PHILADELPHIA’S SLIK HELVETIKA IS BACK WITH THE NEW FULL RELEASE , FEATURING THE BRAND-NEW TRACK, “WALK THROUGH FIRE"

One of the heaviest bands to emerge from the Philadelphia rock scene is Slik Helvetika. From the glory days of the Philadelphia and New Jersey rock scene of the 80s that spawned Cinderella, Britny Fox, Pretty Poison, John Eddie, and an entire laundry list of artists who went forward to be stars, there was a band called Destroyer. Led by Michael Myers, the band had unknowingly sidestepped all the woes and pressures of being “that commodity” and unwanted influences. Taking some time to let the songs and playing develop to be the best it could resulted in that band today called Slik Helvetika. Lots of driving energy, melody, memorable chorus hooks, great playing and strong lyrics. 
 
The line up has always featured Michael Myers on lead guitar and vocals – who has had the privilege of playing alongside a variety of talented musicians, such as Kjell Benner [formerly of Quiet Riot] and Vern Parsons [Greg Howe]. The newest full release, Walk Through Fire, which drops through Deko Entertainment on February 20th, kicks off with the first single that was released in December Solar Head. Which, begins with an unsettling actual recording of solar wind, then erupts into full ass kicking mode.

Walk Through Fire consists of 13 blistering tracks including a cover of the Sweet’s “Fox on the Fun” and the title track, which the group's long-time singer/guitarist/songwriter Myers was happy to elaborate on. 
 
"Do you ever feel like you are walking through fire just contending with the daily insanity and events of this world? Question everything! Humans have been giving up their power and potential by letting those who think they are in power create a mental box of falsities and limitations.  We all should be different people today than yesterday if we continue to learn as we go. Right?  Many stopped asking questions, acquiesced and bowed down to so-called 'authority figures' and put the blinders on. Those same authority figures run highly advanced psychological operations to divide us, keep us fighting with each other while they rob us mentally and literally. Those who noticed and objected to this system since birth are not alone.”
 
Check out the visualizer for “Walk Through Fire” below: 

OUT NOW: Laughing Hyenas That Girl: Recordings 1986-1994

If ever a band deserved an LP of live material, it’s the Laughing Hyenas. As Wolf Eyes’ Aaron Dilloway so eloquently put it, “The Laughing Hyenas were the scariest band I have ever seen.” With their roots firmly planted in Detroit’s Cass Corridor punk rock and hardcore scene of the early 80s, the Laughing Hyenas took aggressive rock ‘n’ roll to a completely different plane. 

LISTEN / PURCHASE

SYLOSIS - Release Career Defining Record 'The New Flesh' + Drop Video For 'Spared From The Guillotine'

SYLOSIS have released their highly anticipated, career-defining record The New Flesh via Nuclear Blast. The album is a towering testament to destructive riffing, incisive melody and refined brute force. The band’s seventh full-length offering is a powerful showcase for the state of SYLOSIS in 2025: lethal, uncompromising, and avowedly metal as all hell.  

The band stated:

“The New Flesh is now out in the world and we could not be happier with what we have created here. It is our heaviest, yet most diverse and collaborative record to date. We’ve already been playing a bunch of these songs live and it's been amazing to see the crowd respond to the songs so positively.

Today, we will celebrate the release in London with a full band Q&A/signing session at The Black Heart, then play the biggest headline show of our career at O2 Forum Kentish Town. It really feels like a step up for the band. We can not wait to see everyone.

Huge thank you to our team for helping get this album out there, and to all of our fans, old and new, thank you so much for your support over the years. A new era starts today.

Josh, Ali, Ben & Conor"

SYLOSIS have also released a video for the album focus track, certified carnage catalyst 'Spared From The Guillotine'.

Order album The New Flesh: https://sylosis.bfan.link/the-new-flesh
Watch the 'Spared From The Guillotine' video below:

SYLOSIS have been tearing across Europe for the past month on their biggest ever tour. In London tonight, Heaven Shall Burn, The Black Dahlia Murder and Frozen Soul, will all be joining the bill at London's O2 Forum Kentish Town. This crushing line-up is guaranteed to be metal’s billing of the year!

SYLOSIS are also hosting an 'Album Release Party Event' TODAY from 12-3.30pm, at The Black Heart, Camden. The free-entry event includes an album signing session, a full-band Q&A, a merch pop-up, and food and drink specials. See flyer below for more info!

SYLOSIS - UK AND EUROPE 2026
w/ Revocation (US), Distant (NL) & Life Cycles (US)

20.02 - 02 Kentish Town Forum, London, UK ***
21.02 - 02 The Ritz, Manchester, UK *SELLING FAST*
22.02 - The Academy, Dublin, IE *SELLING FAST*

*** also playing: Heaven Shall Burn, The Black Dahlia Murder, Frozen Soul

Tickets on-sale now via https://sylosis-band.com

SYLOSIS will also be touring North America across April and May 2026 with Bleed From Within, Great American Ghost & Life Cycles. Full dates are here:

NORTH AMERICA 2026
w/ Bleed From Within, Great American Ghost & Life Cycles

02.04 - Worcester MA, The Palladium *SELLING FAST
03.04 - Montreal QC, Theatre Beanfield *SOLD OUT
04.04 - Toronto ON, Opera House *SELLING FAST
06.04 - Philadelphia PA, Theatre of the Living Arts
07.04 - Lakewood OH, The Roxy
08.04 - Millville PA, Mr Smalls
10.04 - Detroit MI, St Andrew’s Hall
11.04 - Grand Rapids MI, Elevation
12.04 - Chicago IL, House of Blues
14.04 - Minneapolis MN, Varsity Theatre
15.04 - Lincoln NE, Bourbon Theatre
17.04 - Englewood CO, Gothic Theatre
19.04 - Boise ID, Shrine Social Club
20.04 - Seattle WA, The Crocodile
21.04 - Portland OR, Hawthorne Theatre
22.04 - Roseville CA, Goldfield Trading Post
24.04 - Los Angeles CA, The Regent Theatre 
25.04 - Pomona CA, The Glass House
26.04 - Phenoix AZ, Crescent Ballroom
28.04 - Austin TX, Come and Take It Live
29.04 - Dallas TX, Granada Theater 
01.05 - Tampa FL, The Orpheum
02.05 - Atlanta GA, The Masquerade (Hell)
03.05 - Greensboro NC, Hangar 1819
05.05 - Richmond VA, Canal Club
06.05 - Baltimore MD, Nevermore Hall
07.05 - New York NY, Gramercy Theatre

Tickets on-sale now via https://sylosis-band.com

SOMETHING UNTO NOTHING REISSUE THEIR DEBUT ALBUM REMASTERED, EXPANDED AND ON VINYL FOR THE FIRST TIME

“There must always be a beginning and there must always be an end….
But while you are here, it’s about the message you send.”

 

Canadian Juno Award winner and platinum-selling vocalist Sass Jordan reunites with powerhouse multi-instrumentalist Brian Tichy (Whitesnake, Billy Idol, Foreigner, Ozzy Osbourne) alongside bassist Michael Devin (Whitesnake) to celebrate the electrifying reissue of Something Unto Nothing - now fully remastered, expanded with bonus tracks, and available now on vinyl for the very first time via Crown X Recordings.

Originally released in 2013, the self-titled debut captured a raw, unfiltered energy that felt both timeless and urgent. Now, remastered at Iguana Studios in Toronto under the direction of Brian Tichy, the album roars back to life with deeper grooves, richer sonics, and an even greater punch.

The project’s roots stretch back to 2010, when Jordan reunited with Tichy - who had previously played on her 1994 album Rats. What began as a reunion quickly reignited into something bigger. The first song written, “Burned,” set the tone: fearless, soulful, unapologetic rock and roll.

Sass reflects:
“Brian and I have a fantastic creative partnership. There’s a constant flow of inspiration when we’re together - songs just pour out.”

She adds:
“Every track on this album holds echoes of the music we grew up loving. It’s all the flavors you recognize - but reimagined into something fresh and alive. We’re not reinventing rock & roll. We’re celebrating it.

Recorded over two intense weeks in a rustic mountain shack in Canyon Country, the spirit of those sessions remains untouched: no trends, no polish-for-polish’s-sake, no digital trickery. Just musicians in a room capturing lightning.

Tichy describes it best:
“For those who like to look life in the face… for those who move at another pace… Real grooves. Real performances. Real rock.”

DELUXE LIMITED SIGNED PACKAGE
For collectors and die-hard fans, Something Unto Nothing is now available as a limited deluxe signed edition:
        •       Flame-colored LP
        •       CD version including bonus tracks
        •       Hand-signed album flat (Sass Jordan & Brian Tichy)
        •       Custom guitar pick
        •       Exclusive record tote bag
        •       Available now exclusively through the band’s webstore

A limited retail release will follow this summer.

Fans can follow Something Unto Nothing socials for upcoming live interviews, podcast appearances, behind-the-scenes moments, and more throughout the campaign.

Website: www.SomethingUntoNothing.com
Webstore: www.SomethingUntoNothing.com
Facebook: https://www.facebook.com/profile.php?id=100063480589668
Instagram: https://www.instagram.com/somethinguntonothing/

Out today from Dissentience!

DISSENTIENCE, the progressive death-thrash unit from Bethlehem, PA, returns with their most conceptually ambitious and sonically punishing release to date: Kaiju. Scheduled for release on February 20, 2026, Kaiju is a four-track concept EP that fuses cinematic horror, crushing riffs, and lyrical dread into a singular apocalyptic vision. Drawing inspiration from classic Japanese monster films and the unknowable terrors of Lovecraftian mythology, the record explores the narrative of a colossal, nameless beast as it decimates a city. Rather than paying tribute to kaiju lore in name alone, DISSENTIENCE builds a world where riffs, lyrics, and production align to place the listener in the path of annihilation.

The EP begins with "Obsidian Tomb", a track that captures the initial moments of catastrophe. A somber acoustic intro builds tension before the monster is unleashed. The song moves through blast-laden choruses, thrash-driven verses, and groove-heavy interludes, all while painting a picture of destruction through the eyes of a terrified populace. The band intentionally avoids naming the monster or the city to keep the setting timeless and the fear universal. This choice also reinforces the Lovecraftian tone by allowing the horror to remain undefined, inviting each listener to project their own dread into the story.

"Chaos Absolute" takes a different narrative angle by focusing on the political and social collapse that follows the attack. Opening with a syncopated, high-tension riff and shifting into a massive, deceptively catchy groove, the track evokes the panic and futility of global leaders attempting to respond to an unstoppable force. Frantic guitar harmonies, dissonant progressions, and a brief clean bridge section give way to some of the heaviest material on the record. The phrase “fall into chaos absolute” functions as both a summary of the storyline and a reflection of the listener’s experience as the music surges with desperation.

The title track "Kaiju" represents the climax of the EP, unleashing a relentless barrage of violence and devastation. The lyrics describe grotesque scenes of bloodshed and helplessness as the beast rips through the last remnants of resistance. Riffs churn beneath guttural vocals, with every passage dripping with urgency and rage. The music mirrors the scale of the narrative, building to overwhelming levels of sonic brutality. The repeated line “Kaiju will bring forth a new age of rot” serves as the thesis for the entire record, framing the monster not only as a literal destroyer but as a symbol of humanity’s self-inflicted reckoning.

The final track "Death Shroud" transitions into the aftermath. With the monster gone, what remains is a landscape of ash, grief, and existential dread. The band leans into dissonance and atmosphere, balancing crushing heaviness with bleak introspection. Survivors are left to make sense of their trauma, questioning whether the world can rebuild or if it even should. The Kaiju, now retreated, is no less present. Its legacy hangs in the smoke, a constant reminder of how fragile everything truly was. “The Kaiju may lay dormant, but the anguish remains” is the emotional core of the track and perhaps of the entire release.

Kaiju was produced by DISSENTIENCE in collaboration with Corey Pierce, recorded at Peach Pie Sound by Matt Menafro, mixed by Zeuss, and mastered by Alan Douches. The yet-to-be-revealed cover art is by Matt Stikker, known for his vivid and brutal visual storytelling. This release follows the band’s prior offerings Mask of Pretense (2018) and Empire Anatomy (2022), continuing their evolution as songwriters and sonic architects.

Refusing to imitate the past, DISSENTIENCE draws from influences like TRIVIUM, REVOCATION, SYLOSIS, THE BLACK DAHLIA MURDER, DEATH, and LAMB OF GOD, all while forging a sound that avoids the trappings of nostalgia. Their music is defined by technicality, brutality, and a refusal to be boxed into genre clichés. Critics have taken note. Decibel Magazine remarked that DISSENTIENCE channels the essence of classic thrash and death metal without creating a carbon copy. Metal Injection praised their ability to blend groove and fury in a way that hits with maximum impact.

With Kaiju, DISSENTIENCE has crafted more than just a record. It is a fully realized conceptual journey that pushes their sound further into new territory. Every song contributes to a unified narrative of destruction, dread, and reflection. It is a rare example of a metal record that is both musically blistering and thematically rich. Where others nod to monsters, DISSENTIENCE gives them voice, weight, and consequence.

About DISSENTIENCE: 

Formed in 2013 in Bethlehem, Pennsylvania, DISSENTIENCE is a progressive death-thrash metal band that combines the technical precision of death metal with the relentless energy of thrash. Rejecting retro imitation and genre stagnation, the band creates forward-thinking metal that is both aggressive and dynamic. Drawing influence from bands like TRIVIUM, REVOCATION, SYLOSIS, THE BLACK DAHLIA MURDER, DEATH, and LAMB OF GOD, DISSENTIENCE forges a sound built on sharp riffs, crushing rhythms, and inventive songwriting.

The lineup features Connor Valentin on guitar and vocals, James Vitale on guitar, Sean Langer on bass, and Nick Scherden on drums. Known for their intense live performances and refusal to be confined to a single subgenre, the band continuously pushes their sound in new directions. Their music balances chaos and melody while exploring dark themes through a modern lens.

After releasing their debut EP Mask of Pretense in 2018 and their full-length album Empire Anatomy in 2022, DISSENTIENCE returned with the concept EP Kaiju in 2026. The record blends the devastation of giant monster cinema with the dread of Lovecraftian horror, showcasing the band’s evolution in sound and narrative depth. DISSENTIENCE has earned a reputation as one of the most compelling rising forces in heavy music. Their mission is clear: to make metal that is uncompromising, inventive, and unapologetically intense.

DISSENTIENCE is:

  • Connor Valentin – Guitar / Vocals

  • James Vitale – Guitar

  • Sean Langer – Bass

  • Nick Scherden – Drums


Connect with DISSENTIENCE:

Out Today - Necronomicon Ex Mortis - Zombie Blood Nightmare

Chicago horror-death fiends NECRONOMICON EX MORTIS return with their most ferocious and unhinged release to date, the aptly titled Zombie Blood Nightmare. Out Now, this six-song EP is a whirlwind of 90s death metal stomp, 80s shred obsession, and tongue-in-cheek B-movie gore that cements the band’s identity as both serious riff-worshippers and gleeful purveyors of horror camp.

From the opening grind of “Left To Die,” listeners are thrown into a pit of decay and despair, guided by a colossal guest solo from none other than Jeff Young of MEGADETH. The song lurches like a doomed soul chained in a gore pit, every riff dripping with rot, until Young’s guitar screams carve through the gloom. Without pause, the band erupts into “No More Room In Hell,” a SUFFOCATION-inspired riff frenzy that pays homage to Dawn of the Dead. It’s a brutal sprint of tremolo riffs, spiraling solos, and lyrical nods to malls under siege and the endless march of the undead.

If excess is a virtue, “Chopped Up and Burned” is a cathedral. Seven minutes of gratuitous death-thrash chaos, the track features blistering guest solos from Matthew Mills and Jeff Young, and pays blood-soaked tribute to The Evil Dead. The band thrives in the chaos, with riffs piled high on top of each other until the track collapses under its own madness. By contrast, “Lumbering, Blood Sucking Freaks” staggers like its namesake: a mid-tempo, oozing collection of riffs that shouldn’t work together, yet somehow lock into an eerie, zombified groove.

The bloodthirst only intensifies with “Hungry For Brains,” a thrash assault structured around symmetrical diminished scales and spiked by a guest solo from James Norton, a personal connection from guitarist Michael Nystrom Bala’s college days. Lyrically blunt and musically savage, it’s a zombie anthem that gnashes at the listener until there’s nothing left but bone. The EP closes with “Démoni,” the most technically demanding of the set, inspired by the 1985 Italian horror film Demons. Featuring time-signature shifts, Suffocation-style brutality, and a grotesque slam section in 5/4, it’s also the only track without a Bala solo, but instead, Manuel Barbara takes command, shredding with reckless abandon as the song spirals into total madness.

Zombie Blood Nightmare is NECRONOMICON EX MORTIS at their most chaotic and gleefully grotesque, but also their most ambitious. Produced, recorded, and mixed by Charlie Waymire at Ultimate Studios, and mastered by Ernesto Homeyer, the EP boasts a sound as sharp and punishing as its subject matter. Genoicide Artworks provides the cover art, completing a package that is equal parts brutal, absurd, and lovingly steeped in the traditions of horror metal.

Over the past three years, the band has released a steady stream of EPs (Necronomicon Ex Mortis, Silver Bullet, The Mother of Death) and splits (You’ve Got Red On You with BLOODFEAST RITUAL), carving out a niche with their technical fury and horror-inspired narratives. They’ve drawn praise from No Clean Singing (“a band to watch”), Metal Noise (“there is so much depth and texture”), and Games, Brrraaains & A Head-Banging Life (“thrilling heaviness”), while even catching the attention of Christian Muenzner (ex-OBSCURA).

With Zombie Blood Nightmare, NECRONOMICON EX MORTIS deliver not just another step forward, but a gory leap through the gateway to hell. It’s a record that pays homage to their death metal forebears while shamelessly indulging in horror schlock and fretboard excess. It may open new doors, or as the band prefers to put it, “new gateways to hell.”

About NECRONOMICON EX MORTIS:

Formed in Chicago in 2023, NECRONOMICON EX MORTIS have quickly carved out their place in the metal underground with a sound that is equal parts 90s death metal stomp, 80s shred worship, and campy B-horror storytelling. Guitarist and songwriter Michael Nystrom Bala, guitarist and orchestrator Manuel Barbara, bassist Yusuf Rashid, drummer Joey Ferretti, and vocalist John Sawicki bring a mix of technical ferocity and tongue in cheek horror fun that is as brutal as it is entertaining.

Since their debut EPs Necronomicon Ex Mortis and Silver Bullet in 2023, the band has unleashed a steady stream of releases including You and Your Friends Are Dead: Game Over in 2024, The Mother of Death in 2024, and the split You’ve Got Red On Youwith BLOODFEAST RITUAL in 2025. Their relentless creativity culminated in the 2025 compilation From the Void…THEY CAME, which further established their reputation as prolific riff mongers with a love for the grotesque and absurd.

With recognition from outlets such as No Clean Singing, Metal Noise, and Games, Brrraaains & A Head-Banging Life, and praise from Christian Muenzner of OBSCURA, NECRONOMICON EX MORTIS are being hailed as a band to watch. Their music fuses thrashy death metal brutality with dizzying solos while embracing the bloody theatrics of cult cinema. Equal parts homage and parody, their songs invite listeners to bang their heads, laugh at the gore, and revel in the chaos.

At their core, NECRONOMICON EX MORTIS are here to shred, to bleed, and to drag metal deeper into the crypt, one zombie, demon, and undead riff at a time.

NECRONOMICON EX MORTIS is:

  • Michael Nystrom Bala — Guitars / Songwriting

  • Manuel Barbara — Guitars / Orchestration

  • Yusuf Rashid — Bass

  • Joey Ferretti — Drums

  • John Sawicki — Vocals


Connect with NECRONOMICON EX MORTIS:

Official Website: https://www.necronomiconexmortisband.com/
Bandcamp: https://necronomiconexmortis.bandcamp.com/
Facebook: https://www.facebook.com/profile.php?id=100090172921055
Instagram: https://www.instagram.com/necronomiconexmortisband/?hl=en
YouTube: https://www.youtube.com/@necronomiconexmortisofficial
Spotify: https://open.spotify.com/artist/5mwhqFK69UHCSeS9YtzSer
Apple Music: https://music.apple.com/us/artist/necronomicon-ex-mortis/1671465776

CLAWFINGER Release New Album Before We All Die; Drop Furious Title-Track Video! Out Now Via PERCEPTION

Swedish rap-metal veterans CLAWFINGER are back with a bang. The band has officially released their new album Before We All Die - their first full-length offering in 19 long years - and celebrated the occasion the night before with an exclusive release show at Kollektivet Livet in Stockholm, attended by a handpicked group of lucky fans. Now, they’re keeping the momentum going with an explosive video for the album’s title track!

From environmental collapse to political hypocrisy, personal disillusionment to collective denial, Before We All Die is CLAWFINGER at full volume: still pissed off, still sharp as ever, and still refusing to shut up while the world pretends it’s all fine.

"This album is part protest, part therapy, and part middle finger,” the band says. “We’re not offering solutions. We’re screaming because silence is surrender.”

With the new record and the title-track video, CLAWFINGER make it clear that their voice remains as urgent and uncompromising as ever! Watch the clip below:

Known for their pioneering fusion of metal, rap, and unflinching social commentary, CLAWFINGER return with Before We All Die, an album that rekindles the fire which made them one of Europe’s most groundbreaking crossover acts. This long-awaited comeback marks not just a return, but a reinvention, proof that true intensity never fades.

Before We All Die captures the band’s trademark fusion of sharp rap delivery, heavy grooves and biting social commentary, now more relevant than ever. Despite releasing their first studio album since 2007, CLAWFINGER are seeing significant success across social media platforms and streaming services, where both new material and classic tracks are gaining impressive traction. The band’s lyrical perspective and unmistakable sound clearly strike a chord with the current zeitgeist, resonating not only with long-time fans but also with a new, younger generation of metal listeners. This renewed relevance proves that CLAWFINGER’s message, attitude and musical identity remain as powerful and timely as ever!

Before We All Die is out now on PERCEPTION - A Division Of Reigning Phoenix Music. Order your favorite choice of format now at: https://clawfinger.rpm.link/beforewealldiePR

CLAWFINGER are:
Zak Tell | vocals
Jocke Skog | guitar, keyboards
Bård Torstensen | guitars
André Skaug | bass
Micke Dahlén | drums
 

More on CLAWFINGER:
clawfinger.net | Facebook | Instagram | Spotify | Apple Music

Robin Ross & The Melodynes unveil 'Mind Space' album & ‘Campfire on the Moon’ video

Indie rockers Robin Ross & The Melodynes present their new 'Mind Space' album. Their second album, released via Pennsylvania indie imprint RPM Entertainment on February 20, showcases their diverse sound, mixing their own flavor of indie rock and classic rock sounds. The band also presents their new video for focus track 'Campfire on the Moon'.

Previewed by the B-52s-esque lead track 'Spill No Mo Wine' and the single 'Echo of Love', a shimmering anthem of sonic intimacy, 'Mind Space' is a head-trip with heart, blasting off from bedroom daydreams into a technicolor inner universe. Built from raw acoustic bones and lit up with electric spark, it balances cosmic drift with dance-floor swagger -- a joy-chasing, freedom-fueled reminder that the wildest frontier is the one inside your own head.

Robin Ross & The Melodynes is not just about music - it's about big fun between like-minded artists, including Wharton Tiers, JoEllen Gaetani, Katlyn Albrecht, Emery Rhodes, Tony Anniello. Joe (Bass) Torres, TW Howell and Nancy Isola. That shared joy is woven into every note, creating an infectious energy that invites the listener right into the heart of the party.

"Into my mind we roam. If we close the world around us and keep your eyes open, you can see prisms if you let them through. 'Mind Space' is a world of prisms -- some reach far and some are close. The title track 'Mind Space' is about resting in bed and drifting to the stars. Being the captain in your mind you can go wherever you want. Other songs like 'Spill No Mo Wine' and 'Shiny Blue Shoes' are our party stamp songs. Whatever world you land on, let's hope joy and spirits are plentiful," says Robin Ross.  

"Other songs are about the journey. 'Follow' is aboard a spaceship en route to Mars, while 'Campfire On the Moon' is about all of your campfires in life together with others in a secluded sphere like the moon. We give in life as we move along the 'Echo of Love', which is a song about love by JoJo. I wrote the music on an acoustic guitar and built from there, adding the Strat later for the edge. 'Cause I Do' is something we do when we fall in love along life's flight. 'Taking All of My Heart' is another change ball, more of a pop love song about being swept off your feet on your journey. 'Come On In' is about being welcome -- come in let's dance. And 'Curious Mind' is about being tossed around in a dream but waking up to hope and beauty in someone someday". 

This album was recorded at Baa Baa Leaf Music Studio in Milford, Pennsylvania, whereRoss produced and engineered it, along with famed engineer Jonathan Duckett (Phillip Glass, Kenny G, David Sanborn). 

"This album wouldn't be complete if it didn't have a few side pocket tunes. 'Free the Young'is one of those songs, recalling castles and kings, where tyranny was born to a new generation -- a crest that is upon us now. This is a message for youth to question history and fight for freedom," saysRobin Ross.

"The other side pocket song is'Sweet Jane', a blues riff song about a pooch named Jane. We were chilling with Sweet Jane and hit the blues and her master, Tony, wrote up some lyrics. We put this down in the studio and have been playing it ever since."

Emerging from the New Jersey and New York music scenes in 1988, Robin Ross has grown into a central figure in the creative pulse of Milford, PA. A multi-faceted musician, songwriter, and producer for cover thirty years, he has released numerous album while helping launch and develop several recording spaces, includingTriple R StudiosandSound Complexnear NYC. He has since grown his current hub,Baa Baa Leaf Music Studiointo a creative sanctuary and production house.

In the early ’90s, Ross co-foundedLaughing Jack(later renamedJack’s Maze), praised for a progressive rock style echoing the grandeur of Pink Floyd and Led Zeppelin. Though business pursuits eventually pulled him down a different path, 2021 marked a return to form: he built Baa Baa Leaf Music Studio and reunited with bandmates Frank Cinquegrana, Scott Cowan, and Joe Torres to record new material, with a fresh Jack’s Maze release anticipated later this year.

As of February 20, 'Mind Space' is available on digital platforms, including Apple Music,Spotify, Amazon and Bandcamp, where his 2025 debut'Back To The Forest' EP  asRobin Ross & The TW Howlers, is also available. CDs can be obtained athttps://robinrossmusic.com/ music.

CREDITS
Recorded at Baa Baa Leaf Music Studios (Milford, PA)
Produced & Mixed by Robin Ross
Supervising Engineer: Jonathan Duckett

Robin Ross - Guitar, bass, keys, vocals

JoEllen Gaetani - Vocals

Wharton Tiers - Drums

Tony Anniello - Vocals

Katlyn Albrecht - Vocals, percussion

Emery Rhodes - Vocals

Dan Engvaldsen - Guitar

Joe Torres - Bass

TW Howell - Vocals, guitar

Jack Kowat - Sax

James Henry - Djembe

Nancy Isola - Background vocals

Tina Ross - Background vocals

Sandy Broxmeyer - Background vocals

Photography & videos by Tina Ross
Album artwork & design by Tina Ross
Publishing & booking: RPM Entertainment Enterprises, LLC
Publicity by Shameless Promotion PR

Keep up with Robin Ross // Robin Ross & The Melodynes
Website | Bandcamp | Facebook | Instagram | YouTube | Reverbnation | Apple Music | Spotify | Booking contact | Press contact

Keep up with Shameless Promotion PR
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ARISING EMPIRE ALERT: The Veer Union Release New Album "Reinvention"

This is what a reset actually sounds like.

With Reinvention, The Veer Union return sharper, louder and more focused than ever. The album doesn't feel like a comeback — it feels like a band reconnecting with its core and pushing forward at the same time. Heavy, melodic and emotionally charged, Reinvention captures everything The Veer Union have built over years in the scene, refined into their most confident statement yet.

At the center of the record sits "Feel Again," the album's focus track and emotional backbone. It’s a song about breaking through numbness, about finding that spark after being worn down — and it hits with soaring hooks, crushing guitars and the kind of chorus that sticks instantly. "Feel Again" isn't just a highlight, it’s a reminder of why The Veer Union's music resonates so deeply with their audience.

The album also marks the peak of an incredibly successful campaign cycle. Over the past months, The Veer Union rolled out a steady run of singles that kept momentum building — tracks like "My Empire," "Sea Of Fear," "Caught In The Crossfire," "Sunk Your Teeth In" and "Meet Your Maker" each showing a different side of the band while staying unmistakably true to their sound. Each release pulled in more listeners, more attention, and more anticipation for what Reinvention would become.

That consistency paid off. With nearly 300,000 unique monthly listeners on Spotify, The Veer Union are proving that their reach is bigger than ever — connecting with longtime fans while constantly pulling in new ones across the global heavy scene.

Reinvention isn't about chasing trends or rewriting the past. It's about evolution, resilience and rediscovering purpose. This is The Veer Union fully locked in — and sounding stronger than ever.

Stream the album — HERE

LIGHTNING STRIKES Release New Album, The King Is Victorious, February 18th!

Los Angeles–based heavy metal outfit Lightning Strikes return with their long-awaited new full-length album, The King Is Victorious, out today, February 18th.

 

The album features eight powerful new tracks and showcases a truly international lineup of elite musicians. The majority of The King Is Victorious was recorded by Lightning Strikes co-founder Maksudian, alongside Japanese guitar virtuoso Norifumi Shima (Concerto Moon), American bass legend Barry Sparks (Michael Schenker Group, Yngwie Malmsteen), and rising Argentinian vocalist Mariano Gardella. Rounding out the album is a special guest appearance by keyboard maestro Derek Sherinian (Black Country Communion, Sons Of Apollo), who also appeared on the band’s debut release.

 

Karpis Maksudian shares:

 

They said heavy metal was just noise.

They said the wait was too long.

They said the fire fades with time.

 

They were wrong.

 

This album isn’t just music — it’s years of pressure, pain, growth, and hunger forged into sound. Every riff hits harder. Every drum feels like thunder. Every scream carries everything I’ve been holding back.

 

This is the heavy metal you’ve been waiting for.

Superstar-level heaters. No fillers. No limits.

Just raw power.

 

I didn’t come back quietly.

I came back louder. Stronger. Hungrier.

 

When this drops, it’s not just an album release — it’s a takeover.

 

Turn your speakers up.

Tell the world heavy metal is alive.

And get ready… because once this is out, there’s no turning back.

 

And I also as a producer want to take this moment to speak from the heart.

 

From the bottom of my soul, thank you to every single person who was part of this powerful journey. This album was built on passion, fire, and brotherhood — and I’m beyond grateful to the warriors who stepped into the storm with me.

 

A special, thunderous thank you to the legends who played on the title track “The King Is Victorious” without hesitation, without conditions — just pure love for the music and the metal spirit:

 

Rowan Robertson, Mark Zavon, Craig Goldy, Norifumi Shima, Takehiko "Shake" Kogure, Dario Mollo, Mariano Gardella, Rob Math, Barry Sparks, Derek Sherinian, Michael T. Ross and the Moscow Symphony Orchestra. 

 

Your talent, your energy, your riffs, your solos, your power — you helped turn this song into a battlefield anthem. This wasn’t just collaboration… this was unity. This was heavy metal brotherhood at its finest.

 

The King is Victorious because of all of you.

 

Let the world hear it.

Originally formed in 1984, Lightning Strikes made history as the first heavy metal band with an all Armenian-American lineup, predating the emergence of System Of A Down by more than a decade. After disbanding, Maksudian revived the Lightning Strikes name more than 25 years later, assembling a new lineup to record the band’s self-titled debut album in 2016.

 

That release featured Brazilian vocalist Nando Fernandes (Sinistra, Hangar), drummer Rob Math, Derek Sherinian, and legendary former Black Sabbath vocalist Tony Martin, who sang on and penned lyrics for standout tracks “Death Valley” and “301 AD (Sins Of Our Fathers).” Mixed by renowned producer Roy Z, the album was met with strong critical acclaim and peaked at #6 on Japan’s Burrn! Magazine import charts.

Johnny O’Neil Releases “Live at Le Musique Room” Featuring “Lover” a Brand New Track from an Upcoming Album

Johnny O'Neil announces his new live album “Live at Le Musique Room”, out now on Bearded Maggie Records. The live album features a live performance of a brand new song “Lover” that will be released on his upcoming new studio album.

JOHNNY O’NEIL “Lover” Official Music Video from the Album “Johnny O’Neil Live at Le Musique Room”: https://youtu.be/9NtXsFZSHVg
 
You can stream and purchase “Live at Le Musique Room” at: https://linktr.ee/johnnyoneil

Talking about the new live album, Johnny O’Neil said, “Our new live album was recorded in a very intimate theater setting at Le Musique Room, opening for our good friends, Bobby Jensen and the Dead Cowboys. The album represents a true inflection point for our band. After our former guitarist, John Funk, informed us last spring that, “I just have no passion to play hard rock anymore,” we had to decide whether to replace him with another second guitarist. We very briefly considered holding auditions, but rather than going through the agony (and time!) of that process, we elected to forge ahead as a three-piece, and have never looked back or regretted our decision. 

 

The album features songs from our first two studio albums, as well as a brand new track, “Lover,” a tune I wrote about a fellow who has watched a woman being mistreated by someone from afar, and tells her to “leave him – c’mon with me”! “Lover” is the first single from our upcoming third studio album, which again will be co-produced, recorded, and mixed by Johnny’s “Blood Brother,” the incomparable Brian Bart. We cannot wait for our fans to hear us get back to our hard rock roots - this time as a three-piece!”

Band Members:
Johnny O’Neil: Lead Vocals, All Guitars
Benny Craig: Bass Guitar and Background Vocals
Joachim Baecker: Drums and Background Vocals
 
JOHNNY O'NEIL:
O’Neil has been in practice as a Ph.D.-level clinical psychologist for over two decades, quite a feat considering he dropped out of high school at 16 to focus on his burgeoning music career. After more than a decade of achieving many of his musical dreams, including the ‘80s with Dare Force, O’Neil decided to go back to school at the age of 28 to get his GED. He went on to earn his Bachelor’s degree from the University of Minnesota, followed by a Master’s degree and eventually a Ph.D. in clinical psychology from The Ohio State University.

Now a solopreneur in private practice as a forensic psychologist, O’Neil conducts Independent Psychological Evaluations (IPEs) of claimants involved in workers' comp and personal injury cases, and provides courtroom testimony as an expert witness – a fascinating occupation to be sure. In fact, he found himself interviewing dozens of Minneapolis police officers who filed disability claims due to PTSD in the wake of the murder of George Floyd in 2020.

Not surprisingly, for O’Neil, playing music is an invaluable form of therapy and expressing his emotions. “I don’t have a choice, I have to play music,” he says. “It’s how I’m wired and how I preserve my sanity. It’s therapy for me. I’ll be performing until my last gasp.”

O’Neil fell in love with music at the age of five, begging his parents to buy him a guitar after seeing The Beatles perform on The Ed Sullivan Show, which they finally did when he turned eight years old. The stars aligned when his future Dare Force bandmate, Brian Bart, moved in across the street when he was nine. “We had a tussle over something silly in the front yard, then my mom invited us in for a piece of cake; we’ve been thick as thieves ever since,” O’Neil says.

O’Neil and Bart immediately bonded over their mutual love of music (including The Beatles, The Rolling Stones, Johnny Winter, Steppenwolf, and Creedence Clearwater Revival), and quickly formed a band together. One of their first gigs was at Sunny Hollow Elementary School in 6th grade, where Bob Dylan’s younger brother, David Zimmerman, was their music teacher and introduced their band to an audience of 500-some fellow classmates.

Infusing his songwriting with his personal values of tolerance, compassion and empathy throughout his career, O’Neil believes that an important part of an artist’s job is to not only reflect what’s going on in the world, but also to comment on it and influence it. To this end, O’Neil’s driving rock tunes go beyond being simply upbeat, feel-good rock ‘n roll, to songs that really have something to say to the world.

Eric Church’s 'Evangeline vs. The Machine Comes Alive (Official Motion Picture Soundtrack)' Out Now

With his latest critically acclaimed project, Evangeline vs. The Machine, earning a nod for Best Contemporary Country Album at the recent GRAMMY Awards, maverick entertainer Eric Church brings his live show to fans at home with the release of Evangeline vs. The Machine Comes Alive (Original Motion Picture Soundtrack) via MCA. The 19-track live album compliments the IMAX® exclusive theatrical release of Evangeline vs. The Machine Comes Alive, with tickets to the remaining Feb. 14 showing of the limited engagement available now via IMAX.com/EricChurch.
 
Both the concert film and the companion album – the first live album ever recorded at The Pinnacle in Nashville – showcase Church performing his critically acclaimed eighth studio album front-to-back before transitioning into select catalog hits, all reimagined with a six-piece band, four-piece horns, four-piece strings, eight-piece choir and vocalist Joanna Cotten. Watch an official performance video of “Springsteen” live from the Pinnacle HERE.
 
“The thing about the IMAX film is it freezes a moment in time. I’m going to get older; those fans are going to get older, but we froze that moment in time forever musically,” Church shared on “CBS Mornings” earlier this week. “If I want to watch a sporting event tonight…if I want to go to the game, that’s great. If I don’t, I’m going to watch it on television. You can’t do that with concerts, right? I can’t just tune in to who’s playing in Cleveland tonight. So, concerts are a little bit different that way, and that’s why the IMAX film mattered.” Watch the full interview HERE.
 
The film and live album arrive as Church continues his Free the Machine Tour, earning praise from critics across the country as the run continues. “From the jump, it was clear this wasn’t going to be about flash – it was about mood, intention, and immersion…The entire show felt less like a concert and more like a film unfolding in real time,” shared Relive Magazine of the recent D.C. stop, where The Music Universe added, “if you can see only one country music concert in 2026, it needs to be the Free the Machine Tour…there will not be a bigger, fuller all-live sound on the road this year.”
 
The Minnesota Star Tribune opined in St. Paul, “Eric Church is country music’s most courageous and unpredictable superstar – both musically and culturally…The concert, like Church’s career, was about conviction not convention, about evolving, not standing pat, about the moment, not tradition,” while the Green Bay Press Gazette proclaimed the show to be “so nuanced, so sneaky sophisticated, so good that the sum of its parts was as great as the whole. That’s saying something for an artist who increasingly transcends the boundaries of today’s country to be one of music’s more electrifying live acts – period,” with Cleveland.com perhaps stating it most simply, “Country music’s iconoclast did it again.”
 
For more information, visit EricChurch.com and follow on Facebook and Twitter/X @ericchurch and on Instagram@ericchurchmusic.

2026 Free the Machine Tour Remaining Markets, Venues and Special Guests:
Feb. 13  ||  Buffalo, N.Y.  ||  KeyBank Center  ||  Ella Langley
Feb. 14  ||  Albany, N.Y.  ||  MVP Arena  ||  Ella Langley
Feb. 19  ||  North Little Rock, Ark.  ||  Simmons Bank Arena  ||  49 Winchester
Feb. 20  ||  Kansas City, Mo.  ||  T-Mobile Center  ||  49 Winchester
Feb. 21  ||  St. Louis, Mo.  ||  Enterprise Center  ||  49 Winchester
Feb. 26  ||  Tulsa, Okla.  ||  BOK Center  ||  Stephen Wilson Jr.
Feb. 27  ||  Fort Worth, Texas  ||  Dickies Arena  ||  Stephen Wilson Jr.
Feb. 28  ||  Austin, Texas  ||  Moody Center  ||  Stephen Wilson Jr.
Mar. 5  ||  Knoxville, Tenn.  ||  Thompson-Boling Arena at Food City Center  ||  49 Winchester
Mar. 6  ||  Greensboro, N.C.  ||  First Horizon Coliseum  ||  49 Winchester
Mar. 7  ||  North Charleston, S.C.  ||  North Charleston Coliseum  ||  49 Winchester
Mar. 19  ||  Birmingham, Ala.  ||  Legacy Arena at the BJCC  ||  49 Winchester
Mar. 20  ||  Atlanta, Ga.  ||  State Farm Arena  ||  49 Winchester
Mar. 27  ||  Hollywood, Fla.  ||  Hard Rock Live  ||  Kashus Culpepper
Apr. 3  ||  Greenville, S.C.  ||  Bon Secours Wellness Arena  ||  Ashley McBryde
Apr. 4  ||  Charlotte, N.C.  ||  Spectrum Center  ||  Ashley McBryde
Apr. 10  ||  Jacksonville, Fla.  ||  VyStar Veterans Memorial Arena  ||  Ashley McBryde
Apr. 11  ||  Tampa, Fla.  ||  Benchmark International Arena  ||  Ashley McBryde

About Eric Church
A seven-time ACM Award winner, four-time CMA Award winner (including 2020’s Entertainer of the Year), TIME100Philanthropy 2025 honoree and 11-time GRAMMY nominee – including four nods for Best Country Album, Eric Church has built a passionate fan base through his critically acclaimed catalog of music. Church’s October 2024 release, “Darkest Hour,” saw the superstar signing over all of his publishing royalties to the people of North Carolina to provide immediate relief following the devastation of Hurricane Helene while also providing ongoing funds to support a more resilient future for his home state. The song is featured alongside current single “Hands Of Time” on his latest album, Evangeline vs. The Machine, marking his first new music since 2021’s Heart & Soul triple album (“Stick That In Your Country Song,” “Hell Of A View”). That project followed prior releases including RIAA Gold-certified Desperate Man (“Some Of It,” “Desperate Man”), Platinum-certified Sinners Like Me (“How ’Bout You,” “Guys Like Me”), Carolina (“Smoke a Little Smoke,” “Love Your Love the Most”) and Mr. Misunderstood (“Record Year,” “Round Here Buzz”), Double-Platinum certified The Outsiders (“Like a Wrecking Ball,” “Talladega”) and 4x Platinum-certified Chief (“Springsteen,” “Drink In My Hand”), as well as 32 Gold, Platinum and multi-Platinum certified songs. Church is also a minority owner of the Charlotte Hornets, a co-owner of the iconic Field & Stream brand, and has his own SiriusXM music channel, “Eric Church Outsiders Radio,” his own liquor offering, Whiskey JYPSI, and his own six-story venue on Nashville’s famed lower Broadway, Chief’s. 

MALEFIC Unleash Debut Album Impermanence Today via Terminus Hate City; Premiere Video for “In Darkest Dreams (The Reaping)”

Atlanta blackened thrash visionaries MALEFIC have officially released their long-awaited debut full-length, Impermanence, out today via Terminus Hate City. Marking the culmination of a journey that began in 2018, the album stands as a testament to perseverance, creative defiance, and an unrelenting devotion to extreme metal in all its forms.

In conjunction with the album’s release, MALEFIC have unveiled a new music video for “In Darkest Dreams (The Reaping),” a harrowing visual companion to one of the record’s most dynamic tracks. The video plunges viewers into a nightmarish landscape where fantasy and mortality collide, echoing the song’s tale of a deathly reaper figure stalking the shadows of the subconscious.

Blending black, death, and thrash metal into a volatile and cohesive statement, Impermanence explores themes of political decay, addiction, existential dread, perseverance, and the irreversible consequences of human choices. The album refuses to be confined by genre boundaries, drawing from progressive rock structures, melodic black metal atmospheres, and punishing death metal intensity.

The record erupts with opener “Blood Of The Throne,” a blistering assault of precision riffing, furious drumming, and venomous vocals that confronts oppressive economic systems head-on. “In Darkest Dreams (The Reaping)” follows with a progressive-leaning structure and one of the album’s rare defined choruses, merging death metal brutality with blackened thrash undertones. The album can be ordered HERE. 

“Of Gods And Man” shifts into melodic black metal territory, weaving intricate picking patterns and dueling solos beneath vocalist Aaron Baumoel’s existential reflections on greed and humanity’s relationship with a creator. The dynamic “Idiocracy” introduces a black-n-roll swagger, pairing memorable triplet riffs with sharp social commentary.

“Deserter” reintroduces crushing death metal grooves and call-and-response harsh vocals that channel themes of abandonment and despair. “Disembodiment” offers a haunting acoustic opening before ascending into the album’s emotional apex, confronting narcissism and manipulation with both musical beauty and lyrical darkness.

The sprawling centerpiece “Obsidian Earth” serves as Impermanence’s magnum opus: grandiose, melodic, and unrelentingly aggressive, culminating in a searing solo by Jason Davila while lamenting humanity’s self-inflicted extinction. “Echoes Of Silence” ventures further into progressive territory, chronicling addiction’s dual nature through chaotic black metal passages and cathartic melodic release.

Closing track “It Haunts” descends into a blackened abyss of charging riffs and spectral acoustics, sealing the album with an ominous sense of supernatural finality.

Forged through years of personal and professional trials, the album captures MALEFIC at their most focused and fearless, delivering a work that is as intellectually provocative as it is sonically devastating.

About MALEFIC:
MALEFIC roared onto the Atlanta metal scene in 2007 with ambitions to modernize the black metal genre. With their tight riffs, tasty leads, and relatable lyricism, MALEFIC abandons cliches and defies traditional genre boundaries. Their special blend of black metal, drawing from thrash and death metal influences, appeals to metalheads across subgenres. They count OLD MAN'S CHILD, CARCASS, TESTAMENT, DISSECTION, and OPETH among their most prominent influences, offering a fresh, modern take on metal that is unrivaled in the United States.

Though they are set to release their very first full-length album, Impermanence, in 2025, MALEFIC boasts an impressive live performance history, having played shows with notable bands such as 1349, CRYPTA, and PROFANATICA. After a hiatus in 2009, the band eagerly picked back up where they left off and reformed with a new lineup. MALEFIC initially began work on Impermanence in 2018, taking their time to ensure that every detail accurately reflected their vision for their album. The band's hard work and dedication has culminated in a powerful debut, lovingly crafted by fans of nuanced, boundary-pushing music. 

MALEFIC lineup:
Jason Davila - Guitar
Aaron Baumoel - Drums, Vocals
Sam Williams - Guitar
Andy McGraw - Bass

Out Today from BLAZONER

Blazoner’s new covers EP Sonic Chambers began almost by accident. The trio of Andy Murray, Brian Carnes, and Stephen Sullivan walked into the studio intending to track a couple of songs purely for fun. They had been slipping covers into their live sets for a while, choosing favorites from across the spectrum of heavy rock, classic rock, prog, and anything else that spoke to them. Once they finished the first two recordings, the energy in the room made it clear that stopping there would have been impossible. They returned to the studio and finished what became a five song EP that highlights the full range of the group’s influences while still sounding unmistakably like Blazoner.

When the band stepped back and listened to everything in sequence, Sonic Chambers revealed itself as more than a quick studio experiment. It became a snapshot of the music that shaped them, filtered through the loud, intense, harmony driven identity they have built together. They had not planned to make an EP, but the excitement of the process carried them forward. Sonic Chambers stands as a celebration of influence, instinct, and the simple joy of creating something that feels alive.

About BLAZONER:

BLAZONER is a heavy rock power trio from Fredericksburg, Virginia, built on the belief that loud music should feel both massive and melodic. The band leans into thick, saturated riffs, driving rhythms, and vocal harmonies that hit as hard as the instruments behind them. Their sound blends the grit of stoner rock, the pulse of classic heavy rock, and the swirling textures of psychedelia, creating a style that feels raw, hook driven, and unmistakably their own.

Formed by Andy Murray, Brian Carnes, and Stephen Sullivan, BLAZONER is powered by the natural chemistry the three share when they play together. Every member sings, which gives the band a vocal identity rarely found in heavy music. Whether delivering gritty leads or layered harmonies, the voices of all three members work together to add color and emotion to the band’s thick wall of sound. The result is a blend of heaviness and melody that stands out both live and on record.

BLAZONER came out of the gate with a commitment to playing hard, writing often, and letting instinct lead the way. Since releasing their first music in 2023, the band has grown quickly through high energy performances that showcase their volume, intensity, and connection as performers. Crowds respond not only to the weight of the riffs and the immediacy of the songs, but also to the sense that the band is having as much fun onstage as anyone in the room.

Their music reflects a wide range of influences, yet everything is filtered through the same core approach. Play loud, play with purpose, and make songs that feel alive. Whether crafting originals or reimagining the tracks that shaped them, BLAZONER focuses on movement, emotion, and the thrill of a great groove hitting at full power.

BLAZONER continues to evolve as they write, record, and perform, always pushing toward a heavier, tighter, more expressive version of their sound. For the band, heavy music is more than a style. It is energy, teamwork, and a constant exploration of what three people can create when they trust every instinct and hold nothing back.

BLAZONER Is:

Andy Murray — drums and vocals
Brian Carnes — bass and vocals
Stephen Sullivan — guitar and vocals

Connect with BLAZONER:

Bandcamp: https://blazoner.bandcamp.com/album/escape-to-electric-land
Facebook: https://www.facebook.com/share/1VxuvmkoQn/?mibextid=wwXIfr
Instagram: https://www.instagram.com/blazonerband?igsh=MTNqMGplYXh2NHlrNA%3D%3D&utm_source=qr
YouTube: https://youtube.com/@blazoner?si=a5PLZSKRjAmk4vB0
Spotify: https://spotify.link/Z17LAAz7KXb
Apple Music: https://music.apple.com/us/artist/blazoner/1709365327

TX2 Drops New Single "Murder Scene" Featuring Magnolia Park

LA-based alt-rock artist TX2 has today released his debut album End Of Us via Hopeless Records. The 13-track album features collaborations with Black Veil Brides, Magnolia Park, Ice Nine Kills, DeathbyRomy, and Ekoh, and arrives after a decade of building one of heavy music's most polarizing and devoted fanbases. Today’s release is highlighted by focus track, "Die Alone" which captures the album's emotional core. Fans can listen to the full album HERE. 

Speaking on today’s highly anticipated release,TX2 frontman, Evan Thomas shares

“After 11 years of building toward this moment, the band and I are excited to unveil our debut album, ‘End of Us’, structured as a rock opera. Each single leading up to this release has told a story painting the larger album theme of, ‘The Resistance’, the final survivors in a world devastated by a vampire holocaust. I hope the story we’ve told through our debut album reminds the X Movement and those all around us that they cannot erase us.”

End Of Us marks a turning point for an artist who did what most won't: weaponized being the internet's punching bag and turned online hate into undeniable momentum. With 1 million monthly Spotify listeners, 1.3 million TikTok followers, and 100 million streams on previously released singles before the album even dropped, TX2 turned algorithmic outrage into a self-sustaining business outside traditional development models.

The album collects previously released singles including "The End of Us" featuring Black Veil Brides, "Murder Scene" featuring Magnolia Park, "HOSTAGE (they will not erase us)," "The Rain," "Feed" featuring DeathbyRomy, and "Nice Guy" featuring Ekoh, alongside new tracks that complete the album's narrative arc. Between them, the previously released songs generated 100 million streams and 42 million TikTok likes in the last 12 months alone.

TX2 has earned co-signs from Caleb Shomo, Ice Nine Kills, Black Veil Brides, Magnolia Park, and From First to Last while building the X Movement, a Discord-based mental health community with thousands of active members. As an openly queer artist, his refusal to sanitize his advocacy has made him both a target and a lifeline.

Thomas describes the album's sound as "punk meets vampire-core with an Eminem edge," drawing from influences like My Chemical Romance, Green Day, Black Veil Brides, and Linkin Park while carving out space entirely his own. He self-directed all music videos alongside guitarist Cameron Rostami with horror aesthetics inspired by Resident Evil and Silent Hill.

TX2 begins his US "End of Us" headline tour this month before heading to Australia with Rain City Drive in March, followed. He then returns to the US for a North America tour supporting Black Veil Brides before heading to Europe for a massive European festival run including Download Festival (alongside Linkin Park, Guns N' Roses, and Limp Bizkit), Rock AM Ring, Rock Im Park, Rock For People, Novarock, Graspop, Jera On Air, and Vainstream. For tickets and further information head to tx2merch.com/pages/tour

TX2 - THE END OF US TOUR (w/ Buffalo Farm & Flat Out)

Feb 6 - Grey Witch - Las Vegas, NV

Feb 7 - SOMA - San Diego, CA

Feb 8 - Temblor Bowling Company - Bakersfield, CA

Feb 11 - Lowbrow Palace - El Paso, TX

Feb 12 - Come And Take It Live - Austin, TX

Feb 13 - Laser City Music Hall - Oklahoma City, OK

Feb 15 - Vinyl Music Hall - Pensacola, FL

Feb 17 - The East - Nashville, TN

Feb 18 - Off Broadway - St. Louis, MO

Feb 19 - xBk Live - Des Moines, IA

Feb 21 - 4th & Polk Music & Event Space - Topeka, KS

Feb 23 - Uptown Funk Dueling Pianos - Albuquerque, NM

Feb 24 - 191 TOOLE - Tucson, AZ

TX2 w/ BLACK VEIL BRIDES - NORTH AMERICA 2026

Apr 25 - Riverside Municipal Auditorium - Riverside, CA

Apr 26 - Grand Theatre at The Grand Sierra Resort - Reno, NV

Apr 28 - Showbox SoDo - Seattle, WA

Apr 30 - The Union Event Center - Salt Lake City, UT

May 1 - Fillmore Auditorium - Denver, CO

May 2 - The Astro - Omaha, NE

May 4 - House of Blues - Dallas, TX

May 5 - House of Blues - Houston, TX

May 6 - The Aztec Theatre - San Antonio, TX

May 8 - Tabernacle - Atlanta, GA

May 11 - Piedmont Hall - Greensboro, NC

May 12 - The NorVa - Norfolk, VA

May 14 - The Fillmore Philadelphia - Philadelphia, PA

May 15 - Stage AE - Pittsburgh, PA

May 17 - The Fillmore Detroit - Detroit, MI

May 19 - Egyptian Room at Old National Centre - Indianapolis, IN

May 21 - The Fillmore Minneapolis - Minneapolis, MN

May 22 - Ramova Theatre - Chicago, IL

May 23 - The Sylvee - Madison, WI

May 25 - HISTORY - Toronto, ON

May 26 - MTELUS - Montreal, QC

May 28 - Palladium Times Square - New York, NY

May 29 - The Fillmore Silver Spring - Silver Spring, MD

May 30 - The Palladium - Worcester, MA

ABOUT TX2

TX2 is the project of Los Angeles-based artist Evan Thomas, known for raw, emotionally charged alt-rock that refuses to play by the rules. Since going viral on TikTok in 2023 with "I Would Hate Me Too," TX2 has amassed 1 million monthly Spotify listeners, 1.3 million TikTok followers, and a touring resume that includes opening for Beartooth, I Prevail, Killswitch Engage, Ice Nine Kills, and Parkway Drive on the Summer of Loud tour.

Thomas founded the X Movement, a community dedicated to mental health awareness and creating safe spaces for fans who feel like they don't belong. He's openly queer, vocally advocates for LGBTQ+ rights and fan safety, and stays after every show to meet every fan, sometimes for hours. He's been called emo's most hated artist and its most necessary voice, often in the same breath. His debut album End Of Us is out now via Hopeless Records.

THE HELLACOPTERS RARITIES COMPILATION CREAM OF THE CRAP! VOLUME 3 IS OUT TODAY + FULL ALBUM STREAM AVAILABLE VIA YOUTUBE

Today marks the release of Cream Of The Crap! Collected Non-Album Works • Volume 3, the newest, long-overdue entry in a series of rarities collections by Swedish high energy rockers THE HELLACOPTERS, combining rare and lesser-known material from a myriad of singles, EPs, and compilation songs. The 24 tracks featured in this set have originally been released between 1998 and 2005, most of them only on vinyl and out-of-print CDs, and include originals like ‘Disappointment Blues’, ‘Freeway To Hell’, ‘Doggone Your Bad-Luck Soul’, 'Ferrytale' and ‘Long Gone Losers’ as well as cover versions of songs by Motörhead, Wilson Pickett, MC5, Smokey Robinson, Lynyrd Skynyrd, Bob Seger, Alice Cooper, The Ramones, The Nomads, Adam West – whose singer Jake Starr penned liner notes for this release – and many, many more. Furthermore, a lot of these songs have never been released digitally. Meticulously compiled by Robert Eriksson, transferred from master tapes and vinyl by Henke Jonsson, and remastered for maximum audio fidelity by Magnus Lindberg, with Cream Of The Crap! Collected Non-Album Works • Volume 3 THE HELLACOPTERS present a stunning collection of incredible, high-octane rock’n’roll on this more than 75 minutes long double vinyl, CD and digital release. Scroll down for the full track list and release formats.

Purchase or stream Cream Of The Crap! Collected Non-Album Works • Volume 3:
https://hellacopters.bfan.link/cotc

A full album stream via Youtube is available below;

ABOUT THE HELLACOPTERS

Less than three years after their triumphant, chart-storming comeback record, Eyes Of Oblivion, which entered on #1 in their home country, on #3 in Germany, and on #6 in Finland, Sweden's most consistently great rock outfit is back with another banger of an album called Overdriver, due out on January 31st, 2025.

In the meantime, THE HELLACOPTERS have celebrated their triumphant return by playing a show with the mighty Iron Maiden in Gothenburg in July 2022, and gigs with Ghost in Germany in June 2023, apart from their own string of headline shows throughout Europe. Eager to keep the rock flowing, February 16th, 2024 saw THE HELLACOPTERS release not one, but two stunning versions of their classic Grande Rock album, which was originally released in 1999. Grande Rock Revisited included a remastered original version and a remixed and partially re-recorded version as a companion piece, showing how the album could have sounded in a parallel universe with guitarist Dregen being in the band at the time. After making rock grande again, the group set sights on new material, debuting the phenomenal single 'Stay With You'  in May 2024 and releasing it as limited 7inch via Lightning Records.

Their ninth full-length Overdriver was recorded at Strawberry Studio & The Honk Palace and is the first HELLACOPTERS album entirely produced by Nicke Andersson. As you might expect from a HELLACOPTERS album it's filled to the brim with roaring guitars and earth-shattering grooves, fist-raising energy and anthemic choruses, while keeping the variety richer than ever before. Overdriver was hailed by many as a career highlight and it was a huge success, entering the Swedish charts on #1 and the German charts on #6 upon release.

THE HELLACOPTERS ONLINE:
https://linktr.ee/thehellacopters

Scottish 80s trailblazers FINI TRIBE share 'Me & My Shadow', highlighting their latest anthology

Scotland's iconic 1980s music mavericks Fini Tribe present "Me and My Shadow", the latest offering from their loaded anthology "The Sheer Action of Fini Tribe: 1982-1987", released via Shipwrecked Industries. Crackling with the sound of ideas arriving faster than they can be contained, this track emits youthful ingenuity and unorthodox tools, surging forward with hypnotic force.

The band members themselves barely out of their school uniforms, "Me and My Shadow" captures Fini Tribe at the instant their raw curiosity became something lean, propulsive, and unmistakably their own. A cool, searching vocal circles themes of selfhood while guitars slice with cinematic precision, locked to a driving, machine-like momentum that never lets up. Swirls of off-kilter electronics blur the edges, and the opening seconds—where the tape itself seems to wake up—drop the listener straight into motion.

Fini Tribe emerged in 1980 in post-punk Edinburgh, soon becoming a six-piece with Chris Connelly, Simon McGlynn, Andy McGregor, Davie Miller, Philip Pinskyand John Vick. Curated and designed by the band, this retrospective features archival photographs, essays by longtime friend Shirley Manson (Garbage, Angelfish, Goodbye Mr. MacKenzie), renowned author Alastair McKay, and original band member Andy McGregor, who also designed the album artwork.

Including the first legendary John Peel Session, produced by Dale Griffin and originally broadcast in May 1985, this colossal collection was previewed by the razor-edged singles “I Want More” and "We're Interested". The original 12” singles (including "Detestimony") and the WaxTrax! singles are also here, along with several unreleased live tracks - remastered and produced by the band's members.

"Me and My Shadow' was taken from our second studio session in spring of 1982. We were all still in secondary school in Edinburgh. In fact, the lyrics were written during a library period in lieu of French studies or some tedious Thomas Hardy novel. This would be the first session with Davie Miller, who had previously been in the formidable band Explode Your Heart," says Chris Connelly.
 
"The song addresses identity. Written by a 16-year-old, the lyrics float above a meticulous almost-spy-thriller guitar melody, which anchors the song to a fast-paced mechanical rhythm. At the time, we were swimming around in Can and French Noir, like every schoolboy should".

The tracks on "The Sheer Action of Fini Tribe" were recorded in Edinburgh at Wilf's Planet, Pier House, Niddry Street Rehearsal Rooms, Pleasance Theatre, and Calton Studios, and in London at Southern Studios and at BBC Studios, Maida Vale. Influenced by Throbbing Gristle, Wire, Can, Captain Beefheart, they also drew from modern film, writing, and the art that was abundant in the festival city.

"For me, "Me and My Shadow"s may be the definitive 80s Fini Tribe recording: Chris words, John's trippy keyboards, and the prescient motorik metal rhythm (played on a chrome clothes rail, as I recall)," says Andy McGregor.
 
“I'd say it's also probably the best recorded example of me 'at one' with my RAPIER 44, a red sharkfin plectrum, and a matching kitchen stool. I used to sit down to play most of the time, and I can see why. I don't know if it was a mistake, but there's something in the way that the recording starts with the reel to reel getting "to speed" -- that is the perfect start to a song that feels like the audio equivalent to a fever-dream motorway timelapse."
     
Fini Tribe's debut eponymous EP, released on their FINIFLEX label, led to the John Peel Session. The band quickly morphed into a formidable experimental dance unit, cemented by the arrival of sampling. Now a well-oiled frantic machine, they eventually performed in London, Glasgow and Aberdeen, their sound became more unique. Their 1986 “Let The Tribe Grow” EP, with the anthemic, church-bell driven “Detestimony”became a lasting and iconic statement of intent. Fini Tribe heralded a new sound and new hypervisual approach, more akin to performance art than rock ‘n roll.
 
In 1987, WaxTrax! Records released Fini Tribe's high-octane cover of Can's “I Want More”, introducing the band to American dance floors. After one more WaxTrax! single – a reworking of “Detestimony” – and a few more events (including a night at Glasgow's Third Eye Centre that ended in flames), that was the end for this incarnation of Fini Tribe. The band then lost a few members, including Chris Connelly, who moved to Chicago and joined The Revolting Cocks (and later Ministry).

"The Sheer Action of Fini Tribe" is out digitally everywhere, including Spotify, Apple Music and Bandcamp. It is also available as a three-CD digipak with 24-page booklet and limited-edition vinyl LP in a gatefold sleeve with insert.

CREDITS
All tracks composed and performed by Chris Connelly, Andy McGregor, David Miller, Simon McGlynn, Philip Pinsky & John Vick, except "I Want More” (written by Karoli/Czukay/Schmidt/Leibezeit/Gilmour)
Published by Copyright Control / P.R.S. Concord Music / B.M.I. Momentum / Universal
Design & art direction: Andy McGregor, remixing 1980’s Fini art
Cover artwork: high school printed t-shirt by Simon McGlynn
Produced by Fini Tribe, John McVay, Dale Griffin, John Vick
Mixed by Fini Tribe, Paul Barker, John Vick
Engineered by Peter Haigh, Chic Medley, John Vick, Trigger, Mike Engles, Wilf Smarties, Rock Hardware
Recorded at Wilf’s Planet, Edinburgh
Pier House, Edinburgh
Demo & rehearsal recordings made at Niddry Street Rehearsal Rooms, Edinburgh with overdubs at various band members’ flats around Edinburgh
Live recordings made at Pleasance Theatre, Edinburgh, 15 December 1983
Live recordings made at Calton Studios, Edinburgh, 27 May 1987
Location recordings made at Monimail, Fife, Scotland
Southern Studios, London
BBC Studios, Maida Vale, London, 12 May 1985
Mastered by James Scott, Populist Recording & Mastering
Shipwrecked Industries CD catalogue no. SHIP004CD
Shipwrecked Industries LP catalogue No. SHIP004LP
Distribution via Virtual Label
Videos by Kimberly Blessing
Footage of 1986 Edinburgh courtesy of Jean-François at Popcards Factory
Publicity by Shameless Promotion PR


Keep up with Fini Tribe
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Guilt Trip Drop 3-Track "God Forgives" EP Today + Share Video for "Dirt" + "Angel Eyes"

Manchester, UK-based five-piece GUILT TRIP — Jay Valentine [vocals], Jak Maden [guitar], Sam Baker [guitar], Tom Aimson [drums], and Lily Kilcoyne[bass] — are one of the most exciting and fast-rising bands in heavy music. They have surprise-dropped the three-song EP, God Forgives, today, February 11. Listen and get it here.

It includes two new tracks — "Dirt" (which premiered on Daniel P Carter's Radio 1 Rock show on February 9) and "Angel Eyes" (which premiered via SiriusXM Liquid Metal on February 10) — as well as a new mix of the previously released "Burn."

The band also shared a music video event presented in two parts featuring "Dirt" and "Angel Eyes," which can be viewed below. It's quite a one-two knockout punch. 

"God Forgives is a culmination of progress and the embodiment of Guilt Trip's identity, whilst consciously trying to build on the style and songwriting onSeverance we are yet embracing and moving with the sound we achieved on that record," says Valentine. "The songs were written with one thing in mind: 'Make it better' and we hope we have hit the mark for every Guilt Trip fan out there."

Regarding the accompanying video, he says, "It was birthed by a mix of transitioning lyrical themes into visuals and original ideas that we felt best represented the subject matter metaphorically. We wanted to show something other than just a live performance — a story that could entertain while relating to the music and still convey a message but be open enough for the watcher to make their own interpretations."

The EP highlights the band's gritty and groove-laden metallic hardcore style — and is just a taste of what's to come for the band's forthcoming full-length.

Guilt Trip, who announced their signing to Roadrunner Records last year, will also embark on a co-headline U.S. tour with Malevolence that runs through April. All dates are below. Get tickets here. 

GUILT TRIP ON TOUR:
EUROPE:
3/17 — WOLF Barcelona — Barcelona ESP
3/18 — ReviLive — Madrid, ESP
3/19 — Urban Rock Concept — Vitoria-Gasteiz, ESP
3/21 — Coliseum — A Coruna, ESP
3/22 — RCA Club — Lisboa, POR
5/23 — Slam Dunk — Hatfield, ENG
5/24 — Slam Dunk — Leeds, ENG
6/19 — Grasspop Metal Meeting — Dessel, BEL
8/21 — V and B Fest — Chateau Gontier Sur Mayenne, FRA
  
WITH MALEVOLENCE:
3/31 — Detroit, MI — The Shelter
4/2 — Buffalo, NY — Rec Room
4/3 — Montreal, QC — Fairmount Theatre
4/4 — Toronto, ON — Hard Luck Bar
4/7 — Worcester, MA — Palladium Upstairs
4/8 — Brooklyn, NY — Meadows
4/9 — Baltimore, MD — Metro Gallery
4/10 — Philadelphia, PA — Ukie Club
4/11 — Pittsburgh, PA — Preserving
4/13 — Nashville, TN — The Mil
4/14 — Atlanta, GA — Masquerade
4/16 — Houston, TX — Secret Group
4/17 — San Antonio, TX — The Rock Box
4/18 — Dallas, TX — Puzzles Deep Ellum
4/20 — Denver, CO — Marquis
4/22 — Minneapolis, MN — Amsterdam Bar
4/23 — Milwaukee, WI — X-Ray Arcade

SUMMER U.S.:
7/16 — Rock Fest — Cadott, WI
7/18 — Inkcarceration — Mansfield, OH

ABOUT GUILT TRIP:
Historically, Manchester, UK breeds a certain toughness. As a pillar of the 19th century Industrial Revolution in Northern England, factories and warehouses line much of the city's rain-baptized topography. A hardworking lot who shoot straight without apology, its denizens traditionally take an incredible amount of pride in where they come from. Embodying the grit and gusto of Manchester, Guilt Trip bring a blast of homegrown intensity to their hybrid of hardcore and metal. The five piece slides striking melodies in between throat-slitting thrashy riffs and earth-splitting breakdowns. 

Amassing tens of millions of streams and playing to packed crowds, they’re primed to amplify this hometown energy and pride on a global scale with a series of 2025 singles and their forthcoming debut LP for Roadrunner Records. More information about the new album will be released in due course.

Guilt Trip started to forge a seething signature style without comparison back in 2015. Jay and Jak cemented a lifelong bond as best friends at four-years-old when they met at reception in school. Over the years, the duo introduced one another to various favorite bands. Eventually, they welcomed fellow Manchester scene friends Tom, Sam, and Lily to the fold. To get to this point, the collective grinded the old-fashioned way one gig at a time, bulldozing their way out of sweaty basements and onto cramped club stages. They dropped the Unrelenting Force EP during 2016 followed by their 2019 full-length debut, River of Lies. The latter spawned "Thin Ice," which reeled in 7.1 million Spotify streams and counting. 2023's Severance marked a turning point. It boasted popular collaborations with LANDMVRKS and Malevolence, while KERRANG! hailed their "unique brand of hardcore that sees them delve into elements of thrash, old-school hardcore and fist-pumping metal." Beyond sharing the stage with everyone from Sylosis to While She Sleeps, they lit up festivals, including Download, Hellfest, and more. Attracting Roadrunner Records to their corner, the musicians decamped to StudioOWZ in Clarbeston, Wales with producer and engineer Adam "Nolly" Getgood [Periphery] during early 2025.

INDUCTION Release New Studio Album 'Love Kills!' And Music Video For "Strangers To Love"

modern power metal force INDUCTION mark the release of their new studio album Love Kills!, out now via Reigning Phoenix Music.

With Love Kills!, INDUCTION present their most focused and mature record to date, sharpening their signature mix of heavy power metal, strong hooks, and emotionally driven songwriting. The album shows a band operating with confidence, clarity, and a clear artistic direction.

To celebrate their album release in glorious style, INDUCTION unleash a powerful new music video for the epic track “Strangers To Love”, featuring none other than Clémentine Delauney from VISIONS OF ATLANTIS!

“Strangers To Love” stands as one of the album’s most emotional and cinematic moments. Blending soaring melodies and crushing guitars, the song showcases an intense vocal duet between Clémentine and INDUCTION frontman Gabriele Gozzi. It’s a powerful meeting of voices that elevates the song into true modern power metal territory.

"I am honored to feature on INDUCTION’s new album, especially on this song 'Strangers to Love' that carries a very nostalgic yet energetic vibe," the VISIONS OF ATLANTIS singer says. "I feel like I’m back in the vibrant eighties, singing about a love that is as impossible as it is to travel back in time… I had a lot of fun interpreting this song alongside the great Gabriele Gozzi!”

Stream/Download “Strangers To Love”: https://induction.rpm.link/strangersvoaPR

Watch the video clip premiering below:

INDUCTION guitarist Tim Kanoa Hansen comments on the collaboration: "The second that I had the demo of ‘Strangers To Love’ done, I knew it needed a second voice. With Clémentine from VISIONS OF ATLANTIS, we found the perfect match to bring the story to life. Clémi and Gabri complement each other beautifully! ‘Strangers To Love’ is probably the closest thing to a ballad that you will find on Love Kills!, and it's also probably one of my personal favorite hits. I believe everyone will somehow relate to this song, because it captures the essence of human experience at its core, and fits perfectly to the album's message: Love Kills…but it's never gonna die.”

But the connection between INDUCTION and VISIONS OF ATLANTIS doesn’t stop at the studio. Both bands have joined forces with WARKINGS for the “Pirates & Kings Over Europe” Tour, that just kicked off in Switzerland and leading through more than 20 cities across Europe, promising epic nights of melodic metal and unforgettable performances. Find all current and upcoming dates listed below!

Following a storm of milestones, including a series of live dates supporting the legendary SAVATAGE, a frenetically acclaimed debut at Wacken Open Air, and the release of fan-favorite singles “Beyond Horizons” and “Dark Temptation”,INDUCTION are now firing on all cylinders.

Crafted at Chameleon Studios and Boogie Park Studios in Hamburg, the new album was produced by Tim Kanoa Hansen, and was mixed and mastered by Eike Freese in collaboration with the guitarist. Love Kills! marks the beginning of a new era for INDUCTION, defined by musical evolution, emotional depth, and a fearless drive to push the boundaries of modern power metal.

“For me, this album carries a lot of raw and personal emotion", Tim recently said. "Life always moved forward, and even in the darkest times, love always found its way back. With Love Kills! we explore the beauty and cruelty of love in a futuristic power metal context. It’s Induction at our biggest, boldest, and most fun yet.”

LOVE KILLS! is out now via Reigning Phoenix Music. Order your copy at: https://induction.rpm.link/lovekillsPR

About INDUCTION
In the heart of the power metal resurgence stand INDUCTION, a name that has quickly become synonymous with the genre’s new wave. Led by Tim Kanoa Hansen, son of metal legend Kai Hansen (HELLOWEEN, GAMMA RAY), INDUCTION are a force to be reckoned with, igniting stages and captivating audiences worldwide.

Their rise began with a bang as their sophomore album, “Born From Fire,” was released under the wings of Reigning Phoenix Music, earning widespread acclaim and solidifying their status in the genre. Notable praises include being crowned “Power Metal Rising Star of the Year” by Rock Hard in 2022 and drawing the attention of German TV channel SWR, which chronicled their ascent in a documentary.
 
Building on this momentum, INDUCTION embarked on high-profile tours alongside metal giants such as STRATOVARIUS, SONATA ARCTICA, BATTLE BEAST, GAMMA RAY, ACCEPT, and more, showcasing their polarising live energy and winning over audiences across Europe and also Japan.

Though widely considered a progressive power metal band, INDUCTION refuse to be confined by a single genre. With each release, they defy expectations, seamlessly blending and evolving the boundaries of their music while staying true to their unmistakable core.

With their much-acclaimed new studio offering Love Kills!, INDUCTION remain a hungry force in the metal galaxy, fueled by a passion for music and an unwavering commitment to their craft. With the rallying cry “We bring the heat!” echoing in every riff and chorus, they invite fans to join them on their epic journey through realms of myth, majesty, and POWER!
 
INDUCTION are:
Gabriele Gozzi | vocals
Tim Kanoa Hansen | guitars
Justus Sahlman | guitars
Dominik Gusch | bass
Markus “Maks” Felber | drums
 

More on INDUCTION:
inductionofficial.com | Facebook | Instagram | Threads | TikTok
YouTube | X | Spotify | Apple Music | RPM

The Jesus and Mary Chain Some Candy Talking EP Announced for Record Store Day 2026

Third Man Records & The Jesus and Mary Chain are excited to announce the Record Store Day 2026 release of 40th anniversary extended 8 song edition of iconic Some Candy Talking EP, including the acoustic version of Taste Of Cindy only available on this first ever U.S. pressing. Also includes a 4x4 sticker designed by Mel Butler.

Mastered by Warren Defever and pressed in Detroit at Third Man Mastering and Pressing.

 

Available at Third Man Records storefronts and participating US indie retailers on April 18th, 2026.

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