Rogue Announce Papercut Recordings Signing + Drop New Track "Dominion" and Official Music Video

Hailing from New Orleans, Louisiana, progressive metalcore outfit Rogue have released their new track and music video "Dominion", via their new label home, Papercut Recordings. The dark, industrial-laced single speaks to the strong influence that various types of addiction can have over one's life. When asked about the song and signing, the band shared:

"‘Dominion’ is a song about the grip that different forms of addiction and temptations in life can have over us. While drugs are the most usual form of addiction, we kept the lyrics more open to interpretation so that it can apply to most vices whether that be sex, money, power, food, etc. We adamantly stand united with all of those who suffer from these afflictions, and want them to know they are not alone. We have been there ourselves in different forms, and we urge anyone struggling to reach out and take advantage of different resources whether that is calling the Substance Abuse and Mental Health Services National Helpline at 1-800-662-HELP, dialing ‘988’ for the Suicide and Crisis Lifeline, or texting TALK to 741741 to receive resources for what you may be going through.

We are so excited to finally put ‘Dominion’ out into the world. We know our fans have been waiting patiently, and we’re happy to have found a home with Papercut Recordings to finally help some new music see the light of day. ‘Dominion’ is the perfect hybrid song that takes all of our favorite parts of the old Rogue sound, and infuses the past 5 years of new influences that have inspired us. Thanks for being here with us in this new chapter, and we look forward to sharing more next year that delves further into these new sounds."

Stream "Dominion" at the link here, and watch the official music video below.

“dominion” - supreme authority; absolute ownership; possession of ability to wield force or influence

Four years removed from their last record ‘Phantom', Rogue returns with new single "Dominion" with a new message in tow. While loyal listeners of the band have grown to expect the scrutinization of political structures and metaphysical realities from vocalist Jansen Nunezatop pummeling riffs from guitarist Jeffrey Fisher, the progressive metalcore act have shifted into unchartered territory with "Dominion" to reflect on something different: themselves.

Following the introspective and somber tone on ‘Phantom’, the trilogy the band had crafted across their first three records was now complete. But all the time spent looking inward during a global pandemic took its toll, and the band decided to take a break until they felt a new message needed to be shared. Enter ‘Club Gore’ in January 2025, which introduced fans to the first change in direction with talks of hopelessness, apathy, and the human condition that can only be described as yearning to feel something among all the chaos of the world. Now with "Dominion", fans can get a deeper understanding of this darker path with the tackling of temptation and addiction.

Never ones to abandon the sound referred to as “face-shattering” and “hard-hitting” by The Noise, darker industrial elements and ambient soundscapes are further explored this time around, with more influence from film scores on display than ever before. These new sounds and inspirations stemmed from a disdain towards stoicism and complacency- both in the band’s musical and personal lives. With humble beginnings in rural Louisiana cities and eight years having passed since the debut single "Meta", Rogue acknowledges and embraces their roots, but refuses to remain trapped in motion, never doing the same thing twice. "Dominion" is evidence of this, and this display of vulnerability will only be further explored in the next chapter to come.

Rogue Is:

Jeffrey Fisher - Guitar

Jansen Nunez - Vocals

Thomas Scheltema - Drums

Gentry Lynn - Bass

ALL THE DAMN VAMPIRES Announce Debut Album; Share New Single & Music Video "Last Man Standing"

Los Angeles based synthwave-meets-alternative-metal pioneers, All The Damn Vampires have dropped brand new single, "Last Man Standing", alongside a sprawling, neon-drenched visual that watches two lovers refuse to let go of eachother as Los Angeles, and everything around them, burns to the ground. The track blends vintage synthwave textures with crushing alternative metal and arrives as the first single from the project's debut album VICECORE, which the band are proud to announce is set for release February 4th, 2026. Fans can stream "Last Man Standing" HERE, watch the video Below and pre-order VICECORE on vinyl HERE.

Founded, produced, mixed, and mastered entirely by multi-instrumentalist Davey Oberlin, a longtime touring member of Korn who's also played in Winds of Plague and Five Finger Death Punch, All The Damn Vampires fuses the cinematic grandeur of John Carpenter soundtracks with the emotional heft of Type O Negative and the retro-futuristic shimmer of Daft Punk. On VICECORE, Oberlin also plays guitar, bass, and keys, while powerhouse vocalist Ryan Rose, who makes his professional debut with the project, delivers soaring, classically trained performances that cut through the project's dense, atmospheric production. Virtuoso guitarist Miles Dimitri Baker rounds out the lineup.

"Last Man Standing is where I bring synthwave and crushing alt-metal together—the retro synths meet brutal guitar chugs in a way that just makes sense," Oberlin says. "At its core, though, the song is about loyalty and love: being there for someone no matter how much they hurt you or tear the world down, and still standing strong as the one who never leaves."

The video, created by The (John) Candy entirely using AI, unfolds like a fever dream through abandoned suburban Los Angeles. Golden hour light gives way to nighttime neon as rain-soaked streets, crumbling shopping malls, and dive bars flicker under pink and blue hues. A couple reaches for each other across porches and fog-choked alleyways while the city burns in the distance. By the final frame, they're suspended above a palm tree-lined street, silhouetted against the inferno, choosing each other as everything collapses around them. It's Drive meets Grand Theft Auto meets Miami Vice, shot through with Halloween gothic romance and apocalyptic longing.

There's a DIY ethos that runs through every element of VICECORE. Recorded over 18 months, the album weaves reimagined covers of classic tracks with original songs built to stand alongside them, creating what Oberlin describes as "an album you could really get lost in driving, something that might take people back while introducing them to new vibes through modern production." The album also features contributions from synthwave producer Sunglasses Kid on the title track, plus guitar solos from virtuosos Andy James and Miles Dimitri Baker. The aesthetic draws from Miami Vice, hardcore merch culture (think Nails), and Los Angeles gang imagery, filtered through Oberlin's deep love of film soundtracks such as Blade Runner, The Lost Boys and The Goonies and a childhood spent obsessing over Type O Negative, Korn, and Alice in Chains.

All The Damn Vampires has already carved out a lane at the intersection of heavy music and visual media. The project's music appeared in cult horror film Terrifier 2, while Oberlin's collaboration with Avenged Sevenfold on a reimagined version of "Ordinary", which he produced and co-wrote, debuted via a secret Fortnite puzzle, introducing the project to an entirely unexpected audience. With over 11.7 million cross-platform streams and 2 million YouTube views to date, All The Damn Vampires continues to build a world where nostalgia can be both camp, cinematic and completely crushing, all at the same time.

ABOUT ALL THE DAMN VAMPIRES

All The Damn Vampires is more than a music project. It’s a cinematic world crafted by musician and producer Davey Oberlin. Built on a foundation of synthwave, goth metal, and cinematic sound design, the project evokes neon‑drenched cityscapes, emotional storytelling, and an unapologetic embrace of retro‑futuristic aesthetics.

Oberlin’s musical pedigree adds depth to the project. Having performed and toured with legendary acts like Korn, Five Finger Death Punch, and Winds of Plague, he brings a unique perspective that fuses heavy music sensibilities with lush, melodic synth textures. This balance of grit and atmosphere has become a hallmark of All The Damn Vampires.

The project’s reach has extended into visual media, with its music featured in films such as the cult‑favorite Terrifier 2, connecting the sound of All The Damn Vampires with horror and synthwave subcultures worldwide.

Further elevating the project, Oberlin collaborated with Avenged Sevenfold on a reimagined version of their song “Ordinary.” Serving as both producer and co‑writer, he infused their track with his distinctive sonic vision, melding synth‑pop vibrancy with the band’s powerful rock identity.

Whether crafting immersive soundscapes or collaborating with some of the biggest names in modern music, All The Damn Vampires continues to push boundaries. Delivering beautifully evocative music that’s as cinematic as it is unique and unforgettable.

PALEFACE SWISS Announce 'The Wilted EP'; Unveil New Single & MV "Let Me Sleep"

Following the surprise drop of their recent single, "Instrument of War" feat. Stick To Your Gun, Switzerland’s heaviest export Paleface Swiss return with the announcement of The Wilted EP, scheduled for release on January 2nd, 2026. The band have also unveiled brand new banger, “Let Me Sleep" along with its accompanying music video, which will join "Instrument of War" and 3 further unreleased tracks to round out the new EP. Listen to "Let Me Sleep" HERE and watch the music video Below. Special pre-order merch bundles of The Wilted EP are available now HERE.

A visceral scream from the threshold of exhaustion and fear, “Let Me Sleep” drills into frontman Marc “Zelli” Zellweger’s spiraling struggles with insomnia and the mental fractures left in the wake of relentless touring. The track anchors a new era for the band, one that picks up where their critically-acclaimed, highest-charting-to-date album Cursed left off and digs deeper into the psychological and emotional terrain that followed.

“Do you know the feeling when you want to sleep but your head doesn’t allow it—maybe because you fear your dreams?” Zelli asks. “Or do my dreams fear me? Sleep is so important to me, but sometimes my mind just won’t let me.”

Musically, the track is classic Paleface Swiss: punishing breakdowns, cinematic scope, and a pulse of vulnerability beneath the weight. The video, inspired by Slender Man and Hellraiser, blurs the line between dream state and waking dread and offers yet another unsettling, high-concept entry in the band’s expanding visual universe.

The Wilted EP was born in the aftermath of relentless momentum. Written across months of mostly-sold-out touring through Europe, the U.S., and Australia, it traces the burnout, emotional collapse, and uneasy regrowth that comes in the wake of releasing a life-alteringly successful album and trying to learn how to navigate the aftermath. If Cursed documented the breaking point, The Wilted EP lingers in what comes after. The hollow quiet, the spiraling mind, the fragile attempts to maintain forward motion and continue to rise.

Its visual identity continues the band’s symbolic language of flowers: blooms that were once vivid when featured on the Cursed album artwork, are now curled and brittle. An unflinching depiction of decay and disintegration.

Known for their incomparable live performances and fearless approach to intense and vulnerable topics, Paleface Swiss has built a reputation as one of the most vital, unfiltered, and rapidly rising forces in the world of modern metal today. With their latest full-length album, Cursed, Paleface Swiss took listeners into their darkest, most intricate, and artistically diverse chapter yet, combining their trademark Nu-Core heaviness with raw vulnerability, a rare and special combination for a band within their genre. The album charted at #17 globally on Spotify, #3 in the U.S., and #1 in the UK, followed by an extended version - Cursed: The Complete Edition.

The album's success kicked off a year of career-defining momentum for Paleface Swiss that included back-to-back sellout tours across Europe & the UK, North America, multiple festival performances and their first ever tour of Australia. Refusing to rest on their laurels, Paleface Swiss will begin 2026 with the release of their freshly announced 'The Wilted EP', their biggest tour of Europe and the UK yet and will be heading back to the US in May to play major festivals Welcome To Rockville and Sonic Temple Festival.

ABOUT PALEFACE SWISS

Since their debut Chapter 3: The Last Selection in 2020, Paleface Swiss have risen from underground darlings to global heavyweights in the world of metal. With explosive riffs, punishing beatdowns, a brutally heavy rhythm section, and frontman Zelli’s signature vocal savagery, the band quickly gained momentum—landing four breakout tracks on Spotify’s Heavy Beatdown playlist Their 2022 follow-up Fear & Dagger pushed even further, earning praise for its emotional weight and unflinching heaviness, with standout reviews from Metal Injection, New Transcendence, and Wall of Sound. Singles like “The Orphan,” “Dead Man’s Diary” (feat. LANDMVRKS' Florent Salfati), and “My Grave / Lay with Me” solidified their place among the new wave of deathcore’s most innovative acts.

In the years that followed, Paleface Swiss took their chaos on the road—touring with Body Snatcher, Counterparts, and The Ghost Inside, and leveling festival stages from Sick New World to Hellfest. Their live reputation exploded, converting crowds with a show that fuses unrelenting brutality and raw vulnerability. Between headline tours and viral fan demand, they released standalone anthems “Best Before: Death,” “Please End Me,” and “The Gallow”—each now included on their latest offering Cursed: The Complete Edition, the most ambitious and complete chapter of their journey so far. To date, the band have amassed over 180 million streams, 53 million YouTube views, with their Spotify Monthly listeners recently peaking at over 1 million. Their recent, sold-out Cursed Tour across Europe, the UK, North America and Australia sold over 70,000 tickets.

PALEFACE SWISS are: 

Vox: Marc “Zelli” Zellweger

Guitar: Yannick Lehmann

Bass: Tommy-Lee Abt

Drums: Cassiano 'Cassi' Toma

ICE NINE KILLS Unleash Dark Homage to Batman ‘89, “The Laugh Track”

Ice Nine Kills invite you to “dance with the devil in the pale moonlight” with “The Laugh Track,” their riotous homage to Gotham City’s Clown Prince of Crime. The new song and cinematic music video riffs on the Joker, particularly as portrayed by Jack Nicholson in Tim Burton’s gothic Batman. 

“The Laugh Track” music video welcomes Matthew Lillard (Scream, Five Nights at Freddy’s, SLC Punk) and Phil Morris(Seinfeld, Smallville, Doom Patrol) to the INKverse, alongside returning collaborator Terry Kiser (Weekend at Bernie’s, Friday the 13th Part VII: The New Blood, Weekend at Bernie’s II). 

Stream “The Laugh Track" HERE and watch the brand new entry into the INK cinematic canon Below.

Ice Nine Kills frontman Spencer Charnas spills:  

"Why be a brooding bat when you can have the last laugh? After all, Jack Nicholson got top billing in Batman '89. While Michael Keaton's haunted Bruce Wayne is outstanding, young Spencer was drawn more to the Clown Prince of Crime. 'The Laugh Track' is our homage to Tim Burton's dark and gorgeous gothic Gotham. Batman '89 took its comic book material seriously, but it was far from grounded, and never forgot to have fun. It's the same tightrope we walk in Ice Nine Kills, with broad, maniacal smiles. 

“Terry Kiser returns in the video (although the rumors of Miles' demise are exaggerated). And it brings a warm human smile to my face to introduce Matthew Lillard and Phil Morris to the INKverse. Like Prince before us, 'The Laugh Track' will have you dancing with the devil in the pale moonlight."

"The Laugh Track" captures the dark theatricality, gothic ambiance, and twisted humor that made Burton's Batman a masterpiece, delivered through Ice Nine Kills' distinctive mix of intense yet melodic metal and cinematic storytelling. The track follows Billboard Hot Hard Rock Songs hit "The Great Unknown” (inspired by The Matrix) and the record-breaking "A Work of Art" from the highest-grossing unrated film ever, Terrifier 3.

Lillard crashed the Ice Nine Kills panel at this year’s Silver Scream Con to announce his entry into the INKverse. He and Spencer also revealed details about their Horrorwood Reserve collaboration, a blood colored bourbon issued in detailed collector bottles by Lillard’s Macabre Spirits.

Silver Scream Con 4 brought nearly 13,000 horror and music fans to the DCU in Worcester. Ice Nine Kills' headlining concert included guest appearances from WWE superstar Rhea Ripley and The Walking Deaddirector/producer Greg Nicotero, among others.

Horrorwood Reserve whiskey is a toast to the horror fandom that fuels both Macabre Spirits and Ice Nine Kills.Made from Bloody Butcher corn and aged five years in new American white oak, the whiskey delivers a slightly dry, nutty profile with notes of cinnamon, leather, and spice. Horrorwood Reserve boxed sets are available in two collectible, limited-edition sets: Golden Age and Silver Scream. Both sets contain a killer bottle designed by Michael Cortada of Ice Nine Kills, featuring a sleek-as-ice glass topper, along with a selection of celebrity cocktail recipe cards from Charnas and Lillard, and an epic lineup of horror icons. Horrorwood Reserve launches to the public today in very limited quantities. Head to HorrorwoodReserve.comfor more information. 

“Horrorwood Reserve is the liquid soundtrack to your favorite slasher flick,” says Charnas. “It tastes like suspense, danger, and the satisfaction of surviving until the credits roll.”

Ice Nine Kills leads an unstoppable cultural empire that brings together metalheads, horror fans, and cinema lovers under one blood-soaked banner. The band will headline a When We Were Young sideshow in Las Vegas on October 17, followed by this year’s WWWY. After that, they’ll head to Europe for a headline tour, leading directly into the first-ever overseas Silver Scream Con, Silver Scream London, on December 13 and 14. 

Paleface Swiss & Stick To Your Guns Drop Searing Picasso-Inspired Track "Instrument of War"

After tearing through a sold-out U.S. tour that moved over 35,000 tickets earlier this year, Switzerland’s heaviest export Paleface Swiss reunite with tour mates, Stick To Your Guns for the release of brand new banger, “Instrument of War”, a fierce, unflinching anthem born in green rooms and tour buses, now fully realized as both a sonic statement and a rallying cry. Watch the official music video Below and stream the track HERE.

Written mid-tour during rare moments of quiet, the song captures the visceral connection between Stick To Your Guns vocalist, Jesse Barnett and Paleface Swiss frontman Marc “Zelli” Zellweger, who bonded over shared convictions, distorted guitars, and the Pablo Picasso quote that gave the track its name. “No, painting is not done to decorate apartments. It is an instrument of war,” the quote begins—“for attack and defense against the enemy.” That sentiment—art as weapon, art as armor—became the foundation for both the track and its video, directed by artistic director and co-manager Kriss Jakob, and produced by co-manager Marco Bayati with a crushing final mix from longtime collaborator Florent Salfati (Landmvrks).

In a joint statement, Zelli and Jesse share

“No, painting is not done to decorate apartments. It is an instrument of war for attack and defense against the enemy. I felt like we both relate to this. Our music isn’t just some shit to put on in the background. It’s something real that comes from a real place and it’s meant to attack the things that divide us and defend all the things that bring us together.”

In keeping with the ethos of the track's inspiration, 100% of proceeds from “Instrument of War” will be donated to Doctors Without Borders, supporting their emergency medical work in conflict zones around the world. A limited edition Instrument of War charity shirt is also available now at Palefaceswiss.com, with all profits going directly to the organization.

Zelli and Jesse continue

“Paleface Swiss has generally avoided taking explicit political positions—especially given how complex things are today. But Doctors Without Borders/Médecins Sans Frontières (MSF) provides care to people affected by conflict, disease outbreaks, natural and human-made disasters, and mental health crises. That kind of direct, human-first action is something we deeply respect.”

“That said, both Stick To Your Guns and Paleface Swiss share clear values. As we mentioned, we stand for what’s right—whether that means supporting mental health (a core focus for Paleface Swiss) or speaking out against oppression and violence. For those who know our bands, this song already carries those messages. That’s why it felt like the right vehicle for something bigger—and why it made sense to use it to give back.”

Known for their incomparable live performances and fearless approach to intense and vulnerable topics, Paleface Swiss has built a reputation as one of the most vital, unfiltered, and rapidly rising forces in the world of modern metal today. With their latest album, Cursed, Paleface Swiss took listeners into their darkest, most intricate, and artistically diverse chapter yet, combining their trademark Nu-Core heaviness with raw vulnerability, a rare and special combination for a band within their genre. The album charted at #17 globally on Spotify, #3 in the U.S., and #1 in the UK—quickly followed by Cursed: The Complete Edition.

The album's success kicked off a year of career-defining momentum for Paleface Swiss that included back-to-back sellout tours across Europe & the UK, North America, multiple festival performances and their first ever tour of Australia. Refusing to rest on their laurels, Paleface Swiss will begin 2026 with their biggest tour of Europe and the UK yet and will be heading back to the US in May to play Sonic Temple Festival.

Whether “Instrument of War” makes its way into the Paleface Swiss live set at their upcoming shows remains to be seen, but with Stick To Your Guns and Static Dress joining them across Europe and the UK next year, every night promises to be a masterclass in the future of modern metal.

ABOUT PALEFACE SWISS

Since their debut Chapter 3: The Last Selection in 2020, Paleface Swiss have risen from underground darlings to global heavyweights in the world of metal. With explosive riffs, punishing beatdowns, a brutally heavy rhythm section, and frontman Zelli’s signature vocal savagery, the band quickly gained momentum—landing four breakout tracks on Spotify’s Heavy Beatdown playlist Their 2022 follow-up Fear & Dagger pushed even further, earning praise for its emotional weight and unflinching heaviness, with standout reviews from Metal Injection, New Transcendence, and Wall of Sound. Singles like “The Orphan,” “Dead Man’s Diary” (feat. LANDMVRKS' Florent Salfati), and “My Grave / Lay with Me” solidified their place among the new wave of deathcore’s most innovative acts.

In the years that followed, Paleface Swiss took their chaos on the road—touring with Body Snatcher, Counterparts, and The Ghost Inside, and leveling festival stages from Sick New World to Hellfest. Their live reputation exploded, converting crowds with a show that fuses unrelenting brutality and raw vulnerability. Between headline tours and viral fan demand, they released standalone anthems “Best Before: Death,” “Please End Me,” and “The Gallow”—each now included on their latest offering Cursed: The Complete Edition, the most ambitious and complete chapter of their journey so far. To date, the band have amassed over 110 million streams, 21 million YouTube views, with their Spotify Monthly listeners recently peaking at over 1 million. Their recent, sold-out Cursed Tour across Europe, the UK, and North America sold over 60,000 tickets.

PALEFACE SWISS are: 

Vox: Marc “Zelli” Zellweger

Guitar: Yannick Lehmann

Bass: Tommy-Lee Abt

Drums: Cassiano 'Cassi' Toma

FACE YOURSELF Drop New Single "Wet Dreams"; New EP 'Fury' Out Now Via Sumerian Records.

Transcontinental deathcore force Face Yourself have released their highly anticipated EP Fury via Sumerian Records, alongside the official music video for new single "Wet Dreams." The five-track collection represents the band's most mature and technically accomplished work to date, building on the foundation established by their breakthrough Martyr EP earlier this year. Watch "Wet Dreams" Below and stream Fury HERE.

The Fury EP is the band's second EP released via Sumerian Records and showcases Face Yourself's evolution from deathcore upstarts to a force capable of weaving technical death metal complexity with their signature emotional brutality. Produced once again by Joey Sturgis (Asking Alexandria, The Devil Wears Prada), the EP captures a band hitting their stride both sonically and thematically, exploring anger through multiple lenses while maintaining the raw vulnerability that has connected with fans worldwide.

Speaking on the EP release, vocalist Yasmine Liverneaux shares:

"We are excited to release our new record Fury via Sumerian records, and produced by Joey Sturgis. We tried to bolster a more mature sound with the use of elevated musicianship, implementing more death metal sensibilities this time around.

"Fury showcases anger with a broader spectrum that includes fast technical riffs, melodically gloomy phrases, and more varied instrumentation throughout. This EP is a continuation of Martyr, as we wrote both EPs at the same period. We really hope the audience will enjoy this record as much as we do, and we can't wait to play some of these songs live on our next tour with Signs of Swarm, Mental Cruelty, Ten56 and Carcosa!"

The "Wet Dreams" music video serves as a visual representation of the EP's darker themes, while the track itself demonstrates the band's expanded sonic palette. From the crushing opener through the previously released singles "Fractures" and "Ov Agony," Fury delivers five distinct expressions of controlled chaos, each showcasing different facets of the band's evolved sound.

Following the EP release, Face Yourself will join Signs of the Swarm's North American tour this October, alongside Mental Cruelty, Ten56., and Carcosa. The month-long trek kicks off October 2nd in Montreal and hits major markets across the U.S. and Canada, giving fans their first chance to experience Fury material in a live setting. Tickets and further information available HERE.

Upcoming Tour Dates with Signs of the Swarm:

10/02 - Montreal, QC @ Théâtre Fairmount

10/03 - Toronto, ON @ Axis Club

10/04 - Ferndale, MI @ The Loving Touch

10/05 - Chicago, IL @ Reggies

10/07 - St. Paul, MN @ Amsterdam Bar

10/08 - Davenport, IA @ Capitol Theatre

10/09 - Wichita, KS @ WAVE (Indoor)

10/10 - Denver, CO @ HQ

10/11 - Salt Lake City, UT @ Soundwell

10/12 - Boise, ID @ The Shredder

10/14 - Seattle, WA @ El Corazon

10/15 - Portland, OR @ Dante's

10/16 - Roseville, CA @ Goldfield Trading Post

10/17 - Fresno, CA @ Full Circle Brewery

10/18 - Los Angeles, CA @ Teragram Ballroom

10/19 - Mesa, AZ @ Nile Theater

10/21 - Austin, TX @ Come and Take It Live

10/24 - Nashville, TN @ EXIT/IN

10/25 - Atlanta, GA @ Center Stage (The Loft)

10/28 - Columbia, SC @ New Brookland Tavern

10/29 - Greensboro, NC @ Hangar 1819

10/30 - Baltimore, MD @ Soundstage

10/31 - Pittsburgh, PA @ Preserving

11/02 - Worcester, MA @ The Palladium

KITTIE Release SPIT XXV EP; Drop Brand New Music Video For "Do You Think I'm A Whore? XXV"

Canadian heavy music pioneers Kittie release their Spit XXV EP today, marking 25 years since their landmark debut transformed them from four Canadian teenagers into international heavyweights. The collection arrives via Sumerian Records, featuring re-imagined and re-recorded versions of four of the original album's stand out tracks, all produced once again by Garth Richardson, who helmed the original breakthrough sessions in 1999 at EMAC Studios. Stream the full EP HERE.

The EP's release is highlighted by a confrontational new music video for "Do You Think I'm A Whore? XXV," showcasing Kittie's unflinching approach to re-examining their most provocative material with two and a half decades of artistic growth. Watch the music video below.

Speaking on today's release, Kittie vocalist and guitarist, Morgan Lander shares

"We’re beyond excited to revisit and reimagine songs that that started it all for us with Spit XXV. Re-recording these songs has been an emotional and empowering journey. It’s a chance to honour our roots while bringing a new level of energy and experience to the music. Spit XXV isn’t just a celebration of where we came from, but a thank-you to the fans who have stood by us for the past 25 years.

""Do You Think I’m A Whore?" has always been the dark horse of our debut album and it is was such a pleasure to give it the updated treatment and celebrate how awesome of a song it really is. Pair that with the unbelievable music video visuals from William Felch at Wombat Fire and it’s clear the track is finally getting its flowers."

"Do You Think I'm A Whore? XXV" demonstrates how Kittie's musical evolution has only intensified the song's emotional impact. Originally one of the most visceral moments on their gold-certified debut, the re-recorded version channels decades of artistic growth while maintaining the raw vulnerability that made the original so powerful.

The Spit XXV EP represents more than nostalgic reflection—it's proof of the original album's enduring relevance. Rolling Stone ranked the title track #82 on their "100 Greatest Heavy Metal Songs of All Time" in 2023, while artists like Serena Cherry of Svalbard continue crediting the album as formative to their musical development.

SPIT XXV arrives during Kittie's most successful era in over a decade. Their 2024 comeback album Fire shattered expectations, reaching #13 on UK Rock & Metal Albums charts and earning a 2025 Juno Award nomination for Metal/Hard Music Album of the Year. With 920,000 monthly Spotify listeners spanning multiple generations and triumphant festival performances at Sick New World, Welcome to Rockville, and Sonic Temple, Kittie has proven their relevance extends far beyond nostalgia into contemporary dominance. The band's ability to command stages and attract new audiences through social media demonstrates that their revolutionary spirit burns as fiercely as ever.

Kittie will bring the Spit XXV celebration to major festival stages this fall, performing at Louder Than Life this weekend and Aftershock Festival next month. Fans attending Louder Than Life this weekend can also catch Morgan and Mercedes Lander DJ at Blood Rave - an official LTL after-party - this evening. More Information can be found HERE.

The Spit XXV EP is proof of Spit's lasting relevance and Kittie's evolution as artists. Twenty-five years after four teenagers from Ontario redefined who belonged in heavy music's most aggressive spaces, Kittie continue creating pathways for others while cementing their legacy as genuine pioneers.

ABOUT KITTIE

When you discovered Canadian heavy music pioneers Kittie has a direct influence on how you see them. For those on board from the beginning with Spit in 2000, Kittie was part of nu-metal's explosive rise. Through later albums including Oracle (2001), In The Black (2009), and I've Failed You (2011), the band evolved into something far more sinister, viewed as a serious metal outfit. After a prolonged hiatus broken only by a 2017 hometown show and 2018's documentary Kittie: Origins/Evolutions, the band returned in 2022 following festival offers including Sick New World.

12.6 million career streams later, vocalist/guitarist Morgan Lander, drummer/backing vocalist Mercedes Lander, guitarist Tara McLeod, and bassist Ivy Vujic maintain that Kittie never broke up because it remains ingrained in their identity. Their 2024 album Fire, produced by Nick Raskulinecz (Foo Fighters, Rush, Alice In Chains), marked their triumphant return with renewed fury and unfathomable sonic brutality. As Kittie now pay homage to their past whilst also bringing it firmly into the present day, with the new Spit XXV EP, the new era of Kittie continues to blaze forth, illuminating the way as they take their rightful place as torchbearers for heavy music.

Kittie are

Morgan Lander (vox/guitar)

Mercedes Lander (drums/backing vox)

Tara McLeod (guitar)

Ivy Vujic (bass)

We Came As Romans + Currents Release Reimagined Version Of “Bad Luck” Feat. Anthony Notarmaso (After The Burial)

Just weeks after wrapping their triumphant Bad Luck U.S. headline tour, metalcore mainstays We Came As Romans have unveiled a reimagined version of single “bad luck”, this time joined by tourmates Currents and Anthony Notarmaso of After The Burial—two of the standout support acts from the tour’s powerhouse lineup. Stream We Came As Romans & Currents - bad luck feat Anthony Notarmaso HERE and watch the visualizer Below.

Originally released as the lead single from All Is Beautiful…Because We’re Doomed—We Came As Romans’ most thematically ambitious and emotionally honest record to date—“bad luck” quickly became a cornerstone of the album’s reflection on grief, transformation, and survival. Stream the album now HERE. The reimagined version brings new weight and perspective, layering in Brian Wille’s commanding vocals and Anthony Notarmaso’s unmistakable intensity. What began as a personal reckoning now expands, bridging three of the scene’s most respected forces into a single moment of cathartic heaviness.

“We were fans of We Came As Romans and After The Burial long before having the pleasure of touring with them and making some life-long memories together,” shares Brian Wille of Currents. “It was a great time getting to collaborate on this new version of bad luck and we’re very excited to share it with all of you!”

“I’m very flattered and honored that the WCAR boys wanted to include me on such an awesome track,” adds Anthony Notarmaso of After The Burial. “I still have the song stuck in my head!”

The release follows We Came As Romans’ sold-out U.S. tour run and arrives ahead of their upcoming fall headline tour across Europe and the UK with Brand Of Sacrifice and Heavensgate, as well as appearances at major US festivals Louder Than Life and When We Were Young Fest.

ABOUT WE CAME AS ROMANS

We Came As Romans continue to progress and evolve at lightspeed, maintaining a place at the forefront of heavy music and culture. Never content to follow, they seamlessly alchemize crushing groove-driven catharsis, spacey electronics, and arena-size singalongs into a sound that refuses to sit still—effortlessly moving between metal, alternative, metalcore, and rock.

The Michigan-born five-piece—Dave Stephens, Joshua Moore, Lou Cotton, Andy Glass, and David Puckett—first broke through with Tracing Back Roots (2013), which cracked the Billboard 200 Top 10 and hit #1 on both the Independent Albums and Top Hard Rock Albums charts. Their self-titled 2015 album followed, debuting at #11 on the Billboard 200, cementing their status as modern metalcore royalty.

Following the tragic loss of original vocalist Kyle Pavone in 2018, the band has continued to honor his legacy with their 2022 album, Darkbloom, their highest-praised record to date. Kerrang! awarded it 4 out of 5 stars, calling it "a carrier for a knot of emotion, and a tribute to their friend." It featured career-defining tracks like "Black Hole" (ft. Caleb Shomo), now over 102 million Spotify streams, and "Daggers" (ft. Zero 9:36), which surpassed 32 million streams. Media outlets including Loudwire and Consequence praised the album for its emotional range, sonic heft, and unapologetic vulnerability.

Now, with 'ALL IS BEAUTIFUL...BECAUSE WE'RE DOOMED,' the band enters their most ambitious chapter yet—scarred, sharpened, and more fearless than ever.

We Came As Romans Are



Dave Stephens - Vocals

Joshua Moore - Guitar

Lou Cotton - Guitar

Andy Glass - Bass

David Puckett - Drums

TALLAH Unleash Brand New Album 'Primeval: Obsession // Detachment'; Drop New Music Video For "depleted"

Genre-defiant nu-core disruptors Tallah release their most ambitious work to date—Primeval: Obsession // Detachment, a fully live-tracked, sci-fi concept album that pulls listeners into a world of collapsing morality, split identities, and sonic chaos. Out now via Earache Records, the album’s release is accompanied by a brand new music video for focus track“depleted,” one of the album’s strangest and most textural songs. Stream the album HERE and watch the music video for 'depleted' below.

Shot among rusted rebar and yellow-jacket swarms, the “depleted” video captures the dystopian atmosphere of the record’s second act - wild, decaying, and haunted. Sharing more on the experience, vocalist Justin Bonitz shares

“Despite all the dust, yellow jackets, and rusty rebar, this was one of the coolest locations we have ever shot at. There was so much to explore, and it really captured the vibe/aesthetic we saw in our heads when listening to the song. Derek Rathbun (director) made everything so easy and streamlined, so the shoot felt a lot shorter than it actually was. ‘Depleted’ is one of the weirdest songs on the album, and we were hoping the video would match the same energy. Have fun listening!”

Primeval: Obsession // Detachment was recorded live in Michigan with producer Josh Schroeder using no clicks, no edits, and no safety nets. Like its four predecessors “What we know”, “A primeval detachment”, “augmented" and "as fate undoes" also ties directly into the album’s layered sci-fi narrative. The concept follows two characters, Ana and Sheelah, on a morally destructive journey across an alien world. Fans can dive deeper into the lore through The Primeval Game, a playable story-world that’s updated monthly with new clues, song teasers, and narrative expansions. Explore the game, built in collaboration with Enzo Interactive at primevalgame.com

Primeval: Obsession // Detachment stands as Tallah's most ambitious and uncompromising work to date. Weaving sci-fi storytelling together with deliberately imperfect performances, Tallah prove that human instinct still has power in an increasingly artificial landscape.

Following today’s release, Tallah will play a select run of album release shows this month before hitting the road this fall in support of King 810, kicking off November 3 in Lawrence, KS. The tour was sparked after the band’s longtime producer Josh Schroeder played King 810 frontman David Gunn an early preview of Primeval.

“David Gunn hit us up after Josh Schroeder showed him our new album,” says bassist Max Portnoy. “Both bands share a love for raw, live recordings, so he was super into what we were doing and invited us to join the tour. We were stoked since we’ve been into King for as long as we’ve been a band.”

Tickets for all shows are available HERE. Full routing below.

TALLAH – ALBUM RELEASE SHOWS

September 5 – Philadelphia, PA @ Warehouse on Watts

September 6 – Mechanicsburg, PA @ Lovedraft’s Brewing Co

September 7 – Brooklyn, NY @ The Meadows

TALLAH – US TOUR W/ KING 810

November 3 – Lawrence, KS @ The Bottleneck

November 4 – Oklahoma City, OK @ 89th Street Collective

November 6 – Mesa, AZ @ The Rosetta Room

November 7 – Anaheim, CA @ Chain Reaction

November 8 – Berkeley, CA @ Cornerstone

November 9 – Bend, OR @ Volcanic Theatre

November 10 – Portland, OR @ Dante’s

November 11 – Seattle, WA @ El Corazon

November 13 – Rapid City, SD @ Aby’s

November 14 – Sioux Falls, SD @ Icon Event Hall

November 15 – Saint Paul, MN @ Turf Club

November 16 – Chicago, IL @ Bottom Lounge

November 18 – Hartford, CT @ The Webster

November 19 – Clifton, NJ @ Dingbatz

November 20 – Harrisburg, PA @ Capital City Music Hall

November 21 – Richmond, VA @ Canal Club

November 22 – Greensboro, NC @ Hangar 1819

November 24 – Nashville, TN @ The End

November 25 – Lexington, KY @ Manchester Music Hall

ABOUT TALLAH

Emerging from Pennsylvania in 2018, Tallah fuse the percussive force of second-generation drummer-turned-bassist Max Portnoy with the unpredictable dexterity of vocalist and viral phenom Justin Bonitz and the phenomenal guitarist duo of Derrick Schneider and Alex Snowden to form a sound that’s part brutalist nu-metal, part theatrical meltdown, and entirely their own. What began as a raw homage to the early-2000s metal they were raised on—Slipknot, Korn, Linkin Park—has since evolved into something far stranger and far more singular.

After making waves with their 2020 debut 'Matriphagy', a twisted concept album soaked in trauma and noise, the band were hailed by Knotfest as delivering “one of the best metal releases of the year” and by Metal Hammer as “leading the charge on the new wave of nu-metal.” The follow-up, 'The Generation Of Danger' (2022), saw them push their hybrid sound further into chaos—earning millions of streams, high-profile festival slots, and nominations at both the Heavy Music Awards and AIM Independent Music Awards.

But it’s on album three, 'Primeval: Obsession // Detachment' (out now via Earache Records), that Tallah truly shatter what’s left of the mould. Decamping to Michigan to record the entire project live with longtime producer Josh Schroeder, the band abandoned edits, clicks, backing tracks, and rules. What remains is pure instinct—feral, volatile, and unrelentingly human.

Conceptually, the record unfolds across a sci-fi narrative that follows Ana, a nurse, and Sheelah, an assassin—two strangers manipulated by a shadowy force and driven to the edges of their morality. The mirrored structure, warped sonic callbacks, easter eggs and ambiguous lyrical layering reflect a story full of tests, dualities, and spiraling identity shifts.

To date, Tallah have clocked up 29.7 million Spotify streams and 6 million YouTube views.

TALLAH ARE

Vocals: Justin Bonitz

Guitar: Alex Snowden

Guitar: Derrick Schneider

Bass: Max Portnoy

Drums: Joel McDonald

DJ: DJ Navi

WE CAME AS ROMANS New Album Out Now; Drop Music Video For 'one by one'

Michigan metalcore titans We Came As Romans have released their powerful new album 'ALL IS BEAUTIFUL...BECAUSE WE'RE DOOMED' today, via Sharptone Records. The release is highlighted by the release of focus track 'one by one' and arrives as the band's US leg of their massive Bad Luck World Tour nears the end of its climactic final week, with sold-out crowds across North America witnessing the band's most ambitious era yet. Stream'ALL IS BEAUTIFUL...BECAUSE WE'RE DOOMED' HERE and watch the video for "one by one" below.

"one by one" confronts the band's history with destructive patterns head-on, serving as both a reckoning and a commitment to breaking cycles that have haunted them throughout their career. Built on crushing riffs and the band's signature melodic power, the track features lyrical callbacks to their past while emphasizing the hard-won growth that comes from facing your demons.

Providing further context , We Came As Romans frontman, Dave Stephens shares

"We first wrote One by One on an acoustic guitar with raw vocals, and right away we knew we had something special. Even though the rest of the song took time to shape, that initial spark carried us through and made the journey worth it. At its heart, the lyrics reflect the process of healing—acknowledging mistakes, facing flaws, and slowly piecing yourself back together, one by one. I couldn’t be more excited to finally share this song and the story it tells with everyone."

The single arrived earlier this week, as anticipation reached fever pitch for 'ALL IS BEAUTIFUL...BECAUSE WE'RE DOOMED', the band's most conceptually ambitious work to date. The album—a 12-track journey that literally loops from its final seconds back to its beginning—explores two decades of the band's history through a philosophical lens of death, rebirth, and transformation. Following the release of "bad luck," "no rest for the dreamer," "culture wound," and "where did you go?," "one by one" completes the picture of an album that refuses to shy away from the darkest corners of the band's journey. Stream the album now HERE.

ABOUT WE CAME AS ROMANS

We Came As Romans continue to progress and evolve at lightspeed, maintaining a place at the forefront of heavy music and culture. Never content to follow, they seamlessly alchemize crushing groove-driven catharsis, spacey electronics, and arena-size singalongs into a sound that refuses to sit still—effortlessly moving between metal, alternative, metalcore, and rock.

The Michigan-born five-piece—Dave Stephens, Joshua Moore, Lou Cotton, Andy Glass, and David Puckett—first broke through with Tracing Back Roots (2013), which cracked the Billboard 200 Top 10 and hit #1 on both the Independent Albums and Top Hard Rock Albums charts. Their self-titled 2015 album followed, debuting at #11 on the Billboard 200, cementing their status as modern metalcore royalty.

Following the tragic loss of original vocalist Kyle Pavone in 2018, the band has continued to honor his legacy with their 2022 album, Darkbloom, their highest-praised record to date. Kerrang! awarded it 4 out of 5 stars, calling it "a carrier for a knot of emotion, and a tribute to their friend." It featured career-defining tracks like "Black Hole" (ft. Caleb Shomo), now over 102 million Spotify streams, and "Daggers" (ft. Zero 9:36), which surpassed 32 million streams. Media outlets including Loudwire and Consequence praised the album for its emotional range, sonic heft, and unapologetic vulnerability.

Now, with 'ALL IS BEAUTIFUL...BECAUSE WE'RE DOOMED,' the band enters their most ambitious chapter yet—scarred, sharpened, and more fearless than ever.

We Came As Romans Are



Dave Stephens - Vocals

Joshua Moore - Guitar

Lou Cotton - Guitar

Andy Glass - Bass

David Puckett - Drums

KITTIE Announce Spit XXV EP; Celebrating 25th Anniversary of Landmark Debut Album

Canadian heavy music pioneers Kittie mark a quarter-century milestone with the announcement of Spit XXV, a four-track EP celebrating the 25th anniversary of their gold-certified debut album. The collection features freshly updated and re-recorded versions of four of the albums biggest tracks, "Brackish," "Charlotte," "Do You Think I'm A Whore" and the title track "Spit ," all produced, once again, by Garth Richardson who helmed the original 1999 sessions at EMAC Studios. The EP arrives September 19th via Sumerian Records, with the brand new version of the title track, "Spit XXV" available today across all streaming platforms. Listen HERE and watch the official music video below. Pre-save the EP HERE.

Speaking about the milestone project, Kittie vocalist/guitarist Morgan Lander reflects: 

"It's hard to believe that 25 years after its release, and almost 30 years since Kittie began, people are still talking about Spit. There is something truly unexplainable in why our debut album is still resonating with people, finding a new audience and has had such a lasting impact on so many. Reimagining some of these classic songs for the 25th anniversary of 'Spit' was a lot of fun and a true testament to their longevity. It reveals just how relevant in the musical landscape they still are today. We were honoured to work with Garth again where it all began after more than 2 decades, and doing so was a cool way to pay homage to the past while updating these songs with a modern sound, bringing them into the future."

Released January 11, 2000, Kittie's debut full-length album, Spit transformed them from four Canadian teenagers into international heavyweights, achieving gold certification with over 660,000 US sales. The album became a defining moment for women in heavy music, with its aggressive sound and uncompromising attitude proving that metal made by women could achieve both critical respect and commercial success during nu-metal's completely male-dominated peak era.

The original Spit earned critical recognition from Rolling Stone, who ranked the title track #82 on their "100 Greatest Heavy Metal Songs of All Time" in 2023. The album's influence continues rippling through generations of musicians, with artists like Serena Cherry of Svalbard crediting it as "the reason she became a metal musician," while experimental artist Poppy covered the title track in 2023.

The Spit XXV EP arrives as Kittie continues their triumphant second chapter following 2024's critically acclaimed comeback album Fire, their first new material in 13 years. The album reached #13 on UK Rock & Metal Albums charts and #20 on Billboard Top Album Sales, while single "We Are Shadows" became the band's highest-charting song on the Billboard Mainstream Rock Airplay chart at #20. The album earned the band a 2025 Juno Award nomination for Metal/Hard Music Album of the Year, confirming their continued artistic evolution.

Reuniting with Richardson again proved both nostalgic and revelatory for the band, who last collaborated with the producer during their breakthrough era. The reunion has allowed Kittie to approach these foundational songs with two and a half decades of musical growth while maintaining the raw power that made them revolutionary.

Since returning from their hiatus in 2022, Kittie has experienced a remarkable resurgence across demographics, with their 784,700 monthly Spotify listeners spanning longtime fans and new generations discovering their music through social media. Their performances at major festivals including Sick New World, Welcome to Rockville, and Sonic Temple have demonstrated the band's enduring live power, while their successful 2024 North American headline tour proved their enduring and undeniable ability to command stages as headliners.

The Spit XXV EP is proof of Spit's lasting relevance and Kittie's evolution as artists. Twenty-five years after four teenagers from Ontario redefined who belonged in heavy music's most aggressive spaces, Kittie continue creating pathways for others while cementing their legacy as genuine pioneers.

ABOUT KITTIE

When you discovered Canadian heavy music pioneers Kittie has a direct influence on how you see them. For those on board from the beginning with Spit in 2000, Kittie was part of nu-metal's explosive rise. Through later albums including Oracle (2001), In The Black (2009), and I've Failed You (2011), the band evolved into something far more sinister, viewed as a serious metal outfit. After a prolonged hiatus broken only by a 2017 hometown show and 2018's documentary Kittie: Origins/Evolutions, the band returned in 2022 following festival offers including Sick New World.

12.6 million career streams later, vocalist/guitarist Morgan Lander, drummer/backing vocalist Mercedes Lander, guitarist Tara McLeod, and bassist Ivy Vujic maintain that Kittie never broke up because it remains ingrained in their identity. Their 2024 album Fire, produced by Nick Raskulinecz (Foo Fighters, Rush, Alice In Chains), marked their triumphant return with renewed fury and unfathomable sonic brutality. As Kittie now pay homage to their past whilst also bringing it firmly into the present day, with the new Spit XXV EP, the new era of Kittie continues to blaze forth, illuminating the way as they take their rightful place as torchbearers for heavy music.

Kittie are

Morgan Lander (vox/guitar)

Mercedes Lander (drums/backing vox)

Tara McLeod (guitar)

Ivy Vujic (bass)

FACE YOURSELF Announce New EP; Drop Single & MV "Fractures"

Transcontinental deathcore force Face Yourself have unleashed their most unforgiving single yet with "Fractures," out now via Sumerian Records. The track arrives as the lead single from their upcoming EP Fury, set for release September 26th with pre-orders available now HERE, and showcases the band's evolution into darker, more psychologically brutal territory. Watch the official music video for "Fractures" Below and stream the track HERE.

Built on Joey Sturgis' crushing production, "Fractures" weaponizes Face Yourself's signature deathcore assault to dissect the violence of beauty standards and self-hatred. The track represents their most emotionally raw work to date, following the success of their Martyr EP, which has garnered over 1.5 million streams since its April release.

Speaking on the new single and upcoming EP, vocalist Yasmine Liverneaux shares:

"We are excited to release our new single "Fractures" produced by Joey Sturgis. The lyrics explore a darker theme, as it speaks a lot about self hatred, exploring the pressure of beauty standards and the "mutilations" those pressures can lead someone to. It's like changing your appearance so much to fit a mold to the point that you don't even recognize yourself which can be very violent.

"Alongside this new single, we're happy to announce the future release of our new record "Fury". After 2 years of being a band, we have reached a sound that we think looks like us, this is our best work yet and we are happy to be working once again with Joey Sturgis. He became such a great element to our team, and is always pushing us to improve ourselves."

Fury marks Face Yourself's second EP with Sumerian Records and their continued collaboration with producer Joey Sturgis(Asking Alexandria, The Devil Wears Prada). The five-track collection builds on the foundation established with Martyr, pushing their sound into more uncompromising territory while maintaining the emotional depth that has connected with fans worldwide. Pre-orders for the Fury EP are available now HERE.

The announcement comes as the band just wrapped their successful 20-date Summer of Rampage tour alongside Crystal Lake, VCTMS, and Not Enough Space, cementing their reputation as a devastating force, both on record and on the stage.

ABOUT FACE YOURSELF

A transcontinental deathcore phenomenon, Face Yourself has redefined what it means to blend modern heaviness with old-school roots. Featuring members from New York, New Jersey, Colorado, and France, their unique sound is as diverse as their origins. Vocalist Yasmine Liverneaux brings her French influence and socially conscious themes into the mix, setting the band apart with an intensity and depth that's rarely seen in the genre.

With their Myspace-era throwback riffs, drop-tuned breakdowns, and sheer relentlessness, Face Yourself have become a staple of the modern deathcore era. Their ability to connect with fans worldwide and their tireless drive have made them a force to be reckoned with—and they've only just begun.

THORNHILL To Join SLEEP TOKEN On Completely Sold Out 'Even In Arcadia' US Arena Tour

Fresh off a breakthrough year that saw them sell nearly 10,000 tickets on their first-ever US headline tour, Melbourne's Thornhill are set to take their biggest stage yet: supporting Sleep Token across their completely sold-out "Even In Arcadia" US arena tour this September and October.

The arena run caps off an extraordinary 2025 for Thornhill, whose third album BODIES has redefined their global trajectory. Since its April release, the album has generated over 22 million streams worldwide, debuted at #8 on Spotify UK's Top Albums chart, and landed at #4 on Australia's ARIA Top 50 Albums. In the US, BODIES hit #11 on Hard Music Albumsand #35 on Rock Albums. Find the album on streaming platforms HERE.

Speaking on today’s announcement, the band share

"We're truly honored to be joining Sleep Token on the Even in Arcadia US tour.This is a massive moment for us, and we're looking forward to connecting with fans across the country and bringing everything we've got to the stage every night."

The timing couldn't be more perfect. Thornhill just released their striking triple j Like A Version cover of Lady Gaga's "Paparazzi" this week, showcasing the same fearless creativity that defines BODIES. The cover has sparked conversation across social media, proving once again that Thornhill refuse to be confined by genre expectations.

For Thornhill, the arena tour represents a massive leap forward from their successful spring headline run. The band has proven that BODIES stands as a bold statement of intent, capturing them at their most authentic and unfiltered. With pre-sales for their upcoming European headline tour already exceeding expectations, Thornhill's international footprint continues expanding rapidly.

Thornhill As Special Guests To Sleep Token

"Even In Arcadia" Tour 2025

ALL DATES SOLD OUT

9/16 - Atlanta, GA - Gas South Arena

9/17 - Sunrise, FL - FLA Live Arena

9/20 - Greensboro, NC - First Horizon Coliseum

9/22 - Brooklyn, NY - Barclays Center

9/23 - Worcester, MA - DCU Center

9/24 - Philadelphia, PA - Wells Fargo Center

9/26 - Detroit, MI - Little Caesars Arena

9/27 - Cincinnati, OH - Heritage Bank Center

9/28 - Rosemont, IL - Allstate Arena

9/30 - Lincoln, NE - Pinnacle Bank Arena

10/1 - Minneapolis, MN - Target Center

10/3 - Denver, CO - Ball Arena

10/5 - Salt Lake City, UT - Maverik Center

10/7 - Tacoma, WA - Tacoma Dome

10/8 - Portland, OR - Moda Center

10/10 - Oakland, CA - Oakland Arena

10/11 - Los Angeles, CA - Crypto.com Arena

BODIES has earned widespread critical acclaim across the board. Rock Sound called it "breathless, belligerent and beautifully human," while Kerrang! asked: "Is this the sexiest rock music has got since Deftones? Just maybe." Amnplify noted that "the album is instinctual and wild…It's an album that doesn't tell you about obsession—it pulls you into its thrall," while AU Review praised it as "a compelling and impressive record that marks an exciting new direction for Thornhill." Crucial Media declared it finds the band "at their most visceral, most unfiltered, and perhaps most thrilling yet."

The album's impact extends far beyond streaming numbers. Singles like "TONGUES" have found their way to GymTV,reaching over 2,400 gyms nationwide, while "nerv" has been championed by BBC Radio 1's Rock Show and landed in rotation at triple j. The band's music videos have accumulated over 15 million views on YouTube across their catalog, with their combined social media reach exceeding 300,000 followers.

The success of BODIES follows the band's steady ascent through the heavy music ranks. Their previous album Heroinedebuted at #3 on the ARIA Albums charts and earned an ARIA nomination, while 2019's The Dark Pool has accumulated over 60 million streams and garnered triple j's Feature Album recognition.

Now boasting over 500,000 monthly Spotify listeners and more than 107 million total streams across their three studio albums, Thornhill have established themselves as one of Australia's most vital heavy exports, positioned alongside the genre's global leaders.

ABOUT THORNHILL

Eternal purveyors of artful and engaging heavy creations, Thornhill possess a flair for nuanced rock beyond their influences. The Melbourne band have amassed a heaving array of accolades over the years, including triple j's Feature Album and additions to countless Best Of The Year listings for their 2019 release The Dark Pool.

Via their ARIA Award-nominated 2022 album Heroine, Thornhill solidified a steadfast reputation as one of the most innovative and immersive heavy acts in the Australian scene, with Heroine debuting at #3 on the ARIA Albums charts and at #1 on the Australian Albums charts. In 2023 and 2024, the band gifted insatiable new material courtesy of standalone singles "Viper Room" and "Obsession," as well as a live album, Live On Tour!, boasting performances captured across the globe.

Thornhill kicked off 2024 supporting Silent Planet on an extensive North American run, before joining Aussie heavies Polaris on tour in the UK and Europe, appearing at Impericon Festival alongside As I Lay Dying, August Burns Red and While She Sleeps, and touring North America supporting Northlane. The band joined Fear Factory, Thy Art Is Murder, Hands Like Houses and many more performing at Froth & Fury Fest in Adelaide, ending the year headlining a huge run across the UK and Europe.

Their latest album BODIES has been called "some of Thornhill's strongest work to date" (Boolin Tunes) with Semper Metallumenthusing "'BODIES presents itself as a raw, untamed beast, dripping with style throughout its 11 tracks" and claiming the album to be '"not only a musical marvel, but a visual one too". The album continues to build on the foundation established by their critically acclaimed catalog to date, positioning Thornhill as one of modern heavy music's most compelling voices.

STARACE Release Anthemic New Single 'Right In The Middle' & Pre-Orders For Debut Album, 'Real'

São Paulo rock outfit StarAce unleash their most defiant statement yet with "Right In The Middle," a rallying anthem that rejects extremism while embracing rock 'n' roll's power to awaken the soul. Listen to the new track HEREand watch the music video below. The track arrives alongside news that their debut album Real will drop October 24th, with pre-orders going live today HERE.

Produced by David Frangioni (Aerosmith, KISS, Ringo Starr), "Right In The Middle" finds StarAce channeling raw independence through driving rhythms and unapologetic lyrics. The song stands as their most politically charged yet paradoxically apolitical statement, advocating for individual thought over ideological extremes. Frontman Julio Starace shares

"A roar for independence and union, 'Right In the Middle' means to be apolitical and against all extreme ideologies. In a world filled with hypocrisy and inequality, this song stands for listening to your inner voice and your soul, taking responsibility for doing the right thing, standing up for your own rights and not letting anybody tell you what to think, feel, say or believe. The song expresses the power of Rock and Roll music, and the need for every soul to be awakened and aware is the best way to balance and free ourselves from extremist pollution."

StarAce’s debut album Real, due October 24th, represents nearly two years of remote collaboration with Frangioni, who produced the entire 12-track collection while the band recorded from São Paulo. The album spans from the gypsy jazz swagger of "When The Light Has Gone" to the anthemic hope of "My America," with "Right In The Middle" showcasing their most direct and uncompromising side.

StarAce continues building momentum as one of Brazil's most promising rock exports, combining authentic family chemistry with cutting-edge production techniques and undeniable rock n roll spirit. Their music bridges classic rock heritage with contemporary relevance, speaking to audiences hungry for genuine expression in an increasingly polarized world

ABOUT STARACE

StarAce is more than just a band—it’s a brotherhood of sound and spirit. Hailing from São Paulo, Brazil, brothers Julio, Luiz, and Thomaz Starace have spent years refining their craft, creating a distinct fusion of classic rock, blues, and American roots music with a modern edge. Raised in a household filled with music, their early exposure shaped their passion for storytelling and musicianship. After experimenting under various names like Ferrorama and Ted Marengos, they ultimately returned to StarAce, a name that embodies both their family heritage and artistic evolution.

With influences spanning a who's who of rock 'n' roll legends such as Led Zeppelin, Bob Dylan, The Rolling Stones, and Muddy Waters, StarAce’s music is a blend of raw energy, intricate vocal melodies, and heartfelt lyricism. Their sound bridges past and present, layering soulful guitar riffs, grooving bass lines, and dynamic drum beats with emotionally driven storytelling. Their upcoming debut album, produced by David Frangioni (Aerosmith, KISS, Ringo Starr), captures this fusion of classic and contemporary, delivering a collection of hard-hitting anthems and soul-stirring ballads that showcase their depth as musicians.

Each member brings a unique essence to the band’s chemistry—Julio leads with his powerful vocals and intricate guitar work, drawing from the greats like Neil Young and Jimmy Page. Luiz anchors the rhythm section, blending Paul McCartney’s melodic sensibilities with Geddy Lee’s technical prowess, while Thomaz commands the drums with precision, balancing raw energy and a refined flare with a producer’s ear for sonic excellence.

With their roots deeply embedded in classic rock and their vision set on the future, StarAce is ready to carve their own path and bring timeless rock ‘n’ roll into a new era. They're not here to save the world, they're here to bring people together and provide fans with the soundtrack to their own salvation. After years of refining their vision and sound, their long-awaited debut album, Real, is a bold, genre-spanning statement from a band ready to leave their mark on the world.

StarAce Are:

Julio Starace - Lead Vocals & Guitar 

Luiz Starace - Bass & Backing Vocals 

Thomaz Starace - Drums & Backing Vocals 

Chris Dias - Guitar & Backing Vocals 

Bia Tucci - Keys & Backing Vocals