SATANIC TEA CO. Pours Out New Single "Steeped In Plasma", New Album Brewing

Canadian death metal juggernaut Satanic Tea Co. returns with "Steeped In Plasma," their most ferocious single to date. Premiered live during the band’s Easter Massacre Tour this past April, "Steeped In Plasma" captures Satanic Tea Co.’s signature blend of grinding riffs, bone-crushing grooves, and guttural vocals, further cementing their reputation as one of the most theatrical and unapologetically brutal acts in the extreme metal underground. The single is accompanied by a ferocious performance video. 

Building on the momentum of their acclaimed 2023 EP A Celestial Beating, Satanic Tea Co. continues to push the boundaries of modern death metal with a uniquely visceral and chaotic energy. "Steeped In Plasma" is a searing statement of intent: this is a band that refuses to be ignored.

The band comments: "We are pleased to announce the release of our newest single Steeped in Plasma. This is our heaviest release to date and serves as a precursor for the album we have been working on over the past year. Enjoy this soundtrack to your skin melting off your face."

About SATANIC TEA CO:
SATANIC TEA CO was launched in January of 2017, initially as a clothing retailer that sold tea as an accessory, but it soon became clear that the beverage side of the business was where its future lay. In 2022 the death metal band of the same name debuted and caused quite a stir. Musically SATANIC TEA CO draw influences from old school death metal like DYING FETUS, SUFFOCATION as well as Myspace era Deathgrind. Since releasing their first single “Blood Drenched Torture Chamber” in May 2022, the band have collaborated with the likes of CRADLE OF FILTH, BLOODBATH, TWIN TEMPLE, CRYPTOPSY, VENOM PRISON, INGESTED, BELZEBUBS and IMPERIAL TRIUMPHANT. 

Shop: 
http://www.satanicteaco.com/

WARHOG - The Dystopian Chronicles Vol. 3

WARHOG’s The Dystopian Chronicles, Vol. 3 marks the climactic conclusion to the band’s ambitious trilogy: a sweeping, furious, and often uncomfortably honest exploration of humanity in decline. Born out of the grim tension of a future that feels all too familiar, the Chronicles series has traced our fall through the lens of dystopian storytelling, with each chapter revealing a different facet of our collective unraveling. With Vol. 3, WARHOG delivers their most aggressive and thematically pointed material yet.

Opening track “Unleash the Beast” explodes out of the gate with relentless energy and a venomous perspective on modern society. It’s a track that lives up to its name, channeling the chaos of 24-hour news cycles, corrupt leadership, and the cyclical violence we allow ourselves to repeat. "Kings and clowns trade thrones and lies" isn’t just a lyric—it’s WARHOG’s indictment of the spectacle of power, and the deliberate unleashing of our worst instincts on one another in exchange for profit and control. It’s anthemic, it’s pissed off, and it sets the tone for everything that follows.

“Future Shock” dives even deeper into the psychic fallout of this collapse. Told from the perspective of someone waking up in a broken world, disoriented and surrounded by decay, the track is laced with experimental guitar synth textures and warped vocal effects that push WARHOG’s sonic boundaries. The lyrics ask the question no one wants to answer: how did we let things get this bad? “Beyond the neon lights, the filth is left to spread,” they sing, a grim reminder that the glittering surface of our society is paper-thin. The song feels like a descent, both sonic and spiritual, into a place where identity, value, and purpose have eroded.

Then comes “Hollow,” a slow-burning track that strips away metaphor in favor of something raw and direct. Inspired by the murder of George Floyd, the song addresses the systemic failures of leadership and justice with clarity and sorrow. It mourns a world where those who are supposed to protect instead destroy, and where human worth is too often defined by politics, prejudice, and apathy. “Cast aside by broken men who hide away / Numb to all the pain of those who pay their way.” WARHOG steps away from their usual aggression here to deliver something more haunting, more contemplative, but no less powerful.

The final full song on the EP, “Stewards of a Broken World,” ties together all the trilogy’s themes. Originally written for another project, it quickly found a home here as the band realized it was the perfect finale. The song explores the looming environmental collapse with a sense of exhausted urgency. WARHOG isn’t interested in preaching, they're chronicling. “The harvest of a dying garden, compelled to finish what we’ve started” is less a warning than an observation: we know exactly what we’re doing, and we’re doing it anyway. Musically, it’s both epic and mournful, a fitting end to a trilogy that has always been about confronting our self-inflicted doom head-on.

But Vol. 3 doesn’t fade out quietly. Instead, it ends with something unexpected: “Signal_pulse27103_28_057_undefined_anomaly,” a mysterious transmission from deep space. It’s part outro, part interlude, part teaser for what’s coming next. The band discovered that the combined runtime of Chronicles and their debut album Call of the Voyager differed by just 17 seconds—and decided to even it out with this cryptic, atmospheric piece. It hints at WARHOG’s next chapter, an upcoming release titled Ethereal Journey, already in production. Something sleeping will awaken.

The Dystopian Chronicles, Vol. 3 is heavy. It’s melodic. It’s bruised and furious and strangely hopeful in its refusal to turn away. It’s WARHOG at their most focused and musically fearless. If you’ve followed the journey from Vol. 1 through Vol. 2, this third chapter doesn’t just complete the story—it elevates it. And if you’re new to the world WARHOG has built, there’s no better time to dive in.

About WARHOG:

WARHOG is a North Texas-based progressive metal band founded in 2020, blending relentless riffs, cinematic storytelling, and darkly atmospheric themes. Born out of remote collaboration during the pandemic, WARHOG burst onto the metal scene with their debut album, Call of the Voyager, which introduced their distinctive sound: a mix of heavy rhythms, melodic vocals, and intricate compositions that appeal to both hardcore metal fans and broader audiences.

Comprising vocalist and guitarist Scott Beetley, guitarist Eric Kendall, bassist Justin Hopper, and drummer Robert Powers, WARHOG draws inspiration from heavy metal icons like IRON MAIDEN, BLACK SABBATH, and PANTERA, while weaving in the progressive influence of MASTODON. Their music is both powerful and accessible, with a mission to reach every listener in the room, not just those who came for a metal show. With each release, WARHOG aims to expand metal’s reach and make fans out of everyone, from die-hard headbangers to those just discovering the genre.

WARHOG has already shared stages with heavyweights like CRYPTA and DROWNING POOL and is eager to bring their high-energy, immersive performances to new audiences across the country. Their intense, theatrical shows have won critical praise for being "strongly atmospheric" and "head-noddingly addictive." As WARHOG continues to evolve, they remain dedicated to creating heavy music with universal appeal, using every track and every performance to connect with new fans and to shape a sound that’s unmistakably their own.

​WARHOG is: 

  • Scott Beetley – Vocals, Guitar

  • Eric Kendall – Guitar

  • Justin Hopper – Bass

  • Robert Powers – Drums

 
Connect with WARHOG:

HOLLOW LEG Kick Off Their "Final Secrets Of The Doominati" Tour With FLORIST

Sludge-tinged riff lords HOLLOW LEG are set to hit the road this summer alongside doom metal voyagers FLORIST for the Final Secrets of the Doominati Tour, a 12-date run through the eastern U.S. that promises crushing volume, mystical overtones, and heavy riffs from beyond. Tickets can be found here and at each venue.

The tour kicks off June 12 in Orlando, FL, and weaves through cities like Atlanta, Brooklyn, and Louisville before wrapping up June 23 in Wilmington, NC. The tour will also include appearances at Hell Chere Fest (Asheville, NC) and Doomfest (Frederick, MD), with each band taking turns headlining select dates.

For HOLLOW LEG, this marks the beginning of a new chapter. The band’s latest full-length album, Dust and Echoes, arrives June 13, 2025, via Third House Communications. A conceptually layered release built from two distinct EP sessions, Dust and Echoes, the album unites nine thunderous tracks that traverse doom, grunge, classic metal, and space rock. Recorded at High Five Studio in DeLand, Florida, and mixed/mastered by legendary producer Zeuss (HATEBREED, CROWBAR, ROB ZOMBIE), Dust and Echoes is the most dynamic and expansive offering in HOLLOW LEG’s discography.

With themes of apocalypse, survival, and rebirth woven into both the music and artwork (courtesy of Shawn Garrett and Jean Saiz), Dust and Echoes captures a world in flux. Tracks like “Holy Water,” “Ride the Wave/Dig the Grave,” and “Last Tribe” guide listeners through the ruins with crushing grooves and hypnotic melodies.

Catch HOLLOW LEG and FLORIST on the Final Secrets of the Doominati Tour and witness the next phase in their heavy evolution.

Final Secrets of the Doominati 2025 Tour Dates

  • June 16 – Louisville, KY @ Magbar

  • June 17 – Youngstown, OH @ Westside Bowl

  • June 18 – Syracuse, NY @ The Jugg

  • June 19 – Norwich, CT @ Strange Brew

  • June 20 – Brooklyn, NY @ Goldsounds

  • June 21 – Fredrick, MD @ Doomfest (Hollow Leg only)

  • June 22 – Fredrick, MD @ Doomfest (Florist only)

  • June 23 – Wilmington, NC @ Reggie’s

About HOLLOW LEG:

HOLLOW LEG is a heavy band born in the swamps of Florida, built on riffs, rhythm, and raw energy. Since forming in 2009, the band has forged a sound that blends sludge, doom, and hard rock with elements of grunge, classic metal, and even blues and hip-hop — a swampy, groove-laden punch to the gut that’s as soulful as it is crushing.

Over the years, HOLLOW LEG has carved out a loyal following with their dynamic songwriting, relentless live shows, and a discography that balances grit with atmosphere. The lineup — Scott Angelacos (vocals), Brent Lynch (guitars/backing vocals), John Stewart (drums/percussion), and Tom Crowther (bass) — brings deep roots in the underground, with current and former members of cult bands like BLOODLET, CARIBOU KING, and JUNIOR BRUCE.

With appearances at major underground festivals like Psycho Las Vegas and Maryland Doom Fest, and a catalog of full-lengths and EPs that have pushed their sound in new directions, HOLLOW LEG continues to evolve without losing their core: heavy, honest, and hungry. Whether channeling the slow burn of doom, the swagger of stoner rock, or the urgency of hardcore, they remain fiercely committed to the riff and the truth it carries.

Their new album, Dust and Echoes, is the culmination of everything the band has built — a concept forged from two distinct EPs that fuse into a single, end-of-days experience. It’s their heaviest, most varied, and most fully realized statement yet.

HOLLOW LEG is:

  • Scott Angelacos – Vocals

  • Brent Lynch – Guitars, Backing Vocals

  • John Stewart – Drums, Percussion (including rainsticks)

  • Tom Crowther – Bass

Connect with HOLLOW LEG:

  • Bandcamp: https://hollowleg666.bandcamp.com

  • Facebook: https://www.facebook.com/hollowlegfl/

  • Instagram: https://www.instagram.com/hollowlegband

  • Twitter/X: https://twitter.com/hollowlegfl

  • YouTube: https://youtube.com/@hollowleg666?si=K04L-GgWFGRGRWuB

  • Spotify: https://open.spotify.com/artist/2QJ3CTdEHPBlqy6MPHk66p?si=EwBk0bgJQaW_gVCXXVcsJw

  • Apple Music: https://music.apple.com/us/artist/hollow-leg/404795284

  • TikTok: https://www.tiktok.com/@hollowlegfl?_t=ZP-8vMuUzPBTR8&_r=1

Out Now - Hollow Leg - Dust and Echoes

When HOLLOW LEG began shaping what would become Dust and Echoes, the Florida-based heavy outfit wasn’t setting out to write a full-length album. Instead, the band—formed in 2009 and known for their sludge-laced, riff-centric take on heavy rock—decided to create two distinct EPs, Dust and Echoes, written and recorded during separate sessions across the span of a year. The intention was simple: two standalone releases that carried a shared DNA, built to be experienced independently or fused together as a full-length journey.

That journey is now complete. Releasing in June 2025 via Third House Communications, Dust and Echoes is HOLLOW LEG’s most cohesive and diverse album to date, a full-spectrum exploration of weight and atmosphere. Across nine songs and nearly 40 minutes, the band channels doom, grunge, hard rock, space rock, and old-school metal into a singular vision of destruction, decay, and transcendence. It’s both a soundtrack to the end of the world and a map for surviving it.

The album opens with “Poison Bite,” a crushingly slow and sludgy track that pulls from HOLLOW LEG’s earlier material—raw, direct, and emotionally grim. Written around themes of twisted human behavior, it’s a live staple that sets the tone for what’s to come. From there, “Sick Days” shifts gears into a more rock-driven groove, pairing gritty riffage with cleaner vocals to create a brutal but melodic attack on the cruelty of mankind and the absurdity of war.

“Funeral Storms” brings a grunge-tinged groove with thick vocals and apocalyptic imagery, while “Another Day Dying” leans into the band’s hardcore roots. It’s packed with layered vocals and ends with a hazy, psychedelic slide guitar outro—blurring the lines between consciousness and chaos. “Holy Water” closes out the Dust half of the album with slow-building atmosphere, rainsticks, congas, and other textural ear candy. A post-apocalyptic hymn, it imagines the “last tribe” surviving after civilization’s collapse.

Then comes Echoes, the second half of the experience. “Last Tribe” kicks off this side with bounce, groove, and rich vocal harmonies, ending in a synthy wash of guitars and the titular phrase “emerging from dust and echoes.” It's both the conceptual and musical bridge between the EPs. “Bury Our Kings” follows with a blues-drenched riff that has become a live staple, its infectious mid-tempo stomp securing it as one of the band’s signature bangers.

With “Red Skies,” HOLLOW LEG imagines humanity abandoning Earth to start over on Mars—a short, punchy rocker that blends end-times anxiety with space-faring escapism. “Ride the Wave/Dig the Grave,” the album’s longest track, closes the record on a high. It’s a two-part epic about aging, surrendering to time, and accepting the inevitable, morphing from a frenetic, groove-heavy rocker into a doom-gaze finale that floats through the void like stardust.

The lineup—Scott Angelacos (vocals), Brent Lynch (guitar/backing vocals), John Stewart (drums/percussion), and Tom Crowther (bass)—recorded the album at High Five Studio in DeLand, Florida, producing the sessions themselves with mixing and mastering handled by Zeuss. The artwork was created by Shawn Garrett and Jean Saiz, echoing the record’s themes of desolation and rebirth. These four musicians, veterans of underground acts like BLOODLET, CARIBOU KING, JUNIOR BRUCE, and HOPE AND SUICIDE, have always thrived in heavy music’s murky, rebellious corners—and with Dust and Echoes, they’ve crafted something that’s both raw and realized.

Whether you start with Dust or Echoes, the result is the same: a heavy, grooving, groove-laden saga about the end of everything—and the strange beauty in what comes after.

About HOLLOW LEG:

HOLLOW LEG is a heavy band born in the swamps of Florida, built on riffs, rhythm, and raw energy. Since forming in 2009, the band has forged a sound that blends sludge, doom, and hard rock with elements of grunge, classic metal, and even blues and hip-hop — a swampy, groove-laden punch to the gut that’s as soulful as it is crushing.

Over the years, HOLLOW LEG has carved out a loyal following with their dynamic songwriting, relentless live shows, and a discography that balances grit with atmosphere. The lineup — Scott Angelacos (vocals), Brent Lynch (guitars/backing vocals), John Stewart (drums/percussion), and Tom Crowther (bass) — brings deep roots in the underground, with current and former members of cult bands like BLOODLET, CARIBOU KING, and JUNIOR BRUCE.

With appearances at major underground festivals like Psycho Las Vegas and Maryland Doom Fest, and a catalog of full-lengths and EPs that have pushed their sound in new directions, HOLLOW LEG continues to evolve without losing their core: heavy, honest, and hungry. Whether channeling the slow burn of doom, the swagger of stoner rock, or the urgency of hardcore, they remain fiercely committed to the riff and the truth it carries.

Their new album, Dust and Echoes, is the culmination of everything the band has built — a concept forged from two distinct EPs that fuse into a single, end-of-days experience. It’s their heaviest, most varied, and most fully realized statement yet.

HOLLOW LEG is:

  • Scott Angelacos – Vocals

  • Brent Lynch – Guitars, Backing Vocals

  • John Stewart – Drums, Percussion (including rainsticks)

  • Tom Crowther – Bass

Connect with HOLLOW LEG:

CROP (Grunge, Doom) - S.S.R.I

In the undercurrent of Lexington, KY’s heavy music scene, few bands hit as viscerally as CROP. Since forming in 2020, this four-piece—Marc Phillips (vocals), Zach Hunter (guitar), Braun Dabney (bass), and Andrew Beauvier (drums)—has crafted a sound that feels both dangerously raw and unflinchingly refined, grounded in the crushing gravity of 90s grunge but stretched into something darker, doomier, and entirely their own.

Their upcoming release, S.S.R.I, out August 22nd, 2025 via Third House Communications, is not just a sophomore album—it’s a psychological unearthing. Across 34 minutes and 46 seconds, CROP spirals through the internal wreckage of grief, acceptance, self-sabotage, and survival, wrapped in distortion thick enough to suffocate and lyrics sharp enough to bleed. The record opens with the instrumental “Flatline,” a bleak curtain rising on what feels like the soundtrack to a personal apocalypse. It quickly plunges into “Formaldehyde,” a brutal retelling of witnessing someone’s decline into suicide. Though written about another person, the song’s crushing weight comes from how that loss imprinted itself on the narrator. “We barely impacted each other in life,” Marc Phillips says, “but in death, he left a mark that felt deeper than final.”

From there, S.S.R.I never lets up. “Goddamn” captures the exhausting rhythm of living on a cycle of hope and collapse—a furious, almost desperate search for something real in the chaos. On “10-56,” the theme turns inward. It’s a song about getting what you always thought you wanted, only to feel it destroy you from the inside. “It’s everything I needed,” Phillips explains, “and that made it worse.”

But it’s “Alone” that feels like the album’s emotional core. Rooted in the moment of a breakup, it’s less about heartbreak and more about clarity—the realization that sometimes the loneliness you feel with someone is more suffocating than the loneliness without. In that recognition, there’s peace, but it’s the kind of peace that leaves scars.

The band returns to instrumentals with “Breath,” offering a sliver of space before the final blow. The closer, “Break,” is both an anthem and an epitaph—an existential gut-punch that challenges the very idea of what it means to pursue a dream that might be killing you. “Life isn’t supposed to be safe,” the band insists. “Find what you love and let it kill you.”

Produced, engineered, mixed, and mastered by Jason Groves, S.S.R.I is a wholly realized vision—uncompromising, loud, and emotionally devastating. The artwork, created by Josh Flowers, reflects the stark internal landscape the album traverses: raw, unfiltered, and impossible to ignore.

CROP has been making noise far beyond their Kentucky roots, with appearances at Ohio Doomed and Stoned, Maryland Doomfest, LegalizeLex, Magbar Musicfest, Holler of Doom, and RPM Fest. They’ve toured alongside HASHSTRONAUT, HORSEBURNER, TEMPLE OF THE FUZZ WITCH, and SHI, and shared stages with genre-defining acts like WEEDEATER, CONAN, REZN, BONGZILLA, and more. It’s no surprise LEO Weekly hailed them as “one of Kentucky’s best metal bands,” or that Riff Zealot called their music “a beautiful cacophony of pleasure and pain.”

As S.S.R.I prepares to launch, CROP will hit the road again with shows stretching from Asheville to Baltimore, culminating in a homecoming album release show in Lexington on September 5th at Al’s Bar. 

To hear CROP is to feel something uncomfortably human—something bruised and bleeding, but still standing.

OLD MACHINES Unleash First Single from The Cycles of Extinction

Cosmic harbingers OLD MACHINES are excited to announce their debut album,The Cycles of Extinction, out August 22nd, 2025. Their first single, "The Sundering of the Irradiated Sons, and the Rebellion Sparked by the Gene-Plague", is out now.

The song tells a story of The Irradiated Suns, once heroes of war, and their spiral into chaos as overpopulation and bloodlust render them uncontrollable. Sterilized by a gene plague, they now roam as deadly mercenaries seeking purpose. Musically, the track blends thrash, black, and death metal with catchy 90s power metal flair—delivering a triumphant yet grim anthem that's become a fan favorite and the band's first single.

OLD MACHINES comments on the album and what lies ahead for the band, stating "This is not a little project we began for fun, but a journey we intend to embark on together.  Some members might come and go as years pass, but the members of the band Old Machines will remain as a collective to warn society of the dangers the real Old Machines present to all living organic life.  Nobody ever knows when they will break free from hibernation, as these are only rumors we pick up from the cosmos.  What we do know is that we have already begun recording Act III and that we will do our best to HOLD THE LINE against these unholy terrors from the black abysmal vortex."

About OLD MACHINES:

From the darkest depths of the oceans of time and space comes a legend over two billion years old, which has spawned a multitude of harrowing galactic sagas. These stories arrive to us in the form of the debut album from OLD MACHINES titled The Cycles of Extinction, featuring eight songs regarding mysterious, malevolent horrors, which create the very extinction cycles all organic life forms are forever trapped in.  These are tales of horror, war, and genocide, spanning eight tracks for one hour of music which can be described as Extreme Cosmic Metal; combining elements of thrash, death, black, and power metal.  If any of this story sounds familiar, it may be because we have re-conceptualized plots from our favorite video games with a series of concept albums in chronological order, while musically, for now, being in the vein of bands such as BAL SAGOTH, EMPEROR, LIMBONIC ART, OBSIDIAN GATE, combined with the story-telling element of BLIND GUARDIAN. The Cycles of Extinction will be the first in a series of concept albums from OLD MACHINES, an ongoing project with current and former members of OXYGEN DESTROYER, SKELETAL REMAINS, SILVER TALON, THIRSTING ALTAR, and DOMINUS NOX. There will be more of such epics in this fashion because...extinction...is only the beginning....


OLD MACHINES is:

  • Gary Reavis - Vocals

  • Jason Stares - Keyboards

  • Brian Rush - Guitar

  • Devon Miller - Guitar

  • Joel Henigson - Bass

  • Chris Craven - Drums

GORGATRON & CASKET ROBBERY Announce Upcoming Tour With FRONTAL ASSAULT

GORGATRON and CASKET ROBBERY are thrilled to announce The Northern Destruction Tour starting on July 24th. The tour will be hitting multiple cities across the US and Canada. GORGATRON will reunite with their friends CASKET ROBBERY, and are excited to introduce audiences to Midwest up-and-comers FRONTAL ASSAULT! The tour will see the bands appearing at several renowned festivals, including Loud As Hell Fest in Drumheller Alberta CA, Four Winds Fest in Sioux Falls SD, and culminating at Iowa Underground Fest in Cedar Rapids Iowa. Tickets are available HERE.

“We’ll be thrashin, bashin and blastin throughout North America with the best from the Midwest Metal scene. We toured with CASKET ROBBERY last year and have been looking forward to hitting the road with one of the hardest working bands we know! Killer band and great people! Then we have the Iowa Trashers FRONTAL ASSAULT, super excited to have them open the show and sonically kick everyone’s ass! You’ll become an instant fan!!! Check the dates and get to a show!”
-GORGATRON

“We can’t wait to hit the road with our friends in GORGATRON and FRONTAL ASSAULT! Our last tour with GORGATRON was a huge success, and this one will no doubt be pummeling. We’ll be unleashing a brand new set list with unreleased songs from our next album. It’s gonna be a great time and we’re looking forward to hitting Canada for the first time.”
-CASKET ROBBERY

“We are stoked to be hitting the road with our good friends in GORGATRON and CASKET ROBBERY! This will be our first time in Canada and out west, we have been working hard to curate the perfect set list to share with all of the new ears that will hear us for the first time!”
-FRONTAL ASSAULT

The full list of tour dates is as follows:

  • 7/24 Minneapolis, MN @ Zhora Darling

  • 7/25 Milwaukee, WI @ X Ray Arcade

  • 7/26 Menomonie, WI @ Zymurgy Brewing

  • 7/27 West Chicago, IL @ WC Social Club

  • 7/28 Toronto, ON @ The Cave

  • 7/30 Thunder Bay, ON @ Black Pirates Pub

  • 7/31 Winnipeg, MB @ Sidestage

  • 8/1 Saskatoon, SK @ Black Cat Tavern

  • 8/2 Drumheller, AB @ Loud As Hell Fest

  • 8/4 Missoula, MT @ The Show Room at the ZACC

  • 8/5 Salt Lake City, UT @ Aces High Saloon

  • 8/6 Denver, CO @ HQ

  • 8/7 Rapid City, SD @ Abys

  • 8/8 Sioux Falls, SD @ Downtown Sioux Falls @ Four Winds Music and Art Fest

  • 8/9 Cedar Rapids, IA @ Iowa Metal Underground Fest

OUT NOW - LOW BEFORE THE BREEZE - A Hole Beneath The Home We Shared

Emerging from the vibrant underbelly of Atlanta's heavy music scene, LOW BEFORE THE BREEZE is set to release their much-anticipated album, A Hole Beneath The Home We Shared, on May 30, 2025, through Terminus Hate City. This release marks a bold evolution in the band’s sound, weaving the personal turmoils of its members into a dense fabric of screamo, black metal, and harsh noise influences.

From the raw emotional screams to the intricate guitar work, the album serves as a sonic narrative of vocalist and guitarist Andrew Spann’s harrowing experiences—from his failed marriage and his father’s illness to a tumultuous brush with physical abuse—all viewed through the lens of religious guilt. The album is a journey through dark and aggressive territories, yet it is deeply personal and introspectively crafted.

The recording process at Sobek Sound under the expert hands of engineer Conner Ray and mixer Simon Small at Tunnel of Reverb captures the band’s raw live energy while refining their sound into a polished yet aggressive album. Mastering by Erol Ulug at Bright Light Studios ensures that the depth and complexity of the sound are preserved, giving listeners a visceral listening experience.

Special guest appearances enrich the narrative and sonic depth of the album. Tim Jones from STARVED OF LIGHT and LEAFBLOWER lends his voice to "Same Joke Twice," adding a layer of angst and introspection, while Maurice White of APOSTLE and LADYBIRD features on "Cadaver Synod," contributing to the track’s brooding intensity. Sasha Schilbrack-Cole of MALEVICH not only contributes vocals on "Permission to Rest" but also provides the haunting album cover artwork, encapsulating the emotional and tumultuous themes of the album.

Tracks like "Night Wept" and "Cadaver Synod" are marked as focus tracks for their compelling storytelling and intricate musical compositions. "Night Wept" deals with an intense personal moment of public humiliation and private despair, while "Cadaver Synod" explores the death of relationships and old selves, making them standout pieces that showcase the band’s growth and the thematic gravity of the album.

The album will be available in various formats including vinyl, cassette, and digital, appealing to collectors and digital listeners alike. As LOW BEFORE THE BREEZE continues to push the boundaries of their genre, A Hole Beneath The Home We Sharedstands as a testament to their artistic growth and personal resilience.

For fans of heavy, introspective music, this album promises not just songs, but stories—each track a chapter, each lyric a line of survival. Dive into the depths of LOW BEFORE THE BREEZE’s new album and experience the tumultuous, cathartic journey of A Hole Beneath The Home We Shared. 

About LOW BEFORE THE BREEZE:

Founded in 2021 in the eclectic music hub of Atlanta, Georgia, LOW BEFORE THE BREEZE quickly emerged as a force within the heavy music scene, known for their intense live performances and deeply introspective lyrics. Comprising vocalist and guitarist Andrew Spann, drummer Jonathan Balsamo, bassist Dennis Maganda, and guitarist Jonathan Kemp, the band synthesizes elements of screamo, black metal, and harsh noise to create a sound that is both aggressive and emotionally resonant.

LOW BEFORE THE BREEZE's journey began with the vision of Spann and Balsamo, who sought to explore the darker, more personal aspects of human experience through music. The addition of Kemp and Maganda in subsequent years brought new dimensions to the band's sound, enhancing their sonic landscape and deepening their lyrical exploration.

The band's music reflects a blend of personal trauma and societal critique, woven into compositions that challenge the boundaries of genre. Their lyrics often delve into themes of loss, betrayal, and the struggle for identity within the confines of societal expectations and personal turmoil. This thematic depth is matched by a musical intensity that captures the chaos and catharsis of confronting one's darkest moments.

With a discography that includes a demo and two EP's that have garnered attention both locally and internationally,, LOW BEFORE THE BREEZE has established themselves as a unique voice in the world of heavy music. Their commitment to authenticity and emotional rawness makes their performances compelling not just musically but as profound emotional experiences for their audience.

As they release their latest album, A Hole Beneath The Home We Shared, LOW BEFORE THE BREEZE continues to push the limits of their art, offering listeners a stark, unflinching look at the complexities of the human condition. Their music is a journey through the landscapes of pain and redemption, a narrative arc that resonates with anyone who has faced their own inner turmoil and come through transformed.

LOW BEFORE THE BREEZE is:

CROP Announces New Album S.S.R.I, New Single "Alone" Out Today

Lexington, KY’s heaviest export, CROP, has announced the release of their highly anticipated sophomore album S.S.R.I, due out August 22, 2025 via Third House Communications. Alongside the announcement, the band has dropped the album’s first single, “Alone”—a soul-crushing breakup song that cuts deeper than heartbreak and settles into the kind of emotional void that never really closes.

“Alone” is a brutal meditation on what it means to lose someone twice—once in the relationship, and again in the realization that their presence offered no real solace. 

Backed by thunderous guitars, unrelenting drums, and vocals that walk the line between raw power and quiet devastation, “Alone” captures the emotional core of S.S.R.I—an album steeped in grief, clarity, and the jagged edge of survival. Recorded, mixed, and mastered by Jason Groves, S.S.R.I builds on the massive sound CROP introduced with their self-titled 2021 debut, and dives even further into the chaos of identity, loss, and mental disintegration.

The seven-track record features emotionally heavy tracks like “Formaldehyde,” “10-56,” and “Break,” and pairs crushing riffs with deeply introspective lyrics, reflecting the band’s evolution from local underground staple to national force.

Known for their blistering live shows and rising reputation in the doom and heavy grunge scenes, CROP has performed at Maryland Doom Fest, RPM Fest, and shared stages with WEEDEATER, CONAN, REZN, BONGZILLA and more. With S.S.R.I, the band delivers not just an album, but a fully immersive psychological and sonic experience.

About CROP:

Formed in 2020 in Lexington, KY, CROP is a four-piece heavy band steeped in the grit of 90s grunge and sharpened by the weight of modern doom. Their sound is both relentless and reflective—massive walls of distortion colliding with lyrics that cut deep. With Marc Phillips on vocals, Zach Hunter on guitar, Braun Dabney on bass, and Andrew Beauvier on drums, CROP crafts songs that explore grief, isolation, existential dread, and the fight to stay human in an increasingly fractured world.

Their debut album CROP (2021) introduced audiences to their brutal honesty and raw sonic identity. With their follow-up S.S.R.I (2025, Third House Communications), the band has expanded both emotionally and sonically, delivering a record that is as vulnerable as it is heavy. Known for cathartic live performances and a growing presence on the underground festival circuit, CROP has shared stages with heavyweights like WEEDEATER, CONAN, and BONGZILLA, while earning praise from outlets like LEO Weekly and Riff Zealot.

For CROP, the music is a confrontation—a refusal to look away from the darkest corners of life, and an insistence that even pain deserves to be heard at full volume.

CROP is:

  • Marc Phillips – Vocals

  • Zach Hunter – Guitar

  • Braun Dabney – Bass

  • Andrew Beauvier – Drums

Connect with CROP:

KALAMITY KILLS Announces Album Kalamity Kills (Expanded Edition), Arriving September 9th

KALAMITY KILLS continues their relentless ascent with the announcement of their self-titled debut album, Kalamity Kills (Expanded Edition), set for release September 9, 2025 on CD via their own label, PERO RECORDINGS. The announcement arrives with the release of a powerful visualizer available for hit single "Afraid" available HERE. The Expanded Edition of Kalamity Kills will feature not only new tracks, but alt. mixes as well!

Hot on the heels of their Billboard Mainstream Rock and Mediabase Active Rock success with “Starry Skies (988)”—which spent 9 weeks in the Billboard Top 40 and 12 weeks on the Mediabase charts—KALAMITY KILLS channels their uncompromising energy into a fierce anthem that demands attention.

Produced and mixed by Jamey Perrenot, “Afraid” is a bold declaration of resilience and empowerment, driven by razor-sharp guitar riffs, searing vocals, and lyrics that defy submission. Written by Perrenot and Jamie Rowe, the track introduces Julia Lauren Bullock, KALAMITY KILLS’ dynamic new bassist, whose harmonies and background vocals bring a fresh intensity to the band’s sonic identity. While Rob Bodley brings the power on drums in the live lineup, the studio version features a thunderous performance by Ray Luzier of KORN, further elevating the track’s urgency and fire.

The expanded CD edition of Kalamity Kills, which includes “Afraid” and additional exclusive material, will be available in limited quantities starting September 9. A candy apple red vinyl edition is scheduled to follow in April 2026.

About KALAMITY KILLS

KALAMITY KILLS is a hard rock band forged in the heart of East Nashville, Tennessee. Formed in 2022 by vocalist Jamie Rowe and guitarist/producer Jamey Perrenot, the band emerged from the ashes of a solo project into a fully realized sonic assault—fueled by raw emotion, modern aggression, and a deep respect for rock’s roots. With a sound that fuses the swagger of classic hard rock with the intensity and polish of modern metal, KALAMITY KILLS strikes a rare balance between power and vulnerability.

Best known for their debut self-titled album Kalamity Kills, the band quickly turned heads thanks to high-profile collaborations with members of KORN, 3 DOORS DOWN, LA GUNS, CONQUER DIVIDE, and UNDEROATH. Their music has earned national airplay on SIRIUSXM’s Octane, landed on the Billboard Active Rock charts, and crossed over into viral success without ever chasing trends.

More than just a studio project, KALAMITY KILLS is a growing force with a full live lineup, including bassist/vocalist Julia Lauren Bullock and drummer Rob Bodley. Their songs—ranging from explosive anthems to brutally honest ballads—tackle themes of faith, failure, hypocrisy, redemption, and the messy beauty of being human.

KALAMITY KILLS is for the outsiders, the misfits, the ones who’ve been burned and are still standing. Loud. Unapologetic. Unforgettable.
KALAMITY KILLS is:

  • Jamie Rowe – Lead Vocals

  • Jamey Perrenot – Guitar / Producer

  • Julia Lauren Bullock – Bass / Vocals (Live)

  • Rob Bodley – Drums (Live)
     

Connect with KALAMITY KILLS:

  • Website: https://kalamitykills.com

  • Facebook: https://facebook.com/kalamitykills

  • Instagram: https://instagram.com/kalamitykills

  • X (Twitter): https://x.com/kalamitykills

  • Jamie Rowe on X: https://x.com/jamierowe

  • YouTube: https://youtube.com/kalamitykills

  • TikTok: https://tiktok.com/kalamitykills

  • Spotify: https://open.spotify.com/artist/0Q7zrZUeUnTrX0OC2FvTqU?si=qZPINKoURFONBasOc9iB3g

  • Apple Music: https://music.apple.com/us/artist/kalamity-kills/1636401395

Thrashers OVERT ENEMY Ignite With New Single "Fire in the Skies"

South Texas metal juggernauts OVERT ENEMY have released their explosive new single, "Fire in the Skies," along with a gripping lyric video that captures the chaos and urgency of all-out war. The track is the eighth on their upcoming concept album Insurrection, and it marks the second chapter in a three-song arc chronicling an alien invasion.

"Fire in the Skies" brings a heavy dose of hardcore-inspired riffing and battlefield energy. Originally nicknamed “hardcorish” in demo form, the song pulses with a frantic, boots-on-the-ground urgency. It is a musical call to arms for when the invasion hits home.

“This one’s about the invasion and a Red Dawn sense of urgency,” the band explains. “You roll up to your buddy’s house and you’re like, ‘dude, it’s time to go to war.’ The riffs are definitely hardcore inspired, and we’ve been playing this one live for a while now. We even dropped a live version on our Thunder in the Hill Country album.”

The new lyric video puts a visual exclamation point on the track’s unrelenting pace, pairing the high-octane riffing with images of conflict, resistance, and the looming unknown. Fans who’ve seen the band perform the song live will recognize the energy, but now it’s been captured and cranked up for the studio version.

"Fire in the Skies" continues to unfold the storyline of Insurrection, which lands September 26, 2025.

OVERT ENEMY is hitting the road in support of LOCKJAW on select dates of "The Monster Inside Texas Tour:"

  • May 23 – Houston, TX

  • May 24 – Corpus Christi, TX

  • May 25 – Austin, TX

Tickets Available at: OvertEnemy.com

About OVERT ENEMY:

Formed in 2013 in the heart of Mission, Texas, OVERT ENEMY has become a formidable presence in the global metal scene, known for their raw intensity, technical precision, and relentless pursuit of musical evolution. What began as a tribute to SLAYER guitarist Jeff Hanneman quickly grew into something much larger, as the band developed their own unique sound, blending Texas groove with thrash metal’s speed and aggression. Drawing influence from titans like SLAYER, PANTERA, FEAR FACTORY, and SEPULTURA, OVERT ENEMY has crafted a musical identity that pays homage to these greats while pushing the boundaries of modern metal.

At the core of the band’s sound is a dedication to the power of the riff. Whether it’s the crushing, groove-laden guitar work or their innovative dual-lead guitar harmonies, OVERT ENEMY delivers a high-energy, brutal assault that fans of traditional thrash, groove metal, and even modern progressive metal will appreciate. Their triple vocal approach, featuring vocals from Leo Ortiz, Laura Ortiz, and Robert Hahn, sets them apart from many other bands, giving them a diverse range of vocal textures that perfectly complement their hard-hitting instrumentation.

The band's journey has been fueled not only by their passion for music but also by a deep sense of resilience. Despite personal challenges—including Leo “Lizard” Ortiz’s battle with chronic back issues, Laura “Slayerella” Ortiz’s triumph over cancer, and other life-altering obstacles—the members of OVERT ENEMY have continually pushed forward, proving that their commitment to their craft is unwavering. This tenacity is reflected in their live performances, which have earned them the admiration of heavyweights like MAX CAVALERA of SOULFLY, DINO CAZARES of FEAR FACTORY, and ICE-T of BODY COUNT. OVERT ENEMY has also built a cult following through their tireless dedication to engaging with fans, using every opportunity to connect with their audience on and off stage.

The band’s early work, including the critically acclaimed Inception EP (2018) and Possession EP (2019), laid the groundwork for what was to come, demonstrating their ability to blend thrash’s raw energy with groove metal’s more deliberate, headbanging pace. Their commitment to the old-school metal ethos combined with a modern, forward-thinking approach has made OVERT ENEMY one of the most exciting underground metal bands in the post-pandemic era.

While thrash metal certainly runs through their veins, OVERT ENEMY refuses to be confined by genre. The release of Insurrection marks a new chapter for the band, as they delve into broader sonic landscapes and thematic complexity. The album reflects their growth both musically and personally, touching on themes ranging from personal struggle and mental health to global political unrest and conceptual sci-fi narratives. Every track offers something unique, showing the band’s ability to experiment with diverse sounds and ideas without losing their aggressive edge.

Outside of the studio, OVERT ENEMY has built a reputation as a DIY powerhouse, handling much of their own production, marketing, and fan engagement. Their strong DIY ethic has earned them endorsements from leading brands like Sawtooth Guitars, Emperor Cabs, FU-Tone, and GODPS Music. Despite the challenges of the pandemic, the band has used their time wisely, staying connected with their fans through live streams, social media, and consistent content releases. Their music has also found its way into independent films, further expanding their reach beyond the metal scene.

As they look to the future, OVERT ENEMY remains committed to creating music that not only reflects their personal experiences but also resonates with fans around the world. They are driven by faith, family, and a passion for their art, and they continue to be a beacon of the metal resurgence, blazing their own trail in the genre.

OVERT ENEMY is:

  • Leo “Lizard” Ortiz – Guitar/Vocals

  • Laura “Slayerella” Ortiz – Bass/Vocals

  • Robert Hahn – Guitar/Vocals

  • Saul Castillo – Drums

Album Credits:

  • Produced by: Joshua Lopez (IMMORTAL GUARDIAN), Leo Ortiz & Robert Hahn

  • Recorded at: Widowmaker Studios, McAllen, Texas

  • Engineer/Mixing/Mastering: Joshua Lopez

  • Album Cover Art: Santiago Yanez

  • Album Formats: Digital, CD, Vinyl

Connect with OVERT ENEMY and learn more atovertenemy.com.

BEAR MACE Release Crushing New Single “Drown Them In Their Blood”

Chicago death metal destroyers BEAR MACE have unleashed their latest single, “Drown Them In Their Blood,” a brutal, mid-tempo assault taken from their acclaimed third album Slaves of the Wolf. With its menacing groove and war-torn lyrical themes, the track stands out as one of the album’s heaviest moments. Pre-orders for Slaves Of The Wolf are available HERE.

“Going deep into your enemy’s territory to annihilate them in the middle of the night. It is sometimes a necessity in warfare,” says vocalist CHRIS SCEARCE, whose lyrics bring a visceral, tactical realism to the band’s ferocious sound.

Originally written at a much faster pace, the band made a deliberate choice to shift gears and let the weight of the riffs do the talking.

“‘Drown Them…’ started out as a much faster song,” explains guitarist MARK SUGAR. “But on a record that already has a lot of fast songs, we decided this one would work better as a slower, Bolt Thrower-ish crusher, and we made it so.”

The result is a grinding, doom-laced death metal anthem that channels the grim finality of combat and the unstoppable force of old-school heaviness. With its thunderous riffs and deliberate pacing, “Drown Them In Their Blood” is both a nod to death metal’s roots and a statement of BEAR MACE’s unstoppable evolution.

About BEAR MACE:

Formed in Chicago in 2012, BEAR MACE stands as a relentless force in the death metal genre. The band's name reflects their fierce approach to music—uncompromising and formidable. Drawing deeply from the well of early death metal influences, BEAR MACE crafts a sound that combines the raw aggression and complex narratives reminiscent of genre pioneers like Bolt Thrower and Massacre. Their music is not just an onslaught of sound but a meticulously woven tapestry of historical and fantastical themes, delivered with technical prowess and intense energy.

Over the years, BEAR MACE has solidified their reputation through both their recorded music and dynamic live performances. Albums like Butchering The Colossus and Charred Field Of Slaughter showcase their ability to blend brutal riffs with deep lyrical content, exploring themes from ancient wars to modern dystopias. With each release, BEAR MACE continues to hone their craft, engaging fans with music that is both thought-provoking and viscerally satisfying.

As they prepare to release their third album, Slaves Of The Wolf, BEAR MACE remains dedicated to pushing the boundaries of the death metal genre, ensuring their music is not only heard but felt—a true testament to their passion for and dedication to the spirit of heavy metal.

BEAR MACE is:

  • Chris Scearce - Vocals

  • Mark Sugar - Guitar

  • Garry Naples - Drums

  • John Porada - Bass

  • Tommy Bellino - Guitar

Connect with BEAR MACE:

PATCHWORK Releases New Album 'Scars'

After nearly a decade since their debut, metal band PATCHWORK returns today with the release of their powerful new album, Scars. The album is accompanied by the debut of a lyric video for the emotionally devastating closing track, “At The End," available HERE. 

Formed in 2010 by five longtime friends reuniting after years away from music, PATCHWORK has evolved from a thrash cover band into a formidable force of original songwriting. Scars serves as a conceptual sequel to their 2015 debut Exit Wounds, digging deeper into the emotional and psychological aftermath of trauma. Where Exit Wounds explored the moment of impact, Scars lingers in its wake.

The album showcases PATCHWORK's signature fusion of thrash, power, and speed metal, sharpened by tighter songwriting, intense performances, and guest contributions from heavyweights like Bobby Gustafson, Kragen Lum, Michael Gilbert, Dallas Toler-Wade, and Ronnie Parmer. New vocalist Heith Gruner and bassist Liza Sanchez inject fresh energy into the band’s lineup, giving the record a modern edge while staying true to its roots.

Among Scars’ 13 tracks is the heart-wrenching closer, “At The End,” a tribute to late band member Mark Sheetz, who passed away from cancer in 2023. Featuring lyrics written by Dave Caruana, solos by Kragen Lum, and a final recorded message from Sheetz himself, the track stands as the album’s emotional core.

Scars was written over six years and recorded at multiple studios, including Scars Studio and The Junkyard, with reamping completed at TVR Studio. The album’s production mirrors its themes: raw, honest, and unrelenting. Scars is available for purchase HERE.

About PATCHWORK:

PATCHWORK is a dynamic metal band hailing from Rockford, IL, known for their aggressive blend of thrash, power, and progressive metal. Since their inception in 2010, PATCHWORK has captivated audiences with their intense soundscapes and thought-provoking lyrics. Composed of Heith Gruner on vocals, Brad Carlson on guitars, Liza Sanchez on bass, and Dave Caruana on drums, the band has forged a unique path in the metal scene, distinguished by their musical complexity and deep thematic content.

The origins of PATCHWORK trace back to a group of seasoned musicians looking to reflect on their personal experiences and the broader human condition through music. The name "PATCHWORK" itself symbolizes the diverse elements that each member brings to the band, stitched together to form a cohesive and resilient artistic tapestry. Over the years, PATCHWORK has undergone several lineup changes, each time emerging with a renewed focus and energy that have enriched their sound and artistic direction, with Dave and Brad remaining as integral songwriters and collaborators.

Their debut album, Exit Wounds, released in 2015, introduced PATCHWORK to the world, showcasing their ability to blend melodic precision with raw power. The album was well-received, establishing the band as a formidable presence in the metal community. Since then, PATCHWORK has continued to evolve, exploring new themes and musical territories with each subsequent release.

The band’s latest album, Scars, is a profound exploration of the scars—both physical and emotional—that life’s trials leave behind. The album reflects the band's journey, marked by personal losses and the challenges of the ever-changing music landscape. Through Scars, PATCHWORK delves into the process of healing and the strength found in vulnerability, themes that resonate deeply in their meticulously crafted tracks.

Despite not being a live band currently, PATCHWORK's music continues to reach a wide audience through their recordings and online presence. Their dedication to creating authentic, powerful music that speaks to the resilience of the human spirit remains unwavering.

With a reputation for meticulous craftsmanship and a passionate approach to music, PATCHWORK stands as a beacon in the metal genre, inviting listeners to find solace and strength in their thunderous riffs and compelling narratives.

PATCHWORK is: 

  • Dave Caruana - Drums

  • Brad Carlson - Guitars

  • Heith Gruner - Vocals 

  • Liza Sanchez - Bass

Connect with PATCHWORK:

Bear Mace _ Slaves Of The Wolf

In the heart of Chicago, amidst the city's vibrant cacophony, a ferocious new chapter is being written by BEAR MACE with their latest release, Slaves Of The Wolf. This third studio album, set to be unveiled on June 6, 2025, is a testament to the band's evolution and their unwavering commitment to the raw energy of death metal. For BEAR MACE, composed of Chris Scearce on vocals, Mark Sugar and Tommy Bellino on guitars, Garry Naples behind the drums, and John Porada on bass, this album is not just another collection of tracks—it's a narrative deeply rooted in the themes of warfare, survival, and the echoes of historical battles.

The journey of Slaves Of The Wolf begins with its opening track, an eponymous piece that channels the spirit of soldiers lost to the annals of history, their lives swallowed by the vast, cold embrace of war. This sets the stage for an album where each song weaves part of a larger, darker tapestry. From "Worthless Lives," which reflects on our dystopian reality with poignant lyrics and relentless riffs, to "Drown Them In Their Blood," a slower, heavier homage to the brutal necessities of war, the album crafts a compelling saga.

One of the standout tracks, "The Iceman Cometh," explores the chilling life of Richard Kuklinski with an intensity that matches the cold-blooded tales of his crimes. Meanwhile, "Captured And Consumed" features guest vocals by death metal pioneer Kam Lee from Massacre, adding a visceral layer to the haunting recount of WWII atrocities.

The production of the album, managed by the band and captured in the diverse acoustics of Hypercube Studios and Miracle On Mace Street Studios, showcases the meticulous care of engineer Sanford Parker and mixing and mastering by Damian Herring. This technical expertise ensures that each note and nuance is sharply delivered, from the guttural depths of Chris's vocals to the dual assault of Mark's and Tommy's guitars.

The visual representation of the album, crafted by artist Dedy Badic, mirrors the music's raw ferocity and historical depth, encapsulating the essence of BEAR MACE's narrative in a striking image that promises to resonate as powerfully as the music itself.

As Slaves Of The Wolf prepares for release, BEAR MACE is also gearing up to bring this new material to life on stages across the country. Known for their explosive live performances, the band promises to deliver shows that not only showcase their latest work but also highlight their growth as musicians and storytellers.

For fans old and new, Slaves Of The Wolf is more than just an album. It's an invitation to explore the depths of human history and emotion through the lens of BEAR MACE’s distinctive, relentless sound. As June approaches, the anticipation builds not just for a series of tracks, but for a powerful narrative set to be unleashed in the most explosive way possible.

About BEAR MACE:

Hailing from the robust metal scene of Chicago, Illinois, BEAR MACE has carved a formidable niche within the death metal genre since their inception in 2012. The band’s name, a nod to both ferocity and defense, perfectly encapsulates their sound: relentless, powerful, and unyielding. Comprised of vocalist Chris Scearce, guitarists Mark Sugar and Tommy Bellino, drummer Garry Naples, and bassist John Porada, BEAR MACE is a force to be reckoned with, known for their brutal riffs, historical and darkly imaginative lyrical content, and explosive live performances.

BEAR MACE's music is a deliberate throwback to the death metal of the late '80s and early '90s, drawing significant inspiration from the genre's pioneers like MASSACRE and BOLT THROWER. Their sound is characterized by a blend of raw aggression and meticulous craftsmanship, with themes that delve into historical wars, mythical narratives, and modern dystopias. This thematic depth sets BEAR MACE apart, as they weave intricate stories with each track, engaging listeners not just with sound, but with storytelling that invites reflection on the past and present.

Since releasing their first demo, Kodiak Killers, in 2014, BEAR MACE has consistently upped the ante with each subsequent release. Their debut album, Butchering The Colossus (2017), was a breakout success, establishing them as serious contenders in the metal community. This was followed by Charred Field Of Slaughter in 2020, an album that received acclaim for its intensity and complexity, further solidifying the band’s reputation.

Beyond their studio recordings, BEAR MACE is known for their dynamic live shows, which capture the band’s energy and technical prowess. They have shared stages with notable bands and played at major festivals, strengthening their presence in the metal scene. Their tour with death metal legends MACABRE in the summer of 2022, including a co-headlining spot at Into The Darkness Fest in Ohio, highlights their standing among contemporaries and legends alike.

The release of their third album, Slaves Of The Wolf, in 2025 marks another milestone for BEAR MACE. This album not only showcases their growth as musicians but also highlights a stable lineup that has been together for over five years. With Slaves Of The Wolf, BEAR MACE continues to push the boundaries of their sound while paying homage to the roots of death metal, crafting tracks that are both aggressive and deeply narrative.

As BEAR MACE continues to evolve and expand their auditory assault, their dedication to the craft and their fans remains unwavering. With a solid foundation and a clear vision, they are poised to remain a staple in the playlists of metal enthusiasts and a commanding presence on the global metal stage.

BEAR MACE is:

  • Chris Scearce - Vocals

  • Mark Sugar - Guitar

  • Garry Naples - Drums

  • John Porada - Bass

  • Tommy Bellino - Guitar

Connect with BEAR MACE:

  • Bandcamp: https://bearmace.bandcamp.com/

  • Facebook: https://www.facebook.com/bearmace1

  • Instagram: https://www.instagram.com/bearmace_metal/

  • YouTube: https://www.youtube.com/@bearmace8259

  • Spotify: https://open.spotify.com/artist/7bpYbAeJkSr4R95J9nVtLm

  • Apple Music: https://music.apple.com/us/artist/bear-mace/1212215294

LOW BEFORE THE BREEZE Release Final Single “Cadaver Synod”

Atlanta-based experimental post-hardcore band LOW BEFORE THE BREEZE unveils the third and final single from their forthcoming debut full-length, A Hole Beneath The Home We Shared. Titled “Cadaver Synod,” the track is available now alongside a striking music video and stands as the emotional and sonic centerpiece of the album.

Named after the infamous 9th-century trial of a dead pope, the song reflects on the decay of a relationship and the death of a life once imagined. Through layers of weaponized feedback, textural electronics, and brooding ambience, LOW BEFORE THE BREEZE casts aside conventional guitar and bass arrangements in favor of something far more raw and elemental

The song’s structure is a descent: from ghostly electronics and stark spoken-word passages to surging noise rock riffs and abrasive textures that push the band’s sonic palette further than ever before. As with previous singles “Night Wept” and “Proverbs 7:22,” “Cadaver Synod” continues to showcase the band’s fusion of emotional hardcore, blackened post-metal, and harsh noise — drawing influence from acts like CULT LEADER, OATHBREAKER, and PORTRAYAL OF GUILT.

Since forming in 2021, LOW BEFORE THE BREEZE has carved out a distinct identity within the underground with their chaotic live performances, immersive atmosphere, and unflinching lyrical depth. With this final single, the band is preparing listeners for the full weight of A Hole Beneath The Home We Shared, an album shaped by grief, guilt, and the ache of memory.

LOW BEFORE THE BREEZE is set to release their highly anticipated album, A Hole Beneath The Home We Shared, on May 30, 2025, through Terminus Hate City. This album, rich with the band's signature mix of screamo, black metal, and harsh noise, offers a profound narrative journey through personal trauma and existential angst. It features intense, emotive tracks that explore themes ranging from betrayal and loss to resilience and redemption, all framed within the context of religious and personal guilt. The album promises to be a cathartic experience for listeners, showcasing LOW BEFORE THE BREEZE's growth both as musicians and storytellers. With the production handled by Conner Ray and the masterful mixing of Simon Small, this release is poised to resonate deeply within the heavy music community, reaffirming the band's position at the forefront of the genre.

About LOW BEFORE THE BREEZE:

Formed in 2021 in Atlanta, GA, LOW BEFORE THE BREEZE is a dynamic band known for blending intense emotion with a broad spectrum of sounds from black metal to post-rock. The band comprises Andrew Spann on vocals, guitar, and electronics, Dennis Maganda on bass, Jonathan Balsamo on drums, and Jonathan Kemp on guitar and backing vocals.

From its inception, LOW BEFORE THE BREEZE has crafted a sound that defies simple categorization. Influenced by bands like CULT LEADER, PORTRAYAL OF GUILT, and OATHBREAKER, their music incorporates elements of harsh noise, samples, and death metal-inspired drumming, underpinned by a lyrical and vocal style reminiscent of 90's emotional hardcore. This eclectic mix is not just heard in their recordings but is an integral part of their electrifying live performances where the band aims for a visceral connection with their audience through intense movement and minimal on-stage banter.

Their discography reflects their evolution and willingness to explore deep emotional and sonic terrains, starting with their 2021 demo Various Raptures, followed by a split EP That Which Still Aches with LESS DEAD, and the critically acclaimed EP It Kindly Bent Around Me, released via Gallow Dance Records. Each release marks a step further into their exploration of sound and emotion, capturing the raw and often tumultuous essence of their experiences.

The band's commitment to their craft and their ability to resonate with fans has been evident through their growing presence on the live circuit, captivating performances at key festivals, and collaborations with other artists that push their creative boundaries even further.

LOW BEFORE THE BREEZE is:

  • Andrew Spann - Vocals, guitar, and electronics

  • Dennis Maganda - Bass

  • Jonathan Balsamo - Drums

  • Jonathan Kemp - Guitar and backing vocals

Connect with LOW BEFORE THE BREEZE:

Patchwork - Scars

In the heart of Rockford, IL, a powerful narrative of triumph over adversity is about to be unleashed. PATCHWORK, known for their intense musical blend of thrash, power, and progressive metal, has crafted their most profound work yet. On May 15, 2025, the band will release Scars, an album that explores the lasting impact of life’s challenges and the indelible marks they leave behind.

Formed in 2010, PATCHWORK has evolved through significant transformations, with current members Heith Gruner (Vocals), Brad Carlson (Guitars), Liza Sanchez (Bass), and Dave Caruana (Drums) at the helm. Their journey has been anything but ordinary, marked by lineup changes, personal losses, and the ever-present drive to articulate their experiences through music.

Scars emerges a narrative arc that reflects on personal traumas turned into lessons of endurance and strength. It is a testament to the idea that while wounds heal, the scars remain, mapping out a story of survival. This concept resonates through the powerful guitar riffs and complex compositions that have become PATCHWORK’s signature.

The album kicks off with "You Have Failed," featuring Todd Paluzzi, setting a tone of introspection and challenge that pervades the entire work. Tracks like "Fallout" with Bobby Gustafson and "Skies in Flames" featuring Michael Gilbert incorporate guest artists who bring their unique flair to the project, enhancing the thematic depth and sonic intensity.

One of the album’s highlights, "The Vulture," showcases the band’s ability to weave dense narratives with explosive musicality. "Skies in Flames" and "At The End," each released as singles leading up to the album launch, delve into the transformative power of facing and embracing one’s past.

Produced by Dave Caruana and co-produced by Jason Z at TVR Studios in Rockford, the album captures the raw energy and emotion that PATCHWORK channels into each track. The involvement of guests like Dallas Toler-Wade and Kragen Lum not only enriches the sound but also infuses Scars with diverse musical perspectives, underscoring the album’s themes of collective experience and personal reflection.

As they prepare to release Scars, PATCHWORK invites fans and new listeners alike to explore the depths of their musical and emotional landscapes. Through tracks that vary from relentless assaults to melodic contemplations, the album promises to be both a journey and a destination—reflecting on scars not just as remnants of pain but as symbols of resilience and potential growth.

This narrative-driven release promises to not only resonate deeply with those who have followed PATCHWORK’s career but also with anyone who appreciates the cathartic power of heavy music crafted with genuine passion and precision. As Scars makes its mark on the musical landscape, it stands as a beacon of hope and strength, reminding us all of the beauty and depth that can arise from life’s most challenging moments.

About PATCHWORK:

PATCHWORK is a dynamic metal band hailing from Rockford, IL, known for their aggressive blend of thrash, power, and progressive metal. Since their inception in 2010, PATCHWORK has captivated audiences with their intense soundscapes and thought-provoking lyrics. Composed of Heith Gruner on vocals, Brad Carlson on guitars, Liza Sanchez on bass, and Dave Caruana on drums, the band has forged a unique path in the metal scene, distinguished by their musical complexity and deep thematic content.

The origins of PATCHWORK trace back to a group of seasoned musicians looking to reflect on their personal experiences and the broader human condition through music. The name "PATCHWORK" itself symbolizes the diverse elements that each member brings to the band, stitched together to form a cohesive and resilient artistic tapestry. Over the years, PATCHWORK has undergone several lineup changes, each time emerging with a renewed focus and energy that have enriched their sound and artistic direction with Dave and Brad remaining as integral songwriters and collaborators.

Their debut album, Exit Wounds, released in 2015, introduced PATCHWORK to the world, showcasing their ability to blend melodic precision with raw power. The album was well-received, establishing the band as a formidable presence in the metal community. 

The band’s latest album, Scars, is a profound exploration of the scars—both physical and emotional—that life’s trials leave behind. The album reflects the band's journey, marked by personal losses and the challenges of the ever-changing music landscape. Through Scars, PATCHWORK delves into the process of healing and the strength found in vulnerability, themes that resonate deeply in their meticulously crafted tracks. Their dedication to creating authentic, powerful music that speaks to the resilience of the human spirit remains unwavering.

With a reputation for meticulous craftsmanship and a passionate approach to music, PATCHWORK stands as a beacon in the metal genre, inviting listeners to find solace and strength in their thunderous riffs and compelling narratives.

PATCHWORK is: 

  • Heith Gruner - Vocals

  • Brad Carlson - Guitars

  • Liza Sanchez - Bass

  • Dave Caruana - Drums


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HOLLOW LEG Announce New Full-Length Album Dust and Echoes

Sludge-tinged riff lords HOLLOW LEG return on June 13th, 2025 with Dust and Echoes, a thunderous new full-length that doubles as both concept and collision — two EPs (Dust and Echoes) written in separate sessions, now merged into one devastatingly cohesive release. The album will be released via Third House Communications and features nine crushing tracks that traverse doom, grunge, classic metal, and space rock.

Dust and Echoes was recorded and produced by the band at High Five Studio in DeLand, Florida, with mixing and mastering handled by Zeuss (HATEBREED, CROWBAR, ROB ZOMBIE). Artwork was created by Shawn Garrett and Jean Saiz, reflecting the record’s post-apocalyptic themes of human collapse, survival, and rebirth.

The album showcases HOLLOW LEG’s most varied and atmospheric songwriting to date, with layers of percussion, groove-heavy riffing, spaced-out guitar work, and a balance of sludge and melody that pushes the band into new sonic territory. Tracks like “Holy Water,” “Ride the Wave/Dig the Grave,” and “Last Tribe” dive deep into end-of-days scenarios — a choose-your-own-adventure soundtrack for the end of the world and what might come after.

About HOLLOW LEG:

HOLLOW LEG is a heavy band born in the swamps of Florida, built on riffs, rhythm, and raw energy. Since forming in 2009, the band has forged a sound that blends sludge, doom, and hard rock with elements of grunge, classic metal, and even blues and hip-hop — a swampy, groove-laden punch to the gut that’s as soulful as it is crushing.

Over the years, HOLLOW LEG has carved out a loyal following with their dynamic songwriting, relentless live shows, and a discography that balances grit with atmosphere. The lineup — Scott Angelacos (vocals), Brent Lynch (guitars/backing vocals), John Stewart (drums/percussion), and Tom Crowther (bass) — brings deep roots in the underground, with current and former members of cult bands like BLOODLET, CARIBOU KING, and JUNIOR BRUCE.

With appearances at major underground festivals like Psycho Las Vegas and Maryland Doom Fest, and a catalog of full-lengths and EPs that have pushed their sound in new directions, HOLLOW LEG continues to evolve without losing their core: heavy, honest, and hungry. Whether channeling the slow burn of doom, the swagger of stoner rock, or the urgency of hardcore, they remain fiercely committed to the riff and the truth it carries.

Their new album, Dust and Echoes, is the culmination of everything the band has built — a concept forged from two distinct EPs that fuse into a single, end-of-days experience. It’s their heaviest, most varied, and most fully realized statement yet.

HOLLOW LEG is:

  • Scott Angelacos – Vocals

  • Brent Lynch – Guitars, Backing Vocals

  • John Stewart – Drums, Percussion (including rainsticks)

  • Tom Crowther – Bass

Connect with HOLLOW LEG:

  • Bandcamp: https://hollowleg666.bandcamp.com

  • Facebook: https://www.facebook.com/hollowlegfl/

  • Instagram: https://www.instagram.com/hollowlegband

  • Twitter/X: https://twitter.com/hollowlegfl

  • YouTube: https://youtube.com/@hollowleg666?si=K04L-GgWFGRGRWuB

  • Spotify: https://open.spotify.com/artist/2QJ3CTdEHPBlqy6MPHk66p?si=EwBk0bgJQaW_gVCXXVcsJw

  • Apple Music: https://music.apple.com/us/artist/hollow-leg/404795284

  • TikTok: https://www.tiktok.com/@hollowlegfl?_t=ZP-8vMuUzPBTR8&_r=1

Out Friday - Exterminatus - Echoes From A Distant Star Part 1

Formed in the depths of Vancouver, Canada, in 2013, the death metal colossus EXTERMINATUS is poised to unleash their third studio assault, Echoes From A Distant Star Part 1, on April 18, 2025. The album is a culmination of over a decade of relentless crafting and intense recording sessions, symbolizing the band's evolution into a formidable force within the metal scene.

The narrative of Echoes From A Distant Star Part 1 unfolds across its tracks, each serving as a chapter in a grand cosmic saga that explores the origins of the universe and the haunting truths hidden within its expansive reach. The journey begins with the turbulent force of "Cosmic Disturbance" and traverses through a series of dark revelations, culminating in an unexpected twist with a metal rendition of "Rock Me Amadeus."

Drawing inspiration from the cosmic and dystopian visions found in the works of Isaac Asimov and Arthur C. Clarke, as well as the expansive narratives of "Stargate SG:1" and the "Mass Effect" series, the album offers a profound exploration of existence through its lyrical and musical depth. Songs like "Primordial Sea" and "Starbound" feature brutal drum patterns and shredding riffs, echoing the thematic and sonic complexity that EXTERMINATUS is known for.

The formidable lineup delivering this sonic onslaught includes Max Sepulveda on drums, Tabreez Azad wielding guitar and vocals, Elia Baghdaniyan on guitar, Luka Bresan as the lead vocal force, and Lucas Abreu anchoring the low end on bass. The band themselves drove the production, with recording, mixing, and mastering helmed by Max Sepulveda and Zack Ohren at The Beat Lab, ensuring every note conveys the intended ferocity. The album's striking visuals were crafted by Mark Cooper, encapsulating the album's thematic essence.

Key tracks like "Cosmic Disturbance" come alive with an accompanying music video, while "The Signal" and "Primordial Sea" are depicted through haunting lyric videos, offering a window into the album’s dark narrative.

Echoes From A Distant Star Part 1 marks a pivotal chapter for EXTERMINATUS, as they delve into the abyssal depths of death metal, challenging the boundaries of the genre with philosophical narratives and thunderous compositions. 

About EXTERMINATUS:

Since their formation in 2013, EXTERMINATUS has evolved into a dominant force within the technical death metal scene. Their journey began with the debut album Veni Vidi Vici, which immediately set the tone for their aggressive style characterized by rapid-fire riffs, relentless drumming, and devastating vocals. By the time their second album Laniakea was released in 2018, EXTERMINATUS had firmly established themselves not just as a project but as a mainstay, pushing the boundaries of technical death metal.

The current lineup features the dual-guitar attack of Tabreez Azad and Elia Baghbaniyan, combined with the unstoppable rhythm section of Max Sepulveda and Lucas Abreu, and the ferocious lead vocals of Luka Bresan. This potent combination creates a sound that is both brutally precise and expansively atmospheric, drawing comparisons to luminaries like Aeon, Decapitated, and The Faceless, yet with a distinct identity that is entirely their own.

Thematically, EXTERMINATUS ventures into the cosmic unknown, exploring vast astronomical themes and the fundamental forces of the universe. Their narratives delve into complex physical phenomena and the chilling mysteries of space, a theme that resonates deeply in their upcoming release, Echoes From A Distant Star Part 1, scheduled for release on April 18, 2025. This album promises to fuse their signature technical complexity with a hauntingly eerie cosmic atmosphere.

EXTERMINATUS's impact on the scene is underscored by their dynamic live performances, highlighted by appearances at festivals such as Armstrong Metalfest and Loud As Hell Festival. Collaborations with notable figures like Andrew Baena, Dean Lamb, and Mike Greenwood have further solidified their reputation, expanding their influence and showcasing their ability to innovate within the genre.

With their intricate compositions, powerful performances, and forward-thinking approach, EXTERMINATUS not only captivates their audience but also promises a continual evolution. As they prepare to release Echoes From A Distant Star Part 1, they stand at the forefront of technical death metal, ready to explore new sonic territories and deepen their exploration of the cosmos.

EXTERMINATUS is:

  • Tabreez Azad – Guitar/Vocals

  • Elia Baghbaniyan – Guitar

  • Luka Bresan – Lead Vocals

  • Max Sepulveda – Drums

  • Lucas Abreu – Bass


Album Credits:

  • Producer: EXTERMINATUS

  • Recording Studio: The Beat Lab

  • Engineer: Max Sepulveda

  • Mastering: Zack Ohren

  • Mixing: Max Sepulveda

  • Album Cover Artist: Mark Cooper

  • Album Formats: Digital and CD


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