Darius Rucker's 'Carolyn's Boy' Available Everywhere Now

DARIUS RUCKER DELIVERS HIGHLY ANTICIPATED ALBUM
CAROLYN’S BOY, OUT NOW

Watch Rucker Discuss His Late Mother’s Influence & His Role in Country Music with Jan Crawford on “CBS Mornings” 
HERE

Tune in to NBC This Weekend as He Joins Willie Geist for a 
“Sunday TODAY” Exclusive
& “The Late Show with Stephen Colbert” Next Thursday, Oct. 10 for a New Music Performance

PEOPLE Feature on Stands Now:
“He’s won three GRAMMYs and sold millions of records, but when Darius Rucker was growing up in Charleston, S.C., he wasn’t the best singer in his house—his mother, Carolyn, was.”

Having continuously teased new music as he put the finishing touches on his first solo project in six years, three-time GRAMMY winner Darius Rucker now unveils the highly anticipated final project with today’s release of Carolyn’s Boy. Praised by People in the issue on stands today for having “never left his humble roots in the rear view,” Rucker named the album as an homage to his late mother, a woman he celebrates as the sole reason for “who I am, how I am, what I am.” Listen HERE.
 
“She believed in me more than I believed in myself,” he shared with Jan Crawford on today’s “CBS Mornings.” “She’d tell me all the time, ‘you’re gonna make it; you’re gonna live your dream. I know you are. I can’t wait.’”
 
Rucker will further discuss the album and his mother’s influence on this weekend’s episode of “Sunday TODAY” via 
an exclusive interview with Willie Geist on NBC (check local listings), before bringing a feel-good performance of album track “Have A Good Time” to CBS’s “The Late Show with Stephen Colbert” on Thursday, Oct. 10 at 11:35 p.m. / 10:35 p.m. CT.
 
The series of television appearances continues what has already been a celebratory week for Rucker, including his induction on the Music City Walk of Fame this Wednesday, Oct. 4, and an intimiate performance that evening at Analog at the Hutton Hotel, taped to air as part of PBS’s “Recorded Live at Analog” series debuting in early 2024.
 
Captivating audiences with what Billboard praises as “one of the most distinctive voices of country’s modern era” Rucker describes the album six years in the making as his favorite he’s ever released, as Garden & Gun declares, “Carolyn’s Boycontains some of the most emotional, vulnerable music of Rucker’s career” with MusicRow adding that it offers “a beautiful blend of feel-good, fun tunes and deeper, moving numbers.”
 
From recent No. 1 hit “Beers And Sunshine,” his 10th to top the Country charts and what he describes as a perfect summary of Carolyn’s joyful personality, to current single “Fires Don’t Start Themselves,” lauded by Billboard for “the impressive vocal control and power in his lower register,” and his latest release, “Southern Comfort,” described by Garden & Gun as “evok[ing] a wistful nostalgia that has become one of Rucker’s calling cards,” the project features 14 tracks, 11 of which boast Rucker as a cowriter.
 
Some of the notable cowriters joining him on the project include global superstar Ed Sheeran for the reflective “Sara,” penned during a trip to London and celebrated by People as “a mid-tempo rumination on the hopes of seeking friendship and comfort in a long-lost connection;” reigning ACM Artist/Songwriter of the Year HARDY for the longing “3am in Carolina;” and longtime friend and Lady A vocalist Charles Kelley for the despairing “7 days.”
 
In addition, the album sees Rucker join forces with Chapel Hart for the collaborative “Ol’ Church Hymn” while also offering his take on Rihanna’s “Lift Me Up” from blockbuster film Black Panther: Wakanda Forever, with MusicRow summarizing his rendition as “beautifully produced, spiritually uplifting and soul stirring. It builds to anthem-level intensity before receding into an intimate prayer. Essential.”
 
The album offers vulnerably insightful songs such as “Sure Would Have Loved Her,” “Stargazing” and “Never Been Over,” lauded by Garden & Gun in yesterday’s 
exclusive premiere as “[one] of the album’s highlights,” while also offering uplifting reminders to a divided world on tracks such as “In This Together,” “Same Beer Different Problem” and “Have A Good Time.”
 
In all, the album demonstrates what the Tennessean praises as Rucker’s “Southernness and soulfulness [which] occupy a uniquely American creative identity. His material caresses, not straddles, the intersections of pop’s unique variants.”
 
Rucker will also celebrate the release of his new album during the second year of his personally curated Riverfront Revival Music Festival this weekend in his hometown of Charleston, S.C. In addition to Rucker himself, fans will be treated to performances by Turnpike Troubadours, Lainey Wilson, Band of Horses and more. View the full lineup and daily schedule 
HERE.
 
Having shared the new music with fans across the country all summer on his 
Starting Fires Tour, Rucker is also gearing up to take his wide-ranging catalog of hits across the pond with a recently announced run of European tour dates in early 2024.
 
For more information and to purchase tickets to all upcoming shows, visit 
DariusRucker.com and follow on social media @DariusRucker.

About Darius Rucker
Rucker first achieved multi-Platinum status in the music industry as lead singer and rhythm guitarist of the GRAMMY Award-winning band Hootie & the Blowfish, who have sold more than 25 million albums worldwide including their Double Diamond-certified (21x Platinum) debut Cracked Rear View, which remains among the top 10 best-selling studio albums of all time. Since releasing his first Country album in 2008, Rucker has earned a whole new legion of fans with four No. 1 albums on the Billboard Country chart, including RIAA Platinum-certified Learn to Live and True Believers,plus 10 No. 1 singles at Country radio and 11 Gold, Platinum or multi-Platinum certified hits. Rucker was inducted as a Grand Ole Opry member in 2012 and in 2014 he won his third career GRAMMY Award for Best Solo Country Performance with his Diamond-certified (11x Platinum) version of  “Wagon Wheel,” one of the top five best-selling Country songs of all time. He topped the charts at Country radio once again with “Beers And Sunshine” in 2021 and his latest single, “Fires Don’t Start Themselves” off brand-new album Carolyn’s Boy is available everywhere now.
 
As a lifelong philanthropist, Rucker co-chaired the capital campaign that generated $150 million to help build the new MUSC Shawn Jenkins Children's Hospital in his hometown of Charleston, S.C. and has raised over $3.6 million for St. Jude Children's Research Hospital through his annual Darius & Friends benefit concert and golf tournament. In addition, Rucker has advocated for over 200 charitable causes supporting public education and junior golf programs in South Carolina through the Hootie & the Blowfish Foundation and serves as a National Chair for the National Museum of African American Music in Nashville, Tenn. Rucker is also an avid sports fan, with his Darius Rucker Collection by Fanatics apparel line available at Fanatics.com, and he is part of the Music City Baseball investment group working to bring an MLB team to Tennessee in addition to serving as a partner at the MGC Sports & Entertainment agency.  

STRIGOI Announce New EP

Strigoi were already plenty unsettling on their debut album. But the UK death-doom band's follow-up pushed their grinding asphyxiations to such vile extremes, that it produced an abundance of putridity.

'Bathed In A Black Sun' includes four unreleased or exclusive songs from 'Viscera'. Get re-acquainted with the pure, unadultered filth of the title track, which is slimed with sludge riffs and a crusty drum groove. 

Watch the horrifying new video for "Bathed In A Black Sun" , Below.

The 'Bathed In A Black Sun' EP comes out November 3.

Pre-order: https://shop.season-of-mist.com/list/strigoi-bathed-in-a-black-sun
Pre-save: https://orcd.co/strigoibiabspresave

"We are pleased to finally do this, as ultimately 'Bathed In A Black Sun' as a track is lamentably all the more relevant today than it was when it was written", says bassist Chris Casket. "We also wanted to release this EP as a companion to the album 'VISCERA', so finally all the tracks recorded during that studio session are available for all to 'enjoy' the extra cuts of raging spite and cold despair."


Greg Mackintosh already had one side project from his main gig as the guitarist for Paradise Lost. But when Vallenfyre ran its course, he started Strigoi with bassist Chris Casket in hopes of dragging death and doom metal even further afield. 

'Bathed In A Black Sun' proves that Strigori can mold nasty blackened death doom from anything – even their own remains. 

When Paradise Lost guitarist Greg Mackintosh put to rest his Vallenfyre side project in 2018, he closed a difficult, but ultimately cathartic period in his life. Created as a tribute to his father John, who passed away in 2009, Vallenfyre originally served as a sounding board for Greg’s grief, but then delved into his nihilistic take on the world. Vallenfyre’s brief existence was intentional — the band always knew they could go no further than the three studio albums that bore their name.

A mere few days after Vallenfyre played its last live show in September 2018, Mackintosh announced the formation of a brand-new band with Vallenfyre bassist Chris Casket (Ex. Extreme Noise Terror), Strigoi. The English twosome released their debut album Abandon All Faith on 22nd November 2019 which was met by widespread critical acclaim and support. From this success, the band began preproduction to take the project live, recruiting to the line-up drummer Guido Zima (Ex Implore / The Secret) and live guitarist Sam Kelly-Wallace (Ex Vallenfyre) to begin spreading their foreboding gospel throughout the European festival circuit.

Unfortunately, due to the global pandemic that hit Spring 2020 Strigoi were unable to perform live as planned, and realising this situation was going to be a long-term constraint Greg and Chris decided to begin writing for a second album. This 18-month process culminated in Strigoi signing to Season Of Mist records, then heading to Orgone Studios UK to track 14 brand new songs under the watchful eye of award winning producer Jamie Gomez Arellano.

The bands line up, now set with the addition of guitarist Ben Ash (Satyricon / Ex. Carcass) completed the recording of the album ‘Viscera’ in October 2021, subsequently mixed by Kurt Ballou at GodCity Studios and mastered by Brad Boatright at Audiosiege Studios. ‘Viscera’ represents the further evolution of Strigoi as a band, a concept fully realised as a statement of terror, malaise, and ultimately a record representing what Greg and Chris wanted to achieve from the band’s inception.

Their new 'Bathed in Black Sun' EP includes five unreleased songs from the recording sessions for 'Viscera'. The title track is pure, unadulterated filth, slimed with sludge riffs and a crusty drum groove.

Recording Studio: Oregon Studios
Producer/Sound engineer: Jamie Gomez and Strigoi
Additional recording and production: Gregor Mackintosh at Black Planet Studios
Mixing studio/engineer: Kurt Ballou - Godcity Studios
Mastering studio/engineer: Brad Boatright – Audiosiege

Recording line-up:
Greg Mackintosh: Vocals and Guitar
Chris Casket: Bass
Guido Zima: Drums
Ben Ash: Guitar

Ross White - Guitar (Live)

Cover artwork: Brian Sheehan - Legerdemain Art

Pre-order:
https://shop.season-of-mist.com/list/strigoi-bathed-in-a-black-sun
Pre-save:
https://orcd.co/strigoibiabspresave

Booking contact: 
Andy Farrow:
andy@northernmusic.co.uk

Follow Strigoi
https://music.apple.com/us/artist/strigoi/1477641031
https://strigoiofficial.bandcamp.com/album/viscera
https://www.facebook.com/strigoibandofficial/
https://www.instagram.com/strigoi_official/?hl=en
https://open.spotify.com/artist/6BUcX21YlCyGOUKXrNutei
https://twitter.com/OfficialStrigoi
https://www.youtube.com/channel/UCTUjPPERTRxYCMOYDbzMSAA

Formats:
CD Digipack
Digital Download

SVALBARD - new album 'The Weight Of The Mask' is out now

Today, Svalbard are proud to release their breathtaking new studio album, The Weight Of The Mask. Uncompromising and highly charged, the record spans themes intrinsic to humanity, such as emotional strength and depression, to unrequited love and vulnerability.

The Weight Of The Mask is Svalbard’s most devastatingly raw and beautiful work to date, overflowing with mesmerizing performances from Serena Cherry, Liam Phelan, Mark Lilley, and Matt Francis, transcending boundaries across shoegaze, post-hardcore, black metal, and more.
 
Serena Cherry stated:
"It feels pretty surreal to be releasing our fourth album today, after spending 2 years writing and recording it. It's so exciting for these songs to be out in the wild, we can't wait to see everyone's reactions to this album!"

Order The Weight Of The Mask 
HERE
Listen to The Weight Of The Mask in full on YouTube
below.

Watch the 'How To Swim Down' video HERE
Watch the 'Faking It' video
HERE
Watch the 'Eternal Spirits' video
HERE 

The Weight Of The Mask was recorded at The Ranch Production House, UK. The record was produced and mixed by Lewis Johns, with mastering by Grant Berry. Engineering was handled by Lewis Johns, assisted by Matt Janke, with additional editing by Kel Pinchin and Sebastien Sendon.

Svalbard's intention with their music is to make people feel less alone and to be there for people in their darkest times. The Weight Of The Mask bravely lays out experiences of mental illness and depression, hoping to help destigmatize these topics. 

SVALBARD will be returning to the EU mainland for six headline show dates this month, which will be followed by a performance at the Cult Of Luna curated Beyond The Redshift event in London and a headline date at The Key Club in Leeds.

Formed in Bristol UK, Svalbard have previously released three studio albums, three EPs and several split releases. Their exceptional last studio album, 2020's When I Die, Will I Get Better? was dubbed by Metal Hammer UK as "the most important British metal record of 2020", with both Metal Hammer and Kerrang! lauding the record as a top 10 album of the year. A career milestone, it cemented Svalbard as a powerful and vital component of our global music scene.

Whilst refining their distinctive blend of euphoric black metal, post-rock, and d-beat, Svalbard have incorporated a few more surprising influences along the way. From soft, mournful singing to progressive guitar leads, it showcases a sensitive dynamic that lends impact to their most crushing moments - of which there are undoubtedly many. There’s no poetry, no ambiguity - just direct, raw honesty as the quartet tackles some very uncomfortable subjects head-on. This is heavy in the most evocative sense of the word. The blunt lyrics are equally as important as the music.

Svalbard are:
Vocals/Guitar - Serena Cherry
Vocals/Guitar - Liam Phelan
Drums - Mark Lilley
Bass - Matt Francis

After decades with Trashcan Sinatras, Scottish singer-songwriter John Douglas releases debut solo album via Reveal Records

"Fantastic album... a unique gem within each and every track... A sheer delight – recommended for everyone suffering from sensory overstimulation. This will calm your mind and ease you into healthy listening" ~ Amplify Music Magazine


One of Scotland’s finest songwriters -
John Douglas of Trashcan Sinatras fame - presents his debut solo album, released via Scotland's Reveal Records, along with a self-filmed nostalgic video for the album's opening track 'Lost'.  

This record presents an intimate snapshot of the talent, charisma and depth of this celebrated Scottish indie songsmith - the start of a new chapter in Douglas' creative life as he simultaneously looks back at a lifetime of musical adventures and accolades and moves forwards.

The album
'John Douglas' features new recordings of some of John's favourite Trashcan Sinatras material, alongside new songs he has written and his own rendition of the Prefab Sprout classic ‘We Let The Stars Go’.

The eleven songs on this record were performed solo, recorded live at Kyoti Studio in Glasgow (with no overdubs) by producer
Mark Freegard (New Model Army, Lush, The Breeders, Del Amitri, Marillion), who also mixed and mastered the album.

“I’ve often been encouraged by friends over the years to make a solo album, but the timing or inclination didn’t flow. Last year - out of nowhere - everything suddenly felt right and the process was quick and natural. Mark just set the mics up and I played my songs. No other musicians or overdubs. Me and my guitar. That way, I became the songs and they became me. The finished record, though varied in song styles, has a mood to it… it’s warm, thoughtful and quiet.. as I generally aspire to be," says John Douglas.

About this latest focus track
'Lost', he notes, "Hard to be precise about this lyric. It all came to me in one go. Could be about getting lost in the past… letting it take over… I have felt disoriented when I’ve found myself dwelling on the past too much. RD Laing once said “Why let yesterday affect today ?” I know life can be more complex than that phrase allows, but it’s not a bad thought to mull over."

Hailing from Irvine on Scotland’s west coast, John has a rich history, making music with Trashcan Sinatras for over thirty years. Apart from his role as a songwriter (and guitarist) there, John has been playing live gigs across the UK and Ireland as part of his partner
Eddi Reader’s band.

Lately, John Douglas has been performing solo sets at shows with musical friends, such as Norman Blake (Teenage Fanclub), Jill Jackson and James Grant (Love & Money). Whilst visiting Irvine recently, John was invited to guest with Martin McAloon (Prefab Sprout), the two artists having first met in 1990 when the Trashcan Sinatras' were touring with Prefab Sprout in support of their album ‘Jordan - The Comeback'.

As of October 6th, the 'John Douglas' album is available on CD, as well as digitally from
a wide selection of fine music outlets, including Bandcamp, where supporters can download two exclusive bonus digital tracks ('Last Orders' and 'The Drink'). To mark this release, John Douglas will be supporting the fabulous Withered Hand on their Scottish tour this October.

CREDITS
Written by John Douglas (1, 2, 4, 6, 11), Trashcan Sinatras (3, 5, 7, 8), Trashcan Sinatras / Dine (9) and Paddy McAloon (10)
All songs published by MCPS/PPL, except Track 10 (published by Sony/ATV Music Publishing LLC)
Recorded, mixed & mastered in Glasgow by Mark Freegard
Photographs taken on the Old Largs Road by Susie Lowe
Cover photo by Janette Ayachi at The Strand Club, Glasgow
Design by Martin Rowsell Simply Marvellous: Music
Thanks to Edna, Charlie, Sam and all my family, all the Trashcan Sinatras, Tom Rose, Boo Hewerdine and Jill Jackson
CD - REVEAL195CDX  - 7427137071599
Digital Album - REVEAL195DDX - 7427137071605
Publicity by
Shameless Promotion PR

Bandcamp  https://johndouglas.bandcamp.com/album/john-douglas-2023
Album order 
https://revealrecords.lnk.to/JohnDouglas
Spotify 
https://open.spotify.com/album/08oykWwqbE7yvlHbUmG7gr

TOUR DATES (get tickets)
Oct 25  STIRLING, UK - Tolbooth
Oct 26  GALASHIELS, UK - MacArts
Oct 27  GLASGOW, UK - Saint Luke's
Oct 28  ABERDEEN, UK - The Lemon Tree


Keep up with John Douglas 
Bandcamp | Twitter | Instagram | Facebook | YouTube | Spotify | Apple Music | Press contact

Keep up with Reveal Records
Website | Bandcamp | Facebook | Twitter | Instagram | Soundcloud  

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | LinkedIn | Email

NYC-based BLACK ROSE BURNING brings post-punk into futuristic sci-fi with new 'Ad Astra' video

"A compelling blend of ominous Goth atmospheres, dark, but dynamic dancefloor anthems, New Wave ’80s tunefulness, and electronics-embedded tech tracks, all draped with the silky, reflective, and longing vocals of George Grant" ~ Big Takeover Magazine

"Leaning towards Ultravox and Colourbox on the new wave spectrum, they sometimes channel vibes from Phantasmagoria-era The Damned and Butterfly on a Wheel-era The Mission" ~
Amplify Music Mag

"Space might be the final frontier but Black Rose Burning are already stellar" ~
Onyx Music Reviews

"Smoulders from the ashes of goth-rock, whilst emerging from the dry-ice ambience of 80s nostalgia. Like a noir-new romantic, Black Rose Burning peacock preens from the underworld of art-pop, whilst intermixing its post-punk palette" ~ 
The Manc Review


NYC alternative rock outfit
Black Rose Burning presents 'Ad Astra', the title track from their invigorating third album 'Ad Astra', along with a clever new sci-fi video, announced as follows: "We travel into the microverse. We leave a dying planet there. We discover a new place to live. We're the light that shines amongst the stars at night... Love Won, Love Lost and Outer Space."

As with their previous album
 'The Wheel', this album was mastered by ACTORS' own Jason Corbett at Jacknife Sound.  Earlier, the band released the singles  'Fight!', 'Night Terrors' and 'Sing to Me'

Formed in 2018 by instrumentalist, producer and engineer George Grant, Black Rose Burning also involves guitarist Frank Morin (World Inferno Friendship Society) and drummer Luis Infantas (Monster Zero).

Grant explains, "I was always intrigued by the Latin phrase Ad Astra Per Aspera (to the stars with difficulty) - even when I was a kid. I have also spent a great amount of time in my life pondering a question - why are we all fighting and destroying the planet earth instead of reaching for the stars together? The way mankind is at this moment in history, I’m not even sure we deserve the greater universe. I’m hopeful that one day we will".

In 2021, Black Rose Burning released their second album 'The Wheel', one year after debuting 'The Year of the Scorpion'. George Grant's soulful vocal delivery, instantly recognizable voice and solid instrumentation are standout features of this music. Roughly 40 years of songwriting across various genres has helped George embellish on clever hooks, drive and the gothic-pop sensibilities of The Cult's early years.

'Ad Astra' was recorded in George’s own studio,
PV Recording Company, which has hosted notable artists over the years, including Emelio Zeff China (Peter Murphy), Knox Chandler (Siouxsie And The Banshees), Chibi (The Birthday Party Massacre), Nellie McKay, Julia Marcel, Paul Bakija (Reagan Youth), Ego Likeness and Voltaire (with whom Grant also played bass for 10 years).

“’Ad Astra’ is the result of the real first time collaboration of the musicians who have been playing with my project in a live setting and myself. On previous records, I recorded them solo – playing and programming all of the instruments. It only made sense to take it to a whole new level by taking a slight back seat and letting the fantastic musical brains I have surrounded myself with, to step into some spotlight and show their talent. Sonically it’s a major leap forward in the ever-growing sound of Black Rose Burning in every way. Letting experts do what they do has resulted in - a lush soundscape that’s better than I could have ever hoped for. And even though I again wrote all the material, having partners who understand my vision is both invaluable and awe inspiring,” says George Grant.

“Lyrically, I approached this record, from the standpoint of my pseudo-motto ”Love Won, Love Lost and Outer Space”. Interlaced with technical and futuristic themes are also stories of broken hearts, broken dreams as well as songs about hope. I quite honestly took my love, as an avid Sci-Fi fan, and poured it into quite a few of these songs and into the overall feel of the record. But don’t get me wrong - there’s plenty of both love and heartbreak written into it as well. The artwork by Antonella at Eshmoon DM brilliantly reflects the feel also - from the colors to the design and the themes - of my infatuation with Science Fiction.”
 
The 'Ad Astra' album is out now, available on CD and also digitally from fine music platforms, including
Spotify, Apple Music and Bandcamp.  On Friday, October 6, Black Rose Burning will play Absolution Fest, performing at Crobar in Tampa, Florida. On October 13, they play Richmond, Virginia's Fallout, together with Empathy Test.

CREDITS
Music and lyrics written by George Grant
George Grant - bass guitar, vocals, synth programming
Luis Infantas - drums and triggers
Frank Morin - all guitars
Recorded by the band @ PVRCo (Putnam Valley Recording Company)
Mastered by: Jason Corbett (Actors)
Cover Art by Antonella Di Mattei @ Eshmoon DM Design
Artist photos by Shane K. Gardner
Publicity by
Shameless Promotion PR

Spotify  https://open.spotify.com/track/3jyscmMdC2yThQrOAl3JMB
'Ad Astra' album order / Bandcamp 
https://blackroseburning.bandcamp.com/album/ad-astra
Spotify 
https://open.spotify.com/album/43wKBQqYqskY08jkYjnk7T
Apple Music  
https://music.apple.com/us/album/ad-astra/1705466602

Keep up with Black Rose Burning
Website | Bandcamp | Facebook | Twitter | Instagram | Soundcloud | YouTube| Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | LinkedIn | Email

Tropic Gold Release "Maniac" Video — WATCH

Suffolk-via-Essex quartet Tropic Gold will release the What A Wonderful Experience EP, via UNFD.

Today, they share the video for "Maniac." Watch it here.

"Maniac" follows recent singles "ADRENALINE" and "DTTTH," and shines a light on "a generation of undiagnosed and mistreated mental health conditions," share the band. "The song lays out how people often think they're going insane and that they're not normal. There's a constant struggle people live with, not knowing why they feel differently to others, and 'Maniac' talks about the attempt to find the alternate inner version of yourself that feels hopeless."

Teasing What A Wonderful Experience, the band explains that the title "can be interpreted in so many ways; it's our most cohesive release yet and we're eager to see how people relate to the songs in different, individual ways."

Get it
here.

Tropic Gold offer up a sleekly modern meld of alternative, metal, pop, and electronica, cajoling their passions for a dynamic culture pool of music and production styles into a single sonic petri dish. Though originally formed in 2019, the quartet have spent years in the lab, developing their sound and strong aesthetics behind the closed doors of a bespoke, self-built multi-media studio. The Tropic Gold method is truly hands on, with guitaristJoshua Leehandling all production and recording duties, as well as diving into the weeds on their visual curation, manning the camera and edit suite as often as the production chair. 

Today, with their vision firmly in grasp, the band are ready to move beyond the prologue, and have struck up a partnership with UNFD to bring their soaring, infectious soundscapes to a global audience.

Pairing swathes of moody atmospherics with soaring, ear worm choruses, the band’s songs feel like they would be equally A Vibe™ pulsing across sticky, cramped dance floors as soaring atop airy arenas.

Coming on like a new romantic Bring Me The Horizon or a post breakup Don Broco, who just discovered their parents copy of The Cure'sDisintegration or a 45rpm copy ofSing The Sorrow playing at 33rpm… tl;dr: Tropic Gold are as gloomy as they are catchy.

 Sharing a sonic space with the likes of the aforementioned BMTH and Broco, PVRIS, (latter day) Architects, Caskets, Spiritbox's plaintive moments and even Enter Shikari (albeit on Valium), Tropic Gold are just getting started in figuring out how to weaponise their cocktail of slap and swag.

TROPIC GOLD ARE:
Jacob Parris — Vocals
Joshua Lee — Guitars + Programming
Bradley Lawrence — Bass
George Southernwood — Drums

Mavis Share "Furry Tongue" Video — WATCH

German band MAVIS, featuring vocalist Phil Donay, guitarist Manu Weller, bass player Mo Amrein, and drummer Jakob Schulz-Klein, dropped the video for new single "Furry Tongue," out now via Arising Empire.

Watch it
below.

This latest masterpiece is a harmonious chaos, elegantly flitting between time signatures while maintaining a fluid, danceable rhythm.

"The complexity of 'Furry Tongue' didn't compromise its groove," says singer Phil Donay. "Achieving a song you can dance to was a pinnacle for us."

The song dances on the edge of intuition and overanalysis, exploring the tenuous balance that exists between the two and the exploitation that can arise from either extreme. Donay equates this delicate balancing act to the uncomfortable yet familiar sensation of a furry tongue.

Earlier this year, the band debuted its first single "Tortured Land." Watch the video
here.

If "Tortured Land" was an introduction to Mavis' dynamism, "Furry Tongue" solidifies their position as forerunners in innovative metalcore.
The visual component, a collaboration with Danny Jakov (deadapefilms) oscillates between cerebral choreography and instinctive movement.

MAVIS ARE:
Phil Donay — Vocals
Manu Weller — Guitar
Mo Amrein — Guitar
Jakob Schulz-Klein — Drums

Chat with Alkaloid about their New Album on Bandcamp

Alkaloid Go Deep into 'Numen' with Bandcamp Listening Party

Alkaloid contain more than just multitudes. Their new album 'Numen' compresses meteoric riffs, seductive flurries of jazz and flamenco, and a multi-part saga about a godlike galactic civilization into a dizzying, thrilling 70 minutes.

"Songs like the ones you'll encounter on 'Numen' couldn't be conceived without highly active imaginations", says
No Clean Singing.

Lambgoat: "Everything hits in a big way; big enough to be an Outer God of the genre".

That's a lot for any metalhead to unpack. But lucky for us, Alkaloid are hosting a Bandcamp listening party to chat with fans about their new album. Join the metal mad scientists tomorrow at 5 pm EST, when they go behind-the-music into everything from 7/16 time signatures, Stygian choirs and roughly four billion years of multicellular evolution.  

Tomorrow happens to be
Bandcamp Friday. Purchase 'Numen' or other Alkaloid merch during the listening party and the bulk of your money will go directly to supporting the band!

RSVP for the Bandcamp listening party tomorrow, October 6 @ 5 pm EST.  

https://alkaloidsom.bandcamp.com/merch/numen-listening-party


Order 'Numen':
https://shop.season-of-mist.com/list/alkaloid-numen

Stream the whole album:
https://orcd.co/numenpresave 

Alkaloid are still bonded together by their love of extreme metal. After all, they are a super group that's assembled from foundational members of Obscura, Dark Fortress, Triptykon and other genre heavyweights. But Numen finds the band playing around with all kinds of experiments. "Shades of Shub Niggurath" brings back the band's chaotic signature death metal to conjure the titular goat-like outer god.  

Take a cosmic trip through Lovecraftian space lore by watching the song's new visualizer, which was made by Scott Rudd Film.

Watch it
below.

Progressive extreme metallers Alkaloid prepare to unfurl their new many-tentacled full-length, 'Numen' via Season of Mist. Featuring members of Triptykon, Obscura, Dark Fortress, and Obsidious, the Germany-based quartet of Morean (vocals, guitars, concepts), Hannes Grossmann (drums), Christian Münzner (guitars), and Linus Klausenitzer (bass) construct upon, expand away from, and journey between previous full-lengths The Malkuth Grimoire (2015) and Liquid Anatomy (2018) on Numen. In every respect, Alkaloid recommence the purposeful warp of various metallic genres they dimensionally blur. Tracks like the video single for "Clusterfuck,” “The Cambrian Explosion,” and “Numen” posit heavy cosmological/Lovecraftian theoretic themes on top of musically-adept songs that are accessible yet undeniably intricate.
 
“We’ve all been around the block a few times by now as metal musicians,” says songsmith Morean. “The feeling that we’ve outgrown the narrow niche of pure extreme metal was a main motivator to start this band in the first place, ten years ago. The ‘prog’ tag is handy for us because, per definition, it already encompasses a wider range of possible styles and influences we can get away with than any one specific metal genre. This means we could ensure from the beginning that we’ll always be able to write whatever we want, no matter how crazy our ideas become. The heart of this band is always the songwriting, and we all like complex and virtuosic music in all its diverse manifestations. However, we do share a love for death metal as the smallest common denominator in the band, and we wanted to make sure no one thinks that just because we include melodies, clean guitars, and influences from other genres, we’d automatically sacrifice the brutality and relentless esthetic of extreme metal.”
 
'Numen' was written during the pandemic, but it was planned long before the scourge of disease wracked humanity. As a result, the songwriting sessions were predictably not "in the room" but over the Internet after the band members had isolated and worked on their constituent parts. Demos flew back and forth. Then, Tunker left amicably for personal reasons. Alkaloid could’ve folded, but the close-knit group soldiered on. They intensely relied on the professionalism and dependability of the collective to drive 'Numen' to completion. The complications of the two years it took to sonically inscribe the album into aeonic vastness didn’t fragment the end result. Instead, the process accelerated Alkaloid’s lambent, eldritch explorations. “Clusterfuck,” “The Cambrian Explosion,” “Numen,” and “A Fool’s Desire” expertly bridge the past to the future, where Alkaloid’s originative, daedal storytelling captures (and holds hostage) the imagination.

The title, 'Numen', got its start at the dawning of Alkaloid. It’s a word that Morean fell in love with immediately, and he knew it had a place in his creative endeavors. Whereas The Malkuth Grimoire talked about combining existing elements into new structures, and Liquid Anatomy dealt with the creation of new elements, 'Numen' tries to look at the universe from a kind of meta-perspective from an imaginary god, as if the space that everything happens in was given a voice and a role as observer and shaper of everything that happens. In it, sentient panspermic mycelia are swathed in Lovecraftian nastiness—like Shub-Niggurath and the Fungi from Yuggoth—while the new Dyson chapters interpret the aspiration to reach divinity rather literally, reshaping the entire galaxy by manipulating spacetime itself. Desperate to escape their doom, the Cephalopods from previous songs have returned, too. 'Numen' is dense but not impenetrable. In fact, from the first moments of opener, "Qliphosis," to the final contemplation of closer "Alpha Aur,” Alkaloid prove to be more charismatic than ever.
 
Line-up
Morean - guitars, vocals
Christian Münzner - guitars
Linus Klausenitzer - bass
Hannes Grossmann - drums

Recording Studio: Mordor Sounds, Nürnberg, Germany.

Producer: Hannes Grossmann & Alkaloid

Recording & mixing: Hannes Grossmann

Mastering: Alan Douches at West West Side Music studio in Hudson Valley, NY.

Guest musicians
Adam Wallis, Cydney McQuillan-Grace, John Schaffer, Lauren Gill, Sara Robalo, Shannon Bedford

Additional choir tracks on "The Cambrian Explosion" and "Shades of Shub-Niggurath"

Former Alkaloid guitarist Danny Tunker contributed to "The Cambrian Explosion"

Artwork & photos: Christian Martin Weiss

Biography: Chris Dick

Pre-order: 
https://shop.season-of-mist.com/list/alkaloid-numen

Pre-save: 
https://orcd.co/numenpresave 

Format
Digital download
CD Digipak w/mediabook
Black Vinyl (Gatefold)
Coloured Vinyl (Gatefold)

Links
https://alkaloid-band.com/
https://www.facebook.com/alkaloid.metal
https://www.instagram.com/alkaloid_metal/
https://twitter.com/AlkaloidBand
https://www.youtube.com/c/Alkaloidbandmetal
https://alkaloid-band.bandcamp.com
https://open.spotify.com/artist/4KMQDFaAsPEKcqKzdvkYKc

SUFFOCATION | RELEASE VIDEO VISUALIZER FOR SECOND SINGLE 'PERPETUAL DECEPTION'

New York death metal legends SUFFOCATION unleash their ninth full-length album Hymns From The Apocrypha on November 3rd via Nuclear Blast. The follow-up to ...of the Dark Light (2017) and the first release featuring the new vocalist Ricky Myers, pushes the band to the very edges of extremity and is arguably the group's strongest-sounding, most sonically punishing album yet. SUFFOCATION have achieved death metal perfection. 

Check out the second single from the album entitled, 'Perpetual Deception'. The track revisits the Son of Man (Jesus) and his continuous deceit, a nod to the classic SUFFOCATION track, ‘Jesus Wept.’ 

Stream the new single 'Perpetual Deception', here:
https://suffocation.bfan.link/pdsg

Watch the video visualizer for 'Perpetual Deception',  below.

SUFFOCATION took about a month and a half to record Hymns from the Apocrypha. They holed up at Hobbs and Boyer's InLine Studio in Long Island. The duo engineered and co-produced with Christian Donaldson (BENEATH THE MASSACRE, INGESTED), who was also re-enlisted to mix and master, with Dominic Grimard (CRYPTOPSY, SHADOW OF INTENT) assisting. With stunning cover art by Greek illustrator Giannis Nakos of Remedy Art Design (VOMITORY, THE CROWN), Hymns from the Apocrypha is characteristically SUFFOCATION. It's uncompromisingly brutal, artistically gutsy, and aurally heavy. Clearly, SUFFOCATION, as they head into their 35th Anniversary, are at the peak of their potential. Death metal or die!

 

Hymns from the Apocrypha will be available digitally and in the following formats:

  • CD Jewel

  • Vinyl

    • Brown w/ White Splatter

    • White w/ Brown Corona (Mailorder exclusive, limited to 600)

  • Cassette

    • Smoky Tint (Band exclusive, limited to 200)

    • Gold (Mailorder exclusive, limited to 500)

SUFFOCATION has exclusive Hymns from the Apocrypha merch available at www.nightshiftmerch.com/collections/suffocation.

SUFFOCATION are staying busy this fall with their 6-date 'Darkness Within Mexico Tour 2023' followed by their 'Ancient Unholy Rising Tour 2023' with co-headliners legendary death metal band INCANTATION. The 26-date trek will kick off on November 7th in Baltimore and makes its way across North America with performances in Montreal, Seattle, and Houston before its conclusion in Greensboro on December 4th. Joining the bands as openers are SKELETAL REMAINS and STABBING. 

Purchase tickets here: 
www.suffocationofficial.com/tour

Photo credit: Jason Carlson

'Ancient Unholy Uprising' Tour 2023 
with co-headliners INCANTATION and support SKELETAL REMAINS and STABBING

11.07.2023 US Baltimore, MD - Baltimore Soundstage
11.08.2023 US Reading, PA - Reverb
11.09.2023 US Brooklyn, NY - Warsaw
11.10.2023 US Providence, RI - Alchemy
11.11.2023 CA Trois-Rivières, QC - Amphithéâtre Cogeco 
11.12.2023 CA Montreal, QC - Studio TO
11.13.2023 CA Toronto, ON - Lee's Palace
11.14.2023 US Detroit, MI - The Sanctuary
11.15.2023 US Chicago, IL - Reggies
11.16.2023 US Madison, WI - The Annex
11.17.2023 US Lawrence, KS - The Granada
11.18.2023 US Denver, CO -  HQ
11.20.2023 US Richland, WA - Ray's Golden Lion
11.21.2023 US Seattle, WA - El Corazon
11.22.2023 US Portland, OR - Bossanova Ballroom
11.24.2023 US San Francisco, CA - DNA Lounge
11.25.2023 US San Diego, CA - Brick By Brick
11.26.2023 US Los Angeles, CA - 1720
11.27.2023 US Phoenix, AZ - Rebel Lounge
11.28.2023 US Albuquerque, NM - Launchpad
11.29.2023 US Oklahoma City, OK - 89th Street Collective
11.30.2023 US Dallas, TX - Granada Theater
12.01.2023 US Houston, TX - Scout Bar
12.02.2023 US San Antonio, TX - Paper Tiger
12.03.2023 US New Orleans, LA - Southport Music Hall
12.04.2023 US Greensboro, NC - Hangar 1819

SUFFOCATION line-up:
Terrence Hobbs | Guitar
Derrek Boyer | Bass
Eric Morotti | Drums
Charlie Errigo | Guitar
Ricky Myers | Vocals

More Information:
www.facebook.com/suffocation
www.instagram.com/suffocationofficial
www.twitter.com/suffocation
www.tiktok.com/@suffocationofficial
www.youtube.com/suffocationofficial
open.spotify.com/user/suffocation_official?si=617347e88d9e423c
www.twitch.tv/suffocationofficial

BLACKLITE DISTRICT Announces November Dates for The XL Tour 2!

South Dakota-based alternative rock artist KYLE PFEIFFER, better known as BLACKLITE DISTRICT, has announced the second wave of his XL TOUR! Launching November 3rd at Beach House in Omaha, NE, the tour will wind through the Midwest before wrapping up November 12th at Lefty's in Des Moines, IA.

Tour Dates:
11/03 @ Beach House - Omaha, NE
11/05 @ The Wave - Wichita, KS
11/07 @ Twisted Spoke - Pekin, IL
11/08 @ The Canopy Club - Urbana, IL
11/09 @ Studio 301 - Portage, WI
11/10 @ WC Social Club - Chicago, IL
11/11 @ Smokestack - Dubuque, IA
11/12 @ Lefty's - Des Moines, IA

Additional Tour, RSVP, & Ticketing Info

“I am beyond excited to kick off the second leg of The XL Tour! It seriously blows my mind to see all of these young kids coming out and experiencing their first rock show, and it’s even cooler to see the parents that have become fans as well. It’s not a Disney show by any means, but it’s definitely an event the whole family can attend. It’s rock and roll for the digital generation, and I’m confident we will deliver nights to remember on this tour!” - KYLE PFEIFFER

Purchase / Stream "Just So You Know XL" Online

JOHN MORGAN RELEASES DEBUT EP – REMEMBER US? – AVAILABLE TONIGHT

#1 HIT SONGWRITER JOHN MORGAN RELEASES DEBUT EP – REMEMBER US? – AVAILABLE AT 11 PM/CT

 

Performing at TONIGHT’s Whiskey Jam, 
Watch the Livestream 
HERE

 

Tomorrow (10/6) Catch Him LIVE on WSM 650 AM at 9 am/CT;
RFD-TV at Noon pm/CT 

Multi #1 hit songwriter and seasoned performer John Morgan - best known for writing the GRAMMY-nominated and award-winning #1 “If I Didn’t Love You” for Jason Aldean and Carrie Underwood – tonight releases his six-song debut EP Remember Us? Available HERE.

“I’m proud to put out this project, so people can really see what I’ve been doing the last couple of years,” says John. “I haven’t just been writing songs for other people. I hope they see the time that’s put into the details. A lot of these songs are two or three years old. They’ve stood the test of time and are still some of my favorites. They are special to me in different ways. I hope the EP really gives people an opportunity to see me establishing myself as an artist and not just a songwriter. These songs are true to me, and I hope people connect with them.”

Praised by 
People as “a solo artist intriguing enough to watch,” the six-song debut mixes John’s signature “sad boy country” heartbreakers with lively up-tempo barn burners, effortlessly flowing between romantic relatability and nostalgia to crank-it-to-10 singalongs. “Standing apart from the rest of the Country crowd as he brings a more traditional Country flair to the Pop-Country sounds of today’s genre” (Songwriter Universe), John co-wrote each song and enlisted his mentor Jason Aldean and Aldean’s bandmates Kurt Allison and Tully Kennedy to help produce the project’s heart-stirring title track “Remember Us,” along with “Ain’t Been There Yet” and the previously released party-start “Friends Like That”, which has earned over 12.5 million on-demand streams to date.

Declared by 
Country Swag as “one of Morgan’s best to date,” the EP also includes the just-released “Cold Summer in San Antone” that depicts the isolation and coldness a broken heart can inflict, even during the most brutally hot season in Texas. Likewise, the anguished “It Ain’t the Leavin’” dials in on the turmoiled chaos felt after goodbye, while the fun-loving, up-tempo anthem “Won’t Be As Good” admits life isn’t as worthwhile without that certain someone in it.

With emotive and dynamic lyrics that bring his innate storytelling prowess to the forefront, Remember Us? truly embodies why John Morgan is a multi #1 hit songwriter and artist to watch. “Oozing with validity, Morgan's subtle twang is undeniably fresh and is a swift and welcomed return to the traditional sounds that he grew up on, but that fans also crave” (
All Country News). 

Having just made his Grand Ole Opry debut, John has been out on the road all year with ERNEST, Riley Green, Jameson Rodgers, Conner Smith and Rodney Akins and has been hitting renowned music festivals such as Headwaters Country Jam, Utah’s Country Fan Fest, WE Fest, Voices of America Country Music Festival, Tidalwave Music Festival and more. 

Photo Credit: Nate Buchanan

About John Morgan:

With a style that’s defined by melodic grit and a craftsman’s approach to songwriting, John Morgan brings a blue-collar toughness to Country that’s pulled straight from the only life he knows. Hailing from a tiny town called Sylva, deep in the Great Smoky Mountains of North Carolina, John grew up immersed in Bluegrass tradition and even toured the festival circuit each summer in a family band, before diving into songwriting, inspired by six-string legends from Tony Rice to John Mayer. More than a year after selling everything he had to follow his dream, an only-in-Nashville story involving Uber drivers and impressive demos led to a writing session with Kurt Allison and Tully Kennedy—two incredible songwriters and longtime bandmates of Country superstar Jason Aldean. That session led to the superstar cutting eight songs written by John, including his recent No. 1 “Trouble With A Heartbreak” and the GRAMMY® nominated, ACM Single of the Year # 1 smash hit with Carrie Underwood “If I Didn’t Love You,” and Aldean signing John to Night Train Records, his imprint with BBR Music Group. The sought-after songwriter – who has toured with Jason Aldean, ERNEST, Riley Green, and James Rodgers – has released a slew of “Sad Boy Country” songs including his latest “Cold Summer in San Antone,” “Coldest Beer in Town,” “Right In The Middle,” and “Good With Goodbye.” Having recently made his Grand Ole Opry debut, John pivots from heartbreak to party starter territory, dropping the smash hit “Friends Like That,” the unapologetic “Sorry Not Sorry,” the confident “Man of Few Words,” and his anthemic debut EP Remember Us?

KEEP UP WITH JOHN MORGAN

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK | TWITTER

John Corabi (Motley Crue/ The Dead Daisies) To Headline G4L Records Cancer Benefit Show #1 Oct 17th at The Eighth Room Nashville

John Corabi (Motley Crue/ The Dead Daisies) To Headline

G4L Records Cancer Benefit Show #1 for "Elizabeth & Chris" on Oct 17th at The Eighth Room Nashville

Also Starring Anthony Corder (Tora Tora) and Blevins Vox
(13 South)

With Host Mark “Gus” Scott (Trixter)

Legendary performer John Corabi headlines an incredible lineup for G4L Records Cancer Benefit Show #1 for "Elizabeth & Chris" on October 17th in Nashville at The Eighth Room. John will be performing songs from his Motley Crue days including hits such as “Hooligan’s Holiday”; The Dead Daisies’ “Dead and Gone"; “Man in the Moon”, and ”Love (I Don’t Need It Anymore)”. Tora Tora’s Anthony Corder will be performing his hits including “Walkin’ Shoes” and “Guilty”. 13 South’s Chris Blevins will be performing his 2023 Josie Award Nominated “Rock Songwriting Song of the Year” “Mississippi Way”.

"The idea for the show came from G4L Records Founder, Markus Muller-Stach. He began developing the event while his wife was in her battle with Stage 4 Breast Cancer as a way to honor her, give her a night of great music, brighten up her day, raise money to fund an end of life trip and pay for cancer related bills. Sadly, during production Elizabeth passed," says John Corabi.

The event has grown to include artist and friend Chris Blevins who is also battling cancer, performing, and co-producing the event.

Markus Muller-Stach adds, “I’m excited to move forward with this event. It’s been very therapeutic to work on. The last 3 ½ years of my wife battling cancer, losing her recently, the impact and all that goes with it has inspired me to help other families that are going through this. So after this show, we will begin working on the next one in Los Angeles and find other cancer patients to honor. Knowing firsthand the pain and suffering a cancer patient and their family go through, all the associated bills, I’m honored to be doing my small part to help cancer warriors in the future. I’m so blessed to have such talented, accomplished, and generous artists help make this idea a reality.”

Purchase G4L Records Cancer Benefit Show #1 Tickets HERE

John Corabi will head back on tour with The Dead Daisies at the end of the month. For Tour & Ticket information, please visit: https://thedeaddaisies.com/

For More Information Please Visit:

www.G4LRecords.com

Intervals Unveils New Single "mnemonic" + Accompanying Visualizer

Innovative instrumental metal outfit Intervals has today unveiled their brand new single "mnemonic" and the accompanying visualizer. Led by visionary and musical ringleader Aaron Marshall, "mnemonic" explores new sonic landscapes guided by Marshall's virtuosic guitarwork while preserving the band's signature sound of intricate melodies laced with technical prowess. Speaking on today's release, Marshall shared:

"I'm super excited to drop this new tune heading into our tour with TesseracT. 'Circadian' came out in November of 2020, and we didn't get to perform any of the material for a whole year after its release, given the circumstances, so having new music dialed in, and being able to perform it right away is super exciting for the team right now. This one is just a taste... I can't wait to show everyone the rest of the new record!"

Fans now have their chance to see Intervals perform "mnemonic" across North America alongside TesseracT and Alluvial beginning today in Charlotte, NC. Stream "mnemonic" here, watch the visualizer in below, and be sure to keep 'em peeled for more Intervals news coming soon.

Upcoming Tour Dates:

Oct 5 - Charlotte, NC @ The Underground

Oct 6 - Charleston, SC @ Music Farm

Oct 7 - Norfolk, VA @ The Norva

Oct 8 - Baltimore, MD @ Rams Head Live

Oct 10 - Chicago, IL @ House of Blues

Oct 11 - Pittsburgh, PA @ Roxian Theatre 

Oct 13 - New York, NY @ Irving Plaza

Oct 14 - Boston, MA @ Paradise

Oct 15 - Philadelphia, PA @ TLA

Oct 17 - Montreal, QC @ Corona Theatre 

Oct 19 - Toronto, ON @ Danforth Music Hall

Oct 20 - Grand Rapids, MI @ Elevation

Oct 21 - St. Louis, MO @ Red Flag

Oct 23 - Denver, CO @ Summit Music Hall

Oct 24 - Salt Lake City, UT @ The Depot

Oct 26 - Seattle, WA @ The Showbox

Oct 27 - Vancouver, BA @ Commodore

Oct 28 - Spokane, WA @ Knitting Factory

Oct 29 - Portland, OR @ Hawthorne Theatre

Oct 31 - San Francisco, CA @ Regency Ballroom

Nov 1 - Los Angeles, CA @ The Regent Theatre

Nov 3 - San Diego, CA @ Observatory North Park

Nov 4 - Phoenix, AZ @ Nile Theater

Nov 5 - Albuquerque, NM @ Revel

Nov 7 - Dallas, TX @ The Granada Theater

Nov 8 - Austin, TX @ Emo’s

Nov 9 - Houston, TX @ Warehouse Live

Nov 11 - Tampa, FL @ Ritz

Nov 12 - Atlanta, GA @ Buckhead Theatre

Nov 13 - Nashville, TN @ Brooklyn Bowl

HELFRÓ Release First Single off 'Hálgröf'

HELFRÓ didn't come out of nowhere. The duo's icy tremolo picking and firestorm melodies sound like they were carved from the volcanoes and glaciers of their native Iceland. But their first album surprised even the most steadfast black metal acolytes with dueling vocals, punchy death metal riffage and bracing lyrics about loneliness and addiction.

 

Now, three years later, Helfró are back and as cold and unforgiving as ever. Their new album, Tálgröf, drills even deeper into the dark corners of the human psyche, while boring through intense rhythmic passages that fuse the extremities of traditional death metal with sombre, introspective lyrical convictions.

On lead single ‘Fláráð Fræði’ (which in English means "Deceitful Theories), blast beats erupt into a sickly and intrusive melody about the origins of evil.    

Watch the chilling video for ‘Fláráð Fræði’, which was created by Guilherme Henriques below.

Tálgröf comes out 1 December.

Pre-order:
https://shop.season-of-mist.com/list/helfro-talgrof
Pre-save:
https://orcd.co/talgrofpresave

“The lyrical theme of ‘Fláráð Fræði’ talks about a dark, sick entity that tries to learn of the origin of its evil, intrusive thoughts,” says drummer Ragnar Sverrisson. "But it only gets sicker the more it learns.”

Photo credit: ©Void Revelations

Formed amidst the haunting landscapes of Iceland, HELFRÓ is a formidable force in the world of blackened death metal. With their relentless aggression, atmospheric soundscapes, and compelling songwriting, they have carved their own path in the metal scene.

The journey of HELFRÓ
began when guitarist and songwriter Ragnar Sverrisson sought to bring his musical visions to life, Drawing inspiration from the bleakness of Icelandic winters, the mysticism of nature, and the chaos of the human experience. HELFRÓ'S debut album, aptly titled "Helfró", was released in 2020, marking the band's official entry into the world of extreme metal. With a relentless barrage of blast beats, crushing riffs, and haunting melodies, the album showcased their ability to seamlessly blend aggression and atmosphere.

Evolving with the advent of the sophomore album, TÁLGRÖF, listeners can expect even more ferocity as
HELFRÓ dives deeper into death metal territory while not straying to far from the signature ice-cold climactic tremolo riffing notable of their previous work. Characterized by its ferocity, the new album also carries introspective and thought-provoking themes, reflecting the band members' willingness to explore the depths of the human experience.

HELFRÓ is destined to leave an impact on the realm of extreme music, captivating audiences with their unique brand of Icelandic metal.

Line-up:
Ragnar Sverrisson: Drums, Vocals, Songwriting
Simon Thorolfsson: Guitars, Bass, Vocals, Arrangements

Recording Studio            
Dominion Recordings

Sound Engineer
Simon Thorolfsson

Mixing Engineer              
Mark Lewis

Mastering Engineer        
Mark Lewis

Biography: Ragnar Sverrisson

Cover art: Grindesign

Pre-save: https://orcd.co/talgrofpresave

Pre-order: https://redirect.season-of-mist.com/helfro-talgrof

Links:
Facebook:
https://www.facebook.com/HelfroIce             
Instagram:
https://www.instagram.com/helfromusic/   
Bandcamp:
https://helfroofficial.bandcamp.com/           
Spotify:
https://open.spotify.com/artist/3LNnSSzoPPdyJT437coBFn         
 
Booking:
Ragnar Sverrisson
ragginar@gmail.com 

Available Formats: 

CD digipak          
Digital
12” vinyl in various colours        
Merchandise

Impure Wilhelmina Stream EP Ahead of Release Date

IMPURE WILHELMINA are no strangers to reinvention. For the past 25 years, the Geneva quartet have rolled hardcore riffs, velveteen cleans, atmospheric sludge and gloomy melodies into post-metal that's as sharp and versatile as a Swiss Army Knife. 

Now, Impure Wilhelmina are breathing new life into several time-worn classics. 'Dead Decades' flips the smoky, after-dark romance of
"La Javanaise" into a lovestruck indie rock triumph, while also paying a faithfully mind-bending tribute to King Crimson.    

'Dead Decades' comes out this Friday, October 6. Their new EP also includes a cover of The Cure, plus two unreleased songs from the recording sessions for Impure Wilhelmina's latest album 'Antidote'.

Listen to all of 'Dead Decades' a few days early below.

Pre-order:
https://redirect.season-of-mist.com/IWDD
Pre-save:
https://orcd.co/deaddecadespresave
   
“We'd been wanting to record some covers for a long time," says Impure Wilhelmina. "The opportunity came in 2022 after the forced cancellation of a European tour at the end of the pandemic. We chose three songs that we all love, released during three different decades - 60s, 70s and 80s - and all three are very far removed from our usual sound. Two previously unreleased tracks from the 'Antidote' album sessions complete the EP. The record has a very strong nostalgic vibe, and we're particularly proud of the result. Enjoy our Dead Decades!”

For 25 years, Impure Wilhelmina has been shaping a singular music on the borders of rock and metal. The Geneva quartet has never been afraid to reinvent itself and to push back the stylistic barriers, without ever losing its strong identity. Intensity, melody, power and melancholy are the key words that guide the band's discography, developing record after record a subtle blend of metal, post-hardcore, new wave and indie rock sounds.

Impure Wilhelmina has experienced many line-up changes over the years around Michael Schindl, singer-guitarist, main composer and lyricist. Founded in 1996, the group quickly built a reputation in the local, then Swiss and European independent scenes. The band has released a 7″, an EP, a split and seven full-length albums (see discography).

Impure Wilhelmina has regularly collaborated with sound engineers and producers Serge Morattel (I Can't Believe I Was Born In July – 2001, L'Amour, La Mort, L'Enfance Perdue – 2004, Prayers And Arsons – 2008) and Raphaël Bovey (Black Honey – 2014, Radiation – 2017). These five albums illustrate the constant musical evolution of the band, which from a very dark and metal base gradually incorporates more rock elements. The clear vocals occupy an increasingly important place in the compositions, reinforcing the intensity and melodic depth.

In 2015, thanks to the great response to Black Honey, Impure Wilhelmina signed with the reference metal label Season of Mist, which published Radiation two years later in 2017. Skillfully navigating between melodies and dissonances, always at the service of raw emotion, this sixth album was unanimously acclaimed by the press and the public, opening the doors to wider recognition.

In 2019, the band received great reward by being one of the four recipients of the grants for contemporary music awarded by the City of Geneva. This support has enabled Impure Wilhelmina to start working on a new album with confidence and with the will to develop their sound and get out of their comfort zone. The band put a lot of efforts in the elaboration and production of its new songs, notably by calling on Yvan Bing, producer and sound engineer, to accompany the four musicians throughout the creation process. This successful collaboration began in the summer of 2019 and continued for over a year, giving rise to Impure Wilhelmina's seventh album, Antidote. Released in may 2021, this album is a testament to the creativity and versatility of the band, which never ceases to explore new horizons without ever getting lost.
 
After two European tours in 2022 (with Crippled Black Phoenix and MØL, then Shores of Null), Impure Wilhelmina focused in 2023 on the vinyl reissue of their second album "I can't believe I was born in July", for its 20th anniversary, and the release of a new EP entitled “Dead Decades”, which features three covers and two previously unreleased tracks.

Line-up

Michael Schindl: Vocals/Guitars
Diogo Almeida: Guitars
Sébastien Dutruel: Bass
Mario Togni: Drums


www.impurenet.com
www.facebook.com/impurewilhelmina
www.instagram.com/impurewilhelmina
www.impurewilhelmina.bandcamp.com


Recording Studio:
‘La Javanaise’, ‘Fallen Angel’ and ‘Plainsong’: Kitchen Studio, Geneva (CH)
‘Nebulæ’ and ‘Ignoramus’: HOFA Studio, Karlsdorf (DE)

Mix: Kitchen Studio / Yvan Bing
Master: Caduceus Studios / Ladislav Agabekov

Cover artwork: Mehdi Benkler (photography) / Giganto.ch

Pre-order:
https://redirect.season-of-mist.com/IWDD

Booking: 
Switzerland: Martina Kull / Glad We Met: martina@gladwemet.ch
Europe/World: booking@impurenet.com

Formats:
Vinyl
Digital

Alluvial Announce "Death Is But a Door" EP + Share "Bog Dweller"

ALLUVIAL — Kevin Muller [vocals], Wes Hauch [guitar, vocals], Tim Walker [bass], and Zach Dean [drums] — have announced their new EP,Death Is But a Door. It arrives on January 12 via Nuclear Blast.

Today, the band has shared the video for "
Bog Dweller." Watch it below

The band also premiered "Fogbelt" over at SiriusXM's Liquid Metal. 

Alluvial will hit the road this month with TesseracT. All dates are below.

ALLUVIAL ON TOUR:
WITH TESSERACT:

10/5 — Charlotte, NC — The Underground
10/6 — Charleston, SC — Music Farm
10/7 — Norfolk, VA — Norva
10/8 — Baltimore, MD — Rams Head Live!
10/9 — Lakewood, OH — The Winchester*
10/10 — Chicago, IL — House of Blues
10/11 — Pittsburgh, PA — Roxian Theatre
10/13 — New York, NY — Irving Plaza
10/14 — Boston, MA — Paradise
10/15 — Philadelphia, PA — TLA
10/16 — Albany, NY — Empire Live*
10/17 — Montreal, QC — Corona Theatre
10/19 — Toronto, ON — Danforth Music Hall
10/20 — Grand Rapids, MI — Elevation
10/21 — St. Louis, MO — Red Flag
10/22 — Kansas City, MO — The Rino*
10/23 — Denver, CO — Summit Music Hall
10/24 — Salt Lake City, UT — The Depot
10/26 — Seattle, WA — The Showbox
10/27 — Vancouver, BC — Commodore
10/28 — Spokane, WA — Knitting Factory
10/29 — Portland, OR — Hawthorne Theatre
10/31 — San Francisco, CA — Regency Ballroom
11/1 — Los Angeles, CA — The Regent Theatre
11/3 — San Diego, CA — Observatory North Park
11/4 — Phoenix, AZ — Nile Theater
11/5 — Albuquerque, NM — Revel
11/6 — Oklahoma City, OK — 89th Street*
11/7 — Dallas, TX — The Granada Theater
11/8 — Austin, TX — Emo's
11/9 — Houston, TX — Warehouse Live
11/11 — Tampa, FL — The Orpheum
11/12 — Atlanta, GA — Buckhead Theatre
11/13 — Nashville, TN — Brooklyn Bowl
*Headline

Darkness and despair are a breeding ground for creativity in the right hands. Since their inception in 2017, Atlanta-based band Alluvial have embraced the grim and gloom that the world has to offer through an intricately balanced blend of rapid-fire polyrhythms, haunting, sludgy atmospheres and tightly wound grooves. The band takes a stab at creating an even more sinister sound than their previous album, Sarcoma, Death Is But a Door. 

"We wrote about 13 or 14 songs this summer, but we wanted to do this EP between Sarcoma and our next full-length. These songs align with the vibe we want to go for. We will always find a way to be darker from record to record in the same way that South of Heaven was heavier than Reign In Blood and Seasons In The Abyss was heavier than South Of Heaven," says Hauch. "It was that concept of chasing the dragon to find a way to top the message and vibe on the last record while finding a way to do it that made us excited." 

After releasing their instrumental debut full-length, The Deep Longing for Annihilation, the band hit the road. Although the album has racked up millions of streams, there was always an intent to add a vocalist to their following releases. Hauch had begun writing what would become Sarcoma in 2018 and recruited Muller, knowing his vocal prowess from the vocalist's time in Suffocation.  

Bringing Muller into the fold immediately elevated the band’s sound, but Death Is But a Door shows the synergy that the band has developed from working as a cohesive unit over the last few years.  

Although the band's mission is to drive into bleaker and heavier territory with each new release, they manage to bring balance to their sound. While they remain grounded in death metal, the band's approach finds them exploring all of their influences. From traditional thrash like Pantera or Metallica to darker grunge like Alice in Chains or Soundgarden and everything in between, Alluvial aim to keep listeners on their toes by pushing beyond the realms of death metal. 

"I wanted to have a band where we can write meaningful yet action-packed songs. Something that is terrifying but breaks your heart at the same time. I think we'll always chase that, but we want to find new ways to be heavy," says Hauch.  

With the band’s members being as ingrained in the death metal scene as they are — with members previously playing in The Faceless, Suffocation and more — listeners can rest assured they’ll be met with plenty of brutality throughout their music. The twists and turns into clean passages, atmospheric ambience, or any of the other musical avenues explored throughout Alluvial's music take them over the edge and invite listeners to return and find something previously undiscovered.   

San Francisco singer-songwriter E.G. Phillips shares brooding single ‘Boil The Ocean’

"A fabulous heartfelt confessional... A purveyor of the urban blues, Phillips offers an enthralling proposition in this beautifully wrought song" ~ Amplify Music Magazine

"A romancing of the senses with its noir lit contemplation and that almost boozy air to its fiery breath... a soulful engagement as off kilter and unique as it is warmly beguiling and emotively comforting" ~ Ringmaster Review
'
"E.G. Phillips channels dark singer-songwriters… Like a distant cousin of his forbearers Nick Cave, Tom Waits, and Leonard Cohen... It's always satisfying to discover something with such an old wise soul." ~ Real Gone


San Francisco-based artist
E.G. Phillips presents his new single 'Boil The Ocean', a Nick Cave / Tom Waits-esque taster of his new 'Outlaw The Dead' EP, set for release on November 2 via Ducks With Pants Records.

This EP was recorded in Studio C of Hyde Street Studios in San Francisco (AKA 
Wally’s HydeOut) at the former Wally Heider Studios — the same space where such legendary artists as Herbie Hancock, Santana, Grateful Dead, Green Day and Dead Kennedys recorded some of their most legendary releases.

Produced by
Chris McGrew, this music was mixed with the assistance of Billboard-charting producer Jaimeson Durr (Sammy Hagar, Joe Satriani, Hope Sandoval).

"This song has gone through so many rewrites and rejiggerings over the years, it's a bit of a ship of Theseus — which is entirely appropriate given the nature of the song. It's inspiration comes from those corporate phrases you hear ad naseum if you've ever been part of that word — you know, "eat our own dogfood", "circle back", "take it offline", "open the kimono" etc., This song takes one such phrase and takes it to its logical and horrifying conclusion, depicting the circumstances under which one would in fact feel the need to actually boil the ocean," explains E.G. Phillips.

"The recording features Paul Eastburn on bass who also played on my album
'Alien from an Alternate Earth' — here his bowing on the upright provides some undulating texture, like a dark undercurrent — an undertow that could pull you down below the surface."

This follows the sultry jazz offering
‘I Am The One Who Ghosts’ featuring Spanish artist Mar Vilaseca on vocals, the lead track 'It Ain't Good to Be in Love With You', a jazzy affair that showcases his confessional songwriting, and the single 'A Bridge Too Far (MacArthur Station)' featuring Grace Renaud on vocals.

Hailing from Chicago, Phillips ultimately found greener grass in the Bay Area. His musical journeys grew more adventurous since relocating at the turn of the century, especially since venturing out on the open mic scene in San Francisco -- finding a musical home of sorts at Bazaar Cafe.  

With the steadfast backing of his band
Ducks With Pants, Phillips blends lyric-driven compositions with his own special blend of whimsy and cinematic imagery, offering a wry take in dealing with the longings of the heart and the madness of existence.  

The music offered on the 'Outlaw The Dead' EP was born of that alchemy that develops between veteran musicians who have performed together many times and have created many records together, as is the case with Kevin Seal, Chris McGrew, and Christopher Fortier — who have been playing together in various bands since the mid 90s, including progressive punk band Griddle and psych rock outfit Seal Party.

As of October 4, 'Boil The Ocean' is available across fine music platforms, including
SpotifyApple Music and Bandcamp, where Phillips' back catalogue can also be explored. The full EP is out on November 2 with Phillips playing his release show that night at The Utah Saloon in San Francisco.

CREDITS
E.G. Phillips — vocals
Christopher Fortier — guitars
Kevin Seal — keys
Paul Eastburn — upright bass

Chris McGrew — percussion
Recorded at Wally's HydeOut in Hyde Street Studio C, San Francisco
Recorded by Gary Hobish
Produced by Chris McGrew  
Mixed by Chris McGrew and Jaimeson Durr
Mastered by Gary Hobish, A. Hammer Mastering
Artwork by Mario M. Noche
All songs written by E.G. Phillips (ASCAP)
© 2023 Ducks With Pants Music


Keep up with E.G. Phillips
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VENUES Share "Oblivion" Video — WATCH

German post-hardcore band VENUES have released the video for brand new single "Oblivion."

Watch it
below.

The poignant lyrics unravel a compelling narrative of intense internal struggle, a reflection of the profound challenges tied to mental health issues and other overwhelming life obstacles. The song delves into the ambiguous and non-linear path of healing, underscoring the intricate dance between the darkness of struggle and the light of recovery.

"Oblivion" follows the recently released "
Haunted House" and their critically acclaimed album Solace and previous singles "Reflections" + "Cravings."

VENUES ARE:
Lela | Clean Vocals
Robin | Shouts
Valentin | Guitar
Dennis | Drums

Synthwave Horror Duo MIDNIGHT DANGER Premieres New Song + Music Video, "Radio Hell"

Grab your skates and get ready to dance and trance like roller disco zombie! Synthwave horror duo MIDNIGHT DANGER is now premiering an electrifying new single, "Radio Hell," along with an 80's horror inspired new music video! The colorful video can be found below while the single is now available to stream everywhere HERE.

The band comments on the new offering, "The new single 'Radio Hell' was originally meant to be part of the 2021 release 'Nights at Lake Milsen.' However, while the songwriting was developing, it became clear that the uplifting dancing vibes of the main melody wouldn't fit the dark atmosphere of that album.

"So the song was set aside temporarily until in 2023 while Midnight Danger's USA debut tour was finally taking shape, 'Radio Hell' got the final touches and was set to release as a single, being a song that stands on its own in Midnight Danger's discography.

'The song also gained a music video, a tribute to old school roller skating videos. As typical from Midnight Danger, the horror elements are also there and the video delivers a rad combination of 80s, zombies and roller skating! The video was shot in São Paulo, Brazil by local fans, reaffirming Brazil as one of the strongest Midnight Danger's fan bases."

In addition, MIDNIGHT DANGER will be performing in the United States for the first time ever this October! Just in time for Halloween, the horror-themed outfit will embark on its "Nightmare Over the West Coast" starting on October 26 in Phoenix, AZ. The trek will then make its way up the coast and draw the final curtain on October 31 in Seattle, WA. The full itinerary can be found below!

For a taste of what to expect from MIDNIGHT DANGER's dynamic and haunting performances, watch the official video for "Live at The Slaughterhouse" HERE.

GET TICKETS HERE

Midnight Danger "Nightmare Over the West Coast" Tour Dates:

10/26: Phoenix, AZ @ Endgame

10/27: Los Angeles, CA @ Knucklehead Hollywood

10/28: San Francisco, CA @ DNA Lounge

10/30: Portland, OR @ The Secret Warehouse

10/31: Seattle, WA @ Central Saloon

Hailing from Stockholm, Sweden, rising star Midnight Danger brings an electrifying fusion of influences to the music scene. Conceived by producer and guitarist Chris Young in late 2015, this music endeavor draws inspiration mainly from synthwave music, '80s metal, and classic horror. Midnight Danger crafts a nostalgic soundtrack journey with pulsating synthesizers, driving rhythms, and a cinematic essence that instantly transports listeners back to the era of neon lights, arcade games, and VHS tapes. While evoking a sense of nostalgia for the 1980s, their tracks also add modern production techniques to create a unique fusion of old and new.

Setting the stage alight both musically and visually, Midnight Danger's live performances are an enthralling spectacle that marries their music to a synchronized light show engaging the audience in a theatrical like horror movie experience.

In January 2018, the debut album "Malignant Force" was released through NRW Records, instantly carving its mark on the synthwave landscape. The album rapidly soared in popularity, with vinyl and cassette editions selling out in a flash and accumulating a staggering 4,5 million streams on Spotify.

The release catapulted Midnight Danger in the synthwave/retrowave movement and resulted in numerous live performances over Europe and South America alongside some of the main artists on the genre, including also an unforgettable appearance at São Paulo's Horror Expo alongside revered metal acts like Therion and Deathstars.

The journey continued with a cascade of singles, collaborations, and contributions, such as being featured in the soundtrack of the documentary "In Search of Darkness," a comprehensive tribute to '80s horror. The sophomore album "Chapter 2: Endless Nightmare," unleashed in August 2020, made waves by capturing the essence of synthwave/darksynth reaching best-selling charts on both Bandcamp and iTunes. The album has currently over 1,3 million streams on Spotify. The tracks "Endless Nightmare" and "To the Shadows and Back" were elevated further through music videos that showcased the enigmatic Scary Dee on drums - an undead persona that takes center stage in Midnight Danger's live performances.

The saga continued with the release of "Nights at Lake Milsen" in November 2021, a groundbreaking work that saw collaboration with a legion of rock and metal icons spanning four generations. Guitarists Kane Roberts (Alice Cooper), Rafael Bittencourt (Angra), Martin Sweet (Crashdïet) and Sonia Anubis (ex-Crypta), singer Danny Rexon (Crazy Lixx), and Australian saxophonist Max Cruise, lent their virtuosity to this remarkable endeavor. The original graphic novel titled “Chapter 1: The Malignant Force” is included in the vinyl edition of the album, showing the background story that connects all of Midnight Danger’s albums.

With three full-length albums, numerous singles, and a trail of sold-out physical albums, Midnight Danger's music has resonated worldwide, garnering millions of plays and streams. Also renowned for captivating live performances, in 2022 Midnight Danger returned to the stage following a three-year hiatus, reaffirming their commitment to thrilling the fans and continuing to illuminate the synthwave landscape.

Now, marking a significant milestone, Midnight Danger makes their debut in the United States, showcasing a setlist that features songs that trace their entire career.

Genre: Synthwave/Retrowave

For Fans Of: Dance with the Dead, Carpenter Brut, Lazerhawk, Perturbator

Lineup:

Chris Young

Scary Dee

Links:

Official Website

Bandcamp

Facebook

Instagram

X (formerly Twitter)

YouTube

TikTok

Spotify

Apple Music

DIMMU BORGIR to Headline INFERNO FESTIVAL NORWAY 2024

Dimmu Borgir

To Headline

Inferno Metal Festival Norway 2024

Taking place during Inferno Metal Festival, from March 28 - 31, 2024!

+ Black Metal Bus Tours now on sale - A trip through some of the places that marked the beginnings of Norwegian black metal with Anders Odden (Cadaver, Celtic Frost, Order)

“Something strange and magical happens in the town of Oslo, Norway over Easter week. Most of polite society flees to the mountains while a scourge of metal heads pour in from all over the globe to experience the four day extravaganza of extreme metal, hedonism & hepatocyte known as Inferno Festival. Subsequently, the entire city becomes a misanthropic miscreant’s soggy dream come true, and we’ve got the whole place to ourselves!” - Metal Injection

GET FESTIVAL TICKETS

Inferno Metal Festival is now revealing that legendary Norwegian black metal titans Dimmu Borgir will be among the headliners for the 2024 edition of the festival, which will take place from March 28-31, 2024 across several venues in Oslo (NO).

So far, the iconic festival has revealed a mixture of classic bands as well as some vital and exciting new-comers. Other recently announced bands include Arthur Brown, Bell Witch, Me and That Man, Mantar, Befouled, Zustand Null, Visegard, Koldbrann, and many others! More will be announced soon!

The current lineup is now as follows:

Dimmu Borgir

At The Gates

Candlemass

Borknagar

Sólstafir

Finntroll

Me and That Man

Carpathian Forest

Cattle Decapitation

Nordjevel

Winterfylleth

Keep of Kalessin

VLTIMAS

Arthur Brown

Misþyrming

Saor

Mantar

Koldbrann

Konvent

Khold

Crypta

Signs of the Swarm

Bell Witch

Extermination Dismemberment

Orm

Phantom Fire

Tilintetgjor

Umbra Conscientia

In Twilight's Embrace

200 Stab Wounds

Befouled

Zustand Null

Visegard

Imbalance

Nakkeknaekker

Vomit Forth

Horrifier

Single day tickets and passes are now available HERE.