdown of reality in the age of technological overload. Angelacos’s voice rips through the chaos with prophetic fury, while Viewer Discretion’s carefully selected samples twist the track into a spiraling media hallucination.

The track is as philosophical as it is punishing: an anthem for an era driven by dopamine, distortion, and disinformation. Clocking in at just over four minutes, “RMR-1029” dives into themes of synthetic identity and post-truth culture without ever losing its groove. Featuring razor-sharp guitar work from Brett Walker, pummeling drums by Marc Larabel, and an eerie synth undercurrent courtesy of Patrick Ross, the track’s closing moments explode into a crushing, groove-heavy breakdown that fans of CONVERGE, DILLINGER ESCAPE PLAN, and BLOODLET will feel in their bones.

Pre-Order Destroyer Of Worlds on vinyl HERE: https://www.morbidsubculture.com/product-page/kaupe-destroyer-of-worlds-12-vinyl-ms009-preorder

Pre-Order on CD here: https://www.morbidsubculture.com/product-page/kaupe-destroyer-of-worlds-cd-ms009

About KAUPE:

KAUPE is an instrumental progressive metal band from Deland, Florida that has spent the last decade forging a sound as ferocious as it is cinematic. Formed in 2016 by guitarist Brett Walker (BLOODLET, JUNIOR BRUCE) and drummer Marc Larabel, the band was born from a desire to create music that tells stories without words, narratives carved into melody, rhythm, and atmosphere. Soon joined by bassist Pete Medrano and keyboardist Patrick Ross, KAUPE solidified into a unit intent on pushing sonic boundaries.

Drawing influence from an eclectic range of artists: FAITH NO MORE, MESHUGGAH, DILLINGER ESCAPE PLAN, CARPENTER BRUT, DEFTONES, PALLBEARER, and more, KAUPE crafts music that defies traditional genre expectations. Though most often labeled “progressive metal,” their compositions bend and blend metal, punk, new wave, synth, and even classical elements into sweeping instrumentals full of tension and release. With every release, the band explores new terrain, always moving forward, never nostalgic, and never comfortable.

Their debut The Depths (2018) introduced KAUPE’s penchant for intricate grooves and immersive soundscapes. Cognitive Dissonance (2021) expanded their sonic range and earned praise for its synth-laced melodies and dynamic storytelling. But it’s their upcoming third full-length, Destroyer of Worlds (2025), that fully realizes the band’s vision. For the first time, KAUPE features guest vocalists and sample artists, including: Scott Angelacos (BLOODLET, JUNIOR BRUCE, HOLLOW LEG), Matt Decker (TANGENT, GINKO BALBOA), and Viewer Discretion (formerly of ACP PRO). The result is their heaviest and darkest album yet: a dystopian exploration of modern life and technological dependency, engineered with precision and emotional depth.

Whether performing alongside icons like CYNIC, ANDREW WK, or VIRGIL DONATI, or building immersive sonic worlds in the studio, KAUPE brings unmatched chemistry and purpose to everything they create. Their live shows are celebrated for their energy and musicianship, offering a rare kind of instrumental storytelling that transcends words and speaks directly to the subconscious.

KAUPE is not revivalist. KAUPE is not retro. KAUPE is a glimpse into the sonic future, one shaped by distortion, dissonance, and the haunting beauty of what comes next.

KAUPE is: 
 

  • Brett Walker – Guitar

  • Marc Larabel – Drums

  • Pete Medrano – Bass

  • Patrick Ross – Keys


Connect with KAUPE:

Bandcamp: https://kaupe.bandcamp.com
Facebook: https://www.facebook.com/KaupeBand/
Instagram: https://www.instagram.com/kaupeband/
YouTube: https://youtube.com/@kaupeband7490
Spotify: https://open.spotify.com/artist/6Pl9nD4kJTHY0vIeSrZsKC?si=Ec213tffRqucNP0bmr1hQg
Apple Music: https://music.apple.com/us/artist/kaupe/1437836230

CLAWFINGER Return With New Album 'BEFORE WE ALL DIE' Out February 20, 2026 Via Perception

Before We All Die” CLAWFINGERs first studio album in 18 years, arrives February 20, 2026 on Perception. Loud, furious, darkly humorous and brutally honest, it's everything you forgot you needed — and exactly what you'd expect from a band that never cared much for subtlety.

“This isn’t about finding peace,” singer Zak Tell says. “It’s about telling the truth — even when it’s ugly. Especially then.”

From environmental collapse to political hypocrisy, personal disillusionment to collective denial, this is CLAWFINGER at full volume — still pissed off, still sharp as ever, and still refusing to shut up while the world pretends it’s all fine.

Already released, the single "Scum" sets the tone: zero tolerance for corrupt leadership, fake morality, or the rising tide of right-wing garbage. It’s not a love song — unless you really love rage and distortion.

“This album is part protest, part therapy, and part middle finger,” the band adds. “We’re not offering solutions. We’re screaming because silence is surrender”.

Pre-save/Pre-order Before We All Die now: https://clawfinger.rpm.link/beforewealldie

Watch/listen to ‘Scum’Below :

About CLAWFINGER

 

CLAWFINGER are considered pioneers of European rap-metal. Formed in Stockholm in the early 1990s, the Swedish-Norwegian band made an explosive debut with Deaf Dumb Blind (1993), blending aggressive guitar riffs with politically charged lyrics and rap vocals. The album sold over 600,000 copies worldwide – more than 250,000 in Germany alone – and won a Swedish Grammis award in the hardrock/metal category.

 

CLAWFINGER’s follow-up Use Your Brain [1995] continued their success with chart placements across Germany, Austria, Switzerland, and Sweden. Over the years, they released seven studio albums including A Whole Lot Of Nothing, Zeros & Heroes, Hate Yourself With Style, and Life Will Kill You, selling over 1.5 million records worldwide.

 

Known for their direct, riff-driven sound and strong political stance, CLAWFINGER address topics such as racism, political delusion, drug policy, environmental destruction, and social inequality. In the 1990s, they toured intensively with acts like ALICE IN CHAINS, MEGADETH and FAITH NO MORE and appeared at major festivals including Rock am Ring, Roskilde, and Monsters of Rock in South America.

 

After a brief hiatus, the band returned in 2014 and has since released new singles like "Save Our Souls" [2017] and "Environmental Patients" [2022]. In 2025, CLAWFINGER signed a new label deal with PERCEPTION, with more music on the way - still as loud, sharp, and uncompromising as ever.

 

CLAWFINGER are:

Zak Tell | vocals

Jocke Skog | guitar, keyboards

Bård Torstensen | guitars

André Skaug | bass

Micke Dahlén | drums

More on CLAWFINGER:

clawfinger.net | Facebook | Instagram | Spotify | Apple Music

ALL HELL Unleash New Single “The Bleeding” from Forthcoming Album Sunsetter

Blackened metal trio ALL HELL has released “The Bleeding,” the first single from their upcoming album Sunsetter, due out October 10, 2025 on Terminus Hate City.

A blistering, high-speed descent into vampiric hunger and ritualistic violence, “The Bleeding” offers the first glimpse into the apocalyptic narrative of Sunsetter, a concept album spanning millennia of exile, resurrection, and mythic doom. The track also features a scorching guest guitar solo by Nate Garnette of SKELETONWITCH, a longtime friend and collaborator of the band.

Lyrically, “The Bleeding” places listeners in the mind of a predator, one of the cursed children of Cain, seeking blood offerings for a long-slumbering sire. The result is pure sonic ferocity, blending d-beat punk energy with the band’s signature blackened edge and occult atmosphere.

Sunsetter is the fifth full-length from ALL HELL, following a string of acclaimed releases including The Grave Alchemist and The Witch’s Grail. Known for their punishing live shows and genre-defying sound, the band has toured with RINGWORM, BLACK TUSK, and PROFANATICA, and has performed at Decibel Metal and Beer Fest, RPM Fest, and more.

About ALL HELL:

ALL HELL is a blackened metal trio from Asheville, North Carolina, known for their relentless fusion of first wave black metal, deathrock, punk, and horror-driven storytelling. Since forming in 2013, the band has carved out a distinct identity rooted in occult themes, razor-sharp riffs, and a fierce DIY ethos. Their sound is aggressive, stripped-down, and deeply atmospheric — a raw, unfiltered descent into myth, violence, and the supernatural.

With five full-length albums and an EP to their name, including 2025’s apocalyptic concept record Sunsetter, ALL HELL has evolved from a local cult favorite into a powerful underground force. Their live presence has taken them across the U.S., sharing stages with acts like RINGWORM, BLACK TUSK, PROFANATICA, and TURN COLD, and performing at festivals such as Decibel Metal and Beer Fest, Dark Lord Day, and RPM Fest.

The current lineup, Jacob Curwen (guitar and vocals), Erik Ballantyne (bass), and Elanti (drums), continues to push the band’s sound forward while staying true to its core. With each release, ALL HELL digs deeper into a unique mythos that spans history, horror, and apocalypse, embracing the dark, the ugly, and the eternal night.

ALL HELL is:
 

  • Jacob Curwen – Guitar and Vocals

  • Erik Ballantyne – Bass

  • Elanti – Drums


Connect with ALL HELL:

Bandcamp: https://allhell.bandcamp.com
Facebook: https://facebook.com/allhellband
Instagram: https://instagram.com/allhellband
Spotify: https://open.spotify.com/artist/5FVXnF7zGfuo8WF5qq4XHK
Apple Music: https://music.apple.com/be/artist/all-hell/925520478

ELECTROMANCY Unleashes “Thriving Cyborg," A Defiant New Single Merging Metal, Machines, and Human Resilience

Blackened cyber-doom duo ELECTROMANCY returns today with their latest single, “Thriving Cyborg,” a ferocious new track from their upcoming album Visions of Utopia (out September 10, 2025). “Thriving Cyborg” is an anthem of survival, channeling grief, anger, perseverance, and celebration through the razor-edge precision of machines and the raw emotion of human struggle.

Written and produced by Steph Tranovich (they/them), a disabled, non-binary artist and inventor living with chronic Lyme disease, the song features custom-built robotic instruments. These machines are not props. They are assistive technologies Steph engineered to keep making music despite nerve damage that makes traditional performance impossible.

The accompanying video documents the creation of these robotic instruments and the physical challenges that inspired them. It offers a glimpse behind the curtain of how ELECTROMANCY's music is not only written and composed but literally engineered to exist.

About ELECTROMANCY:

Forged at the intersection of grief, resilience, and radical creativity, ELECTROMANCY is a boundary-defying black/doom/death metal duo from the Bay Area blending blistering sonic chaos with DIY robotics and raw human emotion. Formed in June 2019 by composer and vocalist Steph Tranovich (they/them), alongside co-vocalist Shaun Gallagher (he/him), ELECTROMANCY uses custom-built robotic instruments as a form of assistive technology—enabling Steph to continue making music despite their chronic illness. Their discography, spanning from the brutal Technopagan to the emotionally complex Visions of Utopia, chronicles Steph’s journey through disability and healing, channeling pain, perseverance, and moments of cathartic joy. With influences like THOU, MESHUGGAH, and LITURGY, the band fuses intricate polyrhythms with avant-garde metal, while exploring themes of queer identity, grief, and radical strength. Their live shows are visceral, theatrical experiences—robot guitars and LED-lit mannequins sharing the stage with two unapologetically human voices. ELECTROMANCY isn’t just for metal fans—it’s for anyone searching for something different, something real, and something powerful.

 

ELECTROMANCY is:

  • Steph Tranovich (they/them) - composition, robotics, vocals

  • Shaun Gallagher (he/him) - vocals

PROFANE ELEGY Unleashes "Haunted," A Harrowing New Single from Upcoming Album Herezjarcha

Pennsylvania-based black metal collective PROFANE ELEGY has released the second single, "Haunted," from their forthcoming sophomore album Herezjarcha, due out January 30th, 2026. With this track, the band begins unveiling the eight-part sonic descent that defines their most ambitious and emotionally charged work to date.

Lyrically, "Haunted" is a meditation on existential dread, a haunting reflection on the curse of clarity. Through blistering guitars, sweeping orchestration, and anguished vocals, PROFANE ELEGY explores the loss of innocence that comes with realizing the inevitability of death. The track asserts that ignorance truly is bliss, and once the veil of illusion is lifted, there is no returning to peace.

The single showcases the evolving sound of PROFANE ELEGY: genre-defying, expansive, and emotionally visceral. Drawing from a foundation of black metal, the band integrates orchestral flourishes, progressive shifts, and subtle clean vocal passages to amplify the thematic weight of the song. "Haunted" stands as both a sonic assault and a philosophical lament.

Produced, mixed, and mastered by Kevin Antreassian (THE DILLINGER ESCAPE PLAN) at Backroom Studios, Herezjarcha is shaping up to be a defining statement from a band unafraid to confront the sacred and the profane alike. Each of the album’s eight tracks will be released as a standalone single, each with its own accompanying music video, building a cohesive but fractured narrative that culminates with the album’s release.

About PROFANE ELEGY

PROFANE ELEGY is a black metal band from Bangor, Pennsylvania, formed in late 2021 by guitarist J Gulick and vocalist Mikael L. Originally conceived as a two-man studio project, the band quickly evolved into a full lineup with the addition of bassist David G and drummer Sean M in 2023. What sets PROFANE ELEGY apart is their refusal to remain confined within genre boundaries—while rooted firmly in black metal, their sound incorporates elements of death, doom, and progressive metal, often enhanced by orchestral arrangements and clean vocals.

The band’s debut album When All Is Nothing (2023) was released independently and drew attention for its blend of atmospheric aggression and emotional vulnerability. The release earned praise for its ability to move fluidly between blistering speed and melancholic melody, with Doom Heart calling it “a massive Doom delight.” Following the album’s release, PROFANE ELEGY made their live debut and began performing across the northeastern United States, including a notable support slot for Dark Funeral in late 2024.

Lyrically, the band explores themes of nihilism, mortality, philosophy, and religious symbolism—often invoking figures like Satan not as dogmatic statements, but as metaphors in a broader spiritual and existential dialogue. Their work is poetic, introspective, and often challenges the listener to confront uncomfortable truths about life, death, and belief.

Their upcoming full-length album Herezjarcha, set for release in January 2026, represents the band’s most ambitious and expansive work to date. With a more dynamic sound, deeper orchestration, and a clear conceptual throughline, the record pushes their sonic and thematic boundaries further than ever before. The album title—a made-up word meaning “arch-heretic”—encapsulates the spirit of the band: rebellious, introspective, and unafraid to question the sacred.

PROFANE ELEGY continues to forge a unique path within the underground metal scene. Blending bleak intensity with philosophical weight, they aim not just to be heard—but to be felt.

PROFANE ELEGY is:
 

  • Mikael L – Vocals, Orchestration

  • J Gulick – Guitars, Orchestration

  • David G – Bass, Orchestration

  • Sean M – Drums

DREAMS OF GRAY Unleashes New Single "Beyond The Sky" Ahead of Upcoming EP

Emerging from the shadows of loss and into the full light of artistic rebirth, DREAMS OF GRAY announces the release of their blistering new single, “Beyond the Sky”, from the upcoming EP A Beginning, arriving September 5, 2025. The track is an unapologetic riff-driven anthem that asks deep spiritual questions while channeling the fury and force of melodic extreme metal at its most raw and relentless.

“Beyond the Sky” is the most direct and aggressive track on A Beginning. It is a headbanger’s delight rooted in death metal and thrash, yet laced with DREAMS OF GRAY’s signature melodic sensibility. It is fast, it is loud, and it is destined to open live sets. Beneath the savage riffs and relentless pace lies a meditation on the eternal: a soul adrift, seeking peace in the life beyond.

Based in Chicago, DREAMS OF GRAY began as Rivera’s solo project after a long hiatus from music. Formerly of ABOLISHER, a band praised in Metal Maniacs and Brave Words and Bloody Knuckles, Rivera stepped away to pursue a career in medicine. Now a Family Medicine physician, he brings the same intensity to music that he brings to his patients. A Beginning marks a powerful return.

Joining Rivera on A Beginning are elite collaborators: Maria Kosma (bass), Nicole Trinchero (drums on the title track), and Scott Elliot, who provided drum programming for “Beyond the Sky” and “Across the Endless Sea”, while also handling engineering, mixing, and mastering for both songs. Josh Middleton contributed engineering and mastering on the opening track “A Beginning”.

About DREAMS OF GRAY:

DREAMS OF GRAY is the melodic extreme metal project of Chicago-based musician and physician Luis Rivera. Blending elements of melodic death, doom, thrash, and traditional heavy metal, the music is as emotionally resonant as it is sonically intense. Founded in 2022, DREAMS OF GRAY quickly made an impact with the independently released debut EP The World After in 2023, earning critical acclaim across the international metal press.

Known for its compelling fusion of melody and heaviness, DREAMS OF GRAY stands out for intelligent songwriting, deeply human lyricism, and an uncompromising creative vision. Rivera’s music confronts themes of loss, grief, resilience, and existential reflection—delivered through dynamic vocals and powerful, layered instrumentation.

Now joined by a cast of talented collaborators, DREAMS OF GRAY continues to evolve with the upcoming EP A Beginning (2025), a bold and immersive follow-up that further refines the project’s genre-defying sound. Whether you’re drawn to the introspection of OPETH, the melodic fire of IN FLAMES, or the weight of PARADISE LOST, DREAMS OF GRAY offers something uniquely honest and unforgettable in today’s extreme metal landscape.

Connect With DREAMS OF GRAY:

Bandcamp: https://dreamsofgray.bandcamp.com/
Facebook: https://www.facebook.com/p/Dreams-of-Gray-100090219272895/
Instagram: https://www.instagram.com/dreamsofgray/
YouTube: https://www.youtube.com/@Dreamsofgray
Spotify: https://open.spotify.com/artist/10SZBmhCP8bJHMX5lyCshB
Apple Music: https://music.apple.com/us/artist/dreams-of-gray/1662301376