George Strait’s Moody Center Return in the Round

In his first show of 2026, George Strait sauntered to Moody’s center stage last night in his signature starched Wranglers and black Resistol hat just after 8:45p, leading more than 15,000 fans through a two-hour, 28-song set singalong in his first night’s set of arena doubles bookending the icon and Country Music Hall of Fame member and recent Kennedy Center Honoree’s seven show season.  
 
Fans weren’t the only ones who dressed up for the occasion. The arena – which Strait opened with Willie Nelson in April 2022 – was decked to the nines in Strait Moody Center signage welcoming “The King of Country” back to the stage for the first time in nearly four years. And Austin didn’t just show up, they came to sway, sing and two-step, taking to the aisles in pairs on “Does Fort Worth Ever Cross Your Mind” and shuffling along to “I Just Want To Dance With You.”  
 
“I see we got some cowboys out there tonight, I love it,” Strait gleamed midway through his setlist including so many of the icon’s 60 No. 1 hits. “I love seeing you cowboys out there because you bring the cowgirls with you; this song is for all you cowgirls,” he proclaimed before performing “How ‘Bout Them Cowgirls” from his 2007 album, It Just Comes Natural. 
 
Texas native William Beckmann opened the evening and will return this Saturday, April 11. Additionally, Carter Faith will join George Strait for his return to the Moody Center on May 15 and 16, marking his final shows of the season.
 
With additional tickets recently released, limited seats remain available for purchase for Strait’s remaining 2026 shows at georgestrait.com. 

Photo Credit: Jill Trunnell

Remaining 2026 George Strait Shows:

Saturday, April 11   Austin, Texas    Moody Center
Friday, April 24    Lubbock, Texas    Jones AT&T Stadium 
Saturday, April 25    Lubbock, Texas    Jones AT&T Stadium
Saturday, May 2    Clemson, SC    Death Valley 
Friday, May 15   Austin, Texas    Moody Center
Saturday, May 16   Austin, Texas    Moody Center

Once To Die Release New Single "Endure" via Mindful Recordings

Southern California band Once To Die released their brand new single “Endure” via Mindful Recordings. The track serves as the second song on The Conquest: Volume 1, the band’s upcoming release and the first chapter in their developing campaign.

"Endure" was formed with the idea of reminding every individual that there is a power inside us all to endure anything in life.  Tragedy and loss are inevitable but the strength inside you is the answer.

From the chaotic depths of Southern California, Once To Die was formed in the spirit of introducing powerful yet rupturing experience. Forcing an untainted memorandum that what we face in this life can be conquered against overwhelming odds.  The path of conquest we leave in our wake is yet a distinction of the hereafter.

With “Endure,” Once To Die begins the next step in their path forward, setting the tone for what’s to come on The Conquest: Volume 1—a release built on resilience, confrontation, and the relentless will to survive.

STREAM "Endure" :

https://ffm.to/endure-09xe

Once To Die:

Jason Morrison - Vocals
Justin Bundy- Guitar
Mark Pistone Guitar
Hector Gonzalez- Bass
Austin D’Amond- Drums

For More Information Please Visit:

Official Website

Instagram

Facebook

TikTok

YouTube

UNLEASH NEW ALBUM DESCENT + RELEASE MUSIC VIDEO FOR 'BEND TOWARDS THE DARK'

New York death metal icons IMMOLATION have unleashed their twelfth studio album, Descent.This monumental release arrives on the eve of the band's North American takeover.

To commemorate their new release, the band has unleashed their latest single, 'Bend Towards The Dark.' The track is a sonic assault, fusing the band’s trademark sound with menacing leads and a barrage of merciless blasts.

Immerse yourself in the darkness. Experience the new visual for 'Bend Towards The Dark' below:

IMMOLATION comments: "We are excited to get one more single out as our new album DESCENT is finally released! "Bend Towards The Dark" is definitely one of the more ambitious tracks of the record.  It has just about every element you would expect from IMMOLATION, but takes things a bit further. It's intense and heavy, yet becomes very epic and almost orchestral at times, really embodying a lot of feeling and emotion throughout. We really look forward to having 'Bend Towards The Dark' out there to ignite the release of DESCENT! We hope everyone enjoys it!"
 
Order Descent:
https://immolation.bfan.link/descent

IMMOLATION are currently trekking across North America for their Spring 2026 run. The tour features the band alongside BEHEMOTH on the massive 'The Godless IV' lineup, joined by DEICIDE and ROTTING CHRIST, with several additional dates interspersed throughout the journey.

04.09.2026  US  Baton Rouge, LA @ Chelsea's Live **
04.10.2026  US  Houston, TX @ White Oak Music Hall **
04.11.2026  US  San Antonio, TX @ Vibes Event Center **
04.13.2026  US  Las Vegas, NV @ Fremont Country Club **
04.14.2026  US  San Diego, CA @ The Observatory North Park ^ ^
04.15.2026  US  San Francisco, CA @ The Regency Ballroom ^
04.17.2026  US  Portland, OR @ Roseland Theater ^
04.18.2026  CAN Vancouver, BC @ The Vogue Theatre ^
04.19.2026  US  Seattle, WA @ Showbox Sodo ^
04.21.2026  US  Salt Lake City, UT @ Union Event Center ^
04.22.2026  US  Denver, CO @ The Fillmore ^
04.23.2026  US  Kansas City, MO @ Warehouse On Broadway ~
04.24.2026  US  Milwaukee, WI @ The Rave ^
04.25.2026  US  Chicago, IL @ The Vic Theatre ^
04.26.2026  US  St. Louis, MO @ The Pageant ^
04.27.2026  US Louisville, KY @ Whirling Tiger ~
04.28.2026  US  Norfolk, VA @ The Norva ^
04.30.2026  US  Silver Spring, MD @ The Fillmore ^
05.01.2026  US  Worcester, MA @ The Palladium ^
05.02.2026  US  New York City, NY @ The Palladium ^
05.03.2026  US  Albany, NY @ Empire Live **
05.04.2026  US  Buffalo, NY @ Buffalo Riverworks ^
05.05.2026  US  McKees Rock, PA @ The Roxian Theatre  ^
05.07.2026  US  Daytona Beach, FL @ Welcome To Rockville *  
05.09.2026  US  Charlotte, NC @ The Fillmore ^
05.11.2026. CAN Toronto, ON @ History ^
05.12.2026  CAN Montreal, QC @ L'Olympia ^
05.14.2026  US  Columbus, OH @ Sonic Temple Aftershow *
05.15.2026  US  Nashville, TN @ Brooklyn Bowl ^
05.16.2026  US  Atlanta, GA @ The Masquerade ^
05.18.2026  US  Dallas, TX @ The Bomb Factory ^
05.20.2026  US  Phoenix, AZ @ The Van Buren ^
05.21.2026  US  Los Angeles, CA @ Hollywood Palladium ^
05.22.2026  US  Tucson, AZ @ The Rialto Theatre #
05.23.2026  US  El Paso, TX @ Rockhouse Theatre $
05.24.2026  US Albuquerque, NM @ Sunshine Theater $
05.26.2026  US Little Rock, AR @ The Hall $

^ - The Godless IV 2026 Tour
** - W/ DEICIDE, ROTTING CHRIST
~ - W/ ROTTING CHRIST
# - W/ DECIDE, CATTLE DECAPITATION, BRUJERIA
$ -  W/ DECIDE
* - Festival date

FESTIVAL DATES
07.27-31.2026. RO. Brasov @ Rockstadt Extreme Fest
08.05-08.2026 CZ. Josefov @ Brutal Assault

Descent was captured across two locations: Justin Passamonte tracked guitars, bass, and vocals at Jpass Music, while drums were recorded at Mercinary Studios with Noah Buchanan. The production was a collaborative effort between the band and long-time engineer Zack Ohren, who also handled the mixing and mastering. The result is a muscular, high-fidelity production that captures the band’s most fiery and brooding moments with equal clarity. To call Descent "heavy" or "brutal" is an understatement; this is death metal with a unique, elevated voice that stands entirely alone.

Visually, the band has once again tapped Eliran Kantor to craft a haunting cover masterpiece—a true hallmark of the Immolation aesthetic— complemented by Santiago Jaramillo’s (Triple Seis Design) internal booklet illustrations. With this release, IMMOLATION reinforces their status as one of the most enduring and vital forces in the genre.

IMMOLATION is:
Ross Dolan | Bass/Vocals
Robert Vigna | Guitar
Steve Shalaty | Drums
Alex Bouks | Guitar

UK Progressive Metal Band Rolo Tomassi Release Video For "Tempest"; Select U.S. Dates Announced

UK progressive metal outfit Rolo Tomassi have unveiled a sparse yet striking new video for “Tempest,” a standout track taken from their recently released In The Echoes of All Dreams EP. The EP further expanded Rolo Tomassi’s boundary-pushing sound, weaving together elements of post-hardcore, metal, and ambient experimentation. 

In The Echoes of Dreams is now available on limited edition vinyl, offering fans a collectible physical edition. Get it HERE.

The band says, “We're pleased to share the video for ‘Tempest’ alongside the vinyl release of our EPIn The Echoes Of All Dreams. We can't wait to be back out playing some shows this summer and move forward with this new material, having enjoyed our 20th anniversary celebrations in 2025. Hope to see you at a show!"

The band is also playing a handful of dates in the U.S. this summer:

07/25 - Indianapolis, IN - POST Festival
07/26 - Chicago, IL - Beat Kitchen
07/28 - Pittsburgh, PA - Preserving Underground
07/31 - New York, NY - TV Eye

Since their 2005 inception in Sheffield, Rolo Tomassi have evolved from math-core prodigies into one of the UK’s most vital progressive forces. For over two decades, they have defied the rigid boundaries of heavy music, weaving a tapestry of sound that is as intellectually demanding as it is emotionally resonant. Prior to the recent EP InThe Echoes of All Dreams, the band released the full-length album, Where Myth Becomes Memory, which served as the final part in an unintended trilogy that began with 2015’s Grievances and continued with 2018’s Time Will Die And Love Will Bury It. 

Connect with Rolo Tomassi:

Website
X
Instagram

APOSTLE Announces New Single “Illusion of Loss”

APOSTLE unveils their latest single, “Illusion of Loss,” a dynamic and emotionally charged composition that offers a glimpse into the band’s forthcoming full-length album, A Splinter in the Infinite Noumenon, arriving June 5, 2026 via Terminus Hate City.

“Illusion of Loss” begins with a sharp, brief breath before an angular and moody guitar and bass melody settles over a plodding, swinging half-time drum groove. Murice White's vocal cadence moves fluidly within the arrangement, locking into the rhythm as the song unfolds. A sudden, deliberate drop in intensity introduces an arpeggiated and introspective passage driven by a rolling snare, gradually building toward a release carried by a mid-tempo blast beat.

The track expands in scope as Murice’s tremolo-picked lead cuts through with urgency while his vocals rise in intensity. Michael’s bass provides a steady melodic anchor, shaping the mood beneath shifting textures. A discordant, arpeggiated lead slices through the mix while Evan’s drumming shifts into a driving double bass pattern that pushes the song forward before returning to a reprise of its opening movement. The closing moments feature a distorted spoken sample describing barely livable conditions in a city, extending the song’s thematic reach outward.

“Illusion of Loss” reflects on the fragility of life, the isolation that can accompany grief, and the internal changes that follow. The song draws from the experience of personal loss and the emotional weight that lingers in its wake. It considers how loss reshapes identity, how it brings forward buried parts of oneself, and how memory can guide purpose moving forward. The connection between individual grief and shared human experience remains central throughout.

The album title references Carl Jung’s description of humanity as a “splinter in the infinite deity,” framing the record as an exploration of spiritual duality, grief, and self-examination. Across six tracks and 27 minutes, the band move through themes of loss, mortality, internal conflict, and eventual healing. The record serves as both a meditation on the human condition and a deeply personal tribute shaped by grief and remembrance.

Produced, engineered, and mixed by Connor Ray at Sobek Sound and mastered by Erol Ulug at Bright Lights, A Splinter in the Infinite Noumenon presents APOSTLE in their most refined and expansive form.

Pre-order A Splinter in the Infinite Noumenon here: https://www.terminushatecity.com/product-page/preorder-apostle-a-splinter-in-the-infinite-noumenon-lp

Their latest album, A Splinter in the Infinite Noumenon, represents the band’s most fully realized work to date. Drawing from existential philosophy and deeply personal experiences with grief and remembrance, the record explores humanity’s connection to something greater while acknowledging the struggle inherent in being human. Across its runtime, APOSTLE seek connection through shared emotional experience, transforming personal suffering into collective release.

APOSTLE is:

Murice White – vocals, guitar
Michael Thomas – bass, vocals
Evan Price – drums

Connect with APOSTLE:

Bandcamp: https://apostlesucks.bandcamp.com
Store: https://www.terminushatecity.com
Instagram: http://www.instagram.com/apostlesucks
Facebook: http://www.facebook.com/apostlesux
Spotify: https://open.spotify.com/artist/67cjLOrbhdb2gFmS9OJKfS
YouTube: https://youtube.com/@terminushatecity

Haste the Day Are "Adrift" — WATCH + LISTEN

HASTE THE DAY, the metalcore band that made a scene splash in the '00s, returned in 2024 with the new song "Burn" and an appearance at Furnace Fest. It was their first new music in nearly a decade.

But they didn't stop there. 

The band will release its new album DISSENTER on May 1 via Solid State Records. It's HTD's first album since 2015. Pre-order it here. 

Today, they drop the visualizer for the thick and moody slow jam "Adrift." Watch + listen Below. 

"'Adrift' is a pleading, atmospheric ballad that balances heavy guitars with subtle, layered intensity," the band offers. "The song unfolds slowly, revealing unexpected harmonies beneath its weight. Lyrically, it explores disconnection, exile, and the loss of home— capturing the erosion of identity that follows."

HTD also announced a run of tour dates set for May. They will also appear at Louder Than Life in Louisville, Kentucky in September. All upcoming performances are below.

HASTE THE DAY ON TOUR:
5/3 — Nashville, TN — Eastside Bowl 
5/22 — Pomona, CA — Glass House
5/23 — Phoenix, AZ — Nile Theater
5/28 — Seattle, WA — Crocodile
5/29 — Portland, OR — Revolution Hall 
6/5 — Granby, Quebec — Festival Au Lac*
9/20 — Louisville, KY — Louder Than Life*
*Festival
 
Haste The Day conjure the sound of coming full circle. The Indiana-bred band rekindles the spark at the heart of their signature style by sharpening the edges, tightening the melodies, and amplifying the scope with cinematic ambition. Haste The Day have clung to their integrity since initially emerging at the turn of the century. Following Burning Bridges [2004] and When Everything Falls [2005], Stephen made his formal debut as the group's frontman on Pressure The Hinges [2007]. The band unleashed a trio of fan favorite offerings, namely Dreamer [2008], the seminal Attack Of The Wolf King [2010], and Coward [2015]. The latter marked their second straight Top 20 entry on the Billboard Top Rock Albums chart and second Top 10 on the Hard Rock Albums Chart. Along the way, they toured with everyone from Hollywood Undead to Norma Jean. Despite going dormant in 2016, they amassed tens of millions of streams and continued to resonate with an ever-expanding audience. As such, their 2023 reunion gig at the sold-out Furnace Fest was met with overwhelming enthusiasm. Returning with their first full-length release in eleven years, the musicians tap into who they were and push forward together on their seventh LP, Dissenter [Solid State].

HASTE THE DAY ARE:
Stephen Keech — Vocals 
Scott Whelan — Guitar 
Dave Krysl — Guitar 
Giuseppe Capolupo — Drums 
Michael Murphy — Bass 
Brennan Chaulk — Guitar 

ANY GIVEN DAY UNVEIL "HEAL ME TO DEATH" VIDEO

With "Heal Me To Death," Any Given Day deliver one of their most intense and emotionally charged tracks to date — a crushing metalcore anthem that blurs the line between healing and harm. Watch the video Below.

Driven by razor-sharp riffs, thunderous breakdowns, and a haunting melodic undercurrent, the song dives deep into the toxicity of control disguised as care. "Heal Me To Death" explores the suffocating weight of relationships where love becomes manipulation, and salvation turns into destruction. It's a raw confrontation of inner conflict and external pressure — where the promise of being "fixed" comes at the cost of losing yourself.

Lyrically, the band paints a dark and vivid picture: Golden façades hiding inner demons, faith twisted into force, and words that cut deeper than wounds. The recurring line "Pour your cure like poison, watch me bleed" encapsulates the track's core — a powerful metaphor for the danger of imposed healing and the violence of misunderstood intentions.

Balancing aggression with vulnerability, Any Given Day showcase their signature dynamic sound, seamlessly shifting between brutal heaviness and soaring emotional intensity. The result is a track that is as cathartic as it is devastating — a battle cry for autonomy, identity, and the right to break free from toxic salvation.

"Heal Me To Death" isn't just a song — it's a statement: sometimes the most dangerous thing isn't the pain itself, but the people who claim to take it away.

BANK ARCADE DROP VIDEO FOR COMEBACK SINGLE "SEVERANCE"

Arising Empire have never been ones to play it safe—but with their newest signing, they've doubled down on something far more volatile. Enter Banks Arcade and their ferocious new single "Severance": A track that doesn't just blur genre lines — it tears them apart and leaves the pieces smoldering. Watch the video Below:

Built on a collision of punishing metalcore, glitchy electronic textures, and the swagger of modern hip-hop, "Severance" feels less like a song and more like a system overload. It's aggressive, cinematic, and calculated chaos—exactly the kind of statement you'd expect from a band that has never acknowledged the idea of staying in one lane.

And Banks Arcade didn't arrive here by accident. What started as a project between two best friends—shaped by wildly different worlds spanning jazz academia and professional MMA—has evolved into one of the most unpredictable forces in modern heavy music. Their sound reflects that tension: Precision meets violence, control meets collapse.

Over the past few years, the band has carved a path from Southern Hemisphere outsiders to global contenders. They've sold out headline runs across Australia and New Zealand, while stepping onto some of the biggest stages in heavy music, including Download Festival, and touring alongside genre leaders like Northlane, Thornhill, and The Plot in You. Each tour tightened their grip on an international audience that thrives on exactly this kind of forward-thinking aggression.

"Severance" captures that momentum at full speed. There's a maximalist intensity running through the track—industrial electronics colliding with downtuned riffs, hooks that feel like they've been dragged through a rave at 3 am, and a sense that everything could fall apart at any second, but never does. It's controlled destruction.

What makes Banks Arcade hit differently, though, is the intent behind it all. Born out of constant relocation, reinvention, and the kind of struggle that either breaks you or rebuilds you into something sharper, the band operates with a clear purpose: redefine what "heavy" even means in 2026.

With Arising Empire now backing the project, "Severance" isn't just a new single—it's a warning shot. Banks Arcade aren't here to join the scene. They're here to rewire it.

Hardline Release Video for Title Track of Upcoming Album "Shout" Out 4/17

The melodic hard rock band HARDLINE have released the video for the title track "Shout" from their new album out April 17.

Singer Johnny Gioeli says, "'SHOUT' as the title of this album is EXACTLY what it is…. The idea that created the title comes from the millions of ideas in my head that simply don't stop.  At times, I want to release them all in one massive scream. Here comes…. 'SHOUT!'"

Watch the video Below.

Shout will be released on April 17 through Steamhammer worldwide in the following configurations:
CD DigiPak
LP, 140 g, black vinyl, padded inner sleeve, coloured insert
Exclusive CD/LP Bundles with a shirt only at the Steamhammer shop
Download / Streaming

Pre-order here.

DONT YOU DARE Drop "I Love Misery" Video

Born from the raw concrete of Sacramento, California, DONT YOU DARE (styled without the apostrophe) are a modern rock duo fusing the intensity of nu-metal and metalcore with raw, unfiltered emotion.

Vocalist Noah Duarte, a poet-turned-frontman, joined forces with guitarist Matt English to create a sound that's both therapeutic and confrontational, and the foundation of what would become DONT YOU DARE.

The band shares the video for "I LOVE THE MISERY," because, really, who doesn't? Watch it below.

"'I LOVE THE MISERY' is the darkest song we've written to date. It's the story of isolation and self-destruction. It takes you through every emotion you could think of when you’re on that cliff about to jump, but then you ask 'Why?,'" the band states.

"'I LOVE THE MISERY' is a personal favorite of mine because every night I sing it, it allows me to let go and release those demons from years ago that still linger," shares Duarte. "It's the pause in the set, the moment everyone opens their eyes to DONT YOU DARE. This song helped me heal. It's such an amazing experience to see people who don't even know us feel that as well. It doesn't matter what walk of life you're in, everyone has felt what 'I LOVE THE MISERY' is. 'I wanna wake up' — I came up with that years ago at this point, and to this day the hook still rings true when I'm going through a rough patch. I always tell myself, 'It will never get that bad again and I put one foot in front of the other.' It's an extremely painful and dark song but the underlying message is healing so cry, scream, yell or sing. Let it all out and live in the moment. That's what 'I LOVE THE MISERY' actually is."

DYD's debut single, "S.O.S." saw the band come out swinging, generating strong momentum across streaming platforms and rapid audience growth on social media with their second single, "BLACK & BLUE," continuing that momentum. "DIE4ME" doubled the growth and got the band their debut spot on Sirius XM Octane Test Drive. "I LOVE THE MISERY" takes the emotional intensity that the band is known for, telling a story about isolation and self-destruction.

The Artery Foundation is a familiar name to hard rock fans. In 2025, the brand has rebooted and is a full service company. It's a label, artist management and producer management firm, among other things. During its 2010s heyday, the brand helped author the burgeoning metalcore scene, having been responsible for signing and breaking genre titans.

From the sweaty chaos of basements and VFW halls to the world's biggest festivals, Artery has helped guide talent from local notoriety to global recognition. The list of heavy music cornerstone acts that started with Artery speaks for itself: A Day To Remember, Motionless In White, Dance Gavin Dance, Beartooth, Sleeping With Sirens, The Amity Affliction, Asking Alexandria, The Devil Wears Prada, Our Last Night, Memphis May Fire, Fit For A King, The Plot In You, Attila, Attack Attack!, and more. 

In 2010, the company launched Artery Recordings, a label imprint that gave rise to breakout acts like Chelsea Grin and Kublai Khan TX. As Artery continued to expand, founder Eric Rushing concurrently deepened his influence on Sacramento's music and nightlife culture. His handiwork is evident in various live venues, restaurants, and bars.

Out Today From Melechesh - Sentinels of Shamash

With Sentinels of Shamash, MELECHESH enters a ceremonial descent into ancient law, fire, and cosmic vigilance. This EP does not simply revisit mythological themes. It inhabits them. Rooted in the solar authority of Shamash, god of truth and justice in Mesopotamian cosmology, the record burns with the tension between chaos and sacred order, between ruin and restoration, between mortal defiance and divine decree.

From its opening moments, Sentinels of Shamash unfolds like a sacred inscription carved into stone tablets beneath a bronze sun. The riffs arrive not as decoration but as proclamations. Rhythms move with ritual precision, evoking procession, invocation, and judgment. Each composition feels deliberate, architectural, constructed with the gravity of an ancient temple rising from desert sands. The vocals do not merely narrate. They command, intone, and summon, channeling a presence that watches from above with unwavering clarity.

The conceptual axis of the EP rests on vigilance. Shamash was not only a solar deity but the eternal witness, the eye that sees all deeds beneath daylight. In that spirit, the sentinels of the title stand as guardians of cosmic balance, positioned at the threshold where disorder threatens to consume structure. Across the EP, forgotten gods and fallen kings emerge from shadow, their legacies weighed against the scales of divine law. Fire becomes both destroyer and purifier. Judgment becomes both terror and restoration.

MELECHESH has long forged a sound that binds ancient Near Eastern mythology with extreme metal intensity, and here that fusion feels sharpened and distilled. Middle Eastern melodic inflections weave through commanding, down tuned riff architecture. The percussion carries a ritualistic cadence that feels older than the genre itself. The sonic landscape suggests wind across temple ruins, bronze weapons glinting in sunlight, and inscriptions etched in cuneiform that speak of decree and consequence. The band does not modernize myth for convenience. Instead, it allows myth to remain vast, severe, and unyielding.

What makes Sentinels of Shamash resonate is its refusal to treat antiquity as ornament. The EP positions ancient law as a living force, a reminder that civilizations rise and fall under the gaze of forces greater than themselves. In a world that often feels untethered from order, these songs confront the listener with the weight of accountability and the inevitability of reckoning. Yet within that severity lies restoration. Balance is not static but earned through trial, fire, and endurance.

Sentinels of Shamash stands as a mythological statement shaped in flame and discipline. It is a work of vigilance, a declaration that truth remains luminous even in eras of shadow. The sentinels do not sleep. The sun does not close its eye. And through relentless sonic force, MELECHESH reminds us that judgment is eternal, and order, though challenged, will rise again in fire.

MELECHESH’s influence extends beyond sound. By integrating ancient Mesopotamian history, Sumerian mythology, and occult symbolism into extreme metal, the band opened new conceptual territory within the genre. Their work has been cited as a catalyst for broader acceptance of culturally rooted themes in metal, inspiring artists worldwide to explore their own heritage through heavy music. Critics and peers consistently acknowledge the band’s originality, discipline, and longevity.

In recent years, MELECHESH has continued to operate with creative independence and a global perspective. The Sentinels of Shamash era reflects a renewed focus on intensity and atmosphere, capturing the band’s enduring fire and refined songwriting approach. Their current performances draw from the full depth of their catalog, presenting both classic material and newer compositions with equal force.

As of 2026, MELECHESH remains a powerful and evolving entity within extreme metal. With over thirty years of artistic dedication, the band continues to embody a borderless spirit and a commitment to innovation. Their music stands as a bridge between ancient civilizations and contemporary extremity, forged through discipline, vision, and unwavering creative resolve.

Credits:

PRODUCED BY 
Ashmedi 

CO-PRODUCED BY 
Rob Caggiano 

Kristian “Kohle” Kohlmannslehner 

MIXED & MASTERED BY 
Kristian “Kohle” Kohlmannslehner 

EXTRA PRODUCTION 
Rob Caggiano – Rearrangements on "In Shadows In Light", Played and Recorded All Bass Lines, Backing Vocal 

Kristian “Kohle” Kohlmannslehner – Sonic effects & “Cosmic Spice” 

THE MELECHESH COUNCIL 

Ashmedi – Vocals, 12-string & 6-string guitars, percussion 
Nikitas Mandolas – Drums 

Rob Caggiano – Bass 

Guest vocals on “The Seventh Verdict” by Jessica Pimentel 

STUDIOS & RECORDING 

Kohlekeller Studio, Germany – Engineering by Daniel Claar and Kristian “Kohle” Kohlmannslehner 

Neverworld Recordings, New Jersey , USA – Main vocals recordings engineered & co-produced by Rob Caggiano, Kingsize Soundlabs, Eagle Rock, Los Angeles, USA – Additional main vocal recordings, engineered & co-produced by Rob Caggiano 
Forneus Studio, Holy Land – Additional recordings by Tom Coen 

ADDITIONAL CONTRIBUTIONS 

Bass (studio): Rob Caggiano 

Group backing vocals: Rob & Nikitas 

Percussion (darbuka, djembe, daff, bongos): Ashmedi 

Music & lyrics: Ashmedi 

Guest contribution: Moloch 

ARTWORK & VISUALS 

Cover art: Néstor Ávalos 

Photography: Maja Mekina 

EXECUTIVE PRODUCER 

Gerardo Martinez – Reigning Phoenix Music

Connect With MELECHESH: 

• Facebook: https://www.facebook.com/melecheshofficial

• Instagram: https://www.instagram.com/melechesh_official

• Twitter/X: https://twitter.com/Melechesh

• YouTube: https://www.youtube.com/@MelecheshOfficial

• Bandcamp: https://melechesh.bandcamp.com

• Spotify: https://open.spotify.com/artist/1xT4Y7Qz2nJ6TP2PzefRgS

• Apple Music: https://music.apple.com/artist/melechesh/2912018

• Deezer: https://www.deezer.com/en/artist/11971

UADA Streams New Acoustic Album 'Interwoven' Ahead of Physical Release, Kicks Off North American Tour

As promised, enigmatic black metal horde UADA is now streaming its new acoustic album 'Interwoven' in its entirety below!

While the original April 10 release date is still being honored digitally, the physical copies will not be shipped until late May due to delays at the manufacturing plant. The album represents an acoustic journey tracing one song from each chapter of UADA's discography as well as various covers from the bands who've inspired them. 'Interwoven' will be released via Eisenwald and physical copies can be pre-ordered HERE.

In addition, UADA is now hitting the road! The band has joined forces with industrial metal artist MORTIIS for a very special co-headliner, featuring exclusive anniversary sets and supporting performances by Jerome Reuter’s ROME and WRAITH KNIGHT. UADA will be performing their seminal 2016 debut album 'Devoid of Light' in its entirety + a special CERMONIAL CASTINGS 30-year anniversary set featuring Wraith Knight. In addition, MORTIIS shall be performing songs from his groundbreaking 2001 full-length, 'The Smell Of Rain,' along with other volumes of dystopian despair. The tour kicks off tonight, April 10, in UADA's hometown of Portland, OR. The full itinerary can be found below while tickets are now available HERE.

UADA is also celebrating the 10 year anniversary of their debut album, 'Devoid of Light,' with a special reissue! Originally released in 2016, 'Devoid of Light' remains a remarkably focused debut - just five tracks, a little over thirty minutes - and yet a fully formed statement. The 'Devoid of Light (10th Anniversary Edition)' returns in an expanded form. Remastered by Arthur Rizk, who previously handled mixing and mastering for UADA's sophomore album 'Cult of a Dying Sun' and mastering for the acoustic album 'Interwoven,' the material gains depth without losing the character of the original recordings. This edition also includes previously unseen photography by Peter Beste, alongside rare archival material, expanded liner notes, and an exclusive bonus track. It will be released on July 17, 2026 via Eisenwald in CD format and 3 vinyl color variations; it is now available for pre-orders HERE.

Moreover, after much demand from fans, UADA will be returning to Milwaukee Metal Fest for the second time since leaving their mark during the 2024 edition. The festival will take place at The Rave/Eagle's Club from June 4 - 7, with UADA performing on the 7th. More info and tickets can be found HERE.

GET TICKETS HERE

THE WITCHES OF DYSTOPIA TOUR MMXXVI

(UADA + MORTIIS w/ Jerome Reuter’s ROME + WRAITH KNIGHT):

04/10/26: Portland, OR @ Dante's

04/11/26: Vancouver, BC @ Rickshaw

04/13/26: Calgary, AB @ Dickens

04/14/26: Edmonton, AB @ Starlite

04/16/26: Winnipeg, MB @ Sidestage

04/17/26: Minneapolis, MN @ Skyway at Studio B

04/18/26: Madison, WI @ Annex

04/19/26: Chicago, IL @ Reggies

04/20/26: Detroit, MI @ Sanctuary

04/21/26: Indianapolis, IN @ Black Circle

04/22/26: Covington, KY @ Madison Live

04/23/26: Pittsburgh, PA @ Preserving Underground

04/24/26: Toronto, ON @ Lee's Palace

04/25/26: Montreal, QC @ Cafe Campus

04/26/26: Quebec City, QC @ La Source

04/27/26: Boston, MA @ Brighton Music Hall

04/28/26: Brooklyn, NY @ Meadows

04/29/26: Bensalem, PA @ Broken Goblet

04/30/26: Baltimore, MD @ Metro

05/01/26: Raleigh, NC @ Chapel Of Bones

05/02/26: Atlanta, GA @ 529 EAV

05/03/26: Orlando, FL @ Conduit

05/05/26: Houston, TX @ Warehouse Live

05/06/26: Austin, TX @ Come And Take It Live

05/07/26: Dallas, TX @ Club Dada

05/08/26: Albuquerque, NM @ Launchpad

05/09/26: Denver, CO @ HQ

05/10/26: Salt Lake City, UT @ Urban Lounge

05/11/26: Las Vegas, NV @ Swan Dive

05/12/26: San Diego, CA @ Brick By Brick

05/13/26: Los Angeles, CA @ The Echo

05/14/26: San Jose, CA @ The Ritz

05/15/26: Eugene, OR @ John Henry's

05/16/26: Seattle, WA @ El Corazon

Additional UADA Tour Dates:

06/07: Milwaukee, WI @ Milwaukee Metal Fest

photographed by Peter Beste

Recording lineup: 

Jake Superchi - All Vocals, Guitars, and Percussion

Nate Verschoor - Bass

Special Guest:

C.E. Brown - Cello 

Cover Art: Peter Beste

Album Credits:

Engineered and mixed at Obsidian Spells between Summer 2023 and Spring 2024 by Jake Superchi 

Mastered by Arthur Rizk

Stream // Download: https://uada.lnk.to/interwoven

Formats:

Digital

Deluxe CD Artbook

Deluxe 180g Slipcase LP Shadow Black Vinyl

Deluxe 180g Slipcase LP Raven Smoke Vinyl

Deluxe 180g Slipcase LP Wolf's Blood Vinyl

Deluxe 180g Slipcase LP Elder Earth Vinyl

Follow/Stream UADA:

BANDCAMP

OFFICIAL WEBSITE

FACEBOOK

INSTAGRAM

SPOTIFY

APPLE MUSIC

YOUTUBE

WEBSTORE

New Southwest Contender in Alternative Rock, LES PALMS Releases Debut Single ‘Second Chance’

New Southwest contender in alternative rock, LES PALMS, releases debut single “Second Chance”. This track is a refreshing take on late 90s/early 2000s indie rock with a pop-punk punch. The lyrics preach a relatable human element, how in even the worst situations everyone deserves a second chance. The single was produced in Las Vegas, NV under Chris Collier

The group’s founder and guitarist Sean Fitz is the bassist for the RIAA Gold Certified American

hard rock band OTHERWISE. Seth Laurent(frontman) and Volkan Tonga (bass) are both

founding members of the high-energy Las Vegas band theguiltyparty. The trio met through

shows with each other's respective bands and bonded over writing music.

Sean Fitz on the single:

“‘Second Chance’ was originally written for my solo project, but once I heard Seth’s version of

the song, I knew we had something I wanted to run with. Flash forward four months, and Les

Palms is more than just an idea.”

Seth Laurent behind the lyrics of

“Second Chance”:

“‘Second Chance’ is very personal to me. Not being adequate enough for someone due to a

drinking problem is not a fictional tale in my life.”

Seth Laurent on recording with Chris Collier:

“Working with Chris Collier was one of the best experiences I’ve had making music. He let me

work through as many takes necessary, giving the track performance room to shine. “

The track will be available everywhere from Apple Music to Spotify, and even your local Touch Tunes on April 10, 2026. You can find more information on the band at their website lespalms.com

ATREYU Unleashes New Single "Children Of Light" Featuring Max Cavalera + Visualizer

Today, while gearing up for their spring tour supporting Sevendust, ATREYU are excited to unleash their new single, "Children Of Light," featuring the legendary Max Cavalera. The new track is taken from ATREYU's upcoming album, 'The End is Not the End,' set for release on April 24, 2026 via Spinefarm.

On the new single, ATREYU comments:

"'Children of Light' was created with a primal spirit in mind. A 'festival' song. Heavily inspired by classic Sepultura, though it seemed like an untouchable ask, we wanted Max involved. We’re honored to share this song with a legend."

Watch the Visualizer for "Children Of Light" Below:

‘The End is Not the End' is undeniably ATREYU’s heaviest album ever and their most adventurous. “We realized what made ATREYU great in the beginning was that we didn’t sound like anyone else,” frontman Brandon Saller explains. “We didn’t really make sense anywhere. We weren’t an emo band, a metal band, a punk band — but somehow it all worked. We kind of just carved our own path.”

Guitarists Dan Jacobs and Travis Miguel, bassist Porter McKnight, drummer Kyle Rosa, and Saller created several of 'The End is Not the End'’s songs on creative trips.

“Tokyo made us feel like kids again,” Saller says. “We’d write for a few hours in the morning, then go out and get lost in all this inspiration. The first song we finished was ‘Dead,’ and we knew we were onto something.” 

After the Japanese sessions, the band and their producer decamped to San Juan Island off the coast of Washington, where isolation became a creative accelerant. “It was the polar opposite of Tokyo. We didn’t leave the house for four days and wrote some of the heaviest songs on the record.” 

The result is an album that feels simultaneously classic and unfamiliar, aggressive and unselfconscious, deeply emotional and unconcerned with trends. Produced by Matt Pauling, ATREYU’s tenth album is vibrant, inventive, and beautifully aggressive.

“It’s our heaviest, most metal record we’ve made,” Saller points out. “But it’s also the biggest musical journey we’ve taken in years.” 

The album moves seamlessly from soaring melodic heft to muscular metallic weight, with cinematic shades and atmosphere, all tied together by a driving, raw intensity. Tracks like “Dead,” “Ghost in Me,” “Children of Light (featuring Max Cavalera),” and “Afterglow”sound both timely and timeless. 

Pre-Order 'The End is Not the End' HERE

ATREYU recently announced a spring tour supporting Sevendust kicking off April 20th in Indianapolis, IN before concluding in Knoxville, TN on May 20th. For the full list of dates, please see below.

ATREYU Live:

4/15 - Milwaukee, WI @ The Rave^

4/17 - Des Moines, IA @ Wooly's^

4/18 - St. Louis, MO @ Delmar Hall^

4/20 - Indianapolis @ Egyptian Room at Old National Centre*

4/21 - Lexington, KY @ Manchester Music Hall*

4/22 - Birmingham, AL @ Iron City Bham*

4/24 - Mobile, AL @ Soul Kitchen Music Hall*

4/25 - Destin, FL @ Club LA*

4/27 - Corpus Christi, TX @ House Of Rock^

4/28 - Dallas, TX @ House of Blues*

4/29 - Oklahoma City, OK @ Diamond Ballroom*

5/1 - Denver, CO @ Summit*

5/2 - Albuquerque, NM @ Sunshine Theater*

5/4 - Wichita, KS @ The Cotillion*

5/5 - Springfield, MO @ Regency Live*

5/7 - Daytona Beach, FL @ Welcome to Rockville+

5/8 - Greensboro, NC @ Hangar 1819^

5/9 - North Myrtle Beach, SC @ House of Blues*

5/11 - Norfolk, VA @ The NorVa*

5/12 - Harrisburg, PA @ XL Live*

5/14 - McKees Rocks, PA @ Roxian Theatre*

5/15 - Columbus, OH @ Sonic Temple Art & Music Festival+

5/16 - Baltimore, MD @ Nevermore Hall*

5/17 - Asbury Park, NJ @ House of Independents^

5/19 - Charlotte, NC @ The Fillmore*

5/20 - Knoxville, TN @ The Mill & Mine*



*Supporting Sevendust

^Headlining

+Festival Appearance

ATREYU’s riffs, hooks, melodies, and relentless energy remain a driving force in heavy music, with over a billion streams worldwide and a fanbase that keeps growing. The Southern California band recently wrapped a triumphant co-headlining U.S. run and tore through massive festivals like Download, Hellfest, Welcome to Rockville, and Inkcarceration.

Since forming around the turn of the millennium, ATREYU have pushed well beyond their DIY roots—earning multiple RIAA Gold records, Top 20 Billboard 200 debuts, and spots on major film and video-game soundtracks. Their latest album, 'The Beautiful Dark of Life' (2023, Spinefarm), debuted in the Top 10 on Billboard’s Top Hard Rock Albums and has already racked up over 75 million streams, with singles like "Gone" and "Watch Me Burn" lighting up rock radio and flagship playlists like Spotify’s "Volume" and Apple Music’s "The Riff."

ATREYU are: 

Brandon Saller - Lead Vocals 

Dan Jacobs - Guitar 

Travis Miguel - Guitar

Porter McKnight - Bass/Vocals

Kyle Rosa - Drums

Yellowcard Recharge Their Hit Single "Bedroom Posters" With New Version Feat. Blippi

Continuing what has become the most unexpected and awesome collaboration of 2026, multi-platinum pop-punk royalty Yellowcard have joined forces with global children's education sensation Blippi to recharge and revamp their buzzing hit "Bedroom Posters" with a brand new duet version, out now via Better Noise.It's Yellowcard and Blippi's second track together, following "Go Go Go," and third recording of "Bedroom Posters."

Listen to "Bedroom Posters" (Feat. Blippi) here and watch the video below. 

This iteration of the track maintains the energy of the original, yet Blippi brings his own magic to the party. He has retrofitted the tune with a fresh and family-friendly perspective, flipping lyrics like "Tear down my bedroom posters" to "Look at my bedroom posters" and soaring with the band on a sky-high chant of "Airplanes and rollercoasters." Together, they also excitedly continue the "Year of Vehicles," extending the celebration of the vehicles kids dig the most — from race cars and monster trucks to excavators and everything in between.

It's the ultimate pop-punk anthem for the kids and mom and dad!

About the track, Yellowcard's Ryan Key said, "My favorite part about this process was handing over an instrumental version of 'Bedroom Posters' to the Blippi team and letting them completely re-write the lyrics. I had the idea that this feature could be perfect because of the concept of posters on kids' walls. I think they nailed it and this is hopefully going to inspire a generation of new little rockers!

Regarding the accompanying video, he states, "It was so fun to make. I think it pushed us all out of our comfort zones a little, and at this stage of our career, that usually leads to an amazing outcome. For me, as a first-time dad of a 2-year-old who is already showing signs of being very musical, I think this is going to be a really special way for him to connect with my music and see me doing what I love. I hope that energy is what other parents find when they are watching and listening to this with their kids."

Blippi said, "Music is one of my favorite ways to play and collaborate, so teaming up with my friends in Yellowcard was a blast! We turned 'Bedroom Posters' into a version that kids and families can sing, dance, and laugh along with. I can't wait for everyone to hear it!"

As mentioned, "Bedroom Posters" follows hot on the heels of Yellowcard's appearance on Blippi's "Go Go Go." The collab caught the attention of Billboard, praising how the track "introduces pop-punk to a new generation just in time for Yellowcard's comeback."

Yellowcard's "Bedroom Posters" has quietly emerged as a staple with millions of streams and views as well being the current radio single featuring Good Charlotte; it's landed at No. 5 on the Alternative Radio Charts. Beyond looks from Alternative Press Magazine, Rock Sound, and more, Consequence applauded how "the song finds Yellowcard singer Ryan Key trading vocals with Good Charlotte’sJoel Madden," while Rolling Stone put it best, "It’s the collaboration made in pop-punk dreams."

Meanwhile, Yellowcard are set to embark on their eagerly awaited headline run, "Up Up Down Down Tour," across the US. The stacked bill features special guests New Found Glory and Plain White T's. This run kicks on May 6 at Atlanta's Coca-Cola Roxy, visits major cities such as Chicago, Denver, San Francisco, Las Vegas, Nashville, and New York, and concludes on June 17 at Boston's Leader Bank Pavilion. 

All confirmed tour dates are below.

YELLOWCARD ON TOUR:
5/6 — Atlanta, GA — Coca-Cola Roxy
5/8 — Hollywood, FL — Hard Rock Live
5/13 — Sterling Heights, MI — Michigan Lottery Amphitheatre at Freedom Hill
5/16 — Chicago, IL — Salt Shed Outdoors
5/17 — Milwaukee, WI — Landmark Credit Union Live
5/20 — Denver, CO — JUNKYARD
5/21 — Sandy, UT — The Plaza at America First Field
5/23 — Bend, OR — Hayden Homes Amphitheater
5/24 — Woodinville, WA — Chateau Ste. Michelle
5/25 — Airway Heights, WA — BECU Live at Northern Quest
5/27 — San Francisco, CA — Bill Graham Civic Auditorium
5/28 — Stateline, NV — Tahoe Blue Event Center
5/30 — Las Vegas, NV — BleauLive Theater at Fontainebleau
5/31 — Santa Ana, CA — Observatory Festival Grounds
6/1 — Phoenix, AZ — Arizona Financial Theatre
6/4 — Houston, TX — 713 Music Hall
6/5 — Irving, TX — The Pavilion at Toyota Music Factory
6/6 — San Antonio, TX — Freeman Coliseum
6/8 — Nashville, TN — Ascend Amphitheater
6/9 — Charlotte, NC — Skyla Credit Union Amphitheatre
6/11 — New York, NY — SummerStage in Central Park
6/12 — Asbury Park, NJ — Stone Pony Summer Stage
6/15 — Moon Township, PA — UPMC Events Center
6/17 — Boston, MA — Leader Bank Pavilion

YELLOWCARD ARE:
William Ryan Key – Vocals/Guitar
Sean Mackin – Violin
Ryan Mendez – Guitar 
Josh Portman – Bass 

Jamey & Brittney Johnson's Give It Away Fund Awards 11 Grants

Jamey and Brittney Johnson’s Give It Away Fund has made eleven grants so far in 2026, focusing on children in need but also helping several other organizations as well.

The fund’s name came from the 2006 George Strait No. 1 hit, “Give It Away,” which Jamey co-wrote with Bill Anderson and Buddy Cannon. The song won Song of the Year at both the Country Music Association Awards and the Academy of Country Music Awards.

Johnson donates a dollar for every ticket sold at participating shows to his fund. In addition, he donates all proceeds from the sale of a special T-shirt to his fund. It is available at his shows and online HERE.

The couple chose organizations whose missions spoke to their hearts. For instance, Brittney is a highly respected lawyer from Mississippi, so one of the organizations selected was the Hancock School District in Mississippi. Give It Away’s donation cleared the district’s meal debt for 550 school kids in the six schools in the district in which Brittney attended. This donation made a tremendous impact in this low-income area.

"I grew up in the Hancock County School District, and I'm so proud to give back to my home community in this way,” Brittney says. “My goal was to remove this financial weight from hardworking parents and free students from any pressure they might feel when entering the cafeteria each day. I want the kids to focus on learning and just being kids!" 

Four other grants went to non-profits that help children:

• First Friday Kids Support Group:  This Polk County, FL, organization provides weekend backpacks of food for kids throughout the school year. 

• The Charley Foundation: Through Rumble on the Row events, this Nashville organization supports charities for kids with critical needs.

• Lizana Youth Association: This Pas Christian, MS, organization provides sports programs to children in a low-income community.

• Wichita’s Littlest Heroes: This Kansas-based organization provides support to children with life-threatening medical conditions and to their families.

"As founders of the Give It Away Foundation, my husband and I are dedicated to the belief that every child deserves to feel supported, valued, and cared for,” Brittney says. “Part of our mission this year is to support and partner with groups that serve children and create stronger foundations for kids to thrive. It was an easy decision to support these four organizations because they directly and meaningfully impact children's lives on an ongoing basis."

The couple, who own four dogs, also made three grants to organizations that help animals:

• Mane Mission: This Tennessee organization rescues and rehabilitates horses that are then utilized for equine therapy for veterans.

• Nashville Pittie: This small rescue/rehab for pit bulls saves about 50 dogs annually.

• Animal Rescue Corp: This Tennessee organization conducts large-scale emergency rescues of animals who fall victim to abuse and disaster. With law-enforcement officers, they do large puppy mill intakes and hold the dogs throughout the court process.

"Through our foundation and generous donors, we had the honor of supporting two animal nonprofit organizations and a large-scale animal rescue,” Brittney says. “Animals–especially dogs–hold a special place in my heart, and I am deeply passionate about supporting organizations that rescue, protect, and care for them.

"We were proud this year to support a local organization that provides equine therapy, as it combines two causes I care deeply about: supporting veterans and promoting animal-assisted therapy.

"Supporting a nonprofit like Nashville Pittie has been so meaningful and personal, because Jamey and I are passionate advocates of the breed and proud owners of two precious pitties ourselves." 

Photo Credit: Joseph Cash

"We were proud this year to support a local organization that provides equine therapy, as it combines two causes I care deeply about: supporting veterans and promoting animal-assisted therapy.

"Supporting a nonprofit like Nashville Pittie has been so meaningful and personal, because Jamey and I are passionate advocates of the breed and proud owners of two precious pitties ourselves." 

The fund also awarded grants to:

• The Stepping Stone Shelter: This shelter supports homeless in 20 counties in Southwest Kansas.

• Heart of the Motor documentary through Donate Life Kentucky Trust: This grant supports the films screenings that bring awareness and organ donor registration at its events.

• Nikki Mitchell Foundation: This Nashville organization, which Jamey co-founded in 2013, provides comfort and relief to those affected by pancreatic cancer, while raising awareness and searching for a cure. The grant’s funds were specified to help a 31-year-old mother of a 5-year-old who has Stage 4 pancreatic cancer. Living with no furniture and only a mattress on the floor, her son had to move to the floor when she started toxic chemotherapy. Since her car had been under the threat of repossession, she had been hiding it after driving two hours to treatment. She kept her son out of school for special days because she couldn’t afford to purchase the items for special “dress up” days, like Dr. Seuss Day. NMF is facilitating taking care of her needs with this donation.

“Supporting this patient and her family during such a difficult time is a perfect example of why my husband and I started the Give It Away Foundation: to step in when it matters most, because we believe that no one should face life's hardest moments alone. We were proud to partner with the Nikki Mitchell Foundation in this effort.” 

Jamey is known for being among the first to help in times of need, whether it’s performing in a charity concert, making calls or donating money. He is also known for his support of the Nikki Mitchell Foundation, which he co-founded in 2013 to help those who have pancreatic cancer. The Marine also works with Toys for Tots and other organizations that help veterans, military members and their families.

Brittney was focused on helping others around the world years before she became an attorney. She taught in a school for women in Kenya, volunteered in an orphanage in Nairobi and participated in activism in a politically displaced persons camp in Kenya.

While attending the University of Mississippi School of Law, she was student coordinator of the school’s Pro Bono Initiative. While living in Mississippi, she was a member of the Junior League of Jackson. She also worked with therapy animals and helped provide hygiene services to the unhoused.

Now married and living in Nashville, the couple have unified their philanthropic hearts into one generous effort to create Give It Away so that they may continue stronger what they began apart.

For more info on the Give It Away fund, visit JameyJohnson.com/Give-It-Away.

Miranda Lambert Lands 8: Artist, Writer and Producer ACM Noms

Multihyphenate superstar Miranda Lambert, the most-decorated artist in Academy of Country Music history, earned eight nominations for the upcoming 61st ACM Awards, the second highest tally of any artist. 
 
“Honored to wake up and be among the most nominated for the ACM Awards,” Lambert shares. “It’s always special to be recognized and it’s even better when it’s alongside friends and heroes.” 

She received her 18th nomination for Female Artist of the Year as well as her ninth nomination for Song of the Year and 16th total nomination (including Artist and Songwriter credits) in the category.
 
“You’d have to look pretty far and wide to find anyone in music who has been as consistently good or eternally enjoyable as Miranda Lambert,” remarks Rolling Stone. “Almost 20 years into her run, she’s defined her career by always going her own way, both musically and lyrically.”
 
In addition to her own artistry, Lambert is also nominated for her work as both a songwriter and a producer, demonstrating her ongoing impact across the genre. “Choosin’ Texas,” the record-setting hit recorded by Ella Langley, earns nods for Lambert in both the Song and Single of the Year categories as the track’s co-writer and producer.
 
“Miranda held down women in country on a mainstream level for a decade and change; this is as much a win for her legacy as it is for Ella’s still-growing stardom,” shares Billboard of the song, continuing, “while she continues to make music of her own – she was nominated for a GRAMMY this year – she definitely seems to be thriving behind the scenes, including co-running Big Loud Texas. This is validation for her influence, her talent and underrated ability as a songwriter.”
 
Additionally, Lambert is honored for her “A Song to Sing” duet with longtime friend and collaborator Chris Stapleton, earning nods in the Song, Music Event and Visual Media of the Year categories for their co-write.
 
“At a time when country is so many things, Lambert and Stapleton seem both a true north and a hinge for the future of the same Outlaw culture Waylon and Willie conjured,” notes POLLSTAR. “Musically robust, they want to make actual country music with their roots firmly planted, but with the ability to create on their terms. It’s not fighting Music Row as much as fighting for greatness.”
 
Fittingly for year where four women lead the nomination counts, Lambert also earned a Music Event of the Year nod for her female-empowered collaboration with Reba McEntire and Lainey Wilson, “Trailblazer.”
 
“Wilson is just about inarguably the best thing to happen to country music since Miranda Lambert, who in turn was one of the best things to happen since Reba. So it felt intuitively natural – but by no means commercially inevitable – when those three teamed up,” declares Variety of the song praised by Music Row as “an utterly historic collaboration among three generations of female country excellence.”
 
The 61st ACM Awards will stream live exclusively for a global audience across 240+ countries and territories on Prime Video on Sunday, May 17, 2026, at 8 p.m. ET / 7 p.m. CT / 5 p.m. PT from the world-renowned MGM Grand Garden Arena in Las Vegas, Nevada. Fans will also be able to watch the broadcast on the Amazon Music channel on Twitch, as well as in the Amazon Music app.
 
Tickets for the 61st ACM Awards and ACM Awards week events are available for purchase on AXS.com, offering fans exclusive entry into a nonstop weekend packed with performances by their favorite Country stars.

Swedish Rock Band MARYLANE Release New Single "Doreen" + Music Video ​

Following the successful release of their debut album Winners Write History in 2024, Swedish female-fronted rock newcomers MARYLANE return with their gripping new single “Doreen,” accompanied by an official music video. The track serves as the first video single from the band’s upcoming studio album, due out later this year.

With “Doreen,” MARYLANE continues to evolve—pushing beyond their earlier pop rock roots and stepping boldly into a darker, heavier, and more intense sound. The song captures the band’s growing identity as one of Sweden’s most exciting rising rock acts.

The music video for “Doreen” was created by renowned director Patric Ullaeus (Delain, Amaranthe, Dimmu Borgir, Arch Enemy, In Flames, Lacuna Coil), marking the band’s first collaboration with the celebrated producer.

“Doreen” is a powerful message of empowerment and resilience, and a reminder to always trust your heart.

All songs on the forthcoming album were written by MARYLANE and mixed and mastered by Andy La Rocque at Sonic Train Studios.

As MARYLANE gears up for their next chapter, “Doreen” sets the tone for what’s ahead—heavier, bolder, and more fearless than ever.

STREAM "Doreen"

https://music.suricatemusic.com/doreen

WATCH MARYLANE - "Doreen" Official Music Video Below: 

Once upon a time, nestled in a corner of the bustling city, there existed a magnificent amusement park named Marylane, which was operated by Marymaker the Clown. He was perceived by the public as both terrifying and captivating, and there were rumors that he possessed the ability to attract both light and darkness simultaneously, as if he were a master of duality. During the park's prime, one could hear the excited cheers of visitors from afar and the sound of carousels roaring under the summer sun. However, as the years went by, fewer and fewer people found the time to visit the amusement park, leaving Marymaker with a deep sense of abandonment.

The very thing that he had once been so passionate about now seemed to wither away and rely solely on artificial respiration. Filled with desperation, Marymaker embarked on a journey to find himself, only to encounter chaos and despair at every turn. One evening, while lost in his own thoughts, Marymaker overheard a group of people gathering on the Tivoli stage to compose music. There was one particular melody that caught his attention, as it exuded both sadness and hope. Intrigued, he felt compelled to venture out and discover the source of this captivating music. Could it be that the songs were about him?

Marylane is a swedish rockband formed in 2023 and draws inspiration from vintage sounds infusing them with a modern intimate touch. With their music they delve into the depths of the human experience exploring the paradoxial and existential questions that haunt our minds. Their sound is a harmonious blend of captivating melodies, groovy rythms, ephic choruses and introspective lyrics.

The single cover is painted by Annika Borglund.

For More Information Please Visit:

Official Website
Instagram

Facebook

TikTok

YouTube

Impure Wilhelmina Release New Single "Blanche réalité"

With "Blanche réalité," post-hardcore vets IMPURE WILHELMINA offer the second glimpse into Le sanglot, their upcoming new album and first entirely in French.

"Blanche réalité" (White Reality) maps a state of persistent, low-grade alienation: a person going through the motions of daily existence, disoriented at the center of a world from which all warmth has been subtracted. The song finds its biographical root in a winter hike Impure Wilhelmina vocalist and guitarist Michael Schindl took, during which he nearly lost himself in the fog. That real, physical experience of erasure sits at the core of the song's emotional logic, grounding an otherwise interior state in something concrete and felt.

                                        Watch the official music video for "Blanche réalité" Below:

Le Sanglot comes out May 22, 2026 on Season of Mist

Pre-order & pre-save

https://orcd.co/iwlesanglot

The video for "Blanche réalité" extends the song's territory rather than illustrating it. Shot entirely on location in fog-bound natural landscapes with no band performance, the video follows a solitary figure moving through mist-consumed fields and bare woodland without ever arriving anywhere. The palette is almost entirely de-saturated, with animals functioning as the visual counterpart to the lyrics: present, unreachable, moving through the fog with a purposefulness the human figure lacks. Only in the final seconds does color return, a handful of amber leaves around water, an image that offers no clear resolution.

Line-up:
Michael Schindl — Vocals, Guitar
Mario Togni — Drums
Sébastien Dutruel — Bass
Edouard Nicod — Guitar

Production Credits:
Recorded at Kitchen Studio, Geneva, Switzerland.
Produced, engineered & mixed by Yvan Bing at Kitchen Studio, except for track 9, recorded by Serge Morattel at Rec Studio.
Mastered by Magnus Lindberg at Redmount Studio, Stockholm, Sweden.

Recording Line-up:
Michael Schindl
Mario Togni
Sébastien Dutruel
Edouard Nicod

Guest Musician:
Marion Leclercq (Mütterlein) on the track 6, ‘Train Mort’.

Cover Art:
Giganto (http://giganto.ch/)

Photography:
Mehdi Benkler

Pre-order & pre-save

https://orcd.co/iwlesanglot

Available Formats:
CD Digipak

Digital Download

12” Vinyl Gatefold (Black)

12” Vinyl Gatefold (Transparent Violet)

Follow Impure Wilhelmina:
Bandcamp: https://impurewilhelmina.bandcamp.com/
Facebook: https://www.facebook.com/impurewilhelmina/
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Deezer: https://www.deezer.com/artist/1309118

DOKKEN'S ERASE THE SLATE IS NOW AVAILABLE FOR THE FIRST TIME ON 180G VINYL IN THE UNITED STATES

Dokken, formed in Los Angeles in 1978, had several hit singles which charted on the Billboard Hot 100, such as "Alone Again", "In My Dreams", and "Burning Like a Flame", and has sold more than 10 million albums worldwide. The classic Dokken line-up consisted of founder Don Dokken on vocals, George Lynch on lead guitar, Mick Brown on drums and Jeff Pilson on bass.

Released in 1999, Erase the Slate had marked a fresh chapter for Dokken, introducing Reb Beach (best known for Winger and later Whitesnake) as the band’s lead guitarist. Erase the Slate blends Dokken’s classic melodic metal roots with a more modern, late-'90s hard rock edge. Reb Beach brought a technically sharp yet fluid guitar style that differed from the flashier, more aggressive approach of former guitarist George Lynch. His playing added a polished, groove-oriented feel while still delivering strong solos and riffs,

Listen to “Change The World” Below:

Now it is available through Deko Entertainment for the first time in the United States on 180g vinyl. Completely remastered, repackaged, and limited to only 500 copies of each variation including a beautiful Green Smoke and classic Black. Erase the Slate includes stand out tracks "Erase The Slate", "Change the World", as well as a cover of the Harry Nilsson song “One” made popular by the Three Dog Night. This is a must have for any Dokken fan!

Pre-order Erase the Slate while supplies last, shipping in July 2026:  https://www.dekoentertainment.com/reissues/dokken

For more information, visit

www.dekoentertainment.com

Deko Entertainment–Art Has Value