Blake Shelton & Friends to Host 'All for the Hall' in Oklahoma on March 30

Five-time CMA Male Vocalist of the Year and Grand Ole Opry star Blake Shelton will host an Oklahoma-sized All for the Hall concert at the BOK Center in Tulsa, Oklahoma, on Saturday, March 30. The concert, which will benefit the Country Music Hall of Fame® and Museum and its education programs, will feature an all-star Okie lineup, including Country Music Hall of Fame member Ronnie Dunn, Tony and Emmy Award-winner Kristin Chenoweth, ACM and CMA nominee Wade Hayes and fan-favorite songwriters/performers The Swon Brothers. More artists will be announced soon.
 
“I can’t think of a better place than Oklahoma for the next All for the Hall show,” said Shelton. “Oklahoma and country music are synonymous, and members of the Country Music Hall of Fame include some of our most iconic stars, from Ronnie Dunn to Garth, Reba and Vince Gill, to name a few. I’m thrilled to be hosting this show in my home state!” 
 
 “It speaks volumes when an artist of Blake Shelton’s stature supports our museum’s educational programs so wholeheartedly and so generously,” said Kyle Young, chief executive officer for the Country Music Hall of Fame and Museum. “We’re immensely grateful not only to Blake but also to Ronnie, Kristin, Wade, the Swon Brothers and others for giving their ‘all for the Hall,’ and for helping us continue to educate our many audiences about the enduring cultural value of country music.”
 
Tickets for the event will go on sale Friday, Jan. 26, and can be purchased via Ticketmaster at blakeshelton.com. This marks the first time an All for the Hall benefit show will take place in the state of Oklahoma. All proceeds from the show will go to the nonprofit museum’s education initiatives, which directly served more than 230,000 people through in-person and virtual programs in 2023. More information is available at countrymusichalloffame.org/learn. 

About Blake Shelton:
As the genre’s chief ambassador, Blake Shelton has been delivering country music to a diverse audience for more than 20 years. In that time, he has accumulated an astonishing 28 No. 1 singles, sold nearly 15 million album equivalents, and earned upwards of 11.5 billion global streams. Shelton has received myriad awards, including six ACMs, three AMAs, 10 CMAs, 11 CMTs and more. On sale now, Shelton is back for another round of his “Back to the Honky Tonk” Tour Presented by Kubota, which kicks off in February. 
 
He and Carson Daly have teamed up to executive produce and star in the high-spirited, celebrity game show, Barmageddon. Hosted by Nikki Garcia, the show airs on USA Network, season Two is airing now. The Grand Ole Opry member also remains focused on his Ole Red partnership with Ryman Hospitality, with locations currently in Tishomingo, Nashville, Gatlinburg, Orlando and an exciting new venue in Las Vegas that opens soon. A noted humanitarian, Shelton has helped raise millions of dollars for children’s hospitals, disaster relief organizations, food banks, the OK POP Museum and more in his home state of Oklahoma and beyond. 
 
About All for the Hall:
The All for the Hall campaign began in 2005 when Country Music Hall of Fame member Vince Gill suggested country music artists contribute the proceeds of one annual performance to benefit the Country Music Hall of Fame and Museum. Launched in 2007 in New York, the series has alternated between New York and Los Angeles in succeeding years, with Gill and fellow Country Music Hall of Fame member Emmylou Harris as hosts. With Keith Urban, Gill also co-hosts a recurring All for the Hall concert in Nashville at Bridgestone Arena. In September 2021, the museum hosted the first-ever All for the Hall benefit in Dallas, which is set to return to the city in 2024. Funds raised from All for the Hall events support the museum's educational incentives which directly served more than 230,000 people last year. To date, All for the Hall concerts have raised over $6.6 million through 2023.
 
About the Country Music Hall of Fame and Museum:
The Country Music Hall of Fame® and Museum collects, preserves and interprets country music and its history for the education and entertainment of diverse audiences. In exhibitions, publications, digital media and educational programs, the museum explores the cultural importance and enduring beauty of the art form. The museum is operated by the Country Music Foundation, a not-for-profit 501(c)(3) educational organization chartered by the state of Tennessee in 1964. The museum is accredited by the American Alliance of Museums, and is among the most-visited history museums in the U.S. The Country Music Foundation operates Historic RCA Studio B®, Hatch Show Print® poster shop, the Haley Gallery, CMF Records, the Frist Library and Archive and CMF Press. Museum programs are supported in part by Metropolitan Nashville Arts Commission and Tennessee Arts Commission.

More information about the Country Music Hall of Fame and Museum is available at www.countrymusichalloffame.org or by calling (615) 416-2001.

NECROPHOBIC Shares Lyric Video for Melodic New Song, “As Stars Collide”

Swedish blackened death metal masters NECROPHOBIC are now unveiling their melodic new single, "As Stars Collide." The track can be found along with a cosmic lyric video, which was created by Brendan McGowan, below..

"As Stars Collide" is taken from NECROPHOBIC's upcoming tenth studio album, 'In the Twilight Grey,' which is due on March 15, 2023 via Century Media Records!

Lead guitarist Sebastian Ramstedt says that "As Stars Collide" is “The most important song on the album for me personally. It starts off with the main melody, that was actually something my mother sang to me as a kid in the early 70’s. It is almost like a chant, or a dark lullaby. I wanted to honor her melody, but put it in my own context. I used one of the oldest stories ever told and drew inspiration from 'Innana’s Descent' - the tale where the morning and evening star meet in the underworld to decide whether good or evil should reign. I wanted to create something that stretched beyond the metal barriers.”

'In the Twilight Grey' is now available for pre-orders HERE and can be found in the following formats:

Ltd. Deluxe Gatefold combat green 2LP & LP-Booklet & Poster incl. 2 bonus tracks (1.000x)

Gatefold black LP

Gatefold dark green LP (300x)

Ltd. CD Mediabook (comes with a special, extended booklet and 2 bonus tracks)

Standard CD Jewelcase

Digital album

Enigmatically titled 'In the Twilight Grey,' NECROPHOBIC’s tenth studio album immediately asserts its separation from everything that has gone before. Colder and more biting than recent efforts, the album is full of brutish metal songs, hewn from unnamed obsidian horrors.

NECROPHOBIC has always been a dynamic and daring band. 'In the Twilight Grey' hammers the Swedish blackened death metal masters' boldness home via some of the most hard-hitting and direct songs they have ever recorded. Equally, the new album is home to several songs that push NECROPHOBIC’s music down strange, new avenues. Fueled by the dark side, lead guitarist Sebastian Ramstedt understands the importance of retaining the essence of the band’s early days, even as the means of expression continues to evolve.

Yet again 'In the Twilight Grey' was produced, mixed and mastered by Fredrik Folkare (of death metal icons Unleashed) at Chrome Studios, Stockholm and engineered in close collaboration by Folkare and the band themselves. For the artwork they teamed up with Jens Rydén, another likeminded and highly regarded institution from the Swedish metal scene.

With over thirty years of active, nefarious service under their spikes and bulletbelts, NECROPHOBIC are undisputed legends of the death and black metal scene. Formed in 1989 by drummer Joakim Sterner, the Stockholm blackhearts propagated a singular and fearless vision from the very start.

Eschewing the self-conscious amateurism and primitive sonics that many of their peers held dear, NECROPHOBIC established a bold and vivid identity of their own, conjuring a densely melodic, but endlessly wicked take on macabre extreme metal that countless lesser bands have since emulated.

You can take a deep dive into their history via the rereleases of their entire back catalogue that Century Media Records made available in 2022 HERE.

Line-Up:

Johan Bergebäck - Rhythm guitar

Joakim Sterner - Drums

Sebastian Ramstedt - Lead guitar

Anders Strokirk - Vocals

Tobias Cristiansson - Bass

Cover Artist + Photos: Jens Rydén

Production, Mixing, Mastering: Fredrik Folkare @ Chrome Studios

Engineering: Fredrik Folkare + Necrophobic

Links:

OFFICIAL WEBSITE

INSTAGRAM

FACEBOOK

TWITTER

YOUTUBE

SHOP

Photo by Jens Rydén

VLTIMAS Bring Righteous Scorn on New Single

VLTIMAS are legends of the underworld. Any good Satanist knows to bow down and worship at the horned feet of David Vincent (ex-Morbid Angel), Rune Eriksen (ex-Mayhem) and Flo Mounier (Cryptopsy). Their debut was greeted with a rapturous procession of devil horns. But with their new album, these gods of dark, extreme metal have ascended to truly epic heights.

Today, VLTIMAS are releasing "Scorcher", the album's hellacious second single.

Watch the visualizer below.

EPIC comes out March 15, 2024.

Pre-order: https://redirect.season-of-mist.com/VLTIMASEPIC

Pre-save: https://orcd.co/vltimasepic

Some metal songs prefer to slowly unfold before blowing out your ear drums. But rest assured, "Scorcher" is not a slow burn. Sure, the guitars lure you in with a smoky seance. Once Rune tightens those chords into icy black tremolo picking though, VLTIMAS take off like a bat out of hell. The amps crank up; Flo fires off blast beats that are hot enough to singe an angel's wings, while David Vincent unleashes a miles-long battle cry.       

"Satan laughs as worlds collide!"

His growl is so massive, so heartless, you'd better believe that he's talking about himself.

"'Scorcher' brings to life a fantastic story of the great purge that's coming our way", says Vincent. "Humanity has been sleepwalking toward this reckoning for centuries. There will be no refuge, nor mercy granted".

Visualizer made by Aimed & Framed.

VLTIMAS have been making grand declarations of war for more than 30 years, but the lead single off EPIC isn't just another offering at the altar of madness. 

"I spread my misery, biblically evolved", David Vincent sings on "Miserere" in a  baritone that's so monstrous it could summon an army of the dead.

The drums speed ahead mercilessly, mowing down all onlookers under a barrage of surgical blast beats, as riffs hail from all directions with enough firepower to shatter bulletproof glass. 

Watch the blistering music video: https://youtu.be/AR8LhYBaRfw

Extreme metal powerhouse VLTIMAS (pronounced 'uhl-tuh-mas') assault metaldom once more with their highly-anticipated sophomore album, EPIC, through Season of Mist. Featuring Norwegian guitarist Rune "Blasphemer" Eriksen (ex-Mayhem, RUÏM), American vocalist David Vincent (ex-Morbid Angel), and Canadian drummer Flo Mounier (Cryptopsy), the multinational quintet, rounded out by Dutch bassist Ype TVS (ex-Dodecahedron) and Portuguese guitarist João Duarte (Corpus Christii), continue to venture down their path. Moored by strength and integrity, VLTIMAS fortified their signature with wicked invention, as applauded by Decibel Magazine, BangerTV, Louder, and many others, on their debut, Something Wicked Marches In (2019). Singles "Miserere," "Scorcher," and "Invictus" showcase a band of musicians at the top of their game, united in their pursuit of oneness.

"We wrote every bit of EPIC together at my ranch in Dime Box, Texas," offers Vincent. "The writing sessions were as organic as they could be. There were times when, at the end of the night, Rune would take his guitar and play something ridiculous. Flo would play something even more ridiculous on top of it. I'd say to the guys, 'I need to capture this.' So, the magic [of VLTIMAS] is being in the same room together, discussing, playing, and recording music and everything else we're doing together. We have unbelievable camaraderie."
 

While the members of VLTIMAS are not atavists, their preferred creative methods are time-tested and battle-hardened. Technology has its place, but the group thrive when they're together, not separated by the world. Eriksen, renowned as a riff innovator, is more effective when he's got a highly capable sideman like Vincent or Mounier, whose drumming in Cryptopsy and his celebrated instructional Extreme Metal Drumming 101 DVD has proven to be a no-limits player, by his side. Whether it's the moody, angular attack of "Miserere," the wicked groove of "Mephisto Manifesto," or the dark fury of "Nature's Fangs," the chemistry and enterprise of VLTIMAS is undeniable.

"The main goal [of VLTIMAS] is to be real," Eriksen reveals. "To channel the very moment, to let true inspiration out. I don't believe I ever set myself a goal on what an album should or needs to sound like before I or we write it because that means I have to compromise during the process. For EPIC, we focused on more direct songs, trimming the fat, as opposed to Something Wicked Marches In, which had a progressive and 'playful' flair."

VLTIMAS was a profane concept—a constellation of riffs against a modest frame—when formed by Eriksen in 2015. After departing Mayhem in 2008 and putting his gothic doom outfit Ava Inferi to rest in 2013, the Norwegian's fingers still itched with infernal fury. VLTIMAS was his vent, and when Mounier and Vincent joined, he finally had the cadre of professionals to make it a reality. Together, they devised complementary schemes and themes rooted in rightness. In a world gone mad, VLTIMAS had a vision. On Something Wicked Marches In, they commanded attention with metaphors about the apocalypse, the ancient goddess Lilith, and truth. Lyrically, EPIC spears into the very nucleus of strength through Vincent's brio of double entendre and clever wordsmithing. The songs are designed to be heard, read, and interpreted—there are no shortcuts.

"Everything we're doing and messaging is about strength and honor," says Vincent. "These are the fundamentals that I incorporate into my life, which I believe in. I want to share with others, hoping they'll incorporate strength and honor into their lives. I wouldn't say I like spelling lyrics out. I use a lot of double meanings on purpose because I want to inspire the listener to think. I'm not a short attention span guy, and I don't appreciate it. EPIC is holistic and meant to be experienced that way."

EPIC was recorded by producer Jaime Gomez Arellano (Paradise Lost, Grave Miasma) with engineer Jonathan Mazzeo (First Fragment, Sickening) at Arda Recorders in Porto, Portugal. VLTIMAS tracked the album throughout May 2023. Arellano also handled the mix and master. Like everything the band does, the main goal was to be honest. The maxim of no sample replacement or re-amping—EPIC was captured on outboard gear—was adhered to and enjoyed by the team. The result is a sonic expression that sounds like nothing else. From the crushing title track to the epic musicality of closer "Spoils of War," EPIC is an absolute beast.

"Stress, long walks, too much alcohol, yet very focused once in the recording mode," Eriksen says of the sessions. "We booked a month, but somehow, that flew by instantly. We worked up until the very end. I even added a few solos at my local Soundscape Studio in Almada, Portugal. Art unfolds, and once you think you are done, there's always another idea popping up."

VLTIMAS brought Italian artist Daniele Valeriani (Mayhem, Unanimated) to visualize EPIC. The aesthetic, as illuminated by music and message, was iconic boldness. The three-eagle head crest with three different crowns, accompanied by transfigured symbols of the Passion and the "impossible triangle," projects effortlessly. In EPIC, the group will dominate. There's no escape from "Miserere," "Mephisto Manifesto," "Scorcher," and "Invictus." Together, they thrust, by resolve and inventiveness, VLTIMAS into the uppermost echelons of extreme metal.

"[EPIC is] old meets contemporary, a symbiosis of all the great things we love about extreme metal," offers Eriksen. "All combined into one album."

"I want to be as emotional and honest [with VLTIMAS]," Vincent adds. "I want to tell stories; I want to have the themes that appeal to me; I want to have some messaging that someone can take away, in this case, strength. EPIC is strength."

Lineup
David Vincent - Vocals
Rune Blasphemer Eriksen - Guitars
Flo Mounier - Drums
Ype TVS - Bass
João Duarte - Guitars

Recording studio
ARDA Recorders

Producer
Jamie Gomez Arellano

Sound engineer
Jonathan Mazzeo

Mixing and mastering engineer
Jaime Gomez Arellano

Mixing and mastering studio 
Arda Recorders, Orgone Studio

Cover art
Daniele Valeriani

Additional artwork and layout
Adrien Bousson

Biography
Chris Dick

Pre-save: https://orcd.co/vltimasepic

Pre-order: https://redirect.season-of-mist.com/VLTIMASEPIC

Links:
Apple Music:https://music.apple.com/us/artist/vltimas/1445457453
Bandcamp:https://vltimas.bandcamp.com/
Facebook:https://www.facebook.com/vltimas/
Instagram:https://www.instagram.com/vltimas/
Spotify:https://open.spotify.com/artist/0kz64zyv2xtkdhboztpdwa
Twitter:https://www.twitter.com/vltimas?lang=en

Available Formats:
Digital Download
CD Digipak
12" Vinyl Gatefold - Black
12" Coloured Vinyl Gatefold - Skull Gold
12" Coloured Vinyl Gatefold - Dracula
12" Picture Vinyl

DOCUMENTARY TRAILER ON LATE MEGADETH DRUMMER NICK MENZA TO PREMIERE AT THE ELLEFSON COFFEE CO. BOOTH DURING THE 2024 NAMM SHOW

The Ellefson Coffee Co.® booth number 5030 located inside Hall D will feature the VIP Rock & Roll Lounge Experience, and will premiere the official trailer for the documentary film This Was My Life: The Story of Nick Menzaon Saturday January 27, 2024 at 12pm PST. 

The premier will be hosted by David Ellefson & Nick Menza’s sister Donia Menza Ontiveros, and will be open to any NAMM attendees and media at the show. A Q&A will follow the premier joined by OHM/Kings of Thrash guitarist Chris Poland and close friend Dr. Randall Kertz, who was Ellefson’s bass tech from 1989-90, both of whom are featured in the film.

Says Ellefson, "After several years in the making, it's a real honor to be able to give a sneak preview of what this film will ultimately look like. Nick had a storied career and an even more incredible life. I'm proud to be part of this documentary and very honored that we can utilize our booth during the NAMM show as the initial theater for fans to see this beautiful story unfold.”

Donia adds, “The Menza family is super excited to finally see this film come to fruition, and even more excited to have David narrating the exciting and unique life that Nick lived. I am honored to be a part of this film and to be able to share stories of my wonderful and loving brother."

Says Director Holly Mollohan Grayson, “This special project is one that is very close to my heart. I’m a part of the generation that spent the entirety of their teenage years in the 1990s.  The soundtrack of our lives played every day on MTV and Headbangers Ball. That was the period of time when Nick was making his mark as a metal legend in Megadeth, so of course I was very familiar with his work.  I am honored to be able to explore who he was beyond his amazing talent for the drums."

Nick Menza is best-known as the drummer for thrash metal titans Megadethfrom 1989-1998, playing on some of the band’s most commercially successful albums to date, including Rust In Peace, Countdown to Extinction, Youthanasia & Cryptic Writings. Following his time in Megadeth, Menza wrote his memoir “MEGA LIFE” and in 2016, while performing at The Baked Potato jazz club in Studio City, CA suffered a massive heart attack and died.

The documentary film is directed by Holly Mollohan Grayson for Screaming Butterfly Entertainment, in association with Ellefson Films, and narrated by David Ellefson. The film highlights Nick’s life growing up in a musical household in Southern California and continues through his legendary career with Megadeth and beyond.

More information on the documentary can be found at www.thiswasmylifefilm.com

Ellefson Coffee Co. At NAMM 2024

The VIP Rock & Roll Lounge Experience has a café, Media Lounge, live acoustic performances by Jeff Young (Kings of Thrash), autograph meet & greets from celebrated musical artists such as Metal Allegiance, Kings of Thrash, DIETH, QUOR and more.

Says Ellefson, “The NAMM show is the music industry’s annual music summit and I’m super excited that Ellefson Coffee Co.® is an exhibitor at this years’ event. We will be rolling out new coffee roasts & opening up my own personal MEGA Vault of memorabilia from major concert tours for the fans to peruse. We look forward to seeing you there!”

Sponsors and partners inside the booth include Scorpion Percussion, The Focusrite Room, HEAVYS Headphones, Mainstage Music Group, Danny Gordo Art and Sam Welty Art.

Ellefson Coffee Co.® launched in 2017 and quickly established itself as a true rock & roll coffee brand with its flagship Roast In Peace medium roast coffee that year followed by a light roast Rock N’ Rose and a dark roast Napalm In The Morning. The company then opened its first retail outlet in Ellefson’s home town of Jackson, MN in 2018, and continues to sell its coffee worldwide.

For more information on Ellefson Coffee Co. please visit ellefsoncoffeeroasters.com

Iconic Scottish songsmith John Douglas shares 'Lost (Live Session)' and beatitude over Trashcan Sinatras' developments.

One of Scotland’s finest songwriters - John Douglas of Trashcan Sinatras fame - presents a live version of 'Lost', originally filmed for The Scotsman Sessions. This is the opening track of his eponymous debut album, released via Scotland's Reveal Records, presenting an intimate snapshot of the talent, charisma and depth of this celebrated Scottish indie songsmith. 

This is the start of a new chapter in Douglas' creative life as he looks back at a lifetime of musical adventures and accolades while moving forwards. Recorded live at Kyoti Studio in Glasgow (with no overdubs), Douglas worked with producer Mark Freegard (New Model Army, Lush, The Breeders, Del Amitri, Marillion), who also mixed and mastered it.

This record features original material, along with new recordings of some of John's favourite Trashcan Sinatras' material and his own rendition of the Prefab Sprout classic ‘We Let The Stars Go’. Apart from the album version of 'Lost', Douglas also recently shared live videos for 'I'm Not The Fella' and 'Always', plus Trashcan Sinatras' classics  'Oranges & Apples', 'Leave Me Alone'and 'Weightlifting'.

John Douglas is a founding member of Trashcan Sinatras, who recently re-released their debut record 'Cake' via Last Night From Glasgow, finally seeing UK Top-40 success 33 years later since its original release (it only reached 74 in the charts back in the day).

‘I’m really enjoying having my record out in the world. It seems to have found a place in people’s hearts. Maybe it’s the simplicity of approach -there’s not much of that around these days. I don’t know really. I try not to dwell on it. I’m happy to show up and sing the songs with my guitar as partner, keep it intimate and let the songs come to life," says John Douglas.

"The recent interest in the Trashcans' records has been a wonderful coincidence…it’s long overdue and well deserved.. for it to arrive as I put my own record out feels mysterious and miraculous.. whoever’s organising this runs a pretty slick operation."

As of late, John has been playing gigs across the UK and Ireland, both as a solo artist and as part of his partner Eddi Reader’s band. He has also put on shows with musical friends, such as Norman Blake (Teenage Fanclub), Jill Jackson, Withered Hand and James Grant (Love & Money).  John was also invited to perform with Martin McAloon (Prefab Sprout), the two having first met in 1990 when the Trashcan Sinatras' were touring with Prefab Sprout for ‘Jordan - The Comeback' LP.

The 'John Douglas' album is out now and available from fine online platforms and also on Bandcamp - both on CD and digitally.

CREDITS
Written by John Douglas (1, 2, 4, 6, 11), Trashcan Sinatras (3, 5, 7, 8), Trashcan Sinatras / Dine (9) and Paddy McAloon (10)
All songs published by MCPS/PPL, except Track 10 (published by Sony/ATV Music Publishing LLC)
Recorded, mixed & mastered in Glasgow by Mark Freegard
Photographs taken on the Old Largs Road by Susie Lowe
Cover photo by Janette Ayachi at The Strand Club, Glasgow
Design by Martin Rowsell Simply Marvellous: Music
Publicity by Shameless Promotion PR

Keep up with John Douglas 
Bandcamp | Twitter | Instagram | Facebook | YouTube | Spotify | Apple Music | Press contact

Keep up with Reveal Records
Website | Bandcamp | Facebook | Twitter | Instagram | Soundcloud  

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | LinkedIn | Email

NECROWRETCH Blaze Through the Desert on New Single

Necrowretch might have emerged alongside the revival of old school death metal, but these deadly sorcerers have always carried a Satanic streak. After all, their new album, Swords of Dajjal, is named after the Islamic Antichrist. 

Today, the blackened French band are summoning the gods of barbarity with "Dii Mauri", the album's smoldering third single.

Watch the treacherous video below.

Swords of Dajjal comes out February 2, 2024.

Pre-order: https://redirect.season-of-mist.com/NecrowretchSwords

Pre-save: https://orcd.co/necrowretchswordsofdajjal

"Dii Mauri" begins with a blessing and a curse. "Ave Ingirozoglezim!" Vlad spews, conjuring the fully eruptive force of his band. Drum fills reign down like boulders, while the riffs churn and whip with the blinding fury of a sandstorm. Even in the midst of a lone, piercing guitar that drifts through the air like a mirage, one thing is clear. In their wake, Necrowretch leave nothing but devastation. 

"This song pays tribute to the ancient Moorish Gods in Dii Mauri", says Necrowretch. "Unlike the other Gods that the Roman Empire was integrating into their pantheon after each conquest, the Dii Mauri were considered too barbaric to be ever integrated.

So shall it be... to scribe thy names
So shall it be... to cast thy flames..."

The video for "Dii Mauri" was filmed on location in Spain and Kyrgyzstan. It was directed, filmed and edited by Mounir Chraibi. 

Horse training was provided by Carolina Lindenau from Spain's Rancho Bonanza.

Now entering their fifteenth year as a band, France’s Necrowretch are about to open the most ambitious chapter of their career with Swords Of Dajjal, their three-years-in-the-making fifth album.

Initially the sole work of multi-instrument and vision leader Vlad, the band was originally for better and for worse lumped in the ‘old school death metal revival’ of the early 10’s. Yet while their debut Putrid Death Sorcery did bear indeed all the usual suspects of said genre, it nevertheless already had that extra, raw-as-fuck and just plain vicious element that really set them apart from the rest of the pack. Conforming to the norm was never in question and instead of selling out or trying to slow things down, as true misfits as they are, the went the exact opposite direction, first with 2015’s With Serpents Scourge, only to be vigorously confirmed by its furious follow-up, and first for Season Of Mist, 2017’s Satanic Slavery. To the point where once the touring cycle was over for the latter, Vlad himself felt he had explored this direction as far as he could have and that changes were on the horizon.

“On Satanic Slavery we on purpose took things as far as we could as our goal was to deliver the most bestial album possible. But once we achieved that goal, I knew we had to take a slightly different if still as uncompromised direction.” Incidentally, that’s when Wenceslas Carrieu from Cadaveric FUMES entered the picture, first as a momentary live session on bass. But when second stringer Kev Desecrator vowed to amicably part way with the band to focus on DESTRÖYER 666, he switched to six-strings and proved to be the valuable songwriting partner Vlad had been looking for since the departure of the band original bass player Amphycion in 2015. “Heimmediately came up with lots of ideas and thanks to him, we now have a whole new dynamic: a bit like Sepultura had back in the days in between Max Cavalera and Andreas Kisser, with me focusing now on my vocals and playing rhythm guitars while Wenceslas takes care of all the solos, the starting riffs and the off-the-map bits.

With their fourth album, and first with Wencelas, The Ones From Hell was only one month old, Necrowretch was about to tour Europe with both Kampfar and Taake for three weeks. A tour bus was booked, the set was well-rehearsed, everything was ready and then... disaster struck. “Six days before we were due to play our first show, the whole thing was cancelled. Then COVID hit us and the world was basically shut down. We were numb for a couple of days but soon realized that the best way to bounce back was to move forward so we instantly started working on new songs.” The result is Swords Of Dajjal by far, their biggest, boldest and most ambitiousproduction ever.

“We spent no less than three years working on the songs, demoeing them and finetuning the details and rehearsing them as a three-piece and six weeks in the studio with Francis Caste (Hangman's Chair, REGARDE LES HOMMES TOMBER, Svart Crown etc.). Prior to that, we used to be a pure product of the underground, with albums done in just a couple of days whom were never 100% satisfied with in the end as we had to rush everything. We’re still very underground, mind you. But this time around, we knew we had to give it all, no matter what. So we started by changing our gear, our sound and our tuning. And once we entered the studio, we forinstance spent a whole day just testing different amps just to get the right sound and crunch we were looking for. I even took some singing lessons to gain more depth and power. In a way, it almost feels like a whole new band.”

The whole record was written on purpose mostly on acoustic twelve-string guitars (“the idea was that if it sounds good and catchy that way, it’d be even better with distortion”) and as a three-piece, “something we hadn’t done in a long time” with their new drummer Nicolas Ferrero, not exactly a newcomer as he’s been playing on and off live with them since 2018. The result is, according to Vlad, “our most black metal record, with splashes of death metal here and there. Whereas on the previous album all tempos were pushed to the extreme, there’s far more variety here to be found. Italso gave us free reins to reach a more mystical, Biblical if you will vibe” fed by his experience living in Turkey in the late 10’s. “We choose to focus on the Dajjal character, basically the antichrist in the Muslim religion. The Coran says that he’ll appear as a false prophet only to bring doom to this world, with an army of demons coming from the east.” Represented on the cover of the album with his double edged sword and bathed in the same kind of reddish and orangey mesmerizing lights one can experience when the sun sets on wind-beaten deserts, all eight songs on the album are prophecies, past and future, where Dajjal plays the leading role.

Now completed on bass by R. Cadaver (former Cadaveric Fumes vocalist) who officially joined once the recording was done after playing as a live session member for the last two years, and armed with their biggest, most complex and intense album of their career, Necrowretch are about to yield their sword of destruction and exterminate everything in sight.

Lineup
Vlad - Vocals, Guitars
W. Cadaver - Lead Guitars
R. Cadaver (Live) - Bass
N. Destroyer - Drums

Recording Studio       
Studio Sainte Marthe, Paris

Sound, Mixing & Mastering Engineer
Francis Caste

Cover Art
Stefan Thanneur / Manifeste

Photography
Léonor Ananké

Biography
​​​​​Olivier Zoltar Badin

Pre-save: https://orcd.co/necrowretchswordsofdajjal

Pre-order: https://redirect.season-of-mist.com/NecrowretchSwords

Booking
necrowretch@gmail.com

Links:
Official Website: https://necrowretch.net/
Facebook: https://www.facebook.com/Necrowretch
Instagram: https://www.instagram.com/necrowretch
Spotify: https://open.spotify.com/intl-fr/artist/0cIx910hgtpgvicBJv3ybq
Bandcamp: https://necrowretch.bandcamp.com/

Available Formats:
CD Digipak
CD Digipak + Exclusive Woven Patch w/ Red Merrow Border
Digital Download
12" Vinyl Gatefold - Black
12" Coloured Vinyl Gatefold - Transparent Yellow
12" Coloured Vinyl Gatefold - Crystal Clear, Yellow & Black Marbled

Photo by Léonor Ananké

Invent Animate Release New Single "Sleepless Deathbed" + Visualizer via UNFD

Atmospheric metalcore trailblazers Invent Animate are kicking off 2024 by releasing their new single "Sleepless Deathbed" and the accompanying visualizer (via UNFD). Prior to today, the band released the titular album title track "Heavener" and the official music video from their phenomenal latest album. When asked about the inspiration behind today's release, the band shared:

"The song is about hallucinating a state of your own death and being stuck in that lifeless plane of constant and repeating discomfort. Where all your bad memories, big and small, are falling down on you in the form of rain and making you feel it all again, physically all at once. At a point, you start to think this might be death and that it might be like this forever. It weighs you down so much that your ground melts and you fall down through a static space through your own memories. The fall becomes the sleepless deathbed, where you’ve come to serve until the end of time. This is one of those songs that was written naturally, we knew we wanted something fast and heavy and we knew lyrics needed to represent physical panic."

Stream "Sleepless Deathbed" here and watch the visualizer below.

Invent Animate's North American fans have the opportunity to see the band's phenomenal live show now alongside Beartooth, The Plot In You, and Sleep Theory. Tickets are going fast with many dates already sold out, so be sure to get yours at the link here and watch this space for more Invent Animate news coming soon.

North American Tour 2024 Dates:

Jan 19: Toronto, ON @ History (Sold Out)

Jan 20: Montreal, QB @ M Telus (Sold Out)

Jan 21: Boston, MA @ House of Blues (Sold Out)

Jan 23: Philadelphia, PA @ Franklin Music Hall (Sold Out)

Jan 24: Pittsburgh, PA @ Roxian (Sold Out)

Jan 26: New York, NY @ Palladium Times Square (Sold Out)

Jan 27: Baltimore, MD @ Rams Head (Sold Out)

Jan 28: Norfolk, VA @ The NorVA (Sold Out)

Jan 30: Atlanta, GA @ Tabernacle (Sold Out)

Jan 31: Charlotte, NC @ The Fillmore (Sold Out)

Feb 2: Charleston, SC @ Charleston Music Hall (Sold Out)

Feb 3: Orlando, FL @ House of Blues (Sold Out)

Feb 11: Tampa, FL @ Jannus (Sold Out)

Feb 13: Huntsville, AL @ Mars Music Hall (Sold Out)

Feb 14: New Orleans, LA @ House of Blues (Sold Out)

Feb 15: Houston, TX @ White Oak Music Hall (Sold Out)

Feb 17: San Antonio, TX @ Boeing Center at Tech Port - Low Tickets

Feb 18: Dallas, TX @ House of Blues (Sold Out)

Feb 20: Phoenix, AZ @ Van Buren (Sold Out)

Feb 21: San Diego, CA @ Soma 

Feb 22: Los Angeles, CA @ The Wiltern - Low Tickets

Feb 24: Sacramento, CA @ Hard Rock Hotel & Casino(Sold Out) 

Feb 25: Portland, OR @ Crystal Ballroom (Sold Out) 

Feb 27: Seattle, WA @ Showbox SoDo (Sold Out)

Feb 28: Spokane, WA @ Knitting Factory (Sold Out)

Mar 1: Boise, ID @ Knitting Factory (Sold Out)

Mar 2: Salt Lake City, UT @ The Complex - Low Tickets

Mar 3: Denver, CO @ The Fillmore - Low Tickets

Mar 5: Fargo, ND @ Sanctuary Events Center (Sold Out)

Mar 6: St. Paul, MN @ Myth Live

Mar 8: Chicago, IL @ Riviera - Low Tickets

Mar 9: Madison, WI @ The Sylvee (Sold Out)

Mar 10: Sauget, IL @ Pop's - Low Tickets

Mar 12: Indianapolis, IN @ Egyptian Room - Low Tickets

Mar 13: Nashville, TN @ Marathon Music Works (Sold Out) 

Mar 14: Fort Wayne, IN @ The Clyde Theater

Half Me Share "Quitter Talk" Video

Half Me made a striking entry into the heavy music world with their debut album SOMA — which blended metal, hardcore, and experimental styles. The powerful riffs and reflective lyrics turned heads and caught ears.

They are back and more heated than ever, following up on the previous single "Concrete Ceiling" with "Quitter Talk."

Losing a battle, fighting a war. On their new single "Quitter Talk," Half Me deal with inner turmoil manifesting in addiction — loud and without compromise.

Watch the video below.

Stream the song here.

"Half Me have unveiled a monstrous statement of intent" — 8/10 Metal Hammer

"SOMA is how you get attention. Soma is how you make people notice you" — GBHBL

"Extremely well-written, well-produced, and well-performed on every front" — The Soundboard Reviews

PHOTO: Jana Boese

Stream, order SOMA now as CD, limited colored vinyl and exclusive merch options at the Arising Empire Shop.

HALF ME ARE:
Christopher Zühlke — Vocals
Christopher Hesse — Guitar
Julius Jansen — Guitar
Tobias Max Sajons — Bass
Maximilian Eisersdorff — Drums

Yours Truly is back!

Dalton Dover Releases Heartfelt Cover of "Take Me Home, Country Roads"

MusicRow-dubbed “master country talent” Dalton Dover is kicking off 2024 with a return to his roots as he debuts a heartfelt cover of John Denver’s “Take Me Home, Country Roads,” released via UMG Nashville/Mercury Records.
 
“Growing up, this one was a fun singalong, but now I like to play when I’m feeling a little homesick while I’m touring,” shares Dover. “It’s a little reminder that soon enough, I’ll be on those roads that lead me back home.”

After honing his live show with festival dates and supporting acts such as Luke Combs, Tyler Hubbard, Sam Hunt, Parker McCollum, Justin Moore and Chase Rice, Dover is gearing up to embark on his first headlining club tour with his Never Giving Up On That Tour, kicking off Feb. 23 among dates on Larry Fleet’s The Earned It Tour. Tickets are on sale now at DaltonDoverOfficial.com.
 
Named a Tidal Artist to Watch 2024, Pandora 2023 Artist to Watch, an Amazon Music 2023 Breakthrough Artist to Watch: Country Class and a member of CMT’s LISTEN UP 2023 Class, Dover recently released an eight-song collection with Never Giving Up On That, featuring his most-added radio debut “Giving Up On That.” The official music video for premiered with CMT, CMT Music, CMT.com and Paramount’s Times Square Billboard. Directed by Tristan Cusick, the video was filmed near Dover’s hometown in Rome, Georgia.Watch it HERE.

Dover is signed with United Talent Agency for worldwide booking representation in all areas, along with Sony Music Publishing Nashville in partnership with Droptine Music Publishing. For more information, visit DaltonDoverOfficial.com or follow along on Instagram, TikTok, Twitter and Facebook.

Dalton Dover Tour Dates
 
Jan. 19                         KFRG Riverside 34th Birthday Bash            Cabazon, CA
Jan. 29-Feb. 1             Boots on the Beach                                         Punta Canta, Dominican Republic
Feb. 13                        Grand Ole Opry                                              Nashville, TN
Feb. 15                        ETSU Martin Center for the Arts*                 Johnson City, TN
Feb. 16                        The Ritz*                                                         Raleigh, NC
Feb. 17                        Tabernacle*                                                     Atlanta, GA
Feb. 23                        Proud Larry’s                                                  Oxford, MS
Feb. 24                        Hub City Brewing                                           Jackson, TN
Feb. 29                        Iron City Bham*                                             Birmingham, AL
March 1                       The Fillmore Charlotte*                                 Charlotte, NC
March 2                       The National*                                                 Richmond, VA
March 14                     Jannus Live*                                                   St. Petersburg, FL
March 15                     The Ranch Concert Hall & Saloon*               Fort Myers, FL
March 16                     Clewiston Sugar Festival                                Clewiston, FL
April 5                         House of Blues – Bronze Peacock                 Houston, TX
April 6                         The Lot                                                           Mansfield, TX
April 11                       40 Watt Club                                                   Athens, GA
April 12                       The Barrelhouse Ballroom                             Chattanooga, TN
April 13                       The Open Chord                                             Knoxville, TN
April 20                       Coast City Country                                        Vancouver, Canada
April 26                       Terminal South                                               Tifton, GA
April 28                       Capitol Theatre                                               Macon, GA
June 20-22                  Country Jam                                                    Mack, CO
June 28                        Country Fest 2024                                          Cadott, WI
July 4                          I-105 Country Freedom Fest                           Quarryville, PA

*Supporting Larry Fleet

About Dalton Dover
Lauded by MusicRow as a “master country talent,” Dalton Dover’s debut radio single “Giving Up On That” via UMG Nashville/Mercury Records was the most-added track at Country Radio upon its debut with 60 first week adds, and it can be found on his latest EP Never Giving Up On That, featuring eight tracks including “Night To Go,” “Baby I Am,” “Hear About A Girl,” and more. Named a Tidal Artist to Watch 2024, Pandora 2023 Artist to Watch, an Amazon Music 2023 Breakthrough Artist to Watch: Country Class and a member of CMT’s LISTEN UP 2023 Class, he will embark on his headlining Never Giving Up On That Tour in early 2024. Dover made his Grand Ole Opry debut in December 2022, followed by his international debut in 2023 at C2C: Country to Country Festival’s CMA Songwriters Series before joining Chase Rice on the Way Down Yonder Tour. This summer, Dover performed across four stages at CMA Fest, including the Nissan Stadium Platform stage and played Luke Combs’ Whiskey Jam Bootleggers Tailgate Party at Gillette Stadium in July. By the age of 16, Dover had picked up a guitar and started teaching himself to play, yet it was his grandfather who turned him on to country music and artists such as Keith Whitley, Rhett Akins, Joe Diffie and Steve Wariner. Performances at local bars soon followed along with sharing covers of some of his favorite songs on TikTok. It was there he caught the ear of producer Matt McV and A&R veteran and founder of Droptine, Jim Catino, who quickly signed Dover. His debut track “You Got a Small Town,” produced by McV, quickly garnered critical acclaim from Billboard, MusicRow, Country Now and Wide Open Country. With his debut and his follow-up “Baby I Am” earning notable playlisting, Dover was named a Spotify Hot Country 2022 Artist to Watch along with a spotlight as Billboard’s February Country Rookie of the Month and a nod for MusicRow’s 2022 Discovery Artist of the Year. For more information, visit DaltonDoverOfficial.com or follow along on Instagram, TikTok, Twitter and Facebook.

AMERICAN IDOL SEASON 21 FINALIST AND 19 RECORDINGS/BMG POP VOCALIST, PERFORMER, AND SONGWRITER HAVEN MADISON RELEASES “SKY UP” FROM FORTHCOMING EP

American Idol Season 21 finalist and 19 Recordings/BMG pop vocalist, performer, and songwriter Haven Madison, announces her brand-new track, “Sky Up.” Available today along with an official animation video, the song serves as the premiere release in anticipation of Madison’s five-track studio EP TURN OFF ALL THE LIGHTS that will drop worldwide on April 26. Listen to “Sky Up” and pre-order/pre-save/pre-add the EP here and watch the official animation video below.

A rare, young artist with a vision and a message for the world, Madison delivers a powerfully haunting ballad with “Sky Up” - a song about feeling like the depths of your emotions are a weight, bringing down someone you love. The official animated video for “Sky Up” features the Oscar Shortlisted, Annie Nominated, AACTA winning Australian short film “Lost & Found.” The stop motion animated short, paired with Madison’s song, tells a moving and powerful story about connection and tug at the heart strings as a clumsy crochet dinosaur must unravel itself to save the love of its life.

“‘Sky Up’ came together like it was in my bones just waiting to be found,” says Madison. “From the moment I listened to the demo to now, it has continued to move me in a way that no other song of mine has. It’s so vulnerable, raw, and dives into a feeling I’m sure everyone has felt but has not been able to describe. I cannot wait for people to listen and find their own truth to its music and art.”

The piano-driven “Sky Up” was written by Madison and songwriter/producer Dave Pittenger. Named a Hitmaker by Variety magazine and nominated for a GRAMMY in 2023 for Song of the Year, Pittenger also serves as producer on Madison’s upcoming debut EP. Pittenger had a multi-week global smash hit with “abcdefu” (GAYLE), which spent several weeks at No. 1 on Billboard’s Global 200, as well as the Billboard Top 40 airplay chart.

“Sky Up” showcases Madison’s immense talent as a singer/songwriter and powerful vocalist and follows on the heels of her successful run as a Top 8 finalist on ABC’s American Idol where she performed her own originals like the wistful “Fifteen” and heartfelt “Still Need You” that she wrote about her brother’s fight against depression and suicide. Earning instant praise from judges Lionel Richie, Katy Perry, and Luke Bryan, as well as guest judge Ed Sheeran, Madison’s viral duet performance of “Still Need You” with Perry catapulted her into the spotlight, garnering the admiration of millions of viewers and fans.

Hailed as “the next big pop star” by Perry, Madison is no stranger to the music business. Having grown up in a music family touring the world, she discovered her passion for performing and songwriting at an early age. Her run on American Idol only fueled her hunger, leading Madison to immediately return to Nashville, post-show, and get to work in the studio. Turning to her passion for songwriting, she journaled her way into crafting an honest, coming of age collection of songs that comprise her upcoming EP, Turn Off All The Lights.

Look for Madison’s official music video for “Sky Up” that will also premiere worldwide on Thursday, Jan. 25. 

About 19 Recordings:

19 Recordings is an LA–based record label owned by Sony Pictures’ 19 Entertainment. Founded in London in 1999 as the music division of 19 Entertainment, the label was one of the top record imprints as compiled by Billboard in 2012. 19 Recordings has been a part of the successful music careers of platinum artists Kelly Clarkson, Carrie Underwood, Daughtry, Phillip Phillips, Lauren Alaina, Gabby Barrett, and Chayce Beckham, among many others.

About BMG:

BMG is the world’s fourth-biggest music company, the first new global player in the music business of the streaming age, and a record label and music publisher in one. Named in 2020 one of the world’s Most Innovative Companies by Fast Company, BMG’s pitch is unique – a relentless focus on fairness and transparency and service to its artist and songwriter clients. BMG’s 20 offices across 12 core music markets now represent over three million songs and recordings, including many of the most renowned and successful catalogs in popular music history. BMG’s fresh approach includes production music, films, books, artist management, merchandise, neighboring rights, and live as well as music publishing and recordings off the same service platform. BMG is owned by international media, services and education company Bertelsmann, whose other content businesses include the broadcaster RTL Group, the trade book publisher Penguin Random House and the magazine publisher Gruner + Jahr. With its multi-platform perspective, integrated technology platform and commitment to help artists maximize their income, BMG aims to be the best company in music to do business with. For more information, visit www.bmg.com. 

Photo Credit: Robby Klein

KEEP UP WITH HAVEN MADISON

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK  

The Dandy Warhols' Peter G. Holmström presents third Pete International Airport album 'It Felt Like the End of the World'.

From the depths of one's psyche comes 'It Felt Like The End of the World', the latest album from Pete International Airport, a.k.a. Peter G. Holmström of The Dandy Warhols, released cult label Little Cloud Records. The third album from the Portland artist, this meticulously crafted psychedelic rock journey is a journey into the dark heart of electronica. It is also a triumph of process and vision.

In 2023, PIA also released the singles 'Next of Kin' featuring Lisa Elle of Dark Horses and 'Tic Tac' as a 7" vinyl version featuring Slowdive's Rachel Goswell, pressed on translucent yellow vinyl, with the B-side featuring a remix by Anton Newcombe (The Brian Jonestown Massacre).

The album's core roster boasts the cream of the neo-psychedelic crop, of which The Dandy Warhols and their shadow, The Brian Jonestown Massacre, are the reigning kings. Members of Omniscuro, Sun Atoms, Guiding Light and Hopewell, most of whom are repeat collaborators and on-again / off-again members of the live band, give voice to the album’s elegiac thesis while adding more light and hope than could be expected from this scene, at this time in history, and in a business that was just dealt a death blow by a pandemic.

The album also features Alexander Hackett (Pang Attack), Dion Lunadon (A Place To Bury Strangers, The D4) and Cheap Trick's Tom Petersson on 12-string bass, each tangling with PIA’s usual coterie of musical foils with songs merging into Holmström’s hyper-stylized world of symbols, themes and archetypes.

Mixed by Jeremy Sherrer at Spooky Electric Co. (Modest Mouse, The Shins, The Dandy Warhols), this album was mastered by Dave Coley at Elysian Mastering,

'It Felt Like The End of the World' LP  https://peteinternationalairport.bandcamp.com/album/it-felt-like-the-end-of-the-world 
Vinyl order  https://bit.ly/3ZK7XNa
Spotify  https://open.spotify.com/album/17F3GvmGjaXZK7Eb28YHhL

Holmström explains, "This record was mostly written and recorded during the pandemic so sonically and lyrically it can’t help but be influenced by what we all went through.  There is a melancholy darkness as well as a peaceful beauty.  The album title came from a “fairytale/poem” that is whispered at the end of 'Sea Of Eyes'. It perfectly captures the hopeful/scary feeling of change that comes at the end of something".

Named after a Dandy Warhols song, this eclectic project nails the elusive aesthetic of unexpected yet inviting sound art. Pete International Airport's quest to build immersive soundscapes that are also classic, catchy songs is successful, in part, due to Holmström’s uncanny ability to curate and his penchant for dropping collaborators into challenging creative spaces—both virtual and actual—then letting them duke it out.

The use of repetition - visually and sonically - and the use of limitations and boundaries (i.e. every Pete International Airport record has 11 songs) cements the collection into a beautifully cohesive whole that becomes more interesting with repeated listens. Peter, his long-time collaborator / producer Jeremy Sherrer, and his stable of co-creators have given us more than one album’s worth of hooks, ideas and beauty, somehow smelting them into a single monolith of sound that is accessible from any point, celebrating a world that just keeps ending.

"Musically, this record started with an obsession on the bass tone/line from The Cure’s 'Fascination Street' and a healthy appreciation of the detail in their sonic density.  Most songs start on an acoustic, which in most cases gets muted somewhere in the process. Then layers of beats, bass lines, melodies, arpeggios, etc. get added / removed until the piece of music is interesting enough to entice someone to write lyrics and sing on it,," says Peter G. Holmström.  

"Lyrically, I might suggest a topic that captures our dark chaotic world without sounding preachy.  Sometimes the singers listen to me, other times they follow what the song makes them feel."

'It Felt Like The End of the World' is out now everywhere, including Apple Music, Spotify and Bandcamp, and on CD as a Deluxe double-album in a gatefold sleeve on transparent vinyl with an orange blob or on transparent vinyl with a purple blob. The 'Tic Tac' 7" vinyl is available on Bandcamp via Pete International Airport and The Dandy Warhols.  

CREDITS
Recorded in Portland, LA, NY, UK and Montreal
Chamber Orchestra recorded by Chris Bergstrom
Mixed by Jeremy Sherrer at Spooky Electric Co.
Mastered by Dave Coley at Elysian Mastering
Album art by Francesca Bonci
Music written by Peter G. Holmström
Vocals and lyrics by:
Alexander Hackett (Pang Attack) on 'Sea Of Eyes', 'Out Past The Razor Wire', 'No Blindfold'
Lisa Elle (Dark Horses) on 'Fluid/Flex', 'Next Of Kin'
Daniel Sparks (Omniscuro) on 'The Watermark'
Jasun Adams (Sun Atoms, The Upside Down) on 'Commercial Eyez', 'Brave New World'
Dion Lunadon (The D4, A Place To Bury Strangers) on 'Commercial Eyez'
Chuck Davis (The Guiding Light) on 'Commercial Eyez'
Jason Sebastian Russo (Hopewell, The Guiding Light) on 'The Thoughts You Won’t Think'
Rachel Goswell (Slowdive, Mojave 3) on 'Tic Tac'

Instruments performed by Peter G. Holmström except:
Jeremy Sherrer - drum programming, MPC
Paulie Pulvirenti (Elliott Smith, Number 2, Eyelids) - drum kit, toms, octobans
Gregg Williams - toms
Cory Gray (Old Unconscious / Car Crashlander / The Delines) - piano, organ, synth
Rishi Dhir (Elephant Stone) - sitar
Tom Petersson (Cheap Trick) - 12-string bass
Lisa Molinaro (Talk Demonic / Modest Mouse) - viola
Louise Woodward - composer / arranger on 'Il Canto Della Polena'
Chamber Orchestra for 'Il Canto Della Polena'
Shin-Young Kwon - violin 1
Keiko Araki - violin 2
Charles Noble - viola
Pansy Chang - cello
Jason Schooler - double bass
Joseph Berger - French horn


Keep up with Pete International Airport 
Website | Bandcamp | Twitter | Facebook | Instagram | Soundcloud | YouTube | Spotify | Apple Music | Press contact

Keep up with Little Cloud Records
Website | Facebook | Bandcamp | Twitter | Instagram | YouTube

Keep up with Shameless Promotion PR
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THE VELDT shares 'Shallow By Shallow' single with live video footage by SIMON RAYMONDE from 1989 NYC concert

"This album is not only a historical sonic document, but it's a shimmering, charming, sensual and cinematic body of remarkable psychedelic rock that resembles nothing currently in the music sphere" ~ The Spill Magazine 


US trailblazing shoegazers The Veldt present 'Shallow by Shallow', a highlight track from their new 'Illuminated 1989' album, recently released on vinyl via Portland-based Little Cloud Records and North Carolina’s 5BC Records. 

One of the most notable first-wave shoegaze bands, formed in North Carolina in the 1980s, The Veldt revolves around identical twins Daniel Chavis (vocals, guitar) and Danny Chavis (guitar). 

'Illuminated 1989' is the original 1989 full-length record produced by Cocteau Twins' Robin Guthrie, who also remastered this album especially for vinyl. While originally intended to be the band's first album, their label Capitol Records shelved the recording and sent them back into the studio with producer Lincoln Fong (Moose, Piroshka), resulting in their first album released with the title 'Marigolds'.

"Shallow by Shallow is one of the first songs that we recorded at Cocteau Twins' studio 'September Sound' in Twickenham. It was also the opening song on our first Cocteau Twins opening slot in 1989, which was filmed live in NYC at the RITZ by Simon Raymonde of Cocteau Twins. Lincon Fong, who would go on to record our ' Marigolds' album in 1993, also joined us there on stage for the closing song 'Get Up'. We would inevitably go on to play and record with Robin Guthrie throughout the years, including for the album that is now titled 'Illuminated 1989', which we are finally able to release," says Danny Chavis.

"This is a stream of consciousness... It’s the search for the soul and the energy of the earth, out-of-body experiences, and explores how to communicate with the universe... This song also ask the universal question what is hamburger but chopped steak".

The Veldt earlier previewed the singles 'Angel Heart', 'The Everlasting Gobstopper', and 'Aurora Borealis' (featuring Elizabeth Fraser cameo on backing vocals and a B-side remix by The Veldt). The Veldt has also just wrapped up their U.S. tour, culminating in a performance at Seattle's KEXP.

The Veldt's unique sound was influenced by Cocteau Twins as readily as Marvin Gaye and free-jazz warriors Sun Ra and Pharaoh Sanders. Referencing European post-punk while embracing modern hip-hop, these trailblazers work with transient dreamscapes as fluidly as solid song structures.
 
Pitchfork included The Veldt's album 'Afrodisiac', produced by the legendary Ray Shulman (The Sundays, Bjork, The Sugarcubes) and released via Mercury Records, in the top 50 shoegaze albums ever released, while Stereogum included ‘Until You’re Forever’ in the top 31 shoegaze tracks. Their sound also inspired future generations of alternative artists, including TV On the Radio.

The Veldt's journey is fascinating. Performing since they were children, the Chavis brothers’ musical roots lead back to the church and southern juke-joints, and listening to music that included gospel, Motown and Pink Floyd. The Veldt formed in the late 80’s in Raleigh amongst the legendary North Carolina music scene of the time, initially signing with Mammoth Records - leading to a chain of major-label relationships that took the group across Europe and the U.S. playing shows with the likes of Throwing Muses, Pixies, Cocteau Twins and Jesus & Mary Chain.

After moving from Raleigh to New York, they briefly performed as Apollo Heights before returning to their original name The Veldt. Joined by Japanese bassist-programmer Hayato Nakao, they together forging music that is a heady and sensual blend of shoegaze and progressive soul, dreamy soundscapes and infectious grooves. Some of the band's recent notable releases include 'The Shocking Fuzz Of Your Electric Fur' EP (2017) and the album 'Entropy is the Mainline to God' (2022).
 
Over the years, The Veldt has collaborated with TV On The Radio, Mos Def, Lady Miss Kier (Deee-Lite), A.R.Kane and toured or played with Brian Jonestown Massacre, The Pixies, Throwing Muses, Echo & The Bunnymen, Cocteau Twins, Manic Street Preachers, Phantogram, Modern English, The Jesus and Mary Chain, Oasis, Chuck D, Living Colour and Schooly D.

The 'Illuminated 1989' album is out now on limited edition translucent pink or clear vinyl with a gatefold sleeve. It is also available from fine digital platforms, including Apple Music, Spotify and Bandcamp.  

CREDITS
‘Illuminated 1989’ released via Little Cloud Records and 5BC Records
Danny Chavis - guitar
Daniel Chavis - vocals, guitar, lyrics
Marvin Levi - drums
Joseph Hue Boyle - bass
Elizabeth Fraser - additional vocals
Robin Guthrie - programming, additional guitars
Lincoln Fong - programming
Written by Danny and Daniel Chavis
Recorded and produced at September Sound by Robin Guthrie
Publicity by Shameless Promotion PR 

Keep up with The Veldt
Bandcamp | Facebook | Twitter | YouTube | Instagram | Apple Music | Spotify | BandsInTown | Press contact

Keep up with Shameless Promotion PR
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Sleep Token Announce Spring 2024 North American Headline Tour

LISTEN TO "TAKE ME BACK TO EDEN" ALBUM

SLEEP TOKEN ANNOUNCE SPRING 2024 TOUR

RADIO CITY MUSIC HALL + RED ROCKS AMPHITHEATRE SHOWS SOLD OUT WITHIN MINUTES

TOUR TO FEATURE SPECIAL GUEST EMPIRE STATE BASTARD

Sleep Token are pleased to announce their Spring 2024 headline North American tour.  These dates are in addition to the Red Rocks Amphitheatre and Radio City Music Hall dates, which were announced at the end of 2023 and sold out immediately.

Empire State Bastard will also appear.

Artists pre-sale begins 10am local time on Wednesday, January 24. Fans can sign up for pre-sale tickets here.

The public on-sale is set for Friday, January 26 at 10am local time.

Sleep Token want to give fans, not scalpers, the best chance to buy tickets at face value. For fans who purchase tickets through Ticketmaster for the "Teeth of God" tour and can't attend, they will have the option to resell their ticket to other fans at the original price paid on Ticketmaster's Face Value Exchange. To help protect the Face Value Exchange, Sleep Token have chosen to make tickets for this tour mobile only and restricted from transfer. This applies to all Ticketmaster shows except those in NY and IL, where Face Value Exchange cannot be mandated. Please note, a valid bank account or debit card within the country of your event is required to sell on the Face Value Exchange.

SLEEP TOKEN ON TOUR:
WITH EMPIRE STATE BASTARD:
4/27 — Las Vegas, NV — Sick New World* 
4/30 — Phoenix, AZ — Arizona Financial Theatre
5/1 — Albuquerque, NM — Revel
5/3 — Austin, TX — H-E-B Center at Cedar Park
5/4 — Dallas, TX — Toyota Music Factory
5/6 — Tampa, FL — Yuengling Center
5/7 — Atlanta, GA — Coca-Cola Roxy
5/8 — Asheville, NC — ExploreAsheville.com Arena
5/10 — St. Louis, MO — The Factory
5/12 — Denver, CO — Red Rocks Amphitheatre
5/14 — Des Moines, IA — Vibrant Music Hall
5/15 — Chicago, IL — The Salt Shed
5/16 — Chicago, IL — The Salt Shed
5/18 — Columbus, OH — Sonic Temple Art & Music Festival*
5/19 — Pittsburgh, PA — Petersen Events Center 
5/20 — Philadelphia, PA — The Met Philadelphia
5/22 — New York City, NY — Radio City Music Hall
5/24 — Boston, MA — MGM Music Hall at Fenway
5/25 — Montreal, QC — Place Bell
5/27 — Toronto, ON — Massey Hal
5/28 — Toronto, ON — Massey Hall
*Festival Appearance

Sleep Token released their third studio album, Take Me Back To Eden, via Spinefarm, last May. Listen here.  The artist also enjoyed a completely sold-out North American tour this past fall. Additionally, Revolver is celebrating Sleep Token as its Artist of the Year with a special collector's edition. Get it here.

ABOUT SLEEP TOKEN:
2023 was the year of Sleep Token and 2024 is looking to be much the same.

The album has generated 400 million streams, whilst standout single "The Summoning" has generated 150 million streams alone, causing the track to trend on Twitter and take the #1 song spot on a host of international Spotify viral charts, as well as being selected as a "YouTube Trending Artist On The Rise," featuring on YouTube's homepage, viewed by millions of people every day. 

The unprecedented accolades keep rolling in, between the fact that ST has never played a headline show in the UK that didn't sell out, "Aqua Regia" picking up consistent airplay on the Radio One "Future Sounds" show hosted by Clara Amfo, plus huge pop star Demi Lovato sharing Sleep Token's music with her 153 million Instagram followers, Sleep Token consistently smash boundaries that they refused to acknowledge in the first place. 

And even though Sleep Token notoriously do not speak to the press (out of necessity, not ego or gimmick), media can't help but write about the phenomenon, reporting on the band's every move; NME note, "Sleep Token offer their fans an entire world to immerse themselves in if they so wish. It's a place of escapism, and the foundation of a huge fan community that's dedicated to studying the band's creativity. While they have the same fervor as any other fandom, there's still a notable difference." Elsewhere, Metal Hammer called them "the most exciting band in metal right now."

ABOUT EMPIRE STATE BASTARD
Having recently released their widely celebrated debut album Rivers of Heresy, Empire State Bastard is led by Simon Neil (Biffy Clyro) and Mike Vennart (Biffy Clyro live guitarist and solo artist, ex-Oceansize), and features the legendary Dave Lombardo (Slayer, Testament, Mr. Bungle) on drums, with Naomi Macleod (Bitch Falcon) rounding out the live line-up on bass.  The concept for Empire State Bastard emerged when Neil and Vennart would spend downtime on tour sitting at the back of their bus sharing the heaviest, most avant-garde and confrontational music they could find.  Now, a decade on from its conception, the project has finally come to fruition with the release of Rivers of Heresy, a collection of songs which adventurously probes slamming hardcore in the vein of Siege; the frenetic, visceral thrash of Slayer; the claustrophobic sludge of Melvins; the freeform vocal dexterity of Mike Patton; and the gargantuan stoner riffs of Sleep. Empire State Bastard is a band that’s rooted in the tradition of metal’s forefathers but informed by more recent waves of leftfield aggression.

FOLLOW EMPIRE STATE BASTARD:
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Myrath Share New Single And Video "Into the Light"

NEW ALBUM KARMA OUT MARCH 8

Myrath present "Into the Light," an emotionally charged anthem that embodies the transformative journey from despair to empowerment. Lyrics like"Overcome the weakness and the pain, how much of your life you’ll lose in vain, now it’s your call either embrace the night or dive into the light" describe the struggles against inner darkness, capture the essence of resilience.

 The lyrics deliver a powerful melody that complements the message, making "Into the Light" a guiding voice to strength and courage in troubled times. For everyone seeking solace in the music they listen to in times where life is uncertain and presents you with difficulty, "Into the Light" can be the bridge to inner peace.

Listen to "Into the Light" here.

Watch the video below.

"Myrath from Tunisia might just be the most underrated band ever. Their new album really excites me — they have something fresh and back it up with a great stage show. They played a tiny stage at Wacken where nobody brings more than guitars and amps, and brought a two-truck production. It was amazing!," says Pär Sundström of Sabaton

"There are too many great songs on this album to pick favorites" — 9/10, Powerplay (UK)

"This band will explode internationally in 2024" — Fireworks (UK)

As the sands of time continued to shape their journey, Myrath's relentless dedication led to the creation of their forthcoming album Karma, slated for release on March 8 via earMUSIC as limited transparent red LP, black LP, and Digipak. The forthcoming opus promises to be a testament to their evolution, delivering a sonic tapestry woven from passion and innovation.

With Karma, Myrath solidify their sound — a powerful and captivating blend of Eastern melodies and Western heavy metal. From the epic opening track "To The Stars" to the hauntingly beautiful "Child Of Prophecy," this album will take you on a theatrical journey through a world of myth and legend. 

Featuring soaring vocals, intricate guitar riffs, and complex percussion, Karma showcases the virtuosity and creativity that have made Myrath one of the most exciting and innovative bands in the genre. With its stunning production and lush soundscapes, this album is sure to be a classic for years to come.

Unsufferable Release Self-Titled EP Via Iodine // Watch "Enemy of the State" Lyric Video❗

UNSUFFERABLE TO RELEASE SELF-TITLED EP VIA IODINE RECORDINGS

FULL-LENGTH PLANNED FOR 2025

Formed in early 2023, Unsufferable features Robert Fish (108, Ressurection, The Judas Factor, etc.), Dave Buschemeyer (Omen Astra, New Day Rising, Spread the Disease, etc.), and Ryan McInturff (The Fault of Man, Bloodjinn, etc.). Loud, heavy, and unrelenting, Unsufferable create a soundtrack for the collision of one's aspiration for a free and loving world against the reality of a world seemingly determined to destroy itself and any sense of humanity and compassion that remains.

In the spring of 2023, Unsufferable recorded a two-song self-titled EP. 

"Enemy of the State" offers an unapologetic challenge to those who seek to mandate what a woman can and cannot do with her body. "Picking rights off, one by one, it's easy to feel free until you're the one" stands as a reminder that the assault on a woman's right to choose is but the beginning. Watch the lyric video below.

The second song, "Revisionist," makes the case that, as a society, we cannot heal or prosper until we acknowledge and learn from our blood-soaked history.

Unsufferable recently partnered with Iodine Recordings to release their self-titled EP, followed by an LP, which will be recorded over the coming months and released in 2025.

Pre-order the physical EP, out March 1, here. The digital version is out now.

Swedish Dark Metallers THE VICE Celebrate Album Release with "Lit de Parade" Music Video; New Album Out Now!

Swedish Dark Metallers The Vice have unleashed their highly anticipated album Dead Canary Run today, available via Noble Demon. This release marks a significant milestone in the band's history as it is the first time their music will be available on vinyl.

To commemorate the release of their new record, The Vice has unveiled a gloomy music video for their latest single, "Lit de Parade". The band comments:

"'Lit De Parade' is a colorful display of the many elements coming together on our new album 'Dead Canary Run'. From the marching drums, the gloomy yet hopeful choirs, the guitar-driven melodies and eerie interludes, to the piano encapsulating it all. It's a procession in honour of our craft, at full speed heading towards the nearest concrete wall."

Watch the video for "Lit De Parade" here:

Stream the album HERE

Building upon the foundations set by their previous work - the band's unique blend of filthy rock, blackened metal, gothic influences and death-ridden pop - Dead Canary Run takes listeners down a deranged path that The Vice has masterfully crafted over the years. With an eclectic mix of genres thriving like never before, the album promises to captivate fans with its raw energy and infectious melodies. While some elements may feel familiar, there are numerous new levels that The Vice has reached with this new offering. Collaborating with an old partner in crime, Joel Öhman, who added his piano skills to a couple of songs, The Vice emerged from studio "Underjord" late last Summer with an album they couldn't be more proud of. Dead Canary Runserves as a testament to the band's growth since their recent full-length album White Teeth Rebellion, showcasing their passion and determination, with their amps cranked up to 11.

Dead Canary Run is out now on Noble Demon and available for purchase at THIS LOCATION

The Vice are:
Rickard - Vocals & Guitars
Charlie - Bass
Petter - Drums
Guest appearance by Joel Öhman (Piano)

Find THE VICE online:

Facebook

Instagram

BandCamp

Find NOBLE DEMON online:

Official Website

Facebook

BandCamp

Twitter

YouTube

TikTok

Spotify

The Intemperate Sons Release New Single "Once Again" via FRAME|WORK

ndie rock band The Intemperate Sons released their new single "Once Again" off the yet to be released, Dark Day’s Night LP (set for early 2024). This track was produced by Amir Derakh and The Intemperate Sons. It was recorded at The Kitchen Recording Studios in Dallas, TX. "Once Again" takes the outsider look of someone hellbent on making the worst of a bad situation and all of the negative energy radiating from their aura.

The Intemperate Sons release all their music through the Frame|Work record label at the direction of Amir Derakh, Ryan Shuck, and Denny Sanders at The Label Group. A brand-new music video for the single will be released on 1/26/2024 to YouTube. All Intemperate Sons’ tracks are mixed by Amir Derakh in Long Beach, CA. All mastering is done by Mike Marsh Mastering in the U.K.

The Intemperate Sons emerged onto the rock scene in the summer of 2019 in Dallas, TX, to bring their distinct sound to the genre. A deep love for music brought family members Keith Watson (drums), Jake Watson (guitars) and Max Watson (vocals, guitars, keys) together along with close friend Mark Marks, who provides the groove on bass to unite everything together. The band's sound has been described as a 90's alternative style that is obsessed with the 70's.

Keith is well acquainted with entertaining massive crowds of concert goers and has played with many successful bands in Dallas, such as Gun Hill, Natural Born Thrillers and Agents of Solace, on top of opening for Lynch Mob, Joe Lynn Turner and Sponge. He is the primary lyricist for the band and has written the music for some of their most successful songs, including “Dust to Dust,” “The Color Within,” and “Unrealized.”

Multi-talented and gifted with the ability to play various instruments, Max is also the lead vocalist of the group. Along with being musically dexterous, he has also collaborated with Keith to write lyrics on the released songs “Going Crazy” and “Way Back When.” In the studio, Max usually surmounts expectations and goes above and beyond to prepare prior to a session with his own vocal harmonies.

Jake is the song architect of the Sons and extremely instrumental in the crafting of the music. His inventive ways of bringing lyrics to life in clever ways are unprecedented and fascinating to see in the studio setting. He is a prolific writer of music as well and is credited with helping create the songs “What’s Done is Done,” “Remission,” “Way Back When” and “Wading in the Gray.” Both Max and he play lead guitar on many of the songs as well. The other members of the band fondly refer to him as the “art director” since he enjoys taking charge in those areas for the group.

Prolific and unifying, Mark is an accomplished bass player and well known in Dallas. He was in the regionally successful band, Haggard, and had opened for Sebastian Bach of Skid Row. His input in song writing has been invaluable to the process of creating captivating melodies.

Despite the pandemic putting a pause on many major events, The Intemperate Sons lived up to their name and let nothing hold them back from making music. Constantly hard at work in the studio, they have collaborated with Amir Derakh (Julien-K, Dead by Sunrise, Orgy, Rough Cutt) and Ryan Shuck (Julien-K, Adema, Dead by Sunrise, Orgy). Both have lent their musical talents to various songs and ultimately have brought the Sons on to their label, Frame|Work. This led the band to also recently join the management roster at The Label Group. Ryan worked with Amir to produce the band’s upcoming track, “Game of Keep Away,”and has had a huge impact on the group. He’s been especially influential on Max’s vocal melodies and delivery. Amir also plays guitar on this latest ballad and has been mixing all of the band’s music as well as performing on multiple songs.

Another notable collaboration has been with Tony Franklin (The Firm, Roy Harper, Kenny Wayne Shepherd, Whitesnake), primarily on the first album, The Color Within. He has been a valuable friend of the band and has played bass on some of their best tracks from that album, including “Running Man,” “Dust to Dust” and “The Color Within.”

The Intemperate Sons’ take on alternative rock is a dark and powerful concoction of hard rock mixed with folk and grunge concepts. The band has earned a serious reputation for writing and performing tracks that scratch deep into the backbone of the human experience. There is no shortage of darkness in their writing style, which has a retro vibe with many guitar-driven tracks stacked on top of a groovy rhythm section. The heavier style fits perfectly with the two and three-part vocal harmonies that are a huge part of their overall sound. It has been said that musicians that are related form unique sounds and communicate at a frequency only they can understand. This frequency has become engrained in their songwriting, arrangements, guitar melodies and vocal harmonies. The band has been compared to Alice in Chains, Stone Temple Pilots and even R.E.M.

Photo Credit: Nate Schiefelbein

"Once Again" can be streamed at:

https://ffm.to/theintemperatesons-onceagain

https://ffm.bio/theintemperatesons

The Intemperate Sons are:

Max Watson (vocals, backing vocals, guitars, keys, bass)

Jake Watson (guitars, bass and backing vocals)

Keith Watson (drums, backing vocals)

Mark Marks (bass)

The Intemperate Sons Show Dates:

Fri Mar 1 @ Hanover's Draught Haus in Pflugerville, TX

For More Information Please Visit:

The Intemperate Sons

Official Website

Facebook

Instagram

TikTok

YouTube

Spotify

Merch Store

FRAME|WORK

FRAME|WORK Website

FRAME|WORK Instagram

Spoken feat. Brian 'Head' Welch; New Single "Anymore"

Spoken have their brand new single, "Anymore" feat. Brian 'Head' Welch today, The new track is the second to be released off their upcoming album, 'Reflection' which is set to be released on March 15th via XOVR Records - the new label venture between Brian 'Head' Welch (Korn and Love and Death) and his long-time personal manager, David W. Williams. Spoken are the label's inaugural signing featuring Welch’s Love and Death guitarist and bandmate, JR Bareis. Furthering the connection, Welch also appears on today's release, lending his inimitable vocal stylings to the track. Stream "Anymore" HERE and watch the visualizer HERE or by clicking below.

Speaking on his involvement with singing the band and performing on their new track, Brian 'Head' Welch shares

"Collaborating with Matt Baird on Love and Death's first record with the cover song "Whip It" from Devo happened years ago, so jumping on their track "Anymore" was long overdue!It was great to pick up the mic again, to do some vocals, especially because this song crushes! It's hard and aggressive in all the right ways, but the chorus has such a great hook that I think this will be one of the fan favorites off Spoken's new album, Reflection."

'Reflection' marks a significant milestone for Spoken, coming seven years after their last album. With an intriguing blend of melody, aggression, thought-provoking lyrics, dynamic guitar riffs, and meticulously crafted drums, the album is poised to be a favourite among fans and a catalyst for garnering a new wave of followers. 'Reflection' is not just an album; it's an exploration of the journey of life, a testament to resilience and the power of moving forward with hope. A limited number of special pre-order bundles are available now HERE, featuring new merch, autographed collectibles and more. 

Spoken are

Matt Baird

J.R. Bareis

Dylan Levernoch 

Jared Wisner

Kenny's "Take Her Home" Vid Evokes Innocence & A Chance

It’s been four years since Kenny Chesney created new music for No Shoes Nation. During that time, he got to reflect on some of the great songs he’s written and been able to record, the kinds of songs that helped make him the artist with the most No. 1’s in Billboard’s Country Airplay category. And when the East Tennessee songwriter/superstar heard “Take Her Home,” he responded because – like Academy of Country Music Single of the Year “The Good Stuff,” “Don’t Blink” or even “There Goes My Life” – it served as a series of snapshots that marked pivotal moments in how love happens.
 
When it came time for a video for the song currently moving up the chart, the man known for his high energy shows and stadium-sized summers wanted something decidedly different. As he explains of the creative mandate for the video for “Take Her Home,” “Everything about this song is a little movie. Each verse is its own act, and you can see all the details if you’re listening. The deep cut Cheap Trick on a jukebox in a crowded bar... the pink and black suitcases... even the little baby in the last verse. There’s so much detail, people can see it in their heads.
 
“I wanted to figure a way that mirrors the innocence in this song. I wanted something that wouldn’t take away what someone else was seeing when they saw the video. It seems like the opposite from what you might do, but I think it’ll make sense when people see it.”
 
Simple and straightforward, the “Take Her Home” video leaves lots of room for people to populate with their own images, their own life’s story even. While Chesney serves as the clip’s narrator, an old school video effect turns the action into a slightly distorted set of vignettes that follow the storyline without overwhelming viewers’ own inner movies.
 
“Songs like ‘Take Her Home’ deserve to paint pictures for the listeners,” Chesney continues. “When you can see yourself, or your friends, or someone you know in a song, that’s when a song will last long after it’s done playing. To me, this song has that potential for people... and as much as I like making videos, I also know the power of No Shoes Nation’s ability to live in my songs.”
 
Watch the video for “Take Her Home” below.

Having announced the March 29 release of BORN, his greatly anticipated album, Chesney is moving the creative process forward with purpose. Not only is he delivering the video from “Take Her Home” directly to his fans, he’s finalizing the track listing for his first new music since 2020.
 
Defining his place in American music by distilling the best part of being young, alive and seeking what the world has to offer, that hunger for music and life as it’s lived continues fueling Chesney’s work. As the chiming acoustically-grounded life-in-three-acts “Take Her Home” continues its rise up the charts, currently #27, it’s hitting a note for listeners who’ve been there.
 
With his Sun Goes Down 2024 Tour adding an unprecedented third show at Foxborough, Mass.’s Gillette Stadium, Chesney’s ability to make common moments remarkable brings No Shoes Nation together summer after summer. “Take Her Home” is part of that magic.