‘THE BEST OF JUDAS PRIEST’ OUT JUNE 19th 2026

Judas Priest today announce the upcoming release ‘The Best Of Judas Priest’, a career spanning collection celebrating one of the most influential and enduring bands in heavy metal, out via Sony Music on June 19th 2026.

The mighty Judas Priest have defined and redefined the sound and imagery of heavy metal for more than five decades. With over 50 million albums sold worldwide and more than 2.5 billion global streams across their catalogue, their impact on music and culture remains unmatched.

This special collection of songs brings together some of the band’s globally revered recordings, including ‘Breaking The Law’, ‘You’ve Got Another Thing Coming’, ‘Electric Eye’, ‘Turbo Lover’ and ‘Painkiller’. Together, these tracks represent key moments from across their catalogue and trace the evolution of a band that helped shape the genre itself.

Internationally the band’s most iconic songs continue to reach new audiences. ‘The Best Of Judas Priest’ serves as both an accessible entry point for new listeners and a definitive collection for longtime fans looking to revisit the songs that cemented the band’s legacy.

Judas Priest continue to showcase their exemplary live shows across Europe this Summer as well as a festival stop at Bloodstock in the UK on August 9th and a headline show at Eventim Apollo in Hammersmith on September 21st.  

An in-depth documentary ‘The Ballad Of Judas Priest’ was premiered at the Berlin Film Festival recently.  Directed by Tom Morello and Sam Dunn, this fascinating insight into the bands vast career will be released later this year.

‘THE BEST OF JUDAS PRIEST’
OUT JUNE 19th 2026
Pre order now here : https://judaspriest.lnk.to/TheBestOfJP

90s college rockers The Dambuilders return with fantastic video for "Shrine 2026" single

US indie radio faves The Dambuilders are back with “Shrine 2026” -- their first release in decades -- with their signature blend of emotional immediacy and sonic invention.. The new video portrays an underground society of alien rockers resurfacing for a mystical ritual after decades in hiding. Parts of the original 1994 video are blended with new footage to highlight the vast passage of time within the story's timeline.

Released via Magic Door Record Label, the B-side companion “I Hope We’re Not Too Late” was recorded and produced by Ray Ketchem at Magic Door Recording in Montclair, NJ and mastered by award-winning engineer Greg Calbi (Lennon, Bowie, Springsteen, Talking Heads, Patti Smith).

2025 saw the band's reformation with reunion shows at Dromfest and NYC Berlin, where they performed their 1989 debut album in its entirety. In late April, they once again perform in New York City and Providence, Rhode Island. Involving a host of special guests, these are the band's first performances in either city in 30 years, offering a rare opportunity to experience the band’s dynamic live presence.

"Bruno Corbo directed this video as an homage to the original video directed by Tryan George. Bruno and I are collaborating on the Dambuilders documentary “I Used to Be Different,” which chronicles the band from our origins in Honolulu to Boston, Berlin, and back. He created an elaborate backstory that connects the video to the original video. In the years following the initial video, where we played a rocking band of aliens who were brutally attacked by a paramilitary force, we have spent decades living underground. We are magically reconnected through the ritual of buying candles to light the shrine of rock and roll," explains Dave Derby.

"The video features performances by current band members (Dave Derby, Kevin March, Claudia Chopek, and Sean Eden) as well as cameos by original violinist Joan Wasser, original drummer Daniel Glass, Colin Burns, who created artwork for the band, and Alex Emanuel, who plays an agent in the original video. The video was a wonderful collaboration between the band, Bruno, cinematographer Sophia Williams, and art director Shelly Chung."

While The Dambuilders are most associated with the 1990s Boston rock scene, the band originated in Honolului, formed by Dave Derby, Tryan George and Eric Masunaga—veterans of Honolulu acts like the Exactones—and joined byelectric violinist Debbie Fox. After relocating to Boston in 1990, the group solidified into its definitive "classic" lineup by 1992, with Derby on vocals and bass, Masunaga on guitar, Kevin March on drums, and Joan Wasser on violin.

Now The Dambuilders re-emerge with a renewed sense of purpose with Dave Derbyand Kevin March joined by guitarist Sean Eden (Luna) and violinist Claudia Chopek (Dexys, Father John Misty, The Little River Band). Their performance of the B-side “I Hope We’re Not Too Late” uphold the bend's core elements and original identity while embracing an evolving sound.

The Dambuilders built a devoted following throughout the 1990s, touring North America, Europe and Australia alongside artists such as Lush, Luna, Jeff Buckley, Weezer and Better Than Ezra. They would release 3 records via the !Cuacha! Label and 3 albums for Elektra Records, along with a song cycle that dedicated a number of tracks to the 50 states (most notably,“Idaho” and “Delaware”).

“Shrine 2026” revisits one of The Dambuilders' most beloved songs, from their 1994 album "Encendedor", which became a cornerstone of their catalog, with “Shrine”ranked at No. 17 in MTV’s 100 Greatest Songs of the ‘90s: Lollapalooza edition. Following their "Against the Stars" album in 1997, the band stepped away from recording and touring, its members pursuing a wide range of acclaimed musical projects in the years that followed.

"Shrine 2006" is available on digital platforms, including Spotify, Apple Music and Bandcamp. Tickets for their East coast shows are also available now.  


CREDITS
"Shrine 2026” written by Kevin March, Dave Derby, Eric Masunaga & Joan Wasser
"I Hope We’re Not Too Late” written by Dave Derby, Kevin March, Sean Eden & Claudia Chopek
Dave Derby - bass, vocals
Kevin March - drums, vocals
Sean Eden - guitar, vocals
Claudia Chopek - violin, vocals
Doug Gillard - additional guitars on “Shrine 2026”
Renée Lo Bue - backing vocals on “I Hope We’re Not Too Late”
Produced by Ray Ketchem
Recorded at Magic Door Recording, Montclair, NY
Mastered by Greg Calbi
Cover artwork by Colin Burns
Released via Magic Door Recording Label
'Shrine 2006' video directed by Bruno Corbo (2026) & Tryan George (1994)
Cinematography by Sophia Williams
Featuring Kevin March, Dave Derby, Claudia Chopek, Joan Wasser, Sean Eden, Daniel Glass, Alex Emanuel & Colin Burns
Publicity by Shameless Promotion PR

LIVE DATES
April 24 - NYC, Mercury Lounge (with Sleepyhead)
April 25 - Providence, RI - Myrtle (with Sleepyhead)


Keep up with The Dambuilders
Bandcamp | Facebook | Instagram | YouTube | YouTube Music | Spotify | Apple Music | BandsInTown | Press contact

Keep up with Magic Door Record Label
Bandcamp | Facebook | Instagram | Sound cloud | YouTube | Magic Door Studio | Press contact

Keep up with Shameless Promotion PR
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SharpTone Welcomes Glasswaves to the Roster + Band Shares "fvck.me.up"

SharpTone Records is thrilled to welcome Glasswaves, a Rochester, New York-based trio that seamlessly blends dark pop, alternative rock, and electronic elements with a heavy and dynamic edge, to the global roster.

The band has shared the video for gloomy and glitchy new single "fvck.me.up." Watch it below.

"What started as a completely different idea slowly turned into a mix of electronic textures and heavy guitars that just felt right," shares singer Noah Rich. "Once the chorus came together, everything really clicked into place. At its core, the song is about destructive love and emotional dependency that pulls you toward something you know isn't good for you but can't let go of."

He finishes, "Within the world we’re building as Glasswaves, it reflects that loss of control and the feeling of giving yourself over to something bigger, whether that’s a person, a system, or something inside your own mind. This track is the first piece of a bigger story that will keep unfolding with every release."

Stay tuned for more.

Regarding their new label home, Glasswaves says, "Being able to say Glasswaves is signed to SharpTone Records is honestly surreal. It's a label we've looked up to for a long time, and knowing we're also connected to the legacy of Nuclear Blast makes it even more meaningful. Starting this new chapter with our single 'fvck.me.up' feels like a perfect way to begin."

 Formed in May 2023, the lineup is rounded out by Owen Miller on guitar and Brendan Curtis on bass. In a short time, they have built a reputation for pairing atmospheric melody with explosive intensity, creating a sound that is both cinematic and emotionally raw.

Their music moves fluidly between haunting, electronic driven verses and massive, high impact moments, offering a balance of accessibility and aggression that resonates across genres. Paired with their war paint aesthetic, Glasswaves deliver a live show that is immersive, visceral, and visually striking.

In 2025, the band won the grand prize at the Ernie Ball Battle of the Bands and earned a main stage performance at Warped Tour. That same year, they toured extensively, performing nearly 60 shows and spending close to 80 days on the road, quickly establishing themselves as a compelling and consistent live act.

Now signed to Sharptone Records, Glasswaves are positioned for rapid growth as they continue to push boundaries and connect with a new generation of listeners. With a sound that refuses to be confined to a single genre and a proven work ethic on the road, the band stands ready to make a lasting impact across the alternative and heavy music space. 

IAN MUNSICK’S “LOVE IS BLIND” ARRIVES AS MOST-ADDED AT COUNTRY RADIO

Wyoming native Ian Munsick took his first single to Country radio today under his newly-minted partnership with his own WEST TO THE REST RECORDS and Triple Tigers Records. Written by Munsick, Ryan Tyndell and Jeremy Spillman, “Love Is Blind” arrived as the most-added single upon impact, with 66 total stations adding it to rotation. Listen to “Love Is Blind” HERE.
 
“Love Is Blind” is Munsick’s latest release following his WEST TO THE REST RECORDS/Triple Tigers Records debut, “Geronimo.” Directed by Ben Christensen, the accompanying music video was shot in Wyoming by Isaac Spotts and produced by Caroline Munsick. Watch HERE.
 
Munsick also recently announced he’ll be partnering with The Landmark Hotel & Casino to open the Ian Munsick Cowboy Bar & Western Grill in August in Deadwood, S.D. Built between 1894-1920, The Landmark is Deadwood’s largest historic structure at approximately 35,000 square feet. The Ian Munsick Cowboy Bar & Western Grill will reside within over 2,600 square feet of the footprint. The venue will promote and celebrate country and western music with old school country bar decor, along with two performance stages, one indoors and one outdoors.
 
The Eagle Flies Free Tour, which kicked off on February 13 in Charlotte, N.C., is currently underway. With upcoming stops in Wilmington, Ohio, Pelham, Tenn. and more, Munsick is joined by a rotating lineup of guests including Ben Haggard and Kenny Whitmire. The run will include Munsick’s second headlining show at Red Rocks Amphitheatre on August 25, with special guests ERNEST and Ned LeDoux.
 
The Eagle Flies Free Tour Dates:
Friday, April 24 || Wilmington, Ohio || Bowstring Brewyard + 
Saturday, April 25 || Marietta, Ohio || Peoples Bank Arena +
Friday, May 22 || Isle of Palms, S.C. || The Wind Jammer +
Saturday, May 23 || Pelham, Tenn. || The Caverns +
Saturday, May 30 || Cocoa, Fla. || Cocoa Riverfront Park Amphitheater +
Friday, June 5 || Louisville, Ky. || Fourth Street Live
Saturday, June 27 || Libby, Mont. || Happys Inn
Tuesday, Aug. 25 || Red Rocks Amphitheatre || Morrison, Colo. &
 
^ w/ Ben Haggard
& w/ ERNEST and Ned LeDoux
+ w/ Kenny Whitmire

Amberian Dawn Share Video For New Single "The Vision Of Dreaming"

Finnish symphonic metal band AMBERIAN DAWN share a second enchantment from their new era. "The Vision of Dreaming" is another charming glimpse into the upcoming album, Temptation's Gates, releasing June 26 via Napalm Records, which is the band's first with singer Nicole Willerton. The song's poignant riff spirals right into long-term memory and first hints at the new leading lady being more than an angelic fairy gently guiding listeners through languorous realms. Symphonic metal with a modern twist, "The Vision of Dreaming" proves AMBERIAN DAWN's thrilling dedication to their craft.

Tuomas Seppälä about "The Vision of Dreaming":
"I originally composed 'The Vision of Dreaming' back in 2021, but it truly found its final form only now as we began working on it together with our new vocalist. It represents the lighter side of the album, but it still has a nice metal bite to it. I spent a great deal of time carefully crafting its sonic atmosphere. The foundation is built largely on carefully selected analog synthesizer sounds, combined with thoughtfully detailed arrangements. There's a clear touch of ABBA-like atmosphere in the song, yet at the same time, it has a fresh and heavier edge that makes it unmistakably part of our world."

Nicole Willerton about "The Vision of Dreaming":
"The lyrics of 'The Vision of Dreaming' are dreamy and describe the deep spiritual and emotional connection between two people. It explores how their shared memories, emotions, and dreams keep them intertwined, even when physically apart. The lyrics portray love as a bond that transcends space and time. In essence, the song describes a powerful bond connecting two people beyond the physical."

Rising from the home of symphonic metal are AMBERIAN DAWN: The Finnish five-piece is set to open Temptation's Gates, their new album, out on June 26, 2026 via Napalm Records. The band's first release with new singer Nicole Willerton takes them onto a more modern, occasionally even surprisingly rough path. With it, AMBERIAN DAWN, led by founder, guitarist, and main composer Tuomas Seppälä, slowly emancipate themselves from being "just" the band who—gloriously!—covered Swedish pop legends ABBA with their previous album, Take a Chance – A Metal Tribute to ABBA (2022).

Infusing their epic keyboard sounds with guitar-driven melodic metal, AMBERIAN DAWN reach into a world unknown and prove their versatility while their catchy anthems remain strong and charming as ever. Temptation's Gates has the band determined for a future sparkling temptingly bright — and they're ready to step through that gate.

Tuomas Seppälä about Temptation's Gates:
"When I started working with our new singer, I felt the same kind of excitement I had years ago when I began creating our debut album back in 2007 and 2008. At that time, AMBERIAN DAWN were still newcomers to the band world, even though we were already experienced musicians. With Temptation's Gates, I felt that same spark of creating something new for the first time in a long while. I hadn't composed many songs yet when I began collaborating with our new vocalist. Most of the material came together surprisingly fast once I realized how easy and natural it was to work with her. I was deeply inspired by Nicole's enthusiasm, dedication, and efficiency. I truly feel that the band has been reborn with her joining us. Musically, our style has evolved once again, perhaps moving slightly back toward a heavier, more metal-driven direction. At the same time, elements of our classic sound and identity are naturally still present. In many ways, creating this album felt like going back to my roots. For the first time in a long while, I also took on a bigger role as a guitarist. I focused more on crafting guitar riffs, played roughly half of the guitar leads on the album, and even performed one full guitar solo myself."

Nicole Willerton about Temptation's Gates:
Temptation's Gates is the first album I've sung on and recorded with AMBERIAN DAWN, and it has been a beautiful experience. While writing the lyrics, each song was inspired by feelings, memories, and moments that were especially prominent during the creation of the album. Writing the lyrics felt like diving into the subconscious, bringing these emotions to the surface. It was wonderful to explore the creative process of arranging the backing vocals. I especially love how AMBERIAN DAWN's music makes strong use of backing vocals, helping to create a fuller, richer sound around the lead vocals. It's definitely a fiery album that combines a broad spectrum of emotional depths, ranging from love and melancholy to darker elements such as fear and inner struggles. A recurring message throughout the album is to embrace one’s true desires and to accept and acknowledge one’s honest feelings."

Get Your Copy Of Temptation's Gates NOW!

AMBERIAN DAWN ARE:
Tuomas Seppälä — Keyboards, Guitar
Nicole Willerton — Vocals
Emil Pohjalainen — Guitar
Joonas Pykälä-aho — Drums
Jukka Hoffren — Bass

Buckcherry Announce Final Leg Of "Roar Like Thunder" Tour

Buckcherry are announcing today the final dates of their "Roar Like Thunder" tour for 2026. Amongst the highlights are nine shows with Black Stone Cherry and Tyler Bryant. The dates begin with an appearance at the Rockin' The Island Festival in Welch, Minnesota supporting Stone Temple Pilots. The run also includes a date at the Beaver Dam Amphitheater in Beaver Dam, Kentucky supporting Bret Michaels and the band's annual appearance at the legendary Sturgis Buffalo Chip during Sturgis Bike Week. After the nine shows with Black Stone Cherry, the band will appear at the Rocklahoma Festival in Pryor, Oklahoma and then the run will end with a date at The Vanguard in Orlando, Florida. 

The band will close out the year supporting The Scorpions on their eight show residency in Las Vegas, Nevada from September 17 through October 3.

VIP meet and greets can be purchased at Buckcherry.com  See below for all of the dates.

BUCKCHERRY ROAR LIKE THUNDER TOUR 2026:

7/31 — Riverside, IA — Riverside Casino & Golf Resort (Opening for Stone Temple Pilots)
8/1 — Jefferson City, MO — Cole County Fair
8/3 — Kansas City, MO — Knuckleheads
8/4 — Des Moines, IA — Wooly’s
8/6 — Gould City, MI — Bates Corner Bar and Grill Outdoors
8/7 — Carpentersville, IL — Jamborees Day @ Carpenter Park
8/8 — Cadillac, MI — The Venue
8/11 — Kearney, NE — Joe’s Honkey Tonk
8/13 — Sturgis, SD — Sturgis Buffalo Chip
8/15 — Beaver Dam, KY — Beaver Dam Amphitheater (Opening for Bret Michaels)
8/16 — Pelham, TN — The Caverns (w/ Black Stone Cherry, Tyler Bryant)
8/18 — Huntington, WV — The Loud (w/ Black Stone Cherry, Tyler Bryant)
8/19 — Waynesboro, VA — The Foundry (w/ Black Stone Cherry, Tyler Bryant)
8/20 — Asheville, NC — The Orange Peel
8/22 — Fort Lauderdale, FL — Culture Room
8/23 — Key West, FL — Key West Theatre
8/25 — Fort Myers, FL — The Ranch Concert Hall & Saloon (w/ Black Stone Cherry, Tyler Bryant)
8/26 — St. Petersburg, FL — Jannus Landing (w/ Black Stone Cherry, Tyler Bryant)
8/27 — Destin, FL — Club LA (w/ Black Stone Cherry, Tyler Bryant)
8/29 — Kalamazoo, MI — Michigan Mac and Cheese Fest
8/31 — San Antonio, TX — Aztec Theatre (w/ Black Stone Cherry, Tyler Bryant)
9/2 — Houston, TX — House of Blues (w/ Black Stone Cherry, Tyler Bryant)
9/3 — Dallas, TX — House of Blues (w/ Black Stone Cherry, Tyler Bryant)
9/4 — Norman, OK — Rocklahoma
9/6 — Orlando, FL — The Vanguard
9/17–10/3 — Las Vegas, NV — Opening for Scorpions

Tickets and more info HERE.

Avant-Grind Extremists SQUID PISSER Announce the Internal Violence Tour 2026

Today, SQUID PISSER — the brainchild of Tommy Meehan (Grodius Maximus of GWAR) — are proud to announce their Internal Violence Tour 2026. Featuring members of GWAR, Cancer Christ, and Duck Duck Goose, the band will wreak havoc across the West Coast. The run kicks off June 18th in Las Vegas at Dive Bar and wraps on July 2nd in San Diego at Casbah. A full list of dates can be found below.

In addition to the tour, SQUID PISSER are preparing to release new music with noise conjurer Toshi Kasai (Melvins, Big Business). The new filth is bubbling just beneath the surface, ready to rip open your brain with mutated riffs and corrosive noise.

Frontman Baxter Yogurt (Tommy Meehan) shares:

“SQUID PISSER will be scraping whale-tail up and down the West Coast and Southwest on our INTERNAL VIOLENCE TOUR 2026. A quick and filthy two-week June run chock-full of tadpole-batter and cockroach-dumplings.

We’ll also have new T-shirts, so come on out and spray your chum all over us.“

SQUID PISSER Live:

June 18 - Las Vegas, NV @ Dive Bar

June 19 - Mesa, AZ @ Rosetta Room

June 20 - Albuquerque, NM @ Rens Den

June 21 - Colorado Springs, CO @ Thrashers

June 22 - Denver, CO @ Hi-Dive

June 23 - Lander, WY @ Wayfarer

June 24 - Grand Junction, CO @ Mesa Theater

June 25 - Cheyenne, WY @ Thrash Zone

June 26 - Salt Lake City, UT @ Aces High

June 27 - Missoula, MT @ Monks

June 28 - Spokane, WA @ Big Dipper

June 29 - Portland, OR @ Twilight

June 30 - Bend, OR @ Wonderland Chicken

July 1 - San Francisco, CA @ Knockout

July 2 - San Diego, CA @ Casbah

Check Out the Music Video for "Vaporize A Neighbor"

SQUID PISSER are a chaotic hardcore/noise outfit blending industrial textures, fractured rhythms, and confrontational performance into a singular, abrasive identity. Featuring members of GWAR, Cancer Christ and Duck Duck Goose, the band fuses blown-out electronics, noise-drenched guitars, and volatile live energy into something deliberately unhinged and immediate.

The band has worked with acclaimed producers including Kurt Ballou and Steve Evetts, and has engaged with forward-thinking acts such as Melt-Banana, The Locust, and Nekrogoblikon. Releases through Three One G Records and Skin Graft Records position SQUID PISSER firmly within a lineage of boundary-pushing underground music.

Through relentless touring, SQUID PISSER has shared stages with GWAR, Weedeater, Nekrogoblikon, King Parrot, and Buñuel, while also performing alongside Thee Oh Sees, deathbyromy, and Siiickbrain, demonstrating a rare ability to cross scenes without compromise.

Internationally, SQUID PISSER has appeared at festivals including ArcTanGent Festival, bringing their volatile and confrontational live show to European audiences. In the U.S., the band has also performed at The Gathering of the Juggalos 2025 and Muddy Roots Fest 2026.

Their growing catalog - including "My Tadpole Legion," "Dreams of Puke," and "Vaporize a Neighbor" — has seen multiple vinyl pressings sell out, alongside a steady output of visually striking, concept-driven music videos.

Emily Wolfe Releases New Single "Lips" feat. Jesse Hughes (Eagles of Death Metal) via Judge & Jury ​   

Austin-based singer/songwriter and powerhouse guitarist Emily Wolfe returns with her new single “Lips,” featuring Jesse Hughes of Eagles of Death Metal, available now through Judge & Jury Records. The track marks Wolfe’s first single from her forthcoming new album, exuding an equal amount of chemistry and swagger. Combining the swing of 70s rock with the cockiness of the 80s, the hyper-defined production from Gavin Brown (Three Days Grace, Barenaked Ladies, Metric) gives the song enough clarity to feel fresh and modern in 2026.

 

“This song feels like a full circle moment for me”, says Wolfe. “I grew up loving Eagles of Death Metal, so getting to write and watch Jesse Hughes sing this with me was surreal. It’s what happens when you find yourself creating alongside someone who shaped you, and realize they’re just as hungry to make something dangerous as you are. Writing it with Jesse was electric, and alongside producer Gavin Brown, we created something that’s familiar in all the right ways, but still has the bite of older rock records.”

 

Wolfe credits Hughes not only as a collaborator, but as a mentor in the studio, guiding her through her first-ever in-studio collaboration with another artist. A fan of Hughes since high school, Wolfe describes the experience as one of the most formative creative moments of her career.

Already an established force in rock, Wolfe has spent 13+ years building her reputation as a guitar-driven artist with millions of streams and major media recognition including The Wall Street Journal, MTV, Guitar Player, Paste, and American Songwriter. Her original song “Atta Blues” has surpassed 2 million streams on Spotify, further solidifying her growing global audience.

 

A proud Gibson partner, Wolfe has two signature guitar models created in her name. She also shares Gibson signature Epiphone status with Adam Jones (TOOL), a connection that may lead to Wolfe co-writing with Jones in the future. Wolfe was personally asked by the CEO of Gibson Guitars if she wanted to open for TOOL, later discovering that Jones was already a fan of her work.

 

Emily Wolfe has released three records, toured internationally, and shared stages with major acts including The Gaslight Anthem, TOOL, All Them Witches, and more. 

 

In support of the new single, Wolfe will be hitting the road throughout 2026 with a stacked run of high-profile performances. She will be supporting YUNGBLUD and The Warning for multiple shows in May, appearing alongside The Mountain Goats and The Menzingers at Sing Us Home Festival in May, and performing at Frank Turner’s festival in September. Additional tour announcements are expected soon.

 

"Emily Wolfe is great! We're excited to have her join the IDOLS tour," says Yungblud. 

 

“Lips” is available now on all major streaming platforms. 

STREAM "Lips"

https://ffm.to/emilylips

Emily Wolfe on tour:

Official dates: https://www.emilywolfemusic.com/

 

May 1-3: Sing Us Home 2026: Philadelphia, PA w/ The Menzingers, The Mountain Goats, Dave Hause

 

Supporting YUNGBLUD & The Warning:

May 25, 2026: Phoenix, AZ @ Arizona Financial Theatre

May 28, 2026: Irving, TX @ The Pavilion at Toyota Music Factory

May 29, 2026: Austin, TX @ Moody Amphitheater

 

September 27: Lost Evenings IX 2026: Dallas, TX w/ Frank Turner, ...And You Will Know Us By The Trail Of Dead 

BLOOD OF ANGELS Confront Mortality In The New Single "Nevermore"

"Nevermore" is the introspective new offering from BLOOD OF ANGELS. Confronting mortality, the unknown end that awaits all creatures, the band delve into the foreboding darkness. Accompanied by a lyric video, "Nevermore" arrives ahead of the forthcoming full-length album Les Agnst ov Thanatou, due to be released on June 21, 2026.

Les Agnst ov Thanatou is a concept album centered around mortality, grief, ritual, and the psychological weight of loss. "Where earlier tracks wrestle with death, guilt, and the chaos of mortality", the band explain, "this song embodies the point of no return: the moment when hope, time, and possibility are stripped away, leaving only emptiness and remembrance." The new single is not entirely without hope which is revealed in "Nevermore" in the final lyric: “Then I rise, break free from my demise.”For after death, one's life is preserved in the memories of their loved ones. 

Musically, the arrangement of "Nevermore" grew from a riff devised by BLOOD OF ANGELS' bassist The Maggot. The song leans further into the band's alternative influences, while remaining firmly situated in plains of heavy distortion. A haunting bridge comprised of a spoken word section against low orchestral strings reiterates the album's conceptual theme. Returning to thunderous realms, the track reaches its height by building into a classic doom metal sound.

Les Agnst ov Thanatou represents a significant evolution for BLOOD OF ANGELS. Written during a period marked by widespread uncertainty and personal loss, the album presents a unified narrative that traces humanity’s response to death through resistance, ritual, memory, and acceptance. Recorded at Underground Studios in Tampa, Florida, the album was produced by Bob Noxious, Preston DiCarlo, and BLOOD OF ANGELS, with mixing by Preston DiCarlo and mastering at Soundlab in New York City.

Since forming in 2017, BLOOD OF ANGELS have earned international recognition for their songwriting, musicianship, and uncompromising vision. Their accolades include the 2023 Hollywood Independent Music Award for “Best Rock/Metal Song” and multiple Akademia Music Awards. In 2025, the band completed a sold-out headlining European tour, further establishing their presence on the global metal stage.

"Nevermore" explores the darkest corners of Les Agnst ov Thanatou. BLOOD OF ANGELS encourage listeners to sit with the unknown, to face the fear and uncertainty, through the medium of sound, story, and emotion.

BLOOD OF ANGELS is: 

Randy Reyes – Vocals, Acoustic Guitar
Aaron Robinson – Guitar
Jonathan Rushford – Drums, Keyboards
The Maggot – Bass, Background Vocals

Connect with BLOOD OF ANGELS:

Official Website: http://www.bloodofangels.net
Spotify: https://open.spotify.com/artist/0kq6q6hYYdNgk0ZSvgQPzF
Facebook: http://www.facebook.com/bloodofangels1
Instagram: http://www.instagram.com/bloodofangels
YouTube: http://www.youtube.com/bloodofangels
ReverbNation: http://www.reverbnation.com/bloodofangels1
Merch / E-Shop: https://merchbooth.com/pages/blood-of-angels-battle-gear
Apple Music: https://music.apple.com/us/artist/blood-of-angels/1195719891

TodoMal Announce Doomy New Album 'Graveyards of Joy'

TodoMal are announcing their third album and first for Season of Mist. Graveyards of Joy arrives as the closing chapter of a trilogy that the atmospheric doom metal band started in 2021 with Ultracrepidarian and deepened in 2023 with A Greater Good.

To commemorate this announcement, today, TodoMal are releasing a music video for the album’s lead single “Point of Coalescence”. The song is a fitting entry point to Graveyards of Joy; it’s dense, dark and uncompromising, dealing in shame, violence and the slow erosion of consciousness, with surreal and cosmic horror imagery that gives it an unsettling, almost theatrical edge.

Watch the music video for “Point of Coalescence” below:

Graveyards of Joy comes out July 3, 2026 on Season of Mist

Pre-order

https://orcd.co/todomalgraveyardsofjoy

 

Graveyards of Joy channels grief, anger and hard-won hope through a sound rooted in the slow-burning weight of classic doom and dramatic rock. Vast Hammond organ-driven passages give way to desolate folk; strings with Morriconian openness sit alongside heavy, anchoring riffs. The album draws on a wide range of reference points, from the orchestral sweep of Vangelis and the warmth of Deep Purple to the dramatic sensibility of Tindersticks and Nick Cave, without losing the solemnity that defines TodoMal.

TodoMal came to life in 2020, conceived by Anglo-Spanish musician and composer Christopher B. Wildman and musician, composer and producer Javier Fernández Milla: two veteran multi-instrumentalists of the Spanish underground scene whose careers span a wide range of projects and styles. A product of pure serendipity, TodoMal represents a deeply personal fusion of the solemnity of traditional doom metal and the expansiveness of space rock, interwoven with nuances of ecclesiastical music, classic hard rock and cinematic soundscapes.

 

Their debut album, Ultracrepidarian (2021), evokes the placid yet desolate moorlands of their base in northern Alcarria and the region of Matarraña (Teruel), two emblematic landscapes of Spain's so-called "emptied lands." With A Greater Good(2023), the duo crafted a collection of what they describe as "dark songs," evolving into a complex, dense and unclassifiable album that appeared on several year-end lists and sold through its initial pressing. Fuelled by this momentum, they expanded into a five-piece live ensemble, joining forces with Javier Félez (guitar; Teitanblood, Graveyard, Balmog), Javier "Bud" Martínez (drums; Dejadeath, Jade, Ktulu) and Cecilia Tallo (keyboards/vocals; Maud the Moth).

 

Graveyards of Joy is the third album and the closing chapter of a trilogy. Written in solitude following personal tragedy, it channels grief, anger and hard-won hope into nine tracks of slow-burning, widescreen doom. The music breathes: vast Hammond-driven passages give way to desolate folk, Morricone-like strings open onto dusty cinematic plains, and heavy riffs anchor songs that never lose sight of melody. A DIY record of striking emotional depth and modern, alternative edge.

Recording Line-up:
Wildman – Guitars and Vocals

Mile – Bass and Vocals

Javi – Guitars

Bud – Drums

Cecilia – Synths and Vocals

Production Credits:

Recording Studio: Trinitat-Montseny / 7th Middle Street / Moontower Studios

Producer: Javier Fernández Milla / Christopher B. Wildman; assisted by Javier Félez Rodríguez (drums recording and guitar engineering)

Mixing: Javier Fernández Milla at Trinitat Montseny

Mastering: Jaime López Arellano at Arda Recorders (Portugal)

Guest Musicians:
Cecilia Tallo (background vocals, tracks 4 and 6)

Teodora Gosheva (vocals)

Darío Garrido (acoustic guitars)

Manu Clavijo (live strings)

Cover Art:
Lluís Rigalt, Ruïnes (1865), Museu Nacional d'Art de Catalunya.

Photography:
Christopher B. Wildman

Pre-save & Pre-order: https://orcd.co/todomalgraveyardsofjoy


Follow TodoMal:
Bandcamp: https://todomalband.bandcamp.com/

Facebook: https://www.facebook.com/todomalofficial

Instagram: https://www.instagram.com/todo_mal_band/

SoundCloud: https://soundcloud.com/todomal

Spotify: https://open.spotify.com/artist/2grCvuOH8MibDqryxpW6jR

Apple Music: https://music.apple.com/artist/todomal/1587939438

Deezer: https://www.deezer.com/artist/146831572

Tidal: https://tidal.com/artist/5655213

MORTIIS Unveils Music Video for Trippy New Single, "Violent Silence"

Iconic Norwegian artist MORTIIS is now unveiling a stunning music video for his trippy new single, "Violent Silence." The clip was once again written and directed by Claudio Marino and can be found below.

"Lyrically, 'Violent Silence' came into being as an apology to my wife," MORTIIS admits ruefully. "I had done something stupid again, and she was really upset. I was trying to apologise in a text message – a really long one. The lyrics for 'Violent Silence' took a lot of inspiration from those words and that moment. As time goes by and having lived with this song for quite a while now, it gets harder for me to listen to those words. The gut-wrenching sensation of guilt never goes away fully. Musically, it was a very inspiring song to work on – especially with all those crazy fuzz and echo guitars that built up this song towards the end."

"Violent Silence" is taken from MORTIIS' upcoming studio album, 'Ghosts of Europa,' which is due on June 26, 2026 via Prophecy Productions, making it his debut to the label! 'Ghosts of Europa' is available as ltd. box set incl. 2CD artbook edition, gatefold LP (excl. handmade sand-filled vinyl), bonus LP, music cassette et al. (50 copies). Ltd. box set incl. 2CD artbook edition, gatefold LP (excl. 'galaxy' metallic vinyl), bonus LP, music cassette et al. (450 copies). As a 60-page hardcover 2CD artbook incl. 8-track bonus CD, ltd. Gatefold marble smoke vinyl LP (300 copies), ltd. Gatefold crystal clear vinyl LP (300 copies), Gatefold black vinyl LP, and Digipak CD Pre-orders are now live HERE.

MORTIIS is now on the road with UADA for a very special co-headliner, featuring exclusive anniversary sets and supporting performances by Jerome Reuter’s ROME and WRAITH KNIGHT. MORTIIS is performing songs from his groundbreaking 2001 full-length, 'The Smell Of Rain,' along with other volumes of dystopian despair while UADA is performing their seminal 2016 debut album 'Devoid of Light' in its entirety + a special CERMONIAL CASTINGS 30-year anniversary set featuring WRAITH KNIGHT. The full itinerary can be found below while tickets are available HERE.

Mortiis is a pioneering dark ambient and industrial metal artist, widely credited as the founder of the dungeon synth genre, whose work spans from haunting atmospheric soundscapes to abrasive, genre-defying electronic metal. With a legacy stretching over three decades, he remains one of the most influential and enigmatic figures in underground dark music

Video credits:

Written & directed by Claudio Marino

First assistant director: Daniel Josefsson

Produced by Artax Film

Colouring by Yellowtone

Cast (in order of appearance):

Woman: Enya Ellefsen

Oracle: Gunn Johansson

Key Bearers: Daniel Josefsson & Mortiis

GET TICKETS HERE

THE WITCHES OF DYSTOPIA TOUR MMXXVI

(UADA + MORTIIS w/ Jerome Reuter’s ROME + WRAITH KNIGHT):

04/21/26: Indianapolis, IN @ Black Circle

04/22/26: Covington, KY @ Madison Live

04/23/26: Pittsburgh, PA @ Preserving Underground

04/24/26: Toronto, ON @ Lee's Palace

04/25/26: Montreal, QC @ Cafe Campus

04/26/26: Quebec City, QC @ La Source

04/27/26: Boston, MA @ Brighton Music Hall

04/28/26: Brooklyn, NY @ Meadows

04/29/26: Bensalem, PA @ Broken Goblet

04/30/26: Baltimore, MD @ Metro

05/01/26: Raleigh, NC @ Chapel Of Bones

05/02/26: Atlanta, GA @ 529 EAV

05/03/26: Orlando, FL @ Conduit

05/05/26: Houston, TX @ Warehouse Live

05/06/26: Austin, TX @ Come And Take It Live

05/07/26: Dallas, TX @ Club Dada

05/08/26: Albuquerque, NM @ Launchpad

05/09/26: Denver, CO @ HQ

05/10/26: Salt Lake City, UT @ Urban Lounge

05/11/26: Las Vegas, NV @ Swan Dive

05/12/26: San Diego, CA @ Brick By Brick

05/13/26: Los Angeles, CA @ The Echo

05/14/26: San Jose, CA @ The Ritz

05/15/26: Eugene, OR @ John Henry's

05/16/26: Seattle, WA @ El Corazon

"Ghosts of Europa" is the sonic testimony of an experienced and matured musician, who created what he loves most and does best: electronic rock with stylistic influences from many genres while not being bound by any that creates dark soundscapes, cinematic sonic visions, and a plethora of emotions. Just when you think that you have finally figured "Ghosts of Europa" out, MORTIIS will surprise you with another facet and fresh aspect of his richly detailed masterpiece.

 

Line-up:

Håvard "Mortiis" Ellefsen – vocals, keyboards, vocoder, bass guitar, programming

Guest musicians

Benedicte Computorgirl (COMPUTORGIRL) – vocals on track 4

Christopher Amott (ARCH ENEMY et al.) – guitar solo on track 7

Christopher Rakkestad (ELVARHØI, BOLVERK) – vocals on track 1-6

Emil Nikolaisen (SERENA MANEESH, BRIAN JONESTOWN MASSACRE et al.) – fuzz & noise guitars & additional FX on track 3 & 4

Iliana Basileios Tsakiraki (ENEMY OF REALITY, SEPTICFLESH et al.) – vocals on tracks 1, 2, & 5

Laurie Ann Haus (BLIZZARD GAMES) – vocals on track 1, 2, 5 & 7

Matthew Setzer (SKINNY PUPPY, LONDON AFTER MDNIGHT) – throat singing on track 7

Michal Kielbasa (BLACK MAGIC RITES et al.) – tubular bell & vibraphone on track 2, tubular bell on track 6 & tabla loops, additional synths & FX on track 7

Sarah Jezebel Deva (THE KOVENANT, CRADLE OF FILTH et al.) – vocals on tracks 1-3, 5 & 6

Thomas Bolverk (RAGNAROK, BOLVERK) – distortion, clean & sampled guitars on track 6

Thorsten Quaeschning (TANGERINE DREAM) – additional synths & sequencers on track 1

Vegard Blomberg (MOCK) – e-bow & guitars on track 2, additional Copicat, Space Echo, fuzz & e-bow guitars) on track 4, Copicat, Space Echo & fuzz guitars on track 4, fuzz guitars on track 6, fuzz & ambient guitars on track & guitars on track 8

Erling Blomberg – additional guitars on track 8

Album Credits:

Recorded (re-recorded, re-animated & eternally tweaked and re-tweaked) at various locations over a thousand sessions during years of misery, poverty, and disdain (2020-2026) in Fredrikstad (NO)

Early vocal recording by co-producer Stephan Groth at Pitch Black Drive, Fredrikstad (NO)

Mix by Sean Beavan at The Grey Room, Crestline, CA (US)

Mastering by Jules Seifert at Epic Audio Media, London (UK)

Cover Artist: Nihil

Layout Creator: Laurent Clément (Dead Seed Productions)

Pre-orders:

https://mortiiswebstore.com/pages/ghosts-of-europa

Available formats:

"Ghosts of Europa" is available as a 60-page hardcover 2CD artbook incl. 8-track bonus CD, ltd. Gatefold XXX vinyl LP, Gatefold black vinyl LP, and Digipak CD.

MORTIIS Links:

FACEBOOK

INSTAGRAM

X

BANDCAMP

SPOTIFY

APPLE MUSIC

OFFICIAL SHOP

unpeople Return With Video for Ferocious New Single "clouds"

The formidable unpeople return today with the video for their ferocious new single "clouds" — a whirlwind track offering unforgettable hooks, and addictive harmonies, through to crushing riffs and singalongs — out now on SharpTone Records.

"clouds" embodies everything that unpeople are about. At its core, the track is a defiant rejection of external pressure, trend-chasing, and the hollow pursuit of validation.

Listen HERE and watch the video Below.

"'clouds' is essentially about not letting yourself be influenced by what other people think you should be doing to get ahead artistically, and trusting your own vision and process," explains frontman Jake Crawford. "I could feel myself being pulled in lots of directions when we started the band and I'm glad we stuck to our guns. I feel like this song is an excellent representation of us doing just that: 'Not buying it,' i.e. quick fixes or hopping on trends — be it musically or the way we present ourselves as a unit."

Comprised of Crawford, Luke Caley, Em Lodge, and Richard Rayner, unpeople are a unique four-piece driven with a mission to fuse powerful lyricism, hefty riffs, and melodic accessibility, and the band channels collective frustration into music that speaks directly to those who feel overlooked or undervalued. The meaning behind their name lies at the core of their identity: "Unpeople" — those deemed politically unimportant or without value. It's a concept the band embraces fully, creating a space where like-minded individuals can find genuine connection.

With just the one EP under their belts, unpeople continue to massively impress and see their sound combine hook-laden choruses, bone-crunching breakdowns, and lush harmonies, challenging preconceived notions of what heavy music can be. Tracks released already include "the garden" + "waste."

This same insatiable energy translates effortlessly to their live shows, which have already seen them support the likes of Metallica and Coheed & Cambria. And this summer will see a string of festival appearances that include a huge Main Stage opening slot at Download Festival, as well as Slam Dunk, Hurricane, Southside, Copenhell, and more — full dates below.

With "clouds," unpeople reaffirm their place as a band unafraid to challenge both themselves and their audience, delivering a powerful and timely message.

We are unpeople. You are unpeople. We are all unpeople.

Photo Credit: Bridie Cummings

UNPEOPLE LIVE:
5/23 — Hatfield, UK — Slam Dunk Festival
5/24 — Leeds, UK — Slam Dunk Festival
6/3–6/6 — Sölvesborg, SE — Sweden Rock Festival
6/10–6/14 — Hradec Králové, CZ — Rock for People
6/11–6/13 — Interlaken, CH — Greenfield Festival
6/14 — Donington, UK — Download Festival
6/19–6/21 — Scheessel, DE — Hurricane Festival
6/19–6/21 — Neuhausen ob Eck, DE — Southside Festival
6/25–6/27 — Ysselsteyn, NL — Jera On Air
6/27 — Copenhagen, DK — Copenhell
7/17–7/18 — Joensuu, FI — Ilosaarirock
7/31–8/2 — Manchester, UK — Radar Festival
9/3 — Torquay, UK — The Foundry

UNPEOPLE ARE:
Jake Crawford — Guitar, Lead Vocals
Luke Caley — Guitar, Vocals
Meg Mash — Bass, Vocals
Richard Rayner — Drums, Vocals

The Joy Thieves unveil video for 'The Wrong End of Your Rifle' feat. Chris Connelly

Chicago alt-rock outfit The Joy Thieves are back with ‘The Wrong End of Your Rifle’, along with a new video by Joel Lopez at Lumbra Productions. This is the first single from their full-length album 'Apocalypse Pending', out June 5th via Armalyte Industries. Featuring Chris Connelly (Fini Tribe, Revolting Cocks, Ministry, Pigface)on vocals, this ripping track addresses the intense frustration we’re all feeling over corporations and billionaires seemingly able to do whatever they want, whenever they want, without consequence.

Revolving around musicians-producers Dan Milligan and James Scott (a.k.a. Joy Thieves Productions), The Joy Thieves is a musical supergroup that includes current, former, and touring members of Ministry, Stabbing Westward, The Rollins Band, Killing Joke, Pigface, RevCo, PIG, David Bowie, Blue October, Machines of Loving Grace, Depeche Mode, Nine Inch Nails, KMFDM, Naked Raygun, Foetus, My Life With the Thrill Kill Kult, Pegboy, Nitzer Ebb, Die Krupps and more.

A jagged, cynical critique of the intersection between state violence, corporate greed, and digital voyeurism, ‘The Wrong End of Your Rifle’  portrays a world where human life is devalued and even the most violent acts are packaged as content or conveniently filtered, filmed yet ultimately ignored by the screen-numbed masses.  

“When the billionaires are accountable for nothing, and force their will by suppression in the streets, we have to become inventive. As we are forced to watch corporations create for-profit prisons, we must remember that we can't argue or reason with bullets,” says Chris Connelly.

Since signing with legendary London alternative-industrial label Armalyte Industries in 2018, The Joy Thieves have delivered 11 critically-acclaimed releases. Produced, engineered and mixed by Joy Thieves Productions at Populist Recording + Mastering, 'Apocalypse Pending' is the newest record to blaze a mind-bending trail.

Joy Thieves Productions crafts their surprisingly cohesive signature sound from the contributions of its ever-growing 80+ roster of members, drawn from a diverse range of genres, including industrial, rock, punk, darkwave, hip hop and experimental music, they produce a sound that The Joy Thieves describe as being created by “all of us. And yet, none of us”. This approach has allowed the band to create a sound all its own. Aggressive, yet precise. Confrontational, but refined. Harsh, yet layered with melody.

Many of the songs on the new album began with producer-drummer Dan Milligan re-recording iconic hip hop breakbeats with modern drum sounds. ‘The Wrong End of Your Rifle’ began exactly that way -- with a modern re-imagining of the one of the most famous breakbeats of all time (‘Ashley’s Roachclip’ by The Soul Searchers). This formed the basis upon which the entire track was built.

“At the very beginning of the creation process for Apocalypse Pending, the goal was to blend the existing Joy Thieves’ sound with elements of the golden age of hip hop, and I think ‘The Wrong End of Your Rifle’ does that as well as any song on the album,” says Dan Milligan.

For a band with members spread all over the world, The Joy Thieves' music feels like it could have only been made in Chicago. Anchored by their love of industrial rock, their music immediately outgrows the restrictions of the genre by stretching into the new realms, creating a sound that both honors the past while pushing its evolution into the future.

‘The Wrong End of Your Rifle’ is out now, available from digital music platforms, including Spotify, Apple Music and Bandcamp. The 'Apocalypse Pending' album will be released on June 5th.

CREDITS
Single written by Chris Connelly, Dan Milligan, Derek Christopher, Dee J Nelson
Produced, engineered & mixed by Joy Thieves Productions
at Populist Recording + Mastering, Wheaton, IL
Mastered by James Scott at Populist Recording + Mastering
Additional production by:
Derek Christopher at Penfield Studios
Mark Pistel at Room 5 Studios
Jeff Harris at JH Studios
Steven Archer at House of Wolves
Dee J Nelson at DJN Music Studio
Jane Jensen at Autozen Music
DJ Darryl Hell at HellLab Studios
Art direction by Destiny Justic Scott
Original artwork by Charlie Athanas for Burning City
Video by Joel Lopez at Lumbra Productions

Released via Armalyte Industries

Artist studio photos by Derick Smith
Publicity by Shameless Promotion PR


Keep up with The Joy Thieves
Website | Bandcamp | LinkTree | Merch | Facebook | Instagram | BlueSky | YouTube | Spotify | Apple Music | Twitter | Press contact

Keep up with Chris Connelly
Website | Bandcamp | Facebook | Instagram | Twitter | Soundcloud | YouTube | Spotify | Apple Music | Amazon | Press contact

Keep up with Armalyte Industries
Website | Bandcamp | Facebook | Twitter | Instagram | Soundcloud | YouTube 

Keep up with Shameless Promotion PR
Website | Facebook | Twitter |  Instagram | BlueSky | Threads  | Soundcloud | LinkedIn | Ema il

MIRANDA LAMBERT ALIGNS WITH MCA

Three-time GRAMMY Award winner Miranda Lambert will release future music with MCA, marking an exciting new chapter in her decorated recording career.
 
One of the most influential and enduring voices in country music, Lambert’s decision to align her next phase with a Nashville-based label reflects a continued commitment to the creative community and roots that have long shaped her artistry. With MCA, she will be supported by a team focused on global reach and impactful storytelling.
 
“Miranda is a generational artist whose influence and artistry continue to shape modern music,” said Mike Harris, MCA President & CEO. “We are honored to work alongside her as she enters this next chapter and we look forward to building something truly special together.”
 
“Throughout my life and career, I have found that the common thread in every chapter is finding the right people – songwriters, musicians, collaborators and team members – to match the moment,” says Lambert. “I am honored to join a roster and a team with such a rich history of championing artistry. I look forward to sharing this new music with the world under their banner.”
 
Lambert, known for her honest storytelling, commanding live performances and unwavering authenticity, continues to push the boundaries of country music while maintaining a deep connection with its roots and its fans. 
 
A multi-dimensional superstar, she’s earned seven No. 1 solo albums, 10 No. 1 radio singles, more than 80 prestigious awards and countless RIAA certifications; conquered Las Vegas with her twice-extended Velvet Rodeo residency; blurred genres with wide-ranging collaborations; and was named to the TIME100 list of the world’s most influential people. The most-awarded artist in Academy of Country Music history, she is among the most-nominated at this year’s ceremony, with eight nods recognizing her contributions not only as an artist, yet also as a songwriter and producer.
 
This next chapter further reinforces MCA’s role in shaping country music’s future, bringing together a defining voice in the genre with a label committed to building lasting careers and supporting artists who continue to move the genre forward.
 
Lambert continues in her role as Founder of Big Loud Texas, where she remains actively involved in her business partnership and ongoing artist development efforts across the label and its publishing company.

Miranda Lambert Aligns with MCA (L-R: Stephanie Wright, EVP/Head of A&R, MCA; Mike Harris, President & CEO, MCA; Miranda Lambert; Katie McCartney, EVP/General Manager, MCA; Rob Femia, COO/EVP Business & Legal Affairs, MCA; Damon Moberly, SVP Promotion, MCA) | Photo Credit: Tyler Conrad

Hardcore Torchbearers Pro-Pain Release Single + Lyric Video "Scorched Earth"

HARDCORE TORCHBEARERS PRO-PAIN RELEASE LYRIC VIDEO FOR NEW SINGLE "SCORCHED EARTH" 

NEW ALBUM, STONE COLD ANGER, RELEASES MAY 15 VIA NAPALM RECORDS — PRE-ORDER


"And so it begins…": Hardcore juggernauts PRO-PAIN share the third single from their upcoming album, Stone Cold Anger, out May 15 via Napalm Records. "Scorched Earth" sets the tone for the future, accompanied by heavy riffs, catchy guitars, and sing-alongs. A sinister yet fiercely anthemic track, "Scorched Earth" is a pummeling demonstration of power, perfectly fitting for the band's first album in 11 years. PRO-PAIN are back—and they stayed on top of their heavy game!


Gary Meskil about "Scorched Earth":
"'Scorched Earth' explores what happens when ordinary people are pushed to their breaking point. Drawing inspiration from films such as the 1990s Michael Douglas drama Falling Down, the lyrics examine how pressure, frustration, and a sense of powerlessness can build over time. The song speaks to themes of reckoning, consequence, and the desire for genuine accountability."


Watch the Official Lyric Video for "Scorched Earth" Below:

Legendary New York hardcore juggernauts PRO-PAIN make their debut on Napalm Records with their 16th studio album, Stone Cold Anger, out on May 15. Their first release in 11 years showcases the band's explosive energy in its purest form: Stone Cold Anger unfolds heavy, angry, and ready as ever—proving PRO-PAIN haven't lost even an ounce of strength. An exceptionally catchy offering, the new album fortifies its groovy melodies and stirring guitar riffs with furious and inciting, anthemic vocals, turning the ten new songs into worthy follow-ups to their 3.5mm stream hit "Voice of Rebellion" (2015).

Stone Cold Anger is an enthralling, memorable, and triumphant milestone for PRO-PAIN, and an impressive demonstration of power. See you in the pit!

Gary Meskil about Stone Cold Anger:
"Thank you to our fans worldwide for 35 years of unwavering support. After a decade away from the recording studio, we return with Stone Cold Anger — an album forged from global tension and the rising demand for accountability."

Order your copy of Stone Cold Anger NOW.

PRO-PAIN ARE:
Gary Meskil — Bass + Vocals
Jonas Sanders — Drums
Greg Discenza — Lead Guitar
Eric Klinger — Rhythm Guitar

Romanticide Unleash Powerful New Single “Modern American Nightmare (Wake Up)”

Rising rock force ROMANTICIDE return with their latest single, “Modern American Nightmare (Wake Up),” an emotionally charged and sonically explosive track that confronts the harsh realities facing targeted immigrant communities in today’s social climate.

Blending atmosphere with aggression, the song pulls listeners in with eerie, melodic verses before erupting into a massive, crashing chorus. Layers of vinyl scratching add a raw, unsettling texture throughout, while a tense and atmospheric bridge builds anticipation before detonating into a crushing breakdown. The track’s climax delivers a relentless surge of heavy guitar riffs, nu-metal inspired rapping, and visceral screams—capturing both fury and urgency in equal measure.



“Modern American Nightmare (Wake Up)” showcases ROMANTICIDE'S ability to fuse genres while delivering a message that hits as hard as the music itself. It’s not just a song—it’s a statement.

ROMANTICIDE shares:

“The song was born out of watching the decline of American society and the rise of fascist rhetoric surrounding immigrants. We wanted to channel our anger and frustration towards the system perpetuating all these awful things into a song about our marginalized and targeted community members.”

With this release, ROMANTICIDE continues to push boundaries both musically and thematically, using their platform to amplify voices and confront uncomfortable truths.

“Modern American Nightmare (Wake Up)” is available now on all major streaming platforms.

ROMANTICIDE BIO:

Often politically charged and full of anger while other times moody and reflective, ROMANTICIDEis a Midwest Nu-Metal band. A trio based out of Indiana, vocalist Matthew Ruin, guitarist Collin Adams, and bassist Isaac Asberry make music that is important to them. With influences ranging from Limp Bizkit, Korn, and Deftones, all the way to Ozzy and Ghost; the band is eager to embrace their roots while excited to traverse new sounds and never put out the same song twice in a row.

Kriigerkvlt Sign to Season of Mist with New Single "Mahakala"

Formed in 2025, Kriigerkvlt is a new collective that features Heilung founding member Kai Uwe Faust and members of the Heilung warrior choir. The collective debuted live on stage in Copenhagen alongside industrial doom raver John Cxnnor and the occult feminist black metal band Witch Club Satan with an exclusive premiere of their collaborative song “Hypothermia”.    

Kriigerkvlt is not tied to a specific cultural identity, historical time period or genre. They explore a wide range of expressions: harsh gutturals, throat singing, drone, piano, harp, marimba, guitar and nyckelharpa. No matter what form they take, their focus remains rooted in intensity, atmosphere and the spirit of collaboration.  

To commemorate their signing to Season of Mist, today, Kriigerkvlt are releasing their first official single. From its opening bells, “Mahakala” ventures deep into a realm of fire, only to emerge transformed after a confrontation with one’s shadow self.

“We are excited to announce our signing with Season of Mist”, Kriigerkvlt vocalist Kai Uwe Faust says. “We have seen firsthand how the label has supported Heilung’s artistic freedom. As a flexible collective that specializes in extreme vocal textures and unconventional soundscapes, we felt that was also important for Kriigerkvlt”.

“In an age where sacred symbols are often commercialized or stripped of context, Kriigerkvlt stands apart”, Faust continues. “‘Mahakala’ is not a spectacle. It is a call to confront the hidden forces within us all, not through blind violence, but through awareness, discipline and transformation”.

Watch the music video for “Mahakala” below:

Stream “Mahakala”

https://orcd.co/kriigerkvltmahakala

“Mahakala” invokes a wrathful deity from Tibetan Buddhism. But even though his appearance is frightening, Kriigerkvlt reveal that Mahakala is not evil. Instead, their new single is a reminder that the real enemy lies within ourselves. “Our attachments, our delusions, our inner chaos, these are the shadows Mahakala consumes in his black fire”, Faust says.

Kriigerkvlt approach “Mahakala” with deep respect. The song is not an act of cultural appropriation but a deeply felt offering. Martial drums, ritualistic chanting, harsh vocals, heaves of bass, fragile piano and choral singing come together to honor what Mahakala truly represents. Long before his appearance in Buddhism, he was revered amongst the Bön shamanic tradition as a spirit of protection and wild nature. His black skin represents absorption, swallowing duality, illusions and all sense of fragmentation.

“Kriigerkvlt taps into Mahakala not as outsiders, but as seekers of the same fire that burns in every human tradition”, Faust says. “The song is intense, raw and uncompromising. It evokes the confrontation with the shadow self, the spiritual warrior’s path and the dissolving of the ego”.  

The video for “Mahakala” was directed and filmed by Kai Uwe Faust. It was edited by Christian Medea and Anda Lupulet.

Current lineup

Kai Uwe Faust - Vocals

KC Johnson - Vocals

Gwydion Zomer - Vocals

Katalin Papp - Vocals

Ruben Terlouw - Vocals

Britt Mollberg - Drums, Vocals

Nadiia Kalamieiets - Vocals, Piano

Edward Boyter - Bass Guitar, Vocals

Nina Cornelia Schilp - Vocals

Jenna Marwell - Vocals

Nicholas Flanagan - Vocals  

Cynthia Nugent - Vocals

Mitchell Bosch - Vocals

Chloé Alicia Bakker - Vocals  

Martin Skou - Vocals

Obban - Vocals

Songwriting credits

Composed by Kai Uwe Faust and Per Åhlund

Production credits

Recorded at Atlantis Studio in Stockholm, Sweden by Niclas Lindström and Clara Hedås Schmidt

Additional sounds by Peo Bengtsson

Produced and mixed by Per Åhlund

Production assistance by Elsa Åborg

Mastered by Johannes Ahlberg


Booking contact
Martin Skou - martin@skou.edu

Follow Kriigerkvlt

Linktree: linktr.ee/kriigerkvlt

Spotify: https://open.spotify.com/artist/1TWCjCYpZ37K19bjdE6DDQ?si=Eo5xfRGyRdmq5Cs3zr_4aQ

Apple Music: https://music.apple.com/us/artist/kriigerkvlt/1883974719

Deezer: https://www.deezer.com/nl/artist/378555141

Tidal: https://tidal.com/artist/75720634

YouTube: https://music.youtube.com/channel/UCziBHh5o9tWE01abGoW5K-g

Instagram: https://www.instagram.com/kriigerkvlt/

Facebook: https://www.facebook.com/kriigerkvlt/

WORLDWIDEPANIC Unleash Explosive Drum Playthrough for “The Greatest Villain The World Has Ever Seen”

WORLDWIDE PANIC are pulling back the curtain on the power behind the kit with the release of an intense new drum playthrough video for their track, “The Greatest Villain The World Has Ever Seen.”

Known for their hard-hitting sound and unrelenting energy, WORLDWIDE PANIC puts the spotlight squarely on the precision, speed, and raw force that drives the song. The playthrough delivers a front-row view of the intricate rhythms and explosive dynamics that give the track its commanding presence.

From thunderous fills to razor-sharp transitions, the video captures every detail of the performance, offering fans and fellow musicians an inside look at the technical skill and passion fueling WORLDWIDE PANIC'S sound.

Hard rock powerhouse WORLDWIDE PANIC is set to make a thunderous statement with the release of their highly anticipated sophomore album, The Greatest Villain The World Has Ever Seen, arriving TODAY. The band is also releasing the album’s commanding title track, giving fans an early taste of what promises to be their most ambitious and sonically aggressive project to date.

Fueled by crushing riffs, cinematic storytelling, and unapologetic intensity, The Greatest Villain The World Has Ever Seen showcases WORLDWIDE PANIC pushing their creative and musical boundaries further than ever before. The album dives deep into themes of power, corruption, internal battles, and the complex nature of what truly defines a villain in

today’s world.

"This album marks an exciting time in WORLDWIDE PANIC History. This is a very eclectic meaningful record. Filled with related themes and undeniable hooks this record takes the band to new heights." - Lane Steele

Two singles from this album "Break Me Down"and "Below It All" have already charted on the SMR Top 40

The title track stands as a bold centerpiece for the album, delivering relentless energy, thunderous percussion, and emotionally charged vocals that capture the band’s signature blend of melody and aggression. The song sets the tone for a record that balances raw hard rock grit with modern production and layered storytelling.

Throughout the album, listeners can expect a dynamic range of soundscapes — from anthemic stadium-ready choruses to darker, heavier moments that showcase the band’s evolution and versatility. Mixed and mastered by Bob Marlette(Salvia, Alice Cooper, Rob Zombie) and Zuess (Hatebreed, White Chapel, Demon Hunter), the record reflects WORLDWIDE PANIC'Scommitment to growth while staying true to the hard rock roots that built their rapidly expanding fanbase.

With The Greatest Villain The World Has Ever Seen, WORLDWIDE PANIC aims to deliver not just an album, but an experience — one that invites listeners into a world where heroes and villains blur, and the soundtrack is loud, unapologetic, and unforgettable.

The Greatest Villain The World Has Ever Seen is available on all major streaming

OFFICER LUCIFER Presents Video For "Swallow"

OFFICER LUCIFER's transmission continues with the new single and video, "Swallow". The track presents an uncompromising criticism of manufactured misinformation that is designed to confuse and disorientate perceptions of reality. "Swallow" follows the release of "Far From Right" featuring Page Hamilton of HELMET.

Guitarist David Coloma comments:
"'Swallow' is a direct confrontation with blind obedience.

A track about submission, manipulation, and the systems that thrive when people stop thinking for themselves."

OFFICER LUCIFER's sound is rooted in raw aggression born from a fusion of genres including metal, punk, grunge, and Latin rhythms. "Swallow" unleashes an anguished-fueled attack of gritty distortion, driving rhythms, and melodic vocal melodies performed by Yves Myr. The song exists within OFFICER LUCIFER's narrative world where engineered hybrids rise up against their human creators, mirroring real-world cycles of control, corruption, and resistance.

The lyrics for "Swallow" expose a cycle of bombardment; the continuous exposure to lies, biased perspectives and fear mongering. The song confronts the unquestioned consumption and ingestion of these fabrications that leads to a perspective of existence and selfhood that is an illusion. 

Drums and bass for "Swallow" were performed by Andrés Benavides and Pancho Tomaselli and recorded by Daniel Pasquel at La Increible Sociedad - Quito, Ecuador. The track was mixed by Jesse Gander at Rain City Recorders and mastered by Jamie King. 

Reece Young Emerges With New Defiantly Catchy Single "Nothing At All"

Trading the abrasion of metalcore for color within alt-pop, Reece Young, steps into a new phase with his latest single, "Nothing At All", an infectious pop anthem that takes the noise and frustration of everyday life and flips it on its head. With the ink now dry on a deal, "Nothing At All" arrives as Reece Young's debut on Oxide Music and the clearest signal yet of where he's headed. Fans can listen to "Nothing At All" Below.

Leaning into a tightly coiled groove and a hook that lands on the first listen, "Nothing At All" moves with the immediacy of a pop song, with a wit and self-awareness that makes the weight of it easier to carry. It's a pivot into alt-pop that still carries the emotional depth of the heavier material Reece is known for, but reframed in color rather than distortion.

Speaking on the new release and his new label home, Reece Young reflects:

"My career thus far has been defined by the decisions of others. Others that didn’t really care about me. They didn’t care for the untapped potential. Oxide defies that narrative. Never have I felt this supported. I’m truly so excited and humbled that the Oxide family took a chance on me. It feels like I’m finally home, and I’m so glad we’re finally getting started."

Proud to be welcoming Reece Young to Oxide Music's growing roster, founder Andrew Wetzelshares:

"Reece is a generational talent and we’re incredibly proud to have him join the Oxide Music family. The 10 album deal was one thing, but signing over the naming rights for his next cat was a real win for us."

In this new lane, Reece Young draws from the emotional energy of VOILA and the anthemic instincts of Twenty One Pilots, carving out a sound that makes alt-pop feel urgent again. As an artist finding his footing in a new sound, he's taking it straight to the stage where every performance leaves the room wondering how they had not heard of him sooner. London is first in line, with a debut headline show on August 29th at YungBlud's B.R.A.T. Cave to kick off a festival weekend that sees Reece supporting Twenty One Pilots at All Points East on August 30th.

With "Nothing At All" marking his first release on Oxide Music and a run of live dates on the horizon, Reece Young is laying the groundwork for a new era built on sharp songwriting, restless energy, and a willingness to sit in the discomfort instead of looking away.

Be sure to stay tuned for more Reece Young news coming soon.

Photo Credit - Gabbi Lunardini

ABOUT REECE YOUNG

Reece Young knows how to turn trouble into triumph. Bred in New Jersey and based in Nashville, he pours out his deepest personal experiences to cement his place in the music world. From playing big stages at Bludfest and Riot Fest, touring with industry hallmarks (Underoath, Zero 9:36, Palisades, and Avoid), to rolling burritos in the back of a Nashville coffee shop. Reece is no stranger to doing whatever it takes to achieve his goals. Beginning his career in the new metal genre, Young has experienced a sonic metamorphosis. Through his dedication and commitment to following his heart, Reece’s production style has radically transformed, leading to the realization of his true artistic identity. Inspired by the likes of Twenty One Pilots, Bring Me The Horizon, Jon Bellion, and his cat, Socks: Young takes honest storytelling and turns it into an unforgettable live show, commanding the stage and captivating fans with his explosive energy. The proof is in the progress: Reece Young is just getting warmed up.