Robin Ross & The TW Howlers Whiskey and Ice 'Back To The Forest' EP is out now via RPM Entertainment

Pennsylvania artists Robin Ross & The TW Howlers present their new single 'Whiskey and Ice'. Set in New Orleans, this is an upbeat track about battening down the hatches and getting ready for whatever comes your way. With distinctive roots-rock hues, it's a little CCR andw a lot of energy in a sonic call-to-action to take care of business before the storm hits.

Robin Ross & The TW Howlers recently released their debut EP 'Back To The Forest', a tale of two rockers walking with nature and truth, living life to the fullest. This collaboration between singer-songwriters Robin Ross and TW Howell offers five original compositions, co-authored and recorded over several months in early 2025. With a stealthy mix of classic and Americana-hued and folky blues-rock, they earlier released videos for 'Walk With Me' and 'Back To The Forest'.

'Whiskey and Ice' paints a vivid picture of confronting an environmental disaster, beginning with a heavy, uncertain morning after a night of revelation. The recurring motif of "whiskey and ice" emerges as a central coping mechanism, a steadying presence amidst the escalating threat of a powerful storm bearing down on New Orleans.

The narrative skillfully blends personal unease with the impending external disaster, shifting from a sense of being overwhelmed to a determined call for action – to "put out the sandbags" and "clean up our house." Ultimately, it's a compelling exploration of resilience, finding a way to feel "right" and "set free" even as the world around them threatens to shut down, highlighting the human need for both escape and resolve in the face of adversity.

With a musical foundation that started in New Jersey and New York in 1988, Robin Ross has since established himself in the bustling artistic community of Milford, Pennsylvania, A musician, songwriter, and producer known for diverse musical endeavors spanning over three decades, he has released five albums, holds an audio engineering degree and has played a pivotal role in the creation of several recording studios, including Triple R Studios and Sound Complex near New York City.

With a storied history of performing all over the United States, TW Howell is a folk-blues musician, whose style of music seamlessly blends these genres together with hints of rock. Writing and performing music his whole life, TW's music career launched in Florida on a trajectory that has zig-zagged  throughout the country. He too considers the Lake Champlain area and the Poconos as his home base.  

Recorded at Baa Baa Leaf Music Studios in Milford, this album was produced and engineered by Robin Ross with Jonathan Duckett (Phillip Glass, Kenny G, David Sanborn) serving as supervising engineer. Ross and Howell are joined on this album by their extended musical family of Wharton Tiers on drums and back vocalists Joellen (JoJo) Gaetani, Nancy Isola and Kristin Grazevich.

Back To The Forest is more than an album; it's a sonic bath, a meticulously crafted immersion where the exhilarating pulse of good-vibed rock and roll converges with the serene power of pure forest energy. Each track is designed to envelop you, gently yet powerfully elevating your personal vibration and tuning you into a deeper sense of well-being. The lyrics say it all, "Walk With Me and see what we can find.  Looking for something, listening for something, walk with me!"  

In the early 1990s, Robin co-founded the band Laughing Jack, later rebranded as Jack’s Maze, which gained acclaim for a progressive rock sound reminiscent of such iconic bands as Pink Floyd and Led Zeppelin. But, as occurs for many artists, life and business took him in a different direction.

In 2021, with rekindled passion, Robin embarked on new projects, including Robin Ross & The Melodynes, a collaboration with Wharton Tiers, Joe Torres and Joellen (JoJo) Gaetani that infuses the retro vibe of classic rock with modern sensibilities and more contemporary influences. Robin also regrouped with Jack's Maze members Frank Cinquegrana, Scott Cowan, and Joe Torres to create new progressive rock albums.

Dedicated to the art of music production and performance, Robin finds joy in the creative process and the connections it fosters with fellow musicians and audiences alike. With an eclectic musical style that transcends genres, Robin Ross continues to captivate listeners through soulful storytelling and infectious melodies, embodying the timeless spirit of rock and roll.

The 'Back to The Forest' EP is out now on CD, available via Robin Ross' website and digitally from fine digital platforms, including Apple Music, Spotify, Amazon and Bandcamp.

CREDITS
Music written by Robin Ross & TW (Tim) Howell
Robin Ross - lead guitar, keys, bass, back vocals
TW Howell - vocals, acoustic guitar
Wharton Tiers - drums
JoEllen Gaetani - back vocals on 'Back To The Forest' & 'Walk With Me'
Kristin Grazevich - back vocals on 'Back To The Forest'
Nancy Isola - back vocals on 'Whiskey And Ice'
Recorded at Baa Baa Leaf Music Studios (Milford, PA)
Music Producer & Sound Engineer: Robin Ross
Supervising Engineer: Jonathan Duckett
Photography & videos by Tina Ross
Album design by Tina Ross
Publishing & booking: RPM Entertainment Enterprises, LLC
Publicity by Shameless Promotion PR


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SHADOW OF INTENT Drop New Single & Music Video "Mechanical Chaos"

Imperium Delirium has arrived. The highly anticipated new album from Shadow of Intent is out now via Blood Blast Distribution, marking a career-defining moment for one of metal’s most forward-moving and fiercely independent forces. The band have also shared a lyric video for the album’s crushing title track—watch it Below and stream or order the full record HERE.

 

Written and produced by guitarist Chris Wiseman with lyrics written by vocalist Ben Duerr, Imperium Delirium is as sonically unrelenting as it is thematically urgent—exploring the machinery of modern power through psychological horror, political decay, and a sound built on symphonic grandeur and technical brutality. Across eleven tracks, Shadow of Intent take aim at imperialism, drone warfare, mass surveillance, and the cold systems that dehumanize us all. The themes are grounded in reality, made visceral through punishing breakdowns, blackened textures, and surgical precision.

Speaking on today's album release, Chris Wiseman shares

“After countless writing sessions, abandoned ideas, and many years of patience, we are very proud to bring you Imperium Delirium. We couldn’t be happier to finally turn to this newest chapter of Shadow of Intent.”

Since their formation in 2014, Shadow of Intent have garnered a reputation for crafting mind-blowingly technical, prog tinged symphonic deathcore. Widely acknowledged as one of the forerunners of the current deathcore renaissance, the band's debut album 'Primordial' was named as one of Revolver Magazine's '15 Essential Deathcore Albums', with Metal Sucks giving their 2019 album 'Melancholy' a perfect 5/5 review, stating "you can expect Shadow of Intent to send echoes across metal for as long as they feel like making music". To date, they amassed over 203 million streams, 64 million YouTube Views and have 460,000 monthly listeners on Spotify.

This fall, the band will take Imperium Delirium on the road as part of a stacked North American tour alongside Lorna Shore, The Black Dahlia Murder, and Peeling Flesh. Full dates below.

Shadow Of Intent

Fall Tour Dates

09/17/25 - Pittsburgh, PA

09/18/25 - Louisville, KY

09/20/25 - Worcester, MA

09/21/25 - Baltimore, MD

09/23/25 - Greensboro, NC

09/24/25 - Nashville, TN

09/26/25 - Cleveland, OH

09/27/25 - Detroit, MI

09/28/25 - Chesterfield, MO

09/30/25 - Atlanta, GA

10/01/25 - Tampa, FL

10/03/25 - Houston, TX

10/04/25 - Irving, TX

10/05/25 - Austin, TX

10/06/25 - Oklahoma City, OK

10/09/25 - Phoenix, AZ

10/10/25 - Las Vegas, NV

10/12/25 - Riverside, CA

10/13/25 - San Diego, CA

10/14/25 - Los Angeles, CA

10/15/25 - San Francisco, CA

10/17/25 - Seattle, WA

10/18/25 - Vancouver, BC

10/20/25 - Salt Lake City, UT

10/21/25 - Denver, CO

10/23/25 - Chicago, IL

10/24/25 - Maplewood, MN

10/25/25 - Milwaukee, WI

10/27/25 - Mississauga, ON

10/28/25 - Laval, QC

10/30/25 - New York, NY

ABOUT SHADOW OF INTENT

Formed in 2014 by Ben Duerr and Chris Wiseman, Shadow of Intent have become one of the most respected and forward-thinking bands in modern metal. With four self-released albums—Primordial (2016), Reclaimer (2017), Melancholy (2019), and Elegy (2022)—the band has blended deathcore, black metal, symphonic and progressive elements with narrative and conceptual ambition. The band’s music and subject matter centers on the many evils in the world, whether myth or real-life events, and the future it may lead to.

2022’s Elegy charted at #4 on Billboard’s Top New Artist Albums, #6 Current Hard Music Albums, and #16 on Current Rock and Digital Albums charts. The band has clocked up 203 million streams, 64 million YouTube Views and have 460,000 monthly listeners on Spotify and toured alongside metal heavyweights including Cannibal Corpse, Whitechapel, The Black Dahlia Murder, Lorna Shore, and Cattle Decapitation.

Shadow Of Intent Are

Ben Duerr - Vocals

Chris Wiseman - Guitar, Vocals, Keyboards

Bryce Butler - Drums

Andrew Monias - Bass

Find Shadow of Intent Online

www.shadowofintent.com

AWAKEN I AM Release New Album 'The Only Way Out Is Through' via SBG Records ​   

Australian alternative rock band Awaken I Am has officially released their highly anticipated new album, The Only Way Out Is Through, today through SBG Records. Alongside the album, the band has also dropped their new single, “Somebody Else”, now available on all major streaming platforms.

 

Marking their first release under SBG Records, The Only Way Out Is Throughintroduces a bold new era for Awaken I Am — one filled with raw emotion, dynamic soundscapes, and a renewed sense of purpose. The band’s signature blend of atmospheric alt-rock and emotionally charged lyrics continues to evolve, offering fans their most introspective work to date.

 

The band states, "Somebody Else” came from a really raw place — it’s about realizing you’ve been holding onto someone who never really saw you, and the pain of letting go. It’s a song for anyone who’s felt like they were stuck in a cycle, chasing a love that was never really theirs. Writing this helped me process that, and I hope it can help someone else feel less alone."

 

With a growing global fanbase and a reputation for delivering heartfelt, immersive performances, Awaken I Am is gearing up for a big year ahead!

Stay tuned for updates and tour announcements by following Awaken I Am on social media and streaming platforms.

 

STREAM/BUY The Only Way Out Is Through

https://linktr.ee/awakeniam

Awaken I Am is an alternative rock band from Australia, fronted by producer and vocalist Jimmy Alexander.

 

The band’s journey has been marked by resilience and evolution. In 2018, as they wrapped their first U.S. tour, tragedy struck back home in Brisbane. Guitarist Connor Verner-Oakley, just 22, lost his life in a devastating incident involving an intentional reckless driver. In the wake of this unimaginable loss, Awaken I Am channeled their grief into creativity, diving into the writing and recording process. The resulting songs became a cathartic tribute to their fallen bandmate—honoring his memory while confronting the pain of his absence.

 

As the world faced lockdowns during the COVID-19 pandemic, the band continued forging ahead, writing what would become their most personal and powerful work to date. Produced by Jimmy Alexander (Rain City Drive), their full-length album, The Only Way Out Is Through, released today, June 27, 2025.

 

The band's sound, shaped by tragedy, growth, and perseverance, continues to evolve. Their recent singles have showcased this transformation—starting with “Relic,” followed by “Turn To Stone,” which earned a spot in SiriusXM Octane’s rotation in February. "Vacant" released on Friday, April 25th, offering yet another glimpse into the raw emotional landscape the band explores with every release.

 

Awaken I Am stands as a testament to turning pain into power, always moving forward—through loss, through change, and through sound.

For More Information Please Visit:

Official Website

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Out NOW - WARHOG - The Dystopian Chronicles Vol. III

WARHOG’s The Dystopian Chronicles, Vol. 3 marks the climactic conclusion to the band’s ambitious trilogy: a sweeping, furious, and often uncomfortably honest exploration of humanity in decline. Born out of the grim tension of a future that feels all too familiar, the Chronicles series has traced our fall through the lens of dystopian storytelling, with each chapter revealing a different facet of our collective unraveling. With Vol. 3, WARHOG delivers their most aggressive and thematically pointed material yet.

Opening track “Unleash the Beast” explodes out of the gate with relentless energy and a venomous perspective on modern society. It’s a track that lives up to its name, channeling the chaos of 24-hour news cycles, corrupt leadership, and the cyclical violence we allow ourselves to repeat. "Kings and clowns trade thrones and lies" isn’t just a lyric—it’s WARHOG’s indictment of the spectacle of power, and the deliberate unleashing of our worst instincts on one another in exchange for profit and control. It’s anthemic, it’s pissed off, and it sets the tone for everything that follows.

“Future Shock” dives even deeper into the psychic fallout of this collapse. Told from the perspective of someone waking up in a broken world, disoriented and surrounded by decay, the track is laced with experimental guitar synth textures and warped vocal effects that push WARHOG’s sonic boundaries. The lyrics ask the question no one wants to answer: how did we let things get this bad? “Beyond the neon lights, the filth is left to spread,” they sing, a grim reminder that the glittering surface of our society is paper-thin. The song feels like a descent, both sonic and spiritual, into a place where identity, value, and purpose have eroded.

Then comes “Hollow,” a slow-burning track that strips away metaphor in favor of something raw and direct. Inspired by the murder of George Floyd, the song addresses the systemic failures of leadership and justice with clarity and sorrow. It mourns a world where those who are supposed to protect instead destroy, and where human worth is too often defined by politics, prejudice, and apathy. “Cast aside by broken men who hide away / Numb to all the pain of those who pay their way.” WARHOG steps away from their usual aggression here to deliver something more haunting, more contemplative, but no less powerful.

The final full song on the EP, “Stewards of a Broken World,” ties together all the trilogy’s themes. Originally written for another project, it quickly found a home here as the band realized it was the perfect finale. The song explores the looming environmental collapse with a sense of exhausted urgency. WARHOG isn’t interested in preaching, they're chronicling. “The harvest of a dying garden, compelled to finish what we’ve started” is less a warning than an observation: we know exactly what we’re doing, and we’re doing it anyway. Musically, it’s both epic and mournful, a fitting end to a trilogy that has always been about confronting our self-inflicted doom head-on.

But Vol. 3 doesn’t fade out quietly. Instead, it ends with something unexpected: “Signal_pulse27103_28_057_undefined_anomaly,” a mysterious transmission from deep space. It’s part outro, part interlude, part teaser for what’s coming next. The band discovered that the combined runtime of Chronicles and their debut album Call of the Voyager differed by just 17 seconds—and decided to even it out with this cryptic, atmospheric piece. It hints at WARHOG’s next chapter, an upcoming release titled Ethereal Journey, already in production. Something sleeping will awaken.

The Dystopian Chronicles, Vol. 3 is heavy. It’s melodic. It’s bruised and furious and strangely hopeful in its refusal to turn away. It’s WARHOG at their most focused and musically fearless. If you’ve followed the journey from Vol. 1 through Vol. 2, this third chapter doesn’t just complete the story—it elevates it. And if you’re new to the world WARHOG has built, there’s no better time to dive in.

WARHOG is: 

  • Scott Beetley – Vocals, Guitar

  • Eric Kendall – Guitar

  • Justin Hopper – Bass

  • Robert Powers – Drums

 
Connect with WARHOG:

TIAN QIYI releases stunning sophomore album 'Songs For Workers' feat. JAH WOBBLE

After much anticipation, Liverpool-London music outfit Tian Qiyi has released their sophomore album 'Songs For Workers' via Pagoda Records, which features the legendary Jah Wobble on bass. Over its 10 tracks, they take us on a fascinating ethno-psychedelic musical journey, bridging generations and cultures, blending deep dub grooves with Eastern traditions.

Tian Qiyi is more than just a band, bringing together brothers John Tian Qi Wardle and Charlie Tian Yi Wardle with their father, Jah Wobble (John Wardle). Their unique sound reflects their rich family heritage, blending their father's pioneering work in post-punk and dub with the Chinese cultural influences of their mother, Zilan Liao.

In the lead-up to this album's release, Tian Qiyi shared the stellar singles 'Watch The Sunrise', 'Mongolian Dub' and 'Dharma', each offering a captivating blend of Eastern psychedelic melodies and Charlie's ethereal vocals, underpinned by a hypnotic fusion rhythm and beautiful percussion. As groovy as it is addictive, the trio serve up a truly grounding experience.

"'Songs For Workers' is an album where we have moved away from influences and inspiration, instead embracing instinct and familiarity. Our background played a crucial role, from the traditional Chinese music we learned with our grandad and mum, to the improvisational, instinctive playing we developed from performing and recording with our dad," says John Tian Qi Wardle.

Building on their acclaimed 2024 debut album 'Red Mist', with standout singles 'Incantation' and 'Red Mist',Tian Qiyi continues to forge a sound that blends dub, post-punk, and experimental production with rich influences from Traditional Chinese, Mongolian, and Irish music.

With support from Gideon Coe, Mark Riley and Stuart Maconie on BBC 6 Music, and from John Kennedy on Radio X London, 'Songs For Workers' presents limitless musical experiences that honour their diverse influences while crafting something uniquely their own, further exploring the intersection of traditional Asian and Celtic soundscapes with contemporary dub production techniques.

With John Tian Qi on drums and percussion, Charlie Wardle’s unique vocal style is to the fore. His incredible musical dexterity on traditional Chinese and Mongolian instruments imbues their music with a funky and, at times, psychedelic quality. While Jah Wobble plays bass on most tracks, John Tian Qi contributes bass on 'Luoyang' and 'Siege' and synth / Moog bass on 'Watch The Sunrise'.

'Songs For Workers' not only highlights their growing creative independence and production skills, but also marks a bold step forward in their cross-cultural, multi-generational musical journey. Rooted in heritage and driven by experimentation, their sound is shaped by the magnetic tension between ancient tradition and dub futurism, East and West, land and spirit—a musical space that is uniquely their own.


Drawing inspiration from Miles Davis's groundbreaking electric period and the experimental spirit of Krautrock, the band creates expansive, boundary-pushing soundscapes that defy easy categorization. Jah Wobble's involvement adds a deep, distinctive dub foundation to the family's cross-cultural vision, while the brothers' mastery of traditional Chinese instruments reflects their maternal heritage.

The duo's name carries deep personal significance, combining elements of the brothers' middle names: "Tian," shared by both siblings, paired with "Qi" (meaning "together") and "Yi" (meaning "one"). This linguistic fusion mirrors their musical approach, where disparate elements unite to create something entirely new—much like their parents' union of Eastern and Western cultural traditions.

'Songs for Workers' is out now, available from fine digital platforms, including Apple Music, Spotify and Bandcamp.  A handful of festival shows will be happening this summer in support of this album.

CREDITS

Composed by John Tian Qi Wardle, Charlie Tian Yi Wardle, Jah Wobble

Charlie Tian Yi Wardle - Morin Khuur, Er Hu, Ghijik & vocals John Tian Qi Wardle - drum kit, percussion, Yang Qin, synth bass, keys & synthsJah Wobble - bass on 'At the Beginning', 'Mongolian Dub', 'Dharma', 'Dharma AMBIENT' & 'Songs For Workers'
Mike McGoldrick - pipes and flute on 'At the Beginning', 'Dharma' & 'Dharma AMBIENT.'
Martin Chung - guitar on 'Songs For Workers' singleProduced by Tian Qiyi (Charlie Tian Yi Wardle and John Tian Qi Wardle).
Recorded at Pagoda Studio, Airtight Studios, and Pressure Drop.
Engineering by John Tian Qi Wardle with Seadna McPhail (on 'At the Beginning', 'Mongolian Dub', 'Dharma' & 'Dharma AMBIENT')and with Will Farley (on 'Songs For Workers')
Mixed by John Tian Qi Wardle, with additional mixing by Charlie Tian Yi Wardle & Jah Wobble on 'At the Beginning', 'Dharma' & 'Dharma AMBIENT'Special thanks to Sean Leonard, Pagoda Arts, Will Farley, and Antony Walsh at Pressure Drop
Published by Domino Publishing / 30 Hertz
Publicity by Shameless Promotion PR

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Buffalo-based DOTSUN MOON releases 'Tiger' album, a collection of reverb & light

Upstate New York-based artist Dotsun Moon presents his third album 'Tiger', which is both spiritually and sonically influenced by M83 and New Order. Dashing out of the gate, this music is inspired by the music that motivated this artist to write music in the first place. The album also subtly weaves in the atmospheric influences of Harold Budd, John Foxx, and Robin Guthrie.

Based in Buffalo, Dotsun Moon is the creative wellspring from which Richard Flierl's musical visions flow, transforming his artistic inspirations into tangible form. Seeing several incarnations since releasing their debut album 4 A.M. in 2011, the trajectory remains steadfast on a path of dreamy rock offerings over the years, with multi-instrumentalist Flierl also gradually assuming vocal duties.

This album arrives on the trail of his lush and gazey singles 'Save Us' and 'Never Had a Heart', inspired by the driving energy and artful restraint of those who pioneered the early post-punk and new wave scene, and the invigorating singles 'Bring Love' and 'Give Up The Tears'. 

"You’d be forgiven if M83 comes to mind. The inspiration stops at the power of the intro and allows me to launch into the bass and guitar influences that are pronounced throughout this album. The song is a fun yet urgent call to someone important to let me in and find the good around us," says Richard Flierl.

"This is a huge change to prior releases, which have powerful female singers at the center. On this album, I am on vocals and all the songs are written and played by me from guitars and bass to keyboards, drums and programming. Doug White at Watchmen Studios brought decades of recording and mixing knowledge to the recordings that allows the songs to truly shine."

Conveying his bold and self-contained vision in every note and vocal line, Dotsun Moon's new album is a complete solo endeavor and a departure from previous work, which involved female vocals.  Evoking both euphoria and a poignant sense of grounding, Dotsun Moon brings you this compelling and unique exploration. Engineered and mastered by Doug White at Watchmen Studios in Lockport, NY, Richard Flierl and Doug White mixed the album on location. 

'Never Had A Heart' kicks off the album with a propulsive, Hook-esque bassline and Daniel Ash-inspired guitar, leading into vocals that evoke New Order or Love and Rockets. 'Bring Love' follows as an upbeat, John Hughes-esque anthem of hopeful reconciliation, featuring angelic synths and a yearning guitar riff. 'Save Us' delivers an urgent plea, blending an M83-like power intro with the album's core bass and guitar influences. 'Piano Trailer Melody 4' is a reverent homage to Harold Budd, showcasing rich chords influenced by his collaborations with Guthrie and Foxx.

'Army of Me' navigates overcoming adversity, starting with a piano riff hinting at Erik Satie before bursting into David Gilmour/Will Sergeant-esque guitar bends. 'Give Up The Tears' offers anthemic hope, a perfect summer driving song propelled by synths and Will Sergeant-influenced guitar. 'Moments In The Sun' provides melancholic hope, with intertwining synth and guitar recalling The Clean/The Chills. Finally, 'Winter Streets' captures the spirit of a harsh Buffalo winter, evolving from quiet sounds to a burst of energy that embodies resilience against "cabin fever."

Over the years, Dotsun Moon has performed with such notable artists as Mary Ognibene (The Lovely Intangibles) and Buffalo Music Hall of Famer Maria Sebastian, having also played shows with Joywave, Vanishing Kids and The Lost Patrol, not to mention Pride Festival.

The 'Tiger' album is out now, available from fine music platforms, including Spotify, Apple Music and Bandcamp.

CREDITS
Music & lyrics written by Richard Flierl (ASCAP)
Vocals, guitar, bass, drums, programming & synths by Richard Flierl
Mixed by Richard Flierl and Doug White at Watchmen Studios in Lockport, NY
Engineered and mastered by Doug White at Watchmen Studios
Cover artwork by Doc Wintersmith
Artist photos by Meredith Snow
Publicity by Shameless Promotion PR

Keep up with Dotsun Moon
Website | Bandcamp | Facebook | Instagram | BlueSky | Soundcloud | YouTube | Spotify| Apple Music | Press contact

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Hot Milk Album "Corporation P.O.P" Out Now + Fall Tour Dates Announced—

HOT MILK's sophomore album Corporation P.O.P. is out today, with new single "Sympathy Symphony."

"Collective pain, personal fear and it's place in modernity is everything that is encapsulated in Corporation P.O.P. The payment of pain we all must make in the world we currently live," says Han Mee. "This album is essentially everything we see and are afraid of, from a macro sphere looking out to our twisted nervous system that takes the burden. An album that was captured fully Analogue to feel as raw and visceral as the subject matter at hand."

Watch the "Sympathy Symphony" video below:

The record is an extravagant, uncompromising assessment of the perilous world around us, examined through a sharp British lens that is both witty and universal. Kerrang! said, "Creative British acts embracing serious topics in a blaze of different sounds are to be cherished. Right now Hot Milk are coming to the boil."

Having studied a politics degree, Han Mee has used that with Corporation P.O.P. — where Hot Milk unleash the pent-up anger experienced en masse around the globe. "I've always felt like a bit of a white knight — it's my duty to save the world somehow," says Han. "I feel very, very impacted by the world's issues, consistently. I wanted to be an MEP [Member of European Parliament], that was my dream."

Despite its global outlook, Corporation P.O.P. is an album that takes root in Manchester and Salford, exemplified by the band's decision to shoot all of their videos in their hometown. "Newt Gingrich, who was a U.S. politician, once said 'All politics is local,'" says Han. "I'm trying to look local and be involved locally so I can affect my world. This is how I survive, because the world can feel overwhelming."

"Manchester is the best f'in city in the world," she continues, getting somewhat emotional, having recently u-turned from a permanent move to L.A. when Manchester came calling back to her. "We started this band in Manchester, it's intrinsic to me and who I am. It has to bleed into the art we create, because it helped me create it."

Produced by the band's own Jim Shaw, with Zach Jones and KJ Strock, you can sense Hot Milk's killer instinct throughout the record, a result of the intensive writing process and recorded as live album, it offers the band at their heaviest with their raw, unapologetic lyrics which brim with unfiltered emotion.  

Snapshotting the gloom of the present and unloading very real fears for the future, the sentiment behind Corporation P.O.P. might feel locked inside a time capsule. But fast forward two decades, and time will surely prove why this record carries the hallmarks of something timeless.

FALL U.S. TOUR DATES AND FESTIVALS:
9/19 — Lousiville, KY — Louder Than Life Festival
9/21 — Milwaukee, WI — The Rave
9/23 — Cleveland, OH — Grog Shop
9/24 — Columbus, OH — A&R Music Bar
9/26 — Hamden, CT — Space Ballroom
9/27 — Buffalo, NY — Rec Room
9/28 — Arden, DE — Arden Gild Hall
9/30 — Jersey City, NJ — White Eagle Hall 
10/2 — Sacramento, CA — Aftershock Festival 

Danish Musical Virtuoso NICKLAS SONNE Releases New Album ‘Electric Dreams’ — Out Now via Frontiers Music Srl

Today, Danish musical virtuoso NICKLAS SONNE is excited to announce the release of his new studio album 'Electric Dreams,' out now via Frontiers Music Srl. In addition, SONNEhas also released the focus track, "Baron Of Mischief," alongside a visualizer available below.

Talking about the focus track, NICKLAS SONNE commented:

“The track captures the torment of a mind unravelling - a relentless inner struggle where fear takes form and refuses to let go.”

Describing the album, SONNE added:

“This record is a deeply personal journey back to where it all began for me - to the raw energy and spirit of my earliest musical inspirations. It blends the soul of old school hard rock with the punch and clarity of a modern production, creating a soundscape that feels both nostalgic and new."

Watch the Visualizer for “Baron Of Mischief"

NICKLAS SONNE is a Danish musician, vocalist, guitarist, and producer known for his powerful presence in progressive and heavy metal. He began his musical journey as a drummer before moving on to guitar and ultimately becoming a singer-songwriter in a variety of metal and hard rock projects—starting with Defecto, one of Denmark’s leading metal bands, formed in 2010.

In addition to Defecto, NICKLAS is part of Aries Descendant alongside Jonah Weingarten(Pyramaze, Catalyst Crime). The dynamic duo released their debut album via Frontiers Music Srl on October 18th, 2024. It’s a groundbreaking project that seamlessly fuses the evocative allure of film music with the raw power of heavy metal, creating an auditory experience that is nothing short of extraordinary.

A multi-instrumentalist from an early age, NICKLAS honed his skills by playing along to Metallica and Dream Theater, later diving into songwriting and production. His talent quickly gained industry attention, leading to collaborations with renowned producers Jan Langhoff(Aqua) and Flemming Rasmussen (Metallica). This pivotal period helped shape his signature sound—progressive metal infused with orchestral and choral elements.

Other bands SONNE has been involved with include Evil Masquerade, Theory, Hank Shermann, One Machine, Waving Memories, Section A, Metallica Jam, Wasted, and Omvendt Korstog. His long career has included international tours in countries such as Japan and support slots for metal heavyweights like Metallica and Rammstein.

With a relentless work ethic and a passion for musical innovation, NICKLAS SONNE continues to push the boundaries of modern metal, cementing his reputation as one of the most dynamic artists in the genre today. His solo album is a collection of songs that showcases the immense talent of this artist—who also handled production duties himself.

Order 'Electric Dreams' HERE

From Debbie Harry, Rufus Wainwright & Scissor Sisters to solo creator: Charlie Nieland releases 'The Ocean Understands' EP

Four years after his acclaimed ‘Divisions' album, songwriter-producer Charlie Nieland is back with his latest masterpiece -  'The Ocean Understands' EP, a new beautiful occasion to be swept away by a stunning collection of captivating melodies and restless rhythms that expertly blend post-punk, dream pop, and prog-rock. These unique soundscapes promise an immersive journey, showcasing Nieland's continued evolution as an artist and producer.

The material from this new 'The Ocean Understands' EP and the forthcoming album 'Stories From the Borderlines' (out later this year) took root through the NYC performance series "The Bushwick Book Club" in response to various literary sources and was inspired by Nieland's deep love of David Bowie, Kate Bush, Peter Gabriel, Cocteau Twins, Love & Rockets and The Cure.

"This set of songs is a kaleidoscope of styles. They are luminous secret rooms that reflect one human’s heart in a world at the precipice. Staying creative is resistance. As authoritarians attack culture, they make the mistake that imagination can be controlled when it actually emerges from the bottom up. Culture is not imaginary. It’s is rooted in imagination but it’s more real than what can be measured," says Charlie Nieland. 

"These songs tell stories of growing up, of how we got severed, and how we connect. I burrowed into each idea over several years that were filled with love, uncertainty and family drama. The time allowed me to create and explore sound worlds with a cinematic eye; finding contrasts in texture and time. To create an experience that shifts with each listen."

Nieland recently shared the dream-pop single 'Redshift', delving into the profound experience of creating your own chosen family, viewed through the lens of cosmic expansion and astrophysical wonder, following the stunning reverb-laced lead track 'Drown'. The video, directed by multi-faceted artist Hypnodoll, was inspired by a dystopian vision of a mythical, psychedelic siren song that explores a dark, authoritarian past through jumbled stories of the future. Sifting through present wreckage, 'Drown' searches for grace amidst violent, oceanic forces.

Nieland’s musical backstory is extensive, having written, performed and produced music for decades, focused on the atmospheric and the imaginative. He also wrote for and produced such notable artists as Debbie Harry, Rufus Wainwright, Blondie and Scissor Sisters, as well as scoring the feature film 'The Safety of Objects' (starring Glenn Close), the pilot episode of 'The L Word' on Showtime and the VH-1documentary 'NY77: The Coolest Year in Hell'.

Charlie was awarded a Gold record (UK) for his production work on Blondie's 'Greatest Hits Sight & Sound' and achieved a Top 10 Billboard Dance Chart Position with Debbie Harry's single 'Two Times Blue', which he co-wrote and produced.

His dream pop band Her Vanished Grace made music for over 20 years before establishing himself as a solo artist with a mix of nuanced songwriting and sonic exploration, debuting 'Ice Age' (2014) and then 'Hopeful Monsters' (2016). Half of the literature-inspired songwriting and performing duo Lusterlit with Susan Hwang, he also produces and co-hosts the 'An Embarrassment of Prog' podcast.

As of June 20, 'The Ocean Understands' EP' is available from fine digital music platforms, including Apple Music, Spotify and Bandcamp. 'The Ocean Understands' EP, now available for pre-order directly from the artist.

CREDITS 
Music & Lyrics written by Charlie Nieland
Recorded at Saturation Point Studios (Brooklyn, NY)
from January 2023 to April 2025

'Elegy' recorded live at KGB Bar, NYC, October 3rd, 2021
Charlie Nieland - vocals, guitars, basses, piano, keyboards, percussion, G-Force M-TRON Pro IV
Billy Loose - drums

Dan McAssey - guitar on 'Shame'
Produced, recorded, mixed & mastered by Charlie Nieland
Cover Art by Hypnodoll
© 2025 Athame Music
'Drown' video directed By Hypnodoll™
Photography by Alice Teeple
Publicity by Shameless Promotion PR


Keep up with Charlie Nieland
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Out Today From FREEZE THE FALL - The Red Garden

Emerging from the vibrant rock scene of Kelowna, British Columbia, FREEZE THE FALL is poised to unleash their compelling new EP The Red Garden on June 18, 2025, via 604 Records. Known for their gritty and introspective sound, this trio is ready to take their music to new heights with a project that weaves intricate tales through each track.

The Red Garden showcases a sophisticated fusion of heavy rock and narrative depth. Produced, mixed, and mastered by Jordan Chase at Oodelally Recordings, the album promises a deep dive into thematic richness, complemented by haunting visuals from album artist Kevin Moore of Soft Surrogate.

The journey begins with "Denial," a chilling instrumental that seamlessly transitions into "Rot," where medieval allegories collide with modern-day dilemmas of misinformation. "Hypothermia" follows, with bassist Aria Becker's intricate rhythms underpinning a narrative on the perils of digital anonymity.

Intensity mounts with "VHS," a track that draws from the horror genre to explore the dynamics of power and subjugation. Conversely, "Aurora" offers a melodic reprieve, reflecting on the universal ties that connect humanity through its ethereal sound and thoughtful lyrics.

The album continues to explore profound themes with "Oubliette" and "Lace." The former melds atmospheric tones with progressive elements, including a verse in French that accentuates its reflective mood. The latter, "Lace," closes the album on a poignant note, using sparse instrumentation to delve into themes of innocence lost and the harsh realities of growth.

This album, rich with thematic complexity and audacious musicality, invites listeners to traverse a landscape where music meets myth, emotion, and introspection. With The Red Garden, FREEZE THE FALL crafts an audial tapestry that is both haunting and deeply resonant, promising to leave an indelible mark on the hearts and minds of those who journey through its tracks. This isn't merely an album; it's an immersive experience designed to challenge, captivate, and inspire.

About FREEZE THE FALL:

Hailing from Kelowna, British Columbia, FREEZE THE FALL is a dynamic trio that has quickly carved a niche within the hard rock and metal scene. Formed in 2023, the band consists of Quinn Mitzel on guitar and vocals, Aria Becker on bass and backup vocals, and Jonah Goncalves on drums. Together, they bring a fresh fervor to the modern rock landscape, melding elements of metalcore, nu metal, and hard rock with a deeply narrative-driven approach to their music.

FREEZE THE FALL began making waves shortly after their formation. Their breakthrough came with a viral cover of THE WARNING’s “Evolve,” which caught the attention of both fans and industry insiders. This early success led to their debut single, "Glitch," in February 2024 and subsequently secured them a distribution deal with 604 Records. Their debut EP, Thrones, released in July 2024, showcased their ability to blend intense instrumentation with lyrical depth, earning them nominations for Best Music Video at the Okanagan Screen Awards 2025 for the singles "VHS" and "Hypothermia."

Inspired by the likes of BRING ME THE HORIZON, EVANESCENCE, and SPIRITBOX, FREEZE THE FALL crafts songs that explore the complexities of human emotion and societal issues. Their music features emotive vocals, thunderous bass lines, and blistering guitar riffs, paying homage to ‘90s grunge and ‘00s alt metal while pushing the boundaries with their modern sound.

The band’s creative process is marked by a collaborative spirit and a shared passion for storytelling through music. Each track they create is not just a song but a chapter in a larger narrative, exploring themes from misinformation and the impact of digital anonymity to personal introspection and societal critique.

With their second EP, The Red Garden, released in 2025, FREEZE THE FALL continues to expand their sonic landscape. This project dives deeper into experimental sounds and elaborate storytelling, weaving a tapestry of lore and emotional intensity that challenges the listener while providing a cathartic musical experience.

FREEZE THE FALL not only aims to make music that resonates on a personal level but also seeks to create a lasting impact, pushing the boundaries of rock music with every note and lyric. As they continue to grow and evolve, their journey is one of relentless creativity and a commitment to making music that matters.


FREEZE THE FALL is: 

  • Quinn Mitzel: Guitar, Vocals

  • Aria Becker: Bass, Backup Vocals

  • Jonah Goncalves: Drums

New Jersey's Greg Amici presents 'Tragicomic' album, full-throated rock power via Magic Door Record Label

New Jersey artist Greg Amici presents his new album 'Tragicomic', a storied set of 12 songs released by Montclair-based indie imprint Magic Door Record Label. On the trail of the classic rock stinger 'No Fool' and initial single 'I'll Be Back', this record offers a blend of absurdist-rock, ska, Americana, folk-punk and straight-up classic rock, with a clear-eyed view of the world through Amici’s unique lens. Greg's lyrics often offer an unexpected turn of phrase, delivered with full-throated rock power.

With roots firmly planted in Jersey, his creative journey has taken him from the heart of Manhattan to Los Angeles and back again. In the late '90s, Greg formed Big Honey, a NYC-based band whose rise peaked with an appearance at the CMJ Music Festival but paused indefinitely when a vocal polyp sidelined Greg for years. Despite this setback, he didn't let his distinctive voice and songwriting abilities go to waste, returning to the studio after a 16-year hiatus. 

Reuniting with producer James Mastro (The Bongos, Mott the Hoople, Ian Hunter) and engineer / drummer Ray Ketchem (Guided by Voices, Elk City, Gramercy Arms, Luna) at Magic Door Studio in Montclair, the creative process inevitably led to  an array of upbeat satires ('Cynthia, Come to Me', 'No Fool') and ominous ballads ('Junky Eyes', 'In Like a Lion'). The resultant 'Tragicomic' album wasmastered by award-winning engineer Greg Calbi (John Lennon, David Bowie, Bruce Springsteen, Talking Heads, Patti Smith, Tom Petty).

'Tragicomic' album pre-order  https://distrokid.com/hyperfollow/gregamici/tragicomic
Bandcamp  https://gregamici.bandcamp.com/album/tragicomic
Spotify  https://open.spotify.com/artist/5TBZE1LVSVi5QRdKL6Xso2
Apple Music  https://music.apple.com/us/artist/greg-amici/1510088575

"When we first started recording back in 2019, I told Jim Mastro I had a vibe for Patti Smith’s 'Waves' album. Ironically, Tony Shanahan wound up playing on most of the cuts. That said, I kind of just trusted Jim’s instincts in whatever direction he took them. For the more comic songs, like 'Cynthia, Come to Me' and 'Tom Seaver', I wanted a carnivalesque sound, and Jim got that on keyboards and guitar synths," says Greg Amici.

The 'Tragicomic' album also involved former Amici bandmates Joe Gentile (Big Honey)and Tommy Aboussleman (Electric TNT), along with special guests Tony Shanahan (Patti Smith Band) and Renee LoBue (Elk City) contributing to the recording. Whether it’s a "serial killer romance" or a biting satire, Greg Amici proves that a Jersey count knows how to count on rock ‘n’ roll.

Calling himself a "count in name only", tracing his aristocratic lineage through Italian family names such as Benedetti, Stalute and Scala, Greg found his calling as a musician in high school, inspired by local bands. Picking up the guitar in his late teens, he founded his first band, The Clergy, and later teamed up with a musical partner to form the '80s alt-rock band Junk.

As of June 13, the 'Tragicomic' album is available from fine online music platforms, including Apple Music, Spotify and Bandcamp. The double-gatefold limited-edition vinyl LP Includes lyrics and liner notes. The CD comes with a CD wallet and includes a 16-page booklet with lyrics and liner notes.

Amici also has another album on the horizon later this year, chronicling decades of songwriting with characters ranging from teenagers to 30-somethings. He will be supporting this album with a series of live performances, to be announced soon.

CREDITS
All songs written by Greg Amici, except 'Jennifer' by Bert Sommer
Greg Amici - lead & backing vocals
James Mastro - guitars, piano, bass, sax, mandolin
Ray Ketchem - drums, percussion
Tony Shanahan - bass
Joe Gentile - backing vocals, acoustic guitar
Renée LoBue - backing vocals
Tommy Aboussleman - guitars
Chris Robertson - guitars
Produced by James Mastro
Recorded & mixed by Ray Ketchem at Magic Door Recording in Montclair, NJ
Mastered by Greg Calbi at Sterling Sound
Art direction, design & photography by Mark Jaworski
Released by Magic Door Record Label
Video created by David Fagin
Publicity by Shameless Promotion PR

Keep up with Greg Amici
Website | Facebook | Bandcamp | Store | Instagram | Twitter | YouTube | Apple Music | Spotify | Booking contact | Press contact

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Out Now from Masseti - Odds and Ends

Progressive metal visionary Tiago Masseti makes a striking debut under his solo moniker MASSETI with Odds and Ends, an emotionally charged concept album arriving June 14, 2025. Fusing blistering technicality with cinematic ambition, the record spans brutal riff onslaughts, labyrinthine time signatures, ambient textures, orchestral flourishes, and haunting vocal performances. Each track plays like a chapter in a larger narrative, balancing complexity with cohesion, and aggression with vulnerability. It’s a body of work that feels meticulously crafted yet emotionally raw, drawing listeners into a soundscape where mythology, dystopia, introspection, and survival all collide.

Opening the album with razor-edged intent, “Serpents and Whores” delivers a scathing sermon from the brink of collapse. Theological and mythological imagery fuse with sonic extremity, blistering polyrhythms, jagged riffs, and eerie melodic threads form a soundscape that feels both violent and sacred. Orchestral flourishes and ambient textures rise from the maelstrom, lending the chaos cinematic weight. The interplay of guttural growls and clean vocals creates a dramatic tension between purity and decay, capturing themes of moral erosion and spiritual war. This isn’t just an opener, it’s a mission statement: Odds and Ends refuses to compromise artistry for intensity.

Track two erupts like the second act of a war opera. “Against Our Fire” plunges listeners into the scorched ruins of a fallen nation, where a deposed leader rises from exile to ignite a campaign of vengeance. It’s rhythmically complex and steeped in contrast, thunderous, off-kilter riffing collides with sweeping orchestration, while evolving time signatures keep the listener unmoored. Urgency pulses through every measure, as if the track itself is teetering on the edge of war. A masterclass in narrative momentum and dynamic control.

Descending into dystopian surrealism, “The Pool of Liquid Dreams” constructs a disorienting dreamstate of synthetic highs and digital despair. Set in a near-future where virtual reality and psychoactive tech blur the line between sensation and simulation, the track unfolds like a lucid hallucination. Angular guitars cut through ambient haze, while hypnotic vocal layering mimics the disorientation of a synesthetic trip. Each glitchy tempo shift feels like a system malfunction, a deliberate fracture in the matrix. It’s immersive, haunting, and disturbingly beautiful.

“Gone” marks a stark tonal shift of moody, minimalistic, and emotionally bare. Stripped of distortion and density, it leans into restraint, with soft instrumentation framing intimate, vulnerable vocals. It evokes the quiet aftermath of personal loss or emotional fallout, like the credits rolling after a climactic collapse. Its simplicity feels intentional, allowing space for reflection amid the chaos of the surrounding tracks.

“The Singer in the Arms of Winter” is a haunting, atmospheric piece that unfolds as a meditation on solitude and creative exile. Sparse production, built from synth pads, delicate piano, or drones, evokes the chill of isolation. Breathily delivered vocals, drenched in reverb, drift like a ghost through a frozen landscape. The title suggests artistic stillness and spiritual hibernation, using winter as a metaphor for mourning, introspection, and retreat from the noise of the world.

Clocking in at nearly eight minutes, “Never Be Like You” unfolds like an ambient fever dream. One of the album’s most emotionally charged moments, it’s built on soft synths, spacious percussion, and restrained vocals that echo with aching detachment. The lyrics explore identity and expectation, grappling with self-alienation and quiet rebellion against imposed ideals.

Minimalist yet emotionally potent, “Hindrance” lingers in the space between paralysis and longing. It’s a song of psychological stasis, conveyed through slowly pulsing rhythms and subdued instrumentation. The vocals feel weighted, held back, mirroring the track’s central metaphor of internal resistance. A study in subtlety, it uses dynamic restraint to deliver its emotional blow.

Spanning over eight minutes, “Heir of the Survivor” closes the album with gravitas. This cinematic and introspective epic fuses ambient textures with methodical instrumental builds, culminating in a climactic swell that feels both earned and inevitable. Lyrically, it reflects on survival not just as endurance, but as inheritance, a meditation on memory, legacy, and the scars we carry forward. A fitting finale for an album steeped in transformation, decay, and rebirth.

With Odds and Ends, MASSETI carves out a space uniquely his own, where precision meets vulnerability, and storytelling is just as vital as sound design. It’s an album that rewards close listening but never loses sight of its emotional core. From its visceral opening to its final, reflective moments, Odds and Ends stands as a bold artistic statement, one that challenges convention while forging new creative territory. MASSETI arrives not just as a soloist, but as a singular voice worth following.

About MASSETI:

Tiago Masseti is a Progressive Metal singer, guitarist, and songwriter originally from the South of Brazil and now based in Brooklyn, New York. A self-made musician, Tiago’s musical journey began as the lead singer and main songwriter for DAYDREAM XI (Brazil), where he fronted the group for most of his life. In addition to his work with DAYDREAM XI, he was the singer for KINGDOM NORTH, an international power metal supergroup featuring members of SAVAGE CIRCUS, NOCTURNAL RITES, and SYMPHONY X. He also contributed vocals for the Danish band THIRD EYE and lent his voice to Bjorn Lakenstrazen’s experimental progressive project, GALAXYA (US).

In 2025, he embarks on a new chapter with his band MASSETI, set to release their debut album. His journey to the United States began at the age of 24 when DAYDREAM XI was handpicked by Mike Portnoy to perform at the prestigious Progressive Nation at Sea festival. This opportunity led to a record deal, a performance at ProgPower USA, and the beginning of his new life outside Brazil. However, the onset of the COVID-19 pandemic in New York City found him isolated, with few friends, little money, and a wealth of musical ideas. During this time, he wrote and pre-produced four albums and wrestled with the decision of whether to continue under the DAYDREAM XI name or forge a new path. The result is MASSETI, a bold new musical venture that draws on his extensive experience while offering a fresh sound and vision.

MASSETI’s sound is inspired by a diverse range of artists, including OPETH, SYMPHONY X, DEVIN TOWNSEND, and DREAM THEATER. These influences contribute to the band’s intricate compositions, dynamic arrangements, and heavy, yet melodic, style.

With MASSETI’s debut album on the horizon, Tiago is excited to connect with fans and share his new music. Always open to hearing from his supporters, he encourages messages across his platforms and looks forward to hitting the road in the near future.

MASSETI is:

Tiago Masseti - all instruments and vocals (with the exception of guest appearances)

Odds and Ends album credits and lineup:

Produced by Tiago Masseti and Renato Osorio

Music and lyrics written by Tiago Masseti

Arranged and performed by Tiago Masseti and Guests

Bass guitars arranged by Benhur Lima, performed by Benhur Lima

Keyboards and pianos arranged and performed by Tiago Masseti

Choirs arranged by Tiago Masseti and Renato Osorio

Guitars, vocals, keyboards, and choirs recorded at Masseti Studios, Brooklyn - NY

Engineered by Tiago Masseti

Drums and Bass guitars recorded at Black Stork Studios, Caxias do Sul - Brazil

Engineered by Benhur Lima and Thiago Caurio

"Against our Fire" and "The Singer in the Arms of Winter" Drums recorded at RDV Studios, Los Angeles - CA

Performed and engineered by Eduardo Baldo

"Gone" Guitar solo by Bruno Pinheiro Machado

"Gone" Guitar duet by Tiago Masseti and Renato Osorio

"The Singer in the Arms of Winter" Guitar solo by Renato Osorio

"Never Be Like You" Guitar solo by Marcelo Pereira

"Against our Fire" Orchestrations by Cezar Tortorelli

"Hindrance" Orchestrations and Pianos by Fabio Caldeira

Mixed by Benhur Lima at Angry Pick Studios, Caxias do Sul - Brazil

Mastered by Tony Lindgren at Fascination Street Studios, Örebro - Sweden

MALVADA Releases Self-Titled Studio Album — Out Now via Frontiers Music Srl!

The female-led, super-talented Brazilian rock band MALVADA is excited to share their new self-titled album via Frontiers Music Srl. In addition, the band is sharing a new track, “Yesterday (My End, My Beginning),” along with an accompanying visualizer available below.

MALVADA comments on the new album:

“It is the result of two years of work, and we are very excited to show the world how much MALVADA has grown. We believe it is the best work of our lives, and everyone will like it, as it shows our real essence. You will have a real experience.”

 

About "Yesterday (My End, My Beginning)", they added:

“It’s a song that brings the certainty of better days after the storm has passed. It talks about boundaries, self-love, and self-respect”.

 

The rising star of the Brazilian rock scene has a name: MALVADA, and they are ready to take over the world!

Watch the Visualizer for “Yesterday (My End, My Beginning)” Below:

MALVADA was initially formed in March 2020, at the start of the pandemic. With a rock n' roll style full of personality, the band quickly attracted attention as one of the most promising acts in the Brazilian rock scene.

 

In January 2021, MALVADA released their first single entitled "Mais Um Gole," which gained great popularity. Shortly afterwards, in May of the same year, it was time to release the second single "Cada Escolha uma Renúncia," which preceded the launch of the band's debut album, 'A Noite Vai Ferver.'

In 2022 and 2023, MALVADA solidified its presence on the national rock panorama, performing more than a hundred shows in several cities in Brazil. The band had the privilege of participating in huge festivals, such as Rock in Rio, Best of Blues and Rock, Angra Fest, and Chama Rock, sharing the stage with renowned national and international rock names, like Pitty, Ira!, Angra, Viper, Edu Falaschi, Matanza, Golpe de Estado, Extreme and Tom Morello.

In November 2023, MALVADA, composed of Indira Castillo, Bruna Tsuruda, Rafaela Reoli, and Juliana Salgado surprised with a big announcement: the band has become the newest signee of the prestigious Italian label Frontiers Records, which has renowned bands in its catalog such as Mr. Big, Asia, Whitesnake, Jeff Scott Soto, among others, promising to take them to a new level, with opportunities to expand their reach and conquer the global market.

The new album, produced by the Brazilian Grammy-awarded producer Giu Daga, promises a powerful and exciting musical experience and will be the band's first work featuring tracks in English/Portuguese, aiming to conquer a global audience.

MALVADA's vibrant rock passion will take no prisoners!

Order 'Malvada' HERE

MALVADA are:

Indira Castillo - Vocals

Bruna Tsuruda - Guitar

Juliana Salgado - Drums

Rafaela Reoli - Bass

Out Now - Hollow Leg - Dust and Echoes

When HOLLOW LEG began shaping what would become Dust and Echoes, the Florida-based heavy outfit wasn’t setting out to write a full-length album. Instead, the band—formed in 2009 and known for their sludge-laced, riff-centric take on heavy rock—decided to create two distinct EPs, Dust and Echoes, written and recorded during separate sessions across the span of a year. The intention was simple: two standalone releases that carried a shared DNA, built to be experienced independently or fused together as a full-length journey.

That journey is now complete. Releasing in June 2025 via Third House Communications, Dust and Echoes is HOLLOW LEG’s most cohesive and diverse album to date, a full-spectrum exploration of weight and atmosphere. Across nine songs and nearly 40 minutes, the band channels doom, grunge, hard rock, space rock, and old-school metal into a singular vision of destruction, decay, and transcendence. It’s both a soundtrack to the end of the world and a map for surviving it.

The album opens with “Poison Bite,” a crushingly slow and sludgy track that pulls from HOLLOW LEG’s earlier material—raw, direct, and emotionally grim. Written around themes of twisted human behavior, it’s a live staple that sets the tone for what’s to come. From there, “Sick Days” shifts gears into a more rock-driven groove, pairing gritty riffage with cleaner vocals to create a brutal but melodic attack on the cruelty of mankind and the absurdity of war.

“Funeral Storms” brings a grunge-tinged groove with thick vocals and apocalyptic imagery, while “Another Day Dying” leans into the band’s hardcore roots. It’s packed with layered vocals and ends with a hazy, psychedelic slide guitar outro—blurring the lines between consciousness and chaos. “Holy Water” closes out the Dust half of the album with slow-building atmosphere, rainsticks, congas, and other textural ear candy. A post-apocalyptic hymn, it imagines the “last tribe” surviving after civilization’s collapse.

Then comes Echoes, the second half of the experience. “Last Tribe” kicks off this side with bounce, groove, and rich vocal harmonies, ending in a synthy wash of guitars and the titular phrase “emerging from dust and echoes.” It's both the conceptual and musical bridge between the EPs. “Bury Our Kings” follows with a blues-drenched riff that has become a live staple, its infectious mid-tempo stomp securing it as one of the band’s signature bangers.

With “Red Skies,” HOLLOW LEG imagines humanity abandoning Earth to start over on Mars—a short, punchy rocker that blends end-times anxiety with space-faring escapism. “Ride the Wave/Dig the Grave,” the album’s longest track, closes the record on a high. It’s a two-part epic about aging, surrendering to time, and accepting the inevitable, morphing from a frenetic, groove-heavy rocker into a doom-gaze finale that floats through the void like stardust.

The lineup—Scott Angelacos (vocals), Brent Lynch (guitar/backing vocals), John Stewart (drums/percussion), and Tom Crowther (bass)—recorded the album at High Five Studio in DeLand, Florida, producing the sessions themselves with mixing and mastering handled by Zeuss. The artwork was created by Shawn Garrett and Jean Saiz, echoing the record’s themes of desolation and rebirth. These four musicians, veterans of underground acts like BLOODLET, CARIBOU KING, JUNIOR BRUCE, and HOPE AND SUICIDE, have always thrived in heavy music’s murky, rebellious corners—and with Dust and Echoes, they’ve crafted something that’s both raw and realized.

Whether you start with Dust or Echoes, the result is the same: a heavy, grooving, groove-laden saga about the end of everything—and the strange beauty in what comes after.

About HOLLOW LEG:

HOLLOW LEG is a heavy band born in the swamps of Florida, built on riffs, rhythm, and raw energy. Since forming in 2009, the band has forged a sound that blends sludge, doom, and hard rock with elements of grunge, classic metal, and even blues and hip-hop — a swampy, groove-laden punch to the gut that’s as soulful as it is crushing.

Over the years, HOLLOW LEG has carved out a loyal following with their dynamic songwriting, relentless live shows, and a discography that balances grit with atmosphere. The lineup — Scott Angelacos (vocals), Brent Lynch (guitars/backing vocals), John Stewart (drums/percussion), and Tom Crowther (bass) — brings deep roots in the underground, with current and former members of cult bands like BLOODLET, CARIBOU KING, and JUNIOR BRUCE.

With appearances at major underground festivals like Psycho Las Vegas and Maryland Doom Fest, and a catalog of full-lengths and EPs that have pushed their sound in new directions, HOLLOW LEG continues to evolve without losing their core: heavy, honest, and hungry. Whether channeling the slow burn of doom, the swagger of stoner rock, or the urgency of hardcore, they remain fiercely committed to the riff and the truth it carries.

Their new album, Dust and Echoes, is the culmination of everything the band has built — a concept forged from two distinct EPs that fuse into a single, end-of-days experience. It’s their heaviest, most varied, and most fully realized statement yet.

HOLLOW LEG is:

  • Scott Angelacos – Vocals

  • Brent Lynch – Guitars, Backing Vocals

  • John Stewart – Drums, Percussion (including rainsticks)

  • Tom Crowther – Bass

Connect with HOLLOW LEG:

FALLUJAH RELEASES NEW ALBUM 'XENOTAPH'

Progressive death metal masters FALLUJAH have released their highly-anticipated new album, Xenotaph, today with Nuclear Blast Records. Critically revered from the outset, Xenotaph is a cataclysmic composition of highly evolved, profound metal immersed in an epic, otherworldly futuristic saga.

Vocalist Kyle Schaefer has said of the new album:

“We are excited to finally reveal Fallujah’s new album Xenotaph, marking the sixth chapter in our discography. This is our most ambitious record yet, and is certainly the band’s most technical, dynamic and progressive material to date. The music carried out by these eight tracks is matched with an equally ambitious concept, a lyrical story that traverses unfolding layers of time and reality in an otherworldly, post-death realm of existence.

Xenotaph is also our most collaborative album, with broad input from the current lineup leading us to expand the scope of our songwriting while simultaneously highlighting the true potential of everyone involved. We hope you’ll join us in welcoming this bold new stage of the band’s evolution.”

Today, FALLUJAH presents a lyric visualizer for the full album that can be viewed Below.

Purchase/Stream Xenotaph: https://fallujah.bfan.link/xenotaph

About FALLUJAH:

Prog death-metal outfit FALLUJAH expand horizons and solidify their position as one of America’s most exciting acts on their new album, Xenotaph, through Nuclear Blast. The quintet’s confidence in the lineup that made their previous album, Empyrean (2022), such a resounding success—earning high marks from Metal Injection, New Noise, and Guitar World—has been reconfigured slightly, with guitarist Sam Mooradian (INHALE EXISTENCE, SAM MOORADIAN) and drummer Kevin Alexander (DISEMBODIED TYRANT, BROUGHT BY PAIN) bringing their jaw-dropping musical proficiency to the fold, as vocalist Kyle Schaefer, guitarist Scott Carstairs, and bassist Evan Brewer enter a new chapter with FALLUJAH. Moored by singles ‘Kaleidoscopic Waves,’ ‘Labyrinth of Stone,’ and ‘Step Through the Portal and Breathe,’ Xenotaph is FALLUJAH personified, reinvigorated, and re-imagined.

Xenotaph was produced by FALLUJAH, engineered by Dave Otero (CATTLE DECAPITATION, ARCHSPIRE) and Mike Low (VITRIOL, ABORTED) at Flatline Audio in Denver, Colorado and Top Track Studios in Nashville, Tennessee. Otero also mixed and mastered Xenotaph. The main goal was elevation, building upon yet soaring upward from Empyrean, one of the group’s strongest productions to date. The team focused the separation of FALLUJAH’s breakneck pace, meticulous songcraft, euphonious leads, and unrivaled intensity, creating an experience pulls the listener into Xenotaph’s high-caliber music and concept.

Beyond releasing Xenotaph to an anticipating fanbase, FALLUJAH take aim at the road, drawing upon the success of their Empyrean runs. Indeed, attendees to the group’s live performances have witnessed some of Xenotaph’s songs already, namely the shimmery prog-bounce and inner world horror of ‘The Obsidian Architect.’ FALLUJAH are in a perpetual state of evolution, and Xenotaphdemonstrates the group’s hard-won, if profound journey. For there is no reverse—only forward progress, and the path ahead is illuminating before them.

Kyle Schaefer | Vocals, Programming
Scott Carstairs | Guitars
Sam Mooradian | Guitars
Evan Brewer | Bass
Kevin Alexander | Drums

Follow FALLUJAH:

Linktree | Facebook | Instagram | X | Youtube | Patreon

CARSEX Release 'Landmine' Video From "Human Interest" EP

Long Beach, CA Punk/Metal band CARSEX have released their ferocious new EP “Human Interest”, which is a deep dive into timely themes about the current state of our chaotic world.  They channel their anger and angst into 7 pummeling tracks.  The EP was produced by Steve Evetts (Sepultura, The Dillinger Escape Plan, Butcher Babies) at Maple Studios in Santa Ana, CA, and mastered by Alan Douches at West West Side Music in New Windsor, NY. 

 

The EP’s focus track “Landmine” is a heavy, chugging anthem that’s forges ahead like a sonic M1 Abrams Tank.  CARSEX singer Nigel Burk says “Landmine’ is a follow-up to our song “Your Lesson”, which delved into succumbing to various forms of temptation and how we’re taught to fear divine retribution if we fall prey to these desires.  “Landmine” takes it a step further - it’s akin to a bad acid trip where everything is distorted…    You come to the realization that there is no absolution and you’re going to burn anyway.  It’s like walking through a field of landmines – you’re going to blow up, no matter what you do”.

Director Chris Michael explains the “Landmine” video concept: “I teamed up with my buddies in CARSEX to bring their video “Landmine” to life. This track’s a banger, and I was honored to storyboard and shoot it. The concept dives into the effects of an acid trip: The cool blue colors for the initial calm, then harsh reds and awkward angles take over as the hallucinations hit. We swapped the mic for a grenade to push the hallucinatory theme further.”  He continues: “We were under red and blue lighting for hours so long we actually thought we were tripping…. Some of the guys swore the colors were shifting and moving.  Everything about the shoot stayed true to the theme: chaos, distortion, and the constant threat of land mines.”

CARSEX has previously released 2 songs from the EP - “Crooked Canvas” and “Sitting Ducks”, with both tracks gaining support on Heavy Music playlists including Spotify, Apple Music, Deezer, Pandora and Audiomack. The band’s other releases include 2019’s CarSex and 2020’s 2020 EP, which featured the singles “Your Generation” and “Lovesick”. The band is scheduling shows in support the EP release and will be doing an extended tour in the fall.

 

Live Show

Saturday, Sept. 6th - Supply & Demand - Long Beach CA

 

CARSEX:

  Nigel Burk - Vocals

Shane Lausch – Lead Guitar

Justin Jolley – Rhythm Guitar

Jeremy Schott – Bass

Jason Blaustein - Drums

   

Connect & Share with CARSEX

Official Website: https://carsexlbc.com/

Facebook: https://www.facebook.com/CARSEXLBC/

Instagram: https://www.instagram.com/carsexlbc/

TikTok: https://www.tiktok.com/@carsexlbc

British Rock Sensation INGLORIOUS Releases New Studio Album 'V' via Frontiers Music Srl

Acclaimed British hard rock band INGLORIOUS is thrilled to release their highly anticipated new studio album, “V,” out now via Frontiers Music Srl. To celebrate, the band has released a new track, "Say What You Wanna Say," alongside a visualizer, available to view below.

Vocalist Nathan James commented on the new single:

“’Say What You Wanna Say’ is the kind of track that all the INGLORIOUS fans are going to love. It's that high energy high tempo vibe with lots of punch, but also with a bit of a twist. Colinwrote this musically and I love the chorus. It's a big tune and one I'm really looking forward to doing live”.

Bassist Colin Parkinson added:

“The track is a statement of attitude with a punk meets Mötley Crüe feel. Nathan was very open to changing up vocal styles and trying new approaches on this, which has worked really well. I look forward to playing this one live!”

 

Watch the Visualizer for “Say What You Wanna Say” Below:

INGLORIOUS returns with frontman Nathan James and original bassist Colin Parkinson. Nathan James, who founded the band in 2014, has been singing professionally for 20 years. He has performed/recorded with artists such as Ginger Baker, Uli Jon Roth, and The Trans-Siberian Orchestra.

More recently, he has appeared in Jeff Wayne’s musical version of The War Of The Worlds, Steve Steinman’s Vampires Rock Symphonic, 80’s Classical, and Zeppelin Symphonic. Nathan also fronts Supergroup Iconic, under the Frontiers roster featuring Michael Sweet, Joel Hoekstra, Marco Mendoza, and Tommy Aldridge.

In 2022, after a lengthy UK tour, INGLORIOUS announced a hiatus. After seven years of non-stop touring with bands such as The Winery Dogs, Steel Panther, The Dead Daisies, Last In Line, as well as their own international tours and festival appearances, recording four original albums, a live album and a covers album, everyone felt it was the right time to take a break.

Nathan is now back, looking forward to unleashing his powerful voice, and he joined forces once again with original INGLORIOUS bass player and main co-writer Colin Parkinson, who co-wrote and released the first three albums with the band: 'Inglorious,' 'II' and 'Ride To Nowhere.'

Joining them is renowned guitarist Richard Shaw, best known for his work with English extreme metal band Cradle Of Filth, as well as NG26, Emperor Chung, and Plague Of Angels. Richard brings exceptional musicality and a fresh energy to the band’s sound.

On drums, longtime friend of Nathan, Henry Rogers, completes the lineup. A celebrated musician, Henry has played with Touchstone, Mostly Autumn, Mia Klose, and Mark Kelly’s Marathon and has earned accolades such as “Drummer Of The Year” in Classic Rock Prog Magazine and Rhythm Magazine’s list of influential progressive drummers.

Produced by Colin Parkinson, 'V' was mixed by Tony Draper, who also worked on 'Inglorious II' and 'Ride To Nowhere,' ensuring the album retains the band’s signature sound while exploring new heights.

About the new album, James stated:

“In the summer of 2023, I sent a message to Colin and asked him if he wanted to come for a pint. A few meetings and writing sessions later, we had more than an album’s worth of great material, and I can honestly say I've enjoyed every second of creating this album with him and the new lineup. Colin has always been a great songwriter, and over the years we've both matured as artists, writers, performers, and people. This is going to be a great year for INGLORIOUS and I'm excited to welcome Colin back and to share this new music with everyone”.

Parkinson adds:

“I am extremely happy to be returning to INGLORIOUS after a while away. It’s the right time to get some kickass new music out there for the fans and to focus on the future. Writing and recording with Nathan again has been the easiest it’s ever been; it all flowed so well. We’ve all played and sang our asses off on these songs and I know the new album will not disappoint!”

Order 'V' HERE

INGLORIOUS are:

Nathan James - Vocals, backing vocals

Colin Parkinson - Bass guitar, /acoustic guitar, electric guitar, keys, percussion

Richard Shaw - Electric guitars

Henry Rogers - Drums, percussion

Tony Draper – Keys

OUT NOW FROM TURIAN - Blood Quantum Blues

Wise Blood Records presents the mind-blowing new album from Seattle metallic hardcore outfit TURIAN. Blood Quantum Blues blends the band’s explosive hardcore with a fresh palette of influences, making it one of the most vibrant, unique, and powerful heavy albums in recent memory.

“We are always trying to push ourselves and make better music, so we are never married to a sound or ideology,” shares guitarist Ryan Metztli-Moon. “A big push for us on this record was to make exactly the music we wanted to hear and not compromise on anything until we were all happy with it. That ultimately encompasses an enormous amount of influences and ideas.”

“This is the first album where we truly feel like ourselves,” adds drummer Andrew Nyte. “Up until this point, we were searching for our voice, but the influences were always there. Specifically, we wanted to bring electronic production into the mix, since a couple of us have been making electronic music longer than making metal. I think that was a huge change for us and one that felt completely natural.”

As their riffs smash tyranny, vocalist Vern Metztli-Moon guides the album through a blood-soaked history of American violence and oppression. “As a Yaqui Indian, this album is about my ancestors, acknowledging their unheard grief and our transcendental connection to one another,” Vern Moon explains. “It’s also about my decision to confront and break cycles of destruction caused by multiple generations of colonial genocide.”

Blood Quantum Blues is both a standout metallic hardcore album and a weapon of retribution. Wise Blood and TURIAN will release the album June 6th on CD, Cassette, and Digital formats.

TURIAN is:
Vern Metztli-Moon – Vocals
Cris Sanchez – Bass
Andrew Nyte – Drums
Ryan Metztli-Moon – Guitar
Carlye Nyte – Electronics

Recorded by Nicholas Wilbur at The Unknown, and TURIAN at Buster Room
Mixed by Jamie Uertz at Silver Cord
Mastered by Johann Meyer at Silver Cord
Produced by Andrew Nyte
Artwork by Diske UnoLayout by David Jaggar
Band Photography by John Donovan Malley

Dedicated to Gabe

Swiss Goth / Horror / Shock Metal Band DARKFLOW Release New Album "Imminent End", OUT NOW! ​

Swiss Goth / Horror / Shock Metal band DARKFLOW have released their highly anticipated new album Imminent End, out now!

 

Produced, recorded, mixed, and mastered by Andy LaRocque (legendary guitarist of King Diamond) at Sonic Train Studio in Sweden, Imminent End is a concept album that takes listeners through a dark and chaotic vision of the world’s collapse. LaRocque not only helmed the production but also contributes a blistering guest solo on the epic track “The Last Symphony.” Brian Bendahan did the orchestration of all the songs.

 

The album Imminent End explores themes of divine judgment, human depravity, and cosmic destruction. DARKFLOW crafts a world where each track reveals a different path to ruin—tsunamis, wars, existential despair—culminating in a battle between heaven’s wrath and hell’s vengeance.

 

“This album is about the world’s end, each track a vision of how everything falls apart. I embody Sean Horror, returning from hell to destroy the Earth before God can. It’s a race for apocalypse. ‘Press The Button’ finds Sean forcing a powerful man to unleash nuclear chaos. And the final song, ‘Whistles From The Sky,’ is my laughter as I’ve outdone God—winning the destruction of mankind and ushering in the end of all civilization.”

 

With Imminent End, DARKFLOW cement their place as masters of sonic horror, blending goth, shock metal, and theatrical narrative into a terrifying and unforgettable experience.

 Imminent End can be heard here:

https://music.suricatemusic.com/imminentend

 

WATCH DarkFlow - "Press The Button" Video Below:

DARKFLOW are:

Sean Horror

Flow

Meech K

Soa Grihim

Dr. Trykster


For more info visit:

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OUT NOW From Horrenda -Díoltas

In a powerful fusion of Irish mythology and unbridled metal ferocity, HORRENDA’s 2020 album Díoltas is set to conquer the U.S. with its upcoming physical release. The Dublin-based extreme metal band, known for their intense blending of black and death metal with atmospheric elements, first captured the attention of the underground metal scene with their explosive live performances and innovative sound.

Formed in 2015 by Darragh "Outis" O'Connor, HORRENDA quickly evolved from a solo project into a six-member ensemble that channels raw black metal, death metal, and a unique infusion of Irish folklore. Their live shows, notorious for their chaotic energy and punk-hardcore influences, have earned them a dedicated following and a regular spot at Ireland’s largest metal festival, Siege of Limerick. 

Díoltas, translating to "Revenge" in Irish, is HORRENDA’s most ambitious work to date. The album weaves a dark tapestry of themes ranging from ancient vengeance to the modern decay of Ireland, explored through the lens of Irish history and mythology. 

The opening track, "Balor", named after the Irish mythological giant and god of destruction, sets a foreboding tone, driven by aggressive guitar riffs and relentless drumming. Following up, "Dian" blends haunting melodic undertones with the ferocity of raw black metal, reflecting the intensity suggested by its name, which means "tough" or "intense" in Irish.

One of the highlights, "AxeWound", draws influence from the Swedish melodic death metal band AT THE GATES, while the title track "Díoltas" serves as the album's centerpiece, taking listeners on a harrowing descent into the Irish underworld with its expansive soundscape.

Collaboration takes center stage in "Craven X Horrenda", which sees HORRENDA team up with Irish darksynth-industrial act CRAVEN for a track that fuses black metal with eerie, synthetic textures, creating a standout moment on the album. Another key track, "Doom Tranquility", ironically named, is one of the band’s most aggressive offerings, exploring the paradox of seeking peace amidst chaos.

The album concludes with "Sluagh", referring to the spirits of the unforgiven dead in Irish folklore. It’s a deeply personal track for the band, encapsulating the album’s themes of vengeance, existential struggle, and the supernatural core of Ireland.

The release of Díoltas in physical format in the U.S. is a testament to their growing influence and ambition. With this release, HORRENDA is not just exporting their music but also their dark, intense vision of metal that has been honed on the stages of Ireland and the UK. This release is more than just an album; it’s an invitation to experience the depth and intensity of HORRENDA’s world, a world where folklore meets ferocity in a raw, musical onslaught.

Collaboration takes center stage in "Craven X Horrenda", which sees HORRENDA team up with Irish darksynth-industrial act CRAVEN for a track that fuses black metal with eerie, synthetic textures, creating a standout moment on the album. Another key track, "Doom Tranquility", ironically named, is one of the band’s most aggressive offerings, exploring the paradox of seeking peace amidst chaos.

The album concludes with "Sluagh", referring to the spirits of the unforgiven dead in Irish folklore. It’s a deeply personal track for the band, encapsulating the album’s themes of vengeance, existential struggle, and the supernatural core of Ireland.

The release of Díoltas in physical format in the U.S. is a testament to their growing influence and ambition. With this release, HORRENDA is not just exporting their music but also their dark, intense vision of metal that has been honed on the stages of Ireland and the UK. This release is more than just an album; it’s an invitation to experience the depth and intensity of HORRENDA’s world, a world where folklore meets ferocity in a raw, musical onslaught.

Connect with HORRENDA:

  • Official Website: https://horrendaofficial.com/

  • Bandcamp: https://horrenda.bandcamp.com/album/think-on-your-sins

  • Facebook: https://www.facebook.com/HorrendaOfficial

  • Instagram: https://www.instagram.com/horrendaofficial/

  • Twitter/X: https://x.com/HorrendaEire

  • YouTube: https://www.youtube.com/@HorrendaOfficial

  • Spotify: https://open.spotify.com/artist/396IN8R4fgqAlSJB9UHiOU?si=dcJ5NUH3ReGjv5yolDOsiA

  • Apple Music: https://music.apple.com/us/artist/horrenda/1139929047