SIENA ROOT Announce Eagerly-Awaited New Double Live Album 'Made In KuBa'. First Single & Video "Wishing For More (Live)" Out Now!

The ‘Dynamic Root Rock Experience’ remains the most fitting description of SIENA ROOT’s sound - and that’s exactly what the Swedish quartet’s new double live album, Made in KuBa, delivers. Out worldwide on October 3, 2025 via Perception - A Division of Reigning Phoenix Music, the album is available to pre-order now. 
 
Recorded over three intimate nights in March 2024 at Germany’s legendary Kulturbahnhof (KuBa) in Jena, the release picks up where 2011’s Root Jam left off, cranks the tape machines even harder, and continues the band’s commitment to authentic, audiophile sound.

The band’s signature jams are all here: rich in improvisation, dynamic contrasts, and sonic storytelling. To ensure the highest analogue fidelity, long-time sound engineer Ove Noring was brought in as tape operator to record the shows and track every note, jam and thunderous applause direct to tape - no overdubs, no studio tricks, just pure stage energy.
The first taste of the album, lead single "Wishing For More," captures the soulful tension and explosive chemistry that SIENA ROOT channel so effortlessly on stage.

It’s a track that leaves listeners, fittingly and indeed...wishing for more.
“‘Wishing For More’ was first recorded on the album “Far From The Sun” in 2008, as the rocking opening of the B-side. Through the years of touring we enjoyed to play the song and it developed a character of its own. The song became something more than the shuffle it originally was on the studio recording. We are so pleased to have captured this enchanted groove and energy live on tape.”

Watch the new live footage video below:
Stream "Wishing For More (live)": https://sienaroot.rpm.link/wishingPR

The SIENA ROOT quartet - anchored by founding members Sam Riffer (bass) and Love Forsberg (drums & percussion), and rounded out by Zubaida Solid (vocals & keys) and Johan Borgström (guitars) - welcomed guest musicians Erik Peterson on keys and Lisa Isaksson on flute to further enrich the performance on selected songs.

What sets Made in KuBa apart from other live albums is its uncompromising authenticity: a fully live, all-analogue recording with a set list crafted together with fans, featuring twelve tracks from across the band’s catalogue - none of them repeated from Root Jam. The result is not just a document of three unforgettable nights in Jena - it’s a fully immersive experience that bridges the space between stage and speaker. And this time, they’ve gone a step further: Made in KuBa was mastered at half-speed, a meticulous process that enhances the sonic depth of the vinyl version.
“Half-speed mastering is an old-school technique that vinyl lovers will recognize,”the band says. “It’s a delicate but complex process that makes “Made in KuBa” an even more three-dimensional listening experience - for you and for us.”
Wishing for more? Get it in full analogue glory. Pre-orders open today for classic black double vinyl (with artistic cut-out cover) and double digipak CD at https://sienaroot.rpm.link/madeinkubaPR

About SIENA ROOT
SIENA ROOT is a band renowned for its vibrant spectrum of styles, standout guest collaborations, and unique interpretations of classic rock. With eight full-length studio albums, one double live album, and three 7” singles to their name, each release showcases the group’s evolving sound and artistic depth.

Touring extensively across Europe since the early 2000s, SIENA ROOT has crafted a wide range of genre-blending songs. Live performances are the lifeblood of the band—frequently joined by prominent guest musicians, their shows often evolve into wild, improvised sessions that inspire future studio work. Their live act is known for its uncompromising approach, powered by heavy vintage equipment few bands have the passion or strength to take on the road. During the recording of their live albums, they even brought a full-size multi-track tape recorder across Europe.

This relentless dedication sets SIENA ROOT apart. A concert experience with the band is dramatic and exciting—visually as well as emotionally. It's a dynamic root rock experience.
 
SIENA ROOT are:
Zubaida Solid | vocals, keys
Johan Borgström | guitars
Sam Riffer | bass
Love Forsberg | drums, percussion
 
More on SIENA ROOT:
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AMONG THE BODIES Unleash Feral New Single and Harrowing Music Video Ahead Of Cathartic EP

Denver Colorado's "AMONG THE BODIES"  have returned with their new song "Meant For Each Other".

The band comments, "Our new single is about losing a close friend to a new relationship. The music video tells the story and captures the roller coaster of emotions that come along with it, while also highlighting the personalities of the band members." 

The song's brutal blend of deathcore, hardcore and metalcore is a perfect primer for their upcoming EP Making Sense of Our Decay, which is out on June 27th.

AMONG THE BODIES is:
Raye - drums
Mac - guitar
Keith - vocals
Addison - bass

About AMONG THE BODIES:

Hailing from Denver, Colorado, Among the Bodies aren’t afraid of anything—including the liminal space between hardcore, deathcore, death metal, and metalcore, which is where they’re most comfortable. While the riffs may be hard to classify, they aren’t hard to mosh to. Appealing to both the old heads who saw deathcore and metalcore storm the scene and the new generation that embraces experimentation, Among the Bodies’ number-one goal is to keep it heavy while having fun.

Making Sense of Our Decay, their second EP, is a bit of a departure from the first EP, Chaotic Intent, which focused more on technicality and melody. Now, with their revised lineup, Among the Bodies are here to make you forget about genre conventions and lose yourself in the pit. While the subject matter on the EP gets a bit serious, delving into the realities of being an aging metalhead or hardcore kid, it’s all done with a tongue-in-cheek attitude and a love for heavy music reminiscent of the genre’s forefathers. We’re all decaying slowly, so why not have fun while doing it?

Wheel Of Time - Asymmetry OUT November 12, 2025

WHEEL OF TIME is the brainchild of Beijing-based multi-instrumentalist and composer Jimmie Hong, who launched the project in 2022 while participating in the mentorship program of ex-MEGADETH guitarist Kiko Loureiro. Inspired by the collaborative spirit of projects like TRANS-SIBERIAN ORCHESTRA, Jimmie envisioned a progressive power metal project that would bring together top musicians from around the world, working remotely across continents and time zones.

Named after one of his favorite fantasy novels, WHEEL OF TIME blends the technical precision of progressive metal with the melodic sweep of power metal, symphonic grandeur, and subtle Eastern melodic elements. The band draws from influences such as METALLICA, DREAM THEATER, STRATOVARIUS, PINK FLOYD, LED ZEPPELIN, LIQUID TENSION EXPERIMENT, OPETH, and SYMPHONY X, while forging a sound uniquely its own.

After releasing the single "Grand Cosmos" in 2023 and the EP The Enlightenment later that year, WHEEL OF TIME now unveils its debut full-length album Asymmetry on November 12, 2025. The album was composed entirely by Jimmie Hong, produced and engineered by Tom MacLean (ex-HAKEN), and recorded in collaboration with an international lineup of musicians.

Asymmetry Credits:

  • Executive Producer: Jimmie Hong

  • Producer: Tom MacLean

  • Recording Studio: Twelve-tone Studio

  • Engineer: Tom MacLean

  • Mixing: Tom MacLean

  • Mastering: Tom MacLean

  • Album Cover Artist: Aleh

  • Orchestration Composer: Marcos Barilari


Connect with WHEEL OF TIME:

LIONS AT THE GATE To Support DEATH ANGEL On North American Tour

Ferocious metal upstarts LIONS AT THE GATE will hit the road this fall as part of DEATH ANGEL’s highly anticipated North American tour. The 17-date run kicks off November 26 in Denver, CO, and concludes December 17 in Los Angeles, CA, promising an unforgettable lineup of thrash, groove, and sonic brutality.

Joining the tour as direct support is the explosive TOXIC HOLOCAUST, with rising thrashers MISFIRE opening each night. When LIONS AT THE GATE take the stage, they'll bring their signature fusion of aggressive grooves, melodic hooks, and impassioned intensity to fans across the country.

“Excited and honored to support the legendary Bay Area metal band Death Angel this Winter! Their albums Frolic Through The Park and Act III were worn thin on my record player. Looking forward to seeing the lion pride and making new friends!” - Cristian Machado 

FULL TOUR DATES:

11/26 – Denver, CO – Oriental Theater
11/28 – Joliet, IL – The Forge
11/29 – Davenport, IA – Capitol Theater
11/30 – Minneapolis, MN – Varsity Theater
12/2 – Indianapolis, IN – Vogue
12/3 – Pittsburgh, PA – Mr Smalls Theater
12/4 – Brooklyn, NY – Brooklyn Monarch
12/5 – Worcester, MA – The Palladium
12/6 – Albany, NY – Empire Live
12/7 – Reading, PA – Reverb
12/10 – Dallas, TX – Southside Ballroom
12/11 – Houston, TX – Warehouse Midtown
12/12 – Corpus Christi, TX – House of Rock
12/13 – San Antonio, TX – Vibes
12/15 – Albuquerque, NM – Sunshine Theater
12/16 – Tucson, AZ – 191 Toole
12/17 – Los Angeles, CA – The Belasco

General public on-sale begins Friday, June 27 at 10 AM local time. Additional presale opportunities will roll out earlier in the week. Tickets will be available HERE.

About LIONS AT THE GATE:

Nestled in the creative heart of Los Angeles, LIONS AT THE GATE features an ensemble of seasoned musicians, including vocalist Cristian Machado, formerly of ILL NIÑO, alongside guitarists Diego Verduzco and Ahrue Luster, whose past stints with ILL NIÑO and MACHINE HEAD have seasoned their artistry. They are joined by bassist Stephen Brewer, previously of WESTFIELD MASSACRE, and drummer Josh Cuadra. Together, they burst onto the music scene with their electrifying debut single "Not Even Human," which rocketed to #3 on the Apple Metal charts, followed by "Bed of Nails," celebrated for its widespread acclaim on Billboard. Their debut album, The Excuses We Cannot Make, launched in August 2023, marking a bold new chapter and debuting on Billboard's Top 100, Top New Artists, and Heatseekers charts. LIONS AT THE GATE have shared stages with icons like LACUNA COIL and NITA STRAUSS and look forward to igniting the crowds at Inkcarceration 2024.

As they leave their past projects behind, these artists fully embrace their creative freedom and fresh inspiration. Machado's vocals are at their peak, masterfully blending grace and aggression, while the expert instrumentation of Verduzco, Luster, Brewer and Cuadra add dynamic layers and enhance the emotional impact of each note. The band maintains its signature heavy dynamics, anchored by powerful choruses that perfectly complement the robust rhythms of their music.

Connect with LIONS AT THE GATE:

Official Website
Instagram
Youtube
Tiktok
Twitch
Facebook
Twitter
Spotify
Apple Music
Deezer
Amazon Music
Tidal

Out Today From FREEZE THE FALL - The Red Garden

Emerging from the vibrant rock scene of Kelowna, British Columbia, FREEZE THE FALL is poised to unleash their compelling new EP The Red Garden on June 18, 2025, via 604 Records. Known for their gritty and introspective sound, this trio is ready to take their music to new heights with a project that weaves intricate tales through each track.

The Red Garden showcases a sophisticated fusion of heavy rock and narrative depth. Produced, mixed, and mastered by Jordan Chase at Oodelally Recordings, the album promises a deep dive into thematic richness, complemented by haunting visuals from album artist Kevin Moore of Soft Surrogate.

The journey begins with "Denial," a chilling instrumental that seamlessly transitions into "Rot," where medieval allegories collide with modern-day dilemmas of misinformation. "Hypothermia" follows, with bassist Aria Becker's intricate rhythms underpinning a narrative on the perils of digital anonymity.

Intensity mounts with "VHS," a track that draws from the horror genre to explore the dynamics of power and subjugation. Conversely, "Aurora" offers a melodic reprieve, reflecting on the universal ties that connect humanity through its ethereal sound and thoughtful lyrics.

The album continues to explore profound themes with "Oubliette" and "Lace." The former melds atmospheric tones with progressive elements, including a verse in French that accentuates its reflective mood. The latter, "Lace," closes the album on a poignant note, using sparse instrumentation to delve into themes of innocence lost and the harsh realities of growth.

This album, rich with thematic complexity and audacious musicality, invites listeners to traverse a landscape where music meets myth, emotion, and introspection. With The Red Garden, FREEZE THE FALL crafts an audial tapestry that is both haunting and deeply resonant, promising to leave an indelible mark on the hearts and minds of those who journey through its tracks. This isn't merely an album; it's an immersive experience designed to challenge, captivate, and inspire.

About FREEZE THE FALL:

Hailing from Kelowna, British Columbia, FREEZE THE FALL is a dynamic trio that has quickly carved a niche within the hard rock and metal scene. Formed in 2023, the band consists of Quinn Mitzel on guitar and vocals, Aria Becker on bass and backup vocals, and Jonah Goncalves on drums. Together, they bring a fresh fervor to the modern rock landscape, melding elements of metalcore, nu metal, and hard rock with a deeply narrative-driven approach to their music.

FREEZE THE FALL began making waves shortly after their formation. Their breakthrough came with a viral cover of THE WARNING’s “Evolve,” which caught the attention of both fans and industry insiders. This early success led to their debut single, "Glitch," in February 2024 and subsequently secured them a distribution deal with 604 Records. Their debut EP, Thrones, released in July 2024, showcased their ability to blend intense instrumentation with lyrical depth, earning them nominations for Best Music Video at the Okanagan Screen Awards 2025 for the singles "VHS" and "Hypothermia."

Inspired by the likes of BRING ME THE HORIZON, EVANESCENCE, and SPIRITBOX, FREEZE THE FALL crafts songs that explore the complexities of human emotion and societal issues. Their music features emotive vocals, thunderous bass lines, and blistering guitar riffs, paying homage to ‘90s grunge and ‘00s alt metal while pushing the boundaries with their modern sound.

The band’s creative process is marked by a collaborative spirit and a shared passion for storytelling through music. Each track they create is not just a song but a chapter in a larger narrative, exploring themes from misinformation and the impact of digital anonymity to personal introspection and societal critique.

With their second EP, The Red Garden, released in 2025, FREEZE THE FALL continues to expand their sonic landscape. This project dives deeper into experimental sounds and elaborate storytelling, weaving a tapestry of lore and emotional intensity that challenges the listener while providing a cathartic musical experience.

FREEZE THE FALL not only aims to make music that resonates on a personal level but also seeks to create a lasting impact, pushing the boundaries of rock music with every note and lyric. As they continue to grow and evolve, their journey is one of relentless creativity and a commitment to making music that matters.


FREEZE THE FALL is: 

  • Quinn Mitzel: Guitar, Vocals

  • Aria Becker: Bass, Backup Vocals

  • Jonah Goncalves: Drums

SATANIC TEA CO. Pours Out New Single "Steeped In Plasma", New Album Brewing

Canadian death metal juggernaut Satanic Tea Co. returns with "Steeped In Plasma," their most ferocious single to date. Premiered live during the band’s Easter Massacre Tour this past April, "Steeped In Plasma" captures Satanic Tea Co.’s signature blend of grinding riffs, bone-crushing grooves, and guttural vocals, further cementing their reputation as one of the most theatrical and unapologetically brutal acts in the extreme metal underground. The single is accompanied by a ferocious performance video. 

Building on the momentum of their acclaimed 2023 EP A Celestial Beating, Satanic Tea Co. continues to push the boundaries of modern death metal with a uniquely visceral and chaotic energy. "Steeped In Plasma" is a searing statement of intent: this is a band that refuses to be ignored.

The band comments: "We are pleased to announce the release of our newest single Steeped in Plasma. This is our heaviest release to date and serves as a precursor for the album we have been working on over the past year. Enjoy this soundtrack to your skin melting off your face."

About SATANIC TEA CO:
SATANIC TEA CO was launched in January of 2017, initially as a clothing retailer that sold tea as an accessory, but it soon became clear that the beverage side of the business was where its future lay. In 2022 the death metal band of the same name debuted and caused quite a stir. Musically SATANIC TEA CO draw influences from old school death metal like DYING FETUS, SUFFOCATION as well as Myspace era Deathgrind. Since releasing their first single “Blood Drenched Torture Chamber” in May 2022, the band have collaborated with the likes of CRADLE OF FILTH, BLOODBATH, TWIN TEMPLE, CRYPTOPSY, VENOM PRISON, INGESTED, BELZEBUBS and IMPERIAL TRIUMPHANT. 

Shop: 
http://www.satanicteaco.com/

DANKO JONES - ANNOUNCE 12th STUDIO ALBUM LEO RISING

Toronto’s hardest‑working power trio, DANKO JONES, roar back with Leo Rising, an eleven-track masterclass in sweat-soaked, no-nonsense rock ’n’ roll. The album – produced to red‑hot perfection by long‑time collaborator Eric Ratz – lands on 21 November 2025 via Perception - A Division of Reigning Phoenix Music and  Sonic Unyon (for Canada). Pre‑orders, limited‑edition vinyl variants, and special merch bundles are available today at https://dankojones.rpm.link/leorisingPR

Following the rabid reception to opening salvo "What You Need" and party‑starting anthem "Everyday Is Saturday Night”, Leo Rising turns the dial past eleven with razor‑sharp riffs, thunderous rhythms and fist‑pumping hooks. Guitar legend Marty Friedman (MEGADETH, CACOPHONY) makes a blistering guest appearance on future single “Diamond in the Rough,” while other stand‑outs – from the priapic swagger of “Hot Fox” to the roof‑rattling “It’s a Celebration” – prove DANKO JONES are keeping rock alive by doing it better than anyone else.

“I like the routine of recording, touring, writing, repeat - I can do that till I’m dead,” grins front‑man Danko Jones and adds “It may sound boring, but it’s so hard for a band to achieve. I don’t take this lightly. Also, it’s a page out of the Motörhead handbook so it works! Leo Rising is another serving of peerless hard‑rock: bass, drums, guitar, vocals, no frills. Roll the windows down and crank it.”

John Calabrese laid down bass tracks from Finland, Rich Knox flew to Toronto to record drums, and Danko worked with producer Eric Ratz in the same city to capture vocals and guitars. Despite recording separately once again, the band’s chemistry is unmistakable. The result is pure DANKO JONES: tight, loud, and built for the stage. Leo Rising may be their most electrifying and uplifting record yet — a jolt of high-octane rock made for packed clubs, open highways, and everything in between.

Proving that their time was well-spent, Danko, bassist John Calabrese and drummer Rich Knox have conjured yet another blazing banquet of nourishing rock goodness on their 12th studio record, due for release later this year.
 
DANKO JONES are:
Danko Jones | vocals, guitars
John Calabrese | bass
Rich Knox  | drums
 
More on DANKO JONES:
dankojones.com | Facebook | Instagram | TikTok | X | Spotify | Apple Music

Incite "Savage New Times" set for release on August 15, 2025,

Phoenix-based groovers and thrashers INCITE present their most ferocious incarnation in the forthcoming full length, Savage New Times set for release on August 15, 2025, via Reigning Phoenix Music. A powerhouse of modern thrash metal, Savage New Times encapsulates the pure nature of INCITE instilled with their unyielding drive and years of dedication to honing their sound. 

Ever since the beginning, INCITE have been fiercely devoted to crafting their distinctive sound, and making their mark. Since 2009's debut, The Slaughter, each subsequent release demonstrated the band's unceasing efforts as each offering sought to push their own personal creative boundaries ever further. Beyond the studio walls, the live stage is at the heart of INCITE. Ruthless touring schedules have seen the band sharing stages with the likes of DEVILDRIVER and SIX FEET UNDER, and attaining sets before crowds at festivals such as Bloodstock and Heaven and Hell. Their journey has taken INCITE tread across continents - far reaches around the globe from audiences in Russia and Australia, to festivals in South America. 

The band's line-up is a testament to their success. Band founder and frontman Richie Cavalera, as the stepson of metal legend Max Cavalera, brought not just a legendary name, but a fresh, raw edge to his vocals that quickly became key to the band's signature sound. Members Lennon Lopez on drums and EL on bass have been instrumental in shaping the band's rhythmic backbone for over a decade. Now, in this next chapter, new guitarist Layne Richardson brings a dynamic and fresh input to both the creative process and live stage. 

A formidable sonic force in the thrash metal scene, INCITE's fierce and unforgiving music not only continues to prevail but is elevated through their growth. INCITE will stop at nothing in striving to attain their most powerful version of themselves, and in Savage New Times they present a truly impressive and visceral sound. From the monumental pace of the album's aggressive opener "Lies" and the intense energizing rhythms of "Just a Rat" to the brutal groove driven "No Mercy No Forgiveness" and dark bloodthirsty title track, Savage New Times is a captivating display of power.

About INCITE:
Founded in Phoenix, Arizona, in 2004 by frontman Richie Cavalera, INCITE blends groove and thrash metal with a raw, relentless edge. With Lennon Lopez on drums and EL on bass, the band has honed its unyielding sound across multiple albums, evolving with each release. Their punishing intensity is amplified by producer Steve Evetts (THE DILLINGER ESCAPE PLAN, HATEBREED and mixer Arthur Rizk (SOULFLY, MUNICIPAL WASTE), while striking artwork by Marcelo Vasco (SLAYER, KERRY KING) captures their ferocity. Known for their relentless touring, Incite has conquered stages worldwide, sharing bills with DEVILDRIVER and SIX FEET UNDER, and proving their grit—like driving 500 miles through a blizzard to make a show. The addition of guitarist Layne Richardson has injected fresh energy, elevating both their live performances and songwriting. With sheer determination and raw talent, Incite has carved out a place in modern thrash, dominating every stage with their unbreakable, unforgiving sound.

INCITE is: 
Vocals - Richie Cavalera
Guitar - Layne Richardson 
Bass - EL
Drums - Lennon Lopez

Credits:
Recorded with producer Steve Evetts at Bell House Studios
Mixed by Arthur Rizk 
Artwork by Marcelo Vasco 

WARHOG - The Dystopian Chronicles Vol. 3

WARHOG’s The Dystopian Chronicles, Vol. 3 marks the climactic conclusion to the band’s ambitious trilogy: a sweeping, furious, and often uncomfortably honest exploration of humanity in decline. Born out of the grim tension of a future that feels all too familiar, the Chronicles series has traced our fall through the lens of dystopian storytelling, with each chapter revealing a different facet of our collective unraveling. With Vol. 3, WARHOG delivers their most aggressive and thematically pointed material yet.

Opening track “Unleash the Beast” explodes out of the gate with relentless energy and a venomous perspective on modern society. It’s a track that lives up to its name, channeling the chaos of 24-hour news cycles, corrupt leadership, and the cyclical violence we allow ourselves to repeat. "Kings and clowns trade thrones and lies" isn’t just a lyric—it’s WARHOG’s indictment of the spectacle of power, and the deliberate unleashing of our worst instincts on one another in exchange for profit and control. It’s anthemic, it’s pissed off, and it sets the tone for everything that follows.

“Future Shock” dives even deeper into the psychic fallout of this collapse. Told from the perspective of someone waking up in a broken world, disoriented and surrounded by decay, the track is laced with experimental guitar synth textures and warped vocal effects that push WARHOG’s sonic boundaries. The lyrics ask the question no one wants to answer: how did we let things get this bad? “Beyond the neon lights, the filth is left to spread,” they sing, a grim reminder that the glittering surface of our society is paper-thin. The song feels like a descent, both sonic and spiritual, into a place where identity, value, and purpose have eroded.

Then comes “Hollow,” a slow-burning track that strips away metaphor in favor of something raw and direct. Inspired by the murder of George Floyd, the song addresses the systemic failures of leadership and justice with clarity and sorrow. It mourns a world where those who are supposed to protect instead destroy, and where human worth is too often defined by politics, prejudice, and apathy. “Cast aside by broken men who hide away / Numb to all the pain of those who pay their way.” WARHOG steps away from their usual aggression here to deliver something more haunting, more contemplative, but no less powerful.

The final full song on the EP, “Stewards of a Broken World,” ties together all the trilogy’s themes. Originally written for another project, it quickly found a home here as the band realized it was the perfect finale. The song explores the looming environmental collapse with a sense of exhausted urgency. WARHOG isn’t interested in preaching, they're chronicling. “The harvest of a dying garden, compelled to finish what we’ve started” is less a warning than an observation: we know exactly what we’re doing, and we’re doing it anyway. Musically, it’s both epic and mournful, a fitting end to a trilogy that has always been about confronting our self-inflicted doom head-on.

But Vol. 3 doesn’t fade out quietly. Instead, it ends with something unexpected: “Signal_pulse27103_28_057_undefined_anomaly,” a mysterious transmission from deep space. It’s part outro, part interlude, part teaser for what’s coming next. The band discovered that the combined runtime of Chronicles and their debut album Call of the Voyager differed by just 17 seconds—and decided to even it out with this cryptic, atmospheric piece. It hints at WARHOG’s next chapter, an upcoming release titled Ethereal Journey, already in production. Something sleeping will awaken.

The Dystopian Chronicles, Vol. 3 is heavy. It’s melodic. It’s bruised and furious and strangely hopeful in its refusal to turn away. It’s WARHOG at their most focused and musically fearless. If you’ve followed the journey from Vol. 1 through Vol. 2, this third chapter doesn’t just complete the story—it elevates it. And if you’re new to the world WARHOG has built, there’s no better time to dive in.

About WARHOG:

WARHOG is a North Texas-based progressive metal band founded in 2020, blending relentless riffs, cinematic storytelling, and darkly atmospheric themes. Born out of remote collaboration during the pandemic, WARHOG burst onto the metal scene with their debut album, Call of the Voyager, which introduced their distinctive sound: a mix of heavy rhythms, melodic vocals, and intricate compositions that appeal to both hardcore metal fans and broader audiences.

Comprising vocalist and guitarist Scott Beetley, guitarist Eric Kendall, bassist Justin Hopper, and drummer Robert Powers, WARHOG draws inspiration from heavy metal icons like IRON MAIDEN, BLACK SABBATH, and PANTERA, while weaving in the progressive influence of MASTODON. Their music is both powerful and accessible, with a mission to reach every listener in the room, not just those who came for a metal show. With each release, WARHOG aims to expand metal’s reach and make fans out of everyone, from die-hard headbangers to those just discovering the genre.

WARHOG has already shared stages with heavyweights like CRYPTA and DROWNING POOL and is eager to bring their high-energy, immersive performances to new audiences across the country. Their intense, theatrical shows have won critical praise for being "strongly atmospheric" and "head-noddingly addictive." As WARHOG continues to evolve, they remain dedicated to creating heavy music with universal appeal, using every track and every performance to connect with new fans and to shape a sound that’s unmistakably their own.

​WARHOG is: 

  • Scott Beetley – Vocals, Guitar

  • Eric Kendall – Guitar

  • Justin Hopper – Bass

  • Robert Powers – Drums

 
Connect with WARHOG:

Reigning Phoenix Music has teamed up with legendary toy maker Hasbro to bring to life COLD SLITHER

Rising rock and metal label Reigning Phoenix Music has teamed up with legendary toy maker Hasbro to bring to life COLD SLITHER, the fictional band from the iconic G.I. JOE Universe. The collaboration brings together members of GRUESOME, EXHUMED and KMFDM to create a fun and nostalgic homage to one of the most beloved toy brands of all time. The album is set to be released on July 25th, 2025, just in time for a one-night-only exclusive appearance to coincide with this year's San Diego Comic Con.

"Bringing COLD SLITHER to life through our partnership with RPM has been an absolute dream come true! As a child watching this fictional band on my TV screen, I never imagined I'd one day help transform them from animated rockstars into a tangible, sonic reality. From the meticulously crafted figures you can hold in your hand to the face-melting album we've created, G.I. JOE fans worldwide are about to experience something truly revolutionary this summer. This project bridges nostalgia with innovation in ways that will leave the community speechless—prepare for a musical assault that would make Cobra Commander proud!" shares Ben"BMac" MacCrae — Associate Brand Manager, Global Brand Development & Marketing at Hasbro. 

Reigning Phoenix Music General Manager and Co-founder Gerardo Martinez comments: "It is a dream come true to be able to work on this amazing collaboration with my favorite, and one that happens to be one of the most iconic brands in the world: G.I.JOE!  It is also a pleasure to work on this amazing project alongside some of my friends from Hasbro and be able to bring Cold Slither into reality in the most Heavy Metal way! Many of us have waited 40 years for this to happen but the wait is finally over. And a special thanks to Michael Charles Hill for writing the original COLD SLITHER episode back in 1985."

"It's programs like these that make Hasbro's goal of creating Magic Moments truly come to life! What started out as a cult-classic episode from the 1985 series G.I. JOE: A Real American Hero has culminated into a fan program for the ages - inclusive of toys, comics, and of course, music. It could not have been made possible without amazing licensees like Reigning Phoenix Music who put their passion, expertise, and fandom into everything they create. We're extremely excited for everyone to rock out to this single and we plan to reveal even more as we move closer to San Diego Comic Con. So, as the single echos, we hope... "you'll be joining us soon!"" says Alyse D’Antuono — Hasbro’s VP of Global Franchise Strategy & Management for Action Brands.

Preorders are now live for Cold Slither — the band’s full-length debut album — including a limited “Dreadnok Attack Orange” marble vinyl variant available via Reigning Phoenix Music and select retailers like Amazon, Amoeba and indie record stores.
 
Featuring 10 original tracks and a remastered version of their cult-classic single “Cold Slither,” the album plunges into dystopian metal with themes of swamp-born menace and Cobra-fueled power.
 
The Cold Slither album arrives July 25 across digital and vinyl formats, including San Diego Comic Con-exclusive “Zartan Chameleon Blue” and “Blood Moon Red” vinyl variants available only at the Hasbro and RPM booths, respectively.

COLD SLITHER Is:

Zartan - Gus Rios, vocals/guitars (GRUESOME, UNION BLACK, LEFT TO DIE)

Ripper - Matt Harvey, guitars (EXHUMED, GRUESOME, LEFT TO DIE)

Torch - Ross Sewage, bass (EXHUMED, IMPALED)

Buzzer - Andy Selway, drums (KMFDM)

About COLD SLITHER:

COLD SLITHER burst onto the scene with their now classic single, "Cold Slither",  setting the stage for an even darker campaign with their upcoming album, "Cold Slither." Helmed by the enigmatic Zartan and supported by his ruthless Dreadnoks—Torch, Ripper, and Buzzer—this band blends heavy metal ferocity with a sinister, anarchistic energy that upends the conventional music scene. Their signature sound unleashes a torrent of guttural guitars, boisterous bass, venomous vocals, and thunderous percussion, casting shadows across the musical landscape.

Each concert is a spectacle of chaos and brute force, with COLD SLITHER captivating hearts and demolishing instruments worldwide. Their music transcends generational divides, championing a dark new world order with each pulse-pounding beat. This band doesn’t just chase gold and platinum records; they aim to capture the minds and souls of their audience.

Conceived by Cobra Commander, Zartan and his Dreadnoks were transformed into COLD SLITHER, a heavy metal behemoth designed to captivate and influence America's youth. With their cunning lyrics and compelling stage presence, they harness their music as a powerful tool for mass destruction and control.

Anticipation for their forthcoming album Cold Slither is building, with fans eager for a new chapter of anthems that promise not just to challenge but to change the industry. Prepare for an auditory onslaught that will resonate long after the lights fade. With Cold Slither, the revolution is not just televised—it's an all-encompassing, reverberating force. Brace yourself to join their ranks and be changed. Their music doesn’t merely entertain; it indoctrinates.

HOLLOW LEG Kick Off Their "Final Secrets Of The Doominati" Tour With FLORIST

Sludge-tinged riff lords HOLLOW LEG are set to hit the road this summer alongside doom metal voyagers FLORIST for the Final Secrets of the Doominati Tour, a 12-date run through the eastern U.S. that promises crushing volume, mystical overtones, and heavy riffs from beyond. Tickets can be found here and at each venue.

The tour kicks off June 12 in Orlando, FL, and weaves through cities like Atlanta, Brooklyn, and Louisville before wrapping up June 23 in Wilmington, NC. The tour will also include appearances at Hell Chere Fest (Asheville, NC) and Doomfest (Frederick, MD), with each band taking turns headlining select dates.

For HOLLOW LEG, this marks the beginning of a new chapter. The band’s latest full-length album, Dust and Echoes, arrives June 13, 2025, via Third House Communications. A conceptually layered release built from two distinct EP sessions, Dust and Echoes, the album unites nine thunderous tracks that traverse doom, grunge, classic metal, and space rock. Recorded at High Five Studio in DeLand, Florida, and mixed/mastered by legendary producer Zeuss (HATEBREED, CROWBAR, ROB ZOMBIE), Dust and Echoes is the most dynamic and expansive offering in HOLLOW LEG’s discography.

With themes of apocalypse, survival, and rebirth woven into both the music and artwork (courtesy of Shawn Garrett and Jean Saiz), Dust and Echoes captures a world in flux. Tracks like “Holy Water,” “Ride the Wave/Dig the Grave,” and “Last Tribe” guide listeners through the ruins with crushing grooves and hypnotic melodies.

Catch HOLLOW LEG and FLORIST on the Final Secrets of the Doominati Tour and witness the next phase in their heavy evolution.

Final Secrets of the Doominati 2025 Tour Dates

  • June 16 – Louisville, KY @ Magbar

  • June 17 – Youngstown, OH @ Westside Bowl

  • June 18 – Syracuse, NY @ The Jugg

  • June 19 – Norwich, CT @ Strange Brew

  • June 20 – Brooklyn, NY @ Goldsounds

  • June 21 – Fredrick, MD @ Doomfest (Hollow Leg only)

  • June 22 – Fredrick, MD @ Doomfest (Florist only)

  • June 23 – Wilmington, NC @ Reggie’s

About HOLLOW LEG:

HOLLOW LEG is a heavy band born in the swamps of Florida, built on riffs, rhythm, and raw energy. Since forming in 2009, the band has forged a sound that blends sludge, doom, and hard rock with elements of grunge, classic metal, and even blues and hip-hop — a swampy, groove-laden punch to the gut that’s as soulful as it is crushing.

Over the years, HOLLOW LEG has carved out a loyal following with their dynamic songwriting, relentless live shows, and a discography that balances grit with atmosphere. The lineup — Scott Angelacos (vocals), Brent Lynch (guitars/backing vocals), John Stewart (drums/percussion), and Tom Crowther (bass) — brings deep roots in the underground, with current and former members of cult bands like BLOODLET, CARIBOU KING, and JUNIOR BRUCE.

With appearances at major underground festivals like Psycho Las Vegas and Maryland Doom Fest, and a catalog of full-lengths and EPs that have pushed their sound in new directions, HOLLOW LEG continues to evolve without losing their core: heavy, honest, and hungry. Whether channeling the slow burn of doom, the swagger of stoner rock, or the urgency of hardcore, they remain fiercely committed to the riff and the truth it carries.

Their new album, Dust and Echoes, is the culmination of everything the band has built — a concept forged from two distinct EPs that fuse into a single, end-of-days experience. It’s their heaviest, most varied, and most fully realized statement yet.

HOLLOW LEG is:

  • Scott Angelacos – Vocals

  • Brent Lynch – Guitars, Backing Vocals

  • John Stewart – Drums, Percussion (including rainsticks)

  • Tom Crowther – Bass

Connect with HOLLOW LEG:

  • Bandcamp: https://hollowleg666.bandcamp.com

  • Facebook: https://www.facebook.com/hollowlegfl/

  • Instagram: https://www.instagram.com/hollowlegband

  • Twitter/X: https://twitter.com/hollowlegfl

  • YouTube: https://youtube.com/@hollowleg666?si=K04L-GgWFGRGRWuB

  • Spotify: https://open.spotify.com/artist/2QJ3CTdEHPBlqy6MPHk66p?si=EwBk0bgJQaW_gVCXXVcsJw

  • Apple Music: https://music.apple.com/us/artist/hollow-leg/404795284

  • TikTok: https://www.tiktok.com/@hollowlegfl?_t=ZP-8vMuUzPBTR8&_r=1

ELEINE Announce New EP 'We Stand United' For September 5, 2025; Reveal "Never Forget (Live at Masters of Rock 2024)" Video

There must be an undying source of inspiration, creativity and endurance where Swedish metal institution ELEINE originate from. How else would you explain non-stop touring - including their 2024/2025 debut headline run - and releasing four full-length albums, two electric and even an acoustic EP since their foundation in 2014? While they’re working on studio album no. 5, ELEINE didn’t want to let their fellowship wait even longer and therefore announce the release of a brand new EP today. Rewarding those without the band wouldn’t be what it is today - their endlessly supportive fan base - the Swedish outfit will put out We Stand United on September 5, 2025 via Reigning Phoenix Music, concurring with the first date of the Domination European tour which will see ELEINE enter the stages as special guests to German metal commandos PRIMAL FEAR.
 
The EP will comprise five tracks, featuring two unheard pieces: an intro called "Towards The Fields" as well as its title song, a future live favourite cementing the massive bonding between both band and fans, which makes the limited CD and vinyl versions of We Stand United a must-add to every ELEINE collection.
 Pre-order/pre-save the EP now, here: https://eleine.rpm.link/westandunitedPR

Stream the single: https://eleine.rpm.link/neverforgetlivePR

The self-produced offering was recorded at Studio Bohus in Kungälv, Sweden before ELEINE handed the new material to trusted mixing/mastering engineer Thomas “Plec” Johansson (The Panic Room Studio). Finally layouted by Madeleine, the EP’s artwork was crafted by the band’s long-time partner Nestor Avalos alongside the front-woman.
 
Despite delivering brand new music, an unknown live recording is leading the way to the release of We Stand United, which once again refers to the special connection between ELEINE and their supporters.
 
Original members Madeleine Liljestam (vocals) and Rikard Ekberg (guitars, vocals) state: “To introduce you to our upcoming EP we chose this one live track as the first single. We feel it represents us and presents ELEINE in a setting we love and one we do very well: PERFORMING LIVE! This is ‘Never Forget’ live from Masters of Rock 2024 in the Czech Republic, and although we had just slept 1-2 hours, scorching hot sun and 50°C (122°F) on stage - we had a great show with an amazing crowd at one of the best festivals out there. We are also rising from a rough start of 2025, and we are reclaiming our lives that truly felt like under the darkest of skies. The scars are present, but ELEINE is and will always remain - alongside with our dedicated and loyal fans!”

ELEINE are:
Madeleine Liljestam | vocals
Rikard Ekberg | guitars, vocals
Victor Jonasson | guitars
 
More on ELEINE:
eleine.com | Patreon | Facebook | Instagram | TikTok | X
YouTube | Spotify | Apple Music | RPM

Out Now from Masseti - Odds and Ends

Progressive metal visionary Tiago Masseti makes a striking debut under his solo moniker MASSETI with Odds and Ends, an emotionally charged concept album arriving June 14, 2025. Fusing blistering technicality with cinematic ambition, the record spans brutal riff onslaughts, labyrinthine time signatures, ambient textures, orchestral flourishes, and haunting vocal performances. Each track plays like a chapter in a larger narrative, balancing complexity with cohesion, and aggression with vulnerability. It’s a body of work that feels meticulously crafted yet emotionally raw, drawing listeners into a soundscape where mythology, dystopia, introspection, and survival all collide.

Opening the album with razor-edged intent, “Serpents and Whores” delivers a scathing sermon from the brink of collapse. Theological and mythological imagery fuse with sonic extremity, blistering polyrhythms, jagged riffs, and eerie melodic threads form a soundscape that feels both violent and sacred. Orchestral flourishes and ambient textures rise from the maelstrom, lending the chaos cinematic weight. The interplay of guttural growls and clean vocals creates a dramatic tension between purity and decay, capturing themes of moral erosion and spiritual war. This isn’t just an opener, it’s a mission statement: Odds and Ends refuses to compromise artistry for intensity.

Track two erupts like the second act of a war opera. “Against Our Fire” plunges listeners into the scorched ruins of a fallen nation, where a deposed leader rises from exile to ignite a campaign of vengeance. It’s rhythmically complex and steeped in contrast, thunderous, off-kilter riffing collides with sweeping orchestration, while evolving time signatures keep the listener unmoored. Urgency pulses through every measure, as if the track itself is teetering on the edge of war. A masterclass in narrative momentum and dynamic control.

Descending into dystopian surrealism, “The Pool of Liquid Dreams” constructs a disorienting dreamstate of synthetic highs and digital despair. Set in a near-future where virtual reality and psychoactive tech blur the line between sensation and simulation, the track unfolds like a lucid hallucination. Angular guitars cut through ambient haze, while hypnotic vocal layering mimics the disorientation of a synesthetic trip. Each glitchy tempo shift feels like a system malfunction, a deliberate fracture in the matrix. It’s immersive, haunting, and disturbingly beautiful.

“Gone” marks a stark tonal shift of moody, minimalistic, and emotionally bare. Stripped of distortion and density, it leans into restraint, with soft instrumentation framing intimate, vulnerable vocals. It evokes the quiet aftermath of personal loss or emotional fallout, like the credits rolling after a climactic collapse. Its simplicity feels intentional, allowing space for reflection amid the chaos of the surrounding tracks.

“The Singer in the Arms of Winter” is a haunting, atmospheric piece that unfolds as a meditation on solitude and creative exile. Sparse production, built from synth pads, delicate piano, or drones, evokes the chill of isolation. Breathily delivered vocals, drenched in reverb, drift like a ghost through a frozen landscape. The title suggests artistic stillness and spiritual hibernation, using winter as a metaphor for mourning, introspection, and retreat from the noise of the world.

Clocking in at nearly eight minutes, “Never Be Like You” unfolds like an ambient fever dream. One of the album’s most emotionally charged moments, it’s built on soft synths, spacious percussion, and restrained vocals that echo with aching detachment. The lyrics explore identity and expectation, grappling with self-alienation and quiet rebellion against imposed ideals.

Minimalist yet emotionally potent, “Hindrance” lingers in the space between paralysis and longing. It’s a song of psychological stasis, conveyed through slowly pulsing rhythms and subdued instrumentation. The vocals feel weighted, held back, mirroring the track’s central metaphor of internal resistance. A study in subtlety, it uses dynamic restraint to deliver its emotional blow.

Spanning over eight minutes, “Heir of the Survivor” closes the album with gravitas. This cinematic and introspective epic fuses ambient textures with methodical instrumental builds, culminating in a climactic swell that feels both earned and inevitable. Lyrically, it reflects on survival not just as endurance, but as inheritance, a meditation on memory, legacy, and the scars we carry forward. A fitting finale for an album steeped in transformation, decay, and rebirth.

With Odds and Ends, MASSETI carves out a space uniquely his own, where precision meets vulnerability, and storytelling is just as vital as sound design. It’s an album that rewards close listening but never loses sight of its emotional core. From its visceral opening to its final, reflective moments, Odds and Ends stands as a bold artistic statement, one that challenges convention while forging new creative territory. MASSETI arrives not just as a soloist, but as a singular voice worth following.

About MASSETI:

Tiago Masseti is a Progressive Metal singer, guitarist, and songwriter originally from the South of Brazil and now based in Brooklyn, New York. A self-made musician, Tiago’s musical journey began as the lead singer and main songwriter for DAYDREAM XI (Brazil), where he fronted the group for most of his life. In addition to his work with DAYDREAM XI, he was the singer for KINGDOM NORTH, an international power metal supergroup featuring members of SAVAGE CIRCUS, NOCTURNAL RITES, and SYMPHONY X. He also contributed vocals for the Danish band THIRD EYE and lent his voice to Bjorn Lakenstrazen’s experimental progressive project, GALAXYA (US).

In 2025, he embarks on a new chapter with his band MASSETI, set to release their debut album. His journey to the United States began at the age of 24 when DAYDREAM XI was handpicked by Mike Portnoy to perform at the prestigious Progressive Nation at Sea festival. This opportunity led to a record deal, a performance at ProgPower USA, and the beginning of his new life outside Brazil. However, the onset of the COVID-19 pandemic in New York City found him isolated, with few friends, little money, and a wealth of musical ideas. During this time, he wrote and pre-produced four albums and wrestled with the decision of whether to continue under the DAYDREAM XI name or forge a new path. The result is MASSETI, a bold new musical venture that draws on his extensive experience while offering a fresh sound and vision.

MASSETI’s sound is inspired by a diverse range of artists, including OPETH, SYMPHONY X, DEVIN TOWNSEND, and DREAM THEATER. These influences contribute to the band’s intricate compositions, dynamic arrangements, and heavy, yet melodic, style.

With MASSETI’s debut album on the horizon, Tiago is excited to connect with fans and share his new music. Always open to hearing from his supporters, he encourages messages across his platforms and looks forward to hitting the road in the near future.

MASSETI is:

Tiago Masseti - all instruments and vocals (with the exception of guest appearances)

Odds and Ends album credits and lineup:

Produced by Tiago Masseti and Renato Osorio

Music and lyrics written by Tiago Masseti

Arranged and performed by Tiago Masseti and Guests

Bass guitars arranged by Benhur Lima, performed by Benhur Lima

Keyboards and pianos arranged and performed by Tiago Masseti

Choirs arranged by Tiago Masseti and Renato Osorio

Guitars, vocals, keyboards, and choirs recorded at Masseti Studios, Brooklyn - NY

Engineered by Tiago Masseti

Drums and Bass guitars recorded at Black Stork Studios, Caxias do Sul - Brazil

Engineered by Benhur Lima and Thiago Caurio

"Against our Fire" and "The Singer in the Arms of Winter" Drums recorded at RDV Studios, Los Angeles - CA

Performed and engineered by Eduardo Baldo

"Gone" Guitar solo by Bruno Pinheiro Machado

"Gone" Guitar duet by Tiago Masseti and Renato Osorio

"The Singer in the Arms of Winter" Guitar solo by Renato Osorio

"Never Be Like You" Guitar solo by Marcelo Pereira

"Against our Fire" Orchestrations by Cezar Tortorelli

"Hindrance" Orchestrations and Pianos by Fabio Caldeira

Mixed by Benhur Lima at Angry Pick Studios, Caxias do Sul - Brazil

Mastered by Tony Lindgren at Fascination Street Studios, Örebro - Sweden

INDUCTION Premiere New Single & Music Video "Beyond Horizons"

Right on time for another exciting live adventure, rising symphonic/power metallers INDUCTION have officially released their latest single through Reigning Phoenix Music today. The track titled ‘Beyond Horizons,’ which already celebrated its live premiere during the band’s most recent European tour, will be a part of their forthcoming record, and is their first sonic sign after regrouping themselves in late 2024, resulting in the addition of singer Gabriele Gozzi, guitarist Justus Sahlman and drummer Markus “Maks” Felber. Also accompanied by a new music video, "Beyond Horizons" impressively shows the wide range of elements INDUCTION’s creative work is driven by: Forcing triplet drumming and riffing, backed by epically flourishing synths and choirs, build the ground of a track that is both profound and jubilant. Empowering melodies and rhythms make "Beyond Horizons" not only an anthem of the warm season and a perfect soundtrack to everyone’s next concert or festival trip. All aboard the INDUCTION train, metalheads, we’re just getting started!
 
Guitarist Tim Kanoa Hansen comments: “With ‘Beyond Horizons,’ we ring the bell for our long-awaited third album. And I believe it’s a mighty peek for what is to come: a story of love in twisted worlds and destiny. ‘Beyond Horizons’ is the perfect kick-off to show you what we’ve been up to and what to expect. Dive in and enjoy: I’m sure this song will be stuck in your head for quite some time.”
 
Watch the video Below.
Stream the single: https://induction.rpm.link/beyondhorizonsPR

Crafted at Hamburg, Germany’s Chameleon Studios and Boogie Park Studios, the song was produced by Hansen and mixed and mastered by Eike Freese in collaboration with him. The design of the single artwork was a team effort by TheArchangel and Marius Rietze.
 
"Beyond Horizons" will once again be presented live to massive crowds during INDUCTION’s five shows supporting the mighty SAVATAGE this June. Followed by the band’s first Wacken Open Air appearance, the quintet has been confirmed as the supporting act of VISIONS OF ATLANTIS and WARKING’s 2026 Pirates & Kings Over Europe tour, taking them to 20+ cities across the continent in February/March.

About INDUCTION
 
In the heart of the power metal resurgence stand INDUCTION, a name that has quickly become synonymous with the genre’s new wave. Led by Tim Kanoa Hansen, son of metal legend Kai Hansen (HELLOWEEN, GAMMA RAY), INDUCTION are a force to be reckoned with, igniting stages and captivating audiences worldwide.
 
Their rise began with a bang as their sophomore album, Born From Fire, was released under the wings of Reigning Phoenix Music, earning widespread acclaim and solidifying their status in the genre. Notable praises include being crowned “Power Metal Rising Star of the Year” by Rock Hard in 2022 and drawing the attention of German TV channel SWR, which chronicled their ascent in a documentary.
 
Building on this momentum, INDUCTION embarked on high-profile tours alongside metal giants such as STRATOVARIUS, SONATA ARCTICA, BATTLE BEAST, GAMMA RAY, ACCEPT, and more, showcasing their polarising live energy and winning over audiences across Europe and also Japan.
 
Though widely considered a progressive power metal band, INDUCTION refuse to be confined by a single genre. With each release, they defy expectations, seamlessly blending and evolving the boundaries of their music while staying true to their unmistakable core.
 
As they march toward the release of their eagerly awaited third album, INDUCTION remain a hungry force in the metal galaxy, fuelled by a passion for music and an unwavering commitment to their craft. With the rallying cry “We bring the heat!”echoing in every riff and chorus, they invite fans to join them on their epic journey through realms of myth, majesty, and POWER!
 
INDUCTION are:
Gabriele Gozzi | vocals
Tim Kanoa Hansen | guitars
Justus Sahlman | guitars
Dominik Gusch | bass
Markus “Maks” Felber | drums
 
More on INDUCTION:
inductionofficial.com | Facebook | Instagram | Threads | TikTok
YouTube | X | Spotify | Apple Music | RPM

FALSE GODS Unleash Crushing New Single "Imposter"

FALSE GODS unleash another harrowing chapter from their new album Lost in Darkness and Distance with the single "Imposter". A crushing meditation on identity erosion and self-betrayal, the track weaves suffocating riffs, anguished vocals, and monolithic grooves into a slow-burning descent. “Imposter” captures the existential dread that permeates Lost in Darkness and Distance—a record steeped in despair, disillusionment, and the relentless ache of being adrift in a decaying world.

The band comments on the single, stating: “We’re proud to present to you our second single off of our forthcoming release “Lost in Darkness and Distance” the somber, soul-crushing “Imposter”. We hope you dig it. Enjoy”. 

Listen Below:

About FALSE GODS:

Formed in 2015 on Long Island, New York, FALSE GODS are a genre-defying force in modern heavy music. Blending sludge metal’s crushing weight with post-metal atmosphere, NYHC aggression, and the bleak intensity of industrial and post-punk, the band carves out a sound that is both emotionally raw and sonically brutal. Their music shifts seamlessly between towering heaviness, haunting melody, and punishing noise, always grounded in lyrical themes of isolation, grief, and existential dread.

With a lineup featuring Mike Stack – Vocals, Greg March – Guitar, Devin Stracuzza – Bass, and Josh Harrison – Drums, FALSE GODS have built a reputation for cathartic live performances and uncompromising songwriting. They’ve shared the stage with heavyweights like CROWBAR, EYEHATEGOD, CONAN, and FROM AUTUMN TO ASHES, and have appeared at festivals including Maryland Doomfest, Grim Reefer Fest, and Ohio Doomed & Stoned.

Their upcoming album, Lost in Darkness and Distance, marks their most dynamic and personal work to date, pushing beyond genre lines into something darker, deeper, and more vulnerable.

FALSE GODS do not offer escapism. They reflect reality—unfiltered and unrelenting.

FALSE GODS is:

Mike Stack – Vocals
Greg March – Guitar
Devin Stracuzza – Bass
Josh Harrison – Drums

Connect with FALSE GODS:

Instagram: https://www.instagram.com/falsegods
Facebook: https://www.facebook.com/falsegods1
Twitter/X: https://x.com/FalseGods2
Spotify: https://open.spotify.com/artist/5GghNJPvhdvhYQlgCkylR1
Apple Music: https://music.apple.com/us/artist/false-gods/1101513664
Bandcamp: https://falsegods1.bandcamp.com/album/false-gods-abiuro-split
Tidal: https://tidal.com/browse/album/156301589

EXILED HOPE Unleashes "Forbidden Majesties"

Critically acclaimed symphonic metal artist EXILED HOPE has unleashed a lyric video for her stunning track "Forbidden Majesties". The song is taken from her album Apocrypha which released digitally on April 11th, 2025.

Sofia Frasz, the mastermind behind the project, commented, "I rerecorded the guitar parts for this song multiple times before I was finally happy with them. This was the first time I experimented with a more rhythmic playing style, and while it took some getting used to, it finally feels natural. “Forbidden Majesties” is both atmospheric and intense, and briefly dips into a soft cinematic style reminiscent of “Deathslayer” during the bridge. It ties together all the different threads, from heavier styles to lighter styles, that I’ve woven throughout the album and feels like a natural conclusion, leaving the door open for further stylistic exploration."

Watch the video Below :

Order Apocrypha HERE: https://exiledhope.bandcamp.com/album/apocrypha-2

Listen on all streaming platforms HERE: https://linktr.ee/exiledhope

About EXILED HOPE:

Multi-instrumentalist Sofia Frasz established EXILED HOPE in 2019, and draws musical inspiration from the likes of AVANTASIA, NIGHTWISH, KAMELOT and CRADLE OF FILTH to name a few. EXILED HOPE’s releases all take place in the same fictional universe and combine to form a dark fantasy metal opera. Each album centers on a character dealing with both an internal and external conflict in this world, and the lyrics explore how they navigate those conflicts. This is intended to provide some kind of escapism through the lyrical world building, while still keeping the songs grounded in real, relatable emotions despite their fantastical setup. EXILED HOPE is working towards the next album, Apocrypha, due to be released April 11th, 2025. Through EXILED HOPE, Sofia has composed music for two short films, Hallowed Paths and What Happens After Midnight, and has collaborated with UK melodeath outfit STEEL FORGE.

EXILED HOPE is:

Sofia Frasz - all instruments and all vocals

 https://music.apple.com/us/artist/exiled...
 https://exiledhope.bandcamp.com/
 https://www.facebook.com/ExiledHope
 https://www.instagram.com/legally_metal/
 https://open.spotify.com/artist/024Bd5Vi...
 https://www.tiktok.com/@exiled.hope
 https://x.com/exiledhope99
 https://www.youtube.com/@exiledhope

Out Now - Hollow Leg - Dust and Echoes

When HOLLOW LEG began shaping what would become Dust and Echoes, the Florida-based heavy outfit wasn’t setting out to write a full-length album. Instead, the band—formed in 2009 and known for their sludge-laced, riff-centric take on heavy rock—decided to create two distinct EPs, Dust and Echoes, written and recorded during separate sessions across the span of a year. The intention was simple: two standalone releases that carried a shared DNA, built to be experienced independently or fused together as a full-length journey.

That journey is now complete. Releasing in June 2025 via Third House Communications, Dust and Echoes is HOLLOW LEG’s most cohesive and diverse album to date, a full-spectrum exploration of weight and atmosphere. Across nine songs and nearly 40 minutes, the band channels doom, grunge, hard rock, space rock, and old-school metal into a singular vision of destruction, decay, and transcendence. It’s both a soundtrack to the end of the world and a map for surviving it.

The album opens with “Poison Bite,” a crushingly slow and sludgy track that pulls from HOLLOW LEG’s earlier material—raw, direct, and emotionally grim. Written around themes of twisted human behavior, it’s a live staple that sets the tone for what’s to come. From there, “Sick Days” shifts gears into a more rock-driven groove, pairing gritty riffage with cleaner vocals to create a brutal but melodic attack on the cruelty of mankind and the absurdity of war.

“Funeral Storms” brings a grunge-tinged groove with thick vocals and apocalyptic imagery, while “Another Day Dying” leans into the band’s hardcore roots. It’s packed with layered vocals and ends with a hazy, psychedelic slide guitar outro—blurring the lines between consciousness and chaos. “Holy Water” closes out the Dust half of the album with slow-building atmosphere, rainsticks, congas, and other textural ear candy. A post-apocalyptic hymn, it imagines the “last tribe” surviving after civilization’s collapse.

Then comes Echoes, the second half of the experience. “Last Tribe” kicks off this side with bounce, groove, and rich vocal harmonies, ending in a synthy wash of guitars and the titular phrase “emerging from dust and echoes.” It's both the conceptual and musical bridge between the EPs. “Bury Our Kings” follows with a blues-drenched riff that has become a live staple, its infectious mid-tempo stomp securing it as one of the band’s signature bangers.

With “Red Skies,” HOLLOW LEG imagines humanity abandoning Earth to start over on Mars—a short, punchy rocker that blends end-times anxiety with space-faring escapism. “Ride the Wave/Dig the Grave,” the album’s longest track, closes the record on a high. It’s a two-part epic about aging, surrendering to time, and accepting the inevitable, morphing from a frenetic, groove-heavy rocker into a doom-gaze finale that floats through the void like stardust.

The lineup—Scott Angelacos (vocals), Brent Lynch (guitar/backing vocals), John Stewart (drums/percussion), and Tom Crowther (bass)—recorded the album at High Five Studio in DeLand, Florida, producing the sessions themselves with mixing and mastering handled by Zeuss. The artwork was created by Shawn Garrett and Jean Saiz, echoing the record’s themes of desolation and rebirth. These four musicians, veterans of underground acts like BLOODLET, CARIBOU KING, JUNIOR BRUCE, and HOPE AND SUICIDE, have always thrived in heavy music’s murky, rebellious corners—and with Dust and Echoes, they’ve crafted something that’s both raw and realized.

Whether you start with Dust or Echoes, the result is the same: a heavy, grooving, groove-laden saga about the end of everything—and the strange beauty in what comes after.

About HOLLOW LEG:

HOLLOW LEG is a heavy band born in the swamps of Florida, built on riffs, rhythm, and raw energy. Since forming in 2009, the band has forged a sound that blends sludge, doom, and hard rock with elements of grunge, classic metal, and even blues and hip-hop — a swampy, groove-laden punch to the gut that’s as soulful as it is crushing.

Over the years, HOLLOW LEG has carved out a loyal following with their dynamic songwriting, relentless live shows, and a discography that balances grit with atmosphere. The lineup — Scott Angelacos (vocals), Brent Lynch (guitars/backing vocals), John Stewart (drums/percussion), and Tom Crowther (bass) — brings deep roots in the underground, with current and former members of cult bands like BLOODLET, CARIBOU KING, and JUNIOR BRUCE.

With appearances at major underground festivals like Psycho Las Vegas and Maryland Doom Fest, and a catalog of full-lengths and EPs that have pushed their sound in new directions, HOLLOW LEG continues to evolve without losing their core: heavy, honest, and hungry. Whether channeling the slow burn of doom, the swagger of stoner rock, or the urgency of hardcore, they remain fiercely committed to the riff and the truth it carries.

Their new album, Dust and Echoes, is the culmination of everything the band has built — a concept forged from two distinct EPs that fuse into a single, end-of-days experience. It’s their heaviest, most varied, and most fully realized statement yet.

HOLLOW LEG is:

  • Scott Angelacos – Vocals

  • Brent Lynch – Guitars, Backing Vocals

  • John Stewart – Drums, Percussion (including rainsticks)

  • Tom Crowther – Bass

Connect with HOLLOW LEG:

HELLOWEEN Announce New Album 'Giants & Monsters' And Release First Single And Video for ‘"This Is Tokyo"

HELLOWEEN, the legendary German metal band with 21 gold and platinum awards and over ten million records sold, will release their highly anticipated new album Giants & Monsters this August. The album, now available for pre-order, follows their self-titled #1 2021 record and promises to be the most versatile and dynamic release of their career. Mixed at the legendary Wisseloord Studios in Hilversum, Netherlands (IRON MAIDEN, JUDAS PRIEST, DEF LEPPARD etc.),Giants & Monsters reaffirms the band’s position at the pinnacle of the metal world. Pre-orders are available here: https://helloween.rpm.link/giantsmonstersPR
 
Leading the charge is the album’s first single, "This Is Tokyo," accompanied by a visual homage to Japan. The powerful, four-minute anthem features vocalists Andi Deris and Michael Kiske and delivers a chorus designed for stadium sing-alongs. The song holds personal significance for Deris: “I’ve always wanted to write this song. Japan plays a special role in my life because I had my first big successes there. I wanted to create a tribute to Japan for a while now and finally found the right lyrics. Because ‘Tokyo’ sounds better than ‘Japan,’ the city stands for a whole country that is very important to me.” Watch "This Is Tokyo" Below:

HELLOWEEN will celebrate four decades of metal mastery with a global 40th anniversary tour. The European leg begins in mid-October, with initial dates selling out quickly and additional shows in Madrid and Bochum already on sale. Featuring an ultimate set list packed with surprises, the tour will showcase the band’s unparalleled legacy and ongoing creative power.
 
Giants & Monsters pushes the boundaries of HELLOWEEN’s sound, thanks to the instincts of producers Charlie Bauerfeind and Dennis Ward, as well as the band’s relentless pursuit of excellence. Per example, drummer Dani Löble recorded all tracks using three different drum kits to capture the perfect vibe for each song, a testament to their attention to detail and love of experimentation.
 
The band’s chemistry continues to drive their success. “What keeps motivating us is the fact that we’re extremely different. It generates creative energy,” says guitarist Michael Weikath. Kai Hansen adds: “We try not to take ourselves and everything around us too seriously.” Deris sums it up: “In the end, we’re just seven guys who want to make music and enjoy the incomparable force that arises when we’re together. HELLOWEEN is way more powerful than the sum of its parts.”
 
With Giants & Monsters, HELLOWEEN boldly step into their fifth decade, proving once again why they remain one of the most influential and beloved bands in heavy metal.

HELLOWEEN are:
Michael Kiske | vocals
Andi Deris | vocals
Kai Hansen | guitars, vocals
Michael Weikath |  guitars
Sascha Gerstner |  guitars
Markus Grosskopf | bass
Daniel Löble | drums
 
More on HELLOWEEN:
helloween.org | Facebook | Instagram | Threads | TikTok
YouTube | X | Spotify | Apple Music | RPM

PRIMAL FEAR Unveil Fiery New Music Video In Support Of 'Domination'; Second Single, "The Hunter," Streaming Now

Less than three months before their new album Domination hits the shelves (September 5, 2025 via Reigning Phoenix Music), German metal frontrunners PRIMAL FEAR shift up another gear with "The Hunter". The second single from the record tells a conceived story while it musically sounds the attack for the quintet’s upcoming record.
 
Being also the opening track of Domination, the track builds up tension with anthemic lead harmonies before bursting drums and guitars break through the idyll to set the tone for another highly melodic piece from PRIMAL FEAR’s musical forge. The single additionally cements the thoroughly positive impression the group left with first single "Far Away", which saw them introduce their striking new line-up.
 
“Science fiction scenery, the beast is behind you, it’s me, I’m THE HUNTER, so better watch out, I smell your blood and I’m gonna get you!” warns vocalist Ralf Scheepers grinningly.

Picking up the dystopian theme of the single, director Patric Ullaeus (IN FLAMES, AMARANRATHE, EVERGREY etc.) placed the band -- Scheepers, bassist/vocalist Mat Sinner, guitarists Thalìa Bellazecca and Magnus Karlsson, and drummer André Hilgers -- in ruined environment to create a ‘metal as f**k’ music video where they find themselves surrounded by hellfire.
 
Watch the music video Below:
Stream "The Hunter": https://primalfear.rpm.link/thehunterPR

Music video by Patric Ullaeus (rEvolver, Sweden)
 
Pre-order/pre-save Domination: https://primalfear.rpm.link/dominationPR
 
Domination was recorded at Dennis Ward’s Kangaroo Studios (HELLOWEEN, ANGRA etc.) in autumn 2024, produced by Mat Sinner and co-produced by Ralf Scheepers as well as Magnus Karlsson. Rounded off by multiple PRIMAL FEAR mixing/mastering engineer Jacob Hansen (AMORPHIS, VOLBEAT etc.) at his own studios in Denmark, the album artwork was designed by Death.Milk.Designs.

About PRIMAL FEAR
 
Going strong for nearly three decades, the band founded and still led by Mat Sinner (bass, vocals) and Ralf Scheepers (vocals) have never let down their global fanbase. Relentless and constantly pushing their limits, PRIMAL FEAR ensure that no two albums ever sound the same. After Code Red [2023] hit some of the highest chart positions of their career, expectations for the next release were higher than ever. Now joined by gifted guitarist Thalìa Bellazecca and former touring drummer André Hilgers, the quintet were more than up for the challenge. And as “Domination” makes clear, no obstacle is too great for PRIMAL FEAR’s powerhouse songwriting trio - Sinner, Scheepers, and guitarist Magnus Karlsson, who also rejoins the band’s live line-up after several years away.
 
From the hard-hitting opener "The Hunter" and first single "Far Away," to the uplifting mid-tempo anthem "Tears Of Fire" and the epic ballad "Eden" - featuring a surprise guest appearance by AD INFINITUM’s Melissa Bonny - Domination delivers on all fronts. Add in neck-breakers like "Scream" and "Crossfire," and the reflective, string-and-piano-driven closer "A Tune I Won’t Forget," and it’s clear: PRIMAL FEAR aren’t here to reclaim the crown - they’re here to prove they’ve never left the throne of heavy/power metal royalty.
 
PRIMAL FEAR are:
Ralf Scheepers | vocals
Mat Sinner | bass, vocals
Magnus Karlsson | guitars
Thalìa Bellazecca | guitars
André Hilgers | drums
 
More on PRIMAL FEAR:
primalfear.de | Facebook | Instagram | X | TikTok | RPM

CROP (Grunge, Doom) - S.S.R.I

In the undercurrent of Lexington, KY’s heavy music scene, few bands hit as viscerally as CROP. Since forming in 2020, this four-piece—Marc Phillips (vocals), Zach Hunter (guitar), Braun Dabney (bass), and Andrew Beauvier (drums)—has crafted a sound that feels both dangerously raw and unflinchingly refined, grounded in the crushing gravity of 90s grunge but stretched into something darker, doomier, and entirely their own.

Their upcoming release, S.S.R.I, out August 22nd, 2025 via Third House Communications, is not just a sophomore album—it’s a psychological unearthing. Across 34 minutes and 46 seconds, CROP spirals through the internal wreckage of grief, acceptance, self-sabotage, and survival, wrapped in distortion thick enough to suffocate and lyrics sharp enough to bleed. The record opens with the instrumental “Flatline,” a bleak curtain rising on what feels like the soundtrack to a personal apocalypse. It quickly plunges into “Formaldehyde,” a brutal retelling of witnessing someone’s decline into suicide. Though written about another person, the song’s crushing weight comes from how that loss imprinted itself on the narrator. “We barely impacted each other in life,” Marc Phillips says, “but in death, he left a mark that felt deeper than final.”

From there, S.S.R.I never lets up. “Goddamn” captures the exhausting rhythm of living on a cycle of hope and collapse—a furious, almost desperate search for something real in the chaos. On “10-56,” the theme turns inward. It’s a song about getting what you always thought you wanted, only to feel it destroy you from the inside. “It’s everything I needed,” Phillips explains, “and that made it worse.”

But it’s “Alone” that feels like the album’s emotional core. Rooted in the moment of a breakup, it’s less about heartbreak and more about clarity—the realization that sometimes the loneliness you feel with someone is more suffocating than the loneliness without. In that recognition, there’s peace, but it’s the kind of peace that leaves scars.

The band returns to instrumentals with “Breath,” offering a sliver of space before the final blow. The closer, “Break,” is both an anthem and an epitaph—an existential gut-punch that challenges the very idea of what it means to pursue a dream that might be killing you. “Life isn’t supposed to be safe,” the band insists. “Find what you love and let it kill you.”

Produced, engineered, mixed, and mastered by Jason Groves, S.S.R.I is a wholly realized vision—uncompromising, loud, and emotionally devastating. The artwork, created by Josh Flowers, reflects the stark internal landscape the album traverses: raw, unfiltered, and impossible to ignore.

CROP has been making noise far beyond their Kentucky roots, with appearances at Ohio Doomed and Stoned, Maryland Doomfest, LegalizeLex, Magbar Musicfest, Holler of Doom, and RPM Fest. They’ve toured alongside HASHSTRONAUT, HORSEBURNER, TEMPLE OF THE FUZZ WITCH, and SHI, and shared stages with genre-defining acts like WEEDEATER, CONAN, REZN, BONGZILLA, and more. It’s no surprise LEO Weekly hailed them as “one of Kentucky’s best metal bands,” or that Riff Zealot called their music “a beautiful cacophony of pleasure and pain.”

As S.S.R.I prepares to launch, CROP will hit the road again with shows stretching from Asheville to Baltimore, culminating in a homecoming album release show in Lexington on September 5th at Al’s Bar. 

To hear CROP is to feel something uncomfortably human—something bruised and bleeding, but still standing.