Fame On Fire Share "Suicide (The Lovers)" Video

Fame on Fire — singer Bryan Kuznitz, Blake Saul (guitarist), Paul Spirou(bass), and Alex Roman (drums) — last week announced their new album The Death Card. It arrives September 6 on Hopeless Records. Pre-order it here

Today, the band drops the official video for the new single "Suicide (The Lovers)." Watch the contemplative, story-driven clip, which will take on you a journey through multiple emotions and is bathed in blue tones, here.

The song is essentially about the idea of going all in for love, and it employs all the drama of a classic tragedy. Cinematic keys and hooks live alongside an ominous spoken-word on the bridge: "Dear beloved we are here today in the final resting place to seal their fate."

"It's a Romeo & Juliet-style story," Kuznitz reveals. "The sentiment is 'If I'm going to love you, I'm going to die for it, and I'm okay with that.' With 'The Lovers Card,' you're sacrificing your life to make a relationship work."

Tarot cards might give perspective, soothe the uncertainty of mental health, or simply enable you to make better sense of your life. Fame on Fire use music in much the same way. The Florida quartet process frustrations, fears, and feelings with a malleable musicality, matching emotions to moments of precise hard rock, piano-laden melody, manic electronics, and relatable pop catharsis. After generating over 100 million streams, packing shows, and earning acclaim, the band ponder fate and the future on their third full-length offering, The Death Card [Hopeless Records].

The band initially materialized out of South Florida with a distinct and dynamic vision. Following a series of inventive and innovative viral covers, they served up the original Transitions EP in 2017. They maintained their momentum with 2020's LEVELS. "Her Eyes" gathered over 15.5 million Spotify streams followed by "HEADSPACE" [feat. POORSTACY] with 13.1 million Spotify streams. Welcome to the Chaos saw them ascend yet again fueled by the likes of "Plastic Heart" and "Welcome to the Chaos" [feat. Spencer Charnas of Ice Nine Kills]. The latter vaulted into the Top 15 at Rock Radio. The band also toured alongside Falling In Reverse, Ice Nine Kills, and ONE OK ROCK. In between selling out headline gigs, the guys decamped to Los Angeles in order to record Death Card with producer Erik Ron [Godsmack, Motionless In White, Panic! At The Disco]. "This was our first time working with a producer," recalls Bryan. "Erik kept us on track, and he pushed me as a lyricist and songwriter to make everything cohesive." Threading this body of work together even tighter, each song corresponds to its own tarot card.

Fame on Fire will return to the road this fall, supporting Wage War. All dates are below.

FAME ON FIRE ON TOUR:
WITH WAGE WAR, ERRA, + THROWN:
9/26 — St. Paul, MN — XCEL Center - KXXR Radio Show 
9/27 — Belvidere, IL — The Apollo Theatre
9/28 — Detroit, MI — Pine Knob Music Theatre - WRIF RIFF FEST 
9/29 — Chicago, IL — Radius
10/1 — Nashville, TN — Marathon Music Works
10/2 — Cincinnati, OH — Andrew J Brady Theater
10/4 — Wallingford, CT — The Dome at Oakdale
10/5 — Montclair, NJ — The Wellmont Theater
10/6 — Boston, MA — Roadrunner
10/8 — Philadelphia, PA — The Fillmore Philadelphia
10/9 — Silver Spring, MD — The Fillmore Silver Spring
10/11 — Sauget, IL — Pop's Nightclub
10/12 — Little Rock, AR — Little Rock Hall
10/13 — Mobile, AL — Soul Kitchen
10/15 — Dallas, TX — The Factory
10/17 — Denver, CO — The Fillmore Auditorium
10/18 — Salt Lake City, UT — Rockwell at The Complex
10/19 — Boise, ID — Revolution
10/22 — Tacoma, WA — Temple Theatre
10/23 — Portland, OR — Roseland Theater
10/25 — Pomona, CA — Fox Theater
10/26 — San Diego, CA — The Sound
10/27 — Tempe, AZ — The Marquee
10/29 — San Antonio, TX — Boeing Center at Tech Port Arena
10/30 — Houston, TX — White Oak Music Hall
11/1 — Orlando, FL — Addition Financial Arena - WJRR Halloweenie Roast
11/2 — Myrtle Beach, SC — House of Blues
11/3 — Atlanta, GA — The Eastern

Cocteau Twins vanguard Robin Guthrie unveils 'Atlas', a new EP of luminous soundscapes

Celebrated Scottish songsmith Robin Guthrie returns with the 'Atlas' EP, released via his Soleil Après Minuit imprint. This four-track offering immerses the listener in a series of newly-recorded instrumentals, gracing the listener with his ever present signature sound and atmosphere.

Nearly 45 years since founding legendary dreampop / ethereal wave band Cocteau Twins, Robin Guthrie has certainly been its most prolific member, offering a steady and stellar stream of material over the years with a production style and signature guitar sounds that have shaped multiple genres and generations.

This is Guthrie's first significant release since 2021's 'Pearldiving', marking the end of a nine-year hiatus and signaling his long-awaited return. In what was an intensive year for Guthrie releases, he also put out three EP's: 'Mockingbird Love', 'Riviera' and 'Springtime'.

"I got travelling again after the pandemic and that’s always a source of inspiration for me. I absorb a lot and get most creative when I have travelled." says Robin Guthrie.

"As for the title 'Atlas', I found an old radio and was struck with how many of the places on the dial no longer existed. I was attracted to the romantic notion that these places were very far away, not only in distance but now in time as well. The world seems a smaller and more familiar place nowadays".
 
Guthrie's approach to music seems akin to that of a painter or a photographer. The adept use of light and shade, melody and counter melody, the carefully and precisely arranged instrumentation, musical textures and colorings gives his music a depth and level of detail which marks a master craftsman.

In his time, Guthrie's output includes film soundtracks and collaborated with many outstanding people, the latest impactful release happening with 2021's 'Another Flower' with Harold Budd, released just a few days before Budd's untimely passing. They had also jointly composed the film scores for Gregg Araki's ‘Mysterious Skin’and ‘White Bird in a Blizzard’. Other notable collaborators include John FoxxMark Gardener, Telefon Tel-Aviv, Eraldo Bernocchi and Jay Jay Johanson.

He has produced and remixed countless artists, including Lush, The Veldt, A.R.Kane, Dif Juz, Chapterhouse, Felt, Mahogany and Violet Indiana, which he'd formed with Siobhan de Maré in 1999. More recently, Guthrie worked with HeligolandJack Colwell, ResplandorFawns of Love, UmmagmaHatchie and Tamaryn.

'Atlas' EP  https://robinguthrie.bandcamp.com/album/atlas-ep
Spotify  https://open.spotify.com/album/1wiUvS4yhplQriQOCj8oxB
YouTube playlist  https://tinyurl.com/Robin-Guthrie-Atlas-YouTube
'Pearldiving' album  https://robinguthrie.bandcamp.com/album/pearldiving
'Springtime' EP  https://robinguthrie.bandcamp.com/album/springtime
'Riviera' EP  https://robinguthrie.bandcamp.com/album/riviera
'Mockingbird Love' EP  https://robinguthrie.bandcamp.com/album/mockingbird-love

Guthrie shares, "It’s been a relief to finish the Cocteau Twins re-issues that I have been working on lately, as focusing on the past can somewhat crush the present. It is, therefore, with great pleasure that I’m releasing some new music. 'Atlas', in many ways, is the intro to my next EP, which will be out later this year ... It's a slow gentle re-introduction to my world. The next one picks up where this one finishes off."

'Atlas' is now available on CD, as well as digitally on all major platforms, including Apple MusicSpotify and Bandcamp, where Guthrie's rich back catalogue can also be found. Released via Soleil Après Minuit, it is distributed in North America via The Orchard and in Europe by Cargo. Guthrie is expected to release another EP later this year.

CREDITS
Written and performed by Robin Guthrie
Recorded, mixed and mastered by Robin Guthrie at his studio in Brittany
Album cover by Robin Guthrie, photographed in Angoulême
Released by Soleil Après Minuit
Catalogue Code: SM2401CD
EAN: 0767461008883
Robin Guthrie photos by Violette Guthrie and Jeanne Aimon
Publicity by Shameless Promotion PR


Keep up with Robin Guthrie
Website | Bandcamp | Facebook | Instagram | Twitter | Spotify | Apple Music | Press contact

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SIMONE SIMONS - Releases Video For 'R.E.D.' From Her Debut Solo Album

SIMONE SIMONS has released the video for 'R.E.D.', from her debut solo album, Vermillion, that's set for release on 23rd August via Nuclear Blast Records.

SIMONE SIMONS & ARJEN LUCASSEN comment:

"R.E.D. deals with the rise of artificial intelligence, imagining a future where the creation begins to outpace the creator. It reflects on the AI's growing self-awareness and its unfulfilled desire to experience emotions, something that its synthetic nature makes impossible to ever realize. The song also looks at the double-edged nature of technological advancements and the profound existential questions that are becoming ever more important to address."

Watch the video for 'R.E.D.' below.

Pre-order and pre-save Vermillion now at: https://simonesimons.bfan.link/vermillion

About SIMONE SIMONS:

For more than 20 years, ever since she was a teenager, SIMONE SIMONS has been carving her own path as a woman within the world of metal. As a lead singer, icon, and role model for a whole generation of female metalheads, the Epica lead singer remains one of the most prominent key figures in all things metal. After eight albums and countless global tours with her band, SIMONE SIMONS finally found the time to release her first solo album – a moment 15 years in the making! Her breathtaking debut Vermillion is a stunning feat chronicling her storied past as well as her rise to fame, and showcasing her many different influences ranging from prog rock to film scores to metal to electronic elements.

Of the timing for her eagerly awaited foray into the realms of a solo career, the Dutch singer says with a disarming grin: Epica has my priority and I always have the liberty to do other musical projects besides my career in Epica. Yet, I never had the time to dive into a project to this extent.
Some endeavors require patience and time, and rightly so. Simone chose not to rush her solo project, opting instead to thoughtfully consider how she wanted to present herself. Enter stage right Arjen Lucassen (AYREON). Her musical partner and longtime collaborator is no stranger to her soaring operatic voice. Together they have crafted a sonic universe that befits the influential figure she is. And while many would use their solo effort as a radical, even provocative departure from everything they stood for, SIMONE remains true to her love for epic melodies, huge choruses, and monumental, intelligent music.

Heartland troubadour JC Miller reveals a true American tale in 'Dead Horse Ranch' single

"It isn’t just Americana; his songs feel like small vignettes in the everyday lives of ordinary people scraping a hard-fought living... This isn’t just about a place, but it is also a point in history which his music directs us, and as the modern world fades out" ~ Big Takeover Magazine

"Miller takes us on a heartfelt journey. This veteran American storyteller's work is rooted in the rich soil of country music, the songs grapple with the heart of this nation. Infectious melodies and down-home grit weave an unforgettable tapestry, showcasing a true master of the craft" ~ Complete Country

"With talent and authenticity,.there's a realness to JC Miller's songwriting, focused on everyday struggles and the invisible and indivisible connection between past and present" ~ Rock-n-Roll.Biz

"Candid and catchy, this riveting and memorable music takes us to another time and place. With its frank lyrics, infectious melody, and pure Southern rock grit, this is a must-listen, packing an emotional punch and showcasing impressive musical talent... the elements that allowed such artists as Wilco and Ryan Adams to transcend legendary status" ~ Amplify Music Magazine


Seasoned country-rock artist JC Miller presents his new single 'Dead Horse Ranch', released with American indie imprint Tilt Records. A captivating tale, Miller takes us to an actual little-known point on the American map in Arizona - a place impressive enough to inspire this powerful new song.

This worthwhile journey follows those pursued on his latest singles'Wayward Son' and 'Before Nightfall'.As ever, his music is intricately related to the American landscape, both geographically and socially, as reflected in his lyrics "Fall in Walnut Canyon / A forever formation / Something bigger than you / The force of nature breaks through / We’re all a small part of this place".

A Southern California-basedDetroit-born guitarist and songwriter, JC Miller weaves stories through the prism of sonic archaeology, unearthing the spirit of Americana and giving it voice through resonant melodies and via geographic landmarks discovered on his own personal journeys.

A prolific artist, JC Miller's output is a product of his partnership and friendship with iconic musician-producer Marty Rifkin, known for his work with Tom Petty, Glen Campbell and Jewel, and also as a member of Bruce Springsteen's The Sessions Band on pedal steel guitar.

Offering a breath of fresh air amidst the overproduced world of country music, Miller crafts relatable songs brimming with infectious melodies and down-to-earth charm. His songs are rooted in the fabric of America, showcasing a true master, whose work is infused in deep affection for its Southern realms.

"I like to write about mountains and trees and places, and people you meet on the road… the musings of a nomadic life of a traveling musician -- a recording of things that becomes a kind of Atlas Obscura – the small stories, the real people, the defunct places ... Dead Horse Ranch is a place in Arizona that really sets the tone, an unlikely name for a sublime spot on earth … I am a Sun Belt lifer … Arizona, New Mexico, California, Texas, Louisiana, Georgia, Florida," says JC Miller. 

"It is a search for authenticity and at the same time a journey of self-discovery. My father’s family is from all of these places, but mainly situated in the Bogalusa, Baton Rouge area in LA … I also love the desert and am especially inspired by the high desert."


Evoking a grounded sense of place through his music, Miller's sound has a Southern-fried edge and a transportive authenticity. He makes songs that feel at home in neon-lit diners, long highway drives, desert expanses, and sun-soaked small towns.

Creating music for wanderers, Miller pays homage to his guitar and songwriting heroes, inspired by timeless artists like Neil Young, Leon Russell and The Band as much as the unfussy yet potent prose of writers like Larry McMurtry, Ernest Hemingway and Cormac McCarthy.

“I’m not trying to hide my sources. I’m trying to add footnotes, carry on the southern and western, southwestern frame of mind. I feel like I am representing another generation of storytellers. I’m trying to paint a picture through music, where the lens is focused on the deeply personal, but it can also be universal," says JC Miller.

Music is a labor of love for JC Miller, having spent years as a sideman and composing for corporate titans like Coca-Cola and Nike. Now he's ditched the boardroom for the pleasure of creating his own music.

Imbued with an intentional sense of timelessness, JC Miller crafts anthems that resonate with the soul of America, inspired by the gradual rediscovery of history - of his own family’ and America at large. Tastefully blending classic Americana and rock echoes from history, woven through his masterful guitar work, each song is like a map, charting the path to self-discovery.

As of July 19, 'Dead Horse Ranch' is available everywhere online, including SpotifyApple Music and elsewhere, where his latest series of stunning singles may also be found.

CREDITS
Written by JC Miller
Recorded by Marty Rifkin at Marty Rifkin Studios (Santa Monica, CA)
Mixed, mastered & produced by Marty Rifkin
JC Miller - Guitar, Bass, Piano, Organ, Vocals
Marty Rifkin - Pedal Steel
Edo "Tank" Tancredi - Drums
Cover artwork by JC Miller
Executive Producer: Gabrielle Doré
Released by Tilt Records
Publicity by Shameless Promotion PR

VIDEO CREDITS
Filmed & edited by Ryan Coney
JC Miller - Keyboards, Guitar, Vocals
Marty Rifkin - Pedal Steel, Bass
Edo "Tank" Tancredi - Drums
Julian Rifkin - Guitar, Vocals


Keep up with JC Miller
Website | LinkTree | Twitter | Instagram | Soundcloud | YouTube | Spotify | Apple Music | Press contact

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RIHKTER + PARALLX PRESALE SIGN UP

New York, we know you have been waiting for both of these debuts to happen for a while now, and we are making it happen on October 4th. Rikhter and Parallax will debut in NYC at h0l0 between the pillars. This one will be one for the books! Make sure to sign up for presale tickets—we expect them to go quickly. Presale starts on Monday, as well as general admission 😈

 

📍 H0L0 1090 WYCKOFF AVE

🚪 DOORS  10:00 PM - 6:00 AM
🎫 TICKETS AVAILABLE  ON MONDAY 

Sign Up is Live Now, Tickets Out on Monday!

SIGN UP FOR PRESALE TICKETS HERE

Zeal & Ardor Announce Fall 2024 Tour + Share "Hide In Shade" Visualizer

ZEAL & ARDOR isn't just a band; it's a living and breathing entity. Like any sentient being, it consumes, evolves, and transforms from one season to the next. It has only sharpened its claws, lengthened its teeth, and steeled its nerves over the years, growing more undeniable and unpredictable in the process.

The band will drop its fourth album, the self-produced GREIF, on August 23. Pre-order it here.

Zeal & Ardor are beyond pleased to announce their return to North American soil with a headline tour that kicks off November 23 in Philadelphia and runs through December 18 in Dallas. Gaerea and Zetra will support. Tickets are on sale now. Get tickets here.  All dates are posted below.

"We can finally share our U.S. dates later this year," says Z&A. "We're excited to play the new world again, moreover we have an incredible group of artists along with us. We can't wait to see you there."

Zeal & Ardor have also shared their newest single "Hide In Shade." Watch the visualizer and listen below.

With its layered vocal harmonies, handclaps, metallic, roar, and an overall fire in its belly, "Hide In Shade" represent everything fans love about the band.

"We would be remiss if we didn't share something closer to what we are known for," the band states. "This is that. Where the sun shows all we hide in shade. Stay strange."

ZEAL & ARDOR ON TOUR:
WITH GAEREA + ZETRA:
11/23 — Philadelphia, PA — Union Transfer
11/24 — New York, NY — Le Poisson Rouge
11/25 — Allston, MA — Brighton Music Hall
11/27 — Montreal, QC — Le Studio TD
11/28 — Toronto, ON — Opera House
11/29 — Detroit, MI — The Majestic
11/30 — Millvale, PA — Mr. Smalls Theatre
12/2nd — Indianapolis, IN — The Vogue
12/3 — Chicago, IL — Thalia Hall
12/4 — Minneapolis, MN — Varsity Theater
12/6 — Englewood, CO — Gothic Theatre
12/7 — Salt Lake City, UT — Urban Lounge
12/9 — Seattle, WA — The Showbox
12/10 — Vancouver, BC — Rickshaw Theatre
12/11 — Portland, OR — Wonder Ballroom
12/13 — Berkeley, CA — UC Theatre
12/14 — Santa Ana, CA — The Observatory
12/15 — Phoeniz, AZ — Crescent Ballroom
12/17 — Austin, TX — Mohawk
12/18 — Dallas, TX — Studio at The Factory

Rather than stagnating, basking in global acclaim garnered from three previous albums — Devil Is Fine [2017], Stranger Fruit [2018] and Zeal & Ardor [2022] — Manuel opted to shake things up for GREIF.

Instead of creatively flying solo again, this time he welcomed his bandmates into the studio, featuring three voices for the first time and emboldening the sound from every angle. As such, the musicians — Tiziano Volante [guitar], Marc Obrist [vocals], Denis Wagner [vocals], Lukas Kurmann [bass], and Marco Von Allmen [drums] — spread their wings alongside him. Decamping to Obrist's studio Hutch Sounds in Switzerland, the record came to life in just five months.

"We've really evolved into a tight-knit unit," explains Obrist. "Before Zeal & Ardor, we were basically strangers, but we're like a little family now. Each member brings his own unique flavor to the mix, and we all try to make Manuel's songs better in our own way. The most interesting part for me was the new approach of how we work together in the studio."

"I wanted to expand upon what we had and introduce new colors," Manuel continues. "There are angry and accusatory moments, but there’s also some solace and happiness. I’m widening the palette of colors we have to paint with. These are avenues we haven’t tried."

"We invite listeners to hear the full spectrum of the different sides and sounds that make Zeal & Ardor," Tiziano leaves off. "There are some gorgeous moments, but it packs in a lot of intensity and charm. In Manuel's songwriting and the process with every member, there's a certain intentionality as well as an element of randomness and accident. I can't wait to see people’s reactions."

In January 2024, ZEAL & ARDOR released Play With The Devil, a documentary film by Olivier Joliat and Matthias Willi. The documentary intimately chronicles Manuel Gagneux's journey from the inception of ZEAL & ARDOR through initial tours and a soul-searching period of crisis. The bold mix of Black Metal with old work songs and field hollers by the enslaved — his answer to a racist provocation on the internet — is politically explosive. As a person of color in metal, Gagneux and his music have shone a light on religion, racism, segregation, and cultural appropriation.  However, the sudden surge in acclaim and the weight of being hailed a visionary leader by fans threatened to overwhelm the softly-spoken, introverted artist. Play With The Devil is available now for streaming on major platforms. For more information and to watch, visit here.

Dorothy Returns! Singer Shares New Single "MUD"

The raven-haired rock star from Los Angeles, DOROTHY, has returned. 

Riding in on a black horse, equipped with leather and signature red lip, the rock world will once again be schooled in the undeniable chemistry that is alive and well amongst metal and rock loyalists and country badasses. A musical outlaw through and through, Dorothy's new single is a display of raw, full-bodied vocal power complimented by heavy-hitting instrumentation and riffs galore.

The first taste of the new music from this Billboard-charting powerhouse is the explosive and unforgettable new single "MUD." The track was produced by Scott Stevens (Halestorm, Shinedown, Nothing More).

Listen here.

Pre-save it here.

Watch the visualizer below.

With "MUD," Dorothy isn't afraid to, well, get dirty. The song boasts a hearty mix of the blues-infused rock her previous albums have been known for, but adds a countrified twist, as can be offered up by only an artist of Dorothy's caliber.

"Our first single off this record is an amalgamation of hard rock, metal, and country tied together with a trap beat and spicy, heavily layered vocals. It was also my first time attempting a scream — proud of that," says Dorothy, whose music has been described as "hot-blooded rock 'n' roll" (Kerrang!); "a triumphant battle cry" (Riff); "firing on all cylinders" (Revolver); and "bold" (Loudwire).

On Thursday, Dorothy launched a new webstore with exclusive merch available for pre-order and shared the single audio, giving fans who signed up an exclusive first listen to the song the day before release. The new webstore is here.

The details of Dororthy's forthcoming fourth studio album will be announced in due course. Dorothy's discography thus far includes Gifts From the Holy Ghost(2022), which was inspired by a spiritual awakening, as well as ROCKISDEAD(2016), which inspired Roc Nation to sign the artist to the label, and 28 Days in the Valley (2018). The Budapest, Hungary-born stunner has enjoyed over 1 billion global streams combined across her career and has participated in high-profile collaborations with everyone from Staind to Slash of Guns N' Roses to Scott Stapp of Creed to Alice Cooper guitarist Nita Strauss, earning and ultimately cementing her place among the hard rock elite. 

Pistols at Dawn Drop Video for New Single "Not Sorry"

Atlanta foursome PISTOLS AT DAWN — Adam Jaffe [drums], Will James [lead guitar], Gabriel Cuevas [bass], and Jon Sookdew Sing [lead vocals]— are entering their unapologetic era with their new single "Not Sorry."

Be forewarned, though! It's a banger with a hard rock and industrial-tinged edge, and dreamy vocals. It's an unexpected mix and it slays.

Watch the video below.

"Obsessed much?," the band states about the song's subject matter, with tongue planted firmly in cheek. "We all have crazy, toxic people in our past that try to manipulate and intimidate us. And the only way to deal with them is to unapologetically tell them that they are most definitely the problem." #TRUTH

As for the video, the band continues, "It encapsulates every relationship or moment in your life that have been abusive and corrosive to the soul. Dark themes are counterbalanced by the driving energy to overcome adversity. Poisonous elements and dark spaces represent the internal struggle and the focused intensity to become your own champion. It's an in-your-face lack of apology for moving forward and making your life your own."

Pistols At Dawn craft the kind of rock music that doesn't just reach the rafters; it breaks through the ceiling. Sky-high hooks stretch into the heavens, a powerful low-end rumbles without apology, and riffs roar at all the right moments. Thus far, the Atlanta band have emerged as a phenomenon. They've amassed nearly 10 million global streams and views, infiltrated the Billboard and Mediabase Top 40 Active Rock charts, earned acclaim from American SongwriterBrave Words, and the Atlanta Journal Constitution, and embarked upon global tours alongside heavy-hitters such as Alter Bridge, Mammoth WVH, and Fozzy, to name a few. The quartet canvased the world throughout 2022 and 2023. Upon returning stateside, they opted to decamp to Los Angeles in order to assemble new material. Stayed tuned for more, because Pistols at Dawn are leveling up.

PISTOLS AT DAWN LIVE:
7/19 —Spartanburg, SC —The 720 Room (Tickets)
9/14 — Atlanta, GA — Smith's Olde Bar (Tickets)

alt. Share "Conversations That Hurt" Video

Adelaide five-piece alt. return today, armed with their first new music since 2023, unveiling the soaring new track "Conversations That Hurt," out now via Resist Records in Australia and SharpTone Records for the rest of the world.

A lush and driving anthem, "Conversations That Hurt" flourishes with alt.'s trademark melodic dexterity, augmenting the foundations of their 2020 debut EP dysfunctional while also diverting the heavier terrain of their 2023 debut full length ABEYANCE into a poignant and polished dimension.

Written by alt. alongside Trophy Eyes vocalist John Floreani, with production, mixing and mastering courtesy of longtime collaborator Callan Orr at Avalanche Studios, "Conversations That Hurt" is also accompanied today by a brand new music video featuring a raw yet rigorous performance befitting of the track's bittersweet lyricism.

"'Conversations That Hurt' is about the freshness of a breakup," shares vocalist Daniel Cullen-Richards. "It's hard to move on and all you can think about is wanting them back when you know it's not meant to be."

Watch the video for "Conversations That Hurt" below.

Stream the song here.

Emerging in late 2019, alt.'s impassioned fusion of punk, pop, electronic, and alternative rock saw the Adelaide group instantly resonate with a vast audience, premiering their debut single insubordinate on the Dreambound YouTube channel and going on to generate over 2 million streams via their debut 2020 EP dysfunctional. An independent venture, written alongside Trenton Woodley (Hands Like Houses), Jimmy Alexander and Luke McKenzie (Awaken I Am), Zachary Britt (Young Lions, Dream on Dreamer) and Chris Lalic (Windwaker), dysfunctional would ultimately set the stage for tours with the likes of Don Broco, Saosin, Karnivool, Cog, Caskets and Windwaker, with the band consistently turning heads with their innovative yet cohesive sounds.

Signing with Resist Records and StarpTone Records, alt. showcased a darker ferocity in 2023 that channeled the turbulent years surrounding their inception, stepping into heavier waters via the release of their debut album ABEYANCE last year. Hurling breakdowns, caustic vocals and imposing riffs into a tight and tempestuous package, ABEYANCE featured a guest vocal from Void Of Vision's Jack Bergin on the single APEP, with alt. teaming up with Marcus Bridge (Northlane), Landon Tewers (The Plot In You), and returning collaborators Woodley and Britt. ABEYANECE didn't merely re-write the alt. rule book; instead, it declared a powerful inability to pigeonhole alt. into any one genre while also flexing the group's masterful take on a broad and immersive palette of sounds.

In 2024, alt. ticked off their first Australian headline tour, with an nearly entirely sold out run supported by Belle Haven, Patient Sixty Seven and A Swift Farewell, and most recently performed alongside King Parrot and I Built The Sky.

FLESHGOD APOCALYPSE DELIVERS BAROQUE METAL MASTERPIECE 'I CAN NEVER DIE'

Italian Symphonic Death Metal maestros FLESHGOD APOCALYPSE have released the latest single, ‘I Can Never Die’, from the band’s long-awaited 6th studio album, Opera, that’s due out August 23rdfrom Nuclear Blast Records. Accompanied by the stunning music video by visionary director Martina L. McLean, ‘I Can Never Die’ is a crushing sonic tribute to artists and their enduring works.

Commenting on the song, frontman Francesco Paoli states:

"Memory is the strongest force in the universe, as it’s the one and only that can give us immortality. It can’t be deceived or shaped to our liking as, in the end, we are what we do and what we leave to posterity faithfully reflects what kind of men and women we’ve been. Some people don’t give the right value to their actions, focusing on immediate profit, and forgetting that our choices have a decisive impact on our and other people’s existence. Especially when you are an artist. It's essential to remember that everything we create outlives us, it has a life of its own and, once it’s brought into existence, it belongs to everyone and we have no more control over it. 

 

Death can occur abruptly any time and there’s no chance to change what it's done, once we’re gone. As far as I’m concerned, one of my first thoughts when I realized that I could have died was “who have I been” and “what am I leaving behind”. I recollected my whole life and figured out how much determination, sacrifice and honesty I’ve put into art and that made me so proud that I would have died in peace.

 

That’s why we wrote this song, which is nothing but a glorious anthem for all those who commit their existence to art in the purest possible way."

Director Martina L. McLean adds about the music video:

‘I Can Never Die’ is the third video created by me and my team, Sanda Movies, in collaboration with Fleshgod Apocalypse, for the Opera cycle. For a song with such a profound and universal meaning—a true anthem to the value of art and the artist—I wanted to contribute to the visual aspect by creating an experimental video, entirely guided by inspiration, lots of different approaches, techniques, and obviously too many of hours of editing. Drawing from the infernal and chaotic masterpieces of Hieronymus Bosch, but ranging through styles and times, the band brings to life infinite, hypothetical paintings. As always, my applause goes to the band, who always give their best, both in the most extreme sets and in those where everything is left to the imagination.

Stream ‘I Can Never Die’: https://fga.bfan.link/i-can-never-die

‘I CAN NEVER DIE’ MUSIC VIDEO BELOW

FLESHGOD APOCALYPSE recently announced their return to North America in support of the impending release for a co-headline tour with SHADOW OF INTENT, and support acts INGESTED, THE ZENITH PASSAGE and DISEMBODIED TYRANT, which kicks off September 14th in Cleveland, OH and wraps on October 15th in Denver, CO.

Purchase tickets at https://theblackopera.soundrink.com/

FLESHGOD APOCALYPSE Tour Dates:

9/14 - Cleveland, OH - House of Blues

9/15 - Chicago, IL - Metro

9/16 - Bloomington, IL - The Castle Theatre

9/18 - Detroit, MI - Saint Andrew’s Hall

9/19 - Toronto, ON - The Opera House

9/20 - Montreal, QC - L'Olympia

9/21 - Ottawa, ON - Brass Monkey

9/22 - Worcester, MA - New England Metal & Hardcore Festival

9/23 - Brooklyn, NY - Warsaw

9/25 - Reading, PA - Reverb

9/26 - Baltimore, MD - Baltimore Soundstage

9/27 - Charlotte, NC - The Underground

9/28 - North Myrtle Beach, SC - House of Blues

9/29 - Tampa, FL - The Orpheum

10/01 - Austin, TX - Come And Take It Live

10/02 - San Antonio, TX - Paper Tiger

10/03 - Dallas, TX - Granada Theater

10/04 - Oklahoma City, OK - Diamond Ballroom

10/05 - Albuquerque, NM - Sunshine Theater

10/06 - Mesa, AZ - The Nile Theater

10/08 - San Francisco, CA - DNA Lounge

10/09 - Sacramento, CA - Ace of Spades

10/10 - San Diego, CA - House of Blues

10/11 - Riverside, CA - Riverside Municipal Auditorium

10/12 - Las Vegas, NV - House of Blues

10/13 - Salt Lake City, UT - Metro Music Hall

10/15 - Denver, CO - Ogden Theatre

FLESHGOD APOCALYPSE are finally back with their brand new, 6th album titled Opera, a gut-wrenching musical journey inspired by the tragic mountain climbing accident occurred to their frontman and mastermind Francesco Paoli, in 2021.

Due out August 23rd via Nuclear Blast Records, Opera is structured like a 10-act theatrical piece, as the title itself, Opera, draws a clear thread with the everlasting tradition of Italian classical music theater combining it with the epic brutality of death and symphonic metal, which has become their trademark sound. Mixed and mastered by Grammy-nominated producer Jacob Hansen (Volbeat, Epica, Arch Enemy), Opera definitely marks another step forward for the band, incorporating new suggestions into that unique blend that FLESHGOD APOCALYPSE are renowned for: sheer violence, majestic orchestrations and soaring melodies. Such an ambitious musical endeavor called for an equally impressive artwork, a team effort between two arising Italian talents (artist extraordinaire Felicita Fiorini and visionary photographer Francesco Esposito), following the path traced by baroque painters like Caravaggio and Artemisia Gentileschi. The cover art portrays Veronica as Music, a superior entity that defeats the social and artistic decay of modern age.

With this new record, FLESHGOD APOCALYPSE are setting the bar even higher than before, pioneering what looks like a completely new sub-genre that might be called “Opera Metal”: an unprecedented mix of extreme music and theatrical elements.

Follow FLESHGOD APOCALYPSE:

https://shop.fleshgodapocalypse.com/

https://www.facebook.com/fleshgodapocalypse

https://www.instagram.com/fleshgodofficial/

https://www.tiktok.com/@fleshgodofficial

https://twitter.com/FApocalypse

https://www.youtube.com/@FleshgodApocalypse

Koe Wetzel's '9 Lives' Arrives

For nearly a decade, the name Koe Wetzel has carried with it an “if you know, you know” reputation. To a devoted cult audience, the Texas singer-songwriter has been a genre disrupter, mixing country with rock, hip-hop, and grunge; a live performer as powerful and unpredictable as a tornado; and a notorious party animal who never met a bottle of tequila he couldn’t finish. Wetzel remains all of those things, but on his new album 9 Lives, available now via Columbia Records, he proves that there’s more to his story — and that a mass audience awaits. Listen HERE.
 
Produced predominantly by Gabe Simon (Noah Kahan’s Stick Season) alongside a string of trusted collaborators like Josh Serrato, Amy Allen, Carrie K and Sam Harris (X Ambassadors), 9 Lives finds the Pittsburg, Texas, native showing off his versatility as a writer and his prowess as an interpreter of songs.
 
“The way Gabe Simon goes into making music, he cares so much about it,” Wetzel explains of his producer. “He comes at it wanting to get everything out of the songs. Gabe came in and extracted everything from me; he got me talking about stuff, everything going on in my life. Usually, I go in with all the melodies, and then write the lyrics. Not this time.”
 
Simon went for the jugular. Laughing, Wetzel says, “Every song we wrote or found, we kept. There was a freedom: we sat down and talked about the shit going on in my life. By pulling all of that out of me, going in the vocal booth, that’s how free I was – and the most open I’ve ever been. You can hear it in the songs.”
 
You can also hear the urgency. Recorded at legendary Sonic Ranch in the border town of Tornillo, Texas, as well as Melody Mountain in Stephensville, Texas, they had that Lone Star fire. Add sessions at Nashville’s Blackbird and historic RCA Studio A, it alchemized a rush to 9 Lives that’s palpable. Recorded largely live, the tracks went down almost as lightning fast as the writing, with eight of the songs written in a pair of three-day bursts; one in El Paso, the other in Nashville.
 
A bleary-eyed, scene-setting lament “Continued” turns into a full-on rocking country proposition. A kick drum pumps and a chicken-wire electric guitar drops a few notes as the swaggering “9 Lives (Black Cat)” leans into an unrepentant catalog of misadventures survived. Bar fights, rodeo clowns, preachers, dealers, the twins next door, cheap tequila, bathroom snow and “a 12-pack, two dime bags, flat-lined twice, just to come right back” make a vivid world that only the fearless survive. And so it goes…
 
“Every record’s almost turning a new leaf, always a left turn because of how honest I am. I want fans to know that there's a different side of me, not just the sex, drugs, and rock & roll Koe that they may have heard about online,” Wetzel says. “I've grown up a little bit. I’m no longer the 20-year-old kid that's partying down and getting thrown in jail all the time. 9 Lives reveals a vulnerable side that people may not be used to hearing.”
 
Grown does not mean completely settled down, though. For everyone who caught the lightning bolt that was the state-of-scrapping musician Noise Complaint, there’s rowdy singalong “Bar Song,” all the raw swerve’n’blister in the high-flying autobiographic “Twister,” the atmospheric truth-telling that defines his “Damn Near Normal” and barn-storming take on how he keeps running while missing that certain one in “Runnin’ Low.”
 
“I like to drink,” he says, owning the obvious. On a record that conversationally drops Ambien, Xanax, El Paso dust, blow, THC… he knows his way around the contraband in his songs. “It’s a family tradition. My dad’s side is all Southern Baptist: no drinking, no cursing – though he loved Creedence, ZZ Top’s ‘LaGrange,’ BTO, Petty. My mom’s Methodist: let’s party, go hard. 

Wetzel’s diverse musical background is evident on one of the album’s most surprising tracks, a cover of the late XXXTentacion’s “Depression & Obsession.”
 
“I always loved that era of music – that Lil Peep era, XXXTentacion – he was one of my favorite artists out of that group,” Wetzel reflects. “I feel like there’s a lot of music that we didn’t get from him, so it’s kind of just a nod to him and I hope we did it justice.” 
 
A Lone Star native through and through, he was also heavily impacted by Charlie Robison’s Good Times, the album arriving in Wetzel’s life as a Christmas gift in seventh grade. A Texas Music sensation who had signed to a major Nashville label then bailed, the songs, attitude and harder sound from Robison captured Wetzel’s imagination. He also gravitated to some of the deeper, soul-baring songs.
 
To homage that spark, Wetzel offers a minor-keyed strum that’s as much low-impact Nirvana as it is High Plains Drifter on “Reconsider.” That slow-moving lament comes from Robison’s Better Days, with Wetzel realizing along the way that it – like many Texas music classics – was originally by Keith Gattis.
 
“I thought Charlie had written a lot of them, but then I find out about Keith Gattis. I never got to meet him; he and Charlie died six months apart. I have so many emotions right now about all that, you can hear them.”
 
For a guy who is fully a man’s man, he also has that romantic tenderness that undermines his machismo. Whether Gabe Simon and Mick Coogan’s flowing tangle of how hard love is on “Hatchet” or his own smoky, haunted “Sweet Dreams,” the notion of love that might still be salvaged comes with a throb that pulls listeners in.
 
Just as potent is Wetzel’s ability to let go of the rope. Sometimes hilarious – the sweet pop/folk “Leigh” recounts his losing record with women, particularly those whose names all have that suffix in common: Haleigh, Baleigh, Kaleigh and more – and other times flat indifferent – the soaring “High Road” (with a version featuring rising star and labelmate Jessie Murph currently delivering as his Country radio debut) – he’s not afraid to get out of something that ain’t working. 
 
That sense of self permeates 9 Lives, especially the closer, “Last Outlaw Alive,” with a ragged gravitas to the loping celebration of a dying way of life. Laconic doesn’t have to mean sleepy. Like the many vibes and rhythms on Wetzel’s album, he – and the players – deliver a spark.
 
“The thing about this album is writing can be grueling. But this time, after writing a song, there was always that adrenaline rush. What do you do with that? Put it into the songs, no matter how fast or slow.”
 
Having defined a rogue rock/cowboy ethos over his album, Wetzel found a new intensity. “Being on the road for so long, you start to think you’ve hit a plateau. You wonder, ‘Is this what I’ll be known for? Will these songs be what it’s all about?’
 
“I get a lot of joy playing the older songs. But you want to grow. I love playing those records I grew up on, so I understand. But I’ve been honing and growing a certain sound, and we’re hitting it. This is where the rest of it begins…”
 
For more information on all things Koe Wetzel and to purchase tickets to upcoming shows – including a hometown stadium show as he joins Morgan Wallen’s One Night At A Time World Tour in Arlington, Texas on July 26 and his headlining Damn Near Normal World Tour kicking off July 27 – visit KoeWetzelMusic.com and follow on Instagram and Facebook @KoeWetzelMusic, TikTok @Koe_Wetzel and Twitter/X @KoeWetzel.

About Koe Wetzel
Koe Wetzel never met a genre wall he couldn’t tear down: The Texas singer-songwriter has earned a rabid audience for his songs that mix country, rock, hip-hop, and even Nineties grunge. His 2016 album Noise Complaint endeared him to fans with its no- holds-barred lyrics about drunken nights, broken hearts and stints in jail, and included the Gold-certified hits “Love” (feat. Parker McCollum), “Something to Talk About” and the infamous “February 28, 2016.” Wetzel’s 2020 major label debut, Sellout, only furthered his legend with the Platinum-certified “Drunk Driving” plus the Gold-certified “Good Die Young” and “Kuntry & Wistern.” The 2022 follow-up, Hell Paso, hit No. 3 on Billboard’s Country Albums and spawned hits on both the country and rock charts, including the Gold-certified “Creeps” and “Cabo.” To date, Wetzel has 2.8 billion total streams and has created a genuine experience with his live concerts, which he describes as “total chaos.” In 2023 alone, he sold more than 275,000 tickets, and appeared for a third time on POLLSTAR’s Top Worldwide Tours. Wetzel will play prominent festival sets this summer and open for Morgan Wallen on the superstar’s One Night at a Time Stadium Tour in Texas, while also headlining his own Damn Near Normal World Tour. His new album, 9 Lives (Columbia), is available everywhere now as lead single “High Road” feat. Jessie Murph arrives as his debut Country radio single.

George Strait Releases "Three Drinks Behind" from Upcoming 'Cowboys And Dreamers' Set for 9/6

On the heels of setting a record for largest single ticketed concert in U.S. History last month with 110,905 fans in attendance for The King at Kyle Field, Country Music Hall of Fame member George Strait shares another taste of new music from his forthcoming 31st studio record Cowboys And Dreamers with “Three Drinks Behind.” Listen to the song HERE and pre-save/pre-add Cowboys And Dreamers, set for release Sept. 6, HERE.
 
Written by Benjamin Gaither, Jeff Silvey and Kim Williams, and produced by Strait with Chuck Ainlay and Tony Brown, “Three Drinks Behind” finds the Texas native waxing poetic about escaping the stresses of the day with a visit to a bar filled with good buddies and good drinks. 

The follow-up to Honky Tonk Time Machine, Strait’s 27th No. 1 Billboard Country album, Cowboys And Dreamers will feature 13 new songs, including two previously released tracks “MIA Down in MIA” and “The Little Things” as well as “Honky Tonk Hall Of Fame” featuring Chris Stapleton along with his own rendition of Waylon Jennings’ “Waymore’s Blues.”
 
The Texas Troubadour wraps his series of summer stadium shows this Saturday, July 20 at Chicago Ill.’s Soldier Field. He will return to the stage this December supersizing his long-standing “Strait to Vegas” show with a date at Las Vegas’ Allegiant Stadium to mark the 37th installment of the engagement. He will once again team up with Chris Stapleton, and they will be joined by special guests Little Big Town.

Strait’s 2024 Concert Calendar:
7/20     Soldier Field               Chicago, IL
12/7     Allegiant Stadium       Las Vegas, NV
 
For more information and to purchase tickets to all upcoming dates, visit GeorgeStrait.com.
 
“Three Drinks Behind” lyrics/credits available HERE
 
About George Strait
George Strait is the unambiguous King of Country Music, having sold more than 105 million albums and counting while earning more than 60 major entertainment industry awards as well as countless nominations and becoming the only act in history to have a Top 10 hit every year for over three decades. With 33 different Platinum or multi-Platinum albums, he’s earned the third-most certifications of any artist in any genre, following only The Beatles and Elvis Presley, and with a total of 60, Strait has more No. 1 songs than any other artist in history.
 
The Texas troubadour will release his 31st career studio album Cowboys And Dreamers on Sept. 6, following 2019’s best-selling Country album, Honky Tonk Time Machine, on MCA Nashville. Produced by Strait and Chuck Ainlay, the album quickly became Strait’s record-extending 27th No. 1 Billboard Country album. The Country Music Hall of Fame member earned his 100th entry on the Billboard Country Airplay chart with his single “The Weight of the Badge” from the project. For more information, visit GeorgeStrait.com.

Newcomer Christian Hayes Releases Expressive Song, “Cheyenne,” Out Now

Christian Hayes was 7 years old when his Grandpa Jack gave him his first journal. He told the child the empty pages were a place for him to write whatever he wanted – poems, songs, or feelings – and that his words were one of the few things that were solely his.
 
Now Hayes, a poetic and articulate singer-songwriter from the foothills of Appalachia, is sharing his reflective words with the world. 
 
Hayes' new song "Cheyenne" is out now. Listen below.
 
An expressive, melodic journey through self-discovery and heartbreak, "Cheyenne" combines the storytelling and phrasing from Hayes' James Taylor influence with the Americana country roots vibe he picked up from admiring the Eagles and the gutsy lyrical sense he learned from spinning The Chicks. 
 
The song was inspired by a conversation with his dad. Hayes was working for his girlfriend’s father selling oil and gas, often clocking in 14-16 hour days, sometimes seven days a week. Neither his personal nor professional relationship with the family were going as he’d hoped.
 
“Dad was like, ‘I'm giving you permission to run away and start over,’” Hayes recalled. “I was like, ‘Where do I go?' He said, ‘Go to Cheyenne.’ I wrote the song about me not being satisfied with who I was and feeling like I was always running away to things or running to something else and really wanting to, just wasn't satisfied with where I was in life.”

In a world where co-writing is king, Hayes wrote "Cheyenne" alone.
 
“When I first started writing, it was observational…a way to make sense of the feelings in my life,” the now 25 year old recalls of a path he set into motion more than a decade ago. “Then, a few years ago, the perspective I was writing from shifted from trying to make sense of the feelings I’ve felt to wanting to share them. I realized that I wasn’t the only one that felt alone in these emotions and thoughts - people are relating to my music in ways I never knew were possible.”  
 
There's a grit and transparency to Hayes’ songs. His voice glides knowingly through the lyrics as if he's felt every word he sings. He comes from the heart of Rome, Georgia, and generations of storytellers. His friends call him The Lullaby Kid, and with the gift of cloaking the rawest of emotions in a hooky meter and a smooth but affected voice, the name fits. 
 
"Music has always been in my life - it has been a constant in an inconsistent world," he states. "There isn't a single emotional state, nor stage of life, that music can't reach. It has the ability to touch life in a beautiful way."
 
He grew up surrounded by family, poverty and love. Hayes first picked up a guitar when he was 8 years old and started putting songwriting and guitar together. He prayed for God to help him learn guitar and checked out the “Guitar for Dummies" book at the local library for extra support. Hayes led worship in his church until he graduated high school and enrolled in the US Navy Reserve. He went to bootcamp and then the University of Alabama in the fall of 2018 where he wrote the first song that he says was “worth listening to twice.” 
 
By the time Hayes moved to Nashville, he'd honed his craft, turning those experiences into over 900 songs. He released his debut single, "Leaving," in February, earning a much-coveted place on Spotify's Fresh Finds Country playlist and placement on Apple Music's Country Risers, New In Country, Speakin' Easy and Pickers.
 
Hayes released "LILY" in April, which has organically earned more than 2 million streams. While country music is thick with Georgia singers, Hayes is of a different stock. Born from his writing in his journal, Hayes' songs are a collection of real-life feelings and coarse emotions he wants to share with the world. He hopes his music means something to people.
 
For more information and updates, visit ChristianHayesMusic.com or follow @ChristianKHayes on Instagram, @ChistianKHayes on TikTok and Christian Hayes on Facebook.

Photo Credit: Noah Mensink

Eli Young Band Earns New Hardware at RIAA Visit During Sold-Out DC Tour Stop

With hints of new music on the horizon, Eli Young Band brought their fan-tested track record to Washington, DC with the 10 Years: 10,000 Towns Tour. The run holds special significance for the band, who recently released deluxe and vinyl versions of the album of the same name, yet a surprise pre-show moment may have altered their standard setlist for their sold-out performance. Mike Eli, James Young, Jon Jones and Chris Thompson stopped by the Recording Industry Association of America (RIAA)® headquarters and were greeted with custom plaques celebrating their Platinum album Life at Best, plus chart-topping singles 5x Platinum “Crazy Girl” and 3x Platinum “Even If It Breaks Your Heart” (released via The Valory Music Co.). 
 
“’Keep on dreaming …’ is a perfect lyric for the Eli Young Band,” expressed lead singer Mike Eli. “Since college that is exactly what the four of us have done, and we are continuously grateful for these moments. We see the impact of our incredibly loyal fans and these RIAA certifications are as much for them as they are for us. Thank you to our team, our road family and everyone who has supported our dreams! Now let’s find a spot in the bus to hang this new hardware … see you all on the road!” 
 
RIAA Chairman & CEO Mitch Glazier said, “We are so honored to once again celebrate with Mike, James, Jon and Chris! Holding tight to their Texas roots while finding fans in all corners of the country, it’s incredible to recognize the reach of Eli Young Band’s music. Congratulations on your new RIAA certifications!”

Previously named Billboard‘s No. 1 Country Song of the Year and ACM Award for Song of the Year, “Crazy Girl” remains EYB’s highest certified title to date. Explore EYB’s career tally here, boasting 13 million RIAA-certified units in the US alone.
 
Since the band’s formation as college classmates 20 years ago, the Associated Press has celebrated EYB as “a smart, relevant antidote” to overdone clichés in Country music. The musical band of brothers has charted 14 singles on Billboard, including four No. 1 hits with “Crazy Girl,” “Even If It Breaks Your Heart,” 2x Platinum “Love Ain’t” and Platinum “Drunk Last Night.” Additionally, EYB has earned multiple GRAMMY, CMA, CMT, ACA and Teen Choice Award nominations. 
 
While selling out venues from coast-to-coast as strong headliners, EYB has also shared the stage with Kenny Chesney, Rascal Flatts, Tim McGraw, Jason Aldean, Toby Keith, Chris Young, Darius Rucker and Dave Matthews Band. For current tour dates and more, visit eliyoungband.com and follow along on social media with @EliYoungBand.

Pictured (L-R): EYB’s Chris Thompson, Jon JonesMike Eli and James Young
celebrate RIAA certifications in front of their sold-out crowd | Photo Credit: Sawyer Jones

Wh*res. 'Gold' vinyl repress

Founded in 2010 in Atlanta, Georgia, Wh*res. has established themselves as one of the most successful and motivated bands in the genre today. Elements of Helmet, Melvins, and the Amphetamine Reptile roster can be heard throughout their catalog, but Whores are no regurgitated throwback act. Through intense, cathartic live performances and the perfected aggressive tenacity present on their recordings, the band has gained a fervent following sure to do nothing but grow in the years to come.

 

October 28, 2016 saw the band's first full-length album, "GOLD." The album was widely praised, garnering spots in the top ten on album of the year lists through publications such as Rolling Stone, MetalSucks, Heavy Planet, Invisible Oranges, and more.

About MNRK Music Group
MNRK Music Group is one of the largest independent music companies in the world, with recording, music publishing, and management divisions operating in every major music market. MNRK is committed to discovering and guiding top music creators and artists and works with some of the greatest musical talent including The Lumineers and Pitbull, the music publishing catalog of Chuck Berry, plus premier music companies Dualtone Music Group and Last Gang. The company’s music department services Academy Award and Emmy Award-winning producers. Its catalog across divisions consists of 54,000 music tracks, including multiple GRAMMY winners and platinum-selling hits. To learn more visit mnrk.com.

Our Hollow, Our Home Announce New Album "Hope & Hell" + Share "Funeral Verse" Video

Our Hollow, Our Home, the metalcore band hailing from Southampton, UK, recently faced internal challenges leading to a split.

Despite these difficulties, the band remains committed to its fans, ensuring that their album cycle continues.

The latest single, "Burial Season," has just been released, showcasing a mix of heavy riffs, melodic hooks, and emotionally charged lyrics. 

Watch the video below.

Alongside the single, the band has launched pre-orders for its final album, Hope & Hell, set for release on September 27, available as CD and limited colored vinyl. "Burial Season" is now available on all major streaming platforms, offering a glimpse of the band's enduring dedication to their music.

Pre-order Hope & Hell as CD and limited colored vinyl together with unique merch options at the Arising Empire Online Shop.

That level of relatability, coupled with their relentless touring with the likes of Asking Alexandria and Blessthefall, and high-profile slots at festivals like Graspop, Nova Rock, Summerblast, and Jera On Air, has seen the band command an ever-growing collection of highly-dedicated followers; they have over 79,000 on Spotify; have been viewed over 10 million times on YouTube; and have over 29,000 Instagram followers and 107,000 on Facebook and 2017’s debut album Hartsick reached the top spot of the Itunes chart for rock and metal in the UK, as well as placing in the top ten in the USA, Canada, Australia, Mexico, Italy and Germany.
 
They were also boosted by their hugely popular cover of Ed Sheeran’s "Shape of You" in 2017, which was picked up by BBC Radio One's Greg James and subsequently topped the iTunes UK rock and metal chart, and racked up over 300,000 plays on YouTube on its first week of release.

The release of Our Hollow, Our Home's album Burn in the Flood marked a significant milestone. It crystalized the band's evolution with its refined sound that blended melodic elements with their signature hard-hitting metalcore. It included standout tracks like the emotionally charged single "In Retrospect" and the anthemic title track, showcasing the band's dynamic range and lyrical depth. The album was well-received, adding significantly to their streaming numbers and earning praise for its production quality and thematic boldness. This release further solidified Our Hollow, Our Home's position in the metal scene, offering fans both old and new a rich auditory experience that resonated with the challenges and resilience of the human spirit. 

OUR HOLLOW, OUR HOME ARE:
Gaz — Vocals
Tobias — Guitar/Vocals
James — Guitar
Matt — Bass
Kieran — Drums

Chicago's REPENTANCE Support Swedish Metal Act ORBIT CULTURE on 8-19 in Detroit, MI and 8-20 in Chicago, IL

Chicago, Illinois-based metallers REPENTANCE have announced they will provide direct support for the Swedish metal act ORBIT CULTURE on 8-19 in Detroit, Michigan and 8-20 in Chicago, Illinois.

Check out the band's latest visualizer for "BURIED BY FEAR" taken from the sophomore release THE PROCESS OF HUMAN DEMISE Out Now!

Founded in 2018 by former SOIL and DIRGE WITHIN guitarist Shaun Glass and with a critically acclaimed debut album under their belts (God For A Day, 2020), REPENTANCEsoon became known for their distinctive heavy yet dynamic sound, packed with details, groove and intensity. Playing numerous shows with high profile acts such as TRIVIUM, DEVILDRIVER, JINJER, SKULL FIST, TOXIC HOLOCAUST, SACRED REICH and others, REPENTANCE have taken the heavy scene by storm and represent a sound, which is sure to obliterate fans of extreme music everywhere.

Repentance are:
Adam Gilley – Vocals
Shaun Glass – Guitar
Eric Burns – Guitar
Eric Karol – Bass
Brandon White – Drums

Find Repentance Online:

Official Website

Facebook

Twitter

Instagram

Find NOBLE DEMON online:

https://linktr.ee/nobledemon

MNRK Heavy welcomes Slomosa

Norwegian riff-rock regalers, Slomosa , have signed with independent music group MNRK Heavy (High on Fire, Escuela Grind, Crowbar). The Bergen-based band will release its new LP, 'Tundra Rock,' on September 13. Boasting a brazen backbone of groove-bitten punch and silken melodic hooks heavily inspired by the Palm Desert music scene, Slomosa showcases a hibernating sound that has been reawakened for a new generation.


In celebration of its new label home, Slomosa today releases a video for the new track "Battling Guns."


"Slomosa is an absolute riff powerhouse with an amazing live show," comments MNRK Heavy SVP, Rock & Metal, Scott Givens. "They are an incredible band and all of us at MNRK are thrilled they have picked us to be their label partners."

Expansive mountains constitute nearly two-thirds of Norway. This breathtaking grandeur gives the country a sense of natural splendor and mystique as if its topography has held secrets for millennia. 'Tundra Rock’ is, quite simply, ‘Desert Rock’ on Slomosa 's terms.

 “A desert doesn’t have to be warm", observes vocalist/guitarist Ben Berdous. "If you think about it, the biggest desert in the world is Antarctica. In this respect, the tundra is our desert. We thought it would be cool to coin a genre, and it’s stuck. You could certainly say the grandiosity of nature is evident in the songs of Slomosa.” 

'Tundra Rock' is also advanced by the superbly heavy track, 'Rice,' a cavernous cut soaked in sunbaked groove, and 'Cabin Fever.'

FREE PATCH WITH EVERY PRE-ORDER

(WHILE SUPPLIES LAST)

Slomosa - Tundra Rock Metallic Gold Vinyl

PRE-ORDER

Slomosa - Tundra Rock CD

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Slomosa - Logo Shirt

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Expansive mountains constitute nearly two-thirds of Norway. This breathtaking grandeur gives the country a sense of natural splendor and mystique as if its topography has held secrets for millennia. 'Tundra Rock’ is, quite simply, ‘Desert Rock’ on Slomosa 's terms.

 “A desert doesn’t have to be warm", observes vocalist/guitarist Ben Berdous. "If you think about it, the biggest desert in the world is Antarctica. In this respect, the tundra is our desert. We thought it would be cool to coin a genre, and it’s stuck. You could certainly say the grandiosity of nature is evident in the songs of Slomosa.” 

'Tundra Rock' is also advanced by the superbly heavy track, 'Rice,' a cavernous cut soaked in sunbaked groove, and 'Cabin Fever.'

Slomosa will tour the U.S. in support of 'Tundra Rock', with some TBA headlining shows, and as special guests of Alkaline Trio, this September.

FOR TOUR DATES AND INFO CLICK HERE

EKOH Releases "The Sound of Falling" Video

Emerging artist EKOH has shared the video for his latest banger "The Sound of Falling." 

Watch it below.

Smash that "PLAY" button. Smash that "LIKE" button. And just go watch it!

It follows last month's collab track "Nobody Like Me," feat. TECH N9NE. In the track,  the duo spits rhymes as though their lives depend on it. Crank the knobs to 11, put the windows down, and add this one to your playlist rotation.  Watch the video here. EKOH previously dropped a track with Lo Spirit, called "Good Things." Listen here. You can also check out "DOOMED," his collab with PHIX. 

If you've not yet heard of Ekoh, well, consider this your intro. 

Get to know him now, because the stratosphere is in his future, thanks to his deft rap x rock hybrid style. Ekoh's breakout track "Hole In Your Head" was released in November 2023 and stayed in steady rotation on SiriusXM Octane and was a crowd favorite during his first rock tour where he supported From Ashes to New on the Blackout Tour. Additionally, the single "Hurt Myself" continues to roar. He shared "Mayday" earlier this year and released his own custom sneaker with VANS. 

Oceano Release "The Price Of Pain" Official Music Video via Sumerian Records

Deathcore titans Oceano have released the official music video for "The Price Of Pain" via Sumerian Records. The track can be found on the band's forthcoming new album 'Living Chaos' out August 30th and available for pre-saves now. Prior to today, Oceano released "Wounds Never Healed" which has clocked up 223k streams on Spotify alone and 231k views on YouTube. Watch "The Price Of Pain" official music video below, and pre-save 'Living Chaos' here.

Oceano will be hitting the stage on their headlining run The Living Chaos Tour with To The GraveVCTMS and Half Me as support. Tickets are bound to go fast, so get yours at the link here.

Living Chaos Tour with To The Grave, VCTMS + Half Me:

Thu, Sep 05 - Detroit, MI @ Sanctuary

Fri, Sep 06 - Columbus, OH@ King of Clubs

Sat, Sep 07 - Erie, PA @ Basement Transmissions

Sun, Sep 08 - Brooklyn, NY @ The Meadows

Tue, Sep 10 - Baltimore, MD @ Soundstage

Wed, Sep 11 - Greensboro, NC @ Hangar 1819

Thu, Sep 12 - Columbia, SC @ New Brookland Tavern

Fri, Sep 13 - West Palm Beach, FL @ Respectable Street

Sat, Sep 14 - Orlando, FL @ Conduit

Sun, Sep 15 - Atlanta, GA @ The Masquerade

Tue, Sep 17 - Houston, TX @ Scout Bar

Wed, Sep 18 - San Antonio, TX @ The Rock Box

Thu, Sep 19 - Dallas, TX @ Southside Music Hall

Fri, Sep 20 - El Paso, TX @ Rockhouse Bar

Sat, Sep 21 - Albuquerque, NM @ Launchpad

Sun, Sep 22 - Phoenix, AZ @ The Nile Theater

Tue, Sep 24 - Anaheim, CA @ Chain Reaction

Wed, Sep 25 - Fresno, CA @ Full Circle Brewery

Thu, Sep 26 - Sacramento, CA @ Harlow's

Fri, Sep 27 - Portland, OR @ Dantes

Sat, Sep 28 - Seattle, WA @ El Corazon

Sun, Sep 29 - Spokane, WA @ The Big Dipper

Tue, Oct 01 - Salt Lake City, UT @ Metro Music Hall

Wed, Oct 02 - Denver, CO @ HQ

Thu, Oct 03 - Omaha, NE @ The Waiting Room

Fri, Oct 04 - Chicago, IL @ Cobra Lounge