TRIBAL GAZE REVEAL NEW ALBUM, INVEIGHING BRILLIANCE, OUT OCT 17TH

Following their recent signing with Nuclear Blast Records, Texas death horde TRIBAL GAZE has announced their 2nd full-length album, Inveighing Brilliance, will be released on October 17th. Injecting a heavy dose of scorching old school death metal straight into the veins of the modern metal scene, TRIBAL GAZE hold nothing back on their massively anticipated followup to 2022’s highly praised The Nine Choirs.

The band has unleashed their furious first single, ‘Beyond Recognition,’ with an intense video directed by David Brodsky (CATTLE DECAPITATION, CANNIBAL CORPSE).

Commenting on the impending record and new single, guitarist Quintin Stauts says:

“I think this album, like our others, is us trying to create memorable parts in songs. Parts that make you have to rewind and hear it again. The aim is always to make songs that we love listening to. We’re just trying to add something of value to the death metal world. Our single Beyond Recognition is a good representation of where we’re at mentally. Pissed during the fast parts, pissed during the slow parts.”

TRIBAL GAZE will tour North America in support of Inveighing Brilliance this fall, sharing the stage with THE ACACIA STRAIN, CATTLE DECAPITATION, ABORTED, FROZEN SOUL and more. Tickets are available HERE.

Stream ‘Beyond Recognition’: https://tribalgaze.bfan.link/beyond-recognition

Pre-Order Inveighing Brilliance: https://tribalgaze.bfan.link/inveighing-brilliance

“BEYOND RECOGNITION” MUSIC VIDEO BELOW

TRIBAL GAZE Tour Dates with THE ACACIA STRAIN, BODYSNATCHER and INGROWN:

08.01 Lawrence, KS @ Granada Theater
08.02 Denver, CO @ Summit Music Hall
08.03 Salt Lake City, UT @ The Complex
08.05 Seattle, WA @ El Corazon
08.06 Portland, OR @ Roseland Theater
08.07 Sacramento, CA @ Ace of Spades
08.08 Los Angeles, CA @ 1720
08.09 San Diego, CA @ Soma
08.10 Mesa, AZ @ Nile Theater
08.12 Dallas, TX @ Granada Theater
08.13 Houston, TX @ White Oak Music Hall
08.15 Tampa, FL @ The Orpheum
08.16 Atlanta, GA @ The Masquerade (Heaven)
08.17 Charlotte, NC @ The Underground
08.19 Richmond, VA @ Canal Club
08.20 Baltimore, MD @ Baltimore Soundstage
08.21 New York, NY @ Irving Plaza
08.22 Philadelphia, PA @ TLA
08.23 Worcester, MA @ The Palladium

TRIBAL GAZE Tour Dates with CATTLE DECAPITATION, ABORTED and FROZEN SOUL:

11.16 Mesa, AZ @ The Nile Theater
11.18 Oklahoma City, OK @ Diamond Ballroom
11.19 Dallas, TX @ Granada Theater
11.20 San Antonio, TX @ Vibes Event Center
11.21 Houston, TX @ Bad Astronaut Brewing Co
11.22 Baton Rouge, LA @ Chelsea's Live
11.24 Atlanta, GA @ The Masquerade
11.25 Tampa, FL @ The Orpheum
11.26 Ft. Lauderdale, FL @ Revolution Live
11.28 Charlotte, NC @ The Underground
11.29 Richmond, VA @ The Canal Club
11.30 Baltimore, MD @ Baltimore Soundstage
12.02 Brooklyn, NY @ Warsaw
12.03 Worcester, MA @ The Palladium
12.05 Montreal, QC @ Club Soda
12.06 Toronto, ON @ Concert Hall
12.07 Detroit, MI @ Saint Andrew's Hall
12.09 Chicago, IL @ House of Blues
12.10 Minneapolis, MN @ First Avenue
12.12 Denver, CO @ Summit
12.13 Salt Lake City, UT @ Urban Lounge
12.15 Portland, OR @ Roseland Theater
12.16 Seattle, WA @ The Showbox
12.18 Sacramento, CA @ Ace of Spades
12.19 San Diego, CA @ Observatory North Park
12.20 Los Angeles, CA @ The Belasco

About TRIBAL GAZE:

Arising from the scorched earth of Texas, Tribal Gaze return with “Inveighing Brilliance”, a death metal monolith shaped by ancient violence and unforgiving truth. Recently signed to Nuclear Blast Records, the band conjures visions of primal wrath and nihilistic clarity—a sound rooted in the rawness of old-school death metal but sharpened with modern intent. From their name, inspired by unseen forces watching from deep forests, to the crushing weight of their riffs, Tribal Gaze channels something ancient, unknown, and violently present.

“Inveighing Brilliance” is a meditation on the illusion of beauty in nature and existence, and how it pertains to both Mother Nature, and our wretched, human society. Even in moments of light, brutality lurks—eggs are stolen from nests, flesh is torn for survival. This album dissects this duality, revealing the suffering embedded in every living moment. With digital artwork by Dom Pabon (Final Resting Place) that evokes sci-fi decay and meditations of ancient ruin, the album looks and sounds like a lost realm where reality fractures under the pressure of its own contradictions.

Tracks like “Beyond Recognition” and “To the Spoils of Faith” expand on these apocalyptic themes. The former imagines an outside force annihilating humanity in judgment of its arrogance, built on some of the band’s most punishing riffs to date—swinging between chaos, groove, and sheer obliteration. The latter churns with mechanized fury and contempt for blind belief, echoing Meshuggah-like timing with lyrics that drag faith to its own ironic hell. Across the record, Tribal Gaze capture the violence of thought and sound in equal measure—uncompromising and vividly self-aware.

Their ascent to Nuclear Blast was anything but formulaic. After leveling stages on tour with Frozen Soul, the band caught the attention of legendary A&R Monte Conner, who waited outside a venue in New York just to share his admiration. That moment solidified a new chapter for Tribal Gaze—a label that values creative freedom and pushes bands to expand without dilution. With “Inveighing Brilliance”, they’ve done just that: stripped away illusion, stared into the abyss, and made it echo.

Follow TRIBAL GAZE:

Facebook | Instagram | Bandcamp | Spotify | Apple Music

INFERNO FESTIVAL NORWAY 2026 Reveals First Wave of Bands; DEICIDE, OLD MAN'S CHILD

INFERNO FESTIVAL NORWAY 2026 is now proudly welcoming the first wave of bands to next year's edition, which will once again take place across several venues in Oslo (NO) during Easter from April 2 - 5! Deicide, Old Man’s Child, The Kovenant, Kanonenfieber, Incantation, Whoredom Rife, Darvaza, Perchta, and Myr are confirmed to conquer the festival!

Tickets and passes can be found HERE.

The full lineup is now as follows with more TBA:

Deicide

Old Man’s Child

The Kovenant

Kanonenfieber

Incantation

Whoredom Rife

Darvaza

Perchta

Myr

+ more TBA!

Adam Ezra Group - REVELATE IS OUT NOW

Revelate is out around the globe now!!

Revelate is live on all streaming platforms!!  Stream Revelate!

You all have been so incredible, sparking new fans and listeners from all over the world by streaming our last release, “Sweet Beautiful Thing.”  Revelate is the first song we’re releasing from the album we’ve been working so hard on for the last year and a half, and will be releasing in full over the next 10 months.  We can’t wait for you to hear it, and fingers crossed that more and more folks out there get excited about listening!! 

Acres to Extend New Album "The Host" With More Material + Band Shares "Push Me Away" Video

UK band ACRES will release the continuation of The Host on September 26 via Solid State Records. Pre-order it here. 

What, exactly, is the continuation of the band's critically acclaimed album, which arrived earlier this year? We're glad you asked.

It's even more Acres music, which is always a good thing.

The expanded edition is a continuation and completion of the original, adding three new tracks.

The band shares the video for one of those new songs — "Push Me Away" (Feat. Landon Tewers).

Watch it below.

"'Push Me Away' is almost like a confession of self-doubt, a reflection on feeling like you're the weight holding someone back, and believing they'd be better off without you," the band says. "When we wrote this in the studio, we instantly knew this was the song we wanted to have a feature on and we honestly couldn't think of anyone better than Landon. We're so grateful he wanted to be part of this!"

Acres are touring with Like Moths to Flames this fall. All dates are below.

Audiences initially fell under Acres' spell in 2019 when they unveiled the fan favorite Lonely World. After grinding on the road, they made significant strides with 2023's Burning Throne. "My Everything" reeled in 2.6 million Spotify streams followed by "Hold On" with another 2 million Spotify streams. Kerrang! applauded how, "Acres display their potential with some big choruses to match," and When The Horn Blows hailed Burning Throne as "a classic metalcore album filled with swinging hooks, rough riffs, popping electronic elements and lovely vocals that turn into monster screams."
 
During October 2024, the band hopped the pond to record what would become The Host with none other than The Plot In You frontman Landon Tewers behind the board as producer. The musicians stayed at his Michigan studio. Beyond enjoying the onset of Halloween in America, they expanded their sonic palette by incorporating elements such as drop-tunings and leaning on the producer's perspective, acumen, and wisdom. The album was lauded by Kerrang! Rock Sound, HM, Idobi, New Noise, and more.

PHOTO CREDIT: Ray Duker

ACRES ARE:
Ben Lumber  // Alex Freeman // Ash Scott // Jack Rogers 

ACRES ON TOUR:
WITH LIKE MOTHS TO FLAMES:
10/24 — Cincinnati, OH — Bogarts
10/25 — Lakewood, OH — The Roxy
10/26 — Chicago, IL — The Bottom Lounge
10/28 — Milwaukee, WI — The Rave
10/29 — Minneapolis, MN — Varsity Theater
10/31 — Denver, CO — Gothic Theatre
11/01 — Salt Lake City, UT — Urban Lounge
11/03 — Seattle, WA — El Corazon
11/04 — Portland, OR — Hawthorne Theater
11/06 — Roseville, CA — Goldfield Trading Post
11/07 — Pomona, CA — Glasshouse
11/09 — Tucson, AZ — 191 Toole
11/11 — San Antonio, TX — The Rock Box
11/12 — Dallas, TX — Trees
11/13 — Houston, TX — Scout Bar
11/15 — Tampa, FL — The Orpheum
11/16 — Orlando, FL — Abbey
11/18 — Atlanta, GA — The Masquerade (Hell)
11/19 — Charlotte, NC — The Underground
11/21 — Philadelphia, PA — Brooklyn Bowl
11/22 — Baltimore, MD — The Recher
11/23 — New York, NY — Gramercy Theatre
11/25 — Boston, MA — Paradise Rock Club
11/26 — Montreal, QC — Fairmount Theater
11/27 — Toronto, ON — Opera House
11/29 — Pittsburgh, PA — Preserving Underground
11/30 —Detroit, MI — St. Andrews Hall

Bambie Thug Returns With New Single "REDRUM" + Signs With Spinefarm Worldwide + Universal Music Publishing Group

Cork-born alt-trailblazer Bambie Thug (they/them/fae) has released their brand-new single "REDRUM," out now via Spinefarm.

Listen to "REDRUM" here or watch below.

Fresh off a massive European arena tour with Babymetal and Poppy, and a sensational debut performance at Glastonbury earlier this year, Bambie Thug returns with a defiant new anthem "REDRUM." Produced by Shaun Lopez (††† & Deftones), "REDRUM" fuses sinister guitar riffs and crashing drums with Bambie's signature screams and politically charged lyrics into a powerful rebel cry. Lyrically locked in on the state of the world, the track is a fearless statement of who Bambie Thug is — an unwavering voice for the queer community and other marginalized groups — and an artist that refuses to be silenced.

On the new single, Bambie Thug said, "'REDRUM' nearly wasn't a thing, because Shaun wasn't going to show me the beat! But when he played it I immediately knew it needed to be mine! I took the instrumental back to my hotel on Sunset Blvd. and spent the night watching news, old protests, and screaming ideas into my headphone mic, probably disturbing the other guests. The next day, Shaun brought Scott Chesak in with us to add the middle section, which I think sounds like armed police banging on their shields. I was using the same old karaoke mic the Beastie Boys used on 'Sabotage' for the vocals! Working with Shaun is amazing, we just get on so well and he's crazy talented. I loved our time together and I’m excited to continue collaborating with him. 

"'REDRUM' is a masterclass, sonically and lyrically. Seeing the reaction it's had live just emphasizes to me how important the song is. It's political, it'a anti-war, it's a 'rebel cry' for the LGBTQIA community and for everyone who is fed up with living in this disconnected world. All I can offer to these turbulent times is my art and hope it wakes people up."

"REDRUM" marks Bambie Thug's first release under their global recording deal with Spinefarm, home to Bullet For My Valentine, Creeper, Dayseeker, and Black Veil Brides.

Talking about the signing, Jonas Nachsin, GM of Spinefarm worldwide said, "We are so excited to welcome Bambie Thug to the Spinefarm family. When we heard that a tarot card reading had resulted in the final decision to join forces with us, we realized that even the spirit world got to weigh in on our new partnership; we then collectively exclaimed 'Crown the Witch' with great exuberant celebration!! We can't wait to see what BT has in store for the world in this and in the coming years."

In addition to signing with Spinefarm, Bambie Thug has also signed with Universal Music Publishing.

UMPG's Claire Walters, A&R Creative Manager added, "We are extremely excited to be working with Bambie, they are an exceptional talent with great artistic vision, and we can’t wait to see what’s next!"

ABOUT BAMBIE THUG:
Cork-born alt disruptor Bambie Thug (they/them/fae) is smashing through gender and socio-political stereotypes to create an era-defining sound that borders on elements of pop, rock, electronic and more. Self-coining the term ‘Ouija-pop’ to describe their sound, Bambie Thug has made serious waves over the last few years with a series of genre-defying singles and a critically acclaimed EP CATHEXIS. Bambie represented Ireland at the 2024 Eurovision Song Contest with their spellbinding entry "Doomsday Blue," finishing at sixth place — the highest placement for an Irish act in 24 years. Following the contest, "Doomsday Blue" flooded the charts globally, reaching the top 40 in Ireland (#23), Lithuania (#9), Greece (#12), Finland (#40), as well as earning their first UK chart entry at #67. A strikingly visual artist, Bambie’s cinematic videos have seen them transform into a variety of otherworldly characters such as "HIM" from The Powerpuff Girls, a lethal arachnid creature and a vampire bride. No stranger to the big stage, Bambie has played festivals across the world including Glastonbury, Download and Electric Picnic to much critical acclaim. Their show-stopping performances have been described as "a genderqueer, occult-tinged, strikingly theatrical edge” (Evening Standard), and they have received ongoing global support from the likes of NME, Kerrang!, Rolling Stone UK, GAY TIMES, BBC Radio 1, Spotify, Amazon Music and more.

BAMBIE THUG PRONOUNS: THEY/THEM/FAE

The Acacia Strain Drop Video for "HOLY MOONLIGHT"

THE ACACIA STRAIN  — Vincent Bennett, vocals; Devin Shidaker, lead guitar; Griffin Landa, bass; Mike Mulholland, guitar; and Matt Guglielmo, drums — recently announced their upcoming album You Are Safe From God Here. It arrives on October 24 via Rise Records. Pre-order it here.

"This record unapologetically The Acacia Strain; take that however you want," the band declared upon announcement. "It's angry, it's sad, it's us. We made a record that made us feel uncomfortable. We hope it makes you feel the same way."

Uncomfortable isn't a bad thing. Discomfort challenges you to expand yourself and it can transform you. 

The Acacia Strain have today shared the video for new single "HOLY MOONLIGHT."

Watch it below.

For a new release from The Acacia Strain, expect an uncompromising sonic assault that further solidifies their reign as titans of extreme music. This latest offering delves deeper into the crushing territories of sludge, doom, and death metal, while retaining the raw, unbridled aggression of their hardcore punk roots.
 
Lyrically, frontman Vincent Bennett once again navigates the bleak landscapes of misanthropy, nihilism, and existential dread, delivering his venomous pronouncements with unflinching intensity. Fans can anticipate a relentless barrage of bone-shattering breakdowns, cavernous riffs, and a palpable sense of impending doom that has become synonymous with The Acacia Strain's destructive sound.
 
Following their innovative dual release of Step Into The Light and Failure Will Follow in 2023, which showcased both their traditional shorter, pulverizing tracks and their expansive, sludgier compositions, this new album promises to push the boundaries of their established ferocity while maintaining the unparalleled heaviness their dedicated fanbase craves. Prepare for an auditory experience that is as punishing as it is profound, a testament to The Acacia Strain's enduring legacy in the realm of extreme metal.

THE ACACIA STRAIN ON TOUR: 
8/15 — The Orpheum — Tampa, FL
8/16 — Altar @ The Masquerade — Atlanta, GA
8/17 — The Underground — Charlotte, NC
8/19 — Canal Club — Richmond, VA
8/20 — Baltimore Soundstage — Baltimore, MD
8/21 — Irving Plaza — New York, NY
8/22 — Theatre of Living Arts — Philadelphia, PA
8/23 — New England Sadness + Failure Fest — Worcester, MA

UK electronic whiz Max Rael shares 'Pressing Against The Glass', showcasing debut album

British electronic artist Max Rael presents 'Pressing Against The Glass', a danceable elegy for the unbelonging. Capturing the deep-seated ache of being on the outside, this is a soundtrack for those who feel eternally separated from the warmth and safety they can only observe.

Based in Hertfordshire, Max Rael is a key creative force in the UK underground through 1990s-2000s electro-goth trailblazers History Of Guns, frontrunners of the Wasp Factory / FuturePunk scene, and Decommissioned Forests. Here, he showcases his singular talents on this record, featuring unique twists on sound design and his acclaimed outsider lyrical perspectives. Musician, writer, actor, engineer and producer, Max Rael has collaborated with Fish (Marillion), Last July, Kommand + Kontrol, Freudstein and Bienheldenschafgegenstand. 

"I’ve always been taken by the image of someone being outside alone in the cold looking in through a window to warmth, comfort and safety that’s not for them. I was thinking of Heathcliff looking through the windows of Thrushcross Grange in "Wuthering Heights" or Frank Abagnale Jr in the film "Catch Me If You Can", outside in the snow at Christmas, unseen looking in through the window at his mother with her new family, happy and warm indoors and realising there is nowhere he belongs, and no one he belongs to,"  says Max Rael. 

This is the latest audio-visual offering from his debut solo album 'The Enemy Is Us', released via London imprint Liquid Len Media. Offering up a dark bouquet of minimalist synth, darkwave and spoken-word electronic pop, this album introduces Rael’s compelling ‘futuretroist’ sound: an alternative sonic universe built on a unique sound design that feels at once familiar and alien. 

Rael's powerful and thought-provoking spoken-word lyrics confronts a world in freefall—its corruption, alienation, and misery. The result seemingly effortlessly conflates a painfully personal portrait of an interior world, with an achingly universal depiction of society and the world outside. He still unearths a resilient core of hope and gallows humour that burns brightly through the darkness, offering a complex and compelling take on the human condition.

Earlier, Max Rael released the poignant shadow-streaked 'Slightly Less Than Human', a nervy electronic track with a great hooky synth melody and spoken word vocals. Partly inspired by Japanese author Osamu Dazai. Lyrically, Max Rael relays his feeling of being somehow different from the rest of the human race, while the non-album B-side 'When the Only Winning Move Is Not to Play' relates to the 1983 film "War Games" and the book 'The Games People Play' by Eric Berne.

In April, Max Rael shared his spoken-word electronic pop song 'Brighter Future', where he questions avoidant strategies of coping with life in a seemingly increasingly chaotic and unsafe world and queries how can we reverse course from an anticipated dystopian future. The B-side 'The People We Love Have Won (Persistence Is All)' is a darker beast, named after Coil's 2000 London performance at The Royal Festival Hall, which also happens to be tattooed on the inside of Rael's left wrist.

Spoken word, electronic music and loud drums feature strongly on the 12-track album, produced and mixed by Max Rael with additional mixing by Caden Clarkson and mastered by Pete Maher (U2, Nick Cave, Depeche Mode, Pixies. Nine Inch Nails).Fusing a range of electronic music styles with other genres, Max Rael is a master journeyman of existential exploration into humanity, self, society, reality, psychology, philosophy and the future.

'The Enemy Is Us' is out now, available from fine digital platforms, including Apple Music, Spotify, Amazon, and Bandcamp.

CREDITS
Written by Max Rael
Max Rael - vocals, keyboards & programming
Caden Clarkson - guitars on 'My First Death'
Produced and mixed by Max Rael
Additional mixing by Caden Clarkson
Mastered by Pete Maher
Released by Liquid Len Recording Company
'Brighter Future' video by Abigail Clarkson
'Slightly Less Than Human' video by Max Rael
Publicity by Shameless Promotion PR
Cover artwork & photographs by Filiz Photography 
Copyright @filizphotographyuk 2025 - must not be altered or sold without photographer's permission
UPC / EAN no. 199199781569

Keep up with Max Rael

Website | Bandcamp | Facebook | Instagram | YouTube | TikTok | Twitter | BlueSky | Apple Music | Spotify | Amazon | History of Guns website |  Press contact


Keep up with Shameless Promotion PR
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Miltown's Debut "Tales of Never Letting Go" to be Released 9/5 After 28-Year Wait

Miltown's debut full-length, Tales Of Never Letting Go, is finally being released on September 5.

Limited edition vinyl is available from Man Alive Creative (Pitch Black, Glacier Blue) and RevHQ (Tangerine), while lossless, high-quality downloads can be purchased on Bandcamp.

Featuring Jonah Jenkins (Only Living Witness), Brian McTernan (Be Well, Battery, Ashes), Matt Squire (Ashes), Jay Cannava, and Rob Dulaney, these sessions were recorded at the legendary Long View Farm Studios (Bad Brains, Quicksand, Killswitch Engage) in December '97 and January '98. The band broke up before the songs were mixed and the master tapes have sat in Southern California warehouses ever since.

In 2024, Man Alive Records achieved an exclusive license to release the recordings after almost 30 years. The sessions were then mixed by guitarist McTernan (Turnstile, Thrice), and its packaging designed by Tom Bejgrowicz (Beastie Boys, Johnny Cash, Snapcase). The album was mastered by Nick Townsend (The Hold Steady, Nails, Dr. Dre) and features 13 songs, 10 of which debut here and three that appeared on the band's debut 7" for Hydra Head Records in '97.

Pre-sale begins August 15 here.

Miltown's Tales of Never Letting Go has a long history so here's a short version:

Brian McTernan and Matt Squire from Ashes form Miltown with Jonah Jenkins from Only Living Witness on vocals. They release an acclaimed 7" on Hydra Head Records in 1997, quickly sign to Giant/Warner Bros., record 13 songs at Long View Ranch studio (Bad Brains, Quicksand), and break up before the songs are mixed. In 2024, Man Alive Records secures the rights to release the recordings. Brian mixes the album at Salad Days Studio between sessions with Angel Du$t and End It. 28 years later, the album is seeing the light of day. Tales of Never Letting Go is as fresh and relevant in 2025 as it would have been in 1998.

MILTOWN ARE:
Jonah Jenkins — Vocals
Brian McTernan — Guitar
Matt Squire — Guitar
Jay Cannava — Bass
Rob Dulaney — Drums

From Fall to Spring Announce "Entry Wounds" Out 9/26 + Share "BLOOD"

FROM FALL TO SPRING are lead by twin vocalists Philip and Lukas Wilhelm. The German outfit forge a sound that's as unmistakable as it is uncompromising — a fusion of post-rock atmospheres, hip-hop-infused grooves, soaring hooks, and the sheer weight of metalcore's punch.

After their debut RISE racked up over 20 million Spotify streams, the band now steps into a darker, more introspective realm with their sophomore record, ENTRY WOUNDS, out September 26 via Arising Empire. Pre-order it here. 
 
Where RISE looked outward, ENTRY WOUNDS turns its gaze inward.

"Our debut record was all about our interactions with the world and different kinds of people," the band explains. "ENTRY WOUNDS, on the other hand, is an inward journey. It deals with personal struggles and self-development."

Each song on ENTRY WOUNDS is a fragment — a scar carved by memory, a flash of clarity amidst the static. Together, they weave a slow-burning narrative of letting go, reclaiming control, and finding the courage to heal. Before even announcing the album, the band dropped five singles in album order — "CAST AWAY," "CONTROL," "COME ALIVE," "TAKE THE PAIN AWAY," and "I WON'T BACK DOWN" — each capturing a distinct emotional phase of the story. Those tracks alone amassed over 5.5 million Spotify streams already, proving the resonance of FROM FALL TO SPRING’s message long before the full picture is revealed.
 
The newest single, "BLOOD," acts as a turning point — and the official start of the ENTRY WOUNDS era. It's a reminder that this is more than music; it's a coded transmission from within the system, a place where trauma collides with the digital and the personal bleeds into the synthetic.

The system is active. The cloud is open. The world is not ready.

BAEST Launches Visualizer for New Song, “Depraved World," New Album 'Colossal' Out Now

Danish death metal commando BAEST is now celebrating the release of its fourth studio album, 'Colossal,' which is out now, via Century Media Records! The band is also now sharing a visualizer with animation by Frederik Birn for the album’s closing track, “Depraved World," which can be found below.

BAEST comments, “Lo and behold! Our new album ‘Colossal’ is out now. We’re proud of this one and we’ve been working hard to reach this outcome. And the title says it all - it’s grandiose, it’s epic and it’s COLOSSAL!”

Produced by Tue Madsen at Antfarm Studio (Heaven Shall Burn, The Black Dahlia Murder, The Haunted, etc.), the album contains nine tracks across 42 minutes, including the already released singles "Colossus" and "Imp Of The Perverse," as well as an upcoming single with guest vocal features by Jesper Binzer of D-A-D on “King Of The Sun."

'Colossal' is now available to order, stream, or download HERE.

The album’s artwork was created by Solomacello

Are you ready to rock? Something colossal is coming…

Baest are back, with a new sound and a badass attitude. Over the last decade, the Danish quintet have become one of the most celebrated and respected death metal bands in Europe. Their reign of terror began with debut album Danse Macabre, which emerged to great acclaim in 2019. Since then, the Danes have been relentless. Subsequent albums Venenum (2019) and Necro Sapiens (2021) cemented their reputation as extreme metal mavericks with an ear for lethal hooks, while their passionate dedication to playing live enabled them to spread the word at shows and festivals around the world. 

But things are slightly changing with album number 4: Colossal. Pieced together in the aftermath of Covid lockdowns, and fine-tuned over the last couple of years, the new Baest album is an absolute monster. The new songs are still rooted in the belligerent death metal that informed previous records, but Colossal represents a wholesale transformation. Inspired by and infused with old school, classic metal riffs and a giant helping of rock ‘n’ roll bombast, Baest have written an album that delights in the glory of heavy metal and the fine art of rocking out. Bursting at the seams with catchy riffs and classy melodies, with stylistic salutes to everyone from Ozzy Osbourne and Dokken, through to Iron Maiden and Whitesnake, this is the magnificent rock ‘n’ roll rebirth of Baest. 

BAEST line-up:

Svend Karlsson - Rhythm/Lead Guitar 

Simon Olsen - Vocals 

Lasse Revsbech - Rhythm/Lead Guitar 

Sebastian Abildsten - Drums & Percussion

Mattias ‘Muddi’ Melchiorsen - Bass

Album Artwork:

Solomacello

Production:

Tue Madsen at Antfarm Studio

Special Guests:

Jesper Binzer of D-A-D on "King Of The Sun"

ORM on "Misfortunate Son"

Formats (U.S.): Ltd. CD Digipak / LP / Digital Album

BAEST online:

OFFICIAL WEBSITE

FACEBOOK 

INSTAGRAM

YOUTUBE

STREAM // DOWNLOAD

Boston alt-rockers BURN KIT releases 'Looking Through The Window At You' single & 'Split' 7" vinyl with Turquoise -

Boston alt-rock outfit Burn Kit presents their new single 'Looking Through The Window At You', a grungewave tune that bonds together influences of alt-rock, post-punk and grunge rock.

Burn Kit is a five-piece band comprised of vocalist Valentino Valpa, guitarist Joshua Sawhill, guitarist Frank Nordaby, drummer Andrew Mattern with bass duties split between Padraic McGuire (touring) and Christopher Belmonte (studio recordings).

Formed in 2024, their music channels a hardcore energy with a sound that is both nostalgic and refreshing. They wasted no time, their first year seeing them complete five tours involving 138 shows in 38 different countries, not to mention the recording of 'Demo Tape', a handful of singles and their most recently-release - their debut 'Fallen Rose' EP.

Apart from being released digitally, 'Looking Through The Window At You' is one side of Burn Kit's new 'Split' 7", a double A-side single with Chicago band Turquoise. Each of these tracks is exclusive to this one-off limited edition black vinyl with 270 copies pressed. 

"The song 'Looking Through The Window At You' confronts the always-known locked door that exists within all human minds. The fact that no person truly fully knows one another. There are always things we are thinking, things we won’t say and appearances we keep up admist our automation of modern daily living," says Valentino Valpa.

Turquoise's contribution to this double A-side single is 'Oblivious', a driving indie-punk anthem that channels a 90s alt-rock vibe sprinkled with a Hüsker Dü influence. Effortlessly striking a balance between muscled-up hardcore indebted riffs and soothing, textured melodies, 'Oblivious' appears as the band gears up for an album release. With Burn Kit also approaching their sophomore EP, the stars aligned perfectly to offer these two one-off tracks to their growing audience.

The seed for this 7” release was planted when Turquoise played a Chicago hardcore basement show with Burn Kit vocalist Valentino’s previous project. The two stayed in touch and once Burn Kit formed, this idea could finally become reality. Recorded and mixed in March-April 2025 by Ryan Stack at The Electric Cave in Portsmouth, NH, 'Looking Through The Window At You' was engineered by Marc McElroy and mastered by Dan Coutant at Sunroom Audio in Cornwall, NY.

Burn Kit live shows are known for their intensity and unpredictability. Frontman Valentino Valpa has been known to frequently dive into the crowd, climb various structures (both inside and outside the venue) and even make his way to other buildings in the middle of a song. Whether it’s stretching a 100-foot mic cable to end up on the roof of an adjacent building while still singing, climbing the staging at a Mexican festival, or performing the song from a tree, Valpa's unpredictability has led to many to describe Burn Kit as “something you have to see live to fully experience”.

Accompanied by songs that invite both catharsis and chaos, this unique bond of energy and mutual understanding with the audience has led Burn Kit to unite a tight-knit group of friends and fans in DIY scenes across the world. Creating an experience that cannot be conveyed via the internet, they remind listeners of our true human nature and the importance of connecting with one another.

As of August 12, the 'Split' 7" can be ordered on vinyl via Bandcamp. 'Looking Through The Window At You' itself can also be found there digitally, as well as other music platforms, including Spotify and Apple Music. Burn Kit is touring the USA in September and touring Europe to the end of the year.

CREDITS
Music written by Joshua Sawhill & Valentino Valpa
Lyrics by Valentino Valpa
Valentino Valpa - Vocals
Joshua Sawhill - Guitar
Frank Nordaby - Guitar
Christopher Belmonte - Bass
Andrew Mattern - Drums
Recorded & mixed by Ryan Stack at the Electric Cave in Portsmouth, NH
Engineered by Marc McElroy
Mastered by Dan Coutant at Sunroom Audio in Cornwall, NY.
Artwork & design by Jen D’Amore.
Turquoise music by Nico LaCorcia. Lyrics by Ben Wilson
Publicity by Shameless Promotion PR

TOUR DATES
Sept. 12th – Salt Lake City, UT @ Aces High Saloon
Sept. 13th – Las Vegas, NV @ Dive Bar
Sept. 14th – Pomona, CA @ Glass House
Sept. 17th – San Diego, CA @ Voodoo Room at House Of Blues
Sept. 18th – Long Beach, CA @ Alex’s Bar
Sept. 19th – San Jose, CA @ The Ritz
Sept. 20th – San Francisco, CA @ DNA Lounge
Sept. 21st – Keizer, OR @ Radness Ensues **
Sept. 22nd – Portland, OR @ Hawthorne Theatre
Sept. 23rd – Seattle, WA @ Funhouse at El Corazon
Sept. 24th – Medford, OR @ Rockafairy **
Sept. 25th – Fresno, CA @ Strummer’s
Sept. 26th – San Diego, CA @ The Print Shop **
Sept. 27th – Glendale, AZ @ The 44

Keep up with Burn Kit
Website | Bandcamp | Facebook | Instagram | YouTube | Spotify | Apple Music | BandsInTown | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter |  Instagram | BlueSky | Threads  | Soundcloud | LinkedIn | Ema il

RYLAI Drops Alternative Indie-Pop Single “Fall For You” — Two Years in the Making

Rising alternative and indie-pop artist RYLAI just released his new single, “Fall For You,” a track that leans into the rock realm and showcases a process that took over two years to complete. This marks his second single since debuting this past June, following “Without You.” Built from the ground up as a passion project, “Fall For You” is a true grassroots production. RYLAI not only directed the entire production but also laid down many of the song’s core elements himself. Four musicians, from three different continents, came together to bring it to life: RYLAI and Liner from Korea, Dylan from America, and Faekt from Hungary.

The track is filled with rich guitar layers: Dylan contributed acoustic textures and atmospheric effects, Faekt handled the overdrive guitar (including a bold double-octave technique), and Liner delivered the bulk of the remaining parts, even coming up with melodies for sections like the intro, outro, and Verse 3. RYLAI himself added additional guitar layers and took charge of comping, timing, and producing the final parts.

Instrumentation didn’t stop there; the song uses two different basses (Faekt and Dylan split duties), Moog-driven synths, re-recorded drums (with some demo elements surviving the final cut), and massive vocal stacks that ballooned to 92 tracks by the end. Faekt also directed standout moments like the crowd vocals and harmonies, while RYLAI handled the intricate ad-libs, background vocals, and vocal production, with Colby fine-tuning the crowd vocals and doublings.

The result? A track that feels alive: raw, layered, and deeply collaborative. “Fall For You” may not have a major label machine behind it, but it’s the kind of record that reminds listeners what can happen when passionate artists from around the world come together with nothing but their love for music. As RYLAI puts it: “Four guys, three continents, two years, and one song we poured everything into. Will the world feel what we felt making it? I guess we’re about to find out.”

Stream “Fall For You” HERE

MORE INFO:
RYLAI is a rising singer-songwriter and producer born and raised in Seoul, South Korea. His passion for music began in the quiet aftermath of a pivotal moment at the end of sixth grade, when he started exploring melodies on an old digital piano that had sat untouched for years. Though he had taken piano lessons as a child, it wasn’t until then that he truly connected with music — creating original ideas that gradually turned into songs.

Influenced by a wide range of artists, RYLAI draws vocal inspiration from Naul of Brown Eyed Soul, whose emotional head voice and rich chord progressions left a lasting impression. He also cites Ado for her unparalleled vocal intensity and expressiveness, and Seo Tai Ji, a Korean pop-rock icon known for his genre-bending approach to music. Kendrick Lamar remains one of RYLAI’s biggest influences — both for his lyrical depth and for the way each of his albums tells a cohesive, meaningful story. Inspired by that model, RYLAI’s own music follows an overarching narrative, with each release revealing a new chapter.

Fermentor - Agreement: Out NOW!

FERMENTOR’s latest sonic experiment, Agreement, drops August 15th, 2025. This 17-track instrumental album concludes a trilogy of improvised releases, following Mind Meld and Release Me. Agreement pushes their boundary-defying blend of blistering death metal and sprawling, freeform post-rock to new extremes, delivering cinematic brutality and storytelling without words through instinct-driven chemistry.

The album opens with "Wintry Earth," a bleak, droning descent marked by jagged time signatures, eerie guitar textures, and a brutal death metal finale that sets a tense, violent tone. "Whisper Flesh" follows, a raw improvisation where dissonant loops and jagged grooves shift between blast-heavy death metal and crushing, groove-laden choruses, spiraling into ritualistic heaviness.

"Dead Farm" and "Ceratops" offer contrasting explorations of heaviness. "Dead Farm" channels the primal force of SEPULTURA, seismic pulse of GOJIRA, and progressive sludge of MASTODON with groove-driven intensity. Meanwhile, "Ceratops" unfolds slowly from meditative calm into a cathartic, tectonic climax, showcasing the band’s dynamic range from muscular aggression to patient build.

"More Than Eight" dives into FERMENTOR’s signature improvised chaos, layering guitar loops instinctively over shifting rhythms. "Ghost Girl" ventures further into experimental territory, blurring meditative post-rock and thunderous groove metal with spiraling solos and ethereal textures.

"Roach God" captures raw vulnerability through imperfect, high-wire improvisation where mistakes become defining characteristics - an authentic snapshot of risk and discovery. "Rotted" is a relentless, riff-driven brutal death metal descent, free of loops and culminating in a monstrous breakdown forged in pure instinct.

"Deactivated" builds angular chaos with dissonant grooves, shifting time signatures, and a searing solo, exploding into a triumphant finale. The title track "Agreement" is a study in tension and release, layering palm-muted guitars over hypnotic loops, culminating in a crushing halftime outro, a seismic exhale of raw improvisation and controlled chaos.

"There With That" blends cinematic instincts and epic metal grandeur, balancing atmosphere and intensity with emotional clarity. "Human Caterpillar" immortalizes a glitching guitar pedal feedback during an improvisation, turning technical failure into a chaotic, avant-garde Easter egg and a tongue-in-cheek highlight released on April Fools’ Day.

"Transgression" blasts with thrash-rooted energy, tight cymbal chokes and groove-drenched riffs channeling the band’s early chemistry and old-school aggression. "Hides Behind Hands" offers a rare breath of melancholic reflection, trading brutality for beauty through shimmering loops and restrained percussion, inviting pause and introspection.

"Protohuman" is a kaleidoscopic hybrid of swirling loops, jagged rhythms, and pulverizing eruptions that merge FERMENTOR’s death-thrash roots with fearless experimentation. "Skybeam" unleashes a deafening blast of explosive energy, a chaotic tempest signaling the album’s climax.

Finally, "All Ashes" winds down with reflective melodies and subtle textures, a sonic exhale that gathers Agreement’s sprawling journey into a poignant, meditative farewell.

Agreement stands as a bold testament to FERMENTOR’s fearless embrace of improvisation, raw emotion, and genre-defying exploration. Through blistering death metal, expansive post-rock, and moments of beautiful imperfection, the album captures a journey of friendship, risk, and creative discovery. It invites listeners into a world where chaos and control coexist, forging a powerful, unspoken narrative that lingers long after the final note fades. This is more than an album. It is an immersive experience that challenges expectations and redefines the boundaries of instrumental music.

FERMENTOR is:

  • Dylan Marks - Drummer

  • Adam "Wally" Wollach - Guitarist

ABOUT FERMENTOR:
FERMENTOR is a San Diego-based two-piece instrumental metal band formed in 2008 by drummer Dylan Marks (ATHEIST, BEEKEEPER) and guitarist Adam “Wally” Wollach (BEEKEEPER, TRASHAXIS). Stripping away the comforts of a traditional band infrastructure, FERMENTOR relies solely on communicating through only two elements; drums and guitar. The two instruments acting more like contrapuntal voices, rather than just rhythm and melody.

Their musical chemistry was discovered in the summer of 2008 when the two cousins took advantage of an opening at Wollach’s recording studio. Having never collaborated before and with only four weeks to write and record, they created their first EP entitled Matanzaa.

PARADISE LOST DELIVERS GOTH METAL MASTERPIECE 'TYRANTS SERENADE'

Legends of doom, PARADISE LOST have debuted their riveting 3rd single ‘Tyrants Serenade,’ a 4+ minute goth metal opus of epic proportions and bleak new staple in the band’s celebrated catalog. The standout track is found on their eagerly awaited album Ascension, out September 19th from Nuclear Blast Records.

Giving context to the song, vocalist Nick Holmes says:

"Observing the death of an individual, and subsequently, how the transition of seasons evokes fond memories. The God of Malevolence serves as an internal voice to dismantle those cherished memories and reintroduces the initial anguish of loss."

On one of their boldest singles to date, PARADISE LOST meld crunchy riffs and soaring guitar melodies with juxtaposing anthemic clean and harsh vocals. The memorable new track is accompanied by a stunning video directed by longtime collaborator Ash Pears (HOST, BLOODBATH, KATATONIA).

In celebration of the new album, PARADISE LOST has also announced a handful of intimate signing sessions and a record release show in Leeds, UK. Tickets are available now at https://tix.to/Ascension.

Sep 20 - Sheffield, UK @ Bear Tree (4PM BST) - Signing Session

Sep 21 - Birmingham, UK @ HMV (2PM BST) - Signing Session

Sep 22 - Leeds, UK @ Brudenell Social Club (7PM BST) - Record Release Show

Sep 24 - London, UK @ Rough Trade East (12PM BST) - Signing Session

Stream ‘Tyrants Serenade: https://paradiselost.bfan.link/tyrants-serenade

Pre-order Ascension: https://paradiselost.bfan.link/ascension

‘TYRANTS SERENADE’ MUSIC VIDEO BELOW.

PARADISE LOST’s first album in 5 years, following 2020’s critically acclaimed Obsidian, was produced by guitarist Gregor Mackintosh and mixed/mastered by Lawrence Mackrory. Ascension is a testament to the band’s longevity and relevance over their 35+ year career, encompassing their signature styles of gothic, death and doom fans have cherished along the way.

Ascension’s album cover fittingly features the painting The Court of Death (1870-1902) by renowned British artist George Frederic Watts, which hangs in the Tate Gallery in London. The painting depicts Death as an enthroned angel flanked by allegorical figures of Silence and Mystery guarding sunrise and the star of hope, while a warrior surrenders his sword and a duke his coronet, showing that worldly status offers no protection. The painting’s bleak, prophetic vision embodies Ascension’s dark, tormented soundscapes as mournful verses collide with dire, foreboding riffs.

Commenting on the record, Holmes states:

"Ascension is a cavalcade of molten misery, a vigorous sorrow filled stroll through a wicked world of glorious triumph and pitiful tragedy."  

PARADISE LOST will embark on the first leg of the “Ascension of Europe” tour this fall. Tickets are available at https://paradiselost.co.uk/tour-dates/.

About PARADISE LOST:

More than three decades into their career, and with over two million albums sold, PARADISE LOST remain the undisputed kings of metal’s dark side. Formed in Halifax in 1988, the band quickly became noted as the pioneers of gothic metal through their early groundbreaking albums like 1991’s aptly-titled Gothic, a mixture of heaviness intertwined with shadowy melody and atmosphere.  

Never a group to remain creatively static, across their career they’ve explored a myriad of avenues of dark music, from sludgy doom-death roots, to conquering the metal mainstream with the enormous, lush sounds of 1995’s Draconian Times, to more experimental, electronic leanings, leaving an influence on a trail of artists as varied as CRADLE OF FILTH, HIM, GATECREEPER and CHELSEA WOLFE.  

Now, in 2025, the Yorkshire quintet return with their staggering 17th album, Ascension, a record that sees their crown continue to gleam as it underlines just how they attained their position. Produced by guitarist Gregor Mackintosh at Black Planet studios in East Yorkshire, with drums and vocals captured at NBS and Wasteland studios in Sweden, its 10 tracks traverse the multitude of sounds in the band’s arsenal, from full-bore heavy metal to sky-high melody, all the while keeping a minor-key melancholy that remains irresistible.

Follow PARADISE LOST:

Website | Facebook | Instagram | X | Youtube | Spotify | Apple Music | Bandcamp

Blackened Death Metal act THE NOCTAMBULANT Unveil "Hell Ride - The Second Death"

Drawing from the raw bloodlines of blues, rockabilly, goth rock, and American country, Florida's THE NOCTAMBULANT throw open the doors to the void in their new single "Hell Ride - The Second Death". Following their 2021 release “Hellrazor” and European tour with HATE and VADER, THE NOCTAMBULANT return having solidified their distinctive approach.

Smoke and fire choke the air as an unnamed preacher leads his flock—not to redemption, but into the jaws of the abyss. In "Hell Ride - The Second Death" Hammond organs shriek like wounded spirits, sermons curdle into threats, and guitars hammer the final nails into coffins of false hope. Here, salvation is a lie and belief is a death sentence.

Watch the video Below.

About THE NOCTAMBULANT:
In 2013, THE NOCTAMBULANT formed in Jacksonville, Florida, with a mission to spread the culture of Southern Appalachia through their unique interpretation of black metal. Merging the genre’s primal aggression with the crushing weight of blackened death metal and the haunting atmospherics of Southern Gothic, they sought to honor the myths, spirits, and eerie folklore of the region.

Founded by E. Helvete (Guitars, Vocals) and D. Franseth (Drums) following the breakup of their psychobilly band, THE NOCTAMBULANT emerged as they delved into the darker realms of black metal. With the addition of Lars Goerschafft (Bass) and, later, Rev Beaumont (Guitar), the band fully embraced a sound that merges relentless intensity with ghostly Appalachian storytelling, crafting an auditory spell of sorrow, brutality, and mysticism.

Their music weaves a sonic tapestry of feral blackened riffs, ominous melodies, and immersive soundscapes steeped in spectral Appalachian lore. Drawing inspiration from metal legends such as VENOM, CELTIC FROST, BATHORY, and DARK FUNERAL, THE NOCTAMBULANT channels both ferocity and haunting atmosphere, merging the unrelenting force of extreme metal with the ghostly echoes of ancient myths and the desolation of the Southern Gothic landscape. Their next album is set to emerge in 2026.

THE NOCTAMBULANT is:
E. Helvete - Guitars/Vocals
D. Franseth - Drums
Lars G - Bass
Rev. Beaumont - Lead Guitar

Links: 
Facebook: https://m.facebook.com/TheNoctambulant/
Instagram: https://www.instagram.com/thenoctambulant/
TikTok: https://vm.tiktok.com/ZMeEM8R9y/

CORONER Announces New Album 'Dissonance Theory,' Unleashes Music Video for First Single, "Renewal"

After more than three decades, Swiss technical thrash pioneer CORONER will be releasing a long-anticipated studio album, 'Dissonance Theory,' on October 17, 2025 via Century Media Records! Pre-orders are now live HERE.

To celebrate the forthcoming opus, the band is now unleashing the ferocious first single, "Renewal," along with a music video! The clip was directed by Dariusz Szermanowicz and can be found below.

 

Coroner’s guitarist, songwriter, and producer Tommy Vetterli comments on the new music, “I thought a lot about what Coroner should sound like today, but I pretty quickly realized that looking backwards wouldn’t serve us. Of course, over time you develop a certain signature as a musician. So even if the material is new, it might still feel like a bridge to earlier phases - simply because it’s me writing it.

"That said, we didn’t set out to continue a legacy. We just wanted to create something honest and grounded in the present. ‘Renewal’ now opens the chapter for what became the first Coroner album I’m fully satisfied with, start to finish. So we’ll let the music speak for itself - you’ll know if it speaks to you.”

'Dissonance Theory' contains ten new songs across 47 minutes, recorded by Tommy Vetterli at New Sound Studios in Switzerland and mixed/mastered by Jens Bogren at Fascination Street Studios in Sweden (Opeth, Kreator, Amon Amarth, etc.).

The album cover artwork was created by Stefan Thanneur.

'Dissonance Theory,' in totality, is rich in sonic detail, a stereophile’s delight. Part of that can be attributed to the expert mixing/mastering by Jens Bogren at Fascination Street Studios in Sweden. But the production, arrangement and soundscape details are largely the work of Vetterli and a longtime creative partner at his own New Sound studio. Vetterli notes, “At some point, I felt something was missing — a kind of creative counterweight. Someone to reflect things back with a fresh, critical ear. That’s when I brought in a longtime collaborator I’ve worked with for years at my studio. He helped push things into new territory and gave me the clarity and momentum Dissonance Theory needed to move forward. We made a point throughout the production to record as many authentic, organic sounds as possible. The studio was packed with tube amps, analog synths, and vintage instruments — including a harmonium and a grand piano — and we put them all to good use. We've worked together on many other productions, so the trust was already there. We get into that whole collaboration — and how it evolved — more deeply in the CD mediabook edition.” 

Coroner are offering a work that proves they know themselves and what their band should sound like. No Coroner fan could possibly be disappointed in Dissonance Theory. It’s like a massive bonus from a band we all thought had spent their creative energies decades ago. “They don’t make albums like this anymore”. Ever heard that one? Coroner proves they were not only always in metal’s top tier, but that anything less than a ferocious return such as this would never have been the Coroner way. 

Lineup:

Ron Royce - Bass/vocals

Tommy T. Baron - Guitars

Diego Rappachietti - Drums

Recording: Tommy Vetterli at New Sound Studios in Switzerland

Mixing + Mastering: Jens Bogren at Fascination Street Studios in Sweden 

Vicious Rumors Release "Dogs of War" Video

Vicious Rumors have released the video for new single "Dogs Of War," taken from the upcoming album The Devil's Asylum. 

 

Founder Geoff Thorpe says, "The song is a classic Vicious Rumors mix of aggression and catchy melodies."


Watch the video Below.

The Devil's Asylum will be released on August 29 worldwide (except Japan) through SPV/Steamhammer as CD digipak, LP version, download, and stream here. 

Morgan Wallen Foundation Celebrates Re-Opening of Historic Parkwood Ballpark

Morgan Wallen, through his Morgan Wallen Foundation, along with Major League Baseball & MLB Players Association Youth Development Foundation (MLB-MLBPA YDF) and other local funders, partnered with Habitat for Humanity of Greater Nashville to unveil the newly revitalized historic baseball and softball complex, Parkwood Community Club, in north Nashville on Wednesday (Aug. 13). The renovation project for the ballfields includes new field turf, Musco lights, fences, dugouts, scoreboards, parking, concrete and roadways for two youth fields.
 
The project has been a two-year-long effort following MWF’s $500k donation in 2023. This ballfield renovation is part of a broader community effort led by Habitat for Humanity, which encompasses the creation of a 59-acre Metro Park and the construction of 26 Habitat homes.
 
“Growing up, I spent countless hours out on the diamond. Those hours taught me life lessons I still hold close today and helped me realize the value baseball can have on youth,” said Wallen. “Being a part of this project and revitalizing these Parkwood fields - right here in Nashville - to ensure the kids have a place to play for many years to come is something I am really proud of.”
 
“Revitalizing these ballfields was a massive team effort led by Habitat for Humanity of Greater Nashville, and we couldn't be more thrilled to see them in fighting form for hundreds of kids to enjoy and play ball. It's a dream come true,” adds Kathleen Flaherty, Executive Director of MWF. “This was the foundation’s first field restoration grant and we couldn’t be happier with the results.”
 
To commemorate MWF’s donation, two of the fields have been named in Wallen’s honor: Boots Field, named after his Mamaw Boots, who he was extremely close to; and Norris Field, named for Norris Lake in Norris, Tennessee, where Wallen spent time growing up.
 
The Parkwood Community Club has produced notable athletes, including Mookie Betts and Golden Tate. It was the site of Nashville’s first integrated baseball games in the 1970s, and in the 1980s, Parkwood became Tennessee’s first athletic club to be owned and operated by a minority Board—one of only five in the U.S.
 
This year, the revitalized fields inspired three Parkwood teams to reach state competitions. Several teams competed in the Dixie Youth World Series, including The Parkwood All Stars, who placed third out of 42 teams.

Photo IDs L to R: Danny Herron, Habitat for Humanity of Greater Nashville; Sherry Stinson, Habitat for Humanity of Greater Nashville; Kyonzte Toombs, Metro Councilmember District 2; Lesli Wallen, MWF; Kathleen Flaherty, MWF; Mayor Freddie O’Connell; Thurman Bryant, Parkwood Board Chair; Sophie Speer, Speer Foundation; Christi Speer, Speer Foundation; Adam English, Nashville Sounds; Charles White, (Reggie White’s father) | Photo Courtesy of Habitat for Humanity of Greater Nashville

About Morgan Wallen Foundation (MWF)
Morgan Wallen Foundation supports programs for youth in the areas of sports and music, both a constant presence in Morgan Wallen’s life. Playing sports instilled in him the values and benefits of team, discipline, hard work and commitment. Exposure to music at a young age has led him to become the artist, songwriter and entertainer he is today. MWF is also committed to being there for communities in times of need. Whether it’s providing supplies in the wake of natural disasters, meals for first responders, distributing groceries to food insecure families, we are there to help. Wallen donates a portion of every concert ticket sold to MWF.  More information at www.MorganWallenFoundation.org.

BBR MUSIC GROUP/BMG NASHVILLE ANNOUNCES THE SIGNING OF UNDERGROUND RECORDING ARTIST ATLUS

BBR Music Group/BMG Nashville adds Atlus to its roster, an artist that came up through the underground and has now amassed over a billion on-demand streams. Anchored by self-penned viral hits, a platinum single, four independent studio albums, national touring and a fan base that has grown into the millions across social platforms, Atlus’ BBR Music Group/BMG Nashville/Stoney Creek Records debut “Devil Ain’t Done,” is out today. Listen Below.

Over infectious grooves & melodies, the former truck driver's lyrics in “Devil Ain’t Done” reflect themes of self-doubt & perseverance. Grappling with relatable struggles that so many empathize with, this new track expands on the singer-songwriter’s mission to make music that is both universal and uniquely him.

“I believe that everyone runs into the devil at some point in their life, and sometimes it's the devil in your mind and sometimes it's the devil in your hometown. And where I grew up, he drove a nice car, had fast cash in his pockets, pills in the glove box, and he lived in the trailer next door. I spent most of my life avoiding that devil,” explains Atlus. “Life is much better now, but the devil can find his way into any room.  I just remind myself to keep being a good person and not give into the temptation.”

Written by Atlus, David Garcia (who also co-produced the release with Andrew Baylis) and Geoff Warburton, “Devil Ain’t Done” marks a new chapter in the groundswell of his career.

"Every time we introduce Atlus to someone new, there is an instant and passionate connection,” says BMG America’s President, Frontline Recordings Jon Loba. “He is a true poet, who powerfully and intimately chronicles the very real struggles and tragedies of life in a way that still leaves hope for a better day.  While his journey and sound are specific, we have found that, even inside the label, he connects across age, gender and musical taste in an incredibly universal way. We could not be more excited to partner with him and his team in championing his music across the globe!"

“Music has always been personal to me. Everything I write either helps me work through something or tells a real story from my life,” states Atlus. “The industry default is ‘It’s not personal, it’s just business.’ But that’s never been true for me, and from day one [Jon] Loba, JoJamie [Hahr] and everyone at BMG have shown it’s never been true for them either. It’s clear we are truly on the same page. It IS personal and that is the way we do business.”

About Atlus:

Raised in a single-parent home marked by poverty and addiction, Atlus had to grow up fast, building incredible resilience and laying the foundation for a life rooted in the search for authentic relationships and honest storytelling. Phonetically named after the mythological Titan who held up the heavens, Atlus wrote his first two (of four) albums while working as a commercial driver behind the wheel of semi-trucks, using the long, lonesome miles of highway to craft lyrics and workshop melodies as he drove countless hours to help support his family and fund studio time.

That pavement-pounding lifestyle became both his education and his engine. Over time, it helped grow his underground following and ultimately led to breakout moments like performing alongside Jelly Roll at a packed Red Rocks Amphitheatre in his home state, and landing a Top 5 album on Spotify’s Global Album Chart, along with a Platinum single. The magic of Atlus lies in how he marries candid, arresting, and often dark subjects with a kaleidoscope of sound. His music blends multiple styles into something fresh and immersive, anchored by storytelling that creates a deep community with his fans. Now with over a billion on-demand streams and two million followers across socials, Atlus continues to build his career on real connections and tenacity. He’s holding up his musical dreams in support of his family and anyone who turns to music as an outlet for their own struggles. Signed to BBR Music group/BMG Nashville, his debut release on the label, “Devil Ain’t Done” is available now HERE.

Atlus is represented by co-managers Shawn McSpadden (Range Media Partners) and Matt Wallace/Andrew Perlowich(Wardog Mgmt), CAA for booking, and FBMM Entertainment Business Management.

KEEP UP WITH ATLUS

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK

Disciples of Verity Release New Single "In My Eyes" + Lyric Video via TLG|ZOID ​   

Disciples of Verity, fronted by the iconic singer Corey Glover of Living Colour, have unleashed their brand-new single, “In My Eyes,” along with an accompanying lyric video. The track is available now via TLG | ZOID, with distribution through Virgin Music Group.

 

The track is the latest preview from their highly anticipated sophomore album, NEXUS, produced by George Pond and co-produced by Sahaj Ticotin (RA).

 

Corey Pierce states, “'In My Eyes' is a song about the ways our personal and shared perspectives shape how we interpret life’s daily struggles—both the ones we face now and the ones we hope to avoid in the future. It speaks to the deeply personal battles we experience, the hopes we hold for ourselves and our loved ones, and the vision of a better future we long to see realized. At its core, the song is about finding unity, empathy, and closure by learning to see the world through the eyes of others. 'In my eyes' is a way of illustrating our need for partnership and community through shared experiences.”

 

"In My Eyes" is now available on all major streaming platforms, and the accompanying lyric video can be viewed below

 

STREAM "In My Eyes"

https://tlgent.ffm.to/dov-inmyeyes

Fueled by an insatiable urge to create and collaborate, this heavy metal incarnation seeks to challenge all that they believe to be true with their project, Disciples of Verity (DOV). The band features heavy-hitters such as Corey Glover (Living Colour), Corey Pierce (God Forbid), George Pond (Negative Sky, Swim The Current), Mark Monjoy (Sekond Skyn), and Zack Miranowic (Sekond Skyn, Riversend). This all-star band unleashes an onslaught to the senses with a new sound that can only be described as “a new breed of crossover Metal.”

 

The band formed just over four years ago after mutual projects brought the five members together. With Pond as the common denominator, having played with each of these artists throughout his career, his songs with Corey Glover were quickly embraced by the others, which evolved into their debut album, Pragmatic Sanction.

 

Over the next eight months, DOV feverishly cranked out eight heavy, hook-laden songs with one distinct element—their infectious, melodic grooves. Ranging from Hardcore, Metalcore and even Active Rock, the band knew that their debut would be like nothing else in the industry and brought in a veritable “who’s who” of the hard rock and metal industry to up the ante.

 

Four years have passed since the release of their first single from Pragmatic Sanction. However, now comes the dawn of a new age. They have been quietly working on 12 new tracks for their sophomore album titled NEXUS. The band worked with producer Sahaj Ticcotin, who has worked with Starset, Motley Crue, RA, Bad Wolves, and many more.This monster of a record is set to be released in 2025 through TLG/ZOID, and distributed through Virgin Music Group.

 

 

Disciples of Verity:

Corey Glover (Living Colour) – Vocals

Corey Pierce (God Forbid) - Drums

George Pond (Swim The Current, Negative Sky)- Bass

Mark Monjoy (Sekond Skyn) - Guitar

Zack Miranowic (Sekond Skyn, Riversend) – Guitar

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