Dirty. Groove. Rock. Crobot Unleash High-Octane New Single “Foot Off” From Upcoming Album Supermoon

With “Foot Off,” CROBOT doubles down on the groove that made them dangerous in the first place. The track plows forward on a bluesy bone tingling riff and a chorus built to cut through the roar of a vintage American muscle car. It’s a full-throttle return to the band’s Dirty Groove Rock roots—raw, electrified, and impossible to ignore.

Hard rock powerhouse CROBOT is back with a thunderous new single, “Foot Off,” offering fans another taste of the band’s upcoming album Supermoon. Known for their signature blend of groove-heavy riffs, explosive energy, and undeniable swagger, CROBOT once again proves why they remain one of the most electrifying bands in modern rock.

“Foot Off” hits like a runaway freight train from the opening riff, combining crunchy guitar work, pounding drums, and the unmistakable powerhouse vocals of frontman Brandon Yeagley. The track delivers an adrenaline-fueled anthem built around the idea of pushing forward without hesitation—never slowing down and never taking your foot off the gas.

"Foot Off" puts us right back in the driver's seat of charging our way through open highways at break neck speed with our destination set to our Dirty Groove Rock roots. This one is for the fans that have been with us from the beginning and fans that want to know exactly what we're all about - still after 15 years of being a band." 

- Brandon Yeagley

“It’s somewhere between ZZ Top, Aerosmith, and Clutch. Right where I like to be baby. I’m happy we are back to funkin’. Ever since I was a wee little boy, that’s what’s always got my

motor running.” - Bishop

Lyrically, the song channels themes of determination, rebellion, and relentless drive. It’s a track that captures CROBOT'S high-energy spirit while encouraging listeners to keep charging ahead no matter the obstacles in

their path.

BIG ASS TRUCK I.E. RELEASES NEW SINGLE 'PUSHED BEYOND THE BRINK’

Breakout hardcore wrecking crew BIG ASS TRUCK I.E. have returned with a brutal new single, ‘PUSHED BEYOND THE BRINK,’ out now via Nuclear Blast Records.

BIG ASS TRUCK I.E.’s eagerly awaited follow-up to late 2025’s pit anthem “BACK WHEEL STOMP,” is the sound of pure mayhem; a runaway freightliner as it barrels through earholes on a path of sonic destruction.

Commenting on the track the band says:

“We’re super stoked for this track! This idea had been in the tank for a while and we were all very excited to finally bring it to fruition. The KILLDOZER is a legendary vehicle/event and id like to think we did it justice in showing how maniacal that whole situation was/is. We’re hoping this track can resonate with anyone else who feels life is just punching down on you everyday.”

BIG ASS TRUCK I.E. is currently en route through Europe delivering their ferocious music to the masses with BODYSNATCHER and PSYCHO FRAME.

Stream ‘PUSHED BEYOND THE BRINK’: https://bigassmftruck.bfan.link/pushed-beyond-the-brink

‘PUSHED BEYOND THE BRINK’ MUSIC VIDEO BELOW:

About BIG ASS TRUCK I.E.:

Born in the Inland Empire. Fueled by diesel and bad decisions.

2000 horsepower breakdowns. 12-ton riffs. Anyone in the way catches the back wheel stomp.

Not a band. A wrecking crew on bald tires.

BIG ASS TRUCK I.E. isn’t here to partake in hardcore. It’s here to run it over, back it up, and run it over again.

Big riffs. Big energy. BIG ASS TRUCK.

Follow BIG ASS TRUCK I.E.:

Instagram | X | Bandcamp | Spotify | Apple Music

SABATON RELEASE BATTLE-READY NEW SINGLE + MUSIC VIDEO "YAMATO" IN PARTNERSHIP WITH WORLD OF WARSHIPS

Making another major move and breaking down walls once again, the Swedish masters of heavy metal Sabaton have joined forces with leading historically accurate naval multiplayer game, World of Warships, and released a brand new single and music video entitled "Yamato" — available in-game and on all DSPs now. It is being released by BETTER NOISE MUSIC on the heels of 2025'sLEGENDS, which marked Sabaton's first album for the label. "Crossing The Rubicon" (Feat. Nothing More) from the album was also the band's first-ever Top 10 single on the Billboard Rock Chart.

This song notably marks the second World of Warships collaboration between the band and developer Wargaming following the mega-popular "Bismarck."  For the first time, a Sabaton-branded Yamato is also available in World of Warships in addition to dialogue by vocalist Joakim Brodén and bassist Pär Sundström. Along with different bespoke items in game, Joakim Brodén can take the helm of the ship while the standard battle soundtrack replaced by “Yamato” or “Bismarck”, transforming every engagement into an epic metal experience.

Watch the official video Below.

Stream "YAMATO" HERE.

As history will tell you, "Yamato" was the name of a massive Japanese battleship constructed in-secret and unveiled during 1941 as the most dominant vessel of its kind. Designed to win at naval warfare, it represented the ultimate floating symbol of strength. In 1945, it famously hit the high seas on a suicide mission to defend Okinawa. Despite ceaseless fire from aircraft above and an opposing fleet of a far greater number on the water, the "Yamato" and its crew never gave up. Instead, they literally battled until the bitter end when a huge explosion rendered a deathblow to the ship. It sank in a blaze of glory…

As part of the alliance with World of Warships and Wargaming, the band filmed the accompanying music video in Belgrade, Serbia last October. Quite fittingly, it depicts Sabaton aboard the titular ship during its last stand, descending into the unforgiving ocean as the band hangs on for dear life. Waves consume the deck, but each member keeps playing his instrument even as the chaos swallows the guys up one-by-one.

Testing their mettle in real-life, the musicians faced brutally frigid temperatures, weathering a continuous blast of ice-cold water for the duration of the shoot. The band remained submerged in freezing waters with the help of ventilators. Pushing it to the max, the guys even wore weights beneath their stage clothes to truly evoke the sensation of sinking. Maintaining the highest level of safety protocol, professional divers assisted Sabaton throughout.

SABATON LIVE:
9/23 — Halifax, NS — Scotiabank Centre
9/25 — Laval, QC — Place Bell
9/27 — Toronto, ON — Great Canadian Casino Resort Toronto
10/1 — Winnipeg, MB — Burton Cummings Theatre
10/2 — Winnipeg, MB — Burton Cummings Theatre
10/4 — Edmonton, AB — Edmonton Convention Centre
10/5 — Calgary, AB — Grey Eagle Event Centre
10/7 — Vancouver, BC — PNE Forum
11/6 — Dallas, TX — South Side Ballroom
11/7 — Houston, TX — 713 Music Hall
11/8 — San Antonio, TX — Boeing Center at Tech Port
11/11 — Phoenix, AZ — Arizona Financial Theatre
11/12 — Los Angeles, CA — Hollywood Palladium
11/14 — Wheatland, CA — Hard Rock Live
11/17 — Salt Lake City, UT — The Union Event Center
11/18 — Loveland, CO — Blue FCU Arena
11/20 — Omaha, NE — Steelhouse Omaha
11/21 — Milwaukee, WI — Landmark Credit Union Live
11/22 — Minneapolis, MN — The Armory
11/24 — Chicago, IL — The Salt Shed
11/25 — Des Moines, IA — Vibrant Music Hall
11/27 — St. Louis, MO — The Factory
11/28 — Cincinnati, OH — The Andrew J. Brady Music Center
11/29 — Detroit, MI — The Fillmore Detroit
12/1 — Boston, MA — MGM Music Hall at Fenway
12/2 — Philadelphia, PA — The Met
12/5 — Virginia Beach, VA — The Dome by Rutter Mills
12/6 — National Harbor, MD — The Theater at MGM National Harbor
12/8 — Atlanta, GA — Coca-Cola Roxy
12/11 — Orlando, FL — Hard Rock Live 
12/12 — Fort Lauderdale, FL — War Memorial Auditorium 

Stay tuned for more news and announcements from Sabaton coming soon.

ATAVISTIA Present New Single “Seeker of Time", Ahead of The Upcoming Album Old Gods Awaken

ATAVISTIA embrace an adventurous spirit in the magical new single "Seeker of Time". Accompanied with a lyric video this is the latest offering to land ahead of the forthcoming album Old Gods Awaken, set for release on May 15th, 2026 via Blood Blast Distribution.

Leaning further into folk metal realms, ATAVISTIA's new compositions delve into an array of folk tales and fantasy-led themes. “'Seeker of Time' is our first song to not be written in the 1st person perspective". The band reveal. "It tells the story of a sorcerer’s pursuit of time."

Musically, this track delivers a shorter and sharper impact driven primarily by a riff-focused structure. It's powerful and explosive while remaining characterful as ATAVISTIA seamlessly blend folk metal with a blackened edge. The narrative behind "Seeker of Time" is aptly portrayed through the instrumental arrangements, along with the wider themes of Old Gods Awaken, to ensure the effect is one that is fully immersive. 

"Seeker of Time" follows the celebratory mood of their first single "Mystic Tavern", presenting fans with a further glimpse into the alluring world of Old Gods Awaken.

Due out May 15th, 2026, Old Gods Awaken runs 43 minutes and 21 seconds and represents the uplifting first chapter of a two album concept. Incorporating Swedish and Finnish lyrics for the first time in the band’s catalog, the album draws from Nordic heritage and mythic atmosphere while delivering some of ATAVISTIA’s most memorable hooks to date. From tavern revelry to forest mysticism and epic progressive climaxes, the record marks a confident evolution in their sound.

With “Mystic Tavern” and "Seeker of Time" now unleashed, ATAVISTIA invite listeners to step inside, raise a horn, and prepare for the awakening.

ATAVISTIA lineup:

Mattias Sippola - Guitar, Vocals, Composition, Production
Max Sepulveda - Drums, Engineering
Elia Baghbaniyan - Guitar
Spencer Budworth - Bass, Vocals

LAINEY WILSON’S NEW SONG “CAN’T SIT STILL” OUT NOW

16x ACM, 12x CMA and Grammy Award-winner Lainey Wilson’s new song, “Can’t Sit Still,” is out today via BBR Music Group/BMG Nashville. Listen Below.

Written by Wilson, Trannie Anderson, Aslan Freeman and Dallas Wilson, “Can’t Sit Still” is a snapshot of Wilson’s life as an unstoppable global superstar. Filled with restless energy, the track arrives during a period of non-stop activity for Wilson, as she makes her film acting debut in Universal’s adaptation of Colleen Hoover’s Reminders of Him (out today), was recently selected as one of USA Today’s 2026 Women of the Year, and is the subject of a new in-depth documentary, Lainey Wilson: Keepin’ Country Cool, set for release April 22 on Netflix, following its premiere at SXSWnext week. Wilson will also perform at the iHeartRadio Music Awards on Thursday, March 26, where she is nominated for Country Artist of the Year and Favorite Tour Tradition.

An electric live performer, Wilson just wrapped the final leg of her extensive Whirlwind World Tour and will continue to tour through this summer including headline sets at Stagecoach, JazzFest and Windy City Smokeout as well as select stadium dates with Chris Stapleton. See below for the complete tour itinerary.

“The reigning current standard-bearer for women in country” (Variety), Wilson is in the midst of yet another monumental year. This past fall, she hosted the 59th CMA Awards (the first solo female host since Reba McEntire in 1991), where she also won three awards: Entertainer of the Year, Female Vocalist of the Year and Album of the Year (Whirlwind). She also released the deluxe version of her acclaimed album, Whirlwind, in August, which features five additional tracks, including her #1 single, “Somewhere Over Laredo.”

The Grand Ole Opry member is a prolific, sought-after songwriter, who has scored nine #1 hits including “4x4xU,” “Wildflowers And Wild Horses,” “Watermelon Moonshine” and the 2x PLATINUM Certified “Heart Like A Truck,” in addition to award-winning collaborations with Cole Swindell (“Never Say Never”), Jelly Roll (“Save Me”) and HARDY (“wait in the truck”). Moreover, Wilson has collaborated with artists such as Reba McEntire, Miranda Lambert, Dolly Parton and Post Malone, made her acting debut in Paramount’s hit television series, “Yellowstone,” and recently launched her fifth collection with Wrangler, as well as her own boot (Golden West Boots) and jewelry lines (The Lainey Wilson Jewelry Collection). 

LAINEY WILSON CONFIRMED TOUR DATES
March 19—Houston, TX—Rodeo Houston
March 20—Thackerville, OK—WinStar World Casino & Resort
March 21—Thackerville, OK—WinStar World Casino & Resort
April 10—Florence, AZ—Country Thunder Arizona
April 11—Laughlin, NV—Laughlin Event Center
April 25—Indio, CA—Stagecoach 2026
May 1—New Orleans, LA—New Orleans Jazz & Heritage Festival
May 23—Nashville, TN—Nissan Stadium*
June 13—Tampa, FL—Raymond James Stadium*
June 20—Charlotte, NC—Bank of America Stadium*
June 28—Calgary, AB—Country Thunder Alberta
July 10—Chicago, IL—Windy City Smokeout
July 12—Craven, SK—Country Thunder Saskatchewan
August 1—Cincinnati, OH—Paycor Stadium*
August 6—Detroit Lakes, MN—WE Fest
August 7—Oshkosh, WI—Xroads41
August 8—Detroit, MI—Ford Field*
August 9—Canton, OH—Concert for Legends
August 12—Sturgis, SD—The Sturgis Buffalo Chip
August 15—Springfield, IL—Illinois State Fair
August 16—Des Moines, IA—Iowa State Fair
August 21—Atlanta, GA—Mercedes-Benz Stadium*
*with Chris Stapleton

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | X | FACEBOOK

COLIN STOUGH TAKES ON HARD LESSONS EARLY WITH “21 YEAR OLD MAN BLUES”

Mississippi native Colin Stough digs deeper into the weight of growing up too fast with his gripping new release, “21 Year Old Man Blues,” available now. Listen Below.

Written by Stough alongside Brandon Hood and Marc Beeson and produced by Hood, the track captures the restless tension of youth carrying consequences beyond its years. Set against a gritty, Delta-inspired backdrop, “21 Year Old Man Blues” blends swampy guitar tones, sparse but driving rhythm, and Stough’s signature gravel-edged vocal to deliver a sound steeped in the raw, lived-in spirit of his home state.

“‘21-Year-Old Man Blues’ is about being a young fella and feeling the old man blues,” Stough shares. “It’s about constantly feeling like you're running from something. Brandon Hood and I wrote the song and two days later we were cutting vocals on it. I told him I wanted it to sound like Mississippi with the instrumentation and he absolutely nailed it.”

Through vivid storytelling that moves from Tupelo to the Delta and out onto the open road, the song follows a young man wrestling with mistakes, expectations, and the heavy cost of living wild. It’s a stark, cinematic portrait of reckoning and survival, and another example of Stough’s ability to turn hard truths into compelling, no-frills country storytelling.

With a skinned-raw delivery and an instinct for songs rooted in real life, Stough continues to build momentum as one of the genre’s most authentic emerging voices. He will continue releasing new music and connecting with fans on the road throughout 2026.

About Colin Stough

Born and raised on the Mississippi-Alabama line, 21-year-old Colin Stough was brought up on Southern rock and second chances. A self-taught guitarist and gravel-voiced storyteller influenced by The Allman Brothers, Conway Twitty, and Koe Wetzel, he first picked up a guitar at age eight, later trading prized possessions for a pawn shop acoustic he still plays today. After high school, he worked full-time as an HVAC tech until his mom pushed him to audition for American Idol Season 21. That leap launched a life-changing ride, including a standout third-place finish, a deal with 19 Recordings/BMG Nashville, and breakout songs like “Sober,” “’Til The Day One Does,” and the hard-edged anthem “White Trash.” With a skinned-raw vocal and lyrics carved from lived experience, Stough has built a loyal following of more than 800k across social platforms. His EPs Promiseland and Lookin’ For Homeoffer a no-frills portrait of a young man navigating life with Southern grit, while releases including “White Trash,” “20 Bucks,” and “Best For You” showcase his no-holds-barred storytelling. His new track, “21 Year Old Man Blues,” continues that trajectory, pairing Delta-rooted grit with a hard-lived perspective well beyond his years. On the road, he has opened for acts like Chase Matthew, Drake White, and Kidd G as he continues to build his audience one show at a time. A student of Skynyrd and the outlaw spirit, Stough isn’t chasing trends. He’s telling the underdog’s truth, one song at a time.

KEEP UP WITH COLIN STOUGH
WEBSITE | FACEBOOK | INSTAGRAM | TIKTOK | YOUTUBE

Fight From Within Release New Single “Let Me Out” Featuring Hidden Track “TATT”

Upstate New York metalcore outfit Fight From Within released their new single, “Let Me Out,” through an exciting new partnership with Arson Theory. Produced by Pablo Viveros (Formerly Chelsea Grin), the track captures the band’s energy and edge to their sound.

“We had a blast with this track,” the band shares. “We wanted it to be intense and kind of trippy. We even added a little surprise in the release." 

That surprise comes in the form of a hidden track titled “TATT,” which stands for “Tired All The Time.” The track delivers a pointed message from the band about their frustrations with the current state of the scene.

“TATT stands for ‘Tired All The Time’ because we’re so over the bullshit in the scene,” the band explains.

Alongside the release of “Let Me Out,” Fight From Within will be hitting the road this spring, bringing their high-energy live show to fans across multiple cities. Known for their explosive performances and uncompromising attitude, the band continues to build momentum both on record and on stage. Recently, the band 

signed with Core Collective Talent Agency for US and Canada tours & Timeframe Booking for Europe.

“Let Me Out” is available now on all major streaming platforms.

Listen to Let Me Out:

https://arsontheory.vyd.co/LetMeOut

WATCH the Lyric Video for "Let me Out" below:

Fight From Within/Autumn Lies Buried

The Mini Gun/Mini Run Tour

APRIL 23 IRONTON, OH THE CROWS NEST

APRIL 24 OWENSBORO, KY ESCAPE TODAY

APRIL 25 FORT WAYNE, IN PIERE’S

APRIL 26 JOLIET, IL THE FORGE 

Confessions Of A Traitor/Fight From Within/ExitWounds

The Sacred & Severed Tour

MAY 7 CHICAGO, IL THE W.C. SOCIAL CLUE

MAY 8 AKRON, OH AFTERLIFE NIGHTCLUB

MAY 9 NEW BALTIMORE, MI DIESEL CONCERT LOUNGE

MAY 10 LANSING, MI MAC'S BAR

MAY 11 ERIE, PA CENTENNIAL HALL

MAY 12 ROCHESTER, NY PHOTO CITY MUSIC HALL

MAY 13 MANCHESTER, NH BUNGALOW BAR

MAY 14 BROOKLYN, NY LUCKY 13 SALOON

MAY 15 CATONSVILLE, MD MORSEBERGERS TAVERN

MAY 16 WILMINGTON, NC REGGIE'S 42ND ST TAVERN

MAY 17 RICHMOND, VA EMBER MUSIC HALL

MAY 18 RALEIGH, NC CHAPEL OF BONES

MAY 19 NASHVILLE, TN THE VINYL LOUNGE

MAY 20 ATLANTA, GA BOGGS SOCIAL & SUPPLY

MAY 21 PENSACOLA, FL THE HANDLEBAR

MAY 22 WINTER PARK, FL THE CONDUIT

MAY 23 BRADENTON, FL OSCURA

MAY 24 JACKSONVILLE, FL JACK RABBITS

Tickets can be found HERE

Fight From Within were founded in Upstate New York in early 2021. Their sound lands at the intersection of metalcore, hardcore, and beatdown. With deeply diverse influences ranging from Bury Your Dead, Polaris, Evergreen Terrace, Emmure, Invent/Animate, Every Time I Die, and Attila, they have crafted their own distinct sound.

In 2022, they began tracking new music with Pablo Viveros of Chelsea Grin. They have taken the stage at many key festivals, from Sonic Temple to The Gathering of the Juggles to Inkcarceration to Louder Than Life. The band headed into 2026 like a freight train — all gas, no brakes.

For More Information Please Visit:

Official Website

Spotify

Facebook

Instagram

YouTube

Merch

CRIMSON GLORY Announce their First New Album in 26 Years “Chasing The Hydra” Listen to New Track “Angel In My Nightmare”

Crimson Glory recently announced their brand new album “Chasing The Hydra”, the first new album in 26 years. The album will be released worldwide on all digital services, CD and vinyl on April 17th via BraveWords Records. The early reviews have been incredible and today the band releases a new track to YouTube for the fans… “Angel In My Nightmare”

Alongside mainstay founding members Ben, Jeff and Dana, the band announced in 2023 the addition of amazing new vocalist Travis Wills and guitarist Mark Borgmeyer. The band have been touring heavily over the past year... making this album one of the most anticipated releases of 2026 within the Heavy Metal Scene!

For US and European CD and vinyl preorder links: https://tr.ee/k3s7jc_MSq

Presave the album on Spotify: https://tr.ee/k3s7jc_MSq

Watch CRIMSON GLORY “Angel In My Nightmare”Below:

About Crimson Glory:

Crimson Glory, an American heavy metal institution that formed in 1983 in Sarasota, Florida, USA. The classic line-up featured vocalist Midnight, guitarists Jon Drenning and Ben Jackson, bass guitarist Jeff Lords, and drummer Dana Burnell. With this line-up, they rose to international fame in the mid-1980s and were considered one of the pioneers of the American progressive metal movement, alongside bands like Queensrÿche, Dream Theater, Fates Warning, and Watchtower. With 3/5 of the classic line up still intact, and now joined by acclaimed new vocalist Travis Wills, the band have been touring heavily over the past year... making this album one of the most anticipated releases of 2026 within the Heavy Metal Scene!

TESTAMENT ANNOUNCES REMASTERED/REISSUE OF 'PRACTICE WHAT YOU PREACH' OUT MAY 8TH

Iconic Bay Area thrash band TESTAMENT has announced the upcoming remastered reissue of their coveted 1989 album, Practice What You Preach, on May 8th via Nuclear Blast Records. 

The Practice What You Preach (2026 Remaster) reissue was remastered by Justin Shturtz at Sterling Sound. It will be available digitally and 180G vinyl on Yellow and Orange Swirl with Black Splatter (limited to 1250 worldwide) and is packaged with brand new artwork from Bill Benson (who also designed the original cover art), a 20pg booklet showcasing old photos and documents provided by Chuck Billy and Eric Peterson of the band and newly provided liner notes. 

Commenting on the reissue, Chuck Billy says: 
"I am stoked about the remastered Practice what you Preach release with Nuclear Blast. With new artwork and Bigger sound than the original. Drop the needle and bang your head!!"

Stream 'Envy Life (2026 Remaster)': 
https://testament.bfan.link/envy-life-remastered
Preorder Practice What Your Preach (2026 Remaster): 
https://testament.bfan.link/practice-what-you-preach-remastered

'ENVY LIFE (2026 REMASTER)' VISUALIZER BELOW :

TESTAMENT returns to the stage this spring for their "Thrash of the Titans" world tour with OVERKILL and DESTRUCTION in support of their critically acclaimed new album Para Bellum. Tickets are on sale now at https://www.testamentlegions.com/.

TESTAMENT's "Thrash of the Titans" US Tour Dates: 

Mar 14 - Portland, OR - Roseland theater
Mar 15 - Boise, ID - Treefort Music Hall
Mar 16 - Salt Lake City, UT - Rockwell at the Complex
Mar 18 - Denver, CO - Summit Music Hall
Mar 20 - Milwaukee, WI - The Rave
Mar 21 - Minneapolis, MN - The Fillmore
Mar 22 - Chicago, IL - Ramova Theatre
Mar 24 - Detroit, MI - St. Andrew's Hall
Mar 25 - Cleveland, OH - Agora Ballroom
Mar 27 - Worcester, MA - The Palladium
Mar 28 - Sayreville, NJ - Starland Ballroom
Mar 29 - Reading, PA - Club Reverb
Mar 31 - Atlanta, GA - Buckhead Theater
Apr 1 - St. Petersburg, FL - Jannus Live
Apr 3 - Houston, TX - House of Blues
Apr 4 - Dallas, TX - The Bomb Factory
Apr 5 - San Antonio, TX - Aztec Theatre
Apr 8 - Phoenix, AZ - The Van Buren
Apr 9 - Los Angeles, CA - The Belasco
Apr 10 - Berkeley, CA - The UC Theatre (No Overkill)

TESTAMENT's lauded new album, Para Bellum, stands as both a battle cry and an observation of humanity's uneasy alliance with its own creations. As technology accelerates and disconnection grows, Para Bellum sees TESTAMENT reflecting the modern chaos through music that’s urgent, sharp, and unflinchingly human.

Purchase/Stream Para Bellum: https://testament.bfan.link/para-bellum

TESTAMENT is:
Chuck Billy | Vocals
Eric Peterson | Guitar
Alex Skolnick | Guitar
Steve DiGiorgio | Bass
Chris Dovas | Drums

Follow TESTAMENT:
Website | Facebook | Instagram | X | Youtube | Bandcamp | Spotify | Apple Music

Wes Parker Releases New Single And Official Visualizer "Bad Doggie" via Big Machine Rock

Hailing from Richmond, Virginia, rising alt-rock artist Wes Parker has delighted fans with his new single, "Bad Doggie" and the accompanying visualizer, the first release since his 2025 EP 'fantom' (via Big Machine Rock). Built around an easy-rolling groove and catchy, distorted guitar hooks, "Bad Doggie" showcases Parker's innate knack for blending indie rock attitude with a clever yet mischievous streak of humor. When asked about the inspiration behind the track, Parker shared:

"'Bad Doggie' is an upbeat tune about what it feels like to be someone’s… bad doggie! About someone knowing your unruly, troublemaking nature will never change and loving you anyway, forever.”

Stream "Bad Doggie" here, and watch the official visualizer below.

Following the release of "Bad Doggie", Parker will soon bring the track's guitar-driven energy on the road across the US starting next week, launching a tour with singer-songwriter Liz Cooper on Wednesday, March 18. Shortly thereafter, he'll begin his headlining tour in April, followed by a run alongside indie-folk juggernaut Shakey Graves in June. Be sure to get your tickets at the link here before it's too late, and stay tuned for more Wes Parker news coming soon.

Wes Parker Upcoming Tour Dates:

Mar 18 - Phoenix, AZ @ Valley Bar*

Mar 19 - San Diego, CA @ Casbah*

Mar 20 - Los Angeles, CA @ Moroccan Lounge*

Mar 21 - Felton, CA @ Felton Music Hall*

Mar 22 - Berkeley, CA @ Cornerstone*

Mar 23 - Healdsburg, CA @ Little Saint*

Mar 25 - Seattle, WA @ Sunset Tavern*

Mar 26 - Portland, OR @ Mississippi Studios*

Mar 28 - Boise, ID @ Treeport Music Festival*

Mar 30 - Denver, CO @ Globe Hall*

Mar 31 - Fort Collins, CO @ Armory*

Apr 23 - Durham, NC @ The Pinhook

Apr 24 - Charleston, SC @ Stu Fest

Apr 25 - Asheville, NC @ Static Age

Apr 26 - Atlanta, GA @ The Earl

Apr 28 - Chattanooga, TN @ Cherry Street Tavern

Apr 29 - Nashville, TN @ The Basement

May 1 - Newport, KY @ Southgate House Revival

May 2 - Chicago, IL @ Schubas Tavern

May 3 - Detroit, MI @ Lager House

May 4 - Cleveland, OH @ Beachland Ballroom

May 6 - Columbus, OH @ Rumba Cafe

May 8 - Washington, DC @ Songbyrd

May 9 - Philadelphia, PA @ Ortlieb's Lounge

May 10 - New London, CT @ Garde Arts Center

May 12 - New York, NY @ Night Club 101

Jun 4 - Tulsa, OK @ Cain's Ballroom^

Jun 5 - Kansas City, MO @ The Truman^

Jun 6 - Rockford, IL @ Coronado Performing Arts Center^

Jun 8 - Pittsburgh, PA @ Roxian Theatre^

Jun 10 - King of Prussia, PA @ Concerts Under the Stars^

* Supporting Liz Cooper

^ Supporting Shakey Graves

About Wes Parker

For Wes Parker, sounds interlock like puzzle pieces. A ruddy guitar riff might click next to a broken piano melody, or a hauntingly angelic vocal could mesh just right with an off-kilter chord progression and D.I.Y. beat. All of these elements fit together in order to paint the personal portrait depicted in his music. It’s almost like he’s a mad scientist in his home studio, architecting poetically primal alternative rock that could’ve appeared in the MTV Buzz Bin back in the day or would make for a fiery sunset set at Coachella. The Richmond native grew up as the youngest of four kids with two older brothers and a sister. Mom bought a copy of Green Day’s American Idiot from PACSUN for him, and it proved life-changing. He honed his skills as a songwriter and producer and also devoured classics from the likes of Muse, Radiohead, and more. He dropped out of college after one semester and co-founded the band Camp Howard alongside a cohort of childhood friends. The band saw some success on DSPs and the road, touring with everyone from Stone Temple Pilots to Backseat Lovers. Though the group eventually parted ways, Wes continued to write and record on his own. After quitting a day job, he dropped his first solo single “Why Won't You Pick Up The Phone?” in February 2024 followed by “Annie Moore” and “Tattoo.” Gaining momentum, he ignited 2025 with the Splinter EP applauded by VPM and more. Signing to Big Machine Rock in 2025, he emerges as just the alchemist rock music needs with his fantom EP, presenting an arresting perspective on the devil’s downfall over a cinematic soundscape threaded together by eerie piano, glitchy beats, off-kilter guitar, and transfixing vocal transmissions.

CELESTIAL DEATH Unleash New Single “Seed Corrupted"

Rooted in dystopian themes and extreme, yet melodic black metal ferocity, “Seed Corrupted” introduces listeners to the opening chapter of CELESTIAL DEATH’s larger conceptual narrative that explores corruption, power, and the cyclical nature of destruction and rebirth.

Musically, “Seed Corrupted” merges modern melodic black metal with dark, post-metal atmosphere. A distorted lead melody establishes a dissonant tone before erupting into thunderous percussion and obliterating vocal delivery. The arrangement shifts between relentless high-speed aggression and slower, oppressive passages, creating a dynamic soundscape that mirrors the tension within the song’s narrative.

While the track stands on its own as a powerful single, it also serves as an entry point into a much larger conceptual story that CELESTIAL DEATH’s founding guitarist and vocalist, Forrest Jessup, has been developing for years. At its core, “Seed Corrupted” presents a conversation between two figures navigating morality, power, and survival in a corrupted world.

Part of the narrative draws inspiration from the mythology surrounding Al Capone, who famously spent time imprisoned in the Atlanta Federal Penitentiary - located only two miles from where Jessup grew up. Within the story, Capone appears as a mentor figure speaking to an unnamed protégé about the realities of power, violence, and the moral compromises required to survive within ruthless systems.

The title “Seed Corrupted” acts as a metaphor for how corruption rarely begins with a single act of evil, but instead grows from the environments people are forced to navigate. In harsh societal conditions - particularly in impoverished urban environments shaped by systemic oppression - organized crime often becomes less a matter of choice and more a mechanism of survival. Within the narrative, the mentor figure reflects on his rise to power while acknowledging both the brutality and the intoxicating nature of chaos itself.

One of the song’s central lines captures this duality:

“We planted this seed, corrupted this society, enchanted by our anarchy.”

While figures like Capone are condemned by society, they are also mythologized and romanticized in cultural memory - often framed through outlaw folklore that blurs the line between villain and antihero.

Growing up in Atlanta heavily influenced the themes behind the track. The city’s cultural identity - built on resilience, struggle, and an uncompromising survival mentality - shaped Jessup’s perspective and writing. Atlanta has long been a place where artists and communities have fought to build something from nothing, embodying a spirit often summarized as “got it out the mud.” That mindset of relentless survival and self-determination echoes throughout the worldview of the characters within CELESTIAL DEATH’s unfolding story.

The artwork for “Seed Corrupted,” created by Jim Bob Cooter Jr. (who did the band’s debut single, "Anti-Preacher"), visually reinforces these themes. The illustration depicts a decaying urban skyline and fractured cityscape amidst a bleak natural environment, in the center of which is a body of water, and dying tree of life… Above the surface lies the decay, symbolizing a society already consumed by corruption. The inverted reflection in the pool, however, reveals a thriving city of prosperity and abundant tree of life. The imagery suggests that corruption has already taken root in the present world, while the reflection represents either a forgotten past or a possible future that humanity has lost - or may one day reclaim.

“Seed Corrupted” serves as the first glimpse into the broader conceptual world of CELESTIAL DEATH - a narrative built around cycles of corruption, collapse, and rebirth. Much like the ancient symbol of the ouroboros, the story exists within a continuous loop where endings become beginnings and fallen systems inevitably reform themselves. This philosophy also mirrors the band’s deeper artistic identity and the ethos behind Terminus Hate City itself: the understanding that decay and creation are inseparable forces. Like the phoenix rising from ash, destruction becomes the catalyst for transformation, and new life inevitably grows from the ruins of the old.

CELESTIAL DEATH is:
Forrest Jessup - Guitar, vocals
Jason Schwartzwalder - Lead guitar
Matthew Carmichael - Drums
Robbie Marsh - Bassist

Social Links:

• Official Website: terminushatecity.com

• Bandcamp: celestialdeathatl.bandcamp.com

• E-Shop: terminushatecity.com/shop

• Facebook: facebook.com/celestialdeath

• Instagram: instagram.com/celestialdeathatl

• YouTube: youtube.com/@terminushatecity

• Spotify: open.spotify.com/artist/7uoyni4ubgDYk4vpxDzXqG

• Apple Music: music.apple.com/us/artist/celestial-death/1779099534

SCHATTENMANN Release New Studio Album “Endgegner” Out Now Via PERCEPTION.

German metal act SCHATTENMANN have released their brand-new studio offering, entitled Endgegner, today via PERCEPTION. At the same time, the band has started their album release tour, bringing the new material to stages across Germany and Austria.

With Endgegner, SCHATTENMANN lean into a heavier and more metaldriven sound. International press reactions have been strong. Devolution Magazine notes that the record shows “the industrial metallers at their most focused,” adding: “You’ll bang your head, you’ll sing along and you’ll groove like nobody’s watching. It’s a fun-fuelled romp well-worth your time.”

FFM Rock writes: “The album convinces across the board, the sound is fat and pumps pure energy, so it gets 8 out of 10 points here.” Powerplay Magazine UK goes even further, awarding 9/10 and stating that a “Future classic album status [is] guaranteed!” while Metalhead.it sums it up perfectly: "An album that stings, that cuts, that annihilates, that captivates. A sinful album that creates a wonderful addiction!"

To coincide with the album’s arrival, today SCHATTENMANN have also unveiled an official music video for the track “Wir sind das Ende der Welt”, watch below:

Frontman Frank Herzig says about the track: 
"The song is an explosive declaration of love on the edge of the apocalypse - wild, unrestrained and uncompromising. Although it begins almost like a ballad, it unfolds into a modern metal track with metalcore elements. Far removed from kitsch and clichés, it tells the story of two people who break every boundary, summon storms and stubbornly give the world the middle finger. A hurricane of passion, chaos and raw intensity that sets everything on fire.”

Endgegner sets the tone for a new chapter in the musical journey of SCHATTENMANN, presenting themselves sharper and more focused than ever. Produced by Henning Verlage, the album represents a clear cut and a deliberate evolution of the band’s sound.

Following four studio albums and their first Top 10 chart entry with Día de Muertos, SCHATTENMANN continue to prove that change and progression remain at the core of their identity. Heavier, more aggressive, and unapologetically metal, Endgegner sees the band reborn in steel and fire, poised to claim their place in today’s heavy music landscape!

Order Endgegner HERE: https://schattenmann.rpm.link/endgegnerPR

About SCHATTENMANN
Founded in 2016, Nuremberg-based band SCHATTENMANN have entered the metal world by storm! Pinnacling with their top 10 album Día de Muertos in 2023, the quartet - singer Frank Herzig, guitarist Jan Shook, bass player Luke Shook & drummer Rorschach - paved their way with impactful songwriting but also with energising live shows. A thrilling combination which has resonated with a wide range of range (mostly) European metalheads so far. Sheer metal and continuous touring are the keys of why SCHATTENMANN have become one of the leading German ambassadors in the hard ‘n’ heavy universe within less than 10 years.
 

SCHATTENMANN are:
Frank Herzig | vocals
Jan Shook | guitars
Luke Shook | bass
Rorschach | drums

More on SCHATTENMANN:
schattenmann.band | Linktree | Facebook | Instagram | TikTok
Bandsintown | YouTube | Spotify | Apple Music

Weedeater Add Telekinetic Yeti and New Date in Home State to Fast-Selling U.S. Tour

After gassing up with Melvins, Napalm Death and Baroness, Weedeater are once again lighting up the ol’ dusty trail with a fresh batch of U.S. tour dates. Tickets to see the Cape Fear Legends smoke stages with their buds Conan are selling fast. So anyone late to the party should hurry now that Telekinetic Yeti have joined in support.

To pour more Evan Williams onto the fire, Weedeater have also added a date in Asheville, North Carolina to close out the tour.        

Get tickets at tonedeaftouring.com/weedeater

Weedeater 2026 U.S. Tour Dates

with Conan and Telekinetic Yeti

March 30 - Louisville, KY @ Green Lantern [SOLD OUT]

March 31 - Murfreesboro, TN @ Hop Springs [Over 50% Sold]

April 1 - Atlanta, GA @ 529 [Over 50% Sold]

April 2 - Orlando, FL @ Conduit [Over 50% Sold]

April 3 - Pensacola, FL @ Handlebar

April 4 - Houston, TX @ Bad Astronaut

April 5 - Haltom, TX @ Haltom Theatre [Over 50% Sold]

April 7 - Phoenix, AZ @ Last Exit

April 8 - Hollywood, CA @ The Whisky A Go Go [Over 50% Sold]

April 9 - San Francisco, CA @ DNA Lounge

April 10 - Portland, OR @ Nova PDX [Over 50% Sold]

April 11 - Eugene, OR @ John Henry’s [Over 50% Sold]

April 12 - Seattle, WA @ The Crocodile

April 14 - Salt Lake City, UT @ Aces High [Over 50% Sold]

April 15 - Denver, CO @ Marquis [Over 50% Sold]

April 16 - Omaha, NE @ Reverb Lounge

April 17 - Rock Island, IL @ Wake Brewing Co. [Over 50% Sold]

April 18 - Flint, MI @ Machine Shop

April 19 - Pittsburgh, PA @ Thunderbird Music Hall

April 20 - Brattleboro, VT @ Stone Church [SOLD OUT]

April 21 - Providence, RI @ Alchemy [Over 50% Sold]

April 22 - Brooklyn, NY @ Monarch

April 23 - Boston, MA @ Sonia [Over 50% Sold]

April 25 - Philadelphia, PA @ Underground Arts [Over 50% Sold]

April 26 - Harrisonburg, VA @ Gold Pony [SOLD OUT]

April 27 - Greensboro, NC @ The Pyrle

April 28 - Asheville, NC @ Third Room [NEW DATE]

Weedeater's discography is available now on Season of Mist

Order
https://redirect.season-of-mist.com/Weedeatershop

Line-up:
Dixie Dave: Bass, vocals
Shep: Guitar, vocals
Ramzi Ateyeh: Drums

Origin: North Carolina
Style: Weed Metal

Follow Weedeater
Official Website: http://www.weedmetal.com/
Bandcamp: https://weedeater.bandcamp.com/music
Facebook: https://www.facebook.com/weedmetal
Instagram: https://www.instagram.com/weedeaterband/
Spotify: https://open.spotify.com/artist/40uWyieMnDCdIlba6Pr7xL
Twitter: https://twitter.com/weedmetal

Order
https://redirect.season-of-mist.com/Weedeatershop

Zach Brown Band -Watch the new Come to Me video!

SIGNED LOVE & FEAR VINYL

NOW AVAILABLE

Without A Face Announce Papercut Recordings Signing With New Double Single “Needful Things” & "Resurfacing (feat. Jacob Mathes of Orphan)"

Toronto musician and producer Kevin Rolly today introduces the next chapter of his unbridled deathcore powerhouse Without A Face with the release of “Needful Things,” a new double single out now alongside the official announcement of the project’s signing to Papercut Recordings. Listen to the double single HERE and find the YouTube visualizer BELOW.

The double single release features tracks "Needful Things" and "Resurfacing" (featuing Jacob Mathes of Orphan). Written and performed by Rolly, Without A Face channels unbridled aggression, pressure, frustration and catharsis into something visceral. The goal is simple, the music should provoke a reaction. Whether that response is discomfort, rage or recognition, indifference has no place in the equation.

The project first began gaining attention with the release of the EP Rat Poison, a short, apoplectic and explosive introduction that quickly found an audience within the modern deathcore community. The release earned strong support from platforms including Slam Worldwide and The Brutality Podcast, whose listeners helped amplify the project and ultimately recognized Rat Poison in the outlet’s year-end awards with a nomination for 'New Deathcore Band of the Year'.

That early momentum helped push Without A Face past 930,000 Spotify streams, 125,000 Apple Music streams and more than 340,000 YouTube views, establishing the project as one of the most promising new names emerging from the underground extreme music space.

“Needful Things” now serves as the first release of a new era for Without A Face and the first under the Papercut banner.

Without A Face emerged after years of Rolly working professionally in music through production, engineering and underground rap. Although the work built experience and connections, he eventually felt pulled back toward the kind of heavy music that first shaped him. Records that felt volatile, visceral and impossible to ignore. Without A Face became the vehicle for returning to that space with intent.

The aggression that defines the music is grounded in real stakes. A neck injury in recent years, combined with ongoing hearing issues, left Rolly needing an outlet for his rage and frustration. Those searing emotions sit at the core of Without A Face, fueling the project’s unflinching intensity.

With “Needful Things” now released and the partnership with Papercut Recordings in place, Without A Face enters its next phase with momentum already building and more music expected to follow.

ABOUT WITHOUT A FACE

Without A Face is the solo project of Toronto musician and producer Kevin Rolly, created as an outlet for heavy music that carries real emotional weight. After years working professionally in music through production, engineering and underground rap, he returned to the extreme music that first shaped him, creating a project built on catharsis, urgency and impact.

Written and performed by Rolly, Without A Face turns lived experience, frustration and creative pressure into music designed to provoke a real emotional response.

Since launching the project, Without A Face has amassed over 1 million cross platform streams, and more than 340,000 views on YouTube, with early support from platforms including Slam Worldwide and The Brutality Podcast helping introduce the project to a rapidly growing heavy music audience.

Without A Face announced their signing to Papercut Recordings in March of 2026 with the release of double single "Needful Things" and the threat of more new music on the horizon.

DEICIDE Announce North American Tour Dates

Death metal legends DEICIDE are set to bring their relentless, unapologetic brutality to venues and festival stages across North America. Joined by ROTTING CHRIST & IMMOLATION, the onslaught begins in Baton Rouge, Louisiana, on April 9 before bleeding through the states to Little Rock, Arkansas, on May 26. 

Since their inception in 1987, DEICIDE has left a ferocious mark on the genre and there are no intentions of slowing down. In over three decades the band has released thirteen studio albums, their latest being 2024's Banished By Sin, released via Reigning Phoenix Music, that is ingrained with thunderous aggression and power. 

Purchase tickets here: https://deicideofficial.com/tour-dates/

Headlining Shows and Festival Dates:
w/ support from ROTTING CHRIST & IMMOLATION

4/09 Baton Rouge LA - Chelsea’s Live
4/10 Houston TX - White Oak Music Hall
4/11 San Antonio TX - Vibes Event Center
4/13 Las Vegas NV - Fremont Country Club
5/01 Reading PA - Club Reverb*
5/03 - Albany NY - Empire Live
5/07 - Daytona Beach FL - Welcome To Rockville #
5/14 - Columbus OH - Sonic Temple After-Party
5/22 - Tucson AZ - The Rialto #^
5/23 - El Paso TX - Rockhouse Bar & Grill #
5/24 - Albuquerque NM - Sunshine Theater #
5/26 - Little Rock AR - The Hall #

* DEICIDE only
# no ROTTING CHRIST 
^ w/ CATTLE DECAPITATION

The legendary death metal band was formed in Tampa, Florida, in 1987 by current and surviving members, drummer/composer Steve Asheim, and bassist/vocalist/lyricist Glen Benton. The band rose to mainstream success in 1992 with their second album Legion, and is credited as the second-best-selling death metal band of the Soundscan Era. Since their debut album in 1990, DEICIDE has released twelve studio albums, one live album, two compilation albums and two live DVDs. In November 2003, their first two albums, Deicide and Legion, were ranked second and third place respectively in best-selling death metal albums of the SoundScan era. DEICIDE is known for being uncompromising and crafting some of the best, most punishing Death Metal music in their three decade-plus of existence. In 2024, the band unveiled Banished By Sin, via Reigning Phoenix Music, an intense, brutal and savagely catchy slab of Florida Death Metal!

Stream/purchase Banished By Sin: https://deicide.rpm.link/banishedbysinYT

GOTTHARD Celebrate Release of 'More Stereo Crush'

Today, Swiss hard rock legends Gotthard celebrate the release of their brand-new mini album More Stereo Crush, out now via RPM. The eight-track release expands on the band’s acclaimed 2025 album Stereo Crush and offers fans a deeper look into the creative sessions behind the record.

More Stereo Crush features five previously unreleased songs from the Stereo Crush recordings, alongside the track “Mayday,” which had previously only been available as a video. The EP also includes a radio edit of the ballad “Burning Bridges” and a brand-new duet version of the fan favorite “Liverpool,” performed by vocalist Nic Maeder together with Marc Storace of Krokus.

Produced by Charlie Bauerfeind and Leo Leoni, mastered by Sascha “Busy” Bühren, and featuring artwork by Manuel Schütz and Thomas Ewerhard, the EP once again highlights the band’s signature blend of melodic hooks, powerful vocals, and rock-solid instrumentation. More Stereo Crush is out now and available as an MCD, a limited mini LP, a special CD bundle with Stereo Crush, and digitally.
 
Order More Stereo Crush at: https://gotthard.rpm.link/mscPR

About GOTTHARD
With meanwhile 17 number one albums, a Diamond Award for selling over one million units in Switzerland, and multiple platinum records, including their quadruple platinum album “Homerun,” GOTTHARD have an unmatched legacy of successes. It is rounded off by over 3.5 million units sold worldwide and more than 2,000 live performances. Their tracks like ‘Heaven,’ a platinum single, and seven top 10 singles have cemented the band in the international music scene.


Known for their heartfelt songwriting, powerful live shows and unmistakable melodic sound, the band has built a lasting legacy since their breakthrough in the early 1990s. After recently wrapping a European tour with Y&T, a busy festival season and three “Rock Monsters of Switzerland” arena shows alongside Krokus, the band continues to push forward creatively.

 Today’s lineup features founding members Leo Leoni and Marc Lynn, joined by Freddy Scherer, Nic Maeder, and drummer Flavio Mezzodi. With multiple songwriters contributing to the creative process and longtime producer Charlie Bauerfeind once again involved, GOTTHARD continue to prove that their passion for hard rock remains as strong as ever.
 
GOTTHARD are:
Nic Maeder | vocals
Leo Leoni | guitars
Freddy Scherer | guitars
Marc Lynn | bass
Flavio Mezzodi | drums
 
More on GOTTHARD:
gotthard.com | Linktree |  Facebook | Instagram | X | TikTok | YouTube | Spotify
 
GOTTHARD - Smiling In The Pouring Rain (Official Music Video) - YouTube

WAYNE COYNE'S DEBUT CHILDREN'S BOOK AVAILABLE FOR PRE-ORDER

I Am An Eye I Don't Know Why is an unusual and endearing look at a young person finding their identity. Eyes, ears, nose, and mouth are literally separated and must find each other to help their face win a bike race. The two ears, two eyes, nose and mouth realize they are better off together, especially now they have become friends who can help each other see, hear, and steer.

PRE-ORDER

CONNIE CONVERSE HOW SAD, HOW LOVELY OUT MARCH 27TH

Nearly 51 years after the singer-songwriter’s disappearance comes the first reissue of this album in nearly 10 years in any format. 20 tracks (including a bonus 7" featuring the previously unreleased “House” and the new remix of “Playboy of the Western World” courtesy of Dirick Cummins) that are as poignant and potent as ever and showcase an artist that was operating light years ahead of her time. 

SÉANCE OF SORROW UNVEIL 'FORSAKEN': A MELODIC DESCENT INTO THE SHADOWS OF TRAUMA

Born from the wreckage of a brutal crime, SÉANCE OF SORROW bridges the gap between the earthly and the ethereal.

While the band’s debut releases chronicled the downfall and death of Michael Morrison, their new chapter shifts from introduction to immersion. Through a series of "visions," Michael is forced to inhabit the memories of those linked to his demise. In this psychological chessboard, nothing is as it seems. Michael must relive pivotal traumas from both the perspective of the victim and the aggressor, experiencing the rage and irreversible consequences of each act to uncover the truth.

The new single, 'Forsaken,' serves as the first step into this haunting trek. A melodic, somber ballad, the track pairs a ghostly instrumental backdrop with raw, emotive vocals. It is the most unsettling entry in the saga to date, unflinchingly addressing the psychological fracture caused by sexual violence and trauma. Eschewing glorification, "Forsaken" presents these acts as devastating turning points—moments that shatter identity and set lives on a path of no return.

SÉANCE OF SORROW comments,“Forsaken is the first Vision. These aren’t dreams. These events actually happened. I’m not watching them — I’m inside them. I experience them from both perspectives. First person. Third person. Victim. Aggressor. In this chapter, I’m shown as the attacker — but that isn’t who I am. It’s how the Vision forces me to feel what truly took place. The violence isn’t spectacle. It’s evidence. Every Vision introduces someone connected to my death. Every one of them carries a moment that changed them forever. Forsaken is about trauma, about survival, and about how one irreversible act can send someone down a path they never come back from. The Visions aren’t random. They’re clues.”

Experience the visuals for 'FORSAKEN.'Directed and edited by Tomi Jo Mouser, with additional post-production by Jason Todd. Watch it below:

Listen to 'FORSAKEN' here. https://open.spotify.com/album/1GDJutGX6LFhHwYZ589acG?si=SNuoFLylTX-dZmEw0KlvxA

'FORSAKEN' was produced, mixed and mastered by Josiah Wiswell.

Each song serves as a psychic vision for vocalist Michael Morrison, unearthing fragments of former lives, the shadows of grieving loved ones, and the echoes of tragic endings.

Condemned to ‘The Black’—a purgatory for forsaken souls with unfinished business—the band is driven by a singular purpose: to write the one song that will finally reveal the identity of their killer. Until that truth is found, SÉANCE OF SORROW broadcasts their cryptic hard rock from the depths of eternal darkness.

Step deeper into the darkness at seanceofsorrow.com, where the music videos are reborn as interactive comic book installments. Secure your piece of the ritual with exclusive band apparel, and follow along as each new single unearths another chapter of this tragic tale.

Close your eyes, open your hearts, and let the ritual begin.
This is the SÉANCE OF SORROW.

SÉANCE OF SORROW - 'From The Black' line-up :
Michael Morrison | Vocals
Gabe Gore | Rhythm Guitar
Joey Judas | Lead Guitar
Nic Necro | Bass
Cameron Crucifix | Drums