Green Carnation Announce A Dark Poem, Part III: The Messiah Complex

At no point over the last 25 years has Green Carnation ever shied away from a challenge. Whether completing one of the most ambitious individual epics in metal’s historic archives or performing their acoustic verses under a mountain dam, the prog bards have always flashed a flare for the dramatic. However, from the very beginning, there was one tale - or three, to be exact - that eluded the Norwegians. That is, until now.

Having reached crushing new peaks and delved into their deepest, darkest and most personal depths during the first two parts of A Dark Poem, today, Green Carnation are bringing their critically-acclaimed album trilogy to a bold conclusion. With the announcement of A Dark Poem, Part III: The Messiah Complex, the band are putting the finishing touches on another masterpiece that stands as one of the defining statements in their storied career.

“A Dark Poem is by far our biggest achievement since Light of Day, Day of Darkness”, Green Carnation vocalist Kjetil Nordhus says. “Our new album trilogy returns to the epic storytelling that put us on the map back in 2001. While the reception to Part I and Part II has been overwhelmingly positive for us, we do believe that Part III saves the best for last. The Messiah Complex ties the whole story together with our most uncompromising statement to date”.

“The intention behind A Dark Poem  was to build a completely new musical universe”, Green Carnation bassist and primary lyricist  Stein Roger Sordal says. “While the direction revealed itself as the creative journey unfolded, The Messiah Complex was carefully planned with a clear vision for where we wanted the story to end. Our goal was for all three parts to stand on their own, but Part III brings them all together into a unified whole”.

Watch the premiere of the extremely meta music video for pitch-perfect lead single “Unconditional Artificial Chemistry” Below:

   

A Dark Poem, Part III: The Messiah Complex comes out September 4, 2026 on Season of Mist.

https://orcd.co/greencarnationadarkpoempart3

“The video for ‘Unconditional Artificial Chemistry’ tells a meta story about the danger of artificial intelligence”, Nordhus says. “We all know, if we are being honest with ourselves, that A.I. is going to take control of our lives. There are powerful people who stand to profit from it and that makes its takeover inevitable.

“The video shows this happening before our eyes” Nordhus continues. As soon as the A.I. takes control, our likeness is corrupted. Before the song is even finished, we’re completely destroyed”.

The video for “Unconditional Artificial Chemistry” was directed and edited by Rikard Amodei.

Catch Green Carnation during their upcoming hometown shows and European summer festival dates.

During their headlining show in September at the Kilden Performing Arts Centre, the band will perform A Dark Poem in its entirety for the first and final time. Already, fans from 18 different countries have purchased tickets for this once-in-a-lifetime event.  

Green Carnation 2026 + 2027 Show Dates

August 1 - Ungarn, Hungary @ Feke Zaj Festival [TICKETS]

September 12 - Kristiansand, Norway @ Kilden Performing Arts Centre [TICKETS]#

September 25 - Bucuresti, Romania @ Bucharest Prog Day II [TICKETS]

September 26 - Barcelona, Spain @ Be Prog! My Friend [TICKETS]

May 1, 2027 - Kopervik, Norway @ Karmøygeddon [TICKETS]

#Performing A Dark Poem, Part I-III

ROB ZOMBIE UNLEASHES NEW MUSIC VIDEO FOR "TARANTULA"

Rock and metal icon ROB ZOMBIE has released the official music video for ‘Tarantula,’ another standout track from his latest studio album, The Great Satan, available now via Nuclear Blast Records. The video arrives as fans continue to celebrate Zombie's acclaimed eighth solo album, which has earned widespread praise from critics and listeners alike.

A favorite among fans since the album's release, ‘Tarantula’ now gets a fitting visual counterpart. Bathed in stark yellow light and shot with a gritty, stripped-down aesthetic, the performance-focused video captures Zombie and his band tearing through the track with relentless force and precision.

Released earlier this year, The Great Satan marked Zombie's first studio album in five years and featured standout cuts including ‘Punks and Demons,’ ‘Heathen Days,’ ‘(I'm a) Rock 'N' Roller,’ ‘F.T.W. 84,’ ‘The Black Scorpion,’ and ‘Tarantula.’ The record further cemented his status as one of heavy music's most distinctive creative voices, delivering another collection of memorable, larger-than-life anthems.

Purchase/Stream The Great Satan: https://robzombie.bfan.link/the-great-satan

ROB ZOMBIE will embark on a Summer 2026 co-headline tour with labelmate MARILYN MANSON in August with support from THE HU and ORGY. Tickets and VIP packages onsale now at https://www.robzombie.com/tour

Follow ROB ZOMBIE:

Website | Facebook | Instagram | Youtube | X | TikTok | Spotify | Apple Music

KIVEL RECORDS Announce the Signing of SCAR CHAMBER and the Band’s Debut Album UGLY ON THE INSIDE

Kivel Records is excited and proud to announce something we have been secretly working on for quite some time… SCAR CHAMBER! Founded and formed by guitarist Ron Freschi (Babylon A.D.) and lead singer Jeff Winslow, they have compiled an 11 song album of hard hitting Rock N Roll, that showcases Ron's signature sound that helped forge the music and sound of Babylon A.D.

The album UGLY ON THE INSIDE comes out July 21st on Kivel Records. Pre order your copy at www.kivelrecords.com/store the first 100 copies come with a generous goody bag of limited edition items, including a signed CD! Making this release even more exciting for us, Kivel Records has partnered up with BraveWords Records to service the digital distribution of the album. We love our friends at BraveWords Records and couldn't be happier with them running with the ball! The first single, UGLY ON THE INSIDE can be purchased and streamed at Bandcamp, along with 24 bit hi-res digital pre-orders for the entire album. Visit bravewordsrecords.bandcamp.com

This isn't the same old same old for Ron though, and it certainly isn't his  experimental art album. This is an extension of what people have come to expect and love about his playing and songwriting. Where he is pushing his boundaries, but without changing who he is. Teamed with Jeff, this is a dynamic rock n roll duo that brings it. Joining Ron and Jeff is Dylan Soto on drums (Babylon A.D.). He brings his hard hitting energy and entertaining live show to the band, which will no doubt help keep the beat for this outfit. After the album was completed the band needed a bass player that would be able to match the needed energy on stage with the rest of the group. Enter seasoned bass player and fan favorite, Jaron Gulino (Lynch Mob/Heavens Edge) helping finalize the line up.

Scar Chamber's sound is a dark and edgy Rock N Roll rollercoaster ride for fans of bands like Babylon A.D., Lynch Mob and Harem Scarem. Get in, buckle up, keep your head down and enjoy the ride.

Follow the link to the band's first video and title track from their upcoming album, UGLY ON THE INSIDE, which was Mixed and Mastered by Kivel Records fave producer, Ty Sims. (Tango Down, Bombay Black, House of Lords, Robin Beck and more!) VIDEO BELOW:

The band's video was shot in LA and produced by Video Director: Vicente Cordero of Industrialism Films.  It was a pleasure to work with Vicente and his team, as he has created so many amazing videos with acts such as  Black Veil Brides, Mr Big, Richie Kotzen, Queensryche, Nita Strauss and so many others.

Now click those links and get UGLY!

Band Members

Ron Freschi - Lead Guitar, Background vocals

Jeff Winslow - Lead Vocals

Dylan Soto - Drum

Jaron Gulino - Bass Guitar

 

About Kivel Records

A modest independent record label that has maintained for 28 years and counting. A label that is fanbase focused. Music oriented and couldn't care less about current music trends. A label that has lasted over two decades and is STILL STANDING. A label that may be small but has a big punch. Hailed for quality production and award-winning photography and artwork. This label has carved out its own niche of musical vision and product with a loyal customer base and one helluva a rogue's gallery of bands. For 28 years, Kivel Records - Delivers Rock.
 
Links to Website and All Socials 

https://www.facebook.com/profile.php?id=61590483163842

THE XCERTS Share Anthemic New Single "bury you"

Today, THE XCERTS share "bury you," the latest single from their forthcoming sixth album, 'i think i want to go home now.,' out July 10th via FLG Records. To mark the release, the band will embark on a run of intimate in-store shows across the UK throughout July, including dates at Rough Trade Nottingham, Crash Records in Leeds, and Assai in Glasgow, Edinburgh, and Aberdeen.

The band has also been confirmed as special guests to Twin Atlantic, who will tour throughout October. All support dates and in-stores are listed below.

The song arrives towards the end of the album's emotional arc, and carries with it a shift in register - less about the weight of what's been endured and more about what to do with it. Written in the closing stages of the record, "bury you" is a song about tough love: the kind of honest, unflinching conversation that close friends have with each other when things get hard, and the kind you eventually have with yourself. Lyrically, it walks the line between addressing someone else and addressing himself - the chorus functions as both an instruction outward and a reminder inward.

Speaking about the track, Macleod says:

"Towards the end of the writing process, I was taking stock, and I wanted something that had - what's the right way to put it? - not a sense of hope, but something that's almost meant to feel like a sobering conversation. I had a lot of those with close friends of mine who were also having tough times during that period, so I wanted to have a song that represents tough love. It also acts as a reflective conversation and a statement of intent for myself. 'This ain't your first rodeo' is a funny line, but I've found myself saying it a lot, and it's true."

The album was written by all three members together in a room, something the band had not done since their early records, and that closeness is felt throughout. Recorded by Larry Hibbittat Beehive Studios, its ten songs document two years of genuine turbulence, including the passing of bassist Jordan Smith's mother and Macleod's father's cancer diagnosis, processed in real time and in company.

'i think i want to go home now.' arrives July 10th via FLG Records.

Watch the Official Lyric Video for "bury you" Below:

THE XCERTS live:

July 10th - Kingston @ Fighting Cocks (in-store show)

July 11th - 2000 Trees Festival (full album playthrough set)

July 12th - Nottingham @ Rough Trade (in-store show)

July 13th - Leeds @ Crash Records (in-store show)

July 14th - Liverpool @ Jacaranda (in-store show)

July 15th - Glasgow @ Assai (in-store show 1pm)

July 15th - Edinburgh @ Assai (in-store show 5:30pm)

July 16th - Aberdeen @ Assai (in-store show)

August 1st - Arbroath Music and Food Festival

October 16th - Leeds @ Stylus ^

October 17th - Birmingham @ 02 Institute 2 ^

October 18th - Newcastle @ Boiler Shop ^

October 20th - London @ Islington Assembly Hall ^

October 21st - Manchester @ Gorilla ^

October 22nd - Glasgow @ SWG3 Galvanizers ^

^ in support of Twin Atlantic

Pre-Order 'i think i want to go home now.' HERE

LUTHER Sign To Long Branch Records + Drop "Giving The People What They Want" Video

Following their recent performance at Rock For People (CZ) and after opening for bands such as Escuela Grind, Silly Goose, Urne, and Predatory Void, Berlin-based alternative metal up-and-comers LUTHER sign to Long Branch Records and drop their label debut single "Giving The People What They Want."

LUTHER's take on alternative metal is groovy, heavy, and even a little weird. Centered around electric guitar, their songs merge prog metal, nu metal, and hardcore. Borderline-theatrical screams and clean vocals hold your hand through the night. The band explores isolation, betrayal, rage, and escapism as its core lyrical themes. LUTHER have drawn comparisons to artists such as KORN, POPPY, and KIM DRACULA, resonating with fans of genre-bending alternative metal.

"Giving The People What They Want" is an alternative metal track with strong nu metal influences in the verses, progressive guitar layering in the choruses accompanied by hardcore-style vocals, and pre-choruses built around deathcore-like breakdowns. It perfectly captures LUTHER's vision of metal music: The embrace of metal's archetypes to create something exciting, dynamic, maybe a little weird, but definitely never boring.

"I'll give the people what they want!" shouted just before a drop, encapsulates the lyrical meaning of the track. If life dooms you to constant rejection, endless challenges, and unfair circumstances, find self-realization in romanticizing and dramatizing your role as an entertainer. You might even discover that you’re the best at it!

Stream the single here.

Watch the video for "Giving The People What They Want" below.

The single's production, mixing, and mastering were handled by Enrico Tiberi, current vocalist of The Ocean Collective.

LUTHER were founded at the end of 2024 by musicians who already had a history in Berlin's underground metal and alternative scene. In 2025, the band debuted with its first single, "Next Time Send a Killer," a song that generated unexpected organic engagement across social media and streaming platforms.

The band just played Rock for People 2026 in the Czech Republic, was announced for Reeperbahn Festival 2026, and was recently invited to a double-set show in Quebec City, Canada, for the Envol et Macadam Festival, headlined by Bad Religion and Hatebreed.
 
LUTHER’s upcoming debut album is rumored to draw influence from bands such as KORN; LOATHE, GRAYHAVEN, THE MARS VOLTA, and SYSTEM OF A DOWN. Stay tuned if that's your thing.

LUTHER LIVE:
07/03 — Berlin, DE — Rocktreff Festival
08/14 — Brandenburg, DE — Beer’n’Breakdowns Festival
09/05 — Hamburg, DE — Local Core Festival
09/10–09/12 — Quebec City, QC — Envol et Macadam Festival (headlined by Bad Religion and Hatebreed)
09/18 — Hamburg, DE — Reeperbahn Festival
10/26 — Berlin, DE — Female Fronted Is Not a Genre Festival

CARLY PEARCE TO RELEASE FIFTH STUDIO ALBUM

Today, GRAMMY, CMA and ACM-Award winning country star Carly Pearce announces her highly anticipated fifth studio album, Honest Woman, will arrive August 28 via BBR Music Group/BMG Nashville. Pre-order, pre-add, and pre-save the album HERE , including new track “She Don’t” which dropped today alongside the album announcement. Available now on all platforms, the song further highlights Carly’s witty lyricism and love of storytelling with her traditional country sensibilities for a sure-to-be fan favorite. Watch the visualizer Below;

Co-produced by Pearce with longtime collaborator Ben West, Honest Woman sees Pearce embrace every aspect of who she was, is, and will become through narrative-driven lyrics and a sonic return to form. Including features with Riley Green, Dan Tyminski and Molly Tuttle, the album leans into her bluegrass roots and focuses on authentic country craftsmanship. Honest Woman is an ‘honest’ portrayal of life’s journey delivered by a woman who understands that it’s the fullness of time that defines you.

"When I started making Honest Woman, I found myself rediscovering who I am and why I wanted to be a country music singer in the first place,” says Pearce. “This album takes me back to the beginning of my story, where the sounds of classic country and bluegrass music shaped who I am. I’m so proud of this body of work, and I truly feel like it’s my best yet.”

Anticipation was at an all-time high during CMA Fest as the phrase “Honest Woman” was seen in various places around Nashville – from her “Carly’s Closet” charity pop-up that raised $20,000 for the CMA Foundation, to the sidewalks outside her CMA Artist of the Day panel moderated by Hillary Scott of Lady A and performances at Nissan Stadium, Billboard Live at Category 10, SiriusXM’s Music Row Happy Hour and Spotify House – leading Pearce’s fans to speculate if Honest Womanwas the title of her forthcoming album.

In addition to today’s release, “She Don’t,” Pearce’s forthcoming album will include current single and “blockbuster duet” (Billboard) with Riley Green, “If I Don’t Leave I’m Gonna Stay,” along with the “delightfully snarky & sassy” (Music Row) “You Can Have Him,” “honest anthem” (Rolling Stone) “Church Girl” and the “unfiltered, introspective” (Billboard) “Dream Come True.” As Pearce is readying Honest Woman, each track continues to define “the tone for her most vulnerable era yet” (The Tennessean).

To support the album, Pearce will be performing special two-night residencies across North America. Kicking off September 10 with two nights in Detroit, Pearce will bring her “Honest Woman: Up Close” live shows presented by Conundrum Wines to intimate venues in Chicago, Minneapolis, Los Angeles, Toronto and Boston before concluding with two nights in New York City. Belle Frantz will join Pearce as support.

Tickets will be available starting Tuesday, June 23 at 12pm local time with the Official Carly Pearce Fan Club presale, where members can redeem their code for tickets to the tour. To sign up for the fan club, fans can visit fanclub.carlypearce.com. General tickets will be available for purchase beginning Friday, June 26 at 10am local time.

CARLY PEARCE - “HONEST WOMAN: UP CLOSE” ROUTING
Thursday, September 10 – Detroit, MI – Saint Andrew’s Hall*
Friday, September 11 – Detroit, MI – Saint Andrew’s Hall*
Wednesday, September 16 – Chicago, IL – Joe’s on Weed*
Thursday, September 17 – Chicago, IL – Joe’s on Weed*
Friday, September 18 – Minneapolis, MN – Fine Line*
Saturday, September 19 – Minneapolis, MN – Fine Line*
Sunday, September 27 – Los Angeles, CA – The Troubadour*
Tuesday, September 29 – Los Angeles, CA – GRAMMY Museum
Thursday, October 15 – Toronto, ON – Toronto Opera House*
Friday, October 16 – Toronto, ON – Toronto Opera House*
Sunday, October 18 – Boston, MA – The Sinclair*
Monday, October 19 – Boston, MA – The Sinclair*
Wednesday, October 21 – New York, NY – Gramercy Theatre*
Thursday, October 22  – New York, NY – Gramercy Theatre*

*With support from Belle Frantz

KING ULTRAMEGA Unveil Tribute Cover Of SOUNDGARDEN's "Loud Love", Ft. Lzzy Hale

In tribute to Chris Cornell, KING ULTRAMEGA presents a high octane interpretation of SOUNDGARDEN's "Loud Love" joined by Lzzy Hale (HALESTORM) leading on vocals, Alex Skolnick (TESTAMENT / METAL ALLEGIANCE) on guitars and drum performance by Dave Krusen (PEARL JAM). KING ULTRAMEGA are raising funds and awareness for MusiCares, the Recording Academy’s nonprofit that provides mental health services, addiction recovery support, and emergency assistance to members of the music community.

"Loud Love" appears on SOUNDGARDEN's 1989 full length Louder Than Love and remains a fan favorite that showcases Chris Cornell's incredible range. Wanting to honor Cornell and the iconic track, and evoke the spirit of this era, Mark Menghi's process for this release saw him take an old school approach in order to achieve the analogue warmth of the original recording. 

On the new release, Lzzy Hale shares: “If there was ever a time to be spreading a message of LOUD LOVE, It’s now.”

Produced by Mark Menghi, "Loud Love" was mixed and mastered by Josh Wilbur. The cover artwork design is by Mark Menghi and the accompanying video is by Tom Flynn. 

Lzzy Hale comments on her approach for tackling vocal duties on "Loud Love", "I don’t think I’ve ever been a good imitator, but I did try to put myself in Chris’ shoes. It’s more about placing yourself inside the song so you can steal its soul. I like to imagine I am the writer and then go about making it my own whilst honoring the original."

On drawing inspiration from Chris, Hale continues, "I feel like I’m always learning something from Chris. Every few years I’ll discover something deeper in his lyrics, or higher in his range. But there is an authenticity that comes with Chris that can’t be taught or trained for. I believe every word he writes. I’m inspired by his control over his animalistic vocal range, and his poetry, but also how honestly he sings." 

Alex Skolnick explains his process on preserving Kim Thayil’s guitar style, "Kim’s playing has a strong sense of groove as well as a rawness and honesty that was especially refreshing when this song first came out (a time of much overproduction & perfection in hard rock). I tried to strike a good balance between referencing and respecting Kim‘s original parts, while also bringing some of my own flavor and ideas, without getting in the way."

Skolnick reveals what it was like working with Menghi outside of METAL ALLEGIANCE: "For the most part, Mark and I have recorded originals in Metal Allegiance, songs that started with a blank page. This time we had a solid road map. In the past, once we had drum tracks, it didn’t matter which of us followed up or whether we tracked separately or simultaneously. This time, we were very dependent on capturing a live performance together in the studio, which was a fun challenge. This tune seemed to require the bass and guitar being locked in while going to tape, I think it’s probably true of most of the Soundgarden catalogue."

Mark Menghi discusses his choice of line-up for "Loud Love": "I knew I wanted Dave to play drums on this tune from the jump. Who better than the dude that played drums on arguably one of the greatest records of all-time and whom also helped lay the groundwork for the Seattle explosion in the late 80’s/early 90’s? I was already in the studio with my Metal Allegiance bro Alex Skolnick putting this finishing touches on a then new Metal Allegiance tune (which turned out to be Black Horizon) when I asked 'Hey would you wanna play on this King Ultramega track?' I just off-the-cuff asked him… what makes it better is I said, “see that old school tape machine over there in the corner? We are going to record our parts together, live, at the same time, the old school way on reel-to-reel!'"

He continues, "The last piece of the 'Loud Love' puzzle was the amazing Lzzy Hale. Having her complete the lineup for this tune is truly humbling. If you listen to the OG version of 'Loud Love', Chris’ vocals are just absolute insanity and who better than Lzzy to tackle this? Lzzy has complete vocal dominance, carries such a strong presence and quite frankly is one of the best vocalists in modern rock today."

A key component of this cover is the analogue production. On taking this creative decision Menghi explains, "It was very important to me to keep this particular song as old school as possible. I wanted to catch the warmth, vibe and feel of the original track which meant (to me) recording to tape, in the same room together and live. Imagine that? A world where you record with other humans in the same room and in analog no less! Reel-to-reel tape recording is a lost art form and was very excited to go back to the recording days of the past for this track. Alex and I are no strangers in recording together; but this was the first time we have ever recorded live together, with real amps blasting and the tape machine running. Truly was a special feel, to capture that live energy."

Dave Krusen of PEARL JAM, who was inducted into the Rock & Roll Hall of Fame in 2017, opens up about revisiting this classic SOUNDGARDEN track. "Seattle was a very turbulent place in the late 80s / early 90s and I think the best thing to come out of it was all the great music. I was a huge Soundgarden fan. I got to meet Chris and Matt when we (Pearl Jam) were working on 10 and they were working on Temple Of the Dog. It was a huge thrill for me. The fact that I was asked to be a part of this King Ultramega record was a huge honor. I was very intimidated to try and tackle the drum parts in 'Loud Love', but the guys I was recording with made it no pressure and a lot of fun."

Krusen shares a personal memory of Chris, "I'll never forget in 1993 backstage at a Pearl Jam show, Chris came up and said 'Hey Dave, it's Chris. Do you remember me?' every time I talked to him, he was always such a sweet guy to me. I miss him and his music. Plus Matt has always been so gracious and cool to me, letting me share his drum throne, was also a huge honor."

The "Loud Love" Lineup Is:

Vocals: Lzzy Hale (HALESTORM)
Guitars: Alex Skolnick (TESTAMENT / METAL ALLEGIANCE)
Bass: Mark Menghi
Drums: Dave Krusen (PEARL JAM)


Connect with KING ULTRAMEGA:

kingultramega.com | Apple Music | Spotify | Deezer | Instagram | Facebook | Tiktok | X

About MusiCares

MusiCares helps the humans behind music because music gives so much to the world. Offering preventive, emergency, and recovery programs, MusiCares is a safety net supporting the health and welfare of the music community. Founded by the Recording Academy in 1989 as a U.S. based 501(c)(3) charity, MusiCares safeguards the well-being of all music people through direct financial grant programs, networks of support resources, and tailored crisis relief efforts.

For more information please visit: www.musicares.org.

Wailin Storms Stoke Fresh Dread on Howling New Single “Dead End”

Recipients of high praise from NPR, The Needle Drop, Brooklyn Vegan, Decibel and Metal Hammer, Wailin Storms have caught fire since migrating to North Carolina in 2014. Now, the Durham natives are fanning the flames even higher with their upcoming fifth album and first for Season of Mist. On The Arsonist, the band deliver a fiery baptism of Southern gothic rock.

Today, Wailin Storms are premiering a suspenseful music video for the third and final advanced single from The Arsonist with Treble. With the ghost of David Lynch riding passenger seat, “Dead End” takes a harrowing post-punk turn.

“‘Dead End’ is about seeing yourself after you die”, Wailin Storms vocalist and guitarist Justin Storms says. “It’s the first song on The Arsonist and one of the first that was written for the album. It flowed out of me while I was messing around with my Strymon El Capistan guitar pedal. It sets the tone by jolting you straight into a fever dream that’s filled with cryptic messages from beyond.

Watch the music video for “Dead End” Below:

The Arsonist comes out July 10, 2026 on Season of Mist

Pre-order & Pre-save

https://orcd.co/wailinstormsthearsonist

Wailin Storms are igniting the stage this summer with a headline U.S. tour. The band will perform “Dead End” and other songs off The Arsonist for the first time, along with crowd favorites from across their critically-acclaimed discography.

Wailin Storms 2026 The Arsonist U.S. Tour

July 17 - Durham, NC @ Stanczyk’s [Album Release Show] [TICKETS]

July 29 - Johnson City, TN @ The Hideaway [TICKETS]

July 30 - Atlanta, GA @ Star Bar [TICKETS]

July 31 - Knoxville, TN @ The Pilot Light [TICKETS]

August 1 - Cincinnati, OH @ Motr [TICKETS]

August 2 - Youngstown, OH @ Westside Bowl [TICKETS]

August 3 - Columbus, OH @ Dirty Dungarees [TICKETS]

August 4 - Pittsburgh, PA @ The Government Center [TICKETS]

August 5 - Baltimore, MD @ Metro Gallery [TICKETS]

August 6 - Brooklyn, NY @ The Gutter [TICKETS]

August 7 - New Hope, PA @ John and Peter’s [TICKETS]

August 8 - Richmond, VA @ Cobra Cabana [TICKETS]

While shrouded by a doomy and dreamy atmosphere, The Arsonist is inflamed by real life anxieties. Taking inspiration from René Magritte, the album’s cover art, which is heavily shadowed except for a tiny house gone up in flames, was painted by Storms himself. “These songs are steeped in the trials and tribulations of everyday life”, he says. The title track is slowly engulfed by love’s eternal flame. “Like the wind controls the sea”, he croons over the gentle sway of his guitar. “You always had a hold on me”. The thunderous climax surges with such feverish intensity that it threatens to send the night of passion up in smoke.  

Amidst the wreckage of The Arsonist, Wailin Storms do find a semblance of peace. “It’s All Dark Now Where Your Eyes Used to Be” ends the album with a ghostly flicker of gothic romance. “I know a place where we can sit and grow old”, Storms offers with grim assurance. A piano tolls like death’s bell as he glimpses up at a church that resembles a skull. “There’s a sliver of hope in coming to terms with death”, he concludes. “Life is temporary and that's where its beauty lies”.  

On The Arsonist, Wailin Storms deliver a fiery baptism of Southern gothic rock.

Lineup
Justin Storms - Lead vocals, rhythm guitar
Ben Melton - Lead guitar, backup vocals, Rhodes organ, piano
Steve Stanczyk - Bass
Mark Oates - Drums

Recording credits
Recorded at Earth Analog in May 2025

Production Credits
Produced and engineered by Matt Talbott
Mixed by Mike Lust at Phantom Manor ("Dead End", "Heart of Mine", "You Never Answered", "The Arsonist", "Never Rest", "The Wind", It's All Dark Now Where Your Eyes Used to Be"
Mixed by Dave Downham at Gradwell House ("Saved", "Patient Night")
Mastered by Dave Downham at Gradwell House

All lyrics written by Justin Storms

Cover art
Justin Storms

Layout and design
Steve Stanczyk

Pre-order & Pre-save

https://orcd.co/wailinstormsthearsonist

Available Formats

Digital Download

CD Digipack

12” Vinyl Gatefold (Black)

12” Vinyl Gatefold (Color)


Follow Wailin Storms
Spotify: https://open.spotify.com/artist/2e1J5JQpROgSuT7RcsUbZ2
Apple Music: https://music.apple.com/us/artist/wailin-storms/451185826
Bandcamp: https://wailinstorms.bandcamp.com
YouTube: https://www.youtube.com/@wailinstorms7
Facebook: https://www.facebook.com/wailinstorms/
Instagram: https://www.instagram.com/wailinstorms/?hl=en

GREEN LUNG - reveal new track/video 'Necropolitan Line'

Albion's masters of folklore, riffs and legends return with another slab of tomb-shaking, crypt-kicking occult rock. Green Lung have revealed their latest track, 'Necropolitan Line', a Motorhead-meets-Deep Purple subterranean rampage across London's infamous Necropolis Railway.

'Necropolitan Line' is taken from Green Lung's forthcoming new record, Necropolitan, due out on Friday September 11th 2026. A monumental portrait of the power of nature over the dreams and dominion of humankind, Necropolitan is also a grand celebration of the occult lore and heavy music scene of the band’s birthplace, the city of London.

Green Lung stated:
"Is there a more fitting subject for a Green Lung song than the Necropolis Railway, a real-life train line that carried corpses and mourners across London in the late 19th Century? Mix in some inspiration from 1972's London Underground-set shocker Death Line, a madcap neoclassical organ/guitar duel that evokes Richie Blackmore and Jon Lord at their finger blistering best, and a record Lung BPM of 180, and you have the second single from our fourth album. We can't wait to play this one live for the first time at the Acid Bath show in Manchester on Thursday. Mind the doors!"

The video, directed by Tracy Mathewson and featuring animation from Joseph Brett, is a tribute to the early 70s German TV show Beat Club, which featured Lung antecedents such as Sabbath, Purple and Lucifer's Friend. Featuring an introduction from longtime roadie Metal Joe, we enter the band's own warped version of the show, titled Crypt Club. Will future episodes follow? Only time will tell...

Pre-order Necropolitan here: https://greenlung.bfan.link/necropolitan
Stream ‘Necropolitan Line’ here: https://greenlung.bfan.link/necropolitan-line
Watch the video for ‘Necropolitan Line’ Below:

On the week that Necropolitan is released, Green Lung will be visiting some selected record stores to sign vinyl and CDs, plus fans will have the chance for a photo op with their very own Goatwizard. Head to greenlung.co.uk for more details! And keep your eyes peeled for more events as we get closer to release…

Friday 11-Sep       London, UK Rough Trade East (1pm BST)
Saturday 12-Sep   Manchester, UK HMV Manchester (5pm BST)
Sunday 13-Sep     Birmingham, UK HMV Vault (2pm BST)
Monday 14-Sep     Bristol, UK Rough Trade Bristol (1pm BST)

Later this year, Green Lung will be embarking on their European Dance to the Grave Tour MMXXVI. Special guests will be High On Fire with support from Gnome. The tour poster was designed by the band's frequent collaborator, Richard Wells.

GREEN LUNG
DANCE TO THE GRAVE TOUR MMXXVI
w/ High On Fire & Gnome

03-Dec   BE  Antwerp @ Trix
04-Dec   DE  Frankfurt am Main @ Batschkapp
05-Dec   DE  Munich @ Backstage
07-Dec   AT  Vienna @ Arena
08-Dec   DE  Leipzig @ Anker
10-Dec   DE  Hamburg @ Große Freiheit 36
11-Dec   DE  Berlin @ Astra Kulturhaus
12-Dec   DE  Cologne @ Carlswerk Victoria
13-Dec   NL  Tilburg @ O13
14-Dec   FR  Paris @ Bataclan
16-Dec   UK  London @ The Roundhouse
17-Dec   UK  Bristol @ Bristol Electric
18-Dec   UK  Manchester @ Manchester Academy
19-Dec   IE  Dublin @ The Academy
20-Dec   UK  Glasgow @ SWG3 Galvanizers

For more information and tickets head to: https://www.greenlung.co.uk/

You can also catch Green Lung this weekend on June 25th at Manchester Academy, with Acid Bath and Conan.

25 June - UK  Manchester, Manchester Academy *supporting Acid Bath 

A cult band in every sense of the word, Green Lung emerged from London’s heavy rock scene with self-released debut EP Free the Witch (2018).

Drawing on a host of peculiarly British musical influences, from doomy hard rock to pastoral prog and psych to the Hammer Horror theatrics of the NWOBHM, the band have swiftly risen to the forefront of the UK metal scene.

Lyrically celebrating the folklore, myths and legends of Britain, they conjure the wild and witchy spirit of their forebears for a new generation.

Green Lung have released three critically acclaimed albums, Woodland Rites (2019), Black Harvest (2021) and This Heathen Land (2023). They have toured internationally with Clutch, Opeth and Unto Others, and performed on festival stages from Roadburn to Download. Their latest album This Heathen Land landed at #1 on the UK’s Official Rock and Metal Album Chart.

"This is heavy metal how it should be done" The Guardian

WEBSITE | FACEBOOK | INSTAGRAM | YOUTUBE | TIKTOK | SPOTIFY
 APPLE MUSIC | BANDCAMP

AMBERIAN DAWN Share "Moon" Video — WATCH + LISTEN

FIRST ALBUM WITH NEW SINGER NICOLE WILLERTON, TEMPTATION'S GATES, RELEASES JUNE 26 VIA NAPALM RECORDS — PRE-ORDER

Finnish symphonic metal band AMBERIAN DAWN push into their new era with an invocation to the "Moon." The fourth single off of their upcoming album, Temptation's Gates, shows yet another facet of their fresh sound, turning up the speed to blast beat intensity. Still, "Moon," which features prominent keyboard and guitar solos, remains magical up until its unexpected end. The final screams show the change the band is making with their new singer, Nicole Willerton—AMBERIAN DAWN are more determined than ever. The accompanying album, Temptation's Gates, will be out this coming Friday, June 26 —make sure to get your copy of their first step into the new era! Additionally, the band will play a record release show in Helsinki on June 28 at the official afterparty of Tuska Festival.

Tuomas Seppälä about "Moon":
"I composed this song just a few weeks after we had recruited our new vocalist. From the very beginning, it carried an exceptionally dark and haunting atmosphere, and I wanted to preserve that exact feeling throughout the entire process. For the first time in my career, I decided to introduce growling vocals into the arrangement. It felt completely natural in this song, and I knew Nicole could deliver it with the right intensity and emotion. It had been a long time since I last recorded a guitar solo myself, and stepping back into that role made the experience even more personal. This track captures a darker and more haunting side of our new era."

Nicole Willerton about "Moon":
"The song "Moon" is about finding hope, tranquility, and inner peace in a world filled with destruction, greed, and suffering. The moon serves as a guiding light and a symbol of beauty, reminding us that even when life feels overwhelming or full of misery, it's important to cherish the simple beauties of life, such as nature and the freedom of the spirit."

Watch the Official Music Video for "Moon" Below!

Rising from the home of symphonic metal are AMBERIAN DAWN: The Finnish five-piece is set to open Temptation's Gates, their new album, out on June 26 via Napalm Records. The band's first release with new singer Nicole Willerton takes them onto a more modern, occasionally even surprisingly rough path. With it, AMBERIAN DAWN, led by founder, guitarist, and main composer Tuomas Seppälä, slowly emancipate themselves from being "just" the band who—gloriously!—covered Swedish pop legends ABBA with their previous album, Take a Chance — A Metal Tribute to ABBA (2022).

Infusing their epic keyboard sounds with guitar-driven melodic metal, AMBERIAN DAWN reach into a world unknown and prove their versatility while their catchy anthems remain strong and charming as ever. Temptation's Gates has the band determined for a future sparkling temptingly bright — and they're ready to step through that gate.

Tuomas Seppälä about Temptation's Gates:
"When I started working with our new singer, I felt the same kind of excitement I had years ago when I began creating our debut album back in 2007 and 2008. At that time, AMBERIAN DAWN were still newcomers to the band world, even though we were already experienced musicians. With Temptation's Gates, I felt that same spark of creating something new for the first time in a long while. I hadn't composed many songs yet when I began collaborating with our new vocalist. Most of the material came together surprisingly fast once I realized how easy and natural it was to work with her. I was deeply inspired by Nicole's enthusiasm, dedication, and efficiency. I truly feel that the band has been reborn with her joining us. Musically, our style has evolved once again, perhaps moving slightly back toward a heavier, more metal-driven direction. At the same time, elements of our classic sound and identity are naturally still present. In many ways, creating this album felt like going back to my roots. For the first time in a long while, I also took on a bigger role as a guitarist. I focused more on crafting guitar riffs, played roughly half of the guitar leads on the album, and even performed one full guitar solo myself."

Nicole Willerton about Temptation's Gates:
"Temptation's Gates is the first album I've sung on and recorded with AMBERIAN DAWN, and it has been a beautiful experience. While writing the lyrics, each song was inspired by feelings, memories, and moments that were especially prominent during the creation of the album. Writing the lyrics felt like diving into the subconscious, bringing these emotions to the surface. It was wonderful to explore the creative process of arranging the backing vocals. I especially love how AMBERIAN DAWN's music makes strong use of backing vocals, helping to create a fuller, richer sound around the lead vocals. It's definitely a fiery album that combines a broad spectrum of emotional depths, ranging from love and melancholy to darker elements such as fear and inner struggles. A recurring message throughout the album is to embrace one’s true desires and to accept and acknowledge one’s honest feelings."

Get Your Copy Of Temptation's Gates NOW!

AMBERIAN DAWN ARE:
Tuomas Seppälä — Keyboards, Guitar
Nicole Willerton — Vocals
Emil Pohjalainen — Guitar
Joonas Pykälä-aho — Drums
Jukka Hoffren — Bass

California dreampop outfit Soft Science return with 'Spinning', heralding novel 'Sand' album

Sacramento-based outfit Soft Science presents 'Spinning', a propulsive and emotionally charged track and the first offering from their fifth album 'Sand', scheduled for release on September 4th via Shelflife Records in North America and Spinout Nuggets in the UK. The accompanying video was created by directed and edited by Matthew Maxwell. 

Building on the band’s signature blend of dream pop, shoegaze and indie rock, ‘Spinning’ captures the dizzying frustration of being caught in an emotional loop—repeating the same conversations, hoping to be heard, and wondering if anything is finally getting through. Pairing shimmery atmosphere with a sense of restless momentum, the band manage to turn relationship fatigue into something hypnotic, melodic, and deeply relatable.

Comprised of longtime collaborators Katie Haley (lead vocals, percussion), Matt Levine(lead guitar), Ross Levine (guitar, backing vocals), Tony Cale (drums), Becky Cale (bass, backing vocals), and Hans Munz (atmospheric electronics), Soft Science crafts immersive dream pop defined by layered guitars, ethereal vocals, synth textures, and post-punk-influenced propulsion.

"Spinning is one of my favorite songs on 'Sand' - It has such strong energy. It’s the kind of song that is catchy and you can’t help moving to it, but it also has a lot of tension, which fits so well with the lyrics. Matt’s guitar work really adds to the mood and tension felt in the song," says Katie Haley.

"We had the melody and the idea of “Round and Round” and then Ross came up with the chorus lyrics “You got me spinning round, am I getting through now.” I loved it and felt inspired immediately to come up with the verses. Generally, I find ruminating on things, talking about the same issue over and over with no resolution, and prolonged indecision really irritating and I was dealing with a couple situations with these themes at that time. Once Ross set the chorus the rest of the words poured out."

With ethereal vocals, twin 12-string guitars, bass, drums, and synthesizers, the band layers luminous melodies, celestial harmonies, and propulsive rhythms into lush, transportive songs. As showcased via KEXP sessions and noted by critics, Soft Science pairs a bright melodic sensibility with a melancholy undertow, creating music that is both immediate and deeply atmospheric.

"I've always loved using straightforward driving guitars with a looping hook on the bass to create a constant sense of propulsion. On 'Spinning', I was looking for that energy. Katie's soft, flowing melody, aginst that really brought it together. The last thing we recorded was the chorus harmony she came up with - it really kicked it up a level. The missing link it needed, lifting the whole track," says Ross Levine.

Highlighting the track’s experimental approach, Matt Levine shares, "Spinning is really special.  We were talking about doing backwards guitar leads, which, in a way, seemed easy, but how do you make it feel intentional?  So I started high and descended with the general idea that I wanted the lead to do the opposite. To my amazement, the result of the first take was amazing. The next challenge was how to play a backwards lead forward live, something I've never had to work through before."

Across the ten tracks on 'Sand', Soft Science expand their sound while retaining the melodic clarity and emotional resonance that define their work. The album explores impermanence—how love, memory, and identity shift under pressure—and what it means to keep choosing connection in a world with no guarantees. Across ten tracks, the band balances shimmering atmosphere with urgency and movement, shaping one of their most immersive and emotionally direct releases to date.

Soft Science's latest album was 'Lines' (2023), preceded by 'Maps' (2018), 'Detour' (2013), and 'Highs and Lows' (2011), along with singles including a split 7” with The Luxembourg Signal (2015), and The House of Lovecover ‘I Don’t Know Why I Love You’and their rendition of Northern Picture Library's ‘Paris’ (both 2018).

Having earned critical acclaim over the years, Soft Science has done live sessions at KEXP, WFMU, and Part-Time Punks in Los Angeles, and has performed at New York Popfest, Paris Popfest, The Big Takeover’s 35th Anniversary show, Schellraiser Festival, Tremolo Fest and Dreamgaze PDX, apart from select US and European shows.

As of June 23, 'Spinning' available digitally everywhere, including Spotify, Apple Music and Bandcamp. The 'Sand' album will be released via Shelflife Records (US) and Spinout Nuggets (UK) - on both CD and vinyl - on September 4th.

ALBUM CREDITS
Lyrics written by Katie Haley & Ross Levine
All songs written by Katie Haley, Ross Levine, Matt Levine, Becky Cale & Tony Cale
except 'Thread', 'Without' and 'Sway' are written by
Katie Haley, Ross Levine, Matt Levine, Becky Cale, Tony Cale & Hanz Munz
Katie Haley - vocals, percussion
Ross Levine - backing vocals, synths, additional guitars
Matt Levine - guitar
Becky Cale - bass guitar, backing vocals
Tony Cale - drums
Hans Munz - additional electronics
Recorded at Shattered Records and The Pool House
Engineered by Jack O'Donnell
Additional Engineering by Ross Levine
Mixed by Kev Bolus at OneEleven
Mastered by Antony Ryan at Red Red Paw
Produced by Soft Science
Artwork by John Conley
c @ p Shelflife Records / Spinout Nuggets 2026
UPC code for the vinyl LP - 759159696649
UPC code for the CD - 759159696656


Keep up with Soft Science 
Website | Bandcamp | Facebook | Instagram | Twitter | YouTube | Spotify | Apple Music | Press contact

Keep up with Shameless Promotion PR
Website | Facebook | Twitter |  Instagram | BlueSky | Threads  | Soundcloud | LinkedIn | Ema il 

Dogma Unleash Cinematic New Single - My Matricidal

Following a breakout year that saw DOGMA sell out every European headlining show, complete its largest Latin American tour to date, and continue its rapid international ascent, the band returns today with “My Matricidal,” the highly anticipated new single and music video. 

"My Matricidal" is a theatrical collision of aggressive guitars, ritualistic percussion, haunting cinematic soundscape, soaring vocal performances, and a relentless series of sonic blows that steadily escalate toward a towering climax. The result is a dark, emotionally charged composition that expands the band's signature blend of hard rock, metal, and provocative storytelling.

Accompanying the single is an ambitious new music video that expands the narrative introduced in “Fate Unblinds,” revealing another key piece of the puzzle while raising new questions about everything that came before.

Regarding the new release, Lilith comments, "The themes explored in ‘My Matricidal’ are not really about betrayal. They are about recognition. There comes a moment in every person's life when something they believed, trusted, or accepted can no longer withstand reality. Most people spend their energy focusing on the deception itself, but I think the more important question is what happens after the truth becomes impossible to ignore. Some people retreat into anger or denial. Others choose to learn from it and move forward with greater clarity. That moment of choice has always fascinated me because it ultimately shapes the direction of a person's life. The truth reveals itself in time. What you do with it is your responsibility. You shape your fate."

The release arrives at a pivotal moment in DOGMA's continued growth. During the first half of 2026, the band completed its largest European and Latin American touring cycle to date, performing for thousands of fans across both continents. Every European headlining show sold out, including appearances in London, Manchester, Wolverhampton, Bristol, Eindhoven, Hamburg, and Munich.

The momentum continues this summer as DOGMA returns to Europe for appearances at major festivals including Copenhell, Basinfire, Tuska, Rockharz, Rock Imperium, and Resurrection Fest, alongside a special headlining performance in Istanbul.

With the release of “My Matricidal,” DOGMA maintains a single position: The truth reveals itself in time.

Upcoming festival dates:

Jun 29: Istanbul, Türkiye · Blind
Jul 2: Ballenstedt, Germany - Rockharz Festival
Jul 4: Viveiro, Spain · Resurrection Fest
Jul 5: Cartagena, Spain · El Batel Park

Follow Dogma:

Instagram
TikTok
Facebook
YouTube

Blake Shelton Hits Top 30 at Country Radio with "Let Him In Anyway"

Country music superstar Blake Shelton continues to build momentum with his latest single, “Let Him In Anyway,” which has climbed into the Top 30 on Country radio and experienced a 30% increase in streaming.

Written by Michael Hardy, Zach Abend, Kyle Clark and Carson Wallace, “Let Him In Anyway” has become one of Shelton’s most personally meaningful recordings.

“If you can hear this song and it doesn’t punch you in the gut and break your heart, you probably need to be examined in other ways,” Shelton said.

“I just wanted this song to have a platform and a way to be heard. That’s what I love about our writers in Nashville and what I love about country music in general. Great songs come out of this town every day, and every now and then you're lucky enough to get your hands on one. I think this is one of those songs.”

The song's impact extends beyond radio, with fans quickly connecting with the official music video, further fueling the track's growing success across streaming and digital platforms. The music video is available below.

The song's momentum comes on the heels of Shelton's performance at CMA Fest earlier this month. Fans who weren't able to attend the Nashville event can catch the performance when “CMA Fest presented by SoFi” airs Thursday, June 25, at 8/7c on ABC and streams the next day on Hulu.

“I love coming to CMA Fest and everything I get to do here, but the stadium show is the centerpiece of it all,” Shelton said. “My first appearance at CMA Fest was in 2001, and 25 years later I'm still getting invited back. I know how lucky I am and how rare that is, so I'm taking it all in and enjoying every minute.”

Hosted by Riley Green and Good Morning America co-anchor Lara Spencer, “CMA Fest presented by SoFi” is a three-hour television event featuring unforgettable performances, special collaborations and standout moments captured during the 2026 CMA Fest in Nashville, giving fans front-row access to one of Country Music's most star-studded weekends.

Photo Credit: Robby Klein

ETERNAL RECURRENCE Unleash New EP Eternal Recurrence, Release Music Video For "Precious Stones"

ETERNAL RECURRENCE presents the debut self titled EP, Eternal Recurrence. Led by composer and multi-instrumentalist C. Alex Luke, ETERNAL RECURRENCE embraces the symphonic metal genre from an alternative perspective with orchestral arrangements drawn from chamber music. The new EP release arrives alongside a music video for the track "Precious Stones". 

The creative process behind “Precious Stones” differs from the rest of the track list on Eternal Recurrence as it was the first song written for the EP dating back to the COVID pandemic. Initially composed as a straightforward metal track with no symphonic elements, “Precious Stones” was subsequently reworked to incorporate the chamber music arrangement and adhere to the new creative direction for ETERNAL RECURRENCE. 

"Precious Stones" features two guest vocalists. Mordian of DIAMORTE and SHIELD OF WINGS delivers a powerful alto performance during the chorus and bridge, while James Dorton of BLACK CROWN INITIATE, DIAMORTE and NE OBLIVISCARIS contributes harsh vocals to the heavier sections of the song.

Furthermore, “Precious Stones” is the only song on the EP not written by C. Alex Luke. The lyrics were written by Jake Thiele, Luke’s former bandmate from UNTIL EXTINCTION. On the lyrical theme Thiele shares, "In short, ‘Precious Stones’ is about the futility and stupidity of the things that divide us and how we let them suck the enjoyment out of life.”

All material on Eternal Recurrence was composed around a chamber ensemble led by German Dmitriev on violins, Steven Schumann on cellos, Maciek Szczyciński on double bass, and C. Alex Luke on piano. These elements are combined with aggressive guitars, lead work, and drumming rooted firmly in modern metal. The EP cover artwork and layout is by Timur Khabirov at All4band Design, and the project's logo was designed by Pavel Kurbanov at All4band Design.

About ETERNAL RECURRENCE:

ETERNAL RECURRENCE is a symphonic metal project based in Chicago, Illinois, founded in 2025 by multi-instrumentalist and composer C. Alex Luke. Known for blending progressive and extreme metal with classical instrumentation, the project takes a chamber music approach to symphonic metal, prioritizing the nuance and expressiveness of real musicians over large-scale orchestral simulation.

Drawing influence from bands such as KAMELOT, EPICA, OPETH, DREAM THEATER, and REVOCATION, ETERNAL RECURRENCE balances intricate compositions with aggressive modern metal. While traditional symphonic metal often relies on massive orchestras or dense sampled arrangements, ETERNAL RECURRENCE was created around the belief that the human touch of live performance remains essential, especially in an era increasingly shaped by artificial intelligence.

Rather than emulating 19th and 20th century symphonic traditions, the project looks to chamber music for inspiration. Chamber ensembles are designed for smaller spaces and intimate performances, emphasizing clarity, interaction, and detail. This philosophy defines the sound of ETERNAL RECURRENCE.

All material on the debut release, Eternal Recurrence, was composed specifically for a chamber string ensemble alongside full metal instrumentation. The ensemble features German Dmitriev on violins, Steven Schumann on cellos, Maciek Szczyciński on double bass, and C. Alex Luke on piano, integrated with heavy guitars, technical leads, and aggressive drumming.

Released independently in 2026, Eternal Recurrence serves as both an introduction and a mission statement, presenting symphonic metal that values realism, restraint, and emotional detail without sacrificing heaviness or intensity. The project exists at the intersection of classical tradition and modern metal, focused on authenticity, composition, and the expressive imperfections that only human performers can provide.

THREE LEFT DELIVER AN EMOTIONAL AND EXPLOSIVE BLOW WITH NEW SINGLE AND VIDEO "WITHOUT WARNING"

'Without Warning' is controlled chaos. It's about the moments that blindside you and force you to decide whether or not you're going to break or fight back. We wanted the music to hit as hard as the feeling does."

Sometimes the biggest battles are the ones you never see coming. One moment everything feels normal. The next, your world is turned upside down. Without Warning is about the chaos, betrayal and the fight to survive what comes next.

Watch the official music video from THREE LEFT and experience the story for yourself. If you love hard hitting modern rock, subscribe and join us for what comes next.

Modern rock band THREE LEFT confronts chaos, betrayal, and survival with their powerful new release.

Life can change in an instant.

One moment everything feels normal. The next, everything you thought you knew has been shattered. That emotional whiplash serves as the driving force behind "Without Warning," the latest single and music video from hard-hitting modern rock outfit THREE LEFT.

Packed with soaring melodies, crushing guitars, and emotionally charged performances, "Without Warning"explores the devastating reality that sometimes the biggest battles are the ones nobody sees coming. It's a song about navigating the wreckage left behind by betrayal, enduring chaos, and finding the strength to survive when life takes an unexpected turn.

"Without Warning" doesn't pull punches. Instead, THREE LEFT channels pain and uncertainty into an anthemic release that is as cathartic as it is explosive.

LISTEN ON:

SPOTIFY

YOUTUBE

APPLE MUSIC

REVERB NATION

THREE LEFT BIO:

Built on heavy riffs, soaring hooks, and unapologetic energy, Three Left is a modern hard rock band delivering the kind of music that feels equally at home on active rock radio and a festival main stage. Hailing from Wisconsin, the band has carved out a sound that blends driving guitars, melodic vocals, and arena-sized choruses with the intensity and authenticity that today’s rock fans demand.

At a time when rock music continues to evolve, THREE LEFT stands firmly in the lane of modern active rock, combining aggressive musicianship with memorable songwriting. Their music explores the unpredictability of life, fractured relationships, personal struggles, and the moments that change everything—wrapped in a sound designed to hit hard while staying accessible to a broad rock audience.

The band’s latest single, “Without Warning,” marks a major step forward. Released with a cinematic music video, the track captures the chaos of unexpected life-changing moments through explosive instrumentation and a massive singalong chorus. The song showcases what has become the band’s calling card: heavy without sacrificing melody and emotional without losing intensity.

THREE LEFT has built its following through relentless promotion, independent hustle, and a growing reputation for energetic live performances. Whether playing intimate clubs or larger regional stages, the band brings a high-impact show built around audience engagement and the belief that every performance should leave a lasting impression.

As independent artists, THREE LEFT continues to expand its reach through strategic releases, professional production, and an unwavering commitment to connecting with fans. With “Without Warning” introducing the next chapter of the band’s evolution, THREE LEFT is positioned to make an impact across active rock radio, streaming platforms, and the festival circuit.

For fans of modern hard rock that values both power and melody, THREE LEFT delivers songs that hit with purpose and performances that demand attention.

THE ETERNAL Release Video For New Single "Existing To Expire"

Australian/Finnish dark progressive gothic metal collective THE ETERNAL have unveiled a brand-new video for their latest single, "Existing To Expire." The song is the second track to be released from the band's highly anticipated eighth full-length studio album, Obscured Horizons, which will be released worldwide on September 18 via Reigning Phoenix Music.

Following the acclaimed first single, "Lament For The Hollow," "Existing To Expire" offers another powerful glimpse into what is shaping up to be THE ETERNAL's most immersive and definitive work to date. Expanding on the emotional weight, cinematic scope and haunting atmosphere that have become hallmarks of the band's sound, the new single further reveals the depth and ambition of Obscured Horizons.

The album is available for pre-order starting today: https://theeternal.rpm.link/horizonsPR

About the new single, Mark Kelson reveals:
"Existing to Expire explores that moment where you confront the weight of your own disillusionment—when truth and illusion blur to the point that you feel stripped of clarity and left in the dirt. For me, it’s about reclaiming agency after that collapse. There’s a strong sense of breaking free from passivity, which speaks to an internal turning point, a refusal to simply exist in a state of decay. In that sense, ‘existing to expire’ isn’t just about mortality, it’s about recognising a cycle of stagnation and choosing to rise from it, even when identity itself feels like it’s dissolving.”

Stream "Existing To Expire": https://theeternal.rpm.link/existingPR

Watch the new video Below:

Following the widespread acclaim of their 2024 full-length Skinwalker and the evocative companion EP Celestial, THE ETERNAL return with Obscured Horizons, an album that stands as both culmination and evolution. 

Where Skinwalker was hailed for its emotional weight, cinematic scope and seamless fusion of melancholic atmosphere with crushing heaviness, and Celestial further expanded the band's sonic palette with its introspective depth and dynamic intensity, Obscured Horizons pushes even further into uncharted territory. The album refines THE ETERNAL's signature blend of doom-laden textures, progressive sophistication and haunting melodic resonance, while embracing a broader, more expansive sound that feels both intimate and monumental.

At its core, Obscured Horizons is an exploration of disillusionment, fractured identity and the struggle to reclaim clarity in a world saturated with distortion. The album moves through states of emotional collapse, liminal transition and existential unrest, confronting deception, both external and internal, before emerging into renewal and self-awareness. Rather than surrendering to decay, Obscured Horizons charts a defiant ascent, refusing numbness, rejecting illusion and ultimately reclaiming light from the shadows that threaten to eclipse it.

With Mark Kelson (vocals/guitars) and Richie Poate (guitars) in Melbourne, alongside Niclas Etelävuori (bass; ex-Amorphis/Flat Earth) and Jan Rechberger (drums; Amorphis) in Helsinki, THE ETERNAL remain a truly international collaboration, unified across continents yet bound by a singular artistic vision.

Their sound continues to resonate with listeners drawn to the emotional gravity of dark metal while carving a path distinctly their own. As they enter a new creative chapter with their gaze fixed firmly on the unseen, Obscured Horizons represents a bold statement from a band continuing to evolve while remaining true to its artistic identity.

THE ETERNAL Australian Live Dates, with AMORPHIS:
September 23, 2026 The Croxton Bandroom, Thornbury, VIC
September 24, 2026 The Triffid, Newstead, QLD
September 25, 2026 Liberty Hall, Moore Park, NSW
September 26, 2026 The Basement, Belconnen, ACT

 

THE ETERNAL is:
Mark Kelson / Guitar & Vocals
Richie Poate / Guitar
Niclas Etelävuori / Bass
Jan Rechberger / Drums & Percussion
 

More on THE ETERNAL:
Facebook | https://www.facebook.com/TheEternal
 Instagram | https://www.instagram.com/theeternalofficial/
 X | https://www.twitter.com/theeternalband
 TikTok | https://www.tiktok.com/@theeternalofficial
 YouTube | https://www.youtube.com/channel/UC4vJAnrZbwUesT_FlY03mdw

Roux & Ruin Welcomes In Your Grave to Roster + Band Shares "Bleed for the Thrill" Video

Roux & Ruin Records is pleased to welcome Salt Lake City's IN YOUR GRAVE to the roster.

The band shares the video for new single "BLEED FOR THE THRILL." Watch it below.

IN YOUR GRAVE, formed in 2020, bring deathcore built on a metalcore foundation. Crushing breakdowns, razor-sharp riffs, and a dynamic range that hits you from every angle. They aren't chasing trends. They're writing songs that demand your full attention, then drag you back for more.

"Every song hits harder than you expect, and that's not an accident," says label founder Adrianne Perrodin. "This band earns it. In Your Grave has been part of this label's foundation from day one. They grind, they deliver, and they've been everything we hoped to build this label around."

If you're into Left to Suffer, Spite, and Whitechapel, this one is non-negotiable.

BEHEMOTH UNLEASH NEW SINGLE & VIDEO 'I, SCVLPTOR'

Polish extreme metal legends, BEHEMOTH, unleash 'I, Scvlptor', the first single from their new studio release, I, Scvlptor. The music video was produced by the acclaimed Polish production collective Grupa 13, while the cover artwork and design were created by long-time Behemoth collaborator Bartek Rogalewicz /LODGE.BLACK.
 
Listen to 'I, Scvlptor' digitally via Nuclear Blast: 
https://behemoth.bfan.link/i-scvlptor

Pre-order the physical release of I, Scvlptor:

Massacre Records: 
www.iscvlptor.com

Behemoth Webstore: 
https://behemoth-store.com/en-ea/collections/i-scvlptor

Watch the music video for 'I, Scvlptor' Below:

Nergal commented on the new single:
 
“'I, Scvlptor' is a new Behemoth song rooted in the tradition of monumental tracks like 'O Father O Satan O Sun!', 'Lucifer' or 'Nieboga Czarny Xiądz', while at the same time opening a new chapter. It carries that epic weight but also takes an unexpected turn that makes it feel fresh and different from the previous pieces. Lyrically, it is a metaphor for the endless process of shaping oneself - an uneven struggle with matter and personal limitations. The paradox is that from the moment we are born we are already destined to die, so perhaps it is not about victory itself, but about the constant act of sculpting who we are”.
 
'I, Scvlptor', which will be out 04 September 2026, is an exclusive release featuring eight previously unreleased songs - seven new studio recordings and one live track. It is an autonomous body of work that bridges the band's foundational past with their present creative fire. The release features brand-new studio material embodying the full force of Behemoth's live energy and intensity. Two tracks - 'Rise of the Blackstorm of Evil' (from The Return of the Northern Moon, 1992) and 'In Thy Pandemaeternum' (from Pandemonic Incantations, 1998) - are newly re-recorded versions of early Behemoth material, reshaped with modern sonics while preserving their original spirit; a tribute to the bands who had a huge influence on Behemoth - 'In League With Satan' (originally by Venom, feat. Shagrath of Dimmu Borgir) and 'The Return of Darkness and Evil' (originally by Bathory, feat. Sakis Tolis of Rotting Christ). Available on CD, LP, MC and Limited-Edition Box Set through Massacre Records worldwide and digitally via Nuclear Blast Records.

Nergal commented:
 
“We’re fucking excited about the release of I, Scvlptor. Even though it’s not a regular studio album and is, in fact, more of a compilation, the mere fact that it contains songs nobody has ever heard before makes it a significant release for us. What’s more, some of these tracks are likely a little different from what we offered on our last album, The Shit Ov God. That’s why we see I,Scvlptor as an important record — a connecting piece, a bridge between where we are now and whatever may come next in the distant future.”

In October 2026, two of the most influential forces in extreme metal join together for a monumental tour: Behemoth and Dimmu Borgir will embark on the “In League with Satan” co-headline tour (with special guests, Dark Funeral), storming across Europe and the UK. Details below:  


IN LEAGUE WITH SATAN TOUR 2026
BEHEMOTH + DIMMU BORGIR

09 Oct – Zurich, Switzerland – Halle 622
10 Oct – Zwickau, Germany – Sparkassen-Arena Zwickau
11 Oct – Esch-sur-Alzette, Luxembourg – Rockhal
13 Oct – Milan, Italy – Alcatraz
14 Oct – Munich, Germany – Zenith
16 Oct – Paris, France – Zenith
18 Oct – Den Bosch, Netherlands – Mainstage
20 Oct – Cologne, Germany – Palladium
22 Oct – Hamburg, Germany – Inselpark Arena
23 Oct – Berlin, Germany – Columbiahalle
24 Oct – Brno, Czech Republic – Hala Vodova
25 Oct – Katowice, Poland - Spodek [JUST ANNOUNCED]
27 Oct – Helsinki, Finland – Ice Hall
29 Oct – Stockholm, Sweden – B-K
30 Oct – Copenhagen, Denmark – K.B. Hallen

TICKETS: https://www.behemoth.pl/

Drown In Sulphur Sign with Noble Demon and Release their New Single + Video "New Moon Rising On Florence"

Italian blackened deathcore heavyweights Drown In Sulphur sign with Noble Demon and release their brand new single and music video "New Moon Rising On Florence"! The song is taken from their upcoming EP Strix, out on September 11th and is available to pre-save here: https://music.nobledemon.com/strix

 

As the latest addition to the German Metal Specialist Record Label, DROWN IN SULPHUR proudly present new music with a fresh band line-up.

Serving as a definitive look into the band’s revamped sonic direction, "New Moon Rising On Florence" unveils a track that is raw, visceral, and uncompromisingly heavy. The single serves as a focal point for the wider narrative of Strix, blending the nostalgic fury of MySpace-era deathcore with grim black metal influences, marking a deliberate shift toward a less symphonic, more hardcore sound.

 

Stream the single here: https://music.nobledemon.com/florence

 

Watch the video for "New Moon Rising On Florence" Below:

"With 'New Moon Rising On Florence,' we wanted to capture a sound that is entirely authentic and recognizable to the Drown In Sulphur name," the band shares. "Following our recent lineup changes, we entered a period of deep reflection. We knew we needed a change—a return to something rawer and more grounded in our origins, yet adapted for the modern era. We stripped back the symphonic layers to let the pure, unfiltered aggression take over. The result is a track that feels incredibly organic and devastating."

 

They continue: "Thematically, this song and the wider EP dive deep into esoteric, biblical, and dystopian contexts, heavily intertwining Masonic references. It all revolves around the mythological figure of the 'Strix'—the ancient nocturnal bird of ill omen. Florence becomes the backdrop for this dark ritual, signaling a new, rebellious vision of the world where ancient horrors resurface in modern times."

With Strix, Drown In Sulphur delivers a desperate and focused body of work born out of a renewed hunger for reinvention. The upcoming EP leaves behind traditional symphonic tropes to deliver a sound driven by raw energy and complex, occult storytelling—blurring the lines between theological dread and sonic violence.

 

As the first Deathcore band on Noble Demon, the label is expanding its style further into more extreme realms and CEO Patrick Walch comments about the brand new signing:

“I’ve been following this band for quite a while since personally I adore Deathcore and DROWN IN SULPHUR’s sound is outstanding. Intense and unique, right in your face and the right match for everyone who digs Death Metal, Metalcore, Modern Metal and anything in between. Check out their impressive catalog and watch out for our legendary and practical pre-save links since new music is already around the corner.”

 

The band shares the excitement and adds:
"We're delighted to announce our partnership with Noble Demon Records, a new growing and professional label. We can't wait to embark on a new journey and a new adventure with their help and support. There will be lots of news and, above all, new music on the way. Stay tuned".

 

Formed in Milan, Italy in 2014, Drown In Sulphur quickly shook the underground metal scene, securing millions of streams and views with their explosive early singles "An Epilogue to the Arrogant" and "Blackwind." Through a relentless creative fire and an evolving lineup, the project dropped a string of powerful full-lengths, including Sulphur Cvlt (2021), Dark Secrets Of The Soul (2024), and the rebellious Vengeance (2025).

 

Now, reinforced by their current definitive lineup, the band enters their most authentic era yet.

 

Drown In Sulphur is:

Manuel Riboldi – Vocals

Erik Bellan – Rhythm Guitar

Ciprian Grigore – Lead & Rhythm Guitar

Domenico Francesco Tamilia – Drums & Backing Vocals

 

Strix will be available on Sept. 11 on all major streaming platforms. You can pre-save and pre-order the EP at this location: https://music.nobledemon.com/strix

Black Metal Kings DARK FUNERAL Announce New Live Album 'A Beast To Praise' Set for Release on August 21st via Century Media

The Swedish kings of black metal, DARK FUNERAL, proudly announce their long-awaited new live album, 'A Beast To Praise,' set for worldwide release via Century Media on August 21, 2026.

Recorded at Fållan in Stockholm in 2022, 'A Beast To Praise' captures DARK FUNERAL's devastating live performance in support of their acclaimed album 'We Are The Apocalypse.'Spanning 13 tracks and nearly 70 minutes, the release showcases the band's relentless stage presence while celebrating an album that entered the charts across Europe upon it's 2022 release, including #6 in Germany, #13 in Finland, #28 in Switzerland, #29 in Austria, and #31 in Sweden.

The first preview of the upcoming live release arrives today in the form of the single and live video for "The Arrival Of Satan's Empire," which can be viewed below.

Watch the Live Video for "The Arrival of Satan's Empire" Below:

DARK FUNERAL’s Lord Ahriman comments on ‘A Beast To Praise’:

“‘A Beast To Praise’ (Live at Fållan, Stockholm) captures a very important moment in the history of DARK FUNERAL — not only the live release ritual for ‘We Are The Apocalypse,’but also our return to the stage after years of silence during the pandemic. That night at Fållan was intense in every possible way. The energy in the room, the fire, the audience and the atmosphere all came together into something far beyond an ordinary concert. This release is the immortal document of that night. With the release of this live album and the upcoming European touring cycle in the fall of 2026, we now close the chapter surrounding ‘We Are The Apocalypse.’ At the same time, we are already deeply focused on the next era of DARK FUNERAL and hard at work creating new material for what will become our next studio album, planned for release in 2027. And as one chapter closes, a new one is already taking shape — bigger, darker and more epic than ever before...”

Pre-Order 'A Beast To Praise' HERE

DARK FUNERAL will next embark on the massive “In League With Satan” tour across Europe together with Behemoth and Dimmu Borgir in October. All upcoming tour dates currently announced can be found below.

DARK FUNERAL Live:

August 6-9 - Schlotheim, Germany @ Party.San Open Air

August 28-30 - Câmpulung, Romania @ Posada Rock

August 28-30 - Požega, Serbia @ Hellhammer Festival

"In League With Satan" – European Tour

w/ Behemoth & Dimmu Borgir

October 9 - Zurich, Switzerland @ Halle 622

October 10 - Zwickau, Germany @ Sparkassen-Arena Zwickau

October 11 - Esch sur Alzette, Luxembourg @ Rockhal

October 13 - Milan, Italy @ Alcatraz

October 14 - Munich, Germany @ Zenith

October 16 - Paris, France @ Zenith

October 18 - Den Bosch, The Netherlands @ Mainstage

October 20 - Cologne, Germany @ Palladium

October 22 - Hamburg, Germany @ Inselpark Arena

October 23 - Berlin, Germany @ Columbiahalle

October 24 - Brno, Czech Republic @ Hala Vodova

October 27 - Helsinki, Finland @ Ice Hall

October 29 - Stockholm, Sweden @ Hovet

October 30 - Copenhagen, Denmark @ K.B. Hallen

More info and tickets can be found HERE

Stay alert for more news on DARK FUNERAL and 'A Beast To Praise' coming up soon…

DARK FUNERAL are:

Lord Ahriman – Guitars 

Chaq Mol – Guitars 

Heljarmadr – Vocals

Adra-Melek – Bass

Jalomaah – Drums