Scotty McCreery Releases "Lonely" from 'Rise and Fall' Arriving May 10

Triple Tigers recording artist Scotty McCreery may be a happily married father, but that is not stopping him from tapping into a bit of sorrow for his latest release out today, “Lonely,” from his upcoming album Rise and Fall. This will be the final song released from Rise and Fall before the album comes out on May 10. Listen to “Lonely” Below.
 
“I love a good heartbreak, honky-tonk country song, and ‘Lonely’ is definitely that,” said McCreery. “Brent, Derek, Frank, Bobby, Jeremy, Monty and I had such a good time writing this song on my back porch in the mountains of North Carolina. This song is so much fun to perform live and have the audience sing along with us. I’ve had a lot of requests from fans who’ve heard this song on the road to put it out on streaming. Here you go!” 
 
Written by McCreery with Brent Anderson, Derek George, Frank Rogers, Bobby Hamrick, Jeremy Bussey and Monty Criswell, “Lonely” is a dark-and-dusky two-stepper drenched in heartbreak. Set in a late-night local hole-in-the-wall and narrated by a guy looking to forget why he came in the bar to begin with, friends join him in his effort to drown out the pain turning the barroom into a sing along.
 
      Friends on the jukebox and friends wall to wall 
      Dimes on the dance floor and cheap alcohol 
      Round after round, we're all having a ball 
      I guess lonely ain't lonely after all 
      No lonely ain't lonely after all
  
The newest member of the legendary Grand Ole Opry will also return to the stage where he won hearts across the nation over 13 years ago. McCreery is set to perform his chart-topping hit “Cab in a Solo” on “American Idol” this Sunday, April 28. Catch his guest performance live coast-to-coast on ABC at 8 pm ET / 5 pm PT and stream on Hulu.
 
McCreery is also set to return to “The Kelly Clarkson Show” on Wednesday, May 1 with a special performance from the Grand Ole Opry stage. Check local listings for time.
 
McCreery will return to the Grand Ole Opry stage on May 11, just one day after he releases his new album Rise and Fall. The first 400 ticketholders who also purchase the album onsite in the Opry Shop that evening will gain access to an exclusive album release celebration and acoustic performance with Scotty directly following the show in the Opry House’s Studio A. For Opry tickets and information, visit Opry.com.
 
Rise and Fall will feature 13 tracks that find him exploring not only heartbreak but rowdy nights, nostalgia, faith, newfound joy, fatherhood and enduring love, resulting in a project full of insightful storytelling. The album was produced by McCreery’s longtime production team of Frank Rogers, Derek Wells and Aaron Eshuis.
 
McCreery co-wrote 12 of the 13 songs on the album, which will be released digitally as well as on CD and vinyl. In addition, Amazon will release a limited edition, forest green vinyl version of the album.

  • Pre-order/pre-save Rise and Fall HERE

  • Pre-order autographed vinyl and CDs of Rise and Fall HERE

“I know every artist says it, but this is truly my favorite album I’ve made so far,” shares McCreery. “I wanted to create an album that reflected the music I grew up on and wasn’t chasing trends. So, I brought several of my songwriting buddies to the mountains of North Carolina to sit down and write a full-on country album that told a story, start to finish, and spoke to my soul. We’ve been performing most of the album live on the road and the response from the audiences has been overwhelming. I can’t wait for everyone to hear Rise and Fall when it comes out May 10th.”
 
The North Carolina native knows all too well there’s a rhythm to life and a cycle of ups and downs. And right now, he’s on the upswing.

Now 30 years old and a seasoned country music veteran selling out concerts across the globe with five consecutive No. 1 hits under his belt, McCreery is also a dedicated husband and father, welcoming a son named Avery in 2022, whose impact on the singer is highlighted in several songs on the album. Recently, he even celebrated the milestone of all milestones for a guy who grew up on Randy Travis, Johnny Cash, Dolly Parton and Ronnie Milsap; he was invited by his musical hero Garth Brooks to become the newest member of the iconic Grand Ole Opry. McCreery was just welcomed into the Opry family on April 20 by two more of his heroes, Josh Turner and Randy Travis.
 
But folks like McCreery know it means more when you’ve seen the other side. For him, each highlight has come in contrast to a challenge – things like the loss of his first record deal and the year of naysaying uncertainty that followed before he built himself up again, brick by brick. As a result, Rise and Fall comes from an artist who knows to appreciate the ride – no matter where it leads.
 
“I feel like we’re on the rise now, but I’ve fallen pretty low as well,” McCreery admits. “I learned from every little part of that, and it helped me to know who I was as a person – let alone an artist. The rises and the falls helped craft these songs. They made this album what it is.”
 
“Lonely” is the sixth song released from the album, following lead single “Cab in a Solo” and tracks “Red Letter Blueprint,” “Slow Dance,” “Can’t Pass the Bar” and “Love Like This.” A full listing of the album’s songs follows.

Photo Credit: Jeff Ray

Tickets for upcoming tour dates are on sale now at ScottyMcCreery.com.
   
About Scotty McCreery
Scotty McCreery has been a household name for nearly half his life, ever since making history in 2011 as both the first country artist and the youngest male artist of any genre to debut his first studio album, the Platinum-certified Clear as Day, at No. 1 on the all-genre Billboard Top 200 Albums chart. With his forthcoming album Rise and Fall set for release May 10, featuring current single “Cab in a Solo” along with 12 additional tracks, McCreery explores classic themes of heartbreak, rowdy nights, nostalgia, faith, newfound joy, fatherhood, and enduring love, and through it all, felt comfortable being himself, resulting in a project full of electrified twang, rich baritone vocals and insightful storytelling. The 30-year-old has sold more than 4 million albums and achieved 5 consecutive No.1 hits: the RIAA Platinum-certified “Damn Strait,” the RIAA Gold certified “You Time,” the RIAA Gold certified “In Between,” the RIAA Platinum certified “This is It,” and the RIAA Triple Platinum certified ‘Five More Minutes.” The North Carolina native has earned one Triple Platinum, five Platinum and four Gold singles; one Platinum and two Gold albums; won the 10th season of “American Idol” in 2011 at age 17; was named the ACM New Artist of the Year in 2011; won two CMT Music Awards for Breakthrough Video of the Year (“The Trouble with Girls”) in 2012 and Digital-First Performance of the Year (“It Matters to Her” on “CMT Stages”) in 2024; and BMI Awards for writing One of the Top 50 Country Songs of the Year five times (in 2015 for “See You Tonight,” in 2018 for “Five More Minutes,” in 2019 for “This is It,” in 2021 for “In Between,” and in 2022 for “You Time”). He was awarded Pandora Billionaire status in 2021 in recognition of his music achieving more than one billion streams on Pandora. His song “Five More Minutes” inspired two popular holiday movies which aired on the Hallmark Movies & Mysteries Network: “Five More Minutes” in 2021 and “Five More Minutes: Moments Like These” in 2022. He released his first book Go Big or Go Home: The Journey Toward the Dream in 2016. His most recent album is Same Truck: The Deluxe Album. This fall McCreery was inducted into the North Carolina Music Hall of Fame and last year was invited to become a member of the Grand Ole Opry by Garth Brooks. McCreery was just welcomed into the Opry family on April 20 by his heroes, Josh Turner and Randy Travis. The singer/songwriter married his high school sweetheart Gabi in 2018, and the couple had their first son Avery in October 2022. For more information, visit ScottyMcCreery.com.

Extortionist Release New Single + Music Video "When It All Goes Dark" via Unique Leader Records

Extortionist have today released their latest single "When It All Goes Dark" and the official video (via Unique Leader Records). The track can be found on the band's upcoming new album 'Devoid of Love & Light' set for release on Friday, May 17. Speaking about the inspiration behind today's release, the band shared:

'When It All Goes Dark' is the conclusion of the upcoming full-length “Devoid of Love & Light”. 

The track is a middle finger pointed towards crooked practices, cliques, and individuals within the music industry and a metaphorical presentation of enduring & navigating a “hive-mind” mentality.

Prior to today, Extortionist dropped the album title track "Devoid of Love & Light" along with the visual accompaniment. Stream "When It All Goes Dark" here and watch the music video below.

Band names go a long way in helping paint a figurative picture in the listener's mind of what to expect before one ever hits “play.” When it comes to Extortionist, you think crime—you think gritty, raw, merciless and unsavory and maybe, just maybe, a little sprinkling of suaveness. When it comes to the Pacific Northwest’s resident moshslingers, those premonitions from their name are exactly what you get. As a band who have proven themselves exemplary at styles of heavy music ranging from downtempo deathcore to grunge-tinted metal, Extortionist are more than just a jack-of-all-trades; they’re masters. Utilizing bold, roaring guitars overtop crushing, steamrolling percussion and vocals that run the gamut from guttural to grating, pitched singing and topped off with—you guessed it—a now-infamous dodgeball-smack snare, Extortionist have proven that not only are they incredible at what they do, they’re a band that the heavy scene just can’t go without.

Emerging from the relatively understated pastures and prairies of Coeur d’Alene in early 2013, to say Extortionist have been on a journey since their inception would be an understatement. With "The Black Sheep" instantly earning them notoriety with its combination of feral grooves and eviscerating breakdowns, Extortionist proved themselves early on as prodigal masters of all things punishingly heavy. As the band grew and gained more experience on the road in light of the success of their debut EP, their style and dynamic grew as well. After nearly four years of touring and writing, Extortionist would unleash 'The Decline' in 2017, a band that saw their breed of brutalizing deathcore hybridized with riff-heavy metalcore and more introspective lyrics that tackled suicidal ideation and substance abuse. 'The Decline' was met with immense critical praise and continued to open up larger opportunities for the Northwestern act, ultimately earning them multiple co-headlining tours from coast to coast, and a spot on Stay Sick Records, alongside other up-and-coming heavyweights like SPITE and Bodysnatcher. Barely a year and a half after their signing, the band announced their sophomore full-length release, 'Sever the Cord', which saw them experimenting with the inclusion of grunge and alternative influences, adding even more depth and grit to their dynamic. Their sophomore album earned them not only critical acclaim, but nationwide tours alongside The Browning, Betraying the Martyrs, Lorna Shore and First Blood. 'Sever the Cord' was followed shortly thereafter by an eponymous EP which saw them diving deeper into a more exploratory realm of metalcore, colliding ferocious riffs into moments of warm, nostalgic melody. While their self-titled release was widely heralded as the band’s strongest work to date, was declared their Swan Song, as in the weeks that followed towards the back-end of Summer 2019, Extortionist announced their dissolution.

That isn’t the end of Extortionist’s story, however. As 2019 gave way into 2020 and the chaotic months that followed, the heavy music community felt the band’s absence all too strongly. In the early months of 2021, Extortionist announced their return with a series of shows in Spokane, Washington alongside AVOID and Seconds Ago as well as a new single, “Once More in Torment”. Once more highlighting the seamless blend of raunchy aggression and groove-heavy catchiness that only Extortionist can provide, the band’s comeback track is a strong reminder of just how missed they were throughout their nearly two-year absence. Frontman and founding member Benjamin Hoagland states “This is the best place we’ve ever been in as a band...Extortionist lives, and we’re here to stay.” Indeed, with a full-length record in the works and a ferocious return to live performance already underway, it would seem that Exortionist’s relative break was only a brief moment with which to collect themselves before reasserting their dominance over the contemporary metalcore scene. - Connor Welsh

See the band across North America on the Angels & Villains Tour with Born of Osiris, Attila, Traitors, and Not Enough Space. For ticket information, please click here.

The Angels & Villains Tour USA 2024:

4/25 - Nashville, TN @ Brooklyn Bowl

4/26 - Atlanta, GA @ Variety Playhouse

4/27 - Tampa, FL @ The Ritz

4/29 - Baton Rouge, LA @ Varsity Theater

5/01 - Corpus Christi, TX @ House of Rock

5/03 - Oklahoma City, OK @ 89th St. Collective

5/04 - Austin, TX @ Come and Take It Live

5/05 - San Antonio, TX @ Paper Tiger

5/07 - Albuquerque, NM @ El Rey Theater

5/08 - Mesa, AZ @ Nile Theater

5/09 - San Diego, CA @ House of Blues

5/10 - Pomona, CA @ The Glass House

5/11 - Los Angeles, CA @ 1720

5/12 - San Francisco, CA @ Regency Ballroom

5/14 - Portland, OR @ Bossanova Ballroom

5/15 - Seattle, WA @ The Showbox

5/17 - Salt Lake City, UT @ The Depot

5/18 - Englewood, CO @ Gothic Theatre

5/20 - St. Lous, MO @ Red Flag

5/21 - Lincoln, NE @ Bourbon Theatre

5/22 - Minneapolis, MN @ Varsity Theater

5/23 - Davenport, IA @ Capitol Theater

5/24 - Milwaukee, WI @ The Rave II

5/25 - Chicago, IL @ Bottom Lounge

5/26 - Pontiac, MI @ Crofoot Ballroom

HAMMERFALL ANNOUNCE NEW ALBUM, 'AVENGE THE FALLEN,' FOR AUGUST

Today, HAMMERFALL proudly announce their 13th studio album Avenge The Fallen, which will be released on August 9th via Nuclear Blast Records.

That’s right, less than a year after taking the final bow of the “United Forces” tour, the quintet of guitarist Oscar Dronjak, singer Joacim Cans, bass player Fredrik Larsson, guitarist Pontus Norgen, and drummer David Wallin are back with ten brand new solid pieces of classic heavy metal.

This is our 13th album”, Joacim Cans says with pride. “How do you still stay relevant after 13 albums? It’s very much like the opening line to the song ´Avenge The Fallen´: “What is the worst, be the one who died, or be the one who survived.”

Think about it, because it is a tough question”.

He continues, “Do we want to be a band who releases new music just for the sole reason of getting out on the road again or do we want to keep pushing and challenging ourselves? In times where people have less and less attention span, we still think in the form of full length albums. A few good songs don’t make a strong album. A strong album comes from an album full a great songs and that’s what we’re delivering with Avenge The Fallen.” 

To give a taste of what awaits the fans, the band unleashes the first single and video ´Hail To The King´. A song that was born on the road....

I began working on ´Hail To The King´ while on tour in the US with Helloween”, Oscar Dronjak recalls. “By the end of the tour, I was getting close to wrapping the song up, so straight after the Los Angeles gig I headed to the bus where I worked like a mad man to get the last pieces together. That turned out to be the show where one of my favourite wrestlers, Chris Jericho, came to visit. It was also the show where Fredrik met his idol Frank Bello from Anthrax and Joacim met Jay Ruston, producer for Armored Saints, Avatar, Anthrax, Corey Taylor and more and whom after this meeting agreed to produce the vocals for ´Avenge The Fallen´! I missed all that, but I at least got a great song out of it, haha!”

Stream ´Hail To The King´: https://hammerfall.bfan.link/HTTK.ema

Pre-order / Pre-save the album: https://hammerfall.bfan.link/avenge-the-fallen.ema 

Avenge The Fallen comes in following formats:

- CD Jewel Case
- CD Digipack w/signed poster
- 1 LP Gatefold Gold Vinyl
- 1 LP Gatefold Purple Vinyl
1LP Gatefold, Splatter Vinyl (Sweden Rock Exclusive)

Catch HAMMERFALL live in 2024:

19.04. MX Mexico City – Sala Urbana 

20.04. CO Bogota – Auditorio Mayor Cun 

23.04. CL Santiago - Teleton 

25.04. BA Brasilia – Toinha 

27.04. BA Sao Paulo – Summer Breeze 

30.04. USA Harrisburg – Midtown Arts Center 

01.05. USA Montclair – The Wellmont Theater 

02.05. USA Albany – Empire Underground 
 
03.05. USA Columbus – The Bluestone 

04.05. USA St. Louis – Delmar Hall 

06.05. USA Fort Worth - Tannahill's Tavern & Music Hall 

07.05. USA San Antonio – Vibes Event Center 

09.05. USA Albuquerque – El Rey Theater 

10.05. USA Tuscon - Encore 

11.05. USA Anaheim - City National Grove of Anaheim 

12.05. USA Las Vegas – House of Blues 

14.05. USA Denver - Summit 

16.05 USA St. Paul – Myth Live 

17.05. USA Milwaukee – Milwaukee Metal Fest 

18.05. USA Cleveland – House of Blues 

19.05. USA Flint – The Machine Shop 

20.05. USA Mc Kees Rocks – Roxian Theatre 

21.05. USA Richmond – The National 

23.05. USA Cincinnati - Bogart´s 

24.05. USA Atlanta – The Masquerade (Heaven) 

25.05. USA St Peterburg – Jannus Live 

05.-08.06. SE Norje – Sweden Rock Festival 

06.06. NO Trondheim – Trondheim Rocks 

14.06. ES Zamora - Z-fest 

20.06. DK Copenhagen - Copenhell 

27.06. SL Snina - Rock Pod Kamenon 

03.-06.07. DE Ballenstedt – Rock Hartz 

12.07. BG Midalidare Estate, Chirpan - Midalidare Rock 

10.08. FI Helsinki – Hellsinki Metal Fest 

04.10. DE Hamburg – Barclays Arena 

05.10. NL Amsterdam – AFAS Live 

Line-up:
Joacim Cans - vocals
Oscar Dronjak - guitar
Fredrik Larsson  - bass
Pontus Norgen - guitar
David Wallin – drums

HOMEPAGE: LINK
FACEBOOK: LINK
INSTAGRAM: LINK
TWITTER: N/A

Portland-based collective Federale announce new album, preview the lead track 'Heaven Forgive Me'

“Equal parts Ennio Morricone, Lee Hazelwood, and Nick Cave with a touch of Chris Isaak’s less romantic side… few if any artists are brave and/or creative enough to channel this ghostly, often ominous vibe into moving, sensual and stirring music” ~ American Songwriter

"Their most immersive and varied album to date, Collin Hegna and his merry band of music-makers take us on a fantastic journey... and on ‘Heaven Forgive Me’, Hegna channels the post-punk vibes of such bands as The Church, Pink Turns Blue and The Mission to our delight" ~ The Spill Magazine


Portland-based outfit Federale have announced they will release their new 'Reverb & Seduction' album via Jealous Butcher Records in summer. Ahead of this, these legendary songcrafters present the lead track 'Heaven Forgive Me', which features Alex Maas of The Black Angels on backing vocals.

Their sixth studio album, 'Reverb & Seduction' marks the band’s twentieth anniversary. The band’s most immersive and varied album to date, with do-it-all frontman Collin Hegna at the height of his powers, this is a tour-de-force road trip from psych rock to country duets, never straying too far from the spaghetti western roots that inspired the band many blood-moons ago.

Over the past two decades, Federale has carved out a unique niche within the indie music landscape, blending their signature spaghetti-Western instrumental sound with increasing doses of moody vocal arrangements in the spirit of Lee Hazlewood and late-period Leonard Cohen. Through it all, songwriter and lead singer Collin Hegna – who also spent the last 20 years as a dues-paying member of The Brian Jonestown Massacre – maintains a strictly retro vibe. Federale's records have always sounded period-correct for an alternate-universe 1971, where rock and roll never caught on.

"Each Federale release has sought to embrace influences ever farther afield from the band’s original concept as an ode to Spaghetti Western film music. But one aesthetic constant (as far as non-instrumental songs go) has been the dark, narrative driven folk ballad," says Collin Hegna.

"The goal with 'Heaven Forgive Me' was to bridge the gap between the yarn casting style of Lee Hazlewood and the bleak New Wave anthems of Depeche Mode. Contrastingly, the arrangement of the song leans heavily on the aesthetics of 70’s Italian horror soundtracks, such as Goblin and Fabio Frizzi."
 
Comprised of 10 tracks, 'Reverb & Seduction' was recorded at Revolver Studios in Portland and engineered by Collin Hegna, Matt Thomson and Andrew Joslyn, who boasts five 5 Grammy Award winning albums. Mixed by Jeff Stuart Saltzman (The Black Keys, The High Violets), Matt Thomson and Collin Hegna, this album was mastered by Adam Gonsalves at Telegraph Mastering.

These new musical homages are complemented by a new lineup of well-known Portland rock-scene vets, including talents from The Shivas, Roselit Bone, Dandy Warhols, Rogue Wave and Delines. Going forward, Federale expects to fully embrace the role of a working, touring band, starting with a West Coast tour timed to coincide with the new record's July release. A European tour will follow in late fall 2024.
 
As of April 24, 'Heaven Forgive Me' is available everywhere digitally, including Apple Music, Spotify, Tidal and Bandcamp. The full 'Reverb & Seduction' album, which can be pre-ordered now, will be released on July 12 via Jealous Butcher Records, available on CD and vinyl wherever fine records are sold.

SINGLE CREDITS
Written, arranged and produced by Collin Hegna
Mixed by Matt Thomson & Collin Hegna
Mastered by Adam Gonsalves at Telegraph Mastering
Recording Engineering - Collin Hegna, Matt Thomson, Andrew Joslyn
Recorded at Revolver Studios in Portland, OR
Pat Spurgeon - drums
Jared Molyneux - guitar
Alex Maas - additional vocals
Collin Hegna - all other Instruments, percussion & vocals
Released by Jealous Butcher Records
Management: Andy Ross @ Exit Strategy Productions
Publicity: Shauna McLarnon @ Shameless Promotion PR

Keep up with Federale / Collin Hegna
Website | Linktree | Bandcamp | Facebook | Instagram | Twitter | YouTube | Apple Music| Tidal | Spotify | TikTok | Collin Hegna / Revolver Studios | Booking | Press contact

Keep up with Jealous Butcher Records
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Keep up with Shameless Promotion PR
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Sonic Universe (Feat. Corey Glover of Living Colour) Drop "It Is What It Is" Video

Corey Glover and Sonic Universe will drop their debut album It Is What It Is on May 10. Pre-order it here

The band combines the forces of the Grammy Award-winning lead singer of Living Colour and Adrenaline Mob guitarist and founding member Mike Orlando.

Today, they share the video for the album's title track "It Is What It Is."

Watch it below.

Complemented by the rhythm section of bassist Booker King and drummer Taykwuan Jackson, Glover and Orlando soar over what the singer called "a tight, tight, tight groove."

Glover continues, "The whole idea is that in order to make something new, you have to destroy the old. We do everything we can to change things, but the only way that you can change things is to believe."

"Right now / Right here/ Is all that it is / We lie / We try / It's all we can give."

"It Is What It Is" is  Glover and Sonic Universe giving their all to make a break with the past and create something new and honest.

"The band is killing it on this," Glover concludes. "It's a real gut-punch kind of sound."

Iodine to Release Drought's Debut "EP" This June

"With a sonic palette pulling from both classic screamo and post-hardcore, Drought are clearly aiming to capture a certain spirit." — No Echo

DROUGHT believe a better world is possible.

The Bay Area band pulls inspiration from their personal lives and the spaces the members inhabit, harkening back to the intimate DIY spaces where communities are built and confessional songwriting meets crowds that take part in their emotional catharsis. Their spirited performances have fostered new fans across the West Coast.

This quintet of hardcore veterans formed in 2022, pulling from their diverse musical influences and ethnic identities to push a familiar sound in new directions. Although some members spent over a decade away from music, they were magnetically drawn back in!

Their debut, the 3-song EP, recorded with Ryan Ellery (Mom Jeans, Self Defense Family), was issued digitally. Now, it will be released in physical form for the first time ever on June 14 via Iodine Recordings. It will be limited to 300 copies. Pre-order EP here

LISTEN HERE

"This EP is an ode to transformation and growth," the band shares. "None of us are the traditional preachy or dogmatic hardcore kids — we've had our own inner demons. So we wrote these songs for our younger selves. To let us know it's okay to be imperfect. And that the promise of a safer, more inclusive DIY scene is only possible if we can reflect, grow, and change. A better world is possible and it begins at home."

EP explores the struggles of loss and the rites of adulthood in increasingly precarious times. The band wrote "Oh Javelin," for instance, while guitarist RJ Rabe was battling cancer and drummer Ray Avila's father was ill, grappling with the existential question of how we spend our short lives. 

Upon digital release in 2023, the three-track EP turned more than a few heads with its familiar-yet-wholly-new stylings perfect for fans of bands like Touché Amoré, Piano Becomes the Teeth, and mewithoutYou. 

"When I was young, nothing felt more comforting than playing a record, poring over the liner notes and feeling less alone," says vocalist Viggy Ram. "And while releasing it digitally was exciting, it felt fleeting. When someone gets a record or goes to a show, you're actually giving your art to them—the ephemeral becomes real. With this vinyl release, we hope these songs keep you company when you need them to."

DROUGHT ARE:
Viggy Ram — Vocals 
Ray Avila — Drums
RJ Rabe — Guitar
Eric Nakano — Guitar
Dev Bleyle — Bass

Bodysnatcher Announce Digital Release Of New EP 'Vile Conduct' Out September 3 via MNRK Heavy

Bodysnatcher fans, rejoice! Today, the heavy Floridian quartet has announced the eagerly anticipated upcoming digital release of their new EP 'Vile Conduct', out Friday, September 3 via MNRK Heavy. In celebration of the news, the band has released their latest single "Severed" and the accompanying official music video. When asked about the inspiration behind today's drop, Bodysnatcher vocalist Kyle Medina commented:

The track "Severed" is about coming to terms with the sour feelings of resentment, hatred, anger, or betrayal, and completely and utterly letting go. Becoming fed up and accepting of these feelings is when you can finally let go and no longer even care for their existence, which is the best revenge.

The band previously unleashed "Murder8" featuring Hatebreed's Jamey Jasta and announced an early vinyl-only release of 'Vile Conduct' for Record Store Day this past weekend at participating locations (linked here for more info). Pre-save 'Vile Conduct' here, and watch the music video for "Severed" below.

The band are wrapping up the final dates of the Dedication To Flesh co-headlining run across the EU with SPITEBoundaries, and Mouth For War. North American fans will then have their chance to see the band on The Common Enemies co-headlining tour also alongside SPITE, with ThrownMouth For WarPSYCHO-FRAME, and CELL kicking off on May 9. For ticket information please click here, and be sure to stay tuned for more Bodysnatcher news coming soon.

The Common Enemies Tour 2024 North American Dates:

May 09 – Daytona Beach, FL @ Welcome to Rockville 

May 10 – Destin, FL @ Club LA 

May 11 – Atlanta, GA @ The Masquerade 

May 12 – Nashville, TN @ Eastside Bowl 

May 14 – Charleston, SC @ Music Farm

May 15 – Charlotte, NC @ The Underground 

May 16 – Baltimore, MD @ Baltimore Soundstage 

May 17 – New Kensington, PA @ Preserving Hardcore

May 18 – Columbus, OH @ Sonic Temple Festival 

May 19 – Harrisburg, PA @ Midtown Arts Center

May 20 – New York City, NY @ Irving Plaza 

May 21 – Philadelphia, PA @ Union Transfer 

May 22 – Boston, MA @ Paradise Rock Club 

May 24 – Grand Rapids, MI @ Elevation

May 25 – Chicago, IL @ House of Blues 

May 26 – Minneapolis, MN @ Varsity Theater

May 28 – Des Moines, IA @ Wooly’s 

May 29 – St Louis, MO @ Red Flag 

May 30 – Lawrence, KS @ The Granada

May 31 – Denver, CO @ Summit Music Hall

Jun 01 – Salt Lake City, UT @ The Complex 

Jun 03 – Portland, OR @ Hawthorne Theatre 

Jun 04 – Seattle, WA @ The Crocodile

Jun 06 – Sacramento, CA @ Ace of Spades 

Jun 07 – Pomona, CA @ The Glasshouse 

Jun 08 – San Diego, CA @ House of Blues 

Jun 09 – Mesa, AZ @ The Nile Theater

Jun 11 – Dallas, TX @ House of Blues 

Jun 12 – San Antonio, TX @ Vibes Event Center

Jun 13 – Houston, TX @ White Oak Music Hall 

Jun 14 – Oklahoma City, OK @ Beer City Music Hall 

Jun 15 – Little Rock, AR @ The Hall 

Jun 16 – New Orleans, LA @ House of Blues

Drawing their name from the infamous Plainfield Ghoul, Ed Gein, Bodysnatcher know a thing or two about darkness, brutality and aggression. Since their 2014 inception in Melbourne, Florida, Bodysnatcher have been bringing nothing but the finest in furious, extreme music. Combining crushing breakdowns with eerie ambience, scathing riffs and grisly grooves, the band have become synonymous with “heavy,” invoking violence in every city they happen to visit, spawning mosh pits that leave nothing but craters in their wake.

With each release, Bodysnatcher have added depth to their dynamic, proving they are an ever-growing and changing act with the singular purpose of absolutely obliterating the listener. In 2015, mere months after their formation, the act exploded into the worldwide underground with the release of their debut EP, Abandonment. Considered one of the “Rushmore” releases of the American Downtempo wave, Abandonment took Bodysnatcher around the country, delivering breakdowns and broken bones to venues from Southern Florida to California. The band’s debut full length that followed, Death of Me (Stay Sick Records), saw the band mature from their modest downtempo roots into something more diverse and devastating, incorporating a blend of contemporary metal and hardcore elements to create something that saw Bodysnatcher start to blur conventional genre lines. Death of Me would skyrocket the band’s notoriety even higher, including a headlining west coast tour with Extortionist (Unique Leader Records) in support. Almost immediately after the release of Death of MeBodysnatcher underwent a significant lineup change, bringing aboard Chris Whited (King Conquer, 1776 Recordings) as percussionist and producer alongside Kyle Carter (Beacons) and Kyle Shope (Float Face Down) on guitar and bass respectively. With all three of them working alongside the titanic range and unmistakable vitriol of frontman Kyle Medina as songwriters, a deluxe re-release of their debut LP featuring five all-new songs followed not long after the line-up was cemented. Those songs segued Bodysnatcher into a new sound and style that would not full materialize until their two follow up releases, This Heavy Void (2020) and Bleed-Abide (2022). These records together would not only see the band signing with premier heavy music label MNRK Heavy, but would also highlight the band’s unique ability to blend harrowingly personal tales of love and loss with blistering aggression. Between This Heavy Void’s Twelve/Seventeen and Bleed-Abide’s Smashed Perception,” the band seemed to encompass the alpha and omega of all things eviscerating—emotionally or, well, literally.

Since Bleed-AbideBodysnatcher have continued their tireless grind, touring across the country with the likes of AngelMaker, Hatebreed, Dying Fetus, Emmure, We Came as Romans and more—and spending plenty of time inoculating overseas lands with their unique concoction of crushing brutality as well. 2024 witnesses the band depart for not one, but two colossal ventures with former label mates SPITE—across both Europe and the continental United States.



From their earnest beginnings as one of the United States’ premiere exporters of bludgeoning, beefy breakdowns to now one of the country’s most renowned heavy music exports, Bodysnatcher are a peerless example of hard work, dedication and—of course—devastating heaviness. - Connor Welsh

Insanity Alert Honor Queen with New Single

Some metalheads are sticklers for the rules, but no cow is too sacred for Insanity Alert. On their new EP, the Austrian pranksters tear through a four-pack of familiar classics. But while the first single from Moshemian Thrashody yanked the chain of a saxy pop icon, the title track crashes classic rock's night at the opera with a whole clown car full of crossover thrash hijinks.  

Watch the hi(gh)larious video for "Moshemian Thrashody" below.

Moshemian Thrashody comes out May 17 on Season of Mist.

Pre-order:https://shop.season-of-mist.com/list/insanity-alert-moshemian-thrashody

Pre-save: https://orcd.co/moshemianthrashodypresave

For Insanity Alert, spoofing "Bohemian Rhapsody" is like bagging a white whale. Scan to any classic rock station and you'll be hard-pressed to find another song that combines balladry bombast, vocal theatrics and arena rock fist pumps with the fatalism of a French novel.

"We think of 'Moshemian Thrashody' as a tribute to the greatness of the original", says Heavy Kevy, the band's moshpit maestro. "Mixing a song that's as over-the-top as 'Bohemian Rhapsody' with our blend of speed, fun and brutal weirdness just feels right". 

If you're coming for Queen, then you best not miss. After all, who hasn't suffered some tone-deaf soul doing the Fandango during bar karaoke? Of course, Insanity Alert check all the necessary boxes. Maybe those leather pants are a pinch tight, but the Wayne's World cosplay is a fitting homage.

But the band hit all the right notes, too. The riffs thrash. The D-beats chug. As if by some especially potent magic mushroom, Galileo is transformed into Ronnie James Dio. Heck, the guys even manage to keep a straight face long enough for the squeaky-clean a cappella parts.   

"So you think I'm a stoner that never complies?", Heavy Kevy spits as if shooting a snot rocket. Now, that's not far from the truth. But everybody knows that thrashers do it better. Amidst double bass flurries that pop like fireworks, Dave of Death launches into a climactic guitar solo with the reckless abandon of doing a keg stand in the mosh pit. 

On "Moshemian Thrashody", Insanity Alert go anywhere the weed blows.

The video for "Moshemian Thrashody" was produced, filmed and edited by Max "Mugs" Raggl in Innsbruck, Austria ( www.mugs.at ). 

The concept was created by Insanity Alert.

"Maddening and powerful thrash from guys who understand the sound and culture" - Metal Injection

"Experts in crafting immense and blistering fun" - Distorted Sound

"Heavy, fast, old-school and right in your face" - Grimm Gent

"They make quite a noise...combining retro thrash with their own boozy brand of skateboarding-crossover thrash which hits at such a speed that by the time you've slapped the disc on you're already getting back off your arse to play it again" - Metal Forces

[Movie trailer voice] In a world that’s plagued by war, natural disasters and TikTok dance challenges, one band are hell-bent on partying like there’s no tomorrow. Sure, the hangovers might hit a little harder now that they’re four albums in. But on Moshemian Thrashody, Insanity Alert are still nothing but a good time.  

Ski parties visit Austria for its powdered slopes, but when Insanity Alert banded together from around Innsbruck in 2011, these adrenaline junkies had a different, more dangerous type of shredding in mind.  Their destructive appetite for ‘80s crossover thrash is only rivaled by an unquenchable thirst for ice-cold beer.  

While under the influence of older party monsters like Suicidal Tendencies and Municipal Waste, Insanity Alert roll their riffs with the same strand of humor as labelmates Cannabis Corpse. Their songs parody everyone from perennial punching bags like David Guetta and Milli Vanilli to sacred cows Iron Maiden.  

“We think of our renditions as tributes to the greatness of the original songs”, the band says. “Mixing their greatness with our blend of speed, fun, brutality and weirdness just feels right.   

On the strength of their demo tape alone, Insanity Alert sent skate punks and metalheads running into the pit. First Diagnosis was quickly confirmed by follow-up EP Second Opinion. Critics properly diagnosed their self-titled full-length as a much-needed dose of derangement, but the band has upped their prescription of snot-nosed speed and grinding d-beats with each release.  

Moshburger was served up in 2016 while Insanity Alert were on tour with Hatebreed, Madball, Terror and Power Trip. They then shared a 666-Pack with festivalgoers at Wacken Open Air. With names like Slapmaster Puke and The Inphiltrator, this band will go to comically absurd lengths just to jump into the circle pit with their fans -- so long as there’s a full fridge and good bud(s) waiting backstage. When Insanity Alert played the main stage at Hellfest in 2019, Dave of the Death could barely feel his fretting hand after taking one heck of a stage dive the night before.        

Moshemian Thrashody keeps the festivities going with new parodies of familiar classics like Guns N’ Roses and Iron Maiden. One might surprise you, though. Lead single “Beerless Fiesta” gives the crossover thrash treatment to (checks notes) George Michael? Insanity Alert aren’t going into mosh retirement anytime soon, though. The title track sees Queen’s theatrics and raises it with a clown car full of hijinks, including a Hauwitzer guitar solo that pops off like a bottle of champagne. Don Melanzani chugs down blast beats as the band joins in an acapella gang chant about “letting it snow” with Santa Claus that’s rowdier than a German beer hall.  

“These are some killer tunes that we threw in our drunken 420 blender”, says Heavy Kevy. “Moshemian Thrashody rides the thin line between familiar and super awkward – like seeing your old grandpa in the mosh pit or masturbating for the first time with your other hand”.  

After almost 15 years of bringing crossover thrash to party animals everywhere, Insanity Alert will still go anywhere the weed blows. 

Line-up
Heavy Kevy - ​Vocals
Don Melanzani - Drums
The Inphiltrator - Guitar
The Dave of Death - Guitar
Slapmaster Puke: Bass

Guest appearances
"Welcome to the Moshpit" - Hauwitzer (guitar solo)

Recording Studio
Subsound Station (Telfs, Austria)

Producer
Matthias Mayr

Mixing
Andy Reinhardt

Mastering
Andy Reinhardt

Cover art
James Callahan / Barf Comics

Pre-order: https://shop.season-of-mist.com/list/insanity-alert-moshemian-thrashody
Pre-save: https://orcd.co/moshemianthrashodypresave

Links
https://www.facebook.com/insanityalert
https://www.instagram.com/insanityalert/
https://www.youtube.com/channel/UCw79GR8zx8EsZ13DIwhye5g

Available formats
Digital Download
CD
10" Vinyl - Black
10" Vinyl - Colored (Translucent Turquoise)     

U.S. TOUR: Creeping Death, In Flames, Gatecreeper

CREEPING DEATH
SUPPORTING IN FLAMES
TOUR IN MAY

Texas death bringers CREEPING DEATH will support In Flames on their upcoming US headlining run. The three-week journey commences next week on May 1st in Portland, Maine and runs through May 26th in Dallas, Texas. Additional support will be provided by Gatecreeper.

5/01/2024 State Theatre - Portland, ME
5/02/2024 Hampton Beach Casino Ballroom - Hampton Beach, NH
5/03/2024 Warsaw - Brooklyn, NY
5/04/2024 The Queen - Wilmington, DE
5/05/2024 The Norva - Norfolk, VA
5/07/2024 Charleston Music Hall - Charleston, SC
5/08/2024 Piedmont Hall - Greensboro, NC
5/09/2024 Buckhead - Atlanta, GA
5/11/2024 The Handlebar - Pensacola, FL * no In Flames
5/12/2024 Mars Music Hall - Huntsville, AL
5/14/2024 Marathon Music Works - Nashville, TN
5/16/2024 Mr. Small's Theatre - Pittsburgh, PA
5/17/2024 The Town Ballroom - Buffalo, NY
5/19/2024 Milwaukee Metal Fest - Milwaukee, WI
5/21/2024 St. Andrews - Detroit, MI
5/22/2024 The Hawthorn - St. Louis, MO
5/23/2024 Diamond Ballroom - Oklahoma City, OK
5/24/2024 Emo's - Austin, TX
5/25/2024 House Of Blues - Houston, TX
5/26/2024 House Of Blues - Dallas, TX

GET TICKET INFORMATION HERE

SEE ALL CREEPING DEATH MUSIC + MERCH

In Hearts Wake Announce New Album "Incarnation" + Share "Hollow Bone" Video

Today, Australian metalcore icons In Hearts Wake manifest a brand new chapter, announcing their sixth studio album, Incarnation, which will be released on July 12 via UNFD. Pre-order it here

The news follows the recent bittersweet announcement of long-time bassist and vocalist Kyle Erich's departure.

Vocalist Jake Taylor shares, "INCARNATION is the shadow counterpart and sequel to the band's debut album DIVINATION, with each song inspired by the meaning and ideals of a particular Major Arcana Tarot card. There are 22 Major Arcana Tarot cards in every deck and 11 tracks on each record, bringing the vision to completion 12 years later."
 
He continues, "But much like a coin with two sides, cards flipped upside down deliver the reversed meaning. Polarized in every way, INCARNATION explores the dark underbelly to mirror and stand diametrically opposite to DIVINATION."

In Hearts Wake have also dropped an official Incarnation website that fans can visit throughout the album rollout for access to behind the scenes, sneak peaks at new music, exclusive info, and Incarnation announcements. For more info, visit here.

The anticipated follow up to 2020's Kaliyuga, which debuted at #3 on the ARIA Album Charts, Incarnation is equally a powerful yet poignant step forward for the Byron Bay-hailing group, heralded today by the release of the fiery new single "Hollow Bone (plɹoʍ ǝɥʇ)." Listen here. Watch the video below.

Balancing spitfire guitars and searing textures, "Hollow Bone" is a gripping ride that ricochets with polish and heaving dexterity, while also ultimately soldering the In Hearts Wake transformative spirit as vocalist Jake Taylor bellows "This cage is not my home."

"Going through a death-of-sorts with Kyle having left the band, 'Hollow Bone' became our reclamation anthem for the band to live on," In Hearts Wake share. "Since high school we’ve given everything and we weren’t about to give up. Not yet…"

They continue, "Picking up the microphone as a group together for the first time we delivered a melodic chorus. We used actual bones as percussive instruments – symbolic of death's transformation. This track acting as our stake in the ground. What would you die for?!"

Hailing from Byron Bay and now one of the leading acts in the Australian heavy scene, In Hearts Wake first roared into view via their 2012 debut album Divination; a tarot-inspired release, praised for its memorable breakdowns, melodic hooks, taut execution, and a sea of features. Remaining a fan-favorite to this day, Divination also set the stage for a horde of headline shows, international tours, appearances at Soundwave Festival, UNIFY Gathering, Groovin The Moo, and beyond for In Hearts Wake.

Having released five hard-hitting albums, including 2014's Earthwalker, 2015's Skydancer, 2017's Ark and 2020's Kaliyuga, In Hearts Wake also fuse themes of social and environmental justice into their palpitating brand of metalcore, with millions of streams and a dedicated fanbase across the globe flourishing alongside the band's environmental endeavors, with the latter witnessed most recently via the 2022 feature-length documentary Green Is The New Black.

Boasting an ARIA Award-nominated soundtrack, Green Is The New Black focused on the making of Kaliyuga and In Hearts Wake's successful efforts to carbon offset the entire recording process. Critically-acclaimed, the film also explored the music industry's relationship to the environment, generating an important conversation and viable solutions for the creative arts against the odds of the pandemic years.

Recently appearing at UNIFY Off The Record in 2023 and wowing audiences across Australia with their Decade Of Divination tour last year, In Hearts Wake now turn their gaze to a brand new album in 2024, and are also set to celebrate and farewell their journey to date with long-time bassist and vocalist Kyle Erich this September with a special Australian headline run that spans Newcastle, Sydney, Brisbane, Melbourne, Adelaide, and Perth.

In conjunction with announcing Erich's departure, In Hearts Wake also recently released a new single "Farewell," with the track fittingly bringing to a close the monumental chapter for Erich and In Hearts Wake.

NYC post-punk duo Frenchy and the Punk present 'Hypnotized', first taste of their eighth album.

"Explosive, subdued, confrontational, soothing, spikey and accessible" ~ Big Takeover Magazine

"Captivating with a sense of adventure... always injects a silver lining into their dusky post-punk" ~ The Spill Magazine

"Penetrating psych-soaked post-punk... Brimming with their signature cinematic drama and that unforgettable voice" ~ Global Texan Chronicles

"An inspiriting slice of post punk hued, new wave nurtured rock ‘n’ roll... under the skin and hungrily stirring the imagination in a flash" ~ Ringmaster Review


NYC-based post-punk duo Frenchy and the Punk present 'Hypnotized', a seductive dance floor romp. This is the first taste of their eighth album 'Midnight Garden', released via EA Recordings, which follows their critically-acclaimed 'Zen Ghost' album and Siouxsie tribute 'Cities In Dust'.

This collection bursts with dance grooves, guitar-driven upbeat melodies and soaring vocals. Written in France and the USA, this post-punk, new wave and dark alternative-drenched cauldron of songs address themes ranging from the gothic reimagining of the garden of eden, rising from the ashes and starting over, to socio-political commentary,

Formed in 2005, Frenchy and the Punk is vocalist, percussionist and lyricist Samantha Stephenson and guitarist-composer Scott Helland, co-founder of Deep Wound (with Dinosaur Jr. icons J Mascis and Lou Barlow) and Outpatients. Named one of the Top 25 duos in the US by Yahoo! Music, they profess a vivid blend of post-punk, dark folk, new wave, goth and punk cabaret. Helland is also known for his exceptional solo music project Guitarmy of One.

On 'Midnight Garden', Stephenson hits her stride - lyrically, vocally and with the synth sounds peppering the album. Helland shows his knack for infectious, and often euphoric, guitar melodies, propelling these tracks and perfectly complementing Frenchy's vocals.

"Scott came up with the guitar riff for 'Hypnotized' back in 2017. We were staying in a hotel in Atlantic City in-between tour stops. The hotel dated back to the 1930s with beautiful art-deco style decor. It was completely deserted and had an eerie presence - it was definitely haunted. We stumbled upon a lounge area looking over the ocean with a grand piano and spent the afternoon, with the place to ourselves, playing and coming up with song ideas. I didn’t like any lyrics that I was coming up with for that particular riff and it got shelved," explains Samantha Stephenson.

"Once in a while, I’d go back to it but it wasn’t until this past January, seven years later, that it finally took shape. We went to an art opening where photographer and mixed media artist Alice Teeple was showing her ‘Solve Et Coagula’ exhibit. I was very drawn to a book she had created with photographs and French text that she told me was inspired by the French Hypnotist Jean-Martin Charcot and I ended up falling down the Charcot rabbit hole. We were in the middle of working on the new album and I was revisiting that guitar riff, and the hypnosis theme found its way into the song, fitting perfectly after all those years. The theme of hypnosis is a double-edged sword. In one respect, it’s something that feels peaceful and sensual; in another, it feels unnerving in its ability to placate and overpower into subjugation."
 
Drawing inspiration from post-punk legends like The Cure, the upbeat energy and percussive textures of Adam and the Ants, the bewitching mystique of Siouxsie and the Banshees, and the quirky charm of The B-52's, they have crafted a sound that is both nostalgic and refreshingly authentic delivered in an unorthodox way.

About 'Hypnotized, Scott Helland says, "The song sprung from the opening grungy bass line that I played with an electro-acoustic hybrid guitar through octave and distortion pedals. The groove pulses beneath Samantha’s soaring vocals and lets up occasionally to allow me to growl the word "Hypnotized". I love that it’s a confounding track in that it hypnotizes you to move. We love to work with contrasts".

Over the years, the duo has forged their own distinct path, touring across the US and Europe with their artful two-person powerhouse of sound. To date, they've performed with Dead Can Dance's Peter Ulrich and Dresden Dolls' Brian ViglioneThomas Dolby, Dinosaur Jr., The World Inferno Friendship Society, Rasputina, Cruxshadows, Aurelio Voltaire and Faun.

As of April 25, 'Hypnotized' will be available everywhere, including Apple MusicSpotify and Bandcamp. On June 28, the 'Midnight Garden' album will be released on vinyl, CD and digitally. Until April 30, the album can be ordered through the band's Kickstarter campaign. Bookended by US tour dates on either end, the UK wing of their tour kicks off on May 21, when they play Bristol's Exchange with Miranda Sex Garden. American and UK tickets can be found online.

CREDITS
Samantha Stephenson - Vocals, Percussion, Keyboard
Scott Helland - Guitar, Bass, Drums and Drum Programming
Recorded at Split Rock Studios (New Paltz, NY)
Recorded & mixed by Jason Sarubbi
Mastered by Martin Bowes at The Cage (Coventry UK)
Written, performed and produced by Frenchy and the Punk
Single artwork by Samantha Stephenson
Artist photos by Nicola Bee

TOUR DATES
APR 25  Greenbelt, MD - New Deal Cafe
APR 27/28  Holly Springs, NC - Festival of Legends
APR 30  Richmond, VA - Black Iris Social Club
MAY 4  Washington, NJ - Rock n Roll SteamFest
MAY 18  Milton, PA - Reign of Terror Presents: World of Fae
MAY 19  Berkeley Springs, WV - Bringing in the May
MAY 21  Bristol, UK - The Exchange (with Miranda Sex Garden)
JUN 1  Wareham UK - Alice’s Wicked Tea Party
JUN 7  Morecambe, UK - A Splendid Day Out Festival
JUN 8   Newcastle, UK - Little Buildings
JUN 9  Edinburgh, UK - Banshee Labyrinth
JUN 14  Leicester, UK - Firebug
JUN 15  London, UK - Dublin Castle
JUN 17  Oxford, UK - Botley Taproom
JUN 22  Salem, MA - Darq Salem
JUL 11  Pomeroy, OH - Starwood Festival
JUL 13  Pittsburgh, PA - TBA
JUL 14  Columbus, OH - Dirty Dungarees Alt Music Space
JUL 17  Cincinnati, OH - The Comet
JUL 18  Detroit, MI - Corktown Tavern
JUL 19  Akron, OH - Buzzbin
JUL 20  Maple Heights, OH - Maple Grove Tavern
JUL 21  Dayton, OH - Blind Bob’s
JUL 23  St Louis, MO - Crack Fox
JUL 25  Cleveland, OH - Wizbang Theater
JUL 26  Sherman, NY - Sirius Rising Festival
SEPT 6   Pittsburgh, PA - Pitts Art Fest
SEPT 22  York, PA - Enchanted Festival
SEPT 26 Dark Castle Festival, Louisville, KY
OCT 5/6  Attleboro, MA - Jewelry City Festival
OCT 12  Upper Lake, CA - Hexenfest
OCT 25  Shepherdstown, WV - TBA
NOV 16  Baltimore, MD -  Fairy Scary Ball


Keep up with Frenchy and the Punk
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BATTLE BEAST- release single 'Master of Illusion (Live In Helsinki 2023)'

Exciting news from Finnish metal masters BATTLE BEAST!

The band is happy to release today their new live single 'Master of Illusion (Live in Helsinki 2023)' including the live video. After releasing their latest studio album  Circus of Doom in 2022, BATTLE BEAST have proved what a force they are live and thus underpinned the success of the album even further. This version of 'Master of Illusion' was recorded on January 27th, 2023 at their sold-out headline show in front of over 3000 people at the Helsinki Ice Hall, and clearly shows why the band is captivating more and more people.

Vocalist Noora Louhimo quotes excited:

”We are beyond excited to share with you this live single, celebrating Circus of Doom and our fans around the world.

Our tour this year is the last chance to witness this spectacle live before we close this chapter and move on to the next. Hope to see you all on the road!”


Watch the new live video for 'Master of Illusion (Live In Helsinki 2023)' below.

Stream 'Master of Illusion (Live In Helsinki 2023)' on all platforms now at: https://battlebeast.bfan.link/moils

After completing a very successful tour through Europe in the beginning of the year, BATTLE BEAST have just announced new dates in Europe for September-October 2024 together with supports SERENITY and BRYMIR.  

The band are now heading to South America for some shows, and in May the band sets off for their first headline tour ever thorugh USA and Canada together with label mates BLACKBRIAR.

North American Tour Dates:

May 9 - Worcester, MA - The Palladium
May 10 - Ottawa, ON - The Brass Monkey
May 11 - Toronto, ON - Opera House
May 12 - Cleveland, OH - House of Blues
May 14 - Chicago, IL - House of Blues
May 15 - Minneapolis, MN - The Varsity Theater
May 16 - Lawrence, KS - Grenada Theater
May 17 - Denver, CO - The Gothic Theatre
May 18 - Salt Lake City, UT - The Depot
May 20 - Seattle, WA The Neptune Theater
May 21 - Vancouver, BC - The Rickshaw
May 22 - Portland, OR - Revolution Hall
May 24 - Roseville, CA - Goldfield Trading Post
May 25 - Santa Ana, CA - The Observatory
May 26 - Phoenix, AZ - The Nile Theater
May 28 - Dallas, TX - Echo
May 30 - Atlanta, GA - The Masquerade
May 31 - Charlotte, NC - The Underground
June 1 - Baltimore, MD - Baltimore Sound Stage
June 2 - New York, NY - Irving Plaza

Tickets for all announced shows: www.battlebeast.fi/tour

Since their 2011 debut album SteelBattle Beast have achieved over 250 million digital streams. Alongside the huge #1 successes of their last four albums in the album charts of their home country, Finland, their last album Circus Of Doom (2022) reached a remarkable #9 in German album charts.

Get Circus of Doom in the format of your choice, here: https://bfan.link/circusofdoom

BATTLE BEAST is:
Noora Louhimo | vocals
Eero Sipilä | bass
Joona Björkroth | guitars
Juuso Soinio | guitars
Janne Björkroth | keyboards
Pyry Vikki | drums

ROTTING CHRIST Release Defiant New Single

Early praise for Pro Xristou

"Their brand of blackened metal has changed a lot over years, mostly to being melodic, a little Gothic, and even having a tribal feel to some of their songs. “Pro Xristou” embraces these same components but presents them in a much more catchy way..." -
Metal Temple (9/10)

"Pro Xristou" is not an album that will surprise us; on the contrary, it will seem familiar. Yet, the album is poised to be a memorable entry in Rotting Christ's distinguished career." -
Metal War (9/10)

"With Pro Xristou, Rotting Christ have summoned every diabolical riff and slaying beat that their career has produced and culminated it into a pummeling, brilliant Gothic Black Metal attack on the senses. To say that I love this album is an understatement, I urge you, constant reader, to pre-order it. You will not be sorry." - Teeth of the Divine

"One thing is for sure after all this: ROTTING CHRIST will never let us down!" - The Gallery (8/10)

ROTTING CHRIST are the unparalleled masters of blackened Hellenic metal. The new single off the legendary Greek band's upcoming 14th full-length album, Pro Xristou, is a proudly vehement storm of thunderous drumming and melodic, windblown riffs. "The Apostate" not only celebrates the indomitable spirit of paganism. It also challenges the encroaching shadows of conformity.     

Watch the video for "The Apostate" below.

Pro Xristou comes out May 24 on Season of Mist.

Pre-order: https://redirect.season-of-mist.com/RottingChristProXristou

Pre-save: https://orcd.co/proxtristoupresave

For the past 35 years, Rotting Christ, led by  visionary brothers Sakis and Themis Tolis, have carved a path of resistance, blending the raw energy of black metal with lyrical narratives that defy the sands of time. Their journey has been one of rebellion, innovation, and unwavering commitment to the essence of metal. Now, with Pro Xristou, they are set to redefine the legacy of Hellenic Black Metal once more.

"The Apostate" tells the story of resistance. It is a tribute to those who stood unbowed, like Flavius Claudius Julianus, who guarded ancient knowledge against a rising tide of religious conversion. The song is a tapestry woven with mesmerizing choirs, neo-classical arrangements, and Rotting Christ's signature blackened atmosphere. 

In the dimly lit catacombs of extreme metal, one name stands as a monolith: ROTTING CHRIST. Sakis Tholis and his brother Themis started this band together back in 1987. In the three decades since, these Greek titans have left their blackened imprint all over the metal world. They’ve released 13 studio albums and played more than 1,300 concerts around the globe.  Underneath all this hard work, Rotting Christ have but one vision – an urge to not only push the boundaries of extreme metal, but to keep reinventing themselves along the way.

Rotting Christ’s evolution has unfolded across several distinct chapters. After starting out closer to the barely controlled chaos of grindcore, they went on to establish the iconic sound of Hellenic black metal. Their albums often embrace refined gothic soundscapes, only to plunge back into the depths of blasphemous fervour. Each chapter marked another, further exploration, and an unwavering commitment to push boundaries.

But the real turning point came in 2007, when Rotting Christ signed a pact with Season of Mist. They unleashed a series of albums for the French label that defied any and all expectations. From the piercing Theogonia and the symphonic grandeur of Aelo to the ritualistic intensity of Κατά Τον Δαίμονα Εαυτού, the cinematic experiences created by Rotting Christ became a spectacle of bombastic atmospheres, mesmerizing choirs, and neo-classical arrangements. The unexpected is their modus operandi, with the use of various languages (Latin, Arabic, Greek,  English) as well as the extensive use of famous poetry woven into their music, like Edgar Allan Poe’s ‘The Raven’ on The Heretics.

In 2019, Rotting Christ’s epic journey continued with The Apocryphal Spell compilation, which offers fans an intimate glimpse into unreleased and rare material. This allowed them to gather strength, preparing for the release of their next, highly anticipated, 14th full-length studio album: Pro Xristou.

Pro Xristou (‘Before Christ’ in Greek), serves as a fervent tribute to the last Pagan kings who resisted the onslaught of Christianity, guarding their ancient values and knowledge. In this thematic odyssey, intricately woven through tracks such as ‘The Apostate’ and ‘Ygdrassil’, Rotting Christ delves into the legacies of historical figures such as Flavius Claudius Julianus and Nordic mythological kings, embodying the might of Pagan wisdom in the face of Christian adversity. The album encapsulates the essence of Rotting Christ’s signature style – melodic, yet harsh at times – reinventing themselves yet again, while remaining rooted in their 35-year legacy.

Line-up
Sakis Tolis - Guitar, Vocals
Themis Tolis - Drums
Kostas "Spades" Heliotis - Bass
Kostis Fouk - Guitar

Guest Musicians
Amdroniki Skoula - Vocals (on 'La Letra Del Diavolo')
Nikos Kerkiras - Keyboard
Christina Alexiou - Choir
Maria Tsironi - Choir
Alexandros Loyziotis - Choir
Vasilis Karatzas - Choir

Andrew Liles - Narration (on 'The Apostate', 'Pretty World, Pretty Dies')
Kim Diaz Holm - Narration (on 'Ygdrassil')

Recording Studio
Deva Sounds Studios (Athens, Greece)

Producer
Sakis Tolis

Sound Engineer
Fotis Bernando
Aggelos Karatzas

Mixing
Jens Borgen at Fascination Street Studios (Örebro, Sweden)

Mastering
Tony Lidgren at Fascination Street Studios (Örebro, Sweden)

Artwork Artists
Thomas Cole - Artwork
Adrien Bousson - Digital Processing

Biography
Sébastien J. Gamez

Links:
Official Website: https://www.rotting-christ.com/en
Facebook: https://www.facebook.com/rottingchristofficial/
Instagram: http://www.instagram.com/rottingchristofficial/
Twitter (X): https://twitter.com/athanatoieste
YouTube: https://www.youtube.com/user/RottingChristOfficia
Bandcamp: https://rottingchristofficial.bandcamp.com/
Apple Music: http://itunes.apple.com/us/artist/rotting-christ/id28441629
Spotify: https://open.spotify.com/artist/7FhkwcO8Jd7BRWdllBpXBJ

Press-kit: http://presskit.season-of-mist.com/PressKits/Rotting_Christ/
Username: presskit
Password: Presskitofmist


Available Formats:
Digital Download
CD Digipak
CD Clamshell Box - Deluxe Digipak w/ Gold Foil + 2 Bonus
Tracks & Extras
12" Vinyl Gatefold - Black
12" Coloured Vinyl Gatefold - Crystal Clear
12" Coloured Vinyl Gatefold - Crystal Clear, Red & Blue Mixed
12" Coloured Vinyl Gatefold - Green
12" Coloured Vinyl Gatefold - Turquoise
12" Coloured Vinyl Gatefold - Yellow
12" Coloured Vinyl Gatefold - Blue
12" Coloured Vinyl Gatefold - silver & Black Marbled
Limited Box Set Vinyl - 12" Gold & Black Marbled w/ Gold Foil + 2 Bonus Tracks & Extras
Cassette

Enter Shikari Announce New Companion Record "Dancing On The Frontline" & New US Tour Dates

Almost a year to the day since the release of their UK #1 album "A Kiss for the Whole World", Enter Shikari are announcing a new companion record "Dancing On The Frontline". The new record brings together remixes, non-album singles (featuring the likes of Wargasm, Cody Frost, AViVA and Fever 333’s Jason Aalon Butler), plus live recordings from the BBC Radio 1 Rock Show and Future Sounds shows. The record's opening track 'Goldfish (Shikari Sound System remix)' is out now. Pre-order "Dancing On The Frontline" HERE.

Talking about the new release, lead singer and producer Rou Reynolds says:

“We’re exactly one year on from the release of A Kiss For The Whole World, so it feels like the right time to present all our output from this crazy year, along with some new treats, all in one place. We’ve not had a lot of time or energy to do any Shikari Sound System mixes for a while, so it was great to be able to step back into that chair and remix 'Goldfish' and 'Bloodshot'. We tested out the Goldfish rework live on our UK & European tour and insanity ensued.”

Hear 'Goldfish (Shikari Sound System remix)' on streaming services here and watch below.

"Dancing On The Frontline" also comes with a Blu-ray of the band's headline performances at Slam Dunk Festival UK in 2023 and Germany's Vainstream Festival in the summer of 2022, with both shows edited by the band’s longtime visual collaborator Oleg Rooz.

Their much-lauded live show has since been all around the world, covering the USA, Australia, Europe, UK, Ireland and more. Audiences in the UK also witnessed the band's biggest ever headline tour to date of the country's arenas, an audio-visual spectacular that The Guardian awarded four stars and heralded as "the beginning of Enter Shikari’s greatest chapter."

Watch 'Bloodshot' live from Slam Dunk Festival HERE

Watch 'Anything Can Happen In The Next Half Hour' live from Slam Dunk Festival HERE

Watch 'The Paddington Frisk' live from Vainstream Festival HERE

Photo credit: Paul Harries

In October the band will bring special guests You Me At Six out on the road with them, as they journey through North America on what will be You Me At Six's final ever shows in the continent, ahead of their split in 2025.

Talking about the upcoming tour, Reynolds continues:

"In October, Enter Shikari bring special guests You Me At Six to the states for a fresh headline run. "North America has always been difficult for Shikari, long tours, thousands of miles, and playing venues smaller than most of the other rooms we get to visit around the world. But we’ve always kept returning because there’s a real zest and passion from our audience out there, even if fewer people ‘get us’. 

Recently things seem to have begun sizzling a bit more for us, with more shows selling out and more intensity in the crowds. So it’s some reward for our tenacity that we’re returning in October for what will be our biggest ever North American headline tour. And that will be made all the sweeter by being able to bring our friends You Me At Six with us for this one. We’ve known each other a long time, but somehow only ever played a couple of shows together, so the fact that they’re joining us for what will be their last ever USA & Canada tour really means something to us."

Australian pop-punks Yours Truly will also be joining the tour as openers on all dates.

2024 North American Tour Dates:

Wed 10/9/24 - Dallas, TX, South Side Music Hall

Thu 10/10/24 - Austin, TX, Empire Garage

Sat 10/12/24 - Houston, TX, Warehouse live Midtown

Wed 10/16/24 - Washington, DC, Howard Theater

Thu 10/17/24 - Philadelphia, PA, Union Transfer

Fri 10/18/24 - Boston, MA, Paradise Rock Club

Sat 10/19/24 - New York, NY, Palladium

Mon 10/21/24 - Montreal, QC, Théâtre Beanfield

Wed 10/23/24 - Toronto, ON, Danforth Music Hall

Thu 10/24/24 - Chicago, IL, Metro

Fri 10/25/24 - Minneapolis, MN, First Ave

Sat 10/26/24 - Davenport, IA, Capitol Theatre

Sun 10/27/24 - St Louis, MO, Red Flag

Tue 10/29/24 - Denver, CO, Gothic Theater

Wed 10/30/24 - Salt Lake City, UT, The Complex

Fri 11/1/24 - Spokane, WA, Knitting Factory

Sat 11/2/24 - Vancouver, BC, Commodore Ballroom

Sun 11/3/24 - Portland, OR, Wonder Ballroom

Mon 11/4/24 - Seattle, WA, Showbox

Wed 11/6/24 - Sacramento, CA, Ace of Spades

Thu 11/7/24 - San Francisco, CA, August Hall

Fri 11/8/24 - San Diego, CA, House of Blues

Sat 11/9/24 - Los Angeles, CA, The Belasco

US Festival Appearances

May 12 - Daytona Beach, FL - Welcome To Rockville 2024

May 16 - Columbus, OH - Sonic Temple 2024

More about Enter Shikari 

5 UK top ten albums

2 UK top 40 singles

2 BRIT certified silver albums and 1 BRIT certified gold album

Multiple Kerrang! award winners, AIM Award winners and Heavy Music Award winners

3000 shows worldwide

Download full biography HERE

Find Enter Shikari Online

www.entershikari.com

Zeal & Ardor Announce New Album "GREIF" + Share New Track "to my ilk"

Inventive and iconoclastic, ZEAL & ARDOR isn't just a band; it's a living and breathing entity.

Like any other sentient being, it consumes, evolves, and transforms from one season to the next. Its shape may change though its spirit remains the same. Founded and fronted by Manuel Gagneux, it has only sharpened its claws, lengthened its teeth, and steeled its nerves over the years, growing more undeniable and unpredictable in the process.

 After gathering tens of millions of streams and earning widespread critical acclaim, this beast proves as dynamic and dangerous as ever on its fourth full-length, self-produced album, GREIF, set for release on August 23.

The title, GREIF, is inspired by an annual tradition in Gagneux's hometown of Basel, Switzerland. A mythical hybrid creature parades through the streets for the children in symbolism of Basel's working people balking at the oppressive elite on its other side. Given the animal's amalgam of energies and physicality, the name proved apropos.

"The GREIF is a lion, a snake, and a bird," he notes. "During the parade, he turns his backside to the aristocrats and sticks it to the man. It reflects where we are."

At the beginning of this next chapter, the evocative group have chosen to first showcase the album's conclusion, sharing its plaintive and poetic final track, "to my ilk." Loose blues guitar snakes around strong claps as Manuel's voice echoes through a choir. "It has another level of emotion, and it came out just the way I imagined," he remarks.

 Watch a visualiser for the track below. Listen here.

Gagneux had the option to rest on his laurels, basking in the global acclaim garnered from three previous albums: Devil Is Fine [2017], Stranger Fruit [2018], and Zeal & Ardor [2022] — praised by NPR, Stereogum, Revolver, AV Club, Paste, Brooklyn Vegan, Alternative Press, Kerrang!, Metal Hammer, Metro, The Guardian, and many others. But rather than stagnating, Manuel opted to shake things up for GREIF. Instead of creatively flying solo again, this time he welcomed his bandmates into the studio. As such, the musicians — Tiziano Volante [guitar], Marc Obrist [vocals], Denis Wagner [vocals], Lukas Kurmann [bass], and Marco Von Allmen [drums] — spread their wings alongside him.

"We've really evolved into a tight-knit unit," adds Marc. "Before Zeal & Ardor, we were basically strangers, but we're like a little family now. Each member brings his own unique flavor to the mix, and we all try to make Manuel's songs better in our own way. The most interesting part for me was the new approach of how we work together in the studio."

 Decamping to Marc's studio Hutch Sounds in Switzerland, the record came to life in just five months. The frontman excitedly leveraged the talents of his cohorts, featuring three voices for the first time and emboldening the sound from every angle.

 "I wanted to expand upon what we had and introduce new colors," Manuel goes on. "There are angry and accusatory moments, but there’s also some solace and happiness. I'm widening the palette of colors we have to paint with. These are avenues we haven't tried."

GREIF will be available on CD, transparent vinyl, and digitally. Pre-orders begin on Friday, April 26 here.

"We invite listeners to hear the full spectrum of the different sides and sounds that make Zeal & Ardor," Tiziano leaves off. "There are some gorgeous moments, but it packs in a lot of intensity and charm. In Manuel's songwriting and the process with every member, there’s a certain intentionality as well as an element of randomness and accident. I can't wait to see people’s reactions."

In January 2024, ZEAL & ARDOR released Play With The Devil, a documentary film by Olivier Joliat and Matthias Willi. The documentary intimately chronicles Manuel Gagneux's journey from the inception of ZEAL & ARDOR through initial tours and a soul-searching period of crisis. The bold mix of Black Metal with old work songs and field hollers by the enslaved — his answer to a racist provocation on the internet — is politically explosive. As a person of color in metal, Gagneux and his music have shone a light on religion, racism, segregation, and cultural appropriation.  However, the sudden surge in acclaim and the weight of being hailed a visionary leader by fans threatened to overwhelm the softly-spoken, introverted artist. Play With The Devil is available now for streaming on major platforms. For more information and to watch, visit here.

Dead Leaf Echo's LG Galleon announces debut CLONE album, shares video for 'Dividing Line'

"Loud, aggressive disharmonies flow into a flood of raging and conflicting emotions where droning reverb-injected riffs, angsty and obsessive excruciatingly ringing John McGeoch-esque guitar strains" ~ White, Light White Heat

"Feeding what are now greedy expectations, fuelled by this smashing earworm, Clone ignites a firestorm of sonic pleasure - enthralled and fascinated with its sonic impression, emotional turbulence and convincing delivery" ~ The Spill Magazine

"Highly Urgent Political Rock" ~  Destroy // Exist

"A monument to what seems like a dying art form, CLONE emerges from the streets of Brooklyn—streets that have been fertile ground for underground music for decades—to remind us of what a band can truly be in an age of digitization, pre-fabrication, and superficiality" ~ Idioteq


Post-punk outfit Clone - a Brooklyn-based supergroup featuring members of The Veldt, Dead Leaf Echo, Namesake and Pilot to Gunner - announces their debut record 'CL. 1' and presents the lead track 'Dividing Line', a song about how Donald Trump tried to start a class war within the USA.

The 'CL. 1' album will be released via Portland-based Little Cloud Records and North Carolina's 5BC Records this summer. The video for 'Dividing Line', which involved claymation, drawing and digital rendering, was created by Preston Spurlock.

Clone is led by LG Galleon, best known as frontman of Dead Leaf Echo,  On this album, he is joined by NYC musicians Gregg Giufree (Pilot to Gunner), Max Idas and Dominick Turi. Live, he is joined by Paul Liziragga (Namesake) and Alex Cox (The Veldt). Clone started playing shows in summer of 2019, building their fanbase organically, brick by brick, word of their incendiary live shows spreading. Each time they play, more are won over.

Operating in what’s rapidly becoming an antiquated model, they’re a unit of parts. Egalitarian in their writing process, one where songs are built upon inchoate sparks offered freely by any member, letting the jams run free in their rehearsal space until there’s a complete song, guided by the alchemy of intuition. There’s no rule book here, and no one defining member, but there is a palpable chemistry.

Co-produced by LG Galleon, their debut record 'CL.1' is a damn auspicious opening volley, completely recorded and mixed by NYC legendary producer Martin Bisi (Sonic Youth, Swans, Brian Eno, John Zorn, Herbie Hancock, Iggy Pop, Helmet, Dresden Dolls, Cop Shoot Cop) at his famed BC Studio, built by Brian Eno, and mastered by Fred Kevorkian.

Clone's lyrics involve the struggles and critiques of the working person's daily life. About the new single 'Dividing Line', LG Galleon says, "This song is called the “Donnie” song. Yes it’s about Donald Trump. It’s when our former failed leader tried to incite a race riot during the Pandemic. The chorus goes “Get up, cause Donnie wants to start a fire, get up cause Donnie wants to start a riot, start a fire fire fire fire fire fire fight."

Evocative, in ethos and ambition, of a time when music still could change lives. Rooted in belief in its galvanizing, redemptive power, the kind which used to be written for the lonely and the scarred and the diffident (before something truly was lost), something deeply enmeshed within the human psyche that could be shared. Clone are fitfully reclaiming this, which at its crux, is the imagination of youth. It’s captured vividly here, and their private universe of sonic exploration is now open to all.

'Dividing Line' is out now, available everywhere digitally, including Apple Music, Spotify and Bandcamp. As of June 21, the 'CL. 1' album will be released in digital and CD formats.

CREDITS
All tracks written by Clone
Lyrics by LG Galleon (onewithwave music ASCAP)
Performed by LG Galleon / Gregg Giufree / Max Idas / Dominick Turi
LG Galleon - guitar, vocals, keys
Gregg Giufree - drums
Max Idas - bass
Dominic Turi - guitar, keys
Recorded and mixed  by Martin Bisi (Sonic Youth, Swans) at BC Studios
Co-produced by LG Galleon
Mastered by Fred Kevorkian
'Dividing Line' video by Preston Spurlock
BnW artist photography by Silvia Saponaro
Album cover art designed by Roy Burns iii
Single cover artwork by Jacques Urioste

Bandcamp  https://clonebk.bandcamp.com/track/dividing-line-single
Spotify  https://open.spotify.com/track/2erYq66VOoe3KCAuhApdNZ
'Immutable'  https://youtu.be/nIzBvX7nt08
Bandcamp  https://clonebk.bandcamp.com/track/immutable
Spotify  https://open.spotify.com/track/0Q5Qlxiq97crgRjsLC24C5
Apple Music  https://music.apple.com/nz/artist/clone/1498878509
'CL. 1' album order  https://littlecloudrecords.com/products/clone-cl-1-pre-order

Keep up with CLONE
Website | Bandcamp | Facebook | Instagram | Twitter | YouTube | Apple Music | Spotify | Press contact

Keep up with Little Cloud Records
Website | Facebook | Bandcamp  | Twitter | Instagram | YouTub e

Keep up with Shameless Promotion PR
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UK electro-goth outfit History of Guns presents 'No Longer Earthbound', teasing eighth album

“Invisible hooks that will sink further in” ~  Auxiliary Magazine

"As a band, Hertfordshire's History of Guns is something of a musical chameleon. Like Killing Joke and Nine Inch Nails, they’ve taken on new forms whilst remaining easily identifiable in their journey from goth rock to post-punk and darkwave to EDM and wider electro-goth hybrid territory. The tension of opposites that characterises much of their work propels it forth to an electronic beat, the vocals uncoiling, snake-like, atop a steady electronic catchment" ~ Amplify Music Magazine

“Polished, dramatic, full of poise and binding sentiment, and one of awesome sound and feeling” ~ Liverpool Sound and Vision


UK electro-goth post-punk band History Of Guns presents 'No Longer Earthbound', previewing their new 'Half Light' album - their eighth record to date - to be released via the Liquid Len Recording Company. Serving up their unique meta-modernist Industrial sound, this song is about leaving the planet (through space travel, virtual reality or death) and about recalibrating our thoughts away from our own problems and looking at a more global and cosmic picture.

After going on hiatus in 2012, they returned in 2022 with a new album - 'Forever Dying In Your Eyes' - then set about finishing an electronic project they’d begun in 2008. The result is this 'Half Light' album, produced by Max Rael and mixed by Max Rael and Caden Clarkson with mastering by Pete Maher (U2, Pixies, Nick Cave, J&MC, Depeche Mode, Nine Inch Nails).

Formed in Cheshunt, Hertfordshire in 1996, History of Guns became frontrunners of the UK's Wasp Factory / FuturePunk scene of the early 2000s and their 2004 single 'Your Obedient Servant' was ultimately championed by The Quietus and Mick Mercer as one of the “thirty best goth singles of all time”.

At times anything from a duo to a full 5-piece rock band, on this album, founding members Del Alien (vocals) and Max Rael (keyboards, programming) are joined by guitarist Caden Clarkson, the newest member of History Of Guns. The band's ever-changing lineup revolves around the two core members, exploring the human condition through various musical genres.

Max Rael says, "This is a song about shifting focus away from this planet and to other places or realities.The existentialist question about why worry about saving the planet and endangered species when ultimately life will be unlivable on Earth in 1.3 billion years? If everything ends anyway, where else could we go? We pictured escaping the planet either through space travel, virtual reality or death. It is also about what we choose to leave behind as we shed one existence and go looking for another. That’s not to say History Of Guns don’t care about the planet.  We recycle! Though apparently most of it ends up in landfill anyway."
 
Influenced by Killing Joke, PWEI, Bauhaus, Coil, Joy Division, Sisters of Mercy and Nine Inch Nails and Swans, History of Guns was a big part of the UK underground industrial scene of the 00s, playing Whitby Gothic Weekend, as well as Futurepunk and Back to the Futurepunk events.

“Philosopher Dirk Bruere got me interested about the idea of quantum suicide and immortality, where in a “many worlds” interpretation of Quantum Mechanics, it may be that there is no such thing as death from a subjective point of view. It’s about getting out of our heads, and taking a wider view, to the extent of how much do we choose and shape the reality we’re experiencing," says Max Rael.

"The death of the idea of one objective reality, and the embrace of many different co-existing realities would be a major step forward. Ironically the more aware we are of our own confirmation bias the harder it becomes to see. And also the sense that we have to kill the person society wants to shape us to be, to realise the potential of what we can make of ourselves.”

Del Alien - an original punk turned goth - is an anti-authority seeker of truth and the questions behind the questions. Max Rael is in love with the idea of using music to create a separate universe for creating stories and escaping into, was an autistic, music-obsessed child, absorbing a dozen genres before diving into trance after Britpop ruined the alternative scene.

As of April 22, 'No Longer Earthbound' will be available from fine music platforms, including Spotify and Apple Music. The 'Half Light' album will released on June 20

ALBUM CREDITS
Produced by Max Rael
Mixed by Max Rael and Caden Clarkson
Recorded at Apollo Audio (Hertford), Soul Studios (Bishops Stortford)
Mastered by Pete Maher
Del Alien - vocals
Max Rael - keyboards, programming, guitars
Caden Clarkson - guitar
Andy Webster & Marnie from SPUCKTUTE  - vocals on 'Never Give it Up'
Amon Ásentir & Mark Eris from Xykogen - vocals on 'Arcadia'
Arcadia Choir (Emma Mills, Priyanka O’Neill, Sohm O’Neill and Ninotschka G.) - vocals on 'Arcadia'
Nykky Spectre - vocals on 'An Invitation'
Cover artwork by Amara O'Neill
Publicity by Shameless Promotion PR

Bandcamp  http://historyofguns.bandcamp.com
Spotify  https://open.spotify.com/artist/4n2EfG19UlV8cQC9zNW36L
Apple Music  https://music.apple.com/us/artist/history-of-guns/278029998

Keep up with History of Guns
Website | Bandcamp | Facebook | Instagram | Twitter | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | Link edIn | Email

Suck Brick Kid Release New Single "What I Do When I Black Out Is None of My Business" via Smartpunk Records

SUCK BRICK KID have dropped their new single "What I Do When I Black Out is None of My Business" via Smarpunk Records

Pre-orders for the album are available here.

The band showcases their natural ability to turn inebriated escapades and some questionable bathroom graffiti findings into inspiring, vibrant punk anthems.

The track, inspired by a real-life venue bathroom doodle that the band stumbled upon during a night out, is a fast-paced first impression of the themes on their upcoming album.

Speaking about "What I Do When I Black Out is None of My Business," the band says, "We actually did some method acting for this track…once we achieved that state of 'blacked-out-ness,' we were able to let it all flow out. This song is one of our favorites from the record because it explores an area we are all too familiar with. Being a burden to yourself and everyone else around you because you just 'know how to have a good time.' Luckily the laundromat is just around the corner.."

ABOUT SUCK BRICK KID:
With a decade of beers literally under their belt, Suck Brick Kid have defined themselves as "loud as fuck and fast as fuck." This is mainly because their vocabulary is small and rudimentary, at best. But also because they really do both of these things better than most. They don't take themselves too seriously and that's infinitely refreshing!

With a slew of conceptual albums already out, Suck Brick Kid aimed high for this new release and found inspiration in one of the lowest places imaginable...a dive bar bathroom. Bathroom graffiti is often over-looked, over-pissed-on, or even over-appreciated (I saw you draw a penis on that stick figure you dirty dog) but Suck Brick Kid wanted to tap into the mindset of some of these individuals and explore what they were (maybe) going through when they made their mark. This opened up possibilities for the songs that vocalist Grant Tchekmeian and guitarist Ian Marchionda cleverly navigated, as they crafted some of the most insane and absurd lyrical content to date. The End Is What I Want should strike a chord with any lover of punk music, dive bars, both of those things, or people who just like a cheeky poop joke — no that was not one, but you see what I did there. 

This record is sure to put this band six feet under, in wooden suits, and left for the worms.

But before that happens, they've graced stages of FEST in Jacksonville, Florida, and have also toured alongside Unwritten Law, Palisades, Set Your Goals, and more. However, the band is survived by the following family members (Grant Tchekmeian on vocals, Ian Marchionda on guitar, Daniel Valery on drums, and Hayden Cler on bass).

ABOUT SMARTPUNK RECORDS:
Smartpunk has been a recognizable name in the scene for a long time (Remember that sponsored Warped Tour stage?!). After exchanging several hands and countless ideas of what it could and should be, they decided to start a record label in 2016 with the main idea of focusing solely on reissuing records that have been out of print or never on vinyl. After all, they're a label of vinyl dorks themselves! After releasing Set Your Goals' Mutiny and Gameface's Good, they started to venture into signing newer bands. They actively balance in between many worlds — putting out amazing music from friends and bands that rock, reissuing older titles, and partnering with other incredible labels in our scene and doing exclusive color variants of their releases.

"Since forming the record label, Smartpunk Records has released timeless albums such as Less Than Jake's Anthem, Nominee's Lowlife, RIVALS' Sad Looks Pretty on Me, Virginity's POPMORTEM, and melodic skate punkers The Swellers' My Everest.

Lowlives Share "You Don't Care" Video

West coast based raucous rockers LOWLIVES have shared their new single and music video for "You Don't Care."

The track is taken from their debut album, Freaking Out, due out May 31 via their new label home Spinefarm and marks the end of the band's three-part, "Helvis" video narrative.

Watch the music video for "You Don't Care" below.

Stream "You Don't Care" here.

Pre-save Freaking Out here.

ABOUT LOWLIVES:
LOWLIVES aren't so much about carefully stoking the embers as pouring on gasoline with merry impetuosity. With vocalist Lee Downer and drummer Luke Johnson joined by guitarist Jaxon Moore and bassist Steve Lucarelli, the nascent band was founded on a shared love of '90s alternative and grunge, and a shared desire to make music once more for little more than the love of doing so. 

"During my time away from music, someone bought a pair of child's ear defenders for my wife and I as a present when we announced we were pregnant," Johnson recalls. "I'd put them away in the cupboard, thinking we'd never need them, that I wouldn’t be playing any shows again. But they became this thing that nagged at me, the feeling that my daughter would never know the original me, for whom music was everything. Over time, those feelings came flooding back, as did the hunger, and the innocence. A massive part of me had been missing, and I wanted to get back to doing something pure and for the sheer love of it. That's what Lowlives is. Whatever happens, happens. Let's just Thelma And Louise this off a cliff."

Debut album Freaking Out, set for release in May 31 via Spinefarm, arrives imbued with that same such spirit. The intervening years have, after all, been above all about nurturing exactly that, first through jam sessions at Luke’s home studio and latterly fledgling adventures on the road. A 2018 tour of the UK, hastily arranged following the cancelation of a high-profile support billing the band were mere hours from embarking upon, was formative in bonding the quartet on and off the stage. Performing to an audience of two before bedding down in a trashed squat will do that to even the most seasoned, tour-hardened souls. "It really did cement who we are and what we're about," Johnson says, laughing at the fond memories of the 13-date fly-by-the-seat-of-your-pants trek.

Recorded at Chapel Studios with producer Adrian Bushby, the 10 tracks that arrive under Freaking Out's banner are the scintillating end product of their self-funded two-week stay, where the four musicians would work all day with joyous abandon on fleshing out the sketches of songs with which they arrived, before retiring at night to unwind over cans of cider and the football.

"The experience of being forced into that situation of living and working together brought us even closer together, I feel," nods Downer. "We were able to work collectively in a way we hadn't previously, due to the geography of where we all live in the States."

Downer points to his passion for Nirvana and Alice In Chains shining through on tracks such as "Vertigo" and "Swan Dive," Johnson likewise to his obsession with The Smashing Pumpkins on "You Don’t Care." Fans of early-day Foo Fighters, Bush and Stone Temple Pilots will feel at home between Freaking Out’s sheets; admirers of Billie Joe Armstrong ("Freaking Out"), Matt Skiba ("Damien"), and Rivers Cuomo ("Loser"), likewise. Freaking Out is an unashamed celebration of its influences, and the simple beauty of the coalescence of guitar, bass, drums and vocals. "We're making music that excites us because it's what we want to hear," Johnson says, simply.

But make no mistake: there is depth here, too, deeply ingrained in lyrics that mine fears, anxieties, vulnerabilities, and the existential questions that keep us staring at the ceiling in the early hours. Freaking Out is, above all, the distillation of what LOWLIVES is truly about. It's rock music to make you fall in love with rock music all over again. "I thought by now I'd have the answers / Or the power to save my soul," Downer sings on the impassioned "Closer Than You Know." LOWLIVES might not hold that key, but it's the spark that he and Johnson have been missing in their lives, and looking for all along. Let it in, and you might find it's the same for you, too.

PHOTO CREDIT: Wil Foster

LOWLIVES ARE:
Lee Downer — Vocals/Guitar
Jaxon Moore — Guitar
Steve Lucarelli — Bass
Luke Johnson — Drums

ABOUT SPINEFARM:
Spinefarm represents some of the biggest and most important rock acts in the world. Founded in Finland in 1990, the label established itself as an independent powerhouse for successful European metal acts from Nightwish to Children Of Bodom. Acquired by UMG in 2002, Spinefarm Music Group is now home to a host of artists that reach millions of fans across the globe and showcases the very best in rock, punk and metal. From massive metal names such as Bullet For My Valentine (with over 3 billion streams to their name) to alt-rock legends Killing Joke and genre-benders Sleep Token, Spinefarm's artists are — and always have been —true leaders in their chosen field. The roster also includes renowned names like Atreyu, Airbourne, Saint Asonia, and While She Sleeps, as well as fast-rising young artists like Dayseeker, Dead Poet Society, Kid Kapichi, BRKN LOVE, and Creeper. Spinefarm, now flanked by associated SMG labels Candlelight (Emperor, Ihsahn, Urne) and Snakefarm (Marty Stuart, Austin Meade, The White Buffalo), has grown from its independent origins into a true global rock powerhouse.

Wheel Share New Single "Disciple"

Anglo-Finnish progressive metallers Wheel previously announced their third studio album Charismatic Leaders, which arrives on May 3.

Today, they launch the third single — the dramatic and brooding "Disciple."

Listen here. Watch the visualizer below.

Vocalist and guitarist James Lascelles comments, "'Disciple' is a heated debate between a current and an ex-cult member and both believe they are saving the other — they are also utterly unwilling to consider the opposing point of view.  The discourse between these two made up characters is a reflection of multiple topical debates in modern society and the writing process has given me a chance to reflect on my own behavior; particularly how I respond to ideas I strongly dislike."

The album's first single "Empire" was released last month, and the video currently has over 250k views. Watch it here. Their second single, "Porcelain," was also released earlier this month. Listen here.

Charismatic Leaders was meticulously crafted to meet Wheel's ever-heightening benchmarks and recording with engineers/co-producers Daniel Bergstrand and Fredrik Thordendal (Meshuggah) stretched from August to December 2023. The end result, mixed by Forrester Savell, has consolidated all the gains of what came before: singer/guitarist Lascelles, lead guitarist Jussi Turunen and drummer Santeri Saksala's third album represents their heaviest and most conscious music to date.

Charismatic Leaders clocks in at just under 50 minutes, and will be available as a Limited CD Digipak (also featuring the Rumination EP tracks as bonus), and a Gatefold 180g LP, both featuring artwork from Lucas Mayer (Long Distance Calling, Blackout Problems). Pre-orders are live here.

Wheel will be celebrating the release of their new album with their first ever shows in Australia, supporting labelmates Caligula's Horse, as well as their first ever North American headline shows. Those are posted below.

WHEEL ON TOUR:
5/2 — Orlando, FL — Conduit 
5/5 — Philadelphia, PA — The Foundry
5/6 — Vienna, VA — Jammin Lava
5/7 — New York, NY — Mercury Lounge
5/8 — Boston, MA — Brighton Music Hall
5/9 — Montreal, QC — Petit Campus
5/10 — Toronto, ON — Adelaide Hall
5/12 — Chicago, IL — Beat Kitchen
5/13 — Minneapolis, MN — 7th St. Entry
5/16 — Denver, CO — Moe's
5/19 — Phoenix, AZ — Underground
5/20 — San Diego, CA — Brick by Brick
5/21 — Los Angeles, CA — 1720
5/22 — Berkeley, CA — Cornerstone
5/23 — Sacramento, CA — Goldfield Trading Post
5/25 — Seattle, WA — Barboza