DREW BALDRIDGE REWRITES THE RULES OF REBELLION WITH NEW SINGLE “REBEL”

Country star Drew Baldridge is redefining what it means to be rebellious with his powerful new single, “Rebel,” available everywhere October 31 and impacting country radio November 3 via Lyric Ridge Records/Stoney Creek Records. Fans can pre-save/add HERE. 

Written by Baldridge and Adam Sanders, and produced by Zach Crowell and Nick Schwarz, “Rebel” stands as an anthem for holding fast to your convictions. Turning the traditional idea of rebellion on its head, Baldridge challenges what it means to push back, trading chaos for character and celebrating integrity, faith, and family as the ultimate acts of defiance. With its soaring chorus and driving production, “Rebel” channels the strength it takes to stay true in a world that often rewards compromise. 

Anchored by lyrics like “I’m gonna stand my ground / Ain’t gonna back down / Make sure my last name ain’t stained and stands on integrity / I’m gonna stay true to my woman / And true to my roots,” Baldridge delivers a message that’s both timeless and timely; a declaration that these days staying true to your word is the most radical thing of all. The song honors the quiet strength of consistency, loyalty, and setting a good example. It’s about character and doing what’s right even when no one’s watching.

“I wrote this song after noticing how often the wrong things get glorified,” said Baldridge. “Doing the right thing can feel rebellious, and I hope fans - and my son - see that being a rebel here is actually a good thing. The song celebrates doing the right thing even when it’s not the ‘cool’ or easy choice.”

With his signature mix of small-town grit, heart, and honesty, Baldridge continues to forge a genuine connection with fans through songs that champion his core pillars of farm, faith, and family. He’s currently bringing that message to audiences across Australia and New Zealand while opening for Jelly Roll on the Down Under 2025 Tour. After returning to the U.S. for a brief stint, Baldridge will head overseas once again to close out the year with his first-ever UK and European headlining run, the Country Born Tour. For more information, visit DrewBaldridgeMusic.com. 

ABOUT DREW BALDRIDGE:
Baldridge is carving out a lane all his own with songs rooted in Farm, Faith, and Family. His 2025 highlights include the release of new radio single “Rebel,” available October 31 and impacting radio November 3, along with previously released songs: “Deserve Her,”  “Get Me Gone” featuring Emily Ann Roberts, “Call Me If You Get One,” as well as a moving collaboration with Dove Award-winning collective I AM THEY on “Scars.” 

Baldridge’s single, “Tough People,” became his second consecutive Top 10 hit, following the RIAA GOLD-certified smash “She’s Somebody’s Daughter,” which reached No. 1 on Country Aircheck/Mediabase and No. 3 on Billboard Country Airplay. Notably, he is the only self-funded artist ever to hit No. 1 on Country Aircheck/Mediabase with his first chart-topping single via his Lyric Ridge Records label and holds the distinction of being the highest-charting independent artist ever on the Billboard Country Airplay chart.  “She’s Somebody’s Daughter” also won the coveted “10 Songs I Wish I’d Written” Award by NSAI in 2025. 

With more than 1.1 billion streams and impressions and 2 million social followers, Baldridge has quickly become one of country music’s most-watched rising voices. A powerhouse performer and songwriter signed to Sony Music Publishing, Baldridge has written more than 500 songs with cuts by Bailey Zimmerman, LOCASH, and others. He has toured with Cody Johnson and Bailey Zimmerman, and this fall will join Jelly Roll and Shaboozey on the Down Under Tour 2025 before launching his own Country Born Tour across the UK and Europe. Named to the CRS “New Faces” Class of 2025, an iHeartCountry “On The Verge” artist, and MusicRow’s Independent Artist of the Year, Baldridge continues to build a career that blends authenticity, perseverance, and a deep connection to fans.

KEEP UP WITH DREW BALDRIDGE
WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK

ATAVISTIA Unveil "The Atavistic Forest (Reforged)," Announce Album

Symphonic melodeath storytellers ATAVISTIA are set to return with The Winter Way (Reforged), a magnificent re-recording of their 2020 album, on December 12 via Blood Blast Distribution. Lead single “The Atavistic Forest (Reforged)” roars straight into the first verse, no intro needed. Charging riffs and ferocious vocals briefly give way to gorgeously atmospheric soundscapes, then ramp up the intensity as the sonic labyrinth whirls onward. Intended to be a powerful introduction to ATAVISTIA's new songwriting, performance, and production capabilities, "The Atavistic Forest (Reforged)" has been reworked more than any other song on the album. The band also revised the song's lyrics for clarity and thematic consistency, demonstrating an exacting attention to detail that showcases the care they put into each release. 

Sippola comments, "For the first time in my life, I’m happy with this album. It took quite the toll on my mental health releasing it when we did but there’s no reason to dwell anymore. It is the way it should’ve been!"

ATAVISTIA lineup:

Mattias Sippola - Guitar, Vocals, Composition, Production
Max Sepulveda - Drums, Engineering
Elia Baghbaniyan - Guitar
Spencer Budworth - Bass, Vocals
 

About ATAVISTIA:

Formed in 2017 in Vancouver, Canada, ATAVISTIA takes their fans on a spellbinding journey though vast sonic landscapes of snow covered forests, desolate tundras, and permafrost-laden landscapes. Fans of WINTERSUN, ENSIFERUM, DIMMU BORGIR, and XANTHOCHROID will be enthralled by the elements of melodic death metal, black metal, and Scandinavian folk that is intricately woven together throughout their diverse soundscape.

Taking inspiration from the majestic natural landscapes of their homeland, earthly seasons, and ancient Norse culture, ATAVISTIA’s grandiose sound matches these lyrical themes in an impressive symphony of destruction. Their debut EP, One With The Sun (2017) introduced their unique blend of beauty and ferocity, which they followed up with a stormy full-length in 2020 through The Winter Way. The next two releases, the full-length Cosmic Warfare (2023) and the EP Inane Duncam (2024), saw the band spreading their wings and exploring a wider variety of influences. Through it all, ATAVISTIA balances graceful melodies with a brutal rhythmic cacophony, swirling elegance and fury together like a ferocious northern blizzard.

On stage, ATAVISTIA is a force of nature, like waves crashing against a rocky shore. Their music washes over audiences worldwide, leaving them gasping for more long after the last note has faded. They have toured Europe twice alongside notable acts such as SKÁLMÖLD, METSATÖLL, and SEVEN SPIRES, and have opened locally for MOONSPELL, ELEINE, and OCEANS OF SLUMBER. ATAVISTIA has firmly established its presence in a niche among a wide swath of metal genres.

Are you ready to lose yourself in the juxtaposition of lush and arid, the dichotomy of hope and despair, and welcome the inevitable and beautiful end?

PALE HORSE RITUAL Challenge Dogma with New Single “Holy Lies”

Canadian heavy psych doomers PALE HORSE RITUAL return with “Holy Lies”, the latest single from their forthcoming album Diabolic Formation, arriving November 28 through Black Throne Productions. Bold and unflinching, the song pulls no punches as it confronts centuries of religious power structures and the human cost left in their wake.

“Holy Lies” lays bare the contradictions between immense spiritual wealth and real-world suffering. Its lyrics push against the hierarchy and fear tactics often used to enforce obedience, shining a harsh light on the ways control is cloaked in sanctity. At the heart of the track is a call for equity and liberation. It is an insistence that no one is born to kneel.

Driven by low-end groove and a wall of saturated tone, the band finds a razor-sharp balance between weight and momentum. The guitars churn through layers of fuzz, while the rhythm section carves a deliberate, relentless path forward. There's a hypnotic pull to the song’s structure, anchored by a hook that lingers long after the final note.

With Diabolic Formation on the horizon, the band continues to sharpen their vision, crafting a record that explores the darker corners of belief, power, and the struggle to reclaim autonomy in a world built to obscure it. Pre-orders are available HERE. 

About PALE HORSE RITUAL
Steeped in mysticism, PALE HORSE RITUAL create an spellcasting blend of doom, occult rock and vintage metal. Based out of Hamilton, Ontario, Canada, the band formed in 2024 and their sound is driven by gritty vocals, sludgy riffs, and pounding rhythms that channel the spirit of 1970s heavy music with a modern, gothic edge. Following their alluring 2024 EP titled Enchantress, the quartet are preparing to unveil the full-length, Diabolic Formation on November 28, via Black Throne Productions. 

Line Up: 
Paco (Bass/Vocals)
James Matheson (Lead Guitar)
Will Adams (Rhythm Guitar/Backing Vocals)
Jonah Santa-Barbara (Drums)

Album Credits:
Producer: Will Adams
Recording Studio: Green Mountain Ranch
Engineer: Will Adams at Tell Me About It… Records
Mastering: Zack Hollow at Z Hollow Studios
Mixing: Will Adams

Guest Musicians:
Dom Valela- Keys, Vocals
Doom Valhalla- Italian Preacher

Veteran Metal guitarist/bassist David K. Starr (WildeStarr, Vicious Rumors, CHASTAIN) returns with a slamming new track and video

"NOT DEAD YET" is Dave's own testimony of life's twists and turns after being diagnosed with Parkinson's disease in 2020. 

Dave says... "I originally started writing the song about what I have gone through, but then I realized its bigger then me, this song is for anyone out there dealing with life changing events, be it their health, death of a loved one, a broken heart, or whatever comes your way". Dave continues.. "I never mention my health problems in the song, that would be too corny, so I broadened my scope and made it for anyone out there who's going through pain"..."Its basically about standing tall and fighting for yourself, fighting to stay alive, no matter what kind of hell life throws at you”

"NOT DEAD YET" was directed by London Wilde, and features Dave singing lead vocals for the first time, as well as playing all the guitars. Backing up Dave on this new track & video are Rich Gray on bass (Annihilator, Aeon Zen) and drummer Fabio Alessandrini (Annihilator, Bonfire)

David K. Starr was the bassist with Vicious Rumors from 1984 – 1993, and again from 2005 – 2007. He is featured on the albums; Soldiers Of The Night (1985), Digital Dictator (1988), Vicious Rumors (1990), Welcome To The Ball (1991), Live In Tokyo (1992), and WARBALL (2006)

David played bass for CHASTAIN from 2001 – 2005 and recorded the 2004 album, In An Outrage.

More recently, David K. Starr released 3 albums with WildeStarr: ARRIVAL (2010), A TELL TALE HEART (2012), BEYOND THE RAIN (2017) With David K. Starr on Guitars and Bass,  London Wilde on vocals, and Josh Foster on Drums.

DER ROTE MILAN To Unveil 'Verlust'. New Video Premiering At Ghost Cult Magazine

Enveloped in shadow, German sextet DER ROTE MILAN create intense, melodic, riff-driven sounds inspired by nature, historical wars in Central Europe, anti-religion and inner conflict. The band explore a strange sense of beauty that emerges from despair through the multi-faceted nature in which loss is experienced. The new album, Verlust, follows the 2023 EP Schlund and sees DER ROTE MILAN develop further their atmospheric sound and lyrical depth. Verlust will be released on December 12th, 2025, via Unholy Conspiracy Deathwork. 

As the first single, and opening track to Verlust, "Aus der Finsternis" establishes the mood for the album. Through a sonic manifestation, DER ROTE MILAN focus on the initial shock, the first stage of loss in this track. The powerful and heavy instrumentation reveals a sense of destruction, of desolation, as the reality of the loss hits. Through the melodic elements, there is fragility but also a very faint touch of hope hidden amongst the gloom. 

Watch the video Below.

Verlust is steeped in a deep sense of humanity - of indulging in the human condition, even those parts many may wish to avoid. DER ROTE MILAN encourage us to sit with the discomfort, with the pain and acknowledge that change is certain, but it is not hopeless. 

DER ROTE MILAN is:
I (guitar)
II (synth, mix)
III (vocals)
V (guitar)
VI (drums)
VII (bass)

Credits:
Produced by DER ROTE MILAN
Recorded at Klangschmiede Studio E (Markus Stock)
Mixed and Mastered by Klangschmiede Studio E (Markus Stock)
Album Cover Artist: Matt Prison

Links:

Bandcamp: https://derrotemilan.bandcamp.com/
Facebook: https://www.facebook.com/derrotemilan
Instagram: https://www.instagram.com/derrotemilan.band/

Volbeat Scores Record-Setting Twelfth #1 on the Billboard Mainstream Rock Chart with "Time Will Heal"

Volbeat's latest single "Time Will Heal" is the band's twelfth No. 1 on the Billboard Mainstream Chart. 

The Danish band still holds the record for the most number one singles on the Billboard Mainstream Rock chart by an artist based outside of North America. 

The new milestone follows "By a Monster's Hand," which topped the charts for three weeks earlier this year and marked the band's eleventh #1 single. For those keeping score at home, Volbeat set the record back in March 2020 with "Die To Live" (feat. Neil Fallon), which was their eighth numero uno!

"Time Will Heal" and "By a Monster's Hand" live on the band's ninth album God of Angels Trust, which arrived on June 6. Get it here.

After a successful U.S. headline tour, Volbeat remain on the road, headlining Europe through the end of the year. All dates are here.

ABOUT VOLBEAT:
Volbeat have risen from the clubs of Denmark to some of the biggest stages in the world, collecting more than 145 gold and platinum certifications along the way. The band has also accumulated 18 top ten singles on the Billboard Mainstream Rock Airplay chart, including twelve number ones – the most of any band based outside of North America. They have received multiple awards across the globe and received a Grammy nomination for Best Metal Performance for "Room 24" (feat. King Diamond). Their ninth album, God Of Angels Trust was released on June 6 and features the number one hits "By a Monster’s Hand" and "Time Will Heal," along with fan favorites "Demonic Depression" and "In the Barn of the Goat Giving Birth to Satan’s Spawn in a Dying World of Doom."

The band, consisting of singer and guitarist Michael Poulsen, drummer Jon Larsen, bassist Kaspar Boye Larsen, and joined by lead guitarist Flemming C Lund while on tour, is currently on the third leg of The Greatest Of All Tours Worldwide, trekking across the UK and Europe.

Singer/Songwriter Adam Mac Releases Third Studio Album 'Southern Spectacle'

Rising country singer/songwriter and self-proclaimed “Southern spectacle” Adam Mac continues to pave his own lane as one of the genre’s most dynamic new voices with Holler noting, “it's no wonder his fans have started calling him ‘cowBoy George.’” Today the man Pride.com calls “fearless” releases his third studio album, Southern Spectacle. On Tuesday the independent recording artist kicked off release week making his national television debut performing album track “Old Photograph” on “The Kelly Clarkson Show.” Watch the performance HERE and listen to Southern Spectacle Below.

The LP features recent releases “Old Photograph,” called “a powerful country pop anthem” by Holler, title track “Southern Spectacle,” as well as “All Dollars, No Sense,” which Billboard hailed as a “must-hear” calling it "a bold, dancefloor-ready fusion of country and pop” and Pride.com declaring it is “the definition of queer joy.” The early tracks have set the stage for Mac’s most ambitious and unapologetic project yet.

“Southern Spectacle has been two years in the making,” shares Mac. “It’s bold, vulnerable and the most authentic I’ve ever been on a record. Every track is drawn from a lived experience, stories that shaped me — triumphs and setbacks. It’s my queer country experience seen through a technicolor neon lens. This album is me stepping into my power as a true ‘Southern spectacle,’ and I hope it helps folks find that same courage in themselves.”

Dubbed “country music’s very own Elton John” by PEOPLE, Mac will celebrate the album’s release tonight at 8 pm with a special performance at The Eighth Room. Limited tickets are available for purchase at eighthroom.com. 

Unafraid to sparkle in the spotlight – or speak his truth, Mac captures hearts with his Southern flair, raw truth and glitter-soaked twang. Southern Spectacle was produced by Jason Mater (with additional production by Sean Trainor, Warren Riker and HALLIE). The danceable fusion of country and modern pop was recorded over two days at Nashville’s Black River Studios and cements Mac’s reputation as one of the genre’s most original voices. 

“People want things to be like ‘this’ or like ‘that,’ and there’s not a lot of space for ‘both,’” Mac explains. “But I can be glamorous and flashy, and also raised on a Kentucky farm, with all the same values you have. I have just decided to embrace the full spectrum of who I am.
 
“I’m making music that I wish I had growing up – that I wish I could have seen myself in,” he shares. “And I feel like we’re doing something right.”
 
Mac was raised in Russellville, Kentucky, about an hour north of Nashville (and a world away from Music Row). A farm-and-church kid who loved The Spice Girls and Shania Twain and couldn’t stop singing, he soon moved on from bedroom vocal clinics to Sunday services and talent shows and started writing songs after losing a dear friend in high school. 
 
Mac also realized he was gay, and that was something to put out of sight. Enduring the typical pressure to “fix” his “unacceptable” truth, which he had fully internalized by age 22, he moved to Nashville to write songs he thought the mainstream would accept. By his own admission, nearly 10 years of struggle led nowhere – Mac’s agile vocal just wasn’t enough to overcome his vanilla vision of country pop. But with the pandemic, Mac realized he was doing “three chords and the truth” all wrong.
 
“I was trying to appease the masses and not ruffle feathers, or even hint at the fact I was a queer country singer,” he explains. “Then I decided to do what I loved and write songs without anything other than just being honest. With hindsight it’s like ‘Well, duh. That’s obviously what you should have been doing the whole time!’”
 
The creative epiphany worked wonders. Fusing vocal soul with a danceable country-funk mix (and the full fabulousness of his personality), 2023’s breakout hit “Disco Cowboy” set Mac free. The rapturous music video held the No. 1 spot on CMT’s 12-Pack Countdown for four weeks, leading to a full album of the same name and many conversations. 
 
Southern Spectacle is a definitive intersection of country music and queer identity. Twelve songs co-written by Mac with close friends (including an additional queer creator on most of the album’s tracks) mark a work of cloud-nine courage, with a resilient, revelatory sense of self-acceptance. Louder and prouder than ever, Mac dives further into the world he established on Disco Cowboy. “It’s so autobiographical to me, and also the starting point of where we left off,” he says. “This is the most honest I’ve been in any music – I really held no filter on it.”
 
In large part, that meant finally embracing his own story, contrasts and quirks included. 
 
“This album is a journey through a multitude of feelings – from feeling like you stand out in a small town, to growing up with an older sibling who was the epitome of everything your father wanted,” he says. “It feels like the complete story of where I’ve been, especially after the past two years.”
 
As a visible queer voice in country music today, Mac’s journey has not been without challenges. When he was scheduled to headline the Logan County Tobacco and Heritage Festival in his conservative hometown, backlash from local pastors sparked national headlines. His strength in the face of hate drew support from fans, hometown friends and celebrities alike – including Maren Morris, Kelsea Ballerini and Brandy Clark – and led to a guest appearance on Morris’ Lunatics Tour in Chicago.
 
As a lifelong outsider who’s learned to make his own space the central message of his work –  he wants everyone to know they matter, even if they’re complicated. So have a little fun.
 
“I hope that my community feels seen and represented and safe, and they have words for things they felt but were never able to explain,” he says. “For people outside of our community, I just hope they feel the joy – because that’s the way to make change. How do you argue with someone’s happiness?”
 
With his magnetic presence and rich storytelling, Mac continues to carve out space for queer voices in the country format showing that there’s room for every kind of story. For the latest news and updates follow along on Instagram, TikTok and Facebook @adammacmusic and online at adammacmusic.com.

Out Today From Reverya!

REVERYA is a mystical trio hailing from Tampa, Florida, whose sound drifts between the ethereal and thunderous. After the haunting debut EP Melinoe, they unveil their first full-length opus, Affliction In Bloom, set for CD release today October 24th, 2025.

This album is no ordinary collection of songs—it's a conceptual garden where each track blossoms as a distinct flower, embodying the trials and tenderness of human suffering. With titles drawn from nature’s poetry, each bloom holds symbolic weight, weaving an emotional tapestry meant to be experienced in full—start to finish, petal to petal.

The journey begins in stillness with "Allium", a soft, meditative prelude that eases listeners into the dreamy tendrils of "Wisteria".

"Allium" opens like a whispered incantation—two minutes of delicate acoustic reverie, drifting gently until faint, ethereal vocals rise like mist. The allium flower, symbolizing light and fortune, offers a soft blessing for the journey ahead. Rooted in garlic, it wards off darkness, setting the tone for the album's unfolding.

"Wisteria", one of REVERYA's earliest creations, bloomed even before the band fully formed. Born from political frustration, it reflects the dangerous allure of unchecked power. Like the Wisteria vine—beautiful yet poisonous—the song serves as a haunting reminder of the consequences of ignoring power’s dark side.

The album ignites with "Pyrophyte", a fiery counterpart to "Wisteria". With relentless screams, it mirrors escalating fury in the face of a corrupt, power-hungry world. Addressing global struggles, the song touches on war, division, and the uncertain future for younger generations. As chaos builds, a powerful, defiant singalong bursts forth, reminding us that we endure even through the fire. The title "Pyrophyte", referring to a plant that thrives in fire, symbolically connects to humanity’s resilience.

"Forget Me Not" follows, a tender exploration of the emotional weight in deciding whether to bring a child into this world of uncertainty reflected in predecessors, "Wisteria" and "Pyrophyte". Its soft piano and strings give way to raw vocals, capturing perhaps the most vulnerable moment on the record. The lyrics explore the anguish and desperation of parents watching their children suffer through internal and/or external struggles in such an evil and confusing world. Tender words cradled softly in warm blankets of orchestra and piano, cushioned with guitar chugs, and carried by luscious drums grooves.  The chorus poignantly illustrates the anguish of making such a choice, intertwined in a desperate apology leaving the listener to ponder over the only solo featured on the album. The nursery door is closed but never forgotten with a callback to the chorus played softly on a child's toy music box.

"Dahlia", the final flower to bloom, was crafted swiftly and naturally by the trio. Partially inspired by the Black Dahlia murder, the song reflects betrayal and emotional disintegration. A fitting partner to "Forget Me Not", the track captures the dark beauty of the flower—both musically and visually—marking a shift in tone with thall influences. "Dahlia" and "Forget Me Not" serve as emotional companions, validating pain within.

The final act unfolds like the setting sun—"Lily" acts as a delicate interlude, bridging "Dahlia" and "Asphodel". Using a reimagined piano part from "Asphodel", it drifts into an ethereal, somber atmosphere. Its simplicity is carried by lyrical motifs, referencing the journey so far while foreshadowing the final chapters. The white lily, traditional for funerals, symbolizes the album’s reflection on grief and loss.

"Lily" acts as a delicate interlude, bridging "Dahlia" and "Asphodel". Using a reimagined piano part from "Asphodel", it drifts into an ethereal, somber atmosphere. Its simplicity is carried by lyrical motifs, referencing the journey so far while foreshadowing the final chapters. The white lily, traditional in funerals, symbolizes the album’s reflection on grief.

"Asphodel" began with an instrumental foundation crafted by Travis and Kaleb, then later tailored to honor a loved one who suffered a stroke due to a brain tumor, leaving them paralyzed with no memory or chance of returning to their previous self, only to breathe unconsciously completely dependent on life support. The gut-wrenching decision to set them free with a prayer for a peaceful afterlife inspired the lyrics and atmospheric soundscapes. We journey through the stages of grief in this song with a soft verse, a pre-chorus and breakdown filled with angry desperation, bursting into the song's powerful and sentimental chorus, leading into a healing and hopeful singalong outro. In Greek Mythology, souls who have passed must wipe their memory by drinking from the River of Lethe, before they are peacefully transitioned to the Asphodel Fields where they experience a peaceful, eternal afterlife.

"Magnolia" is a heartfelt tribute to a grandmother who passed away during the pandemic. The song began with the lyrics alone as just a poem or letter for her, acting as an answer to a recording of her urging her grandchildren to spend time learning her language, Arabic, as well as confessing the happiness she felt being with her grandchildren despite the far distance. The scent of the Magnolia flower is that of her perfume which evokes early childhood moments spent together. Through fear, aggression, hope, harmony, heartbreak, grief, and more, this soft, sentimental track is a perfect send off to bring this journey to a close.

Affliction In Bloom is not just an album but a timeless voyage—an invitation to feel deeply, to hurt and heal, and to find meaning in both bloom and decay. It is deeply personal yet universal, an elegy, a wish, and a love letter wrapped in petals and pain.

REVERYA is:

  • Nadine  (Vocals/Keys)

  • Travis (Guitars)

  • Kaleb (Drums)

Album Credits:

  • Producer: Logan Clough, Justin Gregorio

  • Recording Studio: Creative Cult Recordings, Vanta Co Recordings

  • Engineer: Logan Clough

  • Mastering: Logan Clough

  • Mixing: Logan Clough

Album Cover Artist: Nadine

About REVERYA:

REVERYA is a Tampa-based progressive metal trio conjuring cinematic heaviness with adeeply introspective core. Formed in 2022, the band consists of Nadine(vocals/keys), Travis (guitars), and Kaleb (drums)—a powerhouse lineup blendingatmospheric textures, groove-heavy riffs, and emotionally charged vocals todeliver a genre-bending experience.

Drawing sonic inspiration from SPIRITBOX, JINJER, PERIPHERY, INVENT ANIMATE, and EVANESCENCE, REVERYA has carved a distinct space for themselves through a fusion of modern metal with ethereal soundscapes and haunting melodies. Their lyrics dive into surreal dream states, the complexities of emotion, and the connection between nature and the human psyche.

Their debut EP, Melinoe (2023), introduced the band’s affinity for myth and meaning, while their 2024 full-length album, Affliction In Bloom, pushed their artistry to new heights. Accompanied by visually striking music videos for "Wisteria" and "Dahlia," the band has continued to build are putation for immersive storytelling across both audio and visual mediums.

Frontwoman Nadine has also made waves outside the band, featuring on tracks like "A Living Burden" by HOLLOWBROOK and "Disconnect" by SPIRITUAL CHAOS, further showcasing her vocal versatility and reach within the heavy music scene.

Embarking on their first tour in July 2025, REVERYA is poised to bring their deeply emotive, crushingly beautiful sound to stages across the country—and soon, the world.

BLACKSHAPE Release New EP 'Prismer I' + "Feels Like Flying" Official Visualizer via Papercut Recordings

Atmospheric post-metal outfit BLACKSHAPE have released their new EP 'Prismer I' along with the official visualizer for "Feels Like Flying" via Papercut Recordings. The EP is the band's latest body of work since their 2021 self-titled full length, 'BLACKSHAPE'. Speaking about today's release, the band commented:

"Making 'Prismer I' was the most demanding creative endeavor of our lives. It tested friendships, stretched deadlines, introduced a new member, and pushed us to our absolute limits. We set out to make something bigger, heavier, and more beautiful than our first record, and we feel we’ve accomplished that. Musically, it captures the full spectrum of our elation and struggle throughout its creation.

Endless thanks to our producer and friend, Adam Cichocki (CHEE-HOT-SKEE), who worked tirelessly alongside us to bring this record to life. We couldn’t be more proud of what we created and can’t wait to release the first installment of Prismer into the world."

'Prismer I' is available now on all streaming platforms at the link here. Watch the "Feels Like Flying" visualizer below, and be sure to stay tuned for more BLACKSHAPE news coming soon.

ABOUT BLACKSHAPE

Haunting, intricate, and emotionally brutal, BLACKSHAPE create music that lives in the shadowed space between chaos and clarity. Their compositions stretch across post-metal, math rock, and ambient minimalism—twisting tension and release into something visceral and cinematic. For fans of sonic unease, dramatic builds, and songwriting that lives outside the lines.

Making Prismer I, BLACKSHAPE’s new record, pushed the band to their breaking point. The process became their prison, a crucible of relentless personal and creative pressure. But the music was a prism—refracting that pressure into something beautiful, harrowing, and cathartic, and ultimately reshaping their perspective in the very act of making it. The title reflects this duality, capturing both the burden of confined thinking and the liberation in breaking it apart. Like a prism splitting light, every experience expands perspective into countless paths, showing that escaping the prison of one view means embracing the full spectrum: beautiful, ugly, terrifying, and freeing. This is Prismer.

BLACKSHAPE is:

Bryan Lee

Joseph Woit

Josh Dunn

Scott Shepard

CONJURER - Release Third Album "Unself"

British metal heavyweights CONJURER today release their incredible third album, Unself, via Nuclear Blast Records. In celebration of the day, the quartet have also revealed the video for focus track 'All Apart'. 

Watch the video for 'All Apart' below;

Order Unself here: 
https://conjurer.bfan.link/unself

CONJURER's co-vocalist and guitarist Dani Nightingale states: "I approached this song with the idea in mind of the first bricks that make up the metaphorical wall someone might put (or find) between them and their surroundings, the world they inhabit, both physical and metaphysical. For many people in a similar or comparable position to mine, those initial instances of disassociation and alienation begin at school, when one is first integrated into a social and educational environment with their peers and those who watch over them.

"I can’t describe what it’s like to be vilified for behaviours and traits that are just normal and natural to you, but because no-one understands you – not even yourself – you’re forced to adhere to things you don’t understand and become something you’re not."

CONJURER will be touring Unself across the UK and Europe in November. UK dates will be supported by Pijn and Death Goals.
Ticket link: linktr.ee/conjureruk 
Full dates can be found at https://www.conjureruk.com/live

This record is the sound of four individuals living with more purpose and as a consequence creating with more purpose. Unself sees them reaching out to offer community, catharsis and connection. CONJURER remain true to their original mission - they’re still having fun, playing interesting heavy music - but now that music is imbued with the power that comes from opening themselves up to others, at first within the band, and now beyond.

Conjurer are:
Brady Deeprose | guitars, vocals
Dani Nightingale | guitars, vocals
Conor Marshall | bass
Noah See | drums

Conjurer online:
https://www.facebook.com/conjureruk
https://x.com/ConjurerUK
https://www.instagram.com/conjureruk
https://www.conjureruk.com

YELLOW SNOW ANNOUNCE NEW SINGLE, "WHAT'S THIS?" AND ACCOMPANYING MUSIC VIDEO

The next single and video from Yellow Snow's rocking and fun holiday album, 'Volume 1,' is ready to go – "What's This?" A classic tune penned by Danny Elfman that originally appeared in the classic Tim Burton film, 'The Nightmare Before Christmas,' the Yellow Snow lads make it all their own with their rendition, which can be enjoyed via this link: https://found.ee/whatsthis

Youtube video can be found below;
 
Concerning the song, Yellow Snow's creator, composer, multi-instrumentalist, producer, and vocalist Mike DiBiase, had this to say. “I never knew if it was a Christmas or Halloween song. Instead of doing a traditional orchestral arrangement, I thought, ‘Let’s do big Queen-Type vocals in place of that orchestral instrumentation and then let’s make it really rock with heavy guitars.’"
 
"So, I went downstairs and worked out the arrangement. Then, I drank a bottle of wine, and I sang it the best I could. The vein in my temple was about to pop out of my head by the time I was done, but it fits our brand. It’s definitely a rockin’ song now.”
 
For years, Rhode Island-born DiBiase — a lifelong musician and EMMY ® Award - nominated audio post production talent by trade — had “gifted” family and friends hard rock Christmas songs. He decided to bring them to the stage at a Rhode Island club in 2007 for the live debut of Yellow Snow, packing the house and donating a portion of the proceeds to various charities. 
 
He annually headlined shows throughout the ensuing years stirring up a level of cult fandom among the initiated. The music also quietly took on a life of its own as DiBiase’s original song “Giddy Yup, Santa Claus” landed a high-profile sync on The CW’s Riverdale. 
 
Armed with the framework constructed by DiBiase and his bandmates (Matt Baird, Al Diaz, Franklin La Barbara, Denise Gouvin, Jason Berndt, and Chris Piccirillo), he decamped to Nashville in order to finish recording what would become Yellow Snow’s full-length debut LP, 'Volume 1,' during 2023. 
 
And soon, the single and video for his rendition of "What's This?" is certain to stir up some serious holiday vibes for rock fans.

ARSENIC KITCHEN Conjures the Dead with Their New EP HANDBOOK FOR THE RECENTLY DECEASED

Prepare to cross over into the beautifully macabre. Arizona's dark alternative rock force ARSENIC KITCHEN returns with their most ambitious and haunting work to date — the new EP, Handbook for the Recently Deceased, out NOW

The narrative of “Devil’s Advocate” presents the story of a reaper figure who develops sympathy for the individuals he observes. This narrative strategy introduces the EP’s conceptual framework, which explores themes of morality from an unconventional perspective. The single is accompanied by a music video that highlights the band's focus on visual storytelling. The video depicts the reaper encountering individuals at their moment of passing and presenting each with a copy of the “Handbook for the Recently Deceased,” a direct homage to director

Tim Burton’s 1988 film, Beetlejuice

ARSENIC KITCHEN will be featured this weekend, Saturday

October 25 at the Desert Grey Festival in Mesa, Arizona. This event will double as a celebration of their release and they will be performing main stage. The EP will feature a short film that will be released alongside it. 

Tickets can be purchased HERE

ARSENIC KITCHEN is a fusion of early 2000s Alternative and modern Post Hardcore that evokes feelings of nostalgia and heartbreak, anger and excitement, weaved into a theatrical stadium level performance no matter the setting.

From the deserts of Phoenix, Arizona the band stand out as uniquely high energy and meaningful musicians onstage & off. Through the musicality and lyrics of every song, ARSENIC KITCHEN is able to reach and connect with the deepest feelings and emotions of listeners. 

Long Distance Calling Release "Out There" From Upcoming Album "Live at Lichtburg"

LONG DISTANCE CALLING RELEASE "OUT THERE" FROM UPCOMING ALBUM LIVE AT LICHTBURG — PRE-ORDER

With "Out There," LONG DISTANCE CALLING present the second single from their upcoming live album Live At Lichtburg, set for release on December 5. 

Fresh off their spectacular performance at the Can Festival in Zhoushan, China, the band now unveils the live rendition of "Out There," recorded during a celebrated show at the historic Lichtburg Cinema in Essen in February 2024. The sold-out concert in front of more than 1,200 fans became an emotional high point for both the band and the audience.

Following the intense first single "Kamilah," its follow up "Out There" reveals a contrasting side of the band: Expansive, dynamic, and filled with cinematic tension. Gradually unfolding into a breathtaking piece of instrumental storytelling, the track captures everything that defines LONG DISTANCE CALLING live: Raw energy, intricate detail, and deep emotional resonance.

The accompanying live video translates this magic into stunning visuals — the glowing stage lights of the Lichtburg, the band's focused performance, and an audience completely immersed in every note.

Watch "Out There" video below.

Listen to "Out There" now. 

Live At Lichtburg not only documents the biggest concert in LONG DISTANCE CALLING's career so far, but also marks a new artistic chapter. With reimagined arrangements, orchestral textures, and a commanding live presence, the album captures why the band remains one of Europe's most compelling forces in progressive and instrumental rock.

The album will be released via earMUSIC in multiple formats:

2LP Gatefold Heavyweight 180g + Blu-ray and CD + Blu-ray Digipak, combining the full audio and visual experience of this unforgettable night.

Pre-order Live at Lichtburg here. 

INDUCTION Release Title Track And Video "Love Kills" From Upcoming Studio Album 'Love Kills!'

Power metal visionaries INDUCTION continue their unstoppable rise with the release of the electrifying title track and video “Love Kills”, taken from their forthcoming studio album Love Kills!, due out February 6, 2026 via Reigning Phoenix Music.

Feel the surge: “Love Kills” is a fierce anthem pulsing with raw emotion and unstoppable energy. The track captures both the pain and power of love’s downfall, celebrating the resilience that endures even after the flame seems to die. With soaring vocals, thunderous riffs, and cinematic emotion, “Love Kills” reminds us that even in the darkest moments, love’s light never truly fades.

Guitarist and Songwriter Tim Kanoa Hansen shares:
“‘Love Kills... but it’s never gonna die.’ This simple motto inspired most of Induction’s upcoming third album, which is why it became the title track. It’s deeply personal, full of raw emotion — but it also delivers a message of strength: life always goes on, and we are the masters of our own fate. No matter how dark the days, love will always return. As C. Joybell once wrote, ‘Love, I’m convinced, is found in the darkness. It’s the candle in the night.’”

Stream / Download: https://induction.rpm.link/lksinglePR

Watch the music video below.

Following a storm of milestones — including a series of live dates supporting the legendary SAVATAGE, a frenetically acclaimed debut at Wacken Open Air, and the release of fan-favorite singles “Beyond Horizons” and “Dark Temptation” — INDUCTION are firing on all cylinders.

Crafted at Chameleon Studios and Boogie Park Studios in Hamburg, the album was produced by Tim Kanoa Hansen and mixed and mastered by Eike Freese in collaboration with the guitarist. Love Kills! marks the beginning of a new era for INDUCTION, defined by musical evolution, emotional depth, and a fearless drive to push the boundaries of modern power metal!

Pre-Save / Pre-Order the album at: https://induction.rpm.link/lovekillsPR

In support of the upcoming album, the band will join VISIONS OF ATLANTIS and WARKINGS on the 2026 “Pirates & Kings Over Europe” tour, hitting 20+ cities across the continent in February and March!

INDUCTION are:

Gabriele Gozzi | vocals
Tim Kanoa Hansen | guitars
Justus Sahlman | guitars
Dominik Gusch | bass
Markus “Maks” Felber | drums

 

More on INDUCTION:

inductionofficial.com | Facebook | Instagram | Threads | TikTok

YouTube | X | Spotify | Apple Music | RPM

Texas-based electronic artist PARIS MUSIC CORP. releases sophomore 'Ecotone' album

Texas-based electronic and ambient composer Paris Music Corp. a.k.a. John Andrew Paris presents  his latest electronic odyssey 'Ecotone', a futuristic trip, along with a video for the track 'Rituals'. A deeply personal and geographically-inspired exploration, this record is rooted in the artist's return to his childhood home in South Texas, just miles from the border and a stone's throw to the coast. 

Originally from Austin, John Andrew Paris has spent decades creating music and collaborating with artists, including Arthur Brown (The Crazy World of Arthur Brown, perhaps best known for his hit single 'Fire'), as well as DJ Rev Kathy Russell, DJ Lucas Ray, Catastrophe Ballet, Le Reve, Life's Eyes, Beast of Eden, OBOYO and Don Wigwam.

"After relocating Paris Music Corp. to Brownsville, TX, it became apparent that wildlife and nature in general were at the forefront with living on the border of Mexico next to the sea. The 'Ecotone' album made sense to me because you have a transitional zone, where two different ecological communities or ecosystems meet and intermingle, often resulting in high biodiversity,” says John Andrew Paris.

"I feel a lot closer to nature. The wildlife even comes into my yard - armadillos, snakes, ducks and birds of every kind, including parrots. Also tree frogs that are only known to exist in this subtropical climate. I am close to a birding center and a fish hatchery as well, so all of this has inspired me. I am 2.8 miles from the Mexican border and close to the Gulf of Mexico. Some of my song titles reflect where I am. I actually lived in this area as a child and have come back to my roots."

Known for his cinematic and ethereal music, on this album, Paris Music Corp.'s music also shows its dark underbelly and futuristic imagination. Often with elements of 80’s darkwave and ambient soundscapes, his trademark sound includes heavily processed guitar and bass instruments locked into layered loops and further manipulated using software. Also employing live hand percussion, these dense soundscapes take the listener on a sonic journey to otherworldly places.

"This album was inspired by my new surroundings and the hyper close relationship to nature and the Mexican border. Ecotone is described as a transitional area between 2 distinct ecological communities - like my area which is the Rio Grande River and the Gulf of Mexico. What you also have is 2 cultures in Mexican and the American and how those have produced a culture of their own," says John Paris.

Earlier, Paris Music Corp. shared the lead track 'No Soy A.I.', featuring the searing Spanish vocals of fellow Texan musician, writer and actor RayPerez. In a world increasingly dominated by the cold, calculated logic of artificial intelligence, this dark slab of swirling electro casts a sonic challenge to the algorithmic chill of our times and the only track on this album with vocals. This song also addresses the coldness of some of AI’s tendencies, such as people already having AI girlfriends and boyfriends. 

In 2022, Paris Music Corp. released his self-titled album, after taking hiatus for half a decade following the release of his debut album 'Rewind' in 2017.  Fast forward to autumn 2025 - now Paris is ready to release the next collection of his electronic adventures, having  written, recorded, mixed and mastered this full album at Tarantula Studios throughout 2024 and 2025. 

Influenced by the likes of Mick Karn, Pink Floyd, Gary Numan, Tim Hecker, Casino Versus Japan and Miles Davis, John Andrew Paris has also scored 2 independent films - the documentary 'Andy Paris: Bubble Gum King', also released as an album, and the short horror film 'Spectral Wind'. He has also created a clever electronic rework of 'Lord of the Dance' for the Austin Christmas Collection Album.  

As of October 24, the 'Ecotone' album is available from digital platforms, including Apple Music, Spotify and Bandcamp.

CREDITS
All music written, recorded, mixed & mastered by John Paris
at Tarantula Studios in 2024-2025
Performed by John Andrew Paris, except vocals on 'No Soy A.I.' by RayPerez
Album cover / photo by John Paris
Video created by Gabriel Ramirez
John Paris photos by Jennifer Paris
RayPerez photos by Gabriel Ramirez
Publicity by Shameless Promotion PR

Keep up with Paris Music Corp.   
Website | Facebook | Bandcamp | Soundcloud | Instagram | Twitter | YouTube | Apple Music | Spotify | LinkTree | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | BlueSky | Threads | Soundcloud | Link edIn | Email

ALEXANDRA KAY’S SECOND WIND UNLEASHES BOLD NEW ERA - NEW ALBUM AVAILABLE NOW

- Billboard’s Rookie of the Month Alexandra Kay returns with fierce creative momentum and unstoppable energy in sophomore album, Second Wind — a career-defining project that’s rooted in resilience, reinvention and raw emotion - available now. Listen Below.

“Second Wind is about honoring the moments when you think you’re finished — and realizing you’ve only just begun,” Alexandra shares. 

Produced by Andrew DeRobert with the Billboard-charting artist co-writing all but two tracks, Second Wind marks a triumphant evolution — both sonically and spiritually. Breathing new life into her story, Second Wind is a revival, hitting like a spark in the dark - magnetic and glowing with possibility. Through shimmering synths, soulful vocals, and razor-sharp lyricism, the fierce new project invites listeners into a deeply personal journey of renaissance, vulnerability, and the power of starting over stronger. 

Woven with golden honesty and infused with her timeless vocals, critics are already buzzing over the Pandora 2025 “Artist to Watch: Country” and CMT 2025 Next Women of Country member. With over 8.7M social media followers, her brilliant storytelling is "custom-made for the country music genre" (People).

Featuring “Straight For The Heart” that’s impacting country radio November 10, the magnetic single has already amassed over 1.6M on-demand streams and earned placement on the hottest DSP playlists including New Boots (Spotify) + Breakthrough, Country (Amazon Music) + New Country (Pandora) + Country's New Crop (YouTube Music). 

The project also includes fan-favorites “Feminine Energy” and “What He Does” that Entertainment Focus called “a bold, feisty new banger” and “one of the most moving tracks of her career.” The album also includes “The Last” that MusicRow praised as “a delightful listening experience,” and “Cupid’s A Cowgirl” that Us Weekly boasted as “a raucous take on the single life.” Furthermore, “What He Does” claimed the top spot on the iTunes Country chart upon release, beating out several household names, and climbed to Top 5 All Genre. 

Now on her third headlining tour of the year — following a high-profile summer run with Brad Paisley — Second Wind: The Tour finds Alexandra at her most powerful, continuing to captivate audiences and pack out venues across the country through November, before she returns to the Grand Ole Opry on December 12.

With her critically acclaimed independent debut album, All I’ve Ever Known, hitting #1 on iTunes (All Genre & Country) and Top 10 on multiple Billboard charts (Current Country Album, Emerging Artist and HeatSeeker), the heart-first starlet is serving up the same tear-streaked ballads, poetic storytelling and diary-deep honesty that fueled her divorce album and her fans crave.


Second Wind: The Tour Dates:
Oct. 25 - Mobile, AL - Soul Kitchen Music Hall
Oct. 26 - Huntsville, AL - Mars Music Hall
Oct. 28 - New Orleans, LA - House of Blues
Oct. 29 - Little Rock, AR - The Hall
Oct. 30 - Columbia, MO - Rose Park
Nov. 1 - Oklahoma City, OK - Diamond Ballroom
Nov. 2 - San Antonio, TX - Vibes Event Center
Nov. 4 - Tucson, AZ - Encore
Nov. 5 - Anaheim, CA - House of Blues
Nov. 6 - Las Vegas, NV - Brooklyn Bowl
Nov. 8 - Reno, NV - Grand Theatre at The Grand Sierra Resort
Nov. 9 - Boise, ID - Shrine Social Club
Nov. 11 - Colorado Springs, CO - Phil Long Music Hall
Nov. 13 - Wichita, KS - Cotillion Ballroom
Nov. 14 - Lincoln, NE - Bourbon Theatre
Nov. 15 - Clive, IA - Horizon Events Center
Nov. 16 - Milwaukee, WI - The Rave
Dec. 12 - Grand Ole Opry - Nashville 

KEEP UP WITH ALEXANDRA KAY

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | X | FACEBOOK

Photo Credit: Alysse Gafkjen

Thrash Metal Outfit NUKEM Debut Performance Video for Furious New Single, "Random Acts of Violence"

California has always been fertile ground for thrash metal, leading the charge with some of the genre's most legendary acts. San Diego's NUKEM follows in the footsteps of thrash metal's founding fathers, producing the kind of time-tested, neck-breaking thrash that invokes deep nostalgia while still sounding fresh and modern.

Now, the thrashers have not only forged a new union with the label Redefining Darkness, but they are now unleashing a raucous new single, "Random Acts of Violence," which also features a guest guitar solo from Russ Tippins of the band Satan. The track is now available along with a visceral performance video that is sure to summon the kind of balls-to-the-wall, feral mosh pit that would make the late, great Paul Baloff proud. Watch the video Below.

NUKEM guitarist/vocalist Steve Brogden comments on the heavy yet important lyrical content of the song, "We are stoked to share the first single 'Random Acts of Violence' from our new record. This track is a full bore aggressive thrash metal attack that directly mirrors its lyrical content. In an age where mass shootings, stabbings & people getting beat to death in the streets for a social media challenge has become normal, It truly shows how lost we are as a society. 24 years ago, there was a shooting at my high school leaving 2 dead & 13 wounded by a 15 year old armed assailant. In almost a quarter century, things have certainly not gotten any better!”

"Random Acts of Violence" is taken from NUKEM's forthcoming sophomore full-length, for which details will soon be revealed! Stay tuned...

Nukem is a Thrash metal force from San Diego, California, that delivers an honest, old school

thrash attack. Formed in 2012, Nukem released their 2016 debut album "The Unholy Trinity",

which was mixed & mastered by Ulrich Wild (Pantera, Static X, Dethklok, White Zombie) and

was released via Sleaszy Rider Records out of Greece.

Nukem had entered the studio in 2024 once again with Ulrich Wild to work on our second album. Ten songs of pure molten metal! Some songs are full on unstoppable Bay Area style Thrash metal violence while others are more of a mid tempo power groove. Nukem has now forged a new union with Redefining Darkness for the release of their oncoming onslaught... stay tuned!

Recording Lineup:

Steve Brogden - Vocals & Guitar

Norm Leggio - Drums

Don Lauder - Bass

Live Lineup:

Steve Brogden - Vocals & Guitar

Norm Leggio - Drums

Don Lauder - Bass

Xander Gambini - Guitar

Guest Musician: Guitars by Russ Tippins (Satan)

Recorded at The Wilderness Studios with Ulrich Wild  

Forge Audio with Steve Brogden

Mixed by Ulrich Wild 

Mastered by Maor Appelbaum

THE HALO EFFECT UNVEIL A POWERFUL RENDITION OF PHENOMENA'S 'DANCE WITH THE DEVIL'

Swedish melodic death metal collective THE HALO EFFECT continue to reveal tracks from their forthcoming cover EP We Are Shadows, out November 21.

Each band member has chosen a personal favorite song to reinterpret, and this time it’s guitarist Niclas Engelin’s turn. His choice: the 1985 classic 'Dance With The Devil' by the legendary “supergroup” PHENOMENA, featuring Glenn Hughes, Mel Galley (Whitesnake), and Cozy Powell, among others.

THE HALO EFFECT’s version transforms the iconic track into a crushing, melodic storm — with Mikael Stanne’s ferocious growls and the band’s trademark guitar-driven intensity breathing new life into the timeless song.

Niclas Engelin recalls the song’s lasting impact:
“I got hit by lightning in the 7th grade when I got to borrow the album by Phenomena from my friend Emil Olsen. The song Dance With The Devil struck me hard, and I recorded the whole album on cassette — which I played into dust.”

We Are Shadows will feature unique reinterpretations personally chosen by each member of THE HALO EFFECT, showcasing the diverse influences behind one of Sweden’s most acclaimed modern metal acts.

Listen to 'Dance With The Devil': https://thehaloeffect.bfan.link/dwtdsg

Watch the visualizer Below;

Pre-order the EP We Are Shadows: https://thehaloeffect.bfan.link/waslp

THE HALO EFFECT is:
Niclas Engelin | guitar
Jesper Strömblad | guitar
Mikael Stanne | vocals
Peter Iwers | bass
Daniel Svensson | drums

PROFANE ELEGY Declares Defiance with New Single “I Am”

Independent black metal force PROFANE ELEGY returns with their latest single, “I Am,” a blistering anthem of rebellion and self-assertion that challenges both divine authority and human limitation.

Emerging from the underground in 2023, PROFANE ELEGY began as a two-man studio vision before evolving into a full four-piece band. Though divided across Pennsylvania and New Jersey, the members have built a creative bond through remote collaboration. Countless file exchanges, late-night group chats, and a shared intensity brought their upcoming full-length album Herezjarcha to life.

“I Am” draws inspiration from the Book of Exodus, where Moses demands the name of God and receives the cryptic reply, “I am that I am.” In the hands of PROFANE ELEGY, this moment of divine revelation becomes a declaration of human defiance. It is not an act of submission but one of reclamation. With searing riffs, towering percussion, and an unrelenting vocal presence, “I Am” channels raw conviction into a sonic embodiment of will and resistance.

Following their acclaimed 2023 debut When All Is Nothing, which drew praise for its fusion of atmospheric black metal and doom-laden despair, the upcoming record promises to be heavier, more dynamic, and thematically deeper. Produced by J Gulick and mastered by Kevin Antreassian (Backroom Studios), Herezjarcha embodies the band’s commitment to vision over genre purity, weaving together black, doom, death, and progressive elements with orchestral textures and philosophical lyricism.

About PROFANE ELEGY

PROFANE ELEGY is a black metal band from Bangor, Pennsylvania, formed in late 2021 by guitarist J Gulick and vocalist Mikael L. Originally conceived as a two-man studio project, the band quickly evolved into a full lineup with the addition of bassist David G and drummer Sean M in 2023. What sets PROFANE ELEGY apart is their refusal to remain confined within genre boundaries—while rooted firmly in black metal, their sound incorporates elements of death, doom, and progressive metal, often enhanced by orchestral arrangements and clean vocals.

The band’s debut album When All Is Nothing (2023) was released independently and drew attention for its blend of atmospheric aggression and emotional vulnerability. The release earned praise for its ability to move fluidly between blistering speed and melancholic melody, with Doom Heart calling it “a massive Doom delight.” Following the album’s release, PROFANE ELEGY made their live debut and began performing across the northeastern United States, including a notable support slot for Dark Funeral in late 2024.

Lyrically, the band explores themes of nihilism, mortality, philosophy, and religious symbolism, often invoking figures like Satan not as dogmatic statements, but as metaphors in a broader spiritual and existential dialogue. Their work is poetic, introspective, and often challenges the listener to confront uncomfortable truths about life, death, and belief.

Their upcoming full-length album Herezjarcha, set for release in January 2026, represents the band’s most ambitious and expansive work to date. With a more dynamic sound, deeper orchestration, and a clear conceptual throughline, the record pushes their sonic and thematic boundaries further than ever before. The album title, the Polish translation of the English word heresiarch (meaning arch-heretic), encapsulates the spirit of the band: rebellious, introspective, and unafraid to question the sacred.

PROFANE ELEGY continues to forge a unique path within the underground metal scene. Blending bleak intensity with philosophical weight, they aim not just to be heard—but to be felt.

PROFANE ELEGY is:
 

  • Mikael L – Vocals, Orchestration

  • J Gulick – Guitars, Orchestration

  • David G – Bass, Orchestration

  • Sean M – Drums


Connect with PROFANE ELEGY:
 

ALL THE DAMN VAMPIRES Announce Debut Album; Share New Single & Music Video "Last Man Standing"

Los Angeles based synthwave-meets-alternative-metal pioneers, All The Damn Vampires have dropped brand new single, "Last Man Standing", alongside a sprawling, neon-drenched visual that watches two lovers refuse to let go of eachother as Los Angeles, and everything around them, burns to the ground. The track blends vintage synthwave textures with crushing alternative metal and arrives as the first single from the project's debut album VICECORE, which the band are proud to announce is set for release February 4th, 2026. Fans can stream "Last Man Standing" HERE, watch the video Below and pre-order VICECORE on vinyl HERE.

Founded, produced, mixed, and mastered entirely by multi-instrumentalist Davey Oberlin, a longtime touring member of Korn who's also played in Winds of Plague and Five Finger Death Punch, All The Damn Vampires fuses the cinematic grandeur of John Carpenter soundtracks with the emotional heft of Type O Negative and the retro-futuristic shimmer of Daft Punk. On VICECORE, Oberlin also plays guitar, bass, and keys, while powerhouse vocalist Ryan Rose, who makes his professional debut with the project, delivers soaring, classically trained performances that cut through the project's dense, atmospheric production. Virtuoso guitarist Miles Dimitri Baker rounds out the lineup.

"Last Man Standing is where I bring synthwave and crushing alt-metal together—the retro synths meet brutal guitar chugs in a way that just makes sense," Oberlin says. "At its core, though, the song is about loyalty and love: being there for someone no matter how much they hurt you or tear the world down, and still standing strong as the one who never leaves."

The video, created by The (John) Candy entirely using AI, unfolds like a fever dream through abandoned suburban Los Angeles. Golden hour light gives way to nighttime neon as rain-soaked streets, crumbling shopping malls, and dive bars flicker under pink and blue hues. A couple reaches for each other across porches and fog-choked alleyways while the city burns in the distance. By the final frame, they're suspended above a palm tree-lined street, silhouetted against the inferno, choosing each other as everything collapses around them. It's Drive meets Grand Theft Auto meets Miami Vice, shot through with Halloween gothic romance and apocalyptic longing.

There's a DIY ethos that runs through every element of VICECORE. Recorded over 18 months, the album weaves reimagined covers of classic tracks with original songs built to stand alongside them, creating what Oberlin describes as "an album you could really get lost in driving, something that might take people back while introducing them to new vibes through modern production." The album also features contributions from synthwave producer Sunglasses Kid on the title track, plus guitar solos from virtuosos Andy James and Miles Dimitri Baker. The aesthetic draws from Miami Vice, hardcore merch culture (think Nails), and Los Angeles gang imagery, filtered through Oberlin's deep love of film soundtracks such as Blade Runner, The Lost Boys and The Goonies and a childhood spent obsessing over Type O Negative, Korn, and Alice in Chains.

All The Damn Vampires has already carved out a lane at the intersection of heavy music and visual media. The project's music appeared in cult horror film Terrifier 2, while Oberlin's collaboration with Avenged Sevenfold on a reimagined version of "Ordinary", which he produced and co-wrote, debuted via a secret Fortnite puzzle, introducing the project to an entirely unexpected audience. With over 11.7 million cross-platform streams and 2 million YouTube views to date, All The Damn Vampires continues to build a world where nostalgia can be both camp, cinematic and completely crushing, all at the same time.

ABOUT ALL THE DAMN VAMPIRES

All The Damn Vampires is more than a music project. It’s a cinematic world crafted by musician and producer Davey Oberlin. Built on a foundation of synthwave, goth metal, and cinematic sound design, the project evokes neon‑drenched cityscapes, emotional storytelling, and an unapologetic embrace of retro‑futuristic aesthetics.

Oberlin’s musical pedigree adds depth to the project. Having performed and toured with legendary acts like Korn, Five Finger Death Punch, and Winds of Plague, he brings a unique perspective that fuses heavy music sensibilities with lush, melodic synth textures. This balance of grit and atmosphere has become a hallmark of All The Damn Vampires.

The project’s reach has extended into visual media, with its music featured in films such as the cult‑favorite Terrifier 2, connecting the sound of All The Damn Vampires with horror and synthwave subcultures worldwide.

Further elevating the project, Oberlin collaborated with Avenged Sevenfold on a reimagined version of their song “Ordinary.” Serving as both producer and co‑writer, he infused their track with his distinctive sonic vision, melding synth‑pop vibrancy with the band’s powerful rock identity.

Whether crafting immersive soundscapes or collaborating with some of the biggest names in modern music, All The Damn Vampires continues to push boundaries. Delivering beautifully evocative music that’s as cinematic as it is unique and unforgettable.