Trivium Release "STRUCK DEAD" EP + Share Title Track Video — WATCH // Headline Tour Kicks Off Tour

GRAMMY-nominated heavyweights TRIVIUM — vocalist/guitarist MATTHEW K. HEAFY; guitarist COREY BEAULIEU; and bassist PAOLO GREGOLETTO — have released the three-song EP STRUCK DEAD , via longtime label Roadrunner Records. Get it here

Trivium have shared the video for the title track. Watch it below

"In August 2023, we set out to design and build our own studio at The Hangar — a place to create freely, on our own terms," says Gregoletto about the EP's genesis.

The creative catalyst, though, was the band's past and desire to see what's next. "Born from months of revisiting and performing Ascendancy in full, this EP channels that familiar power and spirit while pushing into new territory," he continues. "We feel that Struck Dead stands as the first step into a bold new era for us and we happy to finally share it with all of you.”

While it may only be three songs in length, in typical Trivium fashion, it packs a powerhouse punch, thanks to masterful riffing and the dual-style vocal prowess the band has built its nearly three-decade reputation on! It was produced by Trivium and recorded with Mark Lewis at the band's aforementioned Hangar Studios in Orlando, Florida. It was mixed and mastered by Josh Wilbur.

Trivium will embark on The Struck Dead tour, which kicks off today, October 31, in Myrtle Beach and runs through December 14, with an epic hometown show in Orlando.

Special guests Jinjer will appear, while Heriot will serve as support. All dates are below. Get tickets here

TRIVIUM ON TOUR:
WITH JINJER + HERIOT:
11/4 — London, ON — Centennial Hall
11/6 — Québec, QC — Videotron Centre
11/7 — Wallingford, CT — Toyota Oakdale Theatre
11/8 — Portland, ME — Cross Insurance Arena
11/10 — Warren, OH — Packard Music Hall
11/11 — Buffalo, NY — Buffalo River Works
11/12 — Lancaster, PA — Freedom Hall
11/14 — Gary, IN — Hard Rock Live Northern Indiana
11/15 — Milwaukee, WI — The Eagles Ballroom
11/16 — Cincinnati, OH — The Andrew J Brady Music Center
11/18 — Indianapolis, IN — The Egyptian Room at Old National Centre
11/19 — Waukee, IA — Vibrant Music Hall
11/20 — Minneapolis, MN — Uptown Theater
11/22 — Winnipeg, MB — Burton Cummings Theatre
11/24 — Edmonton, AB — Midway Music Hall
11/25 — Calgary, AB — Grey Eagle Events Centre
11/26 — Missoula, MT — The Wilma
11/28 — Spokane, WA — The Podium
11/29 — Garden City, ID — Revolution Concert House
12/1 — Salt Lake City, UT — The Union Event Center
12/3 — Riverside, CA — Riverside Municipal Auditorium
12/5 — Albuquerque, NM — Revel
12/6 — Oklahoma City, OK — The Criterion
12/7 — Fayetteville, AR — JJ's Live 
12/9 — Springfield, MO  — Shrine Mosque
12/10 — Kansas City, MO — Uptown Theater 
12/12 — New Orleans, LA — The Fillmore New Orleans
12/13 — Dothan, AL — The Plant 
12/14 — Orlando, FL — Hard Rock Live

DESPISED ICON | SHADOW WORK OUT NOW + RELEASE TRACK VIDEO FOR TITLE SINGLE

Canadian deathcore pioneers DESPISED ICON unleash their seventh full-length album Shadow Work via Nuclear Blast Records. The album stands as the band's most fine-tuned and dynamic effort to date, balancing relentless speed, crushing grooves, and morbid melodies, while remaining true to their signature blend of extreme death metal and hardcore grit.

DESPISED ICON's new single, 'Shadow Work,' is an unflinching descent into inner turmoil and trauma. Backed by the band's trademark onslaught of blast beats and hardcore grit, the track chronicles a harrowing journey of self-reckoning and raw, cathartic healing. Watch the video visaulizer below.

Order Shadow Work
https://despisedicon.bfan.link/shadow-work

In a few days, DESPISED ICON will join headliner's SANGUISUGABOGG on their U.S. tour. The 22-date trek, which includes DEFEATED SANITY, and CORPSE PILE as support, will kick off in Detroit on November 4th and make stops in Santa Ana, Houston and New York concluding on November 30th in Columbus, OH. Following the tour, the band will headline 2 sold-out hometown shows on December 6th and 7th at Club Soda.

11.04  Detroit, MI @ St. Andrews Hall
11.05  Chicago, IL @ Metro
11.06  Indianapolis, IN @ Deluxe (Old National Centre)
11.07  Lawrence, KS @ The Granada
11.08  Denver, CO @ Summit Music Hall
11.09  Albuquerque, NM @ El Rey
11.11  Phoenix, AZ @ The Nile Theater
11.12  Santa Ana, CA @ The Observatory
11.13  Berkeley, CA @ UC Theatre
11.14  Los Angeles, CA @ The Regent
11.15  Las Vegas, NV @ Fremont Country Club
11.17  Dallas, TX @ Echo Lounge & Music Hall
11.18  Austin, TX @ Mohawk
11.19  Houston, TX @ Bad Astronaut
11.21  Tampa, FL @ The Orpheum
11.22  Atlanta, GA @ The Masquerade
11.23  Charlotte, NC @ The Underground
11.25  Pittsburgh, PA @ Roxian Theatre
11.26  Baltimore, MD @ Baltimore Soundstage
11.28  New York, NY @ Irving Plaza
11.29  Philadelphia, PA @ Union Transfer
11.30  Columbus, OH @ The King of Clubs
12.06  Montreal, QC @ Club Soda *sold out*^
12.07  Montreal, QC @ Club Soda *sold out*^

^ - DESPISED ICON only

Shadow Work is now available in the following formats:

  • CD Jewelcase

  • Gold & Black Corona Vinyl

Shadow Work was produced by the band’s own Alex Erian and Eric Jarrin, while Christian Donaldson (CRYPTOPSY, SHADOW OF INTENT, SIGNS OF THE SWARM) handled mixing and mastering. The album marks a significant chapter for a band whose core lineup has remained largely unchanged since its inception. It’s a deeply introspective record that reflects both personal growth and the turbulence of the world around us. The artwork for the album was created by Eliran Kantor (HATEBREED, THY ART IS MURDER, CAVALERA).

DESPISED ICON's line-up is:
Alex Erian | Vocals
Steve Marois | Vocals
Eric Jarrin | Guitars
Ben Landreville | Guitars
Sébastien Piché | Bass
Alex "Grind" Pelletier | Drums

Surprise! Currents Drop "All That Follows" EP Today + Share "Rise & Fall" Video

Connecticut metalcore outfit CURRENTS have released their new EP All That Follows via SharpTone Records.

Listen here

The band has also shared the video for "Rise & Fall," which features career archival footage. Watch it below.

"'ALL THAT FOLLOWS' is the end of The Death We Seek. These are some of our favorite songs thus far and the beginning of a new chapter for us. We kept this close to our hearts and trusted our guts on what we really wanted. These songs are an exercise of independence, experimentation and collaboration within the band to lengths we haven’t gone before," says Wille. "Here, we explore disillusionment, inequality, betrayal, and the ambiguity of life and its purpose. This world can be both a great and terrible place; and good or bad, we pour all of those experiences into our music. While the result is rarely a happy story, sharing it all with you is always such a positive and cathartic experience. We're proud to put this out into the world and to see you connect with it in your own way."

Long before tallying hundreds of millions of streams and playing to sold-out crowds, the spark behind Currents began to flicker as early as 2011. Wille had joined the fold during 2015, and the band pushed forward with a series of critically acclaimed fan favorite releases such as The Place I Feel Safest [2017], I Let The Devil In EP [2018], The Way It Ends [2020], and The Death We Seek [2023]. Following the latter's release, Everything Is Noise raved, "Currents are one of the few that are capable of crafting a modern metalcore sound that is unrelenting in every which way whilst still being incredibly accessible." Beyond praise courtesy of MetalSucks and more, Distorted Sound rated it "9-out-of-10," proceeding to profess, "It makes the future of this brilliant set of musicians one of the most exciting prospects in music to this day." Along the way, they shared stages with everyone from Parkway Drive and Beartooth to Ice Nine Kills, We Came As Romans, and Miss May I.

 CURRENTS ARE:
Brian Wille — Vocals 
Chris Wiseman — Guitar 
Ryan Castaldi — Guitar 
Christian Pulgarin — Bass 
Matt Young — Drums

Liverpool duo THE WOOD present soulful and timeless new 'Cold Fire' EP Title track features stunning renowned Scottish vocalist Brooke Combe

Liverpool-based duo The Wood present their 'Cold Fire' EP, released via UK imprint Riverdream Records. Here, Alex Evans (vocals) and Steve Powell (guitar and bass) are at their best, with solid grooves and melodies full of beauty, passion and genuine feeling. Creating music that is difficult to categorise yet somehow sounds familiar, The Wood cleverly mesh soul, rock and folk in songs filled with purpose and an innate sense of release.


Mastered by Pete Maher (U2, Nick Cave, Depeche Mode, Pixies. Nine Inch Nails), the EP was produced bySteve Powell, an expert at unearthing sonic magic. Having recorded many notable artists records, includingMichael Head and The Strands, John Power, def.fo, The Stairsand Ella Guru, Powell also produced and played guitar on the firstMichael Head and the Red Elastic Band record 'Arturius Revisited', as well as the number one indie album'Adios Senor Pussycat'.

For the lead track 'Cold Fire'the duo are joined by ex-Island Records vocalist Brooke Combe, fresh from an appearance on Later With Jools Holland and having just supported Lionel Richie on his UK-Ireland summer tour and Benson Boone on his US tour this last month. She’s tasked herself with bringing more soul to the masses, so she’s in more than appropriate company with The Wood. A shared mission it seems.

The balmy blues chords of an electric piano open before Combe's timeless soul voice steps quietly into a willing spotlight. She’s upfront in the mix, singing to your face; yet it feels close and personal. 'Cold Fire' soothes its way toward the chorus, building around a conclave of gospel harmonies and a sultry, simmering groove. The arrival of Alex Evans’ voice, tumbling down the registers and through the changes, comes edged with a pure soul grit. A perfect storm of gospel, soul, jazz and rock, and its real. It feels ageless, an uncut gem of a song presented in the most natural way.

The Wood's funkier-than-thou version of 'Romantic Attitude', the John Fitch and Associates rare soul classic, screams to be heard and then shrugs its shoulders with an insistent funk groove, Steve Powell’s spectacular psyched-up six stringed wig-outs feature as standard, sounding like the party you really wish you’d gone to.

'Hold On' feels time-aged, sundried, dusty and raw, like Laurel Canyon through a cracked and dirty windscreen. You can feel there’s whisky nearby. It’s a song of yearning and hope, a conversation windblown by time. Steve Powell’s minimal production and Phil Melville’s interwoven layers of slide dobro swoop around Alex Evans’ scored soul vocal, in a space where only what’s necessary is allowed. No extras, no fuss from this perfectly balanced songwriting duo.

'Wait For The Sun' means business. It comes storming in, in a blizzard of insistent urgency, intense and unforgiving. It’s all chugging and rock guitars, blissed out harmonies, and an Alex Evans vocal steeped in his trademark passionate energy. This is The Wood in triumphant mode, and rightly so, because the 'Cold Fire' EP is a definite triumph.

Rewinding a few years, Evans and Powell met while Evans was recording at his Ark Recording Studios, located amongst the imposing brick edifices of Liverpool's ancient dockland. Released in 2024, their debut 'Days' album (previewed by 'Let It Loose'), also involved Martin Smith and Simon James (The Coral, Shack) on brass and Jake Howden-Woodward (Nova Twins) on drums.

As of October 31, the 'Cold Fire' EP is available everywhere online, including Apple Music, Spotify and Bandcamp.

SINGLE CREDITS
Written by Steve Powell & Alex Evans
Alex Evans – vocals
Steve Powell – guitar & bass
Brooke Combe – vocals
Jake Woodward – drums
Mike Smith – organ
Rob Stringer – piano
Charlie Griffiths – backing vocals
Clair Griffiths – backing vocals
Amy Chalmers – violin
Matt Phillips – cello
Rachel Nicholas – viola
Produced & recorded by Steve Powell at Ark Recording Studios, Liverpool
Mastered by Pete Maher
Single cover graphics by Alex Evans
EP cover graphics by Alex Evans & Ed Rimmer
Released by Riverdream Records 2025
Artist photos by John Johnson
Publicity by Shameless Promotion PR



Keep up with The Wood
Facebook | Bandcamp | Twitter | Instagram | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
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Los Angeles dreampop-synthwave duo LUCKYANDLOVE presents topical 'Humaura' album

Los Angeles dreampop / darkwave outfit LUCKYANDLOVE present their third album 'Humaura' (pronounced "hu • mau • ra"), which they define as the atmosphere emanating from the feelings of the human spirit void of technological control. This album weaves a compelling narrative through the current of the human condition, boldly challenging the digital dross of modern existence with a passionate plea for flesh-and-blood connection and unfettered autonomy.

LUCKYANDLOVE is the raw sonic experiment of Loren Luck and April Love. Their live analog synth beats, Moog instrumentation and beautiful, harmonic vocals blend fuzzy synthgaze, blue-black neon darkwave, and tigerprint electro punk. With visceral, urgently-present dark electro-pop appeal that stretches through time and space, their 'Lucky + Love' and 'Transitions' albums earned them a global fan following and led to US and UK tours and various sync licensing placements.

Their new 'Humaura' album moves from hard-won emotional clarity to a liberating perspective on our current state of affairs. Written during the hermetically-sealed pandemic, it explores themes of human connection, imperfection, detachment / detoxing from social media, and being in control of creativity.

“This is an action-packed, cinematic, entertaining and soulful electro-dance record full of fresh air and wide-open roads where there is more freedom to party, to be in nature, and to be our wild selves. There was a new quiet that we observed - the pandemic was a weird experience. We tried to make the best of it, making art, taking nature trips, photographing this microscopic world we discovered. We worked on ourselves, strengthened our relationship, and weaved everything into our music,” says April Love.

Loren Luck adds, “We spent hundreds of hours performing in total isolation — our DTLA rehearsal space, our Echo Park space — and continuing the creative process outside, along the LA river, writing a lot of songs while listening to birds. By truly going ‘underground’ during the making of this album, we were taking back our lives — just by figuring out what it meant being human, in its purest form. Once you make peace with that, your thinking becomes free, so now we’re free to make the rules.”

Recorded, mixed and mastered for digital release by Grammy award-winning engineer Be Hussey (Modern English, Swervedriver, The Church, Twin Tribes, Boy Harsher, Kim Deal) at Balboa Studio and at Catwater, this album was mastered for vinyl and lathe cut by Grammy-nominated engineer Nicholas Townsend (Cheap Trick, Weezer, Garbage, Dr. Dre, 2Pac, Grimes) at Townsend Mastering.

'Humaura' takes us on a sonic expedition from the high-voltage anxiety of being a "screen zombie" and the crucial urgency to reconnect with the natural world and free thought (‘I Am Human’) to the raw, visceral pangs of loneliness and the search for intimacy ('Lonely At Night'). LUCKYANDLOVE charts a course toward liberation, championing the brave release of truths ( 'Secret Is Out') and the hard-won, exhilarating joy found in breaking free from societal and digital entrapments—culminating in the melodic sunshine of finding true self and a harmonious "final bliss moment" ('Melt in Sunshine').

'Name of Love' explores the wisdom gained from defining oneself through past relational pain, which then fuels the kinetic energy of survival anthems like 'Run On Run' and 'Feelz So Good', celebrating the exhilarating escape and raw thrill of the open road. The album achieves a crucial distance with  'Hawks Do Cry', juxtaposing nature’s tranquil, powerful vantage point with the noise of the human world. They finally offer solace in the reflective nostalgia of 'Down To Black', where the search for community and belonging finds its perfect, memorable fit.

Out October 31 via SRD - Southern Record Distributors, 'Humaura' can be ordered on vinyl from Bandcamp, the LUCKYANDLOVE Store or from select record shops. It's also available digitally everywhere, including Spotify, Apple Music and Bandcamp

LUCKYANDLOVE performs next on December 13 at Mohave Gold Bar in Yucca Valley, California for Luna Negra Goth Nights Presents, along with BLAKLIGHT and Dead Energy.

CREDITS
Written and arranged by Loren Luck & April Love
Produced and performed by LUCKYANDLOVE
April Love - vocals, synths (Moog, Juno, HX Stomp)
Loren Luck - drums, synths (Elektron Rytm, Elektron A4, HX Stomp)
Original songs written & performed raw on analog electronic synthesizers & analog drum machines
Recorded (live with live effects) on TASCAM DP-32SD 32-track Portastudio
Vocals recorded by Be Hussey at Catwater and Balboa Studios in Los Angeles
Recorded in LA at Downtown Rehearsal Studios & Echo Park Studios
Mixing & digital mastering by Be Hussey at Catwater (Los Angeles, CA)
Mastered for vinyl by Nick Townsend at Townsend Mastering
Album artwork painting, layout & design by LUCKYANDLOVE
Front cover artwork by Loren Luck
Videos directed By Loren Luck of LUCKYANDLOVE. Filmed in LUCKYANDLOVE's studio
Cinematography & videography by Romeal Hogan and Kevin Mapp
©℗ 2025 All rights reserved LUCKYANDLOVE 2025
Published by Oilxice Publishing (ASCAP) and Lynx Technique Publishing (ASCAP)
Vinyl and digital Download Distributed worldwide by SRD/IDOL
Catalogue no. LNL003A
LUCKYANDLOVE studio photos by Alejandro Restrepo
Publicity by Shameless Promotion PR

Keep up with LUCKYANDLOVE
Website | Store | Bandcamp | Facebook | Instagram | TwitterSoundcloudYouTubeSpotify | Apple Music | BandsInTown | Press contact

Keep up with Shameless Promotion PR
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KT TUNSTALL CELEBRATES 20 YEARS OF MULTI MILLION SELLING DEBUT ALBUM WITH SPECIAL 20TH ANNIVERSARY RE-ISSUE OF ‘EYE TO THE TELESCOPE’ VIA BMG – OUT NOW

Multi-platinum, BRIT Award-winning and Grammy®-nominated artist KT Tunstall announces the 20th anniversary re-issue of her iconic debut album, Eye To The Telescope, due for release in exclusive collector’s edition vinyl and CD formats, featuring B-sides and exclusive live tracks, on October 31st, full track listing below. Included on the album and to mark this major milestone, fans will be treated to three previously unheard tracks: the title track "Eye To The Telescope," "Cancerian" and "Anything At All."

Originally released at the tail end of 2004, the Eye To The Telescope album catapulted Scottish Singer Songwriter KT Tunstall into the global spotlight, fuelled by an unforgettable live debut on Later… with Jools Holland - a career-defining moment that saw Tunstall seize a last-minute opportunity to fill in for rapper Nas, and perform with nothing but her guitar, loop pedal, and tambourine. Her performance of “Black Horse and the Cherry Tree” became instantly iconic, one of the first examples of a ‘viral moment’ and launched a record that features several hit singles, which was given its full push in 2005 on the back of that moment. The album contained several hits, including the massive “Suddenly I See” - a song that became inextricably linked to pop culture history with its full-length feature in the opening scene of The Devil Wears Prada, forever associating both the song and Tunstall with a ubiquitous zeitgeist moment.

 

Stream Eye To The Telescope 20th Anniversary re-issue here.

From her fearless solo looping to her emotive, genre-spanning songwriting, KT Tunstall has never been one to stand still creatively. Recipient of several awards, most recently the prestigious Ivor Novello Award for outstanding Song Collection, Tunstall has continued to tour the world and release eight critically acclaimed albums.

As many have pointed out, Tunstall is relatively rare example of a small but exclusive line of female singer songwriters, either from or adopted by this country, whose guitar playing, both acoustic and electric, is unapologetically front and centre; think Chrissie Hynde, PJ Harvey, and (Tunstall collaborator) Suzi Quatro.

A highlight of the anniversary re-release is the addition of three new songs, including current single "Cancerian," "Anything At All," as well as the title track "Eye To The Telescope." These songs were started during the original writing sessions and left unfinished until this year. These three new tracks were also released on October 24th as their own stand alone digital EP - The Stargazer EP, which contains the original versions as well as the “Still” acoustic versions. Speaking about the new songs and album title, Tunstall shares:

EYE TO THE TELESCOPE: “The title for my first album was inspired by the times when my physicist Dad, who had a spare set of keys for the Observatory at Andrew’s university, would randomly get us up in the middle of the night and bundle us into the car in our pajamas to go and look through the huge telescope to see the night sky; the Moon, Saturn, Halley’s comet, all of which completely blew my mind as a kid. When I decided to call the album ‘Eye to the Telescope’, I thought I’d have a go at writing a title track, but what I began writing was so delicate, and I felt that a title track of a first album surely had to be a banger, so I abandoned it. My label BMG encouraged me to finish the song for this special re-release, and it’s been such a thrill to complete something over 20 years in the making. Having the album’s original string arranger David Davidson add his gorgeous orchestration on it, as well as Shabaka’s magical wooden flute performance, feels like a cosmic full-circle moment.”

CANCERIAN: "After deciding on my first album title, it got me thinking about horoscopes and how we have always looked to the stars for guidance. "Cancerian" is written from that middle ground of awe and skepticism, and pokes some gentle fun at anyone being sure of how the future will turn out. It was a lot of fun to record an old song for the very first time, and I loved getting the chance to work with the truly excellent Producer and Mixer Robert Adam Stevenson on this track.”

 

ANYTHING AT ALL: “I wrote this song with Martin Terefe who also produced it. It’s a song about finding it impossible to communicate with someone you love. It is such a thrill to finally get "Anything At All" out into the world. I have adored this song since writing it in the early 2000’s - for almost every album I’ve made I’ve wondered if it could make the track listing. But I’m glad to have waited until now, as it feels like the perfect moment, a gift from my younger self. I got very emotional in the studio, singing backing vocals along to my 20 years younger self. A beautiful experience. When I listen to it now, it could almost be a message from this future me to my younger self during times of struggle.” 

The 20th anniversary re-issue of Eye to the Telescope is a heartfelt celebration of KT Tunstall’s enduring artistry, and a time capsule of the record that changed everything. The re-issue of the iconic debut album, Eye To the Telescope, “Stargazer Editions” are available physically today - full format/ tracklisting below. The Stargazer EP, containing three new songs, is also available digitally via BMG.

Stream Eye To The Telescope 20th Anniversary re-issue here.


For more information about the re-issue of Eye to the Telescope, visit kttunstall.com

Download Package Shots Here

Connect with KT Tunstall

Facebook- Twitter- Instagram- Spotify- Apple Music- YouTube

KT has toured and collaborated with a dizzying array of superb artists including The Pretenders, Simple Minds, Hall and Oates, Roger Daltrey and Barenaked Ladies. Her many awards include Inspirational Artist gong at the Women In Music Awards and most recently, earlier in 2024, a prestigious Ivor Novello Award for Outstanding Song Collection. 2025 saw her perform a collection of ‘Eye To The Telescope’ 20th Anniversary Shows, including a duo of electric gigs in Glasgow (Royal Concert Hall and Barrowlands) as part of Celtic Connections, as well as her own headline show at London’s iconic Royal Albert Hall on June 23rd - her 50th birthday. A star-studded celebration, the highly praised show featured special guest appearances from Sir Roger Daltrey, Jools Holland, Mel C, Natalie Imbruglia and Rick Astley. KT has also written the music for the acclaimed stage musical of classic 90’s movie “Clueless”, which opened in London’s West End in February 2025 and will tour next year as well as several other forthcoming theatre projects, to be announced.

 

KT Tunstall 2026 U.S. Tour Dates (with O.A.R and Gavin DeGraw)


November 12 – Tampa, FL @ Seminole Hard Rock Hotel & Casino Tampa
November 13 – Hollywood, FL @ Hard Rock Live  
November 14 – St. Augustine, FL @ The St. Augustine Amphitheatre  
November 15 – Orlando, FL @ Hard Rock Live Orlando  

RAVEN BLACK Unveils Video for "Black Sonata," a Beautiful, Dark and Tragic Melodies Rise to the Moment of Raven’s Death

The twisted carnival of theatrical metal known as

RAVEN BLACK has once again opened the gates to their haunted world with the release of their latest visual masterpiece, “Black Sonata.” Serving as the title track to their acclaimed new album, Black Sonata, the video is a stunning fusion of horror, fantasy, and high-art performance — a cinematic descent into the psyche of darkness and rebirth.

"Black Sonata's" beautiful, dark and tragic melodies rise to the moment of Raven’s death. Maezi, the Dark Angel, greets her as her transformation begins, and Muppet’s rage transcends him into the Dark Demon.

The tragic story of Raven and Muppet began in the first Comic Book Issue and, and continues to reveal the morphing of their souls. In the upcoming Comic Book (Issue 3),  Darkness Rising as they are joined by Maezi, and the trio is embracing their own Hell.

Comic Book Issue 3 is scheduled to be released in 2026.

About BLACK SONATA ALBUM

“What the Rejects expect to be familiar yet unexpectedly find themselves thrown Into our madness where it is dark, fun, strange, weird, creepy and disturbing. The 13th Hour. 

Sing, scream, dance or pit or all of this! Exactly what we wanted for you. Music should move you into another world. This world is ours in the 13th Hour. Our Black Sonata. “

--- Raven Black ---

STREAM / ORDER BLACK SONATA

Meet RAVEN BLACK, a theatrical metal act originally from Los Angeles. Their unique brand of metal, influenced by gothic, classical, and heavy metal music, serves as the soundtrack to vocalist Raven's duality as she shares her story of being a hybrid of both dark and light.

Drawing from a myriad of musical inspirations, 

RAVEN BLACK expertly blends elements from their favorite art forms, including movies, ethnic backgrounds, and personal life experiences. Each song is crafted to take fans on an adventure, offering new perspectives and understandings. Their sound ranges from melodic to dark, fun to raging and psychotic—yet every track tells a story.

At the heart of their narrative lies a comic book character: a girl whose innocence was taken at a young age. Overcoming her demons and cursed by her predators, she discovers she is half human, half doll. The doll within her is dark, and as she embraces her inner darkness, she travels with her demons who protect her from those seeking to steal her inner power. She is the key.

The Belair Lip Bombs Again Out Now!

The Belair Lip Bombs—the Australian quartet of Maisie Everett, Mike Bradvica, Jimmy Droughton, and Daniel "Dev" Devlin—release their new album, Again, today via Third Man Records. Again marks a new chapter for Australia’s best-kept secret, who have been building a loyal local following since they first formed eight years ago with their earnestness and ultra-sticky power-pop song structures. Again is endlessly listenable and winkingly symbolizes the band’s reintroduction to a global audience. 

ORDER/STREAM

Blackened Thrash Visionaries MALEFIC Unveil New Single, "It Haunts", And Debut Album 'Impermanence'

Atlanta blackened thrash visionaries MALEFIC have unveiled their first single, "It Haunts", and are set to unleash their debut album, Impermanence, via Terminus Hate City on February 13th, 2026. “It Haunts” introduces the band with their signature intricate harmonies and deft guitar work, dragging the listener deep into the blackened abyss they have carved. Fierce vocals tell a fittingly haunting tale about a mystery of a supernatural nature, and an epic guitar solo commands rapt attention. The song closes with ghostly arpeggios, leaving the listener shrouded in gloom and contemplating the unknowable. 

About MALEFIC:
MALEFIC roared onto the Atlanta metal scene in 2007 with ambitions to modernize the black metal genre. With their tight riffs, tasty leads, and relatable lyricism, MALEFIC abandons cliches and defies traditional genre boundaries. Their special blend of black metal, drawing from thrash and death metal influences, appeals to metalheads across subgenres. They count OLD MAN'S CHILD, CARCASS, TESTAMENT, DISSECTION, and OPETH among their most prominent influences, offering a fresh, modern take on metal that is unrivaled in the United States.

Though they are set to release their very first full-length album, Impermanence, in 2025, MALEFIC boasts an impressive live performance history, having played shows with notable bands such as 1349, CRYPTA, and PROFANATICA. After a hiatus in 2009, the band eagerly picked back up where they left off and reformed with a new lineup. MALEFIC initially began work on Impermanence in 2018, taking their time to ensure that every detail accurately reflected their vision for their album. The band's hard work and dedication has culminated in a powerful debut, lovingly crafted by fans of nuanced, boundary-pushing music. 

MALEFIC lineup:
Jason Davila - Guitar
Aaron Baumoel - Drums, Vocals
Sam Williams - Guitar
Andy McGraw - Bass

Brutal Surf-Death Metal Band STILLBIRTH Release New Single, "Trapped In Darkness", Alongside Concept Album 'Survival Protocol'

German brutal-surf-death-party metal band STILLBIRTH spin a tale of ferocity and despair with their latest single, "Trapped In Darkness", off of their new concept album, Survival ProtocolSurvival Protocol is out now via rising metal label Reigning Phoenix Music. The album is the follow-up to their critically acclaimed Homo Deus, which was released in 2023.

Though "Trapped In Darkness" opens with an ominous, melodic intro, the music quickly escalates into a blast beat-laden assault. Oscillating between ferocious riffs and groovy, melodic interludes, the song carries the listener along on an epic journey through the cosmos. Guttural harsh vocals drive home a sense of urgency, while a tastefully-placed guitar solo lends beauty to the otherwise bleak and apocalyptic soundscape.

Survival Protocol is a concept album that tells the story of an unknown hero surviving a nuclear apocalypse. The narrative began on the album Annihilation of Mankind and now reaches its conclusion on Survival Protocol. It picks up where Homo Deus left off: the true creator descends from the skies, and the epic battle for planetary dominance begins. Humanity is nearly wiped out, with a handful of survivors managing to escape into space. After a long journey, they discover a habitable planet and begin to colonize it. The events of this journey are told across the tracks of Survival Protocol.

Watch the video for "Trapped In Darkness" Below.

Order Survival Protocol HERE: https://stillbirth.rpm.link/survivalprotocol

STILLBIRTH is a slamming death metal force from Hagen, Germany, known for their chaotic live shows, unrelenting brutality, and wild blend of Death Metal, Grindcore, Deathcore, and Slam. Since 1999, the band has been obliterating venues and festivals worldwide with an extreme sound fueled by filthy grooves, blast beats, and a tongue-in-cheek attitude that’s equal parts destruction and party.
 
Founded by guitarist-turned-vocalist Lukas Swiaczny, STILLBIRTH quickly gained a cult following with their 2002 debut Happy Stillbirth Party. After a short hiatus from 2003 to 2005, the band came roaring back, contributing to international split releases and building a reputation across Europe. Their sophomore effort, Plakative Aggressionen (2009), led to their first Eastern European tour and set the tone for a relentless schedule of releases and performances.
 
By 2011, Endgame Is Near expanded their reach, earning them a spot on their first U.S. tour. STILLBIRTH's 2015 album Global Error marked a high point, with back-to-back tours across the U.S. and Europe. Their signing to Unique Leader Records saw them level up again with Annihilation of Mankind (2018), landing major festival appearances and a tour through Asia.
 
In 2019, they revisited their roots with Back to the Stoned Age, re-recording fan favorites with updated production and guest vocals. The follow-up, Revive the Throne (2020), doubled down on brutality with dual basses, massive grooves, and razor-sharp production—setting a new bar for heaviness in their discography.
 
Tragedy struck in 2021 with the passing of bassist and engineer Dominik “Pumpa” Koenig. His legacy lives on in the band’s music and spirit. After signing to Distortion Music Group in 2022, STILLBIRTH dropped Homo Deus in 2023, toured Europe with KATAKLYSM and FLESHGOD APOCALYPSE, and crushed stages at Summer Breeze, Party.San, and Tolminator.
 
Now, STILLBIRTH is poised to unleash their ninth full-length, Survival Protocol, on October 31st, a dystopian concept album promising their most refined yet devastating sound to date.
 
STILLBIRTH is a party at the edge of the apocalypse. Total madness guaranteed!

STILLBIRTH IS:

  • Lukas Swiaczny – Vocals

  • Martin Grupe – Drums

  • Lukas Kaminski – Bass

  • Leonard Thoma – Guitar

  • Szymon Skiba – Guitar

Website | Facebook | Instagram 

Out Today From Bastard Cross

This Halloween, blackened metalpunk band BASTARD CRÖSS will unveil the auditory blasphemy that is their forthcoming album, Crossripper via Morbid and Miserable. The debut full-length has been heavily inspired by horror movies, and draws from religious history notably dark and violent documented events. 

Crossripper begins with the raucous bloodbath that is "Parasitic". This fast-paced track is laden with crust and filth ridden punk tendencies, demonstrating the sharp-edged side of BASTARD CRÖSS' sound. The song's lyrics carry the tale of a parasite-ridden village who is plagued to kill in the name of what they deem to be their master. Having firmly established the gloomy tone of Crossripper, the album's title track reveals further sonic depth through embracing influences from death metal and thrash across the instrumental parts. Entombed within the rising and falling dynamics, harrowing chants of the names of seven demons are present later in "Crossripper", evoking a sense of the occult. 

Drawing musically from early black metal, "Lycan Knights" ventures into dark fantasy realms. Vocal performances from both Blasphemous Axe and Heathen Chevalier appear on this song, emphasizing the impact of the lyrics. "Headless" was originally on the band's debut EP. This rerecorded version of the track, which is themed around a headless horseman, also includes developments in its arrangements as well as an overall updated sound. The band's dark humor transpires in a fusion of punk and metalin "Satanic Pandemonium". Inspired by Ancient Egypt, "Sarcophagus" follows a mummy who returns from the dead with a macabre purpose leaving death and destruction in its wake. 

A diversion into the 80s glam metal scene with "Demons at Midnight" provides a comedic interlude as the BASTARD CRÖSS once again let loose with the fun side of their creativity. Thrash aggression soon returns, this time in the form of "Phantom Pestilence".  This is an example of the band's more technical composition style. Thematically the song is about spirits protecting their cemetery from trespassers. Crossripper reaches its end with the brutal and devastating "Behead the Priest".  

About BASTARD CRÖSS: 
The blasphemous quartet emerged from the crypts in Philadelphia in the grim winter of 2021, releasing their self-titled EP in the same year. This was followed by a Split with BLACK KNIFE in 2022 (released via JEMS), and 2023 saw the arrival of the Beasts of the Night EP and the Faster than the Devil 2 split (released via Wiseblood Records). The upcoming 2025 offering Crossripper (via Morbid and Miserable), sees the band extend even further into the hellish realms of their extreme sound. 

BASTARD CRÖSS' musical influences stem from a menagerie of metallic inspirations from thrash (SLAYER, EXODUS) to black metal (DISSECTION) and punk aggression (ANTI-CIMEX). The band experiment with melodic harmonies layered above loud and dirty riffs. The band's distinctive edge derives in part from the two vocalists who combine influences from early black and death metal.

BASTARD CRÖSS explain that they combine their "love for classic horror media with black metal, thrash and punk to create intense, aggressive metalpunk splashed with twin vocal attacks, powerful guitar harmonies and crusty bass tones. Our songs can appeal to horror fans, metalheads and punks alike."

BASTARD CRÖSS is: 
Blasphemous Axe (Guitars/Vocals)
Heathen Chevalier (Vocals/Guitars)
Beheader of Priests (Bass)
Infernal Bastard (Drums)

Album Credits:
Producer: BASTARD CRÖSS, Armen Koroghlian
Recording Studio: Red Mausoleum
Engineer: Armen Koroghlian
Mastering: Jamie King
Mixing: Armen Koroghlian
Album Cover Artist: Sandy Rezalmi

Formats: digital, vinyl, CD and tape.

Dotsun Moon shares dreamy 'Winter Streets' & 'Piano Trailer 5' videos, showcasing new EP

Upstate New York-based artist Dotsun Moon presents videos for two tracks, 'Winter Streets' and 'Piano Trailer 5', showcasing his new 'Moments In The Sun' EP, a succinct collection inspired by self-reflection and nostalgia for the music that motivated this artist to write music in the first place. 

Visually and sonically, 'Winter Streets' captures the spirit of a harsh Buffalo winter, evolving from quiet sounds to a burst of energy that embodies resilience against cabin fever. 'Piano Trailer 5' is an homage to Harold Budd and, recalling his work with Brian Eno, as well as Cocteau Twins.

Based in Buffalo, Dotsun Moon is the creative wellspring of Richard Flierl, whose musical visions flow through his music even now, several incarnations on since the band released their debut album 4 A.M. in 2011. The trajectory remains steadfast on a path of dreamy offerings over the years, with this multi-instrumentalist also gradually assuming vocal duties.

The 'Moments In The Sun' EP is a blissful and grounding collection for troubled times, engineered and mastered by Doug White at Watchmen Studios in Lockport, NY andmixed by Richard Flierl and Doug White. From shoegaze and dreampop to minimalistic ambient, these four tracks pay homage to the pioneers of the music who inspired this artist to create music in the first place. 

Earlier, Dotsun Moon shared 'Army of Me' (a song about navigating and overcoming adversity, beginning with a memorable piano riff before bursting into guitar bends akin to Will Sergeant) and the EP's title track 'Moments In The Sun', blending synth and guitar into a soothing balm for weary minds. Emanating a sense of melancholic hope, it echoes the sentiment of navigating an overwhelming world in search of human connection. 

This past summer, Dotsun Moon released his third album 'Tiger', which differs markedly from previous works having moved away from female vocals. Evoking both euphoria and a poignant sense of grounding, Dotsun Moon brings you this compelling and unique exploration through this album and videos for the lush singles 'Save Us', 'Never Had a Heart', 'Bring Love' and 'Give Up The Tears'.

Over the years, Dotsun Moon has performed with such notable artists as Mary Ognibene (The Lovely Intangibles) and Buffalo Music Hall of Famer Maria Sebastian, having also played shows with Joywave, Vanishing Kids and The Lost Patrol, not to mention Pride Festival.

The 'Moments In The Sun' EP is out now, available from fine music platforms, including Spotify, Apple Music and Bandcamp, where the 'Tiger' album can also be found.

CREDITS
Music & lyrics written by Richard Flierl (ASCAP)
Vocals, guitar, bass, drums, programming & synths by Richard Flierl
Mixed by Richard Flierl and Doug White at Watchmen Studios in Lockport, NY
Engineered and mastered by Doug White at Watchmen Studios
Cover artwork by Doc Wintersmith
Artist photos by Meredith Snow
Publicity by Shameless Promotion PR

Keep up with Dotsun Moon
Website | Bandcamp | Facebook | Instagram | BlueSky | TikTok | Soundcloud | YouTube| Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook Twitter |  Instagram | BlueSky | Threads  Soundcloud | LinkedIn | Ema il

SOULFLY | RELEASE MUSIC VIDEO FOR 'NO PAIN = NO POWER' + CHAMA OUT NOW!

Arizona extreme metal trailblazers SOULFLY deliver their tribally fueled thirteenth album CHAMA via Nuclear Blast Records. Once again, a remarkable testament to the Brazilian songwriter’s natural affinity for slamming yet rhythmic riffs that defined his signature sound to listeners around the world. A true return to the spiritual upbringing of SOULFLY that somehow bears a modern-day edge and vitality. Something that could only be attained by a true master of the craft, and Max has stunned us all again.

Heavy and utterly relentless, 'No Pain = No Power' is SOULFLY's unbreakable war cry. This punishing track captures the band in full battle mode—raw and driving—with guest firepower from Gabriel Franco (Unto Others), Ben Cook (No Warning), and the crushing guitar of Dino Cazares (Fear Factory). It's a defiant anthem: strength forged through struggle.  Watch the music video directed by Zyon Cavalera and edited by Cody Longhere, Below.

Max Cavalera states, "To me this is the ultimate guest song and video. Nikolas Motta, Biaggio, Dino, Igor A, Bootsie, Gabe, and Ben made this a collective masterpiece! Zyon took this album and video to the next level. It’s the first time he wrote a script and directed a music video. Mixing UFC and Metal will hopefully inspire a whole new generation of fans! Chama!!"

Zyon Cavalera comments, “It feels like just yesterday watching UFC fights with my family talking about how cool it would be to connect with a fighter. Then we saw Pereira using ‘Itsari’ and were hooked ever since. ‘No Pain = No Power’ goes to show your dreams are not so far away.”

Order Chama:
https://soulfly.bfan.link/chama

SOULFLY head on their Favela Dystopia 2025 West Coast Tour.
with GO AHEAD AND DIE. The 17-date trek will kick off on November 1st in Roswell and head to Denver Spokane and Fresno before concluding in Flagstaff on November 23rd.

11.01  Roswell, NM @ The Liberty 
11.02  El Paso, TX @ Lowbrow Palace MON 
11.03  Gallup, NM @ Wowies Event Center 
11.05  Colorado Springs, CO @ Black Sheep 
11.06  Denver, CO @ The Federal Theater 
11.07  Casper, WY @ Oil City Beer Company 
11.08  Great Falls, MT @ The Newberry 
11.09  Spokane, WA @ Knitting Factory
11.10 Richland, WA @ Ray's Golden Lion 
11.16  Tacoma, WA @ Airport Tavern 
11.17  Eugene, OR @ WOW Hall
11.18  Reno, NV @ Alpine 
11.19  San Jose, CA @ The Ritz 
11.20  Fresno, CA @ Strummer’s 
11.21  Bakersfield, CA @ Temblor Brewing 
11.22  Palmdale, CA @ Transplants Brewery 
11.23  Flagstaff, AZ @ Monte Vista Hotel 

Worldwide dates
01.24.2026  AU Mt Claremont @ Froth & Fury Fest - Perth 2026
01.26.2026  AU Brisbane @ The Tivoli *
01.27.2026  AU Newton @ Enmore Theatre
01.30.2026  AU Melbourne @ Forum Melbourne
01.30.2026  AU Wayville @ Froth & Fury Fest - Adelaide 2026
* - with NAILBOMB, SNOT

Purchase tickets here: 
https://www.soulfly.com/tour

CHAMA was recorded at the Platinum Underground Studio in Mesa, Arizona by John Aquilino. John has worked with Max and company multiple times before and is not only a talented engineer but a family friend. The album was produced by Zyon Cavalera and Arthur Rizk. The latter was also responsible for the mixing and mastering. Rizk has not only worked with the Cavalera family numerous times before, but has also helped to shape the world of heavy metal in the modern day. SOULFLY enlisted Carletta Parrish to create the album artwork. For the album, Igor Amadeus Cavalera (GO AHEAD & DIE, NAILBOMB, HEALING MAGIC) played bass and Mike De Leon played guitar. The album also includes features from Dino Cazares (FEAR FACTORY) and Todd Jones (NAILS).

SOULFLY's line-up on Chama is :
Max Cavalera | Vocals & Guitar
Igor Amadeus Cavalera | Bass
Zyon Cavalera | Drums
Mike De Leon | Guitar

More information:
https://www.facebook.com/SoulflyOfficial
www.instagram.com/thesoulflytribe
www.x.com/thesoulflytribe
open.spotify.com/user/soulflyband
www.youtube.com/@soulfly
www.tiktok.com/@thesoulflytribe

Bangalore Choir Release their New Album RAPID FIRE SUCCESSION: On Target Part II

Bangalore Choir have released their new RAPID FIRE SUCCESSION: On Target Part II on BraveWords Records. MetalTalk describes the new album, “Revives the spirit on ‘92, grunge be damned.” Vinylestimes on the album, “…the album confirms that David Reece remains one of the greatest singers of melodic hard rock, and that Bangalore Choir still has its place in the foreground.”

The first single “Bullet Train” from the album recently hit #1 for six weeks on the 97Underground.com radio playlist, while the second single “Driver’s Seat” also broke into the 97 Underground top 10 at #6.

 

Stream or purchase RAPID FIRE SUCCESSION: On Target Part II: https://smarturl.it/bangalorechoir

 

David Reece, “Greetings brothers and sisters well October 24 is here and the new Bangalore Choir album RAPID FIRE SUCCESSION: On Target Part II is here! The response with media and radio have been amazing and I cannot wait to unleash this record to the world! Also coinciding with the release Bangalore Choir will begin touring in France on October 29 headlining and then November 25 we join up on tour with the mighty Alcatrazz and Girlschool into December around Europe. Also for all the American fans, tour dates are being scheduled for early 2026! To get a taste of the new Bangalore Choir album go to all your streaming platforms and YouTube and crank the album!”

David Reece: Vocals

Diego Pires: Lead and Rhythm Guitars

Eric Juris: Lead and Rhythm Guitars

Andy Susemihl: Lead, Rhythm Guitars & Backing Vocals

Mario Percudani: Lead, Rhythm Guitars & Backing Vocals

Riccardo Demarosi: Bass and Backing Vocals

Nello Savinelli: Drums

 

Guest appearances:

Jimmy Waldo: Keyboards

Ferdy Doernberg: Keyboards

 

Engineered by Riccardo Demorossi

Mixed and Mastered by Thomas Mergler @Tom's Soundranch

 

David Reece will be hitting the road later this year supporting Girlschool and his BraveWords Records label mates Alcatrazz. David Reece's Bangalore Choir will deliver a blistering set of hits from both Accept and Bangalore Choir, showcasing one of the most distinctive voices in heavy metal.

This tour is also the debut of his relaunched version of Bangalore Choir

 

Tickets: https://bit.ly/4j42NUm

Singer/Songwriter Adam Mac Releases Third Studio Album 'Southern Spectacle'

Rising country singer/songwriter and self-proclaimed “Southern spectacle” Adam Mac continues to pave his own lane as one of the genre’s most dynamic new voices with Holler noting, “it's no wonder his fans have started calling him ‘cowBoy George.’” Today the man Pride.com calls “fearless” releases his third studio album, Southern Spectacle. On Tuesday the independent recording artist kicked off release week making his national television debut performing album track “Old Photograph” on “The Kelly Clarkson Show.” Watch the performance HERE and listen to Southern Spectacle Below.

The LP features recent releases “Old Photograph,” called “a powerful country pop anthem” by Holler, title track “Southern Spectacle,” as well as “All Dollars, No Sense,” which Billboard hailed as a “must-hear” calling it "a bold, dancefloor-ready fusion of country and pop and Pride.com declaring it is “the definition of queer joy.” The early tracks have set the stage for Mac’s most ambitious and unapologetic project yet.

Southern Spectacle has been two years in the making,” shares Mac. “It’s bold, vulnerable and the most authentic I’ve ever been on a record. Every track is drawn from a lived experience, stories that shaped me — triumphs and setbacks. It’s my queer country experience seen through a technicolor neon lens. This album is me stepping into my power as a true ‘Southern spectacle,’ and I hope it helps folks find that same courage in themselves.”

Dubbed “country music’s very own Elton John” by PEOPLE, Mac will celebrate the album’s release tonight at 8 pm with a special performance at The Eighth Room. Limited tickets are available for purchase at eighthroom.com

Unafraid to sparkle in the spotlight – or speak his truth, Mac captures hearts with his Southern flair, raw truth and glitter-soaked twang. Southern Spectacle was produced by Jason Mater (with additional production by Sean Trainor, Warren Riker and HALLIE). The danceable fusion of country and modern pop was recorded over two days at Nashville’s Black River Studios and cements Mac’s reputation as one of the genre’s most original voices. 

“People want things to be like ‘this’ or like ‘that,’ and there’s not a lot of space for ‘both,’” Mac explains. “But I can be glamorous and flashy, and also raised on a Kentucky farm, with all the same values you have. I have just decided to embrace the full spectrum of who I am.
 
“I’m making music that I wish I had growing up – that I wish I could have seen myself in,” he shares. “And I feel like we’re doing something right.”
 
Mac was raised in Russellville, Kentucky, about an hour north of Nashville (and a world away from Music Row). A farm-and-church kid who loved The Spice Girls and Shania Twain and couldn’t stop singing, he soon moved on from bedroom vocal clinics to Sunday services and talent shows and started writing songs after losing a dear friend in high school. 
 
Mac also realized he was gay, and that was something to put out of sight. Enduring the typical pressure to “fix” his “unacceptable” truth, which he had fully internalized by age 22, he moved to Nashville to write songs he thought the mainstream would accept. By his own admission, nearly 10 years of struggle led nowhere – Mac’s agile vocal just wasn’t enough to overcome his vanilla vision of country pop. But with the pandemic, Mac realized he was doing “three chords and the truth” all wrong.
 
“I was trying to appease the masses and not ruffle feathers, or even hint at the fact I was a queer country singer,” he explains. “Then I decided to do what I loved and write songs without anything other than just being honest. With hindsight it’s like ‘Well, duh. That’s obviously what you should have been doing the whole time!’”
 
The creative epiphany worked wonders. Fusing vocal soul with a danceable country-funk mix (and the full fabulousness of his personality), 2023’s breakout hit “Disco Cowboy” set Mac free. The rapturous music video held the No. 1 spot on CMT’s 12-Pack Countdown for four weeks, leading to a full album of the same name and many conversations. 
 
Southern Spectacle is a definitive intersection of country music and queer identity. Twelve songs co-written by Mac with close friends (including an additional queer creator on most of the album’s tracks) mark a work of cloud-nine courage, with a resilient, revelatory sense of self-acceptance. Louder and prouder than ever, Mac dives further into the world he established on Disco Cowboy. “It’s so autobiographical to me, and also the starting point of where we left off,” he says. “This is the most honest I’ve been in any music – I really held no filter on it.”
 
In large part, that meant finally embracing his own story, contrasts and quirks included. 
 
“This album is a journey through a multitude of feelings – from feeling like you stand out in a small town, to growing up with an older sibling who was the epitome of everything your father wanted,” he says. “It feels like the complete story of where I’ve been, especially after the past two years.”
 
As a visible queer voice in country music today, Mac’s journey has not been without challenges. When he was scheduled to headline the Logan County Tobacco and Heritage Festival in his conservative hometown, backlash from local pastors sparked national headlines. His strength in the face of hate drew support from fans, hometown friends and celebrities alike – including Maren Morris, Kelsea Ballerini and Brandy Clark – and led to a guest appearance on Morris’ Lunatics Tour in Chicago.
 
As a lifelong outsider who’s learned to make his own space the central message of his work –  he wants everyone to know they matter, even if they’re complicated. So have a little fun.
 
“I hope that my community feels seen and represented and safe, and they have words for things they felt but were never able to explain,” he says. “For people outside of our community, I just hope they feel the joy – because that’s the way to make change. How do you argue with someone’s happiness?”
 
With his magnetic presence and rich storytelling, Mac continues to carve out space for queer voices in the country format showing that there’s room for every kind of story. For the latest news and updates follow along on InstagramTikTok and Facebook @adammacmusic and online at adammacmusic.com.

Out Today From Reverya!

REVERYA is a mystical trio hailing from Tampa, Florida, whose sound drifts between the ethereal and thunderous. After the haunting debut EP Melinoe, they unveil their first full-length opus, Affliction In Bloom, set for CD release today October 24th, 2025.

This album is no ordinary collection of songs—it's a conceptual garden where each track blossoms as a distinct flower, embodying the trials and tenderness of human suffering. With titles drawn from nature’s poetry, each bloom holds symbolic weight, weaving an emotional tapestry meant to be experienced in full—start to finish, petal to petal.

The journey begins in stillness with "Allium", a soft, meditative prelude that eases listeners into the dreamy tendrils of "Wisteria".

"Allium" opens like a whispered incantation—two minutes of delicate acoustic reverie, drifting gently until faint, ethereal vocals rise like mist. The allium flower, symbolizing light and fortune, offers a soft blessing for the journey ahead. Rooted in garlic, it wards off darkness, setting the tone for the album's unfolding.

"Wisteria", one of REVERYA's earliest creations, bloomed even before the band fully formed. Born from political frustration, it reflects the dangerous allure of unchecked power. Like the Wisteria vine—beautiful yet poisonous—the song serves as a haunting reminder of the consequences of ignoring power’s dark side.

The album ignites with "Pyrophyte", a fiery counterpart to "Wisteria". With relentless screams, it mirrors escalating fury in the face of a corrupt, power-hungry world. Addressing global struggles, the song touches on war, division, and the uncertain future for younger generations. As chaos builds, a powerful, defiant singalong bursts forth, reminding us that we endure even through the fire. The title "Pyrophyte", referring to a plant that thrives in fire, symbolically connects to humanity’s resilience.

"Forget Me Not" follows, a tender exploration of the emotional weight in deciding whether to bring a child into this world of uncertainty reflected in predecessors, "Wisteria" and "Pyrophyte". Its soft piano and strings give way to raw vocals, capturing perhaps the most vulnerable moment on the record. The lyrics explore the anguish and desperation of parents watching their children suffer through internal and/or external struggles in such an evil and confusing world. Tender words cradled softly in warm blankets of orchestra and piano, cushioned with guitar chugs, and carried by luscious drums grooves.  The chorus poignantly illustrates the anguish of making such a choice, intertwined in a desperate apology leaving the listener to ponder over the only solo featured on the album. The nursery door is closed but never forgotten with a callback to the chorus played softly on a child's toy music box.

"Dahlia", the final flower to bloom, was crafted swiftly and naturally by the trio. Partially inspired by the Black Dahlia murder, the song reflects betrayal and emotional disintegration. A fitting partner to "Forget Me Not", the track captures the dark beauty of the flower—both musically and visually—marking a shift in tone with thall influences. "Dahlia" and "Forget Me Not" serve as emotional companions, validating pain within.

The final act unfolds like the setting sun—"Lily" acts as a delicate interlude, bridging "Dahlia" and "Asphodel". Using a reimagined piano part from "Asphodel", it drifts into an ethereal, somber atmosphere. Its simplicity is carried by lyrical motifs, referencing the journey so far while foreshadowing the final chapters. The white lily, traditional for funerals, symbolizes the album’s reflection on grief and loss.

"Lily" acts as a delicate interlude, bridging "Dahlia" and "Asphodel". Using a reimagined piano part from "Asphodel", it drifts into an ethereal, somber atmosphere. Its simplicity is carried by lyrical motifs, referencing the journey so far while foreshadowing the final chapters. The white lily, traditional in funerals, symbolizes the album’s reflection on grief.

"Asphodel" began with an instrumental foundation crafted by Travis and Kaleb, then later tailored to honor a loved one who suffered a stroke due to a brain tumor, leaving them paralyzed with no memory or chance of returning to their previous self, only to breathe unconsciously completely dependent on life support. The gut-wrenching decision to set them free with a prayer for a peaceful afterlife inspired the lyrics and atmospheric soundscapes. We journey through the stages of grief in this song with a soft verse, a pre-chorus and breakdown filled with angry desperation, bursting into the song's powerful and sentimental chorus, leading into a healing and hopeful singalong outro. In Greek Mythology, souls who have passed must wipe their memory by drinking from the River of Lethe, before they are peacefully transitioned to the Asphodel Fields where they experience a peaceful, eternal afterlife.

"Magnolia" is a heartfelt tribute to a grandmother who passed away during the pandemic. The song began with the lyrics alone as just a poem or letter for her, acting as an answer to a recording of her urging her grandchildren to spend time learning her language, Arabic, as well as confessing the happiness she felt being with her grandchildren despite the far distance. The scent of the Magnolia flower is that of her perfume which evokes early childhood moments spent together. Through fear, aggression, hope, harmony, heartbreak, grief, and more, this soft, sentimental track is a perfect send off to bring this journey to a close.

Affliction In Bloom is not just an album but a timeless voyage—an invitation to feel deeply, to hurt and heal, and to find meaning in both bloom and decay. It is deeply personal yet universal, an elegy, a wish, and a love letter wrapped in petals and pain.

REVERYA is:

  • Nadine  (Vocals/Keys)

  • Travis (Guitars)

  • Kaleb (Drums)

Album Credits:

  • Producer: Logan Clough, Justin Gregorio

  • Recording Studio: Creative Cult Recordings, Vanta Co Recordings

  • Engineer: Logan Clough

  • Mastering: Logan Clough

  • Mixing: Logan Clough

Album Cover Artist: Nadine

About REVERYA:

REVERYA is a Tampa-based progressive metal trio conjuring cinematic heaviness with adeeply introspective core. Formed in 2022, the band consists of Nadine(vocals/keys), Travis (guitars), and Kaleb (drums)—a powerhouse lineup blendingatmospheric textures, groove-heavy riffs, and emotionally charged vocals todeliver a genre-bending experience.

Drawing sonic inspiration from SPIRITBOX, JINJER, PERIPHERY, INVENT ANIMATE, and EVANESCENCE, REVERYA has carved a distinct space for themselves through a fusion of modern metal with ethereal soundscapes and haunting melodies. Their lyrics dive into surreal dream states, the complexities of emotion, and the connection between nature and the human psyche.

Their debut EP, Melinoe (2023), introduced the band’s affinity for myth and meaning, while their 2024 full-length album, Affliction In Bloom, pushed their artistry to new heights. Accompanied by visually striking music videos for "Wisteria" and "Dahlia," the band has continued to build are putation for immersive storytelling across both audio and visual mediums.

Frontwoman Nadine has also made waves outside the band, featuring on tracks like "A Living Burden" by HOLLOWBROOK and "Disconnect" by SPIRITUAL CHAOS, further showcasing her vocal versatility and reach within the heavy music scene.

Embarking on their first tour in July 2025, REVERYA is poised to bring their deeply emotive, crushingly beautiful sound to stages across the country—and soon, the world.

BLACKSHAPE Release New EP 'Prismer I' + "Feels Like Flying" Official Visualizer via Papercut Recordings

Atmospheric post-metal outfit BLACKSHAPE have released their new EP 'Prismer I' along with the official visualizer for "Feels Like Flying" via Papercut Recordings. The EP is the band's latest body of work since their 2021 self-titled full length, 'BLACKSHAPE'. Speaking about today's release, the band commented:

"Making 'Prismer I' was the most demanding creative endeavor of our lives. It tested friendships, stretched deadlines, introduced a new member, and pushed us to our absolute limits. We set out to make something bigger, heavier, and more beautiful than our first record, and we feel we’ve accomplished that. Musically, it captures the full spectrum of our elation and struggle throughout its creation.

Endless thanks to our producer and friend, Adam Cichocki (CHEE-HOT-SKEE), who worked tirelessly alongside us to bring this record to life. We couldn’t be more proud of what we created and can’t wait to release the first installment of Prismer into the world."

'Prismer I' is available now on all streaming platforms at the link here. Watch the "Feels Like Flying" visualizer below, and be sure to stay tuned for more BLACKSHAPE news coming soon.

ABOUT BLACKSHAPE

Haunting, intricate, and emotionally brutal, BLACKSHAPE create music that lives in the shadowed space between chaos and clarity. Their compositions stretch across post-metal, math rock, and ambient minimalism—twisting tension and release into something visceral and cinematic. For fans of sonic unease, dramatic builds, and songwriting that lives outside the lines.

Making Prismer IBLACKSHAPE’s new record, pushed the band to their breaking point. The process became their prison, a crucible of relentless personal and creative pressure. But the music was a prism—refracting that pressure into something beautiful, harrowing, and cathartic, and ultimately reshaping their perspective in the very act of making it. The title reflects this duality, capturing both the burden of confined thinking and the liberation in breaking it apart. Like a prism splitting light, every experience expands perspective into countless paths, showing that escaping the prison of one view means embracing the full spectrum: beautiful, ugly, terrifying, and freeing. This is Prismer.

BLACKSHAPE is:

Bryan Lee

Joseph Woit

Josh Dunn

Scott Shepard

CONJURER - Release Third Album "Unself"

British metal heavyweights CONJURER today release their incredible third album, Unself, via Nuclear Blast Records. In celebration of the day, the quartet have also revealed the video for focus track 'All Apart'. 

Watch the video for 'All Apart' below;

Order Unself here: 
https://conjurer.bfan.link/unself

CONJURER's co-vocalist and guitarist Dani Nightingale states: "I approached this song with the idea in mind of the first bricks that make up the metaphorical wall someone might put (or find) between them and their surroundings, the world they inhabit, both physical and metaphysical. For many people in a similar or comparable position to mine, those initial instances of disassociation and alienation begin at school, when one is first integrated into a social and educational environment with their peers and those who watch over them.

"I can’t describe what it’s like to be vilified for behaviours and traits that are just normal and natural to you, but because no-one understands you – not even yourself – you’re forced to adhere to things you don’t understand and become something you’re not."

CONJURER will be touring Unself across the UK and Europe in November. UK dates will be supported by Pijn and Death Goals.
Ticket link: linktr.ee/conjureruk 
Full dates can be found at https://www.conjureruk.com/live

This record is the sound of four individuals living with more purpose and as a consequence creating with more purpose. Unself sees them reaching out to offer community, catharsis and connection. CONJURER remain true to their original mission - they’re still having fun, playing interesting heavy music - but now that music is imbued with the power that comes from opening themselves up to others, at first within the band, and now beyond.

Conjurer are:
Brady Deeprose | guitars, vocals
Dani Nightingale | guitars, vocals
Conor Marshall | bass
Noah See | drums

Conjurer online:
https://www.facebook.com/conjureruk
https://x.com/ConjurerUK
https://www.instagram.com/conjureruk
https://www.conjureruk.com

ARSENIC KITCHEN Conjures the Dead with Their New EP HANDBOOK FOR THE RECENTLY DECEASED

Prepare to cross over into the beautifully macabre. Arizona's dark alternative rock force ARSENIC KITCHEN returns with their most ambitious and haunting work to date — the new EP, Handbook for the Recently Deceased, out NOW

The narrative of “Devil’s Advocate” presents the story of a reaper figure who develops sympathy for the individuals he observes. This narrative strategy introduces the EP’s conceptual framework, which explores themes of morality from an unconventional perspective. The single is accompanied by a music video that highlights the band's focus on visual storytelling. The video depicts the reaper encountering individuals at their moment of passing and presenting each with a copy of the “Handbook for the Recently Deceased,” a direct homage to director

Tim Burton’s 1988 film, Beetlejuice

ARSENIC KITCHEN will be featured this weekend, Saturday

October 25 at the Desert Grey Festival in Mesa, Arizona. This event will double as a celebration of their release and they will be performing main stage. The EP will feature a short film that will be released alongside it. 

Tickets can be purchased HERE

ARSENIC KITCHEN is a fusion of early 2000s Alternative and modern Post Hardcore that evokes feelings of nostalgia and heartbreak, anger and excitement, weaved into a theatrical stadium level performance no matter the setting.

From the deserts of Phoenix, Arizona the band stand out as uniquely high energy and meaningful musicians onstage & off. Through the musicality and lyrics of every song, ARSENIC KITCHEN is able to reach and connect with the deepest feelings and emotions of listeners. 

Texas-based electronic artist PARIS MUSIC CORP. releases sophomore 'Ecotone' album

Texas-based electronic and ambient composer Paris Music Corp. a.k.a. John Andrew Paris presents  his latest electronic odyssey 'Ecotone', a futuristic trip, along with a video for the track 'Rituals'. A deeply personal and geographically-inspired exploration, this record is rooted in the artist's return to his childhood home in South Texas, just miles from the border and a stone's throw to the coast. 

Originally from Austin, John Andrew Paris has spent decades creating music and collaborating with artists, including Arthur Brown (The Crazy World of Arthur Brown, perhaps best known for his hit single 'Fire'), as well as DJ Rev Kathy Russell, DJ Lucas Ray, Catastrophe Ballet, Le Reve, Life's Eyes, Beast of Eden, OBOYO and Don Wigwam.

"After relocating Paris Music Corp. to Brownsville, TX, it became apparent that wildlife and nature in general were at the forefront with living on the border of Mexico next to the sea. The 'Ecotone' album made sense to me because you have a transitional zone, where two different ecological communities or ecosystems meet and intermingle, often resulting in high biodiversity,” says John Andrew Paris.

"I feel a lot closer to nature. The wildlife even comes into my yard - armadillos, snakes, ducks and birds of every kind, including parrots. Also tree frogs that are only known to exist in this subtropical climate. I am close to a birding center and a fish hatchery as well, so all of this has inspired me. I am 2.8 miles from the Mexican border and close to the Gulf of Mexico. Some of my song titles reflect where I am. I actually lived in this area as a child and have come back to my roots."

Known for his cinematic and ethereal music, on this album, Paris Music Corp.'s music also shows its dark underbelly and futuristic imagination. Often with elements of 80’s darkwave and ambient soundscapes, his trademark sound includes heavily processed guitar and bass instruments locked into layered loops and further manipulated using software. Also employing live hand percussion, these dense soundscapes take the listener on a sonic journey to otherworldly places.

"This album was inspired by my new surroundings and the hyper close relationship to nature and the Mexican border. Ecotone is described as a transitional area between 2 distinct ecological communities - like my area which is the Rio Grande River and the Gulf of Mexico. What you also have is 2 cultures in Mexican and the American and how those have produced a culture of their own," says John Paris.

Earlier, Paris Music Corp. shared the lead track 'No Soy A.I.'featuring the searing Spanish vocals of fellow Texan musician, writer and actor RayPerez. In a world increasingly dominated by the cold, calculated logic of artificial intelligence, this dark slab of swirling electro casts a sonic challenge to the algorithmic chill of our times and the only track on this album with vocals. This song also addresses the coldness of some of AI’s tendencies, such as people already having AI girlfriends and boyfriends. 

In 2022, Paris Music Corp. released his self-titled album, after taking hiatus for half a decade following the release of his debut album 'Rewind' in 2017.  Fast forward to autumn 2025 - now Paris is ready to release the next collection of his electronic adventures, having  written, recorded, mixed and mastered this full album at Tarantula Studios throughout 2024 and 2025. 

Influenced by the likes of Mick Karn, Pink Floyd, Gary Numan, Tim Hecker, Casino Versus Japan and Miles Davis, John Andrew Paris has also scored 2 independent films - the documentary 'Andy Paris: Bubble Gum King', also released as an album, and the short horror film 'Spectral Wind'. He has also created a clever electronic rework of 'Lord of the Dance' for the Austin Christmas Collection Album.  

As of October 24, the 'Ecotone' album is available from digital platforms, including Apple Music, Spotify and Bandcamp.

CREDITS
All music written, recorded, mixed & mastered by John Paris
at Tarantula Studios in 2024-2025
Performed by John Andrew Paris, except vocals on 'No Soy A.I.' by RayPerez
Album cover / photo by John Paris
Video created by Gabriel Ramirez
John Paris photos by Jennifer Paris
RayPerez photos by Gabriel Ramirez
Publicity by Shameless Promotion PR

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