ANTIMOZDEBEAST Releases Atmospheric New Single "The Temple of Vindication"

Enter into the "The Temple of Vindication" for an atmospheric exploration of introspection. In this new single, ANTIMOZDEBEAST, through an enveloping sound driven by industrial electronics, textural white noise and dream-like spoken lyrics, contains a philosophical questioning of the human experience. 

ANTIMOZDEBEAST is the extreme industrial and electronic black metal project of multi-instrumentalist and producer Gabriel Palacio. "The Temple of Vindication" crawls through inner rebellion and spiritual interrogation, drawing lines between salvation, illusion, and the mind’s desperate attempts to interpret its suffering. This latest offering is taken from the upcoming full length album The Vagrant Unkempt Grave scheduled for release on May 15, 2026.

Seeking to make sense of the world in which we exist, both as an individual and examining the systems of power, "The Temple of Vindication" in its creation is a demonstration of how artistic expression can facilitate a means of escapism. 

ANTIMOZDEBEAST announces the release of its new full length album The Vagrant Unkempt Grave. The record will be self released on May 15, 2026 and represents the next stage in the project’s ongoing examination of spiritual conflict, psychological unrest, and the erosion of collective belief systems.

Pre-Order the album on Bandcamp HERE: https://antimozdebeast.bandcamp.com/album/the-vagrant-unkempt-grave

Active since 2019, ANTIMOZDEBEAST has developed a distinct sound built on harsh electronic structures, ritualistic pacing, and confrontational vocal expression. The Vagrant Unkempt Grave expands this approach into a cohesive meditation on the vagrant soul, the decay of creation, and the search for truth within systems shaped by myth, power, and distortion. The album spans seven tracks across fifty five minutes, including "Solitude", "The Temple of Vindication", and "Torn Mentality", and presents a continuous descent through themes of isolation, belief, manipulation, and internal collapse.

All music on The Vagrant Unkempt Grave is written, performed, recorded, mixed, mastered, and visually conceptualized by Gabriel Palacio. The album reflects a fully autonomous creative process and continues the project’s focus on exposing fractures within religion, politics, and social structures while encouraging critical thought and personal awakening.

High-Octane Rock Trio DANKO JONES Unveil Video For "I Love It Louder"; Announce European & UK Dates

Following the release of their critically-acclaimed, twelfth studio album Leo Rising, Canada's DANKO JONES continue their roaring celebrations with the launch of the new music video for "I Love It Louder" and unveil dates for the "Rising Tour 2026". Released through PERCEPTION - A Division of Reigning Phoenix Music and Sonic Unyon (Canada)!, Leo Rising may be their most electrifying and uplifting record yet, and is certain to energize venues across Europe and the UK this fall. 

DANKO JONES comments on the forthcoming tour: "We are bursting at the seams to let the world know we are going out on the road this fall to play our songs for you! Our new album, Leo Rising, is just too fun to play live for us to stop, so get your tickets now before they’re all gone (like our last fall tour). See you on the road!!!

And we’re taking out SPLIT DOGS to open up the tour so you know this tour is gonna rule!!!"

Produced to perfection by longtime collaborator Eric Ratz, the trio's new studio offering Leo Rising is a masterclass in sweat-soaked, no-nonsense rock. Packed with razor-sharp riffs, thunderous rhythms, and infectious hooks, the album reaffirms that DANKO JONES are keeping rock alive by doing it better than anyone else.

John Calabrese laid down bass tracks from Finland, Rich Knox flew to Toronto to record drums, and Danko worked with producer Eric Ratz in the same city to capture vocals and guitars. Despite recording separately once again, the band’s chemistry is unmistakable. The result is pure DANKO JONES: tight, loud, and built for the stage.

Stream / Order Leo Rising now at: https://dankojones.rpm.link/leorisingPR

Watch "I Love It Louder".

About DANKO JONES
Every time someone announces the death of rock ‘n’ roll, Canada’s most incendiary power trio roll with the punches and keep rocking with maximum commitment to the cause. DANKO JONES are a three-piece rock ‘n’ roll band from Toronto. They never sleep. They sweat blood. And they are keeping rock alive by doing it better than anyone else.

On duty since 1996, these unstoppable road-hogs have devoted their lives to rousing the people with blistering, no-bullshit, all-action rock. They have rallied a global army of rock-hungry fans, and blown them away with a steady stream of explosive, anthem-packed albums and an absurd number of live shows. From early underground smashes like We Sweat Blood [2003] and Sleep Is The Enemy [2006], to the band’s recent, triumphant triumvirate of A Rock Supreme [2019], Power Trio [2021] and Electric Sounds [2023], DANKO JONES have been a relentless force for rock ‘n’ roll good, both in the studio and on the road. And they have absolutely no intention of stopping.

“You know what? I like the routine of recording, touring, writing, and repeat,” states singer/guitarist, Danko Jones himself. “I can do that till I’m dead! It may sound boring, but it’s so hard for a band to achieve. I don’t take this lightly. Also, it’s a page out of the MOTÖRHEAD handbook so it works! Since Electric Sounds we’ve been touring and touring. We managed to play in Mexico and Greece for the first time, and we even played Prince Edward Island, a province in Canada we’d never been to before. Other than that, it’s been a life of gigs and writing more songs to play more gigs!”

Proving that their time was well-spent, Danko, bassist John Calabrese and drummer Rich Knox have conjured yet another blazing banquet of nourishing rock goodness on their 12th studio record Leo Rising, that is out now on PERCEPTION.
 
DANKO JONES are:
Danko Jones | vocals, guitars
John Calabrese | bass
Rich Knox | drums
 

More on DANKO JONES:
dankojones.com | Facebook | Instagram | TikTok | X | Spotify | Apple Music

DEAD REGISTER Announces Fiber (10th Anniversary Deluxe Remaster)

Atlanta-based doomgaze trio DEAD REGISTER announces the release of Fiber (10th Anniversary Deluxe Remaster), arriving May 22, 2026 via AVR. Marking ten years since the band’s first full-length album reshaped their trajectory, the anniversary edition restores the original recordings with renewed depth and clarity while preserving the immediacy and emotional weight that made the record endure far beyond its initial release.

Alongside the announcement, DEAD REGISTER unveils the remastered version of the album’s defining centerpiece, "Fiber," available now on all streaming platforms.

Originally recorded in 2016 with minimal overdubs and performed largely live in the studio, Fiber (10th Anniversary Deluxe Remaster) captures DEAD REGISTER at a formative moment when instinct guided every decision. Built entirely from bass instruments, synthesizers, live drums, and voice, the album established the band’s unmistakable low-frequency identity and laid the foundation for a decade of touring and subsequent releases.

"Fiber" stands as one of the most essential compositions in the DEAD REGISTER catalog. Driven by hypnotic repetition and slow-burning tension, the track moves with ritualistic momentum, balancing heaviness with dark melodic restraint. Over the years, it has become a staple of the band’s live performances, frequently closing sets as audiences demand its immersive and cathartic release.

The remastered edition enhances the sonic density of the original recordings without sacrificing their raw human energy. Engineer and mastering specialist Dan Dixon revisited the material to reveal new dimensionality within the performances, allowing the interplay between rhythm, atmosphere, and vocal presence to resonate with greater physical impact.

Fiber (Remastered 10th Anniversary Ed) documents a band discovering its voice in real time. Sequenced as a continuous emotional arc, the album moves through isolation, intimacy, existential reflection, and controlled destruction before returning to its origin point through a newly included live bonus track, "Reverse (Live Bonus Track)," captured during the band’s original 2016 album release performance.

Since its initial release, DEAD REGISTER has continued to evolve through relentless touring and critically acclaimed releases, yet Fiber remains a cornerstone of the band’s identity. The anniversary edition serves both longtime listeners and new audiences, presenting the album as it was meant to be experienced: immersive, physical, and deeply human.

About DEAD REGISTER:

DEAD REGISTER formed in Atlanta, Georgia in 2013 with a singular intention to explore emotional and sonic weight through sound existing almost entirely in the lowest possible register. Built around bass instruments, synthesizers, piano, live drums, and a commanding baritone vocal presence, the band constructs immersive environments that favor atmosphere, tension, and physical impact over convention. The absence of guitar became foundational early on, allowing DEAD REGISTER to carve out a distinct identity rooted in density, space, and hypnotic repetition.

Founded by M. Chvasta and Avril Che, the project quickly evolved from experimentation into a fully realized live entity, later solidified through years of touring across the United States and Canada. The band’s performances emphasize raw execution with no backing tracks or artificial reinforcement, translating studio material into an immediate and visceral live experience shaped by volume, movement, and human interaction. Visual presentation remains inseparable from the music, with Che directing and producing the band’s video work and visual media entirely in-house.

Across multiple releases including Fiber, Captive, Don’t Fail Me, and Alive, DEAD REGISTER has developed a body of work defined by bleak romanticism, dark humor, noir atmosphere, and moments of unexpected vulnerability. Their sound draws from post-metal, gothic rock, industrial textures, and experimental songwriting while remaining resistant to easy classification. Each release expands the emotional vocabulary established at the band’s inception while maintaining an unwavering commitment to authenticity and physical sonic presence.

DEAD REGISTER operates as an ongoing exploration of connection, collapse, desire, and survival. The band continues to refine its approach through relentless live performance, collaborative visual art, and a dedication to creating music that resonates as both personal confrontation and shared catharsis.

DEAD REGISTER is:
 

  • M. Chvasta – Vocals, Bass VI, Bass IV

  • Avril Che – Bass Synth, 88 Keys, Vocals, Visual Media

  • Greg Meisenberg – Drums (Current)

  • Chad Williams - Drums on Fiber


Connect with DEAD REGISTER:
 

Deathcore Ensemble SARCOMA Present Video For "Sucio Carbón"

The ferocious thrash infused "Sucio Carbón", that translates to "Filthy Coal", is the newest offering from Ecuador's SARCOMA. Descending into a plethora of extreme styles, the initial intensity of the track soon leads into the realms of death and grind before reaching an obliterating end. SARCOMA's forthcoming full-length album is set to arrive later in 2026. 

"Sucio Carbón" addresses the destructive and damaging impact of consumerism in Latin America. The lyrics of the song are written "about how millions of lives are turned hollow by the intoxicating effect of materialism and greed, and how they cast a veil of fog on our reason, in favor of collecting junk and soon to be junk. There’s metaphorical instances of drowning in a sandglass and being willfully thrown into slave labor in an office, painting a tumultuous picture of consumerism delirium."

Amidst the thundering heaviness, brutal gutturals and engrossing arrangements, SARCOMA include a number of audio samples across their tracks. "Sucio Carbón" is no different, featuring a clip taken from the “Planet of the Apes” film, 1968.

"Sucio Carbón" was produced by Juan Pablo Flores and recorded at Valley of the Death recording studio. The single was mixed and mastered by Juan Pablo Rivas. 

About SARCOMA:
SARCOMA is the first Spanish-language deathcore band in the world. Formed in Quito, Ecuador, in 2006, the quartet launched their debut EP Silenciosa Tortura independently that same year. 2016 brought a hiatus until seven years later, in 2023, original members Santiago Romero and Juan Pablo Flores returned to write new music, now joined by Andrés Jaramo (drums) and Andrés Éguez (bass). 

During SARCOMA's first incarnation, following the first EP, the band released the debut, self-titled full-length album in 2008 with the Esclavitud del Siglo XXI EP arriving in 2013. The band embarked on a heavy national and international touring schedule in neighboring countries. 

SARCOMA's unmistakable style, technical precision, and impressive live performances led them to be considered, by the media and the public alike, as the undisputed "fathers of deathcore" in South America. In early-mid noughties, the band's unique mix of hardcore and death metal elements was something unheard of in the country at the time.

The band's sound draws influence from the likes of DECAPITATED, DYING FETUS, KNOCKED LOOSE, SEPULTURA, DESPISED ICON, GOJIRA, with the addition of progressive elements and a thematic focus on their life experiences and environment of Latin America.

2023 saw the band return with renewed vigor and intent unleashing the EP Mesak, the live releases Al Rojo Vivo and En Vivo En Quito in 2024, and "Divino Poder" single in 2025, all via Valley of the Death. SARCOMA wasted no time returning to the live stage in 2023 venturing on the Mesak Ecuador National Tour, along with performances at Mechanimal Fest and Quitofest. 

PRIMAL FEAR Release Impelling New Single & Video "One"

While the world remains being a restless place, metal commando PRIMAL FEAR is among the most reliable constants in these insecure times. Supporting their 2025 success album Domination on stages worldwide with a second European leg kicking off in London, UK on March 11, the band warm-up their engines with a new track called "One" today. The straight-forward anthem calls upon mankind to stand together instead of feuding each other, and was recorded during theDomination sessions. Combining hard-hitting riffs and the group’s melodic trademark approach masterfully, the single is in no way inferior to PRIMAL FEAR’s celebrated current opus!
 
Bassist/vocalist Mat Sinner states: “‘One’ is a continuation of the Domination atmosphere. A massive riff, true PF melodies, a driving groove, and Ralf’s characteristic vocals. It’s like a teaser for the second leg of our European tour as well as our upcoming South American run. Our cover artist, Death.Milk.Designs, has created a killer video clip with a collection of awesome scenes. Enjoy listening & watching the video, we're incredibly excited for the next part of the tour!”
 
Watch the official music video below:
Stream the single: https://primalfear.rpm.link/onePR

Since September 5, 2025, the day which has seen the official Domination release through Reigning Phoenix Music (RPM), the group have undisputedly shown that they belong to the very front of the scene. On one hand, Domination stormed the various album charts around the globe once again with a major highlight being their fourth German top 10 entry in a row, rounded off by a series of impressive numbers in other European countries as well as in the US and Japan.
 
On the other hand, PRIMAL FEAR fired countless songs from their rich hit arsenal - including a series of their brand new material - at the crowds during the first leg of their “Domination” European tour. Fans gathering at the packed venue have literally known the words of "Destroyer" and especially their obvious new stomping anthem "I Am The Primal Fear" from day 1 of the trek, making these dates a common triumph across the continent after re-completing the PRIMAL FEAR foundation and Mat Sinner’s long-awaited live return. Culminating in form of their first headline appearances in Spain in 7 years, the band have renewed, if not extended their footprint on the grounds of the metal world with this 21-date run.
 
It’s beyond debate that the metal commandos must bring their oiled machinery to other places, which they couldn’t visit during the first part of their “Domination” tour. No sooner said than done. The second leg is booked and the eagle is conquering the posters of worldwide festivals continuously. Don’t miss out & and be prepared to get an unforgettable heavy metal lesson taught by PRIMAL FEAR!
 
Order Domination (ltd. CD earbook, digipak-CD, jewel case-CD & various vinyl variants) & stream it here: https://primalfear.rpm.link/dominationPR

PRIMAL FEAR are:
Ralf Scheepers | vocals
Mat Sinner | bass, vocals
Magnus Karlsson | guitars
Thalìa Bellazecca | guitars
André Hilgers | drums
 

More on PRIMAL FEAR:
primalfear.de | Facebook | Instagram | X | TikTok | RPM

Out today from Dissentience!

DISSENTIENCE, the progressive death-thrash unit from Bethlehem, PA, returns with their most conceptually ambitious and sonically punishing release to date: Kaiju. Scheduled for release on February 20, 2026, Kaiju is a four-track concept EP that fuses cinematic horror, crushing riffs, and lyrical dread into a singular apocalyptic vision. Drawing inspiration from classic Japanese monster films and the unknowable terrors of Lovecraftian mythology, the record explores the narrative of a colossal, nameless beast as it decimates a city. Rather than paying tribute to kaiju lore in name alone, DISSENTIENCE builds a world where riffs, lyrics, and production align to place the listener in the path of annihilation.

The EP begins with "Obsidian Tomb", a track that captures the initial moments of catastrophe. A somber acoustic intro builds tension before the monster is unleashed. The song moves through blast-laden choruses, thrash-driven verses, and groove-heavy interludes, all while painting a picture of destruction through the eyes of a terrified populace. The band intentionally avoids naming the monster or the city to keep the setting timeless and the fear universal. This choice also reinforces the Lovecraftian tone by allowing the horror to remain undefined, inviting each listener to project their own dread into the story.

"Chaos Absolute" takes a different narrative angle by focusing on the political and social collapse that follows the attack. Opening with a syncopated, high-tension riff and shifting into a massive, deceptively catchy groove, the track evokes the panic and futility of global leaders attempting to respond to an unstoppable force. Frantic guitar harmonies, dissonant progressions, and a brief clean bridge section give way to some of the heaviest material on the record. The phrase “fall into chaos absolute” functions as both a summary of the storyline and a reflection of the listener’s experience as the music surges with desperation.

The title track "Kaiju" represents the climax of the EP, unleashing a relentless barrage of violence and devastation. The lyrics describe grotesque scenes of bloodshed and helplessness as the beast rips through the last remnants of resistance. Riffs churn beneath guttural vocals, with every passage dripping with urgency and rage. The music mirrors the scale of the narrative, building to overwhelming levels of sonic brutality. The repeated line “Kaiju will bring forth a new age of rot” serves as the thesis for the entire record, framing the monster not only as a literal destroyer but as a symbol of humanity’s self-inflicted reckoning.

The final track "Death Shroud" transitions into the aftermath. With the monster gone, what remains is a landscape of ash, grief, and existential dread. The band leans into dissonance and atmosphere, balancing crushing heaviness with bleak introspection. Survivors are left to make sense of their trauma, questioning whether the world can rebuild or if it even should. The Kaiju, now retreated, is no less present. Its legacy hangs in the smoke, a constant reminder of how fragile everything truly was. “The Kaiju may lay dormant, but the anguish remains” is the emotional core of the track and perhaps of the entire release.

Kaiju was produced by DISSENTIENCE in collaboration with Corey Pierce, recorded at Peach Pie Sound by Matt Menafro, mixed by Zeuss, and mastered by Alan Douches. The yet-to-be-revealed cover art is by Matt Stikker, known for his vivid and brutal visual storytelling. This release follows the band’s prior offerings Mask of Pretense (2018) and Empire Anatomy (2022), continuing their evolution as songwriters and sonic architects.

Refusing to imitate the past, DISSENTIENCE draws from influences like TRIVIUM, REVOCATION, SYLOSIS, THE BLACK DAHLIA MURDER, DEATH, and LAMB OF GOD, all while forging a sound that avoids the trappings of nostalgia. Their music is defined by technicality, brutality, and a refusal to be boxed into genre clichés. Critics have taken note. Decibel Magazine remarked that DISSENTIENCE channels the essence of classic thrash and death metal without creating a carbon copy. Metal Injection praised their ability to blend groove and fury in a way that hits with maximum impact.

With Kaiju, DISSENTIENCE has crafted more than just a record. It is a fully realized conceptual journey that pushes their sound further into new territory. Every song contributes to a unified narrative of destruction, dread, and reflection. It is a rare example of a metal record that is both musically blistering and thematically rich. Where others nod to monsters, DISSENTIENCE gives them voice, weight, and consequence.

About DISSENTIENCE: 

Formed in 2013 in Bethlehem, Pennsylvania, DISSENTIENCE is a progressive death-thrash metal band that combines the technical precision of death metal with the relentless energy of thrash. Rejecting retro imitation and genre stagnation, the band creates forward-thinking metal that is both aggressive and dynamic. Drawing influence from bands like TRIVIUM, REVOCATION, SYLOSIS, THE BLACK DAHLIA MURDER, DEATH, and LAMB OF GOD, DISSENTIENCE forges a sound built on sharp riffs, crushing rhythms, and inventive songwriting.

The lineup features Connor Valentin on guitar and vocals, James Vitale on guitar, Sean Langer on bass, and Nick Scherden on drums. Known for their intense live performances and refusal to be confined to a single subgenre, the band continuously pushes their sound in new directions. Their music balances chaos and melody while exploring dark themes through a modern lens.

After releasing their debut EP Mask of Pretense in 2018 and their full-length album Empire Anatomy in 2022, DISSENTIENCE returned with the concept EP Kaiju in 2026. The record blends the devastation of giant monster cinema with the dread of Lovecraftian horror, showcasing the band’s evolution in sound and narrative depth. DISSENTIENCE has earned a reputation as one of the most compelling rising forces in heavy music. Their mission is clear: to make metal that is uncompromising, inventive, and unapologetically intense.

DISSENTIENCE is:

  • Connor Valentin – Guitar / Vocals

  • James Vitale – Guitar

  • Sean Langer – Bass

  • Nick Scherden – Drums


Connect with DISSENTIENCE:

Out Today - Necronomicon Ex Mortis - Zombie Blood Nightmare

Chicago horror-death fiends NECRONOMICON EX MORTIS return with their most ferocious and unhinged release to date, the aptly titled Zombie Blood Nightmare. Out Now, this six-song EP is a whirlwind of 90s death metal stomp, 80s shred obsession, and tongue-in-cheek B-movie gore that cements the band’s identity as both serious riff-worshippers and gleeful purveyors of horror camp.

From the opening grind of “Left To Die,” listeners are thrown into a pit of decay and despair, guided by a colossal guest solo from none other than Jeff Young of MEGADETH. The song lurches like a doomed soul chained in a gore pit, every riff dripping with rot, until Young’s guitar screams carve through the gloom. Without pause, the band erupts into “No More Room In Hell,” a SUFFOCATION-inspired riff frenzy that pays homage to Dawn of the Dead. It’s a brutal sprint of tremolo riffs, spiraling solos, and lyrical nods to malls under siege and the endless march of the undead.

If excess is a virtue, “Chopped Up and Burned” is a cathedral. Seven minutes of gratuitous death-thrash chaos, the track features blistering guest solos from Matthew Mills and Jeff Young, and pays blood-soaked tribute to The Evil Dead. The band thrives in the chaos, with riffs piled high on top of each other until the track collapses under its own madness. By contrast, “Lumbering, Blood Sucking Freaks” staggers like its namesake: a mid-tempo, oozing collection of riffs that shouldn’t work together, yet somehow lock into an eerie, zombified groove.

The bloodthirst only intensifies with “Hungry For Brains,” a thrash assault structured around symmetrical diminished scales and spiked by a guest solo from James Norton, a personal connection from guitarist Michael Nystrom Bala’s college days. Lyrically blunt and musically savage, it’s a zombie anthem that gnashes at the listener until there’s nothing left but bone. The EP closes with “Démoni,” the most technically demanding of the set, inspired by the 1985 Italian horror film Demons. Featuring time-signature shifts, Suffocation-style brutality, and a grotesque slam section in 5/4, it’s also the only track without a Bala solo, but instead, Manuel Barbara takes command, shredding with reckless abandon as the song spirals into total madness.

Zombie Blood Nightmare is NECRONOMICON EX MORTIS at their most chaotic and gleefully grotesque, but also their most ambitious. Produced, recorded, and mixed by Charlie Waymire at Ultimate Studios, and mastered by Ernesto Homeyer, the EP boasts a sound as sharp and punishing as its subject matter. Genoicide Artworks provides the cover art, completing a package that is equal parts brutal, absurd, and lovingly steeped in the traditions of horror metal.

Over the past three years, the band has released a steady stream of EPs (Necronomicon Ex Mortis, Silver Bullet, The Mother of Death) and splits (You’ve Got Red On You with BLOODFEAST RITUAL), carving out a niche with their technical fury and horror-inspired narratives. They’ve drawn praise from No Clean Singing (“a band to watch”), Metal Noise (“there is so much depth and texture”), and Games, Brrraaains & A Head-Banging Life (“thrilling heaviness”), while even catching the attention of Christian Muenzner (ex-OBSCURA).

With Zombie Blood Nightmare, NECRONOMICON EX MORTIS deliver not just another step forward, but a gory leap through the gateway to hell. It’s a record that pays homage to their death metal forebears while shamelessly indulging in horror schlock and fretboard excess. It may open new doors, or as the band prefers to put it, “new gateways to hell.”

About NECRONOMICON EX MORTIS:

Formed in Chicago in 2023, NECRONOMICON EX MORTIS have quickly carved out their place in the metal underground with a sound that is equal parts 90s death metal stomp, 80s shred worship, and campy B-horror storytelling. Guitarist and songwriter Michael Nystrom Bala, guitarist and orchestrator Manuel Barbara, bassist Yusuf Rashid, drummer Joey Ferretti, and vocalist John Sawicki bring a mix of technical ferocity and tongue in cheek horror fun that is as brutal as it is entertaining.

Since their debut EPs Necronomicon Ex Mortis and Silver Bullet in 2023, the band has unleashed a steady stream of releases including You and Your Friends Are Dead: Game Over in 2024, The Mother of Death in 2024, and the split You’ve Got Red On Youwith BLOODFEAST RITUAL in 2025. Their relentless creativity culminated in the 2025 compilation From the Void…THEY CAME, which further established their reputation as prolific riff mongers with a love for the grotesque and absurd.

With recognition from outlets such as No Clean Singing, Metal Noise, and Games, Brrraaains & A Head-Banging Life, and praise from Christian Muenzner of OBSCURA, NECRONOMICON EX MORTIS are being hailed as a band to watch. Their music fuses thrashy death metal brutality with dizzying solos while embracing the bloody theatrics of cult cinema. Equal parts homage and parody, their songs invite listeners to bang their heads, laugh at the gore, and revel in the chaos.

At their core, NECRONOMICON EX MORTIS are here to shred, to bleed, and to drag metal deeper into the crypt, one zombie, demon, and undead riff at a time.

NECRONOMICON EX MORTIS is:

  • Michael Nystrom Bala — Guitars / Songwriting

  • Manuel Barbara — Guitars / Orchestration

  • Yusuf Rashid — Bass

  • Joey Ferretti — Drums

  • John Sawicki — Vocals


Connect with NECRONOMICON EX MORTIS:

Official Website: https://www.necronomiconexmortisband.com/
Bandcamp: https://necronomiconexmortis.bandcamp.com/
Facebook: https://www.facebook.com/profile.php?id=100090172921055
Instagram: https://www.instagram.com/necronomiconexmortisband/?hl=en
YouTube: https://www.youtube.com/@necronomiconexmortisofficial
Spotify: https://open.spotify.com/artist/5mwhqFK69UHCSeS9YtzSer
Apple Music: https://music.apple.com/us/artist/necronomicon-ex-mortis/1671465776

CLAWFINGER Release New Album Before We All Die; Drop Furious Title-Track Video! Out Now Via PERCEPTION

Swedish rap-metal veterans CLAWFINGER are back with a bang. The band has officially released their new album Before We All Die - their first full-length offering in 19 long years - and celebrated the occasion the night before with an exclusive release show at Kollektivet Livet in Stockholm, attended by a handpicked group of lucky fans. Now, they’re keeping the momentum going with an explosive video for the album’s title track!

From environmental collapse to political hypocrisy, personal disillusionment to collective denial, Before We All Die is CLAWFINGER at full volume: still pissed off, still sharp as ever, and still refusing to shut up while the world pretends it’s all fine.

"This album is part protest, part therapy, and part middle finger,” the band says. “We’re not offering solutions. We’re screaming because silence is surrender.”

With the new record and the title-track video, CLAWFINGER make it clear that their voice remains as urgent and uncompromising as ever! Watch the clip below:

Known for their pioneering fusion of metal, rap, and unflinching social commentary, CLAWFINGER return with Before We All Die, an album that rekindles the fire which made them one of Europe’s most groundbreaking crossover acts. This long-awaited comeback marks not just a return, but a reinvention, proof that true intensity never fades.

Before We All Die captures the band’s trademark fusion of sharp rap delivery, heavy grooves and biting social commentary, now more relevant than ever. Despite releasing their first studio album since 2007, CLAWFINGER are seeing significant success across social media platforms and streaming services, where both new material and classic tracks are gaining impressive traction. The band’s lyrical perspective and unmistakable sound clearly strike a chord with the current zeitgeist, resonating not only with long-time fans but also with a new, younger generation of metal listeners. This renewed relevance proves that CLAWFINGER’s message, attitude and musical identity remain as powerful and timely as ever!

Before We All Die is out now on PERCEPTION - A Division Of Reigning Phoenix Music. Order your favorite choice of format now at: https://clawfinger.rpm.link/beforewealldiePR

CLAWFINGER are:
Zak Tell | vocals
Jocke Skog | guitar, keyboards
Bård Torstensen | guitars
André Skaug | bass
Micke Dahlén | drums
 

More on CLAWFINGER:
clawfinger.net | Facebook | Instagram | Spotify | Apple Music

BELPHEGOR Announce "Praise The Beast" North American Tour

The gates open once more.

With the release of “Scarlet Beast – Leviathan,” BELPHEGOR return at their most menacing and deliberate, delivering a track that moves with the force of an advancing colossus. Built upon lumbering, monolithic riffs and a suffocating sense of inevitability, the single embodies a towering presence, vast, unrelenting, and absolute.

“Scarlet Beast – Leviathan” does not chase speed; it commands submission. Favoring tension, density, and sheer authority over velocity, the song fuses ritualistic black metal atmosphere with the crushing weight of death metal. The result is a sonic behemoth, oppressive, deliberate, and unstoppable, advancing through scorched terrain with death trailing in its wake.

The single arrives as BELPHEGOR kick off their North American “Praise The Beast” tour, carrying this new chapter directly onto the stage. The track’s immense weight and deliberate pacing translate into a live experience built on tension and command, setting the tone for a run that promises ritual intensity across the continent.

Accompanying the single is a stark and uncompromising music video that captures the essence of true darkness. Gritty and raw in execution, the visual counterpart strips away artifice and embraces ritualistic imagery, shadow, and decay. It is not spectacle, but invocation.

With “Scarlet Beast – Leviathan,” BELPHEGOR once again prove their mastery of controlled devastation. The beast does not rush. It advances. And nothing stands in its path.

Praise The Beast North American Tour 2026

02/19 - Brooklyn, NY, Brooklyn Monarch  
02/20 - Lowell, MA, Taffeta Music Hall  
02/21 - Montreal, QC, Le Studio TD  
02/22 - Toronto, ON, Lee's Palace  
02/23 - Lakewood, OH, Mercury Music Hall  
02/24 - Joliet, IL, The Forge  
02/26 - Denver, CO, HQ  
02/27 - Albuquerque, NM, Launchpad  
02/28 - Haltom City, TX, Haltom Theater  
03/01 - Houston, TX, Scout Bar  
03/02 - San Antonio, TX, Paper Tiger  
03/05 - Mesa, AZ, The Rosetta Room  
03/06 - San Diego, CA, Brick by Brick  
03/07 - San Francisco, CA, DNA Lounge  
03/08 - Roseville, CA, Goldfield Trading Post  
03/09 - Los Angeles, CA, 1720  
03/10 - Anaheim, CA, The Observatory

Purchase tickets HERE: https://www.belphegor.at/present.htm

About BELPHEGOR:

Since their formation in 1993 in Austria, BELPHEGOR have stood as one of the most brutal and transgressive forces in black death metal. Founded by vocalist and guitarist Helmuth Lehner, the band has spent over three decades refining a sound forged in fire and sacrilege, merging the violent precision of death metal with the ritualistic darkness of black metal.

Their musick is an invocation of infernal power, a soundwall of relentless blasphemy.

From the raw intensity of early releases like The Last Supper (1995), Blutsabbath(1997), and Necrodaemon Terrorsathan (2000), to the increasingly sophisticated compositions found on albums such as Lucifer Incestus, Bondage Goat Zombie, Pestapokalypse VI, and Totenritual, BELPHEGOR have continually pushed the boundaries of extreme musick. Each release marks a further descent into forbidden territory.

The band’s thematic focus with ritual magick, religious inversion, and arcane symbolism is matched by their technical mastery, multilingual lyrics, and sonic experimentation.

With their twelfth studio album The Devils (2022), BELPHEGOR delivered one of their most punishing and ambitious records to date.

Recorded at Fascination Street Studios with producer Jens Bogren, the album features nine meticulously crafted compositions that shift seamlessly between feral aggression and solemn majesty.

Tracks such as Glorifizierung des Teufels and Virtus Asinaria - Prayer incorporate choral passages and ritualistic structure, while Damnation - Höllensturz unfolds with a dynamic complexity that further amplifies the band’s compositional vision.

Lyrically, the album weaves together German, Latin, and English to cast incantations of death, desecration, and rebellion against sacred order. Accompanied by visionary artwork from Seth Siro Anton, The Devils stands as a high point in Belphegor’s canon and underscores their continued relevance in the global extreme metal landscape.

Following the success of The Devils, BELPHEGOR were honored with the 2023 Amadeus Austrian Music Award in the Hard and Heavy category, a rare moment of formal recognition in Austria for a band that has long walked a path far removed from mainstream acceptance. This accolade acknowledges their artistic legacy and highlights the contrast between their recognition and the transgressive nature of their craft.

Renowned for their intense live rituals, BELPHEGOR have toured relentlessly across Europe, the Americas, Asia, Australia, and beyond. They have appeared at Wacken Open Air, Knotfest, Bloodstock, Hellfest, Tons Of Rock, Sweden Rock, and numerous other prestigious metal festivals. Their stage presence is more than a performance, it is a ceremony of magick and infernal theatre, where sound, smoke, blood, and fire converge in a communion with darkness.

Now, as the band approaches its thirteenth studio album, a deeper and more arcane force begins to stir. The number thirteen bears ancient meaning: endings, thresholds, and the passage into the unknown. Rooted in primordial doctrine, the thirteenth seal is said to bind the final veil between worlds, the last barrier between order and chaos.

With this upcoming release, BELPHEGOR prepares to break that seal, not to follow, but to lead. To summon what lies beyond even their own previous creations: something more primal, more ritualistic, more devastating.

Early glimpses of new material point to a continuation of the dark artistic path begun with The Devils, now delving even deeper. The upcoming album takes shape as a focused ritual: precise, uncompromising, and rooted in the band’s unmistakable vision, the glorification of the Devil.

Prepare. The next chapter is imminent. 

More from BELPHEGOR:

www.belphegor.at | Facebook | Instagram | X | Youtube

DUNCAN EVANS AND THE WEEPING STARLIGHT Announce New Album The World is a War Zone and Release New Single "The Starlight Weeps"

DUNCAN EVANS AND THE WEEPING STARLIGHT today unveil their powerful new single "The Starlight Weeps" while announcing the forthcoming release of their new album, The World is a War Zone, due September 18, 2026 via Widowbird Records.

"The Starlight Weeps" offers the first glimpse into the band’s expansive and emotionally charged new chapter. Opening in free time on a brooding synth drone and sheets of textured guitar noise, the track slowly gathers momentum before erupting into surging waves of bass and thunderous drums. The arrangement moves in dramatic swells, rising to cathartic crescendos and retreating into moments of stark vulnerability.

Lyrically, the song imagines God attempting to reconnect with humanity, reframing divinity as something internal rather than distant. The repeated closing refrain, “God is coming back inside / God is coming home,” captures the spiritual core of both the single and the album it introduces.

The World is a War Zone marks the first full-length release under the name DUNCAN EVANS AND THE WEEPING STARLIGHT. Formed in 2022 to reflect the emergence of a committed three-piece lineup, the band channels intense post-punk dynamics through the dark and primal undercurrents of folk music. Across nine tracks and 45 minutes, the album explores faith, psychological upheaval, suffering and renewal, navigating the internal battlefields that shape modern existence while holding fast to the possibility of redemption.

Built around hypnotic bass lines, powerful and nuanced drumming, chiming guitar arpeggios, warm organ textures and sheets of atmospheric noise, the band’s sound is both intimate and elemental. The music shifts between fragile restraint and towering crescendos, creating a landscape that feels sombre, mournful and fiercely committed.

About DUNCAN EVANS AND THE WEEPING STARLIGHT:

DUNCAN EVANS AND THE WEEPING STARLIGHT is the collaborative evolution of songwriter and multi-instrumentalist DUNCAN EVANS, built around a committed three-piece lineup that transforms intimate compositions into expansive, emotionally charged performances. Formed under this name in 2022, the project reflects a shift from solo authorship toward a unified band dynamic, where arrangements are shaped collectively and the music breathes with the chemistry of a live unit.

At its core, the band fuses post-punk intensity with the dark and primal undercurrents of folk music. Hypnotic bass lines and powerful, nuanced drumming provide a muscular foundation for chiming guitar arpeggios, warm organ textures and sheets of atmospheric noise. The songs often move through shifting time signatures and dramatic dynamic contrasts, flowing from sparse, fragile passages into towering crescendos with a sense of purpose and emotional weight.

Lyrically, DUNCAN EVANS AND THE WEEPING STARLIGHT explores faith, doubt, suffering, transcendence and the search for meaning in a fractured world. Religious imagery frequently appears, reframed as metaphor and directed inward rather than toward distant absolutes. The writing confronts catastrophe and psychological turmoil with unflinching honesty while holding onto the belief that renewal and redemption remain possible.

The result is a sound that feels sombre, mournful and fiercely committed, grounded in the traditions of post-punk and folk yet shaped by a distinctly personal vision.

DUNCAN EVANS AND THE WEEPING STARLIGHT is:
 

  • Duncan Evans – vocals, guitars, synths, software instruments

  • Ol Jessop – bass guitar

  • Kev Reid – drums

STATE OF ILLUSION Release New Single and Lyric Video “Wasted Life," From the Upcoming Re-Release of Pluto’s Ghost Out 4/17

STATE OF ILLUSION return with “Wasted Life,” a crushing progressive metal statement and the latest single from the upcoming re-release of Pluto’s Ghost, arriving April 17.

Driven by jagged, angular rhythms and percussive drop G chugs, “Wasted Life” delivers urgency and weight through intricate riffing and relentless momentum. Lyrically, the song confronts the haunting realization of unrealized potential and existential doubt.

The song’s origin was immediate and undeniable. One morning, founder and songwriter Jacob Porter woke up with the main riff fully formed in his head and recorded it on the spot. What followed became one of the most challenging writing processes of his career. The chorus proved elusive and was rewritten 17 times over several months before the final version came together. That persistence paid off. “Wasted Life” has since become a live favorite and currently closes STATE OF ILLUSION’s set with explosive intensity.

“Wasted Life” is taken from the re-release of Pluto’s Ghost, a record born from isolation, persistence, and an unwillingness to let go. Written and produced by Jacob Porter, founder, vocalist, and primary songwriter behind STATE OF ILLUSION, the album unfolds as a deeply personal journey through isolation, grief, and endurance. Blending expansive atmosphere with intricate instrumentation and emotionally driven songwriting, Pluto’s Ghost showcases the band’s dynamic range across progressive rock and metal landscapes.

With the release of the “Wasted Life” lyric video, STATE OF ILLUSION invite listeners deeper into the emotional core of the record, where heaviness meets honesty and self doubt transforms into clarity.

ATAVISTIA Unleash New Single and Video "Mystic Tavern," Announce Upcoming Album Old Gods Awaken Out May 15th, 2026

TAVISTIA raise their horns and throw open the tavern doors with the release of “Mystic Tavern,” the first single from their forthcoming full length album Old Gods Awaken, set for release on May 15th, 2026 via Blood Blast Distribution.

“Mystic Tavern” showcases a bold and spirited side of the band. Centered around the concept of a never ending celebration, the track blends blistering blast beats, shifting time signatures, and an irresistibly folktouched bridge built to move crowds. It is epic, mischievous, and technically sharp in equal measure.

“Mystic Tavern” was the first song written for Old Gods Awaken and set the tone for the album’s direction. The record embraces shorter, catchier, and more straightforward songwriting while retaining the ferocity and progressive ambition that define ATAVISTIA’s identity. Folk metal textures weave seamlessly into blackened intensity, reflecting the band’s instinct driven approach to composition.

The single arrives alongside an official music video, bringing the song’s celebratory chaos to life and offering fans their first glimpse into the world of Old Gods Awaken.

Due out May 15th, 2026, Old Gods Awaken runs 43 minutes and 21 seconds and represents the uplifting first chapter of a two album concept. Incorporating Swedish and Finnish lyrics for the first time in the band’s catalog, the album draws from Nordic heritage and mythic atmosphere while delivering some of ATAVISTIA’s most memorable hooks to date. From tavern revelry to forest mysticism and epic progressive climaxes, the record marks a confident evolution in their sound.

With “Mystic Tavern” now unleashed, ATAVISTIA invite listeners to step inside, raise a horn, and prepare for the awakening.

ATAVISTIA lineup:

Mattias Sippola - Guitar, Vocals, Composition, Production
Max Sepulveda - Drums, Engineering
Elia Baghbaniyan - Guitar
Spencer Budworth - Bass, Vocals

About ATAVISTIA:

Formed in 2017 in Vancouver, Canada, ATAVISTIA takes their fans on a spellbinding journey though vast sonic landscapes of snow covered forests, desolate tundras, and permafrost-laden landscapes. Fans of WINTERSUN, ENSIFERUM, DIMMU BORGIR, and XANTHOCHROID will be enthralled by the elements of melodic death metal, black metal, and Scandinavian folk that is intricately woven together throughout their diverse soundscape.

Taking inspiration from the majestic natural landscapes of their homeland, earthly seasons, and ancient Norse culture, ATAVISTIA’s grandiose sound matches these lyrical themes in an impressive symphony of destruction. Their debut EP, One With The Sun (2017) introduced their unique blend of beauty and ferocity, which they followed up with a stormy full-length in 2020 through The Winter Way. The next two releases, the full-length Cosmic Warfare (2023) and the EP Inane Duncam (2024), saw the band spreading their wings and exploring a wider variety of influences. Through it all, ATAVISTIA balances graceful melodies with a brutal rhythmic cacophony, swirling elegance and fury together like a ferocious northern blizzard.

On stage, ATAVISTIA is a force of nature, like waves crashing against a rocky shore. Their music washes over audiences worldwide, leaving them gasping for more long after the last note has faded. They have toured Europe twice alongside notable acts such as SKÁLMÖLD, METSATÖLL, and SEVEN SPIRES, and have opened locally for MOONSPELL, ELEINE, and OCEANS OF SLUMBER. ATAVISTIA has firmly established its presence in a niche among a wide swath of metal genres.

Are you ready to lose yourself in the juxtaposition of lush and arid, the dichotomy of hope and despair, and welcome the inevitable and beautiful end?

CELESTIAL DEATH Release New Single “Death of an Empire”

Atlanta, Georgia blackened death metal band CELESTIAL DEATH have released their new single, “Death of an Empire.” The track marks a defining step forward for the band and solidifies their identity within the modern extreme metal underground. 

“Death of an Empire” delivers a fierce combination of tremolo-picked triplet arpeggios, relentless blast beats, and groove-driven black metal melody. The song opens with waltz-like tremolo phrasing before erupting into rapid-fire percussion and layered death metal riffing. From its first moments through its closing passages, the track moves with cinematic intensity and calculated aggression, showcasing the band’s fully realized sound.

Lyrically, “Death of an Empire” explores the collapse of powerful systems through the perspective of a lone survivor walking through the ruins of a devastated city. The imagery is vivid and confrontational, focusing on urban decay, environmental destruction, and the consequences of unchecked power. Opening lines such as, “The ruins of this city speak to me, in a language only I can understand,” set the tone for a narrative steeped in post-apocalyptic reflection.

The single addresses themes of ecological strain, corporate manipulation, warfare, and societal division. Jessup emphasizes collective responsibility and awareness, urging listeners to consider the long-term consequences of exploitation and polarization. The track functions as both a reflection and a warning.

About CELESTIAL DEATH:

Rising from the Atlanta metal underground, CELESTIAL DEATH was forged in 2023 by guitarist and vocalist Forrest Jessup and drummer Matthew Carmichael. The band began under the name IMPERII with a different lineup but underwent a rebirth when Matt took over on drums. This marked a turning point where Forrest decided to rename, rebrand, and reimagine the project as CELESTIAL DEATH, channeling a darker and more atmospheric vision. Soon after, guitarist Jason Schwartzwalder joined the fold, bringing with him years of experience from acts such as MOTHER’S TOMB, KHAOTIKA, and BRUTALITY. The band rounded off their lineup with the addition of new bassist Robbie Marsh in early 2026. 

CELESTIAL DEATH craft a sound that merges the bleak ferocity of black metal with a melodic and cinematic atmosphere. Drawing influence from bands like WOLVES IN THE THRONE ROOM, CATTLE DECAPITATIONS, FALLUJAH, and SKELETONWITCH, the group shapes a sonic landscape that is at once suffocatingly heavy and hauntingly vast. The music is raw in execution yet deliberate in its storytelling, each track serving as a descent into themes of cosmic horror, existential collapse, and apocalyptic rebirth.

The band’s debut single “Anti-Preacher,” released December 13, 2024, marked the first official offering under the CELESTIAL DEATH name. It set the tone for the project’s sound, combining blackened chaos with melodic undertones, and hinted at the larger creative arc the band continues to develop. Their most recent single “Aeons,” written during Forrest’s most turbulent years, explore Lovecraftian imagery and catastrophic narratives that have become central to the band’s identity.

CELESTIAL DEATH’s music is built on foundations of atmosphere and intent, stripped to core instrumentation of guitars, drums, bass, and venomous vocals while retaining a cinematic scope. Their songs unfold like parables, grim yet reflective, destructive yet transformative. This ethos reflects Forrest’s own journey, from personal darkness and addiction to sobriety and clarity, with CELESTIAL DEATH becoming both a vessel for catharsis and a statement of purpose.

With a steadily growing presence in Atlanta’s extreme metal scene, CELESTIAL DEATH stand poised to carve their name into the modern blackened metal pantheon. The band represents not just heaviness but vision, not just destruction but creation. For those who seek music that feels apocalyptic in scale and deeply human in spirit, CELESTIAL DEATH is a name to remember.


CELESTIAL DEATH is:
Jay Crash - Guitar, vocals
Jason Schwartzwalder - Lead guitar
Matthew Carmichael - Drums

Social Links:

IRON SAVIOR Unleash New Video For A-HA Classic "Take On Me" From Upcoming Cover Album Awesome Anthems Of The Galaxy

Hamburg-based power metal veterans IRON SAVIOR have just released a new video clip for their latest single, “Take On Me” - the band’s electrifying metal reworking of the classic A-HA hit. The track is taken from their highly anticipated cover album Awesome Anthems of the Galaxy, set to arrive on March 27, 2026 via PERCEPTION – a division of Reigning Phoenix Music!

Following a series of successful singles previewing the album, including their fiery rendition of IRENE CARA’s “Fame” and the powerful take on ALPHAVILLE’s “Forever Young”, the “Take On Me” video adds a fresh chapter to IRON SAVIOR’s cosmic mission of transforming beloved ’80s pop anthems into full-throttle power metal epics. 

Frontman Piet Sielck reveals: "'Take On Me' for sure is one of the most successful pop songs ever. So in the beginning it was more a 'must' than a 'want'… but during the process of transforming it, I started to love this version more and more. Today I am more than happy to have this classic on the album and I‘m proud of the outcome!"

Stream / Download "Take On Me" at: https://ironsavior.rpm.link/takeonmePR 

Watch the video below:

After reigniting their cosmic engines with Machine World – Reforged in 2025, IRON SAVIOR embark on their boldest mission yet. “Awesome Anthems of the Galaxy” transforms some of the most iconic pop hits of the 1980s into full-throttle power metal epics, combining nostalgia, passion, and the band’s trademark precision and fire, proving that the past can shine brighter than ever when reforged in metal.

“After the huge success of the 2002 Condition Red bonus track “Crazy” (Seal), which was actually used in a HBO TV show, we have been asked by fans and medias almost constantly to do a complete cover tracks album," Sielck explains, and adds: "So… two decades later here we are!” quotes frontman Piet Sielck. “AWESOME ANTHEMS continues the transformation from pop-to-metal in Iron Savior style as started with Seal’’s “Crazy” and Eurythmics “Sweet Dreams. We are absolutely proud of the outcome, which never looses the original vibe of the tracks but yet is 100% Iron Savior. Just listen yourself.. I guarantee a lot of smiles while doing so!” 
 

From the electrifying rush of A-HA’s “Take On Me” and the thunderous drama of PHIL COLLINS’s “Against All Odds” to the cinematic pulse of JERMAINE JACKSON & PIA ZADORA’s “When The Rain Begins To Fall” and the adrenaline-fueled “Maniac” by MICHAEL SEMBELLO, IRON SAVIOR turn pop classics into heroic, melodic metal anthems. With Awesome Anthems of the Galaxy, IRON SAVIOR prove once more that great songs never age - they just get heavier!

 
Pre-order the album now at: https://ironsavior.rpm.link/awesomeanthemsPR

About IRON SAVIOR:
Forged in Hamburg’s metal heart, Iron Savior have been delivering their signature brand of powerful, melodic heavy metal for nearly three decades. Led by founder, vocalist, guitarist, and producer Piet Sielck, the band has become a cornerstone of the German power metal scene with their blend of high-octane riffs, anthemic choruses, and sci-fi storytelling.
 
For More Info Visit:
Website | Facebook | Youtube

East Nashville Hard Rock Breakout KALAMITY KILLS Unleashes Explosive New Single “These Days Are Evil”

East Nashville hard rock force KALAMITY KILLS has released its powerful new single, “These Days Are Evil,” an urgent and unflinching anthem confronting division, manipulation, and digital-age addiction while calling listeners back to human connection and personal responsibility.

Written primarily by frontman Jamie Rowe in late 2024 and completed in collaboration with guitarist Jamey Perrenot, the track captures a sense of cultural unrest and psychological tension that feels unmistakably current. Blending aggressive riffs, driving rhythms, and a massive, chant-ready chorus, “These Days Are Evil” stands as one of the band’s most focused and explosive releases to date.

“I wrote most of this song in late 2024 knowing it was something special,” says Rowe. “Putting it in Jamey Perrenot's hands to take it across the finish line has resulted in my favorite KALAMITY KILLS track to date. Look, it's no secret the world is in a dark place these days, but we have a say in how we treat others. I want to see the good in people. An act of kindness goes a long way right now. Maybe we all need to take a second away from our screens and show up for someone in the real world. That's what this song is really about: waking up to the manipulation, refusing to be pawns in their game, and choosing connection over division. We can't control the chaos around us, but we can control how we respond to it.”

The single explores themes of manufactured outrage, screen-driven identity, fear-based messaging, and the constant battle for attention and influence. At its core, however, the message is not despair but choice. While the world may feel unstable, the band emphasizes that individuals still control how they treat one another.

Emerging from East Nashville’s thriving rock underground, KALAMITY KILLS continues to build momentum with music that challenges as much as it energizes. “These Days Are Evil” reflects a band unafraid to confront uncomfortable truths while offering a path forward rooted in awareness and compassion.

About KALAMITY KILLS

KALAMITY KILLS is a hard rock band forged in the heart of East Nashville, Tennessee. Formed in 2022 by vocalist Jamie Rowe and guitarist/producer Jamey Perrenot, the band emerged from the ashes of a solo project into a fully realized sonic assault—fueled by raw emotion, modern aggression, and a deep respect for rock’s roots. With a sound that fuses the swagger of classic hard rock with the intensity and polish of modern metal, KALAMITY KILLS strikes a rare balance between power and vulnerability.

Best known for their debut self-titled album Kalamity Kills, the band quickly turned heads thanks to high-profile collaborations with members of KORN, 3 DOORS DOWN, LA GUNS, CONQUER DIVIDE, and UNDEROATH. Their music has earned national airplay on SIRIUSXM’s Octane, landed on the Billboard Active Rock charts, and crossed over into viral success without ever chasing trends.

More than just a studio project, KALAMITY KILLS is a growing force with a full live lineup, including bassist/vocalist Julia Lauren Bullock and drummer Rob Bodley. Their songs—ranging from explosive anthems to brutally honest ballads—tackle themes of faith, failure, hypocrisy, redemption, and the messy beauty of being human.

KALAMITY KILLS is for the outsiders, the misfits, the ones who’ve been burned and are still standing. Loud. Unapologetic. Unforgettable.
KALAMITY KILLS is:

  • Jamie Rowe – Lead Vocals

  • Jamey Perrenot – Guitar / Producer

  • Julia Lauren Bullock – Bass / Vocals (Live)

  • Rob Bodley – Drums (Live)
     

Connect with KALAMITY KILLS:

  • Website: https://kalamitykills.com

  • Facebook: https://facebook.com/kalamitykills

  • Instagram: https://instagram.com/kalamitykills

  • X (Twitter): https://x.com/kalamitykills

  • Jamie Rowe on X: https://x.com/jamierowe

  • YouTube: https://youtube.com/kalamitykills

  • TikTok: https://tiktok.com/kalamitykills

  • Spotify: https://open.spotify.com/artist/0Q7zrZUeUnTrX0OC2FvTqU?si=qZPINKoURFONBasOc9iB3g

  • Apple Music: https://music.apple.com/us/artist/kalamity-kills/1636401395

MALEFIC Unleash Debut Album Impermanence Today via Terminus Hate City; Premiere Video for “In Darkest Dreams (The Reaping)”

Atlanta blackened thrash visionaries MALEFIC have officially released their long-awaited debut full-length, Impermanence, out today via Terminus Hate City. Marking the culmination of a journey that began in 2018, the album stands as a testament to perseverance, creative defiance, and an unrelenting devotion to extreme metal in all its forms.

In conjunction with the album’s release, MALEFIC have unveiled a new music video for “In Darkest Dreams (The Reaping),” a harrowing visual companion to one of the record’s most dynamic tracks. The video plunges viewers into a nightmarish landscape where fantasy and mortality collide, echoing the song’s tale of a deathly reaper figure stalking the shadows of the subconscious.

Blending black, death, and thrash metal into a volatile and cohesive statement, Impermanence explores themes of political decay, addiction, existential dread, perseverance, and the irreversible consequences of human choices. The album refuses to be confined by genre boundaries, drawing from progressive rock structures, melodic black metal atmospheres, and punishing death metal intensity.

The record erupts with opener “Blood Of The Throne,” a blistering assault of precision riffing, furious drumming, and venomous vocals that confronts oppressive economic systems head-on. “In Darkest Dreams (The Reaping)” follows with a progressive-leaning structure and one of the album’s rare defined choruses, merging death metal brutality with blackened thrash undertones. The album can be ordered HERE. 

“Of Gods And Man” shifts into melodic black metal territory, weaving intricate picking patterns and dueling solos beneath vocalist Aaron Baumoel’s existential reflections on greed and humanity’s relationship with a creator. The dynamic “Idiocracy” introduces a black-n-roll swagger, pairing memorable triplet riffs with sharp social commentary.

“Deserter” reintroduces crushing death metal grooves and call-and-response harsh vocals that channel themes of abandonment and despair. “Disembodiment” offers a haunting acoustic opening before ascending into the album’s emotional apex, confronting narcissism and manipulation with both musical beauty and lyrical darkness.

The sprawling centerpiece “Obsidian Earth” serves as Impermanence’s magnum opus: grandiose, melodic, and unrelentingly aggressive, culminating in a searing solo by Jason Davila while lamenting humanity’s self-inflicted extinction. “Echoes Of Silence” ventures further into progressive territory, chronicling addiction’s dual nature through chaotic black metal passages and cathartic melodic release.

Closing track “It Haunts” descends into a blackened abyss of charging riffs and spectral acoustics, sealing the album with an ominous sense of supernatural finality.

Forged through years of personal and professional trials, the album captures MALEFIC at their most focused and fearless, delivering a work that is as intellectually provocative as it is sonically devastating.

About MALEFIC:
MALEFIC roared onto the Atlanta metal scene in 2007 with ambitions to modernize the black metal genre. With their tight riffs, tasty leads, and relatable lyricism, MALEFIC abandons cliches and defies traditional genre boundaries. Their special blend of black metal, drawing from thrash and death metal influences, appeals to metalheads across subgenres. They count OLD MAN'S CHILD, CARCASS, TESTAMENT, DISSECTION, and OPETH among their most prominent influences, offering a fresh, modern take on metal that is unrivaled in the United States.

Though they are set to release their very first full-length album, Impermanence, in 2025, MALEFIC boasts an impressive live performance history, having played shows with notable bands such as 1349, CRYPTA, and PROFANATICA. After a hiatus in 2009, the band eagerly picked back up where they left off and reformed with a new lineup. MALEFIC initially began work on Impermanence in 2018, taking their time to ensure that every detail accurately reflected their vision for their album. The band's hard work and dedication has culminated in a powerful debut, lovingly crafted by fans of nuanced, boundary-pushing music. 

MALEFIC lineup:
Jason Davila - Guitar
Aaron Baumoel - Drums, Vocals
Sam Williams - Guitar
Andy McGraw - Bass

Out Today from BLAZONER

Blazoner’s new covers EP Sonic Chambers began almost by accident. The trio of Andy Murray, Brian Carnes, and Stephen Sullivan walked into the studio intending to track a couple of songs purely for fun. They had been slipping covers into their live sets for a while, choosing favorites from across the spectrum of heavy rock, classic rock, prog, and anything else that spoke to them. Once they finished the first two recordings, the energy in the room made it clear that stopping there would have been impossible. They returned to the studio and finished what became a five song EP that highlights the full range of the group’s influences while still sounding unmistakably like Blazoner.

When the band stepped back and listened to everything in sequence, Sonic Chambers revealed itself as more than a quick studio experiment. It became a snapshot of the music that shaped them, filtered through the loud, intense, harmony driven identity they have built together. They had not planned to make an EP, but the excitement of the process carried them forward. Sonic Chambers stands as a celebration of influence, instinct, and the simple joy of creating something that feels alive.

About BLAZONER:

BLAZONER is a heavy rock power trio from Fredericksburg, Virginia, built on the belief that loud music should feel both massive and melodic. The band leans into thick, saturated riffs, driving rhythms, and vocal harmonies that hit as hard as the instruments behind them. Their sound blends the grit of stoner rock, the pulse of classic heavy rock, and the swirling textures of psychedelia, creating a style that feels raw, hook driven, and unmistakably their own.

Formed by Andy Murray, Brian Carnes, and Stephen Sullivan, BLAZONER is powered by the natural chemistry the three share when they play together. Every member sings, which gives the band a vocal identity rarely found in heavy music. Whether delivering gritty leads or layered harmonies, the voices of all three members work together to add color and emotion to the band’s thick wall of sound. The result is a blend of heaviness and melody that stands out both live and on record.

BLAZONER came out of the gate with a commitment to playing hard, writing often, and letting instinct lead the way. Since releasing their first music in 2023, the band has grown quickly through high energy performances that showcase their volume, intensity, and connection as performers. Crowds respond not only to the weight of the riffs and the immediacy of the songs, but also to the sense that the band is having as much fun onstage as anyone in the room.

Their music reflects a wide range of influences, yet everything is filtered through the same core approach. Play loud, play with purpose, and make songs that feel alive. Whether crafting originals or reimagining the tracks that shaped them, BLAZONER focuses on movement, emotion, and the thrill of a great groove hitting at full power.

BLAZONER continues to evolve as they write, record, and perform, always pushing toward a heavier, tighter, more expressive version of their sound. For the band, heavy music is more than a style. It is energy, teamwork, and a constant exploration of what three people can create when they trust every instinct and hold nothing back.

BLAZONER Is:

Andy Murray — drums and vocals
Brian Carnes — bass and vocals
Stephen Sullivan — guitar and vocals

Connect with BLAZONER:

Bandcamp: https://blazoner.bandcamp.com/album/escape-to-electric-land
Facebook: https://www.facebook.com/share/1VxuvmkoQn/?mibextid=wwXIfr
Instagram: https://www.instagram.com/blazonerband?igsh=MTNqMGplYXh2NHlrNA%3D%3D&utm_source=qr
YouTube: https://youtube.com/@blazoner?si=a5PLZSKRjAmk4vB0
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CURSED AWAKENING Unleashes New Single "Past Newtonium," A Relentless Harbinger Of The Next Album

Chicago death metal band CURSED AWAKENING (FKA - ARRHYTHMIA) returns with their new single "Past Newtonium," a punishing new track that serves as the first warning of a full length album coming later in 2026.

To sum up "Past Newtonium" in one word, unrelenting. The song opens with a slow and deceptively restrained introduction before rapidly giving way to steady, ferocious triplet feel chugging. Razor sharp riffing drives the track forward as it erupts into a blistering Kerry King esque solo. The final moments descend into a brutal breakdown filled with screaming pinch harmonics, before returning to the intro riff to seal the track with grim finality.

Lyrically, "Past Newtonium" reflects a moment in the album where panic and overwhelming self disgust take center stage. The themes focus on self loathing, irreversible mistakes, and the suffocating realization of one’s own perceived corruption, reinforcing the psychological weight carried throughout the record.

Most of the riffs for "Past Newtonium" were written by rhythm guitarist and lead vocalist Abraham Verdin, with the song’s ominous intro drawing inspiration from BEHEMOTH’s "Blow Your Trumpets Gabriel." The result is a track that blends old school death metal aggression with deliberate pacing, thrash influenced precision, and non standard song structure.

Listen Below;

About CURSED AWAKENING

Formed in Chicago, Illinois in 2021, CURSED AWAKENING (formerly known as ARRHYTHMIA) delivers a thrashy death metal sound rooted in classic influences such as DEATH, BOLT THROWER, AT THE GATES, SLAYER, THE BLACK DAHLIA MURDER, and SUFFOCATION. Their music combines old school riffing, melodic passages, neoclassical soloing, and introspective lyricism that goes beyond surface level extremity.

After reforming under the CURSED AWAKENING name in early 2026, the band solidified their creative identity and lineup. The current lineup consists of Abraham Verdin on rhythm guitar and lead vocals, Michael Nystrom Bala on lead guitar, Brady Dukart on bass and backing vocals, and Ronnie James Keough on drums.

Following their self released single "Rest In Chains" in August 2024 and notable live performances in Chicago and beyond, CURSED AWAKENING continues to sharpen their sound and vision. "Past Newtonium" stands as both a continuation and escalation, marking a darker and heavier chapter as the band moves toward their upcoming 2026 album.

CURSED AWAKENING is:

Abraham Verdin – Rhythm Guitar, Lead Vocals
Michael Nystrom Bala – Lead Guitar
Brady Dukart – Bass, Backing Vocals
Ronnie James Keough – Drums

Connect with CURSED AWAKENING:

NEVERMORE Announce Signing To Reigning Phoenix Music & Forthcoming Show With New Line-Up

Legendary heavy metal powerhouse NEVERMORE have signed with Reigning Phoenix Music. The band also welcomes to the line-up Jack Cattoi on guitar, Semir Özerkan on bass, and new vocalist Berzan Önen. To showcase the new lineup, NEVERMORE's first live appearance will take place on April 1st, 2026, in Istanbul, Turkey.

On this new chapter, guitarist Jeff Loomis and drummer Van Williams share: "We are thrilled to announce that Nevermore has officially signed with Reigning Phoenix Music! It was obvious from the start that they were the perfect partner for the new era of Nevermore. Their passion for metal music combined with the extensive industry pedigree of their team made the choice easy. We can't wait to get back on stage in front of our fans in Istanbul on April 1st, and we are just as excited to finish writing and putting together the new Nevermore album!"

Reigning Phoenix Music Co-Founder Gerado Martinez comments on NEVERMORE joining the RPM roster: "There are no words to describe how proud and excited RPM is at the prospect of being part of Nevermore's next chapter. Having been a fan since 1995 when I saw them on tour with Death, I've followed them on their entire musical journey and cannot wait for what is yet to come."

Directed and produced by Ola Englund, NEVERMORE have released a documentary film showcasing their rehearsals in January of this year at Swans Neck Soundworks in Väderstad, Sweden. Featuring powerful, raw performances of their tracks including "The River Dragon Has Come", "Engines of Hate" and "The Heart Collector", it offers an thrilling insight into the band's new era. 

The film also sees guitarist Jeff Loomis and drummer Van Williams discuss their decision to bring NEVERMORE back, introduce the new members, and reveal their thoughts throughout the audition process. Additionally, Loomis and Williams share news of forthcoming festival appearances across 2026, and future plans for NEVERMORE. Watch below:

Purchase tickets for the show HERE: https://www.bubilet.com.tr/istanbul/etkinlik/nevermore

About NEVERMORE:

NEVERMORE enters 2026 with purpose, fire, and a clear sense of who they are. Forged in the aftermath of Sanctuary, the band carved out a sound defined by precision musicianship, fearless songwriting, and emotional intensity. From their self-titled debut in 1995 through landmark releases such as Dead Heart in a Dead World and This Godless Endeavor, NEVERMORE built a global following and a reputation as one of modern metal’s most distinctive voices.

Now that legacy moves forward under the leadership of guitarist Jeff Loomis and drummer Van Williams, joined by guitarist Jack Cattoi, bassist Semir Özerkan , and vocalist Berzan Önen. After years apart, the spark that first ignited the band has returned with renewed focus. For Van, the timing feels natural. “It’s been brewing for quite a while and has just started to manifest itself into the now. So what better time is there to kick things off than now?”

New music is already taking shape. Van smiles at the early results. “If the new music had to be described by one word, that would have to be delicious. Because it’s so good it’s gonna leave you hungry for more.” The writing process is unfolding alongside preparations for the stage, with the band focused equally on honoring the catalog and building what comes next.

The addition of Berzan signaled a powerful evolution. Jeff remembers the first time he saw Berzan’s audition video. “He really stood out strong in so many ways upon a first listen. I could really feel the emotion and passion when I heard him sing for the first time. He wasn’t just going through the motions.” The connection was immediate. “I could tell right away that he was a fan of Warrel’s singing just by the way he delivered and said certain words. I was really blown away at first watch.”

The history of NEVERMORE includes an extraordinary lineage of musicians who shaped its evolution. Guitarists Pat O'Brien, Tim Calvert, Steve Smyth, and Chris Broderick each left a distinct imprint on the band’s catalog and live presence. Bassist Jim Sheppard played a central role in shaping the band’s identity during its defining years.

Following the band’s disbandment, Jeff Loomis released the acclaimed solo albums Zero Order Phase and Plains of Oblivion, co founded CONQUERING DYSTOPIA, and spent nearly a decade as a member of ARCH ENEMY, contributing to releases including Will to Power and Deceivers. Van Williams remained active through projects such as ASHES OF ARES and GHOST SHIP OCTAVIUS. Warrel Dane continued creating until his passing in 2017, leaving behind a body of work that continues to inspire musicians and fans worldwide.

As NEVERMORE steps into 2026, the mission is grounded in honesty and intensity. Jeff captures the heart of it. “Van and I are super passionate about the band. What we deliver and bring back to the audience is us wanting to hear those old tracks again just as much as the fans. We obviously want our old fans there every step of the way, but also look forward to meeting a new generation of fans as well.”

Older. Wiser. Still loud.

FORGOTTEN SHRINE Release Haunting Version Of BREAKING BENJAMIN's "Crawl"

Emerging out from the shadows, folk metal ensemble FORGOTTEN SHRINE, comprised of Josh Alexander and Sofia Frasz (EXILED HOPE), present an explosive and thrilling cover of BREAKING BENJAMIN's "Crawl". 

Josh Alexander shares: "BREAKING BENJAMIN brings me back to a much simpler time of Halo LAN parties and hard rock, which we now call 'dad rock'. When Sofia approached me with the idea I was very excited because this song has almost no covers to be found online. And being that we are FORGOTTEN SHRINE, we had to put our own spin on things as far as the arrangement, both vocally and musically, evoking an almost horror vibe. I can't wait to see what everyone thinks!"

Sofia Frasz comments: "BREAKING BENJAMIN was the soundtrack to my middle school and high school years, and remains one of my favorite bands to this day. A few months ago, I was feeling nostalgic and wanted to cover a song that no one else seemed to pay much attention to. I had a specific idea for a cinematic cover of 'Crawl' in my head, and it turned out so beautifully that we couldn't wait to release it. I'm my own worst critic and almost never listen to my own music, but I've had this one on repeat on and off since we finished it back in November. I'm proud to have put such a special new twist on what I consider to be an underrated classic."

FORGOTTEN SHRINE create an eerie atmosphere in "Crawl" from the off with ethereal traditional instruments and haunting choir voices building into the heavy riffs. Enchanting folk parts, along with both Frasz and Alexander's clean vocals, are powerfully juxtaposed with heavy distortion and their fierce harsh. It's an enchanting and charismatic take on a noughties fan favorite. 

Stream "Crawl" here: https://youtu.be/mXHdzDese5I?si=CtZG5W8qkQrJUPg5

FORGOTTEN SHRINE is: 
Josh Alexander (Pennsylvania, USA) - Guitar, Bass, Hurdy Gurdy, Irish Bouzouki, Additional Instruments, Backing Vocals, Composition.
Sofia Frasz (Maryland, USA) - Lead Vocals, Guitar, Lyrics, Composition.

Links: 
Facebook: https://www.facebook.com/profile.php?id=61555238025771&mibextid=ZbWKwL
Instagram: https://www.instagram.com/forgottenshrineband
YouTube: https://youtube.com/@ForgottenShrine
Spotify: https://open.spotify.com/artist/0q7rFp0yxvWoxGWqIt21nI?si=p5jz0YOOROOHFy5jxHAW6A
Apple Music: https://music.apple.com/gb/artist/forgotten-shrine/1734698132