CHICAGO METALCORE FORCE OUTFOXER REVEALS DARKLY TRANSCENDENT NEW SINGLE “ALETHEIA NYX”

Rising metalcore phenoms OUTFOXER are poised to awaken the underground with their most ambitious release yet: “ALETHEIA NYX” — a visceral exploration of truth, darkness, and the chaos that binds them. Drawing from Greek myth and modern existentialism, this new single is not just a song—it’s a reckoning.

“ALETHEIA NYX” is named after the Greek goddess of truth, Aletheia, whose mother is Nyx, the goddess of night. The song is about the nature of deception in a more visual representation, often repeating the line "truth in the night." The idea being, if you keep someone in the dark and tell them what is in front of or around them, they have no choice but to believe you because they can't actually see it themselves, serving as a metaphor for the act of obscuring or masking the truth for deceptive purposes

Band Bio:

OUTFOXER is a fast-paced metalcore band from Chicago, IL, known for fusing blistering aggression with relentless energy and a sharp lyrical edge. Formed by guitarist and songwriter Frankie Ciccarelli and vocalist/lyricist

Matt Matigian, the band draws from a wide swath of heavy music traditions to create something both punishing and precise.

Ciccarelli channels the chaotic intensity of bands like Every Time I Die, Norma Jean, Comeback Kid, and Converge, crafting riffs and rhythms that twist and surge with raw urgency. Meanwhile, Matigian brings a darker, visceral presence to the mic, rooted in the nu-metal melodicism and power of Mudvayne, All That Remains, and Chevelle. The result is a sound that’s as smart as it is savage—equal parts calculated mayhem and emotional catharsis.

Since their formation, Outfoxer has released the "The Next Testament" EP and the full-length "Gospel Snakes", both of which earned them a devoted following in the underground heavy scene. They’ve since dropped a standalone single and are currently building anticipation for their sophomore LP, "The Murder of Ares", with its second single on the horizon.



OUTFOXER isn’t just another metalcore band—they’re a relentless force that blends speed, fury, and depth into something distinctly their own.

Alt-Pop Artist Dela Kay Drops “Between The Lines”

Alt-pop singer-songwriter, Dela Kay, has officially released her latest single, “Between The Lines,” today—a soul-searching, guitar-laced track that marks a bold new chapter in her sonic evolution. “It talks about how unusual and confusing peace can feel,” says Dela Kay. “Reading ‘between the lines’ to self-soothe can sometimes turn into self-destruction. But in my case, my

overthinking ended up being a strong intuition. The line between the two isn’t always easy to see.”

Originally written in July 2024 at collaborator Nick Cozine’s East Nashville home, “Between The Lines” explores the psychological push and pull of vulnerability, intuition, and self-sabotage in relationships. “It’s definitely a vibe I haven’t done before,” Dela Kay shares. “It’s moodier, built around vibey guitar lines, and it might actually be the first song I’ve released with a guitar solo—which is dope!”

Co-written by Dela Kay, Rikki Jo Randall, and Nick Cozine, produced by Stefano Pigliapoco and Nick Cozine, and mixed and mastered by Pigliapoco; “Between The Lines” dives into the tension between emotional safety and perceived threat—highlighting the anxiety that can creep in even during moments of calm.

Dela Kay also partnered with Working Holiday, a Nashville-based creative team known for their recent work with Medium Build, to design the single’s visuals and artwork. “They’re incredibly talented creatives, and I’m so happy I got to work with them on this song.”

With “Between The Lines,” Dela Kay invites fans into a new emotional and sonic space, blending atmospheric textures with raw honesty. “A note to my fans: always listen to your gut,” she adds. “When things go quiet and anxiety settles—what does your heart tell you? That’s the truth.”

MORE INFO:
Dela Kay, who hails from the vibrant music scene of Nashville, TN, draws inspiration from artists such as The Maine, Maggie Lindemann, Paramore, and Avril Lavigne. With previous releases that have amassed over 2M streams collectively, and secured spots on Shazam's Best New Music Apple Playlist; Dela Kay believes that the past year of her career has been her most authentic to date. With a commitment to continue releasing singles throughout the rest of this year, she is determined to leave a lasting impression and make her mark on the music industry with her unique voice and perspective.

At the start of Dela Kay’s career in 2014, her electro-pop style began to emerge through a collaboration with Grammy-winning singer/songwriter and producer, Femke Weidema; which eventually led to her first electro-pop/European-infused single release, “9 out of 10.” Named by Earmilk as an artist who was gifted “with a rich, distinctive vocal style” for her release of “Make You Mine,” Dela Kay went on to continue releasing singles and garnering hundreds of thousands of streams. In 2019 Dela Kay released “All My Love” through Sony Music, which ended up charting 49 on the top 150 global artist charts for Digital Radio Tracker as well as in the top ten for the Top Independent Charts. After a brief hiatus, Dela Kay marked her return by debuting a new, more alternative sound in 2021 with the release of “The Worst Part,” via Wonderland Magazine, and has been releasing this style of music ever since.

BEAR MACE Release Crushing New Single “Drown Them In Their Blood”

Chicago death metal destroyers BEAR MACE have unleashed their latest single, “Drown Them In Their Blood,” a brutal, mid-tempo assault taken from their acclaimed third album Slaves of the Wolf. With its menacing groove and war-torn lyrical themes, the track stands out as one of the album’s heaviest moments. Pre-orders for Slaves Of The Wolf are available HERE.

“Going deep into your enemy’s territory to annihilate them in the middle of the night. It is sometimes a necessity in warfare,” says vocalist CHRIS SCEARCE, whose lyrics bring a visceral, tactical realism to the band’s ferocious sound.

Originally written at a much faster pace, the band made a deliberate choice to shift gears and let the weight of the riffs do the talking.

“‘Drown Them…’ started out as a much faster song,” explains guitarist MARK SUGAR. “But on a record that already has a lot of fast songs, we decided this one would work better as a slower, Bolt Thrower-ish crusher, and we made it so.”

The result is a grinding, doom-laced death metal anthem that channels the grim finality of combat and the unstoppable force of old-school heaviness. With its thunderous riffs and deliberate pacing, “Drown Them In Their Blood” is both a nod to death metal’s roots and a statement of BEAR MACE’s unstoppable evolution.

About BEAR MACE:

Formed in Chicago in 2012, BEAR MACE stands as a relentless force in the death metal genre. The band's name reflects their fierce approach to music—uncompromising and formidable. Drawing deeply from the well of early death metal influences, BEAR MACE crafts a sound that combines the raw aggression and complex narratives reminiscent of genre pioneers like Bolt Thrower and Massacre. Their music is not just an onslaught of sound but a meticulously woven tapestry of historical and fantastical themes, delivered with technical prowess and intense energy.

Over the years, BEAR MACE has solidified their reputation through both their recorded music and dynamic live performances. Albums like Butchering The Colossus and Charred Field Of Slaughter showcase their ability to blend brutal riffs with deep lyrical content, exploring themes from ancient wars to modern dystopias. With each release, BEAR MACE continues to hone their craft, engaging fans with music that is both thought-provoking and viscerally satisfying.

As they prepare to release their third album, Slaves Of The Wolf, BEAR MACE remains dedicated to pushing the boundaries of the death metal genre, ensuring their music is not only heard but felt—a true testament to their passion for and dedication to the spirit of heavy metal.

BEAR MACE is:

• Chris Scearce - Vocals

• Mark Sugar - Guitar

• Garry Naples - Drums

• John Porada - Bass

• Tommy Bellino - Guitar

Connect with BEAR MACE:

• Bandcamp: https://bearmace.bandcamp.com/

• Facebook: https://www.facebook.com/bearmace1

• Instagram: https://www.instagram.com/bearmace_metal/

• YouTube: https://www.youtube.com/@bearmace8259

• Spotify: https://open.spotify.com/artist/7bpYbAeJkSr4R95J9nVtLm

• Apple Music: https://music.apple.com/us/artist/bear-mace/1212215294

GILLSAW Immerse Yourself with an Electrifying Experience with the Release of the bands Debut EP "FOG WATCH"

STREAM "FOG WATCH"

 The wait is over.

Prepare for the sonic storm of the year as industrial metal trailblazers Gillsaw prepare to unleash their highly anticipated debut EP, "Fog Watch", out NOW.

This six-track powerhouse will pull listeners into a relentless world of crushing rhythms, eerie atmospheres, and guttural intensity. With a unique blend of industrial noise, sludgy metal riffs, and haunting electronic landscapes,

Gillsaw carves out their own space in the genre.

"Fog Watch" showcases the band’s ability to blend chaotic energy with thought-provoking storytelling, offering an immersive experience that’s both exhilarating and unsettling.

FOG WATCH Narrative:

"Fog Watch" tells the tragic story of Ian, a man descending into madness. Through a series of increasingly distorted experiences, we witness his journey from isolated lighthouse keeper to drug-addicted nomad.

• Fog Watch: Ian battles loneliness and encroaching insanity, symbolized by the perpetual fog. The lyrics reflect his isolation and mental deterioration.

• Thankful: Ian's desire for validation turns to bitter rage as he resents the lack of gratitude from those he protects.

• Rizen: Ian falls under the influence of a false deity, surrendering reason for blind obedience.

• Siren Comes: Ian faces nightly temptations, battling internal fears and desires.

• Trenched In: Ian's final act of devotion leads to his self-burial, a symbolic death and rebirth.

• Bombay Way: The reality is revealed: Ian's experiences were drug-induced delusions, culminating in a fatal overdose in Bombay Beach.

"FOG WATCH" explores themes of isolation, the search for meaning, and the destructive power of delusion.

GILLSAW'S SOUND

Gillsaw's sound is a meticulously crafted fusion of heavy metal's muscularity and industrial music's stark, electronic edge. This powerful core is layered with intricate progressive structures and ethereal new age ambient textures, creating a dynamic and immersive atmosphere that defies genre boundaries.

North Carolina Black Metal Outfits MO'YNOQ & UROCYON Announce Split EP 'Mo'ynoq X Urocyon Split 2025' - Out April 18th

Today, North Carolina Black Metal outfits MO'YNOQ and UROCYON are excited to announce their new split EP titled 'Mo'ynoq X Urocyon Split 2025,' slated for release on April 18th. To celebrate the announcement, MO'YNOQ has released the first single from the EP titled 'Hyperstitions' which is accompanied by a video, available to view below.

About the EP, MO'YNOQ shares:

"MO'YNOQ has been through the fire, and these tracks are the sound of us clawing our way out. It’s the most blistering, unrelenting music we’ve ever created—pure catharsis, forged in chaos."

In addition the EP announcement, MO'YNOQ and UROCYON have announced two hometowns release shows at Chapel of Bones in Raleigh, NC on April 25th and Static Age Records in Asheville, NC on April 26th.

Watch the Video for "Hyperstitions"

North Carolina-based black metal outfit MO'YNOQ has made a name for themselves by combining feral riffs with a uniquely humid atmosphere that draws listeners into a pummeling sonic labyrinth. Influenced by the likes of Ash Borer, Nachtmystium, and Krallice, the band weaves haunting narratives from which audiences struggle to escape.

Since the band’s inception in 2016, MO'YNOQ has had each release further their widespread acclaim with their latest record - 'A Place for Ash' (2022) ranking #9 on Rolling Stone’s Top 15 Metal Albums of the Year. MO'YNOQ has now prepared an exciting collaboration with Asheville-based UROCYON, another powerhouse in the North Carolina black metal scene. Slated for release April 25th 2025, the split features four exhilarating tracks that promise to carry their message far beyond the southern hills they call home.

'Mo'ynoq X Urocyon Split 2025' was recorded by Dave Kaminsky at Studio Wormwood in Asheville, NC, mastered by Ryan Williams, and pressed by Pour House Pressing in Raleigh, NC.

Pre-Order 'Mo'ynoq X Urocyon Split 2025' HERE

'Mo'ynoq X Urocyon Split 2025' Release Shows:

April 25th - Raleigh, NC - Chapel of Bones

April 26th - Asheville, NC - Static Age Records

MO'YNOQ are:

Dave Kaminsky - Guitar & Vocal

Justin Valletta - Drums

Donald Boyd - Guitar & Vocal

Devin Janus - Bass & Vocal

Bury Tomorrow Share Video for New Single "Waiting"

Building on a huge touring run that saw the band visit their biggest ever venues across the UK, Europe, USA, Australia, and Japan, Bury Tomorrow look forward to an even bigger 2025, complete with their new album arriving in May. Following the release of dynamic and sonically splintering new singles ("Let Go," "What If I Burn" and "Villain Arc"), the band return to assuage even the most devout metallers with perhaps their heaviest offering to date.

Frontman Dani Winter-Bates explains the sentiment behind the track, sharing, "'Waiting' is about rebirth, the sense of going through the fire to emerge from the other side. Lyrically speaking, it delves into the lowest points of our lives where everything feels weirdly centered around yourself and in some way your misery, whether that's loss, self-loathing, or poor experiences."

He continues to share the sentiment behind releasing perhaps the records heaviest track by saying, "Musically, 'Waiting' is an opportunity to speed things up, make them more visceral more violent. Whilst there have been heavy singles released so far like 'Villain Arc,' this one will feel heavier to many. There's something slightly more modern about its sound and it's routed around rhythm and cadence, with a clear aim to hopefully move people as the song progresses."

Watch the video below:

Following the release of the track, the band gets ready to head stateside for a month-long, North American co-headliner with While She Sleeps. Due to a full run sellout, the band also add a date at Przym, Kingston with Banquet Records on May 17.

BURY TOMORROW ON TOUR:
WITH WHILE SHE SLEEPS + VENDED:
4/2 — Cleveland, OH — The Roxy
4/3 — Toronto, ONT — Danforth Music Hall
4/5 — Montreal, QC — Olympia
4/6 — Boston, MA — Paradise Rock Club
4/7 — New York, NY — Irving Plaza
4/9 — Columbus, OH — Newport Music Hall
4/10 — Chicago, IL — Concord Music Hall
4/11 — Milwaukee, WI — The Rave
4/12 — Minneapolis, MN — Skyway Theatre
4/13 — Lawrence, KS — The Granada
4/15 — Denver, CO — The Oriental Theatre
4/16 — Salt Lake City, UT — Soundwell
4/18 — Sacramento, CA — Ace Of Spades
4/19 — Berkley, CA — The UC Theatre
4/20 — Los Angeles, CA — The Regent Theatre
4/21 — Tucson, AZ — The Encore
4/23 — Oklahoma City, OK — Beer City Music Hall
4/24 — Dallas, TX — South Side Music Hall
4/25 — San Antonio, TX — Paper Tiger
4/26 — Houston, TX — Warehouse Live
4/28 — Orlando, FL — House of Blues
4/29 — Atlanta, GA — The Masquerade
4/30 — Charlotte, NC — The Underground

Pre-Save/Pre-Order here.

For Bury Tomorrow, the last two years have been about trying to fill the space where they knew something was missing.

From the depths of uncertainty, through line-up changes and COVID-inspired roadblocks, the arrival of guitarist Ed Hartwell and keyboardist/vocalist Tom Prendergast and the creation of 2023's The Seventh Sun has allowed them to lay out a whole new path of possibilities that felt unavailable before. Now, with an invigorated belief and fresh outlook on what the band can encompass, they present Will You Haunt Me, With That Same Patience, their most fantastically visceral offering to date.

Crafted more intimately and intricately than ever before by internalising every aspect of the writing process, with Carl Brown [Sleep Token, Bullet For My Valentine, While She Sleeps] manning production duties for the first time, the result is a profoundly personal, extraordinarily expansive and punishingly grand display of cathartic craftsmanship.
 
Born from a shared sense of frustration in feeling an ever-shifting disconnect from the state of modern society, the band have created an earnest, heart-wrenching and definitive look at the overlapping effects of brutal self-sabotage, crippling anxiety, fierce despondency and the never-ending search for peace and clarity in a world so full of noise. It is a record about division as much as togetherness, an outpouring of personal devastation but a hopeful reminder that we are all navigating it together.
 
“To haunt is to revisit or recur persistently to the consciousness of someone or something,” explains guitarist, Kristan Dawson. "There’s beauty in that commitment somewhat. In a world full of distraction, discourse, instancy and demand, patience seems hard to attain. In patience there is peace, one thing society is short of. The title serves as a call of reflection, relying on the present moment, remembering what truly matters. I think the notion of patience being haunting is quite a contrast and that’s certainly reflective of the album musically.”

Within such deep sonic exploration and shared emotional understanding, and despite its bleak outlook on things, Will You Haunt Me With That Same Patience still strives to represent that lingering presence, that hope, that reminds us that this isn't the be-all and end-all of this existence. That things can change for the better, just like we can change for the better with it, and persevering through such separation will bring us back around eventually. We just have to weather the storm and trust in that feeling to pull us through.

To have allowed themselves the time and space to reach this point of comfort and confidence now feels like a starting point for everything that the band will do in the future. Expanding their empire in all corners of the world and delivering their biggest statement of intent to date is the beginning of a whole new chapter in the story of one of the most devastating and dedicated assets to British heavy music.

PHIL X & THE DRILLS Unveil New Single “Don't Wake Up Dead” + Visualizer

Legendary guitarist Phil X’s own band, PHIL X & THE DRILLS, is thrilled to unveil a new single “Don’t Wake Up Dead”, featuring Korn drummer Ray Luzier, out now via Frontiers Music Srl. The track comes with brand-new artwork created by Thomas Estrada. The video is accompanied by a new visualizer.

Phil X commented on the single:

“'Don’t Wake Up Dead' is a look at how people just go through the motions of life just to get to the end of their day. I know because I, myself, have been there. To put it into impactful words, if you’re not waking up ready to conquer all obstacles, you’re waking up dead. Plus… Put to music that’s like downing a triple espresso is pretty awesome."

Check Out the New Visualizer for "Don't Wake Up Dead" below.

In 2003, THE DRILLS started to cause a stir in Hollywood, with their brand of punk mixed with classic and modern rock with guitar virtuosic undertones. Phil X was at the helm as the lead vocalist and guitar player. Daniel Spree on bass and backing vocals and Jeremy Spencer(Five Finger Death Punch) completed the power trio. They remained quite underground and released their first EP, 'Kick Your Ass In 17 Minutes' in 2009. Jeremy had left to start FFDPby this time, so the constant rotation of drummers began.

Also, in that time period, Phil was becoming a groundbreaking YouTube sensation on a video channel called Fretted Americana, where he demoed vintage guitars. Actual 1959 Gibson Les Pauls (worth in the range of $250K),1954 Fender Stratocasters, and hundreds of other guitars were put through their paces in Phil’s hands. Before he knew it, Fretted Americana was sitting on millions of collective views and from a marketing standpoint, it made sense to take THE DRILLS to another level as PHIL X & THE DRILLS.

'We Bring The Rock’n’Roll' was the follow-up to 'KYAI17M.' With even more classic rock flavors stirred into the mix, this was the first endeavor to feature famed drummers that Phil had worked with on other artists’ records, including Chris Cornell, Daughtry, Kelly Clarkson, and Gavin DeGraw to name a few.

Drummers like Josh Freese (Sting, Foo Fighters), Abe Laboriel Jr (Paul McCartney, Eric Clapton), and fellow Canadian Randy Cooke (Smashmouth, Five for Fighting) were all featured on this record.

Following two successful tours in the UK, the band released 'We Play Instruments ’N Sh!t.' Musically showing vast growth in writing and production, the band was excited to unleash this heightened evolvement to their new fan base. The fan base started to grow exponentially, due to Phil filling in for Richie Sambora in Bon Jovi for thirteen shows in 2011. Phil went on to replace Sambora in 2016 and has been juggling both bands along with becoming a father since.

Multiple tours and recordings with Bon Jovi inevitably took the front seat in Phil’s career but every time he got a break, he was writing and setting up recording sessions with drummers like Tommy Lee, Tico Torres, Ray Luzier, and many more. 

The first of these sessions were mixed by Chris Lord Alge and released on 'Stupid Good Lookings Vol 1.' Taylor Hawkins, Glen Sobel, Brent Fitz, Matt Chamberlain, Abe Laboriel Jr, and Randy Cooke all participated on this drum extravaganza with more sessions in the vault.

2024 marked an exciting new landmark for the band when they opened for Mötley Crüe at Summerfest in Springfield, IL. Phil X, Daniel Spree, and Brent Fitz took the stage and left the 10,000 attendees, event coordinators, promoters, and agents (not to mention the headliner) all thrilled.

Finally, the band recently signed to Frontiers Records Srl and is excited to embark on a new journey with new music.

PHIL X & THE DRILLS:

Phil X - Lead Vocals & Guitars

Daniel Spree - Bass & Background Vocals

Ray Luzier – Drums

Annie Bosko Debuts Steamy Duet with Dwight Yoakam on "Heart Burn"

As she prepares to step into the revered circle at the Grand Ole Opry tonight, May 31, rising singer/songwriter Annie Bosko releases a steamy duet with Dwight Yoakam on “Heart Burn,” via Stone Country Records. Listen to the song Below.
 
“Dwight is not only my musical hero but an icon, from his music to his sense of style, and we both share Bakersfield roots,” shares Bosko. “I love that he effortlessly crosses genres, blending everything from country, americana, rock and latin influences, and it feels like we were able to capture that in this song.”
 
Penned by Bosko and Chuck Cannon, with Yoakam in mind, and produced by Butch Walker (Taylor Swift, Fall Out Boy, Katy Perry), “Heart Burn” is punctuated by baritone guitars that harken back to their Bakersfield roots, as the neo-traditionalists croon:
 
      You make my heart burn
      You make my soul yearn
      You make my bones ache
      When you’re gone they just might break
      Inside of my chest
      Kisses leave me helpless
      Baby we make love so good it hurts
      You make my heart burn
 
“When we wrote the second verse, I asked, ‘What would Dwight Yoakam say?’ I wanted it to sound dreamy and poetic, but with a western edge,” Bosko explains.
 
“Heart Burn” comes on the heels of Bosko’s recently released duet with Vince Gill, “Higher Ground,” and follows the release of her self-titled EP earlier this year, featuring five songs including current single “Neon Baby,” which saw her make her late night debut on “Jimmy Kimmel Live!”
 
Following tonight’s Grand Ole Opry performance, Bosko will perform at the Concert for Love and Acceptance at Margaritaville on June 5 and CMA Fest at the Hard Rock Stage on June 6 at 12:55pm. As an Ariat Ambassador, she will also have a special in-store performance at the Ariat Brand Shop on Broadway on June 7 at 6:30pm.

Bosko performed in Frisco at the ACM Country Kickoff at the Star on May 14, with Morning Hangover praising, “Annie has it all - she has the voice, the charm, the heart, the grit, the work ethic - everything about her screams future Superstar.”
 
For more information, visit AnnieBosko.com or follow along on socials Instagram, TikTok, Twitter/X @AnnieBosko and Facebook.com/AnnieBoskoMusic.

Annie Bosko Tour Dates

May 31            Grand Ole Opry  ||  Nashville, TN
June 5              Concert for Love and Acceptance  ||  Nashville, TN
June 6              CMA Fest at Hard Rock Stage  ||  Nashville, TN
June 7              Ariat Brand Shop  ||  Nashville, TN
June 21            Country Jam 2024  ||  Grand Junction, CO
July 20             Faster Horses Festival 2024  ||  Brooklyn, MI
August 3         Watershed Festival  ||  Quincy, WA
October 19      Country Thunder Florida 2024  ||  Kissimmee, FL

About Annie Bosko
With a voice that beams like a ray of California sunshine, Stone Country Records/Brown Sellers Brown Management singer-songwriter Annie Bosko’s “Heart Burn” featuring Dwight Yoakam is available now. A steamy duet produced by Butch Walker, the track is punctuated by baritone guitars that harken back to their Bakersfield roots. A student of legendary crooners like Patsy Cline with added inspiration from Shania Twain, George Strait, Dwight Yoakam, The Beatles and more, the Golden State native pairs a sound anchored deep in the organic twang of ‘90s country with simple songs told from the heart, preaching equal parts healing and honky-tonk hope. Bosko broke out in 2014 with the SiriusXM/CMT hit “Crooked Halo,” bucking the bro-country trend for a traditionally flavored anthem that has now amassed more than 3 million streams. She went on to write songs recorded by Willie Nelson and Jessica Simpson, tour alongside Tim McGraw, Dierks Bentley and Blake Shelton, sell out the famed Troubadour and perform on the Grand Ole Opry and at Ryman Auditorium–the fabled Mother Church of Country Music–while also becoming an in-demand studio vocalist and earning the title Artist to Watch from rolling Stone Country. After years of hard knocks and creative shapeshifting, Bosko is now embracing her true nature for creative rejuvenation. Working with producers Derek George and Mickey Jack Cones, a new batch of music pairs unapologetic twang, clever wordplay, and deep compassion with her long standing downhome-diva vocal, capturing the full range of timeless American art in its purest form. In 2023, Bosko released the powerful-yet-tender ballad “Dandelions” in memory of the victims of Nashville’s Covenant School shooting–a track written alongside Danny Myrick which has now become a beacon of community remembrance and faith. Lost in grief and capturing the reverberating shock of that day’s unfathomable loss, the track has been embraced by the Covenant School families themselves, with all proceeds being donated for their benefit through ACM Lifting Lives. Her five-song EP Annie Bosko is available now, featuring sharp-yet-simple, pure-country songs written or co-written with hitmakers like Jeffrey Steele, Bridgette Tatum and more, all aimed at uplifting, inspiring or just singing along with women and country-music lovers everywhere.

COLIN STOUGH IS LOOKIN’ FOR HOME – OUT 7/12

With the buzz around 19 Recordings/BMG Nashville artist Colin Stough building, the singer-songwriter claims a place to make his creative stand with the new EP, Lookin’ For Home. Releasing July 12, fans can now pre-save/pre-add Lookin’ For Home and get a preview of the project with pensive track “Sober” Below.

“Each one of these songs is a piece of my heart, and they outline trials and tribulations that I’ve been through personally. They’ve made me into who I am today,” shares Stough. “The EP title Lookin’ For Home comes from that feeling that something is missing – that no matter where you are, who you’re with, or what you’re doing, you feel like you don’t belong, and there’s something just over the horizon that would make it better.”

Carving out a high-energy corner at the intersection of Country and Southern Rock, Lookin’ For Homefeatures six songs sharpening Stough’s hard-edged vision of musical honesty. The follow-up to his Promiseland EP debut, Lookin’ For Home burns with even more passion and raw vocal strength, presenting a full-spectrum view of a free spirit on the run, who’s painfully aware of life’s difficult contradictions. Dealing with everyday themes like work and weekends, and true love and the torment of heartbreak, the set never shies away from the messy truth – and with Stough featured as a writer on every track, that messy truth often grapples with the dividing line between right and wrong, tradition and ambition, the push and pull between small-town comfort, and the drive to leave his mark on the outside world. 

Meanwhile, all throughout songs like the recently released “Makes Two of Us,” Stough wraps reflections on vulnerability, hope, belonging, and more, in an electrifying new sound, fusing the familiar crunch of Country Rock with a dark, gravelly take. Weaving it all together with a dynamic Mississippi rasp, he matches down-home tenderness with icy explosions of pure power in equal measure, as a burgeoning star rises firmly on his own.

Delivered today (5/24), he further captures the crippling torment of a bleeding heart in “Sober.” Built around the bitter sting of a breakup, the slow-burning ballad was co-written by Stough with Mason Thornley and Sam Martinez. All about missing someone so bad you can’t even numb the pain – “I could hang out all night / I could drink this bottle dry / Trying to get me gone and I ain't getting any closer / Without your love I’m sober” – a woozy mix from producer Martinez creates a tone that stands on the edgy fringe of Stough’s peers. Pairing down-tuned acoustic twang and a lonesome slide guitar, the track’s building blocks make for a weary ballad of emotional desperation. But when Stough’s powerful, bluesy vocal ruptures into the chorus, the true toll of finding no relief takes center stage.

Taking his new music on the road this summer, Stough’s stacking music festival dates like CMA Fest 2024 on June 8 on the Hard Rock Stage in Nashville, TN. Doubling up appearances, the Season 21 finalist on American Idol will also join a program at Fan Fair X inside Music City Center on the CMA Close Up Stage for “Idol Hour with Chayce Beckham, HunterGirl, Colin Stough and ‘American Idol’ Season 22 Runner Ups Jack Blocker and Will Moseley.” Find additional details here.

ABOUT COLIN STOUGH:
While Country Rock phenom and Gattman, Mississippi, native Colin Stough is only knocking on the door to his twenties, he has traversed a long journey in a few short years – starting with his debut EP Promiseland and follow-up EP Lookin’ For Home (expected July 12). After learning to play guitar at 8 years old, Stough first pursued his artistic dreams at 10, boldly trading childhood possessions for his first guitar at a local pawn shop – an instrument he still plays to this day. After graduating high school, the naturally gifted singer and self-taught songwriter began working full-time as an HVAC technician, before his mother convinced him to audition for American Idol. Impressing judges Luke Bryan, Katy Perry, and Lionel Richie, Stough stunned viewers and soon built a thriving fan base, finishing third on Season 21 of the show in 2023. He spent the ensuing months writing and recording original music, while also touring nationwide to put his blowtorch vocal and guitar-slinging edge on full display. After signing with 19 Recordings/BMG Nashville, his distinctive mix of Southern Rock distortion and pure-Country style has helped Stough’s music rack up more than 19.8 MILLION global on-demand streams. Stough has headlined across the country and opened for established artists like Chase Matthew, Kidd G, and Drake White.

KEEP UP WITH COLIN STOUGH
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The Plot In You Release 'Vol. 2' EP + Drop "All That I Can Give" Music Video via Fearless Records

Ohio-based powerhouse The Plot In You has dropped their latest track "All That I Can Give" and the official music video, rounding out their new 'Vol. 2' EP available now on all streaming platforms (via Fearless Records). When asked about the inspiration behind the track, the band commented:

"'All That I Can Give' is a piece about the struggle of feeling trapped in a lifestyle that challenges other aspects of existence and perspective. Leaving one feeling isolated and inadequate."

The Plot In You previously shared "Closure" which climbed the Top 40 ranks at Active Rock Radio and most recently, released "Don't Look Away". The tracks have together amassed a staggering 5.8 million streams on Spotify alone and nearly 630k views and counting on YouTube. Stream 'Vol. 2' here and watch "All That I Can Give" below.

Through balancing even the most extreme dynamics, The Plot In You consistently overturn and upend expectations. On any given track, it might seem like they’re about to go one way, but the band will turn on a dime and shift course before the crowd can even catch a breath. This uncanny element of surprise has entrenched the gold-selling Ohio quartet—Landon Tewers [vocals], Josh Childress [guitar], Ethan Yoder [bass], and Michael Cooper [drums] — on the cutting edge of heavy music. Whether it be threads of alternative, electronic, pop, or R&B, nothing is off limits, and everything is fair game for their creative process. That process has continued to morph. Following a series of fan-favorite releases, the band made major waves with DISPOSE [2018]. “FEEL NOTHING” surged on social media as a viral phenomenon, generating hundreds of millions of streams and picking up a gold certification from the RIAA. The musicians only maintained this momentum with Swan Song in 2021. Hysteria rated it “9-out-of-10”. Simultaneously, they sold out shows coast-to-coast. During 2023, the band kickstarted another era with Vol. 1. “Divide” generated 9 million Spotify streams right out of the gate followed by “Left Behind”, exploding to the tune of 15.9 million Spotify streams. Upon the arrival of “Forgotten”, Revolver praised it among the “6 Best New Songs Right Now.” They only continue to challenge convention by extending this three-song EP series with Vol. 2 [Fearless Records].

Photo Credit - Wyatt Clough

FOLTERKAMMER Unveils New Song, "Die Unterwerfung," New Album Out TODAY

Operatic black metal rising stars FOLTERKAMMER are pleased to finally release their sophomore full-length, 'Weibermacht,' which is now available worldwide as of today via Century Media Records! In celebration, the band is sharing the final single from the offering, "Die Unterwerfung," which can be heard below.

Vocalist Andromeda Anarchia comments on the offering, "This song somehow combines everything that is Folterkammer: classical music elements, raw black metal aggression, historical themes, mythology and quotes from European folklore, portraits of cunning and strong women, strong contrasts, and provocation.

"Folterkammer makes classical music, played by a metal band. Not symphonic music with an orchestral sound, more like a chamber music ensemble playing black metal recitals. Or as we call it: torture chamber music.

"The music of 'Die Unterwerfung' is strongly inspired by the classical aesthetics of the Middle Ages. Thematically, this song is about the old and well-known spicy story of Aristotle and Phyllis, which has been told in the southern part of the German-speaking regions since the Middle Ages. Since musicians are also storytellers, we wanted to translate this story into modern times and create a black metal version of it - and thus keep this wonderful old tradition alive.

"What the story is about: The beautiful and charming Phyllis seduces, tricks and humiliates the intellectual, role model figure Aristotle out of revenge in front of an entire court. Aristotle is then exposed to ridicule and disgrace and flees. In a distant land, he meditates on the deceitfulness of female cunning.

"This tale was written by an unknown court poet. It depicts the motif of the wise and powerful man who is seduced, humiliated, and disgraced by a cunning woman. Two German versions are known, the so-called Strasbourg version and the older Benediktbeuren version. We quote small passages from both versions in the intro of this song, immediately after an altered sequence from a popular German nursery rhyme at the very beginning of the intro.

"There are various explanations for the popularity of this motif: one of them is that it is assumed that the depiction was intended to appeal to the public as a warning against the deceptions and temptations of women and was therefore particularly popular in the religious context of the time.

"The motif of the superior woman who seduces, incapacitates and humiliates the wise man has been known in world literature since the 5th century and was particularly popular in Europe from the 13th to the 16th century. It probably came to Europe from the Orient at the time of the Crusades. The term 'Weibermacht' is an official art and cultural-historical term for this motif. The d*minatr*x embodies this female figure to the fullest, which is why we have highlighted her in our 'Weibermacht' album.

"In addition to the textual evidence, this motif was also widespread in the pictorial representations of the late Middle Ages. Depictions have been found on everyday objects such as knife handles, combs, and stove tiles. Sculptures and façade reliefs in various churches and cathedrals have also been documented. In art, a variety of design techniques were used to depict the motif. In addition to sculptures, drawings, copperplate engravings, woodcuts, ivory carvings etc. are also documented. A concrete example is the woodcut 'Weibermacht' (from 1513, by Hans Baldung Grien). 

"It is obvious that we have also been influenced by this graphic aesthetics for our album cover, painted by the one and only Eliran Kantor."

'Weibermacht' serves as a counterpart to the band's 2020 debut, 'Die Lederpredigt.' The new record is another searing blend of modern black metal and classical music elements, lending to its Avant Garde sound. The music itself is elevated by frontwoman and vocalist Andromeda Anarchia's dynamic vocal work as she juxtaposes her classical training as an opera singer with her hellfire screams, summoning a maelstrom of ethereal chaos. Pre-orders are now live HERE.

The album artwork for 'Weibermacht' was created by Eliran Kantor

Founded in New York around 2018/2019, Folterkammer, or “Torture Chamber,” is the operatic black metal outfit that is redefining modern music. This ingenious band seamlessly fuses beauty with brutality. A combination of raw passion and technique contributes to the epic nature of Folterkammer’s dark art. Their work is both nostalgic and remarkably fresh. Yes, Folterkammer fuses various musical traditions and genres to craft an unparalleled experience.

Folterkammer is composed of Andromeda Anarchia on vocals, Zachary Ezrin on guitars, Darren Hanson on guitars, Laurent David on bass, and Brendan McGowan on drums. Both Anarchia, who hails from Switzerland, and David, who was born in Paris, divide their time between Europe and Brooklyn. Thus, even though the group can be described as international, Anarchia states: “It took New York to create Folterkammer.” Her project Andromeda Anarchia’s DARKMATTERS acted as the catalyst that brought her to the Big Apple, where she met Ezrin. Many metalheads already know that Anarchia has appeared as a guest on the three most recent albums by Ezrin’s brainchild Imperial Triumphant — a leading avant-garde band that marries extreme metal, jazz, classical components, etc. McGowan has also provided guest vocals for Imperial Triumphant, and Hanson lent his songwriting excellence to their 2012 instrumental track “Scaphism.”

Ezrin, McGowan, and Hanson have a wealth of shared history. These friends attended college together in California, where Hanson and Ezrin studied classical composition. Thus, much of Folterkammer’s orchestration is classically based. Hanson harbors a special love of Baroque music and knows precisely how to expertly wed it with his passion for black metal. Folterkammer was actually conceived when Ezrin proposed that Anarchia collaborate with him on some of Hanson’s material. Ezrin writes killer riffs and more for the band. McGowan was invited to join Folterkammer on Hanson’s wise suggestion. His drums are perhaps the heaviest element keeping one of Folterkammer’s limbs firmly anchored in traditional black metal. McGowan mines inspiration from different generations of acts: He names 1349 and old-school heroes like Blasphemy and Marduk. That said, black metal fans will also be pleased to hear the spirit of the second wave in the aggression of Folterkammer’s tremolo picking, for example.

The exceptionally skilled David, Folterkammer’s newest weapon, truly perfects the group with his golden touch on bass. Whereas the bass is not always as prominent as it could be in the content of many black metal groups, Folterkammer purposely allows David’s bass to shine through. Like his bandmates, David is an avid consumer of several forms of music, and thus creates delightfully eclectic art. He has received both classical and jazz training. This major talent has toured worldwide alongside musicians and bands such as Ibrahim Maalouf, Guillaume Perret & The Electric Epic, Yael Naim, and Shijin. David has done so both as a side man and as a band leader/producer. Anarchia and Ezrin already knew David before asking him to join Folterkammer. After all, David founded the “avant metal-jazz trio” Kilter of which Imperial Triumphant’s Kenny Grohowski is an essential part. 

Lineup:

Andromeda Anarchia - Vocals

Zachary Ezrin - Guitars

Brendan McGowan - Drums

Darren Hanson - Guitars

Laurent David - Bass

Guest Harpsichord: Steve Blanco on "Anno Domina"

Album Credits:

Producer: Zachary Ezrin

Recording: Kevin Antreassian at Backroom Studios in NJ

Additional Recording: Laurent David and Antoine Delecroix

Mixing: Colin Marston at Menegroth, The Thousand Caves, in NY

Mastering: Fred Kevorkian

Cover Art: Eliran Kantor

Album Layout: Brendan McGowan

Photography: Alex Krauss

Logo Design: Mister Kams

Bio: Jillian Drachman

Photos: Alex Krauss

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Gramercy Arms presents 'Never Say Anything', a paean to paranoid times ahead of their fourth album

"A fabulous and fresh slice of positivity, wrapped up in a finely-tuned package of upbeat and harmonious pop-rock that will leave you wanting more and checking local concert listings to see if the band is heading your way. Impeccably performed; superbly arranged and produced" ~ The Spill Magazine

"Wistful, bittersweet and soaring power pop... With echoes of the likes of Teenage Fanclub and Dinosaur Junior, as well as the classicism of 80s indie-pop, it’s yearning and hooky in all the right places, a gleaming melodic pick me up" ~ God is in the TV Zine


NYC indie pop collective Gramercy Arms presents 'Never Say Anything', a gorgeously performed paean to paranoid times. This is the second taste of the band's fourth album 'The Making Of the Making Of', released via Magic Door Record Label.

Gramercy Arms is a revolving collective of musicians and artists, masterminded by Dave Derby (The Dambuilders, Lloyd Cole) and producer Ray Ketchem (Elk City, Guided By Voices, Luna). This particular track features shimmering acoustic guitars by Derby, moody basslines by Lysa Opfer (Aeon Station) and haunting sonic textures by Mark Lizotte (Diesel) on guitar, vocals and effects.

“Never Say Anything' is a song about unease and paranoia in the strange environment we inhabit right now. The fear of not knowing if someone is listening in. In some ways, it was inspired by the films 'The Conversation' and 'The Secret Lives of Others', which deal with surveillance and swirling paranoia," says Dave Derby.

"We did two separate takes of 'Never Say Anything' during the 'Deleted Scenes' / 'Making Of' sessions. The ‘band’ version with its frenetic early Feelies-inspired drumming fits the mood of 'Deleted Scenes' better. This version is darker and sweeter at the same time and my personal favorite of the two. Lysa Opfer’s harmonic bass parts are sublime and gorgeous. Mark Lizotte, true to form, recorded parts in his Sydney, Australia home studio, taking the song to new unexpected heights."

The accompanying video, created by Debora Francis, features members of the Gramercy Arms collective, including Jessie Kilguss, Renee LoBue, Richard Alwyn Fisher, Ray Ketchem, Dave Derby, Sean Eden, Gary Burton, Claudia Chopek, Lysa Opfer and Phoebe Summersquash.

Inspired by the artistic heyday of ‘70s and ‘80s-era New York City, Gramercy Arms makes addictive indie pop - exquisite hook-laden melodies filled with lyrics that will have you floating back in time and remembering your favorite mistake.

This album was produced, recorded and mixed by Ray Ketchem at Magic Door Recording in Montclair, NJ with mastering by Ketchem and award-winning engineer Greg Calbi (John Lennon, David Bowie, Bruce Springsteen, Talking Heads, Patti Smith, Tom Petty).

Earlier, Gramercy Arms released the lead track 'After the After Party', a rueful power pop gem about chances missed and taken, featuring longtime collaborators Kevin March (Guided by Voices, Shudder to Think, The Dambuilders), Hilken Mancini (Fuzzy, the Monsieurs), Rainy Orteca (Joan As Police Woman, Dead Air) and Mike Errico.

'Never Say Anything (Acoustic)' is out now, available from fine music platforms - Apple Music, Spotify, Bandcamp and elsewhere. 'The Making Of the Making Of' album, slated for release on April 26, is now available for pre-order.

CREDITS
Written by Dave Derby (Passive Aggressive Music BMI)
Dave Derby - main vocals, guitars
Mark Lizotte - guitars, backing vocals, effects
Lysa Opfer - bass
Recorded at the Magic Door Studio, Montclair, NJ
Engineered, Mixed and Produced by Ray Ketchem
Mastered by Greg Calibi and Ray Ketchem
'After The After Party' video by Max Skaff
'Never Say Anything' video by Debora Francis
Dave Derby photos by Debora Francis

Keep up with Gramercy Arms
Website | Bandcamp | Facebook | Instagram | Twitter | YouTube | Soundcloud  | Apple Music | Spotify | Press contact

Keep up with Magic Door Record Label
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Keep up with Shameless Promotion PR
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ENSLAVED | release single + visualizer 'Forest Dweller' feat. Jo Quail'

The tree set ablaze at the end of my days
Awaiting my deserved death yell
Long forgotten, no one whispers my name
In the mountains and forests, I'll dwell

Norway's trailblazing cosmic voyagers, Enslaved, released their latest avant-garde creation Heimdal, one year ago. To celebrate the studio album's first year of existence, the band recently announced the Heimdal (Deluxe) digital album, due out on March 1st 2024.

Heimdal (Deluxe) will include the studio album in full, as well as alternative versions of two album tracks 'Forest Dweller' and 'Congelia', both with sublime performances from renowned cellist Jo Quail, bonus track 'Gangandi', plus the entirety of 'The Otherworldly Big Band Experience' - Enslaved's stunning 2022 streaming event featuring fellow psychedelic Norwegian prog band Shaman Elephant.

Today, Enslaved have released the alternative version of their track 'Forest Dweller', featuring internationally acclaimed composer and virtuoso cellist Jo Quail, alongside a beautiful visualizer video created by Costin Chioreanu.

Guitarist Ivar Bjørnson commented,

"It is an absolute honour to have Jo Quail on these special versions of 'Forest Dweller' and 'Congelia'. We are all big fans of her unique work and style; I have personally had the pleasure of working with her for some time through By Norse Music (the label co-founded with Einar Selvik and our manager Simon Füllemann). When we had the chance to invite guest artists for the release show in Bergen of 'Heimdal' back in March 2023, Jo Quail was a given. She blew our (and the audience’s) collective minds with her powerful interpretation and performance on 'Forest Dweller' and 'Congelia' - to the degree that it simply could not be the end of the story. She has a take on her art that is one of a kind - impossible to categorise, haunting, emotive and atmospheric; we feel that this version of us joining forces underlines the artistic and musical kinship we feel being present between our two camps. So here we are; for the world to hear! Be sure to check out Jo’s releases while you are at it!!!"

Jo Quail added,

"I’ve long been a fan of Enslaved, and I have huge admiration for the way their masterful compositions broaden and deepen with each release. When the band invited me to collaborate I had to re-read the email several times! I was honoured and humbled by this invitation from a band so greatly revered by so many of us all over the world, and I was tremendously excited by the chance to explore our sonic worlds together. Enslaved are the same people on and off stage, which is not always a given, and it’s something that, in my opinion, translates in their music and performance - the connection with their audience in concert draws us in deeply and it’s nothing short of inspiring. It was an absolute honour to be invited by Enslaved to perform Forest Dweller and Congelia with them in March 2023. I approached these two quite diverse tracks with immense respect, as both were already fully developed and everything sat perfectly and exactly where it needed to be, so any contribution from me needed to underpin or enhance the existing story arc rather than divert from it. Enslaved are musically very generous; they were wholly supportive of my suggestions for cello parts, and the result was a collaboration that I shall treasure for all time. I’m thrilled that this now has life beyond that one very special concert, and I hope you enjoy the result!"

PRE-SAVE HEIMDAL (DELUXE): https://enslaved.bfan.link/heimdal-deluxe.ema
LISTEN TO TRACK 'FOREST DWELLER - FEAT. JO QUAIL': https://enslaved.bfan.link/forest-dweller-alt.ema
WATCH THE 'FOREST DWELLER - FEAT. JO QUAIL' VISUALIZER BELOW.

Enslaved's latest studio album Heimdal (released March 2023) is both a departure and a communion with roots forged over three decades ago in the turbulent birth throes of Norway’s black metal scene. It's a record that points towards new beginnings, and a dawn that’s on the other side of the apex of the land. A psychedelic journey through arcane Norse folklore, connecting with one's ancient ancestors and our future selves.

'The Otherworldly Big Band Experience' was an Enslaved show like none other, their biggest, boldest project to date - a colossal, kaleidoscopic stage show featuring a stellar setlist covering their career, both past and present. Including some tracks never previously performed live. 

Enslaved will be touring the UK and Europe in March 2024. The 16-date run will take the band across 10 different countries, with support coming from British post-hardcore quartet Svalbard and US metallers Wayfarer.

Tickets are on-sale now from https://enslaved.no/

Never faltering, Norway’s iconic Enslaved continue to exist as one of the most original and dependable components in our scene's indestructible backbone. Possessing the reputation as one of the most riveting live acts around, they never fail to offer us talent of the highest calibre, always doing justice to their signature black/progressive sound. Enslaved was formed in 1991 by Ivar Bjørnson and Grutle Kjellson, releasing their first demo Yggdrasill in the summer of 1992, their legendary mini-album Hordanes Land coming out in 1993, and with their debut full-length Vikingligr Veldi arriving in the spring of 1994.

Enslaved are a band in stellar form - a band at its most existentialist and self-conscious, proud Bergeners bearing the torch of their hometown’s extraordinary musical history. Their most recent material shows Enslaved at their most unleashed and thought-through - a lethal combination unfurling a potential that’s easily rekindling the furor of their early works while dancing gracefully through their most ambitious, most haunting and most musical tunes yet. A contradiction? Life itself is a contradiction. And yet we all live to prove it wrong.

Enslaved are:
Ivar Bjørnson | guitars 
Grutle Kjellson | vocals
Arve 'Ice Dale' Isdal | guitar
Håkon Vinje | keyboards, clean vocals
Iver Sandøy | drums

Broadcast: Darkspace Third Transmission

[BROADCAST: For Immediate Release: 30 Jan. 2024]
> Amidst the echoes, a haunting scream reverberates through the vast expanse.
> Picked up by the keen sonar of an orbiting satellite.
> Triumvirate reach out to the inhabitants of Earth.
     > Wroth
     > Yhs
     > Zharaal

Darkspace channel something dark and mysterious on their new album. Dark Space -II  loosely deviates from their previous interstellar journeys while traveling even deeper inside their psychedelic portal of atmospheric spatial black metal.

The mysterious trio have been teasing Dark Space -II since the end of last year. Today, they're revealing the third and final snippet of their new 47-minute excursion, which is bound to transport you into yet another chilling alternate dimension.

Dark Space -II comes out February 16 on Season of Mist.

Listen to the third teaser below:

Pre-order: https://redirect.season-of-mist.com/DarkSpace-II

Pre-save: https://orcd.co/dark-2-2

On "Dark -2.-2", Darkspace defy the conventional boundaries of black metal. Fractal electronic samples slice through layers of extraterrestrial drones. Glitchy murmurs - like whispers from the outer reaches - are swallowed deep inside the band's vast, unknown aura.

Season of Mist reissued all of Darkspace's catalogue on CD and vinyl this year. Listen from Dark Space -I to Dark Space III I and hear how their hypnotic and otherworldly sound has influenced modern black metal.  

Shop: https://redirect.season-of-mist.com/darkspace-reissues

[BROADCAST: END]

Praise for Darkspace

"There's no shortage of sounds that will cause your jaw to drop" - Angry Metal Guy

"One of the most daring and underrated names in black metal" - Pitchfork

"Dark and profound, you feel the sensation of falling, the impression of sinking into the depths of space - it's scary but it's awesome to be able to transcend yourself with this kind of sound" - CVLT Nation

"You can vividly imagine them coming from some weird alternate universe to enslave the listener" - Echoes and Dust

"A trip with no return, into the depths of the hostile and void universe and to the blackest place where no light escapes" - Rock n' Heavy

DARKSPACE was founded by Wroth, Zorgh and Zhaaral in 1999 in Berne (Switzerland). In two decades four albums and an EP were released: Dark Space -I to Dark Space III I. The band rarely appeared live. In 2019 Zorgh quit while the band was awarded the Music Prize of the Canton of Berne for the creation of their soundscapes and their atmospheric performances. In 2022 Yhs joined Wroth and Zhaaral to complete the three again. Far on the horizon outlines of a new release are emerging.

Pre-order: https://redirect.season-of-mist.com/DarkSpace-II

Pre-save: https://orcd.co/dark-2-2

Links:
Official Website: https://www.darkcyberspace.com/
Apple Music: https://music.apple.com/us/artist/darkspace/329478213
Bandcamp: https://darkspace.bandcamp.com/
Facebook: https://www.facebook.com/dark.space87/?fref=ts
Spotify: https://open.spotify.com/artist/4sww0FgGlUX3NCrrJleszz

Available Formats:
Digital Download
CD Digisleeve
12" Vinyl Gatefold - Black

Chicago-based rocker LEON FREAR presents 'A Morning House', final single ahead of his debut 'Wild Rice' album

"Frear has a voice which somewhat recalls Marty Willson-Piper of The Church fame and his side project Nocturum... This is something for fans of Nick Cave and related"~ Side-Line Magazine

"Track of the Day. The way he tells the story makes it seem like he and the listener are commiserating together... a song with a great story" ~ Chasing Destino

"With a unmistakeable voice deserving of becoming a regular fixture in the mind-memory of music lovers everywhere... catchy and contemplative, showcasing clever lyrics channeled through his smooth and deep timbre.  fabulous from start to end and is obviously confessional while also being an invested labor of love" ~ Rock n Roll Biz

"The combination of evocative lyrics and a dynamic musical backdrop creates an immersive experience, inviting listeners to delve into the complexities of love, longing, and self-discovery" ~ Skylight Webzine

Chicago-based rocker/ songwriter Leon Frear presents 'A Morning House', a song about regret and hope previewing his debut album 'Wild Rice'. His first album under this moniker, this represents a new start since relocating from his home town of Chapel, North Carolina.

The new single follows 'A Town Called Chapel', which Frear describes as “a poison pen love letter to an historically musical time and place, to big blown-up plans and irreplaceable, lost relationships", and Frear's debut single 'Secret Second Moon'with a fantastic animated video by French artist Ronald Grandpey.

This powerful album reflects a dramatic period in which Frear experienced a life-altering love affair, its implosion and aftermath, followed by a decade of reflection and changes. Informed by his own experience, Frear's music speaks of love, lust, broken promises, miscommunication, and incinerated bridges. This 10-track collection sees Frear playing every instrument and capturing every breath to tape during a recording process that took years to complete.

"When I first got to Chicago, I had been living alone in one of those long term stay motels. You know the type. Half a kitchen in your room, maybe a few coin-op laundry machines in the lobby. Lots of activity in the parking lot at all hours. Coyotes... I had been living there for a few years, really just trying to survive and get sober. Even though I had a few songs partially written, I wasn't sure if I would ever record or release music again," says Leon Frear. 

"But one night I had this dream that I was in a bright green field of grass, with a white house in the background, gleaming on the top of a hill, with rows of chairs arranged on the lawn. There was a crowd and I was seated in one of the chairs. There was a small stage set up and a man with curly hair was playing guitar and singing. Even though he didn't look like me or sound like me, I understood that he represented me, some part of me or maybe a different version of me. Maybe I was imagining what could have been, or feeling regret for what I had lost. I don't know. But in the dream, this man and his band were playing a song. And A Morning House is the song I heard in my dream that night."

He adds: "It's about feeling regret for things that you've done. Maybe bad things. But even more than that it's a song about the strong feelings of regret you feel for the things that you haven't done. All of those missed opportunities. Unhad adventures. Unexplored romances. But for me, having that dream, it felt like an extraordinary thing had occurred. In the end, that helped me find my motivation again. When I was finally able to put myself together enough to leave that place, find a real home and start putting a studio together, A Morning House is the first song I completed."

Laced with hints of sadness and regret, anger and remorse, the lyrics are tempered with sardonic wit that leaves the listener wondering if Frear doesn’t secretly savor feeling bad. If there’s an opportunity to mock an uncaring universe, this is an opportunity Frear doesn’t let go to waste.  

Dubbing his brand of post-alternative music “vocabulary rock”, Frear aims to shift the emphasis away from the man and towards the music and lyrics, while inviting the listener to commiserate together through this exploration of grief, depression and sadness.

As of January 30, 'A Morning House' is available from fine music platforms, including Spotify, Apple Music and Bandcamp.  The 'Wild Rice' album will be released (on vinyl and digitally) on March 1.

CREDITS
Music and lyrics written by Leon Frear
Recorded by Leon Frear in his Chicago home studio
Mastering by Adam Boose at Cauliflower Studios
Vocals and instruments performed by Leon, except
Faye Whitt - backup vocals on 'Murder of Crows'
Front cover collage by Faye Whitt
Ronald Grandpey - Director / animator for  'Secret Second Moon' video
Artist photos by Jeremy Glickstein

'Wild Rice' album order  https://leonfrear.bandcamp.com/album/wild-rice
'A Morning House'  https://youtu.be/W1swotHm85E
Bandcamp  https://leonfrear.bandcamp.com/track/a-morning-house-2
Spotify  https://open.spotify.com/track/3xQbXV8N0deoePOT3H35US

Keep up with Leon Frear
Bandcamp | Instagram | Soundcloud | YouTube | Spotify | Apple Music | Press contact

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Jordyn Shellhart and Charlie Worsham Team Up on "A Nice Thing To Do," Out Now

Warner Music Nashville singer/songwriter Jordyn Shellhart is starting 2024 on a positive note with ode to kindness, “A Nice Thing to Do” featuring Charlie Worsham. Listen to “A Nice This to Do”  below.  
 
“I’ve looked up to Charlie since before he even released any solo music. He’s an absolutely world class artist,” shared Shellhart “And he’s taking me out on tour this year, which is the NICEST, nice thing to do. So having him on this song really is a dream come true.” 
 
The airy and affirming track was written by Shellhart and Cameron Jaymes and produced by Jaymes. It finds the Wyoming native and her frequent collaborator ,Worsham, calling for a little kindness because it is always “a nice thing to do.” 
 
        You should be careful who you treat like that at a party
        What if your castle ever crumbles under you?
        You never know, someday they might be somebody
        And if not it’s still not a nice thing to do
 
The new music follows a breakout 2023for Shellhart who was named a member of 2024’s CMT Listen Up Class following the release of her cozy Christmas EP, Cross-Legged By The Fireplace, and debut album, Primrose, which garnered critical acclaim on multiple year-end best of lists.
 
“‘Ethereal country-pop’ is the best way to describe the debut album from Jordyn Shellhart, who writes with vulnerability and potent detail on Primrose,” lauded Stereogum, naming the 12-track project one of the “Best Country Albums of 2023,” while noting it’s “a perfect album for those who dreamt of an acoustic twangier version of Midnights.”
 
“A collection that offers immense career promise,” boasted Billboard upon its release, with Country Now declaring it “a work of pure artistry that will take listeners on a unique musical journey,” while Nashville Lifestyles observes Shellhart “jumps the line of intriguing new songsmiths with her debut…evocative in style and voice.” 
  
Next month Shellhart will hit the road with Worsham opening for a run of dates beginning Feb. 15, in Birmingham, AL. Known for her emotive storytelling and soulful melodies, “A Nice Thing to Do” is the first of new music to be released this year. For the latest news and upcoming tour dates visit, jordynshellhart.com and follow along @JordynShellhart on Facebook, Instagram, X and TikTok. 

About Jordyn Shellhart:
Like a coming-of-age novel chronicling the heroine's passage from childhood to womanhood, singer/songwriter Jordyn Shellhart's 12-track Primrose ventures from joyful to introspective, providing intimate yet vivid glimpses into the Wyoming-native's most formative moments and milestones. Although her first full album for Warner Music Nashville, its refinement and sophistication stems from more than a decade as a signed writer, earning cuts by Little Big Town, Kelsea Ballerini, Cody Johnson and Don Williams. Whether asking "Who Are You Mad At," crooning over not the loss of a lover but of their mother in "Tell Your Mother I'm Fine" or the retrospective "Maybe Someday You'll Have A Daughter," Shellhart's Primrose is the first chapter in what is sure to be a storied career. 

Photo Credit: Jory Lee Cordy 

SINGER, SONGWRITER AND ACTRESS, MAYA J, UNLEASHES SULTRY R&B-POP VIBES WITH LATEST SINGLE “CHILLS”

Maya J, the multi-talented artist, actor, songwriter, and musician, has released her latest single, "Chills." This melodic R&B-pop gem, enriched with jazz elements, showcases Maya J's unique songwriting prowess and smooth, sensual vocals. Written and co-produced by Maya J herself, "Chills" is a testament to her artistic evolution, bringing a fresh twist to her signature style. Maya J's background as a violinist and lifetime music study greatly contributes to

her harmonious compositions, while her eloquence shines through in her unique lyricism.

Executive produced by Glitter Rain Entertainment, Maya J's RIAA-member record label that she has been operating since 2014, "Chills" came to life under the guidance of engineering producer Jacob McCaslin. The collaboration emerged just months after their initial meeting, resulting in a track that stands out in the contemporary music landscape. "Chills" draws comparisons to the works of acclaimed artists such as Sabrina Claudio, SZA, Lana Del Rey, and Billie Eilish. The song is poised to find a home on playlists curated for night drives, date nights, relaxation, or even hot yoga and pilates classes.

Maya Jenkins has consistently demonstrated her commitment to excellence in her craft, both in music and acting. A product of a New York/Los Angeles acting conservatory and training at renowned LA studios, Maya J's dedication to her artistry is evident in every project she undertakes. Her musical journey began with the debut single "Symptoms of You" in 2016, followed by a series of successful releases. Maya J's artistic achievements include the well-received "Come Find Me" and "Like You," with the latter showcasing her skills not only as a songwriter but also as a director and co-producer of the accompanying music video. Maya J's creative contributions extend beyond her solo career; her song "Tell Me" was selected for the season 2 promotional trailer of ABC Family’s hit series, “Famous in Love” in 2018.

Listen to "Chills" below:

https://lnk.to/ChillsbyMayaJ

CONNECT WITH MAYA J:

INSTAGRAM | SPOTIFY | YOUTUBE | WEBSITE | TWITTER | FACEBOOK

2 Shadows Unleash Blistering New Track "Mad God"

Vancouver based metal band 2 Shadows are heading into the New Year in high gear with their blistering new track "Mad God'' on Rock Shop Records.  The song starts with a brief acoustic interlude before bludgeoning the listener with crushing down-tuned guitars and staccato snare sounds, underpinned by  thunderous bass drums and piercingly intense vocals.  The song laments how people blindly follow the rules to get ahead in life – often without ever really knowing why they are doing it.

2 Shadows Glen Bridden says “When Tryst and I wrote the song Mad God we were inspired by the Phil Tippett film with the same name. We were blown away by the apocalyptic dystopian setting and the delivery of the horror elements in the movie and it got us excited to try exploring those vibes musically. Our song “Mad God” ended up being the easiest and most fluid song to write and we didn't make many changes after the first demo.

He continues “When it came to the lyrics of the song I focused on the dissonance visible in everyday urban life, like how lonely you can feel in a densely populated area and how common it is for people to numb themselves with prescription drugs and the like.  It would seem people feel more comfortable ‘under an influence’ and that’s where the lyric “overdosed on sanity” comes from and where the dystopian horror begins to show itself and come full circle”.

2 Shadows are veteran road warriors and are planning a tour for later this year.   The band plans to release more new music in 2024.

About 2 Shadows:

2 Shadows has been together since 2015 and have been steadily honing their craft through continuous touring. They draw inspiration from legendary acts like Slipknot and Rammstein, while also being influenced by contemporary acts such as Motionless In White, Asking Alexandria, and Avenged Sevenfold.  2 Shadows have gained serious momentum over the last year by going viral on all social media platforms - especially TikTok, where they have over 390k followers, and on Facebook – where they have 320,000 followers.  The band has an impressive 100 Million content views across all their networks. 2 Shadows have amassed 5 million career audio streams and more than 2 million combined video views on Youtube.

      (2 Shadows – Photo Credit = Yvonne Hanson)   

Alleviate Share "Trying To Survive" Video

After their successful debut singles "Die For Me," "Broken," and "Better" gained over 1.6 million plays on Spotify, ALLEVIATE are back with "Trying To Survive," out now via Arising Empire.

Watch the video below.

With "Trying to Survive," the group is delivering a sonic uppercut to the metalcore scene. Known for their powerhouse lineup and innovative sound, Alleviate's new track is a master class in blending ferocious energy with intricate melodies. 
 
Upon dropping "Die For Me," high profile internet reactors like Nik Nocturnal and Too Lit Mafia were all about Alleviate's powerful and catchy sound, as the group combines technical riffs, heavy breakdowns, and catchy hooks that get stuck in your head for hours at a time.

Formed in 2020 with the launch of "Die For Me," the band combines the best of technical metalcore, deathcore, djent, and post-hardcore in one powerful and beautiful style. Riffs, breakdowns, deathcore vocals, and catchy choruses abound. The members have proven themselves numerous times in previous and current bands. They've played hundreds of shows and are experienced live performers. The band's name itself represents what it stands for — giving hope and spreading a positive message into the world.

PHOTO: Denise Andörfer

ALLEVIATE ARE:
Timo — Clean Vocals (Our Mirage)
Marius — Shouts (Breakdowns at Tiffany's)
Ramon — Guitar (The Evolutionist)
Marc — Guitar (We Are Perspectives)
Yunus — Drums (Time, The Valuator)

NYC indie rock-power pop outfit Otherworldly Things debuts 'Time Turns To Memories', previewing their sophomore album

"A tantalising upbeat British beat offering for discerning music connoisseurs and lay-men alike... High-energy feel-good music, this is as infectious as The Kinks and The Monkees ever were... loaded with new vigour and vitality, coupled with classic power pop stylings, synchronous drum-guitar sequences and tight delivery" ~ The Spill Magazine

NYC rock outfit Otherworldly Things presents 'Time Turns To Memories', offering an irresistible first taste of their 'Heavy Dream Cycle' EP, out February 16 via New Jersey-based Magic Door Records.

With a band name that brings to mind everything from aliens to angels and other creatures, Otherworldly Things is actually a four-piece band from New York City, formed in 2014 and made up of Jim Browne (guitar, lead and backing vocals, violin), Matt Revie (guitar, keyboards, glockenspiel), Jason Binnick (bass, backing vocals, keyboards, cello) and Travis Harrison (drums, percussion).

It's been a few years since the band's first full-length album 'Beeline to the A-List', released in 2017. Like many artists, Covid and its respective lockdowns put a dent in any tangible plans for the band.  

As the world began to return to normal, Jim Browne spearheaded the effort to record new material at Serious Business Records in Brooklyn with Travis Harrison (Guided By Voices, Built To Spill), who also joined the band on drums and percussion, adding some notable pizzazz for this release.  

The resultant 5-track EP is entitled 'Heavy Dream Cycle'. Released on Magic Door Records, based in Montclair, NJ, it was mastered at Listen Up Studios by Jamal Ruhe (Guided by Voices, Phoebe Bridgers, Death, Jimmy Eat World, Misfits).

Formed in autumn of 2014, Otherworldly Things would deliver their debut concert in great company, opening for Buzzcocks at New York City's Irving Plaza in April 2015, even before releasing their debut album.

The band recorded their early material in Brooklyn at the legendary BC Studio, run by Martin Bisi, some of which can be found on their 'Beeline to the A-List' album. Additional material was recorded at the home studios of bassist Jason Binnick and former drummer Kevin Hudson, who ended up moving away from New York during the pandemic. The band ultimately went on hiatus... until now..  

'Time Turns To Memories' is out now, available from fine online music platforms, including Bandcamp, Apple Music, Spotify and Amazon. On February 16, Otherworldly Things will release their 'Heavy Dream Cycle' EP, which can be pre-ordered directly from the band.

CREDITS
Jim Browne - Guitar, Lead and Backing Vocals, Violin
Matt Revie - Guitar, Keyboards, Glockenspiel
Jason Binnick - Bass, Backing Vocals, Keyboards, Cello
Travis Harrison - Drums, Percussion
All songs written by Jim Browne
Recorded at Serious Business Studios (Brooklyn, NY)
Produced, Engineered and Mixed by Travis Harrison at Serious Business Studios
Mastered by Jamal Ruhe at Listen Up Studios
Artist photos by Julia Khoroshilov
Single cover photo by Renée LoBue
Single and EP cover design by Ray Ketchem


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