ALIEN FAKTOR return after 28 years with defiant electro-industrial anthem 'Hanging by a Threat'

Electro-industrial music mavericks Alien Faktor return with 'Hanging by a Threat', a hard-hitting rage-fuelled anthem, attacking the news of the day with both emotion and insight.  Channeling political disillusionment into a defiant call to resist hatred, intolerance and fascism, this is the first single from 'Stockholm Syndrome', the band's first new album in 28 years.

Band founder Thomas L. Muschitz returned from a lenghty hiatus to confront the issues of the day and shout truth to the world, that something is very wrong here. Heavy guitar accentuates bombastic percussion and stomp worthy synth programming, accentuated by samples of revolution.

Founded in Milwaukee in the early 1990s by Thomas L. Muschitz, Alien Faktor developed a distinctive sound that blends industrial noise, electronic dance rhythms, soundtrack influences, and elements of metal. Following a run of releases on Muschitz’s own Decibel Records and a Top 25 placement on CMJ’s Dance Chart, Alien Faktor went on hiatus at the end of the 1990s.

Now based in Madison, Wisconsin and reunited with bandmate Mike Hunsberger on guitar and programming, the duo has re-emerged with new material capturing the zeitgeist of our modern society. In late 2025, inspired by his work in film and audio production, and disgusted with the state of the world, Thomas Muschitz began writing the first of many songs for their first album in almost 30 years.

Those sessions laid the creative groundwork for 'Stockholm Syndrome', ushering in a new chapter, retaining the project's foundations while directing its creative energy toward the present. 'Hanging By A Threat' transforms political despair into a musical act of defiance. Its message is direct: kindness is strength, violence is weakness, compassion is art, and hate is disease.

“I have felt sickened at the state of my nation, and to a larger extent, many of the same issues that seem to be infecting the world at large. Turning despair into anger, and clinging to the vestiges of hope, I did the one thing that i have always done. Create art. It was time to return, to raise my voice and speak loudly," says Thomas L. Muschitz.

"My deepest desire is that this song is a rally cry among many other voices, a reminder that the power resides in the people, and we need to fight injustice, intolerance, fear, hate and this insidious rise of fascism, each of us in their own unique way.”

On 'Stockholm Syndrome', Alien Faktor revisits its classic 1990s sound through dark, cerebral electro-industrial music, shaped by fresh influences and modern production. Hard beats, noise effects, EBM synths, textural guitars, and psychedelic atmospheres expand the project’s abrasive foundations into a broader, genre-bending sound.

Bringing in sonic richness, this album was mastered by the legendary Greg Reely, known for his work with pioneering industrial acts such as Skinny Puppy, Front Line Assembly, numerous artists on the Nettwerk label, and other award-winning acts like Delerium, Fear Factory and Sarah McLaughlin.
 
Alien Faktor’s recording career launched in 1994 with 'Abduction', the first-ever release on Decibel Records, followed by 'Desolate' (1995), 'Final Expenses' (1996) and 'Listen!' (1996). Hunsberger joined Alien Faktor for the 1997 album 'Arterial Spray... and Cattle Mutilations', which reached No. 20 on CMJ’s Dance Top 25 in February 1998. Their music was also remixed by such renowned as Joseph Bishara (Drown), Seibold (Hate Dept) and Matt Green (Spahn Ranch). 

Recording at Chicago Trax, The Warehouse and their own Milwaukee studio, The Womb, Alien Faktor worked within Chicago’s industrial figures like Chris Randall (Sister Machine Gun) and Van Christie (Die Warzau). 

Alien Faktor has also earned recognition for remix work with Caustic, Purr Machine, Pain Station, Collide, Swamp Terrorists, Leather Strip, and Psychic TV, featuring Genesis P-Orridge, in addition to covering Alanis Morissette’s 'You Oughta Know' for the compilation 'Nod’s Tacklebox o’ Fun', released by Re-Constriction Records. More recently, Alien Faktor has covered MGMT's synth-heavy hit 'Time To Pretend'.

At the end of the 1990s, as the music landscape shifted for artists and labels amid broader changes in the music industry, Decibel Records closed their doors and Alien Faktor went on indefinite hiatus.

Tying the band's future and past, the album art for 'Stockholm Syndrome' was created by James Barany, painter and professor at the Milwaukee Institute of Art and Design, who also created the renowned painting for the cover of 'Arterial Spray... and Cattle Mutilations'.

As of October 27th, 'Hanging by a Threat' is available everywhere digitally, including Spotify, Apple Music and Bandcamp. The 'Stockholm Syndrome' album will be released on January 15th.

CREDITS
All tracks written by Thomas L. Muschitz
except Track 2, music by Thomas L. Muschitz & lyrics by Matt Fanale
Thomas L. Muschitz - vocals, synths, programming, guitar, metal percussion 
Mike Hunsberger - guitars (Tracks 1 & 10) and Bass (Track 10)
Matt Fanale - vocals (Track 2)
Steven Seibold - guitar, bass & additional production (Track 4)
Connie Ward - vocals (Track 8)
Produced, engineered & mixed by Thomas L. Muschitz
Mastered by Greg Reely
Publishing - Faktorsongs ASCAP 2026
Album UPC - 608657002622
CD Design by Henry Ingram
Album cover painting “Nomenclature of Sierpinski” 2026 by James Barany
Photography by Paige Gilberg
Publicity by Shameless Promotion PR

Keep up with Alien Faktor
Website | Facebook | Bandcamp | Instagram | Soundcloud | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
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Symphonic Black Metal Act VESSELES Release "Until They Are Dust (Reclaimed)" With Music Video Ahead Of The New Album, Home (Reclaimed)

"Until They Are Dust (Reclaimed)" is the new single release from the symphonic black metal project, VESSELES. Arriving alongside a music video, the track lands ahead of the forthcoming full length, Home (Reclaimed), scheduled to arrive on March 26, 2027. 

"Until They Are Dust (Reclaimed)" now contains the haunting vocal performance of VESSELES' founder Valira. The song is about the growth of one's self confidence, and the empowerment this brings, explored through the narrative of Valira’s demonic origins. In "Until They Are Dust (Reclaimed)," further worldbuilding reveals the origins of 'The Beneath.' The plain is described as “a horrific cursed sludge” that consumes all humans to then birth a new generation of demons.  

VESSELES is an artistic outlet allowing Valira the space to express and explore who they are. Home (Reclaimed) confronts the discomfort and complexity of what 'home' is to someone who is not from this world. Now recorded with their own vocals, Home (Reclaimed) captures fully Valira's origins and purpose. In addition to the vocal performance, the album is filled with piano driven leads, grandiose symphonic compositions, dissonant passages and pained progressions encapsulating their experience. 

Home (Reclaimed) was produced, mixed and mastered by Nick Loiacono at Fang Studios, San Mateo, CA. The album performance was by Valira Nyvran (vocals, guitars, composition, orchestrations, lyrics), Ron Graves (bass) and Nikolas Brön (drums). Special guests include Antonio Giardina (session piano) and The Vicken Studios Orchestra (choir chants on “Eternally Within Us (Reclaimed)”). Album cover artwork is by Mark Erskine. 

About VESSELES:

Founded in 2023, VESSELES is the sonic vessel through which Valira speaks the language of their origins. As composer, orchestrator, and architect, they craft bleak, incantatory soundscapes that fuse serrated guitars with haunted symphonic textures. Their voice, at once seething and spectral, now rises with increasing clarity, layered across both backing and lead roles in studio and on stage. This is not performance. It is possession. Through sound, they cast off the human shell and step fully into their true form: demon, exile, survivor. 

VESSELES unveiled the debut EP I Am A Demon in 2024, a liturgy of identity dysphoria, rage, and revelation. The debut full length offering Home emerged from the shadows at the turn of 2026, a devastating and majestic sophomore release that delves deep into identity, belonging, and the mythos of a demon cast into the human world.

Devised as a personal vessel for Valira, a demon entity discovering their truth through music, VESSELES fuses symphonic black metal with cinematic grandeur and emotional weight. This project is not just about sound; it's about survival, transformation, and reclaiming power in a world that was never built for them.


Credits:
Composed by Valira Nyvran
Performed by VESSELES

VESSELES Is:
Valira Nyvran - vocals, guitars, composition, orchestrations, lyrics
Ron Graves - bass
Nikolas Brön - drums

Connect With VESSELES: 
Website: https://vesseles.com/
Music and merch: https://vesseles.bandcamp.com/
Facebook: https://www.facebook.com/vesseles/
YouTube: https://www.youtube.com/@Vesseles
Instagram: https://www.instagram.com/vesseles666/
Everything else: https://linktr.ee/vesseles

Progressive Trio SOURCE Release New Single "What Remains," Announce Album 'Resurgence'

Rooted sonically in heavy psychedelic prog rock and thematically in introspection, Colorado's SOURCE present the new single offering, "What Remains." The track lands ahead of the forthcoming 5th studio album, Resurgence. The full length is scheduled to arrive independently on January 15, 2027. 

On the new release, SOURCE shares:
"'What Remains' asks the question: what is left when all hope is lost? When everything I’ve believed is shattered, what remains? It looks at desperation and attachment to outcomes as one of the last barriers to the truth beneath all my delusions and invites  surrendering to what remains."

Thematically, the track was inspired by the band's personal experiences with touring; the hidden workload behind and the scenes, the moments missed and sacrifices made. "There were a few tours specifically where we all felt an unfathomable sense of dread that we had no control over our future as musicians." Vocalist, guitarist and keyboardist Benjamin Gleason comments. "But underneath that dread was this sensation of being fully present in the current moment. A new connection with the truth of our lives which felt safe and secure."

"What Remains" begins with a captivating bass melody that builds into an anthemic progression. Instrumental layers gradually emerge creating a softer, more emotional sound that takes inspiration from bands such as THE CURE and A PERFECT CIRCLE. Heavy distorted guitars, the driving melodic bass and electronic percussion provide movement with a a swooning 6/8 feel. 

Resurgence was produced by Benjamin Gleason and recorded at Cymatic Sounds Studios with engineer Justin Mirarck. Mixed by Benjamin Gleason and Justin Mirarck, and mastered by Tom Capeck. The album artwork for Resurgence is by Mike Gamble. 

Backing vocals on Resurgence are performed by Wes Watkins, Yasmine Hunter, Emma Phillips-Strain and Chipo Muzilikazi.

Alongside the announcement of Resurgence, limited edition multifoil, layered, textured posters of the album's cover art are available for pre-order. The striking artwork was created by artist Mike Gamble, who is best known for his thought provoking work and designs for TOOL. 

Order HERE: https://www.listentosource.com/product-page/resurgence-multifoilholographic-poster

About SOURCE:
Based out of Boulder, Colorado, SOURCE was originally formed in 2014 by Benjamin Gleason, Dan Crisafulli, and Georges Bou Serhal. With founding member Benjamin Gleason now joined by Justin Mirarack on drums and percussion and Pascal Faurie on bass, the trio craft immersive music inspired by their own introspection and transformative practices. 

While SOURCE explore self awareness, healing and personal evolution through their lyrics, musically they situate themselves in the realms of heavy psychedelic prog rock. Instrumental layers, powerful and emotive harmonies and a wide range of dynamics leads to a sound that is melodic with an enveloping feel. 

The band's first album Return To Nothing released in 2016 via Pavement Entertainment and that same year saw the band embark on the Forged in Fire Tour opening for HELLYEAH, IN FLAMES, and FROM ASHES TO NEW. Totality arrived in 2019 through Pavement Entertainment, followed by independently released albums Ethereal Self in 2021 and Emergence in 2023.

SOURCE recently unveiled their interpretation of RADIOHEAD's "Optimistic" ahead of their forthcoming fifth full-length studio album.


SOURCE Is:
Benjamin Gleason - Vocals, Guitars, Keyboards
Justin Mirarack - Drums, Acoustic Percussion, Electric Percussion
Pascal Faurie - Bass

Connect With SOURCE:
Official Website: https://www.listentosource.com/
Bandcamp: https://listentosource.bandcamp.com/
Facebook: https://www.facebook.com/listentosource
Instagram: https://www.instagram.com/listentosource
YouTube: https://www.youtube.com/@SourceBand
Spotify: https://open.spotify.com/artist/5zEuzw6dwKcnNtXahckDXi?si=Sl4CKg09RiaDAbG1jmNK_w&nd=1&dlsi=3ba80878878e40ce
Apple Music: https://music.apple.com/us/artist/source/1462541339
TikTok: https://www.tiktok.com/@listentosource

Electronic Infused Black Metal Act OMNIKOLOSS Release "Omnisyndrom Alpha 17" Ahead Of New Full Length, Quantum Fleshdrive

With black metal at its core, OMNIKOLOSS delves further into electronic music, analogue synthesis, ambient and industrial sounds in the third studio album Quantum Fleshdrive. Across the track list, acoustic drums and guitars collide with programmed beats, field recordings and layers of synthesizers including the Moog Sub 37, Korg MS-20, Polysix, Minimoog and Juno-60. Quantum Fleshdrive will arrive on December 4, 2026, via Unholy Conspiracy Deathwork. The first single, "Omnisyndrom Alpha 17," is available now. 

The narrative of "Omnisyndrom Alpha 17" questions the existence and autonomy of two nameless humans. One is trapped in a life reduced to maintenance: work, consume, recover, return, while the second appears to live beyond this system with apparent freedom. 

"Human one is imprisoned by material reality; Human two is imprisoned by perception." OMNIKOLOSS explain. "The overworld could be a protected class, a simulation, a religious illusion, a digital heaven or even the final dream produced by an exhausted brain before collapse. The world below may be hell, but the world above may only be a beautifully rendered interface hiding the same machine. One person knows they are trapped. The other has forgotten what a trap looks like."

"Omnisyndrom Alpha 17" erupts with intensity combining furious blast beats with an immersive atmosphere and an electronic march. The band's dedication to worldbuilding is shown through field recordings made around small lakes and moors including frogs and the surrounding night sounds. The electronic march is built around a sample from Tetsuo: The Iron Man.

The world behind the album takes its influence from body horror, cyberpunk and dark science fiction such as Tetsuo: The Iron Man, Akira and Blade Runner. Flesh and technology are no longer opposites. Machines move into the body, voices enter the mind, reality becomes unstable and the distinction between human and artificial slowly disappears.

Quantum Fleshdrive was produced and mixed by David Feistel at Cave Sustain, and mastered by Markus Stock at Klangschmiede Studio E. Cover artwork by Karmazid, with additional layout by Johnny Doe.

Quantum Fleshdrive will be released on 12-inch vinyl: 150 x Hypnotoad Green; 100 x Fleshdrive Red. The limited edition consists of 20 special sets with Fleshdrive Red vinyl, an exclusive DIY cassette and an OMNIKOLOSS pin.

About OMNIKOLOSS:

With black metal as their foundation, the band began in 2020 with an intense writing session between Tobias Norbinski (DER ROTE MILAN) and David Feistel (STELLAR MASTER ELITE). SURVIOLENCE (CAPTAIN CAVEMEN) joined shortly after, and these initial compositions laid the groundwork for what would become OMNIKOLOSS. The addition of vocalist Khonan completed the line up and the band's focus on creating an extreme sound that is unafraid to venture further into experimental and atmospheric realms. 

Electronic music, ambient, synthwave, industrial, analogue synthesis and soundtrack influences became a key component for OMNIKOLOSS. Atmosphere and thematic concepts behind the music are just as important as traditional song structures in their writing. 

OMNIKOLOSS released Wandering Through Concrete Valleys through Unholy Conspiracy Deathwork in 2023, selling out its vinyl edition. コンクリートの谷を彷徨って II released as one 26:53 composition in 2025, also via Unholy Conspiracy Deathwork, alongside a handcrafted VHS box which sold out shortly after its launch. Now in 2026, OMNIKOLOSS prepare to unveil their third sonic offering. 

Quantum Fleshdrive goes somewhere else. 

Technology is no longer just part of the environment. 

It has entered the body.

The music itself was created through the same process OMNIKOLOSS has followed from the beginning. Recordings sit next to spontaneous performances, deliberately written passages, electronic manipulation and acoustic material. Where something was recorded matters much less than what happens when these elements are put together.

Quantum Fleshdrive is not an attempt to make Black Metal sound futuristic.

It comes from a place where the distinction no longer matters.


OMNIKOLOSS Is:
Surviolence - Drums / electronic beats / additional vocals
David Feistel - Bass, synthesizers, additional guitars, sampling, production
Khonan - Vocals
Tobias Norbinski - Guitars
 

Connect With OMNIKOLOSS:
Official Website: https://www.omnikoloss.com
Bandcamp: https://omnikoloss.bandcamp.com/ 
E-Shop: https://shop.ucdeath.com
Instagram: https://www.instagram.com/omnikoloss/
YouTube: https://www.youtube.com/@UCDEATH
Spotify: https://open.spotify.com/intl-de/artist/1FH5rEnxT46coAEl4zggAf?si=Wl3AEmZvSUCg2Z5ivl0F2Q
Apple Music: https://music.apple.com/gb/artist/omnikoloss/1679925466
TikTok: https://www.tiktok.com/@ucdeath.com

Extreme Metal Project DREAMS OF GRAY Releases New Single "Edges Of Thought" Ahead Of EP, 'In the Shadow of the Storm'

Watch "Edges Of Thought" BELOW

Balancing extreme metal with captivating melodic elements, DREAMS OF GRAY provides introspection and reflection through storm imagery and metaphors in the forthcoming EP, In The Shadow Of The Storm. The first single "Edges of Thought" explores how fear can cloud rational judgement and lead to inescapable mental torment. In The Shadow Of The Storm will be released independently on November 13, 2026.

In "Edges of Thought," a collision of thrash and melodic death metal, and brief touches of melodic black metal, create a thunderous contrast against melodic hooks, cleaner vocals, and a soaring guitar solo. The musical arrangement is designed to portray a fierce restless energy that encapsulates the core theme of the song. 

"Lyrically, 'Edges of Thought' explores anxiety and the way fear can gradually overtake rational thought." Explains project founder Luis Rivera. "What begins as a thought or passing concern can grow until it becomes impossible to distinguish between what is real and what the mind is creating. The shadows in the song represent that looming sense of impending doom—the feeling that something terrible is approaching even when there is no tangible threat. As anxiety builds, reason is pushed toward the edges of thought, eventually giving way to panic."    

Written by Luis Rivera (guitar and vocals) and Jess Lai Mieritz (lead guitar), bass on In The Shadow Of The Storm was performed by Maria Kosma, with drums and percussion performed by Juan Cardenas.

Produced by DREAMS OF GRAY, In The Shadow Of The Storm was recorded at Bricktop Recording Chicago, IL. The album was mixed and mastered by Pete Grossman. Cover artwork for In The Shadow Of The Storm is by Athina Efthimiopoulou (@athena.ef). 

About DREAMS OF GRAY:
DREAMS OF GRAY was devised by Chicago, IL, based musician and composer Luis Rivera (ABOLISHER) in 2022. In the following year, the project released their critically acclaimed debut EP The World After. DREAMS OF GRAY seeks to draw from the wealth and breadth of metal subgenres to create something distinctive and memorable. The project enables exploration of often dark themes notably, of loss, grief, personal struggles and the shadowy aspects of wider society. 

The release of A Beginning in late 2025 saw DREAMS OF GRAY hone their sound further through a developed compositional style that doesn't restrict or confine their creativity. Inspiration is found in the likes of PARADISE LOST, AMORPHIS, IN FLAMES and DARK TRANQUILITY. DREAMS OF GRAY's music intentionally ebbs and flows dynamically, containing fierce riffs and high energy, as well as a deep focus on melodies and vocal delivery to produce something truly engaging and immersive. 

Now preparing to unveil the EP In The Shadow Of The Storm on November 13, 2026, Luis Rivera is joined by guitarist Jess Lai Mieritz on compositional duties, bringing a further collaborative element to the project's sonic style. Revolving around developing imagery of storms and shadows, Rivera explains, "together, the songs explore different kinds of storms—those we experience within ourselves, those that life brings upon us, and those created by the world around us—and the shadows they leave behind."


Connect with DREAMS OF GRAY:
Bandcamp: ​https://dreamsofgray.bandcamp.com/
Facebook: https://www.facebook.com/p/Dreams-of-Gray-100090219272895/
Instagram: https://www.instagram.com/dreamsofgray/
YouTube: https://www.youtube.com/@Dreamsofgray
Spotify: https://open.spotify.com/artist/10SZBmhCP8bJHMX5lyCshB
Apple Music: https://music.apple.com/us/artist/dreams-of-gray/1662301376

SONS OF ARRAKIS Releases "Rise of Disaster," Announces New Album 'Volume III'

Using the cinematic universe of Frank Herbert’s Dune as a creative foundation, Canada's SONS OF ARRAKIS define their sound as melange rock / cinematic Sci-Fi rock. Blending raw, riff-driven rock with storytelling, atmosphere and evolving sonic landscapes, SONS OF ARRAKIS is preparing to release the full length Volume III on January 22, 2027, via Black Throne Productions. The new single "Rise of Disaster," featuring guest vocals by Luc Bourgeois (SANDVEISS), provides a first glimpse of the forthcoming album. 

"'Rise of Disaster' deals with war, manipulation and the way fear, suffering and collective trauma can be exploited by political and economic powers." The band explain. "One of the major influences behind the lyrics was Naomi Klein’s The Shock Doctrine and its examination of how moments of crisis can be used to impose new forms of control.

The recurring question 'Whose side are you on?' deliberately has no simple answer. It reflects the pressure to choose between competing narratives while the same cycle of violence, destruction and retaliation continues underneath them."

Musically, "Rise of Disaster" evokes a dark soundscape. Urgent, heavy rhythms inject movement and momentum into the track's verses while the melodic choruses provide a contrasting and uplifting quality. Returning to the gloom, "Rise of Disaster" ends with a chaotic instrumental finale.

Produced by SONS OF ARRAKIS, Volume III was recorded at Red Tube Studio & Home studios with Luc Boivin, Frederic Couture & Francis Duchesne. The album was mixed and mastered by Karl Daniel Liden. Album artwork and single covers are by artist Alexandre Goulet at Goulet Design. 

Volume III will be available on vinyl, CD, cassette, and digital formats. 

SONS OF ARRAKIS continued to focus on live shows across 2026 returning to Europe for a festival tour including performances at Krach am Bach, Rock im Wald, Free & Easy and Sauzipf Rocks. As well as joining VOIVOD for a Western Canada tour and appearing at Infest Edmonton. Now the band are turning to focus on their next full length offering, Volume III, scheduled for release on January 22, 2027, via Black Throne Productions.


SONS OF ARRAKIS Is:
Frederic Couture - Lead singer and rhythm guitar
Francis Duchesne - Lead guitar, keyboards and percussions
Vick Trigger - Bass Guitar
Mathieu Racine - Drum

Connect With SONS OF ARRAKIS:
Official Website: https://www.sonsofarrakis.com/ 
Bandcamp: https://sonsofarrakis.bandcamp.com/music 
E-Shop: https://blackthroneproductions.com/ 
Facebook: https://www.facebook.com/sonsofarrakisband/ 
Instagram: https://www.instagram.com/sonsofarrakis 
YouTube: https://www.youtube.com/@sonsofarrakis 
Spotify: https://open.spotify.com/intl-fr/artist/1GSmsJITQDQPCWswHKyjJp?si=RB3n0TxQTy6lrZBQ7I7LfQ 
Apple Music: https://music.apple.com/ca/artist/sons-of-arrakis/1439096020 
TikTok: https://www.tiktok.com/@sonsofarrakis

Progressive Metal Project BETWEEN RIVERS Unveil Visualizer For "Freedom Denied"

Combining progressive metal with thrash and death-metal elements, BETWEEN RIVERS strives to balance the monstrous aggression of metal with a somber mood of melody and drama. Created by Stockholm-based Italian multi-instrumentalist Emanuele Viali, "Freedom Denied" is the first offering to arrive ahead of Form Without Soul. The project's debut mini album Form Without Soul will be released independently on March 26, 2027.

On "Freedom Denied" Viali comments: 

"The song is about the contradiction between the idea of personal freedom and the reality of living inside systems that constantly restrict it. We are told that we are free, but every movement, choice, and basic need seems to come with a cost. That sense of restriction also extends to the lack of privacy in contemporary life. The modern lifestyle often demands that we remain visible, trackable, and economically useful at all times."

Musically, "It is probably the most aggressive track on the album, built to feel like a short burst of pressure rather than a long progressive construction."

Emanuele Viali wrote and produced the release and performed all instruments except vocals and selected guest guitar solos. Lyrics on "Brightest Eyes" were written by Viali. Recording, mixing, and mastering were handled by Emanuele Viali and Dmitry at Ozone Hole Studios. Vocal performance, vocal arrangement and lyrics on all tracks except "Brightest Eyes" are by Vladimir Lalic (ORGANIZED CHAOS); Francesco Domenichetti performed guitar solos on "Silicon Paradise" and "Insides"; Fabrizio Milo plays the guitar solo on "Brightest Eyes". The cover art is by Niklas Sundin (ex-DARK TRANQUILLITY

About BETWEEN RIVERS:

Based out of Stockholm, Sweden, BETWEEN RIVERS is the solo project of Italian musician Emanuele Viali. Originally from Terni, Italy, multi-instrumentalist Viali holds a degree in jazz bass, he also plays guitar and keyboards, and programs virtual instruments, and works professionally with music and sound for video games. Before establishing BETWEEN RIVERS, Before Between Rivers, Viali played in the folk metal band BLODIGA SKALD among other smaller projects.

The sound of BETWEEN RIVERS incorporates a wide array of influences and styles drawn from both within metal and beyond its borders. For example, elements of AYREON, DEVIN TOWNSEND, DEATH, NEVERMORE, GENESIS, 90s Disney film music, death/thrash metal, progressive metal, and Italian songwriters such as Fabrizio De André, Franco Battiato, and Giorgio Gaber, can all be heard in the project's diverse sonic mix. 

BETWEEN RIVERS' debut mini album, Form Without Soul, will be released independently on March 26, 2027. "Freedom Denied" provides a first look at the upcoming album.


Connect With BETWEEN RIVERS:
Bandcamp: https://betweenrivers.bandcamp.com
Facebook: https://www.facebook.com/betweenriversmusic
Instagram: https://www.instagram.com/betweenriversmusic
YouTube: https://www.youtube.com/@betweenriversmusic
TikTok: https://www.tiktok.com/@betweenriversmusic

Scary Kids Scaring Kids Welcome Albert Schweizer as Official Lead Vocalist Colton "Coba" Westerman on Bass & Vocals Unveil New Video "Something In The Water"

After more than three and a half years with Albert Schweizer helming the band on lead vocals, Scary Kids Scaring Kids is proud to announce Albert as the band’s official lead vocalist, marking the first time in more than a decade that Scary Kids Scaring Kids has moved forward with a permanent vocalist.

Albert will front the band both live and on all future releases, beginning with the band’s new single, “Something in the Water,” out now, and their forthcoming record, "RISE".

For the past several years, Scary Kids Scaring Kids embraced collaboration with different vocalists while continuing to create new music. Releases including "Out of Light" and "Maps Written in Water" remain an important part of the band’s story and evolution. This next chapter isn't about erasing or recreating any era of Scary Kids Scaring Kids. It represents a unified lineup, a shared creative identity, and a clear direction for where the band goes next.

“We never wanted to force this. Albert has been a huge part of this band for years, on and off stage. This feels less like making a change and more like acknowledging what’s been true to us for a long time now,” said Pouyan Afkary and Chad Crawford in a joint statement.

The band is also proud to announce that Colton “Coba” Westerman has officially joined Scary Kids Scaring Kids as a full member on bass and vocals.

Both Albert and Coba have been heavily involved in shaping this next chapter beyond their roles as performers, contributing to the songwriting, arrangements, and overall creative direction of the new material. As permanent members of Scary Kids Scaring Kids, they aren't simply stepping into existing roles. They're helping define what the band becomes moving forward.

Today’s announcement coincides with the release of “Something in the Water,” the first single from the band’s upcoming record, "RISE", and the first release to fully represent this lineup. The band describes the new material as its heaviest work to date, while retaining the emotion and dynamics that have long been central to Scary Kids Scaring Kids.

For longtime fans, "RISE" isn't an attempt to replace the band's history. It's a continuation of it. For listeners discovering Scary Kids Scaring Kids today, the band wants the new music to stand on its own without requiring twenty years of history to understand what Scary Kids Scaring Kids is now or where it's going.

Joining the band on "RISE" and as touring members are Josh Kikta on guitar and Kash Jaeger on drums.

For the first time in more than a decade, Scary Kids Scaring Kids has a permanent voice for its future.

This is Scary Kids Scaring Kids.

Be sure to stay tuned for more Scary Kids Scaring Kids news coming very soon.

Photo Credit - Heidi Crawford

Now comes RISE.

The forthcoming record introduces a newly unified Scary Kids Scaring Kids at its heaviest and with a renewed sense of creative purpose. After more than three and a half years fronting the band live, Albert Schweizer becomes its official lead vocalist onstage and on record, while Colton “Coba” Westerman joins as an official member on bass and vocals. They join founding members Chad Crawford on guitar and Pouyan Afkary on keys and keytar.Touring members Josh Kikta on guitar and Kash Jaeger on drums also joined the writing sessions for RISE and contribute both to the new record and the band’s live lineup.

For a band built on relationships as much as musicianship, that evolution matters. Scary Kids has always depended on chemistry, trust, and a shared creative instinct that extends beyond simply filling a role.

RISE is the first Scary Kids record created with this lineup and identity at its core.

It is also among the heaviest music the band has ever made.

Rather than attempting to recreate a particular era, Scary Kids is drawing from the same creative instinct that shaped its earliest work: pushing melody, aggression, atmosphere and dynamics until the music feels both unmistakably Scary Kids and entirely of the moment.

RISE represents the most complete expression yet of what Scary Kids Scaring Kids has become: a newly unified band with renewed chemistry, a clear sense of purpose, and some of the heaviest music of its career.



This is Scary Kids Scaring Kids.

British alt-pop artist SICKY offers mischief and revenge on new ‘Bubblegum Party’ single

British alternative artist SICKY unveils his new single 'Bubblegum Party', a playful, infectious slice of indie rock that pairs catchy pop sensibilities with his trademark off-kilter style.  Beneath the bubblegum facade lies a gloriously messy breakup party, served with a crooked grin as sweetness meets spite, chaos and a wicked sense of fun.

'Bubblegum Party' offers the first taste of his forthcoming full-length 'Redland' album - his fourth to date. Full of mischief, attitude and a darker sense of humour, here SICKY delivers one of his most fun and irreverent songs to date. 'Redland' is an album about friends lost along the way. It's a good bit darker than its predecessor Troubled Delight.

"Ultimately, 'Bubblegum Party' is a tale of sweet revenge. A public humiliation of someone who absolutely had it coming to them. It's a work of fiction but has a large toe touching reality. We've all met the cocky arrogant lowlife type who tries to control someone they're supposed to be close to. Well, in this song, he gets his comeuppance at our heroine’s birthday party," says Mick Butler.

"The bubblegum reference is effectively a middle finger gesture by the metaphorical blowing of an exploding gum bubble in someone's direction. It's poppy, it's silly and it's just a bit of fun amongst some much darker moments on the 'Redland' album".

SICKY is the solo project of Mick Butler, whose brand of melodic Britpop-infused indie rock spells good news for fans of Beck, Supergrass and early Blur. Originally from the Black Country region of England, he is now based in Shropshire.  

While Mick Butler has had his run of playing in bands, ranging from the brass soaked pop of Papa Mantra to the dirty stomp of SUMO, he now derives pleasure from banging out tunes and crafting new material. Literally everything you hear in his music is him squeezing noises out of anything that'll sing.

In 2025, SICKY released his widely acclaimed 'Troubled Delight' album, preceded by his sophomore 'Garbage Town' album in 2022. Prior to that, in 2021, he debuted with 'Bowling Balls', partially inspired by Prince, Bowie and Ray Bradbury's book 'The Martian Chronicles'. 

'Bubblegum Party' is now available from fine digital platforms, including Spotify, Apple Music and Bandcamp, where his 'Troubled Delight' album can also be found. The 'Redland' album is out November 20th.

CREDITS
Written by Mick Butler (SICKY)
Recorded, mixed and produced by SICKY in Shropshire
Mastered by Streaky Mastering
Cover artwork by Robin Firth
SICKY photos by Helen Marshall
Publicity by Shameless Promotion PR

Keep up with SICKY
Website | Bandcamp | Facebook  | Twitter | Instagram | Soundc loud | YouTube | Spotify | App le Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter |  Instagram | BlueSky | Threads  | Soundcloud | LinkedIn | Ema il

37 years since forming, New York Tri-State rock veterans JACK'S MAZE resurface with ‘Let It Go’

Many years since forming in 1989, American rocker outfit Jack's Maze is back with new material. Their new single 'Let It Go' is a driving, dark melodic, emotional progressive rock song that opens the next chapter for a band with a storied history. Originally based in Hightstown, New Jersey, Jack’s Maze originally cut their teeth in the early 90's as a band in the New York tri-state scene after initially launching as Laughing Jack.

Previewing their forthcoming album 'Once In A Blue Moon', set for release in January 2027 via Pennsylvania indie imprint RPM Entertainment, the story behind this record entails a journey 37 years in the making.  Jack's Maze is an enduring tale of music, friendship, perseverance, and unfinished dreams, now ready to take their next major leap forward.

"I first came up with the basic music and melody for 'Let It Go' about 15 years ago! I would play it off and on and always singing “…and the music take you/me away, then all questions are answered today…”. However, the rest of the lyrics and music were done recently. The concept is obviously how music can be a remedy for what may troubling you at any given time - it’s an escape and freedom - but, for me at least, sometimes it can be a double-edge sword," says frontman Frank Cinquegrana.

"There is constantly music in my head - just about every waking minute, whether I am proactively humming/singing or playing it in my head on purpose. Half the time I hear it in my head like background music, whether I’m working, eating, having sex or even socially conversing with others! In fact, there is a song playing in my head at the moment I am writing this; and driving me absolutely crazy!!! Music is usually freedom but sometimes it can be chains."

Founded in 1989 as Laughing Jack, the band soon took on the name Jack's Maze and built a solid reputation by playing throughout New York City and surrounding states, drawing from the expansive creativity of progressive rock, the power of classic rock, and diverse influences ranging from Led Zeppelin, Pink Floyd and Rush to early Genesis and Mozart. 

The original lineup featured Frank Cinquegrana on lead vocals and lyricist, Robin Ross on keyboards and guitars, Scott Cowan on rhythm guitar, Joe Torres on bass, Joe Granowski on drums, and Bill Snyder on lead guitar, Robin also served as the band's composer and a driving creative force behind its music.

By 1993, Jack's Maze completed their debut album 'Lost in the Maze', which was subsequently shelved when life happened and the music went quiet. Despite never receiving an official release at the time, the album remained an important part of the band’s story. That music quietly waited nearly three decades to be discovered when the band reunited in 2022 to bring that unfinished chapter to life. 

On the 30th anniversary of the album, Jack’s Maze finally released this record, giving fans the opportunity to hear music that had waited nearly 30 years to be discovered. The powerful track 'Big Machines' emerged as the band’s anthem—a fitting representation of the energy, ambition, and timeless character of their music. Unfortunately, Snyder passed away in 2021, but his playing and contribution to the band's music remain an enduring part of the band's legacy.
 
After resurfacing from their decades-long hibernation, the band has not been sitting idle - now moving forward with their second album 'Once In a Blue Moon'. Cinquegrana's broad musical perspective and powerful storytelling remain central to the identity of Jack’s Maze. Developing the band's progressive-rock sound and original compositions with Robin Ross, they have been able to continue exploring the many musical influences that define Jack’s Maze through songwriting, recording and collaboration that continues to drive the band's creative vision.

For Robin Ross, the decades in between have been productive, allowing the band to continue making new music following their reunion, taking things to a new level. A multi-faceted musician, songwriter, and producer who has released numerous albums, he has also designed and developed several recording spaces, including Triple R Studios and Sound Complex near NYC. 

Now a central figure in the creative pulse of Milford, Pennsylvania, Ross has since grown his current hub, Baa Baa Leaf Music, into a creative sanctuary and production house. It it here where he recorded, mixed and produced this new album, working alongside famed master engineer Jonathan Duckett (Phillip Glass, Kenny G, David Sanborn).  
 
Jack’s Maze is more than a band - it is a story of music, friendship, perseverance, and unfinished dreams finally brought back to life. The band’s journey proves that great music never truly dies out. Driven by an enduring love of music, they continue to celebrate the sound they created decades ago, while keeping the spirit of progressive rock alive for a new generation. The maze may have started in 1989, but their journey is far from over.

On September 22, Jack's Maze releases 'Let It Go' across digital platforms, including Apple Music, Spotify, Amazon Music and Bandcamp, where their 'Life In The Maze' album is also available on CD or digital download.

CREDITS
Music by Frank Cinquegrana, Robin Ross, Scott Cowan, Joe Torres
Lyrics by Frank Cinquegrana
Frank Cinquegrana – vocals & drums
Robin Ross – keyboards
Scott Cowan – guitar & background vocals
Joe Torres – bass
Tina Ross – ghost vocals
Recorded at Baa Baa Leaf Studio in Milford, PA
Produced, recorded & mixed by Robin Ross
Supervising engineer Jonathan Duckett
Video produced by Tina Ross
Publishing & booking: RPM Entertainment Enterprises, LLC
Band photos by Tina Ross
Publicity by Shameless Promotion PR


Keep up with Jack’s Maze
Website | Bandcamp | Facebook | Instagram | YouTube | Reverbnation | Apple Music | Spotify | Amazon Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter |  Instagram | BlueSky | Threads  | Soundcloud | LinkedIn | Ema il

FALSIMONIAN Release New Single "Judgment" With Visualizer, Ahead of Forthcoming EP 'For Survival'

Melodic death metal quartet FALSIMONIAN have released their most experimental single offering, "Judgment" alongside a visualizer created by audio-visual artist Brian Pinke aka pinkenoise. The track delivers a sonic fusion of death metal, progressive metal, and jazz. FALSIMONIAN's forthcoming EP, For Survival, is scheduled to arrive independently on November 7, 2026.

FALSIMONIAN is pleased to announce an exciting collaboration with audio-visual artist Brian Pinke, out of South Carolina. Pinke performed multiple reactive takes to the track using a modular synthesizer connected to his custom video generating rig. He edited the takes to create the final version, resulting in a bespoke analog video experience.  

Each video performance is unique and impossible to replicate, and the intricate analog circuitry creates glitch-like art that is both haunting and beautiful fusing retro and modern aesthetics. 

"We are beyond excited to collaborate with Brian, this video aligns with our values of supporting human-made art, and we are honored to have a custom visualizer that was performed alongside our music"

The US and Mexico based melodic death metal band FALSIMONIAN infuse their dynamic heavy sound with influences from Mexican folk and Latin-American roots music, as well as progressive elements and jazz. Centered around a fictional, dystopian world, the upcoming EP considers the everyday impact onto individuals who are living under the threat and fear of a world-ending catastrophe.

For Survival was produced by Jesus Fuentes Valverde, with mixing and mastering by Gil Andrade. Drums engineering was undertaken by Ruben Sanchez at Urvn Studios, with guitars and keyboards recorded by Jesus Fuentes Valverde and vocals recorded by Erick Valverde. Guitar and vocal editing, and bass programming, was by Jesus Fuentes Valverde. Additional guitars on "Limitless", "Judgment" and "For Survival" were recorded and edited by Cesar Robles. 

All artwork photography for the EP and single releases are from X-Rays Erick Valverde has taken over the last 10 years. The artworks utilize original photographs of a colorful sunset as the light source behind the X-Rays. These colors are commonly seen in the desert skies of the US/Mexico border. Ariadne Willis adjusted the photographs for the layout and design of the EP and single covers. Erick's accidents and health struggles have also indirectly influenced the overall theme of the EP. Additional photography by Rancho Creativo Studios. 

About FALSIMONIAN:

Rooted in melodic death metal, FALSIMONIAN began as the brainchild of Jesus Fuentes and Erick Valverde in 2024, who welcomed Cesar and Mauricio in 2025 completing the band's line-up. Their sound is unique to the members' life experiences as bi-cultural individuals hailing from the harsh desert in the US-Mexico border. 

With members based out of El Paso, Texas, USA; Myrtle Beach, South Carolina, USA; and Leon, Guanajuato, Mexico, FALSIMONIAN incorporate genre influences from Mexican folk and Latin-American roots music, as well as jazz. Musically, the band draw inspiration from metal acts including OPETH, DARK TRANQUILLITY, DREAM THEATER, CHILDREN OF BODOM, and BORN OF OSIRIS. 

FALSIMONIAN take their name from the Latin word "falsimonia", meaning: trick, imposition, deception. Situated in a fictitious dystopian world, the forthcoming EP explores the mundane daily realities of survival in the midst of dark times of war, hate and manipulation. For Survival arrives on November 7, 2026. 


FALSIMONIAN Is:

Erick Valverde - Vocals
Jesus Fuentes Valverde - Guitars, Keyboards
Cesar Robles Sanchez - Lead Guitars 
Mauricio “Moritz” Gonzalez - Drums


Connect With FALSIMONIAN:

Official Website: https://falsimonian.com/
Facebook: https://www.facebook.com/falsimonian
Instagram: https://instagram.com/falsimonian
YouTube: https://www.youtube.com/@falsimonian
Discord: https://discord.gg/aU5TbnPF8M 

IAN BLURTON'S FUTURE NOW Release "Siren Of The Song," Announce Album Imperial Filth

IAN BLURTON'S FUTURE NOW return with "Siren Of The Song," the first single to land from the forthcoming full length venture, Imperial Filth. Delivering guitar-led rock with lashings of overdrive, "Siren Of The Song" brings a wall of rhythms, charismatic melodies and a warm analogue sound. Imperial Filth is schedule for release via Pajama Party on October 23, 2026.

Ian Blurton comments on the new single: 
"'Siren Of The Song' is a riff fest that connects the unlikely dots between Cheap Trick, Slayer, Voivod and ZZ Top and includes 3 guitar solos in 3 minutes. It seemed like a good first single as it encompasses influences from 4 of our favourite bands."

"1/2 of Imperial Filth was recorded with no click, 80% of it was live off the floor using real British tube amps and no drum samples or AI".
Explains Burton. "We tried to go for a live feel as much as possible, left in a human touch and then overdubbed upon the bed tracks. This record has a bit more of a proggy feel than our last LP as we wanted to explore arrangements that lived outside the world of verse/chorus/verse/chorus/bridge/chorus.

We loved working with Daryl Smith and he really helped let us focus on the playing while he took care the sounds."


Produced by Daryl Smith and Ian Blurton at Blurton's very own ProGold Studios, Toronto. Imperial Filth was mixed by Daryl Smith at Chemical West and Mastered by Brad Boatright at Audiosiege. Special guests appearing on Imperial Filth include guitarist Liam Deak of TUMBLE and Lee Rose of ACE OF WANDS performing strings. Cover art for Imperial Filth is by Lydia Sam Planetta and the layout design is by Louis Durand.

IAN BLURTON'S FUTURE NOW return with "Siren Of The Song," the first single to land from the forthcoming full length venture, Imperial Filth. Delivering guitar-led rock with lashings of overdrive, "Siren Of The Song" brings a wall of rhythms, charismatic melodies and a warm analogue sound. Imperial Filth is schedule for release via Pajama Party on October 23, 2026.

Ian Blurton comments on the new single: 
"'Siren Of The Song' is a riff fest that connects the unlikely dots between Cheap Trick, Slayer, Voivod and ZZ Top and includes 3 guitar solos in 3 minutes. It seemed like a good first single as it encompasses influences from 4 of our favourite bands."

"1/2 of Imperial Filth was recorded with no click, 80% of it was live off the floor using real British tube amps and no drum samples or AI".
Explains Burton. "We tried to go for a live feel as much as possible, left in a human touch and then overdubbed upon the bed tracks. This record has a bit more of a proggy feel than our last LP as we wanted to explore arrangements that lived outside the world of verse/chorus/verse/chorus/bridge/chorus.

We loved working with Daryl Smith and he really helped let us focus on the playing while he took care the sounds."


Produced by Daryl Smith and Ian Blurton at Blurton's very own ProGold Studios, Toronto. Imperial Filth was mixed by Daryl Smith at Chemical West and Mastered by Brad Boatright at Audiosiege. Special guests appearing on Imperial Filth include guitarist Liam Deak of TUMBLE and Lee Rose of ACE OF WANDS performing strings. Cover art for Imperial Filth is by Lydia Sam Planetta and the layout design is by Louis Durand.

Upcoming Canadian Tour Dates:

Sat Oct 24 - Toronto - St Anne's Church
Fri Nov 13 - London - Supply and Demand
Sat Nov 14 - Montreal - Turbo Haus
Fri Nov 20 - Ottawa - House Of Targ
Sat Nov 28 - Sudbury - The Lounge
Sat Dec 5 - Hamilton - The Mule Spinner

About IAN BLURTON'S FUTURE NOW:

FUTURE NOW is the hard-hitting rock project led by Canadian music veteran Ian Blurton. Known for their raw, powerful sound that blends classic rock, metal, and modern influences, FUTURE NOW delivers music that thrives on energy and live performance. With a lineup of seasoned musicians, the band creates guitar-driven anthems that are equal parts heavy and melodic, capturing the essence of rock’s rebellious spirit.

The creative direction of FUTURE NOW is driven by experimentation, "Everyone in this band makes their living in music, but this is a band that is meant to be a total departure from our day jobs. We can do and try pretty much anything we want and explore what is possible in the songwriting department". 

The band is preparing to unveil their next full length record, Imperial Filth on October 23, 2026, via label Pajama Party.
 

IAN BLURTON'S FUTURE NOW is:

  • Ian Blurton – Guitar/Vocals 

  • Glenn Milchem – Drums/Backup Vocals 

  • Anna Ruddick – Bass 

  • Aaron Goldstein – Guitar 


Connect With IAN BLURTON'S FUTURE NOW:

GRAVE DIGGER Set to Release New Album Faces Of Pain in January 2027

German heavy metal legends GRAVE DIGGER return with a brand-new studio album: Faces of Pain will be released on January 15, 2027 via Reaper Entertainment. The striking cover artwork was created by Uwe Jarling.

 

For more than four decades, GRAVE DIGGER have been one of the defining forces of German heavy metal. From classics such as Heavy Metal Breakdown and Tunes of Warto the immortal anthem “Rebellion (The Clans Are Marching)”, the band around frontman Chris Boltendahl have played a major role in shaping the sound of German heavy metal.

 

Following the straightforward old-school approach of their 45th-anniversary album Bone Collector, GRAVE DIGGER are now ready for the next chapter. Faces of Pain consistently continues down this path, presenting the band as energetic, uncompromising and diverse as ever.
 

Chris Boltendahl comments:

“The time has finally come: With our new album 'Faces of Pain', we are opening the next furious chapter. This record is filled with an incredible amount of heart, sweat and pure passion. How can the result best be described?

 

What lies behind us was an extraordinary creative effort. In particular, my collaboration with Tobias Kersting on guitar has grown incredibly strong and developed into a deeply rooted creative partnership. His riffs, my lyrics and our shared vision unleashed an incredible dynamic. The result is a mature yet highly explosive late-career work that uncompromisingly combines all the classic trademarks our fans have loved for decades.

 

Faces of Pain shows us at our most diverse in a long time. Grave Digger consistently follow their very own style – a style we have shaped ourselves over the years. The remarkable thing is that we never copy ourselves for a single second, yet every song and every note unmistakably carries the band’s typical, mighty sound. Get ready for a true metal monster!”
 

Razor-sharp riffs, massive choruses and Chris Boltendahl’s unmistakably rough vocals form the foundation of the album. Fast-paced heavy metal bangers such as “Faces of Pain” and “Satan’s Tango” meet riff-driven mid-tempo anthems including “The Number”, “Legends Never Die” and “When The World Is Calling You”. With “Dead Sun” and “Say Hello To The Devil”, the band also reveals a particularly heavy and dark side.

 

More than 45 years after their formation, GRAVE DIGGER are clearly nowhere near ready to call it a day. Faces of Pain is an album full of energy and classic heavy metal – firmly rooted in the band’s history, yet with its sights set firmly on the future.

 

The album was produced by Chris Boltendahl at Graveyard Studios in Senden, Germany. The cover artwork was created by Uwe Jarling.
 

Starting in January 2027, GRAVE DIGGER will also bring the new material to the stage. On the “Legends Never Die Tour”, fans can experience the unbroken live power of this German heavy metal institution.

LEGENDS NEVER DIE TOUR
GRAVE DIGGER
MOTORJESUS
WARWOLF

14.01.2027: Siegburg – Kubana Live Club
15.01.2027: Münster – Sputnikhalle
16.01.2027: Andernach – JUZ Live Club
21.01.2027: Nürnberg – Hirsch
22.01.2027: Memmingen – Kaminwerk
23.01.2027: München – Backstage
24.01.2027: (CH) Pratteln – Z7 Konzertfabrik
28.01.2027: Aschaffenburg – Colos-Saal
29.01.2027: Mannheim – Capitol
30.01.2027: Leipzig – Hellraiser
04.02.2027: Berlin – Hole 44
05.02.2027: Hamburg – Markthalle
06.02.2027: Hannover – MusikZentrum
12.02.2027: Markneukirchen – Musikhalle
13.02.2027: Bochum – RuhrCongress

 

Tickets: https://www.rockworld24.com/smartlinks/rockworld24/grave_digger_live.html

For More Information Please Visit:

Official Website

Instagram

Facebook

Spotify

PRETTY MAIDS Return with New Studio Album in 2027 via Frontiers Music Srl

Frontiers Music Srl is proud to announce the return of legendary Danish hard rockers PRETTY MAIDS, who are officially working on a brand-new studio album, set for release in 2027.

The upcoming record will be the band's first new studio album since 2019's acclaimed 'Undress Your Madness' and marks the beginning of an exciting new chapter in the career of one of Europe's most enduring and distinctive hard rock bands.

Built around the unmistakable creative partnership of Ronnie Atkins and Ken Hammer, PRETTY MAIDS have spent more than four decades forging a sound of their own, combining crushing guitar riffs, powerful melodies, atmospheric keyboards and huge, instantly recognizable choruses.

Across a career stretching back to the early 1980s, the Danish band has delivered a catalogue that includes such landmark albums as 'Future World,' 'Jump The Gun,' 'Pandemonium,' 'Motherland,' and 'Kingmaker,' establishing PRETTY MAIDS as a formidable and enduring force in melodic hard rock and heavy metal.

Following a five-year hiatus, PRETTY MAIDS returned to the stage in 2024. The chemistry and energy within the band proved impossible to ignore, and what began as a return to live activity has now evolved into something fans around the world have been hoping for: brand-new PRETTY MAIDS music.

The new album will be released in 2027 via Frontiers Music Srl and will be produced by acclaimed Danish producer Jacob Hansen, whose credits include Amaranthe, Volbeat, Epica, Primal Fear, and Evergrey.

Further details about the album will be revealed in the coming months.

 

PRETTY MAIDS are back. And the story isn't over yet.

PC: Andrew West

PRETTY MAIDS are:

Ronnie Atkins – Vocals

Ken Hammer – Lead Guitar

Rene Shades – Bass

Chris Laney – Rhythm Guitar / Keyboards

Allan Tschicaja – Drums

DYSTOPIA AD Announce Forthcoming Album 'Wasteland Empire,' Unveil New Single "Breath of Decay"

Progressive death metal act DYSTOPIA A.D. announce the upcoming studio album Wasteland Empire, alongside the unveiling of the new single "Breath of Decay." Wasteland Empire is scheduled for independent release on January 15, 2027.

With "Breath of Decay" DYSTOPIA A.D. demonstrate their appreciation of genres both within and beyond metal. Musically, "'Breath of Decay' begins with frenetic Latin percussion in a nod to 'Chasin’ the Voodoo' by jazz fusion legend Al Di Meola before making way for dissonant mid-paced black metal riffage accompanied by ferociously snarled vocals," the band explain. 

The single conjures imagery of a natural landscape awash with waterways contrasted against a shadowy darkness of negative emotions. "Lyrically, 'Breath of Decay' transports the listener to the backwaters of the Louisiana bayou while exploring themes of guilt, fear, and helplessness, invoking an unshakeable feeling of panic".

Wasteland Empire was produced, mixed and mastered by DYSTOPIA A.D.. Additional percussion on "Breath of Decay" was performed by Gabriel R. The band's logo is by Luciferium War Graphics, with the album cover artwork by Hans Trasid of Dis-Art Design. 

About DYSTOPIA A.D.:
Formed in 2018 by Aki Shishido (ASH & ELM, STRAINS OF BELLUM) and Chris Whitby (HELLBORE, BLACK NEGATIVE DOMINATION)., the progressive death metal act from New Jersey, USA, incorporate an array of musical influences notably technical/melodic death metal with elements of progressive rock and power metal. DYSTOPIA A.D. draw inspiration from the likes of SEPULTURA, BLIND GUARDIAN, TESTAMENT, REVOCATION, and SHADOWS FALL. The genre fusion across the band's sound heightens the impact of their music with relentless power and attack, emotion and understanding. 

DYSTOPIA A.D.'s first release Designing Ruin arrived in 2018, followed by Rise of the Merciless (2020) and the critically acclaimed Imperial Dawn in 2022. Now moving into their next chapter with the forthcoming full-length, Wasteland Empire,DYSTOPIA A.D. are joined by UK based Charlie Munro (HELLBORE), a longtime friend, collaborator, and producer. Wasteland Empire is set to arrive independently on January 15, 2027.


DYSTOPIA A.D. Is:
Aki Shishido – Lead guitar
Charlie Munro - Lead guitar
Chris Whitby – Vocals, rhythm and lead guitars, bass, keyboards, drum programming


DYSTOPIA A.D. Online:
Bandcamp: https://dystopiaad.bandcamp.com/
E-Shop: https://dystopiaad.bandcamp.com/merch
Facebook: https://www.facebook.com/DystopiaAD
Instagram: https://www.instagram.com/dystopiaad/
YouTube: http://www.youtube.com/@dystopiaad8476
Spotify: https://open.spotify.com/artist/6cl9TYbCxaL2O9UcaeHtGY
Apple Music: https://music.apple.com/in/artist/dystopia-a-d/1436807145

LACRIMAS PROFUNDERE Share "Nevermore" Video

Dark metal band Lacrimas Profundere released their new single and video for the song "Nevermore" today. The song is also included on the upcoming studio album Lay Me Down O Silent Fear.

Watch the video below.

Guitar player Oliver Nikols Schmid says, "'Nevermore' was one of the last songs written for the album. Our singer Julian immediately loved the music, which in parts reminded him of Type O Negative. I, on the other hand, initially thought it was more of a B-side. Then he came up with this catchy vocal melody, almost reminiscent of my old heroes, Bon Jovi, but I was still unsure. We agreed to put the song through a few live tests — something we had never done before. Well, what can I say? Even though nobody had ever heard the song before, people immediately started singing along at the top of their lungs. And even after the song ended, the entire venue kept chanting 'NE-VER-MORE, NE-VER-MORE' for minutes. That was the moment I knew: This is it! In a way, this is our 'As I Die,' which originally wasn't even supposed to make it onto Paradise Lost's Shades of God album, but ultimately became their breakthrough. That's exactly what we're hoping for now."

Lay Me Down O Silent Fear will be released on September 25 through Steamhammer worldwide

LACRIMAS PROFUNDERE LIVE 2026:
8/9 — Siegenburg, Germany — Doiboch Open Air
8/21 — Hamburg, Germany — Logo
8/22 — Busdorf, Germany — Baltic Open Air
8/27 — Bad Wörishofen, Germany — Forest Metal Festival
8/28 — Oberhausen, Germany — Kulttempel
8/29 — Wolfenbüttel, Germany — KuBa Halle
9/3 — Berlin, Germany — Cassiopeia
9/4 — Buchholz, Germany — Bookwood Festival
9/25 — Weinheim, Germany — Cafe Central
9/26 — Magdeburg, Germany — Factory
9/30 — Munich, Germany — Backstage
10/2 — Vienna, Austria — Escape
10/23 — Zwickau, Germany — Club Seilerstrasse
10/24 — České Budějovice, Czech Republic — Club Lucerna
11/21 — Stuttgart, Germany — Im Wizemann (with Parasite Inc.)

Chris Connelly unveils 'House of 70's', announcing 'Doo Wop In The Dark: A Portrait of Lou Reed' album

Chicago-based alternative music legend Chris Connelly is back with the sensational single 'House of 70's', the invigorating first offering from his new album 'Doo Wop In The Dark: A Portrait of Lou Reed', out in October via Shipwrecked Industries with distribution by Virtual Label.

Produced by Connelly and his Sons of the Silent Age bandmate Alan Berliant, the adrenaline-fuelled video was produced by Someoddpilot Studios and directed by Chris Eichenseer, originator of the Chicago-based creative force Some Odd Pilot, and features artists Kira Leadholm (Madame Reaper) and Jay Drenkula.

'Doo Wop In The Dark' echoes Connelly's critically acclaimed 2022 album 'Eulogy to Christa: A Tribute to the Music & Mystique of Nico', a colossal 20-track collection exploring one of the most unique, tragic and misunderstood female artists in the history of modern music. 

This new record presents a unique mix, including Lou Reed's own compositions, spanning his career from the Velvet Underground onwards, and songs penned by Connelly, detailing the creative and often turbulent path of Reed's life from his teenage years through to his death in 2013.

Chris Connelly explains, "'House of 70s' is Lou Reed’s New York of the early- to mid-70s distilled into a rock song. The 1960s hippy dream burned out, Altamont in the rear-view mirror -- while the queens, the uppers, the downers, and the streets are brought to life by Lou’s pen and guitar, a remorseless sarcasm cutting down the competition with a switchblade, Taxi Driver in drag, chain-smoking and blasting the radio at 3 am."

While Connelly and Berliant produced most of the album, four tracks ('Babyface', 'Bye Bye Johnny Viola', 'Doin’ The Things That We Want To', 'One Too Many Mysteries') were produced by Chris Bruce (Meshell Ndegeocello, Seal, Aaron Neville, Bob Dylan, The Waterboys, Sheryl Crow). 


Mixed by Berliant and Bruce in Chicago and New York from 2023 to 2026, and mastered by James Scott at Populist Recording & Mastering, this album is dedicated to Chris' dear friend Zak Boerger (1973 -2025) and also the wildfire, tempestuous spirit of Lewis Allan Reed,

Over four decades of making music, since his days with Fini Tribe in Edinburgh, he has consistently pushed the creative envelope, between his involvement in such projects as Ministry, The Revolting Cocks and Pigface, his own solo work (with over 20 releases) and the four books he has authored.

Connelly's latest release was for Fini Tribe in 2025 for their colossal 3-disc anthology 'The Sheer Action of Fini Tribe: 1982-1987'. That same year, Connelly also released 'The Lives and Loves of the Serial Homesick, Vol. 1', a personal album rooted firmly in his hometown of Edinburgh, his second recent album dedicated to his beloved Scotland. Prior to that he also released 'The Birthday Poems', which features Monica Queen (Belle and Sebastian, Thrum). 

As of August 18th, 'House of 70's' is available everywhere digitally, including Apple Music, Spotify, Amazon and Bandcamp. On October 16th, 'Doo Wap In The Dark' will be released digitally and as a limited edition two-CD set, with a selection of tracks also being made available on vinyl.

ALBUM CREDITS
Chris Connelly - vocals, guitar, harmonium, bass, keyboards, glockenspiel
Chris Bruce - guitar, programming, bass, keyboards, pedal steel guitar
Alan Holden Berliant - guitar, keyboards, bass, programming

Jebin Bruni - additional keyboards on 'Bye Bye Johnny Viola'

Produced by Chris Connelly & Alan Holden Berliant,

except 'Babyface', 'Bye Bye Johnny Viola', 'Doin’ The Things That We Want To' and 'One Too Many Mysteries' produced by Chris Bruce

Mixed by Alan Holden Berliant & Chris Bruce in Chicago & New York (2023-2026)

Mastered by James Scott at Populist Recording & Mastering
Cover photography by Derick Smith
Cover layout by Kimberly Blessing
Published by: Sony/ATV Music, Universal Music Group, Sister Ray Enterprises, Concord Music
© and ℗ 2026 Chris Connelly - All rights reserved

Released by Shipwrecked Industries LLC

'House of 70's' video produced by Someoddpilot Studios
Directed and edited by Chris Eichenseer
Dancers: Kira Ledholm, Jay Drenkel
Management: Kimberly Blessing at Shipwrecked Industries
Chris Connelly photos by Derick Smith
Publicity by Shauna McLarnon at Shameless Promotion PR


Keep up with Chris Connelly
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(Hed) P.E. Launch Creator One Records, Release New Single + Video "Violent Girl" ​   

For more than three decades, (HED) P.E. have refused to follow trends, choosing instead to forge their own path through a fearless fusion of punk, metal, hip-hop, and hard rock. Now, the California pioneers are taking that independent spirit to the next level with the launch of their own record label, Creator One Records, built around one simple philosophy: Created By The People. For The People.

 

Kicking off this exciting new chapter, (HED) P.E. have unleashed their new single and music video, "Violent Girl." The track is from their forthcoming new album Relapse due out this October and delivers the raw intensity and unmistakable attitude that have defined the band's career while leaving listeners with plenty to unpack beneath the surface.

 

Frontman Jahred Gomes explains:

"Violent Girl is not a song about a girl! It's an analogy, a metaphor. I'd rather the listener figure it out than just give away the secrets."

 

Rather than offering easy answers, "Violent Girl" invites fans to interpret its meaning for themselves, continuing the band's tradition of pairing hard-hitting music with thought-provoking themes.

 

The launch of Creator One Records represents another milestone in (HED) P.E.'senduring DIY legacy. Built on the belief that artists should maintain creative freedom and connect directly with their audience, the label embodies its mission statement: Created By The People. For The People.

 

Fans can catch the band on the road this fall as they join Nonpoint and Spineshank on the "Even More Outta Control Tour," bringing their legendary live show to audiences across the country while ushering in this bold new era.

 

With the launch of Creator One Records, the release of "Violent Girl," and a nationwide tour, (HED) P.E. continue to do what they've always done best: create music on their own terms while staying true to the fans who have supported them every step of the way.

 

Pre-Save Relapse HERE

 

"Violent Girl" is available on all major streaming platforms.

 

WATCH "Violent Girl"Below:

(HED) P.E. on Tour:

Nonpoint, Soil, Spineshank, (HED) P.E.

8/7 Empire Live Albany, NY

 

Nonpoint, Spineshank, (HED) P.E.

8/8 Waynesboro, VA The Foundry

8/9 Harrison, OH The Blue Note 

8/11 Lexington, KY Manchester Music Hall

8/12 Sauget, IL Pops

8/15 Milwaukee, WI The Rave 

8/16 Kansas City, MO RecordBar 

8/15 Milwaukee, WI The Rave II

8/16 Kansas City, MO RecordBar 

8/20 Boise ID Shrine Social Club

8/21 Spokane, WA Knitting Factory 

8/22 Seattle, WA EL Corazón 

8/23 Portland, OR Hawthorne Theater

8/24 Roseville, CA Goldfield Trading Post

8/28 Pomona, CA Glasshouse 

8/29 Las Vegas 24 Oxford

8/30 Mesa, AZ The Nile 

9/1 Lubbock, TX Jake’s 

9/3 Austin, TX Come & Take It Live 

9/4 Dallas TX Trees

 

Spineshank, (HED) P.E.

10/13 Paris, FR Bal Chavaux

10/14 Aschaffenburg, DE Colas - SAAL

10/15 Berlin, DE LARK

10/16 Bielsko Biala, PL Rude Boy

10/17 Prague, CZ Cross

10/18 Vienna, AT SZENE

10/19 Munich, DE STROM

10/20 Stuttgart, DE Wizemann Club

10/21 Cologne, DE Luxor

For More Information Please Visit:

Official Website

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YouTube

Philly Hard Rockers HEAVENS EDGE Announce New Album 'Philadelphia' Set for Release on November 13th via Frontiers Music Srl

Following the critically acclaimed success of 'Get It Right' and a triumphant return to stages across the U.S. and Europe, Philadelphia hard rock legends HEAVENS EDGE return with the announcement of their new album, 'Philadelphia.' Celebrating the city where their remarkable journey began nearly four decades ago, the album arrives November 13th via Frontiers Music Srl. The band also shares their new single "What's He Got," accompanied by an official music video.

About the album, HEAVENS EDGE explains:

“This album represents 40 years of our time together as a band. The album has a greater variety of songs than anything we’ve ever done before. This is because we are more comfortable than ever with who we are and what the music means to us. We make music for the love of it, for those who have supported us over the years and for those just discovering us now. It's never too late.”

On the new single, they continue:

“'What’s He Got’ is a simple theme of longing and wanting to be a better person to catch the attention of someone you admire. We wanted to lead with a track that felt familiar and upbeat, with a sound that reminds everyone why they love rock n roll. Let’s not complicate things!”

Watch the Official Video for “What's He Got” Below:

For a band whose story includes major label success, personal tragedy, long periods of silence, and one of hard rock’s most inspiring comebacks, ‘Philadelphia’ represents both a tribute to their roots and a bold statement about their future. Rather than relying on nostalgia, HEAVENS EDGE continue to build on the creative momentum that made ‘Get It Right’ such a surprise critical and fan favorite, delivering another collection of memorable songs packed with hooks, heart, and unmistakable attitude.

Produced by the band with additional production from Jacob Bunton, mixed by Jay Ruston and mastered by Jens Dreesen, 'Philadelphia' captures HEAVENS EDGE at their most confident and energized. From the fist-pumping anthem “LFG” to the infectious first video single “What’s He Got” and the irresistible melodic punch of “Definite Maybe,” the album showcases a band firing on all cylinders, combining classic American hard rock swagger with contemporary songwriting and production.

Led by the unmistakable voice of Mark Evans and the stellar guitar work of founding members Reggie Wu and Steve Parry, alongside drummer David Rath and bassist Jaron Gulino, HEAVENS EDGE prove once again that their second act is every bit as compelling as their first.

Pre-Order ‘Philadelphia’ HERE

Named after the city that shaped them and inspired generations of hard rock fans, ‘Philadelphia’ is more than just a new album—it's a celebration of resilience, brotherhood, and the enduring power of great songs. If ‘Get It Right’ reintroduced HEAVENS EDGE to the world, ‘Philadelphia’ confirms that the band’s creative renaissance is far from over.

HEAVENS EDGE are:

Mark Evans - Lead Vocal

Reggie Wu – Guitars, Backing Vocals

David Rath – Drums and Percussion

Steve Parry – Guitars and Backing Vocals

Jaron Gulino – Bass Guitar

Additional Vocals: Jacob Bunton

CORELEONI Release Video for New Single "Howling At The Moon"

Following the announcement of their upcoming album Generection and the recent release of its first single, "Generation Rock," which perfectly captured the record's generational spirit, CoreLeoni, led by GOTTHARD founding member Leo Leoni, have unveiled an official music video for "Howling At The Moon." The new single offers another powerful glimpse into their forthcoming studio offering, further showcasing the heavier, more hard-hitting direction CoreLeoni have embraced on their latest release.

Rooted in an idea dating back to the early '90s, "Howling At The Moon" was originally conceived by Jgor Gianola and the late Steve Lee during songwriting sessions for GOTTHARD before being rediscovered and reimagined for Generection. Driven by crushing riffs, a commanding vocal performance from Gent Bushpepa, and CoreLeoni's unmistakable blend of melodic hard rock and metal, the song bridges the band's present with a remarkable piece of their musical history.

Stream "Howling At The Moon": https://coreleoni.rpm.link/howlingPR

Watch the official video Below:

Marking the band's fourth album since its formation in 2017 and the second featuring vocalist Gent Bushpepa, Generection sees CoreLeoni returning to their roots with their heaviest and hardest-hitting record to date.

Built on a foundation of unreleased tracks, the album showcases the powerhouse lineup of Alex Motta (drums), Mila Merker (bass), and Jgor Gianola (guitars), standing as unshakable pillars of the band's sound. While heavier and harder than its predecessors, Generection never sacrifices warmth or atmosphere, especially in its most intimate moments. With the entire band contributing more to the songwriting than ever before, the result aligns perfectly with Leo Leoni's unmistakable signature sound.

The analog mix is one of the defining characteristics of Generection, recreating the magic of '70s and '80s recordings while injecting a modern edge. Razor-sharp riffs, driving rhythms, and just the right touch of sweetness and dimension make this an album that opens a door to the past for younger listeners while reconnecting older rockers with their roots.

Since launching CoreLeoni in 2017, Leo Leoni has built the project into a celebrated hard rock force that bridges generations. With Gent Bushpepa once again delivering a commanding vocal performance and a band firing on all cylinders, Generection stands as a powerful statement of intent, honouring classic rock traditions while pushing confidently forward.

Set to be released on September 11 through Reigning Phoenix Music, Generectionis available for pre-order at: https://coreleoni.rpm.link/generectionPR

The Digipak CD edition also includes a bonus disc featuring the "Live At Hallenstadion" concert, recorded in Zürich, Switzerland, in July 2025 and previously available only as a digital release.

CoreLeoni is:
Leo Leoni – Guitars
Gent Bushpepa – Vocals
Jgor Gianola – Guitars
Mila Merker – Bass
Alex Motta – Drums
  

Connect with CoreLeoni:
https://www.coreleoni.com
https://www.facebook.com/coreleoni
https://www.instagram.com/coreleoni