Connie Converse How Sad, How Lovely Out Now

Nearly 51 years after the singer-songwriter’s disappearance comes the first reissue of this album in nearly 10 years in any format. 20 tracks (including a bonus 7" featuring the previously unreleased “House” and the new remix of “Playboy of the Western World” courtesy of Dirick Cummins) that are as poignant and potent as ever and showcase an artist that was operating light years ahead of her time. 

 

Order yours online, pick it up at your local independent record shop... Or stop by a Third Man Records storefront to secure a copy that includes an exclusive Lyrical World of Connie Converse zine with your purchase (while supplies last).

 

Also now available at Third Man Records storefronts, ROVING WOMAN bumper stickers. Come-a-riding with Connie and spread the word of her legend and folklore. And they beckoned me to follow, and they took me

Finnish Doom Metal Act GRAIN OF PAIN Celebrates Album Release of "Behind Us All" with New Lyric Video for "Ruins of the Heart"!

Finnish doom metal act GRAIN OF PAIN celebrates the release of their highly anticipated new album "Behind Us All", out now via Noble Demon. To mark the occasion, the band has unveiled a haunting lyric video for the track "Ruins of the Heart".

Mastermind Timo Solonen reflects on the song’s meaning: "There is always someone who wants to lead and use religion or anything to rule others. Do we learn from history or do we repeat the same mistakes over and over again? Is that really what our hearts really want? Do we want to be ruled by someone so we don’t have to make choices? Juho’s solo captures perfectly the meaning of the song and the melody in the end haunts you forever."

Watch the video Below:

Stream the single HERE

With "Behind Us All", GRAIN OF PAIN takes their signature blend of doom and death metal to new emotional depths. Combining crushing heaviness with melodic intensity and a dark, immersive atmosphere, the album showcases a refined and powerful sound that resonates long after the final note fades.

Hailing from Finland, GRAIN OF PAIN is driven by Timo Solonen, who is responsible for songwriting, guitars, and vocals. On bass and clean vocals, Lars Eikind (Before The Dawn) adds a distinct melodic dimension to the band’s sound, further elevating the dynamic range of the compositions.

The album also features renowned musicians Juho Räihä (guitars, additional screams) and Juuso Raatikainen (drums), both known for their work with Swallow the Sun.

"Behind Us All" was produced, recorded, mixed, and mastered by Juho Räihä at SoundSpiral Audio, ensuring a cohesive and powerful sonic experience throughout.

Following their signing with German metal label Noble Demon in 2024 for their debut album "The Moon Lights The Way", GRAIN OF PAIN now raises the stakes with their sophomore full-length release. "Behind Us All" stands as a testament to the band’s evolution, delivering a deeply atmospheric and emotionally charged listening experience.

Swedish Punk Rockers DEVIL'S CIGARETTE Release New Album 'Meet Me On The Floor Tonight!' Out Now via Wild Kingdom / Sound Pollution

Stockholm’s own DEVIL’S CIGARETTE, one of the most talked-about new acts on Sweden’s rising rock scene, are proud to release their new album, 'Meet Me On The Floor Tonight!,' out now via Wild Kingdom / Sound Pollution. To celebrate, the band also shares the title track, alongside an official music video, available below.

DEVIL’S CIGARETTE delivers a sharp, modern take on rock with commanding choruses, searing guitars, and driving rhythms. Their new single and video for “Meet Me On The Floor Tonight” captures the band’s attitude, urgency, and unmistakable identity.

Directed in true DIY spirit by band members Miles Martin and Lucas Kinnari, the video highlights the central role of the song itself — the heart of everything the band creates.

While rooted in garage rock grit, DEVIL’S CIGARETTE represents a new generation. Their youthful energy and evolving sound push the genre forward with clarity, maturity, and dynamic force. ‘Meet Me On The Floor Tonight’ marks a defining step in that progression.

On stage, the band delivers explosive, confident performances that have made them a standout presence in Stockholm’s underground scene — intense, visceral, and impossible to forget.

“We want every show to feel like a party — an explosion of energy where the audience is just as much a part of the experience as we are,” the band states.

Watch the Music Video for "Meet Me On The Floor Tonight" Below":

Since forming in Stockholm in 2023, DEVIL’S CIGARETTE have rapidly built a reputation as a band to watch. Their explosive live shows, relentless energy and ability to cut through the noise have taken them from cramped basement venues to becoming one of the most buzzed about names in Sweden’s new wave of rock.

With “I'm Bored” leading the way and ‘Meet Me On The Floor Tonight!’ on the horizon, DEVIL’S CIGARETTE are poised to take their next major step. Their blend of raw musical force, magnetic stage presence and fearless ambition positions them as one of Sweden’s most exciting emerging exports.

DEVIL’S CIGARETTE aren’t just the next big thing in Swedish rock. They’ve already arrived, and they refuse to be ignored.

Order 'Meet Me On The Floor Tonight!' HERE

CHEZ KANE Releases New Album 'Reckless' — Out Now via Frontiers Music Srl

CHEZ KANE is thrilled to release her new studio album, 'Reckless,' out now via Frontiers Music Srl. To celebrate the release, CHEZ also shares her new single, "Too Dangerous," alongside an official visualizer, available below.

CHEZ comments:

“'Too Dangerous' lives in that space between warning signs and temptation - it captures the tension at the heart of 'Reckless,' where you know better, but it feels too good to resist.”

Talking about the record, CHEZ said:

“Finally, I can tell you! The official announcement of my third album, 'Reckless', is here! My last album, 'Powerzone,' dropped in 2022, and I’ve grown a lot since then. This time around, I got hands-on and collaborated on some writing. I pushed myself hard to make something that’s bigger, bolder, and yeah… sexy as hell.

“Massive thank you to Danny Rexon once again for being incredible to work with. Creating this with you was magic”, she added. “I can't wait for you guys to hear what we’ve made!”

Watch the Visualizer for “Too Dangerous" Below:

CHEZ KANE is back with her third studio album, 'Reckless' - an explosive blend of arena-ready hooks, slick guitar work, and unapologetic 80s-style swagger. Following the success of her first two records, CHEZ levels up with a collection that’s bigger in sound, richer in emotion, and packed with pure melodic firepower.

Once again, written and produced by Danny Rexon, frontman of Swedish hard rockers Crazy Lixx, 'Reckless' channels the golden age of melodic rock while injecting it with fresh energy and modern production.

The chemistry between CHEZ and Danny continues to shine, resulting in a record that blends 80s-inspired anthems, infectious hooks, and soaring vocals into a modern rock statement with attitude.

From glam-infused bangers to emotional slow-burners, 'Reckless' showcases CHEZ’s growing confidence and undeniable charisma, proving she’s not just riding the revival wave - she’s leading it.

If you’re craving fist-pumping choruses, soaring vocals, and a no-holds-barred throwback to the glory days of rock, look no further. CHEZ KANE’s 'Reckless' is melodic rock done right - bold, catchy, and undeniably alive.

Turn it up loud. This one’s recklessly unforgettable!

Order 'Reckless' HERE

August Burns Red Announce "Season of Surrender" Out 6/5 + Share "The Nameless" Lyric Video

August Burns Red — Jake Luhrs (vocals); JB Brubaker (guitar); Brent Rambler (guitar); Dustin Davidson (bass); and Matt Grenier (drums) — need no introduction. For over two decades, the Lancaster, Pennsylvania-based act has been crafting its own unique brand of metalcore that has established ABR as one of the foremost acts in the genre. Their career milestones speak for themselves: Multiple placements in the top 10 on the Billboard Top 200; tours with everyone from Bullet For My Valentine to A Day To Remember; and an accumulation of 600 million streams.

However, the band — nominated for Best Metal Performance Grammys in 2016 for the song "Identity" and again for "Invisible Enemy" in 2018 — has never stopped pushing the limits of their sound. 

And that fact has never been more prevalent than on their forthcoming new album SEASON OF SURRENDER, which will arrive on June 5 via Fearless Records, the label to which they recently returned. Pre-order it here.

ABR have also just shared the lyric video for new single "The Nameless." Watch and listen below.

“The Nameless" accomplishes more in under three minutes than most heavy bands do over the course of an entire album. The track boasts the band's signature complex rhythm section, alongside dark and moody guitars, with an unrelenting vocal assault. This song is ABR stripped down to the absolute core of their sound: Intricate, crushing, and ferocious.

"'The Nameless' is a hard-hitting, heavy bruiser that doesn't let up for one moment," states Davidson. "It combines classic ABR elements with dark moody technical rhythms, and fast paced vocals to keep the intensity up for the full three minutes of the track. To me it showcases our roots of where we've come from, and the future path of where we're heading."

Luhrs follows, "Lyrically, 'The Nameless' is a song about not wasting your life away for the sake of acceptance and comfortability. Sometimes it takes detaching from what you’ve been told, or from the beliefs you are no longer aligned with, in order to face your own weaknesses. In doing so you can break free to live a life you are proud of.” 

Season of Surrender features guest appearances from The Devil Wears Prada's Mike Hranica, Polaris' Jamie Hails, and Make Them Suffer.

ABR will hit the road on a co-headline run with The Amity Affliction this Spring, kicking off on April 10 in Worcester. All dates for the Spring Horizons tour are below.

AUGUST BURNS RED + THE AMITY AFFLICTION ON TOUR:
WITH BOUNDARIES + HEAVENSGATE:
4/10 — Worcester, MA — The Palladium*
4/11 — New Haven, CT — College Street Music Hall*
4/12 — Pittsburgh, PA — Stage AE
4/14 — Charlotte, NC — The Fillmore
4/15 — Atlanta, GA — Tabernacle
4/16 — Orlando, FL — House of Blues
4/18 — New Orleans, LA — The Fillmore
4/19 — Dallas, TX — The Bomb Factory
4/21 — Houston, TX — House of Blues
4/22 — San Antonio, TX — Vibes Event Center (Outdoors)
4/24 — Phoenix, AZ — The Marquee
4/25 — San Diego, CA — Soma
4/26 — Anaheim, CA — House of Blues
4/28 — Sacramento, CA — Channel 24
4/29 — Garden City, ID — Revolution Concert House
5/1 — Salt Lake City, UT — The Union Event Center
5/2 — Denver, CO — The Fillmore
5/3 — Omaha, NE — The Astro Theater
5/5 — Minneapolis, MN — The Fillmore
5/6 — Milwaukee, WI — The Rave
5/8 — Chicago, IL — Riviera Theatre
5/9 — Royal Oak, MI — Royal Oak Music Theatre
5/10 — Toronto, ON — History
5/12 — Montreal, QC — Mtelus
5/13 — Brooklyn, NY — Brooklyn Paramount
5/15 — Baltimore, MD — Nevermore Hall
5/16 — Columbus, OH — Sonic Temple**
5/17 — Philadelphia, PA — The Fillmore
*With Dreamwake, no Heavensgate
**Festival Date (ABR + TAA Only)

Black Metal Legends Winterfylleth Release Title Track + New Album "The Unyielding Season"

With the release of their ninth album, The Unyielding Season, out now via Napalm Records, UK's black metal legends WINTERFYLLETH unleash the title track as the third single. "The Unyielding Season" captures the overarching theme of the album: The song is a reflection of the current state of the world wrapped in raging, yet refined atmospheric black metal, guiding the way to a worthy follow up to 2024's celebrated predecessor The Imperious Horizon.

WINTERFYLLETH's ninth album is a social commentary wrapped in meticulously crafted poetry and prose. Where the preceding album described an ominous, malevolent force, lurking in the distance, The Unyielding Season now explores said threat becoming a reality.

Chris Naughton on "The Unyielding Season":
"'The Unyielding Season' – the song that puts music and emotion to the album concept as a whole. A beautiful, haunting and reflective track that tries to capture the weight and gravity of the current social circumstances we are living through in the world. It shares its concept with that of the wider album, and essentially tries to be a voice of the people against the tide of pressures in the world."

Watch the visualizer video for "The Unyielding Season" BELOW !

WINTERFYLLETH about the new album:
"2026 marks a year of big changes for WINTERFYLLETH! A new label, a new member, a new album, and the landmark of 20 years making music together. We are enthused by what this new chapter will bring, and as a result, we are now able to share our ninth album, The Unyielding Season, with the world. It is also a powerful and virulent first output, through which we seal our new collaboration with Napalm Records.

In many ways, the new album is a reflection on — and a rebellion against — the turmoil's and fears that are tearing the lives of many individuals apart. It is a cry against the unsustainable & constant weight of malevolence and pressure being pushed into the world by agents of an un-resting and unyielding force for evil. We hope the album resonates with you, stirs your soul, and gives you a source for hope. But, we also hope it makes you ask questions of your own circumstances and gives you pause to consider the unnerving state of the world we all share."

Order your copy of The Unyielding Season NOW!

WINTERFYLLETH ARE:
Chris Naughton – Vocals, Guitars
Simon Lucas – Drums
Mark Doyle – Bass, Backing Vocals
Mark Deeks – Keyboard, Synth, Backing Vocals
Russell Dobson – Lead Guitar, Backing Vocals

Future Palace Drop "Supernova" Video

Germany's FUTURE PALACE are thrilled to share the video for their dynamically different new single "SUPERNOVA." Watch it below.

Once again, the band proves that post-hardcore is not a label with limits but a space full of creative possibilities with this track. The band took some sonic chances and the result is nothing short of stunning.

"Musically, 'Supernova' was an experiment," explains guitarist Manuel Kohlert. "Writing the track started with an angelic voice sample that was heavily glitched with a program. The upbeat feeling and intensity breaks unusually, not into a heavy part but into an acoustic guitar bridge with sing-along type vocals. The outro features a groovy breakdown that closes the track with lots of energy. Compared to other Future Palace tracks, this one feels unusual at first, yet there still is a catchy chorus as most of the times."

Singer Maria Lessing concurs, saying, "'Supernova' is a really special and different song for us. Already, the instrumental had a very experimental energy when I listened to it for the first time, and I decided to lean even more into this energy while writing the vocals."

Pulling back the curtain on the powerful and relatable subject matter, Lessing continues, "Lyrically, the song talks about humans that act so heartless that they lose their human form and turn into a 'homunculus.' The world is currently in a very brutal state and it's hard to find hope in humanity a lot of times. It's hard to understand how so much anger and lack of empathy can be inside someone. The song is supposed to convey this really unsettling feeling and unhuman energy. Also the struggle of finding hope and being scared of losing that last spark of it."

Future Palace, whose lineup is rounded out by drummer Johannes Früchtenicht, embody the emotional highs and lows of human life through a constantly shifting artistic lens. Their songs delve deep into internal struggles and shed light on issues surrounding mental health, topics that remain far too stigmatized in modern society. Over the past years, Future Palace have become one of Europe's most exciting alternative metal acts, propelled by their intense live energy and a constantly growing international fanbase. Their recent North American tour marked their first major venture across the Atlantic, earning widespread praise and further expanding their global reach. In Europe, their latest headline tour set new milestones with numerous sold-out and upgraded shows across the continent. With a rapidly growing catalogue, rising streaming numbers, and a global fan community, Future Palace are entering their most ambitious era yet. 

Future Palace will spend the bulk of 2026 touring, with festival appearances and a fall tour on deck. All dates are below, including a return to the U.S. to appear at the Louder Than Life Festival in Louisville in September.

FUTURE PALACE ARE:
Maria Lessing — Vocals
Manuel Kohlert — Guitar
Johannes  Früchtenicht — Drums

ARION Unleash Explosive New Single “Hurricane”

A new chapter has begun: Finnish melodic metal force ARION return with a bang, launching the album cycle for their upcoming fifth studio album with the brand-new single “Hurricane”, released via RPM. The track is a fast-paced, modern melodic metal anthem that stands out with its theme of cathartic empowerment, a massive chorus hook, and the band’s signature infectious riffing.

Driven by an arena-ready chorus and sharp songwriting, “Hurricane” initially feels like a classic hit in the making. But ARION add a clever twist, breaking away from predictable structures and injecting a fresh, modern edge that keeps listeners on their toes. More singles will follow throughout 2026, with the full album scheduled for release at the beginning of 2027, following their European tour with GLORYHAMMER and MAJESTICA in October 2026. 

Stream “Hurricane”: https://arion.rpm.link/hurricanePR

A visualizer video is streaming below:

Guitarist Iivo Kaipainen comments: “We are happy to come back with this new fantastic single called ‘Hurricane’! The song features an especially massive and catchy chorus and infectious main riff, which are both long time trademarks for the band. Sounds like a traditional hit format song? WRONG! There’s a cool modern twist waiting to break the linear true and tried hit song formula that will definitely catch every listener off guard. See for yourself!”

About ARION
ARION are among Finland’s most exciting modern melodic metal exports. Known for their high-impact songwriting, technical skill and engaging stage presence, the band continues to bridge the gap between classic and modern metal.

Over the years, ARION have toured extensively across Europe and Japan with acts such as DREAM THEATER, GLORYHAMMER, BATTLE BEAST, BLOODBOUND and SONATA ARCTICA. They have also collaborated with renowned vocalists including Elize Ryd (AMARANTHE), Noora Louhimo and Melissa Bonny (AD INFINITUM / KAMELOT).

With tens of millions of streams to their name, including the standout track At The Break Of Dawn surpassing 20 million streams and achieving gold status in Finland, ARION have firmly established themselves as one of the most important new wave metal export acts from the country. Their continued evolution and international presence underline their growing importance in the global metal scene.



ARION is:
Lassi Vääränen - Vocals
Iivo Kaipainen - Guitar
Topias Kupiainen - Drums
Arttu Vauhkonen - Keys
Georgi Velinov - Bass
 
Connect With ARION: 
Website | https://arion.fi/ 
Facebook | https://www.facebook.com/OfficialArion/ 
Instagram | https://www.instagram.com/arionfinland/ 
X | https://x.com/arion_band 
Spotify | https://open.spotify.com/intl-de/artist/0c09mxGbMHuFLpPJMY6JdA

Ian Munsick Releases New Single, “Love Is Blind”

As Ian Munsick readies his next studio album – his first full-length project under WEST TO THE REST RECORDS/Triple Tigers Records – the Wyoming native is bracing for a run at Country radio. His new single “Love Is Blind” is available on streaming platforms now, and will impact radio on April 20. Listen Below.
 
Written by Munsick, Ryan Tyndell and Jeremy Spillman, the love-gone-wrong anthem was born from a moment of boredom, a guitar and an old familiar motif. 
 
“‘Good things happen when you pick up a guitar…’
 
“I had just finished making my last album, Eagle Feather, and was in the midst of enjoying Christmas break at home with my family, away from playing, writing and recording music,” reflects Munsick. “My old faithful friend was hanging up on the wall, collecting dust, when those words popped into my head, ‘Good things happen when you pick up a guitar.’ The signature riff spilled out of my fingers and gave me immediate lyrical inspiration to write the lines ‘Now I’m right in the middle of a bow and a fiddle, tell me, how long have I been getting played.’ ‘Love Is Blind’ wrote itself. 
 
“Almost a year later, I played a simple guitar/vocal recording for a then potential label partner, Triple Tigers Records and as soon as the last note faded, the label presidents looked at me and said the words that every artist wants to hear, ‘there’s your hit record,’” he adds. “Good things happen when I pick up a guitar.”
 
“Love Is Blind” is Munsick’s latest release following his WEST TO THE REST RECORDS/Triple Tigers Records debut, “Geronimo.” Directed by Ben Christensen, the accompanying music video was shot in Wyoming by Isaac Spotts and produced by Caroline Munsick. Watch Below.
 
Munsick also recently announced he’ll be partnering with The Landmark Hotel & Casino to open the Ian Munsick Cowboy Bar & Western Grill in August in Deadwood, S.D. Built between 1894-1920, The Landmark is Deadwood’s largest historic structure at approximately 35,000 square feet. The Ian Munsick Cowboy Bar & Western Grill will reside within over 2,600 square feet of the footprint. The venue will promote and celebrate country and western music with old school country bar decor, along with two performance stages, one indoors and one outdoors.
 
The Eagle Flies Free Tour, which kicked off on February 13 in Charlotte, N.C., is currently underway. With upcoming stops in Helotes, Texas; Durant, Okla. and more, Munsick is joined by a rotating lineup of guests including Ben Haggard and Kenny Whitmire. The run will include Munsick’s second headlining show at Red Rocks Amphitheatre on August 25, with special guests ERNEST and Ned LeDoux.

The Eagle Flies Free Tour Dates:
Friday, March 27 || Helotes, TX || Floores Country Store (w/ local support)
Saturday, March 28 || Durant, OK || Choctaw Grand Theater ^
Thursday, April 16 || Jim Thorpe, Penn. || Penn's Peak +
Friday, April 17 || Warren, Ohio || Packard Music Hall + 
Saturday, April 18 || Mount Vernon, Ky. || Renfro Valley - The New Barn Theater + 
Friday, April 24 || Wilmington, Ohio || Bowstring Brewyard + 
Saturday, April 25 || Marietta, Ohio || Peoples Bank Arena +
Friday, May 22 || Isle of Palms, S.C. || The Wind Jammer +
Saturday, May 23 || Pelham, Tenn. || The Caverns +
Saturday, May 30 || Cocoa, Fla. || Cocoa Riverfront Park Amphitheater +
Friday, June 5 || Louisville, Ky. || Fourth Street Live
Saturday, June 27 || Libby, Mont. || Happys Inn
Tuesday, Aug. 25 || Red Rocks Amphitheatre || Morrison, Colo. &
 
^ w/ Ben Haggard
& w/ ERNEST and Ned LeDoux
+ w/ Kenny Whitmire

About Ian Munsick:
A native son of Wyoming, Ian Munsick has accumulated over one billion global streams across three albums – Coyote Cry, White Buffalo and Eagle Feather – and a host of accolades, including 19 awards and 14 festival selections for his documentary, White Buffalo: Voices of the West. Having painted a stampeding, spirited portrait of the American West with his sophomore album White Buffalo in 2023, Munsick expanded on the concepts of the land, people, culture and stories that inspire him, with the project’s follow-up 20-track album, Eagle Feather, released on April 18, 2025 via Warner Music Nashville. In addition to selling over 100,000 headlining tickets in 2024 and 2025, Munsick also opened on select dates of Lainey Wilson’s Country’s Cool Again Tour. He has been named an “Artist to Watch” by Spotify, CMT, Fender, MusicRow, is a Martin Showcase Artist, headlined Cheyenne Frontier Days and founded WEST TO THE REST RECORDS. Standout RIAA-Platinum duet “Long Live Cowgirls” (with Cody Johnson) off of White Buffalo hit No. 1 on SiriusXM’s The Highway Hot 30 Countdown, was named one of Amazon Music’s Best Country Songs of 2022 with “Long Haul” and “Horses Are Faster” receiving RIAA Gold-certification alongside “God Bless the West” named as one of Spotify Hot Country Presents’ Best Songs of 2025. As he partners with Triple Tigers for new music in 2026 and beyond, fans of Ian Munsick will always find an open heart, natural awe and plainspoken honesty as he rides on… bringing the West to the rest. Online at IanMunsick.com.

BRANTLEY GILBERT HEATS UP COUNTRY RADIO WITH “GOOD DAMN”

Multi-Platinum trailblazer Brantley Gilbert returns to Country radio with “GOOD DAMN,” his first single with BBR Music Group/BMG Nashville on Wheelhouse Records. A simmering throwback that nods to the swagger and storytelling of his early days, the track finds Gilbert leaning into the style that first defined his sound. Following an exclusive world premiere yesterday on Country radio, “GOOD DAMN” is now available on all streaming platforms. Listen to “GOOD DAMN” Below.
 
Written by Gilbert alongside Brock Berryhill, HARDY and Taylor Phillips, and produced by Gilbert and Berryhill, “GOOD DAMN” is inspired by the real-life twists in his love story with his wife of 11 years and captures the tension of running into the one who got away and realizing the spark never disappeared.
 
“This song hits close to home for me,” shares Gilbert. “It’s about a second chance and being honest in the moment. You see someone you’ve got a past with and realize there’s still something there. Instead of overthinking it, you shoot your shot.”
 
“GOOD DAMN” offers a first look at what’s to come as he works on his highly anticipated eighth studio album. With a career built on chart-topping hits and deeply personal storytelling, Gilbert continues to evolve while staying rooted in the honesty and grit that has defined his music from the start.
 
The Georgia native is set to embark on festival dates this spring and summer, with additional tour dates through the fall to be announced. For more information, visit BrantleyGilbert.com.

About Brantley Gilbert
Multi-Platinum trailblazer Brantley Gilbert turns up the heat with “GOOD DAMN,” his first single with BBR Music Group/BMG Nashville on Wheelhouse Records, available now. A simmering, sexy throwback that nods to the swagger and storytelling of his early days and inspired by the real-life twists in his love story with his wife of 11 years, the song captures the tension of running into the one who got away and realizing the spark never left. Unmistakably BG, “GOOD DAMN” is proof that some flames never fade. An era-defining artist forever bonded to his fans, Gilbert’s been mining the timeless values of hard-working dedication, high-octane thrills and humble faith since his 2009 debut, A Modern Day Prodigal Son, creating a chart-topping grit-and-grace fusion which helped set the stage for today’s genre-blending format. With his dedicated BG Nation behind him, the performer-songwriter has racked up more than 8.3 BILLION career streams, boasting back-to-back Platinum albums and seven No. 1 hits including the RIAA 7x Platinum “Bottoms Up;” 2x Platinum “Country Must Be Country Wide;” 2x Platinum “You Don’t Know Her Like I Do;” 2x Platinum “One Hell of An Amen;” and the Platinum-certified “What Happens In A Small Town” with Lindsay Ell. Possessing a can’t-fake-it quality of fierce independence, the ACM, CMA and AMA award winner has toured alongside everyone from Willie Nelson and Toby Keith to Kenny Chesney, Nickelback and more.
 

BRANTLEYGILBERT.COM | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK | X

ALISON NICHOLS HAS “BOX WINE PROBLEMS” BUT HAVING A GOOD TIME AIN’T ONE – OUT NOW

Alison Nichols releases her first original song through BBR Music Group/BMG Nashville with “Box Wine Problems,” a release that skips the explanations and gets straight to the good part. Written by Nichols alongside Sherrie Austin and Will Rambeaux and produced by Rambeaux and Ilya Toshinskiy, the song moves with loose rules, open pours, and a total lack of concern for how things are supposed to go. It does not ask permission and it does not clean up the mess. It just expects you to keep up the good times among the inebriated havoc. Listen HERE.

From the opening chorus, “Box Wine Problems” makes one thing clear. Everything might be going wrong, but nobody is leaving. The wine is cheap, the cups are plastic, someone is crying, someone is lying, someone is fully passed out, and somehow this is still the night you would not trade for anything. Nichols sings it straight, letting the chaos speak for itself and leaning into the idea that fun does not require order, answers, or a plan.

“This song is about letting go of the idea that the night has to make sense,” says Nichols. “You stop trying to fix it, stop trying to control it, and just let it be what it is. That is usually when it gets really good.”

Watch the official "Box Wine Problems" music video below:

Sonically, the track mirrors that energy. It opens with a stripped-down chorus and no percussion, creating a raw, unfiltered entry before the rhythm kicks in. Classic Southern slide guitar runs through the track, adding grit and movement, and the song closes with a full-room sing-along featuring friends in the studio, capturing the sound of a night that has grown louder, looser, and more crowded as it goes.

The moment behind the song is just as fitting. Nichols wrote “Box Wine Problems” the day she officially signed her record deal, turning a celebration with Austin and Rambeaux into a spontaneous writing session that matched the mood of the occasion.

Following the response to her release of “John Deere Green,” Nichols moves further into her own lane with “Box Wine Problems.” It introduces an artist who understands that sometimes the best nights are not the ones you plan, but the ones you stop overthinking and stay for anyway.

KEEP UP WITH ALISON NICHOLS

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Post-punk legends Jah Wobble & Jon Klein release ‘Automated Paradise' album

Jah Wobble (Public Image Ltd) and guitarist Jon Klein (Siouxsie & The Banshees, Specimen) have released their 'Automated Paradise' album, their third collaborative record and also their debut album as a duo with Peckham-based label Dimple Discs. These two legends first combined forces on the 'Metal Box – Rebuilt In Dub' album in 2021, they continue to collaborate live and in the studio.

This is Jah Wobble’s first post-punk album in recent years, these brash guitar-driven tracks reflecting his preoccupation with the declining state of the nation. Driven by his weekly experience with Klein at the "Tuned In" music community project in Merton, this record recalls the spirit of Mark Stewart - angry in an empathetic, constructive way. The lyrical content mainly came together in the studio.

"Making this record with Jon Klein was (as ever) an absolute buzz. Totally in the moment. The music comes from that silent place. It’s pre-existing. You just allow it to flow. Sometimes you organise it early in  the process, sometimes you let it flow, with minimum direction," says Jah Wobble.

"Sometimes you conceptualise it from the get go (chord structures, set pre-ordained rhythms, bossa-nova, waltz, one drop, etc.  Sometimes it’s the opposite of that (see under Can, Metal Box etc. Sometimes you refer to memory sometimes you are “in the moment”. This was one of those in the moment records, that got quickly recognised for what it was and was duly processed."

Dimple Discs earlier shared the motorik lead track ‘Fading Away’, pulsating with the raw electrical tension of British post-punk and new wave, and the fire-buster 'Who Wins?', a song about distrust — about the growing sense that the grand halls of power have become echo chambers of empty promises. Both songs capture moments when the atmosphere shifts in humanity's current trajectory.

"This album started to take shape with the more angular noises pieces, but then stepped away into different places occasionally almost ambient. The sketches I presented for some tracks were turned upside down once Jah got hold of them. He tried different ideas for lyrics at different stages of each song's evolution, sometimes improvising themes and tunes that we’d edit and organise, and other times composing final ideas prior to recording," explains Jon Klein.

"That age old tradition of waiting around in studios, whilst the engineer boffin endlessly twiddles knobs whilst speaking in numerical tongues is something we are keen avoid. We like to make things happen in the moment, in a way that attendees can follow. Often we complete a working draft to a piece of music from scratch in a few hours".

This album follows two 2025 albums for Wobble -  ‘Dub Volume 1' (Dimple Discs) and the expanded reissue of the 2017 album 'The Usual Suspects', featuring 25 career highlights, re-recorded and including some of Wobble’s finest material, alongside tracks by Invaders Of The Heart and PiL.

Guitarist and producer Jon Klein was a member of Siouxsie and the Banshees from 1987 until 1994 (the 'Peepshow', 'Superstition' and 'The Rapture' era). Originally in the Bristol band Europeans, he then formed the glam-goth act Specimen and relocated to London, where he co-founded The Batcave nightclub. He has worked with Talvin Singh and Sinéad O'Connor, and co-produced a string of No. 1 albums for Warner-signed Fangoria, fueling a decade-long streak of chart-topping success in Spain. 

'Automatic Paradise' is out now via Bandcamp, and available on both CD and transparent vinyl, with this pressing limited to 800 copies.  Jah Wobble & The Invaders Of The Heart continue touring the UK in 2026, and tickets can be ordered at https://jahwobble.com/#live

CREDITS
'Fading Away' & 'Endless Sky' written by Jah Wobble, John Tian Chi Wardle & Jon Klein
'Automated Paradise', 'Make It Stop' & 'Terminal Terminal The End' written by Jah Wobble, Gilberto Giannacchi & Jon Klein
'Tempodrom' & 'Who Wins?' written by Jah Wobble, Izumi Karaage & Jon Klein
'Read Between The Lines' written by Jah Wobble, John Tian Chi Wardle, Jon Klein & Anthony Hopkins
Jah Wobble – bass on all tracks; vocals (tracks 1, 2, 4, 6, 7)
Jon Klein – guitar (all tracks); programming (tracks 1, 4, 7); synthesizer (track 1); EBow (track 4); clarinet, electric piano, glockenspiel, melodica, lap steel guitar (track 8); back vocals (tracks 1, 2, 3, 6)
John Tian Chi Wardle – drums (tracks 1, 4, 7)
Gilberto Giannacchi – drums (tracks 2, 5, 6)
Izumi Karaage – drums (tracks 3, 8)
Keiko Yamazaki – backing vocals (track 1)
Anthony Hopkins – keyboards (track 4)
Produced by Jah Wobble & Jon Klein
Engineered & mixed by Jon Klein at Tuned In Studio & Ground Control
Mastered by Anthony Chapman
Cover artwork & design by Jah Wobble
Released by Dimple Discs - Barcode 5052571225325
Vinyl catalogue ID #DEEDEE081LP / CD catalogue ID #DEEDEE081CD
Live photos byFergus Kelly / Room Temperature
Other photos byPeter McDowell
Publicity by Shameless Promotion PR

HELLRIPPER Launches Raucous New Anthem, "Blakk Satanik Fvkkstorm," New Album 'Coronach' Out TODAY

Scotland's ibex-obsessed blackened thrash bastard of Hades, otherwise known as HELLRIPPER, is pleased to finally release his latest offering, 'Coronach,' today via Century Media Records! In celebration, HELLRIPPER is now sharing a lyric video for the raucous anthem, "Blakk Satanik Fvkkstorm." The video was created by Cloud Motion Design and can be found below.

HELLRIPPER mastermind James McBain says of the album, “‘Coronach’ is a personal exploration of Scottish Culture — its music, literature, history & folklore. The album is the culmination of 3 years of hard work, and is a project that totally consumed me. From Pictish mysteries to Victorian Gothic literature, sinister lore, classic Scottish poetry and modern urban tales, the album tells stories of the country throughout the ages.

"Inspired by anything and everything from Venom and Mercyful Fate, to Watain and Opeth, to Manic Street Preachers, film scores and traditional Scottish music, the album is a good representation of myself all wrapped up in a nice speed metal package!

"Quite a bit of experimentation went into this album, and I wanted each track to contain something that I had never done previously. Whether it be the inclusion of a different instrument, or how a song begins, I aimed to offer some element of surprise in each track.

:The album, named after the vocal lament traditionally sung at funerals in the Scottish Highlands, encompasses everything the band is about: mixing modern and old-school influences, past and present storytelling, the dark side of Scottish history and my personal interpretation of it.

"As always, the writing and recording took place in my home studio, with various other people putting their stamp on a few of the tracks. The album was mixed by myself, and was mastered by Damian Herring at Subterranean Watchtower Studios and the artwork was done by Adam Burke (Nightjar Illustration).

"Fàilte gu Alba - Welcome to Scotland!"

In regards to the new single, McBain adds "'Blakk Satanik Fvkkstorm' is “a tale of witchcraft and possession set in a bleak moorland village inspired by Victorian Gothic Literature - particularly the ghost story of 'Thrawn Janet' by Scottish author Robert Louis Stevenson. Lyrically, to match the vibe and energy of the track, I wanted my interpretation of the tale to feel like an 80's horror film. This is perhaps the most "full-on" track on the album, and that's reflected in its shorter length. It's motor-charged, black 'n' roll in the vein of Venom, with a dose of classic heavy metal for good measure!”.

'Coronach' has been released worldwide on March 27, 2026 via Century Media Records, making it his debut to the label! 'Coronach' can be streamed, downloaded, or ordered HERE.

In addition, Hellripper will soon embark on European headline tour alongside Schizophrenia and Sarcator to promote 'Coronach.' He will also appear on a number of festivals this year and has also announced a string of support shows for thrash metal legend Testament in Spain and France. The full itinerary can be found below while tickets can be found HERE.

Enter the GOAT KVLT HERE.

The brainchild of guitarist/vocalist/solitary force, James McBain, Hellripper has been running like a denim-vested, backpatch-encrusted William Wallace, bravehearting his way through metal's bloodiest battlefields since first coagulating his personal darkness in 2014. Taking armaments from “Kill 'Em All” era Hetfield and “Welcome to Hell” era Mantas, McBain has immersed his fascination with darkness and speed with Scottish history and come with bloody masterpieces like 2023's “Warlocks Grim & Withered Hags” that Metal Injection stated: "Bursts with growth and a mature exploration of darkness and eeriness while maintaining that original high-octane burning”. McBain is presently sharpening his blades and casting new spells that will transmogrify into Hellripper's Century Media debut “Coronach”.

Hellripper Lineup:

James McBain – All Instruments & Vocals

Hellripper live and video performance line-up:

James McBain – Guitar & Vocals

Joseph Quinlan – Guitar

Andy Milburn – Bass

Max Southall – Drums

Album credits:

Recorded and mixed by Hellripper’s James McBain at Coronach Studios in Scotland, UK

Mastered by Damien Herring at Subterranean Watchtower Studios in the USA.

Cover Artwork: Adam Burke / Nightjar Illustration

Formats:

Jewelcase CD

Digital Album

LP (formats below):

- “Black Cuillin” LP on black vinyl (Unlimited, available in Europe)

- “Wild Thistle” LP on transp. magenta vinyl (Ltd. to 400x copies, available from UK retailers and Hellripper)

- “Saltire” LP on blue vinyl (Ltd. to 300x copies, available from selected German & Austrian retailers and from Hellripper)

- “Highland Mist” LP on grey vinyl (Ltd. to 1000x copies, available from Hellripper)

- “Baobhan Sith” LP on transp. forest green vinyl (Unlimited, available in the USA)

- “Granite City” LP on electric smoke colored vinyl (Ltd. to 500x copies, available in the USA)

- “Bean Nighe” LP on ultra clear vinyl (Ltd. to 300x copies, available in the USA from Hellripper)

Pre-order // pre-save: https://hellripperband.lnk.to/Coronach-AlbumID

Links:

Website

Instagram

YouTube

Spotify

TikTok

Discord

Twitch

Facebook

LED BY VULTURES THE BRAND NEW LOS ANGELES BAND FRONTED BY BRIAN TICHY RELEASES DEBUT SINGLE AND VIDEO "GET IT RIGHT" THROUGH DEKO ENTERTAINMENT

Led By Vultures, the new Los Angeles based heavy rock band fronted by Brian Tichy has come together over the past year to record its powerful, uncompromising, undeniable brand of heavy music. With that comes 12 songs dominated by loud guitar, massive drums, big riffs, killer grooves, aggressive vocals, and a feeling of flying through a tornado!

The recording process began as an organic, exciting, challenge for Tichy but soon became an all-consuming obsession to serve the songs and sounds with all his being and abilities. Their highly anticipated first single and video “Get It Right” is out now via Deko Entertainment and as Tichy explains, “Get It Right, in all its simplicity and basic power, just seemed like the right song to release first! I’ll always be a fan of a band driving home a heavy guitar riff! Like all the bands that have inspired me, it’s a great way to get a party started!”

Listen here: https://push.fm/ps/340jhpkd

Their video is equally energetic and in your face like a hard rocking basement house party on steroids and features Tichy along with drummer Shane Hawkins and bassist Brent Woods.

Watch below:

Led By Vultures is all about serving the song, the groove and the power it possesses. Stay tuned for details on the upcoming full release due out later this year. For more information, visit: https://www.dekoentertainment.com/inthesquare/led-by-vultures
 

www.dekoentertainment.com
Deko Entertainment–Art Has Value

Hard Rock Band Bastion Rose Releases Psychological New Single "I" ​    

BLOOMINGTON, IN –Continuing their ascent into the vanguard of modern heavy music, cinematic hard rock outfit Bastion Rose has announced the release of their introspective single "I." The track serves as the next single from the band’s third chapter, Blue Rising.

 

Following their recent singles, "Dust" and "Bones," "I" turns the lens inward. The track explores the violent necessity of personal evolution. Driven by a sophisticated rhythmic pulse and soaring, melodic hooks, the song captures the moment a "calloused" spirit finally decides to break.

 

“The song is a dialogue with the parts of ourselves that prefer to stay as stone because change is terrifying,” says frontman Austin Frink. “We often stay the same because it’s safe, but 'I' is about that breaking point—the moment you realize you have to liquefy your old self to break through the stone and finally grow. It’s about moving beyond the 'commotion inside' to become something more.”

 

Blue Rising represents a bold new evolution for the band as Bastion Rose continues to build on the world-class sonic architecture established in their previous works. The band’s debut EP, Fade To Blue, and their powerhouse full-length, Traces of Gold, were both produced by three-time Grammy-winner David Bottrill (Tool, Muse, Rush). That collaboration set a high bar for the band’s technical, progressive arrangements and raw, alternative metal energy—a standard that remains the heartbeat of their new material.

 

The release of "I" finds Bastion Rose at an all-time high, with over 2 million streams across their catalog and a global YouTube community of 60,000 subscribers. The band is currently striking while the iron is hot, promising a steady stream of music for their rapidly expanding fanbase.

 

“We have so much music ready to share with the world right now,” Frink adds. “Blue Rising is just the next chapter of a very prolific phase for Bastion Rose. We aren't interested in slowing down.”

 

"I" is available on all major streaming platforms as of March 27, 2026.

STREAM "I" 

https://linktr.ee/bastionrose

Based in Bloomington, Indiana, Bastion Rose has emerged as a high-caliber hard rock project born from a pursuit of light within the darkness. Their sound is a sophisticated collision of post-grunge grit and alternative metal intensity, defined by potent, intelligent guitar work, ethereal soundscapes, monumental riffs, and powerful, impassioned vocals and lyrics. It is a sonic identity that caught the attention of three-time Grammy Award-winning producer David Bottrill. Known for his work with legendary visionaries like Tool, Godsmack, Muse, Peter Gabriel, and Rush, Bottrill describes Bastion Rose as a "new embodiment of classic heavy rock... the sounds, the tones, everything. They are reverential to the style of music from the past, bringing it into the modern world."

 

Bottrill’s involvement provided the blueprint for Bastion Rose’s world-class production standards. From the debut EP Fade To Blue to the full-length powerhouse Traces of Gold, the collaboration resulted in a sound that is both polished and visceral—music that balances the technical, rhythmic intelligence of Tool with the riff-centric, soaring melodic energy of Audioslave. This cinematic depth is not a studio trick; it is a reflection of a journey through hardship. The creative mission is inextricably linked to the personal story of Austin Frink, who navigated a period of staggering loss, including the sudden deaths of both parents and a cancer diagnosis that threatened to permanently silence his singing voice. Frink turned his pain and survival into a universal message. His lyrics explore the heavy themes of existence, hope, and the fleeting nature of life, transforming personal tragedy into a rallying cry for resilience.

 

The world has taken notice of this ascent. In less than a year, Bastion Rose has experienced a meteoric rise, with a catalog surpassing 1.5 million streams and a global community of 60,000 YouTube subscribers and 36,000 social followers standing behind them. With critical acclaim from industry pillars like SPIN Magazine, Metal Hammer, and Classic Rock Magazine, Bastion Rose has scaled from a studio project into a market-ready force. Striking while the iron is hot, the band is currently unveiling their next prolific chapter: Blue Rising. Spearheaded by the haunting single, "Dust," the record is a philosophical exploration of transience. As Traces of Gold continues to dominate playlists, Blue Rising serves as a clear indicator of the band’s relentless creative pace. For those seeking music that is emotionally resonant and sonically massive, Bastion Rose is the essential melodic voice in the new era of heavy music. 

Bastion Rose:
Austin Frink: Vocals and Guitar
Austin Mudd: Guitar
Steve Pierce: Bass
John Donlon: Drums
Barrett Abraham: Keys

For More Information Please Visit:

Official Website

Instagram

Facebook

YouTube

JON ANDERSON AND THE BAND GEEKS Announce Shows in Poland & France

Today, JON ANDERSON AND THE BAND GEEKS announce the final 3 shows of their 2026 world tour. The new shows on sale today are October 8th in Poznan, Poland, at Sala Ziemi, October 10th in Zabrze, Poland, at Dom Muzyki I Tanca, and October 13th in Paris, France, at Bataclan. These follow the previously announced 22 U.S shows and the 13 UK/Sweden shows.



JON ANDERSON AND THE BAND GEEKS are currently in production of their second studio album following 2024’s 'TRUE.' In 2025, they released the live album 'Perpetual Change.'

Dates for the 2026 Tour:

 

US Leg 1:

April 17 - Ridgefield, CT @ Ridgefield Playhouse

April 19 - Ridgefield, CT @ Ridgefield Playhouse

April 21 - Patchogue, NY @ Patchogue Theatre

April 23 - Red Bank, NJ @ Count Basie Theatre

April 26 - Rochester, NY @ Kodak Center Theater

April 28 - Hershey, PA @ Hershey Theater

April 30 - Landsdowne, PA @ Landsdowne Theater

May 02 - Landsdowne, PA @ Landsdowne Theater

May 05 - Troy, NY @ Troy Savings Bank Music Hall

May 07 - Royal Oak, MI @ Royal Oak Theatre



US Leg 2:

June 23 - Phoenix, AZ @ Celebrity Theater

June 25 - Anaheim, CA @ Grove of Anaheim

June 27 - Thousand Oaks, CA @ Fred Kavli Theater

June 30 - San Jose, CA @ San Jose Civic

July 3 - Monterey, CA @ Golden State Theater

July 5 - Napa, CA @ Meritage Resort and Spa

July 8 - Denver, CO @ Paramount Theater

July 11 - St. Louis, MO @ The Factory

July 15 - Cleveland, OH @ Agora Theater and Ballroom

July 17 - St. Charles, IL @ Arcada Theater

July 19 - Des Plaines, IL @ Des Plaines Theater

July 22 - NYC @ Palladium Times Square

 

UK & Europe:

Sep 6 - Brighton @ Dome

Sep 8 - Portsmouth @ Guildhall

Sep 10 - Oxford @ New Theatre

Sep 13 - Nottingham @ Royal Concert Hall 

Sep 15 - Birmingham @ Symphony Hall

Sep 17- Bath @ Forum

Sep 20 - London @ Palladium

Sep 22 - Liverpool @ Philharmonic

Sep 26 - Manchester @ Opera House

Sep 28 - Glasgow @ Royal Concert Hall

Oct 1 - Gateshead @ Glasshouse

Oct 3 - Stockholm @ Cirkus

Oct 5 - Malmö @ Slagthuset

Oct 8 - Poznan @ Sala Ziemi

Oct 10 - Zabrze @ Dom Muzyki I Tanca

Oct 13 - Paris @ Bataclan

For more information:

Jon Anderson’s official website HERE

Band Geek official website HERE

Jon Anderson YES Epics and Classics:

Website HERE

Facebook HERE

Twitter – @JonYesEpic

Instagram – @jonandersonyesepicsandclassics

TikTok – @JonAndersonYESEpic

YouTube HERE

Introducing End Eve + Artist Shares "Empty Promises" Video

END EVE is a Miami-born artist of Colombian and Italian heritage, raised between Miami and Colombia. She started performing at a young age through musical theatre and ballet, influenced by her grandmother, who often played opera and classical music at home. Music was always a constant in her life and became something she naturally gravitated toward.

Today, she shares the video for her dreamily gothic and darkwave-like new single "EMPTY PROMISES."

Watch it below.

"'Empty Promises' was born from that push and pull space where desire and detachment blur together," the artist says. "It tells the story of someone who learned to leave before being left, turning heartbreak into a kind of armor, and love into a game she controls. There is power in it, but also a quiet hint of longing beneath the surface, like she is still waiting for someone to finally prove her wrong."

Regarding the accompanying music video, END EVE says, "It is meant to feel hypnotic. The flashing red lights, moody atmosphere, and shiny details create a looping energy that mirrors the push and pull of the song, capturing that moment when promises start to lose their meaning but you still find yourself pulled back into the same cycle."

END EVE grew up listening to heavier bands like Korn, Marilyn Manson, and Linkin Park, while also loving pop artists like Britney Spears and Christina Aguilera. That mix of influences helped shape her sound and the kind of artist she wanted to become. She later worked in Mexico City as a musical theatre actress before moving to Los Angeles to study music and begin her solo project, END EVE. Over time, she started developing a style that brings together strong pop melodies with the heavier elements of metal and alternative. Her project is built around combining the structure and catchiness of pop with the weight and edge of heavier music. END EVE focuses on creating songs that feel direct, personal, and driven by both sides of her musical background.

END EVE is newly signed to Roux & Ruin Records.

Hardcore Torchbearers Pro-Pain Drop Second Single + Video "March Of The Giants"

Hardcore torchbearers PRO-PAIN share "March Of The Giants," the second single off their long-awaited album Stone Cold Anger, out May 15 via Napalm Records. With their first album in 11 years, the New York legends — rising alongside Madball, Agnostic Front, and Sick Of It All — prove that they stayed on top of their heavy game throughout the years. "March Of The Giants" is David vs. Goliath—the pursuit of triumph over fear. With it, PRO-PAIN capture a story present throughout history: The oppressed versus the oppressors, a plutocratic class keeping a tight grip on everyone else. With added elements of oligarchy and technocracy, the scale of what the ordinary person is up against becomes even clearer. The impressive "March Of The Giants" shows PRO-PAIN continuously stoking up the fires in politically dark times, kicking down doors 35 years into their career.

The video for the new song was filmed in Belgium—specifically in Mons and Charleroi—and directed by Ludo Colapietro for COLAFILMSTUDIOS.

Watch the Official Music Video for "March Of The Giants" BELOW:

Gary Meskil about "March Of The Giants":
"The second single from our upcoming album, Stone Cold Anger, is 'March Of The Giants' — a song about standing tall and moving forward together to challenge oppressive forces and create real change. It was the first track completed for the new album, written with assistance from Eric Klinger and our former guitarist, Matt Sheridan."

Rhythm guitarist Eric Klinger adds:
"We are thrilled that our previous single was so well received, and we hope you equally enjoy this one. Thank you all for the overwhelming support!"

Legendary New York hardcore juggernauts PRO-PAIN make their debut on Napalm Records with their 16th studio album, Stone Cold Anger, out on May 15. Their first release in 11 years showcases the band's explosive energy in its purest form: Stone Cold Anger unfolds heavy, angry, and ready as ever—proving PRO-PAIN haven't lost even an ounce of strength. An exceptionally catchy offering, the new album fortifies its groovy melodies and stirring guitar riffs with furious and inciting, anthemic vocals, turning the ten new songs into worthy follow-ups to their 3.5mm stream hit "Voice of Rebellion" (2015).

Stone Cold Anger is an enthralling, memorable, and triumphant milestone for PRO-PAIN, and an impressive demonstration of power. See you in the pit!

Gary Meskil about Stone Cold Anger:
"Thank you to our fans worldwide for 35 years of unwavering support. After a decade away from the recording studio, we return with Stone Cold Anger — an album forged from global tension and the rising demand for accountability."

Order your copy of Stone Cold Anger NOW.

The highly-anticipated new album (which features the return of former guitarist Eric Klinger) opens up with the punishing "Oceans Of Blood," an energetic and captivating track which confirms once again that the hardcore icons have not lost one bit of their relentless anger in the last 35 years. The title track abruptly commences with soaring melodic guitars acting as sirens around front man and bassist Gary Meskil's commanding barks. Aptly named "March Of The Giants" is just that, a show of brute force layered upon an ever-so-heavy groove-laden foundation. "Uncle Sam Wants You!" displays a more rock 'n' roll attitude, complete with a driving bass line and distinct social commentary; the raw and honest vibe continues throughout "Demonic Intervention" and "Rinse & Repeat."  Meskil's raspy shouts fill the melodies of "Hell Or High Water" before PRO-PAIN forge onward and into the anthemic "Scorched Earth" — fiercely belting "And so it begins…" The following track, "Jonestown Punch," galvanizes with stirring, up-tempo two-steps before "Sky's The Limit" rounds off the album with catchy sing-along choruses. 

PRO-PAIN ARE:
Gary Meskil — Bass + Vocals
Jonas Sanders — Drums
Greg Discenza — Lead Guitar
Eric Klinger — Rhythm Guitar

ONLY HUMAN Premiere Inventive Debut Album Planned Obsolescence

ONLY HUMAN are already on the brink of a major discovery with their debut album. On Planned Obsolescence, the Danish upstarts invent an existential form of prog metal that speaks to our not-too-distant dystopia.

Planned Obsolescence comes out tomorrow, Friday, March 27 on Season of Mist, but you can hear all eight inventive songs today by listening to the full album stream on the Season of Mist YouTube channel.

Listen Below:

“The album is supposed to wake people up to all the ways technocracy is encroaching on society”, Only Human vocalist Patrick Grønbæch Christensen says. “Tech companies often design their products to have an expiration date, so that we’re forced to replace them with the newest model. Through our social media and the adoption of influencer culture, we now live in a reality where humans are products to be consumed and disposed of”.

Pre-order & Pre-save

https://orcd.co/onlyhumanplannedobsolescence

Concept albums are standard issue for metal, especially in the prog space. But when the five members of Only Human first put their heads together in 2023, they decided to build the very human fabric of the band around one increasingly prescient idea.

“We like a lot of bands that just play rock music, but we wanted ONLY HUMAN to be about something”, Christensen says. “We’re interested in creating a musical universe that portrays a future on the brink of collapse”.  

Planned Obsolescence reckons with technology’s increasingly hostile takeover. “Techno Fascist” comes crashing down amidst a turbulent downstream of low-tuned chugs. The intrusion of beats, blips and synthetic swirls into the heavy mainframe of “Breach” mirrors not only how technology has seeped into our everyday lives but also the looming threat that it poses in rendering humans obsolete.  

While Planned Obsolescence is full of existential dread, that doesn’t mean the album leaves us no hope. There’s nothing broken or even outdated about Only Human. The band’s fusion of heavy polyrhythmic grooves, anthemic hard rock and haunting electronic soundscapes hits like a deep breath of fresh air. “Defy and learn to walk again”, commands blood-pumping lead single “Automata”.

“When the world is going badly, the reason is because people gave up”, Christensen concludes. “Things aren’t hopeless. We can absolutely fight back. Hopefully, this album gets people to think about valuing humanity over profit”.

On Planned Obsolescence, Only Human invent existential prog metal for our dystopian future.  

Catch ONLY HUMAN live and in the flesh during their upcoming record release show, as well as at Sweden Rock Festival and Naestved Metalfest.

ONLY HUMAN Live in 2026

May 2 - Copenhagen, DK @ Rust (Record Release Show)

June 3-6 - Sölvesborg, SE @ Sweden Rock Festival

August 27-29 - Næstved, DK @ Næstved Metalfest

September 5 - Grindsted, DK @ Metalbox Festival

November 7 - Hjortshoj, DK @ Viruphuset (with Cold Night for Alligators)

“When the world is going badly, the reason is because people gave up”, Christensen concludes. “Things aren’t hopeless. We can absolutely fight back. Hopefully, this album gets people to think about valuing humanity over profit”.

Lineup
Patrick Grønbæch Christensen- Vocals
Martin Hastrup - Guitars
JaCK Kijne - Guitars
Andreas Pröll - Drums
Guillaume Blanjean - Bass

Recording, Mixing and Mastering Studio
Only Human Studio

Production Credits
Producer & Sound Engineer - Patrick Grønbæch Christensen
Mixing Engineer - Patrick Grønbæch Christensen
Mastering Engineer - Patrick Grønbæch Christensen (Digital and CD), Brett Caldas-Lima (Vinyl)

Cover Art
Guillaume Blanjean

Pre-order & Pre-save

https://orcd.co/onlyhumanplannedobsolescence

Available Formats
CD Digipack
12" Vinyl Jacket (Black)
12" Colored Vinyl (Transparent red with black and white splatters)
12" Colored Vinyl (Transparent red and black marbled)


Follow Only Human
Official Website: https://onlyhuman.band/
Bandcamp: https://onlyhumandk.bandcamp.com/
Instagram: https://www.instagram.com/onlyhumandk/
Facebook: https://www.facebook.com/OnlyHumanDK
Apple Music: https://music.apple.com/dk/artist/only-human/1742337573
Spotify: https://open.spotify.com/artist/11Cl9Vdw4xGPUMtcurjgg1
Youtube: https://www.youtube.com/@onlyhumandk