Charlie Nieland's 'Stories From the Borderlines' is the Year's Most Unsettlingly Glamorous Album - a darkly essential NYC rock statement

Renowned NYC songwriter-producer Charlie Nieland presents 'Stories From The Borderlines', a dazzling and deeply personal album that explores themes of connection and severance. This is one of the most profound albums from Nieland, known of his work producing and writing for such artists as Debbie Harry, Rufus Wainwright, Blondie and Scissor Sisters

More than music, the meticulously crafted songs on this album—a geography of intention—are an act of imaginative resistance, passionately mining for light and truth in a darkening world.  Shaped by a reverence for pioneering '80s and '90s synth and guitar-driven music, these cinematic soundscapes and poignant songs involve drummer Billy Loose, Staten Island rapper spiritchildguitarist Dan McAssey and Joe McGinty(The Psychedelic Furs, Ryan Adams, Nada Surf, The Loser's Lounge).  

"This set of songs is a kaleidoscope of styles. They are luminous secret rooms that reflect one human’s heart in a world at the precipice. Staying creative is resistance. As authoritarians attack culture, they make the mistake that imagination can be controlled when it actually emerges from the bottom up. Culture is not imaginary. It’s is rooted in imagination but it’s more real than what can be measured," says Charlie Nieland.

"These songs tell stories of growing up, of how we got severed, and how we connect. I burrowed into each idea over several years that were filled with love, uncertainty and family drama. The time allowed me to create and explore sound worlds with a cinematic eye; finding contrasts in texture and time. To create an experience that shifts with each listen. These songs are a geography of intention and intuition, mining for light in a dark world. Let’s find the switch."

Nieland also presents 'Shame' with a firecracker video, directed and edited by multi-faceted NYC-based artist Hypnodoll, and filmed by Alice Teeple. Fueled by the obsessive lust and repulsion that has been weaponized against the queer community, this song explores how fascination runs like blood from all sides, our own self-loathing driving us into the unknown.  

Previewed the epic lead track 'Win' feat. spiritchild and 'The Ocean Understands' EP, this new album presents a visceral blend of post punk, glam, dream pop and progressive rock. With sweeping melodies and restless rhythms, these unique soundscapes deliver an immersive journey, showcasing Nieland's continued evolution as an artist and producer. 

Nieland's backstory is extensive, having written, performed and produced music for decades. He was awarded a Gold record (UK) for his production work on Blondie's 'Greatest Hits Sight & Sound' and achieved a Top 10 Billboard Dance Chart Position with Debbie Harry's single 'Two Times Blue', which he co-wrote and produced. Hehas scored the feature film 'The Safety of Objects' (with Glenn Close), Showtime's pilot episode of 'The L Word' and the VH-1documentary 'NY77: The Coolest Year in Hell'.

An artist rich on nuanced songwriting and sonic exploration, he released the album 'Ice Age' (2014), followed by 'Hopeful Monsters' (2016) and ‘Divisions' (2021). After 20 years with Her Vanished Grace, he is half of the literature-inspired duo Lusterlit with Susan Hwang, and both produces and co-hosts the podcast 'An Embarrassment of Prog'.

'Stories From The Borderlines' is out now, available everywhere, including Apple MusicSpotify and Bandcamp.  Nieland returns in January with his next audio-visual offering. 

CREDITS 
All songs written by Charlie Nieland, except 'Win' (by Charlie Nieland & spiritchild


)
Charlie Nieland - vocals, 6 and 12 string electric and acoustic and e-bow guitars, lap steel guitar, fretted and fretless electric basses, upright piano, Fender Rhodes electric piano, Korg MS20 analog synth, virtual Mellotrons and string machines, autoharp, glockenspiel, percussion
Billy Loose - drums

Dan McAssey - guitar on 'Brutalist Monuments' & 'You Fell Down'
spiritchild - Vocals on 'Win'

Joe McGinty - keyboards on 'Today'
Recorded at home and at Saturation Point Studios in Brooklyn, NY
Produced, recorded, mixed & mastered by Charlie Nieland
© 2025 Athame Music, xspiritmentaleyez Music (Win)
Album cover art by Hypnodoll™ 

Videos for 'Redshift' and 'Drown' by Hypnodoll™
Video for 'Shame' by Hypnodoll™ and Alice Teeple
Artist photos by Alice Teeple and Bob Krasner
Publicity by Shameless Promotion PR

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The Mendenhall Experiment Release New EP 'Chasing Ghosts' ​   

From Southern California skies, The Mendenhall Experiment unleashes their new Chasing Ghosts EP — seven visceral tracks forged in fire, grit, and heart. Founded by Brandon Mendenhall, a guitarist born with cerebral palsy who refused every “you can’t,” this band transforms limitation into raw power. Joined by Nathan Stockton (legally blind & deaf) and a full-tilt lineup, they harness metal’s roar to shatter stereotypes and raise disability awareness. This EP is music for the bold, for the outsiders, for anyone daring to seize the day. The EP released today via Lucent Records distributed by Tuff Gong International.

 

Produced by acclaimed producer Chris Collier (Korn, Prong, Metal Church) and executive produced by Brandon Mendenhall and The Mendenhall Experiment, Chasing Ghosts delivers the band’s signature blend of crushing riffs, soaring melodies, and authentic emotion. 

 

“'Chasing Ghosts' is a collection of singles from our first two Ep’s 2017’s 'The Mendenhall Experiment' (self titled) and 2022’s 'Against All Odds'. We wanted to put all these songs together on a proper release, so that the fans can find these jams in one place and take them home. Some are deep cuts, some are brand new never before heard, some are fan favorites. In short, 'Chasing Ghosts' takes you on the journey that is The Mendenhall Experiment, Past, Present, and even a glimpse into the Future,” shares Brandon Mendenhall.

 

The band received another Danny Award from Daniel’s Music Foundation for the 6th Annual Danny Awards in NYC on October 25th 2025. 

 

Chasing Ghosts is avialable now on all major streaming platforms.

Formed in 2008 and based in Southern California, The Mendenhall Experiment (TMX)was born as Brandon Mendenhall’s own personal aspiration to be in a world-famous band while working within the limitations of Cerebral Palsy, knowing full well that the cards were stacked against finding musicians willing to work with him. Born with Cerebral Palsy, an incurable neurological disorder affecting movement, coordination and, balance; Brandon faces numerous challenges. With limited movement on his left side and zero mobility in his left hand, the odds were stacked against him from birth. However, inspired by acts such as Korn and Pantera, Brandon taught himself how to play guitar at the age of 19, rehabilitating his left hand without surgical intervention. 

 

The Mendenhall Experiment has been regularly performing on the infamous Sunset Strip in addition to gigs throughout the region opening for the likes of such metal mainstays as John 5, POD, Alien Ant Farm, Kill Devil Hill, Fear Factory, Prong, Flaw, Metal Allegiance, Smile Empty Soul, Cold, and more. In 2022 TMX received an award from Daniel’s Music Foundation in recognition of their continuing efforts to raise disability awareness in the music industry and performed to a sold-out audience at the award ceremony which took place at the Symphony Space Performing Arts Center on Broadway in New York City. In 2023 TMX signed with Satellite Touring and embarked on five national tours alongside artists such as Influence, Scream At The Sky and Andrew W. Boss

The Mendenhall Experiment is currently sponsored by Monster Energy, Ibanez Guitars, EMG Pickups, EVH Amplifiers, Evertune Bridges, and InTune Guitar Picks.

 

The Mendenhall Experiment is:
Brandon Mendenhall - Rhythm Guitarist
Mario Valadez - Vocalist
Nathan Stockton - Bassist
Cameron B. Casey - Percussionist

For More Information Please Visit:

Official Website

Facebook

X

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YouTube

Lowsunday releases 'Low Sunday Ghost Machine - White EP', first record of all-new material in 25 years

Projekt Records artist Lowsunday emerges with their first record comprised of all-new material since 1999, bridging three decades of distinct sonic legacy. The 'Low Sunday Ghost Machine - White EP' delves into emotional isolation, this music laced with a counterbalance of escapism, dreamlike sounds, drones and feedback, with carefully-placed classic song structures with melodic hooks. This is the first of a two-EP series being released via Projekt.

Based in Pittsburgh, Lowsunday is now a duo made up of Shane Sahene (vocals, guitar, synth, bass, drums) and Bobby Spell (bass, guitar, drums), this EP serving as both a reflection and a resurgence. The band also presents their new video for 'Love Language'. 

Blurring the lines between post-punk, shoegaze, dreampop, and darkwave since 1994, Lowsunday brings something new to the music scene, treading sonic waters with screeching guitars and layer upon layer of arsenic-laced melodies, crowned with bittersweet and emotive vocals. From quiet intensity to sweeping sonic landscapes, Lowsunday makes a welcome return with their retro-futurist daydream.

The 'White EP' demonstrates a connection to the band’s history while showcasing a natural expansion that builds upon guitar-driven atmospheres, synth textures, emotive vocals and stripped down drum beats. A confident return to form that explores darker yet more expansive sonic territory, at times, they push atmospheres to the limits of noise and, at more delicate moments, into a dream pop air of deeper melancholia.

Sahene and Spell distill years of sonic exploration and inspiration into this release. Lyrically and sonically, these songs use classic post-punk rhythms and atmospheric layers to express simple, fundamental emotion.

This five-track EP arrives on the trail of the extended 30th anniversary remaster of their debut album 'Low Sunday Ghost Machine' a 2-CD feast recorded at the height of their ascent. The original nine tracks are complemented by a second disc with seven unreleased tracks, remixes and reinterpretations. Projekt also released the 25th anniversary remaster of their sophomore album 'Elesgiem' in 2024.

The 'Low Sunday Ghost Machine - White EP' is out now digitally everywhere, including SpotifyApple Music and Bandcamp, and as a five-song vinyl release, limited to 200 copies. The 'Low Sunday Ghost Machine' reissue and Lowsunday's limited edition 7" of 'Static / Besides' can also be found on these platforms.

CREDITS
Lyrics by Shane Sahene
Music written by Shane Sahene & Bobby Spell
Shane Sahene: vocals, guitar, synth, bass, drums
Bobby Spell: bass, guitar, drums
Mastered by Bobby Spell & Shane Sahene
Album artwork by Shane Sahene
Layout by Shane Sahene
UPC 617026237121
Catalog # PJA-EE-371
2025 band photos by Christina Sahene
Video by Jer Herring
Publicity by Shameless Promotion PR 


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Detroit Illharmonic Symphony releases 'Everything Is Shattered' album feat. punk pioneers from TSOL, Circle Jerks & Black Flag

Detroit Illharmonic Symphony presents their new album "Everything Is Shattered" — a wild mashup of punk, indie rock, hip hop, and cinematic chaos that involves southern California punk pioneers Jack Grisham (TSOL) and Keith Morris (Circle Jerks, Black Flag), among others. This 14-track collection comes to us straight from California's legendary Geza X Records.

The lead track "Everything Is Shattered" sees Jack Grisham (from TSOL) joined by future superstar Max Galbreath (ttwopercentmilk) on vocals. Produced and recorded by Paul Roessler (The Screamers, Nina Hagen, 45 Grave) at Kitten Robot Studios, this is a high-energy cinematic post-punk anthem with Bond-theme intensity. The accompanying video has toured around the world, was featured on the PBS television show "Music California" and has won four awards, the most recent received this week at the Los Angeles Animation Festival.

Keith Morris of Circle Jerks and originally Black Flag, contributes vocals on “If You Cooperate”, a psychedelic surf-punk fever dream meets spaghetti-western soundtrack, with Cecilia Suhr on violin. These two songs and others on this album are from the bold 2025 animated motion picture "I’d Rather Be Turned Into Cat Food", featuring both Grisham and Morris, along with artists Tony Nittoli, Kristina Wong and John Andrews, best known for his work with MTV and for producing Beavis and Butthead.

Written and directed by Walter Santucci and produced by Evil Cat Land (whose pedigree includes animation for MTV, Nickelodeon, ABC, Disney, Ice T, Margaret Cho, Cedric the Entertainer and Monty Python's Graham Chapman), this film does to cinema what punk rock did to music.

Detroit Illharmonic Symphony is not based in the Motor City but rather in Los Angeles (with some members also further afield). Fusing elements of punk, indie rock, classical music, hip hop and soul, “Everything Is Shattered” is an album loaded with punk attitude, cinematic soundscapes, and hip hop swagger — the stuff that unique, left-of-center playlists are made of.

This latest record brings to life fantasies of TSOL jamming with the Beastie Boys in a Quentin Tarantino movie. At the same time, there is a rich diversity here worth exploring, as seen on "You Have One Minute to Disperse" and “She’s Never Gonna Love Me”, both of which features Malyque Smith on vocals. Diana Lynn appears on "Doo Doo On A Stick", where 70s soul merges with Sesame Street groove, while "Welcome to Fear City" — with Venetia Phillips on trumpet — paints hip-hop with a shade of 60s movie soundtrack cool.

While the five core members are Cool Walt (bass, cello, guitar, piano), Raga Roni(samples, drum programming, turntables), Malyque Smith (rapping and turntables), Cecilia Suhr (violin, cello, piano) and Lukecage (piano, saxophone, drums), the group's line up is constantly changing.

Since 2001, Detroit Illharmonic has released nine albums and scores for several film and television projects. With an exciting and unique mix of symphonic instruments, samples, turntables and the involvement of various vocalists, their work has been featured at Brooklyn Academy of Music, REDCAT (LA), University of Chicago, Royce Hall (UCLA), University of Notre Dame, Cinema Detroit, and American Cinematheque. In 2014, the video for their song "It's a Lovely Day" toured with the 50th anniversary re-release of The Beatles' "A Hard Day's Night", screening in 20 cities across the USA. Many of their music videos have screened in cinemas internationally and have won multiple awards.

Geza X Records is an imprint founded by legendary producer Geza X, whose legacy as the sonic architect of West Coast punk involves engineering seminal music by punk royalty—Dead Kennedys, The Germs, Black Flag, The Avengers, Redd Kross and The Weirdos. Geza X Records still works with radical new artists, continuing to defy convention and release unique, genre-bending music.

The 'Everything Is Shattered' album is out now, available everywhere digitally, including Spotify, Apple Music and Bandcamp. The title track single is also being released on 7" limited edition translucent blue vinyl record with the same cover art as the album! 

CREDITS
Written by Walter Santucci (Tracks 3-8, 10-11, 13); Jack Grisham & Walter Santucci (Track 1); Walter Santucci & Malyque Smith (Tracks 9, 12); Walter Santucci & Cecilia Suhr (Track 2)
Raga Roni - drums & drum programming
Cool Walt - bass, guitar, cello, piano
Max Galbreath - vocals on "Everything Is Shattered"
Jack Grisham - vocals on "Everything Is Shattered"
Keith Morris - vocals on "If You Cooperate"
Cecilia Suhr - violin on "If You Cooperate"
Venetia Phillips - trumpet "Welcome to Fear City"
Malyque Smith - vocals on "You Have One Minute to Disperse" & “She’s Never Gonna Love Me”
Diana Lynn - vocals “Doo Doo On A Stick”
Produced by Raga Roni, except "Everything Is Shattered' produced by Paul Roessler
Recorded by Donny Baker at ES Audio, Raga Roni at Evil Cat Land,
and "Everything Is Shattered' recorded by Paul Roessler at Kitten Robot Studios
Album released by Geza X Records
Published by Andthereitisthere / BMI (Jack Grisham) & Geza Music / BMI (Walter Santucci & Cecilia Suhr), ASCAP / Beats and Bluntz Publishing (Malyque Smith )
Publicity by Shameless Promotion PR


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Teen Metal Band Chained Saint Live Drop "Live at the Whisky A Go Go" EP

Teen metal band CHAINED SAINT — comprised of Ethan Kahn (guitar), Sebastian De Avila (bass), Cameron Cottrell (drums) and Sean Sterling (vocals) — were one of the most surprising musical discoveries of 2024 and their growth spurt further intensified in 2025. 

 Revolver, Guitar World, Loudwire, Metal Injection, Miami New Times, and Judas Priest legend Rob Halford all praised the band for their chops. SiriusXM's Liquid Metal added the band to their playlist, and their debut single "Animosity" served as the theme song for the WWE 2K24 DLC 4 trailer. Ahead of their first tour in the summer of 2025, Chained Saint shared the brand new single "1000 Tons." Watch the lyric video below:

Chained Saint appeared at several festivals through the rest of the year, including Welcome to Rockville, Rocklahoma, Louder Than Life, and VANS Warped Tour. Weather caused their set at LTL to be canceled, but Slaughter to Prevail personally invited Sterling on stage to perform with them in a moment of metallic magic.

Today, Chained Saint share their Live at the Whisky a Go GO EP, which was recording on August 15 of this year. It marked the band's second performance at the legendary L.A. venue and shows off the kind energy that can only be expended by youth, along with their serious skills.

Watch the full performance here.

Listen to and download the EP here and here.

"We love playing in Los Angeles and love playing at the Whisky a Go Go," the band says. "Besides being an iconic venue, it's intimate, and the energy is great. And there's nothing like playing in front of a packed house. We talked about releasing a live EP between the Blindside album and the new music we're releasing early next year. The August 15 show at the Whisky provided the perfect opportunity to show what it's like to see us live. We were also able to capture the set on video, for all of the people who haven't had the opportunity to see us live yet."

Born in a South Florida garage back in the summer of 2022, Chained Saint's recently released debut album, Blindside (out via independent label Patriark Records) combines the raw, organic riffery of the best old-school '80s thrash metal with a dash of modern-day brutality befitting the many challenges confronting the youth of 2024. The past and present collide, resulting in modern, metallic maelstrom made by a bunch of kids who play with fire in their veins — and their hands! Blindside, produced by William DuVall of Alice In Chains, focuses that fury into a powerfully concise, eight-song LP. The album was recorded and mixed to analog tape with no computers involved whatsoever in the recording sessions. No AI. No studio trickery. No bullshit. Just real riffs made by real players.

KALAMITY KILLS Releases Explosive New Single "Help!" Today, a Hard Rock Reimagining of THE BEATLES Classic

East Nashville hard rock breakout KALAMITY KILLS has released its brand new single "HELP!" today through Pero Recordings. Recorded live in the studio with choice overdubs for impact, the track delivers a fierce reinterpretation of THE BEATLES classic. The band has rebuilt the song with their trademark intensity, emotional depth, and modern heaviness.

Produced and mixed by guitarist Jamey Perrenot, this new version of "HELP!" captures the urgency and vulnerability of the original while pushing it into a darker and more electrified space. Soaring vocals, heavy guitars, tight harmonies, and driving rhythms create a sound that feels both familiar and completely refreshed.

A new performance video also debuts today. The visual showcases the full band performing the track with raw energy and conviction, giving fans a direct look at the chemistry and spirit behind the release.

About KALAMITY KILLS

KALAMITY KILLS is a hard rock band forged in the heart of East Nashville, Tennessee. Formed in 2022 by vocalist Jamie Rowe and guitarist/producer Jamey Perrenot, the band emerged from the ashes of a solo project into a fully realized sonic assault—fueled by raw emotion, modern aggression, and a deep respect for rock’s roots. With a sound that fuses the swagger of classic hard rock with the intensity and polish of modern metal, KALAMITY KILLS strikes a rare balance between power and vulnerability.

Best known for their debut self-titled album Kalamity Kills, the band quickly turned heads thanks to high-profile collaborations with members of KORN, 3 DOORS DOWN, LA GUNS, CONQUER DIVIDE, and UNDEROATH. Their music has earned national airplay on SIRIUSXM’s Octane, landed on the Billboard Active Rock charts, and crossed over into viral success without ever chasing trends.

More than just a studio project, KALAMITY KILLS is a growing force with a full live lineup, including bassist/vocalist Julia Lauren Bullock and drummer Rob Bodley. Their songs—ranging from explosive anthems to brutally honest ballads—tackle themes of faith, failure, hypocrisy, redemption, and the messy beauty of being human.

KALAMITY KILLS is for the outsiders, the misfits, the ones who’ve been burned and are still standing. Loud. Unapologetic. Unforgettable.
KALAMITY KILLS is:

  • Jamie Rowe – Lead Vocals

  • Jamey Perrenot – Guitar / Producer

  • Julia Lauren Bullock – Bass / Vocals (Live)

  • Rob Bodley – Drums (Live)

Connect with KALAMITY KILLS:

  • Website: https://kalamitykills.com

  • Facebook: https://facebook.com/kalamitykills

  • Instagram: https://instagram.com/kalamitykills

  • X (Twitter): https://x.com/kalamitykills

  • Jamie Rowe on X: https://x.com/jamierowe

  • YouTube: https://youtube.com/kalamitykills

  • TikTok: https://tiktok.com/kalamitykills

  • Spotify: https://open.spotify.com/artist/0Q7zrZUeUnTrX0OC2FvTqU?si=qZPINKoURFONBasOc9iB3g

  • Apple Music: https://music.apple.com/us/artist/kalamity-kills/1636401395

THE VICE Release Music Video for "Waltz de Anima"; New 3-track EP "The Red Tape Sessions" out now via Noble Demon!

Stockholm-based dark metal four-piece THE VICE have unveiled the music video for "Waltz de Anima", the epic closing track from their newly released 3-track EP "The Red Tape Sessions". The EP is available now via Noble Demon

About the track, the band comments: "Waltz de Anima", in my opinion is definitely our most 'epic' song to date. The chorus was the first segment written and it immediately felt like one of the 'big choruses' we'd wanted to write for a long time, but it just hadn't come to us yet. But from the first demo-recording of the song we knew that this was one for the books. It has a very majestic, regal tone to it which we kept close in mind when writing the rest of the song. And with the strange, smoke-drenched, early 1900's jazz-club-vibe in the intro and the interlude reminiscing of parties of the bourgeoisie in huge ballrooms centuries ago, or some twisted night at the Royal Opera or Ballet even, I think we did quite well in highlighting that mood throughout the entire song."

Watch the video for "Waltz de Anima" Below;

Listen to "The Red Tape Sessions" in full HERE

 

From the very beginning, THE VICE has followed their own crooked path, driven by a desire to carve out a place of their own within the scene.

And that grimy, wildhearted, metal/rock/pop fusion, with one foot firmly planted in the windswept, frozen North and the other cemented to the concrete of the streets, sure sounds like nothing else. Dark, blackened metal, ferocious rock 'n' roll, posh punk and harsh, hardcore attitude; mixed with a huge dose of the cultural colossi of the 90's such as Guns & Roses, Pantera, Prince, Grunge, Oasis, Neometal, Fight Club, The Matrix and Terminator 2 to name a few. All of that - and everything in between - comes close to describing the very essence of THE VICE.

 

Three full-length albums and numerous EPs into their career, the band stands as a confident, adrenaline-pumping unit - a bunch of loose cannons at the starting blocks, ready to commence the next chapter in THE VICE saga.

"The Red Tape Sessions" - a striking collection that builds upon the foundations of March’s "A Great Unrest" (Noble Demon), elevating both the production and songwriting while drenching it all in a strange, electrifying neon glow - is out now and available for purchase HERE.

 

The Vice are:
Rickard - Vocals & Guitars 
Charlie - Bass 
Petter - Drums
Joel Öhman - Guitar

For more info visit:
https://www.facebook.com/TheViceOfficial/  
https://www.instagram.com/theviceofficial/  
https://theviceonline.bandcamp.com/  
https://linktr.ee/nobledemon    

The Virgos Sign with Season of Mist

Season of Mist is proud to welcome The Virgos!

Following a decade of setting the standard for hardcore and metal as a member of Bad Seed, Harm's Way and Nails, vocalist and guitarist Andy Saba banded together with kindred spirits Danni Crockett and Eli Gerrity over an addiction to all things heavy. Channeling thick Sabbathian rhythms, Manowar's majesty and the hypnotic ass-shaking of Queens of the Stone Age, the Wilkes-Barre power trio have declared a new age for true heavy metal.

"We decided it was time to let the Apocalyptically loud horses of metal run free again, and shine a light on every color of the Dark Rainbow of Metal", Saba says.   

This year, The Virgos released their third and finest full-length. "Lord Have Mercy is a triumph in multiple heavy musical styles", writes Swim to the Sound. "Fans of everything from melodic hardcore to goth rock to stoner metal will be able to find something to love here". While familiar to lovers of Heaven and HellInto Glory Ride, Type O Negative and Lucio Fulci, the album's full-throttled blast of psychedelic pyrotechnics is unlike anything you've heard before or since. 

"The theme of Lord Have Mercy is that we missed out on the future", explains Saba. "Utopia isn't happening. We're going backwards now. Superstition, devilry, war, plagues, revolution...it's the Dark Ages again. So let's get with the times. Medieval times call for Medieval responses. If you want to understand the headspace I was in while writing this album, watch Fulci's 1983 movie Conquest several dozen times. It's all in there". 

Watch the video for "Yes", the heavy, hard and horny single from Lord Have Mercy below.

The Virgos entire discography is now available on digital streaming platforms through Season of Mist. 

https://orcd.co/thevirgoslordhavemercy       

Catch The Virgos on tour with Superheaven and White Reaper next week across the Northeast. 

The Virgos 2025 + 2026 U.S. Tour Dates 
with Superheaven and White Reaper

December 11 - Baltimore, Maryland @ Baltimore Soundstage [TICKETS]
December 12 - Rutherford, New Jersey @ Black Box [TICKETS]
December 13 - Amityville, New York @ Amityville Music Hall [TICKETS]
December 27 - Kingston, PA @ Doug's Boardroom [TICKETS]*
January 9 - Washington, D.C. @  Songbyrd [TICKETS]
*with Planning For Burial, If Kansas Had Trees

More dates for 2026 to be announced soon. 

The video for "Yes" was directed by Kyle Barber. 

Additional video credits
Assistant Director / Prop Master - Dana Lakacs
Wizard - Martin Glick
Witch - Demitria Saba
Dog Man - Nick Sedeski
PAs - Noah Gerrity, Kelsey Frank, James Platt, Nick Sedeski and Jordyn Thompson

Special thanks to Katie at Moxie Femme Studio, Gear Rental Tribe Productions, LLC, Indie Iron & Steel Industry and BUDK Knives & Swords

Familiar to lovers of True Heavy Metal, but unlike anything you’ve ever heard before or will again, now is the age of The Virgos, Pennsylvania’s Heaviest Band.   

Lineup
Andy Saba (ex-Bad Seed, ex-Harms Way, ex-Nails) - Vocals, Guitars
Danni Crockett (Rosary Guild) - Bass, Vocals
Eli Gerrity - Drums

Guest musicians
Chelsea Collins (Sower) - Vocals, Piano and Synth on "Babylon (Live)"
Pat Brier - Drums on "Hey Majesty" and "The Hypnotist (March of the Pseudoscientists)"

Recording credits
Recorded by Joe Loftus at JL Studios

Production credits
Produced and engineered by Taylor Young
Mixed by Taylor Young at The Pit in Los Angeles, California
Mastered by Brad Boatwright at Audiosiege

Booking Agent
Doomstar - luc@doomstarbookings.com

Download & Stream
https://orcd.co/thevirgoslordhavemercy

Follow The Virgos
Bandcamp:https://thevirgos.bandcamp.com/
Spotify:https://open.spotify.com/artist/1F7lqL76K5oMIhpwkiqGiA
Instagram:https://www.instagram.com/theevirgos/?hl=en
Apple Music: https://music.apple.com/us/artist/the-virgos/1581051952  
Bandsintown:https://www.bandsintown.com/a/15609690-the-virgos?came_from=250&utm_medium=web&utm_source=artist_event_page&utm_campaign=artist

Nate Vickers Jumps Headfirst On Brand New EP & Video For Title Track "Don't Look Down"!

Alt rock's breakout act to watch, Nate Vickers, ushers in a new chapter with his brand new EP, "Don't Look Down", out mow via Oxide Records. Embracing a bolder, rock edge, today's release is led by the anthemic title track, "Don't Look Down", and it's brand new music video, watch below.

Channeling the rush and collapse of a love that once felt live-saving, "Don't Look Down" captures the freefall of the aftermath. Anchored by a towering chorus, the EP as whole leans into Nate's heavier rock instincts while still leaving space for his vulnerable, confessional moments at the core of his writing.

To further celebrate the release, Nate Vickers is bringing "Don't Look Down" and the rest of his acclaimed discography to the stage for an intimate run in his home state of Texas. These debut headline dates mark a full circle moment for the Houston-based artist, serving as his first shows since joining Jared Leto and Thirty Seconds To Mars on stage for a one-time performance of "The Kill", a moment sparked by his viral cover. Tickets are available HERE.

Digging into the meaning of "Don't Look Down," Nate Vickers reflects:

"This song comes from the moment you realize love isn't saving you anymore-it's slowly killing you. It's about holding on to someone who keeps letting you fall, and burying the pain until you can't hide it anymore."

Speaking on today's EP release and finally taking these songs on the road, Nate continues:

"‘Don’t Look Down’ is my way of ending the year strong, while also closing this chapter of my career. I’m extremely excited for my debut headlining shows and all the new, heavier music I’ll be dropping in 2026."

With his smash hit "A Little Too Late" cementing Nate Vickers as a breakout voice and his previous single "Parasite" pushing his sound into a darker, more visceral territory, latest singles "Falling Away From Heaven" and "Deja Vu" build on that rising momentum. Seeing Vickersblending gritty guitars with pain and the pursuit of healing, his latest EP, "Don't Look Down" captures an artist unafraid to bare his scars while reaching for something greater.

Inspired by icons such as Linkin Park, Three Days Grace, and Bad Omens, Nate Vickers has crafted a sound that is unmistakably his own, drawing more than 1.5 million followers to his TikTok and 540K to his Instagram. Between viral, late-night covers and playlist-dominating originals, Vickers has also earned his place as a standout favorite on Pandora and Sirius XM's Octane. What began as a spark has now become an alt-rock wildfire.

Be sure to stay tuned for more Nate Vickers news coming soon.

Nate Vickers

2026 Headline Tour

April 24 - Houston, TX - The Bronze Peacock @ House of Blues

May 3 - Dallas, TX - The Cambridge Room @ House of Blues

May 16 - San Antonio, TX - Vibes Underground

Tickets are available HERE.

Mawiza Release Live Session from Gojira frontman's Silver Cord Studios

While already Chilean Grammy winners, this year, Mawiza continued their rise as a guiding force for indigenous metal. Behind their critically-acclaimed new album ÜL, the modern day Mapuche warriors appeared on magazine covers, took the stage at major summer festivals and brought home a LIT Music Award.

Today, Mawiza are capping off 2025 by releasing a special performance from Gojira frontman Joe Duplantier's Silver Cord Studio. Introduced by ceremonial Mapuche chanting, this session features the thunderous stomp of "Wingkawnoam", the towering "Mamüll Reke", earthshaking lament "Ti Inan Paw-Pawkan" and other defiant anthems from ÜL. Fittingly, the band closed their Silver Cord session with a rousing cover of Gojira's "Amazonia".      

“I love Mawiza! For their music, for who they are as individuals and for what they stand for”, Joe Duplantier says. “They represent and honor their powerful Mapuche heritage, amplifying its relevant message of connection with our roots and the universe as a whole. And they do so with determination and in the most modern way, with heavy riffs and an openness to new ideas and to the world. A conversation between past, present and future. Don’t give up the fight!”  

Watch Mawiza's session Below;

ÜL is available now on  Season of Mist.  
Order & Stream

https://orcd.co/mawizaul

"In the winter season of 2024, Mawiza arrived at Silver Chord Studio in New York, right in the middle of the Northern summer. We came answering an invitation from Joe Duplantier", recalls Mawiza's vocalist and guitarist Awka. "We traveled light, almost with nothing, the way bands from the bottom usually move. By trusting more in our newen than in any objects, we knew that if the path was true, the music would find its own tools. And that's exactly what happened. Joe welcomed us with a generosity that still moves us, a kind of care for guests that feels very close to what we are taught since childhood in our nation. He didn't hesitate to lend us his own instruments so we could shape the noise we carry inside". 

"Silvercord felt like a crack in reality for us", Awka continues, "metal breathing from the walls, the city howling outside, and us walking with the shadow of our ancestors over a faraway land. The north of Abya Yala has ancient guardians; we felt them watching, testing us, opening the way only because we arrived with respect and memory. 

"We thank Joe for his honest and powerful hospitality, along with his family for receiving us with warmth from their hearts. We also thank Jamie for his impeccable work and all the people at Silver Cord. Finally, we thank the spirits of that distant mapu for letting us create without losing the pulse of who were are. We returned to our territory marked by a dark echo, a spiritual weight that is born only when the energy of nature and the brotherhood of metal meet in distant lands". 

Don't miss Mawiza when they headline next year's Pumapu Rock Fest XVII and perform at Midgardsblot.

Mawiza 2026 Tour Dates
January 10 - Santa Juana, Chile @ Pumapu Rock Fest XVII [TICKETS]
12- 15 August - Borre, Norway @ Midgardsblot [TICKETS] 

Lineup
Awka - Lead vocals & rhythm guitar
Karü - Lead guitar & backing vocals
Zewü - Bass & backing vocals
Txalkan - Drums & percussion

Guest musicians
Fabiola Hidalgo (Liquen) contributes vocals to "Wingkawnoam", "Pinhza Ñi pewma", "Ngulutu" and "Mamüll reke"

Joe Duplantier (Gojira) contributes vocals to "Ti Inan Paw-Pawkan"

Recording Studio
Estudio del Sur in Chile

Producer
Pancho Arenas

Sound & Mixing Engineer
Pancho Arenas

Mastering Studio
West West Side Music

Mastering Engineer
Alan Douches

Cover Art
Kata Ulloa
 

Booking information
 Europe: juan@thatmusicagency.com
 Rest of the World: unai@cowboymusic.agency

 
Pre-order & Pre-save
https://orcd.co/mawizaul
 
Follow Mawiza

Bandcamp: https://mawizakvlt.bandcamp.com
Instagram:  https://www.instagram.com/mawizakvlt
Facebook:  https://www.facebook.com/mawizakvlt
TikTok:  https://www.tiktok.com/@mawizakvlt
Spotify:  https://open.spotify.com/artist/4oJP24bXA2fbdVmNGNmCtt
YouTube: https://www.youtube.com/@mawizakvlt
Apple: https://music.apple.com/us/artist/mawiza/1653435953

Tombstones In Their Eyes unleashes psychedelic majesty on 'Under Dark Skies' album (via Little Cloud Records & Shore Dive Records)

Los Angeles-based psychedelic rock outfit Tombstones In Their Eyes present their much-anticipated album 'Under Dark Skies'. For the first time ever, the band has support on both sides of the Atlantic, the album being released via Little Cloud Records (in North America) and Shore Dive Records (the UK and EU).

What began a decade ago as two childhood friends (John Treanor in LA and James Cooper in NYC) swapping demos quickly grew into a full-fledged band. Today, Tombstones In Their Eyes is made up of John Treanor (vocals & guitar), Stephen Striegel (drums), Courtney Davies (vocals), Phil Cobb (guitar), Nic Nifoussi (bass) and Clea Cullen (vocals). Guitarist Paul Boutin remains a member of the band in spirit, having passed away in mid-October 2025.

One year on from their 'Asylum Harbour' album, 'Under Dark Skies' emerged during a year of intense personal change, before finally moving into a place of peace and gratitude. Recorded and engineered by Paul Roessler (The Screamers, Nina Hagen, 45 Grave) at Kitten Robot Studios, this album was co-produced by John Treanor and mastered by multi-platinum engineer Alex DeYoung at DeYoung Masters (Michael Jackson, BTS, Macy Gray, The Linda Lindas, TSOL).

"In many ways, 'Under Dark Skies' is both a snapshot and a refutation of the period of time between mid-2023 and 2024. Drowning in self-created, self-centered, self-destructive shame, misery and chaos, the songs were a means to search for strength, clarity and grace. The songs on this album were driven by the desire to come back from a complete mental breakdown," says John Treanor.

"'Under Dark Skies' is an arrow pointed towards hope. Life is messy and, as human beings, we make mistakes, sometimes dreadful ones. But even when it seems darkest, one can find strength and move towards the light. Each moment, each day provides a chance for redemption. Moving towards the light is the theme of this record - music is a healing force. These songs contain pain, fear, strength and hope and ultimately, they helped me to heal".

Tombstones also present the video for 'Alive and Well', an unexpectedly fierce and defiant declaration of strength that is dedicated to the band's guitarist Paul Boutin, who recently lost his battle with cancer. Having met Tombstones' main-man John Treanor at Kitten Robot Studios about 10 years ago while working on his own projects, they fell into the same orbital realms until Paul eventually joined the band. 

"When our beloved friend and guitar player lost his life on 10/18/25, we were shocked, confused and incredibly saddened. Paul was so kind, generous, intelligent and always optimistic. Being in TITE was a source of pride and joy for Paul. He was so easy to be around and was dedicated, driving many hours for practices and shows, always bringing his cheerfulness and optimism. We miss him greatly and are glad he is all over this record," says John Treanor.

"We were initially going to scrap 'Alive and Well' as a single after Paul's passing (for obvious reasons), but because it was one of Paul's favorites and a song on which he played guitar, we are going ahead with the release. The lyrics are about rising out of desperate circumstances with newfound strength - something Paul himself experienced, having dragged himself out of his own difficulties to ultimately rebuild a life full of joy and purpose. While not planned that way, 'Alive and Well' ended up being a statement of intent - a story of a journey from despair to strength."

The videos for 'Alive and Well' and the brooding lead track 'Under Dark Skies' were created by Italian multi-arts visionary Francesca Bonci, known for her work with Federale (BJM's Collin Hegna), British bard Philip Parfitt, The Dandy Warhols' Peter G. Holmström a.k.a. Pete International Airport and Slowdive's Rachel Goswell.

As of December 5, the 'Under Dark Skies' album is available everywhere digitally, including Spotify, Apple Music and Bandcamp. It is also released on vinyl via Little Cloud Records (North America) and Shore Dive Records (UK and the EU).

CREDITS
Lyrics written by John Treanor

Music written by John Treanor, except Track 10 written by John Treanor & James Cooper

John Treanor - vocals & guitar
Paul Boutin - guitar & backing vocals
Phil Cobb - guitar
Stephen Striegel - drums & percussion
Nic Nifoussi - bass on Tracks 2,3,4,5,6,7,10
Joel Wasko - bass on Tracks 1,2,3,8,9 & harmony / vocals on Tracks 2,4,9
Courtney Davies - harmony / backing vocals, flute on Track 7
Clea Cullen - harmony / backing vocals
Paul Roessler - keyboards, harmony / backing vocals
John Miller - guitar on Track 3 & backing vocals on Track 2

Recorded at Kitten Robot Studios in Los Angeles, CA
Produced & Engineered by Paul Roessler
Co-Produced by John Treanor
Mastered by Alex DeYoung at DeYoung Masters
Cover artwork design by Robin Gnista

Released by Little Cloud Records (US) LC-136 & Shore Dive Records (UK & EU)
Digital UPC: 199800726071

'Under Dark Skies' & 'Alive and Well' videos by Francesca Bonci 
Band photos by Karin Johansson
Publicity by Shameless Promotion PR 

Keep up with Tombstones In Their Eyes
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Keep up with Little Cloud Records
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Keep up with Shore Dive Records
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LAINEY WILSON DEBUTS NEW HOLIDAY VIDEO FOR “LET IT SNOW! LET IT SNOW! LET IT SNOW!” WITH BING CROSBY

Lainey Wilson shares a new video for her version of “Let It Snow! Let It Snow! Let It Snow!” with Bing Crosby today, which was created in partnership with Hershey’s and features animated versions of the two artists. Watch Below.  

“Let It Snow! Let It Snow! Let It Snow!” is featured on Wilson’s new EP, Peace, Love, & Cowboys (Holiday Edition), which also includes the title track as well as instrumental versions of both songs, and is now available on 12-inch vinyl, 7-inch vinyl and CD. Purchase HERE.

In further celebration of the holiday season, Wilson performed a medley of “Peace, Love, & Cowboys (Holiday Edition)” and “Somewhere Over Laredo” during last week’s 99th Annual Macy’s Thanksgiving Day Parade(watch/share HERE) and will perform at the Grand Ole Opry next Wednesday, December 10 as part of their special Christmas show.

Adding to yet another monumental year, Wilson earned her ninth #1 at country radio this week, as “Somewhere Over Laredo” tops charts in the U.S. after also peaking at #1 in the U.K. and Canada. The single is from the deluxe version of Wilson’s award-winning album, Whirlwind (stream/purchase HERE), and is nominated for Best Country Song and Best Country Solo Performance at the 68th Annual Grammy Awards. Wilson is also nominated for Best Country Duo/Group Performance at next year’s ceremony for “Trailblazer,” her collaboration with Reba McEntire and Miranda Lambert.

These accolades are just the latest in a series of milestones for Wilson, who hosted last month’s 59th CMA Awards (the first solo female host since Reba McEntire in 1991), where she also won Entertainer of the Year, Female Vocalist of the Year and Album of the Year (Whirlwind), and performed twice during the live broadcast: a musical medley monologue and her song “Ring Finger.” She was also recently featured on the cover of US Weekly’s Humankind Issue, highlighting her Heart Like A Truck Fund (read HERE).

Known for her electric concerts, Wilson performed sold-out shows at New York’s Madison Square Garden and Nashville’s Bridgestone Arena this fall as part of her extensive Whirlwind World Tour and will continue to tour through next year including dates across Australia and New Zealand. See below for the complete tour itinerary.

“The reigning current standard-bearer for women in country” (Variety), Wilson also won four awards at the 60th ACM Awards this past spring—Entertainer of the Year (her second consecutive win), Female Artist of the Year (her third consecutive win), Album of the Year (Whirlwind) and Artist-Songwriter of the Year—and recently launched her fourth collection with Wrangler, as well as her own boot (Golden West Boots) and jewelry lines (The Lainey Wilson Jewelry Collection).

The 16x ACM, 12x CMA and Grammy Award-winner and Grand Ole Opry member is a prolific, sought-after songwriter who has scored nine #1 hits including “4x4xU,” “Wildflowers And Wild Horses,” “Watermelon Moonshine” and the 2x Platinum-certified “Heart Like A Truck,” in addition to award-winning collaborations with Cole Swindell (“Never Say Never”), Jelly Roll (“Save Me”) and HARDY (“wait in the truck”). Moreover, Wilson wrote and recorded “Out of Oklahoma” for the Twisters movie and has collaborated with artists such as Reba McEntire, Miranda Lambert, Dolly Parton, Post Malone and more. She will also make her feature film acting debut in next year’s adaptation of Colleen Hoover’s Reminders of Him, after first acting in Paramount’s hit television series, “Yellowstone.” 

LAINEY WILSON CONFIRMED TOUR DATES

December 7—Las Vegas, NV—Lainey Wilson: Wildflowers & Wild Horses
December 10—Nashville, TN—Grand Ole Opry
February 6—Auckland, New Zealand—Spark Arena*
February 8—Christchurch, New Zealand—Wolfbrook Arena*
February 11—Brisbane, Australia—Brisbane Entertainment Centre*
February 12—Brisbane, Australia—Brisbane Entertainment Centre*
February 14—Newcastle, Australia—Howlin’ Country*
February 16—Sydney, Australia—Qudos Bank Arena*
February 19—Melbourne, Australia—Rod Laver Arena*
February 20—Melbourne, Australia—Rod Laver Arena*
February 22—Adelaide, Australia—Adelaide Entertainment Centre Arena*
February 26—Perth, Australia—RAC Center* 
March 20—Thackerville, OK—WinStar World Casino & Resort
March 21—Thackerville, OK—WinStar World Casino & Resort
April 10—Florence, AZ—Country Thunder Arizona
April 11—Laughlin, NV—Laughlin Event Center
April 25—Indio, CA—Stagecoach Festival 2026

July 10—Chicago, IL—Windy City Smokeout
July 12—Craven, Canada—Country Thunder Saskatchewan
August 6—Detroit Lakes, MN—WE Fest
August 7—Oshkosh, WI—Xroads41
August 9—Canton, OH—Concert for Legends
August 12—Sturgis, SD—The Sturgis Buffalo Chip
August 15—Springfield, IL—Illinois State Fair

* with special guests Flatland Cavalry and Kaitlin Butts


WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | X | FACEBOOK

PARIS MUSIC CORP. presents 'Wetlands' and 'Dark Laguna', showcasing new 'Ecotone' album

Texas-based electronic composer Paris Music Corp. is back with a tandem of water-themed tracks that explore the deep tranquility and visual symmetry of nature. 'Wetlands' and 'Dark Laguna' take us on a sonic and visual journey, where the gentle flow of the first meets the mesmerizing, reflective depths of the second, offering an immersive, watery kaleidoscope for the mind. 

Each track is paired with an accompanying, calming kaleidoscopic video designed to provide a unique sense of grounding stability through fluid motion and reflective imagery. This immersive, watery kaleidoscope for the mind invites fellow travellers to lose themselves in the ebb and flow of these two calming, aquatic soundscapes.

The brainchild of long-time Austin artist John Andrew Paris (now based on the Texan coast), Paris Music Corp. recently released his new album. 'Ecotone' - an electronic odyssey whose audio-visual offerings explore tranquility and the visual symmetry of nature. Nature and cycles are two themes explored, as seen in his latest offerings - 'Midnight Pad' and 'Sun Halos' - exploring the cyclical and seasonal juxtaposition of light with dark.

But this album is also deeply personal and geographically-inspired, being rooted in the artist's relocation to his childhood home in South Texas, just miles from the border and the coast. Paris wrote, recorded, mixed and mastered this album at Tarantula Studios throug 2024 and 2025.

In Austin, John Andrew Paris has spent decades creating music and collaborating with artists, including Arthur Brown (The Crazy World of Arthur Brown, perhaps best known for his hit single 'Fire'), as well as DJ Rev Kathy Russell, DJ Lucas Ray, Catastrophe Ballet, Le Reve, Life's Eyes, Beast of Eden, OBOYO and Don Wigwam.

"The 'Ecotone' album made sense to me because you have a transitional zone, where two different ecological communities or ecosystems meet and intermingle, often resulting in high biodiversity. I feel a lot closer to nature.. Some of my song titles reflect where I am. I actually lived in this area as a child and have come back to my roots,” says John Andrew Paris.

"A lot of these pieces were started on a phone app called Ableton Note. With this application you are able to scratch-pad a lot of cool ideas and then import them into you music workstation and finish them out. When I first moved to my new place I didn’t have a spacious studio setup and I wrote a lot just sitting up all hours of the night writing ideas on Ableton Note."

Known for his cinematic and ethereal music, 'Ecotone' shows Paris Music Corp's dark underbelly and futuristic imagination. Often with elements of 80’s darkwave and ambient soundscapes, his trademark sound involves processed guitar and bass locked into layered loops and manipulated using software. Also employing live hand percussion, these dense soundscapes take the listener on a sonic journey.

Earlier, Paris Music Corp. shared 'Rituals' and the lead track 'No Soy A.I.'featuring Spanish vocals by fellow Texan musician, writer and actor RayPerez, a dark slab of swirling electro casts a sonic challenge to the algorithmic chill of our times and the only track on this album with vocals. 

In 2022, Paris Music Corp. released his self-titled album, after taking hiatus following his 2017 debut album 'Rewind'.  Influenced by Mick Karn, Pink Floyd, Gary Numan, Tim Hecker and Miles Davis, John Andrew Paris scored the documentary 'Andy Paris: Bubble Gum King' and the horror film 'Spectral Wind', plus an electronic rework of 'Lord of the Dance' for the Austin Christmas Collection Album.  

The 'Ecotone' album is available from digital platforms, including Apple Music, Spotifyand Bandcamp.

CREDITS
All music written, recorded, mixed & mastered by John Paris
at Tarantula Studios in 2024-2025
Performed by John Andrew Paris, except vocals on 'No Soy A.I.' by RayPerez
Album cover / photo by John Paris
Video created by Gabriel Ramirez
John Paris photos by Jennifer Paris
RayPerez photos by Gabriel Ramirez
Publicity by Shameless Promotion PR

Keep up with Paris Music Corp.   
Website | Facebook | Bandcamp | Soundcloud | Instagram | Twitter | YouTube | Apple Music | Spotify | LinkTree | Press contact

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NEW ROCK SUPERGROUP, THE FELL, UNLEASH NEW SINGLE "FOOTPRINTS"

Rock supergroup THE FELL, featuring legendary bassist Billy Sheehan, multi-platinum producer Mike (K.) Krompass, and Australian vocal powerhouse Toby Rand, issued their debut EP, 'Killswitch,' on October 24th. And on November 28th, the band will released a new single, the melodic yet rocking "Footprints."

“Footprints perfectly blends everything I love about making records — a little bit of heavy, big pop-leaning melodies, and radio-ready hooks, all wrapped in a big, modern rock production," Krompass explained. "Toby Rand and I poured ourselves into this one and our collective personalities brought it to life.” 

“Footprints is that song where all the pieces fall into place — the energy of modern rock, the lift of a pop melody, and those undeniable radio hooks. One of my favs on the record. Toby Rand and I wanted to capture the sweet spot between modern rock intensity and hook-driven pop. It’s got riffs, melody, and a production that punches - it’s just us.” 

Sheehan also explained why the song remains so special to him. "'Footprints' is one of the very first songs I heard from Mike and Toby and I was instantly hooked! I love this track! And it led to the formation of The Fell!"

Rand also offered his support of the track. "'Footprints' is about realizing that sometimes we wander down the wrong path and find ourselves searching for redemption. By retracing our footprints, we can see where we took the wrong turns – and where we found success. It’s a reminder to keep navigating and to keep finding our way in an ever-changing, chaotic world. 'Footprints' was also the first completed song we created as a band, and became the barometer for the style of music we were writing. Excited to share this remix with the world."

To hear the single watch below.

And to order the EP, visit:
https://rockpapermerch.com/products/killswitch-ep?_pos=1&_sid=8693f5a0f&_ss=r 

Originally filmed in Warsaw, Poland, the "Footprints" music video began its journey several years ago, when Mike, Toby, and Billy were on the road promoting the single. Under the vision of Polish director Łukasz, the band descended into a World War II underground bunker to capture the songs raw, grunge energy. Scheduling challenges kept the original cut from being released — until now. Reimagined with newly captured footage, this music video finally comes to life as part of the Footprints remix. A long time in the making, "Footprints" is a reminder that The FELL’s music truly stands the test of time.

Fusing soaring vocals, elite musicianship, and massive rock production, THE FELL's sound is both cinematic and immediate, anchored in timeless rock energy but elevated by contemporary edge and sonic depth. Drawing immediate comparisons to the guitar-driven, hard rock crunch of Mammoth, the alt-rock edge of Alter Bridge and melodic drive of Velvet Revolver, THE FELL carves out their own niche delivering hard-hitting, emotionally charged anthems that connect with fans across generations. 

 

THE FELL draws its name from Old English, where fell meant a rugged highland or mountain. Rooted in Celtic heritage, it speaks to our shared backgrounds. It’s a symbol of enduring strength, untamed spirit, and the peaks we climb together in music and in life.

 

THE FELL's powerhouse lineup features legendary bassist Billy Sheehan (Mr. Big, David Lee Roth, Sons of Apollo), multi-platinum producer, songwriter, and guitar player Mike (K.) Krompass (Smash Mouth, Nelly Furtado, Everybody Loves an Outlaw, Dead Romantic), and vocal powerhouse Toby Rand (Rockstar: Supernova, Juke Kartel, Ashen Moon), whose dynamic voice soars over a backdrop of "Killswitch"'s grinding riffs and thunderous grooves. 

 

And with the arrival of the "Footprints" single, be prepared to fall under the Fell's spell!

ARISING EMPIRE MEDIA ALERT: New Release from Annisokay

German metalcore heavyweights ANNISOKAY have unleashed their long-awaited new album Abyss — The Final Chapter, marking the monumental conclusion to their acclaimed Abyss era. Out now via Arising Empire, the record stands as one of the band's most ambitious, cinematic, and emotionally charged releases to date.
 

Abyss — The Final Chapter pushes ANNISOKAY's signature blend of crushing heaviness, towering choruses, and electronic darkness to new extremes. Frontman Rudi Schwarzer delivers some of his most ferocious vocal work yet, while Chris Wieczorek (aka Chrissy) elevates the album with soaring, atmospheric cleans and massive melodic hooks. The band's trademark contrast between brutality and beauty has never felt more refined or more explosive.
 

Building upon the success of Abyss Part I & II, this final installment ties together the themes of isolation, inner conflict, and resilience that have defined the trilogy—offering fans a powerful, cathartic finale. The production hits with surgical precision, the breakdowns are heavier than ever, and the band's sense of scale feels downright cinematic.
 

With their fanbase growing globally and their sound evolving into a new creative peak, ANNISOKAY once again prove why they're one of the most important and innovative forces in modern metalcore.
 

Abyss — The Final Chapter is out now on all digital platforms, with physical editions available via Arising Empire. Step into the abyss one last time.


Catch the band live — more info here.

'Scream If You Wanna Go Faster' - new album from Manchester electronic outfit Scissorgun out now

UK electronic outfit Scissorgun present their album 'Scream If You Wanna Go Faster', releases via Dimple Discs. A must-have for Factory Records collectors, they mix urban electronica with fuzz and wah guitar, these trailblazers present a solid collection of songs, dances and abstract soundscapes. The vinyl includes seven tracks, while the digital and CD versions include three bonus tracks. Ahead of its release, they presented the tracks 'Gone Rogue' and 'Bad As Bingo'.

Formed in Manchester in August 2016, Scissorgun is an electronic trio comprised of Dave Clarkson (synths, rhythms, tapes, percussion), Alan Hempsall (vocals, treated guitar, samples, loops) and Adrian Ball (light show and projections). Carriers of Factory Records' legacy, this project is based on the central premise that everything must come from improvisation. Their musical scope is varied - pastoral dreams one minute and, the next, crashing swathes of noise chased down with a dub twist.

“We always operate on instinct and improvisation is the key starting point. Some ideas become structured songs, but others remain as first recorded, with the music finding us and not vice versa. The title is a soft attempt at social comment, intended to be inferred rather than overt," says Dave Clarkson.

"The idea for 'Gone Rogue' started with a busy electro bass line and, as soon as we found a good quote from a conspiracy theorist on social media, the whole thing seemed to turn into a polemic against turning your back on humanity in revulsion. We dwell on the impact of the fight for our attention on the individual and the damage done. All the while, the driving beat is pushing us on with heavy cowbells and pulsing bass. We’ll all feel better if we dance."

Alan Hempsall adds, "As for 'Bad as Bingo', we were both overjoyed when this came out of the mincing machine. We’d been looking for something with a go-go beat to it, so this was perfect. The words flowed automatically as the best ones always do. Broad brush observations of a situation gone bad coupled with a mawkish sentimentality for what’s lost. The glitching and grinding bass line and barking dogs take on a life of their own. Suddenly it all makes sense and the initial spark revolts into structure and form."

Alan and Dave first met in 2007 when Dave’s band, Triclops, were supporting Biting Tongues at Islington Mill in Salford. Alan was in the audience and was so taken with Triclops’s performance that he wandered over to show appreciation and a friendship was struck up, bonding over a mutual weakness for early industrial, rock and modern jazz. After nine years of gig-hopping and hanging out, the timing was suddenly right for them to organise some jam sessions to see what came out.

It so happens that both of their bands were on hiatus at the time. While Dave Clarkson was in Triclops from 2000 to 2015, he was in White Cube prior to that. He since boasts an extensive catalogue of solo works.

As for Alan Hempsall, he was the vocalist for Crispy Ambulance, who was on Factory Records from 1980 to 1982, before spending five years in the mid ‘80’s playing percussion in a Brazilian Samba band. Hempsall also famously appeared on stage with Joy Division in April 1980, standing in for Ian Curtis at a show in Bury that descended into a riot.

"As with any album, we operate on instinct. Improvisation is the key starting point. At this moment, anything can and generally does come out. The bizarre accidents and serendipity that occur during this process are the parts we keep. Those moments that feel like you’re merely the vessel that the music is transmitted through," says Alan Hempsell.

Dave Clarkson adds, "Some ideas gradually emerge into structured songs whilst others have the fortitude to remain in their original form to some extent or another. Yet no conscious decision is made. We are not in control. It is the music that finds the musicians. As the body of work is growing and developing, it seems to take on its own identity, something else we appear to have little influence on. So, there is an element of Praxis at work here, we’ll do it because we want to and think up the reasons why later."

Prior to this album, Scissorgun released three albums - ‘Assault Two’ (2017), ‘All You Love Is Need’ (2020) and ‘Psychological Colouring Book’ (2021). They frequently perform live and have opened for such artists as Wolfgang Flur, Wrangler and Eric Random.

‘Scream If You Wanna Go Faster’ is out now, available via Bandcamp - both digitally and as a signed white label vinyl release (with colour paper photocopy of a brilliant sleeve). It can also be ordered on CD and cyan-coloured vinyl directly from select record shops.

CREDITS
All music written performed and recorded by Scissorgun
Dave Clarkson – synths, keyboards, loops, electronic drums & field recordings
Alan Hempsall – vocals, words, treated guitars, effects & found sounds
Engineering & production by Dave Clarkson
Mastering by Peter Beckmann at Technology Works, East Lothian
Scissorgun device by Kevin Craig
Sleeve design by Bruce
Photography by Wayne Goodman
Recorded over the course of 2024 at Cavendish House Studio, Manchester, UK
With thanks to Adrian Ball at Hollowsphere, AV
Released by Dimple Discs
Publicity by Shameless Promotion PR


Keep up with Scissorgun 
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LETHAL, Blending Power Metal with Melodic Heavy Metal, Release PROGRAMMED Remastered By Rob Colwell on Brutal Planet Records

When Programmed landed in 1990, Kentucky’s Lethal delivered an album that many hailed as “the best Queensrÿche record since Operation: Mindcrime.” Blending the muscle of American power metal with the sophistication of melodic heavy metal, the band achieved songs that combine intelligence, melody, and might in perfect balance.

Frontman Tom Mallicoat commands every moment with soaring, expressive vocals, while brothers Eric and Glen Cook drive the music with dynamic twin-guitar harmonies and intricate arrangements. From the opening firestorm “Fire in Your Skin” to the title track “Programmed” and the emotional centerpiece “Another Day”, the album never falters—each song delivering technical mastery and heartfelt conviction. Remastered by Rob Colwell and presented in a jewel case with a 12-page photo/lyric booklet, this Metal Icon Series edition restores Programmed with vivid clarity and punch. For fans of Queensrÿche, Fates Warning, Crimson Glory, and Helloween, this is one of the defining melodic metal releases of its era—timeless, powerful, and fully realized.

LETHAL "Programmed" 2025 Remaster video Below;

 

Purchase LETHAL "Programmed” (Sky Blue Vinyl): https://boonesoverstock.com/products/lethal-programmed-sky-blue-vinyl-2025-brutal-planet-5-star-prog-power-80s-metal

Purchase LETHAL "Programmed” (Compact Disc): https://boonesoverstock.com/products/lethal-programmed-cd-2025-brutal-planet-5-star-prog-power-80s-metal

Key Features & Collector Details

  • Original Year: 1990 (Metal Blade Records)

  • License: Officially licensed from Metal Blade Records

  • Remastering: Rob Colwell (Bombworks Sound)

  • Series: Metal Icon Series

  • Packaging: Jewel case with 12-page photo/lyric booklet

  • Edition Size: Limited to 500 copies worldwide

  • Vinyl Color: Sky Blue Vinyl

  • Edition Size: Limited to 250 copies worldwide

  • Genre: Classic Melodic Heavy Metal / Power Metal

  • For Fans Of: Queensrÿche • Fates Warning • Crimson Glory • Helloween

JELUSICK, FRONTED BY VOCALIST DINO JELUSICK, DROPS SOPHMORE ALBUM APOLITICAL ECSTASY

The band JELUSICK is formed around Dino Jelusick (Whitesnake, Trans-Siberian Orchestra, For Whom Gods Destroy, etc...) with Luke Broderick who is (same as Dino) an academically educated musician and with Ivan Keller and Mario Lepoglavec who both actively tour with Marco Mendoza (Whitesnake, Journey). All of them are exceptionally talented musicians who are ready to show the world that rock is still alive. Their music is a combination of hard/heavy/prog with versatile elements from some other genres. JELUSICK is seen as the next rock sensation by fans and music colleagues alike.

Dino joined Whitesnake after receiving a personal phone call from David Coverdale and went out on the band's 2022 farewell tour as a multi-instrumentalist covering many of the vocals for Coverdale. Upon returning he immediately focused his attention on JELUSICK, releasing the critically acclaimed and very well receivedFollow The Blind Man. After releasing a series of singles like “Power to the People”, “Hangman”, “How Many Times”, an “Seasons”, the band is now set to release the eagerly awaited album Apolitical Ecstasy across North America through Deko Entertainment (ADA/Warner Music Group) in December.

Watch video for “Seasons” Below;

As Dino explains, "I am more than happy that our American fans will be able to buy the 2nd Jelusick album Apolitical Ecstasy as CD and Vinyl directly in America. The album will be released through Deko Entertainment on December 12th and will be available in numerous record stores and online."

Apolitical Ecstasy is available on CD, Vinyl, and get the limited-edition signed bundle while supplies last: https://www.dekoentertainment.com/jelusick

For more information visit:
 jelusick.com
www.dekoentertainment.com
Deko Entertainment–Art Has Value

NYC's Jessie Kilguss presents luminous sixth album 'They Have A Howard Johnson's There'

Songstress Jessie Kilguss, a name whispered with reverence in deep-cut New York songwriting circles, has released her new album 'They Have A Howard Johnson's There'. Never one to shy away from the cinematic or the deeply literary, on this sixth album, she drives her classic vintage automobile straight into the heart of American mythology, albeit with European art-house sensibility.

Kilguss isn't just making music; she's collecting fragments of the past and stitching them into a luminous, deeply felt present. This album is a powerful collection that's steeped in sweet nostalgia, divine inspiration and sophistication. A masterclass in mood, this is a sonic exploration where poetic introspection and light-filled melodies intersect with folk-laced resignation.

The near-title track, 'Howard Johnson's', is a stroke of lyrical genius—a beautiful, melancholic tribute to her late father, Howard, name-checked in a surreal line by Al Pacino in the movie 'Dog Day Afternoon' ("I’ll charter a plane to Algeria. They have a Howard Johnson’s there"). The whole project is defined by a clever, layered nostalgia, as reflected in the era-inspired video by Deborah Magocsi. Kilguss crafts a sonic space that’s both intimately personal and universally resonant, proving that sometimes, the greatest stories can be found in the most unlikely places.

"This is a collection of songs I’ve written over the past few years, most being inspired, at least in part, by a book (Elena Ferrante’s 'The Lost Daughter & Neapolitan Quartet'), a movie ('Dog Day Afternoon') or a work of art ('The Ecstasy of St Teresa'). The title comes from a line in the song 'Howard Johnson’s', which is a roundabout tribute to my father Howard, who passed away in 2023," says Jessie Kilguss.

Charlie Nieland (Debbie Harry, Rufus Wainwright, Blondie, Scissor Sisters), who engineered, produced, mixed and mastered this album at Saturation Point Studios in Brooklyn, brings a nuanced touch, building from a simple guitar and voice into something far grander.

Kilguss says, "I’ve been working on this album for the past year with producer Charlie Nieland, with whom I have been collaborating since 2007. We started every track with just voice and guitar and built them out from there. Previously, I’ve always gone into the studio with my band to record. This was an interesting way to work as we deconstructed each song and then put them back together.."

This album also involves heavy-hitters like Kirk Schoenherr (Tegan and Sara, Elle King, Chet Faker),  John Kengla (David Byrne, Ben Kweller, Serena Ryder), Andrea Longato (Duncan Sheik, Jeremy Jordan), Rob Heath (Madison Square Gardeners, Julia Nunes), Dave Derby (The Dambuilders, Gramercy Arms, Lloyd Cole) and Rembert Block (Rembert and the Basic Goodness).

'St. Teresa in Ecstasy' (and its beautiful video, created by Alex Dar) is a divine, slow-burn revelation, inspired by Bernini's dramatic sculpture and the dizzying feeling of being utterly overwhelmed by art or even something celestial. understands the power of great moments, and this song is pure, dramatic and full of radiant harmonics. 'Fool's Fight'rounds out an album that flows seamlessly.

A fine cartographer of this emotional landscape, Kilguss is a former actress who cut her teeth working with titans like Daniel Day Lewis and Winona Ryder on 'The Crucible', as well as Marianne Faithfull and Mary Margaret O'Hara in the Tom Waits / William Burroughs musical 'The Black Rider',

Apart from her own music, Kilguss also sings with Gramercy Arms, the Loser’s Lounge, Jim Andralis and the Syntonics and Benjamin Cartel. She has performed at the Sundance Film Festival and with Freddie Stevenson, touring with The Waterboys' for their European tour. In summer 2025, Kilguss was an artist in residence at Fish Factory Creative Center in Stodvarfjordur, Iceland.

Kilguss' 2022 album 'What Do Whales Dream About at Night?' LP features drummer Brian Griffin (Patti Smith, Brandi Carlisle, Lana Del Rey), bassist Whynot Jansveld (The Wallflowers), composer-producer Naren Rauch, and Nathan Schram (Bjork, David Crosby, David Byrne), with whom Kilguss ran the non-profit organization Musicambia.

'They Have A Howard Johnson's There' is out everywhere digitally, including Apple MusicSpotify and Bandcamp

ALBUM CREDITS
All songs written by Jessie Kilguss, except 'Jesus Was a Crossmaker' (written by Judee Sill)
Produced, engineered, mixed & mastered by Charlie Nieland at Saturation Point Studios, Brooklyn
Jessie Kilguss - vocals, arrangement
John Kengla – guitar, bass, keys on Howard Johnson’s, Fool’s Fight, Lost Causes, Jesus Was a Cross Maker
Kirk Schoenherr – guitar and keys on Chasing Down a Ghost and St Teresa in Ecstasy
Andrea Longato – guitar on St Teresa in Ecstasy
Rob Heath – Drums and percussion
Rembert Block – Backing vocals on Fool’s Fight, Chasing Down a Ghost and Lost Causes
Dave Derby - Backing vocals on Howard Johnson’s
Charlie Nieland – bass, violin bow guitar and keys on St Teresa in Ecstasy, Fool's Fight and Lost Causes, backing vocals on Howard Johnson’s
Single cover photo by Shervin Lainez
Video by Deborah Magocsi
Graphic design by Scott MX Turner
Publicity by Shameless Promotion PR


Keep up with Jessie Kilguss
Website | Facebook | Bandcamp | Twitter | Instagram | Soundcloud | YouTube | Spotify | Apple Music | Press contact

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EVICTION, Pittsburgh Crossover Thrash Metal, Release THE WORLD IS HOURS AWAY Remastered By Rob Colwell on Brutal Planet Records

In 1990, Pittsburgh’s Eviction unleashed The World Is Hours Away — a volatile mix of thrash power and punk rebellion that instantly earned cult status among crossover metal fans. Fueled by blue-collar grit and raw conviction, the album captured a scene that valued energy over polish and truth over trends.

Brutal Planet Records now brings this underground classic back to life with a striking Nuclear Green Vinyl pressing, complete with a full-color 12″ × 12″ lyric and collage insert that celebrates Eviction’s history and the Pittsburgh scene that forged them. It’s a sonic time capsule of American thrash at its most honest — loud, fast, and full of heart.

From the relentless drive of “Listen” and “Drunken State” to the defiant anthem “American Way,” every track oozes authenticity and attitude. For fans who live at the intersection of punk ferocity and metal precision — where Suicidal Tendencies, D.R.I., and C.O.C. collide — this is the definitive way to experience The World Is Hours Away.

EVICTION "Listen" 2025 Remaster video Below.

 

Purchase EVICATION "The World Is Hours Away” (Nuclear Green Vinyl): https://boonesoverstock.com/collections/pre-orders/products/eviction-the-world-is-hours-away-nuclear-green-vinyl-2025-brutal-planet

Purchase EVICATION "The World Is Hours Away” (Compact Disc): https://boonesoverstock.com/collections/pre-orders/products/eviction-the-world-is-hours-away-cd

Key Features & Collector Details

  • Vinyl: Nuclear Green Vinyl

  • Insert: 12" × 12" full-color lyric/collage insert

  • CD: 16-page booklet packed with liner notes, band history, photos, memorabilia, lyrics and credits. Includes entire Think Tank demo as bonus tracks

  • License: Officially licensed from Metal Blade Records

  • Edition Size: Limited to 250 copies worldwide

  • Genre: Pittsburgh Crossover Thrash Metal

  • Originally Released: 1990 (Metal Blade / Death Records)

  • For Fans Of: Suicidal Tendencies • D.R.I. • M.O.D. • C.O.C. • Heathen • Sacred Reich • Nuclear Assault