Dark Remedy Releases New Single "Possession" + Official Music Video

STREAM "Possession" HERE

Embark on a journey into the heart of our rapidly evolving world with Dark Remedy's electrifying new single, "Possession". With captivating hooks, pulsating beats, driving guitars, and thought-provoking lyrics, Dark Remedy weaves a cautionary tale of the irresistible allure and chilling dangers that lie ahead. Brace yourself for a sonic experience that bridges the gap between the present and an all-too-plausible future. The era of possibilities is upon us – embrace the future with "Possession".

WATCH Dark Remedy - "Possession" Official Music Video below.

Dark Remedy is a formidable force in the world of melodic hard rock, delivering powerful and impactful music that resonates with audiences. The band was conceived amidst the chaos of the burgeoning COVID-19 pandemic by the talented songwriting duo of Vocalist/Lead Guitarist Steven Miller and Rhythm Guitarist/Vocalist Cary Parsons (also known to wrestling fans as Mister Sinister). In their quest to find solace during these dark times, Dark Remedy emerged as the ultimate remedy.

Driven by an unwavering determination to share their music and vision on the grandest stages, Dark Remedy has spared no effort in their creative pursuits. Despite the challenges, they tirelessly worked together, utilizing remote collaboration and embarking on long journeys to record and produce their groundbreaking songs and captivating music videos.

October 2022 marked a significant milestone for Dark Remedy when they joined forces with the illustrious Grammy-nominated and multi-platinum drummer, Paul Crosby (formerly of Saliva). Paul not only contributed his remarkable drumming skills to the band but also took on the role of band manager under Paul Crosby Management. This collaboration has added an incredible depth to Dark Remedy’salready impressive sound.

Dark Remedy is known for their mastery of the expansive arena sound, featuring roaring guitars, infectious hooks, tastefully mesmerizing synths, and thunderous drums. Their music goes beyond mere entertainment, evoking contemplation and addressing the highs and lows of everyday life.

The band has experienced resounding success in the mainstream with their chart-topping radio hit, “Blood Money,” which reached an impressive #15 on the Secondary Market Chart. Building on this triumph, their follow-up single, “Haunted,”quickly climbed the radio charts as well, further solidifying Dark Remedy’sprominence in the industry.

Dark Remedy shows no signs of slowing down. With an unwavering dedication to their craft, they continue to write and produce new music, ensuring a continuous stream of captivating content for their global fanbase to enjoy. Stay tuned for more exhilarating releases and prepare to be captivated by the unwavering talent of Dark Remedy.

Dark Remedy is:
Cary Parsons - Guitar/Backing Vocals
Steven Miller - Lead Guitar/Lead Vocals

For More Information Please Visit:

Official Website

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Chase Atlantic Drop New Single "MAMACITA" — LISTEN

Chase Atlantic — Mitchel Cave, Clinton Cave, and Christian Anthony— are back with a fresh and woozy track in the form of "MAMACITA."

Listen
below.

The Aussie-born, LA-based trio are authors of their own genre, once again blurring the boundaries of modern, Gen Z-inspired pop music. Here, they cross-pollinate Latin beats, hip-swaying, tropical percussion, fresh and sunny soundscapes, and sweet vocal melodies. If there was ever a track to extend the summer, it's "MAMACITA."

You'll find yourself loving and needing Chase Atlantic and "MAMACITA" — as you keep reaching for the repeat button.

Representing the missing link between woozy trap, nocturnal R&B, and psychedelically-spun alternative, Chase Atlantic blur boundaries of modern, Gen Z-inspired pop music by being fearlessly experimental. The band has amassed over 3.7 billion Spotify streams, and has received acclaim from Billboard, OnesToWatch, mxdwn, PopCrush, Alternative Press, Substream Magazine, and Rock Sound, of which they graced the cover. The Australia-born and Los Angeles-based trio — Mitchel Cave, Clinton Cave, and Christian Anthony — boldly push forward on a prolific creative journey while signed to Fearless Records. Most recently, the single "OHMAMI" hit an impressive 96 million streams in only six months. Along the way, they canvased multiple continents, headlined across the U.S., UK, and Europe, and sold out venues, such as the Hammersmith Apollos in the UK (15,000 people, 3 times) and The YouTube Theater in Los Angeles. The band currently has arenas on hold for 2024, in addition to gracing the stages of Bonnaroo, Lollapalooza, and main stage Reading & Leeds in 2023. They return with their new single "MAMACITA" and continue to author their own genre!

PHOTO CREDIT: Jordan Kelsey Knight

Trans-Atlantic collective LUSITANIAN GHOSTS presents new 'Lusitanian Ghosts III' album & reveals video for 'Got Enough'

"Magnetic appeal... creating a broader cultural and sonic arsenal, while maintaining a buoyancy that takes the listener on a fantastic ride from start to finish" ~ The Spill Magazine

"Lusitanian Ghosts impressively channel tools of the past to create a beautiful sonic vision. Innovative in their use of traditional instruments to make modern pop-rock, this music is upbeat, quirky, feels familiar and is catchy as hell" ~ Big Takeover Magazine

"Highly melodic and sonically great...  a pertinent, contemporary collection of songs that is full of dignity" ~ Amplify Music Magazine

"Instinctive captivation for their chordophone cast sound, their use of heritage folk violas to weaving fresh and modern adventures... easily sparked the imagination" ~ Ringmaster Review


Trans-Atlantic alternative neo-folk collective
Lusitanian Ghosts have released their third album 'Lusitanian Ghosts III' via European Phonographic. Released in both stereo and mono versions, this album was recorded and mixed at Clouds Hill Studios in Hamburg by Sebastian Muxfeldt (Elbow, Peter Doherty, Teenage Fanclub).

The band also reveal their new video for
 'Got Enough'. Directed and edited by August Wigg and filmed in Lisbon, Portugal, this video features core members Neil Leyton and Micke Ghost (a.k.a. Mikael Lundin) in turn as they share vocal duties.

A Portuguese-Canadian-Swedish chordophone collective, Lusitanian Ghosts revives lost instruments and presents ancient sounds in the 21st Century. Re-casting these heritage folk violas into rock n roll songs, the European artist collective writes from a socio-political perspective on building a better world, creating songs for the heart and mind, recording on analogue tape and releasing moving music on vinyl.

Together with João Sousa, Abel Beja (from Primitive Reason), ToZé Bexiga (from Raia) and Jan-Eric Olsson, Lusitanian Ghosts plays traditional Portuguese chordophone instruments, ancient regional guitars (Amarantina, Beiroa, Campaniça, Braguesa, Toeira, Terceirense). These instruments, once on the verge of extinction, are the real "Lusitanian Ghosts" (Lusitania being an ancient Celtic tribe in what would become the central territory of Portugal).

'Lusitanian Ghosts' digital order  https://lusitanianghosts.bandcamp.com/album/lusitanian-ghosts-iii
Spotify 
https://open.spotify.com/album/2Hp9BtEbYq7FOknVPECNOP
Album 12" vinyl MONO order  
https://bit.ly/44nzgO7
Album 12" vinyl STEREO order  
https://bit.ly/3P77QaR

Album (Stereo) digital order  https://ffm.to/ okeod1d 

Album (Mono) digital order  https://ffm.to/qnrneve

"For 'Lusitanian Ghosts III', we wanted to write and record all together, live off the floor, on analogue tape like we used to back in the 20th century. Lyrically, we explored deeper emotional territory than ever before, and sonically we ended up mixing each song twice - in mono and stereo - leading to two different LPs," says Neil Leyton.

"We mixed down from 24-track multitrack analogue to 1/4 inch analogue also, then reeled the machine straight to the mastering suite next door at Clouds Hill, Soundgarden Tonstudio in Hamburg. I know it is a common thing to say, but I'm going to say it is the best record I've ever made."

The band recently shared the singles
 'The Long Train', 'Shameless'and 'September', bringing to the fore the Portuguese folk chordophone violas Amarantina, Campaniça and Terceirense, skilfully played by Michael Lundin, ToZé Bexiga and Abel Beja respectively. Lusitanian Ghosts make music with absolutely no guitars - just chordophones, bass and drums. Although a brand new rock n roll alt-folk sub-genre, these songs feel warmly familiar.

Released on September 15, the 'Lusitanian Ghosts III' album is available
everywhere digitally, including SpotifyApple Music and Bandcamp, as well as on vinyl, with both mono version and stereo version available.

On October 14, the Ghosts will present the new album live at Lisbon's
Teatro Taborda. Folks purchasing this album from FNAC Portugal will also get a complimentary guest-list ticket for this album release show.

CREDITS
Neil Leyton - vocals
Mikael Lundin aka Micke Ghost - vocals and Viola Amarantina
João Sousa - drums and Adufe
Abel Beja - viola Terceira and backing vocals
António “ToZé” Bexiga - Viola Campaniça
Janne Olsson - bass and Viola Beirão
Published by Lusitanian Music Publishing
All songs written by Neil Leyton and Mikael Lundin except "Pure Evil" by Bexiga/Leyton/Lundin
Produced by Neil Leyton and Mikael Lundin
Recorded at Clouds Hill Studios, Hamburg
Engineered & mixed by Sebastian Muxfeldt
Assisted by Schulie Pieper
Mastered by Chris von Rautenkranz at SoundGarden Hamburg
Cover painting ”Hamnen” (The Harbour) by Yngve Forsberg, painted in 1989.
Photography by Katja Ruge.
Design by João Morais aka O Gajo

Keep up with Lusitanian Ghosts
Website | Bandcamp | Facebook | Twitter | Instagram | YouTube | Spotify | Apple Music | Booking contact | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | LinkedIn | Email

Emerging Grunge Band G.U.S.H. Debuts Second Single, "Down the Drain"

Emerging grunge trio G.U.S.H. is leading the charge in 90s' grunge revival, calling to a very specific nostalgia familiar to kids who grew up during the heydays of MTV and Nickelodeon. The alt-rockers are now debuting the gritty second new single, "Down the Drain," which can be found below.

G.U.S.H. songwriter Roger LeBlanc comments on the deep meaning behind the song, "'Down the Drain' is an exploration of grief through the suicide of one of my closest friends. It's a conversation that I never got to have with him and explores the guilt I will always feel for not being there when it mattered most. I miss you immensely Chev. If you or anyone you know is experiencing thoughts of suicide please contact (In Canada) TALK SUICIDE CANADA: #1(833)456-4566 and (In USA) Suicide and Crises Hotline: #988."

Currently, G.U.S.H. is an independent D.I.Y. act and is gearing up to reveal their debut self-titled full-length, for which more info will soon be announced! In the meantime, you can stream the new single across all streaming platforms HERE and peep the artwork and tracklisting below!

The 90s’ was the last decade to champion alternative music; grunge topped the charts as glam metal started to falter, MTV was not only dedicated to serving household audiences with new and legacy music, but also saw the dawn of Mike Judge cartoons that paid homage to rock and metal culture, and even Nickelodeon sought artists such as Devo, Iggy Pop, Blondie, and Third Eye Blind to participate in their children’s programming, be it through musical introduction numbers for iconic TV shows or unlikely cameos. As millennials broke into the aughts and approached their teen years, the alt-mania started to fade away. MTV gradually stopped purveying music and became a hub for reality television instead. Nickelodeon lost its edge and iconic branding. And above all, the rockers who wrote some of the most legendary music of the era started to meet their demise. Now, nearly 30 years after grunge started to take the airways, a new era is being ushered in with G.U.S.H., an emerging band from Canada who is an amalgamation of 90s’ alt-nostalgia.

“90s alternative music played such a huge role for me, especially at such an impressionable age,” says G.U.S.H songwriter Roger LeBlanc. “My two cousins were Gen ‘X’ers and they introduced me to what would be the foundation that I base all music I create off of. Albums like ‘Nevermind,’ ‘Razorblade Suitcase’ and ‘Mellon Collie’ and ‘The Infinite Sadness.’ These all influenced what I love in my music – pop song structure, catchy hooks, guitar driven jams and an upfront drum production, all dripping with angst. Deftones showed me that you can mash up two totally opposing influences and make something unique and powerful.”

LeBlanc continues, “I think we were the first generation to really be left to our own to figure out life. Both parents were expected to be working in the 90’s and that created such a unique form of anxiety in every aspect of life which embodies itself in all the cultural aspects of the time. The cartoons were weird, so were the toys. Video games were really starting to explode and the internet had arrived. I kind of raised myself in that sense. MTV (Much Music in Canada) and PC Gamer magazines is where I got the only news I cared about in those days. I think the main way these play into G.U.S.H. is that it is kind of a call back to a more simple time for me, although the lyrics can be austere, this really is a project about healing and finding yourself again.”

For some, LeBlanc’s foray into alternative music might be a surprise, as he last musical venture was with the now defunct post-black metal horde Numenorean. In some ways, G.U.S.H. is a major diversion from Numenorean, but when one really reads between the lines, there’s a duality within the post-rock elements found within both projects, calling to more nuanced 90s acts like the Deftones, who always painted outside the lines with layers of texture. “I wanted to get back to the basics,” explains LeBlanc of this musical change. “I wanted to explore what made me fall in love with music to begin with. This is music I’ve always wanted to play and to be honest I really pushed to have more aspects of it in my black metal project. I just couldn’t find anyone who wanted to play or write music like this with me, so I just did it myself. Then I surrounded myself with artists who wanted to be there. At the end of the day, I wanted to fall in love with music all over again and just have fun. I feel like I lost that in my previous project and I am so excited to have it back.”

What’s striking about G.U.S.H.’s debut is the stark contrast between the bright music and dark lyrics, reminiscent of the forlorn icons of the 90s who battled their demons publicly through their deep and mournful words against the backdrop of high-energy riffs and beats. “I wanted to convey what it’s like to live with chronic mental illness and the challenges I face being Bipolar,” LeBlanc candidly explains. “I wanted to explore my practice of wearing a mask to protect the ones I love and to be able to function professionally as an artist. The lyrics are what I’m truly feeling and the conversations I have with myself. The cheerful instrumental aspect of the sound is the mask I wear when I’m out in the world. This also plays into the experience of the mood swings and crippling depression associated with being Bipolar.”

The stigma that often goes along with mental health struggles is one that had started to become erased and challenged by the forefathers of the grunge genre. Artists became more open about their battles with depression, anxiety, and addiction, paving the way for individuals to speak more candidly about their own personal demons and to seek help before it’s too late. “I think things got a little more basic in the 90’s with regards to music and being openly pissed off and depressed was okay,” LeBlanc explains. “The faces of music became more about the human condition, not really pretending to be anything else. Like, hair metal in the 80’s which was huge before Nirvana hit the scene. Those bands were very much a suspension of belief with tons of gimmicks. I don’t think there’s anything wrong with that, but I think different generations expect different things from their artists. 90’s grunge and alternative was just a group of folks playing in a band and writing emotionally charged music. The emphasis was on stripped down songwriting and less with the gimmicks or makeup or being ‘heavier’ than the other band. It was about writing good catchy jams and owning the pop influence. I hope that it influences people to not shy away from pop music, just because it’s pop music. There’s so much to learn from other people's creations. I hope that people hear all the influences in our music and go ‘Oh, shit, I never thought to do that, I’m totally going to steal that!’”

While the millennials will never get to experience the haunting live prowess of legends like Kurt Cobain or Layne Staley, and Gen Z starts to see the last of the 90s heroes leave this plain such as Chris Cornell and Scott Weiland, G.U.S.H. emerges as an answer to those yearning for the nostalgia that they never got to experience first hand. The band joins the ranks of some of LeBlanc’s favorite modern acts who strive to capture the cultural essence from before the turn of the century. “There’s a couple of really great modern bands that inspired me on this journey,” he remarks. “Dilly Dally, Dead Soft, Superheaven, Narrow Head, Teenage Wrist, Fleshwater and Loathe. All fucking awesome!” He cheekily adds another piece of his childhood that seems to have made its way into the 2020s. “Also, bucket hats are back…I don’t know if that’s a good thing though?”

As G.U.S.H. makes its debut as an independent artist, the band captures the irony of how musical digitalization has now empowered artists to be their own creators. Napster once caused grievous harm to musicians by eliminating music sales, but now with the rise of digital streaming services and Bandcamp, this unlikely medium has started to allow artists to become DIY entities and not tied to the limiting corporate structure of a record label. As the band begins its journey, there is no doubt that they will be among the leaders of the grunge revival movement, one that kids will rediscover in another 20 years and feel inspired to mimic. “I hope that it inspires people!” exclaims LeBlanc. “I hope that folks will get out of this album what I get out of the albums I love. I also hope it helps all my sad folks feel a little better knowing they aren’t alone. That’s what Nirvana and Deftones did for me. I hope that I can give that back in some way to someone else.”

Recording Lineup:

Roger LeBlanc (Guitar/Vocals) 

David Horrocks (Drums) 

Josh Schroeder (Bass) 

Live Lineup:

Roger LeBlanc (Guitar/Vocals) 

David Horrocks (Drums) 

Jeremy Shannon (Bass) 

Ben Taillefer (Guitar) 

Album Cover Artist: 

Matthew Springer 

Produced, Recorded, Mixed and Mastered by Josh Schroeder

 

Links:

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Photo by: Alaska White

AMARANTHE - Release New Single 'Insatiable' From Upcoming Album The Catalyst

Beam me up, AMARANTHE! Today, the Swedish modern metal virtuosos reach for the stars and launch their art even higher - into space, to be precise – with the release of the new single 'Insatiable'. Delivering an extraterrestrial late summer banger, AMARANTHE once again demonstrates their versatility, and the six-piece succeeds in keeping the world on their toes with their ongoing, high-quality output.

AMARANTHE's Olof Mörck states: "As the release of "The Catalyst" draws ever nearer, we are now very proud and super excited to unveil the second single from the album - "Insatiable"! Contrasts collide like a cataclysm in this ultra-heavy, yet outstandingly catchy groove-monster, which bears all the hallmarks of a classic AMARANTHE hit, and then some!
We once again teamed up with long-time collaborator and director extraordinaire Patric Ullaeus, for an all-out, take-no-prisoners video to go along with the song. Beyond that, this is a song you will NEED to hear live on our upcoming tour with our friends in DRAGONFORCE in the USA, so remember to practice those lyrics! And see you all soon!"
 

'Insatiable' is the second single from AMARANTHE's forthcoming album The Catalyst, that will see the light of the day on February 23rd, 2024, via Nuclear BlastRecords. The album will be available digitally and in different physical formats including CD, Vinyl, a 2CD Special Edition, and a Bravado exclusive Vinyl + signed poster.
Presave or preorder your format of choice here:
https://amaranthe.bfan.link/the-catalyst.a01

'Insatiable' comes with a stunning new video that the band released today. Watch it below.

 

The Catalyst is the most conceptually coherent piece of work in AMARANTHE's storied history. Dedicated to notions of transformation and revelation, it delves deeper than any previous album, as Olof Mörck explains.
 
"We’ve done these things before, but we’ve never been as theatrical as we have this time," Mörck grins. "In fact, we all questioned whether we went too far this time, but I also figured that this band was always this way. Literally, the first seconds of our first video was a big explosion! But yes, The Catalyst is more theatrical than ever. We’ve never really been symphonic or orchestral before, but this time we just thought why not? Because we can! The key to this album is that we let go of the boundaries and decided to do something even more adventurous."

The Catalyst represents the culmination of 15 years of hard work and the breathless pursuit of a wholly original musical vision. Change is inevitable. Victory is assured.

Formed in 2008, AMARANTHE walked their own unique path from the start. With a sound that combined the sharpest, cutting edges of melodic metal, electronic rock and razor-sharp pop, their impact was immediate and undeniable. Kicking off with their self-titled debut in 2011, the Swedes blazed a trail through the European metal scene and beyond, swiftly establishing themselves as a dazzling one-off, not least due to the unprecedented triple vocal attack that paired clean tones with exquisite melodic sensibilities and feral growls. Over the next few years, the sextet steadily grew in stature, releasing a series of praised studio records that jabbed persistently at the boundaries of modern metal.

AMARANTHE is:
Elize Ryd | vocals
Mikael Sehlin I growls
Nils Molin | vocals
Olof Mörck | guitars, keyboards
Johan Andreassen | bass
Morten Løwe Sørensen | drums

Darius Rucker Brings Forthcoming Album 'Carolyn's Boy' to Analog 10/4 Ahead of Album's 10/6 Release Aol

Three-time GRAMMY Award-winning artist Darius Rucker is set to take the stage at Analog at the Hutton Hotel for an unforgettable evening of music on Wednesday, Oct. 4, just days ahead of the highly anticipated release of his forthcoming studio album Carolyn’s Boy, his first solo project in six years. The songwriter-style event will be recorded as part of the “Recorded Live at Analog” series supported by Heaven’s Door and debuting on PBS in early 2024. Limited tickets are available for $20 starting tomorrow, Sept. 27 at 10 a.m. CT HERE.
 
Praised by Oxford American as “a master at choreographing his audience’s mood, bringing the energy up, then making things quiet, then up again…[Rucker] is a genuinely inspired performer in this way, unafraid to bring not only muscle and sweat but also well-timed vulnerability, a crack in the mask.” That masterful performance will be on full display as Rucker and a stripped-back band perform both his chart-topping hits and brand-new music for the intimate room.
 
“Recorded Live at Analog” is produced by iMaggination, Inc. and also features the recently-recorded “Bruce Springsteen’s Nebraska: Celebrating A Rough Masterpiece” – which included performances by Emmylou Harris, Noah Kahan, Lyle Lovett, The Lumineers, Lucinda Williams and surprise guest Eric Church – with additional shows in the series to be announced soon.
 
“I’m so excited to finally share this album with our fans after working on it for so long,” reflects Rucker. “It’s a really joyful album that celebrates the most joyful woman; the woman who was always in my corner and is the reason I am where I am today. I can’t think of a better way to celebrate than this special show right here in Nashville.”
 
Named for his late mother as an “homage to the greatest woman I’ve ever known,” Carolyn’s Boy features Rucker as a cowriter on 11 of its 14 tracks, with recent release “Southern Comfort” joining current single “
Fires Don’t Start Themselves” as well as No. 1 hit “Beers And Sunshine,” recent release “Have A Good Time,” his take on Rihanna’s “Lift Me Up” from Marvel’s “Black Panther: Wakanda Forever” and Chapel Hart collaboration “Ol’ Church Hymn” in previewing the forthcoming project.
 
In addition, Rucker has been sharing full-band performances of the new music with fans across the country all summer on his 
Starting Fires Tour – which wraps its stateside run on Oct. 14 at Nashville’s Ascend Amphitheater – and is now gearing up to take his wide-ranging catalog of hits across the pond with a recently announced run of European dates in early 2024. Tickets to all shows are on sale now via DariusRucker.com
 
He will also celebrate the album’s release during the second year of his personally curated Riverfront Revival Music Festival set for Oct. 7-8 in his hometown of Charleston, S.C. In addition to Rucker himself, fans will be treated to performances by Turnpike Troubadours, Lainey Wilson, Band of Horses and more. Limited tickets remain at 
RiverfrontRevival.com.
 
For more information on all things Darius Rucker, visit 
DariusRucker.com and follow on social media @DariusRucker.

About Darius Rucker
Rucker first achieved multi-Platinum status in the music industry as lead singer and rhythm guitarist of the GRAMMY Award-winning band Hootie & the Blowfish, who have sold more than 25 million albums worldwide including their Double Diamond-certified (21x Platinum) debut Cracked Rear View, which remains among the top 10 best-selling studio albums of all time. Since releasing his first Country album in 2008, Rucker has earned a whole new legion of fans with four No. 1 albums on the Billboard Country chart, including RIAA Platinum-certified Learn to Live and True Believers,plus 10 No. 1 singles at Country radio and 11 Gold, Platinum or multi-Platinum certified hits. Rucker was inducted as a Grand Ole Opry member in 2012 and in 2014 he won his third career GRAMMY Award for Best Solo Country Performance with his Diamond-certified (11x Platinum) version of  “Wagon Wheel,” one of the top five best-selling Country songs of all time. He co-hosted the 54th annual CMA Awards in 2020 and topped the charts at Country radio once again with “Beers And Sunshine” in 2021. Rucker’s new single, “Fires Don’t Start Themselves” is available everywhere now with his forthcoming album, Carolyn’s Boy, set for Oct. 6 release.
 
As a lifelong philanthropist, Rucker co-chaired the capital campaign that generated $150 million to help build the new MUSC Shawn Jenkins Children's Hospital in his hometown of Charleston, S.C. and has raised over $3.6 million for St. Jude Children's Research Hospital through his annual Darius & Friends benefit concert and golf tournament. In addition, Rucker has advocated for over 200 charitable causes supporting public education and junior golf programs in South Carolina through the Hootie & the Blowfish Foundation and serves as a National Chair for the National Museum of African American Music in Nashville, Tenn. Rucker is also an avid sports fan, with his Darius Rucker Collection by Fanatics apparel line available at Fanatics.com, and he is part of the Music City Baseball investment group working to bring an MLB team to Tennessee in addition to serving as a partner at the MGC Sports & Entertainment agency.  

LYDIA CAN'T BREATHE Release Official Music Video for "Killerz"

Lydia Can't Breathe's electrifying track "Killerz" boasts a top-notch production by the dynamic duo of Andrew Wade and Andy Karpovck, who expertly crafted the sound at The Audio Compound in sunny Orlando, Florida. These two gifted producers have left their mark on the music scene, having previously collaborated with renowned acts such as Motionless in White, Attila, and A Day To Remember. Their collective expertise and creative synergy brought "Killerz" to life!

The new video "Killerz " by Lydia Can't Breathe shows a quick glimpse about the grim consequences of unpaid debts in the underworld, where power and respect are won by ruthless violence. "The visuals we got in this video are unreal! We shot it at an airport and got actual skydiving footage! The song tells a dark and heavy tale of a mercenary. The protagonist is consumed by his lust for power and respect, which he derives from his terrifying profession. The chorus is a chilling plea for mercy, suggesting the perspective of the hitman’s victims. The song speaks to the desperation, fear and regret that can come from making dangerous choices, and the brutal reality of a life ruled by power and violence. It gives a raw and visceral insight into both psyche of the violent enforcer and the fear of those facing imminent death,"says the band's frontman Kyle Bolduc.

WATCH Lydia Can't Breathe - "Killerz" (Official Video) below.

Stream/Download "Killerz" HERE

Enemy Of Fate Releases Debut Single "Dear Dad" to all major platforms!

STREAM "Dear Dad"

https://ffm.to/qxynw22

Enemy Of Fate's "Dear Dad" Official Lyric Video below.

Based in Sacramento, CA, Enemy Of Fate is led by singer and songwriter, Tiffany Fabiani. With comparisons to the likes of Adele, Stevie Nicks, Lady Gaga, Annie Lennox, and Ann Wilson, Tiffany’s powerful vibrato vocal range will be very distinct in her music. After trying out for NBCs “The Voice” in 2019 and 2021, and not advancing, Fabiani wanted to give up on making music. After strong encouragement from her husband, Mickey, Fabiani decided to go into the studio to write and record her passionate and personal debut track, “Dear Dad.” Working with producers, Nick Miller (guitarist for Original Skylit Drive) and Elliot Polokoff (Cemetery Sun), Fabiani was able to bring out some inner demons related to her relationship with her absent father, while finding some closure. After the release of her debut track today, September 22, 2023, Fabiani will be working on recording more music and will be releasing an EP, Settle the Score by early spring of 2024.

"This is a deeply personal song I wrote about my relationship with my real father. It took a lifetime to overcome the inner turmoil of an absent parent and to find peace and self-love. I hope that listeners who have similar experiences in their parental relationships can find solace knowing they are not alone," says the band's vocalist Tiffany Fabiani.

For More Information Please Visit:

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Dead Icarus, Feat. ex-Atreyu Singer Alex Varkatzas, Shares "The Vultures Circle" Video — WATCH

NEW PROJECT FEATURES FORMER ATREYU VOCALIST ALEX VARKATZAS

Dead Icarus, the new project of former Atreyu lead vocalist and Gold-selling artist Alex Varkatzas, has shared the video for the new track "The Vultures Circle."

Watch it
below.

"Hands down, this is the heaviest song I've ever been been involved with," Varkatzas says. "It's an 'F you' to the cancel culture that has infected society. 'Savior, Saint, Sinner, or Thief. Live long enough you'll die one of these.' It doesn't matter what's living inside you; it's just about what people wanna believe."

 Dead Icarus previously shared the video for the new single "
Sellout." Watch it here. The track is a hyperkinetic slab of fast-paced, face-ripping metal with layered vocals and a pit-clearing breakdown. The song shows off a different side of the artist's musical personality. It hits hard, but it's also infused with a melody that just won't quit.

A staple of Ozzfest in the mid-2000s with two gold albums, Atreyu is one of the defining bands of the New Wave of American Heavy Metal, alongside groups like Avenged Sevenfold and Lamb Of God. Metalcore classics like The Curse and A Death-Grip on Yesterday were powered by Alex's distinctive scream. 

The band has officially signed a worldwide deal with MNRK Heavy. 

ABOUT MNRK MUSIC GROUP:
MNRK Music Group is one of the largest independent music companies in the world, with recording, music publishing, and management divisions operating in every major music market. MNRK is committed to discovering and guiding top music creators and artists and works with some of the greatest musical talent including The Lumineers and Pitbull, the music publishing catalog of Chuck Berry, plus premier music companies Dualtone Music Group and Last Gang. The company’s music department services Academy Award and Emmy Award-winning producers. Its catalog across divisions consists of 54,000 music tracks, including multiple GRAMMY winners and platinum-selling hits. 

LATIN-COUNTRY MUSIC ARTIST FRANK RAY RELEASES HIS FIRST SPANISH EP TITLED RAÍCES (ASÍ SE HACE)

One of country music's most promising emerging artists, Frank Ray, pays tribute to his Mexican roots with the release of his latest EP titled Raíces (Asi Se Hace). The EP is now available on all digital platforms. Download “Raices (Asi Se Hace) HERE.

 

“Music is the best representation of who I am. The arrangements reflect the essence of Latin music, with constant changes, vibrant horns and rhythmic percussive elements. But it also encompasses everything I'm known for, whether it's traditional country music, family tunes, party anthems, R&B rhythms, pop, soul or Latin flavor - there's something for everyone”, commented Frank Ray.

 

Today, the Mexican-American recording artist's most recent EP titled Raíces (Así Se Hace) was unveiled, and is dedicated to his Hispanic roots just in time to kick off the celebration of Hispanic Heritage Month in the United States. The EP contains five songs entirely in Spanish such as "Luces de la Calle" (Streetlights) and "Country Te Va Muy Bien" (Country’d Look Good On You) which have been re-recorded and adapted to the Latino market with the fusion of the genre that characterizes him alongside the romantic and seductive rhythms of the production, particularly highlighted on "Quiebrame el Corazón'' (Spring Break), a track which accompanies the release of the EP.

 

"Releasing a country music EP in Spanish is very noteworthy because the Latin culture can be represented in a way that has not been done in the mainstream music genre for decades. I have the opportunity to bring the Latin flavor to country music fans, but also to bring country music to a whole new audience," said Frank Ray about the significance of this EP.

On Friday, October 6th, Frank will be performing live in Miami at the Vivo Dolphin Mall stage as part of the preparations for Country Bay Music Festival. The event is completely free and will kick off at 7:00 PM EST.

Currently, Frank Ray is working on new music in both English and Spanish which is expected to be available soon.

About Frank Ray:

Texas chart-topper, bilingual recording artist and former police officer - Frank Ray is busting open the doors for a modern Latino Country movement. Growing up just three miles from the border in New Mexico, Frank, born Francisco Gomez, was immersed in the best of both worlds - enriched by his Mexican culture and surrounded by Texas Country music. Praised as “easygoing contemporary Country with Pop-Soul hooks and a dash of Southwestern spice” (Rolling Stone), Frank’s “catalog is representative of his fun personality and flair” (Country Now), expertly blending ‘90s Texas Country, Latin, R&B and Pop. As an entertainer, Frank delivers electrifying, high-energy performances that has something for everyone. With immense cross-cultural appeal and a panorama of influences, Ray “is looking to stretch Country music’s cultural boundaries” (Los Angeles Times).  

  

In the three short years since embarking on his musical journey full-time, he has racked up two No. 1 singles and three Top 10 singles on Texas Country Radio, become a staff songwriter, landed Frank Rogers (Brad Paisley, Darius Rucker) as his producer, signed a record deal with BBR Music Group/Stoney Creek Records and much more. Along with being named an “Artist to Watch” by Rolling Stone and Amazon Music USA as well as a “Listen Up Artist” by CMT, Ray has appeared on USA Network’s Real Country, been profiled in the Los Angeles Times and on NBC's TODAY.  

  

Recently on tour with Old Dominion and now performing at major music festivals across the U.S, this former police officer visits first responders through his mental-health initiative FRAY (First Responders Mental Clarity), at each tour stop providing first responders with the tools, resources and training to promote their mental wellbeing, as well as that of their families and communities. Having shared stages with Luke Combs, Kane Brown, Brett Eldredge, Luke Bryan, Kip Moore, LANCO, Hunter Hayes and more, the versatile entertainer was just named to CRS New Faces’ Class of 2023. Featured on his self-titled, label-debut album, the cheeky “Somebody Else’s Whiskey” is currently climbing the Country radio charts. The album, Frank Ray, is available across streaming platforms. Ray will be celebrating Hispanic Heritage Month with the release of Raíces (Así Se Hace), a five-track project entirely in Spanish, on September 22.

KEEP UP WITH FRANK RAY

WEBSITE | FACEBOOK | INSTAGRAM | TWITTER | YOUTUBE

ON THORNS I LAY Warn The End Is Coming on New Single

On Thorns I Lay are perennial doomsayers. For 20+ years, these Greek titans have been crafting immense tales of loss and despair. But on the new single off their upcoming album, they warn of a fast-approaching apocalypse that's so powerful, it might be too late for us to escape.    

Watch the beautiful and barren video for "Thorns of Fire" below.

'On Thorns I Lay' comes out October 13. 

Pre-order:
https://redirect.season-of-mist.com/OTIL
Pre-save:
https://orcd.co/otilpresave   

"Thorns of Fire" is the grand finale on the band's upcoming self-titled album. So it's fitting that the song leaves us with a dark and doomy depiction of our final days. Cymbals crash with the  impending force of rising tides, while the riffs fall like acid rain, leaving no choice but to bang our heads as we face our inevitable demise. 

"'Thorns of Fire' is about the crimes humanity has committed against the seed of life". says On Thorns I Lay.  

Halfway through its near eight-minute runtime, "Thorns of Fire" simmers into a somber instrumental interlude. Ominous flute swirls amidst somber pricks of Christos Dragamestianos' tamboura, only for vocalist Peter Miliadis to swallow the near silence with his unholy inferno of a death growl.     

"We humans defy the ways and laws of Nature," the band says,  "but we will not escape from its wrath and revenge!"

On Thorns I Lay started as a death metal band together with other cult bands in Greece in the early 90’s such as Rotting Christ, Septic Flesh, Necromantia, Nightfall and started to spread their name in the local and global underground scene.

The band has released 9 albums so far such as Orama, Crystal Tears, Aegean Sorrow and Threnos gaining great reviews in (Scream Norway, album of the month, Inferno Finland 5/5, Metal Storm Top 5 albums of 2020 and many others…). The have shared the stage with great bands such as Dream Theater, In Flames, Anathema, Amorphis, Katatonia, Rotting Christ, Tiamat, The Gathering, Satyricon, Septic Flesh and many more…

Their music style is pure atmospheric melodic doom death metal!

“Threnos”, their last album, followed the path of atmospheric, yet emotional Doom Death Metal – paying tribute to the roots and representing the trademark sound of the band once again. On Thorns I Lay continue to tell dense stories of loss and despair.

After their mini tour at the Baltic states with Rotting Christ  they signed a deal with the world famous record label Season Of Mist and they have finished the recordings of their 10th album entitled ‘On Thorns I Lay to be released in 2023.

Recording studio
Devasoundz Studios
Producer / sound engineer
Fotis Benardo

Mixing and mastering studio and engineer
Fotis Benardo

Current line-up
Peter Miliadis - Vocals (Dimlight, ex- Slaveatgod)
Christos Dragamestianos – Guitars
Nikolas Paraskevopoulos - Guitars (Dimlight, Yoth Iria)
Kostas Mexis - Bass (Aetherian, ex- Black Path)
Antonis Ventouris - Keyboards
Stelios Darakis - Drums (Dexter Ward, ex- Sacred Outcry, The Eternal Suffering, ex- Mortal Torment, ex- Lloth)

Guest vocals:
Fanny Melfi - Fallen From Grace
Labros Kiklis - Fallen From Grace
Stavros Papagiannakopoulos - Thorns Of Fire, Crestfallen
Ilias Mantikos - Thorns Of Fire
Katerina Tzitzou - Fallen From Grace
Irina Dimaki - Fallen From Grace
Anna Thana - Fallen From Grace
Aris Karatzas - Crestfallen, Newborn Skies, Raise Empires, Among The Wolves

Pre-order album:
https://redirect.season-of-mist.com/OTIL
Pre-save album:
https://orcd.co/otilpresave

Links:
https://www.facebook.com/onthornsilay
https://www.instagram.com/onthornsilayofficial
https://onthornsilay.bandcamp.com
https://www.youtube.com/@UCdzi7TfP1G8z6LjS5Oj5ibw
https://onthornsilay.live

Formats:
Digital
Vinyl Black
Vinyl Colour

Photo by Stella Mouzi

3TEETH’s First New Album In 4 Years “EndEx” Out Now Via Century Media Records;

The wait is over for EndEx. 3TEETH’s brand-new album – their first in four years – is now out via Century Media Records and is being hailed as a “champion[ing] industrial metal” (Blabbermouth), “an album of the year contender for the genre” (Razor’s Edge), and the “band's weirdest, most expansive offering yet” (Revolver).

 

To celebrate the album’s release, 3TEETH is also sharing the final single and video from the album, culminating in a cover of Tears For Fears’ “Everybody Wants To Rule the World.” The reworked take continues 3TEETH’s penchant for aggressive reworks of pop songs, previously seen on Foster the People’s “Pumped Up Kicks,” Sweet’s “Ballroom Blitz” and Dead or Alive’s “You Spin Me Round (Like A Record).”

 

See the video for “Everybody Wants To Rule the World” below.

Says frontman Alexis Mincolla of the track, “Listening to it, I felt the weight of the world and the wild-eyed frenzy of the human condition – the never-ending chase, the insatiable hunger. And in that moment, cruising down the highway, surrounded by the vastness of the desert, I realized: We're all just careening towards our own versions of world domination, fueled by dreams and delusions.”

 

EndEx showcases the modern industrial act at their most raucous yet, unveiling bold revelations of humanity’s technosocial disintegration behind a brutal soundtrack that sounds all the alarms. It’s the band’s first album since 2019’s Metawar, which Consequence recently named as one of the Top 50 Industrial Albums of All Time, hailing 3TEETH as “one of the modern bands keeping industrial alive.”

 

EndEx features the handiwork of a solid extended team including the accomplished sound designer Mick Gordon (best known for his work on the gaming phenomenon DOOM) who produced several of the tracks along with producer Nick Rowe and mixer Sean Beavan (NIN), bringing in another dimension to the band’s unmistakable sound.

 

Early singles have included noisemaker “Paralyze” (featuring Ho99o9); the gripping sonic salvo, “Merchant of the Void,” that touches on the bleak landscape of modern society amid A.I. takeovers and economic collapse; “Slum Planet,” taking aim at the ills of a sick planet obsessed with over-consumption at all costs; Scorpion,” a track in which the band’s instrumental arsenal is tempered by alluring female vocal chants that provide an ambient feel; the stripped-back single “Drift,” paired with a video showing the band at work in the studio; and the rousing “Higher Than Death” paired with an animated video.

 

EndEx is available in CD, Gatefold LP, and digital album formats. Special formats include: 

  • Red LP (available at all EU outlets)

  • Red Smoke LP (available at all US outlets)

  • Ultra-Clear / Red Splatter LP (available from 3TEETH)

  • Black-White Marbled LP (available from Revolver)

 

Order EndEx here: https://3teeth.lnk.to/EndEx

3TEETH has also announced a show to close out 2023 at L.A.’s Teragram Ballroom on December 29. Tickets are on sale now at www.3teeth.org. 

ABOUT 3TEETH

3TEETH first manifested their cybersocial intentions as early as 2013: a musical entity born out of Mincolla’s Downtown L.A. weekly gatherings known as “Lil’ Death” With Xavier Swafford (keys, synth), Chase Brawner (guitars) and Andrew Means (bass, synth) joining Mincolla. 3TEETH released their first self-titled album the following year. Alliances with the likes of TOOL and Rammstein resulted in the collective’s first live performances and a rise to further notoriety with the release of 2017’s album shutdown.exe. which took 3TEETH to global stages. Working alongside producer and mixer Sean Beavan (NIN) at new label home, Century Media, 3TEETH upped their own sonic arms race with Metawar (2019) and entered a new echelon of cultural consciousness with a collection of tracks including the biting “President X” and their haunting take on Foster the People’s “Pumped Up Kicks.”

 

"The modern carriers of the industrial rock torch" — Revolver

 

"State-of-the-art sensory overload with take-no-prisoners level of aggression" — Rolling Stone

 

“3TEETH bring the aggression with aplomb” — Loudwire

 

“3TEETH are one of the modern bands keeping industrial alive”

— Consequence

 

3TEETH is:

Alexis Mincolla – vocals

Chase Brawner – guitars

Xavier Swafford – keyboards and synthesizer

Andrew Means – bass

Nick Rossi – drums

 

Find 3TEETH Online

Website: https://3teeth.org/

Facebook: https://www.facebook.com/3Teeth

Twitter: https://twitter.com/threeteeth

Instagram: https://www.instagram.com/3teeth/

YouTube: https://www.youtube.com/channel/UCdUZ81wDL5GF_v0XUOyJRSg

Craig Morgan recruits Trace Adkins, Luke Combs, Gary LeVox, Jelly Roll, Blake Shelton and Lainey Wilson for new project, Enlisted

On the heels of being sworn into the U.S. Army Reserve live on the Grand Ole Opry stage this summer, country music hit-maker, author and Army veteran Craig Morgan is announcing a forthcoming brand-new EP, Enlisted, set to release October 20 on Broken Bow Records.Morgan recruited several of his famous friends — Trace Adkins, Luke Combs, Gary LeVox, Jelly Roll,Blake Shelton, and Lainey Wilson — for the six-song project, which features new versions of some of Morgan’s biggest hits, as well as two brand-new songs.  

 

“Making this record has been so much fun because I got to get in the studio with some of my friends and also re-create some of my catalog in a way that feels like brand-new music,” shares Morgan. 

Photo Credit: Nate Griffin

Produced by Craig Morgan and Phil O’Donnell 

Download Craig Morgan Enlisted credits HERE 

 

Pre-add/save now at craigmorgan.lnk.to/Enlisted 

 

Opening Enlisted is the working-class anthem, “Raise The Bar,” one of the EP’s two brand-new songs, which Craig sings with friend and neighbor, Luke Combs. And bookending the six-song project is “That Ain’t Gonna Be Me” with Trace Adkins, a song that spells out the importance Morgan places on his convictions. “I’m gonna put my hand up, I’m gonna stand up for what I believe,” he sings. “For me, it’s about God and family and country,” he says. “I am so blessed, and I recognize the blessings of the freedoms we celebrate in this nation.” 

 

Among the newly reimagined tracks is “Almost Home” featuring Jelly Roll, who spoke with Billboardearlier this year about how the song impacted his life during his incarceration and inspired him as an artist. The pair gave an emotional performance of the song live on the Grand Ole Opry stage together last year in addition to a surprise appearance during Morgan’s sold-out concert stop at Nashville’s Ryman Auditorium. 

Jelly shares: “This song is full circle for me. It’s about situations you are sometimes in that you just mentally want to be somewhere else — ‘Almost Home’ — it’s something that I listened to in jail. Me and my cellmates could really relate to it. When I got out, I spent what little money I had and went to see Craig Morgan at the Grand Ole Opry and cried when he sang it.”  

 

Lainey Wilson lends her stellar talents to a reimagined take on “International Harvester.” “It’s an absolute honor to be a part of this record,” said Wilson “I remember the first time I ever heard ‘International Harvester’ and the feeling I got knowing that there was music being written that felt like it was made just for me. I come from a family of farmers, so it’s really a full circle moment to be on this track alongside my good friend Craig.” 

 

Also included in the collection is “Redneck Yacht Club,” a collaboration with longtime  friend Blake Shelton, who made a cameo in the original song’s official music video in 2005. Shelton shares: “Craig and I have been friends for many years. I’m a fan of his music and admire him as a human. After all ofthese years, I still don’t understand why he still feels the need to wear that toupee, but I’m thrilled he asked me to sing with him on ‘Redneck Yacht Club.’” 

Last week, Morgan kicked off his popular “God, Family, Country Tour 2023,” in partnership with Operation Finally Home. Morgan and special guests The Reeves Brothers will play thirteen theater and auditorium dates through the end of October. Tickets and VIP experience packages are on-sale now atCraigMorgan.com

 

His 2023 headlining tour follows last fall’s release of his personal memoir — God, Family, Country, which Craig wrote with Jim DeFelice, #1 New York Times bestselling co-author of American Sniper. The book chronicles Craig’s road to success, from his humble childhood in Tennessee to his years as an elite military operative to his country music stardom. Country music fans and thrill seekers alike will love this intimate look at Craig’s remarkable life. Learn more HERE

 

Morgan previously served seventeen years in the Army and Army Reserve with the 101st and 82ndAirborne Divisions as an E-6 Staff Sergeant and Fire Support Specialist and including Airborne, Air Assault Jumpmaster and Rappel Master among his certifications. He is now returning to serve his country in a new way – as a soldier in the Army Reserve. The newly sworn in Staff Sergeant and Warrant Officer candidate will continue touring and releasing new music in his civilian career while simultaneously serving our country in the Army Reserve. 

 

Learn more at craigmorgan.com and engage with Craig on Facebook, Instagram, Twitter and TikTok

 

About Craig Morgan: A multi-faceted entertainer, Craig Morgan has made a name for himself as a country music icon, TV personality, author, celebrated outdoorsman and patriotic Army veteran. One of country music's best-loved artists, Morgan has amassed over 2 billion career streams and charted over 25 songs on Billboard, thrilling massive crowds with signature hits including “Bonfire,” “Almost Home,” “Redneck Yacht Club,” “International Harvester,” “This Ole Boy,” “Soldier,” “That's What I Love About Sunday” and his faith-filled tribute to his son Jerry, “The Father, My Son and The Holy Ghost.” On October 20, Craig will release his highly anticipated EP Enlisted, a six-song collection of reimagined hits and brand-new songs featuring collaborations with Trace Adkins, Luke Combs, Gary LeVox, Jelly Roll, Blake Shelton, and Lainey Wilson.  

 

Craig received one of country music's highest honors when he was inducted as a member of the Grand Ole Opry. Prior to becoming a country music star and TV sensation, Morgan served seventeen years serving our country in the Army and Army Reserve and in 2023 enlisted in the Army Reserve, continuing his military career. Morgan remains an avid supporter of America's military personnel and has made more than sixteen overseas trips to perform for our troops. He is a member of the U.S. Field Artillery Hall of Fame and recipient of the USO Merit Award. In 2018, he was awarded the Army’s Outstanding Civilian Service Medal, one of the highest awards the Department of the Army can bestow upon a civilian, in recognition of his significant dedication to our military men and women around the world. He remains committed to supporting active duty and veteran members of our military through work with Operation Finally Home, the USO and more.  

 

This month he’ll reprise his popular “God, Family, Country Tour 2023,” in partnership with Operation Finally Home, headlining run, playing thirteen theater and auditorium dates through late October. God, Family, Country, Craig’s gripping new memoir, released last fall in partnership with Blackstone Publishing. He details all aspects from his inspiring life, revealing never-before-heard stories including how he worked alongside the CIA as a soldier in Panama, fought sex traffickers as an undercover agent in Thailand, forged his own path to country music stardom, and lives his life by the deepest values: God, family, country.  

 

Find tickets to see Craig on tour at craigmorgan.com and engage with Craig on Facebook, Instagram, Twitter and TikTok.  

ONErpm Announces Joint Venture with Huff Co.

As announced with Billboard earlier today, ONErpm Nashville is proud to announce a joint venture with Huff Co., Dann and David Huff’s new production company, which will launch artists into the marketplace. Dann, a Billboard Producer of the Decade recipient, will be at the helm, with creative input from his brother, David, and other producers.

ONErpm, one of the fastest growing music companies in the world, will fund production, handle distribution and marketing, and co-own the master recordings. The artists will be signed directly to the joint venture, with ONErpm acting as the record company.

“Some artists we sign may already have a streaming foothold but want to grow their careers with the best in the business,” explains Tim Wipperman, managing director of ONErpm Nashville. “Others may be established artists looking for a more beneficial structure than a typical majors deal.”

“We want ONErpm to be at the forefront of finding new ways to build careers,” Wipperman shared with
Billboard

“This has been something that my brother David and I have talked about for years,” shares Huff. “Together with our good friend and attorney, Seth Lichtenstein, we are looking forward to partnering with ONErpm and pulling in artists who are willing to think outside ‘the box!’”

ONErpm, which founder Emmanuel Zunz created by putting technology at the forefront, remains on the industry’s cutting edge. The first music company to offer artists “real-time” online transparency via a marketing and management system called Amplifier, ONErpm’s proprietary technology allows artists and their teams to log on and get daily stats on how many people are streaming their songs—one of a long list of marketing tasks it handles on their behalf.

Contact Dann Huff at
ONErpm.link/HuffCo. For more information on ONErpm, visit the company’s website at ONErpm.com.

About Dann and David Huff
Dann Huff has been playing on demos in Nashville since he was 16. As a professional session guitarist and award-winning producer, he has worked in recording studios with Barbra Streisand, Keith Urban, Kenny Loggins, Reba McEntire, Celine Dion, Shania Twain, Megadeth, Michael Bolton and Rod Stewart. Huff has won CMA Musician of the Year multiple times, a two-time ACM Producer of the Year and Billboard’s Producer of the Decade.
 
David Huff started his career in country music performing on radio stations with his sister, Dorothy, culminating in an appearance on the Louisiana Hayride. In the early ‘60s, he formed rock (later Christian rock) group David and the Giants with his twin brothers, Clayborn and Rayborn, opening for acts such as Chuck Berry, Cheech and Chong, Black Oak Arkansas and Styx, ultimately releasing more than 20 albums. Huff has also released eight solo albums.

About ONErpm 
ONErpm is a next-generation music company and leader in new revenue opportunities, operating one of the world’s largest music distribution platforms and YouTube Multi-Channel Networks. Offering a full suite of services that includes marketing support, supply chain tools, business intelligence, publishing, accounting and global payment solutions, ONErpm provides the infrastructure needed to help creators and content owners succeed. As a trusted partner, ONErpm emphasizes transparency in everything it does, from executing a marketing campaign to making payments. ONErpm currently operates in 43 offices across the globe with a staff of over 500, making it one of the fastest-growing music companies in the world. 

Dark electronic songstress STELLA WEMBLEY unleashes new 'Wasting My Time' EP with medieval goth-inspired video

“There is a longing within the lyrics as well as a diversity in the music that both tugs on the heart and pulls with the beat in a way that leaves the listener in a state of reflection and admiration” ~ Jammerzine

"On the verge between darkwave and electro-goth, Stella Wembley presents a haunting track that fluctuates between danceability and heart pounding shrieks, conjuring primal emotions. This spine-tingling offering qualifies as sorcerer music, a summoning force harnessing the power of repetition and unique female vocals" ~ Amplify Music Magazine

"Black magic, death, sex, erotic obsessions and supernatural landscapes fill my thoughts in a kaleidescope of jaw-dropping narratives straight out of H.P. Lovecraft, Bram Stoker, Edgar Allan Poe and Dean Koontz" ~  DJ Darren the Baron, Revolution Radio Online

Leeds-based Italian-born artist 
Stella Wembley presents her 'Wasting My Time' EP, a four-track release of sheer electro-goth delight surrounding the track 'Wasting My Time'. A vocalist, lyricist, composer, music producer and video director, Wembley is a rising star of the UK dark synth and gothic scene.

The loop- and arpeggio-driven synth backdrop feeds a retro new-wave vibe, and the catchy chorus underlines multiple conflicting sensations from dark melancholy to fiery self-expression, while exploring the esoteric and mystical and ultimately death, rebirth and destiny.

"The song 'Wasting My Time' is about self-confidence, self-empowerment, hope, change and transformation. Whenever there is a traumatic experience, I take the pain and put it into art, creating a song. The lyrics are autobiographical, and reference the difficulties I have gone through in the last 14 years, which I've finally overcome," says Stella Wembley.

"Betrayal, judgment and abandonment have been a constant in my life, and extremely painful, especially because it came from the people closest to me - family, friends- and having to manage this as well as my music career and record label wasn’t easy. This is how this song was born but, above all, it represents a new chapter in my life. Today, I feel powerful, and stronger than ever. I left the past in the past and cut all toxic relationships from my life. I love myself and I am finally free."

Directed and produced by Stella Wembley,
the video – set in Medieval 13th century England – was filmed at Kirkstall Abbey and Adel Woods in Leeds by Riccardo Cavani for London Filmmakers. Stella cast 12 females, working with a small team she hired and directed herself, in addition to writing the script and creating the storyboard for the video.

Two of the remixes - 'Bionic Visions Electro Remix' and 'Bionic Visions Dark Ambient Remix' - were created by
Enrico Knob aka Bionic Visions, an Italian music producer, arranger and re-mixer.

Stella Wembley comments, "These remixes are sublime, I really don't know which one I prefer between the two. I'm very happy to have met Enrico Knob, who is a fantastic producer and has understood straight away my music and vision. The electro version has fantastic drum samples, which Enrico programmed, and amazing sounds. I love the analog synths. I think this electronic version is perhaps more modern than my "retro" version. The melody stands out a lot, and although the drums are very present the song still remains nostalgic."

Stella began her musical career in Italy as a soprano while studying opera at the Royal Conservatory of Music ‘San Pietro a Majella’ in Naples. Upon graduating, she found limited opportunities on the Italian music scene, she moved to London in 2017, where she found inspiration and avenues as a musician, performing at venues in Leeds, Blackpool and London. Stella Wembey is also now the CEO of her own independent label Gothic Empire Records.

Armed with MicroKorg synthesizer, she began writing and producing electronic music in 2018, resulting in her debut EP
‘All That I Need’ (2019) and dark debut video, followed by the ‘Images of Death' EP (2020) and ‘Loving The Alien’ EP (2022), along with cabaret-style video.

Channeling her lifelong love of dark poetry, horror stories, macabre literature and cinema into music, Wembley leads the listener into a haunted realm, laying bare her soul in a psycho-drama of tragedy and melancholic sensuality. Powerful, yet with a hint of vulnerability, she is like a beautiful siren calling us to join her in her dark universe.

Stella Wembley has collaborated or performed with Lloyd Price (The Frixion), Auger, Inkubus Sukkubus, Zeitgeist Zero, Last July, Rome Burns and Machine Rox. Stella is currently working on her new album 'The Alchemy of the Dark Arts', which will feature Michael Ciravolo (a.k.a. Beauty in Chaos) on guitar.

The 'Wasting My Time' EP is out now, available everywhere digitally, including
Apple Music and Spotify. On September 29, Stella will hold a release party online, followed by a live show at Leeds’ Eiger Studios on October 29.

CREDITS
Lyrics and music by Stella Wembley
Produced, recorded and mixed by Stella Wembley in Leeds
Vocals by Stella Wembley
Synthesizers and sequencer programming by Stella Wembley on Tracks 1 & 2
Tracks 3 & 4 remixed produced and recorded by Enrico Knob / Bionic Visions in Dro, Trento, Italy
Cover photography by Stella Wembley
Graphic design and photo editing by Tony McKormack
Video written, directed and produced by Stella Wembley
Filming, cinematography by R. Cavani for London Filmmakers
Casting and post-production by Stella Wembley


Keep up with Stella Wembley
Website | Store | Facebook | Instagram | Twitter | YouTube | Apple Music | Spotify | Press contact

Keep up with Shameless Promotion PR

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MAYHEM Kicks Off North American Tour, New Live Album 'Daemonic Rites' Out Now

BUY TICKETS HERE

SHOP 'DAEMONIC RITES' HERE

True Norwegian black metal pioneer MAYHEM will be hitting the road for its highly-anticipated North American tour with Cannibal Corpse, Gorguts, and Blood Incantation starting today September 22, in Nashville, TN. The extensive trek will then draw the final curtain on October 21 in Louisville, KY. In addition, the band has just added two new dates without Cannibal Corpse in El Paso, TX and Tucson, AZ. Tickets can be found HERE while the full itinerary can be found below!

Mayhem is touring in support of its brand new monumental live album, 'Daemonic Rites,' which was just released on September 15, 2023 via Century Media Records! The record is a comprehensive look at the legendary band's chaotic and intense performances from various cities around the world over the last two years. The album promises to be a thrilling sonic journey for fans and a testament to Mayhem's unparalleled live prowess. The full album can now be streamed, downloaded, and ordered HERE.

“We wanted to document how great the band and set sounds like after almost 40 years of playing live," Necrobutcher previously explained. "As a treat to our fans, we decided to release this live recording.

“I knew from day one back in 1984 that this band was going to be outstanding—one of the best bands ever! I guess that’s a big reason why we still are here after 39 years—and counting.”

'Daemonic Rites' marks the culmination of the 'Daemon' era, which commenced in 2019 with the release of their critically acclaimed studio album, 'Daemon.' The journey continued with the savage EP 'Atavistic Black Disorder' in 2021, leaving audiences hungry for more. This latest live conglomeration serves as the ultimate chapter-closer for this landmark.

Photo by Vincent Grundke

Mayhem Live North American Dates

(w/ Cannibal Corpse, Gorguts, Blood Incantation):

09/22: Nashville, TN @ Marathon Music Hall

09/23: Charlotte, NC @ The Fillmore **SOLD OUT*

09/24: Knoxville, TN @ The Mill & Mine

09/26: Pittsburgh, PA @ Stage AE

09/27: Toronto, ON @ Rebel

09/28: Montreal, QC @ L’Olympia

09/29: Worcester, MA @ The Palladium

09/30: Brooklyn, NY @ Brooklyn Steel

10/02: Detroit, MI @ The Royal Oak

10/03: Gary, IN @ Hard Rock Live

10/04: Minneapolis, MN @ The Fillmore

10/06: Denver, CO @ Mission Ballroom

10/07: Salt Lake City, UT @ The Depot

10/09: Tacoma, WA @ Temple Theatre

10/10: Spokane, WA @ Knitting Factory

10/11: Boise, ID @ Knitting Factory

10/13: San Francisco, CA @ The Warfield

10/14: San Diego, CA @ SOMA

10/15: Tucson, AZ @ The Rock*

10/16: El Paso, TX @ The Rockhouse Bar & Grill*

10/17: San Antonio, TX @ The Aztec Theatre

10/18: Dallas, TX @ The Factory

10/20: Atlanta, GA @ The Eastern

10/21: Louisville, KY @ Paristown Hall

*No Cannibal Corpse

'Daemonic Rites' will be available in the following formats:

- Ltd. CD Digipak

- Gatefold Black 2LP

- Ltd. Transp. Magenta 2LP (Limited to 1.000 units)

- Ltd. Gatefold Transp. Red 2LP (Limited to 500 units)

- Ltd. Gatefold Silver 2LP (Limited to 500 units)

- Ltd. Deluxe Box Set (incl. Gatefold Golden 2LP, CD, Poster, Setlist, Tour Laminate w. Lanyard

& Signed Guitar Pick Set - Limited to 1.000 units)

Preeminent black metallers Mayhem ready their newest live strike with Daemonic Rites for Century Media. The 16-track effort captures the frightful efficiency and utter lethality of the Norwegians as they close the chapter on their exalted sixth album, Daemon (2019). Throughout Daemonic Rites, Mayhem impressively nail newer tracks like “Falsified and Hated,” “Malum,” “Bad Blood,” and “Voces Ab Alta” to the proverbial cross, while offering pure fucking mastery of classics like “Freezing Moon,” “Buried by Time and Dust,” “Deathcrush,” and “Carnage.” The devilish quintet also add mid-career haunts like “To Daimonion,” “Symbols of Bloodswords,” and “My Death,” making Daemonic Rites a genuine career-spanning offering.

“We wanted to document how great the band and set sounds like after almost 40 years of playing live,” says founding member Necrobutcher. “As a treat to our fans, we decided to release this live recording.”

“We released the live version of De Mysteriis [aka De Mysteriis Dom Sathanas Alive] a few years ago,” Ghul adds. “That was received very well. We have been playing together for so long now with this lineup that we feel we have reached a point where we are a seriously well-oiled machine. It seemed like a natural step to try to capture this moment in the band’s history, with the same setlist we have been using for a while.”

Mayhem have nearly 1,000 shows to their name. Since their formation Langhus, Norway in 1984, the band—now comprised of Necrobutcher (bass), Hellhammer (drums), Attila Csihar (vocals), Teloch (guitars), and Ghul (guitars)—have brought their brand of bellicose, preternatural black metal to over 60 countries. From the United States and Germany to Australia and Brazil, Mayhem have stunned, bewildered, and turned rabid a global legion, dedicated as much to the band’s infamous legacy as they are staunchly in support of Daemon. Much of that respect and devotion started in the early ‘90s, but persisted to the present day on the strength of official live albums Live in Leipzig (1993), Mediolanum Capta Est (1999), Live in Marseille 2000 (2001) and De Mysteriis Dom Sathanas Alive (2016). Mayhem continue their on-stage assault with Daemonic Rites.

“I knew from day one back in 1984 that this band was going to be outstanding—one of the best bands ever!” Necrobutcher says. “I guess that’s a big reason why we still are here after 39 years—and counting.”

“Well, for the first time in a long time, we felt again like a unit, musically,” continues Hellhammer. “That’s something we haven’t felt in a long time, and that shows in the live recording.”

Daemonic Rites wasn’t pre-planned. Rather, they had sound engineer/producer Tore Stjerna (of Necromorbus Studio fame) record everything—just for posterity, in fact—during the group’s Northern Ritual MMXXII and Thalassic Ritual tours of 2022 and early 2023. Mayhem and Stjerna pilfered the gems, resulting in gigs from London (“Life Eternal,” “Malum”), Manchester (“My Death,” “Silvester Anfang”), and Gothenburg (“Pure Fucking Armageddon,” “To Daimonion”) coming out on top. The penultimate Mayhem live album wouldn’t be complete without “Freezing Moon” and “Pagan Fears”—both from Csihar’s hometown of Budapest, Hungary—as well as newer tracks “Falsified and Hated” and “Bad Blood” from Sydney and Melbourne, respectively. Daemonic Rites showcases the two-time Norwegian Grammy (aka Spellemannprisen) winners at the pinnacle of their live potential.

“We play the songs that feel the best live,” Hellhammer says. “We have in the past tried out a lot of different songs from former eras, but when you play live for an audience, the songs must have IT. If they don’t, even if they are good songs, they won’t fit in a live setting.”

Adds Teloch: “We have a vast catalog by now with so many different types of songs. It’s interesting to make them all work together in a full concert.”

Daemonic Rites comes off the heels of Mayhem’s incredible Beyond the Gates 2022 performance, where they uncaged cult classic De Mysteriis Dom Sathanas not far from where it was originally recorded by Eirik ‘Pytten’ Hundvin (Enslaved, Emperor, Immortal) in Grieghallen during 1992/1993. The live album, however, was mixed and mastered over in neighboring Sweden. Stjerna, who also assisted with Daemon, took the phantasmagoric collection of tracks to his lair at Necromorbus Studio, where his sole job was to preserve Mayhem’s raw, unbridled energy and ghastly electricity. From “Falsified and Hated” and “My Death” to “Buried by Time and Dust” and “Carnage,” they’ve never had the quality of a live album quite like Daemonic Rites. If the past is always alive, this is a live album on par with Venom’s Eine Kleine Nachtmusik, Emperor’s Emperial Live Ceremony, and Gorgoroth’s Black Mass Krakow 2004.

“It fits with where we are now, or more precisely, where we were at the time of the recording,” says Hellhammer.

“[The live recordings] capture the spirit and energy,” furthers Ghul, “of where we are as a band right now.”

Indeed, Mayhem have been and continue to operate at a level not yet witnessed. While atavists will always relish the Deathcrush or Live in Leipzig lineups, Hellhammer’s drum performance against the twin terrors of Teloch and Ghul is the purest black magic on Daemonic Rites. Similarly, Csihar’s hair-raising caterwauling and spectral snarls atop Necrobutcher’s seventh-hell low end is witching-hour great! To support Daemonic Rites, Mayhem have videos for Daemon-era masterpiece “Malum” and late-‘80s Killjoy dedication “Chainsaw Gutsfuck” lined up. Daemonic Rites is the perfect guillotine while the group craft new songs and conspire with others on what the group’s 40th Anniversary next year might entail. Mayhem are likely in their final form, and they’ve never been deadlier.

Lineup:

Necrobutcher – Bass

Hellhammer – Drums

Attila – Vocals

Teloch – Guitar

Ghul – Guitar

Bio: Chris Dick

Follow Mayhem:

Official Website

YouTube

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Melodic Doom Legion KAUNIS KUOLEMATON Releases Lyric Video for Mesmerizing New Track "Elävältä Haudattu"!

Finnish melodic doom metallers KAUNIS KUOLEMATON have shared the next intense taste of their highly-anticipated sophomore full-length record, entitled Mielenvalta, which will be out October 13 on Noble Demon. Following the release of the first single "Peilikuva", the band follows up today with a lyric video for the mesmerizing track "Elävältä Haudattu". Watch it below.

Stream the single HERE

KAUNIS KUOLEMATON on "Elävältä Haudattu" (Buried Alive):

"Briefly summarized. When the love of your life (whether it's your friend or your life partner, still the most important person in your life) has to give up the joy that life brings, and there's nothing you can do about it. The tone of the song and its melodies will lead you through this sad beautiful journey."

With a fearless approach that defies genre boundaries, KAUNIS KUOLEMATONredefined the very essence of Melodic Doom Metal, seamlessly blending ethereal beauty with unrelenting force. Since their formation in 2012, the band has embarked on a relentless quest to push the limits of their craft, creating a unique and mesmerizing brand of melancholic metal that resonates with fans from all corners of the metal spectrum. Their crushing and recognizable sound has earned them spots sharing stages with renowned acts such as Omnium Gatherum, Wolfheart, Cult of Luna, Vorna, and October Tide. From playing festivals to headlining their own shows across Finland, KAUNIS KUOLEMATON has captivated audiences with their magnetic performances. With three albums, one EP, and several singles under their belt, these Finnish metallers have firmly established themselves as a force to be reckoned with in the metal scene.

With their latest album Syttyköön Toinen Aurinko, featuring lyrics entirely in Finnish, KAUNIS KUOLEMATON has already left an indelible mark, garnering praise from fans and critics alike. Now, as they prepare to unleash Mielenvalta, the band's evolution reaches new heights, promising an immersive experience that will leave you breathless.

Mielenvalta will be coming out on October 13 via Noble Demon and is now available for pre-order at THIS LOCATION

KAUNIS KUOLEMATON are:
Olli Suvanto - Vocals
Mikko Heikkilä - Clean vocals, Rhythm guitar
Ville Mussalo - Guitars
Jarno Uski - Bass
Miika Hostikka - Drums

Find KAUNIS KUOLEMATON online:

Official Website

Facebook

Instagram

Find NOBLE DEMON online:

Official Website

Facebook

BandCamp

Twitter

YouTube

TikTok

Spotify

OBSCURA - Unleash Live Video For ´Emergent Evolution´

OBSCURA recently announced their highly anticipated live album, A Celebration I - Live in North America, which will be released on October 27 th via Nuclear Blast Records.

Today, the band presents a stunning live video for the track ´Emergent Evolution´, captured during their electrifying Mexico tour. This video promises to deliver a sensory experience like no other, showcasing the band's unmatched talent and captivating stage presence.

Watch the video below.
Listen to the song on all platforms: 
https://obscura.bfan.link/eesg
pre-order the album here: 
https://obscura.bfan.link/acilina
 
Steffen Kummerer comments: "´Emergent Evolution´ quickly became the most popular track of our 2018 record Diluvium. The song has been part of our live shows ever since, and combined with a loud and wild audience as in Mexico back in 2022, it‘s just pure joy to perform live on stage.”

A Celebration I - Live in North America takes you on a mesmerizing journey through their iconic discography, featuring fan favorites from albums like Cosmogenesis, Omnivium, Akroasis, Diluvium and the chart-breaking A Valediction.

The album has been mixed & mastered at Studio Fredman by award-winning producer and engineer Fredrik Nordström (Arch Enemy, In Flames, At The Gates), in Gothenburg, Sweden, in collaboration with OBSCURAs architect Steffen Kummerer.
Vincent Grundke, who has been working alongside the band as a videographer and photographer since 2021, provided the visual accompaniments for the record.

Dalton Dover Releases 'Never Giving Up On That' Collection

Named a Pandora 2023 Artist to Watch, an Amazon Music 2023 Breakthrough Artist to Watch: Country Class and a member of CMT’s LISTEN UP 2023 Class, Dalton Dover releases his eight-song collection Never Giving Up On That via Mercury Records/UMG Nashville, featuring two new songs including “Dirt Roads and Jesus” and an alluring cover of “If I Ain’t Got You.” Listen to Never Giving Up On That HERE.
 
“This has been such an exciting time in my life, and it means so much to be able to share it with all of you,” shares Dover. “So many milestones and memories have been made with these songs and what better way to celebrate that than putting them all together and adding some new ones. We can’t wait to bring more new music to you soon.”
 
Along with “If I Ain’t Got You,” a staple and fan-favorite in his live set, “Dirt Roads and Jesus,” written by Dover with his producer Matt McVaney and Alex Maxwell, is a striking ballad, expressing where he feels closest to God. As he debuted the song during his first performance at the Grand Ole Opry, he explained he’d faced some tough times throughout his life, but his faith has always brought him out the other side to better days.
 
Today’s release follows barn-burner “Night To Go,” praised by
MusicRow as Dover “has already proved himself to be a masterful country balladeer, a story-song teller, a heartache prince and a heart-tugging sentimentalist…He can also spit out a country rocker with the best of ‘em: this kicks hillbilly butt,” asserting the song is “more proof that stardom should knock on his door.”
 
Dover’s first official single “Giving Up On That” debuted as the most-added song at Country radio and continues to climb the charts. The official music video, filmed near Dover’s hometown in Rome, Georgia, will premiere next Wednesday, Sept. 27 on CMT, CMT Music,
CMT.com and Paramount’s Times Square Billboard.
 
He made his international debut earlier this year at C2C: Country to Country Festival’s CMA Songwriters Series before joining Chase Rice on the Way Down Yonder Tour. This summer, Dover performed across four stages at CMA Fest, including the Nissan Stadium Platform Stage, and played Luke Combs’ Whiskey Jam Bootleggers Tailgate Party at Gillette Stadium in July. He has been on the road with select dates supporting Tyler Hubbard, Parker McCollum, Justin Moore and Priscilla Block among festival performances. For more information and tickets, visit
DaltonDoverOfficial.com.

Dalton Dover Upcoming Tour Dates
 
Sept. 23           Fiddler’s Green Amphitheatre (w/ Justin Moore)      Greenwood Village, CO
Sept. 26           CMT Equal Access Showcase                                    Nashville, TN
Sept. 27           Pasadena Rodeo                                                          Pasadena, TX
Oct. 5              Capitol Center for the Arts                                         Concord, NH
Oct. 7              Homespun Festival                                                     Rockmart, GA
Oct. 8              WPOC Sunday in the Country                                   Columbia, MD
Oct. 13            WXCY BBQ Fest                                                       Aberdeen, MD


About Dalton Dover

Lauded by MusicRow as a “master country talent,” Dalton Dover’s current chart-climbing single “Giving Up On That” via UMG Nashville/Mercury Records was the most-added track at Country Radio upon its debut with 60 first week adds and can be found on his latest EP Never Giving Up On That, featuring eight tracks including “Night To Go,” “Baby I Am,” “Hear About A Girl,” and more. Named a Pandora 2023 Artist to Watch, an Amazon Music 2023 Breakthrough Artist to Watch: Country Class and a member of CMT’s LISTEN UP 2023 Class, Dover made his Grand Ole Opry debut in December 2022, followed by his international debut in 2023 at C2C: Country to Country Festival’s CMA Songwriters Series before joining Chase Rice on the Way Down Yonder Tour. This summer, Dover performed across four stages at CMA Fest, including the Nissan Stadium Platform stage and played Luke Combs’ Whiskey Jam Bootleggers Tailgate Party at Gillette Stadium in July. Dover is currently on the road with select dates supporting Tyler Hubbard, Parker McCollum and Priscilla Block among festival performances. By the age of 16, Dover had picked up a guitar and started teaching himself to play, yet it was his grandfather who turned him on to country music and artists such as Keith Whitley, Rhett Akins, Joe Diffie and Steve Wariner. Performances at local bars soon followed along with sharing covers of some of his favorite songs on TikTok. It was there he caught the ear of producer Matt McV and A&R veteran and founder of Droptine, Jim Catino, who quickly signed Dover. His debut track “You Got a Small Town,” produced by McV, quickly garnered critical acclaim from Billboard, MusicRow, Country Now and Wide Open Country. With his debut and his follow-up “Baby I Am” earning notable playlisting, Dover was named a Spotify Hot Country 2022 Artist to Watch along with a spotlight as Billboard’s February Country Rookie of the Month and a nod for MusicRow’s 2022 Discovery Artist of the Year. For more information, visit
DaltonDoverOfficial.com or follow along on InstagramTikTokTwitter and Facebook.
 
EP Lyrics Available
HERE