Banks Arcade Share "Worship The Internet" Video — WATCH

Melbourne's Banks Arcade are back with a brand new single "Worship The Internet," out now via UNFD.

Following the release of their debut album Future Lovers
last year, a hybrid meeting of metalcore, hip hop, pop and electronic flavors, "Worship The Internet" expands on the group's established trademarks, with the new track flitting between swaggering hooks and hulking grit.

An infectious ode to irrational and volatile anger in the digital age, Banks Arcade's latest chapter is also accompanied today by a brand new music video.

Watch the video for "Worship The Internet"
below

Of "Worship The Internet," Banks Arcade share, "'Worship The Internet' explores the unreasoned outrage perpetuated by social media and modern culture. Everyone is mad at something and the only answer seems to be to come out swinging and think later. This song presents this outrage in a volatile and aggressive fashion and enters the mind of the individual trying to be authentic amidst a myriad of voices urging them to do otherwise."

A band who always wanted to make history, Banks Arcade bring passion and potent execution to their myriad of influences and creative ideas. Formed over a shared love of music with a razor-sharp avant-garde aesthetic, Banks Arcade have always teetered on modernity, their gaze ever-fixed just beyond the horizon via their flourishing sonic wiles. From their 2018 debut EP Endnote to its 2020 follow up Fever Dreams, the group's head-turning singles like "Sick and Drown" have gone on to amass over 1 million individal streams, while their explosive single "Chosen" was chosen by Ubisoft as the official theme song of the Rainbow Six Siege Oceanic Nationals in 2022.

Releasing their full-length Future Lovers in 2022, an LP initially devised as a concept album that evolved into a vessel of personal self-discovery, Banks Arcade cemented their future-facing trademark style while also turning heads courtesy of their emphatic soundscapes, searing metal and hip hop additions.

Showcasing their unforgettable live performance in 2023, Banks Arcade embarked on their national Australian Future Lovers tour earlier this year, including sold out shows in Melbourne, Sydney and Brisbane, as well as an extensive North American run with The Plot In You and Holding Absence, and appearances at UNIFY Off The Record.

Toronto's Rising Star Alyssa Rose Hunt Drops New Album Magnetic Muse Chapter 1 Where Vintage Soul Meets Modern Magic

Toronto-based artist, Alyssa Rose Hunt, is poised to take the music world by storm with the release of her highly-anticipated album, Magnetic Muse Chapter 1, out now. This alternative R&B/Soul album is a two-part masterpiece that symbolizes the yin and yang of musical expression. Magnetic Muse Chapter 1 serves as the yang chapter, characterized by bold instrumentation and lyrics that explore the initiation of romantic pursuits. Alyssa Rose Hunt's magnetic sound is a fusion of old and new, skillfully blending soulful elements to create an edgy and chill vibe that resonates deeply with listeners. The album

features a rich ensemble of live instruments, including drums, keyboard, guitar, and saxophone, ensuring a raw and authentic musical experience.

The album opens with "Trapped In My Head," a song that explores the intricate feelings associated with an emerging romantic connection. It's a deeply personal piece where Alyssa Rose Hunt sings to herself, contemplating whether to confess her emotions. With a slower tempo and live instruments, this track sets the tone for the profound storytelling that characterizes the entire album. Another standout track of this album is "You," a soul-stirring composition that delves into the desire to be with someone so profoundly that solitude pales in comparison. Drawing inspiration from legendary artists like Amy Winehouse, "You" embodies a bluesy soul vibe with a mix of old-school and contemporary sounds. This track, positioned as the second song on the album, takes listeners on a rollercoaster journey with its dynamic contrasts, creating an authentic and emotionally charged musical narrative.

Listen below:

https://snd.click/yayd

Photo Credit: Christel Wagner

Alyssa Rose Hunt, hailing from Vaughan, Ontario, Canada, is a gifted singer-songwriter whose music effortlessly spans the genres of R&B, Soul, Blues, Jazz, and Pop. Her compositions are a heartfelt expression of her innermost thoughts and emotions, brought to life by soulful instruments that narrate her stories. Alyssa’s lyrics are raw, authentic, and vulnerable, immersing audiences in a world of genuine emotions and sensations. Alyssa Rose Hunt's journey as a singer-songwriter has been marked by challenges, including the search for her unique voice and sound, overcoming self-doubt, and navigating the industry's pressures as a female artist. Through it all, she has remained true to herself, using her music as a medium to connect with her audience on a deeper level, transcending mere entertainment.

Of Mice & Men Share "Indigo" Visualizer — WATCH + LISTEN

NEW ALBUM TETHER OUT OCTOBER 6 VIA SHARPTONE

BAND TOURING WITH BULLET FOR MY VALENTINE THIS FALL

Gold-selling hard rockers Of Mice & Men — Aaron Pauley (bass + vocals ), Valentino Arteaga (drums), Alan Ashby (guitar), and Phil Manansala(guitar) — will issue their new album Tether on October 6 via SharpTone. Pre-order it
here.

They've just shared the third single "
Indigo." Listen to and watch the visualizer below.

"'Indigo' is about questioning why the sky would choose to be blue if it had the choice to be anything else — blue also meaning sad," states Pauley. "It's about comforting a loved one in a time of loss by telling them you feel blue, too." 

Taking all creative matters into their own hands, the Southern California quartet self-produced and engineered all of the songs on Tether, their astonishing eighth album. Pauley mixed and mastered the album while Arteaga designed and painted the album's artwork. As a legion of devoted listeners worldwide has come to expect, guitarists Phil Manansala and Alan Ashby, Aaron, and Tino poured their hearts and souls into every note, creating another sonic document of their lives. 
 
“With this one, we weren’t really focused on how it sounded as much as we focused on how it felt," Pauley explains. "And that's a weird thing to do when all you're working with is sound. But that was really the goal. And we walked away from making it, feeling like we've accomplished that."
 
OM&M take sobering looks at depression, anxiety, loneliness, and existential dread, powering through the darkness, and emphasizing the importance of creativity as a balm for mental health. A commanding tempest of sounds coalesces within Of Mice & Men, blending the uplifting eloquence of modern active rock with the atmospheric dissonance of experimental post-rock. The band first emerged as part of a vanguard of future aggressive rock hitmakers. Over the years, they've distinguished themselves with musicality, creative ambition, and resilient determination. 

Album eight is no less ambitious. Tether is anchored by a reflective meditation on what it means to draw together as friends, family men, artists, and bandmates. What does it mean to be there for the people who depend on us, knowing we can’t fully protect them from the hardships of life? 
 
Tether is the next step in OM&M's evolution, combining their core sound with experimental and ethereal sound designs. The creative process focused on the excitement of discovery rather than preconceived "goals." Pursuing the moments when the elusive "x factor" reveals itself in the songs. Those moments are palpable in songs like "Integration," "Warpaint," "Enraptured," and "Indigo."
  
The Of Mice & Men core since 2016 – Aaron, Alan, Tino, and Phil – maintain a powerful bond with their audience and each other, no matter the obstacles. Whether a powerful anthem or atmospheric confession, their songs translate in intimate clubs and massive festivals. "It's about creating moments for people," Pauley says. "Music is the soundtrack to people's lives."

OM&M will also hit the road with Bullet For My Valentine and Vended this fall. All dates are below.

OF MICE & MEN ON TOUR:
WITH OF BULLET FOR MY VALENTINE + VENDED:

10/8 — Montreal, QC — Mtelus
10/9 — Quebec, QC — Théâtre Capitole
10/10 — Worcester, MA — The Palladium 
10/12 — New York, NY — Terminal 5
10/13 — Silver Spring, MD — The Fillmore Silver Spring
10/15 — Philadelphia, PA — Franklin Music Hall
10/17 — Pittsburgh, PA — Stage AE
10/18 — Cleveland, OH — The Agora
10/19 — Cincinnati, OH — The Andrew J. Brady Music Center
10/21 — Kansas City, MO — Uptown Theater
10/22 — Chicago, IL — Riviera Theatre
10/24 — Minneapolis, MN — The Fillmore Minneapolis
10/26 — Denver, CO — Mission Ballrom
10/28 — Flagstaff, AZ — Pepsi Amphitheater
10/29 — San Diego, CA — SOMA Mainstage
10/31 — Los Angles, CA — The Wiltern
11/1 — Phoenix, AZ — The Van Buren
11/2 — Albuquerque, NM — Revel Entertainment Center
11/4 — San Antonio, TX — Boeing Center At Tech Port
11/5 — Dallas, TX — House of Blues Dallas
11/7 — Houston, TX — House of Blues Houston
11/8 — New Orleans, LA — The Fillmore New Orleans
11/10 — Orlando, FL — Hard Rock Live Orlando

TRIUMPH OF DEATH ANNOUNCE THEIR DEBUT LIVE ALBUM PERFORMING HELLHAMMER'S ‘RESURRECTION OF THE FLESH,’ RELEASING ON NOVEMBER 10, 2023 WITH NOISE/BMG

The impact of Swiss extreme metal forefathers Hellhammer is one that still resonates around the global metal scene today, such was their influence on the early extreme, death, and black metal genres. In the 40 years that have passed since their humble beginnings in Nurensdorf, Switzerland, in May 1982, they have gained a mythically iconic status despite existing for a mere two years. However the band left a highly influential body of work behind, including the three demos Death Fiend, Satanic Rites and Triumph Of Death (al re-released in 2008 as the Demon Entrails demo retrospective), the seminal Apocalyptic Raids EP, and two tracks from the legendary Death Metal compilation. In light of this legacy, it is almost inconceivable that Hellhammer never performed this music on stage.

Celtic Frost, the successor group formed by Hellhammer founding member Tom Gabriel Warrior and former Hellhammer bassist Martin Eric Ain, would sporadically play a Hellhammer song or two, and Warrior’s current band, Triptykon, have played the occasional Hellhammer song live, but the vast body of Hellhammer's work remained unperformed, until the inception of Triumph Of Death. In 2019 Tom Gabriel Warrior stated : Hellhammer will never return and will never be reformed. It is absolutely impossible to reform a band so closely linked to a very specific and unique period in time. But Hellhammer's music exists, and it is an extremely important part of my life's path. And I would like to play it onstage before my demise.

The resurrection of the music of Hellhammer had been an idea Tom Gabriel Warrior and Martin Eric Ain
discussed for many years, sparked not least by their renewed collaboration in the reformed Celtic Frost
in the 2000s. The first steps towards the realization of Triumph Of Death, named after Hellhammer's
most infamous song and intended to be a very respectful and authentic tribute to Hellhammer, were
finally taken in 2014, and the band was officially founded in autumn of 2018. Triumph Of Death consists
of individuals who not only love the music in question but truly understand it. The line-up emulates Hellhammer's final incarnation of April/May 1984, when the group had added an additional guitarist. To
date Triumph Of Death have performed numerous notable concerts globally and have brought the seminal music of Hellhammer to fans both old and new. Many of whom thought they may never see it live on stage.

Triumph Of Death’s debut live release Resurrection Of The Flesh is the culmination of three concerts. Recorded in the spring of 2023 at Hell’s Heroes Festival in Houston USA, Dark Easter Metal Meeting in Munich, Germany and SWR Barroselas Metal Fest in Portugal, the album was produced by Tom Gabriel Warrior and Triptykon's V. Santura. The record captures the band at their primeval finest; raw, foreboding and heavy. The songs may date back four decades but here they are revealed to be still just as vital today as when they were written in the band’s infamous rehearsal bunker in the rural village of Birchwil, Switzerland in the early 1980s. From the thunderous opening chords of Third Of The Storms (Evoked Damnation) to the malevolent, morbid feedback of set closer Triumph Of Death, this album is a sixty minute document of the overwhelming power of the live performance of Triumph Of Death, and it captures the spirit and intensity of these historic songs that have transcended decades to become revered and timeless.

Warrior: This album is, most importantly, testament to the unique connection that exists between the audience and this band. Hellhammer's music was an underground token in 1982 to 1984, often ridiculed and shunned, and we owe the fact that we are now able to perform it all across the globe entirely to grace, openness, and enthusiasm of those who make exactly these concerts possible. They give us as much as we given them, and my gratitude to them knows no limits.

Triumph Of Death

Tom Gabriel Warrior - voice/guitar
André Mathieu - guitar/vocals
Jamie Lee Cussigh - bass
Tim Iso Wey – drums

Resurrection Of The Flesh will be available as:

  • Deluxe CD mediabook

  • Double gatefold LP w/booklet and posters on black vinyl and B&W swirl (indie store exclusive)

  • Super deluxe double red vinyl LP bookpack with bonus 7” single plus posters

    www.triumphofdeath.net

Autarkh Reach Inner Peace on New Single

Autarkh are known for hard-wiring extreme metal with glitchy electronica and IDM beats. But on the lead single from their new album, the Dutch band proved that they were human after all.

Where "Strife" found Autarkh locked in a battle with their inner demons, the new single off 'Emergent' reaches for inner peace.

""Refocus" is the fifth track on 'Emergent', says guitarist and lead vocalist Michel Nienhuis. "It revolves around the will to return to the serene state of mind that opens the album".

Watch the intense performance video for "Refocus"
HERE, which was filmed, edited and animated by Spread Motion Design. 

'Emergent comes out November 10. Pre-order the album
HERE. Pre-save it HERE.

"Refocus" is still heavy. The song opens with a hammering computerized beat and riffs that chug with all the industrialized heft of an oil drill. Death growls stew in the air like flies, as if warning of what's to come. It's chaotic and overwhelming, almost too much to even bare. But after headbanging their way through another avalanche of a chorus, Autarkh break free. "The splendor of wholeness reinstated", Nienhuis sings, backed by radiant harmonies.

"The clean vocals in Refocus were one of the hardest parts for me to record", says Nienhuis. "But I'm really happy with how they turned out".  

Dutch contemporary metal adventurers Autarkh are back with their sophomore full-length album Emergent. Michel Nienhuis, founder of Autarkh and Dodecahedrom, teamed up again with guitarist/producer David Luiten (Inferum), bassist Desmond Kuijk (Dear Mother) and electronics wizard Tijnn Verbruggen to create the follow-up to their highly acclaimed debut album 'Form In Motion', released by Season Of Mist on 12 March 2021. Monica Kendrick (Chicago Reader, US) on the relevance of the group’s debut: 

"And I’ll call it now: given the time to flourish and sink into the ears of an audience, Autarkh will become highly influential on the next generation of extreme metal." 

'Emergent' is another testament to Autarkh’s imagination and creativity. It delivers increased versatility and contrast, and sees the band expand towards more uplifting and consonant territories. Form In Motion explored the boundaries of sonic extremes; on 'Emergent', Autarkh broadens its horizon and shows diversity and nuance while preserving its intense and razor-sharp edge.

With nine tracks, 'Emergent' is a sonic exploration of the inner universe where all things light and dark can be encountered. The listener is lured into an "Open Focus" (a meditative state of mind) in preparation for an inward journey along the physical energy centers. From the thumping synth basses of "Strife" and the menacing sludgy melancholy of "Duhkha", we move into the bewildering blasts of "Trek", where stellar harmonies will eventually burst through the oppressive atmosphere. The trip continues with the crushing downtempo groove that enforces "Refocus", as well as the mind-bending a capella interlude "Aperture" and the frivolous "Eye Of Horus" and "Countless Kaleidoscopes", to finally deliver all-encompassing enlightenment with Ka. 

Composers Nienhuis’s and Luiten’s statements and states of mind capture the same capriciousness and unease of 'Form In Motion', this time leaving a more open, diverse and radiant imprint. With exciting vocal harmonies, bold contrasts and a vivid imagination, Autarkh sheds a bright light on the inner self and exposes it to the world with intensity and conviction. That makes Emergent an evocative release with a multilayered yet crystal-clear production that promises a bright future for Autarkh.

Line-up:

Michel Nienhuis: vocals & guitars
David Luiten: vocals & guitars
Desmond Kuijk: bass
Tijnn Verbruggen: synths & beats

Recording Studio: David Luiten Studio, Monodisc Studio, Moonbear Music & Engineering
Mix/Master: David Luiten

Cover artwork: Arno Frericks

Pre-order: https://redirect.season-of-mist.com/AutarkhEmergent
Pre-save:https://orcd.co/autarkhemergentpresave

Booking:
info@autarkh.com

Formats:
CD Jewelcase
Digital
Vinyl in various colours

Links:
www.autarkh.com
www.facebook.com/autarkh
www.instagram.com/autarkhband
www.youtube.com/c/autarkh
www.autarkh.bandcamp.com

Claudio Simonetti's Goblin Reveals Sell Outs, Low Ticket Warnings for 'Demons' North American Tour 👹

GET TICKETS HERE

Claudio Simonetti's Goblin is returning to the states this autumn and will be performing the score to the chilling and grotesque 1985 horror flick, Demons, as well as a comprehensive "best of" set. The collective is now warning fans not to sleep on tickets as various cities have already sold out while several others have few tickets left! The updated itinerary and tickets can be found HERE.

ICYMI: Claudio Simonetti's Goblin invites fans to attend a very special screening in New York City at City Winery. The iconic venue will transform for one night only into Metropol, the same mysterious and possessed theatre from 'Demons!' The once-in-a-lifetime event will take place on October 1, just in time to kick off the month of Halloween! Tickets are almost running out, so get yours now before it's too late!

Composer Claudio Simonetti has written and recorded some of the most influential soundtracks in horror, including Dawn of the Dead, Deep Red, Suspiria, Tenebrae, and countless others, with his seminal work still informing the genre to this day. Simonetti and his collective will perform the haunting and tense score to Demons. The film was produced by master of horror Dario Argento (Suspiria, Tenebrae, etc.) and was directed by Lamberto Bava, son of iconic cinematographer Mario Bava. Enter the screening with caution and don't touch any props, lest the demons possess you...

In 2022, Simonetti's Goblin celebrated the 45th Anniversary of Dario Argento's iconic picture, Suspiria with this modern progressive update to the iconic soundtrack. Suspiria - Prog Rock Version is available HERE.

In addition to standard admission tickets, there is a VIP Sound Check Party / Meet & Greet Add-On option available to ticket holders for certain shows as indicated on the ticketing page HERE. The VIP Add-On by itself does NOT serve as a ticket for entry. The package includes a private soundcheck party, a meet and greet and a VIP laminate as well as first access to merchandise and front of the line access where applicable. Tickets are limited per show. You will receive an email three days before the show with instructions and times for the meet and greet.

North American Tour Dates:

09/26:Franklin, IN @ Artcraft Theatre [TICKETS // VIP ADD ON]

09/27: Lexington, KY @ Lexington Opera House [TICKETS // VIP ADD ON]

09/28: Knoxville, TN @ Bijou Theatre [TICKETS]

09/29: Ashland, VA @ Ashland Theatre [TICKETS // VIP ADD ON] **LOW TICKET WARNING**

09/30: Philadelphia, PA @ Union Transfer [TICKETS // VIP ADD-ON]

10/01: New York, NY @ Metropol (City Winery) [TICKETS // VIP ADD-ON] **LOW TICKET WARNING**

10/02: Washington, DC @ Howard Theatre [TICKETS // VIP ADD ON]

10/03: Somerville, MA @ Somerville Theatre [TICKETS // VIP ADD ON] **LOW TICKET WARNING**

10/04: Montreal, QC @ La Tulipe [TICKETS] * **LOW TICKET WARNING**

10/05: Ottawa, ON @ Mayfair Theatre* **SOLD OUT**

10/06: Niagara Falls, NY @ Rapids Theatre [TICKETS // VIP ADD ON]

10/07: Erie, PA @ Eerie Horror Festival @ Warner Theatre [TICKETS] ^

10/08: Pittsburgh, PA @ Carnegie Music Hall [TICKETS // VIP ADD ON]

10/11: Grand Rapids, MI @ Wealthy Theatre [TICKETS // VIP ADD ON]

10/12: Cleveland, OH @ Capitol Theatre [TICKETS // VIP ADD ON] **LOW TICKET WARNING**

11/03: Detroit, MI @ Redford Theatre [TICKETS // VIP ADD ON]

10/15: Chicago, IL @ Copernicus Center [TICKETS // VIP ADD ON]

10/16: St Paul, MN @ Fitzgerald Theatre [TICKETS // VIP ADD ON] **LOW TICKET WARNING**

10/17: Lawrence, KS @ Liberty Hall [TICKETS // VIP ADD ON]

10/18: Denver, CO @ Paramount Theatre [TICKETS // VIP ADD ON]

10/22: Seattle, WA @ El Corazon [TICKETS // VIP ADD ON] **LOW TICKET WARNING**

10/23: Vancouver, BC @ Rio Theatre [TICKETS]

10/24: Portland, OR @ Hollywood Theatre **SOLD OUT**

10/25: Portland, OR @ Hollywood Theatre **SOLD OUT**

10/26: Sacramento, CA @ Colonial Theatre [TICKETS // VIP ADD ON]

10/27: San Francisco, CA @ Castro Theatre [TICKETS // VIP ADD ON]

10/28: Glendale, CA @ Alex Theatre [TICKETS // VIP ADD-ON] **LOW TICKET WARNING**

10/29: San Diego, CA @ Music Box [TICKETS // VIP ADD ON]

11/01: Houston, TX @ Heights Theatre [TICKETS // VIP ADD ON]

11/02: Dallas, TX @ Texas Theatre [TICKETS // VIP ADD ON]

11/03: San Antonio, TX @ Aztec Theatre [TICKETS // VIP ADD ON] **LOW TICKET WARNING**

11/04: New Orleans, LA @ Broadside Theatre [TICKETS // VIP ADD ON]

11/05: Little Rock, AR @ The Hall [TICKETS // VIP ADD ON]

11/06: St Louis, MO @ Red Flag [TICKETS // VIP ADD ON]

* performing Suspiria

^ performing "Best of" set only

Photo by Jeremy Saffer

"[Simonetti's] electronic score proved to be the perfect counterpoint to the rock songs, often oozing with menace and certainly adding to the fear factor... And, as usual with Simonetti, it makes for a great listen outside the film." - Horror Cult Films

"Simonetti acting as a solo composer here rather than as part of Goblin replicates this in his pulsating electronic score... It’s got a sense of stalking malevolence about it right up there with the film itself and is horror music personified." - Ave Noctum

"...a fascinating snapshot of a composer in transition, moving from a band setting to a solo career, expanding his range and creating some of the most stirring music of his career. We treasure Demons for withstanding the test of time, but the real gem here is Simonetti." - Popshifter

"Argento’s eye for filmmaking was still razor-sharp in those days; combined with the like-father-like-son style of Bava and a nightmarish synth score from Goblin’s Claudio Simonetti the film had all the necessary elements to satisfy horror fans. And truly, it’s a blast from start to finish with little time wasted." - Dread Central

"This soundtrack perfectly captures the growing tension created by the film as the main characters are transformed into demons, leading the way with the electro metal of Killing, the percussively cruel Demon, and the now classic cult hit Demon. 30 years later the music still shines with timeless quality thanks to the eclectic talent of composer Claudio Simonetti." - Rustblade

Lineup:

Claudio Simonetti: Keyboards

Daniele Amador: Guitar

Cecilia Nappo: Bass

Federico Maragoni: Drums

Links:

Official Goblin Website

Facebook

Spotify

Apple Music

YouTube

Shop

Being As An Ocean Return with Powerful New Album ‘Death Can Wait’; Drop Official Video For Title Track

Southern California melodic post-hardcore outfit, Being As An Ocean has announced their emotive new album ‘Death Can Wait’, due out February 2nd, 2024 via Out of Line Music. The band has also shared the official visualizer for the album's stirring title track, offering fans the first taste of their forthcoming release. Pre-order the album HERE. Listen to the the single HERE and watch the video below.

Elaborating on today's announcement, the band shares

“Death Can Wait is about living in the moment, without judgement or fear of circumstance. Taking each day as it comes and not banking to hard on the future, as none of us know how much time we truly have in this life. Memento Mori. It’s about being mindful of the gift that life is and not squandering it on frivolous or excessive excitements, distractions, diversions; being focused on our goals, aspirations, passions, and constructive obsessions. Living life as if this day is our last, while being prepared to greet Death, when it arrives, as a friend and natural part of this beautiful life.”

Since forming in 2011, Being As An Ocean has cemented themselves at the forefront of alternative music with their raw, earnest songwriting and boundary-pushing sound. Across six studio albums and countless tours, the band has built a devoted following and left an indelible mark through the comfort and strength offered in their inspirational lyrics and emotive musical landscapes. Eleven years after their famous debut album “Dear G-d...”, the Californian band now commences the next chapter of their musical journey with their new album “Death Can Wait”. With this new record, Being As An Ocean drops yet another extremely personal set of songs loaded with pure emotion and continues to push the boundaries of what it means to be a band in the modern music scene.

Photo Credit - Murry Deaves

Pre-orders for ‘Death Can Wait’ are available now in multiple formats and multiple bundle options including digipak CD, vinyl, and a deluxe wooden box set strictly limited to 666 copies worldwide. Head to baao.lnk.to/DeathCanWaitAlbum to check out all options and pre-order now.

ABOUT BEING AS AN OCEAN

Being as an Ocean is a post-hardcore/melodic hardcore band hailing from Southern California. Formed in 2011, the band has been on a journey of self-discovery and artistic evolution, constantly pushing the boundaries of their genre.

In 2012, Being As An Ocean released their debut album, "Dear G-d...," which garnered immediate attention and marked the beginning of their rise in the music scene. With their emotionally-charged sound, Being As An Ocean has left an indelible mark on the alternative music landscape. Their music has resonated with countless people, offering comfort and strength during life's most challenging moments. They have inspired a generation of musicians to be fearless in their exploration of emotion, lyricism, and sound.

Since then, the band has toured the world multiple times over and released career defining records such as “How We Both Wondrously Perish” in 2014, “Waiting For Morning To Come” in 2017, and "PROXY" in 2019. With their unique blend of honesty, vulnerability, and artistic innovation and the pending release of their new album "Death Can Wait" through label Out Of Line music, there's no doubt that Being As An Ocean will continue to make an impact one heartfelt song at a time.

BLACKBRAID Shares Lead Guitar Play-Through for "The Wolf that Guides the Hunters Hand," On Tour Next Week!

"To get right to it, Blackbraid II is an early contender for black metal record of the year... able to take the traditional sounds of black metal and then further shape and move them in a very distinct and novel direction." - Metal Injection (10/10)

STREAM 'BLACKBRAID II' HERE

Indigenous black metal master Blackbraid is now sharing a lead guitar play-through for the song "The Wolf that Guides the Hunters Hand," which is taken from the solo project's brand new album, 'Blackbraid II.' The clip can be found at THIS LOCATION.

In addition, Blackbraid will be kicking off an extensive North American tour next week in support of Wolves in the Throne Room. The trek will kick off on September 29 in St. Louis and will then conclude nearly a month later on October 24 in Denver, CO. The full itinerary can be found below while tickets can be found HERE.

'Blackbraid II' can now be streamed everywhere or ordered via Bandcamp or The Official Blackbraid Merch Store! The album is available on CD as a 6-panel digi-sleeve, cassette, and two vinyl variants - a marbled emerald green "Moss" edition and golden/earth marbled "Spirit" edition.

Blackbraid is a solo indigenous black metal project from from the depths of the Adirondack wilderness creating music as raw and powerful as the mountains from whence it came… 

GET TICKETS HERE

BLACKBRAID

(Supporting Wolves in the Throne Room w/ Gaerea + Hoaxed)

Crypt of Ancestral Knowledge North American Tour

09/29: St Louis, MO @ Red Flag [TICKETS]

09/30: Chicago, IL @ Metro [TICKETS]

10/01: St. Paul, MN @ Amsterdam Bar & Hall [TICKETS]

10/03: Detroit, MI @ El Club [TICKETS]

10/04: Toronto, ON @ Lee's Palace [TICKETS]

10/05: Montreal, QC @ Theatre Fairmount [TICKETS]

10/06: Boston, MA @ Big Night Live [TICKETS]

10/07: Hamden, CT @ Space Ballroom [TICKETS]

10/08: Brooklyn, NY @ Brooklyn Monarch [TICKETS]

10/10: Philadelphia, PA @ Underground Arts [TICKETS]

10/11: Baltimore, MD @ Baltimore Soundstage [TICKETS]

10/12: Richmond, VA @ The Canal Club [TICKETS]

10/13: Greensboro, NC @ Hangar 1819 [TICKETS]

10/14: Atlanta, GA @ The Loft [TICKETS]

10/15: Tampa, FL @ Orpheum [TICKETS]

10/17: Dallas, TX @ Echo Lounge & Music Hall [TICKETS]

10/18: Austin, TX @ Come And Take It Live [TICKETS]

10/20: Albuquerque, NM @ Sister [TICKETS]

10/21: Tucson, AZ @ Encore [TICKETS]

10/23: Salt Lake City, UT @ Metro Music Hall [TICKETS]

10/24: Denver, CO @ The Oriental Theater [TICKETS]

Blackbraid Live (UK):

06/01 - 02: Scarborough (UK) @ Fortress Festival [TICKETS]

"...you can hear a delicately strummed acoustic guitar here, a traditional flute there. Catchy riffs, most notably on the single 'The Spirit Returns,' coexist with ambitious tracks like the 13-plus-minute 'Moss Covered Bones on the Altar of the Moon,' which waxes and wanes like an epic saga." - The New York Times

"To get right to it, Blackbraid II is an early contender for black metal record of the year... able to take the traditional sounds of black metal and then further shape and move them in a very distinct and novel direction." - Metal Injection (10/10)

"...one of the finest albums to grace black metal in years and you just get the feeling there is still more to come from this truly special band." - Distorted Sound Magazine (10/10)

"Sgah’gahsowáh channels his heritage and love for the earth through his music, and with that, he also brings a certain energy that conjures up desert dunes and rolling planes from North America just as well as a Norwegian black metal band conjures up snowy, bleak hills." - Metal Sucks (4.5/5)

"...forging a new path forward for black metal in 2023, one that will likely continue to set him apart from his contemporaries and become one of the biggest new faces in the genre for years to come." - Heavy Music HQ (4.5/5)

'Blackbraid II' follows up the solo black metal project's critically-acclaimed debut, which was named among one of the best metal albums if 2022 by Rolling Stone (#14), Decibel Magazine (#4), Metal Hammer UK (#7), and more!

Creator of Blackbraid: Sgah’gahsowáh

'Blackbraid II' Album Credits:

- Composed & performed by Sgah'gahsowáh

- Drums, recording, mixing & mastering by Neil Schneider

- Visual development & graphic design by Wolf Mountain Productions 

- Guitar solo in “Twilight Hymn of Ancient Blood" performed by Randy Moore

- “A Fine Day to Die" originally composed by Quorthon (Bathory)

Album Art: Adrian Baxter

Photographer: Wolf Mountain Productions

Follow // Listen:

Bandcamp

Spotify

Apple Music

YouTube

Instagram

Shop/Pre-order:

Official Merch Store (USA)

Blackbraid is an independent artist and is not contracted to or owned by any music label. 

Press Inquiries: Katy Irizarry @ Katy@suspiriapr.com

Management: Ashley @ Wolf Mountain Productions

Emil Bulls Signs With Arising Empire + Shares Video For "The Devil Made Me Do It" — WATCH😈

EMIL BULLS SIGNS WITH ARISING EMPIRE

BAND SHARES VIDEO FOR "THE DEVIL MADE ME DO IT" —
Watch Below.

Unveiling a profound exploration of the human psyche, Emil Bulls' brand new single "
The Devil Made Me Do It" delves into the intricate layers of human nature. T

 Through its lyrics, listeners will experience the age-old struggle of personal responsibility versus the influence of external forces. With powerful metaphors, notably the devil's imagery, the song offers listeners a deep dive into emotions often felt but rarely spoken about.

Stream the song
here.

"We’re thrilled to finally show the world what the devil made us do," says the band.

PHOTO CREDIT: Janiz Hinz

EMIL BULLS ARE:
Christoph von Freydorf — Vocals
Stephan Karl — Guitar
Andy Bock — Guitar
Pascal Theisen — Bass
Fabian Füss — Drums

Hollow Front Share "Breaking Teeth" — LISTEN

Grand Rapids, Michigan-based metalcore slingers HOLLOW FRONT recently announced their third album The Fear of Letting Go. It arrives October 27 via UNFD. Pre-order it here.

Today, they have shared the visualizer for the voracious new single "Breaking Teeth."

Watch and listen
Below.

The song is as fierce and ferocious as its name suggests — it can knock your chompers right down your through with its intensity! It also features a synthy mid-section, which is an unexpected and thrilling sonic surprise.

"This song is just pissed," says vocalist Tyler Tate. "It's one of the heaviest songs on the record, if not the heaviest. When I wrote the lyrics, I was just so fed up with the world and my life in general. It felt like no matter what I did, I could never get ahead. Set back after set back, problems around every corner. It's annoying having to cope all the time. Living should be simpler. But the society we live in prevents that. We should all be pissed about it."

This Grand Rapids, MI duo — Tate and Lee Albrecht [guitar ] — emerged from a season of seemingly endless trials and tribulations. Instead of backing down, they transform the chaos around them into unpredictable and undeniable anthems. 

"The album is a journey out of feeling helpless in a situation I don't have control over," notes Tyler. "I've realized the only thing I have control over is the choice to move on and keep going. That's all I'm doing. I'm not ready to give up yet."

There's no reason to…

Hollow Front have consistently captivated audiences by tempering unfettered heaviness with undeniable melodies. The band emerged as a fan favorite with Loose Threads in 2020. After the album tallied 1 million streams during release-week, "Afflicted" eventually racked up over 7.2 million Spotify streams and counting. The 2022 follow-up, The Price of Dreaming, earned widespread critical acclaim. New Noise Magazine hailed it as "a blistering and bruising experience, evoking myriad emotions and conveying a heady and moving blend of euphoria and despair." Distorted Sound dubbed it "metalcore at its most earnest." Along the way, they shared stages with everyone from Fit For a King and We Came As Romans to Dayseeker and August Burns Red. 

At the same time, the guys weathered one storm after another. A van accident, subsequent financial strife, and lineup shifts left Hollow Front a two-piece by the end of 2022. So, the pair hunkered down and wrote, mixed, and mastered what would become The Fear of Letting Go in its entirety with Lee producing and recording out of his home studio. For the first time, Tyler also assumed both heavy and clean vocal duties.

Philadelphia art-rock duo TULIPOMANIA presents new single 'You Had To Be There' with mysterious animated film

"Tulipomania’s unique take on post-punk boasts gritty guitars underpinned by a brooding rhythm section to provide a backdrop for compelling and atmospheric vocals" ~ Louder Than War

"All the hallmarks of fine Cold War electronica: a brain-searing synth line, and an overwhelming sense of claustrophobia and bubbling anxiety" ~
Electronic Sound

"Sends you in a spiral of pure nirvana" ~ Magnet Magazine
 
"Reverberating, rippling riffs are more soothing and spacious, replicating deep-sea sonar devices and lulling lap steels... mystery-laced lyrics" ~ Big Takeover Magazine


Magnification doesn’t always yield detail.
Maybe you had to be there…
When the observer and the observed exchange places – at what point do we hold ourselves accountable?

Philadelphia-based art-rock duo
Tulipomania present 'You Had to Be There', the first single from their new album 'Dreaming of Sleep', slated for release on November 17 via Sursumcorda Records.

This is Tulipomania's fifth album, featuring cover artwork by
Michael Speed,previously senior designer at Beggars Group London. and involving Executive Producer Howard Thompson, renowned for his contributions as a record industry executive (Elektra, Island, Almo Sounds), having discovered such artists as Adam and the Ants, Billy Bragg, MC5, Mötorhead, PiL, Psychedelic Furs, Robyn Hitchcock, The Sugarcubes and Suicide, and others.

On this album, Tulipomania has immersed themselves fully in electronic means of creation – the exception being a sole accent played on electric guitar.

Alternately categorized as cult synth punks, glam-leaning, post-punk, art-rock and muscular chamber pop, Tulipomania is made up of Tom Murray (lead vocals, synthesizer, electronic percussion) and Cheryl Gelover (synthesizer, background vocals), who first began their collaboration through projects for experimental film and animation classes.  The duo now known as Tulipomania has evolved from those experiences.

As its first single, 'You Had To Be There' establishes the conceptual viewpoint of the album – embracing contradiction invites accountability. Cheryl Gelover says, "The Dada-esque stance channels a hopeful innervating energy. When navigating the morass – trust the teller – or the tale? You had to be there... maybe."

Created frame by frame, the animation includes animated lip sync and vintage found footage in an exploration of varied states of disintegration and recombination, created on thousands of individual sheets of black or white paper.

"There has been an overwhelming sense of dread and mistrust obviously brewing for a long time. In the post-Trump post-pandemic now - if it is or ever will be possible to be post either of those cataclysmic events –  I wonder what the future will ask about it all," says Tom Murray.

"I wonder what the future will not understand and want to clarify about the self-serving lies, liars and grifters, and the foolishness of many who were here but not present in any real sense – unable or unwilling to see what was and is happening as everything rolls up to the very well placed few. I don't know what we can tell the future that can make this recent history any clearer. Maybe it is and has always been – and will always be this way. Maybe, you had to be there."

Described as ‘artistic and inventive’ and ‘gorgeous', Tulipomania's animated music videos have been featured in film festivals worldwide. Numerous such festivals have already showcased this new video as an official selection, including the Leeds International Film Festival (UK), StopTrik (Croatia, Poland), AniFilm (Czech Republic), Insomnia (Russia) and Malatesta (Italy) with the Montreal International Animation Film Festival - Animaze awarding it an Honorable Mention.

The pair also recently created two animated music videos -
'Hush' and 'Shock To The Body' - for Cabaret Voltaire co-founder and frontman Stephen Mallinder in support of his solo album 'Tick, Tick, Tick', released last year on Dais Records.

As of September 20, the single 'You Had to Be There' is available from fine music platforms, including
Spotify, Apple Music and Bandcamp. On November 17, the full 'Dreaming of Sleep' album will be released on CD, vinyl and digitally.. It is available for pre-order via Bandcamp.

CREDITS
Music and lyrics written by Tulipomania
Cheryl Gelover - keyboards and vocals
Tom Murray - bass, drums, keyboards and lead vocals
Produced by Tulipomania and Richard Hartline
Recorded by Tulipomania and Richard Hartline
Mixed and Mastered by Richard Hartline
Howard Thompson - Executive Producer
Film directors / animators - Cheryl Gelover and Tom Murray
Cover artwork was created by Michael Speed


Keep up with Tulipomania

Website | Facebook | Bandcamp | Instagram | Twitter | Soundcloud | Vimeo | YouTube | Spotify | Apple Music | Press contact

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Britain's KARAMELIEN presents 'Living With The Moon', sweet reverie previewing the indiepop duo's debut album

''A true work of beauty and professionalism, taking you to your very own ascension heights" ~ Amplify Music Magazine
 
"Upbeat, a joyous folk-rock affair... bedecked in kaleidoscopic sixties sparkle, a slight splash of psychedelia and a whole tsunami of charm and grace" ~ Big Takeover Magazine

"A hug of soulful indie pop with groove as infectious as its melodic breath and lyrical smile is poetic... seductive captivation" ~ Ringmaster Review


UK indiepop duo
Karamelien presents their new single 'Living With The Moon',the title track from their forthcoming album by the same name.

An upbeat, breezy offering, this is a feel-good guitar-driven anthem that gives the musical finger to the armchair critics. At the same time, it comes to terms with the ongoing struggle with mental health and embraces the lunar flow - the ups and downs and ebbs and flows of life and all its mysteries.

Based in East Grinstead, Karamelien is singer-songwriter
Léanie Kaleido and guitarist Mark Foster - two long-time friends, whose music has forged an even stronger bond between them. The new single is about finding triumph through adversity, but also makes for a great singalong indie pop anthem.
 
"I wrote this song after a year of counselling for depression and anxiety, linked to menopause and not helped by Covid-enforced inactivity and unease. On our final session, my amazing counsellor Jude, who I have kept in touch with, described the acceptance of good and bad days as ‘like living with the moon’.  I told her that would make a great song title and promised her I’d write it – and I did!" says Léanie Kaleido.
 
“So, the lyrics are a thank you to myself for getting the help I needed at the time, a finger to the armchair critics and the toxic people who didn’t help, and a willing surrender to the lunar power over us all. It’s about the feeling of freedom you get when you stop worrying so much about what everyone else thinks and learn to accept your weaknesses and discover your hidden strengths.”

Earlier, Karamelien released the single 'Wait For Me' featuring piano, mixing and production by Chris Mars (A Flock of Seagulls, Damian Wilson) and two tracks produced by RIDE's Mark Gardener at OX4 Sound Studio - 'Lionhearts' and the epic 'Ascension Heights', which features a guitar sample from Léanie's late father Top Topham (original founding guitarist of The Yardbirds). This particular song also features bassist Mo Pleasure (Earth, Wind & Fire, Michael Jackson) and involved Paul Statham (Dido, Simple Minds, Kylie Minogue).

The 'Living With The Moon' single is out now, available on
 Spotify, Apple Music and Bandcamp. The full album will be released on October 27 and is already available for pre-order via Bandcamp.

Keep up with Karamelian
Bandcamp | Twitter | YouTube | Facebook | Instagram | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
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Trans-Atlantic collective Lusitanian Ghosts present epic new album 'Lusitanian Ghosts III'

Magnetic appeal... creating a broader cultural and sonic arsenal, while maintaining a buoyancy that takes the listener on a fantastic ride from start to finish" ~ The Spill Magazine

"Lusitanian Ghosts impressively channel tools of the past to create a beautiful sonic vision. Innovative in their use of traditional instruments to make modern pop-rock, this music is upbeat, quirky, feels familiar and is catchy as hell" ~ Big Takeover Magazine

"Highly melodic and sonically great...  a pertinent, contemporary collection of songs that is full of dignity" ~ Amplify Music Magazine

"Instinctive captivation for their chordophone cast sound, their use of heritage folk violas to weaving fresh and modern adventures... easily sparked the imagination" ~ Ringmaster Review


Trans-Atlantic alternative neo-folk collective
Lusitanian Ghosts present their third long-player 'Lusitanian Ghosts III', released via the European Phonographiclabel. Recorded and mixed at Clouds Hill Studios in Hamburg by Sebastian Muxfeldt (Elbow, Peter Doherty, Teenage Fanclub), this album is being released in both stereo and mono versions.

A Portuguese-Canadian-Swedish chordophone collective founded by
Neil Leyton and Micke Ghost (a.k.a. Mikael Lundin), Lusitanian Ghosts revives lost instruments and presents ancient sounds in the 21st Century. Re-casting these heritage folk violas into rock n roll songs, the European artist collective writes from a socio-political perspective on building a better world, creating songs for the heart and mind, recording on analogue tape and releasing moving music on vinyl.

Together with João Sousa, Abel Beja (from Primitive Reason), ToZé Bexiga (from Raia) and Jan-Eric Olsson, Lusitanian Ghosts plays traditional Portuguese chordophone instruments, ancient regional guitars (Amarantina, Beiroa, Campaniça, Braguesa, Toeira, Terceirense). These instruments, once on the verge of extinction, are the real "Lusitanian Ghosts" (Lusitania being an ancient Celtic tribe in what would become the central territory of Portugal).

'Lusitanian Ghosts' digital order  https://lusitanianghosts.bandcamp.com/album/lusitanian-ghosts-iii
Album 12" vinyl MONO order  
https://bit.ly/44nzgO7
Album 12" vinyl STEREO order  
https://bit.ly/3P77QaR

Lusitanian Ghosts

Lusitanian Ghosts

European Phonographic. Watch the lyrics video for the latest single 'September'

15 September 2023

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Trans-Atlantic collective Lusitanian Ghosts present epic new album 'Lusitanian Ghosts III'

FOR FANS OF:  The Waterboys, Xixa, David Bowie, Bryan Ferry, The Bad Seeds, Hothouse Flowers
FOCUS TRACKS: The Long Train, September, Got Enough, Shameless, Seeds, Vagar, Black Wine White Coffee
FCC clean

FOR SHARING
'Lusitanian Ghosts' digital order  
https://lusitanianghosts.bandcamp.com/album/lusitanian-ghosts-iii
Album 12" vinyl MONO order  
https://bit.ly/44nzgO7
Album 12" vinyl STEREO order  
https://bit.ly/3P77QaR
'September' single  
https://youtu.be/mPGoY42uOwk
Spotify 
https://open.spotify.com/album/3duNQxf2IPP1GQ0Wqykehg
'Got Enough' single 
https://youtu.be/Om6LVpEpJ-8
Bandcamp 
https://lusitanianghosts.bandcamp.com/track/got-enough
Mixing 'Got Enough' 
www.youtube.com/shorts/lBcMxowGphg
'Shameless' 
https://lusitanianghosts.bandcamp.com/track/shameless
'The Long Train' single 
https://youtu.be/ZnaD6igX3Dg
Mixing the 'The Long Train' 
https://youtu.be/jGNahgcqBwc

FOR REVIEW & AIRPLAY
Online press kit 
https://haulix.promo/cvr
Download via Google Drive 
http://bit.ly/40z4D7i

"Magnetic appeal... creating a broader cultural and sonic arsenal, while maintaining a buoyancy that takes the listener on a fantastic ride from start to finish" ~ The Spill Magazine

"Lusitanian Ghosts impressively channel tools of the past to create a beautiful sonic vision. Innovative in their use of traditional instruments to make modern pop-rock, this music is upbeat, quirky, feels familiar and is catchy as hell" ~ Big Takeover Magazine

"Highly melodic and sonically great...  a pertinent, contemporary collection of songs that is full of dignity" ~ Amplify Music Magazine

"Instinctive captivation for their chordophone cast sound, their use of heritage folk violas to weaving fresh and modern adventures... easily sparked the imagination" ~ Ringmaster Review


Trans-Atlantic alternative neo-folk collective
Lusitanian Ghosts present their third long-player 'Lusitanian Ghosts III', released via the European Phonographiclabel. Recorded and mixed at Clouds Hill Studios in Hamburg by Sebastian Muxfeldt (Elbow, Peter Doherty, Teenage Fanclub), this album is being released in both stereo and mono versions.

A Portuguese-Canadian-Swedish chordophone collective founded by
Neil Leyton and Micke Ghost (a.k.a. Mikael Lundin), Lusitanian Ghosts revives lost instruments and presents ancient sounds in the 21st Century. Re-casting these heritage folk violas into rock n roll songs, the European artist collective writes from a socio-political perspective on building a better world, creating songs for the heart and mind, recording on analogue tape and releasing moving music on vinyl.

Together with João Sousa, Abel Beja (from Primitive Reason), ToZé Bexiga (from Raia) and Jan-Eric Olsson, Lusitanian Ghosts plays traditional Portuguese chordophone instruments, ancient regional guitars (Amarantina, Beiroa, Campaniça, Braguesa, Toeira, Terceirense). These instruments, once on the verge of extinction, are the real "Lusitanian Ghosts" (Lusitania being an ancient Celtic tribe in what would become the central territory of Portugal).

"For 'Lusitanian Ghosts III', we wanted to write and record all together, live off the floor, on analogue tape like we used to back in the 20th century. Lyrically, we explored deeper emotional territory than ever before, and sonically we ended up mixing each song twice - in mono and stereo - leading to two different LPs," says Neil Leyton.

"We mixed down from 24-track multitrack analogue to 1/4 inch analogue also, then reeled the machine straight to the mastering suite next door at Clouds Hill, Soundgarden Tonstudio in Hamburg. I know it is a common thing to say, but I'm going to say it is the best record I've ever made."

Earlier, the band previewed
 'The Long Train', 'Shameless''Got Enough' and the latest single 'September', bringing to the fore the Portuguese folk chordophone violas Amarantina, Campaniça and Terceirense, skilfully played by Michael Lundin, ToZé Bexiga and Abel Beja respectively. Lusitanian Ghosts make music with absolutely no guitars - just chordophones, bass and drums. Although a brand new rock n roll alt-folk sub-genre, these songs feel warmly familiar.

As of September 15, the 'Lusitanian Ghosts III' album can be obtained
everywhere digitally, including SpotifyApple Music and Bandcamp. It will also be released on vinyl, with both mono version and stereo version available.

On October 14, the Ghosts will present the new album live at Lisbon's
Teatro Taborda. Folks purchasing this album from FNAC Portugal will also get a complimentary guest-list ticket for this album release show.

CREDITS
Neil Leyton - vocals
Mikael Lundin aka Micke Ghost - vocals and Viola Amarantina
João Sousa - drums and Adufe
Abel Beja - viola Terceira and backing vocals
António “ToZé” Bexiga - Viola Campaniça
Janne Olsson - bass and Viola Beirão
Published by Lusitanian Music Publishing
All songs written by Neil Leyton and Mikael Lundin except "Pure Evil" by Bexiga/Leyton/Lundin
Produced by Neil Leyton and Mikael Lundin
Recorded at Clouds Hill Studios, Hamburg
Engineered & mixed by Sebastian Muxfeldt
Assisted by Schulie Pieper
Mastered by Chris von Rautenkranz at SoundGarden Hamburg
Cover painting ”Hamnen” (The Harbour) by Yngve Forsberg, painted in 1989.
Photography by Katja Ruge.
Design by João Morais aka O Gajo

Keep up with Lusitanian Ghosts
Website | Bandcamp | Facebook | Twitter | Instagram | YouTube | Spotify | Apple Music | Booking contact | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Soundcloud | Instagram | LinkedIn | Email

Beartooth Collaborate With Country/Rock Superstar HARDY on New Track "The Better Me"

NEW ALBUM THE SURFACE OUT OCTOBER 13 VIA RED BULL RECORDS

Gold-selling, billion-streaming rock band BEARTOOTH — Caleb Shomo, vocals; Zach Huston, guitars; Will Deely, guitars; Oshie Bichar, bass; and Connor Denis, drums — will release their fifth album The Surface on October 13 via Red Bull Records. Pre-order it
here.

Like its predecessors, The Surface is an intensely personal and powerful journey for Shomo, who has never shied away from sharing his demons in his music and with his fans. However, the frontman has turned a corner with a more optimistic outlook and demonstrates exceptional growth as both an artist and a human being through the songs that comprise the album.

Today, the band has shared the new single "The Better Me (Feat. HARDY)." Listen
here.

This epic collaboration is the product of the mutual admiration for each other's work and their friendship. HARDY even spoke about looking to Shomo for advice on how to perfect his own sing/scream vocal delivery in a chat with
Billboard.

"There are times where we feel like there is a way better version of ourselves somewhere deep inside that we need to find and bring back to the forefront of our lives," shares Shomo. "This song is about going through the things that brought me to that conclusion. Simply put, I made a choice to be a better me."

Additionally, all previously released tracks — "Riptide," "Sunshine!," "Might Love Myself," and "Doubt Me" have tallied nearly 54 million total streams thus far.

Both Beartooth and HARDY are currently in the Top 15 on Active Rock radio charts in the US and rising! In fact, Beartooth's "Might Love Myself" moved up two slots this week and is currently at #15 on the Active Rock radio chart, which is the fastest clip at which they've cracked the top 15 in their career.

ABOUT BEARTOOTH:
Caleb Shomo first turned the pain of his struggle with mental health and self-image into music in 2013. Beartooth began as a living document, a diary, a journal of repressed rage and depression. Alone in his basement studio, screaming and singing, playing all the instruments, and self-producing a batch of furious but melodic songs filled with reflection and confession, the Ohio native stared into the abyss, initially with no intention of returning to the heavy music world that burned him as a teen. A decade later, the different pieces of his body of work connect in title, sound, and spirit. As the frontman hits 30, Beartooth’s fifth album, he Surface, completes this era in 2023. Even more importantly, it kicks off a new chapter filled with surprising optimism and just as honest. Depression is a sick, disgusting, aggressive disease below the surface. Shomo stands ready to bask in the light.
 
Like Nine Inch Nails, Beartooth remains a one-person band in the studio. On the heels of the introductory Sick EP (2013), Disgusting (2014) produced the band's first Gold single, "In Between." Aggressive (2016) and Disease (2018) expanded on the desperation and pain, each a step closer to a balance between the blood and tears of classic recordings and the shimmer of modernity.  
 
Rolling Stone heralded Beartooth as one of 10 Artists You Need to Know. The rabid response to Shomo's music demonstrated how many people related to his struggle for self-acceptance. Below (2021) topped the Rock and Alternative charts and several Best Rock/Metal Albums of the Year lists. As of 2023, the Beartooth catalog boasts more than 1 billion streams across all platforms. 
 
Beartooth began as both bomb and balm, an outright refusal to suffer in silence, weaponizing radio-ready bombast, delivering raw emotion mixed with noise-rock chaos. Other bands play the "devastating riffs and catchy hooks" game, but this music is the difference between life and death, and now, a sort of life after death while still here. The band Forbes sees "inching towards a tipping point of becoming the latest arena headliner" is now one step closer. 

ABOUT HARDY:
Big Loud Records' heavy-hitter HARDY has never been just one thing. Uncaging a new chapter, HARDY soared to new heights with the release of themockingbird & THE CROW, his critically acclaimed half-country, half-rock sophomore album, adding to over 3 billion career streams. The dichotomous, 17-track effort debuted top five all genre on the Billboard 200 Albums chart and kinged seven additional Billboard charts in its first week, including Top Country Albums, Top Rock Albums, and Top Album Sales. The pride of Philadelphia, Miss. has earned his reputation as "a promising purveyor of keeping the spirit of classic heavy Southern rock alive" (American Songwriter), "capable of writing the big hits for radio, obstinate enough to do something completely unexpected, and savvy enough to find the throughline for it all" (Rolling Stone). A 5X ACM award winner, HARDY is a three-time CMA Triple Play award recipient, the 2022 BMI Country Songwriter of the Year, and a three-time AIMP Songwriter of the Year. HARDY has written 13 #1 singles including his own double platinum #1 single "ONE BEER" feat. Lauren Alaina + Devin Dawson, chart-topping, platinum Dierks Bentley + BRELAND collaboration, "Beers On Me," and game-changing platinum duet “wait in the truck” feat. Lainey Wilson. He's previously toured with Thomas Rhett, Morgan Wallen, Florida Georgia Line, Jason Aldean, Cole Swindell, and more, and flies nationwide on his sold-out, 19-date headline arena tour, the mockingbird & THE CROW Tour, this fall.

London psychedelic funk-rock artist Sabatta presents 'Get Your Shit Together', heralding new album

"An unholy amalgamation of sounds... Refusing to obey genre lines, they eventually realised that their misfit sound was what defined them – and they didn't want to fit in anyway" ~ Clash Magazine

"Charismatic and wild, frontman Yinka Oyewole leads the band through psychedelia, grunge punk and funk with some great shredding and even falsetto heights.... Sabatta drives a blaze of fiery, magnetic vocals, funked-out bass and thrashing guitar" ~ The Spill Magazine

"Exhibiting a style that can be closely linked to punk legends Bad Brains and Dead Kennedys... uncompromising modern punk rock music" ~ Fortitude Magazine

"In-your-face, unapologetic and diverse. Sabatta have created a sound that is uniquely their own... the black sheep of rock and roll. An outsider to the alternative"~ Get In Her Ears


London-based alternative rock artist
Sabatta presents his rip-roaring new single 'Get Your Shit Together' (along with a radio edit) as a wake up call to the masses. A funkadelic groove-laden track that is as addictive as it is memorable, this song heralds his forthcoming album 'How To Get Even’.  

Revolving around guitarist and songwriter Yinka Oyewole, who was raised in Essex and is of Nigerian lineage, Sabatta crafts a raw and individual sound with spiky guitar and an inimitable voice, like a mix of Hendrix, QOTSA and early Red Hot Chili Peppers strained through the sieve of South London. And it's no wonder with musical influences ranging from Curtis Mayfield, Prince, Tupac and Hendrix to Bad Brains, Thin Lizzy, Parliament / Funkadelic and Black Sabbath.

We’ve all heard the expression of being ‘in two minds’ or having a devil on one shoulder and an angel on the other - but what happens when the opposing sides of our conscience come to life? The video for Sabatta’s new single
‘Get Your Shit Together’ brings those ideas to life in stark and spectacular fashion!

At the song’s opening, we are confronted with furiously fuzzy guitars that return to growl at us in each chorus. This contrasts with super wah-wah riffing in the verse, all leading up to sweet solo shredding in the musical breakdown. All this matched with Yinka’s lyrical vulnerability about struggling with the hedonistic lifestyle musicians often feel compelled to indulge in. Here we have a concoction as hard to resist as the demons Yinka is waging war with through his words, emphasizing that we’ve all got to get our shit together at some point - there's no better time than the present.

Yinka Oyewole says "this is the most cohesive and free Sabatta album I’ve produced. It’s also the most raw and unfiltered. I love storytelling, I love guitar playing, I love grooves. And I love being my own person, even if that's seen as rebellious or contrary, on the new album I’m just being me."

Produced and mixed by Yinka Oyewole for Blackfriars Entertainment, this album was recorded by Alex Franklinos at
Shrunken Heads Studio (King Krule, Ghostpoet, Songdog, Domino Records) and mastered at London's EC Mastering (Sony, Universal, BBC),

Yinka Oyewole began making noise with their debut album 
'Middle Of the Night', released in 2015. With their sound, being compared to Hendrix and QOTSA, but  with an edge like Bad Brains and The Clash, the album’s lead single 'Politician'garnered national play on BBC 6 Music, setting the band off touring nationally.

Some may call this "grunge soul" or "funk-punk rock", but it is also very much "alternative rock" in the sense that it rests on raw-as-f**k riffs with thought-police proof lyrics that provide a view alternative to the conventional wisdom. Here we have super dirty riffs, grooves that would make both Black Sabbath and George Clinton proud, lyrics with the vitriol and vulnerability of Tupac, and the wit of Elvis Costello.

As of September 15, ‘Get Your Shit Together’ will be available across digital platforms, including
Spotify, Apple Music and Bandcamp. Sabatta will be releasing the full album 'How To Get Even’ on Friday, November 17.

CREDITS
Music and lyrics by Yinka Oyewole
Recorded by Alex Franklinos at Shrunken Heads Studio, London
Produced and mixed by Yinka Oyewole for Blackfriars Entertainment
Mastered by Aaron McIntosh at EC Mastering, London
Guitar, Bass, Vocals - Yinka Oyewole
Drums - Adam Frederick Jacques
Video created by Keif Gwinn for Sketch in Studios, co-directed by Yinka Oyewole
Cover artwork by Tilt Designs
Artist photography by Marisa Knight

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PAIN Share New Video "Revolution"

Today, PAIN release their brand new song "Revolution."

Stream "Revolution" 
here.

Watch the video for "Revolution"
Below.

Peter Tägtgren comments, "We wrote this song together, me and my son Sebastian. He wrote all the music and I did the lyrics. And it turned out great. We are very proud of this song. The lyrics are about false information on social media and news, and for a normal person, it's hard to understand what is right and what is wrong."

PAIN also confirmed their set for Wacken Open Air next year.

PAIN, known for high-energy live performances, are thrilled to announce their "I AM" European/UK Tour. With 17 countries and 33 cities on the itinerary, this tour promises an unforgettable experience for fans throughout Europe and UK. Prepare to be captivated by the raw energy and intensity of PAIN's performances as they take the stage. Don't miss out on this epic metal adventure!

PHOTO CREDIT: Agata Nigrovskaya

ABOUT PAIN:
PAIN is an industrial metal project created by Peter Tägtgren, a Swedish musician, multi-instrumentalist, and producer. If you want to hear this story from him, it would be short and straight to the point: "PAIN was just me f*cking around in the studio, and it grew into becoming a band."

Started as a one-man project with all the vocals, instruments parts, and production made by one person… Well, it still is, but not only. It also became a prominent touring group that today consists of, apart from Peter, his son Sebastian Tägtgren (drums), Jonathan Olsson (bass), and Sebastian Svalland (guitar).

Nevertheless, a long time ago, in 1997, when the debut album of the project was released, there was nobody but Peter. By this time, he already had four successful albums with HYPOCRISY — and also had some ideas that wouldn't go with the band's style.

That's how the story of PAIN began — the story where eight albums are known and loved for such smashing hits as "End Of The Line," "Shut Your Mouth," "Same Old Song," "Follow Me," "Coming Home," and many more. This story also contains strong lyrics, rich arrangements, solid melodies, unflagging energy, killing live shows, and big plans for the future.

Brantley Gilbert Releases Acoustic "Bury Me Upside Down (Live In Studio)"

Multi-Platinum country rocker Brantley Gilbert revisits a fan-favorite track from So Help Me God (Deluxe Edition) with an acoustic reimagining of “Bury Me Upside Down (Live In Studio)” via The Valory Music Co. Listen to the song HERE and watch the video Below.
 
“We’ve been having a blast playing this song out on the road,” shares Gilbert. “It raised its hand early on as a crowd favorite, so we wanted to give BG Nation this song in its purest form, hearing the guitars and vocals stripped-back, just like it sounded the day it was written with my buddies Brock Berryhill, Brian Davis, Brandon Day, Chase McGill, Josh and Taylor Phillips and Michael Ray.”
 
Released earlier this year, So Help Me God (Deluxe Edition) features 15 tracks all cowritten by Gilbert. Still considering himself a songwriter first and foremost, the project showcases his vast medley of influences alongside a wide cast of collaborators, with the Georgia native sharing, “We’ve always been a little outside of the box when it comes to writing and recording. We always try to serve the song as it takes shape rather than shaping the song to serve us. If it’s asking for a harder edge, let’s do that. If it feels a little more introspective, let’s lean into that. This album intersects across a lot of different genres, and we’re proud to say that it’s something that happened naturally.”
 
Kicked off earlier this summer, Gilbert is currently on the Get Rollin’ Tour with Nickelback, bringing their explosive talents together for 50+ shows through October, with
Cleveland.com praising their two “worlds seamlessly melded…with the audience equally familiar with and embracing both Nickelback and the raucous sounds of Music City opener Brantley Gilbert,” who “succeeded in turning Blossom Music Center on this night into the Dirty South.” Tickets are available at BrantleyGilbert.com.

Upcoming Get Rollin’ Tour Dates
Sept. 16           Oak Mountain Amphitheatre                          Pelham, AL
Sept. 17           BankPlus Amphitheater at Snowden Grove   Southaven, MS
Sept. 19           T-Mobile Center                                             Kansas City, MO
Sept. 21           BOK Center                                                    Tulsa, OK
Sept. 22*         Bloomburg Fair Association                           Bloomsburg, PA
Sept. 23           Moody Center                                                 Austin, TX
Sept. 25           Verizon Arena                                                 North Little Rock, AR
Sept. 27           Thompson-Boling Arena                                Knoxville, TN
Sept. 29           The Pavilion At Star Lake                              Burgettstown, PA
Sept. 30           Riverbend Music Center                                 Cincinnati, OH
Oct. 3              Pinnacle Bank Arena                                      Lincoln, NE
Oct. 5              Fargodome                                                      Fargo, ND
Oct. 7*            Way out West Country Fest                            El Paso, TX
Oct. 12*          The Sound                                                       Del Mar, CA
 
*Not part of the Get Rollin’ Tour with Nickelback

About Brantley Gilbert
With back-to-back Platinum albums and a grassroots following millions strong, Brantley Gilbert’s music has been shared, covered and adopted as the soundtrack to Saturday night and Sunday morning by audiences around the world. The Georgia native who started as the defiant life-of-the-party can still go ‘til sunrise, but he’s also emerged as something far greater: the leader of a massive tribe of hard-working, fun-loving believers for whom electric guitar-shredding, rapping, and twang can go hand-in-hand-in-hand. They call themselves the BG Nation, and when the BG Nation watches Gilbert on a stage, they don’t just see a star. They see themselves. Seven No. 1 hits punctuate his career: RIAA 7x Platinum-certified “Bottoms Up,” 2x Platinum “Country Must Be Country Wide,” 2x Platinum “You Don’t Know Her Like I Do,” 2x Platinum “One Hell of An Amen,” Platinum-certified collaboration with Lindsay Ell “What Happens In A Small Town,” and two chart-toppers as a songwriter with CMA Song of the Year nominee “Dirt Road Anthem” and “My Kinda Party.” Gilbert’s landmark record Just As I Am clinched the 2014 American Music Award for Favorite Country Album. Earning praise from the New York Times, NPR, American Songwriter, and more, Gilbert has mined a rich vein of conflict between the party and the pew on all of his albums. Instead of toiling in limbo, unable to enjoy good times for fear of Judgment Day, Gilbert fully lives––rowdy friend, man of faith, devoted husband, smitten new father––just as he is. So Help Me God (Deluxe Edition) is available now via The Valory Music Co., featuring 15 tracks all cowritten by Gilbert and collaborations with Blake Shelton and Vince Gill, Jason Aldean, HARDY and Toby Keith and Jelly Roll. Gilbert is currently on the road with Nickelback on the Get Rollin’ Tour with 50+ dates across North America. For additional information, visit 
BrantleyGilbert.com  or follow him on Instagram, TikTok and Twitter @BrantleyGilbert and Facebook.com/BrantleyGilbertMusic.

AWARD-WINNING SONGWRITER AND SONGLAND WINNER MADELINE MERLO DELIVERS HER LATEST EMOTIVE TRACK “TIM + FAITH” VIA BBR MUSIC GROUP/WHEELHOUSE RECORDS

Award-winning songwriter and Songland winner Madeline Merlochannels her love of 90s country into her latest single “Tim + Faith” via BBR Music Group/Wheelhouse Records. Infused with the warm feeling of unwavering love, the melodious ode and moving tribute pays homage to the era of country music that launched superstars Tim McGraw and Faith Hill and solidified the devoted marriage between country music’s power couple.

 

“‘Tim + Faith’ is a song that pulls from my love of 90s Country music, and combines it with the feeling of everlasting love,” said Merlo. “I got married last year and one thing my husband and I say to each other all the time is ‘It’s always you & me.’ That line, along with getting to be a small part of Cole Swindell’s ‘Heads Carolina’ last year, inspired me to pay homage to one of my favorites, ‘It’s Your Love,’ with this song.”

 

"Tim + Faith" promises to be a captivating addition to Madeline Merlo's repertoire, known for her authentic storytelling and powerful vocals. With this tribute, she not only honors the music legends but also showcases her own talents as a rising star in the country music scene. "Tim + Faith" speaks to the enduring love story of Tim McGraw and Faith Hill, two icons who have not only shaped the country music landscape but also set an example of navigating a relationship in the spotlight. Madeline Merlo's soulful vocals combined with poignant lyrics beautifully encapsulate the essence of their legendary and aspirational bond and support for each other.


Having “already proven her songwriting chops” (Billboard), Merlo has “long made a career by telling big emotional stories in the span of 3 minute or so songs” (American Songwriter). Similar to her critically acclaimed label-debut EP, Slide, that scored her praise from Billboard, E! News, PopCulture, Music Rowand more, Merlo continues to build her niche as a songwriter and artist, as she brings to life powerful female stories, from budding romances, to growing up and to the lessons learned in-between. “…Ready to make her name and talent known in the American country music landscape” (Country Swag), the “rising country star’s” (People) newest project “Tim + Faith” is out now.

About Madeline Merlo:

Award-winning songwriter and “rising Country star” (Country Now) Madeline Merlo “has long made a career by telling big emotional stories in the span of 3 minute or so songs” (American Songwriter). After scoring impressive Canadian radio play and winning the Canadian Country Music Association’s Rising Star Award (and being nominated twice for Female Artist of the Year), the “breakout talent” (American Songwriter) released a super-charged new song “Same Car” along with her spirited four-track EP Slidevia BBR Music Group/Wheelhouse Records. Produced by Zach Crowell (Dierks Bentley, Sam Hunt, Dustin Lynch) and backed by iridescent beats, Merlo’s collection of songs — all co-written by Merlo — deliver powerful female stories, from budding romances, to growing up, to the lessons learned in between. Winner of the season 2 premiere of the NBC songwriting reality TV series Songland, the Canadian songstress’ captivating track “Champagne Night,” recorded and released by Lady A, went on to be a three-week No. 1 song on US Country radio and earned her the 2021 Canadian Country Music Association Award for Songwriter of the Year.  This latest from Merlo is a captivating addition to her repertoire showcasing her authentic storytelling and powerful vocals on “Tim + Faith.”  Infused with the warm feeling of everlasting love, the melodious ode and moving tribute pays homage to 90s Country music and the devoted marriage between country music power couple, Tim McGraw and Faith Hill.

KEEP UP WITH MADELINE MERLO

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Alex Hall’s 10-Track “Side Effects Of The Heart” Out Now

What you need to know about 29-year-old Monument Records artist Alex Hall is that the guitar-slinger from Georgia leads with his heart. That lens shades every track on his first full-album, Side Effects Of The Heart, available now, with Hall eloquently capturing a journey through the primary plight of anyone’s lifetime: love, and the rewards and consequences of following your heart. Listen to the album HERE.
 
“I hope that I’m honest enough in them that people can hear themselves in these songs,” Hall shares. “I remember when certain albums came out that I could put on while cooking dinner at the end of a long day and they set a mood, and that’s what we aimed to do with this 10-track album.” 
 
With so many of his influences swirling around throughout the writing and recording – from the guitar playing of Vince Gill to the vocals of Lee Ann Womack and Willie Nelson – Hall, “an astute guitarist with an expansive vocal range,” praises 
Billboard“explores a variety of sounds on his first album. The project conveys an optimistic worldview, but it’s clearly filtered through real-world heartache and familiar disappointment.”
 
Released as the first taste of the project, album opener and title track “Side Effects Of The Heart” finds Hall bringing “a fresh kind of honesty to the studio as he draws from the sounds of both modern and classic country to pen this rollercoaster of emotions,” shares 
Country NowThe title track gives listeners insight into what to expect on the project, along with an understanding of all that Hall has been through in his life:
 
        First comes love and then comes the lonely
        Then you’re climbing up the walls till the phone rings
        You’re in Heaven, then you’re dying
        Then you’re just so happy that you can’t stop crying
        There’s no cure for it, and that’s the hardest part
        We’re all a mess living with the side effects of the heart
 
The album also boasts a collaboration with 10x GRAMMY nominee Brandy Clark with “Women And Horses,” while “Her To Here” is a retrospective look at a series of events that ended a relationship. “I Know A Guy” finds Hall wittily suggesting he’s the guy to meet the laundry list of qualities a girl wants, as “Radio Waves” feeds the nostalgia of hearing a song that makes you revisit your younger years.
 
Rounding out the album with “Dad Now,” Hall poignantly and honestly tells the story of becoming a father, accompanied by wife Bri on violin. 
 
Following the release of his critically acclaimed Six Strings EP, Hall and his fiancée eloped to California and shortly after found out they were expecting. With a European tour on the horizon and his debut album nearly complete, a new baby wasn’t necessarily in the plans: “Went from planning for a honeymoon to planning for a kid / Nine months fly by, first breath, first cry…Life makes you grow up in a moment…there’s so much more I gotta figure out / I’ll do my best ‘cause I guess I’m Dad now.
 
Driven by an intense work ethic that was instilled on the North Georgia horse farm he grew up on, Hall began playing the guitar at 14, and by 16, he had bartered a deal with his guidance counselor allowing him 60 absences in return for maintaining a passing GPA so he could begin pursuing his career. Intent on honing his skills, Hall formed a band and played over 125-dates-a-year across the southeast while completing his high school curriculum.
 
After graduating, Hall made the official move to Nashville and the journey to truly crafting his artistry began. After five years, in 2019, the stars finally aligned. Within a matter of two weeks, Hall signed his record deal with Monument Records and began writing with some of his most admired songwriters. 
 
Hall hits the road this fall, supporting Tanya Tucker on tour stops in New York, N.Y., Knoxville, Tenn. and more. He’ll also perform at the Annapolis Songwriters Festival on Sept. 16 and 17, and at AmericanaFest in Nashville on Sept. 22. 
 
For more information, visit 
MusicByAlexHall.com or follow @MusicByAlexHall on all social media platforms.

About Alex Hall:
Alex Hall launches the next chapter of his career with his brand-new record, Side Effects Of The Heart. A project that tells the stories of everything the singer, songwriter, and guitar player’s heart has been through these last few years.
 
Growing up on a small horse farm on the outskirts of Gainesville, GA, Hall’s earliest memory is hearing Elvis Presley on his grandfather’s radio. It’s a sound he never forgot, and one that prompted him to pick up a guitar for the first time when he was only four years old. He started learning the instrument seriously in middle school, and quickly graduated from choir solos to bar gigs. By the time he was in high school, Hall was playing over 150 shows a year. 
 
After graduation, Hall moved to Nashville, TN and signed with Monument Records. He spent the last few years opening for Tanya Tucker and hitting the road with Brandy Clark, Little Big Town, and Tenille Townes. His debut EP on Monument Records, Six Strings, was a guitar focused project featuring the playing and vocal stylings of Hall’s heroes and friends – Vince Gill, Brad Paisley, John Osborne (of Brothers Osborne), Brad Tursi (of Old Dominion), Tenille Townes, and Kassi Ashton. Six Strings gained national acclaim from the likes of Vintage Guitar Magazine, Rolling Stone and Cowboys & Indians, and helped Hall to be named to the Fender Next 2021 program. 
 
Now, ready to bare it all, Hall is releasing his first full project as an artist with Side Effects Of The Heart. Out now, the album has a song for everyone…and a few for the dreamers out there like Alex Hall himself.

Ovtlier Releases New Single "Dead Man Running" + Official Music Video

Ovtlier's latest release, "Dead Man Running," has made its debut on all major music platforms via a distribution partnership with ONErpm. Adding to the excitement, the music video for the song, directed by Tom Flynn, known for his work with acclaimed artists such as All That Remains, Body Count, and 10 Years, is bound to leave a lasting impression.

Tom Flynn's impressive portfolio indicates his expertise in creating visually stunning and impactful music videos. "Dead Man Running" is both chilling and suspenseful, revolving around a vigilante seeking vengeance for his wife's murder, exacting a gruesome toll on the perpetrator, one limb at a time.

This dark and riveting story line perfectly complements the song's theme and promises an intense and visually captivating viewing experience for fans of Ovtlier and music enthusiasts alike. To fully appreciate the artistry behind the song, be sure to stream "Dead Man Running" on your preferred platform and immerse yourself in Tom Flynn's masterful direction in the accompanying music video.

WATCH Ovtlier -"Dead Man Running" Official Music Video:

“Dead Man Running" is a song about confronting haters, standing your ground, and the inevitable karma that comes around. Ovtlier's "Dead Man Running" is a powerful self-assertion anthem. The lyrics communicate a message of resilience and defiance against haters, jealousy, and rumors. It speaks to the artist's unyielding spirit, not losing sleep over fame and its resulting enemies. The song portrays the protagonist as someone who is immune to the negativity and is ready to retaliate, not initiating conflict but always finishing it. The recurring image of "Dead Man Running" symbolizes the futile attempts of those who try to bring him down.

Honing in on a modern sound while consistently setting themselves apart from the mainstream, Ovtlier (pronounced "Outlier") prides themselves in creating exemplary rock and metal music backed by a rapidly growing fanbase. Ovtlier has earned more than 3 million views of fan-curated content on YouTube and over 3 million streams on Spotify, while capturing the hearts of tens of thousands of followers online. In addition to their loyal fan base, the band has caught attention through achieving features in major media outlets such as Revolver, Loudwire, Alternative Press, Decibel and ABC News.

Continually hitting the Billboard charts, Ovtlier has been able to spread their sound nationwide through constant spins on FM radio and months of regular rotation on SiriusXM Octane- launching them into the forefront of their genre. Ovtlier has had three singles featured on SiriusXM Octane; "Who We Are", "Buried Me Alive" and "Blame The Dead" have made fans out of satellite radio listeners across the country and emphasizes the band's ability to stay creative while maintaining an ever-growing fanbase.

Ovtlier brought 2022 to a close with "Living Dead"-bringing the band their biggest success yet. Ovtlier earned a steady average of 1.5 million streams monthly on three streaming platforms (Amazon Music, Spotify and Pandora) alone and saw "Living Dead" become the most played song on SiriusXM Octane. With "Living Dead" behind them, Ovtlier is gearing up to outdo their own personal best with their upcoming release "Heartless". The track was written by the band's lead vocalist and founder, Joey Arena, accompanied by Evan McKeever and Julian Comeau (Loveless). "Heartless" owes its production to Justin DeBlieck (Ice Nine Kills, Motionless In White) and Evan McKeever while joining its predecessor as the second single mixed by Chris Dawson (SAUL, Any Given Sin) and mastered by Mike Kalajian (Bad Omens, The Plot In You). With Ovtlier's dedication and a star-studded team of support behind them, the success of "Heartless" as the band's most-accomplished single is inevitable.

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