HUMANKIND Release Moving Piano Version Of “The Darkness I Own” New Official Video Out Now

Modern metal collective HUMANKIND have released a deeply emotional piano version of their single “The Darkness I Own,” accompanied by a brand new official video. Stripping the song down to its emotional core, the new rendition highlights the vulnerability and introspective weight behind the original track, offering listeners a more intimate perspective on one of the band’s most powerful songs.

While the original song - released in May 2025 via ROAR here - gained attention for its dynamic blend of heavy modern metal and raw emotional intensity, the piano version reveals another layer of the song’s meaning. With its minimal arrangement and haunting atmosphere, the track places the focus squarely on the lyrics and the emotional journey at the heart of the song, emphasizing themes of inner struggle, self-reflection, and personal growth

"The Darkness I Own deals with depression and mental issues as a constant companion in life," says the band about the song. "Sometimes healing is not possible and we have to learn to accept the circumstances we find ourselves in, yet drawing strength from this acceptance and learning to persevere and finally prevail."

Stream: https://humankind.rpm.link/darknesspianoPR
Watch the video clip below:

HUMANKIND are an emerging force in the modern heavy music scene, blending elements of modern metal, alternative and metalcore into a sound that balances intensity and atmosphere. Through emotionally driven songwriting and immersive soundscapes, the band has quickly built a growing and dedicated audience.

Powerful vocals, atmospheric arrangements and a clear artistic vision shape HUMANKIND’s identity. Their music explores universal themes such as inner conflict, resilience and self-discovery, delivering songs that feel honest, intense and deeply relatable.

For More Info Visit:
Facebook | https://www.facebook.com/HumanKindBandDE
Instagram | https://www.instagram.com/humankind_band
TikTok | https://www.tiktok.com/@humankindband_de
YouTube | https://www.youtube.com/channel/UC_0DaiKu5cYlQ2h-s62EYhQ

HUMANKIND is:
Samuel Scholz (Vocals)
Maria Kimberly Huehn (Guitar)
Simon Keil (Guitar)
Dominik “Doemsen” Stotzem (Bass)
Silas Schué (Drums)

[photo: Thomas Hill]

ETERNAL RECURRENCE Launch Kickstarter Campaign for Debut EP

Drawing inspiration from chamber music, ETERNAL RECURRENCE offer an alternative, more intimate take on modern symphonic metal. With the release of their next single "8 by 8", ETERNAL RECURRENCE provides a further sample of the forthcoming, self-titled, debut EP due later this year.

A new voice in symphonic metal is emerging with a distinctly intimate approach. ETERNAL RECURRENCE has announced the launch of a Kickstarter campaign supporting the release of their self-titled debut EP, scheduled for later this year.

Drawing inspiration from the traditions of chamber music, ETERNAL RECURRENCE present an alternative perspective on modern symphonic metal. The project centers on the sound of real musicians performing real orchestral instruments, allowing nuance, texture, and the subtle imperfections of human performance to remain present within the music. In an era where digital orchestration has become increasingly common, the group embraces a more organic process that prioritizes authenticity and musical interaction.

Rather than pursuing the massive, cinematic scale often associated with the genre, ETERNAL RECURRENCE build their orchestral arrangements through a chamber-influenced framework. This approach places individual instruments and performers at the forefront, creating space for expressive detail and dynamic interplay. When combined with a modern metal foundation, the result is a sound that retains the emotional depth of symphonic metal while offering a closer, more personal listening experience.

The upcoming self-titled EP represents the first chapter for ETERNAL RECURRENCE and introduces the sonic identity that will guide the project moving forward. Support through Kickstarter will help fund recording, production, and the collaboration with the orchestral musicians who bring the music to life. Their page can be found HERE.

Listeners and supporters can learn more about the campaign and follow the progress of the EP through ETERNAL RECURRENCE’s Kickstarter page.

Connect With ETERNAL RECURRENCE:

MELECHESH Unveil New Single “In Shadows, In Light” from Upcoming EP Sentinels of Shamash

International Mesopotamian metal pioneers MELECHESH have unveiled their new single, “In Shadows, In Light,” taken from the band’s forthcoming digital EP Sentinels Of Shamash, scheduled for release on April 10th via Reigning Phoenix Music.

“In Shadows, In Light” continues MELECHESH’s tradition of weaving esoteric philosophy, ancient symbolism, and relentless sonic power into a singular musical experience. The track explores hidden cosmic knowledge and the subtle forces shaping perception and reality.

Speaking about the song, the band comments:

“‘In Shadows, In Light’ explores cosmic knowledge hidden in plain sight — parallel dimensions, sacred geometry, and veiled currents of existence revealed only through perception. Drawing on esoteric and Kabalistic thought, the song moves between concealment and revelation.

Structured as a journey with shifting acts and moods, it unfolds through tension, release, and transformation. Each passage reveals another layer of vision, where shadow and illumination coexist, and the unseen becomes ‘felt’ rather than explained.”


Musically, the track embodies MELECHESH’s hallmark fusion of blackened thrash, Middle Eastern scales, and hypnotic rhythmic patterns, guiding listeners through an evolving sonic landscape that mirrors the song’s philosophical themes. From atmospheric passages to ferocious riffs, “In Shadows, In Light” reflects the band’s ongoing exploration of myth, mysticism, and consciousness.

“In Shadows, In Light” was produced by Ashmedi and co-produced by Rob Caggiano and Kristian “Kohle” Kohlmannslehner. Bass lines and backing vocals on “In Shadows, In Light” were recorded by Rob Caggiano, who also contributed rearrangements. Drums were performed by Nikitas Mandolas, with engineering and mixing and mastering by Kristian “Kohle” Kohlmannslehner, and engineering and tracking by Daniel Claar. 

Sentinels Of Shamash, stands as a ceremonial descent into ancient law, fire, and cosmic vigilance. Drawing from Mesopotamian myth and the solar judgment of Shamash, god of truth and justice, MELECHESH crafts an offering steeped in divine wrath and esoteric order. Each composition unfolds like a sacred inscription, invoking forgotten gods, fallen kings, and the eternal tension between chaos and balance.

Through commanding riffs, relentless rhythms, and a sonic architecture that bridges ancient cosmology with modern extremity, Sentinels Of Shamash delivers a mythological statement rooted in fire, judgment, ruin, and restoration. The sentinels stand eternal guard over fate itself.

Pre-Save "Sentinels Of Shamash" HERE: https://melechesh.rpm.link/sos

About MELECHESH:

 Melechesh was formed in 1993 in Jerusalem with the intent to forge what the band defines as Mesopotamian Metal. Rooted in black metal and thrash, their sound draws deeply from Sumerian and Mesopotamian mythology, as well as cosmic and occult themes, while incorporating Mediterranean and Middle Eastern musical elements into an extreme metal framework. Over the decades, Melechesh has evolved into an international musical and cultural phenomenon, known for its distinct identity, scholarly mythological focus, and uncompromising artistic vision( that is referenced by an upcoming generation of bands). This trajectory inadvertently mirrors the life journey of its nomadic, globe-trotting founder and composer, Ashmedi. The band remains a singular force within extreme metal, standing apart through both concept and sound.  

Connect With Melechesh: 

  • Facebook: https://www.facebook.com/melecheshofficial

  • Instagram: https://www.instagram.com/melechesh_official

  • Twitter/X: https://twitter.com/Melechesh

  • YouTube: https://www.youtube.com/@MelecheshOfficial

  • Bandcamp: https://melechesh.bandcamp.com

  • Spotify: https://open.spotify.com/artist/1xT4Y7Qz2nJ6TP2PzefRgS

  • Apple Music: https://music.apple.com/artist/melechesh/2912018

  • Deezer: https://www.deezer.com/en/artist/11971

Canada's Rock Trio DANKO JONES Announce Latin America Tour Dates For May 2026

Hard-hitting rock act DANKO JONES are preparing to take their high-octane rock 'n' roll to venues across Latin America this May. This tour announcement follows the release of their critically-acclaimed, twelfth studio album Leo Rising. Canada's DANKO JONES will unleash their electrifying sound with setlists including songs from the new record. The band's uplifting and energizing live shows are not to be missed. 

DANKO JONES comments on the forthcoming tour: "Even when we were on tour in Latin America last year, I was already itching to come back. Now that it’s official and we are coming back my 2026 year has been made! We can’t wait to play for everyone in Latin America. Let’s rock together!!!"

Latin America Tour Dates 2026: 
21 May - São Paulo, Brazil - Fabrique Club
23 May - Buenos Aires, Argentina - Uniclub 
24 May - Santiago, Chile - Club Ambar 
27 May - Bogota, Colombia - Ace of spades club 
29 May - Mexico City, Mexico - Foro Bizarro 

Purchase tickets HERE!

Produced to perfection by longtime collaborator Eric Ratz, the trio's new studio offering Leo Rising is a masterclass in sweat-soaked, no-nonsense rock. Packed with razor-sharp riffs, thunderous rhythms, and infectious hooks, the album reaffirms that DANKO JONES are keeping rock alive by doing it better than anyone else.

John Calabrese laid down bass tracks from Finland, Rich Knox flew to Toronto to record drums, and Danko worked with producer Eric Ratz in the same city to capture vocals and guitars. Despite recording separately once again, the band’s chemistry is unmistakable. The result is pure DANKO JONES: tight, loud, and built for the stage.

Stream / Order Leo Rising now at: https://dankojones.rpm.link/leorisingPR

Watch "I Love It Louder" here: https://youtu.be/lK1ya5dZzLc

DANKO JONES are:
Danko Jones | vocals, guitars
John Calabrese | bass
Rich Knox | drums
 

More on DANKO JONES:
dankojones.com | Facebook | Instagram | TikTok | X | Spotify | Apple Music

HELLOWEEN To Embark On 40th Anniversary North American Tour 2026

Celebrating 40 years of HELLOWEEN, the legendary German metal act is preparing to bring its epic show to the venues across North America. Joined by special guests BEAST IN BLACK, 2026 sees the long awaited return of the pioneers of melodic speed metal with their high-octane, unforgettable stage performances. The tour through the United States and Canada marks the second leg of the anniversary world tour after the band's triumphant success in Europe, selling out the continent's prime arenas.

The Pumpkinheads will celebrate the four decades of metal mastery with an ultimate set list packed with classic hits, songs from the new album Giants & Monsters and some legit surprises.

North American Tour 2026 Dates: 
04/07/26 - Dallas, TX - The Bomb Factory
04/08/26 - San Antonio, TX - Aztec Theatre
04/10/26 - Atlanta, GA - Tabernacle
04/12/26 - Orlando, FL - House of Blues
04/14/26 - Silver Spring, MD - The Fillmore
04/15/26 - Boston, MA - Citizens House of Blues
04/17/26 - New York, NY - Palladium Times Square
04/18/26 - Montreal, QC - L'Olympia
04/19/26 - Toronto, ON - Queen Elizabeth Theatre
04/21/26 - Milwaukee, WI - The Rave
04/23/26 - Denver, CO - Paramount Theatre
04/25/26 - Salt Lake City, UT - The Depot
04/28/26 - Seattle, WA - Paramount Theatre
04/30/26 - San Francisco, CA - The Warfield
05/01/26 - Inglewood, CA - YouTube Theater
05/02/26 - Las Vegas, NV - House of Blues

Purchase tickets here: https://www.helloween.org/#live

HELLOWEEN's tour follows the release of the impressive, captivating, and critically acclaimed 2025 full-length album Giants & Monsters, released via Reigning Phoenix Music.

Order/stream the album here: https://helloween.rpm.link/giantsmonstersPR

HELLOWEEN are:
Michael Kiske | vocals
Andi Deris | vocals
Kai Hansen | guitars, vocals
Michael Weikath |  guitars
Sascha Gerstner |  guitars
Markus Grosskopf | bass
Dani Löble | drums
 

More on HELLOWEEN:
helloween.org | Facebook | Instagram | Threads | TikTok
YouTube | X | Spotify | Apple Music | RPM

CREMATORY Announce Greatest Hits Album “Born” Video Single Streaming Now!

German gothic metal pioneers CREMATORY have announced the release of their Greatest Hits album containing English Hymns & Deutsche Hymnen, set to arrive on May 15, 2026 via ROAR – A Division of Reigning Phoenix Music. The release celebrates 35 years of the band’s influential career and will be available as an expansive three-CD edition as well as limited double-vinyl versions.

The 3-CD set will feature CD1 English Hymns, CD2 Deutsche Hymnen, and CD3 Engulfed in Darkness Demo. In addition, the LP vinyl editions will be available as a Neon Green double vinyl containing the English Hymns selection and a Turquoise double vinyl featuring the Deutsche Hymnen selection.

Pre-order CREMATORYs Greatest Hits at: https://crematory.rpm.link/greatesthitsPR

Alongside the announcement, the band has unveiled a video clip for the the track “Born,” which is available now on all major streaming platforms! Built around a haunting refrain “I was born in a wrong time / wrong world,” and carried by heavy guitars and atmospheric synth layers, the track captures the emotional depth that has defined the band’s sound for decades.  

Watch the video below:
 

Stream "Born": https://crematory.rpm.link/bornPR 

Frontman Felix Stass explains:
"'Born' is about feeling out of place in your own time and world. It’s for everyone who has ever felt they don’t belong - yet keeps standing."

Formed in 1991 in Mannheim, Germany, CREMATORY have become one of the most enduring and influential acts in European gothic metal. Over more than three decades, the band evolved from their early death metal roots into a distinctive style combining heavy riffs, melodic keyboards, industrial textures, and contrasting vocal approaches.

Throughout their career, CREMATORY have explored themes of life, pain, introspection, and atmosphere, often blending deep growls with clean vocals to create a sound both powerful and haunting. Their growth in the 1990s brought them recognition across Europe through relentless touring and festival appearances.

The upcoming Greatest Hits album reflects the band’s bilingual legacy. English Hymns & Deutsche Hymnen gathers key tracks from across their catalogue in both languages and also includes the band’s earliest demo recordings, offering fans a comprehensive retrospective of CREMATORY’s long and influential journey.

In support of the release, the band will embark on an extensive European run throughout 2026.

With 35 years of history, countless tours, and a legacy that helped shape European gothic, death and industrial metal, Greatest Hits stands as both a celebration of CREMATORY’s past and a powerful reminder that the band remains as vital as ever!
 
CREMATORY is:
Felix Stass - Vocals
Rolf Munkes - Guitar
Oliver Revilo - Bass
Katrin Jüllich - Keyboards, Samples
Markus Jüllich - Drums, Programming
 
Visit CREMATORY online:
Website | https://www.crematory.de 
Facebook | https://www.facebook.com/crematory.de 
Instagram | https://www.instagram.com/crematory.de 
YouTube | https://www.youtube.com/@crematory-de 
 
Visit ROAR online:
Homepage: https://www.roar-records.de
Facebook: https://www.facebook.com/rpmroar
Instagram: https://www.instagram.com/rpm_roar/
TikTok: https://www.tiktok.com/@rpm_roar
X: https://x.com/rpmroar
YouTube: https://www.youtube.com/@ReigningPhoenixMusicOfficial 
Spotify

APOSTLE Release New Single and Video "Distortions of Light"

"Distortions of Light" is the new single and video to arrive from ATLANTA, GA metal trio APOSTLE. With a sound designed to encourage emotional connection and catharsis, APOSTLE entwine elements from grindcore and hardcore, post-black metal, shoegaze and post-rock. The band's upcoming full-length album A Splinter in the Infinite Noumenon, is set for release on June 5, 2026 via Terminus Hate City. 

"Distortions of Light" begins with a recording of E.E. Cummings offering advice to students and aspiring writers. As he states,  “…but the moment you feel, you are nobody but yourself”, it is here that APOSTLE's sonic expression takes charge. 

The musical arrangement is intended to evoke a sense of unease, "the listener is cast without reason into a world of darkness and confusion, the song lurches forward through a barren wasteland of murky and ominous melodies" the band explain. Melodies "beckon the listener like a will-o’-the-wisp to follow down some unseen path to discover what lies beyond the distortions of light."

The imagery and metaphor of the narrative, as envisioned by APOSTLE, is rooted in the concept of reality being represented by a giant diamond suspended in the sky. Upon breaking, and the splinters falling to earth, it is a distorted version of reality that is revealed in the fragments on the ground. 

The album title references Carl Jung’s description of humanity as a “splinter in the infinite deity,” framing the record as an exploration of spiritual duality, grief, and self-examination. Across six tracks and 27 minutes, the band move through themes of loss, mortality, internal conflict, and eventual healing. The record serves as both a meditation on the human condition and a deeply personal tribute shaped by grief and remembrance.

Produced, engineered, and mixed by Connor Ray at Sobek Sound and mastered by Erol Ulug at Bright Lights, A Splinter in the Infinite Noumenon presents APOSTLE in their most refined and expansive form.

Pre-order A Splinter in the Infinite Noumenon here: https://www.terminushatecity.com/product-page/preorder-apostle-a-splinter-in-the-infinite-noumenon-lp

Their latest album, A Splinter in the Infinite Noumenon, represents the band’s most fully realized work to date. Drawing from existential philosophy and deeply personal experiences with grief and remembrance, the record explores humanity’s connection to something greater while acknowledging the struggle inherent in being human. Across its runtime, APOSTLE seek connection through shared emotional experience, transforming personal suffering into collective release.

APOSTLE is:

Murice White – vocals, guitar
Michael Thomas – bass, vocals
Evan Price – drums

Connect with APOSTLE:

Bandcamp: https://apostlesucks.bandcamp.com
Store: https://www.terminushatecity.com
Instagram: http://www.instagram.com/apostlesucks
Facebook: http://www.facebook.com/apostlesux
Spotify: https://open.spotify.com/artist/67cjLOrbhdb2gFmS9OJKfS
YouTube: https://youtube.com/@terminushatecity

CHRONICLER OF ARDUL Releases New Single "Zarek the Bloody" Ahead of Upcoming Album Sounds of Ardul

The fantasy-driven project CHRONICLER OF ARDUL unveils its latest single, "Zarek the Bloody," offering listeners their first glimpse into the evolving sound and storytelling of the upcoming album Sounds of Ardul, set for release April 10, 2026.

Framed as one final bard’s song, "Zarek the Bloody" explores the blurred line between legend and truth. In the world of Ardul, bards carry the responsibility of immortalizing heroes and villains alike, singing of their triumphs, their infamy, and the complicated truths that lie somewhere in between. Zarek is one such figure, a renowned and widely traveled warrior whose reputation precedes him wherever the songs are sung.

Driven by accordion, bass, percussion, and vocals by David Williams, the track presents Zarek as both myth and man. The verses paint him as a heroic wanderer worthy of praise, while the choruses suggest something more ambiguous beneath the legend. Like many figures etched into history through song, Zarek’s story may depend on who is telling it, or perhaps who commissioned it to be told.

The composition began its life on guitar before evolving into its final arrangement built around accordion, giving the piece a brooding folk character reminiscent of the opening theme from the television series Peaky Blinders. As the song developed, its lyrics shifted and reshaped until the narrative and melody aligned, revealing a layered portrait of a character whose true nature remains open to interpretation.

Zarek himself plays a role in the creator’s larger fantasy trilogy, and "Zarek the Bloody" offers an early glimpse of the character’s presence within that story. The song hints at the deeds that built his legend and raises new questions. Is the feared warrior truly the hero the verses celebrate? And what of the cursed blade whispered about in taverns and camps alike? Could Zarek possess the legendary Sword of Virné?

The single arrives ahead of Sounds of Ardul, the third release from CHRONICLER OF ARDUL. The album represents a new creative direction for the project, leaving behind metal elements in favor of orchestral and fantasy-focused compositions.

In wide brush strokes, Sounds of Ardul paints the emotional landscape of its world. From the dark beauty of the Woodlands to the lurking depths of the Underground, from heroic calls to arms to uneasy encounters with figures whose true nature remains hidden. The album plays like a video game soundtrack set within a classic fantasy setting, built for immersion and storytelling.

And like many great adventures, it all begins in a tavern, with bards singing songs.

"Zarek the Bloody" is available now. Sounds of Ardul arrives April 10, 2026.

CHRONICLER OF ARDUL IS:
David Williams – Music and Lyrics

Links:
Website: https://chroniclerofardul.com/
Bandcamp: https://chroniclerofardul.bandcamp.com/
Instagram: https://www.instagram.com/chronicler_of_ardul/

ATAVISTIA Present New Single “Seeker of Time", Ahead of The Upcoming Album Old Gods Awaken

ATAVISTIA embrace an adventurous spirit in the magical new single "Seeker of Time". Accompanied with a lyric video this is the latest offering to land ahead of the forthcoming album Old Gods Awaken, set for release on May 15th, 2026 via Blood Blast Distribution.

Leaning further into folk metal realms, ATAVISTIA's new compositions delve into an array of folk tales and fantasy-led themes. “'Seeker of Time' is our first song to not be written in the 1st person perspective". The band reveal. "It tells the story of a sorcerer’s pursuit of time."

Musically, this track delivers a shorter and sharper impact driven primarily by a riff-focused structure. It's powerful and explosive while remaining characterful as ATAVISTIA seamlessly blend folk metal with a blackened edge. The narrative behind "Seeker of Time" is aptly portrayed through the instrumental arrangements, along with the wider themes of Old Gods Awaken, to ensure the effect is one that is fully immersive. 

"Seeker of Time" follows the celebratory mood of their first single "Mystic Tavern", presenting fans with a further glimpse into the alluring world of Old Gods Awaken.

Due out May 15th, 2026, Old Gods Awaken runs 43 minutes and 21 seconds and represents the uplifting first chapter of a two album concept. Incorporating Swedish and Finnish lyrics for the first time in the band’s catalog, the album draws from Nordic heritage and mythic atmosphere while delivering some of ATAVISTIA’s most memorable hooks to date. From tavern revelry to forest mysticism and epic progressive climaxes, the record marks a confident evolution in their sound.

With “Mystic Tavern” and "Seeker of Time" now unleashed, ATAVISTIA invite listeners to step inside, raise a horn, and prepare for the awakening.

ATAVISTIA lineup:

Mattias Sippola - Guitar, Vocals, Composition, Production
Max Sepulveda - Drums, Engineering
Elia Baghbaniyan - Guitar
Spencer Budworth - Bass, Vocals

CELESTIAL DEATH Unleash New Single “Seed Corrupted"

Rooted in dystopian themes and extreme, yet melodic black metal ferocity, “Seed Corrupted” introduces listeners to the opening chapter of CELESTIAL DEATH’s larger conceptual narrative that explores corruption, power, and the cyclical nature of destruction and rebirth.

Musically, “Seed Corrupted” merges modern melodic black metal with dark, post-metal atmosphere. A distorted lead melody establishes a dissonant tone before erupting into thunderous percussion and obliterating vocal delivery. The arrangement shifts between relentless high-speed aggression and slower, oppressive passages, creating a dynamic soundscape that mirrors the tension within the song’s narrative.

While the track stands on its own as a powerful single, it also serves as an entry point into a much larger conceptual story that CELESTIAL DEATH’s founding guitarist and vocalist, Forrest Jessup, has been developing for years. At its core, “Seed Corrupted” presents a conversation between two figures navigating morality, power, and survival in a corrupted world.

Part of the narrative draws inspiration from the mythology surrounding Al Capone, who famously spent time imprisoned in the Atlanta Federal Penitentiary - located only two miles from where Jessup grew up. Within the story, Capone appears as a mentor figure speaking to an unnamed protégé about the realities of power, violence, and the moral compromises required to survive within ruthless systems.

The title “Seed Corrupted” acts as a metaphor for how corruption rarely begins with a single act of evil, but instead grows from the environments people are forced to navigate. In harsh societal conditions - particularly in impoverished urban environments shaped by systemic oppression - organized crime often becomes less a matter of choice and more a mechanism of survival. Within the narrative, the mentor figure reflects on his rise to power while acknowledging both the brutality and the intoxicating nature of chaos itself.

One of the song’s central lines captures this duality:

“We planted this seed, corrupted this society, enchanted by our anarchy.”

While figures like Capone are condemned by society, they are also mythologized and romanticized in cultural memory - often framed through outlaw folklore that blurs the line between villain and antihero.

Growing up in Atlanta heavily influenced the themes behind the track. The city’s cultural identity - built on resilience, struggle, and an uncompromising survival mentality - shaped Jessup’s perspective and writing. Atlanta has long been a place where artists and communities have fought to build something from nothing, embodying a spirit often summarized as “got it out the mud.” That mindset of relentless survival and self-determination echoes throughout the worldview of the characters within CELESTIAL DEATH’s unfolding story.

The artwork for “Seed Corrupted,” created by Jim Bob Cooter Jr. (who did the band’s debut single, "Anti-Preacher"), visually reinforces these themes. The illustration depicts a decaying urban skyline and fractured cityscape amidst a bleak natural environment, in the center of which is a body of water, and dying tree of life… Above the surface lies the decay, symbolizing a society already consumed by corruption. The inverted reflection in the pool, however, reveals a thriving city of prosperity and abundant tree of life. The imagery suggests that corruption has already taken root in the present world, while the reflection represents either a forgotten past or a possible future that humanity has lost - or may one day reclaim.

“Seed Corrupted” serves as the first glimpse into the broader conceptual world of CELESTIAL DEATH - a narrative built around cycles of corruption, collapse, and rebirth. Much like the ancient symbol of the ouroboros, the story exists within a continuous loop where endings become beginnings and fallen systems inevitably reform themselves. This philosophy also mirrors the band’s deeper artistic identity and the ethos behind Terminus Hate City itself: the understanding that decay and creation are inseparable forces. Like the phoenix rising from ash, destruction becomes the catalyst for transformation, and new life inevitably grows from the ruins of the old.

CELESTIAL DEATH is:
Forrest Jessup - Guitar, vocals
Jason Schwartzwalder - Lead guitar
Matthew Carmichael - Drums
Robbie Marsh - Bassist

Social Links:

SCHATTENMANN Release New Studio Album “Endgegner” Out Now Via PERCEPTION.

German metal act SCHATTENMANN have released their brand-new studio offering, entitled Endgegner, today via PERCEPTION. At the same time, the band has started their album release tour, bringing the new material to stages across Germany and Austria.

With Endgegner, SCHATTENMANN lean into a heavier and more metaldriven sound. International press reactions have been strong. Devolution Magazine notes that the record shows “the industrial metallers at their most focused,” adding: “You’ll bang your head, you’ll sing along and you’ll groove like nobody’s watching. It’s a fun-fuelled romp well-worth your time.”

FFM Rock writes: “The album convinces across the board, the sound is fat and pumps pure energy, so it gets 8 out of 10 points here.” Powerplay Magazine UK goes even further, awarding 9/10 and stating that a “Future classic album status [is] guaranteed!” while Metalhead.it sums it up perfectly: "An album that stings, that cuts, that annihilates, that captivates. A sinful album that creates a wonderful addiction!"

To coincide with the album’s arrival, today SCHATTENMANN have also unveiled an official music video for the track “Wir sind das Ende der Welt”, watch below:

Frontman Frank Herzig says about the track: 
"The song is an explosive declaration of love on the edge of the apocalypse - wild, unrestrained and uncompromising. Although it begins almost like a ballad, it unfolds into a modern metal track with metalcore elements. Far removed from kitsch and clichés, it tells the story of two people who break every boundary, summon storms and stubbornly give the world the middle finger. A hurricane of passion, chaos and raw intensity that sets everything on fire.”

Endgegner sets the tone for a new chapter in the musical journey of SCHATTENMANN, presenting themselves sharper and more focused than ever. Produced by Henning Verlage, the album represents a clear cut and a deliberate evolution of the band’s sound.

Following four studio albums and their first Top 10 chart entry with Día de Muertos, SCHATTENMANN continue to prove that change and progression remain at the core of their identity. Heavier, more aggressive, and unapologetically metal, Endgegner sees the band reborn in steel and fire, poised to claim their place in today’s heavy music landscape!

Order Endgegner HERE: https://schattenmann.rpm.link/endgegnerPR

About SCHATTENMANN
Founded in 2016, Nuremberg-based band SCHATTENMANN have entered the metal world by storm! Pinnacling with their top 10 album Día de Muertos in 2023, the quartet - singer Frank Herzig, guitarist Jan Shook, bass player Luke Shook & drummer Rorschach - paved their way with impactful songwriting but also with energising live shows. A thrilling combination which has resonated with a wide range of range (mostly) European metalheads so far. Sheer metal and continuous touring are the keys of why SCHATTENMANN have become one of the leading German ambassadors in the hard ‘n’ heavy universe within less than 10 years.
 

SCHATTENMANN are:
Frank Herzig | vocals
Jan Shook | guitars
Luke Shook | bass
Rorschach | drums

More on SCHATTENMANN:
schattenmann.band | Linktree | Facebook | Instagram | TikTok
Bandsintown | YouTube | Spotify | Apple Music

DEICIDE Announce North American Tour Dates

Death metal legends DEICIDE are set to bring their relentless, unapologetic brutality to venues and festival stages across North America. Joined by ROTTING CHRIST & IMMOLATION, the onslaught begins in Baton Rouge, Louisiana, on April 9 before bleeding through the states to Little Rock, Arkansas, on May 26. 

Since their inception in 1987, DEICIDE has left a ferocious mark on the genre and there are no intentions of slowing down. In over three decades the band has released thirteen studio albums, their latest being 2024's Banished By Sin, released via Reigning Phoenix Music, that is ingrained with thunderous aggression and power. 

Purchase tickets here: https://deicideofficial.com/tour-dates/

Headlining Shows and Festival Dates:
w/ support from ROTTING CHRIST & IMMOLATION

4/09 Baton Rouge LA - Chelsea’s Live
4/10 Houston TX - White Oak Music Hall
4/11 San Antonio TX - Vibes Event Center
4/13 Las Vegas NV - Fremont Country Club
5/01 Reading PA - Club Reverb*
5/03 - Albany NY - Empire Live
5/07 - Daytona Beach FL - Welcome To Rockville #
5/14 - Columbus OH - Sonic Temple After-Party
5/22 - Tucson AZ - The Rialto #^
5/23 - El Paso TX - Rockhouse Bar & Grill #
5/24 - Albuquerque NM - Sunshine Theater #
5/26 - Little Rock AR - The Hall #

* DEICIDE only
# no ROTTING CHRIST 
^ w/ CATTLE DECAPITATION


The legendary death metal band was formed in Tampa, Florida, in 1987 by current and surviving members, drummer/composer Steve Asheim, and bassist/vocalist/lyricist Glen Benton. The band rose to mainstream success in 1992 with their second album Legion, and is credited as the second-best-selling death metal band of the Soundscan Era. Since their debut album in 1990, DEICIDE has released twelve studio albums, one live album, two compilation albums and two live DVDs. In November 2003, their first two albums, Deicide and Legion, were ranked second and third place respectively in best-selling death metal albums of the SoundScan era. DEICIDE is known for being uncompromising and crafting some of the best, most punishing Death Metal music in their three decade-plus of existence. In 2024, the band unveiled Banished By Sin, via Reigning Phoenix Music, an intense, brutal and savagely catchy slab of Florida Death Metal!

Stream/purchase Banished By Sinhttps://deicide.rpm.link/banishedbysinYT

GOTTHARD Celebrate Release of 'More Stereo Crush'

Today, Swiss hard rock legends Gotthard celebrate the release of their brand-new mini album More Stereo Crush, out now via RPM. The eight-track release expands on the band’s acclaimed 2025 album Stereo Crush and offers fans a deeper look into the creative sessions behind the record.

More Stereo Crush features five previously unreleased songs from the Stereo Crush recordings, alongside the track “Mayday,” which had previously only been available as a video. The EP also includes a radio edit of the ballad “Burning Bridges” and a brand-new duet version of the fan favorite “Liverpool,” performed by vocalist Nic Maeder together with Marc Storace of Krokus.

Produced by Charlie Bauerfeind and Leo Leoni, mastered by Sascha “Busy” Bühren, and featuring artwork by Manuel Schütz and Thomas Ewerhard, the EP once again highlights the band’s signature blend of melodic hooks, powerful vocals, and rock-solid instrumentation. More Stereo Crush is out now and available as an MCD, a limited mini LP, a special CD bundle with Stereo Crushand digitally.
 
Order More Stereo Crush at: https://gotthard.rpm.link/mscPR

About GOTTHARD
With meanwhile 17 number one albums, a Diamond Award for selling over one million units in Switzerland, and multiple platinum records, including their quadruple platinum album “Homerun,” GOTTHARD have an unmatched legacy of successes. It is rounded off by over 3.5 million units sold worldwide and more than 2,000 live performances. Their tracks like ‘Heaven,’ a platinum single, and seven top 10 singles have cemented the band in the international music scene.


Known for their heartfelt songwriting, powerful live shows and unmistakable melodic sound, the band has built a lasting legacy since their breakthrough in the early 1990s. After recently wrapping a European tour with Y&T, a busy festival season and three “Rock Monsters of Switzerland” arena shows alongside Krokus, the band continues to push forward creatively.

 Today’s lineup features founding members Leo Leoni and Marc Lynn, joined by Freddy Scherer, Nic Maeder, and drummer Flavio Mezzodi. With multiple songwriters contributing to the creative process and longtime producer Charlie Bauerfeind once again involved, GOTTHARD continue to prove that their passion for hard rock remains as strong as ever.
 
GOTTHARD are:
Nic Maeder | vocals
Leo Leoni | guitars
Freddy Scherer | guitars
Marc Lynn | bass
Flavio Mezzodi | drums
 
More on GOTTHARD:
gotthard.com | LinktreeFacebook | Instagram | X | TikTok | YouTube | Spotify
 
GOTTHARD - Smiling In The Pouring Rain (Official Music Video) - YouTube

SUNSWARM Announce Crushing New Single "Erasure" Ahead of Forthcoming Album

Southampton, UK industrial post-metal act SUNSWARM announce the release of their new single "Erasure."

"Erasure" is not structured as a traditional single. Across eight minutes, the track unfolds as a bleak and overwhelming piece of industrial post-metal, built from early 90s industrial sampling techniques, scorched guitar textures, and vocals shaped by black-metal intensity. Rhythms move like shifts in pressure rather than conventional song structures, creating an atmosphere of suffocation and psychological weight.

Emerging from UK South Coast underground scene, SUNSWARM draw influence from the brutal desolation of GODFLESH, the spiritual intensity of AMENRA, the sonic extremity of THE BODY, and the cosmic dread of ORANSSI PAZUZU. Their sound merges industrial noise, post-metal density, and extreme vocal expression into something immersive and deeply physical.

The band describe the track as the emotional entry point into the record: "This is the opening track from our forthcoming album. It’s not a song. It’s 8 minutes of bleak, overwhelming Industrial Post-Metal. No Light. This nihilism is not a political or philosophical position. It is waking in the middle of the night and feeling a void. The growing feeling of strangulation in this creeping dystopia that the power structures and their tech is dragging us and our children into.

When you strip back the substances and digital, what oxygen do we have left? Erasure. Erased."


With "Erasure", SUNSWARM present confrontation rather than escape, reflecting modern anxiety, technological alienation, and the erosion of identity within an increasingly mechanized world.

The single is a harbinger of a wider conceptual release, with further details on the forthcoming album to be announced soon.

About SUNSWARM:

SUNSWARM is led by vocalist and bassist Rich Lee-Davis and vocalist and guitarist Neil Sutton, joined by additional contributors who extend the band’s sonic and visual reach. Together they construct an immersive environment where sound, light, and texture collide. Their creative world is defined by sensory overload, stark monochrome imagery, disorienting strobe work, and the feeling of being enclosed within an atmosphere that is both vast and hostile. Everything they create is intended to overwhelm, to blur the line between performance and encounter.

From their earliest ideas, SUNSWARM have operated from a place of complete self-definition, shaping a language of heaviness that goes beyond impact or aggression. They approach weight and intensity as emotional terrain, a landscape shaped by pressure, absence, and the darker edges of lived experience. Their second single, “Erasure,” marks a further reveal of this landscape, a glimpse into the bleak and immersive world the band is building.

SUNSWARM is: 

Rich Lee-Davis - vocals, bass
Neil Sutton - vocals, guitar
Additional contributors (live and studio) - to be announced

Connect with SUNSWARM:

Website: https://sunswarm.bandcamp.com/
Bandcamp: https://sunswarm.bandcamp.com/
Facebook: https://www.facebook.com/sunswarmband
Instagram: https://www.instagram.com/sunswarmband/
YouTube: https://www.youtube.com/@SUNSWARM

INCITE To Embark On North American Tour Supporting DEATH ANGEL

Phoenix groovers/thrashers INCITE are set to join DEATH ANGEL in support of their "Act III US Tour 2026" alongside VIO-LENCE. INCITE will be obliterating stages performing tracks taken from their critically acclaimed 2025 album Savage New Times, released via Reigning Phoenix Music.

Frontman Richie Cavalera comments, "Metalheads we are beyond fired up to be touring with metal legends DEATH ANGEL and VIO-LENCE on the upcoming Act III US tour! We’ll be bringing our new album Savage New Times to the stage and to the pit for the first time since its release!!! Get those tickets today and get ready for an insane night of heavy metal."

DEATH ANGEL "Act III" US Tour 2026 W. VIO-LENCE & INCITE Dates

5/1 - Phoenix, AZ - Marquee Theater
5/3 - Oklahoma City, OK - Diamond Ballroom
5/5 - New Orleans, LA - House of Blues
5/7- Daytona, FL - Welcome To Rockville (not ACT III set)
5/10 - Charlotte, NC - The Underground
5/11 - Asheville, NC - Orange Peel
5/12 - Hobart, IN - Hobart Theater
5/13 - Columbus, OH - The King Of Clubs
5/14 - Detroit, MI - St Andrews Hall
5/15 - Sayreville, NJ - Starland Ballroom
5/16 - Norwalk, CT - District Music Hall
5/19 - Wilmington, DE - The Queen
5/20 - New York, NY - Gramercy Theater
5/21 - Buffalo, NY - Electric City
5/22 - Allentown, PA - Archer Music Hall
5/24 - Baltimore, MD - Maryland Deathfest
5/27 - Atlanta, GA - Masquerade Hell
5/28 - Orlando, FL - The Abbey
5/29 - Ft Lauderdale, FL - Culture Room
5/30 - Tampa, FL - Orpheum
6/2 - Nashville, TN - Brooklyn Bowl
6/3 - Louisville, KY - Mercury Ballroom
6/5 - Milwaukee, WI - Milwaukee Metal Fest
6/6 - St Louis, MO - Red Flag
6/8 - Wichita, KS - Wave
6/9 - Greeley, CO - Moxi Theater
6/10 - Colorado Springs, CO - Black Sheep
6/11 - Salt Lake City, UT - The Complex
6/12 - Boise, ID - Shrine Ballroom
6/14 - Seattle, WA - Showbox
6/16 - Portland, OR - Hawthorne Theater
6/17- Sacramento, CA - Ace Of Spades
6/18 - San Luis Obispo, CA - Fremont Theater
6/19 - Santa Ana, CA - The Observatory
6/20 - Ventura, CA - Ventura Music Hall
6/21 - Santa Cruz, CA - The Catalyst

Purchase tickets HERE!

About INCITE:

Founded in Phoenix, Arizona, in 2004 by frontman Richie Cavalera, INCITE blends groove and thrash metal with a raw, relentless edge. With Lennon Lopez on drums and EL on bass, the band has honed its unyielding sound across multiple albums, evolving with each release. Their punishing intensity is amplified by producer Steve Evetts (THE DILLINGER ESCAPE PLAN, HATEBREED and mixer Arthur Rizk (SOULFLY, MUNICIPAL WASTE), while striking artwork by Marcelo Vasco (SLAYER, KERRY KING) captures their ferocity. Known for their relentless touring, INCITE has conquered stages worldwide, sharing bills with DEVILDRIVER and SIX FEET UNDER, and proving their grit—like driving 500 miles through a blizzard to make a show. The addition of guitarist Layne Richardson has injected fresh energy, elevating both their live performances and songwriting. With sheer determination and raw talent, INCITE has carved out a place in modern thrash, dominating every stage with their unbreakable, unforgiving sound.

Purchase Savage New Times HERE: https://incite.rpm.link/savagenewtimesPR

Connect with INCITE:
Facebook: https://www.facebook.com/inciteheavymetal
Instagram: https://www.instagram.com/incite_heavymetal
Apple Music: https://music.apple.com/us/artist/incite/278131122
Spotify: https://open.spotify.com/artist/2QMngsbAfyIglYdFpefrQA?si=fqQCez0eTVack2sj80i0ag

ACIDOSIS Release New Single “Tied To The Tracks” From Upcoming Album Arrival

Crossover thrash band ACIDOSIS have released their new single, “Tied To The Tracks,” taken from the upcoming full-length album Arrival, arriving March 27, 2026.

“Tied To The Tracks” traces back to the earliest origins of ACIDOSIS. The song was first written in 10th grade after the band’s frontman was kicked out of a friend’s band, channeling feelings of betrayal, confusion, and emotional fallout into what became the first fully realized ACIDOSIS song. A homemade music video for the track unexpectedly went viral on MySpace, helping build a grassroots cult following throughout Florida during the band’s formative years.

The track delivers a direct punch of crossover thrash energy driven by speed, precision, and raw emotion. The opening riff spins up with mounting tension before launching into a relentless climb of shredding guitars and driving momentum. Lyrically, the song explores the moment when trust collapses and emotions shift from shock to acceptance, capturing the realization that there is no turning back.

Influenced by classic thrash songwriting and fueled by a massive, chant-ready chorus, “Tied To The Tracks” remains a live favorite during the band’s Florida performances, where crowds continue to shout along to its arena-sized refrain.

Arrival marks the band’s next chapter and will be released worldwide on March 27, 2026.

ACIDOSIS will support the album with a run of U.S. tour dates this spring.

ACIDOSIS Tour Dates

3/11 | Milwaukee, WI @ Falcon Hall*
3/12 | Chicago, IL @ Sleeping Village
3/26 | Brooklyn, NY @ Market Hotel
3/27 | Boston, MA @ Haymarket Lounge
4/3 | Miami, FL @ Las Rosas
4/4 | Orlando, FL @ Will’s Pub
4/8 | Los Angeles, CA @ Non Plus Ultra*

* Ben Katzman only

Tickets: https://app.getpinpoint.io/bkdegreaser

Arrival is a full-length album nearly 20 years in the making. Originally drafted during Ben Katzman’s teenage years, the songs have been brought back to life by a re-formed ACIDOSIS lineup featuring Katzman on bass and vocals, Diego Edsel, Deo Budnevich, and Jonathan Rusten on guitars, and Harry Schwarz on drums. The album was produced by Katzman and Ryan Haft, mixed by Haft, and mastered by Howie Weinberg. Art is by Juan Montoya (TORCHE) and layout by Perry Shall (GREEN DAY, BLACK KEYS).

DIRKSCHNEIDER & THE OLD GANG Enforce “The Law Of A Madman” With New Video

DIRKSCHNEIDER & THE OLD GANG (DATOG) have released the video for "The Law Of A Madman," taken from their acclaimed album Babylon, released by Reigning Phoenix Music in October 2025.

"The Law Of A Madman" treads the path of up-tempo metal shuffles. A true-metal guitar riff paves the way for aggressive vocals typical of Udo Dirkschneider, soon moving into a chorus reminiscent of the good old days. Following an ingenious guitar solo packed with twists and surprising harmonies, the song culminates in powerful final choruses highlighted by Manuela’s breathtaking solo vocals.

Watch the video Below:

With this latest release, DIRKSCHNEIDER & THE OLD GANG conclude their Babylon album video cycle, which has generated more than five million views across all of the individual videos, a strong testament to the project’s enduring appeal. The impressive response shows that DATOG has truly reached the hearts of the fans worldwide, resonating with listeners who continue to celebrate the band’s timeless rock and heavy metal spirit.

Revisit Babylon on your favourite streaming platform, watch the videos, or order your physical copy if you haven’t already: https://datog.rpm.link/babylon

About DATOG:

DIRKSCHNEIDER & THE OLD GANG (DATOG) was originally launched in 2020 as a one-off charity project, but quickly developed a momentum of its own and formed into a band consisting of Udo Dirkschneider (vocals; ACCEPT/U.D.O./DIRKSCHNEIDER), Peter Baltes (bass, vocals; ACCEPT/U.D.O./DIRKSCHNEIDER), Stefan Kaufmann (guitar; ACCEPT/U.D.O.), Mathias “Don” Dieth(guitar; SINNER/U.D.O.), Sven Dirkschneider (drums; U.D.O./DIRKSCHNEIDER) and Manuela “Ella” Bibert (vocals). Between 2020 and 2021 their first three singles attracted a lot of attention, whereupon the band wrote more songs and recorded their debut album. With a unique vocal concept of three voices, powerful riffs and stylistic complexity, DATOG combine classic heavy metal with a modern, powerful production.

DATOG are:

Udo Dirkschneider | lead vocals

Peter Baltes | bass, lead & backing vocals

Manuela “Ella” Bibert | lead & backing vocals, keys

Stefan Kaufmann | guitars, backing vocals

Mathias “Don” Dieth | guitars, backing vocals

Sven Dirkschneider | drums, backing vocals

 

More on DATOG:

datog.de | Facebook | Instagram | Spotify | Apple Music | YouTube | RPM

LEAVES’ EYES Celebrate Release Of New EP 'Song Of Darkness'

While symphonic Viking metal pioneers LEAVES’ EYES just kicked off their European and UK tour, the band are celebrating the release of their brand new EP Song Of Darkness, that is out now on Reigning Phoenix Music!

Serving as a powerful foretaste of the band’s upcoming studio album, the critically-acclaimed four-track release once again showcases the signature sound that has defined LEAVES’ EYES for more than two decades: sweeping orchestral arrangements, Nordic mythological storytelling and the striking vocal interplay between the soaring soprano of Elina Siirala and the unmistakable growls of band founder Alexander Krull. Combining cinematic symphonic metal grandeur with Viking metal intensity, Song Of Darkness expands the band’s epic sonic universe while continuing their tradition of blending melody, heaviness and atmosphere.

Recorded at Mastersound Studio under the production of Alexander Krull, the EP captures LEAVES’ EYES at a moment of artistic strength, balancing sweeping symphonic arrangements with an earthy, human pulse. Lyrically, Song Of Darknesstravels along the shifting borders between myth, magic, and history. The title track itself draws inspiration from the medieval Icelandic saga of Gisli the Outlaw, leading listeners into a world of murder, intrigue, guilt-ridden dreams, and the hope for redemption.

Each track on the Song Of Darkness EP unfolds like a chapter in a saga, cinematic in scale yet personal in emotion. Elina Siirala’s commanding performance brings the stories to life, illuminating the storm of sound around her, while Krull’s growls ground the music with raw force. Towering choirs and strings rise beside crushing riffs, with folk-inspired melodies weaving through the dark. From the orchestral grandeur of its opening moments to the final echo of its closing refrain, the EP builds an atmosphere defined by tension, release, and the timeless pull of legend.

With its mix of mythic storytelling, emotional depth, and powerful symphonic metal, Song Of Darkness showcases LEAVES’ EYES at full strength. The EP is now available via Reigning Phoenix Music, and in support, the band has just embarked on a series of European and UK dates with special guests CATALYST CRIME, and many more shows in 2026 to follow. Find all current and upcoming dates listed below!

Order Song Of Darkness now at this location: https://leaveseyes.rpm.link/sodPR

As they step into their third decade, LEAVES' EYES stand as one of symphonic metal’s most visionary forces. The release of Song Of Darkness sets the tone for the next full-length chapter to follow, reaffirming their dedication to musical storytelling that transcends time and trend. It is both a reflection of their journey so far and a signal of what lies ahead: music that burns with purpose, steeped in legend yet alive with modern fire!


LEAVES’ EYES are:
Elina Siirala - Vocals
Alexander Krull - Vocals
Florian Ewert - Guitar
Luc Gebhardt - Guitar
Dominik Prykiel - Bass
Simon Skrlec - Drums
 
More on LEAVES’ EYES:
Website | https://www.leaveseyes.de 
Facebook | https://www.facebook.com/leaveseyesofficial/ 
Instagram | https://www.instagram.com/leaveseyesofficial/?hl=en 
X | https://x.com/Leaves_Eyes 
TikTok | https://www.tiktok.com/@leaveseyes_official 
YouTube | https://www.youtube.com/user/LeavesEyesOfficial

BLACK SITES Unveil "Aquarius Betrayed" And Announce New Album, For Eternity

Drawing from old school metal, heavy quartet BLACK SITES present their new single "Aquarius Betrayed", the first offering taken from the upcoming album, For Eternity. The album will be released independently on July 17, 2026.

The approaching full-length marks a new chapter for BLACK SITES as Mark Sugar is joined with an updated line-up. For Eternity showcases a development in the band's sound and sees the members' contributions enhance the music's sonic quality. 

"Aquarius Betrayed" reflects frustration at the contradiction towards previous generations who "reaped the benefits of the most socially liberated and progressive era in history, and then quickly turned their back on those values when they became inconvenient." 

On the recording process for "Aquarius Betrayed", band founder Mark Sugar shares, "This was also the first song that Lee (Smith, new guitarist) recorded guitar for. He’s the only member of the band I hadn’t worked with before, so I wasn’t sure what to expect, but his solo here is more than impressive."

For Eternity was produced by Mark Sugar & Chris Black, recorded at I Can’t Believe It’s Not Mace Street Studios, with mixing and mastering by Dan Swano. Drums on For Eternity were recorded by Vladimir Ružičić at Kebac Recording Studio.

About BLACK SITES:
Based out of Chicago, IL, USA, BLACK SITES was founded in 2016, initially as a studio project, by vocalist and guitarist Mark Sugar. Sugar was later joined by members John Picillo (bass), Ryan Bruchert (guitar) and Chris Avgerin (drums). BLACK SITES combines old school metal with guitar harmonies, melodic/clean vocals and progressive elements, primarily drawing inspiration from the likes of VOIVOD, BLACK SABBATH, and KING’S X.

BLACK SITES released their debut In Monochrome in 2017 (Mascot/Provogue Records), followed by Exile in 2019. 2021 saw the release of Untrue that was produced by Sanford Parker and awarded Record Of the Year by Dr. A.N. Grier at AngryMetalGuy.com. BLACK SITES ventured to The Promised Land? with their 2024 full-length that featured Tom Draper. (Ex-CARCASS/SPIRIT ADRIFT) on the track "Chasing Eternity".

Now, in 2026, Mark Sugar is joined by new members Jose Salazar (bass), Lee Smith (guitar) and Chris Black (drums). The forthcoming album For Eternity is set to release independently on July 17, 2026.

BLACK SITES Is:
Mark Sugar (vocals, guitar)
Jose Salazar (bass)
Lee Smith (guitar)
Chris Black (drums)

Connect With BLACK SITES:
Bandcamp: https://blacksites.bandcamp.com
Facebook: https://www.facebook.com/blacksites
Instagram: https://www.instagram.com/blacksitesmusic
TikTok: https://www.tiktok.com/@blacksitesmusic
YouTube: https://www.youtube.com/@blacksites
Spotify: https://open.spotify.com/artist/0yY6r4UHQDv4BUOr5bKu1o

LUNGBURNER Unleash New Single "Adamu" From Upcoming Album Dogma, Out April 17

Atlanta-based metal collective LUNGBURNER have announced the release of their new single "Adamu", the opening track from their forthcoming third full-length album Dogma, due out April 17. The single serves as the first glimpse into the band’s most expansive and conceptually driven work to date.

Listen to the track below:

Based out of Atlanta, GA, LUNGBURNER present their third release in the form of Dogma. Heavily schooled in the southern sludge methodology and intermixing industrial atmospheres with progressive melodic sensibility, Dogma sees the band stretch their creative legs as they slowly evolve into their own unique footprint within the metal and underground scenes. Dripping with spiritual, social, and human context, Dogma is LUNGBURNER’s thesis on the modern trappings of entrenched thinking, and the horror blind obedience lays upon mankind.

Opening the album, "Adamu" begins with a haunting invocation to the Fallen Angel Lucifer layered over tribal drum samples, immediately establishing the ritualistic tone of the record. The track quickly unfolds into a melodic statement before landing in a driving rhythmic pulse that propels the song forward. Anchored by the thunderous low end of Joshua on bass and Jens’ aggressive vocal delivery, the rest of LUNGBURNER drives the song relentlessly forward, claiming the sonic moment as their own.

Notably, "Adamu" was the first song LUNGBURNER wrote for Dogma following the addition of bassist Joshua in early 2025, marking the beginning of a new creative chapter for the band and setting the tone for the album’s thematic and sonic direction.

With Dogma, LUNGBURNER push deeper into their blend of southern sludge weight, industrial atmosphere, and progressive melody, delivering a record that is as philosophically provocative as it is sonically punishing.

"Adamu" is available now, with Dogma arriving in full on April 17.

Outside of music, all members work professionally in various engineering fields, and none of them originally came from traditional doom or stoner rock backgrounds. Their approach to the genre grew organically from a shared appreciation for heavy music and experimentation, which continues to shape the band's evolving sound as they move toward a more progressive direction while maintaining their doom foundation.

LUNGBURNER is:

Jens Anderberg — guitar, lead vocals
Joseph Mills — guitar, backup vocals
Joshua Broughton — bass

CONNECT WITH LUNGBURNER:

Bandcamp: https://lungburner.bandcamp.com
Facebook: https://www.facebook.com/lungburneratl
Instagram: https://www.instagram.com/lungburneratl
Threads: https://www.threads.com/@lungburneratl
Spotify: https://open.spotify.com/artist/0WRBgLDbYMfLSrbb3tjNzK
Apple Music: https://music.apple.com/ca/artist/lungburner/1724598173