Brooklyn's ALY G serves up electro-hiphop fire in 'Super Power' video via Grammy-nominated producer Baby Paul Hendricks.

"Her catchy yet conscious sound, finds crunchy electro beats colliding with punchy hip hop" ~ God is in the TV Zine

"Her confident verses pirouette over electronic soundscapes, serving as a clarion call to the disenfranchised... a rallying cry, an ode to defiance in the face of encroaching change" ~ Big Takeover Magazine

"Pays homage to the vibrant spirit of Brooklyn while delivering a catchy, 80s-inspired rap sound with a touch of electro influences. 'Build It Up' is not just a song; it’s an anthem of resilience and the unwavering spirit of creative communities" ~ Skylight Webzine


Brooklyn electro-rapper Aly G presents the video for her latest single ‘Super Power’, telling personal stories of fighting off muggers and sexual assaulters with a feistiness that might be unexpected. Driving home the point that being a woman is inherently a super power in itself, it asserts that the ability to give birth and sustain another life is so badass, that women can be as fierce as needed in any situation.

Filmed in the Iron Triangle in Queens, NY, this video was produced by Grammy nominated producer Baby Paul Hendricks (Nas, Kanye West, Monie Love, J Dilla) and shot by Chardon Whitehurst, Executive Producer for 'The Punchline Academy' on Eminem's Sirius XM Hip Hop Channel: Shade 45.

Aly G is the neon hip-hop doppelganger of musician, producer, choreographer and songwriter Alyson Greenfield, whose catchy yet conscious electro-rap exalts women’s various powers, which exhibit themselves both in expected and quite surprising ways. Spitting rapid-fire rhymes with equal parts fun, feminism and fierceness, slaying the mic with quirky, clever raps about gentrification, misogyny and empowerment.

Greenfield is also half of POLYVOX, a duo with Joe McGinty (Psychedelic Furs), creator and curator of NYC’s famed Loser’s Lounge. Earning praise from NYC's The Deli, Greenfield was one of the first five artists chosen to record at Converse’s Rubber Tracks studio in Brooklyn.

"I had this vision of being in a ballet outfit among autobody junkyards. The ballet costume displays a very feminine aesthetic, which could also represent the type of girl that one might assume doesn't have fight in her. Of course, actual ballerinas are incredibly strong, but the whole idea is that many times people discount anything that has to do with being a woman or being feminine. I wanted to show that both can be true," says Aly G.

"You can be feminine and a badass. You can have the ability to move gracefully and also fight back when you need to. I wanted this feisty feminine character in autobody junkyards with huge, heavy metal scraps, and steel beams to show that she is not scared of places that are traditionally dominated by men and that might be deemed as 'unsafe' because of the machinery and work that is done there.  I hope both the song and the video help get the main message across that one should never assume anything about a woman just because she is a woman."

This single follows Aly G’s debut single 'Build It Up', which claps back at the urban renewal trend and increasing gentrification in Brooklyn, showcasing her socially conscious NYC vibe, whip-smart vocab, sly comedic observances and rapid-fire delivery.

An Ohio native, Alyson started freestyling while at college in Wisconsin, the rhymes spontaneously popping into her head. With her MFA in creative writing, she moved to NYC and built up a following as a singer-songwriter until one night at a hip hop club, a spark ignited that birthed the artist, who evolved into Aly G. Incorporating beatboxing into her performances, along with covers of her fave 90s rap classics, she gained attention from The New Yorker and HuffPost for her innovative genre-blending and high energy performances. She has also recorded her own renditions of LL Cool J's 'Mama Said Knock You Out' and Coolio’s 'Gangsta’s Paradise'.

Inspired by Lauryn Hill, Saul Williams, Santigold, and Salt-N-Pepa, she began writing material that personified the fun-loving, colorful swagger of Aly G, including the hilarious true story about a friend’s unfortunate celeb experience 'Michael Cera C*ckblocked Me at SXSW'. Twice featured at The American Beatboxing Championships (earning props from Rahzel from The Roots), she has performed alongside artist /actress Awkwafina and visionary emcee Jean Grae.

Alyson’s music and original compositions have been featured on Fox, Lifetime, AOL, WNYC, and in TV/films including 'Conception', 'Super Sleuths', 'Creatures of Comfort', 'Dance Moms' and 'The American Templars'. She also founded NYC’s Tinderbox Music Festival, showcasing over 100 emerging female musicians from around the world in its four-year run, garnering press from The New York Times, Time Out New York, Billboard, Glamour and more.

'Super Power' is out now, available from fine digital platforms, including Apple Music, Spotify and Bandcamp. Aly G is currently working on new collabs with producers JON BLOK and Grammy-nominated producer Baby Paul (Nas, J Dilla, Monie Love, Kanye West).

CREDITS
Lyrics written by Aly G
Lyrics and Rapping by Aly G
Music and performance by Aly G and Jon Blok
Production, mixing & mastering by Jon Blok
Recorded in Bushwick / Williamsburg, Brooklyn
Artist photos by Madison Massey
Publicity by Shameless Promotion PR


Keep up with Aly G
Website | Bandcamp | Instagram | TikTok | Facebook | Twitter | YouTube | LinkTree | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | Soundcloud | LinkedIn | Email

Turn The Quiet Up: Eric Church Opens Chief’s

It took Eric Church and AJ Capital Partners’ founder and CEO Ben Weprin three years to reimagine and rebuild the historic building at 200 Broadway that officially opened last night as Chief’s. With a celebratory grand opening, the six-story bar, music venue and restaurant handed its keys over to the Church Choir. 
 
“This building is a lot like the songs I write … they’re mine until I release them, and then they’re not mine anymore, they’re yours,” shares Church. 
 
“We’re pretty good at storytelling through song, and I trusted Ben implicitly to bring what was in my heart and head for Chief’s to life as way of storytelling through space. The genesis of this place started with the vision of what the venue would be that we built the building around,” he adds of the two-story, 400-capacity Neon Steeple performance space in the heart of the building situated on floors 3 & 4. 
 
“When I came to Nashville in search of a place to play my songs, nowhere on this strip would have me. I went to Fiddle & Steel in Printers Alley and found my tribe,” Church shared with the original neon sign illuminating the theater balcony. “So, when we started building this, it was designed to be a place to bring original music back to the heart of historic Broadway.”
 
Church delivered on that promise with his first-of-nineteen residency shows, the aptly titled “To Beat The Devil.” In a journey chronicling his life and career, Church Choir members — as tickets were sold only to them — were treated to a nearly two-hour set solely for their eyes and ears. 
 
“I wanted a place I play songs that didn’t make albums — and this is the only place I’ll do a lot of these songs and share a lot of these stories. It’s a conversation in a place only for the people there.” 
 
Chief’s ticketed music venue is accompanied by Chief’s Tavern, a first-floor additional live entertainment space papered by more than 4,000 concert posters from throughout the CMA Entertainer of the Year’s career, and the second-floor Friendly Shadows Dueling Piano Bar, accented by highly-curated décor elements. Chief’s also houses a studio for broadcasting, inclusive of Eric Church Outsiders Radio on SiriusXM, with the capability of hosting broadcasts by various media partners. With street-level windows, the studio provides fans from around the world with a thrilling behind-the-scenes experience with a front-row view of broadcasting in action.
 
The venue also taps into Church’s Carolina roots in partnership with Rodney Scott, whose Whole Hog BBQ – part of the Pihakis Restaurant Group – occupies the fifth and sixth floors, overlooking downtown with its ‘Hell of a Q’ rooftop location.
 
Just as the Tennessean proclaimed of Church’s residency show, all six stories of Chief’s itself offer the “ultimate display of the honesty, personal touches and against-the-grain actions and thinking that have defined his quarter-century in Nashville.”

More at ChiefsonBroadway.com 

Photo Credit: Anthony D'Angio

About Eric Church:
A seven-time ACM Award winner, four-time CMA Award winner (including the 2020 award for Entertainer of the Year) and 10-time GRAMMY nominee, Church has amassed a passionate fan base around the globe known as the Church Choir, plus a critically acclaimed catalog of music. Church is currently working on new music as the follow up to his most recent chart-topping project, the Heart & Soul triple album, which featured the results of a marathon session during which he spent nearly a month writing and recording a song per day while sequestered in rural North Carolina. This followed his Gold-certified Desperate Man, which earned a GRAMMY nomination for Best Country Album (his third nod in the category) and prior releases including the Platinum-certified Sinners Like Me (“How ’Bout You,” “Guys Like Me”), Carolina (“Smoke a Little Smoke,” “Love Your Love the Most”) and Mr. Misunderstood (“Record Year,” “Round Here Buzz”), the Double-Platinum certified The Outsiders (“Like a Wrecking Ball,” “Talladega”) and the 3x Platinum-certified Chief (“Springsteen,” “Drink In My Hand”), as well as 30 Gold, Platinum and multi-Platinum certified songs. Church is also a minority owner of the Charlotte Hornets, a co-owner of the iconic Field & Stream brand, has his own SiriusXM music channel, “Eric Church Outsiders Radio,” his own liquor offering, Whiskey JYPSI, and Chief’s, a six-story venue on Nashville’s famed lower Broadway.
 
For more information, visit www.ericchurch.com and follow on Facebook and Twitter/X @ericchurch and Instagram @ericchurchmusic.
 
About Chief’s:
Chief’s is a six-story bar, restaurant and live music venue designed to celebrate Eric Church’s ever-expanding musical legacy. Located in historic downtown Nashville, Chief features a ticketed music venue, inspirational interiors and a thoughtful focus on unique live performances, offering fans an unparalleled entertainment experience in Music City. Chief’s houses a studio for live broadcasting, inclusive of Church’s Outsiders Radio SiriusXM channel, with the capability of hosting broadcasts by various media partners. Chief’s also features a restaurant partnership with James Beard Award Winning Pitmaster Rodney Scott. Rodney Scott’s Whole Hog BBQ overlooks downtown with its ‘Hell of a Q’ rooftop offering. Situated at the intersection of 2nd Avenue and Broadway, Chief’s is now open at 200 Broadway.
 
About Adventurous Journeys (“AJ”) Capital Partners:
Adventurous Journeys ("AJ") Capital Partners is a vertically integrated real estate investment manager founded by Ben Weprin in 2008. The firm specializes in creating distinctive, design-forward properties in high-demand yet underserved locations. The multi-disciplined team at AJ brings expertise in placemaking, inspired design and hospitality to fuel a diverse portfolio, currently valued at $5.3 billion across 100+ properties in 50+ markets. The company focuses on hospitality, mixed-use and residential sectors. Learn more at www.ajcpt.com.

Ian Munsick Releases Deluxe Album ‘White Buffalo: Introduce You To God’

Wyoming native Ian Munsick spread the Rocky Mountain gospel with his sophomore album White Buffalo through spiritual lyrics celebrating the wild landscape of the West. Now, Munsick is passing the torch to the next generation, intertwining his lessons of faith to his son, accompanied by a strong connection with the outdoors, on the deluxe version, White Buffalo: Introduce You To God, out now.
 
Timed to the one-year anniversary of White Buffalo, Introduce You To God is produced by Munsick and Jeremy Spillman and features five new songs, including the title track, which invites his son and listeners to join him as he introduces them to God through His greatest creation: nature. It’s this interconnection between his longing for the land and its inspiration on his lyrics that left The New Yorker proclaiming in a recent feature, “Ian Munsick puts the western back in country.” 
 
“It’s hard to believe my sophomore album White Buffalo is already a year old! In honor of the anniversary, we’re releasing MORE MUSIC on the Deluxe edition, White Buffalo - Introduce You to God,” shares Munsick. “After releasing the original version of the album, I continued writing songs that thematically fit with the project, so we decided to give you five more. I couldn’t be more proud of what this album represents and I think the Deluxe version will only amplify that feeling. April 5th… day of the west!”
 
Munsick’s release of White Buffalo last year earned accolades from Billboard, American Songwriter, People and MusicRow with Grammy.com remarking, “Munsick's ability to turn his Western upbringing into relatable sentiments is the epitome of what makes him special… his passion for his homeland — from the culture to the people — rings through in both the lyrics and the musicality.”
 
Munsick’s Boots, Buckles & Bolos Tour is currently underway with upcoming shows in Little Rock, Ark.; Katy, Texas; Athens, Ga. and more. His headlining run continues through early summer, including a sold-out date at the legendary Red Rocks Amphitheatre on June 5. This summer Munsick will also join CMA Entertainer of the Year Lainey Wilson as direct support on her Country’s Cool Again Tour. 

For his full tour schedule and to follow along with updates, visit IanMunsick.com or follow @IanMunsick across social media.

ABOUT IAN MUNSICK
A native son of Wyoming, Ian Munsick painted a stampeding, spirited portrait of the American West with his sophomore album White Buffalo, out now. Spanning unfiltered tales of romance and ranch life, hard-working anthems with honkytonk hooks and mountain-time odes to family and forever-young fun, it builds upon the spacious roots-pop beauty he introduced on his major label debut, Coyote Cry. Now, Munsick is preparing to release a deluxe version of the album, including five new tracks, titled White Buffalo: Introduce You To God on April 5, 2024. Over the past four years, Munsick has accumulated nearly half a BILLION global streams and a host of accolades. He has been named an “Artist to Watch” by Spotify, CMT, Fender, MusicRow and most recently was named a Martin Showcase Artist. A seasoned entertainer, having grown up tending cattle by day and playing music in a family band each night, Munsick toured recently alongside country music superstars Morgan Wallen and Cody Johnson, and will serve as direct support for select dates of Lainey Wilson’s Country’s Cool Again tour this year, while simultaneously headlining his own Boots, Buckles & Bolos Tour. The Warner Music Nashville recording artist and multi-instrumentalist is representing his home, and its special cast of people, like never before. The first release from White Buffalo, standout duet “Long Live Cowgirls” (with Cody Johnson), hit No. 1 on SiriusXM’s The Highway Hot 30 Countdown, was named one of Amazon Music’s Best Country Songs of 2022 and recently received RIAA Gold-certification alongside “Long Haul” off his debut album Coyote Cry; while Munsick’s solo version of “Long Live Cowgirls” is available at country radio now. Fans of Ian Munsick will always find an open heart, natural awe and plainspoken honesty as he rides on… bringing the West to the rest. 

Kenny + Team Finding A Few More Tickets for Tampa SUN GOES DOWN Kick-Off

When Kenny Chesney asks, evidently Kenny Chesney gets. Deep into rehearsals for another herculean two hour-plus stadium set – culling all the No. 1s and even more Top 5 hits – that will delve into the superstar’s life-affirming, feel-good-where-you-are catalogue, the news that three of his most stalwart cities had sold out landed with both euphoria – and disappointment.
 
“Everybody wants to hear their show’s sold out,” Chesney explains. “That’s the idea, right? But I’ve always felt like everyone who wants to be there, they should be. It’s part of what made us start doing stadiums all those years ago seem like something I wanted and needed to do... It’s why we did last year’s I Go Back Tour: to share all the life in this music with the people whose lives and memories were part of my songs...
 
“So after I got the text, I thought about it for a minute. I called the promoter and said, ‘Remember when you used to find tickets when shows sold out? Came up with creative ways to make more seats available?’ Everybody on the other end laughed, remembering. Then I said, ‘Can you do that in Tampa? Can we find some more tickets? We’re two weeks out, I know some people have to wait ‘til closer to the date. Can you make that happen?’”
 
And with the same commitment that went into building No Shoes Nation, creating a season of stadium concert experiences that’s defined summer for almost two decades, the team behind Chesney’s place as the only country artist on Billboard’s Top 10 Touring Acts of the Past 25 Years for the last 15 years went to work. This close to show in a venue Chesney’s been setting records at for years, it’s not a perfect process, but it’s going to make more seats available.
 
Throughout the day – Friday, April 5 – tickets will be made available through primary ticket sources. These are actual direct sale tickets, not something available on the re-sale market. As groups of seats are identified and activated, they will be put on-sale all day long. If seats sell out, keep checking as more will be offered until whatever tickets are released are gone.
 
“I know my ask was just what they wanted to hear,” Chesney says with a laugh. “But I know Louis Messina and his team understand what a big deal No Shoes Nation is to me, how much I love hearing ’em sing – that idea of no fan left behind. They laughed when I suggested it. Then came back to tell me that if I was okay with this rolling ticket sales option, they would go to work to open more seats as quickly as possible. To me, making it work is what it’s all about.”
 
Sun Goes Down 2024 kicks off April 20 at Tampa’s Raymond James Stadium. Starting later today, several hundred members of No Shoes Nation will be able to be part of the party.

Photo Credit: Allister Ann

Once again, presented by Blue Chair Bay® Rum, Sun Goes Down 2024 brings all the high velocity energy and songs people know by heart back to America’s favorite football stadiums.
 
Kenny Chesney’s Sun Goes Down 2024 Tour
with Zac Brown Band, Megan Moroney & Uncle Kracker
 
April 20           Tampa, Fla.  ||  Raymond James Stadium
                                    More tickets coming today
April 27           Charlotte, N.C.  ||  Bank of America Stadium
May 4              Minneapolis, Minn.  ||  U.S. Bank Stadium
May 9              The Woodlands, Texas  ||  The Cynthia Woods Mitchell Pavilion^
May 11            Arlington, Texas  ||  AT&T Stadium
May 16            Hollywood, Fla.  ||  Hard Rock Live at Seminole Hard Rock Hotel & Casino^
May 18            Atlanta, Ga.  ||  Mercedes-Benz Stadium
May 25            Landover, Md.  ||  Commanders Field
May 30            Syracuse, N.Y.  ||  Empower Federal Credit Union Amphitheater at Lakeview^
June 1              Pittsburgh, Pa.  ||  Acrisure Stadium
June 6              Cuyahoga Falls, Ohio  ||  Blossom Music Center
June 8              Philadelphia, Pa.  ||  Lincoln Financial Field (SOLD OUT)
June 13            Maryland Heights, Mo.  ||  Hollywood Casino Amphitheatre^
June 15            Chicago, Ill.  ||  Soldier Field
June 20            Noblesville, Ind.  ||  Ruoff Music Center^
June 22            Milwaukee, Wisc.  ||  American Family Field
June 27            Darien Center, N.Y.  ||  Darien Lake Amphitheater^
June 29            Cincinnati, Ohio  ||  TQL Stadium*
July 6              Kansas City, Mo.  ||  GEHA Field at Arrowhead Stadium
July 11            Boise, Idaho  ||  Ford Idaho Center Amphitheater^
July 13            Seattle, Wash.  ||  Lumen Field
July 16            Salt Lake City, Utah  ||  America First Field*
July 18            Wheatland, Calif.  ||  Toyota Amphitheatre^
July 20            Los Angeles, Calif.  ||  SoFi Stadium
July 24            Phoenix, Ariz.  ||  Talking Stick Resort Amphitheatre^
July 27            Denver, Colo.  ||  Empower Field at Mile High Stadium
Aug. 3             Nashville, Tenn.  ||  Nissan Stadium
Aug. 8             Columbus, Ohio  ||  Historic Crew Stadium*
Aug. 10           Detroit, Mich.  ||  Ford Field
Aug. 15           Bangor, Maine  ||  Maine Savings Amphitheater^
Aug. 17           East Rutherford, N.J.  ||  MetLife Stadium
Aug. 23           Foxborough, Mass.  ||  Gillette Stadium (SOLD OUT)
Aug. 24           Foxborough, Mass.  ||  Gillette Stadium (SOLD OUT)
Aug. 25           Foxborough, Mass.  ||  Gillette Stadium (SOLD OUT)
* Megan Moroney and Uncle Kracker only
^ Megan Moroney only
 

“...because everything gets hotter when the sun goes down...”

CHAYCE BECKHAM’S DEBUT ALBUM, BAD FOR ME, AVAILABLE NOW

Scoring his career-first #1 on country radio this week with PLATINUM hit single “23,” the 2024 CMT Music Awards nominee and Billboard’s April Rookie of the Month Chayce Beckham today releases his highly anticipated debut album, Bad For Me via 19 Recordings/Wheelhouse Records/BMG. Listen HERE. Featuring the iTunes All Genre #1 song, “23,” that streams over 7.7 MILLION per week with over 406 MILLION total global on-demand streams and more than 10 MILLION YouTube views, the project puts Beckham’s wild card under a microscope as his soul-searching songwriting takes centerstage. 

“Bad For Me is a collection of some of my favorite songs I’ve had the chance to be a part of,” says Beckham. “This album doesn’t just tell any story, it tells mine, and it’s all honest and true to my life in every way possible. I poured my heart and soul into this project, and I hope you enjoy it from beginning to end as much as I do.”

Carefully crafting a series of deeply personal stories, his true-to-Beckham mix of dusky Western sonics and smoldering rock energy come to the forefront, as fiddle, steel and loping rhythms stand beside a rebellious, untamed spirit and his rustic vocal. 

Continuing to open his soul like most would never dare, Bad For Me’s themes like vice indulgence, guilt and romantic remorse are in plain view, joined by the inner struggle of a man wishing he was more. Battling the bottomless pit of wondering how things got the way they are, this album also shows an appreciation for life itself, and a promise to keep up the fight. 

Produced by Bart Butler (Jon Pardi, Midland, Warren Zeiders), apart from “23” (Ross Copperman), the former fork-lift driver wrote nine of the 13 tracks (three solo), delivering standouts like the hell-raising but heaven bound lead track “Devil I’ve Been,” the evocative “Everything I Need,” the reflective “If I Had A Week,” as well as the eye-catching-titled earworms “Addicted And Clean” and “Smokin' Weed and Drinkin' Whiskey.” 

While the three solo-writes, he wrote before he even won American Idol, including his career-first #1 single “23,” the poignant fan-favorite “Mama” that he actually performed on the show and the propulsive barroom rocker “Drink You Off My Mind.” Catapulting himself alongside superstars Carrie Underwood and Kelly Clarkson, as the fourth winner of American Idol to hit the Billboard Country Airplay Top 10, prior to “23,” the last Country Airplay #1 solely written by the soloist who also recorded it was Taylor Swift’s “Ours” in 2012.

With dusky shades of heroes like Johnny Cash, Waylon Jennings, and Kris Kristofferson, the album reinforces Next Big Thing and Artist to Watch predictions from CMT, Amazon Music, MusicRow and more. 

Currently headlining his own “Bad For Me” Tour, Beckham will join Luke Bryan on his “Mind Of A Country Boy” Tour this summer and Parker McCollum on his “Burn It Down” Tour this fall. For tickets and all touring updates, visit www.ChayceBeckham.com.

Upcoming Tour Dates:

4/5 - Pocola, OK - Choctaw Casino 

4/6 - Manhattan, KS - The Hat

4/11 - Ft Worth, TX -Tannahill's Tavern and Music Hall

4/12 - Grant, OK - Choctaw Casino

4/13 - Stillwater, OK - Tumbleweed Dance Hall

4/17 - Calgary, AB - Scotiabank Saddledome*

4/18 - Edmonton, AB - Rogers Place*

4/19 - Vancouver, BC - Coastal City Country Fest

4/24 - Saskatoon, SK - SaskTel Centre*

4/25 - Winnipeg, MB - Canada Life Centre*

5/2 - Columbus, OH - The Bluestone

5/3 - Warrendale, PA - Jergels

5/4 - Winchester, VA - Shenandoah Valley Apple Blossom Festival (Discovery Museum)

5/9 - Schenectady, NY - Frog Alley

5/10 - Binghamton, NY - Touch of Texas

5/11 - Jordan,NY - Kegs Canalside

5/16 - Asheville, NC - Salvage Station

5/17 - Barco, NC - Morris Farm

5/18 - Charlotte, NC - Coyote Joe's

5/23 - Bishop, CA - Mule Days

5/24 - Apple Valley, CA - HillTop Tavern and Inn

6/6 - Fargo, ND - Happy Harry's Ribfest @ Fargo Dome

6/9 - Greenwood Village, CO - Fiddlers Green Amphitheatre/KYGO

6/14 - Orange Beach, AL - The Wharf Amphitheater*

6/15 - Orange Beach, Al - The Wharf Amphitheater*

6/18 - Alexandria, VA - The Birchmere

6/21 - Buffalo, NY - Taste of Country (Sahlen Field)

6/27 - Cadott, WI - Country Fest 2024

6/29 - Brainerd, MN - Lakes Jam

7/12 - Rhinelander, WI - Hodag Country Festival

7/18 - Ankeny, IA - The District at Prairie Trail

7/19 - New Berlin, IL - Danenberger Family Vineyards

8/9 - Oro Station, Ontario - Boots and Hearts

8/15 - Kansas City, MO - T-Mobile Center*

8/16 - Montréal, Québec - Parc Jean-Drapeau/ Lasso Fest

8/17 - Atlanta, GA - Truist Park*

8/22 - Oklahoma City, OK - Paycom Center*

8/24 - Des Moines, IA - Wells Fargo Arena*

8/25 - Chicago, IL - Wrigley Field*

9/13 - Cleveland, OH - Blossom Music Center^

9/14 - Cincinnati, OH - Riverbend Music Center^

9/19 - Portsmouth, VA - Atlantic Union Bank Pavilion^

9/20 - Simpsonville, SC - CCNB Amphitheatre at Heritage Park^

9/21 - Orlando, FL - Addition Financial Arena^

9/27 - Evansville, IN - Ford Center^

9/28 - Springfield, MO - Great Southern Bank Arena^

10/10 - Washington, DC - Theater at MGM National Harbor^

10/11 - Boston, MA - MGM Music Hall at Fenway^

10/12 - Philadelphia, PA - Freedom Mortgage Pavilion^

10/20 - Sacramento, CA - Discovery Park

10/24 - Anaheim, CA - Honda Center^

10/25 - San Diego, CA - Cal Coast Credit Union Open Air Theater^

10/26 - Stateline, NV - Tahoe Blue Event Center^

* with Luke Bryan

^ with Parker McCollum

Photo Credit: Robby Klein

About Chayce Beckham: 

Three years after becoming the only artist to win American Idol singing his own songs, 19 Recordings/Wheelhouse Records/BMG country artist Chayce Beckham is living proof of his belief that “You can’t tell someone how to write a song.” Currently nominated at this year’s CMT Music Awards for Breakthrough Male Video of the Year for his #1, PLATINUM hit single “23,” the fiery singer-songwriter laid out a course only he could follow, and today remains even more dedicated to his unique creative compass. A California native schooled on tough times and a mix of country, rock, hip hop and beyond, Beckham started a habit of heart-on-his-sleeve songwriting after some hard times when he felt he had nothing left – and when combined with his warm vocal rasp on “23,” that drive helped him charm the nation on Idol's 19th season in 2021. With more than 406 million streams and counting, the bluesy and brutally honest anthem debuted at #1 on both iTunes’ Country and All Genre singles charts, and now leads Beckham’s first album, Bad for Me – available now – as the emerging star finds his stride. Co-writing nine of 13 songs (three solo), the project shows Beckham opening his soul like most would never dare and embracing a timeless country-rock sound defined by fiddles, steel guitar, and plenty of against-the-grain attitude. With dusky shades of heroes like Johnny Cash, Waylon Jennings, and Kris Kristofferson, the set aims to reinforce next-big-thing predictions from CMT, Amazon Music, MusicRow and more, while Beckham hits the road with Luke Bryan this summer, Parker McCollum this fall and his own headlining 2024 “Bad for Me” Tour.

KEEP UP WITH CHAYCE BECKHAM

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK | X

JOHN MORGAN & JASON ALDEAN RELEASE “FRIENDS LIKE THAT” AVAILABLE NOW

Releasing a ramped up, new version of his fan-favorite “Friends Like That,” impacting radio on Monday, April 22, multi #1 hit songwriter John Morgan enlists his buddy and mentor country superstar Jason Aldean for some vice-induced good times post breakup. Making us wish we all had friends like that, having toured with Aldean, Riley Green, ERNEST and Jameson Rodgers, John just made his Grand Ole Opry debut, as this barn burner raised its hand. Racking up over 28 MILLION on-demand streams, the rowdy party-starter was originally featured on his recently released debut EP Remember Us? Listen to the new song below and explore the EP HERE. 

“To have Jason Aldean as a mentor over the past few years, he went from being someone I was a fan of  to someone I call a friend, so it’s extra special to have him on one of my songs,” says John. “Having a song on the radio is what you always dream about when you pursue this career. I grew up on country radio and to know that another kid might grow up with me on the radio and want to pursue a music career too is a really cool thought.”

“I’ve been in town here in Nashville for 25 years, and John Morgan is one of the most talented guys I’ve ever come across in all aspects - as a singer, as a songwriter and as a performer,” says Aldean. “It’s a really cool thing for me as an artist to sign another artist, so jumping on this song that’s also jumpstarting his career along with going to radio, I’m excited for what’s to come from John Morgan and glad he’s one of ours and on our team.”

Praised by People as “a solo artist intriguing enough to watch,” the BBR Music Group/Broken Bow Records/Night Train Records artist co-wrote the song with Brent Anderson, Will Bundy and Lydia Vaughan. Produced by Aldean with his long-time bandmates, prolific #1 songwriters Kurt Allison and Tully Kennedy, “Friends Like That” is “a live concert favorite whose banjo and steel underpinnings still allow room for a hard-rocking core” (Tennessean). 

The new rendition of “Friends Like That (feat. Jason Aldean)” follows John’s debut EP, Remember Us? The six-song project mixes John’s signature “sad-boy country” heartbreakers with lively up-tempo barn burners, effortlessly flowing between romantic relatability and nostalgia to crank-it-to-ten singalongs. “Oozing with validity, Morgan's subtle twang is undeniably fresh and is a swift and welcomed return to the traditional sounds…that fans also crave” (All Country News), “standing apart from the rest of the Country crowd, as he brings a more traditional Country flair to the Pop-Country sounds of today’s genre” (Songwriter Universe). 

Having written a multitude of songs for not only Aldean but Jon Pardi, Dustin Lynch, Thomas Rhett and more, John is readying even more new music, while hitting the road for renowned country music festivals this summer such as Nashville’s CMA Fest and Panama City Beach’s Gulf Coast Jam.

Photo Credit: Justin Mrusek

About John Morgan:

With a style that’s defined by melodic grit and a craftsman’s approach to songwriting, John Morgan brings a blue-collar toughness to country that’s pulled straight from the only life he knows. Hailing from a tiny town called Sylva, deep in the Great Smoky Mountains of North Carolina, John grew up immersed in bluegrass tradition and even toured the festival circuit each summer in a family band, before diving into songwriting, inspired by six-string legends from Tony Rice to John Mayer. More than a year after selling everything he had to follow his dream, an only-in-Nashville story involving Uber drivers and impressive demos led to a writing session with Kurt Allison and Tully Kennedy — two incredible songwriters and longtime bandmates of Country superstar Jason Aldean. That session led to the superstar cutting numerous songs written by John, including #1 hit singles “Trouble With A Heartbreak” and the GRAMMY® nominated, ACM Single of the Year “If I Didn’t Love You” with Carrie Underwood. Signed to Aldean’s Night Train Records, his imprint with BBR Music Group, the sought-after, naturally gifted songwriter who has written for Jon Pardi, Dustin Lynch, Thomas Rhett and more and toured with Aldean, ERNEST, Riley Green and Jameson Rodgers - now continues to cross off bucket-list items. Having made his Grand Ole Opry debut, released an anthemic debut EP Remember Us?, John’s barn-burner, fan-favorite track “Friends Like That (feat. Jason Aldean)” is available now and impacts radio on April 22. 

KEEP UP WITH JOHN MORGAN
WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK | X

About Jason Aldean:

3X ACM Entertainer of the Year and ACM Artist of the Decade Jason Aldean has bolstered 28 No. 1 hits, over 18 billion streams, and more than 20 million albums sold with “his own recipe…one that has vaulted him to the pinnacle of Country music success” (Atlanta Journal Constitution). He has earned the most Top 10 songs on Billboard’s Hot Country Songs chart-more than any other artist - since his debut in 2005, with “songs of small-town living, love and loss that have resonated with a loyal fanbase” (Billboard). Having just wrapped his sold-out Highway Desperado tour across the US, the Georgia native continues his “country superstar status" (Variety) with his 11th studio album, Highway Desperado, which was released November 3rd. In addition to three tracks co-written by Aldean, the album features “Tough Crowd” - which he debuted at the 2023 ACM Awards as an Entertainer of the Year nominee - as well as his career first Hot 100 chart-topping hit, “Try That In A Small Town,” and fan-favorite tracks “Let Your Boys Be Country” and “Whiskey Drink.” Produced by longtime producer Michael Knox, Highway Desperado is the follow up to Aldean’s tenth studio album, MACON, GEORGIA, which debuted to critical acclaim, with Stereogum naming it an "Album of the Week” and the Tennessean praising that “MACON, GEORGIA finds Aldean honed in on his vision for this era of his career” and “kicks off his career's next era.” The project featured the history-making, multi-week No. 1 "powerful duet" (Rolling Stone) ”If I Didn’t Love You” with Carrie Underwood, which earned Aldean his 26th career #1 at Country radio and won ACM Single of the Year, iHeartRadio Country Song of the Year, and CMT Collaborative Video of the Year as well as Billboard and GRAMMY nominations. 

KEEP UP WITH JASON ALDEAN

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK | X

Little Miss Nasty Unleash Debut Album 'Weapon Of Choice' + Drop New Music Video "Buried In Sin"

The iconic innovators and game-changing pioneers of rock and metal burlesque Little Miss Nasty have today released their debut album 'Weapon Of Choice' along with the official music video for the single “Buried In Sin”. The stunning visual accompaniment is a sensual, charged-up celebration of the divine, dark feminine as well as an intensely powerful protest against those attempting to dismantle women’s rights and censor freedom of expression. When asked about the inspiration behind the album and music video, Little Miss Nasty’s iconoclastic leader Gina Katon commented: 

"We aim to embody the complete essence of the divine dark feminine through art. Expressing female power and energy has been historically looked down upon by so much of society. As women, we’ve been made to feel small, told to be polite, and shamed if we have loud voices. Made to feel essentially unworthy. Women have been put in the shadows and silenced in so many ways throughout history and it continues all over the world today. Sure, politicians and social media companies can try to censor us, but we know that our art transcends all of that stuff. When we showcase our fearlessness on stage and on this album we empower not only women but all people. Little Miss Nasty is made up of strong, powerful, and unapologetic women and we have no qualms about celebrating our sexuality." 

Little Miss Nasty fans also have the chance to see them heat up the stage on the Weapon Of Choice Tour 2024 alongside Whitney Peyton. Tickets are available at the link here, and click here for VIP package information. Stream 'Weapon Of Choice'here, watch the music video for “Buried In Sin" below, and be sure to keep your eyes peeled for more Little Miss Nasty news coming soon. 

WEAPON OF CHOICE TOUR 2024

APR 23 - FRESNO @ FULTON 55

APR 25 - PORTLAND @ DANTES

APR 26 - SEATTLE @ EL CORAZON

APR 27 - BELLINGHAM @ WILD BUFFALO

APR 28 - POST FALLS @ CRUISERS

APR 30 - GRAND JUNCTION @ MESA THEATER

MAY 1 - DENVER @ SCHOOL OF NASTY

MAY 2 - DENVER @ HERMAN’S HIDEAWAY

MAY 3 - CO SPRINGS @ SUNSHINE STUDIOS LIVE

MAY 4 - WICHITA @ WAVE

MAY 5 - LINCOLN @ BOURBON THEATRE

MAY 7 - CHICAGO @ WC SOCIAL CLUB

MAY 8 - DETROIT @ MAGIC STICK

MAY 9 - PITTSBURGH @ CRAFTHOUSE

MAY 10 - MECHANICSBURG @ LOVEDRAFTS

MAY 11 - ROCHESTER @ MONTAGE

MAY 12 - CLEVELAND @ FOUNDRY

MAY 14 - KANSAS CITY @ VIVO LIVE

MAY 15 - TULSA @ THE VANGUARD

MAY 16 - DALLAS @ TREES

MAY 17 - AUSTIN @ COME AND TAKE IT

MAY 18 - HOUSTON @ SCOUT BAR

MAY 19 - SAN ANGELO @ THE DEADHORSE

MAY 21 - PHOENIX @ THE REBEL LOUNGE

MAY 23 - SALT LAKE CITY @ METRO MUSIC HALL

MAY 24 - LAS VEGAS @ AREA 15

MAY 25 - LOS ANGELES @ THE BOURBON ROOM

MAY 26 - SAN FRANCISCO @ JOLENE’S

Little Miss Nasty are the seductive global icons of dark performance art and rebellious, rock and metal burlesque. The LMNshow is a sensually charged experience full of empowerment, eroticism, and otherworldliness. A decadent and electrifying spectacle of dancers, performers, and visuals. Pure sensory overload set to artfully curated music encompassing rock, metal, EDM, and dark hip hop. Little Miss Nasty are the world-famous innovators and iconic pioneers of this genre.

Little Miss Nasty brings forth a professionally choreographed Las Vegas production show featuring some of the entertainment industry’s most talented and beautiful female dancers, aerialists, vocalists, and contortionists. The show is full of over-the-top visuals and blazingly cool music from Korn, Nine Inch Nails, Apashe, Rage Against The Machine, Slipknot, Chelsea Wolfe, IC3PEAK, Rob Zombie, and others along with surprises that leave jaws on the floor and memories fired up.

With the release of Little Miss Nasty’s debut album 'Weapon Of Choice', LMN has firmly established itself as a legitimate recording artist with highly produced, impactful songs that do not shy away from the notion of female empowerment. Little Miss Nasty are indeed the purveyors of “Sex, Art and Rebellion.”

Little Miss Nasty delivers an overwhelmingly powerful experience that inspires and defies genre because Little Miss Nasty IS the genre. You have permission to be your Nasty, authentic self!

What started as an underground, must-see show at LA’s historic Viper Room in 2012 has since developed into a globally recognized lifestyle brand. In 2023 Little Miss Nasty is simply dominating with current ongoing sold-out residencies in Los Angeles, Long Beach, and San Francisco, as well as monthly sold-out residencies in Las Vegas at AREA 15 and in New York City at Paradise Club in the Edition Hotel. Little Miss Nasty is a traveling force to behold as it tours North America regularly.

In fact, Little Miss Nasty has performed in front of well over a million people and counting. Little Miss Nasty has toured alongside artists such as In This Moment, Motionless In White, Starset, New Years Day, Gina And The Eastern Block, DED, Orgy, Genitorturers, Lords Of Acid, and others, as well as having headlined 8 of their own North American tours. Not only that, but the extensive dance resume of the individual members makes Little Miss Nasty a force to reckon with. They have been the main backup dancers for the likes of Nicki Minaj, Britney Spears, Beyoncé, Lady Gaga, J.Lo, Christina Aguilera, Justin Bieber, Pitbull, Katy Perry, Usher, Ariana Grande, Ne-Yo, P. Diddy, Tiësto, Gwen Stefani, Empire Of The Sun, Backstreet Boys, Ciara, Chris Brown, French Montana, Big Sean, and Nick Jonas. The members have also performed on countless MTV VMAs, The Grammys, and have been featured in The Pussycat Dolls Burlesque Show as well as during Justin Timberlake’s Super Bowl XXXVIII Halftime Show. Little Miss Nasty was hand-picked by Lady Gaga to perform as the sole entertainment for the “American Horror Story: Hotel” cast premiere party, and was also Rob Zombie’s choice of performers for a livestream broadcast of his record release party.

OCEANHOARSE Unleashes "Killer & the Queen" Music Video and Reveals New Band Line-Up!

After a brief hiatus, Finnish heavy metal band OCEANHOARSE has returned, more powerful than ever, unveiling a fresh music video and a renewed band lineup! With a surge of new energy, a redefined sound, and a fresh perspective, the Heavy Metal quartet is excited to reveal the musical concoction they've been brewing in secrecy over the past year. Today marks the debut of their new single "Killer & the Queen" and the official introduction of bassist Silver Ots.

Watch the video for "Killer & the Queen" below.

“There was a lot of inner turmoil within the band around the release of our previous album 'Heads Will Roll', which escalated with the exit of bassist Jyri Helko”, guitarist Ben Varon explains. “I was also running pretty low motivation-wise, and needed a few months to take a breather and find the excitement for the music again. But it was soon clear to me, Joonas (Kosonen, vocals) and Oce (Oskari Niemi, drums) that we wanted to continue the band and still make music together. And I knew just the right guy to call for bass duties.”

Enter Silver Ots, Ben's old partner in crime from his previous band Amoral.

“Silver and me go way back, I believe we were 15 when we formed Amoral. I have always regarded him as one of the best riff composers in metal, so I knew the value that he would bring to the band with his songwriting in addition to his ridiculously tight bass playing. And the proof is in the pudding, all you need to do is to listen to 'Killer & The Queen', for which Silver composed the music for!”, Ben continues.

“I met the guys at a crossroads”, says Silver Ots. “After the band going full speed for so long there was a wind of change in the air. We decided to take the time, reflect back and look ahead, find a mutual vibe and see what we can come up with together. What you hear now is one of the pieces of new music we've been cooking up this past year.”

“'Killer & the Queen' showcases the more groovy side of the 'Hoarse”, says vocalist Joonas Kosonen. “Lyrically, the song is about those enemies very close to you. So close you can’t even see them coming. We’re super proud of this one, and we feel reborn after going through hellfire. A bit of dissonance sure makes art come alive!”, Joonas summarizes.

"Killer & The Queen" was mixed and mastered by Lauri Hämäläinen, who also co-produced and recorded the vocals. For the video, OCEANHOARSE returned to Guilty Visuals and Pete Inkinen, who they had worked with previously on the video for “Pryopen”. The cover artwork for the single was drawn by Samuli “Skrymer” Ponsimaa.

Oceanhoarse are:
Ben Varon - Guitar
Silver Ots - Bass
Oskari Niemi - Drums
Joonas Kosonen - Vocals

For Oceanhoarse online:

Facebook

Instagram

Twitter

Spotify

Find NOBLE DEMON online:

Official Website

Facebook

BandCamp

Twitter

YouTube

TikTok

Spotify

KORPIKLAANI | release video for title track of new album 'Rankarumpu' which is out NOW

Today, Finnish folk metal superstars KORPIKLAANI, the cultural ambassadors for Finland, are celebrating the release of their new studio album, Rankarumpu. This marks the 12th full-length entry in their impressive discography. Alongside, a video for the album's title track has been unveiled today and can be watched below! Meanwhile, KORPIKLAANI are getting ready to embark on an extensive North American tour which will kick off next week. Scroll to the bottom for all dates!

KORPIKLAANI's twelfth studio album is once again classic folk metal, fast, energetic and dynamic, showing once again they are leaders in this genre. One of the most wonderful features of Rankarumpu is related to the folk instruments. Although KORPIKLAANI has done one or maybe even a couple of unforgettable things in the realm of folk metal, this time new permanent member Olli Vänskä's (ex Turisas) violin and Sami Perttula's accordion may surprise even die-hard fans. Rankarumpu was again produced by Janne Saksa and recorded at his Sound Supreme Studio and Korpiklaani’s HQ, Miehola Studios.

Singer Jonne commented:
"Rankarumpu is our fastest album, which was easy and fun to make. However, in contrast to the fun, the war theme rears its head here and there on the album because the world situation is so completely absurd and twisted at the moment. Violinist Olli Vänskä joined this album as a new member, while Tuomas Rounakari focused on his solo production. Olli was Tuomas’s deputy many times over the years when he was busy, so he was the only right choice as a member. He participated in the arrangements but also composed for this album. The song and video for Rankarumpu perfectly sums up what this band represents at its best, which is having fun together with our audience. This will even make the purists get dancing!" 

PURCHASE / STREAM THE NEW ALBUM RANKARUMPU:
https://korpiklaani.bfan.link/rankarumpu

WATCH THE MUSIC VIDEO FOR 'RANKARUMPU' BELOW.

KORPIKLAANI have massive touring plans for 2024. Following on from their recent extensive UK tour with Alestorm and Heidevolk, they'll set sail for a a North American tour with Visions Of Atlantis and Illumishade (feat. members of Eluveitie) in April and May, and after that several big European Summer festivals await, as well as a European tour towards the end of the year. Scroll down for all confirmed dates.

KORPIKLAANI LIVE IN 2024
RANKARUMPU NORTH AMERICAN TOUR 2024
w/ Visions Of Atlantis & Illumishade

08.04.    US    Reading  -   Reverb
09.04.    US    New York City  -  Gramercy Theatre
10.04.    US    Boston  -  Brighton Music Hall
11.04.    CA    Montreal  -  La Tulipe
12.04.    CA    Ottawa  -  Brass Monkey
13.04.    CA    Toronto  -  Phoenix Concert Theatre 
14.04.    US    Pontiac  -  The Crofoot
15.04.    US    Milwaukee   - Turner Hall
17.04.    US    Minneapolis  -  Vivarium
18.04.    CA    Winnipeg  -  Park Theatre
19.04.    CA    Regina  -  The Exchange
20.04.    CA    Edmonton  -  Starlite Room
21.04.    CA    Calgary  -  Dickens 
23.04.    CA    Vancouver  -  Rickshaw Theatre
24.04.    US    Seattle  -  El Corazon
25.04.    US    Portland  -  BossaNova Ballroom
26.04.    US    San Francisco  -  DNA Lounge
27.04.    US    Los Angeles  -  1720
28.04.    US    San Diego  -  Brick By Brick
29.04.    US    Phoenix   - The Nile
01.05.    US    Denver  -  Gothic Theatre
02.05.    US    Lincoln  -  The Bourbon Theater
03.05.    US    Joliet  -  The Forge
04.05.    US    Pittsburgh  -  Mr Smalls Theatre
05.05.    US    Baltimore  -  Baltimore Soundstage

TICKETS: https://linktr.ee/rankarumpu_america_2024
VIP Upgrade: https://tix.soundrink.com/tours/korpiklaani

Dark Folk Artist Kati Rán Shares Music Video for Emotional New Song, "KÓLGA | 16"

Dutch artist and Nordic folk pioneer Kati Rán is now unveiling her emotional new single, "KÓLGA | 16," along with an epic music video, which was created by Costin Chioreanu. The track is taken from Kati Rán's upcoming full-length, 'SÁLA,' which is due on May 24, 2024 via Svart Records. The clip can be found below.

Kati Rán comments, "'KÓLGA | 16' is one of the coldest waves of the nine billowmaidens of Rán, one that can take your breathe away in a overpowering chokehold of ice water. What we deem the most 'destructive of powerful forces of nature' are aswell a necessary and powerful catalyst for change, or gain newfound clarity.

"The song as well touches upon many female figures that in one way or the other made significant sacrifices in their lives,  have been sacrificed, betrayed, persecuted or deliberately put in another light in history, in mythology and various folktales across time and culture."

Svart Records is delighted to expand its international artist roster with the signing of established dark Nordic folk artist Kati Rán and to release her second full-length album 'SÁLA.' Special vinyl editions in gold, transparent smoke, and black as well as digipack CDs are available for pre-order HERE.

'SÁLA' features an impressive lineup of diverse musicians who lent their talents to the record, including Gaahl, Napalm Death's Mitch Harris, members of Heilung, Sígur Rós, and many others!

Kati Rán is known for her collaborative audio work for Netflix’s tv series 'VIKINGS: VALHALLA,' films and work for videogames, her stage appearances with Wardruna, Myrkur and Gaahls Wyrd to name a few, and her previous releases of the successful album; and Nordic dark folk tracks “Blodbylgje” and Icelandic track “Unnr | Mindbeach”; that run millions of streams and gathered a tightly knit Nordic Folk music loving audience around her.

If the most profound treasures are often the most deeply buried, the journey to uncover them is vital process of discovery. Five years after the 15-minute single “Blodbylgje” signaled the birth of a new, more primordial, and immersive vision after the dissolution of her band L.E.A.F., Nordic dark folk artist Kati Rán has expanded on its oceanic theme for her long-awaited full-length album, 'SÁLA.' Embarking on a far-reaching musical and personal travelogue, it’s a reawakening of both the feminine narratives submerged and fragmented within Norse mythology, and the enduring, healing powers held within.

Named after the Old Norse word for ‘soul’ and ‘sea’, 'SÁLA' is an act of "soul retrieval," the shamanic art of trauma recovery, be it illness, death, heartbreak or loss, and the reintegration of a splintered self. Across its 13, wide-ranging, elegantly unfolding tracks, the album is an embodiment of different feminine voices and perspectives – from the Norse nine daughters of the sea, or ‘billow maidens’, through various historical and fictional figures to the late-night voices we hear in our most liminal states – all with tales to tell, riddles to solve, challenges to be accepted and guidance to offer. It’s a multiplicity that, like the ocean itself, belongs to a vast, restless dynamic: a matrix of mysteries, unfathomable depths and ever-shifting currents, accumulating into an elemental, regenerative source of power.

Recorded in a barn in Húsafell, Iceland – home to glacier ice caves and a rare lava stone marimba rediscovered for the track “Stone Pillars” – as well as Finland, Norway and at home in Kati’s native Netherlands, 'SÁLA' is as much chronicle of Kati’s own perspective-shifting recording process as it as a pilgrimage through different viewpoints and internal states. That itinerate urge is also reflected in the use of different languages, ranging across Norwegian, Old Norse, Icelandic, and, for the first time, English, her combination of ancient texts, historical reimagining’s and unguarded personal reflection backed up by deep research into the most resonant recesses of Nordic lore.

Spun throughout every thread of 'SÁLA' is a sense of communion - with the power of stories to offer moral guidance and the thrill of the unknown; with the element of water, recreated across the album both in field recordings and the agelessly organic nature of the music itself; with the archetypes whose qualities we are called upon to embody at our most critical moments; and with the internal hidden realms forever whispering at us from the far edges of our consciousness.

Appropriately, it’s a collaborative venture too. As well as working closely together with Finnish producer Jaani Peuhu, there are contributions from across the musical spectrum, including extreme metal vocalist extraordinaire Gaahl, the Icelandic female choir Umbra Ensemble, renowned Norwegian jazz musician Karl Seglem, Björk and Brian Eno contrabassist Borgar Magnason, members of pagan folk acts Völuspá, Gealdýr, Heilung and Theodor Bastard and even Napalm Death’s Mitch Harris on vocals.

For all the many sources 'SÁLA' draws from, the result is a singular, intimately transformative rite of passage, and a retuning of the heart to the reverent continuity of the sacred. It will take you from the opening title track’s chest-pounding rhythmic pulse emerging from a traditional Norwegian bukkehorn (recorded by Karl Seglem), a galloping horse-rider and Kati’s glacial, velveteen chant, through “Kólga’s” recounting of female persecution through the ages borne on the most gossamer-light yet unbreakable of timbres and “Stone Pillar’s” gently percolating, deep wells of abandonment and incantations to recovery. 'SÁLA' closes with the track “Sátta” - Old Norse for ‘peace’ and ‘reconciliation’ – ending the album as it began with the bukkehorn, as it weaves rich drones and experience-stamped poems and prayers, Kati’s vocals the most sensitively tuned of emotional barometers. An album made in dedication, and in thrall to, its own sense of destiny, 'SÁLA'” is, as all quests must ultimately be, a homecoming.

Lineup:

Kati Rán

Special Guests:

Gaahl (Gaahl, Wyrd, Wardruna)

Mitch Harris (Napalm Death)

Jaani Peuhu (Swallow the Sun, IANAI, Lord of the Lost, Hallatar)

Karl Seglem (Norwegian jazz and folk legend)

Borgar Magnason (Björk, Sígur Rós, Brian Eno)

Gealdýr

Emilie Lorentzen (Heilung)

Nicholas Schipper (Heilung)

Yana Veva (Theodor Basterd)

Umbra (Icelandic female choir)

Sól Geirsdóttir, Varg Saastad (Völuspá band)

Marianne Heikkinen, Salla Marja (Saruru)

Páll Guðmunsson (Hilmar Örn Hilmarsson, Steindór Anderssen, Sígur Rós) Florian Ravn (Skáld)

Production: Jaani Peuhu, Kati Rán, Christopher Juul

Mastering: Jaime Gomez Arrelano

Cover Art: Photographer Arne Beck, Illustrator Halfdan Skrifa, Graphic design Jari

Laurén, Charlotte Boer, Deluxe Box Edition with cover painting by Marzena Ablewska-Lech

Bio: Jonathan Selzer

Links:

Official Website

Bandcamp

E-Shop

Facebook

Instagram

TikTok

Twitter/X

YouTube

Pre-Save // Stream

Introducing The Barbarians of California (Members of AWOLNATION, Tinfed) + Band Shares "Where Are the Punks"

The West Coast's contribution to hardcore punk is undeniable. That tradition of aggression, passion, and scrappy melodicism continues with The Barbarians Of California, an engaging new manifestation of iconoclastic spirit and true bombast. They are equal opportunity iconoclasts, gleefully thrashing the left and the right in the hardcore-punk tradition of nonconformity and raw fury. The band isn't "political," because they aren't advocating for anyone's platform. The central message is defiance. 

Today, the band has shared the video for the hellacious new single "Where Are the Punks," out now via ONErpm. Watch it below. 

"Where Are the Punks' is about being disappointed when you find out your childhood heroes are no longer rebellious," the band explains. "Everyone has the tendency to soften as their age. We are fighting against that in this song. This was one of the first song the band started working on for this project. Eric lead crafting the instrumentals and the lyrics were inspired by Aaron's college professor telling him to question authority."

So, who, exactly, are The Barbarians of California?

You'll be glad you asked.

Eric Stenman and Aaron Bruno first collided in the California hardcore scene of the early '90s. Stenman cut his teeth in the same Sacramento community that eventually launched diverse and disparate acts like Deftones, Far, Will Haven, Team Sleep, Hella, Dance Gavin Dance, Death Grips, and Trash Talk. Bruno was born and raised just north of L.A. and nicknamed "AWOL" by his high school friends.  Eric played guitar for cutting-edge, electro-infused rockers Tinfed. Commercial success eluded them despite a cult following, a deal with a major label, and an appearance on the M:I 2 soundtrack. 
 
Bruno co-founded the hardcore band Insurgence as a teenager. His next band, Home Town Hero, toured with Weezer and Stone Temple Pilots and released a major label album, but combusted in 2004. Next came Under The Influence Of Giants, who, despite critical acclaim, disbanded in 2008. Stenman became one of the most sought-after producers of alternative rock. His discography as a producer, mixer, and engineer includes important releases from 7 Seconds, Senses Fail, ††† (Crosses), and AWOLNATION. AWOLNATION, of course, is the multi-platinum act Bruno formed in 2009. 
 
The spirit of the underground and the personal catharsis delivered through metallic hardcore never left either of them. So, when Aaron learned that Eric crafted a batch of throwback bangers combining impassioned angst with modern sensibilities, he wanted in immediately. The Barbarians were born. 
 
The apparent "full circle" moment isn't lost on either of them. "It's a funny time in our lives to go back and make the most aggressive music we've ever created," Stenman laughs. “Both of us have always had a love for this world. If given the opportunity, why not try to give back to it?"

The band previously shared "Dopamine Prophecy." Listen here.

More from The Barbarians of California is on the horizon, so stay tuned...

...but in the meantime, check out Bruno on the 100 Words or Less podcast here.

Bryce Leatherwood Releases Ode to Parents’ Love Story w/ “The One My Daddy Found,” Out Now

As Republic Records / Mercury Nashville recording artist Bryce Leatherwood embarks on his debut headlining Neon Does Tour, which kicked off last night in Statesboro, Ga., the country crooner turned off the neon and found inspiration from home with his latest release, “The One My Daddy Found,” out now. Listen below.
 
Written by Leatherwood alongside Lynn Hutton and Chris Dubois, “The One My Daddy Found” finds Leatherwood reflecting on his parents’ 25-year love story, noting all of the qualities from their relationship he aspires to in his own life.
 
“My parents’ relationship is one I’ve always admired and has served as the basis of what I hope my future resembles,” Leatherwood shares of the song’s inspiration. “I wouldn’t be where I am without my parents supporting my music career and to thank them, I wanted to give them a song that captures how important they are to me.”
 
“The One My Daddy Found” is Leatherwood’s latest release as he continues to tease new music to come. The song comes as Leatherwood was featured in Boot Barn’s 2024 spring campaign Taking Flight, a highlight on up-and-coming country musicians.

Leatherwood’s Neon Does Tour will continue tonight in Knoxville, Tenn. before making additional stops in Birmingham, Ala.; Indianapolis, Ind. and more. To purchase tickets, visit bryceleatherwood.com. 
 
Neon Does Tour:
April 5 // Knoxville, TN // Open Chord
April 7 // Decatur, GA // Eddie's Attic
April 11 // Columbus, OH // The Basement
April 12 // Charlotte, NC // The Evening Muse
April 18 // Birmingham, AL // Zydeco
April 19 // Athens, GA // 40 Watt Club
April 20 // Tifton, GA // Terminal South
May 9 // Chicago, IL // Carol's Pub
May 10 // Indianapolis, IN // 8 Seconds Saloon
May 11 // Louisville, KY // PBR Louisville

About Bryce Leatherwood:
Bryce Leatherwood is a 23-year-old singer/songwriter who aims to carry the torch of country music and continue the legacy of legends prior. Bryce was born and raised in Woodstock, GA, and his passion for music began at an early age. Working on his grandfather’s farm every summer, Bryce was exposed to the classic country hits of George Jones, Merle Haggard and Conway Twitty. Soon thereafter, Bryce began picking up guitars and playing the traditional country music that still inspires him today. Bryce’s music career began to blossom in Statesboro, GA, where he attended Georgia Southern University. During his time in Statesboro, Bryce played college venues and continued to hone his stage presence and his country music repertoire. In late 2021 while still enrolled in college, Bryce formed his band and began playing all around the Southeast. Bryce’s goal was to take the stage and play the best of country music to all ages and audiences. After graduating college, Bryce set his mind on a new task. In 2022, he competed on the NBC hit television show The Voice and was crowned the Season 22 winner in December of 2022. Following his success on “The Voice,” Bryce signed with Republic Records / Universal Music Group Nashville and is currently hard at work on new music.

BLANCO BROWN RELEASES HIGHLY ANTICIPATED EP "HEARTACHE & LEMONADE"

GRAMMY® nominated vocalist, producer, songwriter & global sensation, Blanco Brown, releases his new EP, HEARTACHE & LEMONADE, Friday, April 5th. Download, stream and purchase HEARTACHE & LEMONADE, via BBR Music Group/Wheelhouse Records HERE.

The EP includes four amazing tracks, including the breakout “Sunshine Shine” which kicked off this project in February. The additional tracks include “Good As it Gets,” “Energy” and “Tailgating in the Sun.”  After the incredible response to his previous hit “The Git Up” taking the world by storm - 11x platinum and 4 billion streams, Blanco was on his way to great success, until tragedy struck when a drunk driver hit him head on riding his motorcycle almost killing him. After being resuscitated in the ambulance and twelve blood transfusions, Blanco faced a long road to recovery re-learning to walk and hold a mic again. Blanco's journey to this EP has been nothing short of miraculous, overcoming adversity and finding inspiration in life's bitter lemons. With a renewed spirit and a second chance at life, he's bringing a whole new chapter of electrifying music straight to your ears. When asked about the album title, Blanco says that when going through a heartache, a little lemonade makes everything a little bit better.

“This EP feels a bit different for me," said Brown. “I’ve now traveled the world, looked death in the eyes and somehow made it back alive. Bitter moments never lasted, sweeter moments brought me back to purpose. ‘Sunshine Shine’ is about being a ray of light to somebody all the time and if everybody did that nobody would feel dark because we would be shining our light on each other. HEARTACHE & LEMONADE brings about a new chapter.”

Known for his bombastic personality and infectious laugh, Blanco Brown is redefining the country music scene one hit at a time. With his distinct style he coined “Trailer Trap”, this highly anticipated project promises to deliver a fresh and dynamic experience showcasing Blanco Brown's versatility as a singer, songwriter and producer. Blanco, known for breaking barriers and pushing the boundaries of country music, brings his distinctive style and charisma to every track on the EP and the project is a testament to his ability to seamlessly fuse various genres, creating a sound that is uniquely his own.

From the first track "Energy," it's clear that global smash Blanco Brown has a pulse on the direction of the country genre. His branded "Trailer Trap" sound amplifies the stories & arrangements on this project. Blanco's dripping-with-soul vocals also sonically shine throughout, building universal connections with listeners.

The second offering is the serene “Tailgating in the Sun.” This story reminisces on those relationships where you want to soak up every minute with your partner. He sings about laying on the tailgate “until the sun comes up” with a person who can “make magic out of the damage.” It’s a song about loving even when you are at your lowest. 

Blanco does it again with “Good As It Gets." “It’s about finding that someone to spend the rest of your life with, someone you can’t live without… Tonight, everything that could’ve gone wrong went right and that moment wouldn’t be the same without you,” explained Blanco. 

“Sunshine Shine”, the closing track on the project, is a feel-good anthem that radiates positivity and resilience, offering a perfect blend of catchy melodies and 808 beats that will undoubtedly resonate with fans across the globe. HEARTACHE & LEMONADE will solidify why Billboard named him the "Top New Country Artist" (2019).

About Blanco Brown:
Blurring the lines between Country, Hip-Hop & Soul, Blanco Brown makes a southern sound that he proudly calls "Trailer Trap." Honing in on his unique sound, Blanco balances both the metropolis and country settings in which he grew up. His viral hit “The Git Up” (certified 11x PLATINUM across three countries) took the world by storm, claiming the top spot in charts across the globe and spawning nearly four billion views across social platforms. It claimed the No. 1 on the Billboard Hot Country Songs chart for 12 weeks and was the top-selling digital Country song in the US for 13 weeks, resulting in Billboard naming him as their No. 1 Top New Country Artist for 2019. Apart from being a Grammy-nominated engineer who has worked with the likes of Fergie, Childish Gambino, Kane Brown and Chris Brown, the multi-talent’s multi-national Platinum-certified collaboration “Just the Way” with Parmalee garnered more than 500 million on-demand streams, earning Brown his first No. 1 hit on Country radio (in the US and Canada). More recently, he doubled down on his genre-bending collaborations, teaming with Nelly on the funky, country inspired track “High Horse,” T.I. for “Trap Still Bumpin’,” LOCASH and the late Leslie Jordan for the funky “Let It Slide,” while pairing with Diplo for “Do Si Do” and Lee Brice and R3HAB for the remix of Brice’s hit song, “Soul.” In 2021, Blanco Brown also lent soaring vocals to the song “Never Gonna Tame You (Original Song from “The Mustangs: America’s Wild Horses”),” written by Diane Warren. Recovering from a life-threatening accident and leaning on music to heal, Blanco released “Nobody’s More Country” in 2021. Then, while hitting the road hard last summer, he instantly captured the attention of festival audiences across the nation opening his set with a breathtakingly powerful cover blend of Sam Cooke’s “A Change Is Gonna Come” and Chris Stapleton’s “Tennessee Whiskey.” Showcasing his world-class vocal talent and captivating stage presence throughout 2023, Blanco released emotionally charged track “I’ll Never,” unlike anything the No. 1 hitmaker has ever released, followed by a momentous tribute to the late, great John Denver with Brown’s release of "Take Me Home, Country Roads.” With the release of HEARTACHE & LEMONADE, this A-Town resident’s branded “Trailer Trap” sound amplifies the stories & arrangements on this EP. Blanco’s dripping-with-soul vocals also sonically shine throughout as displayed in "Sunshine, Shine” and it carries through to “Energy”, “Good As It Gets”, and “Tailgating in the Sun.”

KEEP UP WITH BLANCO BROWN
WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK | TWITTER

Levi Hummon Serves Up "Another Shot" with Latest Release, Out Now

Red Van Records Artist Levi Hummon is set to release “Another Shot,” a new song he wrote with Jimmy Robbins and Eric Arjes. The song follows his successful “Another Shot” headline tour, which wrapped in February. Listen to the song HERE.

"'Another Shot' has been a personal favorite for a long time, and when I added it to the live set on the headlining tour, seeing the fans sing the words back to me by the second chorus, it solidified that I had to record it” said Hummon. “I wrote the song with my producer Eric Arjes and buddy Jimmy Robbins, and pretty much anything I write with those guys are songs I automatically fall in love with and I think my fans will truly love this one if they haven’t heard it live already!”

In addition to his new release, Hummon continues to make waves on country radio with his single “Paying For It,” featuring Walker Hayes. The song has amassed almost 30 million global streams and sparked a viral dance sensation. Hummon, who co-wrote the song with Eric Arjes and Hayes, recently performed it at the Revolutionary Love Concert benefiting Thistle Farms.
 
‘‘‘Paying For It’ is a song that I have believed in since the day we wrote it,” said Hummon. “I imagined the song as a sad ballad, but Walker came up with this swampy, bluesy riff.  It is a blessing to have him on the song and he’s been so supportive of me and my music for a long time. 

ABOUT LEVI HUMMON:
With more than 175 million global streams, Hummon is a genre-bending artist and songwriter who continues to grow his audience on tour, through his social platforms, playlisting and craft-songwriting. The first artist signed to Red Van Records and managed by Jonas Group Entertainment, Hummon has written songs for Steven Tyler, Tim McGraw, and many more including his recent global No. 1, “Somebody,” recorded by K-Pop superstar D.O. from the group EXO. Along with those, the Nashville natives’ own catalog, includes the multi-million streamed “Good Riddance” and “Paying For It” featuring Walker Hayes, have earned Hummon wide-spread acclaim. For more information visit https://www.levihummon.com

ABOUT RED VAN RECORDS:
Under the Jonas Group Entertainment umbrella, Red Van Records was formed in 2023 by JGE founder Kevin Jonas, Sr. Under the leadership of Jonas and Chief Executive Officer Phil Guerini, the label is home to critically acclaimed singer-songwriter Levi Hummon as well as multi-faceted entertainer Bailee Madison. Headquartered on Nashville’s famed Music Row, Dan Pearson’s Lakeside Entertainment Group provides label services for Red Van Records. With more than twenty years of both independent and major label experience, the Lakeside team has broken a wide range of artists across multiple formats and platforms. 

ERRA Share "Slow Sour Bleed" Video — WATCH // "CURE" Out Now

Prolific metalcore progressives ERRA will release their new album CURE, this Friday, April 5 via UNFD.

Today, the band has shared the video for "Slow Sour Bleed." Watch it below. 

The track is very special for the band and finds ERRA taking a sonic risk — to great reward.

"This song scratches an itch of influence that we haven't had the courage to explore in the past," says guitarist Jesse Cash. "We covered 'Heresy' a few years ago and it was so fun to listen to, so we wanted to do an original song in the spirit of Nine Inch Nails."

CURE is the band's sixth album and it highlights and expands on the forward-thinking sound and guitar-driven style that the band has built its reputation on. Following 2021's self-titled release, CURE is a stunning execution of both raw talent and surgical technicality. It's as emotional powerful as it is musically proficient, which is not an easy feat to achieve. Yet ERRA make it look and sound easy. CURE is a sonic thrill ride — one that you hope will never end.

Additionally, the band has announced its upcoming Spring 2024 headline North American tour, with Make Them Suffer, Void of Vision, and Novelists as support. The tour kicks off on April 23 in Philly and runs through June 2 in NYC. All dates are below, with several major markets already sold out. Get tickets here.

ERRA ON TOUR:
WITH MAKE THEM SUFFER, VOID OF VISION, + NOVELISTS:
4/23 — Philadelphia, PA — TLA
4/24 — Baltimore, MD — Soundstage (SOLD OUT)
4/26 — Nashville, TN — Brooklyn Bowl
4/27 — Atlanta, GA — Masquerade (Heaven)
4/28 — Birmingham, AL — Iron City
4/30 — Ft. Lauderdale, FL — Revolution
5/01 — Tampa, FL — Jannus Live
5/03 — Houston, TX — Rise Rooftop
5/04 — Dallas, TX — South Side Music Hall
5/05 — San Antonio, TX — Vibes Event Center
5/07 — Albuquerque, NM — Sunshine Theater
5/08 — Las Vegas, NV — House of Blues
5/10 — Mesa, AZ — Nile Theater
5/11 — Santa Ana, CA — Observatory
5/12 — Los Angeles, CA — Echoplex
5/13 — Santa Cruz, CA — Catalyst
5/15 — Sacramento, CA — Ace of Spades
5/17 — Seattle, WA — El Corazon
5/18 — Portland, OR — Roseland Theater
5/20 — Salt Lake City, UT — The Complex
5/21 — Denver, CO — Summit Music Hall
5/23 — Lawrence, KS — Granada Theater
5/24 — Minneapolis, MN — Varsity Theater
5/25 — St. Louis, MO — Red Flag
5/26 — Chicago, IL — House of Blues
5/28 — Detroit, MI — Saint Andrews Hall
5/29 — Toronto, ON — Danforth Music Hall
5/31 — Montreal, QC —  Beanfield Theatre (SOLD OUT)
6/01 — Boston, MA — Paradise (SOLD OUT)
6/02 — New York, NY — Irving Plaza (SOLD OUT)

ABOUT ERRA:
ERRA's sixth album, CURE, strengthens and deepens the forward-thinking progressive metalcore they built their reputation on. It's an album full of atmospheric ecstasy and moody groove on the heels of their stunning 2021 self-titled set. CURE charts an ambitious course for ERRA's next era. 
 
Fueled by creative muses akin to Tool, Deftones, and Gojira, ERRA's body of work stands beside the best of the genre, with celebrated songs beloved by fans of contemporaries like Sleep Token and Spiritbox. A mathematic pummel akin to Meshuggah remains, but ERRA is decidedly in its own lane.
 
ERRA regularly appears on tastemaker playlists like Kickass Metal on Spotify. While several heavy bands are known to mine the rich potential of the juxtaposition between screaming and singing, the ever-opinionated Metal Sucks pointed out that "perhaps no band is doing this better than ERRA." Alternative Nation chose ERRA to represent Alabama in a list of The Best Metal Bands in Each State.
 
Titanic riffs and enchanting melodies litter the cerebral, immersive soundscapes powering each of their progressive metal albums. They've toured extensively, with bands including Bad Omens, TesseracT, Ice Nine Kills, Dance Gavin Dance, August Burns Red, and Northlane. 
 
A pair of self-released EPs lead to a label deal for their debut album, 2011's Impulse. ERRA's sophomore set, Augment, was No. 1 on Billboard Heatseekers Albums chart in 2013. Drift gave ERRA another Heatseekers No. 1 in 2016. The streak continued with Neon in 2018. ERRA (2021) garnered praise from critics and fans. CURE remains anchored in the progressive and technical style ERRA helped shape. It boasts a brilliant combination of creative energy and expansive accessibility.  
 
ERRA is part mind-altering substance, part meditation, reveling in each musical moment of exultation. As a band of brothers and a creative force, ERRA strives to live in alignment with the present moment. As their music finds the balance between the crushingly heavy and the headily melodic, its members seek to find harmony between the needs of the individual and the natural flow of this shared reality. 

ERRA ARE:
J.T. Cavey — Vocals
Jesse Cash — Vocals + Guitars
Conor Hesse — Bass
Alex Ballew — Drums
Clint Tustin — Guitar

Swedish postpunk trio THEN COMES SILENCE serves up seventh album 'Trickery' & announces North American tour dates

"Then Comes Silence are everything a band should be - good tunes, good playing and singing, and good looking. Their songs are ear-worms, once heard difficult to forget, as catchy as gonorrhea but far better for your health" ~ Wayne Hussey

”I can see them being huge” ~ Dani Filth (Cradle of Filth)
 
"Capturing the alluring intersection of 1980s Post-Punk, New Wave and College Rock in one fell swoop, this music feels organic and fresh, with ample drive, clever songwriting and a killer melody, along with crisp production" ~ The Spill Magazine 

"Truly love it" ~ She Past Away
 
"Hellacopters of Gothic Rock" ~ Jyrki 69 (The 69 Eyes)

"The only band that have been voted in as album of the month three times!" ( 'Blood' in 2017 / 'Machine' in 2020 / 'Hunger' in 2022) ~ Sonic Seducer Magazine


Sweden's Then Comes Silence presents a new serving of their infectious post-punk with their seventh album ‘Trickery’. Released via Metropolis Records, the album was previewed by the singles 'Like a Hammer' and ‘Ride or Die’.

The trio will also be bringing their potent sound on the road for a North American tour, which will see them play out in 21 cities across the US and Canada. They will be joined by Vision Video, Aurelio Voltaire and Tears For The Dying.

Formed in Stockholm in 2012, Then Comes Silence is made up of frontman Alex Svenson, drummer Jonas Fransson and guitarist Hugo Zombie (Los Carniceros del Norte) with Svenson originally inspired by frequent touring with A Place To Bury Strangers and an attraction to horror and the occult.

Recorded by Jörgen Wall (Jay-Jay Johanson, The Hellacopters) over three days at Stockholm's Kapsylen Studio and mixed by Tom van Heesch (Rammstein, Apocalyptica, Backyard Babies), this album was mastered by Svante Forsbäck / Chartmakers (Rammstein, Amaranthe, Ville Valo, The Rasmus, Apocalyptica).

TOUR DATES
April 20 – Parsippany, NJ @ Dark Force Fest
April 21 – Pittsburgh, PA @ Cattivo  *
April 23 – Rochester, NY @ Photo City Music Hall  *
April 24 – Brattleboro, VT @ Stone Church *
April 25 – Boston, MA @ Sonia  *
April 26 – Lewiston, ME @ L/A Arts  *
April 27 – Montreal, QC @ Bar Le Ritz PDB  **
April 28 – Toronto , ON @ Velvet Underground  **
April 30 – Cleveland, OH @ Beachland Ballroom  *
May I – Grand Rapids, MI @ Pyramid Scheme  *
May 2 – Chicago IL @ Subterranean  **
May 3 – St. Louis. MO @ The Crack Fox  **
May 4 – Dubuque, LA @ Fox Den Motel  *
May 5- Milwaukee, WI @ The Vivarium  *
May 6 – Minneapolis, MN @ Green Room  *
May 7 – Kansas City, MO @ Recordbar  *
May 8 – Louisville, KY @ Art Sanctuary  *
May 9 – Detroit, MI @ Smalls  ***
May 10 – Baltimore, MD @ Metro Gallery  ***
May 11 – Hamden, CT @ Space Ballroom  ***
May 12 – TBA  ***

*   with Vision Video
**  with Vision Video + Aurelio Voltaire
*** with Vision Video + Aurelio Voltaire + Tears For The Dying

This album celebrates friendship, unity and the feeling of belonging to a group, a tribe. Being a part of what most people would call the goth and post-punk community is, according to the band, a great privilege.

Of course, there are dark sides to everything, but after being on the road and meeting people from the music scene for so many years, the band have experienced a caring and welcoming community. Old and young. Some with a similar background and some just for the love of the music and the culture that comes with the lifestyle.  

"No one is free from apprehension and fear. Everyone feels some kind of alienation in certain degrees. You might often think you need to camouflage yourself to be part of a context. Make a change to fit in the group. The need for friendship is strong so you adapt. Maybe not always the way you hoped. But then...  there are moments when we unite and harmonize with other people and feel an incredible community together. That feeling is priceless and a blessing. Friendship is love. It is important and worth fighting for," says Alex Svenson.

Following up their 2022 album 'Hunger', released via Nexilis Records / Schubert Music (Europe) and Metropolis Records (North America), these sessions capture the heart and essence of alternative rock. With electronic elements essential to the new recordings, 'Trickery' is also a salute to punk music, to which Then Comes Silence traces their roots.

After debuting with their eponymous album in 2012, Then Comes Silence put out two more albums before releasing 'Blood' via Nuclear Blast in 2016. Their subsequent 'Machine' album was jointly released via Oblivion/SPV and Metropolis Records in 2020.

Then Comes Silence has toured and played live with The Fields of the Nephilim, The Chameleons, A Place To Bury Strangers, The Bellwether Syndicate and Vision Video, as well as performing at Wave Gotik Treffen, M'era Luna, Amphi Festival, Castle Party and W-Festival.

As of April 5, the 'Trickery' album will be available on vinyl and CD. It will also be released digitally everywhere, including Apple Music, Spotify and Bandcamp. As for their upcoming North American live dates, tour tickets can be ordered now.

CREDITS
Music & Lyrics by Alex Svenson 
Published by HaHa Musikförlag
Alex Svenson - vocals, bass, synthesizer
Jonas Fransson - drums
Hugo Zombie - guitar
'Like a Hammer' video directed by Johnny Nattsjö & D.K. Griftegaard
'Ride or Die' video directed by Gözde Duzer & Then Comes Silence
From 'Trickery' album, released via Metropolis Records
Publicity by Shameless Promotion PR

'Trickery' album pre-order https://ingrv.es/trickery-fqf-x 
Bandcamp  https://thencomessilence.bandcamp.com/album/trickery
Spotify  https://open.spotify.com/artist/7hM4i3NzOOZZ0IBAGY2hJy
Apple Music  https://music.apple.com/us/album/trickery/1729498261

Keep up with Then Comes Silence
Website | Bandcamp | Facebook | Twitter | Instagram | YouTube | TikTok | Apple Music | Spotify | BandsInTown | Press contact

Keep up with Metropolis Records
Website | Bandcamp | Facebook | Twitter | Instagram | YouTube

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | LinkedIn | Email

Scottish music legend CHRIS CONNELLY presents 'The Lives and Loves of the Serial Homesick, Vol. 1' + video for 'Fini Chagall'

"Beautiful timbre and artistic candour... Nobody performs quite like this masterful musical chameleon...  impeccable delivery and smoothness" ~ The Spill Magazine

"Chris Connelly has never been an artist of convention... a thematic mirror, Connelly’s songs follow her story – adventurous, controversial, and misunderstood"~ Regen Magazine

"Gently stroking ears with its guitar cast melody... intense beauty. Connelly’s tones as the music are emotion and tension personified, leaving his own mark on the song whilst equally bringing forth an evocative and haunting reverberation" ~ Ringmaster Review


Chicago-based alternative music legend Chris Connelly is back with a new 8-track album. In four decades of making music, since his days with Fini Tribe in Edinburgh, he has consistently pushed the creative envelope, between his involvement in such projects as Ministry, The Revolting Cocks and Pigface, his own solo work (with over 20 releases) and the four books he has authored.

This time, he's onto something quite different - something personal that is rooted firmly in his hometown of Edinburgh, which serves as a backdrop to his latest offering 'The Lives and Loves of the Serial Homesick, Vol. 1'. Here, he explores his roots in impressive sonic fashion. Each CD even comes with its own drawing created by Connelly himself. Connelly did earlier visit Edinburgh from a historical perspective on his recent album 'The Birthday Poems' album, featuring Scottish songstress Monica Queen (Belle and Sebastian, Thrum). 

"This album serves as an impressionistic view of my life in Edinburgh before I moved to the States, leaving behind what I now realize is unfinished business, unresolved aspirations, like a plant viciously ripped out by the roots and thrown away. Following the death of my mother in 2023, I spent time wandering around the streets on my own, trying to place the melancholy, trying to steal back the essence of joy I felt in my late teens/early 20s, and it inevitably led me to write, which is the way I have always been able to answer my own questions," says Connelly.

"There are 8 songs on this album, each rich with strong feelings of then and now, memories that may or may not be accurate, locations, events, friends and lovers. I want the listener to walk with me quietly through endless days and nights, through the streets of Edinburgh in the early 1980s, over the tenement rooftops, up the hills with cans of Red Stripe and a well stoked hash pipe. Sitting in the Wee Red Bar, Bannermans, The Gilded Balloon, or the Royal Circus. Playing endless nights of music with my beloved Fini Tribe, dancing at the Hoochie Coochie Club."

Chris Connelly has also shared the video for the lead track 'Fini Chagall', which was created by Kimberly Blessing and features original footage of Fini Tribe, taken by Angus Cameron in the 1980s.

"Some of these songs are half submerged in dreams, the locations distorted, the colors heightened, the times fluid. If you knew me back then, and we were pals, you are represented, and thanks for the memories.  I no longer live there – life and its commitments have me elsewhere – but I miss it badly and have never felt at home anywhere except Edinburgh, where my soul continues to walk the New Town streets and climb the hills," says Connelly.

"All physical copies of this album come with a unique drawing by myself. They are not copies, they are originals in charcoal and pencil of the memories that surround and thrive at the heart of this album. I sat down over a period of time and just drew, it was visceral, emotional, and a lot of fun.'

In 2022, Connelly released 'Eulogy to Christa: A Tribute to the Music & Mystique of Nico', produced by Chris Bruce (Meshell Ndegeocello, Seal, Aaron Neville, Bob Dylan, The Waterboys, Sheryl Crow). This colossal 20-track collection pays homage to The Velvet Underground's iconic muse and one of the most unique, tragic and misunderstood female artists in the history of modern music.

The album is out now via Shipwrecked Industries, available digitally from fine music platforms, including Apple Music, Spotify, Amazon and Bandcamp, where it is also available on CD.

CREDITS
All songs written by Chris Connelly
Chris Connelly - voice, electric guitar, acoustic guitar, sax, percussion, synth, bass, and harmonica
Mastered by James Scott at Populist Recording and Mastering
Recorded at The Rock Noise in September / October 2023
Front cover drawing “Dancing at the Hooch” by Chris Connelly (charcoal and pencil on paper, 2023)
Back cover photograph of the Dean Village by Gillian Whisker
Layout by Kimberly Blessing
Dedicated to the lovers on St. Stephen’s
'Fini Chagall' video by Kimberly Blessing. Fini Tribe footage by Angus Cameron
Publicity by Shauna McLarnon at Shameless Promotion PR
Management: Kimberly Blessing at Shipwrecked Industries
Chris Connelly is published by Bicycle Music/Concord BMI

The Lives and Loves of the Serial Homesick, Vol. 1' album  
https://chrisconnelly.bandcamp.com/album/the-lives-and-loves-of-the-serial-homesick-volume-1
Spotify https://open.spotify.com/album/4jknruEhGgIBakqdA381lW
Apple Music  https://music.apple.com/us/album/the-lives-and-loves-of-the-serial-homesick-vol-1/1733352012
Amazon  https://www.amazon.com/music/player/albums/B0CWN3WW9RKeep up with Chris Connelly
Website | Bandcamp | Facebook | Twitter | Instagram | Soundcloud | YouTube | Apple Music |  Spotify | Amazon | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | LinkedIn | Email

Future Palace Share "Uncontrolled" Video

Our entire existence demands control – it seems all the more shocking when the feeling of self-control suddenly seems to disappear. In their new single, Future Palace set exactly this almost unbearable state of a slipping self to music and rely on some of the most powerful sonic contrasts that they have ever unleashed in their entire discography - out now worldwide via Arising Empire.

Watch/listen to new single "Uncontrolled" below.

"Uncontrolled" is driven by remarkably riff-focused instrumentals that would do even Slipknot credit. In their most epoch-making moments, the band glides into arrangements with immensely great vocal gestures, only to plunge into perhaps the dirtiest screams that singer Maria Lessing has ever uttered in the very next moment. The band is continuing a development that already began on their second album Run and with their last single "Malphas." Musically, Future Palace have now come shockingly close to the unpredictability and brutality of the dramatic themes that have always occupied them.

"Uncontrolled" was created in 2022 and was written almost at the same time as the song "Malphas," which not only has a similarly heavy musical tone as the new single, but also lyrically speaks of a struggle with oneself. The words with which singer Maria Lessing describes the experiences that gave rise to "Uncontrolled" also sound correspondingly agitated.

"The loss of control in the title primarily relates to one’s own mental health and one’s own decision-making ability," she says. "You can no longer manage to get up in the morning and have to constantly regain your strength. You can no longer manage to meet deadlines or function at all. 'Uncontrolled' represents what it feels like when everything falls apart and seems hopeless."
 
"Uncontrolled" is Future Palace’s first new material in almost a year. Last fall, the band played in several cities across Europe on their biggest headline tour to date, many of the shows were sold out. The music video for the new song, which was shot in Riga, Latvia, was again shot by Pavel Trebukhin, with whom the band has been working for a long time and who has already produced clips for big names such as Landmvrks, Imminence and Trivium.

FUTURE PALACE ARE:
Maria — Vocals
Manuel — Guitar
Johannes - Drums

PHOTO CREDIT: HelloBipo

Enterprise Earth Drop "I, Divine" Official Music Video Taken From New Album 'Death: An Anthology' via MNRK Heavy

"It's hard to make a five-minute deathcore song interesting from start to finish, and Enterprise Earth nailed it on "The Reaper's Servant"... It's big. It's bold. It bangs." - Revolver

"Offering an initial glimpse of the devastation packaged onto the project, Enterprise Earth have shared an eviscerating first single in "King of Ruination" featuring Ben Duerr from Shadow of Intent. Coupled with a unnerving visual directed by Nick Chance, the future for Enterprise Earth couldn't look brighter." - Knotfest.com

"The djent is strong in the Washington deathcore stalwarts' latest, which is all ultra-low-tuned chug, pitch-shifter squeals and syncopated stop-start riffs that will flip your stomach - not to mention a solo so technical and unsettling it would make Fredrik Thordendal jealous." - Guitar World

"... "King of Ruination", a sprawling, technical, foreboding piece of dark magic. Bile-drenched one moment, beautifully crafted the next, it's an incredible place to kick off such a thoughtful and thrilling chapter." - idobi Radio

Enterprise Earth have unleashed the official music video for "I, Divine" (directed by Nick Chance) today via MNRK Heavy. Taken from their excellent latest album 'Death: An Anthology', the band have previously released "King of Ruination" featuring Ben Duerr from Shadow Of Intent, "The Reaper's Servant" with special guest Darius Tehraniof Spite, "Casket of Rust" and most recently, "Blood and Teeth". Speaking on today's release, guitarist, backing vocalist, and producer Gabe Mangold shared:

"'I, Divine' was one of the tracks written during our Tahoe Cabin writing session that quite literally started out as an inebriated mock of a Juicy J style trap beat, which is the piano melody you hear in the intro. Little did we know that upon returning to it the next day we found ourselves completely inspired by it and dove into writing a "real" metal song that turned into one of our favorite songs on the record. For the video, we wanted to capture the playful and fun vibe we found while writing so what better way to do it than by making a mock rap music video??" 

North American fans also have their chance to see Enterprise Earth hit the stage on their headliner Death: An Anthology North American Tour with Inferi, Crown Magnetar, and Tracheotomy as support (ticket info here). Watch the music video for "I, Divine" below and stream the track at the link here.

Death: An Anthology North American Tour Dates

Apr 11 - Phoenix, AZ @ Nile Underground

Apr 12 - San Diego, CA @ Brick By Brick

Apr 13 - Anaheim, CA @ Chain Reaction

Apr 14 - San Francisco, CA @ Neck of The Woods

Apr 16 - Portland, OR @ Dante's

Apr 17 - Seattle, WA @ Madame Lou's

Apr 18 - Spokane, WA @ The Big Dipper MOVING FAST

Apr 19 - Missoula, MT @ ZACC

Apr 20 - Calgary, BC @ Dickens MOVING FAST

Apr 21 - Edmonton, BC @ Starlite MOVING FAST

Apr 23 - Winnipeg, MB @ Park Theatre

Apr 24 - Minneapolis, MN @ Amsterdam Bar

Apr 25 - Des Moines, IA @ xBk

Apr 26 - Chicago, IL @ WC Social Club

Apr 27 - Cleveland, OH @ TempleLive (Jester's) MOVING FAST

Apr 28 - Detroit, MI @ Sanctuary

Apr 29 - Toronto, ON @ Hard Luck

Apr 30 - Montreal, QC @ Fairmount Theatre MOVING FAST

May 01 - Portland, ME @ House of Music

More than anything else, we share death in common. This universal eventuality unites us. In an evolutionary sense, it effectively ensures our equality. No matter who you are, you will die. Enterprise Earth explore death from a different perspective altogether. Rather than turn away from it, the U.S. quartet—Gabe Mangold [guitar, backing vocals, production], Brandon Zackey [drums], Travis Worland [vocals], and Dakota Johnson [bass]—face it head-on with their fifth full-length offering, DEATH: AN ANTHOLOGY [MNRK HEAVY]. Against an apocalyptic soundtrack of battering ram double bass drums, gut-punching guitars, and disarmingly dynamic vocals, the group present their most immersive and inimitable vision yet.

“The album is tied together by the overarching concept of death,” Travis states. “It’s easy to think of death as a separation of consciousness from the body, but we’re delving into the death of self, individuality, and relationships—whether romantic or platonic. Dying takes many forms. I grew up extremely religious, so death has always been on my mind. In any religion, the afterlife is the umbrella for all of your beliefs. I tend to think of death from a more philosophical standpoint these days.”

The band have always incited mosh pits and thought in equal measure. Since emerging during 2014, Enterprise Earth have logged two back-to-back debuts in the Top 10 of the Billboard Heatseekers Albums Chart, while Loudwire cited Luciferous among the “50 Best Metal Albums of 2019.” Hysteria Mag heralded 2022’s The Chosen as “a veritable masterclass in experimentation and reinvention that shows a highly skilled band transcending its roots and making steps to become leaders of a field still being created,” while Metal Injection summed it up as “a strong statement.” Plus having toured with the likes of Thy Art Is Murder, Dying Fetus, Chelsea Grin, Fit For An Autopsy, Fallujah, Within Destruction, and more.

With Gabe once again in the producer’s chair, the musicians holed up in a Lake Tahoe cabin for nine days where they penned the bulk of DEATH: AN ANTHOLOGY. It marked the first time this lineup wrote together (and in-person) as well as with Travis on vocal duties.

“We fed off one another’s energy,” recalls Gabe. “These songs felt cohesive because of that. We all had a hand in the composition.”

In the end, death may be inevitable, but you can rely on Enterprise Earth for a release in the meantime.

“We wanted to make an album that feels like who we are as a collective,” the band agreed. “On the one hand, we hope you have fun listening to it. On the other, just know, ‘Death is real and it comes for us all’. One day, we won’t be here anymore. While we’re alive, we want to enjoy it.”

Enterprise Earth Is:

Gabe Mangold [guitar, backing vocals, production]

Travis Worland [vocals] 

Brandon Zackey [drums]

Dakota Johnson [bass]

Boston Manor Share "Sliding Doors" Video

BOSTON MANOR have shared the video for the new single "Sliding Doors," their second new song of 2024 and one that rides waves of spiking distortion and cuts rich grooves as it goes.

Watch the video below.

"Sliding Doors" portrays the sometimes seismic impact that the seemingly innocuous actions in our day to day lives can have. It's a song that in many ways leads right back to the start of Boston Manor. 

"'Sliding Doors' is named after that movie of the same name," says singer Henry Cox. "I called it that because when we were writing it I started thinking about all of the decisions that I've made that have led me to the life I have and how circumstantial a lot of it is. It got me thinking about how Boston Manor started. I'd had a few conversations with Dan [Cunniff, bass] and Mike [Cunniff, lead guitar] (who I barely knew at the time) about starting a band. But at that time, I was in art school in a different city and I had a bunch of other stuff going on. I was also starting like two other bands with different people so I figured it was just something that you talk about."

In a world full or disorder and chaos, all we can do sometimes is respond to what's laid out in front of us. The results may be unpredictable, glorious, or devastating, but as possibility and opportunity present themselves one moment, hide themselves the next, it's how we react at those junctures that leads us on our ultimate pathway.

Expanding further, Cox says, "I'd gone home to visit my parents for the weekend and had taken a bus up to north shore to go and visit a friend, I was on my way home and the bus basically crashed. It wasn't bad; no one was hurt or anything. But I had to get off. It was super late and buses basically stop running at that time in parts of Blackpool. I had been texting Mike and it turned out the bus had crashed at the bottom of his street, so I just went round to his. We basically ended up writing the first song from our demo that night. We played our first show a few weeks later."

He continues, "If that car hadn't pulled out on that bus, we probably never would've started Boston Manor and been all the places we've been. I wouldn't have met my wife and half of my friends. I don't know if I would even be playing music now."

 "Sliding Doors" is a way for the band to recognize that as we go through life and make more choices, some versions of ourselves die away, and new versions emerge. Who we become may all be down to the roll of a dice.

This is explored in the accompanying video, as Cox comments, "We tried to reflect this in the music video, the idea being it's loads of different realities, some of which I'm a musician some of which I’m doing something totally different. The diehard fans might recognize the final location, which is where we shot our very first music video, long since scrubbed from the Internet. In a way, the band we're in now feels like an alternate reality to the band we started. I look back at old videos and I barely recognize us!"

Also, watch the video for the previously released single "Container" here.

 PHOTO CREDIT:  Megan Doherty