Introducing Sleep Theory! Band Signs to Epitaph + Shares "Numb" Video — WATCH😴

EPITAPH RECORDS is pleased to welcome rock band Sleep Theory — vocalist Cullen Moore, guitarist Daniel Pruitt bassist Paolo Vergara, and drummer Ben Pruitt — to its global roster. 

"We knew the moment we first met with Epitaph that it was the place we were meant to be," the band exclaims. "Their vision for the band perfectly aligned with ours, and their enthusiasm was second to none. We are beyond excited to be part of the Epitaph family, and call this place our new home."

To celebrate the new partnership, the band has shared the video for the recent single "
Numb." Watch it Below

"Working with [director] Orie [McGinness] on this video was such an incredible experience," the band says. "His vision for 'Numb' was phenomenal, and he truly brought this song to life in ways that we could have only dreamed of."

Sleep Theory's trajectory thus far has been lightning quick and impressive, to say the least.

The numbers don't lie. "Numb" follows the band's debut single "Another Way," which arrived in January 2023 and amassed 500k views on TikTok within 36 hours of release. Together, the two tracks have generated over 13 million streams and each shot to No. 1 on SiriusXM's Octane Chart, sitting in the top slot for three weeks a piece. The reaction was intense, and as such, the band was also selected for SiriusXM/Pandora's Artist Accelerator Program and will be a part of their Next Wave Concert Series in September. This all happened in the span of six months.

 But what seemed like an overnight success (or an "industry plant" playing to the algorithm, as some trolls theorized) has actually been years in the making.

Since retiring from the U..S Army several years ago, Moore has dedicated his life to carving his own path in the music industry. Officially starting Sleep Theory in 2019, the current incarnation of his musical journey began as a studio project to fuse his love of hard rock, funk, and R&B.

Now a four-piece band, which came to be on the back of a chance meeting via Facebook Marketplace, Sleep Theory have achieved a pair of No. 1 singles, played their first run of shows to massive crowds, and signed to Epitaph Records. Combining metalcore-like breakdowns with bluesy grooves and a pop sensibility made for modern radio, "Numb" also cracked the Top 40 on the Active Rock chart.

Looking ahead, Sleep Theory will support both Shinedown and Set It on separate tours this summer, with showcases how versatile their sound is and how it appeals to all genres of fans. More touring is planned through 2024, as is more new music! 

SLEEP THEORY ON TOUR:
WITH SHINEDOWN:

7/14 — Fargo, ND — Red River Valley Fair  
7/16 —Madison, WI — The Sylvee  
7/17 — Green Bay, WI — Epic Event Center  
7/21 — Gary, IN — Hard Rock Live  
7/23 — Niagra Falls, ON — Fallsview Casino  

WITH SET IT OFF:  
8/25 — Oklahoma City, OK — Diamond Ballroom 
8/26 — Dallas, TX — The Echo Lounge & Music Hall 
8/28 — Tucson, AZ — Rialto Theatre 
8/30 — San Diego, CA — House Of Blues 

Miranda Lambert & Leon Bridges Join Forces in "If You Were Mine" Music Video, Out Now

Emotional Duet Named Among Rolling Stone’s “Best Country Songs of 2023 So Far

Lambert Returns to Las Vegas Tomorrow, July 7 for Additional Velvet Rodeo Residency Shows

As fellow GRAMMY Award winners Miranda Lambert and Leon Bridges continue to earn acclaim for “If You Were Mine”, the Texas natives have teamed up once again to film an official music video for the longing ballad of unrequited love. Watch Below.
 
Directed by Reid Long, the video features Lambert and Bridges as performers at a local dive bar. Clad in a custom set by Denimcratic and adorned in Established Jewelry, Lambert trades lines with Bridges as they observe an eye-catching couple, watching the patrons flow between affection and confrontation, eventually finding a happy ending having seemingly been inspired by the on-stage performance. 
 
Drawing inspiration from Pablo Ferro’s work in the 1960s-era Thomas Crown Affair, the split screen visuals offer varying perspectives of Lambert, Bridges and the patrons throughout the song. Eagle-eyed fans will also recognize the dive bar setting from Lambert’s Academy of Country Music Award-winning “Drunk (And I Don’t Wanna Go Home)” Video of the Year, as she takes on a decidedly different persona for “If You Were Mine.”
 
Released June 6 on Lambert’s Vanner Records with distribution by IMPERIAL, the Jon Randall-produced song penned by Lambert together with Ashley Monroe and Jesse Frasure specifically with Bridges in mind has already earned critical acclaim. Rolling Stone named it among the “Best Country Songs of 2023 So Far,” declaring, “there’s not likely to be a more sensual collab in 2023… Two Texas titans – one with a steel-bodied twang, the other all billowy soul – crackle together like a warm fire in the hearth,” while UPROXX proclaims the song “contains a mystical veil of Texas magic… as they blend together elements of country and R&B.” 
 
Lambert and Bridges also teamed up for a live debut of the song at this year’s CMA Fest, with the Nissan Stadium performance set to air as part of the primetime concert special airing Wednesday, July 19 at 8/7c on ABC. 
 
The release is the first glimpse at new music from Lambert, who has recently teased “some fun collaborations up my sleeve,” since her critically acclaimed and GRAMMY-nominated album, 
Palomino, celebrated by Variety for cementing her place as “the best ambassador country has to the world.” Lambert also recently added New York Times best-selling author to her impressive list of accolades with debut book “Y’all Eat Yet?” available everywhere now and she will return to Las Vegas for the next round of her Velvet Rodeo residency shows tomorrow, July 7.
 
Bridges is currently in the studio working on his fourth LP for Columbia Records while touring throughout the summer and fall of 2023.
 
For more information, including upcoming projects and performances, please visit
MirandaLambert.com and LeonBridges.com.

About Miranda Lambert
Already a decorated songwriter, Academy of Country Music Entertainer of the Year, passionate shelter animal advocate, restaurateur and business woman, superstar Miranda Lambert adds New York Times best-selling author to her impressive list of titles with the arrival of her debut book, “
Y’all Eat Yet?,” available everywhere now.
 
Palomino, her eighth solo album, arrived in 2022 as the largest female Country album debut of the year and earned a GRAMMY nomination for Best Country Album. Named among the best of the year by the New York Times, TIME, Rolling Stone, Billboard, Stereogum, People and many more, it marks the latest installment in a storied career that has spanned seven previous No. 1 solo albums, 11 No. 1 hit radio singles, more than 70 prestigious awards and countless sales certifications, earning the most-awarded artist in ACM history praise from NPR as “the most riveting country star of her generation.”
 
With her headlining 
Velvet Rodeo Las Vegas residency extended through late 2023 at Planet Hollywood Resort & Casino’s Bakkt Theater, the top streaming female Country artist of 2022 was also named to the TIME100 list honoring the world’s most influential people, with Pitchfork declaring that she “manages the hat-trick of both timelessness and timely activism.” Whether challenging conventional gender notions in her recent Top 10 hit “If I Was A Cowboy” or using her voice to write and record the inclusive “Y’All Means All” anthem for Netflix’s “Queer Eye,” the Texas native continues to expand the tent of the Country genre via her music, including with her latest release, the cross-genre collaboration “If You Were Mine” with Leon Bridges.

Idyllwind, her clothing and cowboy boot collection, is an exclusive brand sold at all Boot Barn stores nationwide, while her home goods collection, Wanda June Home, is available exclusively at Walmart. She is also the first female artist to have her own venue on Broadway in Nashville with her Casa Rosa Tex-Mex cantina. An avid animal lover, Lambert’s MuttNation pet product line is available exclusively at Tractor Supply Co. with proceeds benefiting her MuttNation Foundation, a 501c3 nonprofit that has raised over $8 million since its inception in 2009. The Foundation’s mission is to promote the adoption of rescue pets, support animal shelters across the country, advance spay & neuter and assist with the transport of animals during times of natural disaster.
 
MirandaLambert.com | Facebook | Twitter | Instagram | TikTok | YouTube

About Leon Bridges
Gold-Diggers Sound is the third solo album from Leon Bridges in a career trajectory that saw him going from working as a dishwasher and busking on the streets of his beloved Fort Worth, Texas to being signed to a major label, garnering multiple and ultimately winning a GRAMMY Award and performing at the White House for Former President Barack Obama within a two-year span. Following the release of his GRAMMY Award-winning sophomore album, Good Thing, Leon issued a steady stream of music including tracks with John Mayer, Kacey Musgraves, Kiana Ledé, Lucky Daye and Noah Cyrus as well as Texas Sun, a collaboration project with fellow Texans Khruangbin. Other career highlights include opening for Harry Styles on an arena tour, his breakout track “River” being certified Platinum, portraying Gil Scott Heron in Damien Chazelle’s First Man, appearing in a global GAP holiday campaign, garnering a CMT Award for his Crossroads collaboration with Luke Combs, performing at the Tom Ford NYFW show and MoMA’s Film Benefit honoring Tom Hanks, selling out Hollywood Bowl and back-to-back nights at Radio City Music Hall and partnering with eyewear brand VADA. Leon also released a track on Space Jam: A New Legacy Official Soundtrack. In 2022 he was nominated for two GRAMMYs for Best Traditional R&B Performance and Best R&B Album and also announced a global partnership with Wrangler. Leon just wrapped a trek around the globe for his Boundless Tour.

NYC's ROMAN ANGELOS and esteemed producer SCOTT SOLTER present film for 'The Underwater Supermarket (Thierry de Mer Mix)' The full 'Supermarkets, Underwater' LP is out now

“Insanely cheerful and groovy lounge muzak. It’s fantastic... an album of splendid vibes” ~ Electronic Sound

"Far-from-ordinary... a delightful nostalgia-inducing instrumental exploration of movement and sonic fluidity. Highly memorable and grounding" ~ The Spill Magazine

"Pretty Glorious" ~ Stewart Maconie, BBC 6 Music

"Fluid and meditative, yet so catchy - taking elevator music to new lounge-loving heights, puts the thrill in chill" ~ Amplify Music Magazine

"A fun escapist collection of music" ~ The Electricity Club

"Guaranteed to stick in your brain" ~ Shindig!


Brooklyn lounge-chill artist
Roman Angelos and electronic producer Scott Solter(St. Vincent, Maps & Atlases, Spoon, Superchunk, The Mountain Goats) offer the latest from their collaborative album 'Supermarkets, Underwater'.

Following the video for the lead track
 'Swimming Through The Aisles (Teeming Mix)', acclaimed filmmaker Mark Solter has created a music film for 'The Underwater Supermarket (Thierry de Mer Mix)', the album's closing track.

Recently released via London's
Happy Robots Records, this record sees Solter fully reimagine Roman Angelos' 2022 album 'Music For Underwater Supermarkets', a sonic dreamscape that transposes the mundane act of grocery shopping to an aquatic utopian landscaping. Solter flips the script, transforming the bouncy and upbeat material of the original album into a darker and more ambient landscape. Weaving in noise and shifting electronic percussion, this is an entirely new record.

Roman Angelos is the nom de plume of Brooklyn-based producer, composer and multi-instrumentalist
Rich Bennett, developed as a vehicle to explore his obsession with library recordings of the 60's and 70s, muzak and exotica. Exotic, dreamy, and wistful, this is the sound of a jazz sextet as channeled through synths and drum machines, creating a spacey feel.

For 'The Underwater Supermarket (Thierry de Mer Mix)' - a deeply submersive and eerie work - Scott Solter's twin brother
Mark Solter creates a dark and alluring visual experience, adding to the full ambience of the work. A cinematographer and director working in narrative, commercial and branded content, Mark Solter is a multiple film festival award winner, who has collaborated on a number of autonomous films worldwide and is currently developing several scripted properties.

"I viewed the idea of being underwater, a supermarket under water, as a flexible metaphor. Ideas beyond the threat level and adversity of an environment not normal to our function, but of events constructed or  self-inflicted, if you will, that result from the burden choice," explains filmmaker Mark Solter.
 
Roman Angelos adds, "It was a great experience working with Mark Solter on this video. He understood the nature of this piece immediately and it took little to no explanation as to how it should be translated to video. Mark’s work adds in another dimension to this music; the things that submerge us in life, not just the bigger questions, but our everyday struggles as well.”

Produced by
Rich Bennett at Acme Hall Studios in Brooklyn, the 'Music For Underwater Supermarkets' album was recorded live to tape, together in one room, by Colin Marston (Jarboe, Sailors With Wax Wings).

Rich Bennett has also been involved in a diverse group of musical projects, including outsider / 60s proto-punk group The Shaggs, dream pop outfit Mahogany, Brazilian funk group Limoncello, and Stereolab's Morgane Lhote (aka Hologram Teen).

'Supermarkets, Underwater' is out now, available everywhere digitally, including
Spotify, Apple Music and Bandcamp. With distribution by Cargo Records, the CD is available exclusively via Bandcamp. 

ALBUM CREDITS
All remixes by Scott Solter
Written by Rich Bennett and Scott Solter
Produced by Rich Bennett at Acme Hall Studios, Brooklyn
Original recordings by Colin Marston
Released by Happy Robots Records (Catalogue No. Bot39a)
Distribution by Cargo Records
Cover artwork by Martin J Langthorne


Keep up with Roman Angelos
Website | Instagram | Twitter | Spotify | Apple Music | Press contact

Keep up with Happy Robots Records
Website | Bandcamp | Facebook | Twitter | Instagram | Soundcloud | YouTube | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter | Instagram | Soundcloud | LinkedIn | Email

Horrendous Head Out on Tour of Southwest + CA

HORRENDOUS have given us two early glimpses of 'Ontological Mysterium'. The title track touches down with riffs that churn like an Apache helicopter. while second single "Cult of Shaad'oah" keeps climbing on the backs of duel leads, crashing cymbals and bloody battle cries. 

Now it's time for Philly's filthiest and finest progressive death metal band to saddle up their chariots and hit the road. This month, they're touring the Southwest before making their way over into California, where they'll lock horns with PENURY. 

The Southwestern Mysterium tour starts tonight in Houston, TX at Black Magic Social Club. On Saturday, July 8, the band are playing a free show in San Antonio at Faust Tavern.

Tour Dates
07/06: Houston, TX @ Black Magic
[Tickets]
07/07: Austin, TX @ The Lost Well
[Tickets]
07/08: San Antonio, TX @ Faust Tavern (free admission)
07/09: Dallas, TX @ Double Wide
[Tickets]
07/11: El Paso, TX @ Rockhouse Bar & Grill
[Tickets]
07/13: Tempe, AZ @ Metalheads Clubhouse
[Tickets]
07/14: Los Angeles, CA @ Knucklehead*
[Tickets]
07/15: San Diego, CA @ Tower Bar*
[Tickets]
07/16: Long Beach, CA @ Supply and Demand*
[Tickets]
07/17: Atascadero, CA @ Dark Nectar*
07/18: Sacramento, CA @ The Colony*
[Tickets]
07/19: Santa Rosa, CA @ Arlene Francis Center*
[Tickets]
07/20: Oakland, CA @ Thee Stork Club*
[Tickets]

* with special guests
PENURY.   

'Ontological Mysterium' will be released on August 18, 2023 by Season of Mist. Pre-save
the album HEREPre-order it HERE

“Surprises always come up during writing — spontaneous ideas pull you into new territory and enable the realization of novel possibilities that previously were inaccessible.”

Such are the words from Horrendous drummer Jamie Knox when discussing the creation of the band’s fifth full-length, the highly anticipated 'Ontological Mysterium'. Knox’s quote also encapsulates Horrendous’s approach to extreme metal. Since 2009, the band has capably tapped into the inaccessible by providing a fresh, unconventional take on death metal that harnesses technical brilliance with elaborate, mind-melding melodies, frothy, spewing vocals and labyrinthine song structures. This combination has made each Horrendous long play a clinic in the gratifyingly unorthodox. The trend continues on Ontological Mysterium.

The follow-up to 2018’s Idol was recorded, mixed and mastered at Subterranean Watchtower Studios in Virginia, which doubles as the homestead of guitarist/vocalist Damian Herring. While the band (completed by guitarist/vocalist Matt Knox and bassist Alex Kulick) finished much of the songwriting for Ontological Mysterium in 2019, its recording was delayed by the 2020 global pandemic and various life events. Horrendous eventually finished recording in early 2022 and mastered the album before the start of 2023.

The album upholds Horrendous’s position as one of the underground’s best outside-of-the-box extreme metal bands. Having long abandoned concern whether people would appreciate their “uniqueness,” Horrendous has embraced its role as a band willing to veer far from death metal conventions, intentionally stretching and breaking norms. To wit, the band primarily views its music as filtered through a death metal lens. This may be Horrendous’s defining trait: By not accepting parameters, nothing is off-limits.
 
Lineup: 
Damian Herring - Guitar, Vocals
Matt Knox - Guitar, Vocals
Alex Kulick - Bass
Jamie Knox - Drums

Producer / Sound Engineer / Mixing / Mastering: Damian Herring at Subterranean Watchtower Studio, Arlington, VA, USA

Style: Progressive death metal

Cover art: Brian Smith

Pre-save: : 
https://orcd.co/ontologicalmysteriumpresave

Pre-sales:
https://redirect.season-of-mist.com/HorrendousShop  

For more on HORRENDOUS,
https://www.facebook.com/HorrendousDeathMetal
https://www.instagram.com/horrendous_official/
https://horrendoussom.bandcamp.com/
https://music.apple.com/us/artist/horrendous/496063134
https://open.spotify.com/artist/1Na6P4MqOassrZtvT9Z12s

For more on Season of Mist, visit our official
WEBSITE, FACEBOOK, INSTAGRAM, YOUTUBE, and TWITTER

WORMHOLE Supporting Analepsy on North American Tour

Wormhole are emerging from Baltimore's underground with a new album. 'Almost Human' takes the band's homemade tech slam to the next level. Riffs screech with more eerie, alien dissonance, while the rhythm section barrels and flips like Samus in her morph ball. They've also added new vocalist Julian Kersey, who grunts like a cyber demon on lead single "System Erase".      

This summer, Wormhole are treating North America to an early taste of 'Almost Human' while supporting Analepsy on a 20+ date tour.

'Almost Human' comes out September 22. Pre-save
HERE and pre-order HERE

Tour dates
07/07: Philadelphia, PA @ Milkboy
[TICKETS]
07/08: Baltimore, MD @ Metro
[TICKETS]
07/09: Charlotte, NC @ Milestone
[TICKETS]
07/10: Atlanta, GA @ Masquerade (Purgatory)
[TICKETS]
07/11: Orlando, FL @ Conduit
[TICKETS]
07/12: Tampa, FL @ Brass Mug
[TICKETS]
07/13: Fort Walton, FL @ Downtown Music Hall
[TICKETS]
07/14: Corpus Christi, TX @ Boozer's
[TICKETS]
07/15: Austin, TX @ Come and Take It Live
[TICKETS]
07/17: Tucson, AZ @ Edge Bar
[TICKETS]
07/18: Los Angeles, CA @ 1720
[TICKETS]
07/20: San Diego, CA @ Brick By Brick
[TICKETS]
07/21: Cupertino, CA @ X-Bar
[TICKETS]
07/22: Sacramento, CA @ Old Ironsides
[TICKETS]
07/23: Reno, NV @ The Cellar
[TICKETS]
07/24: Salt Lake City, UT @ Metro Music Hall
[TICKETS]
07/25: Denver, CO @ Trailside Saloon
[TICKETS]
07/26: Lincoln, NE @ 1867
[TICKETS]
07/28: Chicago, IL @ Chicago Domination
[TICKETS]
07/29: Detroit, MI @ Sanctuary
[TICKETS]
07/30: Rochester, NY @ Montage Music Hall
[TICKETS]
07/31: Toronto, ON @ Hard Luck
[TICKETS]
08/01: Montreal, QC @ Piranha Bar
[TICKETS]
08/02: Quebec City, QC @ L'anti
[TICKETS]
08/03: Manchester, NH @ Jewel
[TICKETS]
08/04: Boston, MA @ Ralph's Diner
[TICKETS]
08/05: Brooklyn, NY @ The Meadows
[TICKETS]

When you invent your own genre, you can make the rules, and in space, no one can correct your math. If Wormhole’s excellent The Weakest Among Us was 50% tech death and 50% slamming brutal death metal, their Season of Mist debut is a veritable leveling up of the Baltimore-based act’s trademark “tech slam.” It’s the kind of record that can scramble your brain and give your neck a nice chiropractic workout; Almost Human feels like the future of extreme metal, dropped down from either outer space or delivered by Nintendo cartridge (more on that later).  

So, what the hell exactly is “tech slam?” Well, the gleefully amorphous and unholy term comes from an ethos that guitarists Sanil “Noni” Kumar and Sanjay Kumar discovered and perfected over (probably) thousands of hours of Metroid and Doom games, as well as, you know, actual musical mastery. Almost Human, out September 22, 2023, is more powerful, more agile, and more confounding for pie-chart-enthusiasts than anything else that came before it. The sequel is always bigger, darker, and in this case, covered in much more pixelated space horror viscera. My Wormholio calculator puts their sound at 91% tech and 89% slam, with an increase in awesome stats somewhere in the 420% range. There’s also a clear emphasis on amplifying their dissonant death influence, the kind of eerie melodies that feel like being stomped on by Samus.
 
There’s a clear balance to everything on Almost Human: the songs are more adventurous while also being instantly memorable. No two songs sound alike, and that diversity in songcraft (level design?) sees Wormhole pushing and pulling along their tech and slam dials to figure out what’s best for the song; spoiler, it’s always riffs. What also becomes evident after repeated listens is how carefully the Kumar brothers understand a sense of place, humor, and a consistent vibe. This is still the same band that’s known for throwing on Saturday morning cartoons, and Almost Human continues to hammer home that Wormhole the musical entity is deadly serious, but the guys that make tech slam are not stoic creatures. There’s a warmth and sense of joy when chatting with them that only gets brighter when you ask their favorite Metroid game (that’s a question for a live show). So, what is this vibe they are chasing? Sanjay shares:
 
“The tech slam imagery is based on Metroid lore, Doom lore, and we haven't written a song about it yet, but Alien as well. Those three things are brutal sci-fi universes, so we're trying to embody that sound. The slam riffs, you can connect the brutal killing of stuff with the brutal chunky riffs; that's been a match that's existed since the nineties. So that's the slam part, and then the tech part was harder to fit that vibe, so we kind of do it differently. I lean into very dissonance-vibe stuff, like Artificial Brain and Dysrhythmia. I think disso-death and heavy, they aren't usually paired together, even though they should be.” 

 
“And then as far as chasing the vibe,” Noni adds, “I kind of go about it two ways. With the Metroid soundtrack or universe, that vibe, there's some dark and gloomy atmosphere, but there's a lot of pretty imagery as well. We wanted to find a way to match that very pretty, kind of out-there sound cohesively in songs with a very aggressive and guttural approach.”
 
Like another famous sci-fi horror masterpiece of a different media, Wormhole’s shifting, amorphous style is perfectly suited to blend in and amaze just about any fan of heavy music. That’s The Thing: they can pull off whatever they want, but it’s always boiled down to that tech slam vibe. Do you like tech, melody, breakdowns, atmosphere, or dissonance? Tech slam can fill whatever void you seek.
 
If previous albums were early generation, lower-resolution visions of tech slam, Almost Human is the 4K reboot, where you can see every pixel of terror and awe. Wormhole are absolutely ready for their closeup. Prepare your worms and your holes, tech slam is here to stay.  

Line-up 

Julian Kersey: vocals
Sanil Kumar: guitar
Sanjay Kumar: guitar
Bass: Basil Chiasson
Drums: Matt Tillett
 

Recording studio: Guitars and vocals were recorded at Wormhole HQ. Drums were recorded at AJ Viana Productions.

Producer & engineering: 'Almost Human' was produced and engineered by Wormhole and AJ Viana. Bass parts were produced and engineered by Alex Weber.

Mixing: AJ Viana at AJ Viana Productions

Mastering: Alan Douches

Artwork: Adam Burke at Nightjar Illustration

Photos: Eric DeCarlo

Biography: Nick Senior

Pre-order: 
https://shop.season-of-mist.com/list/wormhole-almost-human

Pre-save:
https://orcd.co/almosthumanpresave

Format
CD Digipack
Digital Download
Vinyl (Black)
Vinyl (Orange)
Vinyl (Green)
Vinyl (Grey)
 
Links
https://wormholemetal.bandcamp.com/
https://www.facebook.com/wormholemetal/
https://www.instagram.com/wormholetechslam/?hl=en
https://open.spotify.com/artist/2foAanYCza7knczRDB8DFt?si=hxz_IV21RzuSeLcibU2tkQ&nd=1

For more on Season of Mist, visit our official
WEBSITE, FACEBOOK, INSTAGRAM, YOUTUBE, and TWITTER

BLACKBRAID Streams New Album in Full via Black Metal Promotion

Indigenous Black Metal project Blackbraid is now streaming highly-anticipated sophomore full-length, 'Blackbraid II,' via Black Metal Promotion! Fans can hear the record in its entirety ahead of tomorrow's release below.

Pre-sales for 'Blackbraid II' are now live via Bandcamp or The Official Blackbraid MerchStore.! The album will be available on CD as a 6-panel digi-sleeve, cassette, and two vinyl variants - a marbled emerald green "Moss" edition and golden/earth marbled "Spirit" edition.

The first two singles, "Moss Covered Bones on the Altar of the Moon" and "The Spirit Returns," are now available on all streaming services!

'Blackbraid II' follows up the solo black metal project's critically-acclaimed debut, which was named among one of the best metal albums if 2022 by Rolling Stone (#14), Decibel Magazine (#4), Metal Hammer UK (#7), and more!

Blackbraid is a solo indigenous black metal project from from the depths of the Adirondack wilderness creating music as raw and powerful as the mountains from whence it came… 

Upon conquering North America on the recent Decibel Magazine Tour in which the band performed to many sold out audiences, Blackbraid has just returned from its European debut, performing to tens of thousands of fans at Hellfest Open Air and Copenhell! Next, Blackbraidwill headline the Kaupangr stage at this year's edition of the mighty Midgardsblot Festival in the Viking Gravemounds at Norway's iconic Borre Park from August 16-19.

Blackbraid Live Dates (EU):

08/16-18: Midgard (NO) @ Midgardsblot [TICKETS]

ICYMI: BLACKBRAID recently unveiled a brand new music video for the single "The Spirit Returns," which can be seen at THIS LOCATION.

Creator of Blackbraid: Sgah’gahsowáh

'Blackbraid II' Album Credits:

- Composed & performed by Sgah'gahsowáh

- Drums, recording, mixing & mastering by Neil Schneider

- Visual development & graphic design by Wolf Mountain Productions 

- Guitar solo in “Twilight Hymn of Ancient Blood" performed by Randy Moore

- “A Fine Day to Die" originally composed by Quorthon (Bathory)

Album Art: Adrian Baxter

Photographer: Wolf Mountain Productions

Follow // Listen:

Bandcamp

Spotify

Apple Music

YouTube

Instagram

Shop/Pre-order:

Official Merch Store (USA)

Blackbraid is an independent artist and is not contracted to or owned by any music label. 

CARNATION's New Single is Truly Terrifying

CARNATION have been thinking an awful lot about death. That's not surprising. After all, they are a death metal band who just crushed the stage at Graspop. But their upcoming third album 'Cursed Mortality' casts these Belgians in a deeper and even darker light. 

Whereas the title track showed a new side of Carnation, reflecting on the slow passage of time with gloomy synths and clean vocals, their new single goes back to the band's hard and fast roots. Riffs thrash and squeal in between blistering drum fills, while Simon Duson roars about a death factory fueled by the fires of war.

"Maruta" comes from a dark moment in human history. The song gets its name from Manshu Detachment 731, a covert research and development unit under the Imperial Japanese Army that performed lethal experiments during World War II. They referred to their test subjects as Maruta, which means "logs". 

"Those who desire brutality, look no further", says Duson. "Maruta is here to crush your skull with trashy hooks, groovy beats and punishing death metal riffs!"  

"Maruta" is the second single off 'Cursed Mortality', which comes out on November 3rd via Season of Mist. Pre-save the album
HERE. Pre-orders will start later this year. 

Line-up:

Simon Duson:             Vocals
Jonathan Verstrepen:  Lead Guitar
Bert Vervoort:             Rhythm Guitar
Yarne Heylen:             Bass Guitar
Vincent Verstrepen:     Drums


Recording studio: Project Zero Studio

Producer / Mixing engineer: Yarne Heylen

Mastering studio and engineer: Joel Wanasek

Links:
https://www.carnationband.com/         
https://www.facebook.com/CarnationBE/          
https://www.instagram.com/carnationbandofficial/
https://www.youtube.com/c/CarnationOfficialBE
https://open.spotify.com/artist/7s6SmrbyQvp26jN5EbnU9u

Pre-save (single):
https://fanlink.to/Maruta

Pre-save (album):
https://orcd.co/cursedmortalitypresave

Available Formats:
CD digipak
Digital
12” vinyl in various colours
Merchandise

VENOM INC. - Announce "Better To Reign In Hell" Tour Part 2!

Extreme Metal pioneers VENOM INC are currently on the final dates of their 'Better To Reign In Hell' tour. Tonight, the band will perform at Metro Music Hall in Salt Lake City followed by a stop in Cheyanne, WY on July 8th before concluding in Denver on July 9th. This trek of the tour includes ACID WITCH, ENFORCED, and WORMWITCH.

Today, the band announces the second leg of the tour with SATAN, labelmates RINGWORM, and 72 LEGIONS. The 'Better To Reign In Hell Part II' tour will start on September 27 in New York and will make stops in Chicago, Atlanta, and Clifton before ending in Boston on October 15th. 

VENOM INC will be touring in support of their latest offering, There’s Only Black. Their sophomore album is a no-holds-barred assault on bigoted hypocrisy and conformism in today's society, as well as a demonstration of musical superiority delivered by some of the genre's true originators. Watch the video for 'There's Only Black' below.


VENOM INC comments, "I’m so very pleased to tell you we are back… this time in the East!!! The West of the USA has been magnificent and incredible fans with the best, craziest shows ever and so now it’s time for the East to show them how it’s done!! See you all soon AVE!!!”

RINGWORM
 will take their sonic fury on tour this fall in support of their ninth full-length album, Seeing Through Fire, out August 18th from Nuclear Blast Records. Watch the video for the band’s absolutely devastating first single 'No Solace, No Quarter, No Mercy', here: 
https://youtu.be/x8Yw-dvaEuc

Tickets for the second leg of the tour will go on sale Friday, July 7th at 10 AM Eastern at 
www.venom-inc.co.uk/events/.

Confirmed dates for VENOM INC's 'Better To Reign In Hell Part II' tour with SATAN, RINGWORM, and 72 LEGIONS are:
09.27. US        New York, NY - Meadows
09.28. US        Clevand, OH - No Class
09.29. US        Milwaukee, WI - X-Ray Arcade
09.30. US        Chicago, IL - Cobra
10.01. US        Iowa City, IA - Wildwood
10.03. US        St. Louis, MO - Red Flag
10.04. US        Covington, KY - Madison Live
10.05. US        Spartanburg, SC - Groundzero
10.06. US        Atlanta, GA - The Masquerade
10.07. US        Tampa, FL - Brass Mug
10.10. US        Raleigh, NC - Pour House
10.11. US        Leesburg, VA - Tally Ho Theater
10.12. US        Wilmington, DE - The Queen
10.13. US        Clifton, NJ - Dingbatz
10.14. US        Portland, ME - Genos Rock Club
10.15. US        Boston, MA - Brighton Music Hall

ABOUT VENOM INC.
 
As 2015 swept in, it brought with it a solid revival of traditional metal bands. A chance encounter and request brought an offer to Tony Dolan (Vocalist and Bassist) to reform the lineup of VENOM that had recorded the classic Prime Evil album and solid follow-up albums that kept the band very much alive during the onslaught of Grunge and Brit-pop that destroyed all but the most hardy in the early 1990's metal had suffered at the hands of the new trend but VENOM (with this lineup) refused to alter or die and so continued the legacy that had begun when Jeff Dunn (aka Mantas - Guitar)  formed the original band in 1979 and brought the world extreme metal in the form of the Welcome To Hell and Black Metalalbums.

The albums penned mostly by Dunn, exposed the world to a new way of music taken to the extremes, and with a pinch of darkness and the controversial odor they raised their heads from the grave as if they had always been lying in wait and brought chaos to a neatly formed music industry.

Topped off with the voice of Clive 'Jesus Christ' Archer and later by Cronos and The Demolition Man the band was and still is a force of nature. While others attempt to take credit for all things VENOM the truth is not a hidden mystery but rather written on tablets like the ten commandments, but unlike religion, you do not need faith to follow VENOM or their ideas and music but simply ears to hear. 

'Somewhere In Time, We Were Born ..' they sing and it has become their mantra. Today's scenes are full of examples taken from this classic band. Images and themes and even a whole genre taking its name from the seminal Black Metal album. The characters were and still are larger than life to fans but it is the music that carries the flame. The true inspiration for all is the dark heavy vibes tinged with a Black and Roll touch. 

VENOM INC. began again in 2015 by accident almost and the name was not a choice but given by fans, agents, promoters, etc. On reflection, it is just a matter and fact that this band is true and real and carries the true spirit which began in 1979 and will end their days being that spirit that was lost somewhere over the years. Perhaps it is inevitable for a band to change or grow away from its original intent but every single Legionnaire from the VENOM's Legions knows..their own moment that made them a lifelong fan and so it is to this end that VENOM INC will continue to grow and perform the classics from the legacy with heart and soul and true meaning and will write with this same intent in mind so that new fans too may realize that a real band playing with all they have to give still exists and are still very important in this growing age of digital separation from reality.

E.S.P. (Engineered Society Project) Lands 2023 European Fall Tour & Releases Epic New Music Video!

Mindsnap Music & Popkillazz Presents announces that Mindsnap/Combatrecording artist, Engineered Society Project (ESP), will embark on a 4 country, 10 show debut European Tour. All shows will be performed with Lord Bishop Rocks!

“We are excited to have ESP go to Europe and bring their special brand of metal to all the loyal music fans over seas. We’re especially thankful to also have LORD BISHOP ROCKS performing & joining ESP on all shows on this tour as well,” says Christian F. Lawrence, CEO Mindsnap Music.

The tour will begin in Dielsdorf, Switzerland September 29th and will include shows in Germany, Poland and the Netherlands. Additional shows may be added.

ESP has also just released a stellar new music video for their single “I Stand For Peace”. The single is off of their newly released EP MyTV available everywhere music is streamed and downloaded. Grab the new EP MyTV at https://orcd.co/esp_my-tv

WATCH ESP "I Stand For Peace" here:

Former Gargantua Soul singer and Woodstock ‘99 veteran, Kris Keyes, secures frontman position and takes over all vocal duties for Tim “Ripper” Owens joining the classic style metal band E.S.P. (Engineered Society Project).

In addition, E.S.P. signed a worldwide deal with the quickly moving indie label Mindsnap Music/Combat Records. Mindsnap Music is owned and operated by Christian F. Lawrence (better known as “Opus”) and is distributed exclusively by Von Artists, Ltd. / The Orchard. Mindsnap Music has put out the likes of Joey Concepcion (solo), Dead By Wednesday, Bomber Alley (members of Dee Snider’s solo band), Howland Hyatt (Metal Church drummer Stet Howland), Joetown, S.O.S. & more!

Check out what, Todd LaTorre, vocalist of Queensryche, has to say about them…

https://youtu.be/c8KKablWebk

E.S.P. takes the old school approach, but spins it with a modern twist without sacrificing integrity or respect for the style. E.S.P. consists of seasoned professionals that have extensive touring and industry experience. The band has lead singer Kris Keyes, formerly with Gargantua Soul, appeared at Woodstock 99. Kris's former band was managed by the Rage Against the Machine team. Jo Jo Brown, the lead guitarist, brings a unique style of Neo Classical Metal coupled with an unmistakable touch of soul that connects with his audience. Timothy Moss, the bass guitarist, is well known in industry circles. Sean Salinas drives the beat on drums and was with the Cirque Soleil KA and Zumanity resident shows in Las Vegas. Together with their original music, this act brings an electric night of music that captures the attention of their audience and provides great entertainment value.


For More Information Please Visit:

Official Website

Facebook

Instagram

To Kill Achilles Share "The Cave" Video — WATCH

Alternative rock band To Kill Achilles will drop their new album, Recovery, on August 11 via Arising Empire. Recovery will be available as CD and limited colored vinyl, together with special merch options at the band and Arising Empire Shop — visit now and pre-order here.

Today, the band has released their new track "The Cave."

Watch the video below

Consisting of 11 tracks, the sound of Recovery is delivered through sincere lyrics depicting real-life experience with the same ferocity we've come to expect. The music is a mixture of aggression, sadness, hope, and beauty, with soaring choruses and storytelling that promotes the journey towards positivity.

"This record is the antithesis of the last, for far too long we've told the story of mental degradation without hope," the band shares. "Becoming completely drained repeating the same lines of how it hurts to be here. Recovery deals with courage, control, acceptance, and ultimately, the end goal that anyone in this circumstance seeks… the other side. This record is the journey of getting better, taking control of your life and the experiences around you."

To Kill Achilles have extensively toured across the UK, the majority of Europe, and Russia with bands such as We Came As Romans, Counterparts, While She Sleeps, I Killed The Prom Queen, Betraying The Martyrs, and many more.

TO KILL ACHILLES ARE:
Mark Tindal — Vocals
Shaun Lawrence — Guitar
Matthew Tippett — Bass
Kieran Smith — Drums

CARNIFEX - ANNOUNCE NEW ALBUM, NECROMANTEUM + RELEASE MUSIC VIDEO FOR TITLE TRACK!

Nourished by nightmares and the throbbing pulse of pragmatic terror, CARNIFEX have returned with their ninth full-length studio album, Necromanteum, out October 6th via Nuclear Blast Records. After existing as a band for over 18 years, CARNIFEX continue to experiment with fresh song arrangements, and adding a unique sense of atmosphere to their inherently deathcore foundation.

Decades ago, wealthy intellectuals began installing psychomanteum in their homes; a secret room completely filled with mirrors, or a single mirror, and in complete darkness, in order to speak to the dead in other dimensions, and gain their knowledge. It was often used as a healing tool to help dissolve grief, or considered a form of prophecy. Necromanteumpresents the concept: what if you could use that kind of room to speak with death, itself? What secrets of the world could you uncover from a direct conversation with the grim reaper? Not a monster, but a fellow intellect.

Today, the band releases the title track ‘Necromanteum’ which broaches on these existential topics. Watch the music video directed by Jim Louvau and Tony Aguilera.

CARNIFEX's Scott Ian Lewis comments, "Necromanteum is a truly special album that all of us in the band already love. Spend some time in conversation with the other side of life, enter the Necromanteum…"

Stream the new single 'Necromanteum', here: 
https://carnifex.bfan.link/necromanteum-single

Watch the music video for 'Necromanteum' below.

The recording process took place over the course of several weeks with producer Jason Suecof in Florida, and saw the return of live drums since COVID-19 restrictions made doing so on Graveside Confessions impossible. Mastered by Mark Lewis in Nashville, TN, the album was also co-produced by vocalist Scott Ian Lewis and drummer Shawn Cameron. The cover artwork glows with an emerald and lavender fog; a ghostly energy erupting from the depths of a cemetery. Designed by renowned comic book artist E.M. Gist, this gateway represents the questions we ask about what lies on the other side of reality. 

Pre-order/pre-save Necromanteum here: 
https://carnifex.bfan.link/necromanteum

Necromanteum will be available digitally and in the following formats:

  • CD Jewel

  • vinyl

    • Neon Green w/ Purple Splatter

Saint Agnes Share "This Is Not The End" Live Video — WATCH

NEW ALBUM BLOODSUCKERS OUT JULY 21 VIA SPINEFARM

ALBUM FEATURES MIMI BARKS AND SEAN BEAVAN (NINE INCH NAILS)

"Sounds like the future of rock music" — Alyx Holcombe, BBC Radio 1

Saint Agnes have released an emotional live video for their poignant new single "This Is Not The End," a tribute to Kitty A. Austen's grief for her late mother. The track is taken from the band's upcoming album Bloodsuckers, out July 21 via Spinefarm. Stream the single and pre-order Bloodsuckers 
here.

Check out the video for "This Is Not The End" 
below.

"I really wanted to write a song directly about my grief to have on the album, but it was just too difficult for the longest time," says Austen. "I was so raw and broken that I struggled to put myself in the place I needed to be in to get it done. But I did get there. The song was written and recorded as the very last thing on the album at the eleventh hour. It's a tribute to my mother and the depth of my love for her. Then for the video we recorded a live piano version of the song at Rockfield Studios, it was a very vulnerable but special moment for us as a band."

Saint Agnes recently announced a UK headline tour, which follows their sold-out headline show at The Black Heart in Camden, a European tour with Monster Magnet, a show supporting Employed To Serve, and an appearance at 2000trees. Find all dates and tickets
here.

ABOUT SAINT AGNES:
Hailing from the UK, Saint Agnes are all about honest lyrics, intense vocal performances, plus rage-fueled music intended to give a voice to those closer to the fringe than the center. As much gang as band, Saint Agnes seek to empower those who've been battered and bruised yet refuse to lie down, and it's a thread that runs deep within Bloodsuckers — SA's first album for Spinefarm and the follow-up to 2019's Welcome To Silvertown, issued on the band's own label.
 
In addition to … Silvertown, Saint Agnes have released a number of singles, videos, and EPs, embarked on headline tours in both the UK and Europe, and appeared at a host of festivals, including Download, 2000trees, Isle of Wight, and Kendal Calling.

Saint Agnes are also making big waves in the gaming world, with the release of 
Dead Island 2 last month. The game, which features the Saint Agnes song "And They All Fall Down" has sold over two million copies.

One thing's for sure, it's got nothing to do with rule-books or playing it safe...

From the
title track onwards, Bloodsuckers is a genre-jumping body of work, taking in elements of metal, punk, industrial, and grunge, without being bound by any specific style; the 11 tracks here come straight from the source, largely self-produced and mixed (NIN collaborator Sean Bevan lends his mixing and production skills to "Follow You"), and this self-contained approach provides an extra emotional weight throughout, with doom trap provocateur and Kerrang! cover artist Mimi Barks further fuelling the chaos on the short, sharp shock that is "Body Bag."

Created in the months following the unexpected and untimely death of Kitty's mother, Bloodsuckers explores a number of themes, including mental illness, pent-up rage, undying love and, of course, grief; from the trash-metal howl into the night that is "Bloodsuckers" right through to broken ballad, "This Is Not The End," a poignant reflection of Kitty’s still-raw emotions, this is a call to outsiders everywhere...

Concludes Kitty, "Creating this album gave me a reason to get to my feet at a time when I really wasn't sure if I could. I've tried to put everything I've been feeling into it, all the pain, the rage, the grief, even the unexpected moments of beauty and belief. I hope it makes you feel less alone. I hope it makes you feel bigger, badder, and stronger. We might be damaged but that doesn't mean we're worthless. This is a record for the defeated, the crushed. We might be broken but that doesn't mean we're not whole. Bloodsuckers forever, Saint Agnes forever."

SAINT AGNES ARE:
Kitty A. Austen — Vocals, Guitar, Bass
Jon James Tufnell — Guitar, Vox, Bass
Andrew Head — Drums
Ryan Brown — Bass

CLOAK Graces Cover of New Noise Magazine

ORDER ISSUE 67 HERE

STREAM // DOWNLOAD // SHOP CLOAK HERE

Blackened heavy metal masters Cloak are now proud to reveal that they have landed the coverof New Noise Magazine in support of their critically-acclaimed new album, Black Flame Eternal, which is out now! Issue 67 is out now and can be ordered as either a singe edition or bundle with an exclusive Cloak flag HERE.

"We are thrilled to share that Cloak has made it on our first magazine cover, and it will be for New Noise Magazine," exclaims Cloak frontman Scott Taysom. "The mark of our new record 'Black Flame Eternal' seems to be growing strong and will continue to spread far and wide with the extensive tour dates lined up this summer and fall. Thank you New Noise, and see you all on the road!"

Black Flame Eternal follows up 2019's 'The Burning Dawn,' which was named one of the Best Albums of the year by Metal Insider (#6), A&P Reacts (#8), Treble Zine (#11), and others.

'Black Flame Eternal' was released on May 26, 2023 and can be streamed, downloaded, and ordered HERE.

In addition, Cloak will be headlining Puerto Rico and Mexico this summer. Upon the run's conclusion, the band will be embarking on an extensive North American tour in support of Uada starting on August 30 in Denver, CO. The full itinerary can be found below and tickets can be found HERE.

Puerto Rico:

8/5: San Juan @ La Respuesta

Mexico:

8/9: Tijuana @ Black Box

8/10: Uruapan @ Porter British Pub

8/11: Morelia - Cactux

8/12: Leon @ Cadena del Rock

8/13: Mexico City @ La Mezcalli

USA & Canada (w/ Uada + Ghost Bath):

8/30: Denver, CO @ Roxy Theater

8/31: Salt Lake City, UT @ Urban Lounge

9/1: Boise, ID @ Shredder

9/2: Portland, OR @ Crystal Ballroom

9/3: Vancouver, BC @ Rickshaw

9/5: Calgary, AB @ Dickens

9/6: Edmonton, AB @ Starlite Room

9/7: Saskatoon, SK @ Coors Event Center

9/8: Winnipeg, MB @ The Good Will

9/9: Minneapolis, MN @ Studio B at Skyway Theatre

9/10: Milwaukee, WI @ X-Ray

9/11: Columbus, OH @ Ace of Cups

9/12: Pittsburgh, PA @ Preserving Underground

9/13: Toronto, ON @ Lee's Palace

9/14: Ottawa, ON @ Brass Monkey

9/15: Quebec City, QC @ La Source De La Martiniere

9/16: Montreal, QC @ Petit Campus

9/17: Brooklyn, NY @ Meadows

9/18: Philadelphia, PA @ Milkboy

9/19: Baltimore, MD @ Metro Gallery

9/20: Raleigh, NC @ The Pour House

9/21: Atlanta, GA @ Masquerade

9/22: New Orleans, LA @ Gasa Gasa

9/23: Houston, TX @ Secret Room

9/25: Austin, TX @ Come and Take It Live

9/26: El Paso, TX @ Rockhouse

9/27: Albuquerque, NM @ El Rey

9/28: Phoenix, AZ @ Pub Rock Live

9/29: Las Vegas, NV @ Dive Bar

9/30: San Diego, CA @ Brick By Brick

10/1: North Hollywood, CA @ Knitting Factory

GET TICKETS HERE

“The individual has always had to struggle to keep from being overwhelmed by the tribe. If you try it, you will be lonely often, and sometimes frightened. But no price is too high to pay for the privilege of owning yourself.” - Rudyard Kipling

In an era that is designed to beat down and weaken the individual, Black Flame Eternal is an album that represents strength, empowerment, and total opposition. With mounting pressure to engage in modern societal tribalism, Cloak invokes a spiritual rebellion that exists beyond good and evil with album number three. 

“All of our albums are created with a spiritual focus, dealing with how we see life, death, and everything in between. I think the earlier records dealt more with the mysteries that surrounded delving deeper into the world of dark spirituality, whereas the new material has taken what we’ve learned and used it to move forward with force,” says Cloak frontman Scott Taysom of the record’s underlying philosophy. “Black Flame Eternal is a statement of spiritual empowerment in every sense. For the first time we want people to grasp on to this sentiment, instead of keeping it completely personal within our world of Cloak. The themes and the sheer power can be felt much more within the songs that this album contains."

“Our goal is complete spiritual liberation, which is where true power and freedom exists,” he adds. “We’ve reached a point in history where people are forced to pick a side or to join a team, so to speak. Cloak stands in complete opposition to this. We aim to be a giant middle finger in the face of the empty modern world.”

While Cloak might rage against societal conventions, the Atlanta quartet embraces the rebellious and time-tested traditions of heavy metal. Whether it be the conjuring the chaotic spirit of Swedish black metal purveyors Watain and Dissection, summoning the deep, dark and sensual groove of Danzig, or evoking the raw speed and raucous energy of Motörhead, the influence of metal’s founding fathers is deep within Cloak’s DNA. Cloak’s charm, however, does not merely lie within its romanticism of the past, but rather is the way each of these genres has shaped Cloak’s own personal identity. And with Black Flame Eternal, the record sees Cloak continue to strengthen its own unique established sound.

Cloak recognizes the importance of a band’s third record, with Taysom explaining, “These influences will always be important to us, as they are some of the best and most important bands of our time. On the other hand, what is so special about getting to the third record of our career is that inspiration starts to move inwards. We had enough experience and material at this point to really know what we do best and how we can utilize these skills in the best way possible. If you look at some of the most iconic bands, their third albums were massive steps towards greatness. So to us, we feel our third record will be a very important one in our time as a band.”

The Atlantan’s evolution is evident in the fury displayed on Black Flame Eternal, which flawlessly compliments the grandiose melodic atmosphere. “This was a conscious effort. Early on before the album even started, I knew it was going to be a much more aggressive and powerful album. I wanted to take a step away from certain sounds and add a bit of brutality back in. The overall vibe matches who we are much more, so it was only fitting to move towards this sound. It almost feels like we are going back to our roots as people in certain ways,” explains Taysom.

Black Flame Eternal follows up sophomore effort The Burning Dawn, which was released in November 2019, with hell unleashing its fury on the globe just a few short months later. As plans to tour the new album around the world came to a screeching halt, the band did not stagger or falter, and instead used this gift of time to write. When reflecting upon the lost years and its impact, Taysom seemingly embraces the situation with little regrets, “Considering Cloak is a sacred space for us, these exterior things did not have as much of an impact as one might think. But it was impossible to ignore some of what was going on throughout these tumultuous years. It’s bound to affect people’s personal lives and the way the mind works during these interesting times. One thing that it did greatly affect was the fact that we could not promote The Burning Dawn properly after the one U.S. tour we did with 1349. We feel this hurt the record, but there was nothing we could do. We were one of the earliest out of the gate after venues started to open back up, and we’ve been continuing to tour in promotion of that album all the way up until now.”

Cloak utilized every minute of this time to focus on fully realizing its vision for Black Flame Eternal. “The initial stage of the writing process started in January of 2020, and lasted all the way until May 2021. It was the longest spanning album process for us so far, with many long days, nights, and weeks trying to piece the songs together the best we could.” While the record did not come together swiftly or easily, the care and attention put into its creation is evident in its powerful composition.

Making up for lost time, these road warriors have already embarked on several high profile North American tours since the autumn of 2021, commanding audiences in every major city with their chaos magick. Each performance merges the spirit of black metal with the backbone of rock ‘n’ roll as the band consistently delivers a blistering set from start to finish. Taysom describes Cloak’s live approach as “a mixture of ethereal atmosphere and total abrasive chaos. The mixture of these two opposing energies is where Cloak lies; the meeting of high and low. To us, this is where the most interesting moments happen, both emotionally and physically.”

With no borders or boundaries, Cloak is ready to embark on this new chapter as the leader of its own pack. The band bows to no one, forging its own path as one of the governing metal forces of this decade as Black Flame Eternal promises to scorch the earth and leave its hallowed mark.

Lineup:

Scott Taysom - vocals/guitar

Max Brigham – guitar

Billy C. Robinson – bass

Sean Bruneau - drums

Links:

FACEBOOK

INSTAGRAM

BANDCAMP

SPOTIFY

APPLE MUSIC

Recording Studio: The Green House 

Mixing: Cameron Webb

Mastering: Audiosiege

Cover Art: Jordan Barlow

Bio: Katy Irizarry

Pre-save: https://orcd.co/cloakbfe

Shop: https://redirect.season-of-mist.com/CloakBFE

THE ABBEY releasing debut album on vinyl

The Abbey are so vast and mysterious that they need to two lead vocalists. 

Jesse Heikkinen was already a mystic presence around the Finnish music scene, but after belting out backing vocals for Fuzzifer, he wanted to try singing in his own band. And while Natalie Koskinen is still uses up plenty of her lung capacity crooning for Shape of Despair, she couldn't pass up the opportunity to sing with Jesse after listening to his demo with two members of The Man-Eating Tree.    

The Abbey are named after a magical Italian anti-monastery. So it's fitting that their first album is a dark and heavy songbook of psychedelic doom metal. Blabbermouth called 'World of Sin' a "perfectly paced and weighted debut album", while The Progressive Aspect praised the band for having already "perfected the art of the earworm chorus".      

'World of Sin' was released digitally and on CD back on February 17. Tomorrow, the album will be released on vinyl, including a special Dracula edition that's colored with red-and-black marble.

All formats can be ordered
through Season of Mist's online store.

Available formats
CD Digipack
Double LP Gatefold (Black)
Double LP Gatefold (Crystal Clear)
Double LP Gatefold (Dracula)
Digital download

Aleister Crowley’s Abbey of Thelema was located in Sicily, Italy, and functioned as ground zero for many of the occultist’s most complex and groundbreaking hedonistic pursuits. Here, Crowley codified his ritual practices and took his concept of “Magick” to new, unforeseen levels. He rebranded the temple as “Collegium ad Spiritum Sanctum,” translating to “A college towards the Holy Spirit.” But the Abbey of Thelema was not without its controversy: A young disciple died in 1922 after contracting typhoid fever from the drinking water. And a year later, Crowley was evicted by Italian dictator Benito Mussolini’s regime, yet the mystery and intrigue behind the Abbey of Thelema remain. 

It was only appropriate, then, that Jesse Heikkinen, a veteran of the Finnish music scene and a solo artist under the Iterum Nata banner, branded his newest musical pursuit as The Abbey. Drawing lyrical inspiration from esoteric organizations, their beliefs and his own practices, Heikkinen and co-lead vocalist Natalie Koskinen (Shape of Despair) weaved ritualistic tales from the darkest corners of themselves to pair with music that is a provocative, alluring kaleidoscope of dark, heavy rock. The result is the mystical Word of Sin, The Abbey’s nine-song debut long-player. 

The Abbey tale began when Heikkinen generated the sudden urge to try his hand at singing in a doom metal band after laying down guest vocals for fellow countrymen Fuzzifer. His idea was to form a doom metal band with “big vocals” — a project for fun’s sake that would thrive off writing from the heart and improvisation. Those plans involved former Sentenced and The Man-Eating Tree drummer Vesa Ranta — the first name that came to Heikkinen’s mind for the project. 

Ranta, now a professional photographer and filmmaker, provided the steady backbone behind Sentenced’s groundbreaking career that was brought to its conclusion in 2005. According to Heikkinen, Ranta plays “like a battalion of marching giants,” a not-so-subtle nod to the drummer’s mastery of the quarter-note. Ranta quickly took to Heikkinen’s early demos and suggested they add a female singer. Enter Koskinen. Koskinen knew Ranta from a video shoot where she was serving as a makeup artist. Reluctant to try a new band considering her Shape of Despair and career obligations, Koskinen listened to Heikkinen’s first demo and decided to give the project a go. Janne Markus (guitar, also of The Man-Eating Tree) and Henri Arvola (bass) were soon tapped to complete the band’s lineup. 

Word of Sin was recorded between April and November 2021 in several locations across Finland. Drums, bass and Markus’s guitars were tracked at Kratio Studio in Oulu by Kyösti Rautio. Rautio also served as co-producer and mixed the album, becoming the unofficial sixth member of The Abbey. Heikkinen, who recorded most of his vocals and guitars in his stepdaughter’s room, surrounded by My Little Ponies, Disney figurines and a pile of esoteric literature, is careful to point out that The Abbey fails to drop into any neat, little subgenre. 

“The album was made purely for self-expressive reasons,” he says. “My music is the channel where I can be as true and authentic as possible. It is also a somewhat safe way to explore and express the dark side of myself and the collective consciousness. Word of Sin may seem like a tremendously dark piece as a rock album, but it’s pretty lightweight for a doom metal album! The material proved so strong that it was obvious that it wasn’t going to be another side project. I think using the means of improvisation made the music sound more like its creator instead of it being forced to be this or that — and that seemed to work really well for us!” 

Regardless of where Word of Sin falls between the vast channels of doom and heavy rock, the vocal interplay between Heikkinen and Koskinen is undeniable. Each has songs where they take the lead, but their harmonies and trade-offs carry songs like “Rat King” and “Desert Temple” to the fore, creating a restless, captivating atmosphere resembling vintage rock from the 1970s. And, for his first go at singing lead in a band, Heikkinen proves to be quite the capable vocalist, carrying a smooth, almost airy delivery on “Crystallion” and “Widow’s Will.” 

“I didn’t think of it that much — my vocals all came naturally,” he says. “I still think I’m more of a guitarist than a vocalist, really. During the writing and recording, I listened to King Crimson’s Red quite a lot, so I’m sure I got some influences from John Wetton’s singing on that album. The vocal harmonies were heavily inspired by bands like E.L.O, Queen and Yes.” 

Heikkinen and Koskinen didn’t know each other before the formation of The Abbey. Heikkinen met Koskinen for the first time when she tracked vocals at his home studio, but their partnership generated immediate results. “Nowadays, I usually record my vocals at home, but in this case, as I had yet to meet Jesse in person, I wanted to record my parts at his place,” says Koskinen. “It’s very important to see what kind of energy is between the musicians I’m going to work with in the long run. It turns out that we are a perfect match musically. Later on, I traveled to Oulu to meet the rest of the guys [Janne and Henri] and I must say that we had a very strong bond from the beginning. Sometimes things just happen even when you don’t plan them.” 

“The right lines for each were found really easily,” adds Heikkinen. “There already were dozens of vocal tracks in some of my demos, but every time Natalie found her place in the song, she added something new into it.” 

The creative process behind Word of Sin proved so fruitful that the members of The Abbey are already thinking about a follow-up. It’s a testament to the material’s inherent strength and the immediate bond between all five musicians. 

“The Abbey will most definitely be an active and serious project for me - I do hope it will turn out fun as well,” wraps Heikkinen. And closes Koskinen: “I do have a feeling this band will make a long trip together.” 


Links:

https://www.facebook.com/abbeyceremonial
https://www.instagram.com/theabbeyceremonial/
https://theabbey.bandcamp.com

Lineup:

Jesse Heikkinen – Guitar, keyboard, percussions, vocals
Natalie Koskinen – Vocals
Janne Markus – Guitar
Vesa Ranta – Drums
Henri Arvola – Bass

Cover Art:Alexander Reisfar

Bio:David E. Gehlke

Booking contact & management:
erin@aflyingfox.com(Erin Lynch)
https://aflyingfox.com


Shop:
https://redirect.season-of-mist.com/TheAbbeyWOS
Download/stream:
https://orcd.co/theabbeysin

Humanity's Last Breath Unveils New Single + Visualizer For "Linger" From Upcoming New Album 'Ashen' Out August 4 via Unique Leader Records

Thall-bringing Swedish metallers Humanity's Last Breath has today unveiled their latest offering "Linger" plus the accompanying visualizer, off the band's upcoming new album 'Ashen' out on August 4 (via Unique Leader Records). The band has previously shared the lead music video "Labyrinthian" and visualizer for "Instill" which together have amassed over 463,000 views on YouTube and 724,000 streams and counting on Spotify alone. Watch the visualizer for "Linger" below, listen to the track here, and pre-order 'Ashen' at the link here.

For over a decade, Humanity's Last Breath has been delivering their foreboding message through their music as if warning of a looming apocalypse. With an endless urge to make music from a place that needs expression, they constantly push the boundaries of what's possible in modern metal. With the release of their fourth album, 'ASHEN', an invitation is extended to experience their sound. 

    Let the world sing in despair.


Humanity's Last Breath is:

Buster Odeholm (Guitar, Vocals)

Filip Danielsson (Vocals)

Klas Blomgren (Drums)

Tuomas Kurikka (Guitar, Live Vocals)

Hillbilly Vegas Join Ted Nugent on the 'Adios Mofo ‘23 Farewell Tour' This Summer!

Hillbilly Vegas announced that they will be hitting the road with Ted Nugent this summer on the 'Adios Mofo '23 Tour'. Ted has announced that his 2023 summer tour will be his last! You DO NOT want to miss it!!! The tour will kick off on July 13th at Hard Rock Live in Orlando, FL and conclude on August 20th at Heart of Oklahoma Expo Center in Shawnee, OK .

“We are thrilled to be a part of Ted’s Adios Mofo ‘23 farewell tour. Ted is rock royalty and his songs are a huge part of the soundtrack for millions of rock n roll fans all over the world. It’s such an honor to support Ted and to connect with music fans across America this summer,” says Steve Harris, vocalist.

7/13 @ Hard Rock Live in Orlando, FL
7/15 @ Peabody Auditorium in Daytona Beach, FL
7/18 @ City Hall Live in Brandon, MS
7/20 @ Blue Gate Performing Arts Center in Shipshewana, IN
7/22 @ The Mill in Terre Haute, IN
7/23 @ New Barn Theater in Mt. Vernon, KY
7/25 @ Kodak Center in Rochester, NY
7/26 @ Keswick Theater in Glenside, PA
7/27 @ Penn's Peak in Jim Thorpe, PA
7/29 @ Peoria Civic Center in Peoria, IL
7/30 @ RiverPark Center in Owensboro, KY
8/2 @ Starland Ballroom in Sayreville, NJ
8/3 @ American Music Theatre in Lancaster, PA
8/6 @ The Adelphia Music Hall in Marietta, OH
8/9 @ The Temple Theatre in Saginaw, MI
8/10 @ Rose Music Center in Huber Heights, OH
8/11 @ Freedom Hill Ampitheater in Detroit, MI
8/12 @ Des Plaines Theatre in Des Plaines, IL
8/13 @ Arcada Theatre in St. Charles, IL
8/14 @ Arcada Theatre in St. Charles, IL
8/15 @ Lexington Village Theatre in Lexington, MI
8/16 @ Lexington Village Theatre in Lexington, MI
8/18 @ Ford Arena (Ford Park) in Beaumont, TX
8/20 @ Heart of Oklahoma Expo Center in Shawnee, OK

It was never about starting a band. It was just a few old friends getting together to play music for fun. They would meet once a week at a small house deep in the Oklahoma woods they called Ringo Manor. They played old songs, told stories and laughed a lot. Before too long they started writing songs and as the story goes, when you put a bunch of musicians in a room together...they started a band.

Hillbilly Vegas released their first song just a few months after their first jam session at Ringo Manor. A local DJ played that song during his air shift and then it got weird. A Nashville record executive was driving through the area at the very moment that local DJ was playing that first Hillbilly Vegas song. He called the station and just an hour later they were offered a record deal. That fast! Yes, the band is aware that happens to be one of the sub plots in the movie Wayne’s World but it happened. Just like that! Since that wild day the band has charted 5 country singles, along with 2 top 10 and 3 Billboard top 20 rock singles. HOLY CROSSOVER!

Hillbilly Vegas has headlined their own tours as well as a support act for a who’s who in the music world including; Blake Shelton, Travis Tritt, Alabama, Lee Brice, Blackstone Cherry, Wynonna, Kentucky Headhunters, Hellyeah, David Allen Coe, Joe Diffy, Granger Smith, Billy Currington, A Thousand Horses, Insane Clown Posse, Molly Hatchet and many more. And to think it all started in a little house in Oklahoma called Ringo Manor.

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Parmalee Is One of Radio's Most Played Groups of the Year

PARMALEE BEGINS SECOND HALF OF 2023 AS ONE OF THE
MOST PLAYED COUNTRY GROUPS OF THE YEAR 
 
“Girl In Mine” Climbs Towards Top 10

Photo Credit: Joseph Llanes

With the first half of 2023 in the books, multi-platinum selling band Parmalee kicks-off the second half of the year as one of radio’s most played country groups of the year. 
 
That airplay success is driven by the band’s three #1 singles, including its recent “Take My Name,” which was Billboard’s Country Airplay Song of 2022. Currently they are enjoying the Top 15 and climbing success of their latest single “Girl In Mine,” co-written by Parmalee lead singer Matt Thomas. 
 
“I had just gotten my first Jeep CJ, and I’ll never forget picking up my girlfriend for the first time,” recalls Thomas of the inspiration behind the song, “We were from such a small town. There wasn’t much else to do but put the top down, listen to music, and talk about what we wanted to do with our lives. In that moment she was the only girl in the world. We were both young and our lives moved on in different directions. But this song came from that moment, and I’ll never forget it.” 
 
With more than 1 Billion career streams, the band, featuring brothers Matt and Scott Thomas, cousin Barry Knox and life-long friend Josh McSwain has been passionately pursing their music dreams for more than a decade.  
 
The North Carolina natives have a full slate of touring this summer that includes shows with Grammy Award winning group Train. For more info go to 
https://www.parmaleemusic.com.

Dayseeker Announce Fall 2023 Headline Tour

DAYSEEKER ANNOUNCE FALL 2023 HEADLINE TOUR KICKING OFF ON SEPTEMBER 1 IN LUBBOCK, TEXAS

SILENT PLANET + MOXY TO SUPPORT

 NEW ALBUM DARK SUN OUT NOW VIA SPINEFARM

Southern California's DAYSEEKER will embark on a headline tour this September. The tour kicks off September 1 in Lubbock, Texas, and runs through September 24 in the band's native Southern California. Silent Planetand Moxy the Band will support. All dates are below, including festival appearances at Rocklahoma and Blue Ridge Rock Fest.

Tickets of on sale on Friday, July 7 at 10 am local time. Get tickets
here.

Additionally, vinyl reissues of the band's latest albums Sleeptalk and Dark Sun are available for pre-order
here.

DAYSEEKER ON TOUR:
WITH SILENT PLANET + MOXY THE BAND:

9/1 — Lubbock, TX  —  Jakes
9/2 — Pryor, OK  —  Rocklahoma*
9/3 — Memphis, TN  —  Black Lodge
9/5 — Indianapolis, IN  —  Deluxe @ Old National Centre
9/6 — Flint, MI  —  Machine Shop
9/8 — New Haven, CT  —  Toads Place
9/9 — Asbury Park, NJ  —  Asbury Lanes
9/10 — Alton, VA  —  Blue Ridge Rock Fest*
9/12 — Lakewood, OH  —  The Roxy  —  Mahall’s
9/13 — Davenport, IA  —  Capitol Theatre
9/15 — Colorado Springs, CO  —  Black Sheep
9/17 — Billings, MT  —  Pub Station
9/19 — Spokane, WA  —  Knitting Factory
9/20 — Tacoma, WA  —  ALMA
9/22 — Bend, OR  —  Volcanic Theatre Pub
9/23 — Reno, NV  —  Ranch House
9/24 — Los Angeles, CA  —  Fonda Theatre 
*Festival Date

Dayseeker are a quiet killer. The band has steadily built a buzz over the past several years — and they have reached a tipping point. Dayseeker built themselves into a scene standout with 2019's Sleeptalk, which was hailed by Alternative Press as  "a warm and welcome release to higher ground" and as "much needed fresh air into the post-hardcore scene." The album has gone on to accumulate over XX million streams, and it positioned the band as a formidable force — and one that is primed to take its next big leap. In 2021, the band dropped a deluxe version of Sleeptalk, featuring four reimagined versions of album tracks, which offered fans a fresh and unique take on songs they already love. It also demonstrated the depth and breadth of the band's creative vision, scope, and possibilities. However, Dark Sun catapulted the band beyond the scene's stratosphere. The album is out now via Spinefarm.

LISTEN TO DAYSEEKER:
"
Dreamstate"
"
Neon Grave"
"
Without Me"
"
Crying While You're Dancing"

TELEKINETIC YETI Kicks Off U.S. Headlining Tour

BUY TICKETS HERE

Psychedelic doom duo Telekinetic Yeti will be embarking on a U.S. headlining tour this July with support from Stinking Lizaveta (all dates), Somnuri (July 5-26), and Rifflord (July 27-30). The extensive trek kicks off today, July 5, in Des Moines, IA and will conclude on July 31 in the band's hometown of Dubuque, IA. The full itinerary and ticket links can be found below!

In addition, the band has added three new dates to the routing - July 17 in Sacramento, CA, July 23 in El Paso, TX, and July 31 in Dubuque, IA!

The band will be supporting its 2022 sophomore full-length, 'Primordial,' which was released on July 8, 2022 via Tee Pee Records. 'Primordial' was named the #1 American Release and #5 Album Worldwide by Doom Charts for July 2022 and the #5 Hard Rock Album of 2022 of Magnet Magazine. Stream/order/download HERE.

Telekinetic Yeti U.S. Tour Dates

(w/ Stinking Lizaveta (all dates), Somnuri (July 5-26), and Rifflord (5/27-31):

07/05: Des Moines, IA @ Leftys [TICKETS]

07/06: Denver, CO @ Hi Dive [TICKETS]

07/07: Salt Lake City, UT@  Aces High Saloon [TICKETS]

07/08: Boise, ID @ Shredder [TICKETS]

07/11: Vancouver, BC @ The Wise [TICKETS]

07/12: Bellingham, WA @ Shakedown [TICKETS]

07/13: Seattle, WA @ Funhouse @ El Corazon [TICKETS]

07/14: Portland, OR @ Dantes [TICKETS]

07/15: Eugene, OR @ John Henrys [TICKETS]

07/16: Sacramento, CA @ Cafe Colonial [TICKETS] **JUST ADDED**

07/18: San Francisco, CA @ Bottom Of The Hill [TICKETS]

07/19: Pacifica, CA @ Winters Tavern [TICKETS]

07/20: Palmdale, CA @ Transplants Brewery [TICKETS]

07/21: Hollywood, CA @ Knitting Factory [TICKETS]

07/22: Mesa, AZ @ Nile Theatre [TICKETS]

07/23: El Paso, TX @ Rockhouse **JUST ADDED**

07/25: Oklahoma City, OK @ 89th St [TICKETS]

07/26: Tulsa, OK @ Mercury Lounge [TICKETS]

07/27: Lawrence, KS @ Bottleneck [TICKETS]

07/28: Minneapolis, MN @ 7th St Entry [TICKETS]

07/29: Lincoln, NE @ Cosmic Eye [TICKETS]  

07/30: Chicago, IL @ Reggie's Rock Club [TICKETS]

07/31: Dubuque, IA @ The Lift [TICKETS] **HOMETOWN SHOW // JUST ADDED**

[ALL TICKET LINKS]

Based out of Iowa, Telekinetic Yeti is a two-man band that delivers sonic brutality melded with psychedelic doom wizardry, forged by the worship of the almighty riff and honed by relentless touring and dedication to their craft.

Creating music as cryptically enchanting as it is heavy, you wouldn't guess that the impressive cacophony pouring out of the speakers like molten, metal syrup is being produced by only two people. Founder and guitarist Alex Baumann explains, “Originally I decided not to have a bass player purely for logistical reasons, it was just another schedule to work around, another person who’s boss could tell us we can’t tour, but then I started seeing it as a challenge, like let’s see how heavy we can make it with just two people.” That started grabbing peoples attention. 

Relentless touring and playing pretty much any club that would have them, the band set sail on their epic voyage, selling their debut album Abominable out of their van and cutting their teeth in the underground playing hundreds of shows. All the while receiving rave reviews of their live performance as well as their first release, which landed at #2 on the doom charts and stayed right there for months. The Sludgelord called the eight-song album “a f***ing monster from start to finish,” and The Obelisk, including the album in their year-end, best of list, dubbed it the “debut of the year,” and said “it could have been another band’s second or third record for the level of cohesion on display.” 

The video for “Stoned and Feathered” racked up nearly a few hundred thousand views and counting. It was at this time that Telekinetic Yeti caught the attention of Ozzy Osbourne bass player, Blasko, who named Abominable on his “5 favorites” list. 

People were starting to catch on, and soon thereafter Telekinetic Yeti would be invited to tour extensively with some of the best heavy rock bands in the business, including Clutch, Black Label Society, Red Fang and Weedeater.

Now the band finds itself in a much different, auspicious position, and with the help of famed producer Phillip Cope (Baroness, Kylesa, Damad, Black Tusk et al), Telekinetic

Yeti returns with their eagerly-anticipated, second full-length album, Primordial. With this release, the band takes their game to a whole new level. Primordial explores themes as diverse as evolution, sorcery, black magic and the contradictions of the gloriously uplifting yet simultaneously melancholic human condition. " I wanted to write something that was an appropriate intro to the album, that brought to mind an early earth setting and featured atmospheric elements as well as some droning, sparse simplicity and lyrically, simple imagery regarding the dawn of humankind and creation of the first tools." Explains Baumann of the title track.

As it unfolds, the album evolves into a cathartic exploration turning themes into tangible sounds and haunting fugues. Says Baumann regarding the inspiration behind “Beast”: "This song is about wanting to escape the societal constraints that keep us on the wheel, toiling away, indefinitely. Its also about questioning authority figures, or really anyone that claims to have all the answers."

Matured songwriting, creatively brutal riffs and an exercise in monstrous tones make this listen an immersive experience taking you back to explore and appreciate the primordial ooze that we all came from. Telekinetic Yeti has partnered with stalwart Indie label, Tee Pee Records.

Telekinetic Yeti is:

Alex Baumann - Guitar/Vocals

Rockwel Heim - Drums

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ARTIFAS Release Official Music Video for Single "The Dark" ; The Summer Meltdown Tour with Silvertung Kicks off July 7th!!!

Hard rock band ARTIFAS released the official music video for single "The Dark." The single is from their full length record Reflections.

WATCH ARTIFAS - "The Dark" (Official Music Video): below

The band announced that they will be hitting the road with Silvertung this Summer on 'The Summer Meltdown Tour'! The tour kicks off on July 7th in Huntsville, AL at Shagnasty's.

An event page with all currently available information for each show can be found on the band's Facebook page. Find your city, RSVP to the appropriate event page(s), share the flyer with your friends, and let’s get ready to have your faces melted off!!!

https://linktr.ee/artifas

Artifas on tour with Silvertung:

The Summer Meltdown Tour:

7/7 @ Shagnasty's, Huntsville, AL *Artifas ONLY
7/8 @The Gym, Sevierville, TN
7/9 @The Red Bird, Leitchfield, KY
7/11 @Vivo, Overland Park, KS
7/12 @Maloney's, Council Bluffs, IA
7/14 @Rockfest, Cadott, WI
7/16@Rockstar Saloon, West Allis, WI
7/17 @Crucible, Madison, WI
7/18 @Otis' Tailgators, Cedar Rapids, IA
7/20 @ Piere's (Stan's Room), Ft. Wayne, IN
7/21 @ The King of Clubs, Columbus, OH

American Hard Rock band Artifas was formed in 2011 in Jackson, TN by lead guitarist Cody Criswell and lead vocalist Scottie Somerville. In the months following, the two founders of the group would immediately recruit an assortment of hometown musicians and begin looking to record their debut EP. After having a long and ugly encounter that resulted in the theft of all the bands funds and receiving no album in return, the original incarnation of the group would spend 2012-2013 doing several independent tours and writing music. After debuting with their EP Enemy Inside in 2013 and doing numerous regional/national tours in support of it, the band replaced former members with guitarist Mikey Miller, bassist Anthony Mattox, and drummer Stephen Hatmaker.

With almost two years of touring with the new lineup under their belts, Artifas inked themselves a record deal and hit the studio to make their first full length album. The 2015 release of the title track, “Inhuman,” would bring the band some commercial success, reaching # 32 on Billboard’s Active Rock chart and sending the band on the road in support of their new album. The band landed tours with established artists like Theory of a Deadman, Shamans Harvest, Pop Evil, Saint Asonia, Aranda, and others. The follow up single from that record, “Blood 4 Blood”, would later get picked up by the World Series of Fighting and subsequently land a feature in the UFCmovie “Fight Valley”. The band parted ways with their record label in 2016, and remained on tour throughout the US for most of the following year, also traveling internationally for the first time with the likes of Papa Roach, Hoobastank, P.O.D., Trapt, and Sick Puppies to play for our American Troops.

Multiple tour cycles later, Artifas found themselves back in the studio making new music. The band worked with multiple writers and producers throughout the entirety of 2018, but would ultimately only find themselves frustrated with the recordings that resulted. After a soul search within the group, Artifas elected to embrace their own vision and write/produce their next album independently, free from the creative overreach of outside influence.

After two years of writing, recording, and mixing, Artifas completed the new album, and unleashed it upon the world. With catchy guitar riffs, dizzying drums, and soaring melodies, Reflections will send you on an emotional journey, exploring the band’s semi-prog, radio rock sound while diving deeper into the human complex with lyrics centered around self awareness and the bands own struggles with mental health. The goal for the creation of this album was to make a record that met the band’s expectations and you can rest assured they held nothing back. Mixed and Mastered by Forrester Savell (Twelve Foot Ninja, Karnivool, Dead Letter Circus), Reflections promises to wow you with musical prowess, all the while delivering Artifas’ important message on unity, inspiration, and the sempiternal battle between dark and light.

More Music by Artifas:

ARTIFAS - Safe (Official Music Video):

https://www.youtube.com/watch?v=07MV366Lsvc

ARTIFAS - Cut Me Out (Official Music Video):

https://youtu.be/jtXCIK8_hCw

ARTIFAS - Leave Me For Dead (Official Music Video):

https://youtu.be/Tn6hyrgHUuk

Artifas:

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