JUDAS PRIEST AND ALICE COOPER UNITE FOR CO-HEADLINING FALL TOUR

This fall, shock rock legend Alice Cooper and heavy metal trailblazers Judas Priest will share the stage for an epic co-headlining tour across North America. Produced by Live Nation, the 22-city run kicks off September 16 at Mississippi Coast Coliseum in Biloxi, MS, and stops in Toronto, Phoenix, Los Angeles, and more before wrapping October 26 at The Cynthia Woods Mitchell Pavilion in The Woodlands, TX.

Coming off the second leg of their Invincible Shield Tour and the release of their celebrated 19th studio album, Judas Priest remains a dominant force in metal. Meanwhile, Alice Cooper, the godfather of theatrical rock, wraps up his "Too Close For Comfort" tour this summer, promoting his most recent "Road" album, and will have an as-yet-unnamed all-new show for this tour. Corrosion of Conformity will join as support on select dates. 

TICKETS: Tickets will be available starting Wednesday, April 16 at 10AM local time with Artist Presales. Additional presales will run throughout the week ahead of the general onsale beginning Friday, April 18 at 10AM local time at LiveNation.com.

TOUR DATES: 

Tue Sep 16 – Biloxi, MS – Mississippi Coast Coliseum

Thu Sep 18 – Alpharetta, GA – Ameris Bank Amphitheatre*

Sat Sep 20 – Charlotte, NC – PNC Music Pavilion

Sun Sep 21 – Franklin, TN – FirstBank Amphitheater

Wed Sep 24 – Virginia Beach, VA – Veterans United Home Loans Amphitheater

Fri Sep 26 – Holmdel, NJ – PNC Bank Arts Center

Sat Sep 27 – Saratoga Springs, NY – Broadview Stage at SPAC

Mon Sep 29 – Toronto, ON – Budweiser Stage

Wed Oct 01 – Burgettstown, PA – The Pavilion at Star Lake

Thu Oct 02 – Clarkston, MI – Pine Knob Music Theatre

Sat Oct 04 – Cincinnati, OH – Riverbend Music Center

Sun Oct 05 – Tinley Park, IL – Credit Union 1 Amphitheatre

Fri Oct 10 – Colorado Springs, CO – Broadmoor World Arena

Sun Oct 12 – Salt Lake City, UT – Utah First Credit Union Amphitheatre

Tue Oct 14 – Mountain View, CA – Shoreline Amphitheatre

Wed Oct 15 – Wheatland, CA – Toyota Amphitheatre

Sat Oct 18 – Chula Vista, CA – North Island Credit Union Amphitheatre

Sun Oct 19 – Los Angeles, CA – Kia Forum

Wed Oct 22 – Phoenix, AZ – Talking Stick Resort Amphitheatre

Thu Oct 23 – Albuquerque, NM – Isleta Amphitheater

Sat Oct 25 – Austin, TX – Germania Insurance Amphitheater

Sun Oct 26 – Houston, TX – The Cynthia Woods Mitchell Pavilion

*Without support from Corrosion of Conformity 

ABOUT ALICE COOPER 

Alice Cooper is widely recognized as the godfather of shock rock, combining horror theatrics with classic hard rock anthems. With a career spanning over five decades, he continues to tour globally, delivering elaborate stage shows that defy expectations. From Love It to Death to Detroit Stories, Cooper’s influence on rock, film, and culture remains unmatched.

ABOUT JUDAS PRIEST 

Judas Priest, hailing from Birmingham, England, has been at the forefront of heavy metal for over 50 years. With iconic albums like British Steel, Screaming for Vengeance, and their newest release Invincible Shield, the band’s legacy is cemented by their Hall of Fame induction and unparalleled live performances.

French Post-Metal Collective Year of No Light Announce New Album Out 5/23 and Stream Excerpt Single

French post-metal collective Year of No Light return with their highly unique, evocative live album Les Maîtres Fous, to be released May 23 via the esteemed Pelagic Records.
 
Haunting, discordant and deeply unsettling, Les Maîtres Fous ("The Mad Masters") was written by the group in response to French filmmaker Jean Rouch's controversial 1950s docufiction of the same name.
 
Captured live in 2015, this arresting piece of music is now available to hear for the first time in a decade.

To acknowledge the album announcement, the group have streamed an excerpt from the album. Listen below.

Pre-order Les Maîtres Fous here.

Commissioned by Musée Du Quai Branly in Paris for their 2012 "L'nvention Du Sauvage" exhibition, Year of No Light approached the ritual practices of the Hauka movement as depicted in the original film and responded with their uniquely hypnotic heaviness.
 
Performed only twice, once at the exhibition on January 6, 2012 and again in Bordeaux on January 29, 2015, this release is a live recording of the second and final performance of Les Maîtres Fous. Whilst Year of No Light have a long history of collaboration with forward-thinking filmmakers and visual artists, the sensitivity of this documentary's problematic subject matter and the intensity of the band's performance made this performance both a physically and emotionally demanding experience; something that can be keenly felt upon listening.

Founded in September 2001 by a collection of Bordeaux's heavy scene stalwarts as an ongoing side project encompassing elements of sludge metal and shoegaze, Year of No Light released their debut album, Nord, in 2006 to critical acclaim. The subsequent years, however, saw a significant lineup change, with the band replacing their vocalist with a third guitarist to become a fully instrumental sextet, incorporating aspects of black metal, drone electronica, and dark ambient into their already formidable sound.
 
2010's four-track epic Ausserwelt and the 2013 followup Tocsin saw Year of No Light distilling their punishing sound even further; stalling the tempo to a glacial crawl and tuning guitars ever downwards to new uncharted depths. Consolamentum, the band's first full-length release in nine years and their first with Pelagic Records, brought the outfit's crushing double-drumming percussion to the fore — as a masterclass in dynamic control saw Year of No Light embrace the highest highs and the lowest lows of the intervening years.
 
Now approaching their 25th anniversary, Les Maître Fous is a pressing reminder that, despite the band's long and ongoing journey, Year of No Light have never been afraid to experiment, to take risks, to square up to life's ugliness and look it straight in the eye.

YEAR OF NO LIGHT ARE:
Bertrand Sebenne
Shiran Kaidine
Mathieu Megemont
Pierre Anouilh
Johan Sebenne
Jerome Alban

Rockumentary on Former Megadeth Drummer Nick Menza Gets a Headbangin’ New Jersey Premiere with Q&A! ​

After a triumphant West Coast screening in California last week, BayView Entertainment in association with Screaming Butterfly Entertainment and Ellefson Films is thrilled to announce the second showing in its bi-coastal theatrical premiere of This Was My Life: Nick Menza’s Metal Memories with Megadeth and Beyond. 

The much-anticipated Nick Menza documentary film is set to thrill music fans in Hawthorne, NJ this Thursday, April 17th at 7PM.

In attendance will be Megadeth co-founder and former member, David Ellefson; and the film’s director, Holly Grayson. The audience will be treated to an introduction and a Q&A session after the screening. Participants are tentatively scheduled to appear and subject to change pending any unforeseen circumstances. 

Speaking on the California premiere, Grayson declared it, “incredible” and thanked everyone involved for making it “such a success.” Ellefson added that he found the sold-out event “absolutely fantastic… and the film very emotional.” 

The film provides an intimate look into a life dedicated to music. Culled from Menza’s

personal and private VHS tape collection, photos, and audio files, it’s a deep dive into

unreleased drum tracks, concert and studio footage, candid glimpses backstage and on

the tour bus, and interviews with family, friends, fans, and colleagues.

“We are thrilled to bring this screening to local music fans. The Tri-State area has always

been metal-friendly,” says BayView Entertainment VP of Acquisitions, Peter Castro. 

Tickets can be purchased now via EventBrite at: https://www.eventbrite.com/e/this-was-my-life-east-coast-premiere-hawthorne-theatre-tickets-1255857727269  

Following a limited theatrical run in selected U.S. markets, it will also be available for

digital streaming and on physical media in a special Collector’s Edition Blu-Ray. 

WATCH the trailer:

For more information on the event please visit:

http://www.thiswasmylifefilm.com/

About BayView Entertainment, LLC

BayView Entertainment, LLC is a leading independent distributor of feature films, fitness, and special-interest content. With hit narrative films Skinamarink and Robot Monster, plus legendary documentaries On Any Sunday and The Endless Summerleading the way, BayView is one of the fastest-growing names in the field.

Incorporating catalogs from Monterey Media, Summer Hill, Mutiny Pictures, VIPCO, and others, BayView is positioned to expand even further in years to come. BayView's programs are available on the major streaming sites around the world plus DVD and Blu-ray. 

Reverya - 'Affliction In Bloom'

REVERYA is a mystical trio hailing from Tampa, Florida, whose sound drifts between the ethereal and thunderous. After the haunting debut EP Melinoe, they unveil their first full-length opus, Affliction In Bloom, set for CD release on October 24th, 2025.

This album is no ordinary collection of songs—it's a conceptual garden where each track blossoms as a distinct flower, embodying the trials and tenderness of human suffering. With titles drawn from nature’s poetry, each bloom holds symbolic weight, weaving an emotional tapestry meant to be experienced in full—start to finish, petal to petal.

The journey begins in stillness with "Allium", a soft, meditative prelude that eases listeners into the dreamy tendrils of "Wisteria".

"Allium" opens like a whispered incantation—two minutes of delicate acoustic reverie, drifting gently until faint, ethereal vocals rise like mist. The allium flower, symbolizing light and fortune, offers a soft blessing for the journey ahead. Rooted in garlic, it wards off darkness, setting the tone for the album's unfolding.

"Wisteria", one of REVERYA's earliest creations, bloomed even before the band fully formed. Born from political frustration, it reflects the dangerous allure of unchecked power. Like the Wisteria vine—beautiful yet poisonous—the song serves as a haunting reminder of the consequences of ignoring power’s dark side.

The album ignites with "Pyrophyte", a fiery counterpart to "Wisteria". With relentless screams, it mirrors escalating fury in the face of a corrupt, power-hungry world. Addressing global struggles, the song touches on war, division, and the uncertain future for younger generations. As chaos builds, a powerful, defiant singalong bursts forth, reminding us that we endure even through the fire. The title "Pyrophyte", referring to a plant that thrives in fire, symbolically connects to humanity’s resilience.

"Forget Me Not" follows, a tender exploration of the emotional weight in deciding whether to bring a child into this world of uncertainty reflected in predecessors, "Wisteria" and "Pyrophyte". Its soft piano and strings give way to raw vocals, capturing perhaps the most vulnerable moment on the record. The lyrics explore the anguish and desperation of parents watching their children suffer through internal and/or external struggles in such an evil and confusing world. Tender words cradled softly in warm blankets of orchestra and piano, cushioned with guitar chugs, and carried by luscious drums grooves.  The chorus poignantly illustrates the anguish of making such a choice, intertwined in a desperate apology leaving the listener to ponder over the only solo featured on the album. The nursery door is closed but never forgotten with a callback to the chorus played softly on a child's toy music box.

"Dahlia", the final flower to bloom, was crafted swiftly and naturally by the trio. Partially inspired by the Black Dahlia murder, the song reflects betrayal and emotional disintegration. A fitting partner to "Forget Me Not", the track captures the dark beauty of the flower—both musically and visually—marking a shift in tone with thall influences. "Dahlia" and "Forget Me Not" serve as emotional companions, validating pain within.

The final act unfolds like the setting sun—"Lily" acts as a delicate interlude, bridging "Dahlia" and "Asphodel". Using a reimagined piano part from "Asphodel", it drifts into an ethereal, somber atmosphere. Its simplicity is carried by lyrical motifs, referencing the journey so far while foreshadowing the final chapters. The white lily, traditional for funerals, symbolizes the album’s reflection on grief and loss.

"Lily" acts as a delicate interlude, bridging "Dahlia" and "Asphodel". Using a reimagined piano part from "Asphodel", it drifts into an ethereal, somber atmosphere. Its simplicity is carried by lyrical motifs, referencing the journey so far while foreshadowing the final chapters. The white lily, traditional in funerals, symbolizes the album’s reflection on grief.

"Asphodel" began with an instrumental foundation crafted by Travis and Kaleb, then later tailored to honor a loved one who suffered a stroke due to a brain tumor, leaving them paralyzed with no memory or chance of returning to their previous self, only to breathe unconsciously completely dependent on life support. The gut-wrenching decision to set them free with a prayer for a peaceful afterlife inspired the lyrics and atmospheric soundscapes. We journey through the stages of grief in this song with a soft verse, a pre-chorus and breakdown filled with angry desperation, bursting into the song's powerful and sentimental chorus, leading into a healing and hopeful singalong outro. In Greek Mythology, souls who have passed must wipe their memory by drinking from the River of Lethe, before they are peacefully transitioned to the Asphodel Fields where they experience a peaceful, eternal afterlife.

"Magnolia" is a heartfelt tribute to a grandmother who passed away during the pandemic. The song began with the lyrics alone as just a poem or letter for her, acting as an answer to a recording of her urging her grandchildren to spend time learning her language, Arabic, as well as confessing the happiness she felt being with her grandchildren despite the far distance. The scent of the Magnolia flower is that of her perfume which evokes early childhood moments spent together. Through fear, aggression, hope, harmony, heartbreak, grief, and more, this soft, sentimental track is a perfect send off to bring this journey to a close.

Affliction In Bloom is not just an album but a timeless voyage—an invitation to feel deeply, to hurt and heal, and to find meaning in both bloom and decay. It is deeply personal yet universal, an elegy, a wish, and a love letter wrapped in petals and pain.

REVERYA is:

• Nadine  (Vocals/Keys)

• Travis (Guitars)

• Kaleb (Drums)

Album Credits:

• Producer: Logan Clough, Justin Gregorio

• Recording Studio: Creative Cult Recordings, Vanta Co Recordings

• Engineer: Logan Clough

• Mastering: Logan Clough

• Mixing: Logan Clough

Album Cover Artist: Nadine

About REVERYA:

REVERYA is a Tampa-based progressive metal trio conjuring cinematic heaviness with adeeply introspective core. Formed in 2022, the band consists of Nadine(vocals/keys), Travis (guitars), and Kaleb (drums)—a powerhouse lineup blendingatmospheric textures, groove-heavy riffs, and emotionally charged vocals todeliver a genre-bending experience.

Drawing sonic inspiration from SPIRITBOX, JINJER, PERIPHERY, INVENT ANIMATE, and EVANESCENCE, REVERYA has carved a distinct space for themselves through a fusion of modern metal with ethereal soundscapes and haunting melodies. Their lyrics dive into surreal dream states, the complexities of emotion, and the connection between nature and the human psyche.

Their debut EP, Melinoe (2023), introduced the band’s affinity for myth and meaning, while their 2024 full-length album, Affliction In Bloom, pushed their artistry to new heights. Accompanied by visually striking music videos for "Wisteria" and "Dahlia," the band has continued to build are putation for immersive storytelling across both audio and visual mediums.

Frontwoman Nadine has also made waves outside the band, featuring on tracks like "A Living Burden" by HOLLOWBROOK and "Disconnect" by SPIRITUAL CHAOS, further showcasing her vocal versatility and reach within the heavy music scene.

Embarking on their first tour in July 2025, REVERYA is poised to bring their deeply emotive, crushingly beautiful sound to stages across the country—and soon, the world.

NEVEN Eyewear Founder & Fit For An Autopsy Guitarist Launch SIGHT FOR SOUND Initiative

Touring is a grind. Long drives, little sleep, and gruelling schedules. For many musicians and crew, it also means no health care and no vision coverage. That’s why independent brand NEVEN Eyewear has launched Sight for Sound a new initiative providing free glasses - prescription, non-prescription, eyeglasses or sunglasses from their collection of 66 different frame styles, and 6 different lens colors -  to U.S.-based touring musicians and crew. No catch. No red tape. Just support from people who’ve lived it.

If you’re a U.S.-based touring or music industry professional and work on 75+ shows per year, you’re eligible. Just head to neveneyewear.com, choose the pair you want, then submit your request via the very simple form HERE. Once approved, you’ll receive your free pair, shipped with no strings, no red tape and zero hassle. Those who meet the criteria but are not US-based can apply for non-prescription glasses or sunglasses but are not eligible for prescription glasses at this time. 

The program is created by company founder Jonathan Strauss and Pat Sheridan, one of the founding members and guitarist for Fit For An Autopsy and NEVEN’s Director of Partnerships. Born out of the passion and authenticity of the NJHC scene, NEVEN isn’t a corporate eyewear brand playing dress-up in band shirts. It was built by lifers—for lifers. Strauss and Sheridan grew up in the scene, attending shows and playing in their respective bands, whilst everyone around them hustled to make their dreams a reality with no access to healthcare. Sight for Sound is their way of giving back.

“A lot of people think musicians or people in the industry are living the dream, but what they don’t see is the reality behind the scenes — no health care, no safety net. And when a tour ends, the realities of life kick in fast.:” Says Strauss “We started Sight for Sound because we wanted to change that, even in a small way. This is the least we can do — to support a community that often gets overlooked once the lights go down.”

“Our Sight for Sound program is life-changing for musicians and crew members,” adds Sheridan. “I’ve been in the Extreme Music Scene since the 90s, and vision has never been addressed before. Musicians aren’t offered a 401K plan, health insurance or vision benefits. It’s an honor to save music industry professionals thousands of dollars a year.”

NEVEN eyewear prescriptions are fulfilled in partnership with Robertson Optical Laboratories, the largest independent optical wholesaler in the U.S. and every pair is covered by NEVEN’s Everlast Guarantee: if they’re lost, broken, or stolen, they’ll be replaced—no questions asked.

NEVEN Eyewear embodies the same passion, determination and DIY ethos as the culture that has shaped its founder. Strauss started the brand with his wife, in the bedroom that would become their daughter’s nursery hand packing orders. Since then, NEVEN has grown to a $30 million-a-year brand, shipping millions of pairs of glasses whilst always staying true to its core: make durable, affordable, and good-looking eyewear for real people. 

Their frames are inspired by life on the road. Look closely, and you’ll find the brand’s signature three tildes (~~~) etched into every pair, symbolizing air, land, and sea—wherever the road takes you.

“Metal fans can smell bullshit from a mile away,” says Strauss. “NEVEN doesn’t fake it. We’re not some polished, corporate eyewear brand trying to be edgy. We’re real people who built this brand from the ground up, with grit, heart, and a DIY mentality that mirrors the energy of the scene.

With artist collaborations from names like Zach Johnson (The Ghost Inside), Tanner Wayne (In Flames), Gary Holt (Exodus/Slayer),Tony Foresta (Municipal Waste), and Phil Sgrosso (Saosin), NEVEN is already a trusted name in the heavy music world. Sight for Sound is their next step in building something even bigger and giving back to the community that shaped them.

ABOUT NEVEN

NEVEN Eyewear was born from a moment of frustration—a lost pair of expensive sunglasses during a jet ski ride—and built with a mission to make high quality, functional and stylish sunglasses, prescription eyewear, blue light glasses and accessories that are both durable and affordable. Customers can choose from, 594 design options within the NEVEN Eyewear collection. The line features 66 different frame styles, and 6 different lens colors: clear, black, brown, coastal blue, rose-pink and silver. 

Inspired by the palindrome "Never Odd Or Even," it is based on a mission to encourage customers to explore new horizons, no matter how they get there.” NEVEN Eyewear is based in Melbourne, Florida. Today, they have shipped millions of glasses, their growth being fueled by authenticity and customer loyalty -  not hype.

NEVEN blends design, and purpose to serve real people with real lives. Millions of glasses later, the brand remains committed to the same values: no BS, no pretension, and no compromise on quality.

Cryptopsy Announce New Album 'An Insatiable Violence'

A person spends all day building a machine, only for it to torture them at night. As if this thought wasn't malicious enough, they enjoy it. In fact, they enjoy being tortured so much that, come morning, they wake up rejuvenated, eager to tweak their creation until it runs perfectly in their mind. 

This is the waking nightmare that inspired the upcoming ninth full-length album from Cryptopsy. "The concept for our new album came to me in a dream. When I woke up, I immediately wrote the title down on my phone", vocalist Matt McGachy says before adding, "Because, you know, we all have to have our phones with us all the time".  

While an eerie mirror image of society's latest brain rotting obsession, An Insatiable Violence is influenced by the many mutations that have come to define Cryptopsy's Hall of Fame discography. On their new album, the JUNO Award winners continue to push death metal to even more blasphemous extremes. While near bursting with the band's brutal technique, lead single "Until There's Nothing Left" stakes its claim as their biggest, most vile earworm.

Watch the nightmarish video for "Until There's Nothing Left" below.

An Insatiable Violence comes out June 20 on Season of Mist.

Pre-order & Pre-save

https://orcd.co/cryptopsyaninsatiableviolence

Countdown to An Insatiable Violence
https://open.spotify.com/prerelease/68bFcUq3E7rilegbUCwexu?si=56ImYUobTLe2WyguJnMEFQ

"Until There's Nothing Left" holds nothing back. Just as quickly as the video's star takes the band's trusted bait, Cryptopsy lock him inside their freshly fleshed-out house of horror.

"Your greed for pleasure is too vast", McGachy utters with bottomless disdain thanks to his newly deepened death growls. Christian Donaldson reels through brutal chugs while Oli Pinard snaps off not one but two gruesome bass-slapping solos. After 30+ years behind Cryptopsy's drum throne, Flo Mounier continues to keep the band on the tips of their horned toes. With devilish ease, he slits between blinding fills, relentless double bass and punishingly precise blast beats without ever leaving the pocket. 

"Since our last album, I've developed new techniques that make it easier for us to go even faster", says Mounier, who literally wrote the book on extreme metal drumming. "An Insatiable Violence is a nice melting pot of Cryptopsy's old and new eras".

The first taste of their upcoming album does smack you around before springing into a commanding groove. But even though the band's last album won the JUNO Award for Metal / Hard Music Album just a little more than a year ago, Cryptopsy weren't content with reaping their rewards. Writing for An Insatiable Violence began in earnest last spring, while they were touring North America with Death to All. Working from the road was new for them. And while not without bumps, playing 140 shows over the past 15 months gave them a clear sense of direction once the time came to hit Donaldson's studio.   

"As Gomorrah Burns was a stepping stone for our new album", McGachy says. "We took what we enjoyed about the last album and focused on expanding it for a live setting. We wanted this album to be more groovy so that people can really latch onto these songs when we play them live".

With its headbanger of a chorus, "Until There's Nothing Left" will no doubt fill the pit when Cryptopsy tours Europe next month with Decapitated. The band's signature fishhook riff wriggles deep into the grooves in your brain beneath bat-like shrieks. "And as you now can clearly see / You're totally mine". Of course, the song wouldn't represent peak Cryptopsy if it wasn't filled with a more insidious message. Its sinister story of an online predator feeds into the album's larger cautionary tale.

"An Insatiable Violence reflects our toxic relationship with social media", explains McGachy, who's been feeling the effects since starting his podcast Vox & Hops. "I'm trying to break the cycle, but on those days where I'm just doom scrolling, I get so depressed. The fallacy of Internet stardom is just a dopamine trap that crushes our spirits".    

Cryptopsy know not every brutal technical death metal band is on the upswing nine albums into their career. The cover art for An Insatiable Violence pays tribute to their late, great vocalist Martin Lacroix. 

"Martin did None So Live, but he never really got to do a proper album", the band says. "His art is amazing. The two pieces of his that we used for An Insatiable Violence are incredible. His family was super excited about it, too. We are honored to have him be an even bigger part of Cryptopsy's lore".

The video for "Until There's Nothing Left" was written and directed by Christopher Kells.

Additional video credits
Photography directed by Graham Guertin
Lighting by Giuseppe Calvinisti
Casting by Giuseppe Valvinisti and Viky Boyer
Location selected by Manoir Blackswan
Main Actor - Nicolas Raspail
Extras - Viky Boyer, Dominic Abate, Jason Greenberg, Liz Imperiale, Jeff Mott, Ardaeth, Gabriel Bernier, Tania Hébert, Misha Standjofski, Gabriel Rondeque-parent

"Europe, get ready!", Cryptopsy says. "With over 30 dates across the continent, this tour promises relentless energy, crushing riffs and unforgettable nights"

Get tickets
https://www.avocadobooking.com/avocms/item/decapitated-infernal-bloodshed-over-europe-2025-tour

Metalheads who are chomping at the bit for An Insatiable Violence can further their appetite by revisiting Cryptopsy's hallowed catalogue. Since signing with Season of Mist in 2024, the band have reissued their 1993 demo Ungentle Exhumation, the widely-worshiped None So Vile, their triumphant self-titled and The Book of Suffering Tome I + II, which is now available for the first time on one combined LP.    

Order
https://redirect.season-of-mist.com/CryptopsyReissues

Cryptopsy recognize that not every death metal band sticks around long enough to win a Canadian Grammy 30 years into their career. The cover art for An Insatiable Violence was created by the late, great vocalist Martin Lacroix.  "The album artwork has got to be one of the most important things to us!”, the band says. “Martin Lacroix was one of our vocalists, one of our great friends and one of the nicest people that anyone could have the privilege to meet. We really wish he was here with us to share this moment. His perfect smile would say it all! Rest in peace brother".

With Cryptopsy’s latest career renaissance showing no signs of slowing down, the recent accolades are only the beginning. An Insatiable Violence reaches a new peak in a career loaded with them.

Lineup 
Flo Mounier - Drums
Matt McGachy - Vocals
Christian Donaldson - Guitar
Oli Pinard - Bass

Recording, Mixing & Mastering Studio
Christian Donaldson’s Studio

Production, Sound & Mixing Engineer
Christian Donaldson

Guest Musicians
Mike DiSalvo performs vocals on "Embrace the Nihility"

Cover Art
Martin Lacroix

Photography
Maciej Pieloch

Biography
Adrien Begrand

Pre-order & Pre-save
https://orcd.co/cryptopsyaninsatiableviolence

Booking agents
USA - Continental Touring

www.continentaltouring.us 

Europe - Avocado Booking
http://www.avocadobooking.com/


Follow Cryptopsy
Bandcamp: https://cryptopsyofficial.bandcamp.com/
Facebook: https://www.facebook.com/cryptopsyofficial
Instagram: https://www.instagram.com/cryptopsyofficial/
Spotify: https://open.spotify.com/artist/29PgYwTelpNl6370XLqFtN
Youtube: https://www.youtube.com/@CryptopsyDeathMetal
BandsInTown: https://www.bandsintown.com/a/2941-cryptopsy

Follow Season Of Mist:
Online: http://www.season-of-mist.com
Facebook: http://www.facebook.com/seasonofmistofficial
Instagram: https://www.instagram.com/seasonofmistofficial
Twitter: https://twitter.com/SeasonofMist

MICHAEL SCHENKER RECRUITS DEREK SHERINIAN TO TOUR JAPAN

Michael Schenker has invited keyboardist Derek Sherinian to tour Japan with him in January, including a show at the legendary Budokan.

In 2021, Michael Schenker invited Sherinian to guest on his album "Immortal" album on the opening song "Drilled To Kill". Schenker said of Sherinian, "Derek and myself trading solos, it sounds unexpected and beyond my expectation." "Absolutely fantastic!" In 2022, Schenker returned the favor by guesting on Sherinian's Vortex album on the song "Die Kobra". In 2024, Sherinian appeared on Schenker's My Years With UFO album.

Sherinian was also recently named “Best Keyboardist” in Japan’s BURRN! Magazine 2022 Readers Poll (an award he also received previously, in 2020). Derek was also voted “Greatest Keyboardist of the 21st Century” and  #8 “Greatest of All Time” by MusicRadar.com, and also was ranked #9 “Greatest of All Time” in PROG Magazine.  

Sherinian has distinguished himself by his versatility, and aggressive "guitaristic" approach to his signature keyboard style. MusicRadar.com declared, "His virtuoso playing has seen him dubbed the keyboard-playing version of Eddie Van Halen." David Coverdale claims that “Derek plays the Hammond organ like the son of Jon Lord.”

Starting his pro career with Alice Cooper in 1989 on the “Trashes the World” world tour, Sherinian proceeded to tour and record with KISS, Dream Theater, Yngwie Malmsteen, Billy Idol  and Whitesnake. He has also released nine solo albums, and was the co-founder of Planet X,  Sons of Apollo, and supergroup Black Country Communion (also featuring Joe Bonamassa, Glenn Hughes, and Jason Bonham).

GWAR Celebrates 40th Anniversary with New Multimedia Release 'The Return of Gor Gor' Out July 25th via Pit Records/Z2 Comics

Shock rock legends GWAR are back to wreak havoc once again with their new Multimedia Release, 'The Return of Gor Gor,' due on July 25th, 2025, via Pit Records/Z2 Comics. This multi-format assault on the senses includes brand-new studio recordings, ferocious live performances, and an exclusive 32-page comic detailing the epic return of Gor Gor, GWAR’s long-lost, three-ton Tyrannosaurus Rex. This release is a collaboration between GWAR and Z2 Comics, ensuring fans get the ultimate immersive experience.

But where has Gor Gor been all these years? How do you misplace a three-ton Tyrannosaurus Rex? The answer lies in 'The Return of Gor Gor,' a multi-format experience that intertwines music and graphic storytelling. 'The Return of Gor Gor' follows the tale of an orphaned T-Rex cub, lost in a depraved world that is completely alien to him. Will he become an ally of the legendary Scumdogs of the Universe, or will their reunion unleash an apocalyptic battle? Only time will tell.

Kicking off the carnage, GWAR premieres the NSFW video for "Lot Lizard" today. Fans can also stream the track across all digital service providers (DSPs) and pre-order 'The Return of Gor Gor' now at Pit Records (where you can also get a Gor Gor Plush) and

Z2Comics.com.

About the new single, Blothar states:

"'Lot Lizard' is a blistering return to GWAR as a punk metal powerhouse with a sense of humor. What could be more charming than a song about a crack-addicted cross-dressing dinosaur prostitute that shreds weiners at truck stop pickle parks? Nuttin honey. That’s what. The song rocks. Listen ya mooks…"

Watch the NSFW Video for "Lot Lizard" below

'The Return of Gor Gor' features three brand new GWAR songs mixed by Kurt Ballou (Converge, GodCity Studios) and four live tracks captured at The Masquerade in Atlanta, GA during GWAR’s 2024 tour, mixed by Chris Ronan Murphy. All songs were produced by GWAR and mastered by Alan Douches. The release also includes a 32-page comic detailing Gor Gor’s return, which is included with all versions. Vinyl editions boast an animated etching of Gor Gor on Side A, with a Semi-Translucent Etched Deep Purple Vinyl available exclusively at GWAR.net and Semi-Translucent Etched Green vinyl at Z2Comics.com. A Deluxe Hardback edition is also available via Z2Comics.com.

40 years ago, the intergalactic warlords of GWAR emerged from their Antarctic tomb to conquer the Earth with their barbaric blend of metal and mayhem. Over the decades, their monstrous live shows and relentless discography have solidified them as the ultimate overlords of shock rock. Now, with BälSäc, Beefcake, JiZMak, and Blothar joined by the mighty shredder Grodius of the Maximus Clan, GWAR embarks on their latest quest—to reclaim their savage pet, Gor Gor, who mysteriously disappeared following the death of their former frontman, Oderus Urungus.

Blothar comments on 'The Return of Gor Gor':

"The last time I saw Gor Gor he was just a wee fart dragon. He had crawled on the hood of my Kia Soul and was holding on for dear life while I drove to the store to buy Clamato. I bathed him in wiper fluid and used my wipers to knock him off my sweet ride. Next thing I know, he’s a 20-foot tall trans-species prostitute working a pickle park. Apparently, he’s all grown up and looking for revenge. This record chronicles his struggles as a young Dino-American trying to make his way in a cruel world."

Pre-Order 'The Return of Gor Gor' HERE

'The Return of Gor Gor' will be available in the following formats:

=> CD with 32-page comic booklet

=> LP with 32-page comic booklet and etched vinyl

=> Deluxe LP with hardcover 32-page comic and etched vinyl (D2C exclusive)

=> Standalone 32-page comic

GWAR will be on the road all year as part of their 40th Anniversary Celebration, about the excursion, Blothar says:

"This tour is gonna suck. Once again we will be onstage suffering through the attacks of a giant tyrant lizard just so humans can come to the gigs and get shitfaced on White Claws and show us their tits. Please, for the love of all that is holy, show us your tits."

GWAR Live:

*w/ Toxic Holocaust; AEther Realm; Tracheotomy 

May 11: Columbus, OH - Sonic Temple

May 15: Daytona Beach, FL - Welcome To Rockville

May 16: Columbia, SC - The Senate*

May 17: Lexington, KY - Manchester Music Hall

May 18: Milwaukee, WI - Milwaukee Metal Fest

May 19: Columbia, MO - The Blue Note*

May 20: Memphis, TN - Minglewood Hall*

May 21: Baton Rouge, LA - Chelsea's Live*

May 22: Austin, TX - RADIO/EAST*

GWAR w/Static-X, Dope & A Killers Confession

May 24: Albuquerque NM - Revel Entertainment Center

May 26: Wichita KS - The Cotilion Ballroom

May 27: Des Moines IA - Val Air Ballroom

May 29: St Louis MO - The Pageant

May 30: Minneapolis MN - The Fillmore Minneapolis

May 31: Davenport IA - Capitol Theatre

Jun 1: Grand Rapids MI - GLC Live at 20 Monroe

Jun 3: Indianapolis IN - Egyptian Room @ Old National Centre

Jun 4: Ft Wayne IN - Clyde Theatre

Jun 5: Wheeling WV - Capitol Theater

Jun 7: Wallingford CT - The Dome at Toyota Oakdale Theater

Jun 8: Buffalo NY - Buffalo Riverworks

Jun 9: Toronto ON - History

Jun 10: Montreal QC - Mtelus

Jun 11: Hampton NH - Hampton Beach Casino

Jun 12: Allentown, PA - Archer Music Hall

Jun 14: Myrtle Beach SC - House Of Blues

Jun 15: Raleigh NC - The Ritz

Jun 17: Kansas City MO - Grinders

Jun 18: Oklahoma City OK - The Criterion

w/ Eyehategod; AEther Realm; Tracheotomy

Jun 20: Pensacola, FL - Vinyl Music Hall

Jun 21: Pelham, TN - The Caverns

Jul 24: Richmond, VA - Allianz Amphitheater

w/Lamb of God, Hatebreed

Oct 5: Sacramento, CA - Aftershock @ Discovery Park

New Jersey artist Greg Amici presents 'I’ll Be Back' single, first offering from 'Tragicomic' album

New Jersey-based artist Greg Amici presents his haunting yet driven new single 'I'll Be Back', previewing his forthcoming 'Tragicomic' album, a storied set of 12 songs that blends absurdist-rock, ska, Americana, folk-punk and straight-up classic rock, with a clear-eyed view of the world through Amici’s unique lens. Greg's lyrics often offer an unexpected turn of phrase, delivered with full-throated rock power.

With roots firmly planted in Jersey, his creative journey has taken him from the heart of Manhattan to Los Angeles and back again. In the late '90s, Greg formed Big Honey, a NYC-based band whose rise peaked with an appearance at the CMJ Music Festival but paused indefinitely when a vocal polyp sidelined Greg for years. Despite this setback, he didn't let his distinctive voice and songwriting abilities go to waste, returning to the studio after a 16-year hiatus. 

Reuniting with producer James Mastro (The Bongos, Mott the Hoople, Ian Hunter) and engineer / drummer Ray Ketchem (Guided by Voices, Elk City, Gramercy Arms, Luna) at Magic Door Studio in Montclair, the resultant 'Tragicomic' album was mastered by award-winning engineer Greg Calbi (John Lennon, David Bowie, Bruce Springsteen, Talking Heads, Patti Smith, Tom Petty).

The creative process also involved former Amici bandmates Joe Gentile (Big Honey)and Tommy Aboussleman (Electric TNT), along with special guests Tony Shanahan (Patti Smith Band) and Renee LoBue (Elk City) contributing to the recording. Whether it’s a "serial killer romance" or a biting satire, Greg Amici proves that a Jersey count knows how to count on rock ‘n’ roll.

Greg Amici shares, "About 'I’ll Be Back', yeah, there have been a lot of songs with the same title and, of course, Arnold Schwarzenegger made the words famous, but my work here is uniquely unique. Really, I was pissed off because the girl I was in love with started having sex with a guy I thought was my friend. So, not wanting to expose myself, I pretended that I was Ulysses returning to my home to annihilate all of Penelope’s suitors. A song was born. It was quite cathartic and probably kept me out of jail."

Calling himself a "count in name only", tracing his aristocratic lineage through Italian family names such as Benedetti, Stalute and Scala, Greg found his calling as a musician in high school, inspired by local bands. Picking up the guitar in his late teens, he founded his first band, The Clergy, and later teamed up with a musical partner to form the '80s alt-rock band Junk.

As of April 15, 'I'll Be Back is available from fine online music platforms, including Apple Music, Spotify and Bandcamp.  The full 'Tragicomic' album will be released on June 13 via Magic Door Records. Amici will be supporting this album with a series of live performances, to be announced soon.

CREDITS
Music & lyrics written by Greg Amici
Greg Amici - Lead & backing vocals
James Mastro - Electric guitars, piano, tenor sax
Tommy Aboussleman - Electric guitar
Tony Shanahan - Bass
Ray Ketchem - Drums, percussion
Joe Gentile - Backing vocals
Produced by James Mastro
Recorded & mixed by Ray Ketchem at Magic Door Recording in Montclair, NJ
Mastered by Greg Calbi at Sterling Sound
Art direction, design & photography by Mark Jaworski
Thanks to Judy “My Beauty” Steiner for love & guidance
Released by Magic Door Records
Video created by David Fagin
Publicity by Shameless Promotion PR


Keep up with Greg Amici
Website | Facebook | Bandcamp | Store | Instagram | Twitter | YouTube | Apple Music | Spotify | Booking contact | Press contact

Keep up with Magic Door Records
Facebook | Twitter | Instagram | Soundcloud | YouTube | Magic Door Studio | Press contact

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Dreamgaze artist Dotsun Moon shares 'Bring Love' & 'Give Up The Tears', heralding third album

Upstate New York-based artist Dotsun Moon has announced their forthcoming third album 'Tiger', sharing the video for the invigorating 'Bring Love' and penetrating 'Give Up The Tears', two choice offerings from an album that is, both in spirit and sound, influenced by M83’s epic 'Before The Dawn Heals Us' and New Order's 'Ceremony' and 'Temptation' phases.

Revolving around the musings of Richard Flierl and based in Buffalo, Dotsun Moon has gone through several incarnations since releasing their debut album 4 A.M. back in 2011, but the trajectory remains steadfast on a path of dreamy rock offerings over the years, with multi-instrumentalist Flierl also gradually assuming vocal duties.

"The song 'Bring Love' is about accepting a breakup and hoping someday for a reconciliation. This song would fit right in at the end of a number of John Hughes films. The guitar riff plays along with angelic synths as I sing the line “see it [love] all around,” a call for love to return in any form," says Richard Flierl.

"On the other hand, 'Give Up The Tears' is anthemic hopefulness seeing the best the world has to offer with its opening synth note and Will Sergeant-influenced guitar. This is one of those songs made for sun-setting summer driving with the windows wide open. The drums pound and move the song along in turn increasing the power of the entire song."

Conveying his bold and self-contained vision in every note and vocal line, Dotsun Moon's new album is a complete solo endeavor and a departure from their previous work, which involved female vocals. Evoking both euphoria and a poignant sense of grounding, Dotsun Moon brings you this compelling and unique exploration. Engineered and mastered by Doug White at Watchmen Studios in Lockport, NY, Richard Flierl and Doug White mixed the album on location. 

"This is a huge change to prior releases, which have powerful female singers at the center of the songs. On this album, I am on vocals and all the songs are written and played by me from guitars and bass to keyboards, drums and drum programming. Doug White at Watchmen Studios in Lockport, NY brought decades of recording and mixing knowledge to the recordings that allows the songs to truly shine," says Richard Flierl.

"I grew up outside of Buffalo, NY listening to the local college station WBNY and the alternative Toronto station CFNY for music, info and concert announcements. I picked up a guitar in my late teens and wanted to make music under the impression of Pink Floyd and Echo and The Bunnymen. I had no idea there were other bands who made music like they did. Will Sergeant became a hero, watching him and the Bunnymen live as they toured with New Order. Strangely after seeing both bands live, New Order’s Bernard Sumner and Peter Hook became my biggest influences."

Over the years, Dotsun Moon has performed with such notable artists as Mary Ognibene (The Lovely Intangibles) and Buffalo Music Hall of Famer Maria Sebastian, having also played shows with Joywave, Vanishing Kids and The Lost Patrol, not to mention Pride Festival.

'Bring Love' and penetrating 'Give Up The Tears' are out now, available from fine music platforms, including Spotify, Apple Music and Bandcamp. Dotsun Moon's next single 'Never Had a Heart' will be released on April 30. The full 'Tiger' album, set for release on June 27, is now available for pre-order.

CREDITS
Music & lyrics written by Richard Flierl (ASCAP)
Vocals, guitar, bass, drums, programming & synths by Richard Flierl
Mixed by Richard Flierl and Doug White at Watchmen Studios in Lockport, NY
Engineered and mastered by Doug White at Watchmen Studios
Cover artwork by Doc Wintersmith
Artist photos by Meredith Snow
Publicity by Shameless Promotion PR


Keep up with Dotsun Moon
Website | Bandcamp | Facebook | Instagram | BlueSky | Soundcloud | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | BlueSky | Threads | Soundcloud | LinkedIn | Email

Eric Church & Chief Cares Break Ground in Avery County, NC

Chief Cares, the nonprofit founded by country music star Eric Church and his wife Katherine in 2013, has officially broken ground on its first mid- to long-term housing development to support families displaced by Hurricane Helene. The development, called Blue Haven, is located in Avery County, North Carolina – an area close to Church’s heart and home.

Standing before local leaders, supporters and community members Friday, April 11, Church shared a deeply personal vision for the future. “The land we stand on today sits in the heart of a county that has meant so much to me,” he said. “This is a place my family and I are proud to call home… Mountain people, my people.”

Chief Cares, the nonprofit founded by country music star Eric Church and his wife Katherine in 2013, has officially broken ground on its first mid- to long-term housing development to support families displaced by Hurricane Helene. The development, called Blue Haven, is located in Avery County, North Carolina – an area close to Church’s heart and home.

Standing before local leaders, supporters and community members Friday, April 11, Church shared a deeply personal vision for the future. “The land we stand on today sits in the heart of a county that has meant so much to me,” he said. “This is a place my family and I are proud to call home… Mountain people, my people.”

L to R ID: Justin DeSpain and Matt Belcher (Clayton Homes), Ruth Shirley (Avery Long Term Recovery Group), Christian Bigsby (SVP Workplace Resources, Cisco), Eric Church, Governor Stein and Luke Howe (local partner, AMY Wellness Foundation) break ground at Blue Haven Community in Avery County North Carolina on Friday, April 11, 2025. | Photo Credit: Courtesy of Chief Cares

Chief Cares: A Renewed Mission
 
In the wake of Hurricane Helene, which devastated parts of Western North Carolina in September 2024, Chief Cares shifted its mission to address a growing need: keeping people in their communities after disaster strikes. While emergency relief efforts are critical in the immediate aftermath, Chief Cares is focused on what happens next – on providing families with a path to stability, homeownership and dignity.

This effort is being launched under a new initiative called Blueprint for the Blue Ridge, a scalable model for disaster recovery rooted in housing, community and mid- to long-term support.

“We realized that keeping the people in their communities after disaster was a problem with no real solution. We wanted to change that,” Church said. “This is truly a hand up, not a handout. Dignity and community are key to the long-term success of the Blueprint.”

About Blue Haven

Blue Haven will offer roughly 45 homes across a mix of one-, two- and three-bedroom floorplans. Chief Cares and its partners are acquiring the land, preparing the infrastructure and building the homes. Selected families’ housing expenses will be financially assisted to allow them to live affordably for up to three years while they rebuild their lives. At the end of that term, families will have the option to purchase their homes – with support from Chief Cares in accessing any available resources.

“The community in this extraordinary setting will provide a shelter of time for its members and owners,” Church said. “We put a house where your home is, so that house can be your home.”

Work is already underway, and families are expected to move in by late summer 2025.

A Scalable Model for the Nation

While Blue Haven is the first, it won’t be the last. Chief Cares has plans to expand into neighboring counties, with the ultimate goal of creating a national model for disaster recovery rooted in permanence, pride and place.

“It is our hope and belief that this will provide guidance and support to other communities facing devastation,” Church said. “A map to a destination of keeping those communities intact.”
 
For more information, visit ChiefCares.org.

Ian Munsick and Montana Silversmiths Launch Exclusive Jewelry Collection at Boot Barn

Wyoming native Ian Munsick has partnered with Montana Silversmiths to launch an exclusive jewelry collection featuring unique pieces that blend traditional Western style with contemporary flair, available exclusively at Boot Barn Nashville stores and BootBarn.com starting on Thursday, April 17, ahead of the release of Munsick’s third studio album Eagle Feather, available Friday, April 18 via Warner Music Nashville.
 
The collection showcases four standout pieces: the White Buffalo Bolo Tie, Eagle Feather Buckle, Cloudy Mountain Cuff Bracelet, and the Blacktooth Cuff Bracelet. Each item is meticulously crafted to reflect the rugged spirit of the American West and the artistry of Montana Silversmiths, the first installment of a line sure to become a mainstay in country and western fashion.

“Nothing defines the west like those born and raised in it,” shares Munsick. “Its tradition lives through us and its survival depends on us. That’s why this collaboration with Montana Siversmiths is so authentic; we are both western natives. When I see these pieces we’ve created, I’m immediately transported back into the culture that made me who I am.”

To celebrate this exciting launch, Boot Barn will host a special event at their 2nd Avenue store in Nashville on April 17th from 1:00 PM to 4:00 PM, ahead of Munsick’s concert at The Pinnacle that night, celebrating the release of Eagle Feather. Fans and fashion enthusiasts are invited to experience the collection firsthand and enjoy a range of exciting activities, including:

• Leather Branding

• Happenstance Whiskey Tasting

• Ian’s Signature Old Fashioned cocktail – “Fire Water”

• Hidden tickets to Ian Munsick’s concert at The Pinnacle later that evening

Ian and Caroline Munsick wearing pieces from the Ian Munsick x Montana Silversmiths Jewelry Collection.
Photos Credit Cam Mackey

“We are thrilled to announce the launch of our exclusive Ian Munsick collection in partnership with Boot Barn,” shares Marshall Smith, VP of Marketing, Montana Silversmiths. “This collaboration is a testament to our shared passion for the heritage and artistry of the American West. As Ian continues to push boundaries in both fashion and music, we believe this partnership marks the beginning of an extraordinary journey and very much look forward to bringing this line to the masses.”

With the 2023 release of White Buffalo, Munsick spread the Rocky Mountain gospel with his raw, untamed depiction of the American West and expands on the concepts of the land, people, culture and stories that inspire him with his 20-track follow-up Eagle Feather.
 
While the white buffalo represents prosperity and rebirth, the eagle feather is inspired by the native symbol representing honor, strength and wisdom, and serves as a continuation of his sophomore project by highlighting Munsick’s personal growth through life experiences and lessons learned that have shaped him into who he is. 

Produced by Munsick, Jared Conrad and Jeremy Spillman, Eagle Feather features duets with Lainey Wilson and Flatland Cavalry lead singer Cleto Cordero, with songwriter credits by fellow singer/songwriters Caitlyn Smith and Stephen Wilson Jr., as well as two rare outside cuts in “Drink Around” and “Horses Not Hearts.”

The Ian Munsick x Montana Silversmiths collection, available exclusively at Boot Barn Nashville stores only and on BootBarn.com while supplies last, combines the legacy of Montana Silversmiths with the fresh, contemporary style of Ian Munsick.

Fans and fashion-enthusiasts who can’t get their hands on the collection for this initial launch will look forward to the nationwide launch in July in top Boot Barn stores as well as BootBarn.com, with more exciting events and activations on the horizon.

About Ian Munsick:
A native son of Wyoming, Ian Munsick has accumulated over 900 million global streams across two albums – Coyote Cry and White Buffalo – and a host of accolades, including 19 awards and 14 festival selections for his documentary, White Buffalo: Voices of the West. Having painted a stampeding, spirited portrait of the American West with his sophomore album White Buffalo in 2023, Munsick is expanding on the concepts of the land, people, culture and stories that inspire him, readying the project’s follow-up 20-track album, Eagle Feather, due on April 18, 2025 via Warner Music Nashville. In addition to selling over 100,000 headlining tickets in 2024, Munsick also opened on select dates of Lainey Wilson’s Country’s Cool Again Tour and supported Morgan Wallen on select dates of his record-setting One Night At A Time Tour. Munsick is currently headlining his spring Horses Are Faster Tour. He has been named an “Artist to Watch” by Spotify, CMT, Fender, MusicRow and most recently was named a Martin Showcase Artist. Standout duet “Long Live Cowgirls” (with Cody Johnson) off of White Buffalo hit No. 1 on SiriusXM’s The Highway Hot 30 Countdown, was named one of Amazon Music’s Best Country Songs of 2022 and recently received RIAA Gold-certification alongside “Long Haul” and “Horses Are Faster.” Fans of Ian Munsick will always find an open heart, natural awe and plainspoken honesty as he rides on… bringing the West to the rest. Online at IanMunsick.com.

Kenny Chesney's Spherical Premium Seats

Kenny Chesney always throws the summer’s hottest show. With all the songs, the friends, the fun, when No Shoes Nation comes together, a party happens – and memories are made. Knowing his residency at Sphere in Las Vegas brings an audience Variety calls, “a concert-going community rivaled perhaps only by Parrotheads and Deadheads” into a whole new dimension of experiencing the songs, the sound and the visuals, the songwriter/superstar wants to offer every possible way to view these landmark shows.
 
As the final plan for Chesney’s production at Sphere evolves from concept to reality, the opportunity to open-up additional 100 level, reserved seat inventory is now also a reality. These additional tickets will go on sale Tuesday, April 15 at 10 a.m. PT via KennyChesney.com.
 
“For the fans who want to be close, but maybe aren’t sure they’re ready for the sandbar experience, I get it,” Chesney says. “Normally, it’s three acts, the hot sun and a whole lotta hard plastic flooring, but when you’re being engulfed by this incredible sound and the dynamic visual content, it’s a lot to take in. 
 
“If you’re feeling more like you’re not ready to get in the pit, you want to really absorb all the sensations, I’m really glad the folks at Sphere were able to work with us to make these seats happen. Obviously, we had to wait until everyone knew what our production was going to require; but once we got it all settled, they were very quick to help us create yet another way to come on in and be part of it with us.”
 
With no tour or traditional shows this summer, high-impact performer Kenny Chesney wanted to make sure No Shoes Nation got the most out of having this other dimension. Being country’s first artist to play Vegas’ groundbreaking Sphere, which literally wraps fans in 4-D technology with the globe shaped building, is a big deal. Between the intense quality of the production, some songs people have never heard and guests, the man the LA Times deemed “the People’s Superstar” didn’t want to lose that direct contact that defines his stadium shows.
 
“Since we’re not outside, I want everyone to have the best space possible,” he offers. “We’ve got Brandi Cyrus getting people’s party on to start. The band and I haven’t played for No Shoes Nation since those three nights in Boston – and we’re so ready to get out there and rock. To me, these seats give people one more option to make these shows the best ones ever.”

Known for songs that chronicle coming of age in the flyover, Chesney’s treating this residency as a way to celebrate two decades of stadium-sized summers. With his Guitars, Tiki Bars and A Whole Lotta Love fan experience taking over a nearby two-story space at The Venetian Resort Las Vegas as a free way for even non-ticket-holders to experience the ride, including the Spread the Love Bar to grab a drink before the show, he’s creating a space where No Shoes Nation can celebrate all of the moments shared, songs they’ve loved and being together under Sphere’s aesthetic magic.
 
The only country artist in Billboard’s Top 10 Touring Acts of the Last 25 Years for the last 15, Chesney brings together in community, fun and letting go of what brings you down. With a three hour, no stop Sandbar experience, starting May 22 at Sphere, No Shoes Nation can get their 2025 summer started with 15 singular shows designed to make Chesney’s world without boundaries an even more engaged space.
 
Limited tickets remain for the Sphere residency at KennyChesney.com with official VIP Concert & Hotel Packages available via Vibee, the official VIP Concert & Hotel Package partner for Kenny Chesney’s Live at Sphere residency, at KennyChesney.Vibee.com. All Vibee packages offer guests a choice of premium tickets including Sandbar (general admission floor) or reserved seating, a collectable laminate and lanyard, access to the No Shoes Island VIP Pool Party, exclusive Kenny Chesney curated gift bag and early access to the Guitars, Tiki Bars and a Whole Lotta Love experience on show days for crowd-free shopping on exclusive merch items, and access to a dedicated shopping lane during public hours. Vibee Hotel Packages include a two-night stay at The Venetian Resort Las Vegas (The Venetian or The Palazzo) or Virgin Hotels Las Vegas. 
 
Kenny Chesney Live at Sphere in Las Vegas is presented by Blue Chair Bay® Rum.

Kenny Chesney Live at Sphere Las Vegas
Thursday, May 22
Saturday, May 24
Sunday, May 25
Wednesday, May 28
Friday, May 30
Saturday, May 31
Wednesday, June 4
Friday, June 6
Saturday, June 7
Wednesday, June 11
Friday, June 13
Saturday, June 14
Wednesday, June 18
Friday, June 20
Saturday, June 21

Adam Ezra Group NEW Music Out Now!!

Adam Ezra Group’s latest single, Mama Luna, is now available anywhere you stream music!!

Hollywood Undead Unveil "Hollywood Forever" (Funny Man Remix) Featuring Lefty Gunplay & N8NOFACE

Los Angeles, CA — Multi-platinum rap-rock juggernauts Hollywood Undead unleash a brand new take on their hit single "Hollywood Forever" today with an electrifying remix from founding member Funny Man featuring Lefty Gunplay andN8NOFACE. Find the track on streaming platforms HERE and watch the accompanying video created by LA based artist and animator MikeMeds below. 

The “Hollywood Forever (Funny Man Remix)” is a gritty, genre-blending rework of the fan-favorite anthem—an unmistakable tribute to Los Angeles, the city firmly rooted in the DNA of all three artists. The track seamlessly blends explosive rap verses that trade off between Funny Man’s laid-back swagger, Lefty Gunplay’s raw charisma, and N8NOFACE’s signature punk-meets-rap delivery, building in intensity before culminating in the original track’s epic chorus. 

Speaking on his remix of “Hollywood Forever”, Hollywood Undead’s Funny Man shares

“For the first time in Hollywood Undead history we have 3 Mexicans on one track with the homies Lefty Gunplay, N8NOFACE, and myself Big Funny Man who are all holding it down for LA and will continue to do so. Thanks to those legends for helping to show love and gratitude to the Undead fans.”

N8NOFACE comments 

“Soon as I heard the track and idea I wanted to rock it. Perfect genre killer joint and blends of styles,” 

With Lefty Gunplay adding 

“THIS ONE RIGHT HERE IS FOR THE CULTURE. 2025 JAY Z VS LINKIN PARK!”

Originally released in October 2024 via Sumerian Records, “Hollywood Forever” has racked up over 19.5 million cross-platform streams, peaked at #18 at Active Rock radio (currently holding at #20), and generated over 35.6k Shazams. The track is a testament (both lyrically and statistically) to the uniquely powerful bond Hollywood Undead share with their fans and the phenomenal staying power of a band who have been releasing albums since 2008. 

The remix lands as Hollywood Undead continue their monumental Hollywood & N9ne Return Tour, co-headlining with Tech N9ne and performing to thousands each night alongside special guests Set It Off and Zero 9:36. The current leg marks their long-awaited return to Canadian stages for the first time in nearly a decade. The band will also be performing at major US festivals Sonic Temple, Welcome To Rockville, Louder Than Life and Aftershock.

ABOUT HOLLYWOOD UNDEAD

Since the release of their RIAA platinum-certified 2008 debut Swan Songs, Hollywood Undead’s distinctive and infectious music has incited a global cult audience, sold out shows across continents, and earned praise from Consequence of Sound, Billboard, Revolver and more. With over 3.2 billion cross-platform streams, over 1 billion YouTube views, and 4.1 million monthly Spotify listeners, they remain one of modern rock’s most influential and enduring forces. Now signed to Sumerian Records, they continue to push boundaries and reshape alternative culture.

Hollywood Undead Are:

Johnny 3 Tears, J-Dog, Charlie Scene, Funny Man, Danny.

Find Hollywood Undead Online

Spotify | Apple Music

ABOUT LEFTY GUNPLAY

Lefty Gunplay sheds light on another path. He knows how easy it is to link up with the wrong crowd, get into trouble, and wind up behind bars—especially in a neighborhood like Baldwin Park where he grew up in Los Angeles. He’s living proof that your environment doesn’t have to define you. In less than a year, he returned home from prison and launched his rap career into the stratosphere. He broke through with prolific musical output, intense live shows, and a guest spot on Kendrick Lamar’s blockbuster GNX. Entangled in the streets, he spent a total of 19 years of his life in prison. However, he made a decision to change once and for all in 2024. He turned heads with “Blvd Babies” and dropped his first tape Rookie of the Year. He picked up the pace with Famous Gangbanger and Pre-Season in addition to collaborating withJeremih and OHGEESY. He popped off with Most Valuable Gangbanger, including “What The West Bout” [feat. Snoop Dogg]. Lamar also handpicked him for “tv off,” which exploded to the tune of 455 million Spotify streams, captured #2 on the Billboard Hot 100, and went platinum. During 2025, Santa Fe Klan tapped Lefty Gunplay for “Lumbre” and welcomed him to perform live during Calibash. Now, he continues to push forward on his album, Can’t Get Right [EMPIRE], and more to come. Full bio HERE

ABOUT N8NOFACE

A self-described “Cholo goth father,” N8NOFACE has carved his own lane in the underground with a fierce blend of synth-punk, hip hop, and industrial no wave. Born in Tucson and based in Los Angeles, his prolific output and raw energy have earned him cult status and a growing audience of genre-agnostic listeners. N8’s latest LP Bound to Let You Down continues his streak of uncompromising releases that reflect real-life struggle and creative rebellion. Full bio HERE

Arsenic Kitchen Commences Recording of Upcoming Album in Nashville

ARSENIC KITCHEN,

a band originating from Phoenix, Arizona, has

relocated to Nashville, Tennessee, to record their upcoming full-length album in

preparation for their future touring schedule. The recording of the upcoming album will conclude at the end of April.

Known for their musical fusion of early 2000s Alternative and modern Post Hardcore,

ARSENIC KITCHEN'S sound incorporates elements of both nostalgic angst and

contemporary energy, often expressed through emotionally charged lyrics and theatrical

stage presence. The band has acknowledged Asking Alexandria and Set Off as musical

influences.

The currently untitled project is being recorded at the renowned Blackbird Studios in

Nashville. Lead singer Lucas Fulmer has utilized social media platforms to express

gratitude to the band's supporters and has indicated that the recording process will be

documented online. In a statement released in April, the band confirmed that the project

is being independently funded and that they currently have no major label affiliations.

The forthcoming release is a concept album that will be accompanied by a feature film,

with segments released in conjunction with the thematic elements of each track.

Representatives for ARSENIC KITCHEN anticipate the completion of recording sessions by the end of April 2025. This timeframe aligns with the band's plans for touring activities

scheduled for the remainder of 2025. An official release date for the album has not yet

been announced.

INFAMOUS STIFFS Track "Evel Mann" Heard in Jason Statham Film A Working Man. Release the Single and Video "Loose Screws"

OAKLAND, CA - Southern California punk rockers INFAMOUS STIFFS have released the next single "Loose Screwz" from  their upcoming six song EP titled “The Ornery Six. The band had this to say about the new single, "There is a lot of craziness here in America and you get ripped here and torn there. Mix that up in a song with a touch of optimism sprinkled in and you have “Loose Screwz”."

Watch the video for "Loose Screwz" below:

Stream or purchase "Loose Screwz": https://orcd.co/loose-screwz

INFAMOUS STIFFS are also excited to announce that the third single from “The Ornery Six” entitled “Evel Mann” is featured in the new film “A Working Man” starring Jason Statham”. The movie was released in theatres March 28th. Pre-save for the single starts May 23rd and the release date is June 6th. Watch the promo video for "A Working Man": https://youtube.com/shorts/n6ttT-VLg-M?si=FFBcj5RE3WMTjt1c

Infamous Stiffs came onto the scene in 2019, just before the world shutdown. Hailing from Southern California cities, the members have spent decades playing punk rock ‘n’ roll in various incarnations... all roads leading to the sonic condition that is Infamous Stiffs. A relentless assault of loud infectious hooks and grooves, that’ll make you shout & shake and make ya move your hips with an uncanny swing!

Band Members: 
Vocals - Scott Wilkins (Verbal Abuse, Electric Frankenstein)

Guitar - Mark Pananides (Junkyard)

Bass - Troy Takaki (Boneless Ones)

Drums - David Bach (House of Wheels, Adam Sandler's band and a current member of The Avengers)
 
 
Production Details
Engineered, mixed and produced by David Irish at Pot of Gold Studios 

https://www.infamousstiffs.com

https://linktr.ee/Infamous_Stiffs

https://www.facebook.com/infamousstiffs/

https://www.instagram.com/infamousstiffs

https://youtube.com/@infamousstiffs3385

https://www.bandsintown.com/a/15468330

https://www.tiktok.com/@infamous_stiffs

https://infamousstiffs.bandcamp.com/

Out Friday - Exterminatus - Echoes From A Distant Star Part 1

Formed in the depths of Vancouver, Canada, in 2013, the death metal colossus EXTERMINATUS is poised to unleash their third studio assault, Echoes From A Distant Star Part 1, on April 18, 2025. The album is a culmination of over a decade of relentless crafting and intense recording sessions, symbolizing the band's evolution into a formidable force within the metal scene.

The narrative of Echoes From A Distant Star Part 1 unfolds across its tracks, each serving as a chapter in a grand cosmic saga that explores the origins of the universe and the haunting truths hidden within its expansive reach. The journey begins with the turbulent force of "Cosmic Disturbance" and traverses through a series of dark revelations, culminating in an unexpected twist with a metal rendition of "Rock Me Amadeus."

Drawing inspiration from the cosmic and dystopian visions found in the works of Isaac Asimov and Arthur C. Clarke, as well as the expansive narratives of "Stargate SG:1" and the "Mass Effect" series, the album offers a profound exploration of existence through its lyrical and musical depth. Songs like "Primordial Sea" and "Starbound" feature brutal drum patterns and shredding riffs, echoing the thematic and sonic complexity that EXTERMINATUS is known for.

The formidable lineup delivering this sonic onslaught includes Max Sepulveda on drums, Tabreez Azad wielding guitar and vocals, Elia Baghdaniyan on guitar, Luka Bresan as the lead vocal force, and Lucas Abreu anchoring the low end on bass. The band themselves drove the production, with recording, mixing, and mastering helmed by Max Sepulveda and Zack Ohren at The Beat Lab, ensuring every note conveys the intended ferocity. The album's striking visuals were crafted by Mark Cooper, encapsulating the album's thematic essence.

Key tracks like "Cosmic Disturbance" come alive with an accompanying music video, while "The Signal" and "Primordial Sea" are depicted through haunting lyric videos, offering a window into the album’s dark narrative.

Echoes From A Distant Star Part 1 marks a pivotal chapter for EXTERMINATUS, as they delve into the abyssal depths of death metal, challenging the boundaries of the genre with philosophical narratives and thunderous compositions. 

About EXTERMINATUS:

Since their formation in 2013, EXTERMINATUS has evolved into a dominant force within the technical death metal scene. Their journey began with the debut album Veni Vidi Vici, which immediately set the tone for their aggressive style characterized by rapid-fire riffs, relentless drumming, and devastating vocals. By the time their second album Laniakea was released in 2018, EXTERMINATUS had firmly established themselves not just as a project but as a mainstay, pushing the boundaries of technical death metal.

The current lineup features the dual-guitar attack of Tabreez Azad and Elia Baghbaniyan, combined with the unstoppable rhythm section of Max Sepulveda and Lucas Abreu, and the ferocious lead vocals of Luka Bresan. This potent combination creates a sound that is both brutally precise and expansively atmospheric, drawing comparisons to luminaries like Aeon, Decapitated, and The Faceless, yet with a distinct identity that is entirely their own.

Thematically, EXTERMINATUS ventures into the cosmic unknown, exploring vast astronomical themes and the fundamental forces of the universe. Their narratives delve into complex physical phenomena and the chilling mysteries of space, a theme that resonates deeply in their upcoming release, Echoes From A Distant Star Part 1, scheduled for release on April 18, 2025. This album promises to fuse their signature technical complexity with a hauntingly eerie cosmic atmosphere.

EXTERMINATUS's impact on the scene is underscored by their dynamic live performances, highlighted by appearances at festivals such as Armstrong Metalfest and Loud As Hell Festival. Collaborations with notable figures like Andrew Baena, Dean Lamb, and Mike Greenwood have further solidified their reputation, expanding their influence and showcasing their ability to innovate within the genre.

With their intricate compositions, powerful performances, and forward-thinking approach, EXTERMINATUS not only captivates their audience but also promises a continual evolution. As they prepare to release Echoes From A Distant Star Part 1, they stand at the forefront of technical death metal, ready to explore new sonic territories and deepen their exploration of the cosmos.

EXTERMINATUS is:

• Tabreez Azad – Guitar/Vocals

• Elia Baghbaniyan – Guitar

• Luka Bresan – Lead Vocals

• Max Sepulveda – Drums

• Lucas Abreu – Bass

Album Credits:

• Producer: EXTERMINATUS

• Recording Studio: The Beat Lab

• Engineer: Max Sepulveda

• Mastering: Zack Ohren

• Mixing: Max Sepulveda

• Album Cover Artist: Mark Cooper

• Album Formats: Digital and CD

Connect With EXTERMINATUS:

• Bandcamp: exterminatus.bandcamp.com

• Facebook: facebook.com/exterminatus

• Instagram: instagram.com/exterminatusband

• YouTube: youtube.com/@ExterminatusBand

• Spotify: open.spotify.com/artist/6K0rn6eXWhYNjO5QvpY6Wb

• Apple Music: music.apple.com/us/artist/exterminatus/1412280668

New England Metal & Hardcore Festival Returns September 20, 2025 — Lorna Shore to Headline Stacked Lineup

New England Metal & Hardcore Festival returns on Saturday, September 20, 2025, at The Palladium Outdoors in Worcester, MA.

Launched in 1999, NEMHF became a cornerstone of the metal and hardcore scenes, hosting legends like Megadeth, Lamb Of God, Meshuggah, and more. After a triumphant return in 2023, the festival is set to once again bring the heat with a lineup that includes Lorna Shore as the headliner, alongside Cannibal Corpse, Kublai Khan TX, The Black Dahlia Murder, and a rare, historic final performance from Bury Your Dead featuring their classic lineup, including Matt Bruso, Mark Costello, Brendan "Slim" MacDonald, and Aaron "Bubble" Patrick.

Also on the bill are Drain, Sanguisugabogg, Municipal Waste, Madball, Full of Hell, and more.

"We've done this fest over a bunch of formats through the years — two days, three days, you name it," says co-founder Scott Lee. "This time, it's one day, but we didn't cut corners. This lineup is stacked from top to bottom. We're bringing you the best of the best. All gas, no brakes. Weeeeeee."

LINEUP:
HEADLINER: LORNA SHORE
All Out War
Bayway
Big Ass Truck
Bury Your Dead (Final Show — Classic Lineup)
Cannibal Corpse
Chamber
Despised Icon
Drain
Full of Hell
Gates to Hell
Gideon
Guilt Trip
Hard Target
Kublai Khan TX
Madball
Municipal Waste
PeelingFlesh
Sanguisugabogg
Shadow of Intent
Teeth
The Black Dahlia Murder
Varials
Vomit Forth

Heaven Shall Burn Release "My Revocation of Compliance" Video — WATCH // New Album "Heimat" Out June 27🪽

"Heimat" = German for "home + homeland + native land" — a term that merely refers to a relationship between people and spaces but has nevertheless always been highly emotionally charged. Often misused, it sometimes causes discomfort, lively discussions, and battles over interpretation.

Guitarist Maik Weichert comments, "Heimat is not meant as the narrow-minded end point in the sense it has been used by agitators and populists, but the starting point for observations and perspectives. The album is about a much wider sense of the term 'Heimat:' the homelands for many different people and also about the spiritual home, something that shapes and determines our thoughts and actions."

Heaven Shall Burn took their time with the follow-up to Of Truth And Sacrifice, which reached number 1 in the Official German Album Charts in 2020. Heimat was produced at the band's own studio, The Dude Ranch, which is run by guitarist Alexander Dietz. Like in the past, Danish producer Tue Madsen took care of the mixing and mastering.

The Thuringians enlisted the renowned artist Eliran Kantor for the artwork, who previously crafted the artwork for Of Truth And Sacrifice. The centerpiece of the impressive triptych is a rearing stag — in its roaring variant a classic motif of wildlife painting, the epitome of kitsch and trivial art from the 19th and 20th centuries and interpreted by some as a symbol of patriarchy and capitalist competition, but here placed as a vital allegory of resistance amid an apocalyptic scene. He is flanked by a hunting lynx and a watchful owl, which complete the highly symbolic artwork concept as further elements of the triptych.

Watch the video by Thomas Liebchen Below:

As with Of Truth And Sacrifice, Heaven Shall Burn worked with composer, producer and director Sven Helbig and conductor Wilhelm Keitel, this time supported by the Mondëna Quartet and the Ukrainian Sophia Chamber Choir.

Over the last couple of months, Heaven Shall Burn have released two unusual singles, "Keinen Schritt zurück" (Feat. Donots) and "Schweineherbst" (Feat. Dÿse). Today they are pleased to present "My Revocation of Compliance," a typical Heaven Shall Burn song.

"The song reflects our current attitude," Heaven Shall Burn say. "It is time to stop being held back by candy coated speeches. The essential challenge for our generation is to consistently live our own attitudes and convictions and to no longer tolerate the omnipresent ignorance of the pressing problems of our time. Sham discussions, divisive tendencies, and envy debates, in other words everything that is available in the political toolbox of those in power, must not distract us from the real undesirable developments and must be rigorously smashed. We think the iconoclastic symbolism of the video conveys this attitude in a very special way."

Heimat will be released on June 27 by the band's long-standing label partner Century Media Records. 

Pre-order the album here.

HEAVEN SHALL BURN ARE:
Marcus Bischoff — Vocals
Maik Weichert — Guitar
Alexander Dietz — Guitar
Eric Bischoff — Bass
Christian Bass — Drums