Thunder's Legendary Album "LIVE" is Back + Available Digitally + On Vinyl for the First Time | OUT NOW

British rock heavyweights THUNDER are back in the spotlight, dusting off their classic 1998 live album and giving it the kind of remaster that makes you wonder how the original ever survived without it. The record landed yesterday as a Deluxe Limited 4LP Gatefold Vinyl, Limited 3CD Digipak, and digital.

The recordings go back to 1997, a time when THUNDER were riding a fresh wave of energy. LIVE captured them in full attack mode, all big riffs, bluesy swagger, and Danny Bowes doing what Danny Bowes does — belting it out like the walls might fall in. Luke Morley's guitar work and songwriting are all over it too, reminding you why the band carved out such a loyal following in the first place. The new re-master sharpens everything up without sanding off the grit that made the album such a favorite among long timers.

THUNDER have been doing this since the late '80s, and they've always had that knack for mixing classic British rock muscle with huge, arms-in-the-air choruses. LIVE shows that side of them perfectly. It's powerful but never cold, polished but still loose enough to feel like you're right there in the room.

The 2025 re-master keeps the spirit intact while giving the whole thing more punch and space. earMUSIC has handled the release, treating it as both a nod to a key chapter in the band's story and a chance for new listeners to get a taste of what THUNDER can do when the amps are cooking.

The band have also dropped a fresh clip of their performance for "Love Walked In" on the earMUSIC YouTube channel today, which you can watch Below.

LIVE (1998) LINEUP:
Daniel Bowes — Lead Vocals
Luke Morley — Guitar, Vocals, Harmonica
Ben Matthews — Guitar, Keyboards, Vocals
Chris Childs — Bass Guitar, Vocals
Gary "Harry" James — Drums

LungBurner - Dogma - Out Now!

Atlanta, Georgia heavy music collective LUNGBURNER will release their third full length album Dogma on April 17, 2026 through Terminus Hate City Records. Written throughout 2025 and recorded, produced, engineered, mixed, and mastered entirely by the band, Dogma captures LUNGBURNER expanding their sonic identity while deepening the conceptual and emotional scope of their music. Across seven tracks and just over forty minutes, the album blends southern sludge weight with progressive composition, atmospheric electronics, and evolving melodic structures.

Conceptually, Dogma explores the psychological and spiritual consequences of entrenched belief systems. Drawing from mythology, philosophy, and personal reflection, the album examines how inherited ideas about religion, culture, and identity shape human behavior and perception. Each composition approaches the subject from a different perspective, forming a continuous narrative that moves through awakening, rebellion, struggle, and eventual balance.

The album opens with "Adamu", which begins with tribal percussion samples and a call to the fallen angel Lucifer before unfolding into a driving riff anchored by deep bass and aggressive vocal delivery. The title references the Babylonian concept of the first man and frames the song’s exploration of humanity’s emergence into self awareness and the uneasy realization of one’s place within larger systems of belief and structure.

"Rapture" follows with rapid guitar work and heavy rhythmic intensity, incorporating elements of modern metal alongside the band’s established low tuned foundation. The song shifts between melodic passages and driving grooves while examining the moment of personal realization that accompanies a rejection of inherited truths.

"The Sin of Defiance" introduces a more melodic opening before transitioning between hypnotic bass movement and heavy guitar passages. The lyrics draw from experiences of discipline, hierarchy, and survival, reflecting on the tension between obedience and individuality within systems that demand absolute loyalty.

"(Bhajan) The Fall" marks a turning point in the album’s atmosphere. Beginning with the interlude "Bhajan", a piece originally conceived many years earlier, the track introduces synthesizers as a prominent element and slows the pace into a meditative and weighty progression. The composition explores the disorientation that can accompany self realization, where clarity and fear coexist.

"Apostasy" begins with a spoken sample from philosopher Jiddu Krishnamurti addressing the dangers of institutionalized belief. The track channels tightly controlled aggression and rhythmic precision while expanding on the album’s central theme of breaking from inherited doctrine in pursuit of personal truth.

"Misery" continues the album’s exploration of inner conflict with one of its heaviest sonic moments. Featuring guitars tuned to an extremely low register and layered with samples and synthesizer textures, the song reflects on the necessity of confronting illusion and acknowledging reality without compromise.

The album closes with the nine minute composition "Pistus Sophia", which unfolds gradually through evolving melodic passages and ritualistic atmosphere. The title references Sophia from Gnostic tradition, a figure representing wisdom and the balance of spiritual forces. The introduction features a spoken prayer to Lilith performed in Polish by Aleksandra Anderberg, whose visual artwork also provides the cover for Dogma. The track concludes the album by reflecting on the dual nature of spiritual experience and the search for equilibrium between opposing forces.

With its combination of crushing downtuned guitars, atmospheric electronics, and layered thematic content, Dogma presents LUNGBURNER’s most focused and expansive work to date. The album stands as a meditation on belief, individuality, and the human struggle to define truth within systems that often demand unquestioning faith.

LUNGBURNER is:

Jens Anderberg — Guitar, Lead Vocals
Joseph Mills — Guitar, Backing Vocals
Joshua Broughton — Bass

Connect with LUNGBURNER:

Bandcamp: https://lungburner.bandcamp.com
Facebook: https://www.facebook.com/lungburneratl
Instagram: https://www.instagram.com/lungburneratl
Threads: https://www.threads.com/@lungburneratl
Spotify: https://open.spotify.com/artist/0WRBgLDbYMfLSrbb3tjNzK
Apple Music: https://music.apple.com/ca/artist/lungburner/1724598173

Thrown Are Back With New Single "split"

THROWN ARE BACK WITH BRAND NEW SINGLE "SPLIT"

With "split," thrown make their long-awaited return — and it lands with a real impact. The track feels urgent and unfiltered, channeling frustration and inner pressure into something direct and physical. Listen below.

Lyrically, "split" revolves around losing control, self-doubt, and the exhausting weight of being stuck in your own head. It captures that moment where thoughts start to spiral and nothing seems to move forward. Instead of hiding behind abstraction, the band keep things raw and honest. Lines like "I've gotten used to not knowing what to do" reflect a sense of resignation, while the repeated "split my head in two" becomes a powerful expression of overload — almost like a desperate need to break free from your own thoughts.

Sonically, the track stays true to what has made thrown stand out in the first place, while sounding more refined and focused than ever. Crushing, down-tuned riffs drive the song forward, backed by relentless drums and breakdowns that hit with purpose rather than excess. There's a clear sense of control in the chaos — everything feels tight, intentional, and built for maximum impact without overcomplicating things.

In a short time, thrown have built serious momentum. With millions of streams across platforms and a rapidly growing international fanbase, the band have established themselves as one of the most exciting new names in modern metalcore. Their straightforward, no-frills approach has resonated with listeners looking for something real — something that doesn't rely on trends, but on energy and authenticity.

"split" feels like a natural next step. It takes everything the band have done so far and sharpens it — heavier, more direct, and emotionally clearer. It’s not about reinventing their sound, but about pushing it further and making it hit harder.

CATCH THE BAND LIVE:
6/3 — Gdańsk, PL — Mystic Festival
6/4 — Rostock, DE — M.A.U. Club
6/6 — Sölvesborg, SE — Sweden Rock Festival
6/7 — Hannover, DE — Musikzentrum
6/8 — Aschaffenburg, DE — Colos-Saal
6/10 — Hradec Králové, CZ — Rock for People
6/11 — Interlaken, CH — Greenfield Festival

JONAH GORDON JOINS JODY WILLIAMS SONGS STAFF, TENASIE COURTRIGHT PROMOTED

Jonah Gordon has joined Jody Williams Songs (JWS) as Manager, Sync & A&R. Gordon comes to JWS from the sync department of Big Yellow Dog Music (BYD), which was recently acquired by Sony Music Publishing. 
 
“Jonah is the right person at the right time to ramp up our sync business and enhance creative services for our writers,” shares Nina Fisher, VP/GM of JWS. “He brings a skill set to our company that will help us to evolve and broaden the reach of our songs.”
 
In addition, JWS announces the promotion of Tenasie Courtright to Director, Creative & A&R. Formerly Creative Director at the company, Courtright took on added duties by performing hands-on A&R for JWS writer-artists Emily Ann Roberts, Ashley McBryde, Harper O’Neill and Peytan Porter. 
 
“When we discovered Tenasie’s natural abilities for A&R we encouraged her in this area and were extremely pleased with the results,” Fisher adds. “She is a key member of our creative team, and we are lucky to have her.”
 
JWS is an independent music publishing company that is a joint venture with Warner Chappell Music. The company represents Ashley McBryde, Driver Williams, Ed Williams, Emily Ann Roberts, Harper O’Neill, Jason Nix, Jeremy Spillman, Natalie Hemby, Peytan Porter and Vince Gill.
 
Jody Williams is founder of the company and serves as CEO.
 
Congratulate Gordon at jonah@jodywilliamssongs.co and Courtright at tenasie@jodywilliamssongs.co.

Jonah Gordon , Tenasie Courtright Photo Credit: Gina Di Maio

COREY KENT STRIPS IT BACK WITH SOUL-STIRRING NEW SINGLE “WANNABE”

Multi-platinum, Sony Music Nashville recording artist Corey Kent returns with his latest release, “Wannabe,” a stripped-down, deeply personal track that signals the sonic direction of his next chapter. Listen to “Wannabe” HERE and watch the official music video below.

“‘Wannabe' was the first song we wrote for the new record, and as soon as we finished it, we knew it represented the sound we were chasing for this project," shared Kent. "It’s simple on purpose, and that’s what I love about it. It’s a song about how the little things and everyday moments in life mean more than fame and fortune ever could."

Serene and pared down to what matters most, “Wannabe” is all about discovering who you really want to be. Further described by Kent as a “cowboy campfire ballad,” homespun acoustic guitar, ethereal steel, and haunting fiddle frame an aspirational anthem with a back-to-basics target. It’s not fame or fortune driving Kent but simple-life fulfillment.

The new track follows Kent’s latest release “Empty Words,” which was fast-tracked due to overwhelming fan demand after generating more than 20 million views across social media. In just 13 weeks he also sits in the top 20-and-climbing at Country radio with “Rocky Mountain Low” featuring Koe Wetzel. The new releases have propelled him to 11 million streams a week as “Wannabe” offers fans another glimpse into his evolving sound for his forthcoming new project.

Surpassing 1 billion career streams earlier this year, Kent continues to build momentum as one of country music’s most compelling rising voices. His second No. 1 single “This Heart” was certified GOLD by the RIAA, while his hard-driving hit “Something’s Gonna Kill Me” was recently certified PLATINUM. Both join Kent’s TRIPLE-PLATINUM No. 1 breakout “Wild As Her.”

Looking ahead, Kent will return to Stagecoach in Indio, California on April 25 and in May, he’ll be back overseas for the Highways Festival in London, U.K. followed by a handful of headline dates in Germany and The Netherlands.

Rolling Stone noted the Oklahoma native has given “the region's signature sound a shot of mainstream sensibility” becoming one of the genre’s most exciting voices and earning accolades from CMT and the Opry Next Stage program while touring alongside Morgan Wallen, Jon Pardi, Jason Aldean, Koe Wetzel and Parker McCollum.

For the latest news and information about Corey Kent, visit coreykentofficial.com.

idle threat Share "wither without" (Feat. Silent Planet's Garrett Russell)

Nashville quintet idle threat — Ernie Fabian [guitar, vocals], Zeke McKinney[bass, vocals], Justin Jones [drums], Nathan Moe [guitar], and Dylan Winstead [guitar] — will drop their new album you'll forget the sun, out May 8 via Tooth & Nail. Pre-order it here.

Today, the band has shared the visualizer for the "wither without," featuring a guest appearance from Silent Planet singer Garrett Russell.

Watch and listen below.

"'wither without' is about watching someone you love slowly decay before your eyes, and the continuous fight that it takes to stay by their side when everything in you wants to look away," the band explains. "It's about carrying on their memory when they've lost their own."

"wither without" follows "in tandem," the moody and angular track, featuring Haste the Day vocalist Stephen Keech, which was released earlier this year. Listen Below:

idle threat will also support Haste the Day at Eastside Bowl on May 3 in Nashville.

idle threat aim to dim the darkness and let the light in through the emotional and hopeful lyrics found in each song they meticulously craft. The Nashville rock band not only gives you the space to scream next to them; they also offer up hopeful hooks you can hum along to. The quintet writes the kinds of songs that recognize how tough life is, but still help you get through it with your body, mind, and spirit intact. 
 
As such, their second full-length album, you’ll forget the sun [Tooth & Nail], provides a reminder to keep going no matter what.

"There's a two-part meaning to you'll forget the sun," Fabian reveals. "On one hand, the days can be so dark that you forget the sun exists. On the other hand, when we step into the presence of God—whose glory is so radiant and bright—the sun will pale in comparison. We're pondering this dichotomy from a perspective informed by our faith and experiences. All of the hard things will eventually fade away, and we'll be left in the presence of light."
 
idle threat have uplifted listeners with a combination of cathartic energy and open-hearted honesty since 2016's Grown Tired EP. They deepened their connection with an ardent audience on blurred visions in 2021 highlighted by "no turning back," "driftwood" [feat. Cory Brandan of Norma Jean], and many others. They toured with everyone from Make Sure, Distend, Meadows, and Roy Sullivan to Norma Jean, Emery, Aaron Gillespie, and Watashi Wa, in addition to appearing at Furnace Fest twice. 
 
Throughout the spring of 2025, the musicians recorded you'll forget the sun in Nashville with Haste The Day frontman Stephen Keech behind the board as producer. In the studio, they made major creative leaps as a collective, honing their sound in the process.

CREMATORY Unveil Video Single “Blind” From Greatest Hits Album English Hymns & Deutsche Hymnen

German gothic metal pioneers CREMATORY have released a brand-new music video for their latest single “Blind,” offering a dark glimpse into their upcoming greatest hits album English Hymns & Deutsche Hymnen.

The album is set for release on May 15, 2026 via ROAR – A Division of Reigning Phoenix Music and celebrates 35 years of the band’s career. English Hymns & Deutsche Hymnen will be available as an expansive three-CD edition as well as limited double-vinyl formats. The 3-CD set includes English Hymns, Deutsche Hymnen, and Engulfed in Darkness Demo. The vinyl editions will be released as a Neon Green double vinyl (English Hymns) and a Turquoise double vinyl (Deutsche Hymnen). 

The album pre-sale is available here: https://crematory.rpm.link/greatesthitsPR

With “Blind”, the exclusive bonus track on the Deutsche Hymnen LP edition, CREMATORY present one of their darkest German-language tracks to date. Driven by themes of spiritual erosion and emotional desolation, the song unfolds a bleak, cinematic atmosphere, combining crushing heaviness with immersive depth. Lines such as “kein morgen naht, kein leben bleibt / nur kalte asche” reinforce the track’s cold, ritualistic aesthetic. 

Frontman Felix Stass states:
“‘Blind’ reflects a world where hope dissolves and only shadows remain.”

Formed in 1991 in Mannheim, Germany, CREMATORY have become one of the most enduring and influential acts in European gothic metal. Over more than three decades, the band evolved from their early death metal roots into a distinctive style combining heavy riffs, melodic keyboards, industrial textures, and contrasting vocal approaches.

Throughout their career, CREMATORY have explored themes of life, pain, introspection, and atmosphere, often blending deep growls with clean vocals to create a sound both powerful and haunting. Their growth in the 1990s brought them recognition across Europe through relentless touring and festival appearances.

The upcoming Greatest Hits album reflects the band’s bilingual legacy. English Hymns & Deutsche Hymnen gathers key tracks from across their catalogue in both languages and also includes the band’s earliest demo recordings, offering fans a comprehensive retrospective of CREMATORY’s long and influential journey. With 35 years of history, countless tours, and a legacy that helped shape European gothic, death and industrial metal, Greatest Hits stands as both a celebration of CREMATORY’s past and a powerful reminder that the band remains as vital as ever!

Formed in 1991 in Mannheim, Germany, CREMATORY have become one of the most enduring and influential acts in European gothic metal. Over more than three decades, the band evolved from their early death metal roots into a distinctive style combining heavy riffs, melodic keyboards, industrial textures, and contrasting vocal approaches.

Throughout their career, CREMATORY have explored themes of life, pain, introspection, and atmosphere, often blending deep growls with clean vocals to create a sound both powerful and haunting. Their growth in the 1990s brought them recognition across Europe through relentless touring and festival appearances.
The upcoming Greatest Hits album reflects the band’s bilingual legacy. English Hymns & Deutsche Hymnen gathers key tracks from across their catalogue in both languages and also includes the band’s earliest demo recordings, offering fans a comprehensive retrospective of CREMATORY’s long and influential journey.

In support of the release, the band will embark on an extensive European run throughout 2026.

CREMATORY is:
Felix Stass - Vocals
Rolf Munkes - Guitar
Oliver Revilo - Bass
Katrin Jüllich - Keyboards, Samples
Markus Jüllich - Drums, Programming
 
Visit CREMATORY online:
Website | https://www.crematory.de 
Facebook | https://www.facebook.com/crematory.de 
Instagram | https://www.instagram.com/crematory.de 
YouTube | https://www.youtube.com/@crematory-de 

VOÏVOD Announces New Live Album ‘Symphonique’ Featuring the Quebec Symphony Orchestra Set for Release on June 5th via Century Media Records

Today, after more than 40 eventful years of existence, Canada's progressive sci-fi metal innovators VOÏVOD return with ‘Symphonique,’ a special live release together with the Quebec Symphony Orchestra, set for release on June 5, 2026, worldwide via Century Media Records.

‘Symphonique,’ which functions like an epic piece of cinema, showcases VOÏVOD’s pioneering futuristic metal with the strains of a symphony orchestra, and features a carefully curated VOÏVOD best-of setlist composed of 12 songs across 73 minutes, recorded live on June 4th, 2025, at the Grand Théâtre in Québec City, Canada.

Offering a first taste of 'Symphonique,' the band shares the first single, "Forgotten In Space (Symphonique)," alongside an official visualizer curated by Cloud Motion Design, available to view below.

VOÏVOD’s drummer and founding member Michel “Away” Langevin comments on ‘Symphonique’:

“This live album with the Quebec Symphony Orchestra is a longtime dream turned reality. Thankfully, we will experience it again in 2027 with the Orchestre Symphonique du Saguenay-Lac-St-Jean, right in the region where VOÏVOD formed back in 1983. We wish to take this show across the globe with local orchestras one day, but in the meantime, I hope you will enjoy this epic release. It’s the closest we’ve ever come to sounding like a dystopian sci-fi movie soundtrack, another dream of ours!”

 

About the first single "Forgotten in Space (Symphonique),” bassist Dominic “Rocky” Laroche adds:

“Taken from the album ‘Killing Technology,’ 'Forgotten in Space' transports us to a Mad Max-esque science-fiction universe. Denis "Piggy" D'Amour was even inspired by it when composing parts of the original version. This incredible symphonic masterpiece, orchestrated by Hugo Begin, offers a powerful orchestral introduction that takes us on a musical journey where the fusion of metal and classical music invites us to imagine, for 6 minutes and 27 seconds, that humanity itself may have been forgotten in space…”

Symphonique' follows the release of VOÏVOD’s latest Juno Award-winning studio album,'Synchro Anarchy' (2022), which reached #7 on the official album sales charts in Germany, #64 in Switzerland, #67 in Austria, and #88 in the Netherlands upon release. It also arrives after the band’s special 40th anniversary release, 'Morgöth Tales' (2023).

Pre-Order 'Symphonique' HERE

VOÏVOD will next embark on comprehensive European touring runs in suitable timing for the upcoming live release starting in June.

Stay connected for more VOÏVOD news coming up soon, also about the next studio album release that the band is currently working on.

VOÏVOD are:

Denis “Snake” Bélanger – Vocals

Dominic “Rocky” Laroche – Bass

Daniel “Chewy” Mongrain – Guitar

Michel “Away” Langevin – Drums

The Artery Foundation Signs Srata, Band Drops "SOAR"

THE ARTERY FOUNDATION is thrilled to welcome California's gold-selling rock band STRATA to the roster. The band, which had a massive hit with "Piece by Piece," which earned its RIAA certification after being featured on the 2004 The Punisher soundtrack and an appearance on Madden NFL 2005. In the '00s, Strata built a devoted following on soaring melodies, cinematic heaviness, and emotionally unfiltered songwriting, a sound that blurred the lines between post-hardcore intensity and atmospheric modern rock long before genre boundaries began dissolving across the scene.

Today, the band shares its first single for the label with "SOAR." The track, which was produced by Eric Ron (Papa Roach, Bad Omens), does exactly that, thanks to rising and falling tension and angular guitar work. Listen below.

This isn't a nostalgia play. It's forward progress at its finest.

"'Soar' captures the collapse of someone who once felt untouchable, tracing that fall from clarity and confidence into doubt, temptation, and self-betrayal," says singer Eric Victorino. "It's a dark spiral where faith glitches, identity fractures, and the pull of the algorithm becomes impossible to ignore. Equal parts confession and confrontation, the song wrestles with the most human truth of all: sometimes the person you trust the least is yourself."

Expect more from Strata sooner rather than later!

Fronted by vocalist Eric Victorino, whose unmistakable voice moves effortlessly from fragile intimacy to explosive power, Strata carved out a reputation for music that feels both deeply personal and undeniably massive. Now, decades into their career, Strata aren't revisiting who they were; they're redefining who they are. The band has re-emerged sharper and more focused, channeling years of life experience into a sound that is stronger, faster, heavier, and more energetic than ever.

Rather than chasing trends, Strata has leaned into evolution, expanding their sonic palette while staying rooted in the emotional authenticity that first defined them. The result is a band operating at full power: seasoned musicians with nothing to prove and everything to say.

Strata isn't a reunion story. It’s a continuation. Louder, bolder, and very much alive.

Adam Ezra Group -Pocket Full of Seashells — Out Today

Over the last months I’ve been playing this song out...solo in the middle of our sets - and I've heard you singing it back to me. Softly, sweetly…and usually with less lyric mistakes. :) 

It hadn't even been released, and you already know it…yet another reason I am so grateful for the path I’ve chosen.

It’s officially in the world today. As personal as it gets for me - about being out there missing my girls and choosing every single day to believe in this journey I'm on. I know most of you know it live…can’t wait for you to hear the raw recording from the studio. ♥️ 🐚👧 👶

→ STREAM / LISTEN

Revelate

With “Pocket” out, we are officially on the home stretch toward the Revelate album release. Something is happening right now that I honestly don’t have words for. You’ve already bought more tickets to the album release in Boston than we’ve ever sold for a show before. You’ve already ordered more signed and numbered first editions than any of us had imagined. Your streaming is the reason our music is reaching so many new listeners. We are not taking a single second of it for granted. 

BLACK SITES Release Personal New Single "Silent Wars"

Inspired by Robin Williams' quote, “Everyone you meet is fighting a battle you know nothing about,” BLACK SITES have released their new single "Silent Wars". The single lands ahead of the forthcoming full length, For Eternity. The album is set to release independently on July 17, 2026.

BLACK SITES founder Mark Sugar comments on "Silent Wars": "This track is one of my favorites. While there’s some blatant Jake E. Lee homages, a lot of the song was inspired by Americana artist Jason Isbell, of all people. The guitar bit at the very end was recorded as I wrote it — the take that’s on the record is the first time I ever played it."

Heavy driving rock 'n' roll rhythms kick off "Silent Wars" with high energy. Drawing from traditional rock and metal styles, the track delivers a powerful message through moody verse arrangements and a catchy chorus hook. 

For Eternity was produced by Mark Sugar & Chris Black, recorded at I Can’t Believe It’s Not Mace Street Studios, with mixing and mastering by Dan Swano. Drums on For Eternity were recorded by Vladimir Ružičić at Kebac Recording Studio.

About BLACK SITES:
Based out of Chicago, IL, USA, BLACK SITES was founded in 2016, initially as a studio project, by vocalist and guitarist Mark Sugar. Sugar was later joined by members John Picillo (bass), Ryan Bruchert (guitar) and Chris Avgerin (drums). BLACK SITES combines old school metal with guitar harmonies, melodic/clean vocals and progressive elements, primarily drawing inspiration from the likes of VOIVOD, BLACK SABBATH, and KING’S X.

BLACK SITES released their debut In Monochrome in 2017 (Mascot/Provogue Records), followed by Exile in 2019. 2021 saw the release of Untrue that was produced by Sanford Parker and awarded Record Of the Year by Dr. A.N. Grier at AngryMetalGuy.com. BLACK SITES ventured to The Promised Land? with their 2024 full-length that featured Tom Draper. (Ex-CARCASS/SPIRIT ADRIFT) on the track "Chasing Eternity".

Now, in 2026, Mark Sugar is joined by new members Jose Salazar (bass), Lee Smith (guitar) and Chris Black (drums). The forthcoming album For Eternity is set to release independently on July 17, 2026.

BLACK SITES Is:
Mark Sugar (vocals, guitar)
Jose Salazar (bass)
Lee Smith (guitar)
Chris Black (drums)

Swedish Thrashers BLOODSTAIN Unleash New Single "Something Sinister" via Threeman Recordings / Sound Pollution

Today, BLOODSTAIN release their new single “Something Sinister” via Threeman Recordings / Sound Pollution. The track marks the band’s second release of the year and plays a key role in building momentum toward their debut album, set for release this fall.

With “Something Sinister,” BLOODSTAIN further sharpens their musical identity. The song is driven by a strong, cohesive riff structure, a well-defined dynamic progression, and a sound that fuses classic hard rock roots with a modern production suited for both streaming platforms and the live stage.

What distinguishes BLOODSTAIN in today’s expanding hard rock scene is their precision and instinct for songwriting dynamics. “Something Sinister” highlights the band’s ability to craft compelling hooks and sustain energy throughout, resulting in a track that resonates equally well in curated playlists and larger live settings, a balance many aim for, but few execute effectively.

The single also reinforces the band’s sonic direction, featuring a production that is powerful without excess, and aggressive while remaining accessible. Each element is carefully considered to strengthen their identity, making this release a strategically important step ahead of their upcoming album. It demonstrates not only consistency but also a clear sense of progression in their sound.

Alex Hellid (Entombed) comments:

“I am incredibly proud of what these guys have achieved so far, and being able to follow their development up close is truly fantastic. The sky is the limit! BLOODSTAIN is one of the most outstanding young hard rock bands right now — Sweden’s next major hard rock export!"

Stream / Listen to "Something Sinister" HERE

BLOODSTAIN formed in late 2023 in Stockholm, Sweden, and quickly became one of Sweden’s most talked-about new metal bands. Built on classic metal and thrash foundations—and sharpened by relentless rehearsal and stage time—BLOODSTAIN delivers fast, heavy songs with hooks, precision, and a youthful intensity that translates instantly live.

After a breakout year with the self-released debut EP 'I Am Death,' the band’s live momentum accelerated rapidly. In 2024, BLOODSTAIN’s Stockholm show at Debaser caught the attention of Alex Hellid (Entombed), leading to a long-term management and production partnership with Threeman Recordings.

2025 became the band’s “proof year”: festival appearances, headline-level crowd reactions, and high-profile support shows—most notably on tour supporting Dark Tranquillity (with Iceland’s Múr). BLOODSTAIN also continued building an audience that actually buys physical releases and merch—an increasingly rare advantage for a new band.

BLOODSTAIN are:

Oskar Lindroos - Guitar/Vocals

Tobias Lindström - Guitar/Backing Vocals

Jonathan Thyberg - Bass/Backing Vocals

Benjam Norgren - Drums/Backing Vocals

From Ashes to New Drop "Forever" Video — WATCH // New Album "Reflections" Out Now

Today, the Lancaster, PA-based quintet shares the video for "Forever." The song weaves contemplative verses with epic and explosive choruses and breakdowns, and it ultimately demonstrates the band's deftness with dynamics.

Watch the video, directed by Orie McGuinness, below.

"'Forever' came together at the very end of the record, almost like it was waiting for everything else to fall into place before it could exist," Brandyberry shares. "There's a sense of finality to it, like standing in the aftermath of something you can't fix, realizing too late where it all went wrong. It paints a picture of how it feels when regret won't let go."

He continues, "We pushed ourselves further than we ever have on this one. We made choices that felt uncomfortable, but that's what helped shape it into something different for us. The goal wasn't to play it safe; it was to evolve and create something that sticks with you. 'Forever' doesn't resolve cleanly…It lingers, and that's exactly what we wanted."

As for the album as a whole, the band explains, "It's not a concept album by design, but there's a common theme running through it — that feeling of being stuck in a kind of purgatory, where you can almost see something better ahead of you, but there's always something dragging you back down."

It is also a moment for From Ashes to New, but not simply a moment in time. The band finishes, "This record is a reflection of who we were while making it, but even more than that, it's a statement of who we're becoming. Every song helped shape a sound that feels honest to where we're headed, not where we've been. We didn't hold anything back, and you can hear that in every moment."

The 12-track REFLECTIONS is the follow-up to 2023's BLACKOUT, which achieved the #1 spot on several iTunes and Spotify Rock and Metal charts across the globe. It was a massive success. Yet, in late 2023, FROM ASHES TO NEW arrived at a creative crossroads. The group wrapped up demos for 16 songs for what was supposed to be their fifth studio album. However, instead of sprinting towards the finish line and completing the record, the band scrapped those demo sessions. The process went against everything the band had ever done before. But largely starting anew —they kept two songs—was liberating. The band collectively knew it had to make something that remained true to their traditional sound yet broadened the tent to capture the ears and focus of a fresh audience. "I wanted to take what we are good at and push it even further," Brandyberry says. "That was the process for this whole record."

As a result, fans can hear a reinvigorated FROM ASHES TO NEW on REFLECTIONS.

In other From Ashes to New news, the single "Drag Me" is Top 10 on Billboard Mainstream Rock chart.

The band returns to the U.S. for a 42-date tour supporting Black Veil Brides, along with TX2, and As December Falls, starting April 25 in Riverside, CA. Tickets are available HERE. From Ashes to New will join Shinedown for a leg of the band's summer tour in July and August, as well. All confirmed FATN tour dates are below.

FROM ASHES TO NEW:
7/27 – Nashville, TN – The Basement East

WITH BLACK VEIL BRIDES:
4/25 — Riverside, CA — Municipal Auditorium
4/26 — Reno, NV — Grand Sierra Resort
4/28 — Seattle, WA — Showbox SoDo
4/30 — Salt Lake City, UT — The Union
5/01 — Denver, CO — Fillmore
5/02 — Omaha, NE — ASTRO
5/04 — Dallas, TX — House of Blues
5/05 — Houston, TX — House of Blues
5/06 — San Antonio, TX — The Aztec
5/08 — Atlanta, GA — Tabernacle
5/11 — Greensboro, NC — Piedmont Hall
5/12 — Norfolk, VA — The Norva
5/14 — Philadelphia, PA — Fillmore
5/15 — Pittsburgh, PA — Stage AE
5/17 — Detroit, MI — The Fillmore
5/19 — Indianapolis, IN — Egyptian Room
5/21 — Minneapolis, MN — The Fillmore
5/22 — Chicago, IL — Ramova Theatre or The Vic
5/23 — Madison, WI — The Sylvee
5/25 — Toronto, ON — History
5/26 — Montreal, QC — M-Telus
5/28 — New York, NY — Palladium Times Square
5/29 — Silver Spring, MD — Fillmore
5/30 — Worcester, MA — The Palladium

WITH SHINEDOWN:
7/11 — Mt. Pleasant, MI — Soaring Eagle 
7/15 — Quebec City, QC — Centre Vidéotron
7/18 — Albany, NY — MVP Arena 
7/25 — Knoxville, TN — Food City Center
7/26 – Charlotte, NC – Spectrum Center
7/28 – Camdenton, MO – Ozarks Amphitheater
7/30 — Lubbock, TX — United Supermarkets Arena
8/2 — El Paso, TX — UTEP Don Haskins Center
8/4 — Tucson, AZ — Tucson Arena 
8/7 — Las Vegas, NV — Michelob ULTRA Arena
8/10 — Boise, ID — ExtraMile Arena
8/12 — Billings, MT — First Interstate Arena at MetraPark
8/14 — Spokane, WA — Numerica Veterans Arena
8/15 — Vancouver, BC — PNE Pacific Coliseum
8/17 — Edmonton, AB — Rogers Place
8/20 — Fargo, ND — Fargodome
8/23 — Springfield, IL — Illinois State Fair
10/23 — Miramar Beach, FL — Shinedown's Lunatic Ball Beach Weekend 2026

FESTIVALS:
9/17 — Louisville, KY — Louder Than Life Festival

Find FROM ASHES TO NEW online at:
Facebook | Instagram | Twitter | Website | YouTube | TikTok

Listen to FROM ASHES TO NEW online at:
SPOTIFY, APPLE, AMAZON, DEEZER, PANDORA

BETTER NOISE MUSIC ONLINE:
Facebook | Twitter | Instagram | Website | Spotify | TikTok | YouTube

ATOM SPLITTER PR ONLINE:
Facebook | Website | Instagram | Twitter

LAINEY WILSON CELEBRATED WITH PEOPLE MAGAZINE COVER STORY

16x ACM, 12x CMA and Grammy Award-winner Lainey Wilson is featured on the current cover of People Magazine in celebration of her groundbreaking career. Read the full profile HERE.

The recognition arrives during a period of non-stop activity for Wilson, who is the subject of a new in-depth documentary, Lainey Wilson: Keepin’ Country Cool, set for release April 22 on Netflix, will headline Stagecoach and JazzFest this spring and is nominated for seven awards at the upcoming ACM Awards: Entertainer of the Year (following two consecutive wins in the category), Female Artist of the Year, Song of the Year (“Somewhere Over Laredo,” as artist and songwriter), Single of the Year (“Somewhere Over Laredo”), Music Event of the Year (“Trailblazer” with Reba McEntire and Miranda Lambert) and Visual Media of the Year (“Somewhere Over Laredo”). 

Wilson also recently made her film acting debut in Universal’s adaptation of Colleen Hoover’s Reminders of Him, was selected as one of USA Today’s 2026 Women of the Year and released her new song, “Can’t Sit Still.” Written by Wilson, Trannie Anderson, Aslan Freeman and Dallas Wilson, “Can’t Sit Still” is a snapshot of Wilson’s life as an unstoppable global superstar. Continuing to receive widespread attention, the song is included on this week’s all-genre Billboard Hot 100 chart, while Billboard calls it “a rollicking stomp of a song where the frenetic music perfectly matches the driving lyrics,” and iHeartRadio declares, “[it] captures Wilson’s free-spirited, yet driven and hard-working character.”

“The reigning current standard-bearer for women in country” (Variety), Wilson is in the midst of yet another monumental year. This past fall, she hosted the 59th CMA Awards (the first solo female host since Reba McEntire in 1991), where she also won three awards: Entertainer of the Year, Female Vocalist of the Year and Album of the Year (Whirlwind). She also released the deluxe version of her acclaimed album, Whirlwind, in August, which features five additional tracks, including her #1 single, “Somewhere Over Laredo.”

The Grand Ole Opry member is a prolific, sought-after songwriter, who has scored nine #1 hits including “4x4xU,” “Wildflowers And Wild Horses,” “Watermelon Moonshine” and the 2x PLATINUM Certified “Heart Like A Truck,” in addition to award-winning collaborations with Cole Swindell (“Never Say Never”), Jelly Roll (“Save Me”) and HARDY (“wait in the truck”). Moreover, Wilson has collaborated with artists such as Reba McEntire, Miranda Lambert, Dolly Parton and Post Malone, made her acting debut in Paramount’s hit television series, “Yellowstone,” and recently launched her fifth collection with Wrangler, as well as her own boot (Golden West Boots) and jewelry lines (The Lainey Wilson Jewelry Collection).

LAINEY WILSON CONFIRMED TOUR DATES

April 25—Indio, CA—Stagecoach 2026
May 1—New Orleans, LA—New Orleans Jazz & Heritage Festival
May 23—Nashville, TN—Nissan Stadium*
June 13—Tampa, FL—Raymond James Stadium*
June 20—Charlotte, NC—Bank of America Stadium*
June 28—Calgary, AB—Country Thunder Alberta
July 10—Chicago, IL—Windy City Smokeout
July 12—Craven, SK—Country Thunder Saskatchewan
August 1—Cincinnati, OH—Paycor Stadium*
August 6—Detroit Lakes, MN—WE Fest
August 7—Oshkosh, WI—Xroads41
August 8—Detroit, MI—Ford Field*
August 9—Canton, OH—Concert for Legends
August 12—Sturgis, SD—The Sturgis Buffalo Chip
August 15—Springfield, IL—Illinois State Fair
August 16—Des Moines, IA—Iowa State Fair
August 21—Atlanta, GA—Mercedes-Benz Stadium*
October 2—Ocean City, MD—Country Calling Festival
*with Chris Stapleton

ANTIMOZDEBEAST Seeks To Embrace The Unknown In The New Single "Corridor Of Admiration"

"Corridor of Admiration" is the latest single to materialize from ANTIMOZDEBEAST, the extreme industrial and electronic black metal project of multi-instrumentalist and producer Gabriel Palacio. The track is taken from the forthcoming full length, The Vagrant Unkempt Grave, due for release on May 15, 2026. It is a continuation of the project’s ongoing examination of spiritual conflict, psychological unrest, and the erosion of collective belief systems.

An atmospheric enveloping of metallic synths and distorted harsh vocals throw open the doors to the "Corridor of Admiration". This intense greeting segues into a melodic guitar progression while spoken words echo and swirl around the instrumentation. The carefully constructed arrangement of spoken words and harsh vocals enhances the entrancing sonic quality of the song. Furthermore, ANTIMOZDEBEAST's highly textural layering of instruments and sounds produces a mesmerizing effect. 

In "Corridor of Admiration", Palacio engages with the notion of challenging humanity's collective and individual fear of the unknown. Lyrically, the track explores this concept and delves into the artist's own personal beliefs, and considers how this idea impacts the daily lives of our society and our own self.  

Listen Below:

Pre-Order the album on Bandcamp HERE: https://antimozdebeast.bandcamp.com/album/the-vagrant-unkempt-grave

Active since 2019, ANTIMOZDEBEAST has developed a distinct sound built on harsh electronic structures, ritualistic pacing, and confrontational vocal expression. The Vagrant Unkempt Grave expands this approach into a cohesive meditation on the vagrant soul, the decay of creation, and the search for truth within systems shaped by myth, power, and distortion. The album spans seven tracks across fifty five minutes, including "Solitude", "The Temple of Vindication", and "Torn Mentality", and presents a continuous descent through themes of isolation, belief, manipulation, and internal collapse.

All music on The Vagrant Unkempt Grave is written, performed, recorded, mixed, mastered, and visually conceptualized by Gabriel Palacio. The album reflects a fully autonomous creative process and continues the project’s focus on exposing fractures within religion, politics, and social structures while encouraging critical thought and personal awakening.

Joan As Police Woman releases intimate 'Flushed Chest' & 'The Ride', previewing new 'Real Life Evolution' album ft. Iggy Pop & Krystle Warren

Renowned NYC artist Joan As Police Woman presents two new singles 'Flushed Chest' and 'The Ride' - both are new versions of classic tracks, previewing her new album “Real Life Evolution”, which will be released on June 12 via UK independent Reveal Records -- on CD, Limited Edition exclusive red marble vinyl and digitally. 

Exactly 20 years since releasing her much-loved debut album "Real Life", Joan has re-recorded and imagined the album in full with guests including Iggy Pop and Krystle Warren. Twenty years in the making, this record was developed through countless nights on stage, these new arrangements brought to life by the musical brilliance of the players who helped define their sound. Other contributors include Will Graefe, Jeremy Gustin, Tony Scherr, Parker Kindred, Danny Blume, Oren Bloedow and Thomas Bartlett.

Joan Wasser, known professionally as Joan As Police Woman since 2004, is a critically acclaimed musician and producer, dubbed “the coolest woman in pop” (The Times) and “one of the 21st century’s best musicians” (The Economist). As a singer, songwriter and multi-instrumentalist, her music defies easy categorization, crafting her own sound that blends various genres. She has released ten albums of original material, two cover albums, and an anthology.

While 'Flushed Chest (Real Life Evolution version)' was recorded at Hayyam Studios in Istanbul by Ceylan Akcar and Sinan Sakizli, the video was recorded at The Owl Music Parlor in Brooklyn by Adam Sachs and filmed by Ehud Lazin. Accompanied by Will Graefe and Jeremy Gustin, this is the third video in the 'The Real Life Anniversary Sessions', following her powerful, stripped-down performances of 'Anyone' and 'The Ride'.

"I wrote 'Flushed Chest' shortly after I read “Time’s Arrow” by Martin Amis. It’s the story of a life, Jeff’s life, told in backwards chronological order. I wrote this one when I was in a period of intense listening to The Wailers; Bunny Wailer, Peter Tosh and Bob Marley, one of the greatest bands of all time. This song works well with the trio so we didn’t stray far from the original recording. Singing the 3-part harmonies with Will and Jeremy is a delight." says Joan Wasser. 

"'Real Life Evolution' is ten reimagined versions of every song from the original 'Real Life' album. Some transformations are subtle. Others are seismic. All of them were made with an entirely new cast of collaborators.”

Joan As Police Woman is a sought-after collaborator who has recorded and/ or performed with hundreds of artists, including Afrobeat legend Tony Allen, Lou Reed, Anohni & The Johnsons, Meshell Ndegeocello, Rufus Wainwright, John Cale, David Byrne, Dave Okumu, Chris Dowd, Lau, Scissor Sisters, Sparklehorse, Beck, Laurie Anderson, Lloyd Cole, Afel Bocoum, Dave Gahan, Tanya Donelly, David Sylvian, Steve Jansen and Damon Albarn (who duetted with Joan on her song 'Get My Bearings' and invited her to feature on the Gorillaz album 'Song Machine'). She also a member of Iggy Pop's touring band (on keys and vocals).

“Music has saved my life. I am a devotee. It’s not something I can even choose or not choose, it’s just what it is. The album Real Life holds the key to my whole life. At the time I felt compelled to get it all into one record because I couldn’t imagine a world where I’d make another," says Joan Wasser.

"Now, twenty years later (and twelve albums into my career), the dream continues to unfold. I still live to play music. The shared experience of a concert is a constant reminder of our common humanity. 'Real Life; was the spark that lit my calling as a solo artist and I’m truly excited to revisit all the songs that mean so much to me and lovers of 'Real Life'.”

'Flushed Chest' and 'The Ride' are now available digitally everywhere. The 'Real Life Evolution' album is out on June 12th on vinyl, CD and digitally. It can be pre-ordered via Bandcamp.

With the coming Real Life 20th Anniversary Tour, Joan brings exclusive trio shows, performing the 'Real Life' album in full, along with key singles from across her catalogue, fan favourites, deep cuts, reworked covers and a few surprises!   She next performs a small handful of shows in New York City at Joe's Pub.  All tickets can be ordered at www.joanaspolicewoman.com/tour or https://linktr.ee/japw.

CREDITS
Lyrics & Music written by Joan Wasser
Published by Fists of Fury (BMI / Domino Publishing)
Produced by Joan Wasser
Mixed by Patrick Dillett at Reservoir Studios
Mastered by Chris Gehringer at Sterling Sound
Joan Wasser - vocals, piano on 'The Ride' & 'Flushed Chest'
Will Graefe - guitar & vocals on 'The Ride';  guitars & vocals on 'Flushed Chest'
Jeremy Gustin - drums & vocals on 'The Ride'; vocals on 'Flushed Chest'
Parker Kindred - drums & vocals on 'Flushed Chest'
'The Ride' recorded by Adam Sachs live at The Owl Music Parlor, Brooklyn, NYC
Ehud Lazin - videographer for 'The Ride'
'Flushed Chest' recorded by Ceylan Akcar & Sinan Sakizli at Hayyam Studios, Istanbul
Assisted by Ilker Cicek and Tolga Kurt
Album cover photo by Judi Rosen
P & (C) 2026 Sweet Police LLC under exclusive licence to Reveal Records
Joan As Police Woman photos by Judi Rosen
Publicity by Shameless Promotion PR

NEW YORK LIVE DATES
JUNE 20  New York, NY, USA, 7pm  - Joe's Pub (SOLD OUT)
JUNE 20  New York, NY, USA, 9pm  - Joe's Pub (SOLD OUT)
JUNE 21  New York, NY, USA, 6pm  - Joe's Pub

Keep up with Joan As Police Woman
Website | LinkTree | Bandcamp | Facebook | Instagram | Twitter | YouTube | Spotify | Apple Music | BandsInTown | Joanthology Podcast (the first 15 years) | Press contact

Keep up with Reveal Records
Website | Bandcamp | Facebook  | Twitter | Instagram | Soundc loud | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter |  Instagram | BlueSky | Threads  | Soundcloud | LinkedIn | Ema il

Hillbilly Vegas Drop New Collaboration With Paul Rodgers, Announce “A La Mode” LP Release

Oklahoma Rockers Hillbilly Vegas have dropped their new single & video for ”Mr. Midnight”, which was written by and features Rock and Roll Hall Of Fame inductee Paul Rodgers (Bad Company).  The track is the 2nd single from their new album “A La Mode”, which is slated for release on May 8th via Quarto Valley Records.  It’s the follow-up to the hit “I Hope You Know”, which is at #20 on the Rock Radio charts and still climbing.

 

“Mr. Midnight” is a heavy, electric blues-rock song that has a retro feel of ZZ Top ‘Tush’ mixed with the modern blues sound of Christone "Kingfish" Ingram.   The edgy and slinky guitar riffs evoke images of Beale Street late at night, whiskey in hand, while on the prowl for good trouble - buoyed by the unmistakable Paul Rodgers ethos of classic 70’s rock and roll.

 

Paul Rodgers says “I wrote “Mr. Midnight” a few years ago when I was writing songs - that to my surprise  - became an album 'Midnight Rose'. I had no idea that the songs would become an album.  But when Sun Records said that they would be interested in releasing a Paul Rodgers album you would have to be mad not to accept.  I actually forgot that I had the song and that is why it was not included on the ‘Midnight Rose’ album. Bassist Todd Ronning from my solo band - who later joined Bad Company - played on the demo track for the song and was familiar with it”.

 

He continues “The song started with the guitar riff. I had it floating around in my mind, and I built the song around that. When I was looking for lyrics I was inspired by a feline.  Cynthia, my wife, has a number of rescued cats, and there was one black cat in particular named Jasper. His coat was so sleek and black that I nicknamed him Mr. Midnight. You can let your imagination take it from there.  When I heard Hillbilly Vegas’ recording of ‘Mr. Midnight’ – Steve (Harris) did such a great job, I felt they had it well covered.  I did not want to disturb the flow created in their recording, but I had made a promise to the boys in the band - so I sang some lines, and it turned out very well.”

Hillbilly Vegas’ Steve Harris adds “Being part of something like this with Paul, who’s had such an impact on how we all hear rock and roll, was an incredible experience that we still can’t quite believe happened. His voice, his phrasing and the way he approaches a song…that’s the blueprint.  It raises the bar, but it also reminds you why you started doing this in the first place, because you realize you’re not just making a record, you’re stepping into a lineage that guys like Paul built.”

Mr. Midnight - Single Artwork

The video for “Mr. Midnight” was filmed in Oklahoma and produced by the band.  Harris explains: We shot the video in our warehouse and it was directed by Jon Wright. He kept it organic and simple…nothing forced, just capturing the band the way we really are. And having Paul appear in the video… that’s just as cool as it gets!  It’s one thing to share a track with him, but to have him visually be part of it too—that takes it to another level.”

 

The band’s 2nd full length album, “A La Mode”, will be released on May 8th.  It features 11 tracks and will be available in digital, CD, and Vinyl LP formats.   Pre-orders start Monday, April 20th.

About Hillbilly Vegas:

Hillbilly Vegas has been steadily growing an international Fan Base with 6 songs on Billboard’s Rock charts, including “Let It Ride” – which remained on the chart for 13 weeks and reached #10, “Feels Good”, “High Time For A Good Time”, “Hell To Pay”, “Two Gun Town”, and fan favorite “Shake It Like A Hillbilly”.

 

The band has earned a reputation for rousing live shows - bringing a loud, party-like atmosphere that is all-inclusive.  They’ve shown they have a broad appeal across different genres, pleasing crowds while performing shows with rockers Blackberry Smoke, The Kentucky Headhunters, Wolfsbane and Ted Nugent; along with country icons Alabama, Travis Tritt, Blake Shelton, and Wynonna Judd. The band is managed by David Spero (Joe Walsh, Cat Stevens/Yusef Islam, Bad Company). The band has signed with renowned book agency TKO, and tour dates are being booked in support of the album release to start in August.

 

Hillbilly Vegas is:

Steve Harris - Lead Vocals

Stacy Thornburg - Guitar/Vocals

Geraldo Dominelli - Guitar/Keyboards (former Loverboy/Paul Rodgers)

Todd Ronning - Bass (former Bad Company)

Gunnar Molton (Drums)

Crippled Black Phoenix Premiere New Album Sceaduhelm

More than 20 years removed from where they started, Crippled Black Phoenix are approaching a new threshold with their upcoming new album. Sceaduhelm is the UK macabre rockers’ most inward-looking and grave statement to date. It turns away from collective upheaval to face emotional erosion, fatigue and private collapse.

Sceaduhelm comes out tomorrow, Friday, April 17 on Season of Mist, but you can hear all 12 stark and striking songs today by listening to the full album stream below:

Pre-order

https://orcd.co/cbpsceaduhelm

Pre-save on Spotify

https://open.spotify.com/prerelease/6jvoEOyJQXUQmdI1WlVXrK

Where previous Crippled Black Phoenix records addressed historical violence and societal fracture, Sceaduhelm moves inward, listening to what accumulates in the aftermath: grief, complicity, damaged intimacy and the weight of endurance. The album unfolds as a unified psychological space rather than a traditional concept record, with slow builds, minimalist repetition, and unresolved tension carrying as much weight as melody. While stemming from founding member Justin Greaves (ex-Electric Wizard, ex-Iron Monkey), vocals are shared between Belinda Kordic (Killing Mood, Stabb), Ryan Patterson (Fotocrime, Coliseum, Mirrorless) and Justin Storms (Wailin Storms), each occupying a distinct but aligned emotional register across the album's twelve tracks.

Lyrically and thematically, Sceaduhelm is preoccupied with exhaustion as a condition rather than a moment, with time framed not as a healer but as an eroding force. Songs address burnout, grief, surveillance, institutional violence, and damaged intimacy, often blurring the line between the personal and the political. Musically, the album favours restraint over release, employing repetition, minimalism, and slow escalation to sustain tension without catharsis. Recorded across multiple locations and mixed with deliberate austerity, the record resists warmth, clarity serving discomfort rather than solace.

Within Crippled Black Phoenix’s wider catalogue, Sceaduhelm does not seek to resolve previous narratives or replicate past high points. Instead, it documents a moment of exposure and endurance, listening closely to what remains when spectacle fades and outrage exhausts itself. It stands as a severe, human record, concerned less with declaration than with persistence, and affirms once more the band’s refusal to stand still, soften its gaze, or offer easy answers.

Line-up:
Music - Greaves / Words — Patterson
Justin Greaves — Guitars, Drums, Samples
Ryan Patterson — Vocals
Belinda Kordic — Backing Vocals
Wes Wasley — Bass
Robin Tow — Percussion
Lucy Marshall — Synths

Apparently recorded at various times during 2023 to 2025 at:
Chapel Studios, Lincolnshire, UK
Engineered by Pieter Rietkerk

Additional sessions at:
Kapsylen Studio, Stockholm, Sweden
Engineered by Jörgen Jugglo Wall.
House Of Foto, Louisville, KY, USA
Engineered by Ryan Patterson
Mixed by Iver Sandøy at Solslottet Studio, Bergen, Norway.
Mastered by Magnus Lindberg, Stockholm, Sweden
Additional mixing by Pieter Rietkerk at Chapel Studios
Produced by Justin Greaves

Artwork by Erebus Art (Thanasis Stratidakis)


Thank to everyone who helped and supported this venture.

BIG thankye! to Kurt Ballou for his input and work on this album.

All CBP music published by Season Of Mist Publishing.

Lyrics for “No Epitaph, “The Precipice”, “Vampire Grave”, “Beautiful Destroyer”
Copyright 2026 Ryan Patterson (BMI)

Follow Crippled Black Phoenix:
Bandcamp: https://riseupandfight.bandcamp.com/
Facebook: https://www.facebook.com/CBP444/
Instagram: https://www.instagram.com/cbp_444/
Apple Music: https://music.apple.com/artist/crippled-black-phoenix/251718934
Spotify: https://open.spotify.com/artist/6WEyPcf9ezhNLm1xOBjbwH
Tidal: https://tidal.com/browse/artist/3607159
Deezer: https://www.deezer.com/artist/391823

Hard Rock Supergroup ICONIC Returns with Sophomore Album 'II' Set for Release on July 31, 2026 via Frontiers Music Srl

Frontiers Music Srl is pleased to announce the return of the hard rock supergroup Iconic, featuring Michael Sweet (guitars), Joel Hoekstra (guitars), Marco Mendoza (bass), Tommy Aldridge (drums), and Nathan James (vocals), for their sophomore album 'II,' scheduled for July 31, 2026.

To celebrate the announcement, the band shares the new single and accompanying lyric video, “Cry No More," available now.

Michael Sweet commented:

“It’s been a long time coming, and the time is finally here! It’s an absolute honor to be a part of such an incredible band, and 'Cry No More' is the perfect representation of who Iconic is. Music that takes you back to the best of times and reminds you that rock is still alive and well!”

“It’s a pleasure to work with these fantastic musicians in Iconic. ‘Cry No More’ should give classic rock fans something raw and real in terms of both playing and production. Crank it up!”, Joel Hoekstra added.

Nathan James also stated,

“I'm so pleased to have made another album with these incredible musicians. I hope everyone enjoys this first single, 'Cry No More', and the whole album."

“Well, the time is here, folks, finally ICONIC – 'II' is coming to you, with the first single 'Cry No More' coming soon!" Marco Mendoza exclaimed. “Like always, it’s a blast and quite an honor to be part of a project like this, with all these players! Take a listen and enjoy! Viva la ROCK!!!”

Watch the New Lyric Video for "Cry No More"

ICONIC returns with 'II,' a second album that doesn’t just continue the band’s journey - it defines it. Where their debut introduced the chemistry between five world-class musicians, 'II' sharpens that vision into a clearer, heavier, and more confident sonic identity, delivering a sound that is more powerful, more direct, and unmistakably rock.

At the heart of the album lies the electrifying guitar partnership of Joel Hoekstra and Michael Sweet, delivering a masterclass in soaring melodies, blazing solos, and muscular riffs that perfectly balance technical brilliance with pure hard-rock attitude. Beneath them, the rhythm section of Tommy Aldridge and Marco Mendoza drives the record with thunderous authority, creating a groove that is both massive and relentless.

The album kicks off with “Cry No More," a high-octane opener that immediately sets the tone - an energetic slice of hard rock packed with driving riffs, explosive drums, and a chorus built to stick.

On the other side of the emotional spectrum, “Tears Keep On Falling” showcases the band’s dynamic range, unfolding as an electrifying power ballad where melody, atmosphere, and intensity come together in dramatic fashion.

Towering above it all is Nathan James, whose performance on 'II' is nothing short of extraordinary - powerful, soulful, and commanding, elevating every track with unmistakable presence.

With bigger riffs, deeper grooves, and a stronger sense of identity, 'II' captures ICONIC at full force: a band no longer introducing itself but fully owning its sound.

Pre-Order 'II' HERE

Line Up:

Nathan James - Vocals

Michael Sweet - Guitars

Joel Hoekstra - Guitars

Marco Mendoza - Bass

Tommy Aldridge - Drums

Keyboards by Antonio Agate

Backing Vocals by Marco Pastorino

DEVILDRIVER Return With 11th Album "Strike and Kill" Out 7/10 + Lead Single "Dig Your Own Grave" Out Now — PRE-ORDER + WATCH

After numerous world tours, 10 full-length albums, and globally recognized acclaim, unstoppable groove metal legends DEVILDRIVER remain full speed ahead in their second decade of decimation. Today, the band announces their explosive eleventh full length, Strike and Kill, out July 10 via Napalm Records.With the all-star lineup of frontman and mastermind Dez Fafara, virtuoso guitar duo of Alex Lee and Gabe Mangold, eruptive drummer Davier Ortega Perez, and the return of founding bass legend Jon Miller, Strike and Kill sees DEVILDRIVER return to their carnivorous origin, reigniting the incendiary sound that founded their legacy, a must listen for all fans of the genre.

Dez Fafara on Strike and Kill:
"My headspace hasn't changed, I have not become complacent or soft in my view of the world or in my music. Metal is our outlet as listeners and writers, so on this record we focused on 'getting it all out' lyrically, and backing those lyrics with savage, relentless music that fuels the heavy California groove like no other. DEVILDRIVER has never sounded like any other band, we do our own thing in our own way, and I'm the most proud of that.

"I'm so proud of these musicians, this music, and the vibe around this record. DevilDriver sounds like no one else out there right now, we are here to Strike and Kill!"

Alongside today's announcement, they unleash the fierce album opener upon the masses. Debuting yesterday on SXM's Liquid Metal, "Dig Your Own Grave," is a vitriolic onslaught of machine gun riffs and uncompromising aggression, lyrically lambasting fools responsible for their own undesirable fates. Full of piss and vinegar, this is DEVILDRIVER at maximum ferocity, giving listeners just a taste of the unspeakable carnage waiting within Strike and Kill.

About the track, Fafara states:
"'Dig Your Own Grave' is about how one wrong decision, one wrong move can see your whole world turned upside down, effectively 'digging' your own grave… it's that simple.

"It can also refer to how your decisions can fuck someone else. This is why there's the line 'Six feet ain't deep enough for you,' because only a deep, deep hole is fitting for what you've done or tried to do to others. Be careful when you choose to make decisions at midnight."

Additionally, DEVILDRIVER will be touring across the western United States with Upon A Burning Body and Ov Sulfur. Kicking off August 14 in San Diego, CA, the Strike and Kill North American Tour 2026 will hit a slough of major cities including Dallas, TX, Chicago, IL, Salt Lake City, UT, and Reno, NV before its thunderous conclusion on September 5 in sunny Anaheim, CA. Artist presale is live NOW, see below for a complete list of dates and the artist presale code: [ARTIST PRE-SALE CODE: DYOG777]

DEVILDRIVER ON TOUR:
8/14 — San Diego, CA — Observatory North Park
8/15 — Las Vegas, NV — Brooklyn Bowl
8/16 — Phoenix, AZ — Marquee
8/18 — San Antonio, TX — Aztec Theater
8/19 — Austin, TX — Come and Take It Live
8/20 — Houston, TX — House of Blues
8/22 — Dallas, TX — House of Blues
8/23 — Oklahoma City, OK — Diamond Ballroom
8/25 — Chicago, IL — Bottom Lounge
8/26 — Milwaukee, WI — The Rave
8/29 — Colorado Springs, CO — Sunshine Studios
8/30 — Salt Lake City, UT — The Depot
9/1 — Boise, ID — Treefort Music Hall
9/2 — Reno, NV — Club Underground
9/3 — Sacramento, CA — Goldfield
9/4 — San Jose, CA — The Ritz
9/5 — Anaheim, CA — House of Blues

DEVILDRIVER ARE:
Dez Fafara — Vocals
Davier Ortega Perez — Drums
Jon Miller — Bass
Alex Lee — Guitar
Gabe Mangold — Guitar