THE GIVING MOON Release New Album (POST)-Negative Colour

Rock band THE GIVING MOON have officially released their new full-length album, (POST)-Negative Colour, now available on all major streaming platforms. With this latest project, the band delivers a powerful and immersive listening experience that pushes beyond traditional rock boundaries into a more expansive, emotionally driven soundscape.

(POST)-Negative Colour is a record built on contrast—light and shadow, clarity and distortion, vulnerability and strength. Through layered instrumentation, haunting melodies, and deeply introspective lyrics, THE GIVING MOON create a sonic world that feels both intimate and cinematic. Each track contributes to a cohesive narrative while standing strong on its own, inviting listeners to explore the complexities of perception and identity.

“What’s meant to be will always find its way

to you”

LISTEN Below:

SPOTIFY

APPLE MUSIC

THE GIVING MOON was formed in 2012 by founding members songwriter Sean Seales (Lead Guitar/Vocals) and Adam Suto (Bassist/Vocals) with their first EP "The Wild" released in 2013 produced by iconic guitarist Gary Hoey. Following the release the band toured the country opening for acts like Eddie Money and Edgar Winter and began writing for their first full length album.

Releasing their first full length LP "Forever Awake" in 2017 as teenagers. 

The band would go on to release their next EP "California Sun" (2018) and "Plastic Diamonds" (2019) releasing two singles in between titled "Hypnotized" and "Pink Skies"

Later on to releasing their second full length LP "BLOOM" in 2020. "Scream in Joy" the 8th track off the album was placed into the grand finale of Shameless on Showtime as well as Animal Kingdom on TNT. 

Following the albums release the band toured the country opening for acts such as Cracker & Marcy Playground Quarters of Change

and more

With consistent single releases and consistently

touring, including a performance at Backwoods Music Festival Arkansas as well as a 23 U.S city “Eclipse Tour” the band is in the midst of teasing a few singles off their 3rd Full length LP “(POST)-Negative Colour”.

Stryper Frontman MICHAEL SWEET Releases New Album 'The Master Plan' — Out Now via Frontiers Music Srl

MICHAEL SWEET, best known as the frontman for the multi-platinum Christian rock band STRYPER, has officially released his highly anticipated new solo album, ‘The Master Plan.’ Co-produced by SWEET and Jeff Savage (TobyMac, Jars of Clay, Natalie Imbruglia), the new album is available everywhere via Frontiers Music Srl.

To celebrate the announcement, MICHAEL SWEET also shares his new single "Worship You," alongside an official lyric video.

Watch the Official Lyric Video for "Worship You" Below:

A deeply personal and sonically expansive project, 'The Master Plan' marks a bold departure from SWEET’s signature hard rock sound, showcasing an eclectic mix of influences that reflect his musical roots and lifelong inspirations.

 

Unlike anything in his extensive catalogue, 'The Master Plan' offers listeners a fresh perspective on SWEET’s artistry. “It’s totally different… it’s not a rock record. It’s an eclectic mix of everything I grew up on,” he explains. “I didn’t want to follow any rules—I just wanted to do whatever I wanted to do.”

 

Beyond its musical diversity, the album carries a strong message of faith, perseverance, and encouragement—hallmarks of SWEET’s decades-long career.

 

“I hope people can be lifted up, encouraged, inspired… if I can help someone through a song, I’ve done my job,” SWEET shares. “It was therapeutic for me, and I want it to be for other people as well.”

 

With ‘The Master Plan,’ SWEET continues to evolve as an artist while staying grounded in the message and mission that have defined his career—from global success with Stryper to a prolific solo journey.

Order 'The Master Plan' HERE

Paul Cauthen Delivers Unfiltered 13-Track Album BOOK OF PAUL

With four albums and 442 million streams to-date, country iconoclast Paul Cauthen propels into a new chapter with Book of Paul, out now on Velvet Rose Records/Thirty Tigers. Fusing classic country grit, gospel power and a rhinestone rock-and-roll edge, Cauthen delivers 13 tracks filled with a booming baritone and personal truth. 
 
Listen to Cauthen’s Book of Paul Below.

With a well-documented distaste for playing by anyone else’s rules, the singer-songwriter known as “Big Velvet” returns to his East Texas roots, writing his own creative code in permanent ink with Book of Paul.
 
“It’s just being who you are – unapologetically yourself – and that’s every one of my records,” Cauthen says. “Does it dance? Does it make you cry? Does it make you feel? As far as I’m concerned I’ve made it already. I can already do whatever I want musically. And when you get to this point you look back. I have built my whole career going against the grain, and that’s what this record is. The freaking trials and tribulations of Paul. It’s everything I wanted on an album.” 
 
Tapping the strengths of longtime family friend and chart-topping co-writer Ryan Tyndell, Steve Rusch (Jessie Murph, Koe Wetzel), Sam Martinez (Tyler Braden, Carrie Underwood), Fustin (Priscilla Block) plus Nate Ferraro (Beyoncé) for production, they captured Cauthen’s unruly essence with all the charm of a rattlesnake (and the vocal venom to match). 
 
Cauthen co-write 12 of the 13 tracks while also playing bass and drums on select tracks, making sure each song had the twisted backbone he craved. “It’s a nitty gritty, swampy, East-Texas-muddy-roots kind of feel,” Cauthen says with pride. “My claws are deep in it.”
 
Cauthen wastes no time getting to his point. Led by his burly, vibrato-laden baritone, “Book of Paul” opens the album on a minimalist mix of acoustic guitar and snare, as the troubadour confesses to his wild side, while wrestling with the sin. He spares no detail – and makes no compromise. 
 
“If you look at the Bible, there is no book of Paul,” he explains. “I just wanted to write something that embodies me, because I’m sick of hearing records catered to what’s hot and what’s working. Me, I’ve always been this country boy, East Texas guy. Roots, rock and roll, Texas gospel. If you look back at all my albums, I’m proud to say I meant everything I’ve said.” 

Tracks like “Texas Swagger,” which Cauthen will perform on “The Kelly Clarkson Show” today (check local listings HERE), serve as a mission statement, with its bronc-bucking beat, dark twang, and barely contained sense of danger. Cauthen started off with a frenetic guitar riff and some eerie “yee haw” background vocals, then added a strong dose of Big Velvet attitude.
 
Meanwhile, Cauthen puts his code to the test on “Dark Horse,” a cosmic-Western ballad fueled by epiphany he calls “a long ride on the back of a mule on a bunch of mushrooms.” The lonesome “Road Dog” recalls the bleak resignation of Johnny Cash’s “Hurt,” with coyote yips and an acoustic-industrial vibe. And with the warm, relaxing shimmer of ‘70s rock, “Cigarettes & Billy Graham” burns with an easy self acceptance – an anthem for those preachers of the open road. 
 
Elsewhere, Cauthen enters a kind of voluntary lockup with the hypnotic, outlaw-country romance of “Ain’t No Crime,” and taps a “Chattahoochee” groove for the hazy, summertime twang of “Tossin’ Back Time” (feat. Jake Worthington). 
 
Soul pop and gospel twang reach a slow-rolling confluence on the East Texas love story “Bayou By You,” and Cauthen teams with Delaney Ramsdell for the aching barstool ballad, “Chain Smoking.” “Breakaway” saunters into the sunset with a supremely casual indie-roots strut. And a colorful, character-driven country throwback unfolds on “Blue Denim & Black Gold” (the album’s only outside cut, written by Tyndell and Jeff Hyde). 
 
Meanwhile, “Texas Gravel Road” unleashes every weapon in Cauthen’s creative arsenal. Built off a slowed-down latin beat, it’s a bellowing tribute to the blood, sweat and tears behind the star’s pockmarked path – a grungy gutter rocker draped in distorted dark twang. And with the album ending on “The Voice Inside (Silence),” Cauthen enters a state of acoustic prayer. With that velvet vocal at its most raw, an anguished internal battle between dark and light unfolds. … Yet those voices may be something else entirely. Knowing them is the key to Cauthen’s code, and the driving force behind his country music. 
 
“That’s what God is. That’s the spirit. That’s you. The un-talked about. That’s the good shit,” he explains. “This record is the Book of Paul, but I would say everybody needs their own book, and the chapters in life create that. What I mean is, bet on your own. Everybody pointing fingers at you because you’re the black sheep, or because you have this trait or that, that’s what actually makes you different. So bet on that.” 
 
Cauthen was taught to sing by his grandfather in a Church of Christ, and Cauthen hit the scene with the duo Sons of Fathers in 2009, before My GospelRoom 41Country Coming Down and Black on Black unveiled a vulnerable, fire-and-brimstone songwriter with brazen attitude – craving deliverance, yet possessed by a “bird dog” instinct for theatrical rapture. Cauthen has toured the world, collaborating with Margo Price, Orville Peck, Cody Jinks and Lana Del Rey. Fan favorites include “Cocaine Country Dancing,” “Fuck You Money” and his GOLD-certified collab with Shaboozey,“Last Of My Kind.” 
 
With his nearly sold-out Tonkin’ ‘N Tejas Tour, Cauthen continues to hit the Texas touring scene while adding stops at Nashville’s Ryman Auditorium on Sept. 11 and Denver’s The Mission Ballroom on Oct. 9. For more information or to purchase tickets, please visit paulcauthenmusic.com.

Paul Cauthen Tour Dates:
April 3  |  Helotes, TX  |  Floore’s Country Store
April 18  |  Kalispell, MT  | Majestic Valley Arena
July 11 | Saint Paul, MN | Minnesota Country Club Festival
July 16  |  Jackson, WY  |  Snow King Mountain
Sept. 11  |  Nashville, TN  |  Ryman Auditorium
Sept. 19 | Pryor, OK | Born & Raised Festival
Oct. 9  |  Denver, CO  |  The Mission Ballroom

Extreme Technical Death Metallers ARCHSPIRE Release Fierce New Single "The Vessel" + Official Music Video

ARCHSPIRE, the world's fastest band, proudly release their ferocious new single, "The Vessel," taken from the upcoming album 'TOO FAST TO DIE,' set for release on April 10th. The new track arrives alongside an official music video showcasing the dangers of AI in music production.

About the music video for "The Vessel," ARCHSPIRE explains:

"Oterobotics presents: Phrygian Dominator 

The fully autonomous music production system designed to handle composition, arrangement, and final mix, taking humans entirely out of the picture.

Phrygian Dominator redefines the creative process. Operating seamlessly, it forcibly removes friction, and cuts you from the technical and creative burdens of production. 

Setup is simple: assemble using the included allen key and follow the guided instructions. Once activated, Phrygian Dominator takes over.

'Humanity Sensitivity' programming will be provided in a future cloud update, through your Oterobotics+ subscription.

So order your own Phyrgian Dominator today! Stand back and experience the future.

Like, literally stand back. Maybe hide under a desk or something.

DISCLAIMER: Oterobotics is not responsible for any outcomes resulting from improper assembly, including hospital bills, expenses related to maiming, death, fire damage, electrical damage, damage to equipment, funeral costs, or poor-quality mixes."

Watch the Music Video for "The Vessel" Below:

Since 2009, ARCHSPIRE has aimed to be one thing above all else: extreme. With their upcoming release, ‘TOO FAST TO DIE,’ they’ve once again raised the bar for what extreme music can be.

“We’re like a bit of meth in your cigarette,” says vocalist Oliver Rae Aleron, describing the band’s unhinged live show. “I think people don’t quite know how to describe what they’re hearing.”

In 2025, ARCHSPIRE announced their new drummer, Spencer Moore, marking a shift in the band’s trajectory. New blood brings new influences, and with the first single “Carrion Ladder,”they intended to show exactly how quickly he proved himself.

“I had to step my game up fast to pull off the new material,” Spencer explains. “But once we started tracking, everything felt comfortable and natural.”

 

Recorded in 2025, the album reunites the band with world-renowned producer Dave Otero(Cattle Decapitation, Khemmis) for the third time. They locked themselves inside his Denver studio for several months, cutting out distractions and dedicating themselves entirely to the record.

‘TOO FAST TO DIE’ follows the critically acclaimed Juno Award-winning ‘Bleed the Future,’ and marks the band’s first fully independent release. Early in the writing process, they chose to crowdfund the album, a strategy they’d used before, but nothing prepared them for the scale of what came next.

They raised nearly $400,000 CAD in 30 days, blowing past their goal in under 24 hours and confirming that independence was the right move.

“I was actually shaking when I pressed launch,” says guitarist Dean Lamb. “We’d never taken on something this big, and all I could think was, ‘man, I hope we don’t mess this up.’”

 

‘TOO FAST TO DIE’ is set for release on April 10, 2026, and represents a new chapter for ARCHSPIRE. Now fully independent and armed with a revitalized lineup, they’re intent on expanding their already rabid fanbase, pushing the boundaries of extreme metal, and having a great time doing it.

Pre-Order 'TOO FAST TO DIE' HERE

ARCHSPIRE will be hitting the road this Spring on the Long Roads Big Loads Touralongside special guests Undeath, Crown Magnetar and Mutilation Barbecue. The tour begins April 24th in Calgary, AB before storming across North America and concluding on June 6th in Vancouver, BC

ARCHSPIRE Live:

Long Roads Big Loads Tour

w/ Undeath, Crown Magnetar and Mutilation Barbecue

April 24 – Calgary, AB @ The Palace Theatre

April 25 – Edmonton, AB @ Midway Music Hall

April 26 – Saskatoon, SK @ Coors Event Centre

April 27 – Winnipeg, MB @ The Park Theatre

April 30 – Toronto, ON @ The Phoenix Concert Theatre

May 01 – Montreal, QC @ Théâtre Beanfield

May 02 – Quebec City, QC @ Salle Montaigne

May 03 – Worcester, MA @ Palladium Upstairs

May 05 – Reading, PA @ Reverb

May 06 – New York, NY @ Gramercy Theatre

May 07 – Baltimore, MD @ Baltimore Soundstage

May 08 – Charlotte, NC @ The Underground

May 09 – Richmond, VA @ The Canal Club

May 11 – Orlando, FL @ The Abbey

May 12 – Tampa, FL @ The Orpheum

May 13 – Atlanta, GA @ The Masquerade

May 15 – Austin, TX @ Come and Take It Live

May 16 – Houston, TX @ White Oak Music Hall

May 17 – Dallas, TX @ The Studio at The Bomb Factory

May 18 – Tulsa, OK @ The Vanguard

May 20 – Milwaukee, WI @ The Rave / Eagles Club

May 21 – Minneapolis, MN @ Fine Line

May 22 – Chicago, IL @ House of Blues

May 23 – Omaha, NE @ The Waiting Room

May 24 – Lawrence, KS @ The Granada

May 27 – Colorado Springs, CO @ The Black Sheep

May 29 – Albuquerque, NM @ Sunshine Theater

May 30 – Mesa, AZ @ The Nile Theater

May 31 – Los Angeles, CA @ The Belasco

June 02 – Roseville, CA @ Goldfield Trading Post

June 04 – Seattle, WA @ El Corazon

June 05 – Portland, OR @ Roseland Theater

June 06 – Vancouver, BC @ Rickshaw Theatre

ARCHSPIRE is the FASTEST BAND on EARTH. Blending extreme metal with neo-classical precision and a hip-hop vocal cadence, they deliver an ear-melting, rapid-fire assault unlike anything else. At inhuman speeds, ARCHSPIRE combines blistering virtuosity with a party-like atmosphere, often pulling fans on stage for drinking contests and games before leveling the crowd with their unique brand of death metal.

With 2017’s 'Relentless Mutation' and 2021’s Juno Award–winning 'Bleed the Future,' ARCHSPIRE redefined the limits of extreme metal. Their mix of aggression, surgical precision, and light-speed vocal delivery has earned them a reputation as one of the most innovative and extreme bands in modern death metal.

ARCHSPIRE is (In No Particular Order):

Dean Lamb - Guitar

Oliver Rae Aleron - Vocals

Tobi Morelli - Guitar

Jared Smith - Bass

Spencer Moore - Drums

Electronic-dreampop outfit Strange Fruit releases surreal 'Drips' EP, a cosmic motorik trip

Indonesian electro-bliss outfit Strange Fruit presents their new 'Drips' EP, a lucid trip to the edge of sonic consciousness, released by Gentle Tuesday Recordings. A defining moment in the band’s evolution, this release unifies fragments of their kosmische experimentation over the past 11 years to achieve a more cohesive sonic identity. It also sees the Jakarta-based collective step into a new league with the involvement of world-class producers Hardway Bros, Tom Furse and Jonathan Kusuma in this release.

The band also share the video for the highlight track 'Monopolar', a sensory explosion that keeps us suspended between dream and awareness, between that which is surreal and radiant. Gradually fading and blurred in technicolor, the video is directed by Mellow Splice, who also created the EP cover artwork, reflecting the track’s fluid and surreal qualities through abstract, water-like imagery.

Strange Fruit is Baldi Calvianca (vocals & synth), Irza Aryadiaz (synth), John Tampubolon (guitar), Nabil Favian (bass) and Dino Kristianto (drums). Since their 2015 debut EP 'Dolphin Leap' via Leeds Records, they've moved fluidly between noise pop, krautrock, shoegaze and electronica. Now converging into a more focused, hybrid sound with deeper integration of electronic elements, this EP is driven by machine-led rhythms and analog textures, fusing emotional depth with rhythmic precision.

Rooted in hauntology, Strange Fruit drift deep into all the right places. 'Iridescent' channels a sense of dancefloor euphoria through minimalist beats and atmospheric layering, balancing introspection with forward momentum while finding a luminous dimension within darkness and adversity.

The title track, 'Drips', celebrates the band’s roots, blending shoegaze textures and electronic elements to create a dense, immersive soundscape. Sentimental yet rebellious, the interplay of rough guitar and bass noise with hybrid electronic textures creating a sense of hazy reverie. Baldi Calvianca’s vocals sounds mercurial, merging with bursts of light.

'Pouvoir Moteur' brings steady motorik rhythms, where repetitive sensations flow seamlessly down an endless highway. Irza Aryadiaz explains: “Here we take the obsession with factory machinery operated by humans and represent it through the repetitive 4/4 beats of German krautrock. It feels like breaking through space and time when the drum pattern is played consistently, moving nonstop.”

With unexpected song structures, chord progressions and subtle embellishments, this EP was produced with electronic producer Bernardus Fritz, who shares, “Strange Fruit's strength lies in their ability to create synthesizer sounds that are reverberant, wide, and surreal. Each track tells a story—there’s a journey between scenes, with cosmic sound design that reflects us as beings living in a different galaxy."

For this EP, Strange Fruit worked with three notable producers, who reinterpreted original tracks without compromising their original essence. Sean Johnstone a.k.a. Hardway Bros—a renowned UK DJ known for founding A Love From Outer Spacewith Andrew Weatherall—infuses downtempo elements and channels a slower club-house atmosphere.  Jonathan Kusuma, a prominent member of Jakarta’s Dekadenz collective, explores extended leftfield disco with a strong focus on echo-rich, repetitive bass drum tempos.

Strange Fruit also worked with Tom Furse of The Horrors and now with MIEN(alongside The Black Angels' Alex Maas and Elephant Stone's Rishi Dhir). Re-envisioning 'Monopolar' with slower breakbeat grooves, noisier ambient textures and acid house influences, the band joins an exclusive club of artists remixed by Furse, including Tame Impala, Charlotte Gainsbourg, Temples and The Twilight Sad.

As of April 3, the 'Drips' EP is available across digital platforms via Gentle Tuesday Recordings, including Spotify, Apple Music and Bandcamp. It will be released on cassette on April 17, followed by a physical vinyl release, planned for mid-2026 in collaboration with Loide Records (SEA & Japan territories) and TipTop Records(Worldwide territories excluding SEA & Japan).

CREDITS
Written by Baldi Calvianca & Irza Aryadiaz
Performed by Strange Fruit
Produced by Bernardus Fritz & Strange Fruit
Guest vocals on 'Drips' by Putri Effendi
Mixed by Nabil Favian
Vocals recorded by Aggasta Giovanno at Studiomaja in Jakarta, Indonesia
Drums recorded by Devfian Julius Simputra at Studio 1 SAE Institute Jakarta
Premasters prepared by Hosea Hanelsan at Studio 1 SAE Institute, except for remixes
Mastered by Sam at The Wall Studio (France), except Track 6 mastered by Tom Furse
Track 5 - remix by Jonathan Kusuma
Track 6 - remix by Tom Furse
Track 7, 8 & 9 - remixes by Sean Johnston
All tracks published by Massive Music Entertainment,
except Monopolar (Hardway Bros Remix), Monopolar (Hardway Bros Live At The SSL Vocal Dub) & Monopolar (Hardway Bros Live At The SSL Dub) by Massive Music Entertainment / Minds on Fire
Album cover artwork by Moses Sihombing and Hafizh Armynazrie of Mellow Splice
'Monopolar' video produced by Gentle Tuesday Recordings & Strange Fruit
Video directed by Mellow Splice. Filmed by Moses Sihombing & Hafizh Armynazrie
Edited buy Hafizh Armynazrie & Moses Sihombing
Photographer: Osman Luqman
All Rights Reserved. © & ℗ Gentle Tuesday Recordings 2026
Bookings & Management - Benedict Pardede
Publicity by Shameless Promotion PR

Keep up with Strange Fruit
Bandcamp | Facebook | Instagram | Spotify | Apple Music | Booking contact | Press contact

Keep up with Gentle Tuesday Recordings
Bandcamp | FacebookInstagram | YouTube | Soundcloud 

Keep up with Shameless Promotion PR
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The Veldt announces 'Black Girl' single & exclusive EP for new tour with The Chameleons

The trailblazers known as The Veldt are back with their new single 'Black Girl', along with a video by Rob Weiss and James Eakins, heralding their 'Spanakopita' EP. Released as a tour-exclusive CD, featuring new tracks and experimental demos, this was created especially for their Arctic Moon Tour with post-punk legends The Chameleons. Kicking off April 7 in Minneapolis, this sweeping run of shows brings The Veldt's sound to a wide cross-section of East Coast, South-Central US and Midwest audiences, along with select Canadian dates.

One of the most notable first-wave shoegaze bands, formed in North Carolina in the 1980s by identical twins Daniel Chavis (vocals, guitar) and Danny Chavis (guitar), The Veldt have long occupied a distinctive space where shoegaze textures intersect with soul, gospel, and experimental rock. Drawing inspiration from artists as varied as Prince, Sun Ra and Pink Floyd, the band developed an approach that favors atmosphere, groove, and emotional nuance over rigid genre boundaries.

After relocating to New York City and expanding their lineup with bassist and programmer Hayato Nakao, the group deepened its sonic identity, incorporating layered production and electronic elements while maintaining a strong melodic core. Consistently prioritizing depth and mood, their recordings reward close listening and their live performances emphasize immersion.

The 'Spanakopita' EP includes mixes by Carlos Bess, engineer for the Wu-Tang Clan production circle, along with Will Brooks (Dälek) and Jason Furlow (aka Nosaj)of Nosaj Thing and New Kingdom, also known for his new project Wave Generatorsand famed collaboration with Morcheeba. Their involvement helped shape the project’s evolving fusion of post-punk atmosphere and DJ-culture experimentation—an approach developed through ongoing collaboration over the years working as a production team Illuminutty (a.k.a. VELDT).

The lead track 'Black Girl' reinterprets themes from the 1972 film 'Black Girl', reflecting the determination of a young dancer striving toward excellence, despite the social limitations surrounding her. Inspired by that spirit of persistence and vision, the track channels a modern, dream-pop-inflected atmosphere reminiscent of A.R. Kane, while moving beyond strict genre labels like shoegaze to incorporate broader influences and sonic elements.

"Many of the recordings on 'Spanakopita' point toward the direction of our next body of work. Alongside newly created material, the release also draws from a deep archive of previously unreleased recordings from past years - part of a larger collection scheduled for release this September on Little Cloud Records and 5BC Records - as we continue expanding the sound shaped through these collaborations," says Daniel Chavis.

The Veldt's music career has been rich, gradually building a solid legacy. Pitchfork included The Veldt's album 'Afrodisiac', produced by the legendary Ray Shulman (The Sundays, Bjork, The Sugarcubes) in the top 50 shoegaze albums ever released, while Stereogum included ‘Until You’re Forever’ in the top 31 shoegaze tracks. Their recent'Illuminated 1989' album, produced by Cocteau Twins' Robin Guthrie, was also widely acclaimed with support on six continents.
 
Over the years, The Veldt has collaborated with TV On The Radio, Mos Def, Lady Miss Kier (Deee-Lite), A.R.Kane and toured or played with Brian Jonestown Massacre, The Pixies, Throwing Muses, Echo & The Bunnymen, Cocteau Twins, Manic Street Preachers, Phantogram, Modern English, The Jesus and Mary Chain, Oasis, Chuck D, Living Colour and Schooly D.

Merging expansive sound design with rhythmic drive and vocal intensity, The Veldt's pairing with The Chameleons brings together two acts known for their commitment to sonic detail and emotional resonance. The Veldt’s presence on this tour underscores their own enduring relevance, continued artistic momentum and expanding horizons.

'Black Girl' is available as a Bandcamp exclusive. Tickets for The Veldt performances with The Chameleons are now available online, while the 'Spanakopita' CD can only be found at these shows. 

CREDITS
Written, Recorded & Mixed by Illuminutty (Doityodamnself Prod)
Performed by Nakao Hayato, Danny Chavis & Daniel Chavis
'Evergreen' mixed by Dälek (Will Brooks)
'Dakini (Remix)' by Carlos Bess & Jason Furlow
Produced by Illuminutty (Doityodamnself Prod) aka VELDT
Mastered by James Populos (Populis Recording)
Artwork & Layout by Danny Chavis, Joe Nesbit, and Butterfly Soup Ltd.
Copyright 5BC / Little Cloud 2026
'Black Girl' video by Rob Weiss & James Eakins
Publicity by Shameless Promotion PR 

TOUR DATES (with The Chameleons) 
APR 7 — Minneapolis, MN @ Varsity Theater
APR 8 — Madison, WI @ Majestic Theatre
APR 10 — Chicago, IL @ Lincoln Hall
APR 11 — Detroit, MI @ The Magic Stick
APR 12 — Toronto, ON @ Mod Club
APR 13 — Montreal, QC @ Théâtre Fairmount
APR 14 — Somerville, MA @ Crystal Ballroom
APR 16 — Brooklyn, NY @ Warsaw
APR 17 — Washington, DC @ Black Cat
APR 18 — Philadelphia, PA @ Underground Arts
APR 19 — Asbury Park, NJ @ The Stone Pony
APR 20 — Richmond, VA @ Richmond Music Hall
APR 21 — Durham, NC @ Motorco Music Hall
APR 23 — Tampa, FL @ New World Music Hall
APR 24 — Orlando, FL @ The Social
APR 25 — West Palm Beach, FL @ Respectable Street
APR 26 — Jacksonville, FL @ Jack Rabbits
APR 27 — Atlanta, GA @ Center Stage – The Loft
APR 28 — Nashville, TN @ The Basement East
APR 30 — Fort Worth, TX @ Tulips
MAY 1 — Austin, TX @ Mohawk (Outside)
MAY 2 — Houston, TX @ Numbers


Keep up with The Veldt
Bandcamp | Facebook | Twitter | YouTube | Instagram | Apple Music | Spotify | BandsInTown SongKick | Press contact

Keep up with Little Cloud Records
Website | Facebook | Bandcamp  | Twitter | Instagram | YouTubePress contact

Keep up with Shameless Promotion PR
Website | Facebook Twitter |  Instagram | BlueSky | Threads  Soundcloud | LinkedIn | Ema il

POWER PALADIN Release New Album Beyond The Reach Of Enchantment And Share "The Arcane Tower" Music Video Feat. Tommy Johansson (MAJESTICA)!

Icelandic heavy metal outfit POWER PALADIN have released their highly anticipated new album Beyond The Reach Of Enchantment  via ROAR – A Division of Reigning Phoenix Music.

In celebration of the release, the band have just unveiled a new music video for the track “The Arcane Tower”, featuring a guest appearance by Tommy Johansson of MAJESTICA. The clip offers a behind-the-scenes look into the studio recording process, interwoven with performance footage that captures the band’s dynamic energy.

POWER PALADIN vocalist Atli Guðlaugsson describes the song as “a high octane banger featuring none other than Tommy Johansson from Majestica. Full of epic orchestrals, choirs and drama, this song details the exploration of the mysterious arcane tower and its inhabitants.”

The video clip below:

With their new offering Beyond The Reach Of Enchantment, POWER PALADIN take the next step in their musical journey. The album features eight epic tracks, each unfolding like a chapter in a sweeping saga of power, mystery and adventure. 
 
Building on the success of their debut With the Magic of Windfyre Steel, the band delivers a more mature and refined sound while fully retaining the energy and spirit that defined their early days. The album was mixed by Haukur Hannes (AUÐN, DYNFARI) and mastered by Frank de Jong (BLEEDING GODS), resulting in a production that is both powerful and crystal clear.

Once again, POWER PALADIN pay homage to their influences - IRON MAIDEN, DIO and HELLOWEEN - while confidently carving out their own place in the modern power metal landscape. The album artwork, created by James Child (Astral Clock Tower Studios), perfectly captures the adventurous and fantastical essence of the record, that promises to be a bold and immersive next chapter for POWER PALADIN!

Order Beyond The Reach Of Enchantment here:

https://powerpaladin.rpm.link/enchantmentPR

About POWER PALADIN
Formed in Iceland, POWER PALADIN emerged from a shared passion for classic heavy metal, soaring melodies and fantasy-driven storytelling. Since their inception, the band has blended the spirit of traditional power metal with the raw edge of NWOBHM influences, forging a sound that feels both nostalgic and fresh.

Their debut album With the Magic of Windfyre Steel quickly established POWER PALADIN as a rising force in the international power metal scene. With Beyond The Reach Of Enchantment, the band further expands their musical and lyrical universe, proving their dedication to epic songwriting, strong hooks and timeless metal values.
 

POWER PALADIN is:
Atli Guðlaugsson (vocals)
Bjarni Þór Jóhannsson (guitars)
Ingi Þórisson (guitars)
Einar Karl Júlíusson (drums) 
Bjarni Egill Ögmundsson (keyboards) 
Kristleifur Þorsteinsson (bass)


More on POWER PALADIN:
Website: https://www.powerpaladin.is/ 
Facebook: https://www.facebook.com/powerpaladinice 
Instagram: https://www.instagram.com/powerpaladinice/ 
TikTok: https://www.tiktok.com/@powerpaladin 
YouTube: https://www.youtube.com/c/PowerPaladinOfficial

Out Now - IRON SAVIOR - Awesome Anthems Of The Galaxy

After reigniting their cosmic engines with Machine World – Reforged in 2025, IRON SAVIOR return from the stars with their most daring mission yet: Awesome Anthems of the Galaxy. Building on the modern firestorm of their Noise-era classics, this new release catapults the band into uncharted territory as IRON SAVIOR takes some of the ’80s most iconic pop hits and forge them into blazing power metal epics, charged with their signature energy, precision, and unstoppable spirit.

From the electrifying rush of A-ha’s “Take On Me” and the thunderous drama of Phil Collins’ “Against All Odds,” to the cinematic pulse of Jermaine Jackson & Pia Zadora’s “When the Rain Begins to Fall” and the adrenaline-fueled Michael Sembello hit “Maniac,” IRON SAVIOR transform timeless hits into a heroic, melodic, full-throttle power metal journey.

“After the huge success of the 2002 Condition Red bonus track ‘Crazy’ (Seal), which was actually used in an HBO TV show,we have been asked by fans and media almost constantly to do a complete cover tracks album. So… two decades later, here we are!” quotes frontman Piet Sielck. Awesome Anthems continues the transformation from pop-to-metal in IronSavior style as started with Seal’s ‘Crazy’ and Eurythmics’ ‘Sweet Dreams.’ We are absolutely proud of the outcome, which never loses the original vibe of the tracks but yet is 100% IRON SAVIOR. Just listen yourself... I guarantee a lot of smiles while doing so!”

With Awesome Anthems of the Galaxy, IRON SAVIOR fuse nostalgia and futurism, passion and precision, proving once again that the past can shine brighter than ever when reforged in metal.

Connie Converse How Sad, How Lovely Out Now

Nearly 51 years after the singer-songwriter’s disappearance comes the first reissue of this album in nearly 10 years in any format. 20 tracks (including a bonus 7" featuring the previously unreleased “House” and the new remix of “Playboy of the Western World” courtesy of Dirick Cummins) that are as poignant and potent as ever and showcase an artist that was operating light years ahead of her time. 

 

Order yours online, pick it up at your local independent record shop... Or stop by a Third Man Records storefront to secure a copy that includes an exclusive Lyrical World of Connie Converse zine with your purchase (while supplies last).

 

Also now available at Third Man Records storefronts, ROVING WOMAN bumper stickers. Come-a-riding with Connie and spread the word of her legend and folklore. And they beckoned me to follow, and they took me

Finnish Doom Metal Act GRAIN OF PAIN Celebrates Album Release of "Behind Us All" with New Lyric Video for "Ruins of the Heart"!

Finnish doom metal act GRAIN OF PAIN celebrates the release of their highly anticipated new album "Behind Us All", out now via Noble Demon. To mark the occasion, the band has unveiled a haunting lyric video for the track "Ruins of the Heart".

Mastermind Timo Solonen reflects on the song’s meaning: "There is always someone who wants to lead and use religion or anything to rule others. Do we learn from history or do we repeat the same mistakes over and over again? Is that really what our hearts really want? Do we want to be ruled by someone so we don’t have to make choices? Juho’s solo captures perfectly the meaning of the song and the melody in the end haunts you forever."

Watch the video Below:

Stream the single HERE

With "Behind Us All", GRAIN OF PAIN takes their signature blend of doom and death metal to new emotional depths. Combining crushing heaviness with melodic intensity and a dark, immersive atmosphere, the album showcases a refined and powerful sound that resonates long after the final note fades.

Hailing from Finland, GRAIN OF PAIN is driven by Timo Solonen, who is responsible for songwriting, guitars, and vocals. On bass and clean vocals, Lars Eikind (Before The Dawn) adds a distinct melodic dimension to the band’s sound, further elevating the dynamic range of the compositions.

The album also features renowned musicians Juho Räihä (guitars, additional screams) and Juuso Raatikainen (drums), both known for their work with Swallow the Sun.

"Behind Us All" was produced, recorded, mixed, and mastered by Juho Räihä at SoundSpiral Audio, ensuring a cohesive and powerful sonic experience throughout.

Following their signing with German metal label Noble Demon in 2024 for their debut album "The Moon Lights The Way", GRAIN OF PAIN now raises the stakes with their sophomore full-length release. "Behind Us All" stands as a testament to the band’s evolution, delivering a deeply atmospheric and emotionally charged listening experience.

Swedish Punk Rockers DEVIL'S CIGARETTE Release New Album 'Meet Me On The Floor Tonight!' Out Now via Wild Kingdom / Sound Pollution

Stockholm’s own DEVIL’S CIGARETTE, one of the most talked-about new acts on Sweden’s rising rock scene, are proud to release their new album, 'Meet Me On The Floor Tonight!,' out now via Wild Kingdom / Sound Pollution. To celebrate, the band also shares the title track, alongside an official music video, available below.

DEVIL’S CIGARETTE delivers a sharp, modern take on rock with commanding choruses, searing guitars, and driving rhythms. Their new single and video for “Meet Me On The Floor Tonight” captures the band’s attitude, urgency, and unmistakable identity.

Directed in true DIY spirit by band members Miles Martin and Lucas Kinnari, the video highlights the central role of the song itself — the heart of everything the band creates.

While rooted in garage rock grit, DEVIL’S CIGARETTE represents a new generation. Their youthful energy and evolving sound push the genre forward with clarity, maturity, and dynamic force. ‘Meet Me On The Floor Tonight’ marks a defining step in that progression.

On stage, the band delivers explosive, confident performances that have made them a standout presence in Stockholm’s underground scene — intense, visceral, and impossible to forget.

“We want every show to feel like a party — an explosion of energy where the audience is just as much a part of the experience as we are,” the band states.

Watch the Music Video for "Meet Me On The Floor Tonight" Below":

Since forming in Stockholm in 2023, DEVIL’S CIGARETTE have rapidly built a reputation as a band to watch. Their explosive live shows, relentless energy and ability to cut through the noise have taken them from cramped basement venues to becoming one of the most buzzed about names in Sweden’s new wave of rock.

With “I'm Bored” leading the way and ‘Meet Me On The Floor Tonight!’ on the horizon, DEVIL’S CIGARETTE are poised to take their next major step. Their blend of raw musical force, magnetic stage presence and fearless ambition positions them as one of Sweden’s most exciting emerging exports.

DEVIL’S CIGARETTE aren’t just the next big thing in Swedish rock. They’ve already arrived, and they refuse to be ignored.

Order 'Meet Me On The Floor Tonight!' HERE

CHEZ KANE Releases New Album 'Reckless' — Out Now via Frontiers Music Srl

CHEZ KANE is thrilled to release her new studio album, 'Reckless,' out now via Frontiers Music Srl. To celebrate the release, CHEZ also shares her new single, "Too Dangerous," alongside an official visualizer, available below.

CHEZ comments:

'Too Dangerous' lives in that space between warning signs and temptation - it captures the tension at the heart of 'Reckless,' where you know better, but it feels too good to resist.”

Talking about the record, CHEZ said:

“Finally, I can tell you! The official announcement of my third album, 'Reckless', is here! My last album, 'Powerzone,' dropped in 2022, and I’ve grown a lot since then. This time around, I got hands-on and collaborated on some writing. I pushed myself hard to make something that’s bigger, bolder, and yeah… sexy as hell.

“Massive thank you to Danny Rexon once again for being incredible to work with. Creating this with you was magic”, she added. “I can't wait for you guys to hear what we’ve made!”

Watch the Visualizer for “Too Dangerous" Below:

CHEZ KANE is back with her third studio album, 'Reckless' - an explosive blend of arena-ready hooks, slick guitar work, and unapologetic 80s-style swagger. Following the success of her first two records, CHEZ levels up with a collection that’s bigger in sound, richer in emotion, and packed with pure melodic firepower.

Once again, written and produced by Danny Rexon, frontman of Swedish hard rockers Crazy Lixx, 'Reckless' channels the golden age of melodic rock while injecting it with fresh energy and modern production.

The chemistry between CHEZ and Danny continues to shine, resulting in a record that blends 80s-inspired anthems, infectious hooks, and soaring vocals into a modern rock statement with attitude.

From glam-infused bangers to emotional slow-burners, 'Reckless' showcases CHEZ’s growing confidence and undeniable charisma, proving she’s not just riding the revival wave - she’s leading it.

If you’re craving fist-pumping choruses, soaring vocals, and a no-holds-barred throwback to the glory days of rock, look no further. CHEZ KANE’s 'Reckless' is melodic rock done right - bold, catchy, and undeniably alive.

Turn it up loud. This one’s recklessly unforgettable!

Order 'Reckless' HERE

Black Metal Legends Winterfylleth Release Title Track + New Album "The Unyielding Season"

With the release of their ninth album, The Unyielding Season, out now via Napalm Records, UK's black metal legends WINTERFYLLETH unleash the title track as the third single. "The Unyielding Season" captures the overarching theme of the album: The song is a reflection of the current state of the world wrapped in raging, yet refined atmospheric black metal, guiding the way to a worthy follow up to 2024's celebrated predecessor The Imperious Horizon.

WINTERFYLLETH's ninth album is a social commentary wrapped in meticulously crafted poetry and prose. Where the preceding album described an ominous, malevolent force, lurking in the distance, The Unyielding Season now explores said threat becoming a reality.

Chris Naughton on "The Unyielding Season":
"'The Unyielding Season' – the song that puts music and emotion to the album concept as a whole. A beautiful, haunting and reflective track that tries to capture the weight and gravity of the current social circumstances we are living through in the world. It shares its concept with that of the wider album, and essentially tries to be a voice of the people against the tide of pressures in the world."

Watch the visualizer video for "The Unyielding Season" BELOW !

WINTERFYLLETH about the new album:
"2026 marks a year of big changes for WINTERFYLLETH! A new label, a new member, a new album, and the landmark of 20 years making music together. We are enthused by what this new chapter will bring, and as a result, we are now able to share our ninth album, The Unyielding Season, with the world. It is also a powerful and virulent first output, through which we seal our new collaboration with Napalm Records.

In many ways, the new album is a reflection on — and a rebellion against — the turmoil's and fears that are tearing the lives of many individuals apart. It is a cry against the unsustainable & constant weight of malevolence and pressure being pushed into the world by agents of an un-resting and unyielding force for evil. We hope the album resonates with you, stirs your soul, and gives you a source for hope. But, we also hope it makes you ask questions of your own circumstances and gives you pause to consider the unnerving state of the world we all share."

Order your copy of The Unyielding Season NOW!

WINTERFYLLETH ARE:
Chris Naughton – Vocals, Guitars
Simon Lucas – Drums
Mark Doyle – Bass, Backing Vocals
Mark Deeks – Keyboard, Synth, Backing Vocals
Russell Dobson – Lead Guitar, Backing Vocals

Post-punk legends Jah Wobble & Jon Klein release ‘Automated Paradise' album

Jah Wobble (Public Image Ltd) and guitarist Jon Klein (Siouxsie & The Banshees, Specimen) have released their 'Automated Paradise' album, their third collaborative record and also their debut album as a duo with Peckham-based label Dimple Discs. These two legends first combined forces on the 'Metal Box – Rebuilt In Dub' album in 2021, they continue to collaborate live and in the studio.

This is Jah Wobble’s first post-punk album in recent years, these brash guitar-driven tracks reflecting his preoccupation with the declining state of the nation. Driven by his weekly experience with Klein at the "Tuned In" music community project in Merton, this record recalls the spirit of Mark Stewart - angry in an empathetic, constructive way. The lyrical content mainly came together in the studio.

"Making this record with Jon Klein was (as ever) an absolute buzz. Totally in the moment. The music comes from that silent place. It’s pre-existing. You just allow it to flow. Sometimes you organise it early in  the process, sometimes you let it flow, with minimum direction," says Jah Wobble.

"Sometimes you conceptualise it from the get go (chord structures, set pre-ordained rhythms, bossa-nova, waltz, one drop, etc.  Sometimes it’s the opposite of that (see under Can, Metal Box etc. Sometimes you refer to memory sometimes you are “in the moment”. This was one of those in the moment records, that got quickly recognised for what it was and was duly processed."

Dimple Discs earlier shared the motorik lead track ‘Fading Away’, pulsating with the raw electrical tension of British post-punk and new wave, and the fire-buster 'Who Wins?', a song about distrust — about the growing sense that the grand halls of power have become echo chambers of empty promises. Both songs capture moments when the atmosphere shifts in humanity's current trajectory.

"This album started to take shape with the more angular noises pieces, but then stepped away into different places occasionally almost ambient. The sketches I presented for some tracks were turned upside down once Jah got hold of them. He tried different ideas for lyrics at different stages of each song's evolution, sometimes improvising themes and tunes that we’d edit and organise, and other times composing final ideas prior to recording," explains Jon Klein.

"That age old tradition of waiting around in studios, whilst the engineer boffin endlessly twiddles knobs whilst speaking in numerical tongues is something we are keen avoid. We like to make things happen in the moment, in a way that attendees can follow. Often we complete a working draft to a piece of music from scratch in a few hours".

This album follows two 2025 albums for Wobble -  ‘Dub Volume 1' (Dimple Discs) and the expanded reissue of the 2017 album 'The Usual Suspects', featuring 25 career highlights, re-recorded and including some of Wobble’s finest material, alongside tracks by Invaders Of The Heart and PiL.

Guitarist and producer Jon Klein was a member of Siouxsie and the Banshees from 1987 until 1994 (the 'Peepshow', 'Superstition' and 'The Rapture' era). Originally in the Bristol band Europeans, he then formed the glam-goth act Specimen and relocated to London, where he co-founded The Batcave nightclub. He has worked with Talvin Singh and Sinéad O'Connor, and co-produced a string of No. 1 albums for Warner-signed Fangoria, fueling a decade-long streak of chart-topping success in Spain. 

'Automatic Paradise' is out now via Bandcamp, and available on both CD and transparent vinyl, with this pressing limited to 800 copies.  Jah Wobble & The Invaders Of The Heart continue touring the UK in 2026, and tickets can be ordered at https://jahwobble.com/#live

CREDITS
'Fading Away' & 'Endless Sky' written by Jah Wobble, John Tian Chi Wardle & Jon Klein
'Automated Paradise', 'Make It Stop' & 'Terminal Terminal The End' written by Jah Wobble, Gilberto Giannacchi & Jon Klein
'Tempodrom' & 'Who Wins?' written by Jah Wobble, Izumi Karaage & Jon Klein
'Read Between The Lines' written by Jah Wobble, John Tian Chi Wardle, Jon Klein & Anthony Hopkins
Jah Wobble – bass on all tracks; vocals (tracks 1, 2, 4, 6, 7)
Jon Klein – guitar (all tracks); programming (tracks 1, 4, 7); synthesizer (track 1); EBow (track 4); clarinet, electric piano, glockenspiel, melodica, lap steel guitar (track 8); back vocals (tracks 1, 2, 3, 6)
John Tian Chi Wardle – drums (tracks 1, 4, 7)
Gilberto Giannacchi – drums (tracks 2, 5, 6)
Izumi Karaage – drums (tracks 3, 8)
Keiko Yamazaki – backing vocals (track 1)
Anthony Hopkins – keyboards (track 4)
Produced by Jah Wobble & Jon Klein
Engineered & mixed by Jon Klein at Tuned In Studio & Ground Control
Mastered by Anthony Chapman
Cover artwork & design by Jah Wobble
Released by Dimple Discs - Barcode 5052571225325
Vinyl catalogue ID #DEEDEE081LP / CD catalogue ID #DEEDEE081CD
Live photos byFergus Kelly / Room Temperature
Other photos byPeter McDowell
Publicity by Shameless Promotion PR

HELLRIPPER Launches Raucous New Anthem, "Blakk Satanik Fvkkstorm," New Album 'Coronach' Out TODAY

Scotland's ibex-obsessed blackened thrash bastard of Hades, otherwise known as HELLRIPPER, is pleased to finally release his latest offering, 'Coronach,' today via Century Media Records! In celebration, HELLRIPPER is now sharing a lyric video for the raucous anthem, "Blakk Satanik Fvkkstorm." The video was created by Cloud Motion Design and can be found below.

HELLRIPPER mastermind James McBain says of the album, “‘Coronach’ is a personal exploration of Scottish Culture — its music, literature, history & folklore. The album is the culmination of 3 years of hard work, and is a project that totally consumed me. From Pictish mysteries to Victorian Gothic literature, sinister lore, classic Scottish poetry and modern urban tales, the album tells stories of the country throughout the ages.

"Inspired by anything and everything from Venom and Mercyful Fate, to Watain and Opeth, to Manic Street Preachers, film scores and traditional Scottish music, the album is a good representation of myself all wrapped up in a nice speed metal package!

"Quite a bit of experimentation went into this album, and I wanted each track to contain something that I had never done previously. Whether it be the inclusion of a different instrument, or how a song begins, I aimed to offer some element of surprise in each track.

:The album, named after the vocal lament traditionally sung at funerals in the Scottish Highlands, encompasses everything the band is about: mixing modern and old-school influences, past and present storytelling, the dark side of Scottish history and my personal interpretation of it.

"As always, the writing and recording took place in my home studio, with various other people putting their stamp on a few of the tracks. The album was mixed by myself, and was mastered by Damian Herring at Subterranean Watchtower Studios and the artwork was done by Adam Burke (Nightjar Illustration).

"Fàilte gu Alba - Welcome to Scotland!"

In regards to the new single, McBain adds "'Blakk Satanik Fvkkstorm' is “a tale of witchcraft and possession set in a bleak moorland village inspired by Victorian Gothic Literature - particularly the ghost story of 'Thrawn Janet' by Scottish author Robert Louis Stevenson. Lyrically, to match the vibe and energy of the track, I wanted my interpretation of the tale to feel like an 80's horror film. This is perhaps the most "full-on" track on the album, and that's reflected in its shorter length. It's motor-charged, black 'n' roll in the vein of Venom, with a dose of classic heavy metal for good measure!”.

'Coronach' has been released worldwide on March 27, 2026 via Century Media Records, making it his debut to the label! 'Coronach' can be streamed, downloaded, or ordered HERE.

In addition, Hellripper will soon embark on European headline tour alongside Schizophrenia and Sarcator to promote 'Coronach.' He will also appear on a number of festivals this year and has also announced a string of support shows for thrash metal legend Testament in Spain and France. The full itinerary can be found below while tickets can be found HERE.

Enter the GOAT KVLT HERE.

The brainchild of guitarist/vocalist/solitary force, James McBain, Hellripper has been running like a denim-vested, backpatch-encrusted William Wallace, bravehearting his way through metal's bloodiest battlefields since first coagulating his personal darkness in 2014. Taking armaments from “Kill 'Em All” era Hetfield and “Welcome to Hell” era Mantas, McBain has immersed his fascination with darkness and speed with Scottish history and come with bloody masterpieces like 2023's “Warlocks Grim & Withered Hags” that Metal Injection stated: "Bursts with growth and a mature exploration of darkness and eeriness while maintaining that original high-octane burning”. McBain is presently sharpening his blades and casting new spells that will transmogrify into Hellripper's Century Media debut “Coronach”.

Hellripper Lineup:

James McBain – All Instruments & Vocals

Hellripper live and video performance line-up:

James McBain – Guitar & Vocals

Joseph Quinlan – Guitar

Andy Milburn – Bass

Max Southall – Drums

Album credits:

Recorded and mixed by Hellripper’s James McBain at Coronach Studios in Scotland, UK

Mastered by Damien Herring at Subterranean Watchtower Studios in the USA.

Cover Artwork: Adam Burke / Nightjar Illustration

Formats:

Jewelcase CD

Digital Album

LP (formats below):

- “Black Cuillin” LP on black vinyl (Unlimited, available in Europe)

- “Wild Thistle” LP on transp. magenta vinyl (Ltd. to 400x copies, available from UK retailers and Hellripper)

- “Saltire” LP on blue vinyl (Ltd. to 300x copies, available from selected German & Austrian retailers and from Hellripper)

- “Highland Mist” LP on grey vinyl (Ltd. to 1000x copies, available from Hellripper)

- “Baobhan Sith” LP on transp. forest green vinyl (Unlimited, available in the USA)

- “Granite City” LP on electric smoke colored vinyl (Ltd. to 500x copies, available in the USA)

- “Bean Nighe” LP on ultra clear vinyl (Ltd. to 300x copies, available in the USA from Hellripper)

Pre-order // pre-save: https://hellripperband.lnk.to/Coronach-AlbumID

Links:

Website

Instagram

YouTube

Spotify

TikTok

Discord

Twitch

Facebook

MONIQUE ORTIZ Makes Waves with New Single “SWIMMING POOL DREAM” and Announces Forthcoming Album RISE OF NONES Due Out April 10

Known by some as the “Queen of Low Rock” and her association and collaborations with members of the iconic band Morphine, acclaimed bassist, vocalist and songwriter MONIQUE ORTIZ(Bourbon Princess, Alien Knife Fight and A.K.A.C.O.D with Morphine saxophonist Dana Colley and drummer Larry Dersch) returns to the alt-pop scene with the forthcoming album "Rise Of Nones", her first full-length solo release in nearly twenty years.

With “Swimming Pool Dream,” Ortiz invites listeners into a hypnotic sonic world where shimmering melodies meet raw emotional undercurrents. The track balances dreamlike textures with a pulsing intensity, creating an immersive listening experience that feels both intimate and expansive. Anchored by Ortiz’s captivating vocal delivery, the single explores themes of memory, longing, and the tension between stillness and movement.

Staking her claim to a new, alternative high ground with a collection of ten iconic new tracks, including “Feels Like I’m Missing”, featuring Morphine co-founder Dana Colley.

RISEOFNONES.COM

Other stand-out tracks include the electro-pop-tinged “Swimming Pool Dream”; featured single “Soul Transmission”, and the plaintive,emotionally-tectonic album opener “Eclipsed”.

The release features original album artwork by Ortiz, and an expanded 20-page companion booklet. A summer-long promotional effort and live dates in support of “Rise of Nones” will be announced Spring 2026.

Exodus Ignite Chaos With Third Single "Promise You This" Video

Bay Area Thrash metal pioneers EXODUS are about to release their new single "Promise You This" the final single taken from their new album Goliath .Fueled by cyclonic riffs, ferocious energy and turbocharged soloing from guitar icon and main songwriter Gary Holt, the track channels the band’s unrelenting power and marks another fierce showcase of Rob Dukes' commanding return. EXODUS prove once again that their thrash supremacy remains untouchable, after shaping the genre for almost half a century.

Even over 40 years after their debut, EXODUS are steadfast in their refusal to settle for the safety of mediocrity and continue to forge their trademark just as resolutely as they did in their fruition. The band's highly anticipated 12th studio album is their most multifaceted offering so far, featuring several epic collaborations and marking the return of Rob Dukes as lead vocalist. Secure your copy of Goliath now and check out the music video for the title track below!

EXODUS on "Promise You This":
"Promise You This" is one of our favorite songs on the new record, it’s just heavy as fuck but rocks just as hard. The song was inspired by some of the life lessons learned from my father and how long it took me to really listen." 

Goliath wastes no time proving as massive as its name, with a sinister introduction opening "3111." Ode to owning one’s own volatility "Hostis Humani Generis" features a palpable lyrical delivery from Rob Dukes that cuts like crystal amid frenetic riffs, before rolling into "The Changing Me." The track’s introductory notes cascade into hair-raising rhythms, forming one of the band’s most anthemic offerings – blending menace and melody with the cleans of guest Peter Tägtgren (Hypocrisy, Pain) together with Tom Hunting and at the end both Peter and Robb scream off the song. Harmonic dual axe acrobatics from resident guitar legends Gary Holt and Lee Altus. "Promise You This" incites mosh pit treachery with explosive energy, cyclonic riffs and turbocharged soloing from Holt and Altus. Tracks like "Beyond The Event Horizon" and "2 Minutes Hate" provide EXODUS' trademark deadly dose of thrash theatricality – the latter boasting one of the album’s most grimacing, grooving pit primers – while undeniably 90s-tinged metallic charm attacks alongside drummer Tom Hunting and bassist Jack Gibson’s unmistakable rhythmic rage on tracks like "Violence Works." The nearly eight-minute epic "Summon Of The God Unknown" turns the danger dial to max capacity, setting the stage with a wicked introductory passage before traversing a variegated passage of trudging riffs and heavy metal melody. Power packed closer "The Dirtiest Of The Dozen" wraps the album on a manic high, showcasing EXODUS pulling out all the stops on all instruments. Flurried dueling solos, an isolated bass excursion, rigorous drum dexterity and a blend of both gritty vocal passages and cutting chants combine to serve as yet another prime example of the band’s ever-evolving musical mastery.

Produced by EXODUS, mixed and mastered by Mark Lewis (Whitechapel, Nile, Undeath), Goliath beams with the explosive authenticity that has set EXODUS eons apart from their peers since the release of their debut, 1985’s groundbreaking thrash blueprint Bonded By Blood. 40 years later, EXODUS are steadfast in their refusal to settle for the safety of mediocrity, fearing nothing and no one and continuing to forge their trademark just as resolutely as they did in their fruition.

EXODUS on the new album Goliath:
"Are we excited for this record? That’s an understatement. We put everything we had into this record (and it’s 80 percent complete follow up, but we’ll save that conversation for another day!) and it’s one of our proudest accomplishments. Wildly collaborative, the most band centric album to date with four songs written by Lee, lyrics by Gary, Rob, Lee and Tom, and just killer all the way around. The time to let the monster loose is coming! Bow Down!"

USA Tour (w/ Sepultura)
4/29 — Montclair, NJ — The Wellmont
5/1 — Montreal, QC — MTELUS
5/2 — London, ON — London Music Hall
5/4 — Detroit, MI — Royal Oak Theater
5/5 — Louisville, KY — Old Forester's Paristown Hall
5/6 — Nashville, TN — Brooklyn Bowl
5/7 — Atlanta, GA — The Masquerade (Heaven)
5/8 — New Orleans, LA — The Civic Theatre
5/11 — Charleston, SC — Charleston Music Farm
5/12 — Greensboro, NC — Piedmont Hall
5/13 — Reading, PA — Reverb
5/15 — Chicago, IL — Ramova Theater
5/17 — Milwaukee, WI — The Rave
5/19 — Des Moines, IA — Val Air Ballroom
5/21 — Denver, CO — The Ogden Theatre
5/22 — Salt Lake City, UT — The Depot
5/23 — Boise, ID — Shrine Social Club
5/25 — Las Vegas, NV — House of Blues
5/26 — San Diego, CA — The Observatory North Park
5/28 — Berkeley, CA — UC Theatre
5/29 — Los Angeles, CA — The Wiltern

EXODUS is:
Tom Hunting - drums 
Gary Holt - guitars
Jack Gibson - bass, backing vocals 
Lee Altus - guitars
Rob Dukes - lead vocals

Great American Ghost Release "The Tragedy of the Commons (Reconstructed)" Deluxe Edition With LOTS of Extras

New Hampshire quintet GREAT AMERICAN GHOST Ethan Harrison [vocals], Niko Gasparrini [guitar], Grayson Stewart [guitar], Anthony Laur [bass],and Sebastian L-R [drums] — have today released the digital-only, deluxe version of their 2025-released album The Tragedy of the Commons, featuring 19 tracks. It features the full, original album, two previously released additional singles ("Kerosene | Purged" and "Scars," a Deftones cover ("Hole in the Earth"), and further new songs.

Listen to and get The Tragedy of the Commons (Reconstructed) here.

"We realized we had more to say within the space we created for The Tragedy of the Commons," the band declares. "This will be our final word."

It's a "must own" for diehard fans!

Today, the band has shared the visual for "Hymn of Decay," featuring Scott Kennedy from Bleed From Within. Watch and listen Below:

Great American Ghost are touring this spring. All dates are below.

GREAT AMERICAN GHOST ON TOUR:
3/20 — Manchester, England — Manchester Academy
3/21 — Glasgow, Scotland — The Garage
3/22 — Birmingham, England — O2 Academy Birmingham

4/3 — Montreal, QC — Théâtre Beanfield
4/4 — Toronto, ON — The Opera House
4/6 — Philadelphia, PA — Theatre of Living Arts
4/7 — Lakewood, OH — The Roxy
4/10 — Detroit, MI — Saint Andrew's Hall
4/14 — Minneapolis, MN — Varsity Theater
4/17 — Englewood, CO — Gothic Theatre
4/19 — Boise, ID — Shrine Social Club
4/24 — Los Angeles, CA — The Regent Theater
4/25 — Pomona, CA — The Glass House
4/26 — Phoenix, AZ — Crescent Ballroom
4/28 — Austin, TX — Come and Take It Live
4/29 — Dallas, TX — Granada Theater

5/2 — Atlanta, GA — The Masquerade
5/6 — Baltimore, MD — Nevermore Hall
5/7 — New York, NY — Gramercy Theatre

  Back in 2012, Great American Ghost rose up out of the Northeast with an undeniable and unpredictable signature style. They quietly progressed over the course of Everyone Leaves [2015], Hatred Stems From The Seed [2017], and Power Through Terror [2020] (named one of RIFF's 60 Best Metal Albums of 2020), while tallying millions of streams. Leveling up, 2022's Torture World EP earned widespread acclaim. NO ECHO christened it "a 4-song EP as brutal as its title suggests," and V13 raved, "It may only be four tracks long but every single one of these fourteen savage minutes will absolutely maul you to within an inch of your life." Along the way, they toured with everyone from The Ghost Inside to Alpha Wolf and Fit For A King. Signing to Sharptone Records, they hit the studio with producer Will Putney and crafted Tragedy Of The Commons, which arrived in early 2025.

Lost In Hollywood Present Their Self-Titled Album

Lost In Hollywood don't arrive with a debut — they crash into it.

Their self-titled record "Lost In Hollywood" isn't an introduction. It's a statement carved out of momentum, built on the back of a run of singles that didn't just perform — they connected. Track by track, the band turned heads, pulled listeners in, and quietly built something real. No shortcuts, no overnight hype — just steady growth that now reflects in over 130,000 monthly listeners on Spotify alone.

At the center of it all sits "Ghost In The Water."

Not a centerpiece by accident, but by weight. The kind of track that doesn’t ask for attention — it holds it. Tension-driven, immersive, and cutting deeper with every second, it captures exactly where Lost In Hollywood stand right now: Confident, refined, and fully locked into their identity.

The self-titled album pulls together everything they've been building toward — the sharp edges, the atmosphere, the hooks that linger longer than expected. It feels intentional without losing urgency. Controlled, but never safe.

Lost In Hollywood have outgrown the "next up" label.

This is the point where they arrive — and stay.

Poison the Well Drop Video for "Weeping Tones" — WATCH // "Peace in Place" Out Now

POISON THE WELL are thrilled to release PEACE IN PLACE, their first album in 16 years, via SharpTone Records. Listen and get it here

They share the video for "Weeping Tones." Watch it here.

"There's a quiet loss of control that comes from feeling like you can't fully be yourself anymore,” offers singer Jeffrey Moreira. “When you have to shrink who you are just to avoid judgment or conflict, it starts to feel like something is being taken from you. That's what 'Weeping Tones' is about.”

He continues, "This video reflects that struggle, but it also holds onto something stronger — the one thing no one can take from you: Your ability to give your love and energy to the people who matter most. No matter how heavy the world gets, no matter how much it tries to pull you apart, you can always choose to keep walking until you reach what matters most — hold it close, and never let go."

PTW recently announced their Spring 2026 headline tour. Converge will support with Balmora, SPY, The Armed, and The Barbarians of California appearing on different segments. Tickets and more information are available here. All dates are below.

POISON THE WELL ON TOUR:
4/2 — Cleveland, OH — House of Blues*
4/3 — Chicago, IL — Concord Music Hall*
4/4 — Pontiac, MI — The Crofoot*
4/6 — Pittsburgh, PA — Preserving Underground*
4/7 — Toronto, ON — HISTORY*
4/9 — Worcester, MA — The Palladium*
4/10 — Queens, NY — Knockdown Center*
4/11 — Philadelphia, PA — Fillmore*
4/12 — Baltimore, MD — Nevermore Hall*
4/25 — Las Vegas, NV — Sick New World%
5/7 — Denver, CO — Summit&
5/9 — Austin, TX — Stubb’s Outdoors&
5/10 — Houston, TX — House of Blues&
5/12 — Phoenix, AZ — Nile Theater&
5/13 — Los Angeles, CA — The Belasco&
5/15 — Anaheim, CA — House of Blues&
5/16 — San Diego, CA — The Observatory North Park&
5/17 — San Francisco, CA — The Regency Ballroom&
%Festival Date
*SPY and Balmora
&The Armed and The Barbarians of California

ABOUT POISON THE WELL:
In the space of barely a breath, Poison The Well pacify fits of jarring brutality with moments of fragile beauty. Their unmistakable melodic hardcore gently dilutes the effects of trauma, betrayal, depression, and loss with hard-won wisdom and diligently earned self-acceptance. For as much force as they commit to the riffs and the breakdowns, there’s an equal amount of naked emotion encoded in their relatable hooks. At this point, they are unassumingly, yet undeniably embedded in the DNA of modern metal and hardcore. Poison The Well’s 1999 debut, The Opposite of December… A Season of Separation has claimed spots on BrooklynVegan's 15 '90s Metalcore Albums That Still Resonate Today; KERRANG!'s 21 Best U.S. Metalcore Albums of All Time; Loudwire's 25 Best Metalcore Albums of All Time; and Revolver's 10 Most Influential Metalcore Albums of All Time. Stereogumput it best, "The Opposite of December… A Season of Separation influenced a whole generation of metalcore bands." Meanwhile, 2003's You Come Before You remains regarded among Metal Hammer's 100 Greatest Metal Albums of the 21st Century and Rock Sound's 250 Greatest Albums of Our Lifetime. Despite going on hiatus following 2009's The Tropic Rot, the group's influence has only expanded over the years (as evidenced by over 100 million streams across their catalog). After touring in 2015 and 2021, they've commemorated milestone birthdays of both You Come Before You and The Opposite of December... with in-demand headline jaunts. Once again, the members felt an intense need to create as a unit. Rallying together, the guys channeled the spirit of their most celebrated material through a prism of new experience on their sixth full-length offering, Peace In Place.