BAEST Launches Visualizer for New Song, “Depraved World," New Album 'Colossal' Out Now

Danish death metal commando BAEST is now celebrating the release of its fourth studio album, 'Colossal,' which is out now, via Century Media Records! The band is also now sharing a visualizer with animation by Frederik Birn for the album’s closing track, “Depraved World," which can be found below.

BAEST comments, “Lo and behold! Our new album ‘Colossal’ is out now. We’re proud of this one and we’ve been working hard to reach this outcome. And the title says it all - it’s grandiose, it’s epic and it’s COLOSSAL!”

Produced by Tue Madsen at Antfarm Studio (Heaven Shall Burn, The Black Dahlia Murder, The Haunted, etc.), the album contains nine tracks across 42 minutes, including the already released singles "Colossus" and "Imp Of The Perverse," as well as an upcoming single with guest vocal features by Jesper Binzer of D-A-D on “King Of The Sun."

'Colossal' is now available to order, stream, or download HERE.

The album’s artwork was created by Solomacello

Are you ready to rock? Something colossal is coming…

Baest are back, with a new sound and a badass attitude. Over the last decade, the Danish quintet have become one of the most celebrated and respected death metal bands in Europe. Their reign of terror began with debut album Danse Macabre, which emerged to great acclaim in 2019. Since then, the Danes have been relentless. Subsequent albums Venenum (2019) and Necro Sapiens (2021) cemented their reputation as extreme metal mavericks with an ear for lethal hooks, while their passionate dedication to playing live enabled them to spread the word at shows and festivals around the world. 

But things are slightly changing with album number 4: Colossal. Pieced together in the aftermath of Covid lockdowns, and fine-tuned over the last couple of years, the new Baest album is an absolute monster. The new songs are still rooted in the belligerent death metal that informed previous records, but Colossal represents a wholesale transformation. Inspired by and infused with old school, classic metal riffs and a giant helping of rock ‘n’ roll bombast, Baest have written an album that delights in the glory of heavy metal and the fine art of rocking out. Bursting at the seams with catchy riffs and classy melodies, with stylistic salutes to everyone from Ozzy Osbourne and Dokken, through to Iron Maiden and Whitesnake, this is the magnificent rock ‘n’ roll rebirth of Baest. 

BAEST line-up:

Svend Karlsson - Rhythm/Lead Guitar 

Simon Olsen - Vocals 

Lasse Revsbech - Rhythm/Lead Guitar 

Sebastian Abildsten - Drums & Percussion

Mattias ‘Muddi’ Melchiorsen - Bass

Album Artwork:

Solomacello

Production:

Tue Madsen at Antfarm Studio

Special Guests:

Jesper Binzer of D-A-D on "King Of The Sun"

ORM on "Misfortunate Son"

Formats (U.S.): Ltd. CD Digipak / LP / Digital Album

BAEST online:

OFFICIAL WEBSITE

FACEBOOK 

INSTAGRAM

YOUTUBE

STREAM // DOWNLOAD

Fermentor - Agreement: Out NOW!

FERMENTOR’s latest sonic experiment, Agreement, drops August 15th, 2025. This 17-track instrumental album concludes a trilogy of improvised releases, following Mind Meld and Release Me. Agreement pushes their boundary-defying blend of blistering death metal and sprawling, freeform post-rock to new extremes, delivering cinematic brutality and storytelling without words through instinct-driven chemistry.

The album opens with "Wintry Earth," a bleak, droning descent marked by jagged time signatures, eerie guitar textures, and a brutal death metal finale that sets a tense, violent tone. "Whisper Flesh" follows, a raw improvisation where dissonant loops and jagged grooves shift between blast-heavy death metal and crushing, groove-laden choruses, spiraling into ritualistic heaviness.

"Dead Farm" and "Ceratops" offer contrasting explorations of heaviness. "Dead Farm" channels the primal force of SEPULTURA, seismic pulse of GOJIRA, and progressive sludge of MASTODON with groove-driven intensity. Meanwhile, "Ceratops" unfolds slowly from meditative calm into a cathartic, tectonic climax, showcasing the band’s dynamic range from muscular aggression to patient build.

"More Than Eight" dives into FERMENTOR’s signature improvised chaos, layering guitar loops instinctively over shifting rhythms. "Ghost Girl" ventures further into experimental territory, blurring meditative post-rock and thunderous groove metal with spiraling solos and ethereal textures.

"Roach God" captures raw vulnerability through imperfect, high-wire improvisation where mistakes become defining characteristics - an authentic snapshot of risk and discovery. "Rotted" is a relentless, riff-driven brutal death metal descent, free of loops and culminating in a monstrous breakdown forged in pure instinct.

"Deactivated" builds angular chaos with dissonant grooves, shifting time signatures, and a searing solo, exploding into a triumphant finale. The title track "Agreement" is a study in tension and release, layering palm-muted guitars over hypnotic loops, culminating in a crushing halftime outro, a seismic exhale of raw improvisation and controlled chaos.

"There With That" blends cinematic instincts and epic metal grandeur, balancing atmosphere and intensity with emotional clarity. "Human Caterpillar" immortalizes a glitching guitar pedal feedback during an improvisation, turning technical failure into a chaotic, avant-garde Easter egg and a tongue-in-cheek highlight released on April Fools’ Day.

"Transgression" blasts with thrash-rooted energy, tight cymbal chokes and groove-drenched riffs channeling the band’s early chemistry and old-school aggression. "Hides Behind Hands" offers a rare breath of melancholic reflection, trading brutality for beauty through shimmering loops and restrained percussion, inviting pause and introspection.

"Protohuman" is a kaleidoscopic hybrid of swirling loops, jagged rhythms, and pulverizing eruptions that merge FERMENTOR’s death-thrash roots with fearless experimentation. "Skybeam" unleashes a deafening blast of explosive energy, a chaotic tempest signaling the album’s climax.

Finally, "All Ashes" winds down with reflective melodies and subtle textures, a sonic exhale that gathers Agreement’s sprawling journey into a poignant, meditative farewell.

Agreement stands as a bold testament to FERMENTOR’s fearless embrace of improvisation, raw emotion, and genre-defying exploration. Through blistering death metal, expansive post-rock, and moments of beautiful imperfection, the album captures a journey of friendship, risk, and creative discovery. It invites listeners into a world where chaos and control coexist, forging a powerful, unspoken narrative that lingers long after the final note fades. This is more than an album. It is an immersive experience that challenges expectations and redefines the boundaries of instrumental music.

FERMENTOR is:

• Dylan Marks - Drummer

• Adam "Wally" Wollach - Guitarist

ABOUT FERMENTOR:
FERMENTOR is a San Diego-based two-piece instrumental metal band formed in 2008 by drummer Dylan Marks (ATHEIST, BEEKEEPER) and guitarist Adam “Wally” Wollach (BEEKEEPER, TRASHAXIS). Stripping away the comforts of a traditional band infrastructure, FERMENTOR relies solely on communicating through only two elements; drums and guitar. The two instruments acting more like contrapuntal voices, rather than just rhythm and melody.

Their musical chemistry was discovered in the summer of 2008 when the two cousins took advantage of an opening at Wollach’s recording studio. Having never collaborated before and with only four weeks to write and record, they created their first EP entitled Matanzaa.

INCITE Celebrate Monumental Year With The Release Of 'Savage New Times' Album and Video

Phoenix groovers/thrashers INCITE have today released Savage New Times via Reigning Phoenix Music. The new album features 10 new tracks that showcase exactly why they are broadly viewed as rising stars in the genre.

To mark the occasion, the band has unleashed a performance video for the title track, one of the most intense and truly “savage” cuts on the record.

Frontman Richie Cavalera comments, "'Savage New Times' is a throwback to 80s  metal that inspired us. It’s meant to be a song about being strong, overcoming, and fighting through the dark days of our lives. It’s a killer track and a great way to end an album as our final battle cry!!!"

Watch the video for "Savage New Times" Below.

Purchase Savage New Times HERE: https://incite.rpm.link/savagenewtimesPR

Midnight In Hell 2025 Tour (With SIX FEET UNDER, EXHORDER And WRETCHED)

9/21 Columbus, OH The King Of Clubs
9/22 Baltimore, MD Soundstage
9/23 Raleigh, NC Chapel Of Bones
9/25 Orlando, FL Conduit
9/26 Tampa, FL Orpheum
9/27 Destin, FL Club LA
9/28 Baton Rouge, LA Chelsea’s Live
9/29 San Antonio, TX Paper Tiger
9/30 Lubbock, TX Jake’s
10/2 Tucson, AZ The Rock
10/3 San Diego, CA House Of Blues
10/4 San Luis Obispo, CA Humdinger
10/5 Sacramento, CA Aftershock (Six Feet Under only)
10/7 Seattle, WA El Corazon
10/9 Richland, WA Ray’s Golden Lion
10/10 Portland, OR Nova
10/11 Boise, ID The Shredder
10/13 Denver, CO The Oriental Theatre
10/15 Tulsa, OK The Vanguard
10/16 Des Moines, IA Wooly’s
10/17 Urbana, IL The Canopy Club
10/18 Chicago, IL Avondale
10/19 Cadillac, MI Venue Event Center
10/20 Detroit, MI Sanctuary
10/21 Buffalo, NY Rec Room
10/22 Norwalk, CT District Music Hall
10/23 Brooklyn, NY Brooklyn Monarch
10/24 Bensalem, PA Broken Goblet
10/25 New Kensington, PA Preserving Underground

Purchase Tickets HERE: https://linktr.ee/midnightinhell

About INCITE:

Founded in Phoenix, Arizona, in 2004 by frontman Richie Cavalera, INCITE blends groove and thrash metal with a raw, relentless edge. With Lennon Lopez on drums and EL on bass, the band has honed its unyielding sound across multiple albums, evolving with each release. Their punishing intensity is amplified by producer Steve Evetts (THE DILLINGER ESCAPE PLAN, HATEBREED and mixer Arthur Rizk (Soulfly, Municipal Waste), while striking artwork by Marcelo Vasco (Slayer, Kerry King) captures their ferocity. Known for their relentless touring, Incite has conquered stages worldwide, sharing bills with DEVILDRIVER and SIX FEET UNDER, and proving their grit—like driving 500 miles through a blizzard to make a show. The addition of guitarist Layne Richardson has injected fresh energy, elevating both their live performances and songwriting. With sheer determination and raw talent, Incite has carved out a place in modern thrash, dominating every stage with their unbreakable, unforgiving sound.

AURI - Release Their Enchanting New Album "III - Candles & Beginnings" Today!

Today marks the highly anticipated release of III – Candles & Beginnings, the third studio album from AURI — the visionary musical collaboration of vocalist Johanna Kurkela, Nightwish keyboardist Tuomas Holopainen, and multi-instrumentalist Troy Donockley.

With III – Candles & Beginnings, AURI once again open a portal to an otherworldly soundscape where folk, progressive rock, symphonic textures, world music, pop, and avant-garde elements entwine. At the heart of the album lies Kurkela’s ethereal voice, soaring across lush sonic landscapes crafted by Holopainen’s emotive keyboard playing and Donockley’s eclectic instrumentation.

This new release is a tapestry of emotion and imagination, where each track tells its own story — from nostalgic reflections to deeply personal experiences.

Coinciding with the album’s release is the launch of the third single, 'Blakey Ridge', accompanied by a brand-new lyric video. Joyful and transportive, the track pays tribute to The Lion Inn at Blakey Ridge, a historic and beloved pub nestled in the remote beauty of the North York Moors — a personal haven for the band.

Troy Donockley comments: "Can the remote, isolated, back of beyond feel like home? Is the middle of nowhere the middle of everywhere?

The sun is setting.

The moon is rising.

The night is coming.

The Lion is waking...

We'll meet you up on Blakey Ridge."

III – Candles & Beginnings is not just an album; it’s a journey to be felt with the senses, a sanctuary for dreamers and seekers alike.

Watch the lyric video for 'Blakey Ridge' Below.
Stream the album on all platforms: https://auri.bfan.link/iii-candles-beginnings

Line-up:
Johanna Kurkela | voices, violin, viola, keys
Tuomas Holopainen | keys & backing voices
Troy Donockley | guitars, bouzouki, mandola, uilleann pipes, low whistles, aerophone, bodhran, keys, voices

AURI online:
https://linktr.ee/auri.band
https://www.backstagerockshop.com/collections/auri

Ray Hawthorne & Oliver vs. Godzilla-Sized Elmo + New Album Out Today!

Pop punk disruptor, Ray Hawthorne, has officially released his sophomore record, "Ray Hawthorne Isn't Real" today, paired alongside an epic animated video for one of the album's standout tracks, "The Reel You". Fans can listen to the album HERE and watch the brand new video below.

In the brand new video for "The Reel You", Ray Hawthorne and his real-life dog, Oliver, trade guitars for capes, transforming into animated superheroes locked in a battle against a towering, Godzilla-sized Elmo. It's absurd, action-packed, and exactly the kind of chaotic fun that fans have come to expect from Hawthorne.

Blending heartbreak, sarcasm, and just the right amount of emotional stability, this record marks a new chapter for Ray Hawthorne. Where debut album and his firstborn, "Ray Hawthorne Sucks", leaned into earnest DIY vulnerability, his latest record, "Ray Hawthorne Isn't Real", takes a turn and taps into the restless defiance of a secondborn. Across 15 brand new tracks, Hawthorne delivers emotional candor that perfectly captures what it feels like to scream into the void, only to realize the void is singing back.

Fresh off singles that blurred the lines between self-deprecation and self-destruction, including the biting, "And the Horse You Rode in On", the pop-punk firebrand doubles down on identity crises, burned bridges, late night regrets, and the very real possibility that Ray Hawthorne is just a guy screaming into the ether (and somehow making it sound catchy). Loud, petty, and deeply cathartic, "Ray Hawthorne Isn't Real" cements Hawthorne's place as one of the most unapologetically honest voices modern pop-punk.

Somewhere between saving the city from a Godzilla-sized Elmo and making sure Oliver's cape stayed on straight, Ray Hawthorne took a breather to share:

"You know what? Sometimes I just wanna be messy. I wanna lay out all of my biggest regrets in overly distorted ways that make my throat hurt. I wanna be so fucking real about what I’m feeling that it’s almost off putting. Like “Trauma Dump - The Album”. But I also just wanna play Yu-Gi-Oh and hang out with my dog. So I’m trying to find a middle ground. I’m sure the next album will be cleaner and prettier, maybe a little less chaotic. But this shit is messy, distorted, chaos, and I think I really needed it to be that way.”

Renowned for his work in North Kingsley, the acclaimed project alongside Shavo Odadjian of System of a Down, Hawthorne initially captured hearts as the Heartbreak Hero with his inaugural solo release "Heartbreak Feels Good in a Place Like This". Building on his solo work, his debut record "Ray Hawthorne Sucks" further cemented his status as a bold new voice in pop punk, quickly amassing a devoted following and over 15 million streams across all streaming platforms for his magnetic charm and razor-sharp wit.

Picking up where his debut record, "Ray Hawthorne Sucks", left off, his sophomore record captures the raw energy of late-night confessionals and the polished punch of modern pop punk. "Ray Hawthorne Isn't Real" is an invitation to embrace the chaos, laugh at the pain, and maybe, just maybe, find a little redemption along the way.

Be sure to stay tuned for more Ray Hawthorne news coming very soon.

"RAY HAWTHORNE ISN'T REAL"

RELEASE SHOW / DEBUT SHOW

August 15th - The Shed - Los Angeles, CA

Don't miss out on catching Ray Hawthorne's debut live performance for his "Ray Hawthorne Isn't Real" release show at none other than everyone's favorite local venue, The Shed!

Support for the "Ray Hawthorne Isn't Real" release show comes from Tayden, bren., and Kiss The Scientist.

Tickets can be purchased HERE.

ABOUT RAY HAWTHORNE

Do you remember that episode of Degrassi where Ashley really wants Craig to tell her he loves her, but Craig gets all panicked and can’t tell her that he does? It causes so much drama in their relationship. She begins to question her feelings for him and because of that, he becomes seemingly unsure of his feelings for her. So, in an effort to quell the bad vibes, Craig writes a song that includes lyrics IMPLICITLY AND EXPLICITLY stating that he loves her. (Total banger by the way, the only song of his I like better is the one he sings at the battle of the bands after the two inevitably break up, it’s also about Ashley. I believe it’s called ‘What I Know’) Anyway, Craig was only able to admit he loved Ashley in song form, but you as the viewer are left wondering ‘Does he really love her, or was this just his solution to end the drama?’ Or, ’Is this truly the only way he can express himself because he’s kind of nervous about speaking his true feelings outside of the structured environment of a song?’. I tend to believe it’s a mixture of both. So what I’m trying to say is, this collection of songs is kind of like that. I always feel like I have so much to say but often feel a bit too vulnerable when discussing my actual feelings. So for the majority of my life, I’ve just written them into songs instead. These songs can be quite vulnerable even if they seem silly at times. So now you’re left to wonder... am I telling the truth or just trying to get rid of Ashley’s bad vibes?

New Music from Dreamwake 'The Lost Years'

VÖLUR & CARES Release Breathless Spirit With Video for “Windbourne Sorcery II”

Toronto-based trio VÖLUR, the band that has spent the past decade proving heavy music doesn’t need guitars, join forces with producer and sound artist CARES (James Beardmore) to release their fourth full-length album Breathless Spirit today via Black Throne Productions. The record arrives alongside the premiere of a haunting video for “Windbourne Sorcery II,” an otherworldly piece of doom-folk storytelling featuring guest vocals from Amy Bowles (PONY DA LOOK).

Breathless Spirit is VÖLUR & CARES’ most immersive and uncompromising work to date, a six-track journey through dread, exile, and psychic unraveling inspired by The Saga of Grettir the Strong, a 13th-century Icelandic tale of a cursed outlaw. Blending doom, folk, black metal, free improvisation, and world music traditions, the album reimagines myth as sound: cinematic, spectral, and unbound by genre.

CARES’ role goes far beyond production, contributing piano, synthesizers, theremin, custom-built electronics, and radical sound processing to expand VÖLUR’s acoustic core of violin, bass, and drums into liminal territory. Through fractured textures, spectral layering, and immersive re-amping, the collaboration transforms Breathless Spirit into something part metal ritual, part sound art installation.

“Windbourne Sorcery II,” the record’s third track, shifts from crushing doom riffs to an introspective folk lament. Told from the perspective of a witch cursing Grettir, the song is filled with paradoxes, air that freezes, snow that burns, and builds toward a hallucinatory vision of an encroaching iceberg, a solid wall of metallic ice on an unalterable course. The new video channels the song’s stark intensity, pairing its dynamic shifts with imagery steeped in isolation, magic, and the inevitability of fate.

Breathless Spirit is available today on black vinyl in standard and limited “diehard” editions, the latter including a 7-inch bonus record (Flutterby Number and Glamr) and a 20g packet of custom-blended Breathless Spirit tea. Digital formats also include the bonus track Glamr, unavailable on streaming platforms.

About VÖLUR & CARES

VÖLUR is a Toronto-based experimental doom metal trio composed of Laura C. Bates (violin, vocals), Lucas Gadke (bass, vocals), and Justin Ruppel (drums). Known for their unorthodox instrumentation and boundary-pushing compositions, VÖLUR draws from a wide range of influences including doom metal, European folk, free improvisation, classical music, and Persian/Kurdish traditions. Their sound, often described as haunting and cinematic, blends thunderous low-end weight with fragile melodic tension. Since forming in 2014, they have released multiple albums and EPs, performed at festivals such as ProphecyFest and Sled Island, and collaborated with artists from around the world as part of their Die Sprachen der Vögel series.

CARES is the project of James Beardmore, a UK-born, Ontario-based musician and producer. Known for his experimental production methods and emotional sonic textures, Beardmore integrates analog synthesizers, hacked hardware, custom Max/MSP instruments, and field recordings into compositions that are as tactile as they are atmospheric. His work with VÖLUR on Breathless Spirit is a seamless collaboration that expands the band’s sonic universe, elevating their music into a richly layered fusion of organic and electronic sound.

Together, VÖLUR & CARES create immersive, mythically charged music that resists categorization, rooted in story and sound, breath and ritual.

VÖLUR is:
 

• Laura C. Bates – violin, electric violin, viola, cymbals, vocals

• Lucas Gadke – electric bass, double bass, harmonium, keyboards, tanbur, clarinet, bass clarinet, vocals

• Justin Ruppel – drums, percussion

Connect with VÖLUR:

Website: www.volurdoom.com
Bandcamp: https://volur.bandcamp.com/
Facebook: https://www.facebook.com/VolurDoom/
Instagram: https://www.instagram.com/volurdoom/​
Twitter/X: https://twitter.com/volurdoom
YouTube: https://www.youtube.com/volurdoom
TikTok: https://www.tiktok.com/@volurdoom
Spotify: https://open.spotify.com/artist/2Y2XCmgrMhdMpoNdGibU01 

Attack Attack! Raises The Stakes With "Attack Attack! II" - Out Now!

Metalcore titans, Attack Attack!, have today unleashed their brand new album, "Attack Attack! II" via Oxide Records. It's been over a decade since fans last got a full-length ride with metalcore's favorite troublemakers, and the wait is officially over! Packed with high-octane riffs, explosive energy, and a few surprises only Attack Attack! could pull off, this album is more than just a comeback. Fans can listen to "Attack Attack! II" HERE.

Accompanying today's release is yet again, another monstrous single, "Karmageddon", which happens to be one of Attack Attack!'s heaviest tracks to date. A relentless dose of the band's signature intensity and attitude, packed into a ferocious, unapologetic onslaught that showcases the band at their most unyielding.

As the streams continue to climb and the hot takes around "Attack Attack! II" multiply, Attack Attack! weigh in:

"We guarantee this album sounds even better if you hit repeat.”

In celebration of their upcoming record, "Attack Attack! II", the band will be embarking on the ONE HIT WONDER Tour next week, where they'll be bringing their chaotic new era to cities across the US. Fans can purchase tickets to the ONE HIT WONDER Tour now HERE.

Prior to today's album release, Attack Attack! also released four massive singles, "Dance!" featuring Will Ramos of Lorna Shore, "Chainless", "ONE HIT WONDER", and "i complain on r/metalcore". After blindsiding fans with a fake-out country remix, the real version of "Dance!" delivered sheer chaos and pit-stirring aggression as they teamed up with one of deathcore's most recognizable voices, Will Ramos, for their first ever official feature. The first two tracks sent metalcore into a tailspin, sparking conversations from fans to top-tier music outlets - Revolver, Metal Injection, Rock Sound, etc - who hailed Attack Attack! for their fearless return. "ONE HIT WONDER" and "i complain on r/metalcore" kept the momentum surging, setting the tone for an audacious new era that is loud, unavoidable, and fearlessly sarcastic.

Formed in 2007, Attack Attack! has become a staple in the metalcore scene, amassing over 100 million streams across major streaming platforms on multiple chart-topping records. As torchbearers of the genre, the band continue to push the boundaries of metalcore while solidifying their place in its ever-growing legacy. Known for their no-holds-barred approach, Attack Attack! remain unpredictable as ever, with more bold twists in store for the year ahead.

Be sure to stay tuned for more Attack Attack! news coming very soon.

ONE HIT WONDER TOUR

Aug 12 | Atlanta, GA | The Masquerade Hall

Aug 13 | Winter Park, FL | Conduit

Aug 14 | Charleston, SC | Music Farm

Aug 15 | Richmond, VA | Canal Club

Aug 16 | Reading, PA | Reverb

Aug 17 | New York, NY | Racket

Aug 19 | Buffalo, NY | Rec Room

Aug 20 | Pittsburgh, PA | Crafthouse

Aug 21 | Detroit, MI | The Shelter

Aug 22 | Cleveland, OH | Globe Hall

Aug 23 | Joliet, IL | The Forge

Aug 24 | Minneapolis, MN | Fine Line Music Cafe

Aug 26 | Des Moines, IA | Wooly's

Aug 27 | Omaha, NE | The Waiting Room

Aug 29 | Denver, CO | Marquis Theater

Aug 30 | Grand Junction, CO | Mesa Theater

Aug 31 | Salt Lake City, UT | Metro Music Hall

Sep 2 | Seattle, WA | The Crocodile

Sep 3 | Portland, OR | The Nova PDX

Sep 5 | Roseville, CA | Goldfield's

Sep 6 | Los Angeles, CA | Echoplex

Sep 7 | Phoenix, AZ | The Rosetta Room

Sep 9 | San Antonio, TX | The Rock Box

Sep 10 | Houston, TX | Scout. Bar

Sep 11 | Dallas, TX | Puzzles

Sep 12 | Tulsa, OK | The Vanguard

Sep 13 | Wichita, KS | Wave

Sep 14 | Springfield, MO | The Regency

Sep 16 | St Louis, MO | Red Flag

Sep 17 | Nashville, TN | The Basement East

Sep 18 | Fort Wayne, IN | Piere's

Sep 20 | Louisville, KY | Louder Than Life

Full tour information can be found HERE.

ABOUT ATTACK ATTACK!

If you went to Warped Tour in the mid 2000’s, shopped at Hot Topic, or were active on Myspace; then you have heard the name “Attack Attack!” While the band’s early career was relatively short-lived, their reputation has done nothing but grow since the band went on indefinite hiatus in 2013. Known for incorporating dance/electronica music with metal, the band consistently bent the rules of songwriting. They took the sounds they liked and crafted seemingly incompatible genres into anthems for local Ohio scene kids, and later, audiences across the globe. After years of silence, Attack Attack!exploded back onto the scene in 2020. They’re here to remind you that rules are made to be broken, adversity is meant to be overcome, and that legends never die.

John McLaughlin and his long-time band The 4th Dimension release Live at the Montreux Jazz Festival 2022 worldwide via earMUSIC

FUSION JAZZ PIONEER JOHN McLAUGHLIN and earMUSIC celebrate the release of “LIVE AT MONTREUX JAZZ FESTIVAL 2022” Friday, August 8th, 2025
 

Formats include Blu-ray+2CD Digipak, 2LP Gatefold, Digital Download Album release accompanied by new video “Mr. DC”

Today, John McLaughlin and his long-time band The 4th Dimension share “Live at the Montreux Jazz Festival 2022” worldwide via earMUSIC on Blu-ray+2 CDs, Heavyweight 2 LP Gatefold, and all digital platforms.

DISCOVER THE ALBUM Below.

This stellar performance was captured when John and his band took to the stage of the revered Auditorium Stravinski on July 11th, 2022 with special guest pianist and vocalist Jany McPherson.

“This night was very special. I am so glad it was recorded. It was a kind of magical night. There was something extra in the music and in the air.” – John McLaughlin 

John’s history with the revered Montreux Jazz Festivalspans 52 years as a headlining artist and sometime guest performer. Now available as a Blu-ray+2CD Digipak, 2 LP Gatefold and digital download, those who had the honor of being there can relive this monumental performance and those who couldn't be there now have the chance to see what they missed. 

“This was a great night. Everybody was on. There was a vibe going on in the band and the audience felt it. It was a vibe going on between the band and the audience and it was outstanding.” -John McLaughlin 

A perfect example of this vibe runs through the new video for “Mr. DC.” SEE THE VIDEO Below

Dedicated to Modern Drummer hall of famer Dennis Chambers (who has played with John, P-Funk All Stars, Steely Dan, and Bill Evans amongst many others) “Mr. DC” is playful interplay between Jany McPherson’s delightful voice and piano and both Gary Husband and Nicolas Viccaro on drums. 

John McLaughlin brought a fusion of world music, jazz, and blues to the mainstream with his Mahavishnu Orchestra and recordings with Santana and The Rolling Stones as well as his groundbreaking “Live in San Francisco” albums with Al Di Meola and Paco de Lucia. 

“Live at Montreux Jazz Festival 2022” is a masterclass in jazz fusion that travels all these worlds on one prestigious stage.

Eli Young Band’s New Album, ‘Strange Hours,’ Out Now

18x RIAA-certified country hitmakers Eli Young Band launch a new era with Strange Hours, out now. As the band’s first independently released album via UnLevel Records and their first full-album release in over three years, Eli Young Band shares why they keep Strange Hours. Listen to the album below.
 
Strange Hours comprises 13 songs, all co-written as a band or with long-trusted collaborators, and introduces a new chapter driven by experience and a million miles of wisdom, from a band of brothers who grew from hometown heroes into globe-trotting, chart-topping pioneers still very much in their prime. Eric Arjes and Jimmy Robbins produced 12 of the 13 tracks, while “Bad Luck” was produced by Julian Raymond and Scott Borchetta. 

“We started this thing when we were like 20 years old, and it’s been such a crazy road and such a longer road than any of us could have conceptualized at the time,” says bassist Jon Jones. “I think right now feels a little full circle, in a really nice way.”
 
Seeking both a fresh start and a return to their roots with this project, the never-changing lineup of Mike Eli, James Young, Jon Jones and Chris Thompson sought out Panhandle House Studio in their hometown of Denton, Texas – the birthplace of the college friends-turned-bandmates’ 2005 debut album Level, which spawned fan-favorites such as “Small Town Kid” and set the stage for the numerous hits that have followed in the 20 years since.
 
“Now, we get to step back into our Texas shoes,” vocalist Eli agrees. “I think this new stuff finds us reaching deep into our past as a band. We’re remembering where the magic was – all those songs we wanted to record for our Level record, that felt way too edgy for Country Radio at the time.”
 
For the band, being independent again for the first time in years isn’t a challenge, it’s a reward – and they took the chance to embrace not just renewed creative freedom, but the fun of their self contained live-band philosophy. 
 
“Going back to Panhandle House where we recorded Level, it feels like we got to remind ourselves why we started making the kind of music we make,” Eli says. “When this music comes out, I think fans will know it is 100% coming from us.”
 
“Honestly, going to Panhandle House feels like going back to your childhood home in a way,” Jones notes. “It just evokes these memories, like this slightly-younger version of ourselves comes out.”
 
“One thing that’s really special is we’ve come full circle and remember that energy, but we’re also older and wiser,” drummer Thompson adds. “We have years of studio, songwriting and performing experience under our belt, so we have more of a honed edge going in. That’s a really cool advantage.”
 
The comfort level is plainly evident. Exploring new corners of their patented sound by day, and going home to their families each night, the band members were free to bring every ounce of the last 25 years to bear. Tracks like the lead single “Home In Hometown” are proof, featuring all the elements that made EYB what it is – from the electric vocal delivery to the deeply textured sonics and soulful theme.
 
A true-to-experience ballad of life on the highway, “Home In Hometown” stands as a heart-on-their-sleeve tribute to those the band loves most – and what they’ve learned from 20+ years away. While atmospheric guitars and a steady rhythmic pulse capture a sense of anticipation, another euphoric chorus helps the band unpack what “home” really means.
 
“I was digging deep into our Texas roots,” Eli says of the modern-classic midtempo. “I wanted to write something that felt like Pat Green or Jack Ingram would cut. And when you travel like we do, a lot of times you’re thinking about coming home and being with your family – but, it’s almost like if they meet you on the road, anywhere can be home. It just feels right. I wanted to capture that.”
 
Strange Hours also includes a head-nodding, foot-tapping feature from Corey Kent in “Whiskey Told Ya” as Kent delivers humorous lyrics with raspy vocals throughout the track that lyricizes the story of when alcohol meets honesty:

From feel-good singalongs and heart melting wedding anthems to pure, untamable romance and clever comebacks of love, they show the same stage-rocking Texas-country hit makers fans know and love, undaunted and with new maturity baked in.
 
“It’s been a blessing just to be able to do this for so long, and over our career we’ve seen a lot of bands come and go,” guitarist Young says. “This feels like family, and we can take that with us as we go down this next part of the road.”
 
“Our music, since it’s been the four of us making it from day one, has such a strong through line,” Jones agrees. “The way we sounded in the beginning, that’s the way we’re going to sound in the end.”
 
As the ACM Award-winning and CMA and GRAMMY-nominated band unveils their newest project, they also continue on a celebratory road journey with their headlining Strange Hours Tour, underway now. The thrilling foursome return to their element – packing a live-show setlist with No. 1 smashes like the 5x Platinum single “Crazy Girl,” 3x Platinum “Even If It Breaks Your Heart,” 2x Platinum “Love Ain’t” and Platinum “Drunk Last Night.” 
 
For more information and to purchase tickets to all upcoming dates, visit eliyoungband.com and follow along on social media with @EliYoungBand.

Eli Young Band Upcoming Tour Dates:
August 1  ||  Prairie du Chien, WI  ||  Country Line Country Fest
August 2  ||  Woodstock, IL  ||  McHenry County Fair
August 5  ||  Mentor, OH  ||  Mentor Amphitheater 
August 7  ||  Hobart, IN  ||  Art Theater
August 8  ||  Troy, OH  ||  Miami County Fair
August 9  ||  Watertown, WI  ||  Riverside Park
August 14  ||  Troy, NY  ||  Joe Bruno Stadium *
August 15  ||  Dillon, CO  ||  Dillon Amphitheater ^
August 16  ||  Colorado Springs, CO  ||  Ford Amphitheater ^
August 17  ||  Aspen, CO  ||  Belly Up
August 21  ||  Alva, OK  ||  Nite Lite
August 22  ||  Wichita, KS  ||  Equity Bank Park
August 23  || Fredericksburg, TX  ||  Gillespie County Fair
August 28  ||  Beaumont, TX  ||  The Venue at Belle Oaks %
August 29  ||  Amarillo, TX  || Azteca Music Hall
August 30  ||  Bedford, TX  ||  Bedford Beats & Eats
September 4  ||  Fort Smith, AR  ||  TempleLive
September 5  ||  Hays, KS  ||  Fox Theatre
September 6  ||  Lampe, MO  ||  Black Oak Mountain #
September 11  ||  Foxborough, MA  ||  Six String
September 12  ||  Dewey Beach, DE  ||  Bottle & Cork
September 13  ||  Amagansett, NY  ||  The Stephen Talkhouse
September 18  ||  Moorhead, MN  ||  Bluestem Center For The Arts +
September 19  ||  Riverside, IA  ||  Riverside Casino & Golf Resort
September 20  ||  Van Buren, MO  ||  Hellbenders On The Current
September 26  ||  Royse City, TX  ||  Southern Junction
September 27  ||  Cedar Park, TX  ||  Haute Spot
October 4  ||  Monterrey, MX  ||  Ahuestern Country Festival
October 10  ||  Union Hall, VA  ||  The Coves Amphitheater
October 11  ||  New Haven, KY  ||  The Amp At Log Still
October 12  ||  Birmingham, AL  ||  Iron Hills
October 16  ||  Norwalk, CT  ||  District Music Hall
October 17  ||  Leesburg, VA  ||  Tally Ho Theatre
October 18  ||  Chesterfield, VA  ||  Cattle Baron’s Ball
October 22  ||  El Dorado, AR  ||  Murphy Arts District %
October 24  ||  Broken Bow, OK  ||  Hochatown
October 25  ||  Gatesville, TX  ||  Bare Bones BBQ %
November 1  ||  Christoval, TX  ||  Cooper’s LIVE!
November 5  ||  Jacksonville, FL  ||  Decca Live
November 6  ||  Fort Myers, FL  ||  The Ranch Concert Hall & Saloon
November 7  ||  Fort Pierce, FL  ||  Sunrise Theater
November 8  ||  Sanford, FL  ||  Tuffy’s Bottle Shop / Lounge / Music Box
November 13  ||  Salt Lake City, UT  ||  The Complex
November 14  ||  Denver, CO  ||  Grizzly Rose
November 21 ||  Baton Rouge, LA  ||  Texas Club
December 3  ||  Portland, ME  ||  Aura
December 4  ||  Worcester, MA  ||  Off The Rails
December 5  ||  Hampton, NH  ||  Wally’s
December 6  ||  Bar Harbor, ME  ||  1932 Criterion Theatre

UK singer-songwriter Nick Haeffner releases 'What Time Can Do' album via Dimple Discs

Dimple Discs is thrilled to announce the official release of the fourth album 'What Time Can Do' from UK singer-songwriter artist Nick Haeffner, now available on CD and limited-edition white-label vinyl. Offering a unique take on quintessential British folk-pop, this is Haeffner's most ambitious work to date.

Involving a considerable amount of creative input from Marcus Holdaway (High Llamas, Stereolab, Colourway), this album was recorded, produced and mixed by Nick Haeffner and remastered by iconic producer Paul Tipler (Stereolab, Elastica, Idlewild, Placebo, Julian Cope, House Of Love).

Four years in the making, 'What Time Can Do' marks a new stage in the evolution of Nick’s music, blending the folk, psychedelic, experimental and orchestral sounds of his earlier material with Latin, jazz and dub influences. The title track exemplifies this ambition, described as "Eleanor Rigby meets Sly and Robbie" with its strident cello parts over a dub backbeat. The song poignantly tells the story of a young immigrant navigating big dreams, demanding shift work, and the challenges of English weather.

Haeffner first gained prominence in the 1980s as the guitarist for post-punk band The Tea Set (supporting legendary acts like U2, The Stranglers, The Clash, Iggy Popand XTC) and has a storied career ever since. Following the band's breakup, he worked on numerous projects, often under assumed names, having signed with Phil Smee's Bam Caruso label.

"This album represents a big step forward for me. Elements of my previous albums are present, but there is a lighter, jazzier touch to some of the tracks, much of it due to the presence of some superb musicians I came into contact with during the making of the album. Marcus Holdaway (cello, vocals, keyboards), Chris Cummings (backing vocals and keyboards) and Yani Martinelli (backing vocals) are associates of Sean O’Hagan of The High Llamas, while Marcus and Chris also have associations with Stereolab. Their contributions, especially the backing vocals, are a real highlight, bringing a new level of musical sophistication to my sound," says Nick Haeffner.

"The album is very accessible and easy to listen to, but there’s a depth to the lyrics, an underlying darkness and an attention to detail in the production, which I think gives the album substance and the ability to outlast musical trends or fashions. It contains some of my best songs, performed to perfection by the musicians, produced with loving care and given a final polish by one of the best engineer-producers in independent music, Paul Tipler".

As of August 1, the 'What Time Can Do' album is officially out everywhere on CD, which can be ordered directly from the label via Bandcamp. The album release show happened that evening, upstairs at the Betsey Trotwood.

CREDITS
Recorded, produced and mixed by Nick Haeffner
Mastered by Paul Tipler at Unit 13 Studios
Written by Nick Haeffner, except 'The Cat’s Pyjamas' (Haeffner/PiG), 'My Funny Valentine' (Rogers/Hart) and 'Cranham' (Holst)
Nick Haeffner - guitars, vocals, keyboards, mandolin, melodica
Chris A. Cummings - backing vocals, electric piano (3,8)
William Hayter - percussion (5, 10)
Marcus Holdaway - cello, keyboards, backing vocals (1, 2, 3, 4, 5, 6, 7, 8, 10)
Pierre Lassegues - spoken voice (7)
Yani Martinelli - backing vocals (1, 4, 6, 8)
Ian Montague - bass (1, 2, 3, 4, 7, 10)
Clive PiG - vocal (4)
Arjuna Satchitananathan - trombone (3, 7)
Allan Seago - dobro (2)
Sowa - drums (1)
Getrude Veremu - vocals (3, 7)
Jim Wallis - drums, percussion
Nat Yelverton - bass, guitar solo (5)
Cover design by Paul Brand
Released by Dimple Discs. Catalogue no. DeeDeeLP29
Publicity by Shameless Promotion PR


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RAHWAY Releases Self-Titled Album

Hard rock/heavy metal band RAHWAY releases their self-titled album via Pavement Entertainment. Rahway new release is a raw, hard-hitting ride through the heart of

New Jersey rock. Featuring the explosive “Rocketship,” the heartfelt “Carry You,” and the haunting “Drowning,” RAHWAY'Sself-titled album captures the band’s gritty edge and emotional depth. This album is loud, honest, and unapologetically real.

Listen to RAHWAY Below.

RAHWAY'S latest single, “Rocketship,” has captured the attention of the rock and metal scene alike. Eddie Trunk of Sirius XM/Trunk Nation says, “‘Rocketship’ from RAHWAY is a killer hard rock tune that would appeal to fans of both classic and modern rock. Great riff and kick ass song. For sure a band worth keeping an eye on.

RAHWAY, known as the Slumlords of New Jersey, deliver a high-octane blend of hard rock and heavy metal with blue-collar swagger and stage-crushing energy. Combining gritty riffs, thunderous drums, and a powerful live presence, they've become a staple in the Northeast rock scene. With a sound rooted in classic metal and modern attitude, RAHWAY doesn’t just play shows—they throw rock and roll family reunions.

For more on RAHWAY, visit: https://RahwayBand.com/

Swedish AOR/Melodic Rockers ROULETTE Release New Album 'GO!' Out Now via Black Lodge / Sound Pollution

Swedish AOR/melodic rockers ROULETTE proudly unveil their brand-new album 'GO!,'out now via Black Lodge/Sound Pollution. Produced by Chris Rehn at Boxroom Studios, 'GO!' features 10 fresh tracks, each with its own unique vibe, and the band is confident fans will each find a personal favorite.

Alongside the album, ROULETTE have released a deeply emotional new single and music video, “We Remember You.” The song is a heartfelt tribute to former band member Tomas Nesslin, who sadly passed away in 2021. With lyrics penned by lead singer Thomas, “We Remember You” reflects on their enduring friendship and loss.

The music video features powerful archival footage from the 1980s, offering a nostalgic and moving look back at the band’s early days.

Watch the Music Video for "We Remember You" Below:

Public Image Ltd. icon JAH WOBBLE unearths cavernous 'Dub Volume 1' album via Dimple Discs

Legendary bass player and vocalist Jah Wobble has released his new album ‘Dub Volume 1', a solo effort that sees him write, play and arrange everything. This long-play record features full-colour outer and inner sleeves based on paintings that Wobble created himself. The Limited Edition vinyl is clear with yellow and red colours dropped in to reflect the artwork.

This is Wobble's first solo release via Dimple Discs, having earlier participated in other label releases with Telefís (Cathal Coughlan and Jacknife Lee), The Ukrainians, along with Siouxsie & The Banshees / Specimen legend Jon Klein, and the Irish heritage project Bring Your Own Hammer.

Born John Wardle, his career has encapsulated genres from post-punk, dub and world music to experimental rock and electronic music. An original member of Public Image Ltd (PiL) from 1978-80, he made two groundbreaking albums with the band, which included the iconic ‘Metal Box’ (1979). He continues to tour with 'Metal Box in Dub', presented as a two-hour show with Jon Klein.

Mastered by Anthony Chapman (Collapsed Lung) and cut for maximum clarity and volume, this solo deep dive into dub boasts astounding top layer sonics, guided by sonic pioneers like Lee ‘Scratch’ Perry and King Tubby. This rich, immersive listen is full of low-end weight and intricately layered textures.

‘Dub Volume 1' is out now digitally on music platforms, including Spotify, Apple Musicand Bandcamp, where it is also available on vinyl and CD.  Jah Wobble continues to tour extensively with Invaders of the Heart, with a UK and European tour happening in October and November. Tickets can be obtained at https://jahwobble.com/#live

CREDITS
Written & performed by Jah Wobble
Mastered by Anthony Chapman (Collapsed Lung)
Cover artwork & design by Jah Wobble
Released by Dimple Discs
UPC for vinyl - DEEDEE042LP
UPC for CD - DEEDEE042CD
Jah Wobble outdoor photos by David Guttridge
Jah Wobble live photos by Nick Haeffner
Publicity by Shameless Promotion PR

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Sweet Savage Return With New Album "Bang" + Share Video for Title Track

Belfast metal pioneers Sweet Savage announce the release of their new album BANG on September 12. To mark the occasion, they unleash the sharp title track today, accompanied by a gritty music video that captures the band’' intense live energy.

Listen to the title track "Bang"

Formed in Belfast in 1979 by bassist and vocalist Ray Haller and future Dio/Def Leppard guitarist Vivian Campbell, Sweet Savage were part of the first wave of the New Wave of British Heavy Metal.

But unlike their peers, Sweet Savage never released a full album during their first run. Instead, they became underground legends, gaining wide recognition after Metallica covered their track "Killing Time" and released it as the B-side of their multi-platinum single "The Unforgiven." The friendship between the two legendary bands continues to this day.

Watch the "Bang" music video below.

Sweet Savage are not here to revive nostalgia, but still, on the new album, their roots are unmistakable — aggressive, fast-paced metal infused with industrial textures and punk rock's DIY ethos.

From the explosive title track to the slower, hard-hitting "Live and Die" and the anthemic "The Chosen One," the album keeps shifting gears without losing punch. Every track feels urgent and direct — this is the sound of a band with nothing to prove and everything to say.

Frontman Ray Haller is backed by longtime drummer Marty McCloskey and guitar force Phil Edgar. The album features guitar work by former band member Simon McBride, who toured and recorded with the band before launching his solo career and joining Deep Purple.

Sweet Savage is back with BANG — and yes, the album hits as hard as the title suggests.

Access the album here.

Melodic Hard Rockers LAGUNA Release Debut Album 'The Ghost Of Katrina' — Out Now via Frontiers Music Srl

Melodic hard rockers LAGUNA are excited to announce the release of their debut album, 'The Ghost Of Katrina,' out now via Frontiers Music Srl. In addition, the focus track, “Electric High,” is out now accompanied by a visualizer, available to view below.

Vocalist Andrés Espada describes the focus track:

“This song is an unrelenting, high-octane ride from start to finish, with intensity cranked up to ten. It's all about unleashing raw energy, losing control, and breaking down doors.”

Watch the Visualizer for “Electric High"

Hailing from the northern part of Mexico, from the arid desert of Torreón, Coahuila, LAGUNA is a five-piece hard rock band ready to take the world by storm with their debut album, ‘The Ghost Of Katrina.’

Drawing from the European and Scandinavian melodic hard rock scene, LAGUNA’s sound is an electrifying blend of powerful production, anthemic choruses, and in-your-face guitar riffs deriving from influences like One Desire, H.E.A.T., and other renowned acts from the scene.

'The Ghost Of Katrina' is produced by Jimmy Westerlund (known for his work with One Desire and more recently Giant), and perfectly captures LAGUNA's high-energy and dynamic style, bringing to life a heavy yet melodic sound that's both thrilling and emotionally charged. The songs feature strong hooks, vibrant instrumentation, and an intensity that reflects the band’s unrelenting passion for hard rock.

Order 'The Ghost Of Katrina' HERE

Formed in 2018 by a group of hard rock and heavy metal enthusiasts, LAGUNA’s sound is rooted in hard rock but with a distinctive modern twist. Their music is crafted to make listeners scream at the top of their lungs and throw their fists into the air – a perfect soundtrack for anyone who craves a high-octane, fist-pumping experience.

LAGUNA’s meteoric rise is a testament to their tireless dedication to their craft. Over the years, they have built a solid reputation in the North and Latin American rock circuits, performing at major festivals like Hell and Heaven Fest (one of Latin America's biggest rock festivals) and the infamous KnotFest. The band has had the privilege of opening for iconic acts such asW.A.S.P., Timo Tolkki, and The Warning, further solidifying their place in the international rock scene.

LAGUNA’s music is a reflection of the barren desert from which they hail – a place where resilience and tenacity are born out of hardship. As guitarist José Mesta explains, “Long before it was a desert, it was a lagoon, but dried out thousands of years ago, leaving nothing but snakes and rats, yet deep down beneath the surface, water flows through the caverns of this great desert”. This metaphor speaks to the essence of LAGUNA – a band born from the depths of hardship, yet ready to rise with the power and energy that only hard rock can bring.

LAGUNA is set to make waves across the global rock scene. Their blend of melodic hooks, heavy riffs, and explosive energy will leave listeners craving more. This is only the beginning for LAGUNA, and they are poised to continue proving that Mexicans can indeed rock!

LAGUNA are:

Andrés Espada – Lead Vocals

José Mesta – Lead Guitars

Firio Verástegui – Rhythm Guitars

Daniel Mesta – Bass

Sergio Mtz – Drums

Maximo Park maestro Duncan Lloyd releases 'Unwound' LP, an exercise of coping & catharsis

At long last, Duncan Lloyd has released his sixth album 'Unwound'. Previously with Warp Records, this is his first album of new material via Scotland's Reveal Records, who previously reissues of Lloyd’s early solo albums, including the colossal 31-track selected works collection 'Green Grows Devotion' (2022) and 'Fun City' (a trilogy of EPs recorded in 2024).

Written during a difficult personal period, this 12-track record came into being as a form of sonic therapy - a means of coping and catharsis, forging a sound with greater depth and ambition than past releases. Lloyd earlier shared the singles 'Laugh So Loud'and 'Rituals', blending a modern sound with a deeply personal message about habits and healing, voiced through a circular, radio-like musical journey.

A critically acclaimed solo artist, Lloyd is the primary musician behind internationally renowned art-rockers Maximo Park and also half of Nano Kino (with Sarah Suri). He is a Mercury Music Prize nominee, has won an NME award, had A-listed singles at BBC Radio 1 and BBC 6 Music (including lyric of the year), and has seen success with worldwide platinum and gold selling records. His songs have featured on eight hit albums with Maximo Park, consistently charting in the Top 10 U.K.

With cover artwork derived from Lloyd’s own paintings, this record weaves a unique musical maze of free and varied personal expression, deep and transient, spare, intense and urgent with a balance of grit, beauty and melody. Things got moving when Lloyd set to work with Julie McLarnon (The Vaselines, Lankum, King Creosote, Brigid Mae Power) at Analogue Catalogue Studios in Ireland. Gaining impetus from his trip across the Irish sea, Lloyd returned to Newcastle to complete the rest of the album, each song carefully crafted with more anarchical arrangements than previous outings.

“I needed a break from all things online. Stepping away from it and being closer to nature reignites the imagination, it’s kind of obvious but easy to forget how important it is.  It’s an album about experience, throughout you get the sense that dynamics, speed and space were all careful considerations. I am sort of looking under the soil trying to shape the sounds I imagine and if possible create something relatable that has a heart. I didn’t want it to be one produced sound, I wanted it to feel like different rooms, many spaces," says Duncan Lloyd.

"I partly had the book "The Poetics of Space" by Gaston Bachelard in mind, every song is it’s own room with it’s own signature. This is probably my heaviest album, in sound and mood. There are songs that lean towards post-punk and with hypnotic rhythms that are darker in tone. I wanted it to feel like the listener can climb inside the sound rather than be on the outside looking in. I don’t want them to be in the cinema I want them to be in the film or in the room, so it’s almost spooky."

The album features a host of Lloyd’s musician friends, including Maximo Park keyboardist Jemma Freese and drummer Tom English, Andrew Mills (Purploid Zing) and Joe Boyer (Cloud Nothings, Autopolitan, Nicole Yun).

'Unwound' is imbued with a darker mood than Lloyd’s previous works, but with a continuing sense of melancholy at its core. Restrained yet intimate lyrics are housed in inventively evolving structures. The album draws to a close with 'A World Away Now', a song of lost opportunity. Sometimes simply making a connection is enough.

"Sometimes on a song the bass or percussion talks louder than a voice, so I mixed it like that. Sometimes nothing else contends if the emotion isn’t clear. When you hear musicians playing together, you are invited into something far more personal or engaging. You can’t always tell the detail, yet you can feel the dynamics -- you can sense it is living," says Duncan Lloyd.

"I may let guitars get loud and careen around if that’s where it wants to go. It can then go the other way and be minimal, economical. Although it is a very personal album, it’s also addressed to the stranger and, if the listener can relate and even laugh about what life throws at us, then a connection lives”.  

Writing and recording under his own name for the last decade, Lloyd has enjoyed many collaborations, including with Paul Epworth (Bloc Party, Glass Animals, Rihanna), Gil Norton (The Pixies, Echo & The Bunnymen), Nick Launay (Nick Cave, Yeah Yeah Yeahs), Ben Allen (Gnarls Barclay, Deerhunter), Rudimental, Dave Okumu, Batidaand legendary Afrobeat drummer Tony Allen.

'Unwound' is out now, available digitally via Bandcamp and digital music platforms, including Apple Music and Spotify. It is also released on CD, the first 200 ordered coming with a bonus live four-track recording in 'The Polestar Sessions' EP. 

CREDITS
Music & lyrics written by Duncan Lloyd (Reveal Publishing)
Duncan Lloyd - vocals, guitars, bass, piano, synth & drum machine
Tom English - drums, percussion (all tracks except 8, 11 & 12)
Andrew Mills - bass & synth (tracks 4 & 5)
Jemma Freese - backing vocals (track 2)
Joe Boyer - guitar & noise (tracks 2 & 7)
Recorded & Mixed by Duncan Lloyd (except 4 & 5) at The Dagda Rooms
Tracks 4 & 5 recorded & mixed by Julie McLarnon at Analogue Catalogue
Guitars on tracks 2 & 7 recorded by Joe Boyer in Cleveland, Ohio
Produced by Duncan Lloyd
Mastered by Carl Saff at Saff Mastering, Chicago
Released by Reveal Records
Digital catalogue no. REVEAL204 / CD catalogue no. Reveal196CD
Cover art & layout by Duncan Lloyd
Publicity by Shameless Promotion PR

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OUT TODAY FROM CRONOS COMPULSION -LAWGIVER

The Denver-based genre fusing metal quartet CRONOS COMPULSION is preparing to unveil their forthcoming album Lawgiver. Known for their crushing riffs, frenzied rhythms, and a genre-defying blend of death-doom, chaotic metal, and noise-laced breakdowns, CRONOS COMPULSION is ready with a new line-up to enter their next chapter. The album, set for release on July 11th on digital, CD and LP via Avantgarde Music death metal division Unorthodox Emanations, is a scathing critique of late-stage capitalism as well as humanity’s basest instincts.

Lawgiver, CRONOS COMPULSION's debut album, has been several years in the making and features a revised track from 2021’s Cursed and Decaying EP, “Neolithic Meditations,” and eight other tracks of all-new material. "We’ve been playing these songs live for quite some time now so we’ve managed to distill this down into what we think is a solid first full-length", says vocalist and guitarist Wil Wilson.

CRONOS COMPULSION hold nothing back in this terrorizing onslaught. A deafening wall of sound awaits in the album's opener "Obligate Condition". Demonic gutturals spearhead a fury of obliterating distortion fueled instruments in a thrilling onslaught of the dark and heavy. CRONOS COMPULSION ensure that no moment of peace can be found amidst the shadowy voyage undertaken across Lawgiver's track list. "Gyre of Decaying Filth" brings an injection of groove and intrigue while "Ancestral Remains" showcases technical riffs. 

"Neolithic Meditations" presents a discordant fury manifesting through rhythmic progressions in an unceasing attack. CRONOS COMPULSION's genre-fusion sound is revealed in its fully untamed form in the title track, "Lawgiver". Lashings of distorted fuzz, rhythmic elements, gutturals and dissonant textural layers result in a ferociously intense sound. Lawgiver draws to a close with the restless "Incursion of Deific Chaos". 

CRONOS COMPULSION is:
Wil Wilson - vocals, guitar, noise 
Raye Mokarry - guitar
Addison Herron-Wheeler - bass, backing vocals 
Zach Johnson - drums 
Recorded and mixed by Austin Minney at All Aces Studios. 
Mastered by Brad Boatright at Audiosiege. 
All photos by Jeff Tidwell.
Artwork by Liam Day. 

About CRONOS COMPULSION:
Initially formed in 2021 with Wil Wilson on guitar and vocals, Addison Herron-Wheeler on bass, and Jon Linsky on drums, CRONOS COMPULSION have been creating their signature brand of death-doom, noise, chaotic metal, and beyond since right after the pandemic. Their debut EP, Cursed and Decaying, released in 2021, and was followed by their Malicious Regression EP in 2023. 2024 saw Jon exit the band on mutual terms with Raye Mokarry stepping in to fill the role, and Zach Johnson took over drum duties that same year. Their debut full-length, Lawgiver, will be out this June via Avantegarde Records.

Born of Osiris New Album 'Through Shadows' Out Now (via Sumerian Records) + Release "The War That You Are"

Progressive metalcore pioneers Born of Osiris celebrate the release of their new album 'Through Shadows' out today (via Sumerian Records). Along with the album, the band have shared their new official video for track "The War That You Are". Leading up to today, the band have released "Torchbearer", "A Mind Short Circuiting", "Elevate", "In Desolation", and the titular track "Through Shadows" which altogether have amassed nearly 2 million views on YouTube. Speaking about the album release, the band commented:

"Born of Osiris is proud to announce our new album, 'Through Shadows', a journey forged in the crucible of personal growth and resilience. We’ve poured our hearts into this record, drawing from the raw emotion of our soul-searching. The title, inspired by the lyric ‘through shadow light remains’ from the album’s title track, embodies the enduring hope that persists through life’s darkest moments. 'Through Shadows' is a testament to navigating hardship and emerging stronger, with light always on the horizon."

'Through Shadows' is available now on all streaming platforms at the link here. Watch the official video for "The War That You Are" below.

Born of Osiris will be wrapping up their final date of their Canadian headlining run this evening in Vancouver, BC before heading out to Armstrong MetalFest and Rock Fest next week. American fans will also get their chance to see the band this fall on the Through Shadows USA Tour kicking off on September 25 in Madison, WI. For ticket information, please click here.

Upcoming Born of Osiris North American Tour Dates:

7/11 - Vancouver, BC @ The Pearl

7/12 - Armstrong, BC @ Armstrong MetalFest*

7/16 - Cadott, WI @ Rock Fest*

Through Shadows USA Tour Dates:

9/25 - Madison, WI @ The Annex

9/26 - Minneapolis, MN @ Cabooze

9/27 - Lincoln, NE @ The Royal Grove

9/28 - Denver, CO @ Bluebird Theater

9/30 - Albuquerque, NM @ Sunshine Theater

10/1 - Mesa, AZ @ The Nile Theater

10/2 - Sacramento, CA @ Discovery Park - Aftershock 2025*

10/2 - Bakersfield, CA @ Temblor Brewing Co

10/3 - Los Angeles, CA @ The Regent Theater

10/7 - Portland, OR @ Nova PDX

10/8 - Seattle, WA @ El Corazon

10/10 - Anchorage, AK @ Williwaw Social

10/14 - Bend, OR @ Volcanic Theatre Pub

10/15 - Boise, ID @ Treefort Music Hall

10/16 - Salt Lake City, UT @ Soundwell

10/17 - Grand Junction, CO @ Mesa Theater

10/18 - Colorado Springs, CO @ Black Sheep

10/20 - Tulsa, OK @ Vanguard

10/21 - St. Louis, MO @ Red Flag

10/22 - Fort Wayne, IN @ Piere's

10/24 - Greenville, SC @ Radio Room

10/25 - Greensboro, NC @ Hangar 1819

10/26 - Virginia Beach, VA @ Elevation 27

10/27 - Washington DC @ Union Stage

10/29 - Asbury Park, NJ @ House Of Independents

10/30 - Reading, PA @ Reverb

10/31 - Albany, NY @ Empire Live

11/1 - Worcester, MA @ Palladium

11/2 - New York, NY @ Gramercy Theatre

11/4 - Buffalo, NY @ Rec Room

11/5 - New Kensington, PA @ Preserving Hardcore

11/6 - Cleveland, OH @ The Asylum at Temple Live

11/7 - Pontiac, MI @ The Crofoot Ballroom

11/8 - Columbus, OH @ The King of Clubs

11/9 - Chicago, IL @ Bottom Lounge

US Melodic Rockers DOUBLE VISION Release Self-Titled Album of All Original Material — Out Now via Frontiers Music Srl

Today, US melodic rockers DOUBLE VISION take a bold step forward with the release of their new self-titled album of all original material, out now via Frontiers Music Srl. To celebrate, DOUBLE VISION has released the focus track "Prison Of Illusion," which comes alongside a visualizer, available below.

About the new single, lead singer Chandler Mogel comments:

“This is the opening song on the album, and one of the first songs we wrote for it (along with Aleena Gibson who co-wrote half of the record with us!). A big energetic, ballsy track, with a modern edge, huge chorus - and Tony (our sax player) really shines here! We hope you dig it.”

Watch the Visualizer for “Prison Of Illusion"

Known for delivering pitch-perfect recreations of Foreigner’s timeless hits, DOUBLE VISIONnow solidifies their transition into original music with a track that captures the soaring spirit and emotional depth of classic '80s rock while injecting a fresh, modern edge.

About the new album, DOUBLE VISION comments:

"We wanted to make a record that would be totally our own, but still contain a hat tip (or more) to Foreigner. We didn't want something derivative, but at the same time, something that would appeal to fans of the band. We wanted our own identity and stamp. However, we do feel that a good way to describe the album is that if you took all the different eras of Foreigner and rolled them into one, along with some other sporadic influences, it would sound something like DOUBLE VISION."

Check out this EPK about DOUBLE VISION

and their new album of all original material HERE

Born as a Foreigner tribute band in the United States, DOUBLE VISION honed their craft performing to lively and sold-out crowds up and down the east coast and across the country, soon becoming a real live attraction.

With a lineup boasting some of New York City’s top professional rock musicians and well-known faces of the scene, including dynamic frontman and singer Chandler Mogel (Outloud, Jeff Waters' Amerikan Kaos, Punky Meadows, etc.), super drummer Scott Duboys (ex-Warrior Soul), bass player Scott Metaxas (ex-Prophet) as well as guitar virtuosos Chris Schwartz and Paul Baccash, and keyboard maestro Alex Lubin, DOUBLE VISION recently considered working on their own music, still owing a debt and strong influence to the Foreignersound.

DOUBLE VISION are:

Chandler Mogel - Vocals

Scott Duboys - Drums

Scott Metaxas - Bass

Chris Schwartz - Guitar

Paul Baccash - Guitar

Alex Lubin - Keyboards