A little something for ALL of your senses... The Young Fables

We want to SPOIL your SENSES!

Al
"All credibility, all good conscience, all evidence of truth come only from the senses."
- Friedrich Nietzsche

 

LAUREL:
We want to spoil your senses this month with OUR truth.

FIRST YOUR EARS: This Friday, we'll be releasing our newest single "Good At Hurtin'". This song is a special one to Wes and I. We believe it will be quite relatable to anyone who has ever had to struggle with anything in their life. We'd love for you to PRESAVE it, so you can be the first to hear it!

PRESAVE "Good At Hurtin"

WES:
NEXT UP IS YOUR EYES: Laurel and I will be performing the most elaborate show we have ever played on October 20th, at The Basement East in Nashville, TN. We'll be performing with a FULL BAND, complete with backup singers, special guests, and surprises. There will even be some interactive moments that will take care of your TASTE, TOUCH and... well....we hope we will SMELL good, too. We are BOTH planning on taking a shower before this one.

Please join us for this important show.

TICKETS

Just in case you wanted to come see us at another show to warm yourself up for the Record Release, here is our remaining Tour Schedule for the Fall of 2024.

MORE INFO

ANCIIENTS Announce Record Release Shows

JUNO Award winners return with the heavy and heartfelt Beyond the Reach of the Sun

"Big, melodic and fun" - New Noise
"A blend of soothing acoustic rock melodies and crushing heavy metal" - Guitar World

"It's exciting stuff, really - often complicated without seeming excessive, skillful but soulful, approachable but not pedestrian" - Pitchfork

"Heady stuff...arch-synthesists, cleverly appropriating a number of familiar, inter-related genres to fuse into a seamless ethos" - Metal Injection

"Proggy, sludgy and downright rocking" - Angry Metal Guy

"When the riffs rumble out of the speakers, you're moving" - No Clean Singing

"Combining powerful drumming with Thin Lizzy inspired riffs, while sounding like the musical equivalent of Game of Thrones" - Echoes and Dust      

"Parts progressive finesse, classic rock grandstanding and grass-roots bludgeon" - PopMatters 

After eight years of soul-searching deep within the Canadian wilderness, Anciients are back and ascending toward their rightful place as guiding lights for progressive metal. The JUNO Award winners recently announced their highly-anticipated third album

To celebrate the coming of Beyond the Reach of the Sun, this fall, Kenny Cook, Mike Hannay and the band's new axe men Brock MacInnes and Rory O'Brien will play three record release shows in their native British Columbia. This special run includes one night at The Rickshaw Theatre in the band's hometown of Vancouver.

"We are beyond excited to play our new album in a live setting for the very first time," Cook says about the band's upcoming shows. "It's going to be epic! More show announcements are coming soon".

Anciients will be supported by five fellow Canadian bands: metal-punks Fearbirds, progressive metalheads Black Thunder, metal stoners Waingro, thrashy death metal trio Bloodrhine and post-metal doomsayers Empress.   

Photo by Shimon

Anciients Beyond the Reach of the Sun Record Release Shows

September 20 - Victoria, BC @ Lucky Bar with Fearbirds and Black Thunder [TICKETS]
September 21 - Nanaimo, BC @ The Queens with Fearbirds and Black Thunder [TICKETS]
September 27 - Vancouver, BC @ The Rickshaw Theatre with Waingro, Bloodrhine and Empress [TICKETS]

Beyond the Reach of the Sun comes out August 30, 2024 on Season of Mist. 

Watch the mind-bending guitar playthrough for lead single "Melt the Crown".


https://youtu.be/ZIQBTQnU8DY

Pre-order & Stream

https://orcd.co/anciientsbeyondthereachofthesun

It’s been a rough handful of years for British Columbia-based extremity-laced progressive rockers, Anciients. When the quartet unleashed their Voice of the Void album in 2016, the world appeared to be their oyster and things seemed ripe for the picking. They were coming off the success of their Heart of Oak debut from 2013, its ascendancy due in large part to a collective uptick in interest for involved, forward-thinking music. The public had moved beyond toe-dipping and tire-kicking, and were instead doing headfirst dives into exploring the likes of Opeth, Mastodon, Baroness, The Ocean, Intronaut and others who originally hailed from the extreme music underground, but had since grown, matured and scrubbed behind their ears to include heaping and healthy chunks from the outskirts of their record collections and influence pools.  

The Band That Auto-Correct Loves to Fuck With™ shared stages with everyone from High on Fire and Goatwhore to Boris and Lamb of God, were in the midst of a European tour when they discovered they were JUNO Award (Canadian Grammy equivalent) winners in the heavy metal/hard rock category. The world was ready to accept Anciients into its welcoming arms. Anciients was gearing up to employ takeover methods, specifically their brand of thunderous rhythms and labyrinthine riffing bolstered by a road warrior mentality. And then, the momentum petered out and the band seemingly fell off the face of the earth.  

Today, Anciients are ready and poised to resume their spirited quest for heavy metal paramountcy. There’s no doubt the band is back and with a stunning and beautiful collection of ten songs on offer in the form of new and third album, Beyond the Reach of the Sun, they are positioning to reestablish themselves as a dominant force for those who love windmilling their tresses around thoughtful tempo changes, complex harmonic layers and driving power chord shifting. But what the hell happened and where did they disappear to?

“Basically,” explains guitarist/vocalist Kenny Cook, “right before Voice of the Void was recorded, my wife had our first kid. She ended up having heart complications and almost passed away from it. We recorded the last record and once it came out, I was kind of just focusing on her, dealing with her health issues and keeping that in check. I wasn’t at the stage where I could be gone for half a year, especially with a new kid. Long story short, she’s happy and healthy now, but dealing with family issues was the main priority. It was a bit of a road.”

Adding to that bit of Anciients camp turmoil, guitarist/co-vocalist/co-founding member, Chris Dyck and the band parted ways in January of 2017. This left a gaping lineup hole at an inopportune juncture in the band’s timeline. Not only did Cook have to deal with the absence of his long-term song and lyric writing partner, but Dyck was also someone he had been splitting vocal duties with since the pair formed the band in 2009. And then, while helping his wife with her recovery, raising their new born and “because we wanted to raise our son in a small town environment,” the Cook family uprooted to Columbia-Shuswap four hours east of the Vancouver area, where drummer Mike Hannay, Brock MacInnes (Dyck’s replacement) and brand spanking new bassist Rory O’Brien still reside.

“We knew Brock from other bands he’d been in and we knew he’d be a great fit,” explains Cook. “He actually filled in for Chris on a tour we did back in 2015. As far as the vocals, I just found myself picking up the slack on both ends. It felt somewhat natural, it was definitely different. Doing the lyrics myself for the first time was somewhat daunting, but it was also something done out of necessity. But even when Chris was in the band I handled 80-90% of the vocals anyway, so it didn’t change all that much.”  

Then, that whole COVID-19 thing you probably heard about once or twice hit in 2020 and put another restraining bolt on Anciients' activity, especially touring as the Canadians found themselves dealing with stricter travel restrictions and mandates than many other countries; most notably, not being able to cross the border for almost two years. Once the dust settled, Cook had to adjust to being the lone vocalist and how that impacted the material he was writing while navigating being creative with distance between Anciients’ members for the first time. Not a biggie, as in-person writing sessions are more of a rarity these days, but because of the time elapsed since Voices of the Void, things/interests/influences changed and the band ended up scrapping half of an album’s worth of material and starting fresh. When they put their heads down at the end of 2021 with the focus being Beyond the Reach of the Sun, what was revealed a year later was more streamlined and slithery, more chest-thumpingly direct, more epic and triumphant sounding. Riffs come in explosive layered packets. Leads, harmonies and melodies are more on par with wind-tussled mountain tops instead of sweaty bar shows and the band moves with finely honed, martial accuracy as conducted by Hannay’s rocket-in-the-pocket staccato swing and accents.  

Songs like “The Torch” blaze with the shirtless glisten of ‘70s stadium rock power. “Cloak of the Vast and Black” swirls and whirls with a combination of hardcore intensity, grunge groove and expansive six-string parries. “In the Absence of Wisdom” is a hurricane-sized maelstrom of classic and prog rock elevated to grandiosity by a return to their growling sludge/death early years as the song/album concludes. The album’s first single, “Melt the Crown” mixes cues from legendary fellow hosers Rush and Harlequin, turn-of-the-millennium post-metal and the most psychedelic corners of the Rise Above Records roster.

“The new record has a lot more of our rock side,” Cook offers, “and leans towards those elements of our sound and personalities, whereas Voice of the Void was pretty crushing all the way through. With the new material we’ve tried to add more dynamics to the music and give the songs more room to breathe."  

Album opener “Forbidden Sanctuary” is the soundtrack to exploration, of new worlds and sonic arrangement as sine-wave guitars pull from vintage Mercyful Fate covens and Krautrock communes with synths opening up novel textural avenues, as they do on the ethereal wispiness and space rock/sci-fi soundscapes of the instrumental “Candescence.” Beyond the Reach of the Sun sees synths and keyboards making their first appearance on an Anciients record and were played by producer/mixer Jesse Gander and Justin Hagberg at the former’s Rain City Recorders studio. In addition to augmenting the album with his skill on the black and whites, Hagberg — a member of the recently reunited 3 Inches of Blood —  also helped Anciients navigate a significant last-minute hurdle, one that threatened to pull the reins back on their comeback roar.

“We lost our bass player literally a month before we were going in to record and were kind of up shit’s creek. Justin also plays in a band called Ritual Dictates with Rory and is the one who brought his name up.”

O’Brien, a former member of Vancouver’s Bushwhacker, was absolutely interested when approached by Anciients.  

“We got lucky and he saved our asses at the last minute.”  

Cook stepped up to the challenge of being the sole lyricist to drape Beyond the Reach of the Sun in deeply personal expressions of the inner turmoil, fear and isolation he’d experienced in himself and saw in others over the past few years. There were moments where he didn’t know whether loved ones were going to pull through and what life was going to look like were tragedy come to pass. Mental health and people living life without being able to see any light at the end of the tunnel became a very prevalent theme to tracks like “Despoiled” and “Beyond Our Minds.” And while the line that became the album’s title is taken from a David Attenborough-narrated Planet Earth documentary, it speaks more to the coming and going of despondency when one doesn’t know how dark the darkness is going to get, as in “Is It Your God,” which pulls from the manifestation of grief and how it can shatter belief systems.  

“That one is a little more personal to me and my situation,” Cook says somberly. "I had a good friend of mine from when I was younger pass away from cancer. His mother was super-religious and there were ideas taken from her questioning how could something like that happen to her when she had such a strong faith.”  

The title and themes of stripped away hope and piled on anguish and tumult were parlayed into the album’s spectacular cover art. Created by Adam Burke (Nightjar Illustrations), the drawing is part-pulp novel cover, part-Franzetta landscape, part-sci-fi movie poster and all a vast illustration one can easily lose themselves in while the record spins in the background.

“We gave him the concept and basic outline of how we wanted the cover to look and he took it to a whole new dimension. It turned out pretty wild!”

With all being said and done, Anciients have returned! They stand ready to ascend the prog metal ladder and get back to doing what they do best with a weighty and dense, but wholly accessible, album. It’s a collection of ten songs that possesses the ability to have those furiously banging heads also tapping into their power of self-reflection and contemplation to ponder the finality of existence, the value of life and their place in the universe.  

“Totally! We’re going to take as many of the opportunities that come to us. The hiatus is over and I think with the new members and everyone being on the same page we’re ready to get out there as soon as possible. We missed out on a huge block after the last record, so we’ve got to make up for lost time. Now that everyone is happy and healthy, we plan to hit it hard.”


Lineup
Kenny Cook (vocals, guitar)
Mike Hannay (drums) 
Brock MacInnes (rhythm guitar)
Rory O'Brien (bass)

Guest musicians
Justin Hagberg plays keyboard on "Forbidden Sanctuary", "Is It Your God", "Melt the Crown", "Candescence", "In the Absence of Wisdom".

Jess Gander plays synths on "Candescence" and "Cloak of the Vast and Black".

Recording studio
Rain City Recorders

Producer / sound engineer
Jesse Gander
Assisted by Szymon Wojciech

Mastering studio and engineer
Stu McKillop @ Rain City Mastering

Mixing studio and engineer
Jesse Gander Rain City Recorders

Cover artwork artist 
Adam Burke @ Nightjar Illustrations

Bio
Kevin Stewart-Panko

Pre-order & Stream: https://orcd.co/anciientsbeyondthereachofthesun

Follow Anciients
https://www.facebook.com/ANCIIENTSRIFFS
https://www.instagram.com/anciients/
https://twitter.com/ANCIIENTS
https://www.youtube.com/user/ANCIIENTS
https://music.apple.com/us/artist/anciients/603538280
https://open.spotify.com/artist/3YQOcYukzO6U1MjFcavDUE?si=4QWahfZxQjOmAI7nYrav6g&nd=1&dlsi=0142e5e62ae54105

HORRENDOUS Announce Record Release Shows

Horrendous didn't just drop what's arguably the best album of their career. They made one of the best death metal albums in recent memory, according to Metal Sucks.

Don't miss your chance to hear 'Ontological Mysterium' in all its twisted glory. Philly's finest and filthiest death metal band are celebrating their new record with a special run of shows to kick off the new year. As if that wasn't enough of a holiday bonus, they'll be joined by fellow statesmen Outer Heaven. 

Ontological Mysterium Record Release Shows

December 27, 2023:  Worcester, MA @ Ralph's Rock Diner [TICKETS]

December 28, 2023: Philadelphia, PA @ Underground Arts [TICKETS]

December 29, 2023: Brooklyn, NY @ Saint Vitus Bar [TICKETS]

January 13, 2024: Richmond, VA @ Bandito's*

January 14, 2024: Baltimore, MD @ Metro Gallery [TICKETS]

* No Outer Heaven


Let your chariot ride!

Horrendous were on the cover of the September issue of Decibel magazine. Order a copy and get an exclusive limited edition The Silver flexi disc.  

"After years of incredible support from Decibel Magazine, we are honored to make it to the cover of Decibel", the band says. "Eternal thanks to Albert Mudrian for always believing in our music, Mike Wohlberg for all of his artistic contributions to the band, and Scott Kinkade for capturing us masterfully, and everyone out there who has supported us."

'Ontological Mysterium' is a labyrinth. The deeper in you go, the more this album twists and churns, luring you toward some monstrous final battle. The riffs on the title track slice like the blades of an Apache helicopter, while the battle cry that opens "Cult of Shaad'oah" will make you feel like you're about to carve up a volcano full of giant, flaming snake warriors. 

"Somehow these guys can take Iron Maiden, mesh it with '90s prog-influenced death metal masters like Atheist, dispense with traditional metal song structures and create something that you've never heard before", writes
Metal Injection.  

Lambgoat says "Ontological Mysterium is a pholosophical treat cloistered within some of the most ravenously delectable death metal you could subject yourself to this year, perhaps ever".

Stream:
https://orcd.co/ontologicalmysteriumpresave

Order
https://redirect.season-of-mist.com/HorrendousShop

“Surprises always come up during writing — spontaneous ideas pull you into new territory and enable the realization of novel possibilities that previously were inaccessible.”

Such are the words from Horrendous drummer Jamie Knox when discussing the creation of the band’s fifth full-length, the highly anticipated 'Ontological Mysterium'. Knox’s quote also encapsulates Horrendous’s approach to extreme metal. Since 2009, the band has capably tapped into the inaccessible by providing a fresh, unconventional take on death metal that harnesses technical brilliance with elaborate, mind-melding melodies, frothy, spewing vocals and labyrinthine song structures. This combination has made each Horrendous long play a clinic in the gratifyingly unorthodox. The trend continues on Ontological Mysterium.

The follow-up to 2018’s Idol was recorded, mixed and mastered at Subterranean Watchtower Studios in Virginia, which doubles as the homestead of guitarist/vocalist Damian Herring. While the band (completed by guitarist/vocalist Matt Knox and bassist Alex Kulick) finished much of the songwriting for Ontological Mysterium in 2019, its recording was delayed by the 2020 global pandemic and various life events. Horrendous eventually finished recording in early 2022 and mastered the album before the start of 2023.

The album upholds Horrendous’s position as one of the underground’s best outside-of-the-box extreme metal bands. Having long abandoned concern whether people would appreciate their “uniqueness,” Horrendous has embraced its role as a band willing to veer far from death metal conventions, intentionally stretching and breaking norms. To wit, the band primarily views its music as filtered through a death metal lens. This may be Horrendous’s defining trait: By not accepting parameters, nothing is off-limits.
 
Lineup: 
Damian Herring - Guitar, Vocals
Matt Knox - Guitar, Vocals
Alex Kulick - Bass
Jamie Knox - Drums

Producer / Sound Engineer / Mixing / Mastering: Damian Herring at Subterranean Watchtower Studio, Arlington, VA, USA

Style: Progressive death metal

Cover art:
Brian Smith

Stream: https://orcd.co/ontologicalmysteriumpresave

Order: https://redirect.season-of-mist.com/HorrendousShop  

For more on
HORRENDOUS,
https://www.facebook.com/HorrendousDeathMetal
https://www.instagram.com/horrendous_official/
https://horrendoussom.bandcamp.com/
https://music.apple.com/us/artist/horrendous/496063134
https://open.spotify.com/artist/1Na6P4MqOassrZtvT9Z12s

American Rock n Roll Band Ten Ton Mojo Release New EP 'Rebel Heart Gypsy Soul' via Curtain Call Records on June 30th

Pre-Order Rebel Heart Gypsy Soul on Physical CD and Cassette at:

https://tentonmojo.bigcartel.com/

Available on all Major Platforms on June 30th at:

https://orcd.co/xv3lap

American Rock n Roll band Ten Ton Mojo will release their new EP Rebel Heart Gypsy Soul via Curtain Call Records on June 30th. The EP was produced by Max Norman (Ozzy Osbourne, Megadeth).

/ Mojo /; a magical power, charm or spell; a lucky charismatic quality of natural or supernatural origin.

Conjured on the streets, on the stages and in the studios of New York City, emerges Ten Ton Mojo – the new classic rock. This is where bluesy southern soul meets the glory of rock & roll! Ten Ton Mojo is a rock band on the rise! Hailed in the press as "easily the best rock band in New York City" (The Aquarian Weekly), Ten Ton Mojohas been providing live support for Kix, The Supersuckers, Molly Hatchet, Enuff Z’nuff, Saving Abel, John 5, the late Scott Weiland and others.

This band represents the rebirth of real American rock and roll! Hip shaking rhythms and street wise guitars blend to create memorable hard rock anthems. Singer Dave Anthony says, “This band started to embrace our roots and to give back to the fans who’ve been wanting this…and we’re always determined to do it our way”.

Ten Ton Mojo has captivated a strong fan base by creating a musical energy which has yet to be experienced in the 21st century. Headlining gigs everywhere from the Viper Room in Los Angeles to Gramercy Theatre in NYC, have helped to make Ten Ton Mojo a game-changer.

Ten Ton Mojo is the band you've been waiting for!

Upcoming Shows in 2023

Saturday, July 15th, Gramercy Theatre, New York, NY w/ ANAKA

Online Tickets Here: https://livemu.sc/42MLtfi

Friday, July 21st, Artie's Bar & Grill, Frenchtown, NJ w/ Texas Hippie Coalition
Sunday, July 30th, Renegades Saloon, Newfoundland, PA
Friday, August 4th, Dingbatz, Clifton, NJ
Saturday, August 26th, The Garage at Lucy's, Pleasantville, NY
Friday, September 15th, Quinnz Pinz, Middletown, NY

BAND MEMBERS:

Dave Anthony - Lead Vocals, Harmonica
Scott Lano - Guitars, Backing Vocals
Christian Realmuto - Guitars
Paul "Sugar" Kane - Drums, Backing Vocals
Kenny Madden - Bass Guitar

For More Information Please Visit:

Official Website

Spotify

Facebook

Instagram

Twitter

YouTube

Merch Store

The Acacia Strain Announce "STEP INTO THE LIGHT" Record Release Shows

NEW ALBUM STEP INTO THE LIGHT OUT MAY 12 VIA RISE RECORDS

THE ACACIA STRAIN — vocalist Vincent Bennett; guitarists Devin Shidaker and Mike Mulholland; bassist Griffin Landa; and drummer Kevin Boutot — just announced their new album STEP INTO THE LIGHT, out May 12 via Rise Records. Pre-order the album, which was produced by Randy Leboeuf (Every Time I Die, Lorna Shore, Bad Omens), here

The band has also announced three record release shows. The lineup includes Escuela Grind, Vomit Forth, and Chained to the Bottom of the Ocean

All dates are below. Tickets go on sale on Friday, February 24 at 10am local time. Get tickets here.

THE ACACIA STRAIN RECORD RELEASE SHOWS:
5/19 — Syracuse, NY — The Lost Horizon
5/20 — Albany, NY — Empire Underground
5/21 — Portland, ME — The Cavern

The Acacia Strain will hit the road with Fit For an Autopsy, Full of Hell, and Primitive Man next month. The tour kicks off on March 8 in Brooklyn and runs through April 1 in Worcester, MA. All dates are below. Get tickets here.

THE ACACIA STRAIN ON TOUR:
WITH  FIT FOR AN AUTOPSY,  FULL OF HELL, + PRIMITIVE MAN:

3/8 — Brooklyn, NY — The Monarch
3/9 — Philadelphia, PA — Underground Arts
3/10 —  Columbus, OH — The King of Clubs 
3/11 — Detroit, MI — St. Andrew's Hall
3/12 — Chicago, IL — Metro
3/14 — Denver, CO — The Gothic
3/15 — Salt Lake City, UT — The Complex
3/17 — Seattle, WA — El Corazon
3/18 — Portland, OR — Hawthorne Theater
3/19 — Sacramento, CA — Ace of Spades
3/20 — Santa Ana, CA — The Observatory
3/21 — Los Angeles, CA — 1720
3/22 — Mesa, AZ — Nile Theater 
3/24 — Dallas, TX — Amplified Live
3/25 — Austin, TX — Come and Take It Live 
3/26 — Houston, TX — Warehouse Live
3/28 — Tampa, FL — The Orpheum
3/29 — Atlanta, GA — The Masquerade (Heaven)
3/30 — Greensboro, NC — Arizona Pete's
3/31 — Baltimore, MD — Baltimore Soundstage
4/1 — Worcester, MA — The Palladium