BASK Cover The Brian Jonestown Massacre

After a smoking hot tour with their labelmates and fellow North Carolinians Weedeater, Bask are now ready to turn over a different kind of leaf. The Asheville natives will release their fourth album later this year. But first, the band are looking back at one of their influences. 

"We've always been inspired by acts like The Brian Jonestown Massacre", says guitarist and vocalist Zeb Wright. "They write songs that feel outside of time and place". 

To celebrate the 20th anniversary of the documentary that thrust The Brian Jonestown Massacre into the spotlight, today, Bask are releasing a cover of "Anemone". The road to get to this point has been much smoother than it was for the shaggy San Franciscan collective, but the heavy dose of Americana that the band bring to this cult classic shows how far they've come. 

Listen to Bask's heavy and heady cover of "Anemone" below:

Stream
https://bask.fanlink.tv/Anemone

Even though they're separated across coastlines and nearly three decades, Bask and The Brian Jonestown Massacre were in a similar headspace heading into their fourth albums. While partially named after the Rolling Stones' guitarist, BJM shifted from spaced-out shoegaze to flower-powered '60s psychedelia on 1996's Their Satanic Majesties' Second Request. Bask's upcoming full-length also ventures into headier pastures, though their cover of that album's sleeper hit "Anemone" is plucked straight from the band's Appalachian roots.

"You should be picking me up / Instead you're dragging me down", Wright repeats in a dazed drawl while twanging on his banjo. 

Bask haven't endured nearly the same amount of lineup turnover as their kindred spirits in The Brian Jonestown Massacre. On "Anemone", Drummer Scott Middleton and bassist Jesse Van Note hold down a bottomless groove that's as sludgy and free-flowing as a riverbed. But this cover is the first release since Jed Willis joined as the band's official fifth member. As his pedal steel ripples against Ray Worth's colorfully swirling leads, the band take cosmic country into a whole new dimension.
 
"'Anemone' is hypnotic in its repetition and perfectly expresses the combination of emotional distress and unbothered cool that to us feels so integral to BJM's sound and songwriting", Bask says. "It's also really fun to play and riff on".

Hailing from Carolina’s storied Blue Ridge Mountains, Bask came together in the fall of 2013. Guitarist Ray Worth, drummer Scott Middleton, bassist Jesse Van Note and guitarist/vocalist Zeb Wright produce sounds that reflect their lush yet rugged Appalachian habitat.

The band's upcoming fourth album is an inter-dimensional Western that digs its heels into their trailblazing Heavy Americana by swirling between raw, metallic energy and country twang.

Line-up:

Jesse Van Note – Bass
Scott Middleton – Drums
Ray Worth – Guitar
Zeb Wright – Guitar/Vocals
Jed Willis - Pedal Steel

Guest musicians
Kenny Harrington - Tambourine

Recording studio
Echo Mountain Spring

Production
Produced, Engineered and Mixed by Kenny Harrington and Zeb Wright.

Mastered by Joe Hutchinson at Garage Masters in Nashville, TN

Order & Stream
https://bask.fanlink.tv/Anemone

Follow Bask
Official website: www.baskband.com
Bandcamp: https://basknc.bandcamp.com/
Facebook: http://www.facebook.com/basknc
Instagram: https://www.instagram.com/baskband/
Twitter: https://twitter.com/thebandbask
Spotify: https://open.spotify.com/artist/44JvnzLiXzAtiMSDJTnFC7
Apple Music: https://music.apple.com/us/artist/bask/209266263

BASK Announce 10-Year Anniversary Tour

Bask have taken us on quite a long, strange and headbanging trip. Ten years ago, the band came thundering down from the mountains of North Carolina with their debut album. 'American Hollow' cast their pastoral landscapes in in country-twinged doom, but on the next two albums, the hearty four-piece painted with a headier and heavier brush.

Now that they've got a solid decade under their belts, Bask are ready to keep on trucking. This December, they're touring up and down the East Coast, with three shows around their home state. These guys are no strangers to the open road either. They've toured with everyone from High on Fire and Pallbearer to Guided By Voices, honing their steamrolling riffs and trippy visuals for anyone who's in search of a good vibe.

Bask will play songs from across their wide-ranging discography, including cuts off their most recent release. 'III' was named one of the best records of 2019 by Metal Injection. Stream, download or purchase the album HERE.

Dates
December 9 - Charlotte, NC @ Snug Harbor [TICKETS]
December 10 - Richmond, VA @ Get Tight Lounge [TICKETS]
December 12 - Brooklyn, NY @ Saint Vitus [TICKETS]
December 13 - Boston, MA @ O'Brien's Pub [TICKETS]
December 14 - Philadelphia, PA @ Kung Fu Necktie [TICKETS]
December 15 - Chapel Hill, NC @ Local 506 [TICKETS]
December 16 - Asheville, NC @ Eulogy [TICKETS] *FREE SHOW*

Categorizing musical style often acts as a shortcut.  It allows us to quickly find what we think we’ll like and while defining a band by genre can be a positive for attracting new listeners, these barriers can also be limiting and may hinder our discovery of music that may inspire, embolden and provoke us.  Sometimes categories need to be broken and those limiting genre demarcations need to be shattered so that new musical expressions can emerge without limits.  North Carolina’s Bask is one of those special acts that transcend through even the most detailed categorizations in order to genuinely break new ground and take the listener on a journey of musical discovery that is acutely novel yet also warmly familiar.

Hailing from Carolina’s storied Blue Ridge Mountains, Bask was fully conceived in the fall of 2013 when guitarist Ray Worth, drummer Scott Middleton, bassist Jesse Van Note, and guitarist/vocalist Zeb Camp came together to produce sounds that were properly reflective of the lush yet rugged Appalachian habitat. The band’s newest record, ‘III,’ showcases a soulful juxtaposition of Americana rock ‘n’ roll with progressive and psychedelic elements, separating Bask from your average rock band from the South.

Since forming in 2013, Bask has released two formidable and critically acclaimed full lengths: “American Hollow” (2014) and “Ramble Beyond” (2017). The band has toured North America and Europe with the grammy award-winning HIGH ON FIRE and WEEDEATER, as well as other contemporary genre-challenging acts like PALLBEARER, KAYO DOT, ROYAL THUNDER and BLACK TUSK. The Carolinians have also successfully shared bills with a range of diverse artists, from GUIDED BY VOICES to CARCASS and even REFUSED. They’ve been featured on festivals such as Desert Fest Berlin and London, New England’s RPM Fest, Speedfest in the Netherlands, and Heavy Mountain in Asheville, NC.  

Each song on ‘III’ is inspired by legend, folklore, or mythology, reexamining characters and situations that are often misunderstood, overlooked or requiring deeper introspection. “III” fervently embraces the natural world, the cyclical nature of our human experience, and grapples with the some of the hardships of those events and happenings that make us who we really are.

Bask’s sound has been described as progressive and cinematic, containing glimpses of their native region’s unique tonality and heartfelt heaviness; something they unequivocally prove with ‘III.’ While expertly crafted songs like the incredibly catchy “New Dominion” and the rockin’ “Stone Eyed” present a heavier dynamic from the band, tracks like “Maiden Mother Crone” and “Rid of You” serve up a melancholy elegance that showcases the band’s roots, adding to the record’s vast yet cohesive dimensions. “Noble Daughters II-The Bow” combines heavy groove with accessible classic guitar rock sensibilities and dreamy sonicscapes.  The diversity in the record is cognizant of the band’s wealth of influences and the songs are crafted so intriguingly that the listener is often eagerly awaiting what’s coming next. 

“We just want to play heavy music from the heart.”
Scott Middleton, Bask

From the warm vocals and melodically homespun guitars of the opener “Three White Feet”, ‘III’ is sure to take the listener on an emotional journey through its many peaks and valleys. The record is something you just must hear for yourself to truly grasp both the depths and practicable complexities of Bask.  This is Americana.  This is soul.  And you simply haven’t heard this before.

Line-up:
Jesse Van Note – bass
Scott Middleton – drums
Ray Worth – guitar
Zeb Camp – guitar/vocals

Guest Musicians:
Jed Willis - Pedal Steel on “Maiden Mother Crone”
Meg Mulhearn - Violin on “Maiden Mother Crone”

Recording and Mixing: Matt Bayles @ Echo Mountain Studio (Asheville, NC)

Mastering: Brad Boatright @ Audio Siege

Cover Art: Adam Burke

Photo Credits: Jameykay & Arlie

Bio: Jeff Podoshen

Genre: Psychedelic rock

Available Formats: CD digipak, Vinyl (Coloured and Black)

For more on BASK, visit their official FACEBOOK, BANDCAMP, TWITTER, WEBSITE, and INSTAGRAM.

For more on SEASON OF MIST artists, visit our official WEBSITE, FACEBOOK, INSTAGRAM, YOUTUBE, and TWITTER.

BASK Announces Live Shows in Southeast U.S.A.

Appalachian psych rockers BASK will be hitting the road in August for three U.S. dates, which includes an appearance at Basic City Beer Fest in Waynesboro, VA! The full run can be found below.

BASK is touring in support of 2019's release, 'III,' which was named one of the best records of 2019 (#7) by Metal Injection. 'III' was released on November 8 via Season of Mist, making it the band's debut to the label. The record can be streamed, purchased, and downloaded HERE.

BASK Live U.S. Dates:
8/4: Columbia, SC @ New Brookland Tavern

8/5: Johnson City, TN @The Hideaway

8/6: Waynesboro, VA @ Basic City Beer Fest

Categorizing musical style often acts as a shortcut.  It allows us to quickly find what we think we’ll like and while defining a band by genre can be a positive for attracting new listeners, these barriers can also be limiting and may hinder our discovery of music that may inspire, embolden and provoke us.  Sometimes categories need to be broken and those limiting genre demarcations need to be shattered so that new musical expressions can emerge without limits.  North Carolina’s BASK is one of those special acts that transcend through even the most detailed categorizations in order to genuinely break new ground and take the listener on a journey of musical discovery that is acutely novel yet also warmly familiar.

Hailing from Carolina’s storied Blue Ridge Mountains, BASK was fully conceived in the fall of 2013 when guitarist Ray Worth, drummer Scott Middleton, bassist Jesse Van Note, and guitarist/vocalist Zeb Camp came together to produce sounds that were properly reflective of the lush yet rugged Appalachian habitat. The band’s newest record, ‘III,’ showcases a soulful juxtaposition of Americana rock ‘n’ roll with progressive and psychedelic elements, separating BASK from your average rock band from the South.

Since forming in 2013, BASK has released two formidable and critically acclaimed full lengths: “American Hollow” (2014) and “Ramble Beyond” (2017). The band has toured North America and Europe with the grammy award-winning HIGH ON FIRE and WEEDEATER, as well as other contemporary genre-challenging acts like PALLBEARER, KAYO DOT, ROYAL THUNDER and BLACK TUSK. The Carolinians have also successfully shared bills with a range of diverse artists, from GUIDED BY VOICES to CARCASS and even REFUSED. They’ve been featured on festivals such as Desert Fest Berlin and London, New England’s RPM Fest, Speedfest in the Netherlands, and Heavy Mountain in Asheville, NC.  

Each song on ‘III’ is inspired by legend, folklore, or mythology, reexamining characters and situations that are often misunderstood, overlooked or requiring deeper introspection. “III” fervently embraces the natural world, the cyclical nature of our human experience, and grapples with the some of the hardships of those events and happenings that make us who we really are.

BASK’s sound has been described as progressive and cinematic, containing glimpses of their native region’s unique tonality and heartfelt heaviness; something they unequivocally prove with ‘III.’ While expertly crafted songs like the incredibly catchy “New Dominion” and the rockin’ “Stone Eyed” present a heavier dynamic from the band, tracks like “Maiden Mother Crone” and “Rid of You” serve up a melancholy elegance that showcases the band’s roots, adding to the record’s vast yet cohesive dimensions. “Noble Daughters II-The Bow” combines heavy groove with accessible classic guitar rock sensibilities and dreamy sonicscapes.  The diversity in the record is cognizant of the band’s wealth of influences and the songs are crafted so intriguingly that the listener is often eagerly awaiting what’s coming next. 

“We just want to play heavy music from the heart.”
Scott Middleton, Bask

From the warm vocals and melodically homespun guitars of the opener “Three White Feet”, ‘III’ is sure to take the listener on an emotional journey through its many peaks and valleys. The record is something you just must hear for yourself to truly grasp both the depths and practicable complexities of BASK.  This is Americana.  This is soul.  And you simply haven’t heard this before.

Line-up:
Jesse Van Note – bass
Scott Middleton – drums
Ray Worth – guitar
Zeb Camp – guitar/vocals

Guest Musicians:
Jed Willis - Pedal Steel on “Maiden Mother Crone”
Meg Mulhearn - Violin on “Maiden Mother Crone”

Recording and Mixing: Matt Bayles @ Echo Mountain Studio (Asheville, NC)

Mastering: Brad Boatright @ Audio Siege

Cover Art: Adam Burke

Photo Credits: Jameykay & Arlie

Bio: Jeff Podoshen

Genre: Psychedelic rock

Available Formats: CD digipak, Vinyl (Coloured and Black)

For more on BASK, visit their official FACEBOOK, BANDCAMP, TWITTER, WEBSITE, and INSTAGRAM.