NYC songstress Jessie Kilguss unveils brilliantly inspired ‘St. Teresa in Ecstasy’

NYC singer-songwriter Jessie Kilguss presents her single 'St. Teresa of Ecstasy', showcased in a brilliantly inspired video by Alex Dar, a sonic exploration of being moved by something magical and the sheer, vital power of all great art. Inspired by Bernini's dramatic Roman sculpture, this is a lyrical journey rooted in a feeling of being whisked away by something that feels celestial and profoundly greater than us all.

This is the second taste of her sixth album 'They Have A Howard Johnson's There',which was engineered, produced, mixed and mastered by Charlie Nieland (Debbie Harry, Rufus Wainwright, Blondie, Scissor Sisters) at Saturation Point Studios in Brooklyn. This song features drummer-percussionist Rob Heath (Madison Square Gardeners, Julia Nunes), guitarist-keyboardist Kirk Schoenherr (Tegan and Sara, Elle King, Chet Faker) and guitarist Andrea Longato (Duncan Shiek, Jeremy Jordan, Alphonso Ribeiro), with Charlie Nieland on bass, violin bow guitar and keys.

"The story of this song is really in the lyrics. I was visiting a friend in Rome and two different friends highly recommended I go see the sculpture The Ecstasy of St Teresa by Gian Lorenzo Bernini in the Cornaro Chapel of Santa Maria della Vittoria," explains Jessie Kilguss.

"I had a transcendent experience looking at this piece of art which I think I express better through song rather than just speaking or writing about it. Art (of all disciplines) has the ability to transport us to other places or states of being. The song is about experiencing the magic of this specific sculpture and maybe in a greater sense, the magic of being transported by something that feels bigger and more important than the everyday – something that feels otherworldly and divine."

Kilguss recently released the near-title track 'Howard Johnson's' with an era-inspired nostalgic video by Deborah Magocsi, for which she is accompanied by John Kengla (David Byrne, Ben Kweller, Serena Ryder) on guitar, bass and keys, Rob Heath on drums and percussion, and Dave Derby (The Dambuilders, Gramercy Arms, Lloyd Cole) and Charlie Nieland on backing vocals. Rembert Block (Rembert and the Basic Goodness. also features elsewhere on this album.

This offering follows her single 'Too Far From Texas' (a collab with Jim Andralis), 'You're the One' and 'Wuthering Heights'. Kilguss' 2022 album 'What Do Whales Dream About at Night?' LP features drummer Brian Griffin (Patti Smith, Brandi Carlisle, Lana Del Rey), bassist Whynot Jansveld (The Wallflowers, Butch Walker, Sara Bareilles), composer-producer Naren Rauch, and Nathan Schram (Bjork, David Crosby, David Byrne), with whom Kilguss ran the non-profit organization Musicambia.

A former actress, whose acting highlights include 'The Crucible' (with Daniel Day Lewis and Winona Ryder) and the stage production 'As You Like It' (directed by Royal Shakespeare Company founder Sir Peter Hall), Kilguss made songwriting her focus after working with musical heroes Marianne Faithfull and Mary Margaret O'Hara in the Tom Waits / William Burroughs musical 'The Black Rider'.
 
Kilguss also sings with the Loser’s Lounge, Gramercy Arms, Jim Andralis and the Syntonics and Benjamin Cartel. She's also performed at the Sundance Film Festival and with Freddie Stevenson, touring as support for The Waterboys' European tour. In June 2025, Kilguss was an artist in residence at Fish Factory Creative Center in Stodvarfjordur, Iceland where she wrote 9 new songs.

As of October 8, 'St. Teresa In Ecstasy' is available everywhere, including Apple Music, Spotify and Bandcamp with the full album to follow on November 14th. On November 5, Kilguss' Record Release Show is at Berlin Under A, with Life in a Blender and Charlie Nieland, who marks the release of his 'Stories From The Borderlines' album. 

ALBUM CREDITS
All songs written by Jessie Kilguss, except 'Jesus Was a Crossmaker' (written by Judee Sill)
Produced, engineered, mixed & mastered by Charlie Nieland at Saturation Point Studios, Brooklyn
Jessie Kilguss - vocals, arrangement
John Kengla – guitar, bass, keys on Howard Johnson’s, Fool’s Fight, Lost Causes, Jesus Was a Cross Maker
Kirk Schoenherr – guitar and keys on Chasing Down a Ghost and St Teresa in Ecstasy
Andrea Longato – guitar on St Teresa in Ecstasy
Rob Heath – Drums and percussion
Rembert Block – Backing vocals on Fool’s Fight, Chasing Down a Ghost and Lost Causes
Dave Derby - Backing vocals on Howard Johnson’s
Charlie Nieland – bass, violin bow guitar and keys on St Teresa in Ecstasy, Fool's Fight and Lost Causes, backing vocals on Howard Johnson’s
Single cover photo by Shervin Lainez
Video by Deborah Magocsi
Graphic design by Scott MX Turner
Publicity by Shameless Promotion PR


Keep up with Jessie Kilguss
Website | Facebook | Bandcamp | Twitter | Instagram | Soundcloud | YouTube | Spotify | Apple Music | Press contact

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DoFlame and DEAR-GOD Drop Collab "Neighborhood Watch" EP Today

DoFlame and DEAR-GOD have dropped the four-track, collaborative Neighborhood Watch EP.  Listen to it below.
 
DEAR-GOD is the brainchild of Robert Ortiz who plays in DoFlame's band and is also a long-time production collaborator. So the synergy between these two artists is real!

DoFlame will spend some of the fall on tour with Pinkshift. All dates are below.

ABOUT DOFLAME:
For a solo artist, Mateo Naranjo, the mastermind behind DoFlame, is uniquely devoted to unlocking the potential of music scenes. The 21-year-old punk from Toronto is fueled by a desire to bring people into a world and in turn bring them together, to find the real sense of community that can be attained by immersing yourself in an underground culture. DoFlame's most recent album, BENT, bottles that feeling of discovery and camaraderie. Like a hardcore version of a coming-of-age movie, it captures all of the joy, confusion, and determination of being young and unsure of what's next just as effectively as it blends the unbridled aggression of heavy music with the swagger of hip-hop.

DOFLAME ON TOUR:
WITH PINKSHIFT:
10/10 — Asbury Park, NJ — Asbury Lanes
10/11 — Richmond, VA — Richmond Music Hall
10/12 — Carrboro, NC — Cat’s Cradle Backroom
10/14 — Atlanta, GA — The Masquerade
10/15 — Orlando, FL — Conduit
10/17 — Houston, TX — White Oak Music Hall
10/18 — Austin, TX — The Ballroom
10/19 — Dallas, TX — Club Dada
10/21 — Phoenix, AZ — Rebel Lounge
10/22 — San Diego, CA — The Voodoo Room
10/23 — Santa Ana, CA — Constellation Room
10/24 — Los Angeles, CA — The Echo
10/25 — San Francisco, CA — Bottom of the Hill

Pinkshift Drop New Song"Authority Problem" Ahead of U.S. Headline Tour Kickoff

Over the summer, Maryland trio PINKSHIFT — vocalist Ashrita Kumar(they/them), guitarist Paul Vallejo (he/him), and drummer Myron Houngbedji (he/him) — released their head-turning new album EARTHKEEPER via Hopeless Records. Get it here. 

The band has shared the brand new song "Authority Problem."

"Fuck ICE, fuck the left and the right, fuck the false decorum of rules and laws and executive orders just created to make people feel small and helpless. Only I know who I am, and if you disrespect me then I don’t care, you’ll feel my wrath," the band says about releasing the song in the here and now.

Pinkshift will hit the road this week on a headline U.S. run. All dates are below.

PINKSHIFT ON TOUR:
10/10 — Asbury Park, NJ — Asbury Lanes
10/11 — Richmond, VA — Richmond Music Hall
10/12 — Carrboro, NC — Cat's Cradle Backroom
10/14 — Atlanta, GA — The Masquerade
10/15 — Orlando, FL — Conduit
10/17 — Houston, TX — White Oak Music Hall
10/18 — Austin, TX — The Ballroom
10/19 — Dallas, TX — Club Dada
10/21 — Phoenix, AZ — Rebel Lounge
10/22 — San Diego, CA — The Voodoo Room
10/23 — Santa Ana, CA — Constellation Room
10/24 — Los Angeles, CA — The Echo
10/25 — San Francisco, CA — Bottom of the Hill
10/27 — Portland, OR — Polaris Hall
10/28 — Seattle, WA — Neumos
10/30 — Salt Lake City, UT — Kilby Court
11/01 — Denver, CO — Marquis Theater
11/02 — Lawrence, KS — Bottleneck
11/04 — Minneapolis, MN — 7th Street Entry
11/05 — Chicago, IL — Bottom Lounge
11/07 — Detroit, MI — The Sanctuary
11/08 — Cleveland, OH — Mahall's
11/09 — Pittsburgh, PA — Thunderbird Music Hall & Café
11/11 — Toronto, ON — Hard Luck Bar
11/13 — Boston, MA — Brighton Music Hall
11/14 — Hamden, CT — Space Ballroom
11/15 — Philadelphia, PA — First Unitarian Church
11/16 — Washington, DC — Atlantis

ESHTADUR Announces Mexico Dates for “Bellum Regiis” Tour and Symphonic Live Album Release

Colombian blackened melodic death metal force ESHTADUR returns to Mexico this October as direct support for Polish death metal titans HATE on the incendiary “Bellum Regiis” Tour.

Kicking off on October 11 in Mexico City, this brutal cross-country trek will see ESHTADUR delivering their signature fusion of crushing riffs, symphonic grandeur, and tribal intensity to audiences across seven cities. The opening night in CDMX will be a monumental event, also featuring none other than BEHEMOTH. As one of the most internationally acclaimed extreme metal acts to emerge from Latin America, ESHTADUR is poised to conjure chaos and catharsis in every city they touch.

The tour comes ahead of ESHTADUR’s upcoming live album, Symphonic Crows – Live at the Santiago Londoño’s Theater, arriving December 4, 2025 via Void Nation. Recorded in their hometown with a full symphonic orchestra, the album is a triumphant testament to the band’s cinematic sound and uncompromising energy.

Featuring seven tracks including Lowborn Bastard, Umbra, The Red Door, and She The Void, the album captures the magic of their genre-defying performance in Pereira, Colombia. Produced by Jorg August, mixed and mastered by Diego Rodriguez, and recorded at the Santiago Londoño’s Theater, this release is a milestone in the band’s legacy, melding orchestral majesty with the relentless pulse of death metal.

About ESHTADUR: 

ESHTADUR was founded in the fall of 2005 by Jorg August, releasing the Timo Be Timo demo with a sound in the vein of COVENANT, DIMMU BORGIR, and OLD MAN’S CHILD. Since then, they have released a pair of EPs and four powerful full-length albums. ESHTADUR, meaning "the rebellion of angels," can be most closely likened to bands such as SEPTIC FLESH, BEHEMOTH, FLESHGOD APOCALYPSE, CARACH ANGREN, and the like. Like their scene counterparts, the band embodies a deathly melodic atmosphere that reaches into realms of darkness and despair through the decay of humanity. It seeks to rebel, in its darkened way, embracing the abject reality.

ESHTADUR is: 

  • Jorg August – Vocals and Guitars

  • Camilo Barbosa – Lead Guitars

  • Andres Gonzalez – Bass

  • Juan Lopez – Drums

Connect with ESHTADUR:

Out Now From ALL HELL - Sunsetter

ALL HELL returns from the shadows with their fifth full-length album, Sunsetter, arriving on Terminus Hate City. From their origins in Asheville, North Carolina in 2013, the band has carved a singular path through the underground, blending elements of first wave black metal, deathrock, punk, and film score atmospheres into something entirely their own. Sunsetter is the culmination of years of evolution and hardship, a concept record that stretches from ancient myth to modern apocalypse, driven by fire, blood, and vision.

The band (Jacob Curwen on guitar and vocals, Erik Ballantyne on bass, and Elanti on drums) began work on Sunsetter after the release of 2019’s The Witch’s Grail. Progress was slow and plagued by constant disruption. The pandemic struck, personal tragedies followed, and devastating floods hit their home region. In the midst of all this, the band found themselves burned out and disillusioned with metal entirely. But after stepping back and rediscovering their creative hunger, they emerged with a record that is not only their most metal release to date, but also their most fully realized.

Sunsetter tells a sprawling, violent tale of exile, rebirth, and cosmic vengeance. The story begins in ancient times with the curse of Cain, the first murderer, cast into the land of Nod where he joins with Lilith, the exiled first wife of Adam. From their union comes a cursed bloodline. The album’s opening track, “Exiled into Nod,” skips any slow buildup and immediately drops the listener into the chaos of this mythic prayer. It is followed by “Dominus Sanguis, Domina Nox,” a dark hymn to the Lord of Blood and the Lady of Night, and then “The Violent Brood,” a classic ALL HELL track that portrays the frenzy of being hunted by Cain's spawn.

“The Bleeding” flips the perspective and explores the mind of a predator, with a guest solo from Nate Garnette of SKELETONWITCH adding another layer of menace. The title track, “Sunsetter,” takes a more triumphant tone, capturing the defiance and pride of the children of Cain as they reject the sun and claim dominion over the night. Its straightforward power made it the obvious choice for the album’s name.

Side two of the album begins with “The Flood and the Death,” a cinematic, spoken-word interlude that sets the stage for a shift in time. The next chapter takes place centuries later, where the bloodline of Cain has survived the flood and reemerges in the present. “Behold the Night” brings this rebirth to life with driving energy and shifting dynamics. “Path of Cain” offers a darkly anthemic reflection on lineage, sin, and survival.

The final act of the album accelerates toward doom. “Sacrifice to Shadow” portrays a cult's plea for the return of their ancient masters, while “The Ancients Rise” delivers on that prophecy with grinding riffs and ominous brass that call back to the album’s ancient beginnings. The closing track, “The Outer Night,” brings it all to an end. It begins with militaristic urgency, climbs to apocalyptic grandeur, and fades into the cold silence of a world overrun. Cain and Lilith return, and the sun sets for the last time.

The album was recorded, mixed, and engineered by Chris Adams at Hidden Audio, with mastering by Jacob Curwen. The visual aesthetic, including the album art, was also created by Curwen, preserving the band’s independent and uncompromising approach.

The sun fades. The night takes hold. The world belongs to ALL HELL.

About ALL HELL:

ALL HELL is a blackened metal trio from Asheville, North Carolina, known for their relentless fusion of first wave black metal, deathrock, punk, and horror-driven storytelling. Since forming in 2013, the band has carved out a distinct identity rooted in occult themes, razor-sharp riffs, and a fierce DIY ethos. Their sound is aggressive, stripped-down, and deeply atmospheric — a raw, unfiltered descent into myth, violence, and the supernatural.

With five full-length albums and an EP to their name, including 2025’s apocalyptic concept record Sunsetter, ALL HELL has evolved from a local cult favorite into a powerful underground force. Their live presence has taken them across the U.S., sharing stages with acts like RINGWORM, BLACK TUSK, PROFANATICA, and TURN COLD, and performing at festivals such as Decibel Metal and Beer Fest, Dark Lord Day, and RPM Fest.

The current lineup, Jacob Curwen (guitar and vocals), Erik Ballantyne (bass), and Elanti (drums), continues to push the band’s sound forward while staying true to its core. With each release, ALL HELL digs deeper into a unique mythos that spans history, horror, and apocalypse, embracing the dark, the ugly, and the eternal night.

ALL HELL is:

  • Jacob Curwen – Guitar and Vocals

  • Erik Ballantyne – Bass

  • Elanti – Drums


Connect with ALL HELL:

Bandcamp: https://allhell.bandcamp.com
Facebook: https://facebook.com/allhellband
Instagram: https://instagram.com/allhellband
Spotify: https://open.spotify.com/artist/5FVXnF7zGfuo8WF5qq4XHK
Apple Music: https://music.apple.com/be/artist/all-hell/925520478

PLATINUM RECORDING ARTIST ATLUS RELEASES SECONDHAND SMOKE EP

Platinum recording artist Atlus releases his BBR Music Group/BMG Nashville debut EP, Secondhand Smoke, today. The six-song collection marks the next chapter for the viral hitmaker whose career has grown from underground phenom to a billion-plus on-demand streams, four independent studio albums, a Platinum single, national touring, and millions of fans across social platforms.

 

“The songs on Secondhand Smoke are more than just individual tracks; they are chapters from my life,” says Atlus. ”Each one tells a story that I’ve lived through and it’s my hope that they push somebody out there to keep fighting, dreaming, and that there is something in one of those chapters that helps them keep showing up.”

 

Pulling back the curtain on his past to forge a new path forward, Secondhand Smoke sees Atlus writing on each track, confronting deeply personal themes, from a turbulent home life and his mother’s resilience, to his sister’s battle with addiction and his own journey with mental health. Listen to Secondhand Smoke Below.

His mother remains his biggest supporter, and much of the Secondhand Smoke EP pays tribute to her and hardworking women like her. The title track recalls how she never let circumstances define her, working long hours to make trailer and car payments, with cigarettes providing her one small comfort.

 

“I didn’t care about secondhand smoke because I saw what she was going through. It was like therapy, and the glue that kept her held together.” Even listeners who have not had the same experience can relate to a parent leaning on something to make it through.

 

“Baby Momma” continues that homage. The song flips its title into a triple entendre, a nod to the rap wordplay that shaped his style alongside country, pop, and rock. It even features a voice note from his mom singing a melody his grandfather wrote about him. “It’s a song my grandpa used to sing to me. My new music is really a tribute to them.”

 

Family has always been his priority. His success has allowed him to retire his mom, but before music took off, the now 33-year-old juggled two truck-driving jobs, UPS shifts, and Uber rides to cover studio time. He wrote his first two albums behind the wheel, practicing vocals and uploading a new track or video to YouTube each week.

 

His debut radio single, “Devil Ain’t Done,” impacts country radio this Monday, October 13.  An instant fan favorite, infectious grooves and melodies highlight the former truck driver's lyrics in “Devil Ain’t Done” as it reflects themes of self-doubt & perseverance. Grappling with relatable struggles that so many empathize with, this track expands on the singer-songwriter’s mission to make music that is both universal and uniquely him. Listen HERE / Watch Video HERE

 

Atlus marked the release of Secondhand Smoke with a special Nashville preview performance at Cannery Hall last night to a capacity crowd.

About Atlus:

Raised in a single-parent home marked by poverty and addiction, Atlus had to grow up fast, building resilience and a lifelong commitment to authenticity in his music. Phonetically named after the mythological Titan who held up the heavens, he began writing while working long hours as a commercial truck driver, crafting lyrics and melodies behind the wheel to help support his family and fund studio time.

 

That pavement-pounding grind became both his classroom and his engine, fueling the rise of a loyal underground following. Breakthrough moments soon followed, including performing alongside Jelly Roll at a packed Red Rocks Amphitheatre in his home state and landing a Top 5 album on Spotify’s Global Album Chart. With over a billion on-demand streams, millions of followers across socials, and a Platinum single to his name, Atlus continues to turn personal stories into universal anthems. Now signed to BBR Music Group/BMG Nashville, his most revealing project yet, Secondhand Smoke, is out now (October 10).

KEEP UP WITH ATLUS

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK

JOHN 5 Releases New Album ”Ghost” Today Alongside Latest Single “Moon Glow”; Co-Headlining Tour With Richie Kotzen Begins October 16

Today, guitar virtuoso John 5 releases his latest solo album Ghost, produced and mixed by Barry Pointer and featuring guest spots from Tommy Lee, Stephen Perkins, Bryan Beller and Kenny Aronoff, among others. Today’s record release also comes with a brand-new single  “Moon Glow,” featuring Matt Bissonette on bass and Marco Minnemannon drums and a visualizer Below.

 

“Moon Glow” follows previous anchor tracks, including “Hollywood Story” (about the first time John 5 picked up a guitar and the path that led him to the incredible career he has today) as well as "Fiend" and "Deviant".

 

Says John 5 of Ghost: “If my life could be put to music, it would be this album.”

 

John 5 appeared on the latest episode of Billy Corgan’s “The Magnificent Others” series in which he talks about the new album, his personal KISS museum and much more. Watch the episode HERE.

 

Fans can stream Ghost HERE and order limited-edition vinyl variants of the album, including exclusive bundles with Ghost T-shirts HERE. Vinyl variants include green splatter, red fire splatter and opaque red options.

On October 16, John 5 and fellow guitar great Richie Kotzen will head out on an

extensive co-headlining tour for the first time ever. Find the full itinerary below and more information at John-5.com.

RICHIE KOTZEN & JOHN 5 FALL 2025 TOUR

October 16 El Cajon, CA @ Magnolia

October 17 Riverside, CA @ Fox Performing Arts

October 18 Roseville, CA @ Goldfield Trading Post

October 19 San Jose, CA @ The Ritz

October 21 Phoenix, AZ @ Celebrity Theatre

October 22 Albuquerque, NM @ KiMo Theatre

October 24 Dallas, TX @ Granada Theater

October 25 Leander, TX @ The Haute Spot

October 27 New Orleans, LA @ House of Blues

October 28 Memphis, TN @ Minglewood Hall

October 29 Nashville, TN @ Fogg Street Lawn Club

October 30 Atlanta, GA @ Variety Playhouse

October 31 Orlando, FL @ House of Blues

November 1 Fort Lauderdale, FL @ Culture Room

November 2 Clearwater, FL @ Capitol Theatre

November 4 Richmond, VA @ The National

November 5 Leesburg, VA @ Tally Ho Theater

November 6 Patchogue, NY @ Patchogue Theatre

November 7 New York, NY @ Iridium

November 8 New York, NY @ Iridium

November 11 Glenside, PA @ Keswick Theatre

November 12 Derry, NH @ Tupelo Music Hall

November 13 Foxborough, MA @ Six String Grill & Stage

November 14 Stroudsburg, PA @ Sherman Theater

November 15 Lorain, OH @ Lorain Palace Theatre

November 16 Columbus, OH @ The King Of Clubs

November 17 Warrendale, PA @ Jergels

November 19 Wyandotte, MI @ District 142

November 20 Flint, MI @ The Machine Shop

November 21 Fort Wayne, IN @ Piere’s

November 22 St. Charles, IL @ Arcada Theatre

November 23 Belvidere, IL @ Apollo Theatre

November 25 Denver, CO @ Oriental Theater

November 29 Pioneertown, CA @ Pappy & Harriet's*

*John 5 only

ABOUT JOHN 5:

For over 30 years, JOHN 5 has been one of the most in-demand guitar players on the planet. As well as being a songwriter/guitarist for hire, JOHN 5 has shared the stage as axe-man for Rob Zombie, Marilyn Manson and Rob Halford. He has also worked with an impressive array of names, from all walks of music, including KD Lang, Rod Stewart, David Lee Roth, Alice Cooper, Scorpions, Lynyrd Skynyrd, Meatloaf, Dolly Parton and Ricky Martin. In October 2022, it was announced that JOHN 5 would be joining Mötley Crüe as their guitarist following the announcement that Mick Mars would be retiring. JOHN 5 continues to tour with Mötley Crüe including an upcoming residency in Las Vegas in 2025. To call JOHN 5 a shredder does not do him justice.

 

Follow JOHN 5 online:

Official Website: https://john-5.com

Facebook: https://facebook.com/john5official

Instagram: https://instagram.com/john5official

Twitter: https://twitter.com/john5guitarist

YouTube: https://www.youtube.com/c/john5officialYT/

TikTok: https://www.tiktok.com/@john5official

Official Webstore: https://john5store.com

TESTAMENT | PARA BELLUM OUT NOW + RELEASE ANIMATED VIDEO FOR THE SINGLE, 'HIGH NOON'

Bay Area thrash metal icons TESTAMENT return with their fourteenth studio album, Para Bellum, which is out today via Nuclear Blast Records. The album stands as both a battle cry and an observation of humanity's uneasy alliance with its own creations. As technology accelerates and disconnection grows, Para Bellum sees TESTAMENT reflecting the modern chaos through music that’s urgent, sharp, and unflinchingly human. 

Testament's newest single, 'High Noon,' is a Wild West adventure set to music, evoking images of duels and gunslingers. The song offers a nod to the band's acclaimed The Gathering period, yet successfully incorporating fresh, contemporary elements, demonstrating the band's forward momentum. Watch the animated video for 'High Noon' created by Freakshot Films, below.

Chuck Billycomments, "We are so fired up about the release ofPara Bellum. There were a lot of hours spent putting this together. These new songs put me out of my comfort zone as a vocalist but the final result I am very proud of what I accomplished. See you in the pit.🤘🏼."

Order Para Bellum on the format of your choice here:
https://testament.bfan.link/para-bellum

Para Bellum was recorded with Juan Urteaga, mixed by Jens Bogren at Fascination Street Studios, and was mastered by Tony Lindgren at Fascination Street Studios. The album is extremely polished and operating at full throttle. The band once again enlisted Eliran Kantor tocreate the album artwork. In an era flooded by AI-generated imagery. the hand painted creation encapsulates the album’s essence: a serene angel made of missiles, an explosion turned halo, surrounded by shovel-bearing cultists with books strapped to their faces.

From first note to last breath, Para Bellum is an album by warriors—crafted in chaos, and built to outlast the wars to come! 

TESTAMENT live dates:

European Tour
10.10.2025 UK Manchester @ Manchester Academy
10.11.2025 UK London @ O2 Forum Kentish Town
10.12.2025 BE Antwerp @ Trix
10.13.2025 DE Stuttgart @ LKA Longhorn
10.14.2025 DE Hamburg @ Große Freiheit 36
10.16.2025 CH Pratteln @ Z7 Konzertfabrik
10.17.2025 DE Wiesbaden @ Schlachthof
10.18.2025 IT Milan @ Live Club
10.19.2025 DE Saarbruecken @ Garage
10.21.2025 SI Ljubljana @ Media Center
10.22.2025 AT Vienna @ Arena
10.23.2025 PL Wroclaw @ A2
10.24.2025 DE Munich @ TonHalle
10.25.2025 DE Oberhausen @ Turbinenhalle
10.26.2025 NL Utrecht @ Tivoli Vredenburg - Ronda

TESTAMENT is:
Chuck Billy | Vocals
Eric Peterson | Guitar
Alex Skolnick | Guitar
Steve DiGiorgio | Bass
Chris Dovas | Drums

Scottish mavericks FINI TRIBE present "The Sheer Action of Fini Tribe: 1982-1987" anthology

Scotland's iconic 1980s music mavericks Fini Tribe are releasing "The Sheer Action of Fini Tribe: 1982-1987" via Shipwrecked Industries. Previewed by the razor-edged singles “I Want More” and "We're Interested", this colossal anthology includes their legendary John Peel session from 1985, the original 12” singles (including "Detestimony") and the WaxTrax! singles, along with unreleased live tracks - all lovingly remastered and produced by the band's members.

Fini Tribe was born into the cash-poor but culturally-wealthy environs of post-punk Edinburgh in the very early 80s – 1980 to be precise. A tiny three-piece with no drummer would soon swell into a muscular six-piece with inherited or cheaply-purchased instruments. Band members Chris Connelly, Simon McGlynn, Andy McGregor, Davie Miller, Philip Pinsky, and John Vick haunted the cold, damp warrens of the Niddry Street and Blair Street rehearsal rooms, just off the high street in Old Town Edinburgh.

"The Sheer Action of Fini Tribe" is the first retrospective that is curated and designed by the band's members. It includes a wealth of archival photographs, an essay by original member Andy McGregor, who also designed the sleeve, and essays by longtime friend Shirley Manson (Garbage, Goodbye Mr. MacKenzie) and author Alastair McKay, an early champion of the band. This release also includes the first legendary John Peel Session, produced by Dale Griffin and originally broadcast in May 1985.

"This compilation was a long time in the making, a labour of love for the band, showcasing our most productive years as a six-piece. The compilation of tracks – from professional BBC recordings to live performance and rehearsal room demos – gives as broad a spectrum of the breadth of the band's creativity during those five important years from 1982 to 1987," says Chris Connelly.

Rehearsing and writing tirelessly between high school and part-time jobs, Fini Tribe played whenever they got the chance. CND benefits, support band for local mentors Visitors and Explode Your Heart, and endless rehearsals turning them into a well-oiled, if frantic, machine. Eventually gigging in London, Glasgow and Aberdeen, their sound grew as their sound became more unique. Influenced by Throbbing Gristle, Wire, Can, Captain Beefheart, and numerous angular funk bands championed by John Peel, they also drew from modern film, writing, and the art that was abundant in the festival city.
     
A debut self-released EP on their FINIFLEX label led to the John Peel Session. The band quickly morphed into a formidable experimental dance unit, cemented by the arrival of sampling. Their 1986 “Let The Tribe Grow” EP, with the anthemic, church-bell driven “Detestimony”, would become a lasting and iconic statement of intent. Fini Tribe heralded a new sound and new hypervisual approach, more akin to performance art than rock ‘n roll, with a one-off performance at Edinburgh’s prestigious Assembly Rooms: sculpture, film, ritual, new music, and suspended bin bags full of lurid poster paint sprayed a shocked audience. The gauntlet was thrown, covered in paint, and slapped like a wet fish.
 
In 1987, the band signed to WaxTrax! Records with a high-octane, percussion-driven cover of Can's “I Want More”, introducing the band to the temptations of the American dance floor. One more single for WaxTrax!, a reworking of “Detestimony”, and a few more events – including a night at Glasgow's Third Eye Centre that ended in flames - that was the end for this incarnation of the Fini Tribe. The band would lose a few members, including Chris, who joined The Revolting Cocks and moved to Chicago.

The tracks found on "The Sheer Action of Fini Tribe: 1982-1987" were recorded in Edinburgh at Wilf's Planet, Pier House, Niddry Street Rehearsal Rooms, Pleasance Theatre, and Calton Studios, and in London at Southern Studios and at BBC Studios, Maida Vale.

As of October 10,"The Sheer Action of Fini Tribe" is out digitally everywhere, including Spotify, Apple Music and Bandcamp and as a three-CD digipak with 24-page booklet. October 24 brings the release of the vinyl LP in a gatefold sleeve with insert.

On October 10, Chris Connelly joins Fini Tribe for the album release celebration at the West Port Oracle in Edinburgh - an "in conversation" with Nicola Meighan (this non-ticketed event begins at 7.30pm).

CREDITS
All tracks composed and performed by Chris Connelly, Andy McGregor, David Miller, Simon McGlynn, Philip Pinsky & John Vick, except "I Want More” (written by Karoli/Czukay/Schmidt/Leibezeit/Gilmour)
Published by Copyright Control / P.R.S. Concord Music / B.M.I. Momentum / Universal
Design & art direction: Andy McGregor, remixing 1980’s Fini art
Cover artwork: high school printed t-shirt by Simon McGlynn
Produced by Fini Tribe, John McVay, Dale Griffin, John Vick
Mixed by Fini Tribe, Paul Barker, John Vick
Engineered by Peter Haigh, Chic Medley, John Vick, Trigger, Mike Engles, Wilf Smarties, Rock Hardware
Recorded at Wilf’s Planet, Edinburgh
Pier House, Edinburgh
Demo & rehearsal recordings made at Niddry Street Rehearsal Rooms, Edinburgh with overdubs at various band members’ flats around Edinburgh
Live recordings made at Pleasance Theatre, Edinburgh, 15 December 1983
Live recordings made at Calton Studios, Edinburgh, 27 May 1987
Location recordings made at Monimail, Fife, Scotland
Southern Studios, London
BBC Studios, Maida Vale, London, 12 May 1985
Mastered by James Scott, Populist Recording & Mastering
Shipwrecked Industries CD catalogue no. SHIP004CD
Shipwrecked Industries LP catalogue No. SHIP004LP
Distribution via Virtual Label
'We're Interested' video by Kimberly Blessing
Footage of 1986 Edinburgh courtesy of Jean-François at Popcards Factory
Publicity by Shameless Promotion PR


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The Wait Is Over – DETHFX Debut Album Antiutopia Has Arrived! ​

After nearly three years in the making, Orlando-based metal juggernaut DETHFX proudly unleashes their debut album, Antiutopia. Out now on all major platforms, the record delivers seven tracks of unrelenting groove, razor-sharp riffs, and pure sonic devastation.

 

Most of the album was tracked at The 1885 in Cincinnati, OH—a historic church-turned-studio helmed by Jasen Wilson, who also mixed and produced the record. The result is an album that blends crushing heaviness with a larger-than-life atmosphere, capturing the raw intensity of DETHFX’s live sound.

 

“We poured everything into this record. It’s heavy, it’s chaotic, and it’s 100% us,” says the band. “This is the beginning of our world. Welcome to Antiutopia.”

 

With seven punishing tracks, Antiutopia takes listeners through a sonic apocalypse. Relentless grooves collide with thrash aggression and modern heaviness, all wrapped in a crystal-clear production that refuses to compromise.

 

The band extends massive gratitude to those that supported us, such as Max Norman, Bill Hudson, Mike Lepond, Johnnie G at Sound Exchange, and especially Jasen Wilson, whose vision and dedication helped bring Antiutopia to life.

 

Antiutopia is available worldwide on all streaming platforms.
 Listen, follow, and shop merch at: https://www.dethfx.com/

Formed in Orlando, Florida in 2021, DETHFX quickly earned a reputation as “Death’s Favorite Band,” delivering a sound that hits like a dump truck driving 100 miles an hour off a cliff.

 

The lineup—Brett Kaffenberger (bass), Rob Tetro (drums), Rod Mariani (lead guitar), and Raul Salas (guitar/vocals)—draws influence from metal titans Slayer, Pantera, Black Sabbath, and Iron Maiden, while injecting a fresh, aggressive energy that redefines modern metal.

 

Live, DETHFX is an onslaught—dynamic changes, tight harmonies, and infectious grooves executed with surgical precision and raw intensity. Every show is an event: aggressive, technical, and unforgettable.

 

In 2025, DETHFX dropped their debut single “Recycled Souls”, setting the stage for Antiutopia and daring listeners to survive the ride.

For More Information Please Visit:

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Shoegaze-dreamrock artist Dotsun Moon releases 'Moments In The Sun' EP with video

Upstate New York-based artist Dotsun Moon presents their latest 'Moments In The Sun' EP,  a blissful and grounding collection for troubled times - four tracks inspired by self-reflection and nostalgia for the music that motivated this artist to write music in the first place. 

Based in Buffalo, Dotsun Moon is the creative wellspring of Richard Flierl, whose musical visions flow through his music even now, several incarnations on since the band released their debut album 4 A.M. in 2011. The trajectory remains steadfast on a path of dreamy offerings over the years, with this multi-instrumentalist also gradually assuming vocal duties.

Dotsun Moon also shares the video for 'Army of Me'. Navigating and overcoming adversity. this song starts with a piano riff hinting at Erik Satie before bursting into Will Sergeant-esque guitar bends.

"During difficult times, it takes all one’s effort to push outward and connect with someone or else succumb to the isolation that so much of society has compounded with technology. Use that same tech to make personal connections. If a person just hopes without acting, they are “staring in the sun.” They are expecting the tech to take care of them," says Richard Flierl.

Offering shoegaze and dreampop for here and now, this EP pays homage to the numerous pioneers of the early days of post-punk and dream pop. Engineered and mastered by Doug White at Watchmen Studios in Lockport, NY, this EP was mixed by Richard Flierl and Doug White.

Richard Flierl adds, "This is not for the casual listener and I mean that in the best of ways. Listen to these songs at least 2-3 times and let them sink in. These songs take a slower pace to help the lyrics resonate. Weather and love, for another or oneself, are the common themes between these songs,"

The title track 'Moments In The Sun', through the intertwining of synth and guitar, offers a soothing balm for a weary mind with its sense of melancholic hope, echoing the sentiment of friends navigating an overwhelming world in search of human connection. 'Winter Streets' captures the spirit of a harsh Buffalo winter, evolving from quiet sounds to a burst of energy that embodies resilience against "cabin fever". 'Piano Trailer 5' is an homage to Harold Budd and his album with Brian Eno.

Earlier this year, Dotsun Moon released his third album 'Tiger', which differs markedly from previous works having moved away from female vocals. Evoking both euphoria and a poignant sense of grounding, Dotsun Moon brings you this compelling and unique exploration through this album and videos for the lush singles 'Save Us', 'Never Had a Heart', 'Bring Love' and 'Give Up The Tears'.

Over the years, Dotsun Moon has performed with such notable artists as Mary Ognibene (The Lovely Intangibles) and Buffalo Music Hall of Famer Maria Sebastian, having also played shows with Joywave, Vanishing Kids and The Lost Patrol, not to mention Pride Festival.

The 'Moments In The Sun' EP is out now, available from fine music platforms, including Spotify, Apple Music and Bandcamp, where the 'Tiger' album can also be found.

CREDITS
Music & lyrics written by Richard Flierl (ASCAP)
Vocals, guitar, bass, drums, programming & synths by Richard Flierl
Mixed by Richard Flierl and Doug White at Watchmen Studios in Lockport, NY
Engineered and mastered by Doug White at Watchmen Studios
Cover artwork by Doc Wintersmith
Artist photos by Meredith Snow
Publicity by Shameless Promotion PR

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Kirk Windstein Unleashes "ETHEREAL WAVES" Solo Album + Shares Lyric Video for "Lord of Retribution"

KIRK WINDSTEIN of Down, Crowbar, Kingdom Of Sorrow fame has just unleashed his latest solo effort Ethereal Waves through Perseverance Media Group, the label of Hatebreed frontman Jamey Jasta. 

He shares the lyric video for the sludge-tastic "Lord of Retribution." Watch and listen below.

The album is an epic, 10-song journey into the mind of one of our most prolific riff masters today.

The Crowbar/Down axeman's signature voice, riffs, and songwriting soar on Ethereal Waves.

Fresh off a sold-out Crowbar tour, Windstein is having a TikTok moment, reaching thousands of new fans on the platform.

Three vinyl variants are available, including signed copies. One bundle includes his new Cherry Chocolate Chipotle "Sauce Of Doom."

Get it here.

Chase Atlantic (Over 8B Streams!) Release "LOST IN HEAVEN (HIGH AS HELL)" Deluxe Edition W/ 4 New Tracks

Globally acclaimed and genre-bending trio Chase Atlantic — comprised of Mitchel Cave, Clinton Cave, and Christian Anthony — have built their reputation by crafting a seamless fusion of pop, rock, and R&B. They push creative boundaries yet never stray from their core sound and that's precisely why they have connected so deeply with their legion of Gen Alpha (and beyond) fans and have accumulated over 8 billion streams and 1.2 billion YouTube views along the way. The Australian-born, Los Angeles-based trio is immediately identifiable, yet incredibly difficult to put a title or genre on either their sound or the audience that adores them. They fit in just as well playing massive pop festivals as they do touring with rock bands.

Armed with an array of hits across a multitude of genres, Chase Atlantic have picked up one of the widest-ranging fan bases in all of music.

They proudly release LOST IN HEAVEN (HIGH AS HELL), the deluxe version of their fourth album, via Fearless Records. Listen Below

It boasts four additional tracks — including the recently released "FACEDOWN" and "REMIND ME" — and represents a dynamic evolution of LOST IN HEAVEN. It's a creative bridge that accurately depicts the future of Chase Atlantic's music and their desire for perfection. Rather than simply attaching a few additional "throw away" tracks, they invested time and intention into seamlessly crafting each song. Paying close attention to not only their intricate production, they also expand on their alluring and extremely unique vision. With this addition they aim to re-imagine their framework, embrace bold choices, and take creative risks that most artists wouldn't dare to even try.

The deluxe edition includes "WARCRY," which blurs the line between confession and rebellion. Reminiscent of earlier work like "Numb to the Feeling" and "Devilish," Chase Atlantic once again push the boundaries of modern music with their intoxicating blend of alternative R&B, and dark pop atmospherics. It also features "VICTORY LAP." Propelled by their signature fusion of brooding R&B, and hypnotic pop production, the track captures the high-speed rush of ambition colliding with hard-won success. Lyrically defiant yet emotionally charged, the track feels less like a celebration and more like a declaration — a reminder that glory is fleeting, but the chase never stops. Adventuring into unexplored territory sonically, Chase Atlantic masterfully combine three individual songs into one theatrical release to give the listeners a glimpse into future experimentation.
 
The band just launched the latest phase of The Portal; C4D HANDHELD DEVICE. Unlock the experience here.

Brooklyn music mavericks CLONE unleash post-punk / altrock thrills with new 'Care To Try' EP

Brooklyn alt rockers CLONE have released their new 'Care To Try' EP, a blazing three-track offering, as well as fine limited edition 2-track '7” vinyl release. Together, this is their second major release via Portland label Little Cloud Records, featuring cover photography by famed artist Simon Larbalestier, well known for his work with Pixies and 4AD Records.

Written over the past year with Clone's original lineup of LG Galleon (Dead Leaf Echo), Gregg Giufree (Pilot to Gunner), Max Idas and Dominick Turi, this EP was produced by LG Galleon and Martin Bisi (Sonic Youth, Swans, Brian Eno, John Zorn, Herbie Hancock, Iggy Pop, Helmet, Dresden Dolls) at his famed BC Studio (built together with Brian Eno), and mastered by Fred Kevorkian (The White Stripes, Sonic Youth, Juliana Hatfield, Regina Spektor, Lloyd Cole).

"These songs were again recorded with the legendary Martin Bisi, who helped bring the determination and drive in the studio to the forefront when recording these songs. A different lineup makes for a novel live experience every time, yet always with incendiary results.  The full tour in October should prove a very fruitful experience and we are looking forward to playing these new songs from the EP live," says LG Galleon.  

"The title track 'Care to Try' is a retribution song. A song that cries out for the disenfranchised and undersung people in the world whose voices are never heard above the drowning of the right wing nationalist leaders in this world. The spoken word bridge signals out to this issue with the line "with all charisma there is scorn, with every swoon another's heart will stammer slowly in submission. To Glimpse what could have been through the eyes of another."

Last year, Clone debuted their 'CL. 1' album and 12" vinyl LP, born from a seemingly lost wellspring of shared imagination and youthful transformative power, via Little Cloud and North Carolina's 5BC Records, previewed by the iconoclastic singles 'Immutable', 'Dividing Line' and 'Redeemer'.

A passionate attempt to revive the kind of music that once profoundly resonated with the isolated and vulnerable, Clone's music possesses a transformative power, capable of inspiring through its galvanizing, redemptive power. Drawing on the raw energy and boundless creativity of youth, Clone has created a personal sonic world that they now invite us all to experience.

As a live phenomenon, Clone currently includes LG Galleon, Paul Liziragga (Namesake), Alex Cox (The Veldt), and drummers Avery Brooks and Jeremy Duvall. The past few years. Clone has played SXSW and toured with Christian Death, Twin Tribes, Wand, La Witch, Live Skull and The Veldt.

The 'Care To Try' EP is out everywhere, including Apple Music, Spotify and Bandcamp, and can also be had on '7” vinyl. Clone will be releasing a new full-length album in 2026.

CREDITS
All tracks written by Clone
Lyrics by LG Galleon (onewithwave music ASCAP)
Performed by LG Galleon / Gregg Giufree / Max Idas / Dominick Turi
LG Galleon - guitar, vocals, keys
Gregg Giufree - drums
Max Idas - bass
Dominic Turi - guitar, keys
Lyla Vander - back vocals on 'Galvanized'
Recorded and mixed by Martin Bisi (Sonic Youth, Swans) at BC Studios
Co-produced by LG Galleon
Mastered by Fred Kevorkian at Kevorkian Mastering
EP cover art designed by LG Galleon
Cover photograph by Simon Larbalestier
Released by Little Cloud Records
Publicity by Shameless Promotion PR

TOUR DATES
Oct 09   Philadelphia, PA - TBD
Oct 10   Clinton, CT - Scottish Dave’s Pub
Oct 11   Boston, MA - O'Briens Pub (Allston)
Oct 12   Providence, RI - The Scurvy Dog
Oct 13   Saratoga Springs, NY - Desperate Annie’s
Oct 25   Brooklyn, NY - Mama Tried
Nov 13  Brooklyn, NY - The Woodshop
Dec 6   Johnstown, PA - The Columbia Theater Project


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Snõõper Release Worldwide Out Everywhere Now

Snooper release their highly anticipated new album, Worldwide, on Third Man Records. The band will celebrate with a hometown album release show tonight in Nashville at Eastside Bowl. 

Though no less furious or propulsive than Snooper’s more guitar-driven beginnings, Worldwide may surprise longtime fans. Given they began on a drum machine, Cummins’ initial compositions had a newfound focus on rhythm and repetition. Where their 2023 debut Super Snõõper was intended as a pure representation of Snooper’s feral live show, Worldwide blends intensity with Tramel’s earworm melodic sensibility. Showcasing their most adventurous and unshakeable music to date, Worldwide is a portrait of a band truly coming into their own. 

Emerging Noise Project DISINTREGRATION ANNEX Debuts New EP via Decibel Magazine

Emerging noise project Disintegration Annex is now making its debut with 'Carving Arrows From Idols,' a three-song EP that blends harsh noise with ambience and elements of black metal. The offering can now be heard below.

Disintegration Annex is the one-man, metal-leaning noise and ambient project of Greg Kennelty. Disintegration Annex is meant to touch on the overarching ideas presented by extreme metal, but ultimately dish out the aural punishment in a freer, looser way.

Kennelty explains, "'Carving Arrows From Idols' is a three-track EP that deals with separate facets of anxiety and fear – weaponization of religious beliefs, sensory overload during particularly bad mental health days, and the fear of death being a disruptive force in everyday life. Carving Arrows From Idols was created during the writing sessions for the upcoming debut Disintegration Annex full-length, but these tracks ultimately felt like one cohesive unit that would be better served as a standalone release. Enjoy!"

The EP can be downloaded HERE.

All writing, production, mixing and mastering were handled entirely by Greg Kennelty.

The cover artwork is a woodcut painting titled "Hell (copy)," created after 1511, and is attributed to an unknown artist working in the style of Hans Baldung.

Out NOW - SUPREME MYSTIC - Kala Rupa

In the industrial belly of Detroit, where machine noise and rebellion pulse in equal measure, a new sound has emerged. It is raw and searing, but it carries something older than anger and louder than distortion. That sound is SUPREME MYSTIC, and their debut album Kala Rupa is a declaration of identity, purpose, and transformation.

The band is led by Chino Noir, the reborn moniker of Mike Couls, a name well-known to the hardcore underground. From playing clubs at thirteen to signing with a major label in his early twenties, Couls carved a path through chaos with a bass in his hands and the kind of presence that stages remember. He was part of some of the most notorious and revered bands in heavy music. He toured the world with COLD AS LIFE, SWORN ENEMY, MERAUDER, TERROR and the CRO-MAGS, sharing bills with legends and surviving battles on and off stage. But none of those bands carried his voice the way SUPREME MYSTIC does now.

Kala Rupa, meaning “the form of time” in Sanskrit, is more than a record. It is a mirror. It looks directly into life, death, karma, illusion, and the struggle for inner evolution. Each song is a piece of a larger journey, built on decades of lived experience. This is not a genre experiment or a side project. It is the first time Couls has stepped fully into the front, not just as a musician but as a messenger.

The album pulls from stoner rock, post-hardcore, sludge, grunge, and doom, but it defies categorization. It is heavy, often brutally so, but not just for the sake of power. Beneath the layers of distortion, the music is rooted in spiritual philosophy and ancient Vedic wisdom. These are songs of confrontation and transcendence, guided by hard-earned insight and a desire to rise above the trappings of material and emotional decay.

About SUPREME MYSTIC:

SUPREME MYSTIC is a spiritually charged heavy rock band from Detroit, Michigan, fusing the grit of hardcore and metal with the depth of Vedic philosophy. Founded in 2023 by frontman and bassist Chino Noir (the evolved moniker of Mike Couls, known for his work with COLD AS LIFE, SWORN ENEMY, MERAUDER, and CRO-MAGS), the band draws from a lifetime of musical warfare and personal transformation. Their sound, described as Mo-Metal and DefRoc, merges elements of post-hardcore, stoner rock, grunge, doom, and groove metal with a message rooted in spiritual evolution, esoteric themes, and inner revolution.

Joined by drummer Jeff Shankin (UNIVERSAL STOMP, EARTHMOVER), guitarist Alfredo Riojas (a BERKLEE-trained shredder), and keyboardist Luis Ulloa (a young devotee of heavy music and mysticism), SUPREME MYSTIC creates music that is as punishing as it is purposeful. Their songs explore karma, mortality, illusion, and rebirth, often weaving in Sanskrit mantras and Eastern iconography with street-level truth and raw energy.

Equal parts intensity and intention, SUPREME MYSTIC is not just another heavy band. It is a movement of sound and spirit. Their debut full-length album Kala Rupa is out now.

SUPREME MYSTIC is:

  • Chino Noir – Vocals / Bass

  • Alfredo Riojas – Lead Guitar / Backup Vocals

  • Jeff Shankin – Drums

  • Luis Ulloa – Keyboards


Connect with SUPREME MYSTIC:

DIRKSCHNEIDER & THE OLD GANG - 'Babylon' Is Out Now

What a story! Over the past few years, a charity campaign featuring six prominent musicians for the benefit of artists affected by the coronavirus lockdown has developed into a spectacular project that will undoubtedly cause a sensation. We are talking about Dirkschneider And The Old Gang, DATOG for short, with a line-up whose majority has had a decisive influence on the history of heavy metal over the past four decades.

Udo Dirkschneider was the founder and long-time singer of Accept and, after leaving the band, also led his follow-up bands, U.D.O. and DIRKSCHNEIDER, to international fame. In DATOG he is joined by Peter Baltes (bass, vocals; ACCEPT, DIRKSCHNEIDER), Stefan Kaufmann (guitar; ACCEPT, U.D.O.) and Mathias Dieth (guitar; SiINNER, U.D.O.) as well as Udo's son Sven Dirkschneider (drums; U.D.O., DIRKSCHNEIDER), who has played for his dad for the last ten years. The sixth member of the gang is singer Manuela Bibert, who has not been let off the hook since her great performance on the recording of the U.D.O. orchestra album We Are One in the spring of 2019.

In this constellation, three DATOG singles, (‘Where The Angels Fly’, ‘Face Of A Stranger’ and ‘Every Heart Is Burning’), were created between summer 2020 and fall 2021. This got the train rolling: “The whole thing developed a momentum of its own, that we hadn't expected in this form," Kaufmann looks back somewhat surprised. “After the singles went incredibly viral, fans, record companies, and concert agencies immediately got in touch and wanted to know whether there was more to come… what the prospects were for a full album?”

The answer is here: Babylon is out now via Reigning Phoenix Music and you should not miss it.
Order, stream or download Babylon here: https://datog.rpm.link/babylon

With a three-singer concept — Dirkschneider, Bibert, Baltes — DATOG delivers a unique mix of vocal profiles that proves to be the band’s unmistakable trademark. “Of course, we didn't even try to split the vocals equally, but carefully analyzed whose voice would fit best for each part,” explains Udo Dirkschneider. The same applies to songwriting, which followed the motto exclusively: The best songs win!

A wise decision, as the twelve songs on Babylon show! Within a clearly defined stylistic direction and alongside magnificent solo performances, especially from exceptional guitarist Mathias “Don” Dieth, the album impresses with great complexity and an enormous wealth of facets.

With Babylon, the German all-star band presents twelve brilliant metal songs which, despite their unusual vocal concept, never degenerate into a Babylonian confusion of voices. Quite the opposite: the album inspires both compositionally and vocally and convinces every sound fetishist with its transparent yet powerful production.

And this is not the end of the journey: the video story of the songs will unfold for all of the album tracks, keeping fans engaged visually and musically until the very last note, not least reminding everyone to give the record one more spin.
Though the album leans into a hard rock side, the band members’ heavy metal foundation shines through, best showcased on the focus track and new video,"Metal Sons".

"Metal Sons" is a tribute to true, original heavy metal: a powerful guitar riff that seems to have been born out of another time period, Udo's usual uncompromising vocals, plus screaming guitar solos and a chorus that will have every heavy metal fan automatically headbanging and shouting along. Thanks to its modern arrangement, the song is nevertheless (or precisely because of this) a musical treat of a very special kind.

About DATOG:
 
DIRKSCHNEIDER & THE OLD GANG (DATOG) was originally launched in 2020 as a one-off charity project, but quickly developed a momentum of its own and formed into a band consisting of Udo Dirkschneider (vocals; ACCEPT/U.D.O./DIRKSCHNEIDER), Peter Baltes (bass, vocals; ACCEPT/U.D.O./DIRKSCHNEIDER), Stefan Kaufmann (guitar; ACCEPT/U.D.O.), Mathias “Don” Dieth (guitar; SINNER/U.D.O.), Sven Dirkschneider (drums; U.D.O./DIRKSCHNEIDER) and Manuela “Ella” Bibert (vocals). Between 2020 and 2021 their first three singles attracted a lot of attention, whereupon the band wrote more songs and recorded their debut album. With a unique vocal concept of three voices, powerful riffs and stylistic complexity, DATOG combine classic heavy metal with a modern, powerful production.
 
 
DATOG are:
Udo Dirkschneider | lead vocals
Peter Baltes | bass, lead & backing vocals
Manuela “Ella” Bibert | lead & backing vocals, keys
Stefan Kaufmann | guitars, backing vocals
Mathias “Don” Dieth | guitars, backing vocals
Sven Dirkschneider | drums, backing vocals
 
More on DATOG:
datog.de | Facebook | Instagram | Spotify | Apple Music | YouTube | RPM

‘California Cowgirl’ Annie Bosko Delivers Debut Album

Annie Bosko’s roots run deep. Her grandfather and father worked the fields from sunup to sundown as she and her siblings spent their days husking corn in the California sun to a steady soundtrack of George Strait and Patsy Cline, while her mother introduced her to the soaring harmonies of the Judds, Deana Carter, Patty Loveless, Martina McBride and Shania Twain.
 
All of this echoes across California Cowgirl, her debut album of 80s/90s country explosion of shuffles, sweeping ballads and girl-powered anthems. Available now via QHMG/Stone Country Records, listen to California Cowgirl Below.
 
Supplementing her own production work with Tommy Simms (Eric Clapton’s GRAMMY- winning “Change the World”) and Butch Walker (Taylor Swift, Green Day, P!nk), Trent Willmon and David ‘Messy’ Mescon brought California Cowgirlinto a solid country focus.

“Trent really helped build the foundation and recognized how traditional country I wanted to lean – he really supported that,” Bosko says of the man who produced Cody Johnson’s CMA Album of the Year Leather.
 
“With ‘Messy,’ it was taking that, but getting a little outside the box,” she adds. “He was experimental with the idea of mariachi horns and recognized why that was important to me. Because everyone knows ‘Ring of Fire,’ but ‘9 To 5’ wouldn’t be the song it was without the horns, either. So, he gave things a little twist to keep my old school country fresh.”
 
What emerges is a sound that’s so throwback, but so forward, it does feel fresh, as well as live and triumphant in the moment. Whether it’s her “Bright and Blue Sky,” a Haggard-esque love song wrapped in strings and steel guitar, or the plucky “Cowboy Up,” which spins the catchphrase into a good-natured get it together, these are ride-or-die songs for life’s unseen defining moments.
 
“The music doesn’t necessarily sound sad, but there’s vulnerability to some of the songs,” acknowledges Bosko. “I wanted to get back to real honesty, that tenderness and toughness that are the people listening to country. You can have the sass, the honky tonk, the fun stuff, but it’s also in the broken and the resilience, because those rings of emotion are all inside a woman.”
 
The project also features standout collaborations with Dwight Yoakam on “Heartburn” and Joe Nichols on their top 40 duet “Better Than You,” as well as “Old Friends” with Darius Rucker.
 
“That idea that you can’t make old friends is so true. I think about the people who knew me back when I’d show up at kids’ birthday parties singing ‘Part of Your World’ as the Little Mermaid,” Bosko confesses. “They know you better than anyone – and no matter how much time has passed, it's like you never missed a beat. That’s a rare friendship.
 
“And having Darius on this song makes it even more special; he’s been there for so many people through so many seasons, and he really sounds like what this song is about.”
 
From “Watch Me,” the back roads opening “hold my beer” anthem, and the stout Brooks & Dunn-evoking “Honky Tonk Heartbeat” to the playful, Mexican horn section and güiro punctuated “Tequila Time” and title track’s steel-drenched declaration of who she is, Bosko offers a 360 degree sense of what modern country can be, as well as defining a woman’s place in the notoriously macho genre.
 
Indeed, “Country Girls! (Who Runs The World)” is a stomping song written as much from need as celebration.
 
“I grew up going to rodeo events and I’ve sung at a lot of them,” explains Bosko. “There are girls out there with just as much grit, just as tough, and I asked myself, ‘Where’s the song for these girls?’ There wasn’t. So I wanted to write a girl hype song, something that calls out for them! This is one for the girls, by a girl.”
 
With a cover of Kris Kristofferson’s “Help Me Make It Through The Night,” which has garnered over 1 million streams on Pandora, she honors her roots.
 
“Every time I hear this, I’m in the passenger seat of my dad's truck, it transports me back to those fields,” she reveals “I can see it flying by, all that great classic country music he would play when I was a kid. Before I knew what any of it meant, I could hear the emotion.
 
“And it was like that with Shania, all the layers and truth – she got that from Dolly. They’re all country. They’re all real. That’s what I want.”
 
Bosko will hold her album release party tonight, October 3, at Desert 5 Spot in Los Angeles, followed by performances at Nashville’s Whiskey Jam on October 9 and Four Peaks Oktoberfest on October 10.

Annie Bosko Upcoming Shows
 
Oct. 3              Desert 5 Spot || Los Angeles, CA
Oct. 9              WhiskeyJam || Nashville, TN
Oct. 10            Four Peaks Oktoberfest Tempe Town Lake 2025 || Tempe, AZ
Jan. 31             REHAB Telethon & Auction || Abilene, TX
Feb. 20            Los Fresnos Rodeo || Los Fresnos, TX        
 
About Annie Bosko
Raised in California’s Central Valley as a farmer’s daughter, Annie Bosko blends the grit of her roots with the firepower of her influences—including The Judds, Shania Twain, Deana Carter, and George Strait—on her debut album California Cowgirl, available now via QHMG/Stone Country Records. The 19-song collection, featuring collaborations with Darius Rucker, Dwight Yoakam and Joe Nichols, brings traditional country instrumentation into sharp focus while celebrating female strength, vulnerability and joy. Bosko first broke out with the SiriusXM/CMT favorite “Crooked Halo” and was named a Rolling Stone Country Artist to Watch, later making her late-night debut on “Jimmy Kimmel Live!” with “Neon Baby,” which marked her first charting single at Country radio. She has written songs recorded by Willie Nelson and Jessica Simpson, toured with Tim McGraw, Dierks Bentley and Blake Shelton, and sold out Los Angeles’ famed Troubadour.
 

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SIENA ROOT - Double Live Album 'Made in KuBa Out Now

“Dynamic Root Rock Experience” is still the best term to describe SIENA ROOT’s music, and that's also exactly what the Swedish quartet’s new double live album Made in KuBa is all about. Named after the location of its creation, Jena, Germany’s Kulturbahnhof (short form: KuBa), the follow-up to the band’s previous, highly-acclaimed live document Root Jam (2011) takes off where its predecessor left off in many ways.  Made in KuBa is out now via Perception – a Division of Reigning Phoenix Music.
 

Recorded during three intimate concert nights in March 2024, the result is, of course, an all-analogue recording which continues the traditional way of capturing the audiophile band’s art. Where many artists would hesitate to bring a full-on tape recorder to a live event, it’s totally given for SIENA ROOT to do so in a no-compromise fashion. Made in KuBa isn’t only another live album but a comprehensive experience in its purest form: no overdubs were added and no tricks were used in the studio afterwards. Once again, the songs you can hear are strictly what’s played and bring the energy all the way from the stage to the speakers of the Swede’s fans. The outfit’s much-loved jams are there, lots of improvisation as well as the whole spectra from light to shade, and to ensure the all-analogue quality control, sound engineer Ove Noring, who’s been working with the band all the way since 2006’s Kaleidoscope, was brought in as tape operator to record SIENA ROOT’s shows at the iconic KuBa venue.

So what’s new? In order to make Made In KuBa no simple repetition of their Root Jam concept though, SIENA ROOT went for a bunch of refreshing ideas with the first one being the scenery. As mentioned, the band travelled all the way to Jena this time, where they found the perfect surroundings at Kulturbahnhof. “We couldn’t have been happier: KuBa was exactly the place to be after we had experienced countless memorable concerts there throughout the years,” they recall. While the musical spine of SIENA ROOT is a quartet -- consisting of long-time and founding members Sam Riffer (bass) and Love Forsberg (drums & percussion), completed by Zubaida Solid (vocals & keys) and Johan Borgström (guitars), who both joined their ranks after the release of Root Jam -- they were also supported by two talented guests for a number of songs to make this special occasion more unique: long-time brother in arms Erik Peterson (keys) and Lisa Isaksson (flute). Additionally, the forthcoming opus consists of songs from the group’s entire catalogue which aren’t featured songs on Root Jam at all, and to thank their loyal fans, SIENA ROOT even involved them in creating the set list. They add: “We knew that not each and every fan from around the world would be able to witness these historic nights, that’s why we decided to have them included by influencing the Made In KuBa track listing.”

In the end, Made In KuBa includes twelve wisely picked tracks which can be enjoyed from October 3, 2025 - brought to the world through PERCEPTION. And it’ll be available in various formats: CD, digital, and - most importantly - vinyl. A version which has always been a crucial factor throughout SIENA ROOT’s career, who even pressed their 2004 debut album A New Day Dawning on the ‘black gold’ when the returning vinyl boom was still in the distant future. The band prefer the traditional way of listening and therefore took extra-care of its execution. Mastered at half-speed, SIENA ROOT technically reflect on the old days in this case. They conclude: “Half-speed mastering’ is a trick of the past that the vinyl junkies out there should be familiar with. It’s just a very delicate yet complicated process of cutting that makes “Made In KuBa” an even more three-dimensional listening pleasure for both you and us!” Enough said: now it's the world's turn to enjoy and to catch the group live during their supporting “Double Live Release Tour” across Europe in October 2025, if you like what you hear!
 
Order it here online or visit your favorite local record store for the full analogue experience!

SIENA ROOT are:
Zubaida Solid | vocals, keys
Johan Borgström | guitars
Sam Riffer | bass
Love Forsberg | drums, percussion
 
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