BIG ASS TRUCK I.E. ANNOUNCE DEBUT EP, FOUND ON ROAD DEAD, OUT OCT 20TH VIA NUCLEAR BLAST RECORDS

October 3, 2026

Inland Empire purveyors of vehicular hardcore mayhem BIG ASS TRUCK I.E. have announced their catastrophic debut EP, FOUND ON ROAD DEAD, arriving digitally and on limited edition vinyl October 20th via Nuclear Blast Records.

Along with the EP announcement, BIG ASS TRUCK I.E. have unleashed its bludgeoning first single, “DRAGGING MEAT,” accompanied by a music video directed by Astral Media/Zack Perez that captures the band’s full-throttle collision of hardcore, concussive breakdowns and monster trucking chaos.

Commenting on the impending record and new single, vocalist Abel Abarca states:

“We’re super stoked to finally get these tracks out into the world. Starting with ‘DRAGGING MEAT’ only made sense with how hard it hits, this song has become one of our favorites we've made and we cant wait to bring it out to our live shows this October/November.”

FOUND ON ROAD DEAD will be available on all digital music services as well as on limited edition 10” “Tire” vinyl and merch on October 20th.

Stream “DRAGGING MEAT”:
https://bigassmftruck.bfan.link/dragging-meat

Pre-Order/Pre-Save FOUND ON ROAD DEAD:
https://bigassmftruck.bfan.link/found-on-road-dead

The EP arrives as BIG ASS TRUCK I.E. prepares to take its high-octane live show across North America on an extensive fall headline tour. The run kicks off on October 20th in San Diego and features a rotating lineup of CHAMBER, MUGSHOT, LOAD THA NINE, SURFACED, RESTRICTOR PLATE and LIE, along with festival appearances at Furnace Fest and Warped Tour Orlando.

Following that, BIG ASS TRUCK I.E. will head to the UK in January for a headlining tour with support from local hardcore crew PINTGLASS. Tickets are available now at https://bigasstruckie.com/.

NORTH AMERICAN TOUR DATES:

Oct 10 - Birmingham, AL - Furnace Fest

Oct 20 - San Diego, CA - Corazon Del Barrio^

Oct 21 - San Francisco, CA - Neck of the Woods^

Oct 23 - Portland, OR - High Limit Room^

Oct 24 - Spokane, WA - The District Bar^

Oct 25 - Seattle, WA - El Corazon^

Oct 26 - Boise, ID - The Shredder^

Oct 28 - Denver, CO - Ante Up^

Oct 30 - Minneapolis, MN - Underground Music Venue*

Oct 31 - Chicago, IL - Gods of Chaos

Nov 1 - Milwaukee, WI - X Ray Arcade*

Nov 2 - Detroit, MI - Catacombs at the Sanctuary*

Nov 3 - Pittsburgh, PA - Preserving Underground*

Nov 4 - Cleveland, OH - Mahall’s*

Nov 5 - Toronto, ON - Hard Luck Bar*

Nov 7 - Hartford, CT - Webster Underground#*

Nov 9 - Baltimore, MD - Metro Gallery#*

Nov 10 - Worcester, MA - Palladium Upstairs#*

Nov 11 - Brooklyn, NY - Saint Vitus#*

Nov 12 - Philadelphia, PA - Ukie Club#*

Nov 13 - Richmond, VA - Canal Club#*

Nov 14 - Atlanta, GA - Masquerade (Purgatory)#*

Nov 15 - Orlando, FL - Warped Tour Orlando

Nov 17 - Houston, TX - The End~

Nov 18 - Dallas, TX - Three Links~

Nov 20 - San Antonio, TX - Rock Box~

Nov 23 - Mesa, AZ - Rosetta Room~

Nov 24 - Las Vegas, NV - American Legion Post 8~

Nov 25 - Pomona, CA - The Glass House

^Load Tha Nine

#Restrictor Plate

*Surfaced

~Lie

UK TOUR DATES:

Jan 1 - Newcastle, UK - The Grove

Jan 22 - Glasgow, UK - Classic Grand

Jan 23 - Liverpool, UK - Rough Trade

Jan 24 - London, UK - Downstairs at The Dome

Jan 25 - Nottingham, UK - Rescue Rooms

Jan 27 - Leeds, UK - Boom

Jan 28 - Bristol, UK - Exchange

Jan 29 - Portsmouth, UK - Kola

Jan 30 - Birmingham, UK - Flapper

Jan 31 - Manchester, UK - Rebellion

Feb 2 - Dublin, IE - The Grand Social

Feb 3 - Belfast, UK - The Limelight 2

About BIG ASS TRUCK I.E.:

Born in the Inland Empire. Fueled by diesel and bad decisions.

2000 horsepower breakdowns. 12-ton riffs. Anyone in the way catches the back wheel stomp.

Not a band. A wrecking crew on bald tires.

BIG ASS TRUCK I.E. isn’t here to partake in hardcore. It’s here to run it over, back it up, and run it over again.

Big riffs. Big energy. BIG ASS TRUCK.

Follow BIG ASS TRUCK I.E.:

Instagram | X | Bandcamp | Spotify | Apple Music

Swim the Current Release Official Music Video for "The Price We Pay" via TLG|ZOID

October 3, 2026

An Emotional Reflection on Loss, Memory, and the People Who Help Us Through the Hardest Days — Featuring Piano by Black Label Society’s JD DeServio

TLG|ZOID, distributed by Virgin Music Group, announces the release of “The Price We Pay,” the powerful new rock single from Swim the Current. Produced by George Pond, Chris Reyes, and David Caplinger, the track is an emotionally charged reflection on loss, grief, and the memories that help carry us forward when life feels impossibly heavy.

The band has unveiled the official music video for "The Price We Pay."

“The Price We Pay” is out now via TLG|ZOID, distributed by Virgin Music Group.

STREAM "The Price We Pay"

https://ffm.to/thepricewepaystc

WATCH the Official Music Video for "The Price We Pay" Below:

“‘The Price We Pay’ is really about losing someone you love and trying to hold on to the good times while you’re living through the bad ones. Loss is something we all deal with eventually, and sometimes those memories—the laughs, the stories, the moments you’ll never forget—are what get you through the hardest days,” says George Pond, bassist for Swim The Current

Adding an especially meaningful layer to the track is JD DeServio of Black Label Society, who contributes piano to the song. Pond and DeServio share a friendship that spans years of touring, conversations, and a mutual love of music. Both are accomplished bass players, but their long-standing friendship had never translated into a musical collaboration—until now.

While DeServio is widely recognized for his work as a bassist with Black Label Society, Pond emphasizes that his talents extend far beyond the instrument.

"This song became even more special to me because my good buddy JD DeServio from Black Label Society plays piano on the track. JD and I are both bass players, and after all these years of friendship, touring and talking just about every day, we’ve always wanted to do something together musically but somehow never had the opportunity. People obviously know JD as an incredible bass player, but he’s also an amazing multi-instrumentalist, songwriter and producer—and just an all-around amazing dude."

"More importantly, he’s one of my closest friends. Having him play on a song this personal means more to me than I can really put into words. He absolutely crushed the piano part and brought an emotion to the song that was exactly what it needed. After being friends for so many years, it’s an honor to finally have our names together on a piece of music. I couldn’t be prouder of what he brought to ‘Price We Pay.’”

“The back story on this one is very personal. I had written the music as an instrumental the week my pup Kodi passed away. When George and Greg heard it, they asked if they could use the music for an STC song, and I agreed. The lyrics that George and Marcos wrote capture all the emotions of losing a loved one. It was the perfect marriage of music and lyrics," adds Joe Gareri, the band's lead guitarist.

Bringing together an all-star lineup of rock talents, including vocalist Marcos Leal(formerly of Ill Niño), bassist George Pond (Disciples of Verity), guitarist Greg Antine, drummer Chris Moore (George Lynch, Ultraphonix, Rock of Ages), and lead guitarist Joe Gareri, takes the band's sound to new heights.

VRSTY Share "dear whoever" Video — WATCH // New Album "ícon" Out 10/23

October 3, 2026

New York City-based collective VRSTY (pronounced "Varsity") are known for being fearless when it comes to experimenting with musical boundaries. Effortlessly blurring, blending, and bending the lines between genres, they craft their own unique brand of alt pop, hard rock, and R&B that doesn't have a name but it's DNA-distinct, and distinctly VRSTY.

They will release their new album ícon. It arrives on October 23 via Spinefarm. Pre-order it here.

They drop "dear whoever." Watch the video below.

ABOUT VRSTY:
VRSTY make music as energetic and richly diverse as the city that spawned them. Assembled by band leader Joey Varela, a Puerto Rican singer from New York City raised on R&B, pop, and Spanish music and equally inspired by metallic post-hardcore, VRSTY blend genres with fearless ambition and visceral enthusiasm. A handful of EPs preceded 2020's debut album, Welcome Home, itself followed by a three-part series of sequel EPs solidifying the band's reputation.

VRSTY specialize in what Kerrang! described as "endless grooves and danceable parts, punctuated by breakdowns and completed with dark atmosphere." Meanwhile, "Massive," from 2020's Cloud City EP, remained the Most Played on SiriusXM's Octane for two consecutive weeks. In a 9/10 review, Outburn described Welcome Home as "effortless, fun, and above all genuine." Blabbermouth raved, "While other bands may have introduced the concept of genre-bending, VRSTY have refined it."

Levitate, the band's sophomore set, was powered by spirited conviction and a commitment to follow their muse wherever it leads. Tyler co-produced Levitate with Justin Deblieck (Ice Nine Kills, Motionless In White, Lorna Shore, Fit For A King).

VRSTY have commanded the crowd anytime they perform, connecting with anyone who struggles with feelings of low self-worth, bad relationships, or generally feels like an outsider. It’s a feeling of shared community evident on the band's tours with the likes of 10 Years, Nonpoint, Secrets, and For The Fallen Dreams, among others.

Ultimately, VRSTY aim to encourage, provoke, and inspire listeners in the next era of their career, which starts with icon.

SIGNS OF TRANQUILITY UNLEASHES “THE RISE” AN ANTHEM FOR BREAKING FREE, FINDING YOUR WAY OUT, AND BECOMING YOUR BEST SELF

October 3, 2026

SIGNS OF TRANQUILITY confront that difficult truth head on with their powerful new single, “The Rise,” an emotionally charged anthem about breaking free from the life that is holding you back and having the courage to build something better.

“The Rise” isn't simply a song about change. It's about the pain, fear, uncertainty and strength required to completely reinvent your life.

At its heart, the song explores what happens when the things you've built your entire world around are ultimately the very things hurting you. Walking away can feel impossible. Starting over can feel terrifying. And sometimes, the dream of becoming the person you were meant to be seems impossibly far away.

But that's where “The Rise” begins.

“The Rise is all about losing everything you’ve ever known in the search of becoming your best self, and creating a life that you wake up feeling excited about, and above all, living in peace.”

The song serves as a reminder that sometimes the first step toward a better life is recognizing that the life you're currently living isn't the one your heart is calling for.

Whether it's a life you hate, a dream that seems impossible, an environment that continues to hold you back, or an addiction that has taken control, “The Rise” carries one central message: There is always a way out.

The imagery behind “The Rise” is rooted in the idea of seeing the life you truly want and making the decision to climb toward it.

That climb isn't supposed to be easy.

There will be fear. There will be setbacks. There will be moments when letting go seems easier than continuing upward. But the song refuses to surrender to that fear.

“I promise you, if you are brave enough to look up and see the life you truly want for yourself and get on that rope and climb… There is always a way out, and a chance to live the way your heart truly calls for.”

It's a message about resilience without pretending that transformation is painless.

Because sometimes you fall.

Sometimes you lose your grip.

Sometimes you have to start again.

And that's okay.

“Be Brave, Fearless, and if you fall off that rope, dust yourself off and get right back on.”

That philosophy is the emotional heartbeat of “The Rise.”

SIGNS OF TRANQUILITY is working on two brand-new EPs of original music, with the first singles, The Enforcer, and Forgotten available now. To truly experience what the band has become, fans are encouraged to catch them live—because that’s where the magic happens.

Weathers Release New Single "Teeth" and Official Lyric Video via Big Machine Rock

October 3, 2026

Alt-rock outfit Weathers has released their new track "Teeth" and the accompanying lyric video via Big Machine Rock. Prior to today, the band shared "Happy Pillz (Higher Dose)", a fresh reimagining of fan-favorite track "Happy Pills", and their latest banger, "Antidote". Speaking about the inspiration behind "Teeth", the band commented:

“'Teeth' is one of the most interesting songs we’ve ever written, not because it’s necessarily honest or deep and vulnerable, but actually because it was inspired by my celebrity crush. I wanted to deliver an idea of that kind of parasocial relationship or the thought we all have at least once when thinking about celebrities we like which is “would we be friends in real life?” However the twist being that this character in the song represents those people out there that think they have a personal relationship with someone they don’t know. Hence my favorite lyric, “you would like me, you would love me” which leans into the delusion that maybe they could be friends even though they don’t know that person at all.

We’ve all had celebrity crushes before and wondered what it would be like to meet them. I wanted to take things a step further and bring a dark ridiculous twist to the song making it feel possessive and scary. Fun fact, while writing this song we had this actors tv show playing in the room.”

Fans will soon have their chance to see Weathers hit the stage on the upcoming Moonbloom US tour alongside VOILÀ and Ella Red. The tour kicks off Tuesday, October 27, in Los Angeles, California at The Fonda and wraps on Sunday, November 15, in Denver, Colorado. Afterward, the band will bring the heat to their headlining show on Tuesday, November 17, in Salt Lake City, Utah at Urban Lounge (tickets available at the link here).

Stream "Teeth" here and watch the official lyric video below.

Upcoming Weathers US Tour Dates:

Tue 10/27 - Los Angeles, CA @ The Fonda

Thu 10/29 - Phoenix, AZ @ The Nile Theater

Sat 10/31 - Dallas, TX @ House of Blues

Mon 11/2 - Nashville, TN @ Brooklyn Bowl

Tue 11/3 - Atlanta @ The Masquerade*

Wed 11/4 - Charlotte, NC @ The Fillmore

Fri 11/6 - Philadelphia, PA @ Union Transfer

Sat 11/7 - New York, NY @ Irving Plaza

Sun 11/8 - Boston, MA @ Royale

Wed 11/11 - Detroit, MI @ St. Andrews

Thu 11/12 - Chicago, IL @ House of Blues

Sun 11/15 - Denver, CO @ Summit Music Hall

Tue 11/17 - Salt Lake City, UT @ Urban Lounge*

*Weathers only

ABOUT WEATHERS

Southern California-based alternative rock band Weathers — lead singer/frontman Cameron Boyer, guitarist Cameron Olsenand bassist Brennen Bates — have been consistently creating finely crafted introspective pop songs heavily inspired by the counter-culture of the 80s and 90s since forming in 2015. The band makes music that speaks to those among us who tend to forget that, regardless of outward appearances, everyone is struggling with something and that no one is alone. Weathers’ story is a tale of growing up, of coming into one’s own, and includes themes of depression or anxiety and the often difficult maintenance of mental health.

They first grabbed listeners' attention with 2016's "Happy Pills," which peaked at number 21 on the Billboard Alternative Songs chart. Initially, vocalist Boyer and guitarist Olsen met in 2012 while attending a battle of the bands in the Los Angeles suburb of Manhattan Beach. By 2015, they had formed Weathers, recruiting bassist Bates. Signing with RCA Records, they released their debut single, "I Don't Wanna Know," a swaggeringly moody song that drew comparisons to Walk the Moon and The Neighbourhood. Fans followed, and in March 2016 they landed a slot at SXSW. Their follow-up single, "Happy Pills,"garnered the band even more attention, becoming the most added track to rock radio in July 2016. In 2018, they issued the Kids in the Night EP, featuring the single "1983."

NIGHT COBRA Announces Sophomore Full-Length, Unleashes First Single, "Keepers Of The Cult"

October 3, 2026

Forged in the asphalt-cracked underbelly of Houston, TX, NIGHT COBRA unleashes a blistering, high-octane take on razor-sharp heavy metal. Following their celebrated debut album released in 2022 on High Roller Records the band returns sharper, leaner, and more dangerous than ever with a new union with independent heavy metal purveyor Nameless Graves Records. Mixed by the great Mike Exeter (Black Sabbath, Judas Priest, Ozzy Osbourne, etc.), 'Beware the Dark Future' is due on November 6 with two stunning vinyl variants, CD, and digital formats. The "Keepers of the Cult" are now unleashing the anthemic first single, which can be found below.

'Beware the Dark Future' is now available for pre-order via Nameless Graves for CD HERE and vinyl HERE. The single will be available digitally at a later date.

NIGHT COBRA frontman Christian "Bakka" Larson comments, "As the world crumbles we give you an offering of apocalyptic heavy metal. This album is for those without hope and know that humanity has no future...."

Forged in the asphalt-cracked underbelly of Houston, TX, trad metal revivalists NIGHT COBRA unleashes a blistering, high-octane take on razor-sharp heavy metal designed to blow the future apart. Following their celebrated debut album released in 2022 on High Roller Records the band returns sharper, leaner, and more dangerous than ever with a new union with independent heavy metal purveyor Nameless Graves Records.

Fronted by Christian "Bakka" Larson, the driving force behind Necrofier, veteran of Eternal Champion and Venomous Maximus, and visionary creator/producer of the powerhouse Hell's Heroes festival, Night Cobra carries the torch of true metal pedigree while injecting it with a lethal dose of swagger and attitude that can only come from a band that calls Texas home. The album was mixed by the great Mike Exeter (Black Sabbath, Judas Priest, Ozzy Osbourne) and also marks appearances from Texas metal masters Dobber Beverly (Necrofier, Insect Warfare, Oceans of Slumber) and Trevi Biles (Venomous Maximus). The album is bolstered by a guest appearance from James Rivera (Helstar, ex-Destiny's End, ex-Vicious Rumors, ex-Malice).

Recording Lineup:

Christian Bakka - Vocals/Synth

Brandon Barger - Guitar

Bill Fool - Guitar

Trevi Biles - Bass

Dobber Beverly - Drums

Live Lineup:

Christian Bakka - Vocals/Synth

Brandon Barger - Guitar

Bill Fool - Guitar

Trevi Biles - Bass

Anthony Vallejo - Drums

Special Guest:

James Rivera (Helstar, ex-Destiny’s End, ex-Vicious Rumors) on "Cry for Blood" and "Starlight"

Album credits:

Recorded at Southwing Audio & Shadow Wind Studios

Mixed by Mike Exeter (Black Sabbath, Judas Priest, Ozzy Osbourne)

Mastered by Peter Hewitt-Dutton at The Bakery

Layout by Subhuman Being

Cover Artist: Calvin Cushman

Links:

INDUCTION RELEASE NEW VERSION OF "GODS OF STEEL" FEATURING KAI HANSEN OF HELLOWEEN

October 3, 2026

Just a few days ahead of their upcoming tour with TUNGSTEN and KILMARA, INDUCTION are back with a very special release: The modern power metal outfit led by guitarist Tim Hansen has unleashed a video clip for the brand-new version of their epic anthem "Gods Of Steel," featuring none other than Kai Hansen (HELLOWEEN, GAMMA RAY) on guest vocals.

"Gods Of Steel" originally appeared as an exclusive track on the physical editions of INDUCTION’s latest album, LOVE KILLS!, featuring a guest appearance by Antonio Calanna (A Cold Paradise). With its massive choirs, soaring melodies and larger-than-life heavy metal spirit, the song already stood out as one of the band’s most epic compositions. For this new version, INDUCTION are bringing one of the most influential voices and personalities in German heavy and power metal into the fold.

For Tim Hansen, the collaboration carries an additional personal significance. Not only does he consider his father’s unmistakable voice a perfect fit for a song like "Gods Of Steel," the two also recently worked together on the new HANSEN album, Born with a Hammer, that was released on September 18th via earMUSIC.

Tim Hansen comments:
"‘Gods Of Steel’ is probably the most epic song we’ve ever written. It has everything we love about heavy metal: huge melodies, massive choirs, energy and that larger-than-life feeling that made us fall in love with this music in the first place.

Having Kai join us for this new version takes the song to an entirely different level. Of course, for me personally, having my dad on an INDUCTION song makes this release even more special. But beyond that personal connection, there simply couldn’t be a more fitting voice and character for a song called ‘Gods Of Steel.’

We’re incredibly excited to finally unleash this version into the world. Turn it up louder than hell. This is heavy metal in its purest form!"

"Gods Of Steel" is out now on all major streaming services at:
https://induction.rpm.link/godsofsteelPR

"Gods Of Steel" is part of INDUCTION’s third studio album, LOVE KILLS!, released on February 6, 2026 via Reigning Phoenix Music HERE. The record sees the band continue to expand their modern power metal sound, combining their classic heavy metal roots with progressive elements, sweeping orchestration and a cinematic production.

At the same time, LOVE KILLS! showcases INDUCTION at their most versatile. Moving between hard-hitting metal anthems, soaring melodic passages and more atmospheric moments, the record explores different facets of love, passion and their darker consequences. Alongside "Gods Of Steel," the album features tracks including "Dark Temptation," "Steel And Thunder," "Beyond Horizons" and the title track, "Love Kills." "Strangers To Love" also features a guest appearance by Clémentine Delauney of VISIONS OF ATLANTIS.

Following the path established with Born From Fire, INDUCTION have broadened their musical scope on LOVE KILLS! while adding an even more modern and cinematic dimension to their sound.
Crafted at Chameleon Studios and Boogie Park Studios in Hamburg, the new album was produced by Tim Kanoa Hansen, and was mixed and mastered by Eike Freese in collaboration with the guitarist. LOVE KILLS! marked the beginning of a new era for INDUCTION, defined by musical evolution, emotional depth, and a fearless drive to push the boundaries of modern power metal.

Now, INDUCTION will take their high-voltage shows back to the stage. Starting October 7, 2026, the band will hit the road alongside TUNGSTEN and special guests KILMARA for the "ANTHEMS OF STEEL TOUR 2026." The run will take the bands across Germany, Switzerland and Austria; make sure to catch this killer band package live at the following dates:

07.10.26 – DE – Herford @ Kulturwerk
08.10.26 – DE – München @ Backstage
09.10.26 – DE – Leipzig @ Hellraiser
10.10.26 – DE – Passau @ Zauberberg
11.10.26 – DE – Karlsruhe @ Die Stadtmitte
12.10.26 – CH – Aarburg @ Musigburg
13.10.26 – AT – Salzburg @ Rockhouse
14.10.26 – DE – Mörlenbach @ Live Music Hall
15.10.26 – DE – Hamburg @ Bahnhof Pauli
16.10.26 – DE – Lingen @ Alter Schlachthof
17.10.26 – DE – Solingen @ Laut und Hart Festival
18.10.26 – DE – Selb @ Rockclub Bayern

Tickets: http://tiny.cc/anthemsofsteel

Symphonic Metal Band ZORNHEYM Releases New Album "Descending Into Madness" Out Now on Noble Demon!

October 3, 2026

Symphonic metal visionaries ZORNHEYM have released their brand new studio album Descending Into Madness, which is out now via Noble Demon.

Stream the album HERE

Founded in Stockholm, Sweden, as an ambitious vision by its creator, multi-instrumentalist and songwriter Zorn (ex-DARK FUNERAL), with the goal of realizing his interpretation of the ultimate concept band - a complete fusion of music, narrative, and visual storytelling. Since its inception, the band has set out to redefine the traditional "metal meets symphony" approach, developing a sound that blends cinematic orchestration with a powerful heavy metal backbone and strong influences from melodic death metal, all driven by a distinct sense for epic, memorable melodies.

At the core of ZORNHEYM lies a dark and expanding narrative universe. Each album unfolds within the walls of the mental asylum Zornheim - a place shrouded in mystery, madness, and horror - where the institution itself becomes the central character. Across releases, the band explores different eras of its sinister history through layered storytelling, recurring themes, and hidden connections. This concept was introduced on their debut album Where Hatred Dwells and Darkness Reigns (2017) and further expanded on the critically acclaimed The Zornheim Sleep Experiment (2021), followed by the acoustic EP The Forgotten Inmates (2023), which completed the first chapter of the asylum’s story.

ZORNHEYM’s artistic vision extends far beyond music. Their albums are accompanied by detailed visual concepts and graphic novels, bringing the asylum and its inmates to life in another dimension, while their music videos are produced as short films that further immerse the audience in the band’s universe.

On stage, ZORNHEYM transforms into a theatrical experience led by frontman Bendler, whose commanding presence draws the audience deep into the asylum’s grip. On special occasions, actors become part of the performance, elevating the show beyond a traditional concert into a dark and immersive spectacle.

With Descending Into Madness, ZORNHEYM mark the impressive next evolution of their dark universe, pulling listeners deeper than ever into the madness of Zornheim.

The album is out NOW via Noble Demon and available for purchase at THIS LOCATION. Available in a variety of exclusive formats, including colored marbled vinyl, a limited Collector's Edition CD, a Digipak, and an A5 book.

For More Information Please Visit:

Instagram

Facebook

Bandcamp

https://linktr.ee/nobledemon

Ferret Music's Wounded Touch Release New EP, Share “Scarlet Psalm” Video

October 3, 2026

Wounded Touch have released their brand new EP, "They Promised Eden, Vol. 2", alongside a brand new video for "Scarlet Psalm" via Ferret Music, the influential independent label known for shaping the landscape of 2000's metalcore, born of a love for punk, hardcore and metal. A scorched meditation on complicity, grief, and the violence of looking away, the track finds the band confronting the distance between witnessing suffering and taking responsibility for what comes next.

At once prayer, confession, and indictment, "Scarlet Psalm" traces the wreckage of a world conditioned to consume violence at a distance. While the lyrics give the track a ritualistic weight, the focus remains painfully human, confronting the shame of what can't be undone, the things forgiven behind a screen, and the peace that becomes intolerable once it is recognized as silence. Watch the brand new video for "Scarlet Psalm" BELOW.

Offering a closer look at "Scarlet Psalm" and speaking to how the Vol. 2 EP came together, vocalist Nick Holland of Wounded Touch shares:

"Volume 2, in contrast to its counterpart that released earlier in the year, maintains its cynical nature but with an aggressive optimism in both sound and subject. We admittedly hadn’t had the full thing mapped out or written when volume 1 dropped but the response to it had us in the studio almost immediately with a frenetic energy we hadn’t experienced since we were teens. Scarlet Psalm is the bridge between the band’s sound we started with and where we’ve arrived today, carried by lyrics about the righteousness of martyrdom. All our mistakes we’ve made in the past and up to this point, and the chance we were still given by Ferret coalesces with the song’s final redemptive line. “Let me make this right."

With both volumes now released, vocalist Nick Holland of Wounded Touch speaks to the evolution connecting the two chapters of "They Promised Eden":

"The marriage of “They Promised Eden” Volume 1 and 2 as a singular release is like looking at a single photo of a living thing mid metamorphosis. The first half is where the band took its sharp turn and swung for the fences with an angry, violent recklessness in sound and design. And the second half is a sonic reflection of that choice and of our trajectory. We’d only had a portion of a song and a half written when we signed to Ferret following Volume 1 and we didn’t know if we should continue on our path or deviate, but we ultimately chose to maintain with the confidence of our writing and as a nod to the earlier years as a band, include a re-recording of Sleep a Cicada Would Envy which seemed to still match the overall bleak, machine like tone. Though it’s a collection of ultimately two separate releases, it still feels like a singular release in concept and the pieces had always been intended to fit together that way."

Wounded Touch's arrival on Ferret Music continues the label's renewed commitment to artists operating with intent, conviction, and an appetite for pushing heavy music forward. Founded by Carl Severson, vocalist of NORA, Ferret Music has long been synonymous with legendary artists across metal, hardcore, and adjacent scenes, including Converge, Disembodied, Killswitch Engage, ZAO, and Every Time I Die, followed by Poison the Well, In Flames, The Devil Wears Prada, and more. Built from within the DIY community, the label earned trust through a hands-on, artist-first approach that prioritized long term development over short term momentum.

Now operating with that same ethos, Ferret Music returns at a time when heavy music is once again thriving at a grassroots level that is driven by community, discovery, and a renewed appetite for authenticity. With Severson back at the helm, the label is focused on cultivating a new generation of artists who push boundaries while staying rooted in the spirit that defined Ferret Music's early years.

Stay tuned for more news from Wounded Touch and Ferret Music coming soon.

Coinciding with the release of "They Promised Eden, Vol 2" and the new "Scarlet Psalm" video, Wounded Touch have launched pre-orders for the vinyl edition of "They Promised Eden", marking their first physical release via Ferret Music. Bringing both EPs together as one complete body of work, the limited one-sided 12" features all six tracks, with an etching on Side B. Available in three color variants: Orange Smoke (limited to 100 and exclusive to Ferret Music), Lemon, Light Blue & Black (limited to 150), and Light Blue, White, & Black (limited to 250, with retail availability beginning November 20). The release is available to pre-order now through Ferret Music's US and EU stores.

US Store can be found HERE.

EU store can be found HERE.

WOUNDED TOUCH

Live

October 24 - Detroit, MI - Sanctuary - Tickets HERE

October 30 - Pontiac, MI - The Crofoot - Tickets HERE

RELEASE SHOW (limited to 100 tickets):

November 6 - Detroit, MI - Sanctuary

EPICA - Releases 'Live at The Symphonic Synergy' Digital Album

October 3, 2026

Dutch symphonic metal giants EPICA have announced that their monumental live spectacle, Live at The Symphonic Synergy, is now available worldwide as a digital album.

Live at The Symphonic Synergy was recorded during their sold-out show at AFAS Amsterdam, The Netherlands, on September 20th 2024, marking a monumental milestone in EPICA’s 20-plus-year career. The release features the band performing alongside a full orchestra and choir, seamlessly blending heavy metal riffs, intricate progressive arrangements, and grand orchestral compositions. This digital album edition allows fans to experience the full, immersive audio of this landmark performance, anywhere.

The band have also revealed a live video of 'Consign To Oblivion' taken from the show, watch below:

Stream Live at The Symphonic Synergy here: https://epica.bfan.link/symphonic-synergy

EPICA - UPCOMING TOUR DATES

About EPICA:

EPICA’s 25-year journey is a masterclass in conceptual depth, technical brilliance, and unyielding sonic evolution.

The world of symphonic metal thrives on grand concepts and uncompromising standards, but few bands have elevated this genre to such momentous creative heights as EPICA. Formed in the Netherlands in 2002, these perennially dynamic masters of sonic opulence swiftly grabbed the world’s attention with their 2003 debut album The Phantom Agony.Right from the start, EPICA struck a sublime balance between sweeping orchestral grandeur and progressive heavy metal grit.

Now for a quarter of a century, the Dutch luminaries have continually refined their signature sound. The core dynamic remains anchored by Simone Simons’ soaring, versatile lead vocals, with contrast from Mark Jansen’s guttural growls. Guitars from Isaac Delahayedeliver a barrage of scything, technical riffs, while keyboard maestro Coen Janssen weaves intricate, cinematic symphonic arrangements around them. Driving the music forward is the powerhouse rhythm section of drummer Ariën van Weesenbeek - known for his relentless precision - and bassist Rob van der Loo, who grounds the band's complexity with a deep, authoritative low end.

Rather than resting on their laurels, EPICA continue to push sonic boundaries, delivering grand storytelling and relentless energy. Celebrating 25 years of music, memory, and monumental sound, the band stands proudly at the peak of their craft - honouring their past while stepping boldly into the future.

Follow Epica:

Molly Hatcher Drop "Once A Gambler" Video — WATCH

October 3, 2026

Southern Rock legends Molly Hatchet released their new single and video "Once A Gambler" today. The song is taken from the upcoming studio album Lost Horizon.

Watch the video below.

Guitar player Bobby Ingram says, "Win or lose, playing the game, living your life at high speed. Gambling that the winner takes it all. Once a gambling man, always a gambling man, with every aspect of life. Always thinking you are ready to bet it all, having a fierce attitude with no regrets. Living everyday with the positive attitude of betting everything. Even if losing it didn't matter. The next day you were back at sitting down and gambling to win as much as you can. Never looking back, always looking forward and betting on your life's winning to live another day and start it all over again but in another town when the winnings were good."

TOUR DATES:
10/2 — Murphys, CA — Ironstone Amphitheater
10/3 — Madera, CA — ApCal Rock N' Ranch Amphitheater
10/10 — Miami, OK — Buffalo Run Casino
10/11 — Phoenix, AZ — Celebrity Theatre
10/17 — Ponte Vedra Beach, FL — Ponte Vedra Concert Hall
10/23 — Peekskill, NY — Paramount Hudson Valley Theatre
10/24 — Jim Thorpe, PA — Penn's Peak
10/30 — Bristol, TN — The Paramount
11/12 — Nashville, IN — Brown County Music Center
11/14 — Wisconsin Dells, WI — Crystal Grand Music Theatre

MIRANDA LAMBERT IS COOKING WITH CRISCO ON NEW ALBUM OUT NOW VIA MCA

October 2, 2026

Miranda Lambert has never been interested in making the same record twice. For more than two decades, Lambert has followed her instincts wherever they lead, whether that’s hard-driving honky-tonk, stripped-down acoustic storytelling, rock influences or Texas singer-songwriter traditions. Today, the three-time GRAMMY winner releases Crisco, a new album via MCA that explores country music’s rich sonic history while embracing the freedom to follow the music wherever it leads. Listen BELOW.

“Crisco started with a conversation,” Lambert explains. “Jesse Frasure and I were talking about all these records we love and wondering why country music doesn’t reflect back into its history more often, especially when we’ve got this incredible archive of music to inspire us – from artists like Patsy Cline, Glen Campbell, Conway & Loretta, to Kenny & Dolly and so many others.”

What began as a plan to write only a handful of songs quickly grew into something much bigger. Together, Lambert and co-producer Jesse Frasure immersed themselves in the sounds and spirit of an era that had long inspired them, creating an album that embraces sweeping strings, lush harmonies and countrypolitan production while allowing the musical traditions of country to stretch in unexpected directions.

“We weren’t trying to make a retro record,” Lambert notes. “We were channeling a feeling.”

That intention shaped more than the music. It inspired an entire creative world. The pair traded playlists, collected visual references and carefully crafted the atmosphere before recording a note. By the time they walked into Nashville’s Blackbird Studio – complete with disco balls overhead, intentional lighting, a handpicked band and a nine-piece string section – they weren’t simply recording songs. They were stepping into a world fully imagined.

“In twenty-five years of making records in Nashville, it was easily the most magical and moving project I’ve ever been part of,” Frasure says. “Everybody walked into the studio believing in the same vision, and you can hear that on every track.”

The title track captures that vision in a single word. “Crisco” is country and disco. Billy Bob’s and Studio 54. Rhinestones and roller skates. Playful, at times a little tongue-in-cheek, yet completely unapologetic about finding joy wherever the music leads.

“I’ve made a lot of records with a lot of heavy subjects over the years,” Lambert reflects of her journey as a writer, performer, label founder and record producer. “This album feels mostly lighthearted. It’s refreshing to get up on stage and sing something fun. Making this record also unlocked a ‘time to do whatever I want’ feeling. Being able to create freely without putting parameters around my art has been really, really fun. I don't think I've ever smiled that much in the studio.”

That spirit runs through the entire album. Yet whether she’s writing about complicated love, restless spirits, resilience, regret or redemption, Lambert’s songs have never settled for easy answers. The women at the center of these stories are funny, fearless, flawed and fiercely human. They fall in love, make mistakes, keep moving forward and occasionally dance through the heartache because that’s what life asks of them.

Across Crisco, Lambert explores every corner of that emotional landscape. There’s the timeless heartbreak of “Cowgirl Curtsy” and “Two Things Can Be True,” the sly confidence of “Cuttin’ Onions” and the wanderlust of “Till The Going’s Gone.” There’s comforting familiarity in “Right Where We Left It,” hopeful resilience in “To Everything,” the effortless chemistry of “Whiskey Business” and the dreamy escape of “Sunset Marquis.”

Along the way, Lambert reunites with longtime friend Chris Stapleton on the GRAMMY-nominated “A Song To Sing,” teams with “Choosin’ Texas” cowriter Ella Langley on cinematic “Snakeskin Boots” and honors one of her songwriting heroes with a new interpretation of Jim Croce’s “I’ll Have To Say I Love You In A Song.”

Rather than looking backward for nostalgia’s sake, Crisco celebrates one of country music’s richest creative eras while proving the genre has always been bigger than any one sound. Built on curiosity, joy and fearless musicianship, the album honors tradition without standing still.

“I hope when people listen to Crisco, it feels familiar while also feeling fresh,” says Lambert. “They can grab onto something that feels nostalgic, put their roller skates on and go on the journey with us.”

Tune in HERE on Oct. 7 to watch the Amazon Music Songline Live stream of Lambert’s The Truth performance.

Watch her episode of The New York Times’ Popcast HERE.

DUSTIN LYNCH CALLS UP ASHLEY COOKE FOR “HOW YOU BEEN”

October 2, 2026

MULTI-PLATINUM, 10x #1 hitmaker Dustin Lynch teams up with Ashley Cooke on “How You Been,” an up-tempo country duet that turns one phone call into a rush of summer memories. Available everywhere today, listen BELOW.

Described by Lynch as a “chapter 2” to his 4X PLATINUM smash “Thinking ’Bout You,” “How You Been” finds an old connection suddenly back on the line, reopening a chapter neither side may have completely left behind. Ferris wheel first kisses, moonlit nights and a summer in Myrtle Beach come flooding back as a casual check-in starts sounding more like an invitation to pick up where they left off.

“I’m so happy to finally have a song out with Ashley. She sounds incredible on ‘How You Been,’ and from the first time I heard it, it felt like the perfect song for us to do together,” shares Lynch. “To me, it feels like chapter two of ‘Thinking ’Bout You.’ It’s that idea of reconnecting with somebody from your past and realizing those memories might still mean something to both of you. Ashley brings so much personality to her side of the song, and I can’t wait for everyone to hear it.”

“The second I heard this song, I was beyond excited Dustin asked me to be a part of it,” shares Cooke.“Not only is it an absolutely infectious melodically, but lyrically it packs a punch and has that clever double entendre I really love in a song. It’s that ‘invisible string’ story in a way that feels fun and flirty. Great song and even better duet partner, what more could you ask for?”

Matching the song’s forward momentum, “How You Been” trades studio gloss for an up-tempo, driving arrangement with the feel of a full band in the room. Lynch and Cooke play both sides of the conversation, their vocals bringing a lived-in ease to a story that hangs on a deceptively simple question: if the memories are still this vivid, how far away is the past really?

“How You Been” offers another look at Lynch’s seventh studio album, Clean Slate, arriving October 30 via BBR Music Group/BMG Nashville. Across 12 tracks, the album finds Lynch taking stock of where he’s been and where he wants to go next, exploring love from every angle – from new possibilities and hard-earned perspective to heartbreak, second chances and the connections that refuse to disappear.

KEEP UP WITH DUSTIN LYNCH

ABOUT DUSTIN LYNCH:
Dustin Lynch has “built one of the most consistent recording careers in modern country music” (Billboard), achieving 10 number ones, four Top 5 albums, MULTI-PLATINUM status with 12 RIAA-certified singles and more than 5 BILLION cumulative global streams. Now, the proven hitmaker turns the page with his seventh studio album, Clean Slate, arriving October 30 via BBR Music Group/BMG Nashville. Across 12 tracks, Lynch takes stock of where he’s been and where he’s headed, exploring love, heartbreak, hard-earned perspective and the moments worth holding onto while staying true to the sound that has defined his career. The album includes “Easy To Love,” road-tested honky-tonk anthem “Made In A Bottle,” “How You Been” with Ashley Cooke and “Home To You” with MC4D. Lynch recently celebrated a decade-plus of chart-topping music with Setlist Staples - 10 #1’s, bringing together the songs that have become the foundation of his live show. Released alongside new RIAA certifications for “Small Town Boy” (5X PLATINUM), “Thinking ’Bout You” (4X PLATINUM), “Ridin’ Roads” (2X PLATINUM) and “Chevrolet (feat. Jelly Roll)” (PLATINUM), the collection underscores a catalog built to last. Beyond the charts, Lynch has headlined packed venues and toured with some of country’s biggest names, including Kane Brown, Luke Bryan, Brad Paisley and Blake Shelton. A longtime fixture in Las Vegas nightlife, he made history as Wynn Nightlife’s first-ever country music artist residency in 2025 and returned in 2026, further expanding his sound through genre-blending collaborations and his Club Set Remixes EP. Since his PLATINUM breakout “Cowboys and Angels” in 2012, the Tennessee native has earned industry recognition as a Grand Ole Opry member, alongside high-profile nominations from the Academy of Country Music Awards, American Music Awards, Billboard Music Awards, iHeartRadio Music Awards and CMT Music Awards.

GAVIN ADCOCK RELEASES 3RD ALBUM IN 3 YEARS: THE DAY I HANG IT UP

October 2, 2026

Gavin Adcock had an instinct to turn others’ doubt into motivation ever since he was a kid on a cattle farm in Watkinsville, Georgia. That drive serves as the inspiration behind his latest album, The Day I Hang It Up, available now via Thrivin Here Records/Warner Records Nashville. Listen HERE.

“As much as people might want to cut me down, as much as they want to make me an outcast or make me smaller in their head, I’m not going anywhere,” Adcock promises. “When I quit, it’s going to be because I want to—not because someone made me, or tried to run me out. That’s the whole premise of The Day I Hang it Up.”

A co-writer on all but four songs, the project also includes collaborations with Treaty Oak Revival, ERNEST, and his previously released fan favorite, “Cheap Thrills” with Hudson Westbrook.

The official music video for “Us Again” featuring Treaty Oak Revival premiered simultaneously with the album release. Directed by Jack Owens and produced by Sydney Hampton, the video builds a narrative around the push-and-pull of a toxic relationship, with the narrator assured that despite the relationship ending, “I know we’ll wind up us again.” Watch BELOW.

Adcock has steadily released new music since announcing the album, with 11 of the 26 tracks available before the official release. Offering a mix of heartbreak, love, and his signature “outlaw-country edge” (Parade), The Day I Hang It Up also adds a layer of depth to the country star’s repertoire. Songs including “Shoes” and “Rockstar Life” delve deeper into the cost of rising fame, while “Holes In The Boat” offers an honest look at trying to balance masculinity and vulnerability concerning mental health.

Adcock previewed the album to fans and industry insiders at Nashville’s Exit/In on Tuesday, Sep. 29. With a 14 song setlist, Adcock sang nine songs off the album while also playing fan favorites, “A Cigarette,” “Ain’t No Cure,” “Need To,” “Last One To Know” and “Run Your Mouth.”

Adcock invited fans to vote on which city they wanted to see host his album release shows. The overwhelming response led the singer to choose and quickly sell out two cities: Studio at The Bomb Factory in Dallas, TX on Oct. 5 and The Eastern in Atlanta, GA on Oct. 8.

The Day I Hang It Up is Adcock’s third album release in three years, and follows the success of his previous album, Own Worst Enemy, which arrived as the top new Country album on the Billboard Top 200 Country Chart AND the top streaming new album on the Billboard 200 All-Genre Chart week of release (Aug 15, 2025). Before that, his major-label debut album Actin’ Up Again became the highest streaming major-label Country debut from a solo male artist in 2024, with more than 15 million on-demand U.S. streams the week of release, and was 2024’s top streaming major-label debut across the entire genre.

About Gavin Adcock:
Gavin Adcock, dubbed by Billboard as "one of country music’s most buzzed-about artists” is a Georgia native, born and raised in Watkinsville. Former Georgia Southern University football player, Gavin grew up working on his family’s cattle farm and dreamt of riding bulls in the PBR. He started writing songs in high school, but it wasn’t until the spring of 2021, when Adcock tore his knee playing football, that he used his healing time to record and release his first original single. Since then, Gavin has collectively amassed more than 2 BILLION global streams across singles including the fan-favorite, RIAA PLATINUM-certified, “A Cigarette,” GOLD-certified songs “Run Your Mouth,” “Deep End,” “Four Leaf Clover” and more. His album, Actin’ Up Again, was crowned the largest major-label country debut from a solo male artist released in 2024 and was the year’s top streaming major-label debut across the genre. Within less than a year, Adcock more than doubled his previous streaming record with over 25 MILLION first week US streams on new album Own Worst Enemy, released August 15, 2025. Own Worst Enemy debuted as the top new Country album on the Billboard 200 Country Chart (No. 4) and top streaming new album on the Billboard 200 All-Genre Chart (No. 14) week of release. In the Spring of 2026 Gavin was able to add Executive Producer to his achievements, with the release of Adcock’s brainchild, Country Never Dies, enlisting the help of nine artist peers to join him on the special, timeless, project. The MusicRow Awards’ “Discovery Artist of the Year” nominee has also won over the hearts of both Country music fans and music industry alike, leading to his New Artist of the Year nominations at both the 60th & 61st ACM Awards. Taking his music to the fans, Adcock is currently underway on The Day I Hang It Up Tour 2026, marking the fourth extensive headlining tour since 2024.

COLIN STOUGH & KENNY WAYNE SHEPHERD PLUG IN FOR “BONE DRY (REVISITED)” – OUT NOW

October 2, 2026

Colin Stough plugs “Bone Dry” back in alongside blues-rock icon Kenny Wayne Shepherd with “Bone Dry (Revisited),” available everywhere today. Listen BELOW.

Originally released in July as one of Stough’s most stripped-down recordings to date, “Bone Dry” found the Mississippi native with nothing left between his gravel-worn vocal and the aftermath of a relationship that took everything out of him. Now, Stough and Shepherd revisit that heartbreak from the other side of the amplifier, giving the song an electric edge while leaving its emotional core exposed.

“Getting to work with Kenny Wayne Shepherd on ‘Bone Dry’ was honestly pretty surreal for me,” shares Stough. “I’ve been a fan of his music for a long time, so having him bring his guitar and his sound to a song that means a lot to me was something I’ll never forget. He took the song to a whole different level, and I’m really proud of what we made together.”

“Colin has been so great to work with. He knows exactly what he wants with his music. I understand just how unusual it is for someone his age to possess that kind of maturity and drive. He has exceptional musical instincts and is such a great writer, singer, guitarist, and he has a lot of depth in his musical arsenal to draw from. It’s been a lot of fun working with him and I’m excited to see what we come up with next,” shares Shepherd.

Written by Stough, Gavin Lucas and Jackson Inman, “Bone Dry” uses the image of a river run dry to capture the point after heartbreak when even the tears are gone. Cracked earth, empty skies and memories of what once flowed freely frame a breakup that leaves Stough drained rather than angry. On “Bone Dry (Revisited),” Shepherd’s unmistakable guitar enters that landscape, answering Stough’s weathered vocal and bringing new voltage to a song built around having nothing left to give.

The collaboration also brings together two artists whose musical roots meet naturally across Southern rock, country and blues. A multi-Platinum blues-rock guitarist with six GRAMMY nominations, Shepherd has notched a string of No. 1 blues albums and No. 1 mainstream rock singles across his career. Raised on the Mississippi-Alabama line, Stough grew up absorbing the sounds of artists including The Allman Brothers and has increasingly pushed his own music toward the heavier edges of his influences. With Shepherd joining him on “Bone Dry (Revisited),” the song stretches further into that blues-rock lineage without losing the raw country storytelling at its center.

About Colin Stough
Born and raised on the Mississippi-Alabama line, 21-year-old Colin Stough was brought up on Southern rock and second chances. A self-taught guitarist and gravel-voiced storyteller influenced by The Allman Brothers, Conway Twitty and Koe Wetzel, he first picked up a guitar at age eight, later trading prized possessions for a pawn shop acoustic he still plays today. After high school, he worked full-time as an HVAC tech until his mom pushed him to audition for American Idol Season 21. That leap launched a life-changing ride, including a standout third-place finish, a deal with 19 Recordings/BMG Nashville and breakout songs like “Sober,” “‘Til The Day One Does” and the hard-edged anthem “White Trash.” With a skinned-raw vocal and lyrics carved from lived experience, Stough has built a loyal following of more than 800K across social platforms. His EPs Promiseland and Lookin’ For Home offer a no-frills portrait of a young man navigating life with Southern grit, while releases including “White Trash,” “20 Bucks,” “Best For You,” “21 Year Old Man Blues,” “Trippin’” and “Bone Dry” continue to showcase both the power and vulnerability of his songwriting. His latest, “Bone Dry (Revisited),” finds Stough joining forces with blues-rock icon Kenny Wayne Shepherd for an electrified new take on his stripped-down heartbreak ballad. On the road, he has opened for acts like Chase Matthew, Drake White and Kidd G as he continues to build his audience one show at a time. A student of Skynyrd and the outlaw spirit, Stough isn't chasing trends. He's telling the underdog's truth, one song at a time.

KEEP UP WITH COLIN STOUGH
WEBSITE | FACEBOOK | INSTAGRAM | TIKTOK | YOUTUBE

OUT NOW: Of Virtue's "Death Of The Altar" + New Video For "Too Late"

October 2, 2026

Michigan metalcore outfit, Of Virtue, unleash their highly-anticipated new album, "Death Of The Altar", today via Arising Empire. Expanding on the emotional depth that propelled their 2023 hit record, "Omen" to over 65 million streams, the band return sharper and more deliberate than ever, leaning into their charismatic balance of melody, intensity, and unflinching honesty. Watch the brand new video for "Too Late" below, and stream the new record HERE.

Built on crushing guitar riffs, industrial electronics, atmospheric production, and the striking contrast between Tyler Ennis and Damon Tate's vocals, "Death Of The Altar", moves effortlessly between claustrophobic heaviness and enormous, soaring choruses. Across the record, Of Virtue explore what happens when devotion becomes destructive, when love turns into dependency, and when the things we give ourselves begin taking more than they give back.

That idea runs through the album in different forms. Relationships collapse under the weight of obsession, guilt and resentment, while elsewhere the band confront isolation, grief, mortality, mental turmoil and the consequences of self-destructive behavior. Religious imagery repeatedly collides with deeply human experiences of love and suffering, turning the altar into a symbol for everything we worship, sacrifice for and eventually may have to leave behind.

At its core, "Death Of The Altar" is about reaching that breaking point and finally confronting it. Songs such as "Death Of The Altar", "Enemy State", "What's It Like To Be Happy?", "Flatline", and "Devotion" approach that struggle from different angles, while the defiance of "Can't Keep Knockin' Me Down" offers another side of the record: refusing to remain trapped by the people and forces that have caused the damage.

Arriving alongside the album is "Too Late", a massive, emotionally driven metalcore track that captures Of Virtue at their most visceral. Urgent rhythms and punishing riffs collide with soaring melodies as screams and clean vocals trade places throughout one of the record's most immediate choruses. Beneath its intensity lies an unflinching confrontation with regret, selfishness, and the realization that sometimes the damage has already been done. The track's repeated acknowledgement that there may no longer be a way back perfectly reflects the wider emotional weight running throughout "Death Of The Altar".

Facing his mistakes without making excuses on "Too Late", co-vocalist and guitarist Damon Tate shares:

"When this song was being written, I was at a lower point in my life, reflecting on past mistakes, moments where I was not my best self and realizing that I had hurt people in ways that I didn't (or refused to) acknowledge. My emotional maturity was being tested like never before, and by bringing all of these issues forward, I forced myself to swallow the proverbial bitter pill and accept those circumstances. My view of intimate relationships, as well as those with platonic friends and family, was skewed. I have had a hard time communicating my feelings over the course of my life and I don't want those who love and support me to feel like I am shutting them out. I want to be able to feel comfortable asking questions and connecting on a meaningful level before their time on this Earth is up."

On what it took for the band to tear themselves down and rebuild on "Death Of The Altar", co-vocalist and guitarist Damon Tate continues:

"Words can't properly describe how this record feels for all of us! In many ways, this was the hardest record we have ever made emotionally, spiritually and mentally. There were arguments, tense moments and many long conversations peeling back the layers of who we are as a band and what we want to convey with this record. DEATH OF THE ALTAR for us collectively is an ego death experience. The things we thought were the most important were, in time, the things holding us back from the best version of ourselves. It took all of us getting into a room and challenging each other as best friends/brothers to get to where we are at and we couldn't be more proud of the record we made and the mark we hope to leave when everyone has a chance to hear it!"

On the live front, Of Virtue recently completed a summer run alongside Savage Hands and shared the stage with In This Moment in Pittsburgh, before they traveled overseas for their current European tour supporting Unprocessed. All tour details can be found HERE.

Harnessing the potent fusion of powerful melodies and emotionally charged lyrics, Of Virtue maintain a steadfast commitment to authenticity, consistently redefining the genre while staying true to their artistic essence. Beloved across 35 countries and having performed at multiple Danny Wimmer festivals, Upheaval, Full Force, Summer Breeze, and Pulp Summer Slam amongst many others, it's no surprise that they've shared stages with bands such as Slipknot, Bad Omens, Nothing More, and Three Days Grace. Beyond their musical prowess, the metal powerhouse also serve as passionate mental health advocates on and off stage. Often seen using their platform to raise awareness and openly discuss these vital issues, Of Virtue have become a source of hope and inspiration for countless fans facing similar challenges.

Carrying forward the spirit of their 2023 record, "Omen", Of Virtue continue to champion vulnerability, community, and the belief that no one is defined solely by their worst decisions. With "Death Of The Altar", the band refine and expand their sound, one marked by confrontation, growth, and the difficult process of letting go. Unafraid to sit in discomfort, Of Virtue deliver a fearless exploration of what it takes to dismantle the parts of yourself that no longer serve you, even if it means tearing down everything that once felt like home.

Be sure to stay tuned for more Of Virtue news coming very soon.

OF VIRTUE

Supporting Unprocessed

October 3 - Paris, France - Maroquinerie

October 4 - Tilburg, Netherlands - 013 Next Stage

October 5 - Nijmegen, Netherlands - Doornroosje

October 6 - Cologne, Germany - Gebäude 9

October 7 - Hamburg, Germany - Kent Club

October 8 - Berlin, Germany - Hole 44

October 9 - Munich, Germany - Strom

October 10 - Frankfurt, Germany - Batschkapp

ABOUT OF VIRTUE

In the face of omnipresent change, OF VIRTUE has never wavered, forging a legacy that stands as a testament to the power of reinvention and a refusal to surrender. Since the band’s inception, their music – a punishing-yet-melodic mix of hard rock, metal, and alternative – has mirrored that ambition: unexpected and ever-shifting, always rooted in raw emotion.

That restless spirit is fully realized on “DEATH OF THE ALTAR,” their record following their 2023 record Omen. Built on jackhammer riffs, skittering industrial electronics, and ethereal production, the band’s fourth studio album surges from claustrophobic tension into a widescreen, soaring set of choruses showcasing contrasting vocal styles of Tyler Ennis and Damon Tate – equal parts soulful and caustic. The shifts land like the split second before impact, amplifying the record’s central theme: confronting the moment when devotion turns into self-destruction.

“DEATH OF THE ALTAR,” the band’s fourth album, follows a period of rapid ascent: 2023’s Omen propelled the Michigan-based act to more than 65M streams, 4M YouTube views, and tours and festival appearances alongside Slipknot, Gojira, Bad Omens, The Used, and Three Days Grace, yet their momentum has always been fueled by more than accolades. Drawing inspiration from their diverse ethnic backgrounds (Chinese, Vietnamese, Mexican, Black, and Irish heritage), Of Virtue finds strength from these distinct perspectives, shaping their chemistry, songwriting and shared sense of purpose.

GRAVE DIGGER Release New Single + Lyric Video "The Number"

October 2, 2026

German heavy metal legends GRAVE DIGGER present “The Number”, the new single from their upcoming studio album Faces of Pain, set for release on January 15, 2027 via Reaper Entertainment. With “The Number”, GRAVE DIGGER reveal a particularly intense side of their new album. Musically, the track is built around a powerful, riff-driven mid-tempo foundation, a massive chorus and Chris Boltendahl’s unmistakably rough vocals. Its dark and menacing atmosphere provides the setting for a subject that is particularly close to the GRAVE DIGGER frontman’s heart.

Watch the official lyric video for “The Number” Below:

Chris Boltendahl comments on “The Number”:

“THE NUMBER is far more than just a song – it is a cry against forgetting and a memorial to humanity.

We look back at one of the darkest chapters in history. There was a time when people were stripped of their names, their identities and their dignity. Instead, numbers were burned into their skin. They were no longer seen as human beings, but treated like animals – trapped in an unimaginable system of systematic inhumanity.

When we look at the world today, a justified fear begins to creep in: the fear that these horrific times, in a different form, could one day return. That we might forget where hatred and the dehumanization of others can lead.

This is exactly where THE NUMBER comes in. This song is an unequivocal statement against the horrors of the past. Against what happened and what none of us ever want to experience again. But despite its serious and historical context, the song carries an even more important message: it is a symbol of hope. A sign for peace, for the inviolable dignity of every human being and for a future in which every name matters and every individual is free to be who they are.”

“The Number” offers another taste of Faces of Pain. Following the straightforward old-school approach of their 45th-anniversary album Bone Collector, GRAVE DIGGER continue down this path with a record that sees the band as energetic, uncompromising and diverse as ever.

Razor-sharp riffs, massive choruses and Chris Boltendahl’s unmistakably rough vocals form the backbone of the album. Fast-paced heavy metal bangers such as “Faces of Pain” and “Satan’s Tango” meet riff-driven mid-tempo anthems including “The Number”, “Legends Never Die” and “When The World Is Calling You”, while “Dead Sun” and “Say Hello To The Devil”reveal the band at their heaviest and darkest.

Pre-orders for the new GRAVE DIGGER album are now open. Faces of Pain will be released on January 15, 2027 via Reaper Entertainment and is available in various formats and limited editions.

Pre-order “Faces of Pain” here: https://lnk.to/FacesOfPain

More than 45 years after their formation, GRAVE DIGGER show no signs of slowing down. Faces of Pain is an album packed with energy and classic heavy metal – firmly rooted in the band’s history while looking straight ahead.

The album was produced by Chris Boltendahl at Graveyard Studios in Senden, Germany.

**The cover artwork was created by Uwe Jarling.**

Starting in January 2027, GRAVE DIGGER will also bring the new material to the stage. On the “Legends Never Die Tour”, fans can experience the unbroken live power of this German heavy metal institution.

LEGENDS NEVER DIE TOUR
GRAVE DIGGER
MOTORJESUS
WARWOLF

14.01.2027: Siegburg – Kubana Live Club
15.01.2027: Münster – Sputnikhalle
16.01.2027: Andernach – JUZ Live Club
21.01.2027: Nürnberg – Hirsch
22.01.2027: Memmingen – Kaminwerk
23.01.2027: München – Backstage
24.01.2027: (CH) Pratteln – Z7 Konzertfabrik
28.01.2027: Aschaffenburg – Colos-Saal
29.01.2027: Mannheim – Capitol
30.01.2027: Leipzig – Hellraiser
04.02.2027: Berlin – Hole 44
05.02.2027: Hamburg – Markthalle
06.02.2027: Hannover – MusikZentrum
12.02.2027: Markneukirchen – Musikhalle
13.02.2027: Bochum – RuhrCongress

Tickets: https://www.rockworld24.com/smartlinks/rockworld24/grave_digger_live.html

For More Information Please Visit:

TWISTED SISTER ANNOUNCE TOTALLY TWISTED – THE STUDIO ALBUMS 1982–1987

October 2, 2026

BMG, in partnership with Rhino Entertainment, announces the release of Totally Twisted – The Studio Albums 1982–1987, a celebration of one of the most explosive and influential periods in rock history with a collection that brings together Twisted Sister’s classic studio albums from 1982 through 1987.

Available as a 5-color-LP box set and a 5CD box set—Totally Twisted chronicles the era in which Twisted Sister evolved from a New York City club phenomenon into an international heavy metal powerhouse.

The collection features five landmark studio albums:

Under the Blade
You Can’t Stop Rock ’n’ Roll
Stay Hungry
Come Out and Play
Love Is for Suckers

Together, the albums capture the full arc of Twisted Sister’s defining ’80s run and present the complete studio-album story of a band whose music, imagery and larger-than-life personality helped define an era.

The 5-color-LP edition presents each album on its own uniquely colored vinyl, creating a striking collector’s package designed for fans who want to experience these essential recordings in the classic album format.

With its combination of hard-rocking attitude, unforgettable songs and unmistakable visual identity, Totally Twisted – The Studio Albums 1982–1987 is an essential collection for longtime Twisted Sister fans and a definitive introduction for a new generation of rock fans.

PRE-ORDER HERE

About Twisted Sister

Formed in New Jersey in the early 1970s, Twisted Sister emerged as one of heavy metal’s most distinctive and successful bands, combining powerful riffs, anthemic choruses, theatrical imagery and an unmistakable spirit of rebellion.

The band’s best-known lineup—responsible for its first four albums—featured Jay Jay French (guitar), Eddie “Fingers” Ojeda (guitar), Dee Snider (lead vocals), Mark “The Animal” Mendoza (bass) and A.J. Pero (drums). Following the Come Out and Play tour, Pero departed the group and was succeeded by former Good Rats drummer Joey “Seven” Franco, who performed on the band’s 1987 album, Love Is for Suckers.

Twisted Sister achieved international breakthrough success with the release of Stay Hungry in 1984. Certified multi-platinum in the United States, the album produced two of the era’s most enduring rock anthems, “We’re Not Gonna Take It” and “I Wanna Rock,” propelling the band to worldwide prominence.

With their uncompromising sound, iconic music videos and larger-than-life visual identity, Twisted Sister helped define the musical and cultural landscape of 1980s heavy metal. Their enduring catalog and singular approach to performance continue to resonate with generations of rock and metal fans around the world.

THROWLIGHT Confront A Fractured American Dream On New Single “Welcome To America”

October 2, 2026

Southern California genre-defiers THROWLIGHT return with “Welcome To America,” a confrontational new single that turns the band’s collision of rap, metal, hardcore and punk toward the state of the country they call home. The single can be ordered as a limited edition cassette HERE: https://rocomtoys.com/products/welcome-to-america-cassette-single

Driven by frustration with racism, oppression, greed and the erosion of freedoms, “Welcome To America” questions whether the American Dream was ever truly attainable for the generation that inherited it. The track does not simply catalog what the band sees as broken within the country. At its core, it is also a call for change and a reflection of the belief that music should speak directly to the moment in which it is created.The band shares: “The promises that come with living as a citizen of the United States of America have been dismantled and threatened over the past few years. We’ve reached a breaking point where, if change doesn’t come soon, the very freedoms we’ve fought for will be lost. Our song highlights the corrupt systems of racism, oppression and greed that are deeply rooted in our country’s foundations. It all leaves us wondering if the American Dream was ever going to be real for our generation.

“We have hope in change, though. Music should reflect the times, and that’s exactly what our song sets out to do.”

Musically, “Welcome To America” mirrors that urgency. Driving vocals collide with metallic riffs, hardcore aggression and the raw directness of punk, creating a track that feels intentionally restless and confrontational.

Rather than offering easy answers, THROWLIGHT use “Welcome To America” to capture the anger, exhaustion and uncertainty surrounding a country whose promises increasingly feel at odds with reality. Still, the song refuses to surrender completely to cynicism. Beneath its criticism is the belief that change remains possible, and that speaking openly about what is broken is part of getting there.

About THROWLIGHT:

Hailing from South Orange County, THROWLIGHT cultivate a dynamic, genre-fusing sound from the diverse musical backgrounds of its members. Drawing from across punk, metal, rap, and hardcore, this fusion results in a unique style that combines heavy grooves, catchy leads, and rap verses designed to keep listeners' heads swinging.

Inspired by iconic acts, notably DEFTONES, RAGE AGAINST THE MACHINE, FAITH NO MORE, ICE CUBE, THE BEASTIE BOYS, LINKIN PARK, the band's deep established bonds, having known each other since childhood, also infiltrate their stylistic sound.

THROWLIGHT emerged through Kevin Betz and Chris Ellis joining to create a metal band, with underground rapper Rocom stepping up as lead vocalist. The addition of Rocom's longtime collaborator in rap, King of Somewhere, finalized the band's distinctive sound as he introduced his synth sounds leading to a blend of hip-hop with a heavy metal soundscape. THROWLIGHT unveiled their debut album Monster independently in 2024.

THROWLIGHT Is:

Rocom - Vocals
Chris Ellis - Guitar
Kevin Betz - Bass
Andrew Bogert - Drums
King of Somewhere - Synth

Connect With THROWLIGHT:

Official Website: https://throwlightmusic.com/
Bandcamp: https://throwlight.bandcamp.com/music
E-Shop: https://rocomtoys.com/collections/throwlight
Facebook: https://www.facebook.com/throwlightmusic
Instagram: https://www.instagram.com/throwlightofficial
Twitter/X: https://x.com/throwlightmusic
YouTube: https://www.youtube.com/@throwlight
Spotify: https://open.spotify.com/artist/3wNptBLA2tvZk8NsxwwklA
Apple Music: https://music.apple.com/us/artist/throwlight/1762475208
TikTok: https://www.tiktok.com/@throwlight

Aussie Deathcore Titans TO THE GRAVE Release New Album 'LIBERATION FRONT' — Out Now via BLKIIBLK

October 2, 2026

Today, TO THE GRAVE, the world's preeminent vegan deathcore band, proudly unleash their new album, 'LIBERATION FRONT,' out now via BLKIIBLK. Celebrating the release, the band also launches their new single, "LIMB FROM LAMB," alongside a music video.

On the new single, bassist Matt Clarke comments:

“'LIMB FROM LAMB' was the song that probably changed the most in the recording process. Until it was done, I wasn’t sure it would even make the cut for the album. It really took Dane’s lyric arrangement and vocal delivery to make it shine. It's a bit of a change of pace from the previous singles, this one is slow (for us), brooding and heavy”

“For the video we leaned heavily into the horror movie imagery. Our music and visuals have always been inspired by horror and this was a chance to be really obvious with one of our favorites. It’s always made sense for us to connect this kind of inspiration to the real-life horror we address in the lyrics."

Watch the Official Music Video for "LIMB FROM LAMB" BELOW:

Since forming in 2010, TO THE GRAVE have become one of Australia's most uncompromising heavy exports, earning acclaim for crushing releases including 'Global Warning,' 'Epilogue,' 'Director's Cuts,' and 2024's 'Everyone's a Murderer.' Armed with a singular mission to confront animal cruelty and environmental destruction through some of modern metal's most punishing deathcore, the Sydney outfit have forged a reputation for pairing unrelenting heaviness with fearless activism. Their live assault has taken them around the globe alongside Lorna Shore, Thy Art Is Murder, Shadow of Intent, Carnifex, Oceano, and more, with Revolver hailing them as "one of the country's heaviest exports" and Distorted Sound calling them "one of the most intense, enthralling bands the genre can offer."

Now, the band returns with 'LIBERATION FRONT,' their fifth album and BLKIIBLK debut, a statement of pure intent. Brutal and uncompromising in both sound and message, TO THE GRAVE transform their death metal-infused assault into a vehicle for activism, raging against animal cruelty and environmental destruction while delivering their most direct and fully realized work to date. From the breakdown-laden opener "MEAT THE HUMANS,"'Liberation Front' marks a ferocious return to the band's deathcore roots. While recent releases leaned further into hardcore, the new album embraces deathcore at its most savage and relentless.

Evans comments about the album:

"'LIBERATION FRONT' was born as a concept on tour last year in Australia after we decided we wanted to make the sequel to 'Director’s Cuts.' What came out was something between that and a more pissed off brother to 'Everyone’s A Murderer.' It’s got so many things I love about the band and a bit of everything pushed to 100 with a really bleak kind of aggression that’s just reaching for your throat the entire time. Very keen to play some of these songs live and it’s an exciting chapter to add.”

Order 'LIBERATION FRONT' HERE

TO THE GRAVE is currently on "The Sawed Off Suffering Tour" with co-headlinerCrown Magnetar. The entire run is supported by Face Yourself and on select dates by the likes of I Declare War, Tracheotomy, Backbiter, Squelching and Ameonna (the new band featuring former Chelsea Grin members Alex Koehler, Jake Harmond and Pablo Viveros, making their live debut). For a full list of remaining dates, please see below.

Bassist Matt Clarke exclaims:

“These are the heaviest lineups we’ve ever put together, and we can’t wait for these shows across North America and at home in Aus. For North America, all these bands have a different approach, but the one thing that brings it all together is intensity! We’re stoked to be teaming up with Crown Magnetar for this run, and having Face Yourself on the package just makes it more crushing. We’re very excited that we get to play with OG Chelsea Grin members back on-stage for the first time in Ameonna, and I Declare Warhopping on for some shows is awesome! Backbiter, Tracheotomy, and Squelching will all bring their own brands of brutality to the tour. No matter what show you’re hitting, you’re in for a treat.”

TO THE GRAVE Live:

North America w/ Crown Magnetar, Face Yourself

Oct 2 - Atlanta, GA @ The Masquerade (Purgatory) ^

Oct 3 - Jacksonville, FL @ The Albatross ^

Oct 4 - West Palm Beach, FL @ The Banyan Live ^

Oct 6 - Dallas, TX @ Club Dada $

Oct 7 - Austin, TX @ Come and Take It Live $

Oct 9 - Mesa, AZ @ Rosetta Room

Oct 10 - Los Angeles, CA @ Echoplex +

Oct 11 - Roseville, CA @ Goldfield Trading Post +

Oct 13 - Portland, OR @ The Hawthorne Theatre +

Oct 14 - Seattle, WA @ El Corazon +

Oct 16 - Salt Lake City, UT @ Soundwell ~

Oct 17 - Denver, CO @ HQ ~

* w/ Backbiter

^ w/ Tracheotomy

$ w/ Squelching

+ w/ I Declare War

~ w/ Ameonna

More Dates TBA!

'LIBERATION FRONT' is more than an album; it is a musical and lyrical call to arms, designed not only to rage against the machine but to educate, provoke, and challenge listeners on every level. Combining their most savage deathcore material to date with an unwavering commitment to animal liberation and environmental activism, 'LIBERATION FRONT' stands as TO THE GRAVE's definitive statement: fierce, unapologetic, and impossible to ignore.

As Evans puts it, “this is our way of establishing order. The band is built around our way of doing things and to me this title is just waving that flag. These songs are about direct action, open rescue, abolition and liberation by any means necessary.”

TO THE GRAVE are:

Dane Evans - Vocals

Jack Simioni - Guitar

Nic Webb - Guitar

Matt Clarke - Bass

Connor Kingdom - Drums

Band Bio HERE