REDIVIDER Unleash New Single "Bask in the Rot" Ahead of Upcoming Album Sounds of Malice

Death metal powerhouse REDIVIDER returns with a crushing new single, "Bask in the Rot", the latest preview of their forthcoming full-length album Sounds of Malice, arriving January 9, 2026 through Third House Communications.

Inspired by the iconic Dungeons & Dragons monstrosity, the Gelatinous Cube, "Bask in the Rot" paints a visceral portrait of an ever-growing mass of rotting flesh and sewage, a mindless organism that kills and consumes solely to sustain itself. The band describes the creature as a pile of rotting flesh and sewage that grows with each kill, with no motive other than to consume and stay alive. This sense of creeping inevitability informs the entire track.

From its earliest stages, "Bask in the Rot" was built around a unique vocal cadence that shaped the instrumentation. The guitars and drums were written directly to that rhythmic blueprint in order to create a sense of push and pull through each verse. The result is a combination of sludgy, punishing riffs and heavy, groove-driven percussion with vocals that cut through the mix and capture the relentless growth of the creature that inspired the song.

During the writing process, REDIVIDER were listening to a significant amount of MORBID ANGEL, particularly drawing influence from the track "Where the Slime Lives". "Bask in the Rot" stands as their interpretation of that thick and suffocating atmosphere, reshaped into something uniquely their own.

Sounds of Malice represents an evolution in REDIVIDER's sound, delivering darker themes and heavier sonic depth. With "Bask in the Rot", the band offers a powerful indication of what awaits on the full record.

About REDIVIDER:

REDIVIDER is a death metal band from Louisville, Kentucky, formed in 2021 by vocalist Jacob Spencer and guitarist Paul Nunavath. Joined by guitarist Jake Atha and bassist Alexander Farrington, the band draws influence from the early Florida death metal scene and bands like CANNIBAL CORPSE, MORBID ANGEL, DEATH, and GORGUTS. With a sound rooted in old school brutality and layered with modern aggression, REDIVIDER combines guttural vocals, dissonant riffs, and relentless groove to create music that is both violent and immersive.

The band made their live debut in 2022 and quickly gained recognition in the underground scene, sharing stages with acts such as CREEPING DEATH, CRYPTA, MASACRE, COGNITIVE, and SEE YOU NEXT TUESDAY. Their debut album Sounds of Malice is a conceptually rich, sonically punishing record that blends fantasy-driven storytelling with crushing heaviness. Written with live performance in mind, REDIVIDER’s music thrives on tension, rhythm, and unapologetic intensity, death metal built to be felt as much as heard.

REDIVIDER Lineup:
 

  • Jacob Spencer – Vocals

  • Paul Nunavath – Guitar

  • Jake Atha – Guitar

  • Alexander Farrington – Bass

  • Mike Hargrave – Drums (live)

MALEFIC Unleash New Single “In Darkest Dreams” from Forthcoming Album Impermanence

Atlanta blackened thrash visionaries MALEFIC have released their new single “In Darkest Dreams,” taken from the band’s long-awaited full length album Impermanence, arriving February 13, 2026 via Terminus Hate City. As one of the oldest songs in the MALEFIC catalog, originally dating back to the years before 2010, “In Darkest Dreams” has undergone a long evolution to become the fully realized version presented on the record.

The track highlights the band’s increasingly death metal driven approach while still retaining the blackened and thrashy foundation that defines their sound. It is one of the few songs on the album to feature a true chorus, yet it remains progressive in structure, moving through distinct musical chapters that each showcase a different facet of the band’s writing. The middle breakdown section emphasizes the group’s command of shifting rhythms and tight, precise playing, eventually building into a ripping guitar solo by Sam that captures his growth and confidence as a lead player.

Lyrically, “In Darkest Dreams” reflects an earlier era of MALEFIC. The words were initially written by Cory after Devin left the band, and later revised slightly by Aaron to fit the larger narrative arc of Impermanence. The imagery leans heavily into the horror influences that colored the band’s early years, telling the tale of a reaper-like figure whose presence drives the song’s bleak atmosphere. Although the lyrics occasionally veer into abstract territory, the band acknowledges that they maintain a certain cool, visceral quality that fits the track’s history. The chorus in particular remains one of the few lyrical elements to survive from the early days, believed to have been preserved even after the rest of the original lyrics were lost.

The rhythmic overhaul of the song represents an important part of its evolution. With a drum approach shaped by thrash, high speed technical metal and progressive rock, Aaron sought to avoid monotony by frequently shifting the pulse within the same riffs. The early versions of the song relied more heavily on ad-libbed vocal patterns and less structured drumming, so the updated arrangement brings a tighter and more intentional rhythmic feel. Even the chorus sparked debate during recording about whether it should remain upbeat for its entire duration, and the final version reflects a compromise that preserves the song’s energy while serving the tension and release of the overall arrangement.

MALEFIC’s history stretches back to 2007 when the original lineup first emerged in the Atlanta extreme metal scene. After a hiatus beginning in 2009, the band reconvened in 2015 and has moved forward at full speed ever since. Their sound blends technical precision, a tightly locked rhythm section and a keen sense of groove into a modern, aggressive take on melodic death metal that stands apart from their peers in the United States. The creation of Impermanence began in late 2018 and faced numerous challenges as lineup changes forced re-tracking, rewrites and complete remixes of material that had already been considered finished. Despite the setbacks, the band views the album as the culmination of years of dedication, refinement and persistence, and as a definitive statement of what MALEFIC represents.

About MALEFIC:
MALEFIC roared onto the Atlanta metal scene in 2007 with ambitions to modernize the black metal genre. With their tight riffs, tasty leads, and relatable lyricism, MALEFIC abandons cliches and defies traditional genre boundaries. Their special blend of black metal, drawing from thrash and death metal influences, appeals to metalheads across subgenres. They count OLD MAN'S CHILD, CARCASS, TESTAMENT, DISSECTION, and OPETH among their most prominent influences, offering a fresh, modern take on metal that is unrivaled in the United States.

Though they are set to release their very first full-length album, Impermanence, in 2025, MALEFIC boasts an impressive live performance history, having played shows with notable bands such as 1349, CRYPTA, and PROFANATICA. After a hiatus in 2009, the band eagerly picked back up where they left off and reformed with a new lineup. MALEFIC initially began work on Impermanence in 2018, taking their time to ensure that every detail accurately reflected their vision for their album. The band's hard work and dedication has culminated in a powerful debut, lovingly crafted by fans of nuanced, boundary-pushing music. 

MALEFIC lineup:
Jason Davila - Guitar
Aaron Baumoel - Drums, Vocals
Sam Williams - Guitar
Andy McGraw - Bass

VISERION Announce New Single “Harrenhal” From Their Forthcoming Album Fire and Blood

Black metal quartet VISERION unveil their crushing new single “Harrenhal,” a fresh look into their forthcoming full-length album Fire and Blood, set for release on January 16th, 2026. This record marks the band’s first standalone album featuring their current four-piece lineup, a formation solidified in 2022 that has pushed their sonic identity to new extremes.

Drawing deep inspiration from George R.R. Martin’s Game of Thrones universe,Fire and Blood centers thematically on the legendary Targaryen dynasty, embracing their infamous house words as its title. Formed in Queens, NY in 2020, Viserion have since carved a reputation for crafting bleak, immersive soundscapes. With this release, the band elevates the sound they have been meticulously refining over the years while showcasing their evolution as musicians and storytellers.

“Harrenhal” embodies a mood of despair, anguish, and lingering dread, capturing the cursed legacy of one of Westeros’ most infamous strongholds. Its lyrics recount the brutal destruction of Lord Harren’s mighty fortress at the hands of Aegon the Conqueror and his dragon, an inferno that left only smoldering ruins and a legacy of misfortune for all who would dare inhabit them thereafter.

With “Harrenhal,” Viserion offer a powerful glimpse into the world of Fire and Blood, an album that promises sweeping scope, thematic depth, and the heaviest, most refined sound the band has unleashed to date.

About VISERION:
Located in Queens, NY, VISERION blend brutal and aggressive black metal with atmospheric and melodic passages in their own distinctive take on the genre. Storytelling is embedded in their musical creativity, highly influenced by the writings of George R.R. Martin and the World of Westeros. The band initially formed as a three-piece in 2020 by Ben Marvilli taking on bass and vocals, Matt Marvilli on drums and John Magnani performing guitars. Subsequently, in 2022, Magnani left and Ben Marvilli swapped out bass for guitar. Cris Valentine also joined on guitar and Tasso Diakov took on the bass. The debut album Natural Selection dropped in 2021, followed by a split EP release with TELOCH VOVIN titled The Iron Age of Kali Yuga in 2023. Now, Fire and Blood is set to emerge on January 16, 2026. 

VISERION Is:
Benedetto Marvilli -Guitar/Vocals
Matthew Marvilli - Drums
Cris Valentine - Guitar
Tasso Diakov - Bass

Album Credits:
Producer: Billy Pfister
Recording Studio: Westfall Recording
Engineer: Billy Pfister
Mastering: Jacob Buczarski
Mixing: Chris Grigg
Cover art: “Fire in Rome” by Hubert Robert

Links:
Bandcamp: https://viserion.bandcamp.com/
Instagram: https://www.instagram.com/viserion_official/
Facebook: https://m.facebook.com/ViserionOfficial/
YouTube: https://www.youtube.com/@viserion9676

AGENBITE MISERY Announce New Single “Cascara Sagrada” from Forthcoming Debut Remorse of Conscience

Extreme-metal visionaries AGENBITE MISERY return with their newest single, “Cascara Sagrada,” a ferocious and intricately constructed piece that showcases the band’s most adventurous writing to date. The track serves as the latest preview of their debut full-length Remorse of Conscience, a concept album that adapts every chapter of James Joyce’s Ulysses into a standalone sonic experience.

Originally the final composition written for the record, “Cascara Sagrada” stands apart with its non-traditional structure, technical ambition, and uniquely dissonant atmosphere. Drawing heavily from avant-extreme acts like Pyrrhon and Convulsing, the single embodies the unsettling tension and warped melodicism that defines the band’s sound.

Lyrically and conceptually, the song adapts “Calypso,” the fourth episode of Ulysses, introducing protagonist Leopold Bloom as he navigates a sequence of mundane morning rituals. AGENBITE MISERY push this banality into sinister territory, using repetition, structural distortion, and grinding dissonance to reflect the bleak monotony simmering beneath everyday life. Motifs recur like intrusive thoughts, constantly familiar, perpetually destabilized.

Musically, “Cascara Sagrada” traverses a bold and unpredictable arc: a sludgy, odd-meter opening riff with sliding guitars and angular drum phrasing; a Slint-inspired indie-rock passage filled with tense chord voicings; a plunge into a psychedelic black-metal spiral; an unconventional solo section featuring core-leaning chugs, an explosive drum showcase, and a dissonant death-metal guitar lead; and finally, an extended crescendo of supreme dissonance, slowing in tempo as the band grinds between two unnerving chords, culminating in an uncomfortably powerful resolution.

The lyrics mirror this escalating unease. The opening lines reference Bloom’s domestic tasks (“Kidneys were in his mind”) before spiraling into the concept of metempsychosis, the novel’s core theme of spiritual migration across identities and histories. A spoken-word interlude draws directly from Joyce’s depiction of Bloom in the bathroom, injecting dark humor amid the turmoil. The climactic section erupts into a fever-dream vision of biblical desolation and ancestral dread. The final vocal barrage (“Grey horror seared his flesh / Cold oils slid along his veins…”) pushes the song to a visceral emotional peak.

With Remorse of Conscience, AGENBITE MISERY carve out a singular artistic space where literary modernism and extreme metal collide with startling clarity. “Cascara Sagrada” offers a vivid glimpse into the album’s ambition. The song presents a transformative, genre-defying journey through one of literature’s most challenging works, reimagined through a lens of sonic extremity.

About AGENBITE MISERY:
AGENBITE MISERY is a New Hampshire-based trio that fuses literary ambition with the visceral force of experimental metal. Formed in 2022 by guitarist Sam Graff, bassist Cam Netland, and drummer Adam Richards, the band emerged from a shared academic background in literature and a mutual devotion to the most extreme and boundary-pushing corners of heavy music.

At its core, AGENBITE MISERY is a project rooted in transformation. Their work doesn’t merely incorporate influences, it dismantles them, reshapes them, and recontextualizes them within a vision that is as cerebral as it is punishing. Their sound weaves together elements of black metal, sludge, death metal, post-punk, ambient, and noise rock, unified not by style but by intent: to confront, to immerse, and to challenge.

Individually, the members bring a history of musical experimentation: Sam Graff and Adam Richards were longtime collaborators in the avant-garde project UNDER GREEN SUNS and the Boston metalcore outfit VICARIUM, while Cam Netland previously fronted the Connecticut stoner/black metal band COAGULATE. Together, they’ve forged something entirely distinct, a collective voice that draws from their diverse histories but refuses to be defined by any one genre or scene.

AGENBITE MISERY exists at the edge of metal and the margins of modern art, translating abstract ideas into concrete sound with unrelenting force. Whether performing live or recording in isolation, their ethos remains constant: dig deeper, aim higher, and never repeat what has already been done.

AGENBITE MISERY is:
Sam Graff – Guitars / Vocals / Synth
Cam Netland – Bass / Vocals
Adam Richards – Drums / Vocals

Connect with AGENBITE MISERY:
Bandcamp: https://agenbitemisery.bandcamp.com
Facebook: https://www.facebook.com/profile.php?id=61574211514876#
Instagram: https://www.instagram.com/agenbitemisery/?hl=en
YouTube: https://www.youtube.com/channel/UCwjOZilhkqTRkZHpJJwlbhw
Spotify: https://open.spotify.com/artist/6dYQgCtNvpvNWwfQ06LQQZ
Apple Music: https://music.apple.com/us/artist/agenbite-misery/1716987132
TikTok: https://www.tiktok.com/@agenbite.misery
Ampwall: https://agenbitemisery.ampwall.com/

ANTI-SAPIEN Release New Single "At the Mercy of the Merciless," Announce New Album

ANTI-SAPIEN unleash their brand new single and official music video for “At the Mercy of the Merciless”, the crushing title track from their upcoming EP due January 16 on Terminus Hate City. 

“At the Mercy of the Merciless” represents a powerful turning point for ANTI-SAPIEN, showcasing a darker, heavier, and more deliberate side of the band. Built around a massive mid tempo groove and anchored by a pounding rhythmic backbone, the track pulls listeners into a spiraling examination of modern life under algorithmic manipulation and economic domination. The lyrics dissect how society has become divided and immobilized, trapped in echo chambers while the wealthy few exploit the chaos. It is both a warning and a rallying cry, sharpened by the band’s trademark blend of death metal intensity and crust punk grit.

The video released today amplifies the song’s message with stark imagery that reflects the disorientation and isolation at the heart of the track. ANTI-SAPIEN have always approached their music with a raw honesty, and this visual companion pushes that commitment even further, matching the song’s heaviness with a bleak and direct look at the systems that grind people down.

Already a standout within the band’s live set, the single marks the first official preview of the upcoming EP and sets the tone for what listeners can expect in January. The band’s sound has evolved significantly since their debut, and “At the Mercy of the Merciless” captures that growth with a tighter production, heavier atmosphere, and even more pointed lyrical focus.

About ANTI-SAPIEN:

ANTI-SAPIEN formed in Brooklyn in 2021 and grew quickly from a loose pandemic experiment into a touring force known for filthy death crust riffs, sweat soaked shows, and a message that cuts through the noise. The band began as a way for friends to blow off steam and write ugly, fun songs that blended their love of D beat punk, death metal, grind, and the classic New York slam tradition. What surprised them was how quickly audiences connected to not only the heaviness but the honesty. Kids responded to the riffs but also to the moments between songs where the band spoke openly about inequality, exploitation, and the systems that grind people down. That connection pushed ANTI-SAPIEN to take the project further, tighten their sound, and hit the road hard across the United States and eventually through Australia, Korea, and Japan.

Over time the band’s lineup shifted into the current form of Blake Charlton, Alex Fewell, Ryan Murphy, and Nathan Rand, all seasoned musicians with long histories in heavy music. Their combined backgrounds in bands like Ramming Speed, Black Mass, Soul Remnants, and others helped shape the sound into something both raw and disciplined, equal parts crust punk grit and death metal precision. They have played festivals like NEDM Funtime Bonanza and the NYDM International Fest, building a reputation for fast sets, filthy tones, and a refusal to shy away from uncomfortable truths.

ANTI-SAPIEN operate with a clear sense of purpose. They are proudly anti fascist, openly political, and committed to calling out abuses of power while keeping their shows rooted in community and catharsis. The band writes music that is catchy and disgusting, equal parts sewer filth and adrenaline, and they deliver it with the conviction of people who believe heavy music can be fun while still saying something worth hearing. Audiences continue to grow each tour, fueled by the band’s willingness to merge riffs, rage, humor, and a perspective shaped by lived experience.

ANTI-SAPIEN is:

Blake Charlton – Guitar and Lead Vocals
Alex Fewell – Drums
Ryan Murphy – Bass and Backup Vocals
Nathan Rand – Lead Guitar

Connect with ANTI-SAPIEN:

Website: terminushatecity.com
Bandcamp: https://anti-sapien.bandcamp.com/music
E Shop: https://anti-sapien.bandcamp.com/merch
Facebook: https://www.facebook.com/AntiSapienBand/
Instagram: https://www.instagram.com/antisapienband/
YouTube: https://www.youtube.com/@antisapienband
Spotify: https://open.spotify.com/artist/4qq4lPjBPdNmudoOk1CfRZ
Apple Music: https://music.apple.com/us/artist/anti-sapien/1679779909

OUT NOW - Beast Eagle - Sorceress

Mesmerizing groove riffs and fiercely enchanting vocals await in this magical new offering, Sorceress. Highly compelling with guitar-driven arrangements ensnaring melodies and lyrical hooks, Sorceress arrived on November 21st, 2025, via Golden Robot Records. 

"Sharp Tongue" introduces Sorceress with a gritty edge. The EP's narrative begins here, "telling the story of a witch who’s more afraid of herself than anyone else is. As her powers grow stronger, so does the fear she’s losing control." Balancing light and shade across the high octane instrumentation, the protagonist's fate could fall in either direction. 

The alluring "The Dead Follow" continues the story of a witch awakening - finding herself and her power. "The track channels that disorientation into raw, driving energy, blending mysticism with rebellion." BEAST EAGLE explain. "It’s a gritty anthem for anyone who’s ever grown into something stronger and stranger than the world was ready for."

Increasing the voltage, the electrifying "Send Me Down" sees a consortium of riffs entwine and wind alongside alluring vocal harmonies. The thunderous nature reflects our witch's sinister turn: "banished to a dark realm, the witch doesn't hide or run—she rises. [...] This is her kingdom now. It’s loud, it’s wicked, and it’s hers. Bow down or burn."  

An eerie anticipation emerges through the dark and discordant "Witch Hunt". The vengeance of a tormented village brings to fruition in a blaze of smoke and fire: "this isn’t just a song—it’s a reckoning set to a riot of sound. No one escapes the flames."

A crushing betrayal concludes BEAST EAGLE's mystical tale. Abrasive riffs and intense rhythms reveal the epic twist of fate in the witch's journey as the village she once protected turn against her. It is not the end however, "fire doesn’t silence her—it awakens something deeper. As the flames rise, so does her final, eternal curse."

About BEAST EAGLE
Soaring out of Omaha, Nebraska, heavy quartet BEAST EAGLE evoke a powerful take on hard rock driven by rock 'n' roll sensibilities. Influenced by the likes of KYUSS, HE IS LEGEND, and MASTODON, the band's huge sound is spearheaded by a fury of riffs and unyielding vocals. Since forming in 2019, BEAST EAGLE unleashed their first full length Loud at Flat Black Studios in 2021 with the self-titled EP following in 2023. Most recently, BEAST EAGLE were bestowed the title of Omaha Entertainment Award Association Best Hard Rock Band 2025. The forthcoming guitar-led, blues influenced offering, Sorceress is set to be unveiled on November 21st, 2025, via Golden Robot Records. 

Line Up:
Kate Lewis (Vocals)
Austin L’Ecuyer (Guitarist)
August Sievering (Drums)
Toby Wandel (Bassist)

EP Credits: 
Producer: Rick Carson
Recording Studio: Make Believe Studio
Engineer: Ryan Harvey
Mastering: Rick Carson
Mixing: Rick Carson
Album Cover Artist: Austin L’Ecuyer

ATAVISTIA Unleash New Single “Through The Hollow Raven’s Eyes (Reforged)” from The Winter Way (Reforged)

Symphonic melodic death metal band ATAVISTIA return with renewed ferocity on their upcoming single “Through The Hollow Raven’s Eyes (Reforged),” set for release on November 14, 2025 via Blood Blast Distribution. The track serves as the second offering from their completely reimagined and re-recorded album The Winter Way (Reforged), arriving December 12, 2025.

Originally released in 2020, The Winter Way marked a defining moment for ATAVISTIA’s ambitious fusion of extreme metal and orchestral soundscapes. However, founder Mattias Sippola admits the band was never satisfied with its production or execution, saying, “It was simply not even close enough to being ready. From fat trimming, performance during the recording stage, and the overall production, it just wasn’t there.” After the original release, the album became a forgotten and dark chapter until the idea of reforging it brought it new life.

While working on a brand new album, unforeseen delays left a void in ATAVISTIA’s creative path. During this pause, Sippola decided to completely reconstruct The Winter Way from the ground up. This new version is not a remix or remaster but an entirely new recording, featuring reworked arrangements, modern production, and rewritten orchestral and atmospheric elements. Some of the original drum and bass recordings remain but have been refined for tighter performance. The addition of Spencer Budworth’s powerful growls brings an entirely new energy to the mix, elevating the album to new heights.

“Through The Hollow Raven’s Eyes (Reforged)” stands as the fastest and most complex composition on the record. Trimmed and refined to sharpen its impact, the song features adjusted vocal melodies and lyrics that better match the pacing and atmosphere of the updated arrangement. The result is a dynamic and emotionally charged piece that captures ATAVISTIA’s evolution as both musicians and producers.

The Winter Way (Reforged) showcases ATAVISTIA’s ability to merge cinematic orchestrations with ferocious metal intensity. It was produced, mixed, and mastered by Matthew Richard Sippola at Atavistic Studios with engineering support from Maximilian Sepulveda. The recording lineup includes Mattias Sippola on vocals, guitars, orchestrations, and production, Max Sepulveda on drums, Spencer Budworth on backing vocals, and D’wayne Murray on bass. The album artwork was created by Simo Häsänen.

ATAVISTIA lineup:

Mattias Sippola - Guitar, Vocals, Composition, Production
Max Sepulveda - Drums, Engineering
Elia Baghbaniyan - Guitar
Spencer Budworth - Bass, Vocals
 

About ATAVISTIA:

Formed in 2017 in Vancouver, Canada, ATAVISTIA takes their fans on a spellbinding journey though vast sonic landscapes of snow covered forests, desolate tundras, and permafrost-laden landscapes. Fans of WINTERSUN, ENSIFERUM, DIMMU BORGIR, and XANTHOCHROID will be enthralled by the elements of melodic death metal, black metal, and Scandinavian folk that is intricately woven together throughout their diverse soundscape.

Taking inspiration from the majestic natural landscapes of their homeland, earthly seasons, and ancient Norse culture, ATAVISTIA’s grandiose sound matches these lyrical themes in an impressive symphony of destruction. Their debut EP, One With The Sun (2017) introduced their unique blend of beauty and ferocity, which they followed up with a stormy full-length in 2020 through The Winter Way. The next two releases, the full-length Cosmic Warfare (2023) and the EP Inane Duncam (2024), saw the band spreading their wings and exploring a wider variety of influences. Through it all, ATAVISTIA balances graceful melodies with a brutal rhythmic cacophony, swirling elegance and fury together like a ferocious northern blizzard.

On stage, ATAVISTIA is a force of nature, like waves crashing against a rocky shore. Their music washes over audiences worldwide, leaving them gasping for more long after the last note has faded. They have toured Europe twice alongside notable acts such as SKÁLMÖLD, METSATÖLL, and SEVEN SPIRES, and have opened locally for MOONSPELL, ELEINE, and OCEANS OF SLUMBER. ATAVISTIA has firmly established its presence in a niche among a wide swath of metal genres.

Are you ready to lose yourself in the juxtaposition of lush and arid, the dichotomy of hope and despair, and welcome the inevitable and beautiful end?

REDIVIDER Unleashes “Quartered & Devoured," A Vicious Salvo of Fury and Ritual

Death metal powerhouse REDIVIDER returns with “Quartered & Devoured”, the first single from their upcoming full-length album Sounds of Malice, arriving January 9, 2026 through Third House Communications.

A feral introduction to the chaos that defines Sounds of Malice, “Quartered & Devoured” captures the pure essence of brutality with a lingering feeling of entrapment. The track tells the story of the first humans in Dungeons & Dragons lore, a wild and violent race despised by the gods for their aggression. The lyrics depict a ritual of defiance, where these humans perform a hanging, drawing, and quartering as a sacrificial act against the divine powers that tried to erase them from existence.

Musically, REDIVIDER wastes no time pulling punches. “Quartered & Devoured”hits hard as the opening track, setting the tone for the record with relentless rhythms, haunting tension, and grooves that refuse to let go. The band fuses precision and chaos to create an atmosphere that is both crushing and unforgettable. Each riff lands with weight, every hook sinks deep, building a sense of unease that never lets up. Groove remains the pulse that ties the track together, a foundation of violence that demands attention.

Sounds of Malice marks REDIVIDER’s most intense and immersive work to date, diving headfirst into themes of rebellion, destruction, and the ancient hunger that drives humanity to endure.

About REDIVIDER:

REDIVIDER is a death metal band from Louisville, Kentucky, formed in 2021 by vocalist Jacob Spencer and guitarist Paul Nunavath. Joined by guitarist Jake Atha and bassist Alexander Farrington, the band draws influence from the early Florida death metal scene and bands like CANNIBAL CORPSE, MORBID ANGEL, DEATH, and GORGUTS. With a sound rooted in old school brutality and layered with modern aggression, REDIVIDER combines guttural vocals, dissonant riffs, and relentless groove to create music that is both violent and immersive.

The band made their live debut in 2022 and quickly gained recognition in the underground scene, sharing stages with acts such as CREEPING DEATH, CRYPTA, MASACRE, COGNITIVE, and SEE YOU NEXT TUESDAY. Their debut album Sounds of Malice is a conceptually rich, sonically punishing record that blends fantasy-driven storytelling with crushing heaviness. Written with live performance in mind, REDIVIDER’s music thrives on tension, rhythm, and unapologetic intensity, death metal built to be felt as much as heard.

REDIVIDER Lineup:
 

  • Jacob Spencer – Vocals

  • Paul Nunavath – Guitar

  • Jake Atha – Guitar

  • Alexander Farrington – Bass

  • Mike Hargrave – Drums (live)

OVERT ENEMY Unleash New Lyric Video for “Psychotic Episode,” A Brutal Reflection on the Collapse of Mental Health in America

Texas metal juggernauts OVERT ENEMY have released the lyric video for “Psychotic Episode,” a relentless track from their latest album Insurrection, available now.

“Psychotic Episode” channels pure aggression into a blistering critique of the broken mental health system in America. The song dives into the chaos of a fractured mind, told through one person with three distinct voices. The concept draws inspiration from the psychological tension of films like Split and Glass.

The track is a prime example of OVERT ENEMY’s collaborative lyric writing, blending Leo Ortiz’s visceral storytelling with Hahn’s raw emotional delivery. Musically, “Psychotic Episode” is a storm of precision drumming, razor-sharp riffs, and guttural vocals. It is an aural descent into madness that is as technically impressive as it is thematically intense.

Insurrection pushes the band’s boundaries while staying true to their thrash metal roots, merging face-melting riffs, conceptual storytelling, and unrelenting energy across a diverse tracklist. The album cements OVERT ENEMY’s reputation as one of the most powerful forces in modern thrash.

About OVERT ENEMY:

Formed in 2013 in the heart of Mission, Texas, OVERT ENEMY has become a formidable presence in the global metal scene, known for their raw intensity, technical precision, and relentless pursuit of musical evolution. What began as a tribute to SLAYER guitarist Jeff Hanneman quickly grew into something much larger, as the band developed their own unique sound, blending Texas groove with thrash metal’s speed and aggression. Drawing influence from titans like SLAYER, PANTERA, FEAR FACTORY, and SEPULTURA, OVERT ENEMY has crafted a musical identity that pays homage to these greats while pushing the boundaries of modern metal.

At the core of the band’s sound is a dedication to the power of the riff. Whether it’s the crushing, groove-laden guitar work or their innovative dual-lead guitar harmonies, OVERT ENEMY delivers a high-energy, brutal assault that fans of traditional thrash, groove metal, and even modern progressive metal will appreciate. Their triple vocal approach, featuring vocals from Leo Ortiz, Laura Ortiz, and Robert Hahn, sets them apart from many other bands, giving them a diverse range of vocal textures that perfectly complement their hard-hitting instrumentation.

The band's journey has been fueled not only by their passion for music but also by a deep sense of resilience. Despite personal challenges—including Leo “Lizard” Ortiz’s battle with chronic back issues, Laura “Slayerella” Ortiz’s triumph over cancer, and other life-altering obstacles—the members of OVERT ENEMY have continually pushed forward, proving that their commitment to their craft is unwavering. This tenacity is reflected in their live performances, which have earned them the admiration of heavyweights like MAX CAVALERA of SOULFLY, DINO CAZARES of FEAR FACTORY, and ICE-T of BODY COUNT. OVERT ENEMY has also built a cult following through their tireless dedication to engaging with fans, using every opportunity to connect with their audience on and off stage.

The band’s early work, including the critically acclaimed Inception EP (2018) and Possession EP (2019), laid the groundwork for what was to come, demonstrating their ability to blend thrash’s raw energy with groove metal’s more deliberate, headbanging pace. Their commitment to the old-school metal ethos combined with a modern, forward-thinking approach has made OVERT ENEMY one of the most exciting underground metal bands in the post-pandemic era.

While thrash metal certainly runs through their veins, OVERT ENEMY refuses to be confined by genre. The release of Insurrection marks a new chapter for the band, as they delve into broader sonic landscapes and thematic complexity. The album reflects their growth both musically and personally, touching on themes ranging from personal struggle and mental health to global political unrest and conceptual sci-fi narratives. Every track offers something unique, showing the band’s ability to experiment with diverse sounds and ideas without losing their aggressive edge.

Outside of the studio, OVERT ENEMY has built a reputation as a DIY powerhouse, handling much of their own production, marketing, and fan engagement. Their strong DIY ethic has earned them endorsements from leading brands like Sawtooth Guitars, Emperor Cabs, FU-Tone, and GODPS Music. Despite the challenges of the pandemic, the band has used their time wisely, staying connected with their fans through live streams, social media, and consistent content releases. Their music has also found its way into independent films, further expanding their reach beyond the metal scene.

As they look to the future, OVERT ENEMY remains committed to creating music that not only reflects their personal experiences but also resonates with fans around the world. They are driven by faith, family, and a passion for their art, and they continue to be a beacon of the metal resurgence, blazing their own trail in the genre.

OVERT ENEMY is:

  • Leo “Lizard” Ortiz – Guitar/Vocals

  • Laura “Slayerella” Ortiz – Bass/Vocals

  • Robert Hahn – Guitar/Vocals

  • Saul Castillo – Drums

AGENBITE MISERY Release “A Charitable View of Temporary Insanity”

Experimental metal trio AGENBITE MISERY have released “A Charitable View of Temporary Insanity,” the latest track from their forthcoming debut album Remorse of Consciousness, due out February 6, 2026.

Serving as the emotional centerpiece of the record’s first half, the song is a sprawling meditation on death, memory, and inner turmoil. It adapts the “Hades” episode from James Joyce’s Ulysses, in which protagonist Leopold Bloom journeys through Dublin to attend a funeral while reflecting on personal loss. With lyrics drawn directly from Bloom’s internal monologue, the band translates Joyce’s psychological density into a massive, genre-warping composition.

The track unfolds with a gentle, ambient intro that evokes the quiet tension of a city morning. Subtle field recordings and bass harmonics set the scene before a crushing sludge riff drops in, anchoring the song’s emotional gravity. From there, the composition drifts between suffocating heaviness and moments of haunted clarity. Elements of funeral doom, acoustic interludes, blackened chaos, and harsh noise are woven together with meticulous intent.

One of the track’s most jarring moments comes when the instrumentation falls away completely, leaving only sparse percussion and a raw, grief-stricken vocal. The lyrics, drawn from Bloom’s thoughts about his deceased infant son, strike with an emotional immediacy that few metal bands attempt, let alone deliver with this level of conviction.

“A Charitable View of Temporary Insanity” is a clear statement of purpose from a band committed to exploring the limits of what heavy music can express. While dense and ambitious, the song remains grounded in thoughtful, evocative songwriting that rewards close listening.

Remorse of Consciousness adapts each chapter of Ulysses into a standalone piece, forming a concept album that bridges literary complexity with sonic extremity. With this single, AGENBITE MISERY continues to carve out a space entirely their own, where literature and extreme metal converge with startling clarity.

About AGENBITE MISERY:
AGENBITE MISERY is a New Hampshire-based trio that fuses literary ambition with the visceral force of experimental metal. Formed in 2022 by guitarist Sam Graff, bassist Cam Netland, and drummer Adam Richards, the band emerged from a shared academic background in literature and a mutual devotion to the most extreme and boundary-pushing corners of heavy music.

At its core, AGENBITE MISERY is a project rooted in transformation. Their work doesn’t merely incorporate influences, it dismantles them, reshapes them, and recontextualizes them within a vision that is as cerebral as it is punishing. Their sound weaves together elements of black metal, sludge, death metal, post-punk, ambient, and noise rock, unified not by style but by intent: to confront, to immerse, and to challenge.

Individually, the members bring a history of musical experimentation: Sam Graff and Adam Richards were longtime collaborators in the avant-garde project UNDER GREEN SUNS and the Boston metalcore outfit VICARIUM, while Cam Netland previously fronted the Connecticut stoner/black metal band COAGULATE. Together, they’ve forged something entirely distinct, a collective voice that draws from their diverse histories but refuses to be defined by any one genre or scene.

AGENBITE MISERY exists at the edge of metal and the margins of modern art, translating abstract ideas into concrete sound with unrelenting force. Whether performing live or recording in isolation, their ethos remains constant: dig deeper, aim higher, and never repeat what has already been done.

AGENBITE MISERY is:
Sam Graff – Guitars / Vocals / Synth
Cam Netland – Bass / Vocals
Adam Richards – Drums / Vocals

Connect with AGENBITE MISERY:
Bandcamp: https://agenbitemisery.bandcamp.com
Facebook: https://www.facebook.com/profile.php?id=61574211514876#
Instagram: https://www.instagram.com/agenbitemisery/?hl=en
YouTube: https://www.youtube.com/channel/UCwjOZilhkqTRkZHpJJwlbhw
Spotify: https://open.spotify.com/artist/6dYQgCtNvpvNWwfQ06LQQZ
Apple Music: https://music.apple.com/us/artist/agenbite-misery/1716987132
TikTok: https://www.tiktok.com/@agenbite.misery
Ampwall: https://agenbitemisery.ampwall.com/

Beast Eagle - Sorceress

Mesmerizing groove riffs and fiercely enchanting vocals await in this magical new offering, Sorceress. Highly compelling with guitar-driven arrangements ensnaring melodies and lyrical hooks, Sorceress will arrive on November 21st, 2025, via Golden Robot Records. 

"Sharp Tongue" introduces Sorceress with a gritty edge. The EP's narrative begins here, "telling the story of a witch who’s more afraid of herself than anyone else is. As her powers grow stronger, so does the fear she’s losing control." Balancing light and shade across the high octane instrumentation, the protagonist's fate could fall in either direction. 

The alluring "The Dead Follow" continues the story of a witch awakening - finding herself and her power. "The track channels that disorientation into raw, driving energy, blending mysticism with rebellion." BEAST EAGLE explain. "It’s a gritty anthem for anyone who’s ever grown into something stronger and stranger than the world was ready for."

Increasing the voltage, the electrifying "Send Me Down" sees a consortium of riffs entwine and wind alongside alluring vocal harmonies. The thunderous nature reflects our witch's sinister turn: "banished to a dark realm, the witch doesn't hide or run—she rises. [...] This is her kingdom now. It’s loud, it’s wicked, and it’s hers. Bow down or burn."  

An eerie anticipation emerges through the dark and discordant "Witch Hunt". The vengeance of a tormented village brings to fruition in a blaze of smoke and fire: "this isn’t just a song—it’s a reckoning set to a riot of sound. No one escapes the flames."

A crushing betrayal concludes BEAST EAGLE's mystical tale. Abrasive riffs and intense rhythms reveal the epic twist of fate in the witch's journey as the village she once protected turn against her. It is not the end however, "fire doesn’t silence her—it awakens something deeper. As the flames rise, so does her final, eternal curse."

About BEAST EAGLE
Soaring out of Omaha, Nebraska, heavy quartet BEAST EAGLE evoke a powerful take on hard rock driven by rock 'n' roll sensibilities. Influenced by the likes of KYUSS, HE IS LEGEND, and MASTODON, the band's huge sound is spearheaded by a fury of riffs and unyielding vocals. Since forming in 2019, BEAST EAGLE unleashed their first full length Loud at Flat Black Studios in 2021 with the self-titled EP following in 2023. Most recently, BEAST EAGLE were bestowed the title of Omaha Entertainment Award Association Best Hard Rock Band 2025. The forthcoming guitar-led, blues influenced offering, Sorceress is set to be unveiled on November 21st, 2025, via Golden Robot Records. 

Line Up:
Kate Lewis (Vocals)
Austin L’Ecuyer (Guitarist)
August Sievering (Drums)
Toby Wandel (Bassist)

EP Credits: 
Producer: Rick Carson
Recording Studio: Make Believe Studio
Engineer: Ryan Harvey
Mastering: Rick Carson
Mixing: Rick Carson
Album Cover Artist: Austin L’Ecuyer

ATAVISTIA Unveil "The Atavistic Forest (Reforged)," Announce Album

Symphonic melodeath storytellers ATAVISTIA are set to return with The Winter Way (Reforged), a magnificent re-recording of their 2020 album, on December 12 via Blood Blast Distribution. Lead single “The Atavistic Forest (Reforged)” roars straight into the first verse, no intro needed. Charging riffs and ferocious vocals briefly give way to gorgeously atmospheric soundscapes, then ramp up the intensity as the sonic labyrinth whirls onward. Intended to be a powerful introduction to ATAVISTIA's new songwriting, performance, and production capabilities, "The Atavistic Forest (Reforged)" has been reworked more than any other song on the album. The band also revised the song's lyrics for clarity and thematic consistency, demonstrating an exacting attention to detail that showcases the care they put into each release. 

Sippola comments, "For the first time in my life, I’m happy with this album. It took quite the toll on my mental health releasing it when we did but there’s no reason to dwell anymore. It is the way it should’ve been!"

ATAVISTIA lineup:

Mattias Sippola - Guitar, Vocals, Composition, Production
Max Sepulveda - Drums, Engineering
Elia Baghbaniyan - Guitar
Spencer Budworth - Bass, Vocals
 

About ATAVISTIA:

Formed in 2017 in Vancouver, Canada, ATAVISTIA takes their fans on a spellbinding journey though vast sonic landscapes of snow covered forests, desolate tundras, and permafrost-laden landscapes. Fans of WINTERSUN, ENSIFERUM, DIMMU BORGIR, and XANTHOCHROID will be enthralled by the elements of melodic death metal, black metal, and Scandinavian folk that is intricately woven together throughout their diverse soundscape.

Taking inspiration from the majestic natural landscapes of their homeland, earthly seasons, and ancient Norse culture, ATAVISTIA’s grandiose sound matches these lyrical themes in an impressive symphony of destruction. Their debut EP, One With The Sun (2017) introduced their unique blend of beauty and ferocity, which they followed up with a stormy full-length in 2020 through The Winter Way. The next two releases, the full-length Cosmic Warfare (2023) and the EP Inane Duncam (2024), saw the band spreading their wings and exploring a wider variety of influences. Through it all, ATAVISTIA balances graceful melodies with a brutal rhythmic cacophony, swirling elegance and fury together like a ferocious northern blizzard.

On stage, ATAVISTIA is a force of nature, like waves crashing against a rocky shore. Their music washes over audiences worldwide, leaving them gasping for more long after the last note has faded. They have toured Europe twice alongside notable acts such as SKÁLMÖLD, METSATÖLL, and SEVEN SPIRES, and have opened locally for MOONSPELL, ELEINE, and OCEANS OF SLUMBER. ATAVISTIA has firmly established its presence in a niche among a wide swath of metal genres.

Are you ready to lose yourself in the juxtaposition of lush and arid, the dichotomy of hope and despair, and welcome the inevitable and beautiful end?

PALE HORSE RITUAL Challenge Dogma with New Single “Holy Lies”

Canadian heavy psych doomers PALE HORSE RITUAL return with “Holy Lies”, the latest single from their forthcoming album Diabolic Formation, arriving November 28 through Black Throne Productions. Bold and unflinching, the song pulls no punches as it confronts centuries of religious power structures and the human cost left in their wake.

“Holy Lies” lays bare the contradictions between immense spiritual wealth and real-world suffering. Its lyrics push against the hierarchy and fear tactics often used to enforce obedience, shining a harsh light on the ways control is cloaked in sanctity. At the heart of the track is a call for equity and liberation. It is an insistence that no one is born to kneel.

Driven by low-end groove and a wall of saturated tone, the band finds a razor-sharp balance between weight and momentum. The guitars churn through layers of fuzz, while the rhythm section carves a deliberate, relentless path forward. There's a hypnotic pull to the song’s structure, anchored by a hook that lingers long after the final note.

With Diabolic Formation on the horizon, the band continues to sharpen their vision, crafting a record that explores the darker corners of belief, power, and the struggle to reclaim autonomy in a world built to obscure it. Pre-orders are available HERE. 

About PALE HORSE RITUAL
Steeped in mysticism, PALE HORSE RITUAL create an spellcasting blend of doom, occult rock and vintage metal. Based out of Hamilton, Ontario, Canada, the band formed in 2024 and their sound is driven by gritty vocals, sludgy riffs, and pounding rhythms that channel the spirit of 1970s heavy music with a modern, gothic edge. Following their alluring 2024 EP titled Enchantress, the quartet are preparing to unveil the full-length, Diabolic Formation on November 28, via Black Throne Productions. 

Line Up: 
Paco (Bass/Vocals)
James Matheson (Lead Guitar)
Will Adams (Rhythm Guitar/Backing Vocals)
Jonah Santa-Barbara (Drums)

Album Credits:
Producer: Will Adams
Recording Studio: Green Mountain Ranch
Engineer: Will Adams at Tell Me About It… Records
Mastering: Zack Hollow at Z Hollow Studios
Mixing: Will Adams

Guest Musicians:
Dom Valela- Keys, Vocals
Doom Valhalla- Italian Preacher

PROFANE ELEGY Declares Defiance with New Single “I Am”

Independent black metal force PROFANE ELEGY returns with their latest single, “I Am,” a blistering anthem of rebellion and self-assertion that challenges both divine authority and human limitation.

Emerging from the underground in 2023, PROFANE ELEGY began as a two-man studio vision before evolving into a full four-piece band. Though divided across Pennsylvania and New Jersey, the members have built a creative bond through remote collaboration. Countless file exchanges, late-night group chats, and a shared intensity brought their upcoming full-length album Herezjarcha to life.

“I Am” draws inspiration from the Book of Exodus, where Moses demands the name of God and receives the cryptic reply, “I am that I am.” In the hands of PROFANE ELEGY, this moment of divine revelation becomes a declaration of human defiance. It is not an act of submission but one of reclamation. With searing riffs, towering percussion, and an unrelenting vocal presence, “I Am” channels raw conviction into a sonic embodiment of will and resistance.

Following their acclaimed 2023 debut When All Is Nothing, which drew praise for its fusion of atmospheric black metal and doom-laden despair, the upcoming record promises to be heavier, more dynamic, and thematically deeper. Produced by J Gulick and mastered by Kevin Antreassian (Backroom Studios), Herezjarcha embodies the band’s commitment to vision over genre purity, weaving together black, doom, death, and progressive elements with orchestral textures and philosophical lyricism.

About PROFANE ELEGY

PROFANE ELEGY is a black metal band from Bangor, Pennsylvania, formed in late 2021 by guitarist J Gulick and vocalist Mikael L. Originally conceived as a two-man studio project, the band quickly evolved into a full lineup with the addition of bassist David G and drummer Sean M in 2023. What sets PROFANE ELEGY apart is their refusal to remain confined within genre boundaries—while rooted firmly in black metal, their sound incorporates elements of death, doom, and progressive metal, often enhanced by orchestral arrangements and clean vocals.

The band’s debut album When All Is Nothing (2023) was released independently and drew attention for its blend of atmospheric aggression and emotional vulnerability. The release earned praise for its ability to move fluidly between blistering speed and melancholic melody, with Doom Heart calling it “a massive Doom delight.” Following the album’s release, PROFANE ELEGY made their live debut and began performing across the northeastern United States, including a notable support slot for Dark Funeral in late 2024.

Lyrically, the band explores themes of nihilism, mortality, philosophy, and religious symbolism, often invoking figures like Satan not as dogmatic statements, but as metaphors in a broader spiritual and existential dialogue. Their work is poetic, introspective, and often challenges the listener to confront uncomfortable truths about life, death, and belief.

Their upcoming full-length album Herezjarcha, set for release in January 2026, represents the band’s most ambitious and expansive work to date. With a more dynamic sound, deeper orchestration, and a clear conceptual throughline, the record pushes their sonic and thematic boundaries further than ever before. The album title, the Polish translation of the English word heresiarch (meaning arch-heretic), encapsulates the spirit of the band: rebellious, introspective, and unafraid to question the sacred.

PROFANE ELEGY continues to forge a unique path within the underground metal scene. Blending bleak intensity with philosophical weight, they aim not just to be heard—but to be felt.

PROFANE ELEGY is:
 

  • Mikael L – Vocals, Orchestration

  • J Gulick – Guitars, Orchestration

  • David G – Bass, Orchestration

  • Sean M – Drums


Connect with PROFANE ELEGY:
 

CLOCKTOWERS Unleash Hypnotic New Single “Bend the Snake” from Upcoming Album Genesis

Rising modern rock outfit CLOCKTOWERS returns with their electrifying new single, “Bend the Snake,” a hypnotic and emotionally charged track from their forthcoming album Genesis. Blending metal’s modern edge with the soul of 70s rock, CLOCKTOWERS continues to cement their reputation as one of the most genre-bending acts in today’s rock scene.

From the moment the guitars kick in, “Bend the Snake” commands attention with a pair of interlaced riffs, equal parts intricate and infectious, that merge into an upbeat, snakecharmer-like groove. The rhythm section follows suit, with smooth basslines and tight drum work accentuating the hypnotic pulse of the song. When Tarek Puska’s baritone vocals enter, they carry a sense of authority and depth, enveloping each lyric in controlled intensity.
 

The harmonies complement the guitarwork with wit and skill, while the chorus fuses the grit of modern metal with the swagger of 70s rock. Midway through, the track takes a sharp, exhilarating detour into classic rock territory, echoing the free-spirited stylings of the band Free.

Lyrically, “Bend the Snake” ventures into mystical and philosophical territory. Penned by Dakota Logan, the song explores themes of illusion, reality, and the hidden forces shaping the world.

About CLOCKTOWERS:

CLOCKTOWERS is a genre-blending rock/metal duo that proves lightning can strike twice—first in the past, then in the most unexpected moment years later. The band was officially born in 2022, but the story begins long before that.

Vocalist Tarek Puska and multi-instrumentalist Dakota Logan first crossed paths in an earlier metal outfit that spent five years grinding through shows, songwriting sessions, and the chaotic rhythm of band life. Life eventually pulled them in different directions—but fate clearly had other plans. Years later, in the unassuming town of Reily, Ohio, the two reconnected by chance at a local pizza joint. A quick conversation turned into a jam session. One riff became a song—“Spirit Junkie”—and by the end of that session, CLOCKTOWERS had begun.

What followed was a creative eruption. Tarek and Dakota fell into a regular routine, meeting 2 to 3 days per week to write, explore sounds, and record from the ground up in a DIY home studio setting. Over the next two years, this process grew into their debut full-length album, Genesis—a record that pulses with heavy riffs, soaring melodies, and the kind of authenticity that only comes from lived experience and musical trust.

At its core, CLOCKTOWERS thrives on contrast and chemistry. Tarek, born in 1969, brings a lifetime of hard-earned perspective and vocal power rooted in classic metal and rock traditions. Dakota, born in 1995, injects fresh energy, fearless experimentation, and a modern edge that pushes the sound into uncharted territory. Their 25-year age gap isn’t a limitation—it’s a superpower. It allows the band to seamlessly blend old-school grit with new-school fire, delivering music that’s nostalgic without being dated, current without being trendy.

CLOCKTOWERS draws inspiration from a wide palette of heavy music: the swagger and electricity of AC/DC, the doom-soaked weight of BLACK SABBATH, the eerie theatricality of GHOST, the brooding darkness of TYPE O NEGATIVE, the bombast of KISS, and the razor-sharp muscle of METALLICA. Yet, these aren’t just influences—they’re launch pads. CLOCKTOWERS takes what’s familiar and twists it into something personal and raw, layering in textures, emotions, and hooks that make their sound unmistakable.

The band’s songwriting is deeply intentional. Some tracks stem directly from personal experience—loss, growth, heartbreak, and perseverance—while others flow from instinct and emotion, letting the pen follow the pulse of the heart. The result is music that hits hard not just sonically, but emotionally. Big choruses, pounding grooves, and intricate guitar work are matched with lyrics that are introspective, honest, and often cathartic.

One of their standout tracks, “Ashes,” caught the attention of Jason Viebrooks, known for his work with HEATHEN, GRIP INC., and now EXHORDER. Viebrooks lent his talents on bass and guitar alongside Dakota for the single, while Todd J. Farler, a seasoned drummer from Cincinnati, added a thunderous groove that elevated the track even further. It’s the only track on the record that features guest musicians—every other note, riff, and lyric on Genesis comes straight from the two founding members. That was a deliberate decision. CLOCKTOWERS is about preserving a raw, undiluted vision. No filler. No compromises.

With Genesis, CLOCKTOWERS has positioned itself not just as a band, but as a statement—a declaration that real, passionate, no-bullshit rock and metal is alive, evolving, and still capable of hitting you straight in the soul. Whether you’re a lifer raised on vinyl and leather jackets, or a newcomer looking for authenticity in a crowded digital landscape, CLOCKTOWERS offers something that resonates.

This is music forged in connection. Fueled by memory. Driven by instinct. And played with the kind of conviction that can only come from two people who live and breathe it.

CLOCKTOWERS is:

  • Tarek Puska – Vocals

  • Dakota Logan – All instruments (guitars, bass, additional production)

EDGE OF PARADISE Unveil Cinematic Cover of “Requiem for a Dream”

International cinematic rock band EDGE OF PARADISE have released their powerful reimagining of the iconic Requiem for a Dream theme. Known for fusing soaring vocals, heavy riffs, and immersive soundscapes, the band takes the haunting score into new depths, transforming it into a massive, larger-than-life experience that bridges the worlds of film and metal. 

Following the success of their latest album Prophecy (Napalm), the band continues to expand their multimedia universe, accompanying this powerful composition with a striking visual counterpart, a music video that immerses viewers in EDGE OF PARADISE’s signature fusion of sound, story, and atmosphere.

"This theme has always resonated deep within and inspired me to see how a simple melody can open entire worlds” says vocalist Margarita Monet. “With our version we wanted to amplify that emotion, the darkness, the light, and everything in between, and we're excited to experience it with you through our dimension, on the stages and beyond.”

The artwork created by Margarita was unveiled at the NoHo CineFest in Hollywood, where she received the Outstanding Artist Award for her visual work and storytelling. Her graphic novel’s narrative extends EDGE OF PARADISE’s cinematic universe, seamlessly connecting the band’s music, imagery, and philosophy through art. Additionally, the band’s song “The Unknown” will be featured in the upcoming feature film The Complete Course of Howard French, directed by Gustavo Sampaio,  expanding their presence across both the music and film landscapes.

Margarita adds: “What also makes this so special to me is how everything I love intertwines — making the art, the music, the visuals. From painting the cover and crafting the crown to shaping the story through dance and direction, every moment reflects a piece of my soul.”

This release follows a remarkable year for the band, supporting PROPHECY with North America and European tours. 

EDGE OF PARADISE will also embark on a string of dates alongside LOVE BITES to bring their show to audiences worldwide:

Tickets and VIP upgrades: https://www.national-acts.com/edgeofparadise
Nov 4 - New York City, NY - The Gramercy Theatre
Nov 5 - Baltimore, MD - Baltimore Soundstage 
Nov 7 - Lakewood, OH - The Winchester
Nov 8 - West Dundee, IL - Rookies Rochaus
Nov 10 - Lawrence, KS - The Granada Theater
Nov 11 - Dallas, TX - Trees Dallas
Nov 12 - Austin, TX - Come and Take It Live
Nov 14 - San Luis Obispo, CA Freemont
Nov 15 - Los Angeles, CA - The Vermont Hollywood

The “Requiem for a Dream” cover is now available worldwide on all streaming platforms https://ffm.to/2d1gqpw

"Requiem for a Dream (and the Angels of Static)" is mixed and mastered by Jacob Hansen, and engineered by Mike Plotnikoff and Rob Black. The music video was directed by Margarita Monet and Julian Oyanedel Santiesteban. 

Out Now From ALL HELL - Sunsetter

ALL HELL returns from the shadows with their fifth full-length album, Sunsetter, arriving on Terminus Hate City. From their origins in Asheville, North Carolina in 2013, the band has carved a singular path through the underground, blending elements of first wave black metal, deathrock, punk, and film score atmospheres into something entirely their own. Sunsetter is the culmination of years of evolution and hardship, a concept record that stretches from ancient myth to modern apocalypse, driven by fire, blood, and vision.

The band (Jacob Curwen on guitar and vocals, Erik Ballantyne on bass, and Elanti on drums) began work on Sunsetter after the release of 2019’s The Witch’s Grail. Progress was slow and plagued by constant disruption. The pandemic struck, personal tragedies followed, and devastating floods hit their home region. In the midst of all this, the band found themselves burned out and disillusioned with metal entirely. But after stepping back and rediscovering their creative hunger, they emerged with a record that is not only their most metal release to date, but also their most fully realized.

Sunsetter tells a sprawling, violent tale of exile, rebirth, and cosmic vengeance. The story begins in ancient times with the curse of Cain, the first murderer, cast into the land of Nod where he joins with Lilith, the exiled first wife of Adam. From their union comes a cursed bloodline. The album’s opening track, “Exiled into Nod,” skips any slow buildup and immediately drops the listener into the chaos of this mythic prayer. It is followed by “Dominus Sanguis, Domina Nox,” a dark hymn to the Lord of Blood and the Lady of Night, and then “The Violent Brood,” a classic ALL HELL track that portrays the frenzy of being hunted by Cain's spawn.

“The Bleeding” flips the perspective and explores the mind of a predator, with a guest solo from Nate Garnette of SKELETONWITCH adding another layer of menace. The title track, “Sunsetter,” takes a more triumphant tone, capturing the defiance and pride of the children of Cain as they reject the sun and claim dominion over the night. Its straightforward power made it the obvious choice for the album’s name.

Side two of the album begins with “The Flood and the Death,” a cinematic, spoken-word interlude that sets the stage for a shift in time. The next chapter takes place centuries later, where the bloodline of Cain has survived the flood and reemerges in the present. “Behold the Night” brings this rebirth to life with driving energy and shifting dynamics. “Path of Cain” offers a darkly anthemic reflection on lineage, sin, and survival.

The final act of the album accelerates toward doom. “Sacrifice to Shadow” portrays a cult's plea for the return of their ancient masters, while “The Ancients Rise” delivers on that prophecy with grinding riffs and ominous brass that call back to the album’s ancient beginnings. The closing track, “The Outer Night,” brings it all to an end. It begins with militaristic urgency, climbs to apocalyptic grandeur, and fades into the cold silence of a world overrun. Cain and Lilith return, and the sun sets for the last time.

The album was recorded, mixed, and engineered by Chris Adams at Hidden Audio, with mastering by Jacob Curwen. The visual aesthetic, including the album art, was also created by Curwen, preserving the band’s independent and uncompromising approach.

The sun fades. The night takes hold. The world belongs to ALL HELL.

About ALL HELL:

ALL HELL is a blackened metal trio from Asheville, North Carolina, known for their relentless fusion of first wave black metal, deathrock, punk, and horror-driven storytelling. Since forming in 2013, the band has carved out a distinct identity rooted in occult themes, razor-sharp riffs, and a fierce DIY ethos. Their sound is aggressive, stripped-down, and deeply atmospheric — a raw, unfiltered descent into myth, violence, and the supernatural.

With five full-length albums and an EP to their name, including 2025’s apocalyptic concept record Sunsetter, ALL HELL has evolved from a local cult favorite into a powerful underground force. Their live presence has taken them across the U.S., sharing stages with acts like RINGWORM, BLACK TUSK, PROFANATICA, and TURN COLD, and performing at festivals such as Decibel Metal and Beer Fest, Dark Lord Day, and RPM Fest.

The current lineup, Jacob Curwen (guitar and vocals), Erik Ballantyne (bass), and Elanti (drums), continues to push the band’s sound forward while staying true to its core. With each release, ALL HELL digs deeper into a unique mythos that spans history, horror, and apocalypse, embracing the dark, the ugly, and the eternal night.

ALL HELL is:

  • Jacob Curwen – Guitar and Vocals

  • Erik Ballantyne – Bass

  • Elanti – Drums


Connect with ALL HELL:

Bandcamp: https://allhell.bandcamp.com
Facebook: https://facebook.com/allhellband
Instagram: https://instagram.com/allhellband
Spotify: https://open.spotify.com/artist/5FVXnF7zGfuo8WF5qq4XHK
Apple Music: https://music.apple.com/be/artist/all-hell/925520478

BEAST EAGLE Drops Ferocious New Single “Sharp Tongue” Ahead of Sorceress EP

BEAST EAGLE is back with a fierce new single, “Sharp Tongue”, the third single from their upcoming EP Sorceress, due out November 21 on Golden Robot Records.

Built on jagged guitars and a storm of emotion, “Sharp Tongue” tells the story of a woman grappling with power she no longer understands. The track fuses haunting vocal lines with heavy, grinding riffs, crafting a sound that’s both cinematic and confrontational. It captures a descent into inner chaos, where the threat isn’t the world outside, but the strength within.

The band leans into darker territory on this release, embracing vulnerability without sacrificing weight. “Sharp Tongue” pulls no punches. It’s raw, tightly wound, and driven by a sense of urgency that refuses to let up.

Sorceress promises to explore themes of control, identity, and transformation. With “Sharp Tongue” as a preview, BEAST EAGLE continues to push their sound forward: louder, darker, and more emotionally charged than ever.

About BEAST EAGLE
Soaring out of Omaha, Nebraska, heavy quartet BEAST EAGLE evoke a powerful take on hard rock driven by rock 'n' roll sensibilities. Influenced by the likes of KYUSS, HE IS LEGEND, and MASTODON, the band's huge sound is spearheaded by a fury of riffs and unyielding vocals. Since forming in 2019, BEAST EAGLE unleashed their first full length Loud at Flat Black Studios in 2021 with the self-titled EP following in 2023. Most recently, BEAST EAGLE were bestowed the title of Omaha Entertainment Award Association Best Hard Rock Band 2025. The forthcoming guitar-led, blues influenced offering, Sorceress is set to be unveiled on November 21st, 2025, via Golden Robot Records. 

Line Up:
Kate Lewis (Vocals)
Austin L’Ecuyer (Guitarist)
August Sievering (Drums)
Toby Wandel (Bassist)

EP Credits: 
Producer: Rick Carson
Recording Studio: Make Believe Studio
Engineer: Ryan Harvey
Mastering: Rick Carson
Mixing: Rick Carson
Album Cover Artist: Austin L’Ecuyer

Links:
Bandcamp: https://beasteagle402.bandcamp.com/
TikTok: https://www.tiktok.com/@beasteagle402
Instagram: https://www.instagram.com/beast.eagle
Facebook: https://www.facebook.com/BEASTEAGLENE/

ØVI Unleashes “Lilith,” the Venomous Opening Track from Upcoming EP Hedera Helix

ØVI returns with “Lilith,” the searing first single from their forthcoming 2026 EP, Hedera Helix. A venomous ode to entanglement and emotional toxicity, “Lilith” sets the tone for an uncompromising and cathartic body of work.

Serving as the opening chapter of the EP, “Lilith” captures the seductive yet suffocating presence of manipulative forces and is a reflection on those who exploit vulnerability under the guise of intimacy. ØVI draws on the haunting image of poison ivy to illustrate how these figures creep in, beautiful yet parasitic, until they are finally confronted and cut away. It’s a track where attraction collides with revulsion, and clarity rises from the ashes of rage.

Driven by razor-sharp lyricism and a visceral soundscape, “Lilith” pulses with fury honed into focus, anger transformed into power. The track is accompanied by a cinematic music video that further delves into its themes of entrapment, temptation, and liberation, mirroring the song’s spiraling tension and eventual rupture.

“Lilith” also features prominently in the upcoming independent film The Roughneck, adding yet another layer of depth and resonance to the track’s uncompromising energy.

Named after the ivy plant known for its relentless spread and permanence, Hedera Helix is ØVI’s boldest work to date. Across four tracks, the EP explores toxic relationships, parasitic dynamics, and the reclamation of self. Each song vines outward with unchecked intensity, echoing the ivy’s invasive sprawl, not to destroy, but to mark, to grow, and to survive.

Rather than wallow in despair, Hedera Helix transforms pain into propulsion. It’s a soundtrack of confrontation, of breaking cycles, and of embracing rage as a form of renewal. ØVI’s message is clear: vulnerability is not weakness, and survival is not silence.

Connect With OVI:

Official Website: https://www.oviorder.com/
Bandcamp: https://oviorder.bandcamp.com/track/crucifixation
Facebook: https://www.facebook.com/profile.php?id=61554332926141
Instagram: https://www.instagram.com/oviorder/?hl=en
YouTube: https://www.youtube.com/@OVIORDER
Spotify: https://open.spotify.com/artist/5RjQGeAtl7pxJUmiEe7Qbe?si=HmcoaTnKTeGeXpEnRbmn3g
Apple Music: https://music.apple.com/us/artist/%C3%B8vi/1742286528
TikTok: https://www.tiktok.com/@oviorder

OVI is:

  • Michael Nolasco - Vocals/Guitar

  • Zed Amarin - Drums

  • Kevin McCombs - Bass

  • Brendan Collins - Guitar

REDIVIDER Unleashes First Single "Sounds Of Malice"

REDIVIDER, the Louisville-based death metal band known for their blend of old school brutality and modern aggression, has released their debut single “Sounds of Malice” today on all streaming platforms. The track is the first offering from their forthcoming full-length album Sounds of Malice, which will be released on January 9, 2026 through Third House Communications.

“Sounds of Malice” introduces listeners to REDIVIDER’s punishing sound and fantasy-driven lyrical style. The song tells the story of a deranged wizard addicted to Liquid Pain, a dark substance harvested from human suffering. Vocalist Jacob Spencer’s delivery is both guttural and deliberate, carried by twisting guitar riffs, time signature shifts, and melodic dissonance.

The full-length album Sounds of Malice will feature seven tracks written with live performance in mind, each exploring themes of death, ritual, and myth. Recorded between Round Table Recording Company and Michael Kent O’Bryan Studio, the album was engineered by Michael Kent O’Bryan and Brian “Bone” Thorburn, mixed by Paul Nunavath, and mastered by Dan Swano at Unisound. The result is a record that captures REDIVIDER’s intense live presence while delivering clarity and depth.

About REDIVIDER:

REDIVIDER is a death metal band from Louisville, Kentucky, formed in 2021 by vocalist Jacob Spencer and guitarist Paul Nunavath. Joined by guitarist Jake Atha and bassist Alexander Farrington, the band draws influence from the early Florida death metal scene and bands like CANNIBAL CORPSE, MORBID ANGEL, DEATH, and GORGUTS. With a sound rooted in old school brutality and layered with modern aggression, REDIVIDER combines guttural vocals, dissonant riffs, and relentless groove to create music that is both violent and immersive.

The band made their live debut in 2022 and quickly gained recognition in the underground scene, sharing stages with acts such as CREEPING DEATH, CRYPTA, MASACRE, COGNITIVE, and SEE YOU NEXT TUESDAY. Their debut album Sounds of Malice is a conceptually rich, sonically punishing record that blends fantasy-driven storytelling with crushing heaviness. Written with live performance in mind, REDIVIDER’s music thrives on tension, rhythm, and unapologetic intensity, death metal built to be felt as much as heard.

REDIVIDER Lineup:
 

  • Jacob Spencer – Vocals

  • Paul Nunavath – Guitar

  • Jake Atha – Guitar

  • Alexander Farrington – Bass

  • Mike Hargrave – Drums (live)


Connect with REDIVIDER: