NEW ALBUM: Ray Hawthorne & His Red Flags "Can't Be Trusted"

Pop punk's most lovable liability, Ray Hawthorne, returns today with his brand new record, "Ray Hawthorne Can't Be Trusted", alongside his latest single, "Bummer". A bleak outlook meets a big heart as Ray Hawthorne confronts the fear that loving him means signing up for a lifetime of emotional heavy lifting. Listen to "Ray Hawthorne Can't Be Trusted" in full, HERE.

On "Bummer", Ray Hawthorne is already looking for the dark clouds in a future that hasn't happened yet. Caught between wanting a life with someone and convincing them that they're better off without him, he turns his own pessimism into a painfully self-aware confession. Serving as a love song from someone who's great at keeping their walls up, Ray Hawthorne can't help but worry if they're still waiting on the other side.

Where "Ray Hawthorne Sucks" was earnest and "Ray Hawthorne Isn't Real" was chaotic, "Ray Hawthorne Can't Be Trusted" continues a catalog that treats humor, self-awareness, and self-destruction as adjacent concepts. As a whole, Ray Hawthorne leans into emotional whiplash and damage control on his earlier records, while "Ray Hawthorne Can't Be Trusted" (produced by Pete Zen) is aimed at the part of the cycle where the damage has already become too familiar.

Fans can catch the music video for "Habits (ft. Pouyan Afkary of Scary Kids Scaring Kids)" on the big screen at Halloween Horror Nights: Los Angeles throughout the month of October.

Taking full advantage of the quotation marks that I've allotted him for a quote on the release of "Bummer", Ray Hawthorne shares:

"Potential hot take here. I really don’t like anime. There are a few exceptions to this though. Yu-Gi-Oh, obviously, but I think that’s mostly because I enjoy the card game. Digimon was also my shit when I was a kid. It felt like Pokémon for grown ups through the eyes of a 10 year old. But recently I’ve started watching Death Note again. And for all the flack I give anime, Death Note might be one of my favorite shows of all time. The concept is so fun, and it’s just like a really high stakes cheesy noir thriller. I swear most of the time it’s just internal monologues and exposition. Everything is so smart and so stupid at the same time, it’s like the perfect combination. This is a long winded way of saying that I like things that are both stupid and smart. So as far as my songs go, we’ve got stupid on lock. Stupid all day. But hopefully, every once in a while, they can be a bit clever at times too. At face value, I think “Bummer” comes across as a stupid pop punk hook, but I think there might be slightly more under the surface if you care to look."

Celebrating the release of "Ray Hawthorne Can't Be Trusted" with the modesty of a man who wrote his own warning label, Ray Hawthorne adds:

"There have been far too many debates about what “the best” trilogy is. Lord of the Rings, Star Wars, or Pitch Perfect (which is the correct answer). I’m not here to tell you my third album is anywhere close to being mentioned in that discussion, but I am here to tell you that it IS my third album. So like it or not, this is a trilogy now. A trilogy of bad decisions and trying (but failing) to come out better off for it. I had no idea when I made that first album that anyone would care enough for a third. Hell, I didn’t even know anyone wanted a first album if we’re being real. So this is just cool to me. And as much as I joke around, I never take that for granted. So here’s to hoping this one at least holds up better than Godfather 3."

Renowned for his work in North Kingsley, the acclaimed project alongside Shavo Odadjianof System of a Down, Hawthorne initially captured hearts as the Heartbreak Hero with his inaugural solo release "Heartbreak Feels Good in a Place Like This". Building on his solo work, his debut record "Ray Hawthorne Sucks" further cemented his status as a bold new voice in pop punk, quickly amassing a devoted following and over 20 million streams across all streaming platforms for his magnetic charm and razor-sharp wit.

Blending heartbreak, sarcasm, and just the right amount of emotional stability, Ray Hawthorne leads with a messy kind of hope, turning emotional freefall into something you can scream along to. Where debut album and his firstborn, "Ray Hawthorne Sucks", leaned into an earnest DIY vulnerability, his previous record, "Ray Hawthorne Isn't Real", took a turn and tapped into the restless defiance of a secondborn. The 15 tracks helped embrace the chaos, laugh at the pain, and maybe, just maybe, allow us all to find a little redemption along the way.

Starting from the very real possibility that Ray Hawthorne is just a guy screaming into the ether (and somehow making it sound catchy), his catalog has become a refuge for anyone who's ever felt too loud, too sensitive, or too much. Loud, petty, and deeply cathartic, Ray Hawthorneis proudly one of the most unapologetically honest voices modern pop-punk.

Be sure to stay tuned for more Ray Hawthorne news coming very soon.

Skillet "Unleashes After the Storm" EP Lead By "Grave Stomper" — WATCH

Multi-Platinum rock band Skillet today unleashes its highly anticipated new independent EP, After the Storm, a six-song collection that finds one of the world's biggest rock bands delivering some of the heaviest, most vulnerable and hopeful music of its nearly 30-year career. Leading today's release is focus track ''Grave Stomper,'' a hard-hitting anthem that embodies the fighting spirit at the heart of After the Storm. The EP arrives amid a remarkable period of momentum for Skillet, including 30 million RIAA-certified units across 21 titles, 11 newly awarded certifications led by the career-defining ''Monster'' soaring to 7X Platinum, more than 12 million monthly Spotify listeners, a wave of national media attention and a U.S. headline tour already selling out in multiple markets.

LISTEN TO AFTER THE STORM

LISTEN TO '"GRAVE STOMPER"

Produced by David Cowell (Sleep Theory) and the band's own Korey Cooper, After the Storm marks both a return to Skillet's heavier musical roots and one of its most personal creative statements to date. The project brought frontman John Cooper back to his hometown of Memphis to record for the first time since Skillet's 2003 album Collide.

Inspired by seasons of betrayal, grief, anger and depression—and the perseverance, faith and hope that emerged on the other side — the EP finds Cooper writing from one of the most vulnerable places of his career.

''This EP is special to me,'' says Cooper. ''It reignites what Skillet was always meant to be—which is music that helps lift people out of dark times. I wrote these songs because I needed to be lifted out of my darkness.''

Skillet's Live Nation Still Screaming Tour is underway now, with multiple markets already selling out (Long Island, Minneapolis, Seattle, Phoenix, Dallas, San Antonio, and Orlando) and strong ticket sales continuing across the run.

The U.S. headline tour follows a landmark European trek earlier this year that delivered the largest international audiences of Skillet’s career, bringing approximately 90,000 fans across 23 cities, with sold-out shows and record-setting ticket sales at venues including Paris' Zénith.

The current tour continues through November, bringing together nearly three decades of hits with the new music from After the Storm.

TOUR DATES + TICKETS

TUNGSTEN Celebrate Release of Brand New Studio Album Ashes Today New Music Video for "Supernova" Out Now!

Finally, the wait is over: Swedish power metal force TUNGSTEN is celebrating the release of their brand new studio album, Ashes, out now via PERCEPTION – Powered by Reigning Phoenix Music! Packed with the band's signature blend of powerful riffs, soaring melodies and infectious energy, the new record sees TUNGSTEN deliver another electrifying dose of modern power metal.

To mark the occasion, the band has also unleashed a brand new music video for "Supernova", offering fans another taste of the album's explosive energy. Watch the video now and dive into the world of Ashes!

Following a strong entry into the metal scene with their 2019 debut “We Will Rise” and a steady rise through albums like “Tundra,” and “Bliss,” the band now return with a powerful new chapter. Between touring and live performances throughout 2025, TUNGSTEN focused on writing material for their new album, aiming to create a worthy follow-up to 2024’s “The Grand Inferno.” 

Ashes sees TUNGSTEN continue their crusade, delivering irresistible metal with anthemic choruses and a fresh surge of energy that pushes their signature sound even further. The album captures everything the band stands for: powerful songwriting, massive hooks, and a dynamic mix of melody and heaviness that makes it one of their strongest and most focused releases to date!
 
In support of Ashes, the band is currently on a co-headline tour with INDUCTION, joined by special guests KILMARA. Following the tour, TUNGSTEN will play a string of headlining shows across Sweden and Norway. Find all current and upcoming dates listed below!
 

Order Ashes now at this location: https://tungsten.rpm.link/ashesPR

The band has toured extensively alongside acts such as Bloodbound, Firewind, Sonata Arctica and All For Metal, and appeared at major festivals including Sweden Rock Festival, Leyendas Del Rock, RockHarz Festival, Midalidare Metal Fest and Riverside Rock Fest, continuously building a strong live reputation.  


ANTHEMS OF STEEL TOUR 2026
With INDUCTION & Special Guests KILMARA:
09.10.26 – DE – Leipzig @ Hellraiser
10.10.26 – DE – Passau @ Zauberberg
11.10.26 – DE – Karlsruhe @ Die Stadtmitte
12.10.26 – CH – Aarburg @ Musigburg
13.10.26 – AT – Salzburg @ Rockhouse
14.10.26 – DE – Mörlenbach @ Live Music Hall
15.10.26 – DE – Hamburg @ Bahnhof Pauli
16.10.26 – DE – Lingen @ Alter Schlachthof
17.10.26 – DE – Solingen @ Laut und Hart Festival
18.10.26 – DE – Selb @ Rockclub Bayern
 

ASHES TOUR:
22.10.2026 – SE – Lund, Mejeriet
23.10.2026 – SE – Gothenburg, Valand
24.10.2026 – SE – Örebro, Rockbar
25.10.2026 – NO – Oslo, Salt
26.10.2026 – SE – Stockholm, Kollektivet Livet
09.–10.04.2027 – DK – Roskilde, Epic Fest 2027

For more info and tickets visit: https://tungstenofficial.net/Tour 

ATAVISTIA Release Deluxe Edition Of 'Old Gods Awaken' Alongside Focus Track, "Beneath The Elder Stone"

ATAVISTIA delves further into folk-inspired realms with the release of the deluxe edition of Old Gods Awaken via Blood Blast Distribution. The melodic death metal force is currently on tour around Canada, supported by TROLLWAR on their remaining dates. 

Founder Mattias Sippola comments on "Beneath The Elder Stone":

"'Beneath The Elder Stone' was originally going to be on the main release of Old Gods Awaken but unfortunately didn’t make the cut at the time. This track was written back in 2022 and went through drastic changes. Almost 100% rewritten. 

However, it’s a blessing in disguise that we waited to release it on the Deluxe Edition because it sounds unrecognizably better than it did during the Old Gods Awaken release cycle."

On the release of the Deluxe Edition, Sippola adds: "Releases like this Deluxe Edition will become more common with our future albums, etc. We currently have 5 albums worth of upcoming music written + bonus material."

ATAVISTIA — CANADIAN TOUR 2026

Bringing Old Gods Awaken to the live stage, ATAVISTIA's Canadian tour begins on home soil at Vancouver’s Wise Hall on September 25, where ATAVISTIA will join Finnish folk metal veterans ENSIFERUM and Greek power metal heavyweights FIREWIND. From there, ATAVISTIA will head east through British Columbia, Alberta, Saskatchewan, Manitoba, Ontario and Quebec.

BC technical melodic death metal outfit OMNIESIA will accompany ATAVISTIA for shows in Kamloops, Calgary and Edmonton, while Quebec folk/melodic death metal band TROLLWAR joins the tour beginning October 3 in Sarnia and remains on the bill through the October 11 finale in Montreal.

Purchase tickets here: https://www.atavistiaofficial.com/

Oct. 10 — Oshawa, ON — The Atria — with Trollwar
Oct. 11 — Montreal, QC — Piranha Bar — with Trollwar

Old Gods Awaken showcases ATAVISTIA’s most folk-inspired material to date. Featuring shorter, catchier, and more direct compositions, the record reflects the band’s evolving creative direction while staying rooted in their signature sound. Drawing influence from folk metal, black metal, and a wide spectrum of styles in between, the album captures the band’s commitment to following inspiration wherever it leads.

Known for their fluid approach to genre and songwriting, ATAVISTIA continues to push boundaries while maintaining the essence that defines them.

Old Gods Awaken was produced, mixed and mastered by Mattias Sippola. The album was recorded at Atavistic Studios by Mattias Sippola and Max Sepulveda. Cover artwork for the release was created by Costin Chioreanu. 

ATAVISTIA Lineup:

Mattias Sippola - Guitar, Vocals, Composition, Production
Max Sepulveda - Drums, Engineering
Elia Baghbaniyan - Guitar
Spencer Budworth - Bass, Vocals

GRAVEYARD - Release Lyric Video For 'Back From The Grave', The Opening Track Of Their New Album "Fever" Which Is Out Now!

Rock titans GRAVEYARD have officially released their highly anticipated seventh studio album, Fever, out now worldwide via Nuclear Blast Records. Coinciding with the album’s arrival, the band has premiered an official lyric video for the album’s energetic opening track, ‘Back From The Grave’.

Right from the needle drop, the captivating groove of ‘Back From The Grave’ makes it unmistakably clear where the band is headed this time around: a triumphant return to GRAVEYARD’s heavy psych and heavy blues roots. Channeling the electrifying, vintage power of legendary albums like their much-loved classic Hisingen Blues, the track sets an explosive tone for the entire record—drenched in thick fuzz and fueled by a relentless rhythm section while still maintaining their soul-soaked grit.

The accompanying lyric video perfectly mirrors the hypnotic drive of ‘Back From The Grave’, pairing the track's infectious momentum with vintage visual styling that highlights the raw, bluesy swagger of the opening anthem.

Mixed by Pelle Gunnerfeldt—widely renowned for capturing the ferocious live energy of bands like The Hives, Refused, and Viagra Boys—and mastered by Robin Schmidt at 24-96 Mastering, Fever captures the unvarnished, high-voltage power of the Swedish quartet at full tilt.

Complemented by the record's bold visual identity created by Dutch artist Maarten Donders, Fever marks a celebrated return to form for the two-time Swedish chart-toppers. To mark today's release, GRAVEYARD will launch a co-headlining Scandinavian tour alongside BLUES PILLS, ahead of extensive European and UK tours throughout 2027.

As of today you can (and should!) stream Fever in full or puchase a physical copy via the link below.

PURCHASE / STREAM FEVER:
https://graveyard.bfan.link/fever

WATCH THE LYRIC VIDEO FOR 'BACK FROM THE GRAVE' BELOW:

GRAVEYARD LIVE:

02.10. SE  Stavanger Rockfest

w/ BLUES PILLS & SKRAECKÖDLAN
31.10. SE  Eskilstuna, Lokomotivet *
06.11. SE  Mejeriet, Lund *
07.11. DK  Århus, Voxhall *
13.11. SE  Örebro, Club 700 *
14.11. SE  Karlstad, Nöjesfabriken *
20.11. SE  Falun, Magasinet *
21.11. SE  Norrköping Arbis *
27.11. SE  Göteborg, Gothenburg Film Studios **
28.11. SE  Stockholm, Fållan **
04.12. FI  Tampere, Tavara-Asema **
05.12. FI  Helsinki, Tavastia **

*  with Skraecködlan
** with Blues Pills

EUROPEAN TOUR 2027 
w/ BLUES PILLS & SPIDERS

04.03.2027    DK    Copenhagen,    Amager Bio
05.03.2027    DE    Hamburg,    Große Freiheit 36
06.03.2027    DE    Wiesbaden,    Schlachthof
07.03.2027    NL    Utrecht,    Tivoli Vredenburg Ronda
09.03.2027    FR    Paris,    Élysée Montmartre
10.03.2027    CH    Zurich,    Volkshaus
12.03.2027    DE    Stuttgart,    Im Wizemann
13.03.2027    DE    Munich,    Muffathalle
14.03.2027    DE    Leipzig,    Täubchenthal
16.03.2027    AT    Vienna,    Arena
17.03.2027    PL    Warsaw,    Klub Stodoła
19.03.2027    DE    Berlin,    Metropol
20.03.2027    DE    Cologne,    Kantine
21.03.2027    BE    Brussels,    Ancienne Belgique
22.03.2027    DE    Saarbrücken,    Garage
24.03.2027    UK    Bristol,    O2 Academy
25.03.2027    UK    Nottingham,    Nottingham Palais
26.03.2027    UK    Manchester,    Manchester Academy 2
27.03.2027    UK    London,    Electric Ballroom

GRAVEYARD ONLINE:
https://www.instagram.com/graveyardmusic
https://www.facebook.com/graveyardofficial
http://www.youtube.com/@graveyard

Symphonic Metal Band ZORNHEYM Releases New Album "Descending Into Madness" Out Now on Noble Demon!

Symphonic metal visionaries ZORNHEYM have released their brand new studio album Descending Into Madness, which is out now via Noble Demon.

Stream the album HERE

 
Founded in Stockholm, Sweden, as an ambitious vision by its creator, multi-instrumentalist and songwriter Zorn (ex-DARK FUNERAL), with the goal of realizing his interpretation of the ultimate concept band - a complete fusion of music, narrative, and visual storytelling. Since its inception, the band has set out to redefine the traditional "metal meets symphony" approach, developing a sound that blends cinematic orchestration with a powerful heavy metal backbone and strong influences from melodic death metal, all driven by a distinct sense for epic, memorable melodies.

At the core of ZORNHEYM lies a dark and expanding narrative universe. Each album unfolds within the walls of the mental asylum Zornheim - a place shrouded in mystery, madness, and horror - where the institution itself becomes the central character. Across releases, the band explores different eras of its sinister history through layered storytelling, recurring themes, and hidden connections. This concept was introduced on their debut album Where Hatred Dwells and Darkness Reigns (2017) and further expanded on the critically acclaimed The Zornheim Sleep Experiment (2021), followed by the acoustic EP The Forgotten Inmates (2023), which completed the first chapter of the asylum’s story.

ZORNHEYM’s artistic vision extends far beyond music. Their albums are accompanied by detailed visual concepts and graphic novels, bringing the asylum and its inmates to life in another dimension, while their music videos are produced as short films that further immerse the audience in the band’s universe.

On stage, ZORNHEYM transforms into a theatrical experience led by frontman Bendler, whose commanding presence draws the audience deep into the asylum’s grip. On special occasions, actors become part of the performance, elevating the show beyond a traditional concert into a dark and immersive spectacle.

With Descending Into Madness, ZORNHEYM mark the impressive next evolution of their dark universe, pulling listeners deeper than ever into the madness of Zornheim.

The album is out NOW via Noble Demon and available for purchase at THIS LOCATION. Available in a variety of exclusive formats, including colored marbled vinyl, a limited Collector's Edition CD, a Digipak, and an A5 book.

For More Information Please Visit:

Instagram

Facebook

Bandcamp

https://linktr.ee/nobledemon

MIRANDA LAMBERT IS COOKING WITH CRISCO ON NEW ALBUM OUT NOW VIA MCA

Miranda Lambert has never been interested in making the same record twice. For more than two decades, Lambert has followed her instincts wherever they lead, whether that’s hard-driving honky-tonk, stripped-down acoustic storytelling, rock influences or Texas singer-songwriter traditions. Today, the three-time GRAMMY winner releases Crisco, a new album via MCA that explores country music’s rich sonic history while embracing the freedom to follow the music wherever it leads. Listen BELOW.
 
“Crisco started with a conversation,” Lambert explains. “Jesse Frasure and I were talking about all these records we love and wondering why country music doesn’t reflect back into its history more often, especially when we’ve got this incredible archive of music to inspire us – from artists like Patsy Cline, Glen Campbell, Conway & Loretta, to Kenny & Dolly and so many others.”
 
What began as a plan to write only a handful of songs quickly grew into something much bigger. Together, Lambert and co-producer Jesse Frasure immersed themselves in the sounds and spirit of an era that had long inspired them, creating an album that embraces sweeping strings, lush harmonies and countrypolitan production while allowing the musical traditions of country to stretch in unexpected directions.
 
“We weren’t trying to make a retro record,” Lambert notes. “We were channeling a feeling.”
 
That intention shaped more than the music. It inspired an entire creative world. The pair traded playlists, collected visual references and carefully crafted the atmosphere before recording a note. By the time they walked into Nashville’s Blackbird Studio – complete with disco balls overhead, intentional lighting, a handpicked band and a nine-piece string section – they weren’t simply recording songs. They were stepping into a world fully imagined.
 
“In twenty-five years of making records in Nashville, it was easily the most magical and moving project I’ve ever been part of,” Frasure says. “Everybody walked into the studio believing in the same vision, and you can hear that on every track.”

The title track captures that vision in a single word. “Crisco” is country and disco. Billy Bob’s and Studio 54. Rhinestones and roller skates. Playful, at times a little tongue-in-cheek, yet completely unapologetic about finding joy wherever the music leads. 
 
“I’ve made a lot of records with a lot of heavy subjects over the years,” Lambert reflects of her journey as a writer, performer, label founder and record producer. “This album feels mostly lighthearted. It’s refreshing to get up on stage and sing something fun. Making this record also unlocked a ‘time to do whatever I want’ feeling. Being able to create freely without putting parameters around my art has been really, really fun. I don't think I've ever smiled that much in the studio.”
 
That spirit runs through the entire album. Yet whether she’s writing about complicated love, restless spirits, resilience, regret or redemption, Lambert’s songs have never settled for easy answers. The women at the center of these stories are funny, fearless, flawed and fiercely human. They fall in love, make mistakes, keep moving forward and occasionally dance through the heartache because that’s what life asks of them.
 
Across Crisco, Lambert explores every corner of that emotional landscape. There’s the timeless heartbreak of “Cowgirl Curtsy” and “Two Things Can Be True,” the sly confidence of “Cuttin’ Onions” and the wanderlust of “Till The Going’s Gone.” There’s comforting familiarity in “Right Where We Left It,” hopeful resilience in “To Everything,” the effortless chemistry of “Whiskey Business” and the dreamy escape of “Sunset Marquis.”
 
Along the way, Lambert reunites with longtime friend Chris Stapleton on the GRAMMY-nominated “A Song To Sing,” teams with “Choosin’ Texas” cowriter Ella Langley on cinematic “Snakeskin Boots” and honors one of her songwriting heroes with a new interpretation of Jim Croce’s “I’ll Have To Say I Love You In A Song.”
 
Rather than looking backward for nostalgia’s sake, Crisco celebrates one of country music’s richest creative eras while proving the genre has always been bigger than any one sound. Built on curiosity, joy and fearless musicianship, the album honors tradition without standing still.
 
“I hope when people listen to Crisco, it feels familiar while also feeling fresh,” says Lambert. “They can grab onto something that feels nostalgic, put their roller skates on and go on the journey with us.”

Tune in HERE on Oct. 7 to watch the Amazon Music Songline Live stream of Lambert’s The Truth performance.
 
Watch her episode of The New York Times’ Popcast HERE.

GAVIN ADCOCK RELEASES 3RD ALBUM IN 3 YEARS: THE DAY I HANG IT UP

Gavin Adcock had an instinct to turn others’ doubt into motivation ever since he was a kid on a cattle farm in Watkinsville, Georgia. That drive serves as the inspiration behind his latest album, The Day I Hang It Up, available now via Thrivin Here Records/Warner Records Nashville. Listen HERE. 
 
“As much as people might want to cut me down, as much as they want to make me an outcast or make me smaller in their head, I’m not going anywhere,” Adcock promises. “When I quit, it’s going to be because I want to—not because someone made me, or tried to run me out. That’s the whole premise of The Day I Hang it Up.” 
 
A co-writer on all but four songs, the project also includes collaborations with Treaty Oak Revival, ERNEST, and his previously released fan favorite, “Cheap Thrills” with Hudson Westbrook. 
 
The official music video for “Us Again” featuring Treaty Oak Revival premiered simultaneously with the album release. Directed by Jack Owens and produced by Sydney Hampton, the video builds a narrative around the push-and-pull of a toxic relationship, with the narrator assured that despite the relationship ending, “I know we’ll wind up us again.” Watch BELOW. 
 
Adcock has steadily released new music since announcing the album, with 11 of the 26 tracks available before the official release. Offering a mix of heartbreak, love, and his signature “outlaw-country edge” (Parade), The Day I Hang It Up also adds a layer of depth to the country star’s repertoire. Songs including “Shoes” and “Rockstar Life” delve deeper into the cost of rising fame, while “Holes In The Boat” offers an honest look at trying to balance masculinity and vulnerability concerning mental health. 
 
Adcock previewed the album to fans and industry insiders at Nashville’s Exit/In on Tuesday, Sep. 29. With a 14 song setlist, Adcock sang nine songs off the album while also playing fan favorites, “A Cigarette,” “Ain’t No Cure,” “Need To,” “Last One To Know” and “Run Your Mouth.” 
 
Adcock invited fans to vote on which city they wanted to see host his album release shows. The overwhelming response led the singer to choose and quickly sell out two cities: Studio at The Bomb Factory in Dallas, TX on Oct. 5 and The Eastern in Atlanta, GA on Oct. 8. 
 
The Day I Hang It Up is Adcock’s third album release in three years, and follows the success of his previous album, Own Worst Enemy, which arrived as the top new Country album on the Billboard Top 200 Country Chart AND the top streaming new album on the Billboard 200 All-Genre Chart week of release (Aug 15, 2025). Before that, his major-label debut album Actin’ Up Again became the highest streaming major-label Country debut from a solo male artist in 2024, with more than 15 million on-demand U.S. streams the week of release, and was 2024’s top streaming major-label debut across the entire genre.

About Gavin Adcock:
Gavin Adcock, dubbed by Billboard as "one of country music’s most buzzed-about artists” is a Georgia native, born and raised in Watkinsville. Former Georgia Southern University football player, Gavin grew up working on his family’s cattle farm and dreamt of riding bulls in the PBR. He started writing songs in high school, but it wasn’t until the spring of 2021, when Adcock tore his knee playing football, that he used his healing time to record and release his first original single. Since then, Gavin has collectively amassed more than 2 BILLION global streams across singles including the fan-favorite, RIAA PLATINUM-certified, “A Cigarette,” GOLD-certified songs “Run Your Mouth,” “Deep End,” “Four Leaf Clover” and more. His album, Actin’ Up Again, was crowned the largest major-label country debut from a solo male artist released in 2024 and was the year’s top streaming major-label debut across the genre. Within less than a year, Adcock more than doubled his previous streaming record with over 25 MILLION first week US streams on new album Own Worst Enemy, released August 15, 2025. Own Worst Enemy debuted as the top new Country album on the Billboard 200 Country Chart (No. 4) and top streaming new album on the Billboard 200 All-Genre Chart (No. 14) week of release. In the Spring of 2026 Gavin was able to add Executive Producer to his achievements, with the release of Adcock’s brainchild, Country Never Dies, enlisting the help of nine artist peers to join him on the special, timeless, project. The MusicRow Awards’ “Discovery Artist of the Year” nominee has also won over the hearts of both Country music fans and music industry alike, leading to his New Artist of the Year nominations at both the 60th & 61st ACM Awards. Taking his music to the fans, Adcock is currently underway on The Day I Hang It Up Tour 2026, marking the fourth extensive headlining tour since 2024.

Photo Credit: Madelyn Ormond

OUT NOW: Of Virtue's "Death Of The Altar" + New Video For "Too Late"

Michigan metalcore outfit, Of Virtue, unleash their highly-anticipated new album, "Death Of The Altar", today via Arising Empire. Expanding on the emotional depth that propelled their 2023 hit record, "Omen" to over 65 million streams, the band return sharper and more deliberate than ever, leaning into their charismatic balance of melody, intensity, and unflinching honesty. Watch the brand new video for "Too Late" below, and stream the new record HERE.

Built on crushing guitar riffs, industrial electronics, atmospheric production, and the striking contrast between Tyler Ennis and Damon Tate's vocals, "Death Of The Altar", moves effortlessly between claustrophobic heaviness and enormous, soaring choruses. Across the record, Of Virtue explore what happens when devotion becomes destructive, when love turns into dependency, and when the things we give ourselves begin taking more than they give back.

That idea runs through the album in different forms. Relationships collapse under the weight of obsession, guilt and resentment, while elsewhere the band confront isolation, grief, mortality, mental turmoil and the consequences of self-destructive behavior. Religious imagery repeatedly collides with deeply human experiences of love and suffering, turning the altar into a symbol for everything we worship, sacrifice for and eventually may have to leave behind.

At its core, "Death Of The Altar" is about reaching that breaking point and finally confronting it. Songs such as "Death Of The Altar", "Enemy State", "What's It Like To Be Happy?", "Flatline", and "Devotion" approach that struggle from different angles, while the defiance of "Can't Keep Knockin' Me Down" offers another side of the record: refusing to remain trapped by the people and forces that have caused the damage.

Arriving alongside the album is "Too Late", a massive, emotionally driven metalcore track that captures Of Virtue at their most visceral. Urgent rhythms and punishing riffs collide with soaring melodies as screams and clean vocals trade places throughout one of the record's most immediate choruses. Beneath its intensity lies an unflinching confrontation with regret, selfishness, and the realization that sometimes the damage has already been done. The track's repeated acknowledgement that there may no longer be a way back perfectly reflects the wider emotional weight running throughout "Death Of The Altar".

Facing his mistakes without making excuses on "Too Late", co-vocalist and guitarist Damon Tate shares:

"When this song was being written, I was at a lower point in my life, reflecting on past mistakes, moments where I was not my best self and realizing that I had hurt people in ways that I didn't (or refused to) acknowledge. My emotional maturity was being tested like never before, and by bringing all of these issues forward, I forced myself to swallow the proverbial bitter pill and accept those circumstances. My view of intimate relationships, as well as those with platonic friends and family, was skewed. I have had a hard time communicating my feelings over the course of my life and I don't want those who love and support me to feel like I am shutting them out. I want to be able to feel comfortable asking questions and connecting on a meaningful level before their time on this Earth is up."

On what it took for the band to tear themselves down and rebuild on "Death Of The Altar", co-vocalist and guitarist Damon Tate continues:

"Words can't properly describe how this record feels for all of us! In many ways, this was the hardest record we have ever made emotionally, spiritually and mentally. There were arguments, tense moments and many long conversations peeling back the layers of who we are as a band and what we want to convey with this record. DEATH OF THE ALTAR for us collectively is an ego death experience. The things we thought were the most important were, in time, the things holding us back from the best version of ourselves. It took all of us getting into a room and challenging each other as best friends/brothers to get to where we are at and we couldn't be more proud of the record we made and the mark we hope to leave when everyone has a chance to hear it!"

On the live front, Of Virtue recently completed a summer run alongside Savage Hands and shared the stage with In This Moment in Pittsburgh, before they traveled overseas for their current European tour supporting Unprocessed. All tour details can be found HERE.

Harnessing the potent fusion of powerful melodies and emotionally charged lyrics, Of Virtue maintain a steadfast commitment to authenticity, consistently redefining the genre while staying true to their artistic essence. Beloved across 35 countries and having performed at multiple Danny Wimmer festivals, Upheaval, Full Force, Summer Breeze, and Pulp Summer Slam amongst many others, it's no surprise that they've shared stages with bands such as Slipknot, Bad Omens, Nothing More, and Three Days Grace. Beyond their musical prowess, the metal powerhouse also serve as passionate mental health advocates on and off stage. Often seen using their platform to raise awareness and openly discuss these vital issues, Of Virtue have become a source of hope and inspiration for countless fans facing similar challenges.

Carrying forward the spirit of their 2023 record, "Omen", Of Virtue continue to champion vulnerability, community, and the belief that no one is defined solely by their worst decisions. With "Death Of The Altar", the band refine and expand their sound, one marked by confrontation, growth, and the difficult process of letting go. Unafraid to sit in discomfort, Of Virtue deliver a fearless exploration of what it takes to dismantle the parts of yourself that no longer serve you, even if it means tearing down everything that once felt like home.

Be sure to stay tuned for more Of Virtue news coming very soon.

OF VIRTUE

Supporting Unprocessed

October 3 - Paris, France - Maroquinerie

October 4 - Tilburg, Netherlands - 013 Next Stage

October 5 - Nijmegen, Netherlands - Doornroosje

October 6 - Cologne, Germany - Gebäude 9

October 7 - Hamburg, Germany - Kent Club

October 8 - Berlin, Germany - Hole 44

October 9 - Munich, Germany - Strom

October 10 - Frankfurt, Germany - Batschkapp

ABOUT OF VIRTUE

In the face of omnipresent change, OF VIRTUE has never wavered, forging a legacy that stands as a testament to the power of reinvention and a refusal to surrender. Since the band’s inception, their music – a punishing-yet-melodic mix of hard rock, metal, and alternative – has mirrored that ambition: unexpected and ever-shifting, always rooted in raw emotion. 

That restless spirit is fully realized on “DEATH OF THE ALTAR,” their record following their 2023 record Omen. Built on jackhammer riffs, skittering industrial electronics, and ethereal production, the band’s fourth studio album surges from claustrophobic tension into a widescreen, soaring set of choruses showcasing contrasting vocal styles of Tyler Ennis and Damon Tate – equal parts soulful and caustic. The shifts land like the split second before impact, amplifying the record’s central theme: confronting the moment when devotion turns into self-destruction.

“DEATH OF THE ALTAR,” the band’s fourth album, follows a period of rapid ascent: 2023’s Omen propelled the Michigan-based act to more than 65M streams, 4M YouTube views, and tours and festival appearances alongside Slipknot, Gojira, Bad Omens, The Used, and Three Days Grace, yet their momentum has always been fueled by more than accolades. Drawing inspiration from their diverse ethnic backgrounds (Chinese, Vietnamese, Mexican, Black, and Irish heritage), Of Virtue finds strength from these distinct perspectives, shaping their chemistry, songwriting and shared sense of purpose.

Aussie Deathcore Titans TO THE GRAVE Release New Album 'LIBERATION FRONT' — Out Now via BLKIIBLK

Today, TO THE GRAVE, the world's preeminent vegan deathcore band, proudly unleash their new album, 'LIBERATION FRONT,' out now via BLKIIBLK. Celebrating the release, the band also launches their new single, "LIMB FROM LAMB," alongside a music video.

On the new single, bassist Matt Clarke comments:

“'LIMB FROM LAMB' was the song that probably changed the most in the recording process. Until it was done, I wasn’t sure it would even make the cut for the album. It really took Dane’s lyric arrangement and vocal delivery to make it shine. It's a bit of a change of pace from the previous singles, this one is slow (for us), brooding and heavy”

“For the video we leaned heavily into the horror movie imagery. Our music and visuals have always been inspired by horror and this was a chance to be really obvious with one of our favorites. It’s always made sense for us to connect this kind of inspiration to the real-life horror we address in the lyrics."

Watch the Official Music Video for "LIMB FROM LAMB" BELOW:

Since forming in 2010, TO THE GRAVE have become one of Australia's most uncompromising heavy exports, earning acclaim for crushing releases including 'Global Warning,' 'Epilogue,' 'Director's Cuts,' and 2024's 'Everyone's a Murderer.' Armed with a singular mission to confront animal cruelty and environmental destruction through some of modern metal's most punishing deathcore, the Sydney outfit have forged a reputation for pairing unrelenting heaviness with fearless activism. Their live assault has taken them around the globe alongside Lorna Shore, Thy Art Is Murder, Shadow of Intent, Carnifex, Oceano, and more, with Revolver hailing them as "one of the country's heaviest exports" and Distorted Sound calling them "one of the most intense, enthralling bands the genre can offer."

Now, the band returns with 'LIBERATION FRONT,' their fifth album and BLKIIBLK debut, a statement of pure intent. Brutal and uncompromising in both sound and message, TO THE GRAVE transform their death metal-infused assault into a vehicle for activism, raging against animal cruelty and environmental destruction while delivering their most direct and fully realized work to date. From the breakdown-laden opener "MEAT THE HUMANS,"'Liberation Front' marks a ferocious return to the band's deathcore roots. While recent releases leaned further into hardcore, the new album embraces deathcore at its most savage and relentless.

Evans comments about the album:

"'LIBERATION FRONT' was born as a concept on tour last year in Australia after we decided we wanted to make the sequel to 'Director’s Cuts.' What came out was something between that and a more pissed off brother to 'Everyone’s A Murderer.' It’s got so many things I love about the band and a bit of everything pushed to 100 with a really bleak kind of aggression that’s just reaching for your throat the entire time. Very keen to play some of these songs live and it’s an exciting chapter to add.”

Order 'LIBERATION FRONT' HERE

TO THE GRAVE is currently on "The Sawed Off Suffering Tour" with co-headlinerCrown Magnetar. The entire run is supported by Face Yourself and on select dates by the likes of I Declare War, Tracheotomy, Backbiter, Squelching and Ameonna (the new band featuring former Chelsea Grin members Alex Koehler, Jake Harmond and Pablo Viveros, making their live debut). For a full list of remaining dates, please see below.

Bassist Matt Clarke exclaims:

“These are the heaviest lineups we’ve ever put together, and we can’t wait for these shows across North America and at home in Aus. For North America, all these bands have a different approach, but the one thing that brings it all together is intensity! We’re stoked to be teaming up with Crown Magnetar for this run, and having Face Yourself on the package just makes it more crushing. We’re very excited that we get to play with OG Chelsea Grin members back on-stage for the first time in Ameonna, and I Declare Warhopping on for some shows is awesome! Backbiter, Tracheotomy, and Squelching will all bring their own brands of brutality to the tour. No matter what show you’re hitting, you’re in for a treat.”

TO THE GRAVE Live:

North America w/ Crown Magnetar, Face Yourself

Oct 2 - Atlanta, GA @ The Masquerade (Purgatory) ^

Oct 3 - Jacksonville, FL @ The Albatross ^

Oct 4 - West Palm Beach, FL @ The Banyan Live ^ 

Oct 6 - Dallas, TX @ Club Dada $

Oct 7 - Austin, TX @ Come and Take It Live $

Oct 9 - Mesa, AZ @ Rosetta Room

Oct 10 - Los Angeles, CA @ Echoplex +

Oct 11 - Roseville, CA @ Goldfield Trading Post +

Oct 13 - Portland, OR @ The Hawthorne Theatre +

Oct 14 - Seattle, WA @ El Corazon +

Oct 16 - Salt Lake City, UT @ Soundwell ~

Oct 17 - Denver, CO @ HQ ~

* w/ Backbiter

^ w/ Tracheotomy

$ w/ Squelching

+ w/ I Declare War

~ w/ Ameonna

More Dates TBA!

'LIBERATION FRONT' is more than an album; it is a musical and lyrical call to arms, designed not only to rage against the machine but to educate, provoke, and challenge listeners on every level. Combining their most savage deathcore material to date with an unwavering commitment to animal liberation and environmental activism, 'LIBERATION FRONT' stands as TO THE GRAVE's definitive statement: fierce, unapologetic, and impossible to ignore.

As Evans puts it, “this is our way of establishing order. The band is built around our way of doing things and to me this title is just waving that flag. These songs are about direct action, open rescue, abolition and liberation by any means necessary.”

TO THE GRAVE are:

Dane Evans - Vocals

Jack Simioni - Guitar

Nic Webb - Guitar

Matt Clarke - Bass

Connor Kingdom - Drums

Band Bio HERE

TRUTH the New Album from STORM FORCE is Out Now

Storm Force have released their new album Truth. The entire album is available to stream or as a 24 bit hi res digital download on Bandcamp. CDs are available from Eonian Records.

24 Bit Hi Res Digital for the album Truth: 

https://bravewordsrecords.bandcamp.com/album/truth

CD: https://www.eonianrecords.com/new-products/storm-force-truth

Storm Force delivers powerful melodic hard rock fueled by soaring vocals, massive hooks, and the timeless energy of classic arena rock. Founded by guitarist and songwriter Greg Fraser, best known for his work with Canadian hard rock veterans Brighton Rock, the band blends classic influences with a modern edge, creating a sound that feels both familiar and refreshingly current.

The band first made its mark with the release of its debut album, Age Of Fear, in 2020 through Escape Music. The album earned praise from melodic rock fans and media alike, showcasing a powerful mix of driving guitars, memorable choruses, and emotionally charged songwriting.

Drawing inspiration from Whitesnake, Dokken, Scorpions, and Bon Jovi, Storm Force delivers music built for loud speakers, live stages, and fans who still believe in authentic, guitar-driven rock!

Age Of Fear the debut Storm Force album, along with both Fraze Gang albums are now available for a budget friendly download of $5,99 each at bravewordsrecords.bandcamp.com

Band Members:

• Patrick Gagliardi – Lead Vocals

• Greg Fraser – Lead Guitar, Backing Vocals

• Mike Berardelli – Bass Guitar

• Roger Banks – Drums

Production:

• Produced and Mixed by Darius Szczepaniak

• Strada XR Atmos Studio, Mississauga, ON

• Recorded at Storce Recording, Niagara Falls, ON

Additional Musicians:

• All keyboards by Mike “Benny” Bedrosian, except on “Between The Lines,” performed by Ray Coburn.

• Margaret Maria – Cello on “I Wasn’t Finished Loving You”

Songwriting:

• All songs written by Patrick Gagliardi and Greg Fraser, except “Saviour,” written by Greg Fraser.

Links:

https://stormforce.ca/

https://www.facebook.com/officialstormforce

https://x.com/stormforceband

https://youtube.com/@stormforce6368

https://www.instagram.com/stormforceband

https://www.tiktok.com/@stormforceband

coldrain's Highly-Anticipated New Album 'OPTIMIZE = OPTDEMISE' Out Now via Century Media Records

A long time in the making: After dropping their digital EP “OPTIMIZE” October 25th, 2025, Japanese rock quintet coldrain have released their long-anticipated 8th full length album “OPTIMIZE = OPTDEMISE”. Spanning 12 tracks, the album sees the band seamlessly navigate the line between rock and metal, powered by their trademark sound and electrifying energy. Guest features from Bert McCracken (The Used) and Kenta Koie (Crossfaith, Aftervoid) add further depth, resulting in a record that feels fresh, ambitious, and captivating throughout. The album includes the band’s prior single releases “INCOMPLETE”, “CHASING SHADOWS”, and “FREE FALL”, and “EX-HUMANITY”, and “POISON”.

BUY/STREAM THE NEW ALBUM HERE

WATCH THE ALBUM TRAILER Below:

coldrain announced their “OPTIMIZE = OPTDEMISE JAPAN TOUR”, which will be happening from October to December 2026. All dates and further info here: https://coldrain.jp/blogs/live

____

- OPTIMIZE = OPTDEMISE JAPAN TOUR 2026 -

06.10.2026 - Japan, Kawasaki: CLUB CITTA'

10.10.2026 - Japan, Hiroshima: BLUE LIVE HIROSHIMA

17.10.2026 - Japan, Fukuoka: UNITED LAB

21.10.2026 - Japan, Sapporo: PENNY LANE24

22.10.2026 - Japan, Sapporo: PENNY LANE24

01.11.2026 - Japan, Kanazawa: EIGHT HALL

03.11.2026 - Japan, Niigata: NIIGATA LOTS

29.11.2026 - Japan, Sendai: SENDAI GIGS

01.12.2026 - Japan, Osaka: NAMBA HATCH

02.12.2026 - Japan, Nagoya: COMTEC PORTBASE

08.12.2026 - Japan, Tokyo: TOYOSU PIT

09.12.2026 - Japan, Tokyo: TOYOSU PIT

Credit: Yusuke Yamatani

ABOUT COLDRAIN:

The title OPTIMIZE = OPTDEMISE is itself a warning: a caution against a world in which the rise of AI has come to symbolize humanity’s growing confusion over what it means to be human. More than a framework of “against AI” or “against technology,” this album calls for the liberation of the soul in response to a world that is steadily being bleached of color, and to the brutality of people who, having stopped thinking for themselves, continue to hurt one another. That is the reason coldrain continues to fight. And OPTIMIZE = OPTDEMISE is the album where that essence appears more youthful, pure, and unfiltered than ever before - a human fuse burning toward ignition.

Coldrain, the quintet that is about to release their 8th album, first emerged in Japan in 2007, proudly identifying themselves as a “loud rock” band. Their songwriting, heavily influenced by the nu-metal and emo/screamo movements of the 2000s, resonated directly with the youth culture of America at the time. Yet in the Japanese rock scene of that era, “loud music” was still largely associated with melodic punk and pop-punk. As a result of that advance, coldrain absorbed musical elements far beyond nu-metal and screamo alone. While maintaining melodies that carried a distinctly Japanese sense of emotion, they transformed into a chimera capable of crossing through every subgenre of rock. Their ability to be both heavy and endlessly pop became their greatest weapon.

Now, especially since joining forces with Century Media Records, the very fact that their music cannot be defined by a single attribute - and the very “in-between” quality of their style - has become a musical identity unconstrained by borders or genres, radiating an originality that stands among the strongest in the world. 

coldrain are a band whose lives were changed by music that could never have been born in Japan, and yet they themselves are a hybrid that could only have emerged from the Galápagos-like environment of Japan. That is coldrain. Rather than needing to acquire a new place, coldrain were able to turn simply “being themselves” into music in its most unfiltered form. As a result, OPTIMIZE = OPTDEMISE is pierced throughout by a youthful rawness that feels almost impossible for a band nearing twenty years since its formation.

BEAUTY IN CHAOS unveils fifth album ‘Quiet Place’, marking milestone anniversary of their debut

Iconic alt-rock / post-punk supergroup Beauty In Chaos returns to where it all began with ‘Quiet Place', - the band’s fifth studio album, arriving exactly eight years after releasing their debut record ‘Finding Beauty In Chaos’. More than an anniversary, the timing marks a remarkable full-circle moment for the LA-based project, bringing together the spirit of its beginnings with eight years of musical exploration, unlikely collaborations, and an ever-expanding family of artists.

Produced by Grammy-nominated producer Michael Rozon (Ministry, Jarboe, Wayne Hussey, The Melvins), ‘Quiet Place’ is a ten-track collection showcasing the latest from Beauty In Chaos. Released September 28th via LA-based 33.3 Music Collective, the album brings together familiar voices and new collaborators while continuing the project's distinctive blend of dark rock, atmospheric textures, powerful guitars, and richly layered songwriting.

The lead single 'Home' featuring Ashton Nyte of famed South African goth rockers The Awakening also marked eight years since BIC's first single 'Storm'. As vocalist and co-writer of that debut offering, this is  a fitting reunion for a song about connection and finally finding where you belong. The 'Home' video was filmed by Nyte and longtime BIC collaborator Vicente Cordero (Industrialism Films).  For the album release, the focus / highlight track is 'You Made Me A Weapon ft. Julian Shah-Tayler'. 

BIC curator Michael Ciravolo describes 'Quiet Place' as “quite possibly our most diverse album, with a collection of songs that just work together”.  This double vinyl release also includes many other returning BIC alumni, including Cinthya Hussey(with a bit of help from her Mission main-man husband Wayne Hussey), Whitney Tai, Julian Shah-Tayler, Betsy Martin, Leo Luganskiy, and Kommunity FK’s Patrik Mata.  

Two new voices join the BIC family on this album - Nick Schultz, formerly with The Faces Of Sarah, and Strangelove’s Brent Meyer. The Deluxe CD also includes three cover song renditions, with Michael Ciravolo himself contributing vocals.

“Since I had several additional new singers in mind, Michael Rozan and I just kept writing songs, but the idea of releasing this album on the same date as our debut was important to me… so I had to make the call to stop at these ten tracks," says Michael Ciravolo.

"I am very aware that ten songs is indeed a ‘big’ listen in today’s chaotic world, but I believe in my heart that our audience is more discerning and open to a true deep-dive listen.”  

Beauty In Chaos has come a long way since LA-based guitarist Michael Ciravolo(formerly of Human Drama and Gene Loves Jezebel and current President of Schecter Guitars) launched this project in 2018. Over the years, BIC has involved members of The Mission, The Cure, Ministry, Cheap Trick, The Offspring, Gene Loves Jezebel, Marilyn Manson, Human Drama, Bauhaus, Nine Inch Nails, Van Halen, A Flock of Seagulls and dUg Pinnick, ICE-T, Rolan Bolan and Zakk Wylde, among other luminaries.

‘Quiet Place’ is available in a 100-copy Limited Edition package, which includes a beautiful 180g double vinyl pressed on Ocean Blue Glitter.  Each of the 100 copies are hand-numbered and include an eight-page lyric booklet, a Special CD, and a set of three BIC guitar picks.  As with all BIC albums, the full digital version is included and sent for immediate download!

A ‘Goth Black’ double vinyl, a Deluxe 13 song CD, and a digital version are also available at the BIC Store. While all of the artists that are part of the growing BIC Family believe in enjoying music in a physical format, ‘Quiet Place’ can also be heard on all streaming platforms, including Apple Music, Spotify and Bandcamp.

CREDITS
Curated by Michael Ciravolo
Recorded, Mixed & Produced by Michael Rozon at SAINTinLA Studio
Executive Producer: Tim Perry (33.3 Music Collective)
Mastered by Dale Becker
Cover paintings by Maren Platzhoff
All songs copyright 2026 Beauty In Chaos Music (ASCAP)
'Home' Video filmed by Vicente Cordero & Ashton Nyte
Directed & Edited by Ashton Nyte
Featuring Ashton Nyte (vocals), Michael Ciravolo (guitar) & Tish Ciravolo (bass)
Publicity by Shameless Promotion PR 

Keep up with Beauty in Chaos
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New Heavy Music From Plume — LISTEN + WATCH

With their brand new album Saferooms & Healing Frequencies, PLUME step fully into a world of their own. Blurring the boundaries between modern metal, hyper-pop, alternative rock, and electronic music, the band delivers a record that feels as emotionally exposed as it is sonically ambitious. Glittering electronics collide with crushing guitars, fractured rhythms and huge melodies, creating a sound that constantly shifts between vulnerability and impact.

At the heart of Saferooms & Healing Frequencies lies the search for safety in a world that rarely stands still. Across the album, PLUME explore anxiety, emotional overload, pain, and the need to find somewhere to breathe, process and heal. Rather than separating heaviness from beauty, the band allow both to exist side-by-side, turning moments of fragility into explosive releases and intimate thoughts into towering choruses.

Arriving alongside the album, "Frankincense" captures that contrast perfectly. Airy, melodic cleans drift through glitching electronics before sharp screams and crushing guitars tear through the atmosphere. Moving between quiet vulnerability and full-force intensity, the track deals with processing pain and searching for a safe place to finally put it down. In many ways, "Frankincense" serves as a perfect gateway into the album, showcasing PLUME at both their most intimate and their most intense.

That constant tension is essential to PLUME. Their songs are built as multilayered sonic sculptures, distorted and driven by synthesizers, unpredictable rhythms and an urge to push beyond conventional genre boundaries. Pop remains at the core, but comfort and predictability rarely do.
The same uncompromising approach extends far beyond the music. PLUME have developed a distinctive visual universe in which glam rock-inspired styling meets a contemporary digital aesthetic. Describing themselves as a "New Generation of Rockstars," the band treats every element as part of the same creative vision. Their live performances follow that philosophy, transforming concerts into relentless, atmospheric and meticulously constructed experiences where music, movement and aesthetics become one.

With their creative ideas, explosive live presence and unmistakable aesthetic, PLUME are rapidly establishing themselves as one of the most exciting rising names in the modern heavy scene. Rather than simply revisiting the language of rock music, they pull it apart and rebuild it through the lens of a generation raised equally on heavy guitars, digital culture and pop.

Saferooms & Healing Frequencies is the clearest expression of that identity yet: Bold, vulnerable, chaotic and deeply melodic. It is a record about finding shelter without hiding from what hurts, and about turning those emotions into something loud enough to be shared. PLUME are not interested in becoming an echo of what rock once was. They are shaping what it could become next.

New Heavy Music From Banks Arcade — LISTEN + WATCH

Banks Arcade unleash their new album SECOND PLACE SUPERSTAR, a bold and emotionally charged statement from a band that has never been interested in fitting neatly into one genre. Blurring the boundaries between modern metal, alternative electronic music and hip-hop, the record captures Banks Arcade at their most ambitious, unpredictable and personal yet.

Built on contrast, SECOND PLACE SUPERSTAR moves effortlessly between crushing heaviness, infectious melodies, electronic experimentation and moments of striking vulnerability. Rather than settling into a single sound, Banks Arcade use the album to push their identity further, bringing together the raw physicality of metal with the maximalist energy of contemporary alternative music. It is an approach deeply rooted in the band’s history, drawing inspiration from underground electronic artists, modern hip hop and classic metalcore while constantly searching for something unmistakably their own.

Arriving alongside the album is "Last Time," a track that perfectly captures its more vulnerable and melodic side. Trading sheer aggression for emotional weight, the song explores the desperate final moments of a relationship that already feels like it is slipping away. Love, regret, and self-sabotage collide with the hope that maybe this time things could end differently.

Brooding production gives way to soaring, confessional hooks as the lyrics turn heartbreak into something visceral. Images of spilling blood like red wine, stitching a broken heart back together and being pushed to the point of flatlining underline the song’s tension between devotion and destruction. At its core, "Last Time" is about wanting to become enough for someone while knowing that your own patterns may ultimately drive them away. That push and pull between hope and resignation makes it a powerful representation of the emotional world surrounding SECOND PLACE SUPERSTAR.

That sense of reinvention has defined Banks Arcade from the beginning. Forged through the partnership of two best friends whose backgrounds stretch from jazz degrees to professional MMA fighting, the band emerged from New Zealand through constant relocation, struggle and an uncompromising drive to create something different. Those experiences became the foundation for a musical identity built around evolution rather than convention.

In recent years, Banks Arcade have transformed from New Zealand underdogs into an internationally established name in modern heavy music. The band have sold out headline shows across the Southern Hemisphere, taken their uncompromising live show to international stages including Download Festival, and shared stages with the likes of The Plot In You, Northlane, and Thornhill.

With SECOND PLACE SUPERSTAR, Banks Arcade continue exactly what has driven them from the start: dismantling expectations of what a modern heavy band should sound like. Heavy without being confined by heaviness, melodic without sacrificing intensity and experimental without losing its emotional core, the album brings together the many sides of Banks Arcade into their most expansive statement yet.

SECOND PLACE SUPERSTAR is out now via Arising Empire
 
BANKS ARCADE ON TOUR:

10/9 — Marrickville, AUS — From Ashes To New
10/11 — Melbourne, AUS — From Ashes To New
10/13 — Adelaide, AUS — From Ashes To New
10/15 — Newstead, AUS — From Ashes To New
1/17 — Sydney, AUS — Hellbound 2027

PAUL LAINE Releases New Album 'The Long Road Back' — Out Now via Frontiers Music Srl

Today, renowned Canadian singer PAUL LAINE proudly releases his new studio album, ‘The Long Road Back,’ out now via Frontiers Music Srl. To celebrate, the new track “Someday,” along with an official video, is available now.

Laine comments:

“With the music video for ‘Someday,’ the producer and I wanted to create something that celebrates the many beautiful forms of love that connect us as human beings. From the unconditional love we share with family and friends, to the bond we have with our animals, and the simple acts of kindness, compassion, and connection we show one another every day, the video is a reminder that love is all around us. In a world that can sometimes feel divided, ‘Someday’ is my small contribution to the idea that love, in all its forms, is what ultimately brings us together.”

Watch the Official Video for "Someday" Below

A masterclass in melodic rock, PAUL LAINE’s new album delivers soaring hooks, heartfelt ballads, and arena-ready anthems that traverse the full spectrum of the genre. From the driving energy of “Love Me Or Leave Me” to the intimate vulnerability of “Someday” (co-written with Andrew Oye), every track is meticulously crafted, showcasing LAINE’s signature vocal power and melodic sensibility. “Don’t Let Me Go Tonite” comes alive with a striking video that complements its infectious energy.

LAINE states:

“Ever since I released my first solo album, I've wondered when I'd finally have the chance to make a follow-up. Life - and music - have a way of taking you places you never expect. Looking back, every chapter of my career has led me down a different road, and each one has shaped me as both a songwriter and a person.”

“I've been incredibly fortunate to make records with Danger Danger, Darkhorse, The Defiants, Shugaazer, and Jetset Junkies. Every one of those experiences taught me something and gave me memories I'll always carry with me. But somewhere in the back of my mind, I always knew the road would eventually lead me home - to where it all started. Just a kid with a guitar, trying to make sense of love, life, loss, hope, and everything in between through songs,” he added.

"‘The Long Road Back’ is exactly that. It's a musical journey back to my roots, but it's also a reflection of every mile I've travelled to get here. Every song carries a piece of the life I've lived, the people I've met, and the lessons I've learned along the way. In many ways, this record feels like coming full circle. After all these years, I'm grateful to finally share this chapter with everyone who's been waiting for it. I hope these songs find a place in your story, just as they've become part of mine,” LAINE concluded.

Joining LAINE in the studio are longtime collaborators Bruno Ravel (his bandmate in The Defiants and also in Danger Danger - bass, producer), Scotty “Hooch” Taylor (drums), and Andrew Oye (lead guitar), with production handled by LAINE and Ravel. The album features standout singles like “Love Me Or Leave Me,” the video-driven “Don’t Let Me Go Tonite,” and the heartfelt “Someday.”

Musically, the record touches every corner of melodic rock. Yet, the songs sound like they’re coming from the classic era when Bon Jovi dominated the airwaves - both in LAINE’s soaring vocals and in the anthemic, hook-laden songwriting. This is an album for fans who crave big choruses, passionate performances, and the kind of timeless melodic rock that only PAUL LAINE can deliver.

Order 'The Long Road Back' HERE

Line Up:

Paul Laine

Bruno Ravel

Scotty “Hooch” Taylor

Andrew Oye

Corey Kent's Highly Anticipated HEARTLAND ROCK AND ROLL Available Now

Multi-Platinum Sony Music Nashville recording artist Corey Kent releases his highly anticipated third major-label album, Heartland Rock and Roll, available everywhere today. The 16-track collection, which Entertainment Focus noted “doesn’t just feel like another release; it feels like a statement of identity,” captures the Oklahoma native’s signature blend of country, rock and soul while putting a name to the sound he has spent his career building. Listen to Heartland Rock and Roll  Below. 

Originally slated as a 15-track album, Heartland Rock and Roll grew at the last minute with the addition of the sultry “Don’t Stop Now,” written by Kent with Austin Goodloe, Lydia Vaughan and Joybeth Taylor. After Kent teased the song for fans, the response was immediate, convincing him the track needed to make the final album.

“My new song ‘Don’t Stop Now’ has gotta be the sexiest song I’ve ever written,” shares Kent. “It’s a new lane for me but I had so much fun writing and recording this one because it has so much soul and vibe to it. It almost feels like a Continuum-era John Mayer song, if John Mayer had a Southern accent. Early on I was influenced a lot by soul and R&B music and it’s been really fun to explore how I can incorporate that in my own sound.”

The song finds Kent exploring a more sensual side of his songwriting, painting an intimate scene, “We’re already halfway down the hall / Knocked a couple pictures off the wall,” before building into its soulful chorus:

Produced primarily by Austin Goodloe, with additional production from Jon Randall and Chris Farren, Heartland Rock and Roll spans 16 tracks that blend golden-hour nostalgia, rugged honesty, hard-earned perspective and the peace that comes with staying true to yourself. The album features previously released tracks including “Everyday Life,” “Rocky Mountain Low” featuring Koe Wetzel which Billboard called “an unyielding, rock-fueled anthem,” “Wannabe,” “Cigarette Burns,” “Rather Be Here” featuring Jason Aldean and current single “Empty Words,” which is Top 25 and climbing at country radio, logging almost 5 million streams per week.

“Heartland Rock and Roll is my third major label album, and it’s really the first time I’ve been able to finally name the sound I’ve been working towards my entire career,” said Kent. “The lyrics span from nostalgia, to honest regrets and gratitude for the simple things I value most in life. From top to bottom, this is me. Every artist wants to leave their mark in music... a way to say, ‘I was here and I did it my way.’ This feels like mine. This is heartland rock and roll.”

The album’s release follows a year of momentum for Kent, who has continued to build his profile on stages across the country while preparing for his biggest headline tour to date. Earlier this month, Kent announced his 2027 Heartland Rock and Roll Tour, a 20+ date cross-country trek kicking off Jan. 22 at Billy Bob’s Texas in Fort Worth and making stops in Houston, Detroit, Columbus, Atlanta, Pittsburgh, Boston and more before culminating April 30 with Kent’s headline debut at Nashville’s famed Ryman Auditorium. Tyler Nance and Jacob Hackworth will join as support throughout the tour. Tickets are available at coreykentofficial.com.

“This year I’ve played all over the world and opened up for some of my favorite artists,” shared Kent. “But now it feels like it’s time for a headline tour right here in the heartland…the Heartland Rock and Roll Tour! I’ve reimagined everything on this tour making this show unlike anything we’ve ever done. I hand picked some of my favorite venues in the country and it’s almost time!”

Infusing Oklahoma roots with the untamed energy of a rebel rocker, Kent has built his career on doing things his own way. From dancehalls and dive bars in Bixby, Oklahoma, to earning two No. 1 singles at country radio, more than 1 billion career streams and multiple RIAA certifications, Kent’s rise has been steady, hard-earned and fueled by conviction.

“I’ve been fighting my differences for so long, but now it’s like, ‘Let’s just use those,’” Kent explains. “I’m not trying to be anybody else. Bigger fades, ‘better’ lasts.”

To date, Kent has earned Platinum certification for “Something’s Gonna Kill Me,” Gold certification for “This Heart” and Triple-Platinum certification for his No. 1 breakthrough hit “Wild As Her.” Rolling Stone has praised the Oklahoman native for giving “the region’s signature sound a shot of mainstream sensibility,” while CMT and the Opry NextStage program have recognized him as an artist to watch. He has toured alongside Morgan Wallen, Jason Aldean, Parker McCollum, Jon Pardi and Koe Wetzel.

COREY KENT’S 2027 HEARTLAND ROCK AND ROLL TOUR

*Jan. 22 – Billy Bob’s Texas – Main Stage – Fort Worth, TX
*Jan. 23 – House of Blues – Houston, TX
*Jan. 28 – Majestic Theatre – Detroit, MI
*Jan. 29 – The Bluestone – Columbus, OH
*Jan. 30 – Dusty Armadillo – Rootstown, OH
*Feb. 4 – Wooly’s – Des Moines, IA
*Feb. 5 – Varsity Theater – Minneapolis, MN
*Feb. 6 – Bourbon Theatre – Lincoln, NE
*Feb. 18 – Buckhead Theatre – Atlanta, GA
*Feb. 19 – The Foundry – Greenville, SC
*Feb. 20 – Charleston Music Hall – Charleston, SC
*Feb. 25 – The Signal – Chattanooga, TN
*Feb. 26 – Coyote Joe’s – Charlotte, NC
*Feb. 27 – The Senate – Columbia, SC
*Mar. 11 – Stage AE – Pittsburgh, PA
*Mar. 12 – The Fillmore Silver Spring – Silver Spring, MD
*Mar. 13 – The Paramount – Huntington, NY
^Mar. 18 – Toad’s Place – New Haven, CT
^Mar. 19 – Aura – Portland, ME
^Mar. 20 – House of Blues – Boston, MA
*Apr. 30 – Ryman Auditorium – Nashville, TN
*Tyler Nance
^Jacob Hackworth

For the latest news and information about Corey Kent, visit coreykentofficial.com.

SILVER SANDS MARINA ARRIVES With A Gone-In-Seconds Surprise Pinnacle Show Tonight Broadcast LIVE on No Shoes Radio at 8:30 PM Eastern

So much about Silver Sands Marina has been unorthodox. Starting with the time spent making it, the re-recording and recasting of “Carry On,” the landmark debut single, and three late tracks that inspired an 11-cut project in an age of more-is-more. For the East Tennessee songwriter-superstar, Silver Sands Marinabecame an album, not just of his great, often genre-defining songs, but a collection that holds together at the heart.
 
Today, with a sold-out-in-seconds surprise Pinnacle Show to celebrate, Silver Sands Marina arrives.
 
Again co-produced with legendary Buddy Cannon, the project delivers a sense of arrival, places and the smallest moments that define a life. Whether recognizing one’s reason on the opening “Burn My Boat,” the vulnerable spark knowing it’s over of “It Just Got Weird,” featuring Megan Moroney, the joyous heartbreak of “Goldfish” with Hawaiian alternative singer-songwriter Lily Meola or the swagger-forward homage to smalltown gossip “Talkin’ Dirt,” Chesney creates a core sample of what engaging with the world truly is.
 
“Having had the time to cut so many really great songs, but also listen to them, think about how they fit together,” Chesney offers, “the songs were also able to talk to each other. They showed me, Buddy, some of the people near me what they wanted to say in a larger way… And when ‘Silver Sands Marina’ captured that one perfect moment two share together with no distractions, everything fell into place.
 
“That’s the thing about music: the more you listen, the more it will tell you about life. Whether it’s how to get through it, laugh it off, make it more or recognize what’s so rare and special, it’s all there if you’ll slow down and listen. When we did, well, you can hear it in these 11 songs.”
 
With “CBS Mornings” anchor Gayle King raving, “[it] evokes memories, perfectly paints a special place and really celebrates life, the Associated Press writing, “He's one of the most consistent giants in country music for a reason. Kenny Chesney will release his 21st studio album –  you read that correctly –  today, titled ‘Silver Sands Marina.’ It's full-throated stadium country, with big hooks and bigger heart. You know, like all the great Chesney records,” and Billboard citing the album, “placing a premium on top-shelf songwriting that balances lyrical wit and emotional resonance… Linking each of the songs is Chesney’s warm, conversational vocal approach that makes each song feel even more lived-in and credible,” the early response is strong.

Even stronger is the gone-in-seconds response to tonight’s pop-up show at the Pinnacle, which will be broadcast live on No Shoes Radio (SiriusXM 59) at 8:30 p.m. ET. The immediacy and sense of community around Silver Sands Marina has really touched the 2025 Country Music Hall of Fame inductee. Drawing on a lifetime of songwriters, living, learning and laughter, Chesney’s first release for HEY NOW Records has manifested not just a history-making single that offers the philosophical compass, “if it feels good do it, if it doesn’t then don’t…,” its second single proffers a powerful perspective-shifter from jagged ending to owning all the thrills, euphoria and awesome that makes love great via “Remember Me That Way.”
 
“No Shoes Nation has always been a passionate, all-in kind of place. They work hard, play hard, love hard – and music moves through all of it. We’ve got songs here that are very fun, real, and honest; but they’re also things they’re not expecting, because I know I’d never heard songs like some of these before, either.
 
“That’s why we wanted to go play them live, and not wait for Tampa. Everyone in the band agreed, this is music that needs people to come fully alive, so I’m fired up to be playing Pinnacle tonight – and for anyone who couldn’t get tickets, you can be there with us on No Shoes Radio. We all – Buddy, me, so many of us – make this music for everyone else to enjoy – and today finally the circle of Silver Sands Marina is complete.”
 
Kicking off the Silver Sands Marina anticipation with his appearance on the “TODAY” Citi Concert Series and a lively turn on “The View,” Chesney has been across all media for the last week. E Street Radio, Howard Stern’s Howard 100 and ESPN, as well as yesterday’s lively sitdown with “CBS Mornings” anchor Gayle King all culminate with tonight’s NBC “Nightly News” and their “Great Americans” profile.

Legendary Hard Rock Icons STRYPER Release New Album 'Throne of Thorns' — Out Now via Frontiers Music Srl

Today, legendary Christian metal pioneers STRYPER proudly release their 18th studio album, ‘Throne Of Thorns,’ out now via Frontiers Music Srl. Decades into their journey, STRYPER continues to reaffirm their status as one of the most influential and enduring bands in classic metal, seamlessly blending their signature message with a sound that remains as powerful and relevant as ever.

Celebrating the release, the band also unveil their new single, "Shadowbreaker," alongside an official visualizer, available below.

On the new track, Michael Sweet comments:

“'Shadowbreaker' is a full throttle banger and a great way to end the album. It represents our heavier side perfectly, and where we’re at as a band in 2026.”

Watch the Visualizer for "Shadowbreaker"

‘Throne of Thorns’ showcases the band at the height of their creative powers, delivering a masterclass in songwriting and musicianship. The album is packed with grand, meticulously crafted arrangements, where thunderous rhythms, soaring guitar harmonies, and anthemic choruses come together in a style that is unmistakably STRYPER. Each track is infused with both intensity and melody, capturing the essence of classic metal while pushing their sound forward with renewed energy and purpose.

At the forefront stands the unmistakable voice of Michael Sweet, whose passionate, powerful, and instantly recognizable delivery continues to define the band’s identity. His vocal performance on ‘Throne of Thorns’ is nothing short of extraordinary, effortlessly moving between soaring highs and emotive depth, adding a timeless quality to every song.

Perry Richardson says:

"The best music doesn't come from comfort. It comes from living, struggling, growing, and refusing to quit. I hope these songs find you exactly when you need them."

With ‘Throne Of Thorns,’ STRYPER not only honors their legacy but expands upon it, offering an album that will resonate with longtime fans and newcomers alike. It’s a bold, inspired statement from a band that refuses to stand still—proof that true metal greatness only grows stronger with time.

Guitarist Oz Fox concludes:

"I’m really happy with the final outcome of this record and of the heart that went into it. Michael continues to pour everything he has into the music and the message; Robertbrings the power and energy that has always been the pulse of STRYPER; Perry’s musicianship, vocal talents, and dedication are second to none, and I’m grateful to be on this journey with all of them."

Order 'Throne of Thorns' HERE

Four decades and counting, STRYPER shows no signs of slowing down. The band will be back on the road starting this fall with a full U.S. For a full list of dates, see below.

STRYPER Live:

Sept 29th - Derry, NH @ Tupelo Music Hall

Sept 30th - Wantagh, NY @ Mulcahy’s Pub and Concert Hall

Oct 1st - Newton, NJ @ The Newton Theatre

Oct 3rd - Harrisburg, PA @ XL Live

Oct 4th - Warrendale, PA @ Jergel’s Rhythm Grille

Oct 6th - Marion, IL @ Marion Cultural and Civic Center

October 8th - McHenry, IL @ The Vixen

Oct 9th - Wisconsin Dells, WI @ Crystal Grand Music Theatre

Oct 10th - Green Bay, WI @ EPIC Event Center

Oct 12th - St. Louis, MO @ The Hawthorn

Oct 13th - Cincinnati, OH @ Bogart’s

Oct 15th - Nashville, TN @ The Cannery Mainstage

Oct 16th - Newton, NC @ Newton Performing Arts Center

Oct 17th - Kingsport, TN @ MeadowView Conference Resort & Convention Center

Oct 19th - Jacksonville, FL @ FIVE

Oct 20th - Orlando, FL @ House of Blues

Oct 22nd - Atlanta, GA @ Center Stage

Oct 23rd - Liberty, SC @ Pickens County PAC

Oct 24th - Hopewell, VA @ Beacon Theatre

Oct 25th - Stroudsburg, PA @ Sherman Theater

Dec 5th - San Juan, PR @ Coca-Cola Music Hall

STRYPER are:

Michael Sweet - Lead Vocals/Lead & Rhythm Guitar

Robert Sweet - Drums & Percussion

Oz Fox - Vocals/Lead and Rhythm Guitar

Perry Richardson - Vocals/Bass

Shock Rock Legends GWAR Premiere HD Version of the "School's Out" Music Video

With GWAR’s 20th anniversary celebration of their 2006 opus ‘Beyond Hell’ arriving this Friday, September 25th, the band are premiering the HD version of their “School’s Out”music video, a cover of the Alice Cooper classic. The newly remastered deluxe edition, available for the first time ever on vinyl via the band’s own Pit Records, is now completely sold out through the GWAR store.

Remastered by Paul Logus (Anthrax, Killswitch Engage), the anniversary edition breathes new life into one of the band's most ambitious and theatrical releases. Alongside the remastered album, the release also includes a previously unreleased outro track recorded during the original ‘Beyond Hell’ sessions that was left off the original release.

Check Out the HD Music Video for "Schools Out" (Remastered) Below:

Originally released in 2006, 'Beyond Hell' marked a defining moment in GWAR's legendary career. Produced by Devin Townsend, the album brought together two of metal's most unique creative forces, with Townsend helping shape one of the band's most ambitious and beloved releases.

"I had been a GWAR fan since I was a kid. I loved the freedom, the metal, the spectacle, and the passion that went into it all," recalls Townsend. "I met Brockie on a tour we did together and, after cornering him in an elevator basically telling him I'd work for free, I found myself co-producing 'Beyond Hell.' Dave and Corey came to Vancouver to stay with me, and we recorded at Profile Studios. The drums and basic tracks were done at Slave Pit in Richmond, Virginia, and the whole process took about three months."

He continues, "GWAR were, and are, an amazing combination of artistic freedom, absurdity, and hard work bundled up with metal and performance. Loved them then, love them now."

Chronicling the band's descent into Hell to rescue their long-lost comrade Flattus Maximus, 'Beyond Hell' remains one of GWAR's defining releases, featuring fan favorites including "Back in Crack," "Womb With a View," "Tormentor," and "The Ultimate Bohab."

Twenty years later, 'Beyond Hell' is ready to rise once again, louder, heavier, and more gloriously blasphemous than ever before.

GWAR Live:

09/23: Baton Rouge, LA @ Chelsea's Live *

* Supported by Weedeater and BRAT

The "Gor Gor Must Die!" Tour

10/27: Charlottesville, VA @ The Jefferson Theater *

10/28: Atlanta, GA @ The Masquerade (Heaven) *

10/29: Jacksonville, FL @ FIVE *

10/30-11/03: Miami, FL @ The Headbangers Boat

11/04: Fort Lauderdale, FL @ Revolution *

11/05: Orlando, FL @ The Beacham *

11/06: Myrtle Beach, SC @ House of Blues *

11/07: Winston-Salem, NC @ The Ramkat *

11/08: Nashville, TN @ Brooklyn Bowl *

11/09: Little Rock, AR @ The Hall *

11/10: Dallas, TX @ AM/FM *

11/12: Denver, CO @ Ogden Theatre

11/13: Salt Lake City, UT @ Rockwell at The Complex

11/14: Las Vegas, NV @ Brooklyn Bowl

11/15: Reno, NV @ Cargo Concert Hall

11/17: Tempe, AZ @ The Marquee

11/18: Anaheim, CA @ House of Blues

11/19: Berkeley, CA @ The UC Theatre

11/20: Chico, CA @ Senator Theatre

11/21: Bend, OR @ Midtown Ballroom

11/23: Seattle, WA @ Showbox SoDo

11/24: Spokane, WA @ Knitting Factory

11/25: Vancouver, BC @ Vogue Theatre

11/27: Edmonton, AB @ Midway Music Hall

11/28: Calgary, AB @ MacEwan Hall

11/30: Winnipeg, MB @ Burton Cummings Theatre

12/02: Lincoln, NE @ Bourbon Theatre

12/03: Milwaukee, WI @ The Rave *

12/04: Pontiac, MI @ The Crofoot Ballroom *

12/05: Cleveland, OH @ House of Blues *

12/06: McKees Rocks, PA @ Roxian Theatre *

12/08: Washington, DC @ 9:30 Club *

12/09: Worcester, MA @ The Palladium *

12/10: New York, NY @ The Palladium Times Square *

12/11: Philadelphia, PA @ The Fillmore Philadelphia *

12/12: Norfolk, VA @ The NorVa *

* X-COPS Open