Lost In Hollywood Present Their Self-Titled Album

March 22, 2026

Lost In Hollywood don't arrive with a debut — they crash into it.

Their self-titled record "Lost In Hollywood" isn't an introduction. It's a statement carved out of momentum, built on the back of a run of singles that didn't just perform — they connected. Track by track, the band turned heads, pulled listeners in, and quietly built something real. No shortcuts, no overnight hype — just steady growth that now reflects in over 130,000 monthly listeners on Spotify alone.

At the center of it all sits "Ghost In The Water."

Not a centerpiece by accident, but by weight. The kind of track that doesn’t ask for attention — it holds it. Tension-driven, immersive, and cutting deeper with every second, it captures exactly where Lost In Hollywood stand right now: Confident, refined, and fully locked into their identity.

The self-titled album pulls together everything they've been building toward — the sharp edges, the atmosphere, the hooks that linger longer than expected. It feels intentional without losing urgency. Controlled, but never safe.

Lost In Hollywood have outgrown the "next up" label.

This is the point where they arrive — and stay.

Code:Words Drop New Single "All Consuming" Video

March 22, 2026

CODE:WORDS, who recently joined The Artery Foundation roster, have just shared their new single "ALL CONSUMING."

It's a masterful slice of electro pop metalcore that will take up real estate in your brain for weeks at a time. It also looks at the kill or be killed stance one often has to take in relationships.

Listen Below.

"'All Consuming' is about struggling with the realization that you can't save someone who doesn't want to save themselves," offers singer John Dillon. "That, over time, you can break yourself down in service of others and not realize the effects it had on you. At some point, you're faced with an uncomfortable choice: Them or me. I think this is a moment a lot of people can relate to. We all have someone in our lives that we'd do anything to protect from the cold realities of the world, but eventually you have to tell them 'I won't set myself on fire to keep you warm anymore.'"

The band's sound was shaped alongside producer Hiram Hernandez (Blessthefall, Honey Revenge). The approach is deliberate. Clear, and concise with one objective; Give you everything until, you feel it all

.ABOUT CODE:WORDS:

When CODE:WORDS formed in Los Angeles in 2023, they did not arrive quietly. The band showed up with urgency and a sound that already felt lived in — like it had a past behind it, like they'd been a touring act for years before anyone was paying attention.

They first gained attention with "Wash the Blood," a self-released debut that spread without a rollout or a manufactured moment. In this short time, the band has now amassed over two million streams worldwide, not on hype, but on repeat listens and slow-built loyalty. Early 2026 marked another breakout moment for CODE:WORDS as they announced their signing to longtime industry powerhouse The Artery Foundation and released their most dynamic single to date with "Limerence." The song quickly took the industry by storm, debuting on Sirius XM's Octane Test Drive, earning a spot in rotation, and on Kerrang Radio's Unleashed in the UK.

Fronted by John Dillon, with Garrett Lowery and Max Codoceo, CODE:WORDS write from uncomfortable places: Obsession. Shame. Control. Emotional exhaustion. Nothing is exaggerated. Nothing is softened. The music is meant to make you feel something raw, and it leaves you uneasy in the best way.

Alt-rockers Noir Addiction dish up mischief and mayhem on "Serve Me Some Crime" single

March 21, 2026

Alternative-industrial rockers Noir Addiction present their new single "Serve Me Some Crime", a sarcastic manifesto about embracing chaos and contradiction, where rule-breaking, humor and non-conformity become tools of personal freedom. Presented with a smashing new video directed & edited by ‪Jack Lucas Laugeni, it celebrates choosing instinct and madness over routine, control, and the suffocating seriousness of everyday life. This is the first taste of the album "Pretty Things Don’t Last", forthcoming via Berlin-based Soulpunx label.

Emerging with a raw, industrial-tinged soul, Noir Addiction is a powerhouse trio that harnesses a dark, heavy aesthetic against a backdrop of classic rock ’n’ roll grit. Founded by Sonny Lanegan, who handles vocals, guitars, synthesizers, and programming, the band is rounded out by drummer Roberto Catanzaro and Nessie Zorba on keyboards and percussion. A seasoned musician and producer, Lanegan’s creative vision was shaped by cutting his teeth in Los Angeles's high-octane music scene, where he honed his experimental style as singer-songwriter for White Pulp and co-founder of The Dead Good.

“Serve Me Some Crime” started from a really simple feeling: sometimes life gets too serious. Too structured. Too polite. The word “crime” in the song isn’t literal it’s more about breaking small, invisible rules. It’s about those moments when you don’t want to behave exactly how you’re expected to. A regular Sunday can feel predictable, almost scripted, and the song plays with the idea of shaking that up adding a bit of danger, irony, or mischief to something ordinary,” says Sonny Lanegan.

“At its core, the song is about freedom not the peaceful, inspirational kind, but the messy kind. The kind where you allow yourself to be contradictory, to not have it all figured out, to embrace a bit of chaos instead of pretending you’re always in control. It’s me saying: if life insists on being absurd, I might as well play along.”

Based in Italy, Noir Addiction has electrifying their way onto the music scene through their clever mix of glamorously haunting atmosphere, sense of decadence, rebellion and obsession, Noir Addiction bring a high-voltage fusion of dark rock, grunge attitude and shock-rock energy. By fusing heavy, distorted guitars and electronic textures with theatrics and raw emotion, they offer an immersive experience that is meant to be felt just as much as it is heard.

“There’s a lot of contradiction in the lyrics on purpose. Lines like “I don’t need forgiveness right now” or “I wear the joke to fight” reflect that push and pull between being sincere and hiding behind humor. I think many of us do that… we joke when things get uncomfortable, we act cool instead of saying what we really feel. The song lives in that space. Writing it felt like letting myself misbehave creatively. I didn’t overthink it, I followed the impulses that felt a little reckless. The lyrics came out in bursts, almost like I was arguing with myself. There’s tension in the song because that’s how I felt: torn between wanting to stay composed and wanting to blow everything up,” says Sonny Lanegan.

“When we recorded it, I wanted that tension to stay alive. We didn’t polish away the edges. The vocals needed attitude something slightly provocative, almost teasing. I wanted the track to feel cool but restless at the same time, like there’s something simmering underneath. We played with that contrast between restraint and release, keeping it tight in some moments and then letting it loosen just enough to feel unpredictable. That balance is really what gives the song its character”.

Sonny Lanegan brings years of behind-the-scenes studio and production experience to Noir Addiction. Many of his songs have also been licensed to and featured in American TV shows, cementing his presence in mainstream media and propelling him into notable collaborations with artists and producers, which has sharpened his sound and pushed his creative vision to new heights.

Lanegan eventually reconnected with his old friend Nessie Zorba, former bandmate in PostHuman, with whom they toured Europe, rekindling their deep musical connection and passion for relentless intensity and depth and channelling this unfiltered energy into this new, heavier, darker project. Drummer Roberto Catanzaro then joined in, bringing a new dynamic layer to their presence, his powerful and heavy-weighted performance adding body, urgency and raw impact to their overall sound.

Soulpunx is an independent record label and media production house founded in 2017 by music producer and film composer Konstantin Dellos. Dedicated to the creation and promotion of high-quality audiovisual art, the label's focus is modern rock and alternative music. Beyond music, Soulpunx produces short films, documentaries and music videos, always emphasizing powerful storytelling.

As of March 20, "Serve Me Some Crime" will be available across digital platforms, includingSpotify,Apple Music and Bandcamp. The full "Pretty Things Don’t Last" album will be released on July 16 via SoulPunx Records.

Noir Addiction will be touring in support of this EP, beginning with two special shows in Prague - at Subzero Pragueon May 14 and at Chapeau Rouge on May 15.

The Hu Unleash Not One, But Two Songs With "The Men" + "Warrior Chant"

March 21, 2026

It's a double dose of brand new music from Hunnu Rock pioneers The Hu.

The Gold-certified global phenomenon deliver "The Men" which is accompanied by an official music video, alongside "Warrior Chant," both out now via Better Noise Music. Listen to "The Men" here.

Watch the video Below.

Listen to "Warrior Chant" here.

Traditional Mongolian strings herald the arrival of "The Men." This organic swell gives way to a gritty and gruff groove-laden riff topped off with hypnotic vocals. The band’s signature hybrid of indigenous instrumentation, heavy-as-a-2x4 guitars, and transfixing tribal chanting makes for another essential anthem from The Hu. It’s tailor-made for an epic battle scene, climax of your favorite video game, or workout session. At the same time, it's evocative of the musicians' own tradition and heritage.

About "The Men," Galaa commented, "'The Men' is written based on Mongolian philosophy of 'Man’s Inner Spirit' or 'Хийморь' and the importance of inner strength and kindness of a man to the world. Energy of men should always be reinforced with positiveness, strength and generosity, so this song try to encapsulate that ancient wisdom and share to the rest of humanity. Lyrics are chants that guides young and old men alike to be headstrong and to have dream that cultivate goodness. We only wanted to focus on the positives that can make a man ponder about who he is in this world and wonder about how he can have positive inner spirit when listening to it. Hope our fans will be able to capture every fiber of Mongolian Man’s way of living through this song."

Then, there's "Warrior Chant." It lives up to its title with a hard-charging chorus and a tight and taut metallic soundscape. Between the horse head fiddle and instantly recognizable delivery, it immediately amplifies everything that fans have fallen in love with about the band in the first place.

Regarding "Warrior Chant," Galaa added, "'Warrior Chant' has our signature rhythm that our fans fell in love with and everyone who will listen and know us will say that it is 'our song.' Our third album has bit of everything, rhythm-wise, and we see that as a progress of expanding the Hunnu Rock genre... Enkush and I focused on horse head fiddle solos by imitating the horse gait and you will hear the rhythm throughout the song."

Get ready for more music from The Hu soon.

The Hu will team up with Cello Metal standouts Apocalyptica for a run of shows this May and June. The tour kicks off on May 12 in Silver Spring, MD and will take them across the country before wrapping in Anaheim, CA on June 7. Joining The Hu and Apocalyptica will be platinum-selling Finnish rock band The Rasmus.

Tickets and additional information on VIP packages available HERE

In addition to closing all shows on this tour, The Hu are celebrating the recent release of their latest single "The Real You," which is "the representation of our new album, The Hun," says Temka – Temuulen N (band's tovshuur player, throat singer). "The Real You" is one of the few songs from The Hu in which Western music components are prominent.

And in other The Hu news, the band recently appeared on the song "Pray to the Sun," featuring Declan de Barra, from the Netflix Japanese manga series One Piece. It's another instance of the band and its music connecting with passionate fandoms, as their song "Sugaan Essena" was also prominently featured in the Star Wars Jedi: Fallen Order video game.

2026 TOUR DATES:
THE HU + APOCALYPTICA:
WITH THE RASMUS:
5/14 — New Haven, CT — College Street Music Hall
5/15 — Stroudsburg, PA — Sherman Theater
5/18 — Milwaukee, WI — The Rave / Eagles Club
5/19 — Green Bay, WI — EPIC Event Center
5/20 — Maplewood, MN — Myth Live
5/22 — Memphis, TN — Minglewood Hall
5/23 — Irving, TX — The Pavilion at Toyota Music Factory
5/24 — San Antonio, TX — Aztec Theatre
5/26 — Houston, TX — Warehouse Live
5/27 — Oklahoma City, OK — Diamond Ballroom
5/29 — Phoenix, AZ — The Van Buren
5/30 — Las Vegas, NV — The Theater at Virgin Hotels
5/31 — Valley Center, CA — Harrah's Resort SoCal – The Events Center
6/4 — Reno, NV — Grand Theater
6/6 — Los Angeles, CA — The Wiltern
6/7 — Anaheim, CA — House Of Blues

WITH ROB ZOMBIE, MARILYN MANSON, + ORGY:
8/20 — West Palm Beach, FL — iTHINK Financial Amphitheatre
8/21 — Tampa, FL — MIDFLORIDA Credit Union Amphitheatre
8/23 — Alpharetta, GA — Ameris Bank Amphitheatre
8/24 — Charlotte, NC — Truliant Amphitheater
8/26 — Holmdel, NJ — PNC Bank Arts Center
8/27 — Mansfield, MA — Xfinity Center
8/29 — Burgettstown, PA — The Pavilion at Star Lake
8/30 — Darien Center, NY — Darien Lake Amphitheater
9/1 — Toronto, ON — RBC Amphitheatre
9/2 — Cuyahoga Falls, OH — Blossom Music Center
9/4 — Clarkston, MI — Pine Knob Music Theatre
9/5 — Tinley Park, IL — Credit Union 1 Amphitheatre
9/6 — Noblesville, IN — Ruoff Music Center
9/9 — Maryland Heights, MO — Hollywood Casino Amphitheatre
9/10 — Kansas City, MO — MORTON Amphitheater
9/12 — Greenwood Village, CO — Fiddler’s Green Amphitheatre
9/14 — West Valley City, UT — Utah First Credit Union Amphitheatre
9/16 — Airway Heights, WA — BECU Live at Northern Quest
9/17 — Auburn, WA — White River Amphitheatre
9/18 — Ridgefield, WA — Cascades Amphitheater
9/20 — Concord, CA — Toyota Pavilion at Concord

ICE NINE KILLS PRESENTS “Hell or High Slaughter (Grave Diggler: Pt. 2)”

March 21, 2026

Their sons may have eclipsed them in the 21st Century, but for a sleazy moment, Grave Diggler left its stain on hard partying rock n’ roll with decadence, desecrations, and panty raids. The group once stood shoulder to shoulder with their eyeliner-and-excess peers in Poison, Mötley Crüe, and W.A.S.P., before bad business and even worse drugs dampened the fire in their loins. By the early ’90s, like many glam bands, Grave Diggler faded from the spotlight.

But history has a strange way of digglering up the past.

When the directing duo behind Scream (2022) and Scream VI, began work on the sequel to their 2019 black comedy horror hit Ready or Not, they desperately wanted to include one of Grave Diggler’s forgotten classic anthems. But even after Radio Silence Productions deduced the connection with Spencer Charnas, securing the rights was no mean feat.

The ensuing legal battle between fathers and sons resulted in Ice Nine Kills re-recording “Hell or High Slaughter (Grave Diggler: Pt. 2)” for Ready or Not 2: Here I Come and the long-banned 1987 music video for the song seeing the light of day.

“I’ve been estranged from my father for a long time,” Spencer explains. “But this movie, and this song, while bringing a lot of complicated feelings to the surface, also brought us back together.”

“Ice Nine Kills Presents Hell or High Slaughter (Grave Diggler: Pt 2)” .

Watch and listen Below.

Broken Lizard’s Paul Soter (Super Troopers), a lifelong Diggler obsessive, teamed up with director Myles Erfurth (Pandemic Sex Party) and Spencer to detail the band’s tale in a forthcoming documentary.

Laid to Rest: The Grave Diggler Story features all-new interviews with Ready or Not 2: Here I Come’s Samara Weaving (The Babysitter), Kathryn Newton (Freaky), Elijah Wood (The Lord of the Rings), and directors Matt Bettinelli-Olpin and Tyler Gillett; Stephen Pearcy (Ratt); Matt Pinfield (MTV); Michael Starr (Steel Panther); Jose Mangin (SiriusXM); James A. Janisse and Chelsea Rebecca (Dead Meat); Andy Gould (former Rob Zombie and Guns N’ Roses manager); and both Sonny and Spencer Charnas.

In recent years, Ice Nine Kills toured the world with Metallica; “A Grave Mistake” went gold; “A Work of Art” was in Terrifier 3, the highest-grossing unrated film ever; and “Twisting the Knife” ft. Mckenna Grace, from Scream 7 (which topped the box office upon release and set a franchise best record for Scream) shot to No. 1 on multiple Billboard charts.

But even as Ice Nine Kills Presents “Hell or High Slaughter (Grave Diggler: Pt. 2)” blazes into Ready or Not 2: Here I Come (playing both in an early scene and again over the closing credits), Sonny Charnas remains characteristically unimpressed. “You call my son shrieking into a microphone like a meshuggah mental patient ‘singing’? That’s not heavy metal. I’m heavy metal."

Poison the Well Drop Video for "Weeping Tones" — WATCH // "Peace in Place" Out Now

March 21, 2026

POISON THE WELL are thrilled to release PEACE IN PLACE, their first album in 16 years, via SharpTone Records. Listen and get it here.

They share the video for "Weeping Tones." Watch it here.

"There's a quiet loss of control that comes from feeling like you can't fully be yourself anymore,” offers singer Jeffrey Moreira. “When you have to shrink who you are just to avoid judgment or conflict, it starts to feel like something is being taken from you. That's what 'Weeping Tones' is about.”

He continues, "This video reflects that struggle, but it also holds onto something stronger — the one thing no one can take from you: Your ability to give your love and energy to the people who matter most. No matter how heavy the world gets, no matter how much it tries to pull you apart, you can always choose to keep walking until you reach what matters most — hold it close, and never let go."

PTW recently announced their Spring 2026 headline tour. Converge will support with Balmora, SPY, The Armed, and The Barbarians of California appearing on different segments. Tickets and more information are available here. All dates are below.

POISON THE WELL ON TOUR:
4/2 — Cleveland, OH — House of Blues*
4/3 — Chicago, IL — Concord Music Hall*
4/4 — Pontiac, MI — The Crofoot*
4/6 — Pittsburgh, PA — Preserving Underground*
4/7 — Toronto, ON — HISTORY*
4/9 — Worcester, MA — The Palladium*
4/10 — Queens, NY — Knockdown Center*
4/11 — Philadelphia, PA — Fillmore*
4/12 — Baltimore, MD — Nevermore Hall*
4/25 — Las Vegas, NV — Sick New World%
5/7 — Denver, CO — Summit&
5/9 — Austin, TX — Stubb’s Outdoors&
5/10 — Houston, TX — House of Blues&
5/12 — Phoenix, AZ — Nile Theater&
5/13 — Los Angeles, CA — The Belasco&
5/15 — Anaheim, CA — House of Blues&
5/16 — San Diego, CA — The Observatory North Park&
5/17 — San Francisco, CA — The Regency Ballroom&
%Festival Date
*SPY and Balmora
&The Armed and The Barbarians of California

ABOUT POISON THE WELL:
In the space of barely a breath, Poison The Well pacify fits of jarring brutality with moments of fragile beauty. Their unmistakable melodic hardcore gently dilutes the effects of trauma, betrayal, depression, and loss with hard-won wisdom and diligently earned self-acceptance. For as much force as they commit to the riffs and the breakdowns, there’s an equal amount of naked emotion encoded in their relatable hooks. At this point, they are unassumingly, yet undeniably embedded in the DNA of modern metal and hardcore. Poison The Well’s 1999 debut, The Opposite of December… A Season of Separation has claimed spots on BrooklynVegan's 15 '90s Metalcore Albums That Still Resonate Today; KERRANG!'s 21 Best U.S. Metalcore Albums of All Time; Loudwire's 25 Best Metalcore Albums of All Time; and Revolver's 10 Most Influential Metalcore Albums of All Time. Stereogumput it best, "The Opposite of December… A Season of Separation influenced a whole generation of metalcore bands." Meanwhile, 2003's You Come Before You remains regarded among Metal Hammer's 100 Greatest Metal Albums of the 21st Century and Rock Sound's 250 Greatest Albums of Our Lifetime. Despite going on hiatus following 2009's The Tropic Rot, the group's influence has only expanded over the years (as evidenced by over 100 million streams across their catalog). After touring in 2015 and 2021, they've commemorated milestone birthdays of both You Come Before You and The Opposite of December... with in-demand headline jaunts. Once again, the members felt an intense need to create as a unit. Rallying together, the guys channeled the spirit of their most celebrated material through a prism of new experience on their sixth full-length offering, Peace In Place.

ANNIHILUS MUNDI Returns with “Absolute Terror,” First New Single and Music Video in Seven Years

March 21, 2026

After nearly seven years of meticulous writing and development, progressive extreme metal project ANNIHILUS MUNDI returns with its newest single and music video, “Absolute Terror.” The track marks a powerful rebirth for the band, delivering its most uncompromising and emotionally charged material to date.

Blending chaotic death metal riffing with an expansive melodic atmosphere, “Absolute Terror” captures the core sonic identity of ANNIHILUS MUNDI while pushing deeper into the band’s progressive roots. The song balances structural familiarity with tonal experimentation, presenting a dynamic yet accessible composition that reflects the project’s ongoing commitment to musical evolution.

Musically, “Absolute Terror” draws textural inspiration from influential acts such as CYNIC and later-era DEATH, while fusing progressive elements reminiscent of DREAM THEATER and early OPETH. Pedal point riffing inspired by bands like AVENGED SEVENFOLD intertwines with atmospheric layers influenced by blackgaze artists including DEAFHEAVEN and SADNESS, creating a soundscape that is both aggressive and emotionally immersive.

The track features an intense vocal performance from Noah Magnelli, delivering the song’s conceptual narrative with visceral energy. A standout moment arrives with a blistering guest guitar solo from Chris Jones of ÆTHER REALM, demonstrating that the guitar solo remains a powerful and expressive force in modern metal.

Lyrically, “Absolute Terror” draws inspiration from the metaphysical Absolute Terror Field (AT Field) concept from Hideaki Anno’s landmark anime Neon Genesis Evangelion. In the series, the AT Field appears as a protective barrier used by the EVA units against the Angels, but it also represents a deeper philosophical idea: the emotional walls humans construct out of fear that prevent genuine connection with one another.

The song explores the psychological struggles of two of the anime’s central characters, Shinji Ikari and Asuka Langley-Soryu. The first verse reflects Shinji’s desperate longing for approval from his emotionally distant father, while the second delves into Asuka’s trauma after witnessing her mother’s suicide. Through the chorus and final verses, the song expands on the philosophical meaning of the AT Field, portraying fear itself as the invisible barrier separating individuals from meaningful human connection.

“Absolute Terror” represents the beginning of a new era for ANNIHILUS MUNDI, with Saillant serving as guitarist, bassist, keyboardist, and primary songwriter while guiding the project toward deeper emotional intensity, melodic aggression, and progressive ambition.

With its fusion of technical precision, melodic depth, and conceptual storytelling, “Absolute Terror” signals a bold resurgence for ANNIHILUS MUNDI and sets the stage for what comes next.

About ANNIHILUS MUNDI

Formed in 2018, ANNIHILUS MUNDI is the creation of Daniel Saillant, blending elements of death metal, shoegaze, and progressive rock. His 2019 debut album Grief and subsequent releases have positioned him as a distinctive voice in the underground metal scene. Inspired by bands such as CYNIC, DEAFHEAVEN, and DREAM THEATER, Saillant continues to push musical boundaries, combining harsh and clean vocals, complex guitar arrangements, and introspective lyrics.

ANNIHILUS MUNDI is:

Daniel Saillant (Vocals, Guitar, Bass, Keyboards, Programming)

Connect with ANNIHILUS MUNDI:

Bandcamp: https://annihilusmundi.bandcamp.com/music
Facebook: https://www.facebook.com/annihilusmundi
Instagram: https://www.instagram.com/annihilusmundi/
Threads: https://www.threads.net/@annihilusmundi
YouTube: https://www.youtube.com/@annihilusmundi
Twitch: https://www.twitch.tv/annihilusmundi
Spotify:
https://open.spotify.com/artist/1keHp0ZrVPtDqCcGspP3Xa?si=jUB4r9JRSzqTqB tKJ3RfEg
Apple Music: https://music.apple.com/us/artist/annihilus-mundi/1492843855
TikTok: https://www.tiktok.com/@annihilusmundi
Discord: https://discord.gg/PKJDYWPrg9

Slow Degrade Share New Single "Lead Me Down" — LISTEN // Headline Tour Begins This May

March 21, 2026

After gaining buzz as a viral artist-to-watch, rising Mobile, Alabam heavy shoegaze band Slow Degrade share a brand new single entitled "Lead Me Down" out now.

Listen/Watch below.

"I wrote 'Lead Me Down' about my brother's past relationship and watching him change who he is to fit the mold of someone he thought cared for him," Shane Prickett says. "The relationship impacted my brother, and seeing him go through that really affected me. My brother, being somebody that was always so uplifting and happy, the change in character was really apparent and it hurt me to see him go through that."

To bring the track to life, Slow Degrade worked with producer Kevin DeLeon, mixer Austin Coupe [Moodring, The Devil Wears Prada, Thousand Below], and mastering engineer Chris Gehringer [Turnstile, Fall Out Boy, Twenty One Pilots].

The song entangles spacey synths within a web of fuzzed-out distortion. Thick riffs abound, while ethereal vocals practically hover above the verses. It climaxes on a plea during the chorus "Just lead me down." The outro bridge explodes in a catharsis of screams and thudding percussion.

Confronting the complexity of a one-sided relationship, "Lead Me Down" illuminates the group's entrancing dynamics, unfiltered emotionality, and impeccable songcraft.

Next up, Slow Degrade will launch a North American headline tour this May alongside Commoner. It kicks off on May 8 at Hole In The Wall in Austin, TX, visits major markets across the Southwest and West Coast, and concludes on May 15 at Taverna in Las Vegas, NV. Check out the full confirmed itinerary below.

Get tickets here.

Following a quiet grind in Alabama scene, Slow Degrade caught fire with "Who Will Fix Me Now?" The latter surged on TikTok and reeled in over 3.46 million streams thus far as the band continues to average 216K monthly listeners on Spotify. In its wake, they ignited Who Will Fix Me Now? EP, supported Holywater on the road, and embarked on completely sold-out East Coast headline jaunt accompanied by The Missing Peace and Cheam.

"Who Will Fix Me Now?" placed Slow Degrade on the verge of a breakthrough, by going viral. Now, they represent a new vanguard of heavy shoegaze acts to rise from Alabama's fertile underground scene.

They are the face of the new alt underground in 2026.

TOUR DATES:
5/8 — Austin, TX — Hole In The Wall
5/9 — McAllen, TX — The Gremlin
5/10 — Dallas, TX — TX Tea Room
5/12 — Phoenix, AZ — Linger
5/13 — Los Angeles, CA — Oblivion
5/14 — San Diego, CA — Soda Bar
5/15 — Las Vegas, NV — Taverna

Hardline Announce New Album "Shout" + Share "Rise Up" Video

March 21, 2026

The melodic hard rock band HARDLINE have released with "When You Came Into My Life," a new digital single and lyric video. The song is taken from the upcoming studio album Shout.

In addition to the nine songs which were composed for Shout by singer Johnny Gioeli, keyboard player Alessandro Del Vecchio, and guitarist Luca Princiotta, the cover version of the SCORPIONS classic "When You Came Into My Life" is definitely one of the biggest surprises on the new studio album.

Gioeli says, "A friend from Norway played me the song, I'd never heard it before. But it's a real smash hit, which we've recorded in typical Hardline style out of respect for the Scorpions."

The lyric video for the song is a tribute to the loss of personal animals and to neglected and abused dogs, as well as the loss of a loved one.
"Alessandro and I are great dog lovers," says Gioeli. "For a number of years now, I've flown dogs from animal shelters as a pilot, saving them from being put down because nobody wants them. On tour, we will hand out glow sticks for a small donation, which people can hold up while we play the song and think of someone they have lost and who was particularly important to them."

Watch the video Below:

Shout will be released on April 17 through Steamhammer worldwide in the following configurations:

CD DigiPak
LP, 140 g, black vinyl, padded inner sleeve, coloured insert
Exclusive CD/LP Bundles with a shirt only at the Steamhammer shop
Download / Streaming

Pre-orderall configurations is here.

Haste the Day Drop Video for "Oblivion"

March 21, 2026

HASTE THE DAY, the metalcore band that made a scene splash in the '00s, returned in 2024 with the video for the new song "Burn." They also appeared at Furnace Fest that year. It was their first new music in nearly a decade. But they didn't stop there. Not a chance! The band will release its new album DISSENTER on May 1 via Solid State Records. It's HTD's first album since 2015. Pre-order it here.

They drop the video for "Oblivion." Watch it below.

"'Oblivion' is a cinematic, apocalyptic metalcore track that leans into scale and emotion," the band shares. "The song balances heaviness with atmosphere, creating a sense of finality and awe. Lyrically, 'Oblivion' tells an apocalyptic love story — grappling with loss, reconnection, and what it means to step into the void at the end of all things."

HTD also announced a run of tour dates set for May. They will also appear at Louder Than Life in Louisville, Kentucky in September. All upcoming performances are below.

HASTE THE DAY ON TOUR:
5/3 — Nashville, TN — Eastside Bowl
5/22 — Pomona, CA — Glass House
5/23 — Phoenix, AZ — Nile Theater
5/28 — Seattle, WA — Crocodile
5/29 — Portland, OR — Revolution Hall
9/20 — Louisville, KY — Louder Than Life*
*Festival

Haste The Day conjure the sound of coming full circle. The Indiana-bred band rekindles the spark at the heart of their signature style by sharpening the edges, tightening the melodies, and amplifying the scope with cinematic ambition. Haste The Day have clung to their integrity since initially emerging at the turn of the century. Following Burning Bridges [2004] and When Everything Falls [2005], Stephen made his formal debut as the group's frontman on Pressure The Hinges [2007]. The band unleashed a trio of fan favorite offerings, namely Dreamer [2008], the seminal Attack Of The Wolf King [2010], and Coward [2015]. The latter marked their second straight Top 20 entry on the Billboard Top Rock Albums chart and second Top 10 on the Hard Rock Albums Chart. Along the way, they toured with everyone from Hollywood Undead to Norma Jean. Despite going dormant in 2016, they amassed tens of millions of streams and continued to resonate with an ever-expanding audience. As such, their 2023 reunion gig at the sold-out Furnace Fest was met with overwhelming enthusiasm. Returning with their first full-length release in eleven years, the musicians tap into who they were and push forward together on their seventh LP, Dissenter [Solid State].

HASTE THE DAY ARE:
Stephen Keech — Vocals
Scott Whelan — Guitar
Dave Krysl — Guitar
Giuseppe Capolupo — Drums
Michael Murphy — Bass
Brennan Chaulk — Guitar

Leah Blevins is 'All Dressed Up' with Sophomore Album Out Now

March 20, 2026

All Dressed Up, the Dan Auerbach-produced Easy Eye Sound debut from Kentucky-born singer-songwriter Leah Blevins, is out now. With People Magazine calling it “a true sonic cornucopia that feels like a familiar friend’s comforting hug,” the sophomore album marks a defining moment for an artist whose music is rooted in truth, resilience and unwavering faith. Called “ear-opening” by Music Row, and “an introspective album rich in feeling” by No Depression, listen to All Dressed Up HERE.

Earlier this week, the woman Nashville Lifestyles calls a “vocal stunner,” made her national television debut on “The Kelly Clarkson Show,” delivering a stunning performance of album standout “Lonely,” a Wurlitzer-soaked, Patsy Cline-esque ballad that captures the emotional depth and timeless sensibility woven throughout the record. Watch Below.

Raised in Sandy Hook, Kentucky, Blevins’ journey to this moment has been shaped by hardship, hope and an unshakable spiritual foundation. The daughter of a dentist who became a career politician, and a teenage gospel quartet pianist who fell into deep addiction, she knows the reality of oatmeal baths in red water, no heat in the winter and finding out the teacher giving your family refuge was also your mother’s supplier before she got sober over 20 years ago.

Living with her siblings, she started singing background vocals in their band; Patty Loveless, Martina McBride, Miranda Lambert and The Judds informed their sound. By the time Blevins was studying Communications at Morehead State, Elliot Collett & the Articles swept her away to Nashville in 2011. Though the band didn’t last long, the ethics she learned from touring by the age of 20 gave her a compass, and in 2014 she made a choice after a lifetime of singing background vocals to pursue a career as a solo artist.

“The way you speak to yourself is more powerful than any outside voice,” shares Blevins. “I think I’m innocent to the world, but I harbor all these experiences I’ve had. I spent so much of my life in a small town, trying to prove I’m something I’m not… I had an amazing English teacher who allowed us all to be bigger than Sandy Hook, studying Sylvia Plath and C.S. Lewis, just creating a world so far beyond what we knew.”

That perspective fuels All Dressed Up, a collection of songs that confront life’s hardest truths without judgment while exploring faith, love, addiction, self-worth and healing with compassion and clarity. Produced by GRAMMY-winner Dan Auerbach, the album blends torch-pop country with soulful Americana, offering both vulnerability and strength.

From the steel-laced spiritual seeking of “Hey God,” to the cautionary shimmer of “Be Careful Throwing Stones,” to the smoky ache of the title track, Blevins moves effortlessly through emotional terrain, pairing unfiltered storytelling with melodies that linger long after the final note.

Her fearless honesty attracted some of Nashville’s most revered songwriters — including Daniel Tashian (Kacey Musgraves, Leon Bridges), Pat McLaughlin (John Prine, Bonnie Raitt, Alan Jackson), Paul Overstreet (two-time GRAMMY, Country Music Association and Academy of Country Music Song of the Year winner) — while legendary musicians such as iconic steel players Paul Franklin and Russ Pahl, who also contributes baritone, pianist Jim Moose Brown, organist Billy Swan, upright bassist Steve Mackie and GRAMMY-winning guitarist David Rawlings helped bring the songs to life with a spacious, emotionally rich sound.

The album also reflects Blevins’ mission to connect through music rather than chase recognition.

“I didn’t need to be sought after or famous, but I knew I wanted to connect with people and to use music to bring us together,” says Blevins

Introduced to Auerbach by friend Marcus King, Blevins found an immediate creative kinship that encouraged her to strip away polish in favor of honesty.

Blevins continues, “Instead of being so put together, these songs say, ‘I’m human. I can be insecure.’ That’s real freedom.”

With All Dressed Up now available and her national TV debut marking a powerful arrival on the broader stage, Leah Blevins continues to carve out a space defined not by perfection, but by authenticity by offering songs that meet listeners wherever they are, and remind them they’re not alone.

For the latest news and updates follow along on Instagram, TikTok and Facebook and online at leahblevinsmusic.com.

ATLUS RELEASES LABEL DEBUT ALBUM ART OF LETTING GO – OUT NOW

March 20, 2026

Platinum recording artist Atlus releases his label debut album, Art of Letting Go, today via BBR Music Group/BMG Nashville. The 15-track project is his most personal to date, shaped by grief, growth, and the real-life experiences that have defined both the artist and the man.

Named after its title track, which confronts the loss of his sister to addiction, Art of Letting Go mines the emotional core of Atlus’ songwriting. Blending country with elements of rock, pop, and hip-hop, the album reflects the full spectrum of his story, balancing hard truths with moments of light, resilience, and release. Listen HERE.

Led by producer Andrew Baylis alongside a group of key collaborators, the project includes Atlus’ debut country radio single “Devil Ain’t Done,” the driving lead track “Spare Key,” and release day focus “Still Haven’t Stopped.”

“This time, with this album, it’s about moving through moments and experiences that shaped me as a person, as a brother, as a son, and as an artist. Looking at some of the things that brought me to where I am, and both acknowledging them and letting them have their place in the story as we try to add new chapters,” shares Atlus. “My deepest hope is that someone out there hears these songs and connects with the stories and the music and feels like their load is a little lighter because we are sharing the experience.”

As Billboard noted while naming him February’s Country Rookie of the Month, “For Atlus, who grew up in Denver in a single-parent home marked by poverty, the album marks not only a career triumph, but also a way of sharing his story of overcoming adversity, and inspiring others to prevail over their own obstacles.”

Before signing with BBR Music Group/BMG Nashville, Atlus built a loyal following through four independent albums and a relentless work ethic that carried him from the underground to major milestones. His rise includes more than one billion on-demand streams, a Platinum release, a Top 5 album on Spotify’s Global Album Chart, and a standout performance alongside Jelly Roll at a packed Red Rocks Amphitheatre. Recently named one of Pandora’s 2026 Artists to Watch in Country, he continues to connect with fans through emotionally direct songwriting and a voice that cuts through.

That connection was forged long before the spotlight. Atlus began writing songs while working long hours as a commercial truck driver, crafting lyrics behind the wheel to support his family and fund studio time. That grind laid the foundation for the artist he is today and continues to shape the perspective that runs throughout Art of Letting Go.

The project builds on the success of “Devil Ain’t Done,” which was among the most-added songs at country radio on add day, reached the Top 5 in Australia, and continues to climb in the United States. The track pairs a driving sound with lyrics rooted in self-doubt and perseverance, expanding on Atlus’ ability to turn personal struggles into something universally felt. Watch below.

Another standout, “Still Haven’t Stopped,” serves as a companion to the album’s title track, exploring the weight of loving someone in active addiction and the complicated space between holding on and letting go.

The lead track “Spare Key” delivers a powerful chorus built around a symbol of trust, love, and vulnerability, with a music video featuring an appearance by friend, artist, and influencer Demps. Watch HERE.

Family remains a constant thread throughout the album. Atlus’ success has allowed him to retire his mom, but before music took off, he balanced multiple jobs including truck driving, UPS shifts, and rideshare work to make ends meet and invest in his career.

Atlus continues his 2026 tour with festival appearances and headlining shows before joining Russell Dickerson this spring on the RussellMania Tour. See a full list of tour dates HERE.

About Atlus
Raised in a single-parent home marked by poverty and addiction, Atlus had to grow up fast, building resilience and a lifelong commitment to authenticity in his music. Phonetically named after the mythological Titan who held up the heavens, he began writing while working long hours as a commercial truck driver, crafting lyrics and melodies behind the wheel to help support his family and fund studio time. That pavement-pounding grind became both his classroom and his engine, fueling the rise of a loyal underground following. Breakthrough moments soon followed, including performing alongside Jelly Roll at a packed Red Rocks Amphitheatre and landing a Top 5 album on Spotify’s Global Album Chart. With over a billion on-demand streams, millions of followers across social platforms, a Platinum single to his name, and recognition as one of Pandora’s 2026 Artists to Watch in Country, and Billboard’s February Rookie of the Month, Atlus continues to turn personal stories into universal anthems. His label debut album, Art of Letting Go, is out now via BBR Music Group/BMG Nashville and features his first radio single that is currently climbing the country radio charts, “Devil Ain’t Done.”

KEEP UP WITH ATLUS

WEBSITE | INSTAGRAM | TIKTOK | YOUTUBE | FACEBOOK

HOKKA UNLEASH CINEMATIC VIDEO FOR NEW SINGLE 'BLACKBIRD'

March 20, 2026

HOKKA return with a powerful new chapter in their unfolding musical saga. The warrior and the sensai - Joel Hokka (ex-Blind Channel) and Pauli Rantasalmi (ex-The Rasmus) - continue their journey with the release of the gripping new single 'Blackbird'.

Taken from the upcoming album VIA MISERIA IV, set for release on April 24 via Nuclear Blast Records, 'Blackbird' delivers another intense and emotionally charged installment in the project’s evolving narrative. Driven by haunting melodies and cinematic production, the track dives also a bit deeper into the heavier side of the band.

Accompanied by a striking new cinematic video, 'Blackbird' continues the storyline introduced in the previous singles, expanding the visual and emotional world of HOKKA. The song builds with relentless energy before soaring into a powerful chorus that hits straight to the heart.

With 'Blackbird', HOKKA once again blend storytelling, atmosphere, and raw emotion - offering a glimpse into the dramatic universe that awaits on VIA MISERIA IV.

Check out the video for 'Blackbird' below:

Listen to 'Blackbird' on all platforms:
https://hokka.bfan.link/blackbird

Pre-order VIA MISERIA IV:
https://hokka.bfan.link/via-miseria-iv

Joel Hokka comments on the song:

"'Blackbird' is the latest single from the upcoming debut album “Via Miseria IV”. This track shows the heavier side of HOЖA. With a riff influenced by the very roots of heavy metal and melodies echoing from the Nordic darkness, this track serves as a perfect introduction to the debut album. Revenge with love, enjoy!

In addition, HOKKA hrecently announced their first live shows for 2026 giving fans the opportunity to experience the power and storytelling of the warrior and sensai saga on stage for the first time.

ine up:
Joel Hokka - vocals
Pauli Rantasalmi - guitar
Jimi Aslak - drums

social media:
Instagram: @joelhokka @jimiaslak @paulirantasalmi
Tiktok: @joelhokka @jimiaslak
YouTube: @hokkasyndicate

Flatwounds Release "Chain of Command" EP + Share "Inertia" Video

March 20, 2026

Albany-based up and comers FLATWOUNDS — Colin O'Hare [vocals], Matt Degnan [guitar], David Granger [bass], and Wade Coonrad [drums] — are thrilled to release their new EP Chain Of Command. It arrived today, March 20, via Blue Grape Music. Get it here.

Today, the band, which deftly combines a DNA-distinct blend of hardcore and '90s hard rock, shares the video for "Inertia."

Watch it below.

"'Inertia' was written with a sense of urgency," says O'Hare. "It's made to pull something out of you that you might not be comfortable with. But that's what it's all about."

Regarding the EP as a whole, O'Hare explained previously, "Chain of Command represents how we've evolved and matured as musicians. This is our sound. It's a little weird, dissonant, melodic, and heavy when it needs to be. The title works because most of the songs are about apathy and a lack of action. There's always a 'chain of command' in life, and it keeps you from doing what you want. It could be societal or in your head. You always have to answer to something, though."

Flatwounds are hitting the road throughout the spring and summer starting with a handful of dates with Excide, and are set to appear at the Sick New World Festival in Las Vegas next month. The band will also perform at the Sick New World Pre-Show with Mastodon and Melvins at The Chelsea in Las Vegas on April 24.

The band will be out with Lip Critic in May and June. All upcoming and confirmed dates are below.

SPRING 2026:
3/20 — Albany, NY — Free School (Record Release Show)
4/9 — Brooklyn, NY — Woodshop (w/ Excide)
4/10 — Dayville, CT — Killingly Grange (w/ Excide)
4/11 — New Brunswick, NJ — Cinco De Mayo (w/ Excide)
4/12 — Washington, DC — The Fridge (w/ Excide)
4/25 — Las Vegas, NV — Sick New World (Festival)

WITH LIP CRITIC:
5/25 — Troy, NY — No Fun
5/26 — Boston, MA — The Rockwell
5/27 — Montreal, QC, Canada — La Sala Rossa
5/28 — Toronto, ON, Canada — The Garrison
5/29 — Detroit, MI — The Sanctuary
5/30 — Chicago, IL — Beat Kitchen
6/2 — Denver, CO — Hi-Dive
6/4 — Salt Lake City, UT — Kilby Court
6/5 — Reno, NV — Holland Project
6/7 — Seattle, WA — Barboza
6/8 — Vancouver, BC, Canada — Wise Hall
6/9 — Portland, OR — Polaris Hall
6/11 — Sacramento, CA — Café Colonia
6/12 — San Francisco, CA — Bottom of the Hill
6/13 — Los Angeles, CA — Zebulon
6/14 — Phoenix, AZ — Valley Bar
6/17 — Austin, TX — 29th Street Ballroom
6/18 — Dallas, TX — Club Dada
6/19 — Hattiesburg, MS — Fat Cat
6/20 — Atlanta, GA — Altar at The Masquerade
6/21 — Durham, NC — Pinhook
6/23 — Pittsburgh, PA — Little Giant
6/24 — Philadelphia, PA — PhilaMOCA

What would a rock 'n' roll band sound like if it was born from a basement hardcore scene? Well, it might sound a bit like Flatwounds. The Albany, NY quartet could certainly send any floor into a frenzy, yet they also write hooks addictive enough to bring an arena to its feet. Forged by a cold indie underground and even colder East Coast winters, there’s chaotic intensity underneath their concrete infectiousness. The band transfixes with bold hooks and traumatize with jarring and jagged bursts of distortion. As the story goes, Colin had a show booked for December 2022 and needed a band. Knowing one another from around town, he tagged in Wade and Matt (who brought Dave into the fold). Not only did the guys play the aforementioned gig, but they wrote what would become the 2023 Raw EP. Off the latter, "Rust" and "Fade" generated hundreds of thousands of Spotify streams. Flatwounds picked up the momentum with the Down EP and Drain EP. At the top of 2025, "Drenched" surged on TikTok, amassed 171K Spotify streams, and caught the attention of Blue Grape Music and producer Brian Robbins [Beartooth, Pierce The Veil]. Early praise poured in from Revolver, Lambgoat, Idioteq, and more. Now, their signature style firmly takes shape on their 2026 EP Chain of Command [Blue Grape Music] with grit, grime, and gusto intact.

Modesty Blaise presents "The Little Things You Do" ahead of "Melancholia - Remaster" 25th Anniversary Edition

March 20, 2026

Bristol indiepop collective Modesty Blaise presents "The Little Things You Do", a lost masterpiece of baroque-pop, as a remaster that finally delivers the lush, orchestral depth originally intended for its aborted 7-inch release. The video footage was filmed during the Melancholia tour in Germany, just after the original album was released.

Previewing the remastered 25th Anniversary edition of their seminal album "Melancholia", this single breathes new life into this cult-classic, trading its mysterious history for a polished, high-fidelity presence that demands a place in the modern pop canon.

One of the many standout tracks from this record, 'The Little Things You Do' was slated to be the third single from the cult classic album but that didn’t happen - the band had started recording a video and then it stopped and now nobody can remember why! Frontman and founder Jonny Collins shares, “It was always going to be a single, that’s why we recorded a single version. I wonder what happened”.

The 2026 remaster was prepared with a light-touch approach, focused on clarity and depth rather than reinvention. Greater dynamic range and enhanced detail bring new presence to the recording, revealing subtle textures and spatial nuance while preserving the character of the original mix. Featuring newly-restored audio, many outtakes from the original sessions and updated artwork in a fantastic new 3 Disc version, this release reflects on the album’s legacy and continued resonance.

Modesty Blaise have also shared the lead track, "Carol Mountain" as a Bandcampexclusive, the video for which was created from footage shot when Modesty Blaise played in New York in 2002, when the band was made up of Jonny Collins, David W Brown, Gregory Jones, Clem Courtney and Julien Clapperton.

Modesty Blaise have been around since 1993 in various guises. In that year, they recorded their debut single 'Christina Terrace' with Edwyn Collins at the helm, garnering them immediate success with a live appearance on ITV and inclusion among many end-of-year top music rankings. Other highlights include supporting Robbie Williams at London's O2 Arena, inclusion in a Rough Trade compilation, an ITV company documentary on Jonny Collins, and a BBC Radio session involving seventeen people.

“For quite a while now, people have been asking us why our biggest album wasn’t available to stream. We decided that, if we were going to do it, we’d do it properly”, says Jonny Collins.

Originally on CD and vinyl, "Melancholia" remains a quietly influential work more than two decades after its release — defined by emotional precision, sonic restraint, and a timeless sense of atmosphere. The 2026 remaster has been completed with a light-touch approach, focused on clarity and depth rather than reinvention. Greater dynamic range and enhanced detail bring new presence to the recording, revealing subtle textures and spatial nuance while preserving the character of the original mix.

On March 20th, 'The Little Things You Do' is available across digital platforms, including Spotify, Apple Music and Bandcamp. The "Melancholia - Remaster" album will be released on April 24th.

CREDITS
Written by Jonny Collins
Mixed & produced by Jonny Collins
Remastering at White House Studio by original engineer Martin Nichols
Jonny Collins - vocals & guitar
David W Brown - bass guitar
Gregory Jones - guitar & vocals
Clem Courtney - organ &vocals
Julien Clapperton - drums & cymbals

Video created by Jonny Collins

Germany tour footage filmed by Bernd Kabs

Cover artwork by Gregory Jones
Released via From Lo-Fi to Disco!

TUNGSTEN Release Epic New Video For "The North Will Rise" Feat. SONATA ARCTICA’s Tony Kakko

March 19, 2026

Swedish heavy metal force TUNGSTEN have unveiled the official music video for their powerful new single “The North Will Rise,” featuring a guest appearance from Tony Kakko of SONATA ARCTICA. Blending epic melodies, thunderous rhythms and soaring vocals, the track showcases the band’s signature mix of classic heavy metal spirit and modern precision.

Driven by an anthemic atmosphere and cinematic intensity, “The North Will Rise” stands as a perfect display of TUNGSTEN’s trademarks: powerful songwriting, massive hooks and a larger-than-life energy that feels tailor-made for festival stages. This track is a toast to the north, an electrifying hymn that captures the icy beauty and resilience of those lands. With Tony Kakko’s contagious melodies and Mike Andersson’s raw power, "The North Will Rise" is destined to be a loud, unifying call for all who love the north!

TUNGSTEN lead singer Mike Andersson says; "It’s such an honor to have Tony onboard on this song. He did a tremendous job. I think our voices fits perfectly together which makes "The North Will Rise" extra special. Lyrically it’s kind of a hymn to our part of the world in the north. We hope the metal community and the fans of Sonata Arctica and of course Tungsten will like this song and crank it LOUD!"

Tony Kakko adds; "Catchy like the cold in January on a viking ship crossing a nordic, half frozen sea! Truly a song to unite the people and friends of the North! Very proud and happy to join my friends in Tungsten singing together with Mike on this amazing new track. The melodies are just contagious……Consider yourself warned!"

Stream “The North Will Rise”: https://tungsten.rpm.link/thenorthPR

Watch the video below:

About TUNGSTEN
Formed by drummer Anders Johansson alongside his sons Karl and Nick, TUNGSTEN have quickly emerged as one of the most talked-about acts in the modern metal scene. With a sound rooted in classic heavy metal but sharpened by a contemporary edge, the band has built a reputation for powerful songwriting, a clear identity and relentless forward momentum, earning growing attention well beyond their Scandinavian home base.

TUNGSTEN made a strong entry into the metal scene in 2019 with the release of their debut album We Will Rise. The band quickly built momentum, releasing three further albums over the following years (Tundra, Bliss, and The Grand Inferno).

Originally formed in 2016, TUNGSTEN soon solidified their lineup with the addition of lead vocalist Mike Andersson. Since then, the band has established a strong live reputation, touring extensively across Europe alongside acts such as BLOODBOUND, FIREWIND, SONATA ARCTICA, ALL FOR METAL and others.

TUNGSTEN have also appeared at numerous major festivals, including Sweden Rock Festival, Leyendas Del Rock (Spain), Midalidare Metal Fest (Bulgaria), Riverside Rock Fest (Switzerland), among many others. In July 2026, the band is confirmed to perform at Germany’s RockHarz Festival, with additional festival appearances currently in the works. Between touring and live performances, TUNGSTEN focuses on writing material for their upcoming album, aiming to create a powerful follow-up to 2024’s The Grand Inferno.

TUNGSTEN are:
Mike Andersson – Lead Vocals
Karl Johansson – Bass, Keyboards, Vocals
Nick Johansson – Guitar
Anders Johansson – Drums

More on TUNGSTEN:

Tungsten Official | Facebook | Instagram | Spotify | Youtube

Erdve Release Grief-Striken New Single “Nyra”

March 19, 2026

Lithuanian experimental metal band Erdve reveal “Nyra”, the lead single from their upcoming full-length album Epigrama. The song introduces the emotional and conceptual gravity that shapes the record, presenting grief not as a fleeting reaction but as a force that traps the individual within cycles of memories and unresolved responsibilities.

Watch “Nyra” below:

EPIGRAMA is out May 29th via Season of Mist.

Pre-order & Pre-save

https://orcd.co/erdveepigrama

Driven by dense atmosphere and deliberate pacing, “Nyra” unfolds as a suffocating meditation on loss and recollection. The composition develops through carefully structured tension rather than sudden aggression, allowing heavy, atmospheric guitars and restrained rhythmic movement to create a gradual sense of psychological pressure. This controlled intensity reflects the album’s broader commitment to intentional songwriting, where each element contributes to a cohesive emotional architecture.

Accompanying the single, ERDVE present a music video filmed at the Park of Europe in Joneikiškės, Lithuania. The visual unfolds among monumental sculptural works, including Double Negative Pyramid by Sol LeWitt (1999), Space of Unknown Growth by Magdalena Abakanowicz (1998), Lying Head by A. Jacovskis (2001), Chamber of Light by Aleš Veselý (1997), and White by Artūras Raila (1992).

Video Credits

Director and DOP - Vaidotas Darulis

Crew

Adomas Varnelis

Karolis Urbanavičius

Valdas Voveraitis

Simas Kazlauskas and family

Kernius Marcinkevičius

The band is known to dive into unexpected ventures by choosing to perform in places that intuitively seem incoherent to the type of music being played or are not considered to be regular venues. First such show took place in the church of St. John's 2019 and another one in Lukiškės Ex-Prison, both in Vilnius, Lithuania.

After the second album, the band took some time to rediscover their relationship with music and identified the elements that would convey their future vision in the most truthful way. This idea is followed by their 2026 release - EPIGRAMA, that delivers a familiar, yet a fundamentally different approach towards experimenting within the confines of heavy music and reflective storytelling. The goal was to craft a meticulous consistency between the music, lyrics and sound production, where every aspect of the song works together to create meaningful impact. This album marks a new beginning for ERDVE, in the process of rediscovery, experimentation and raw expression.

Line-up:

Vaidotas Darulis — Vocals, Guitars

Adomas Varnelis — Guitar

Valdas Voveraitis — Drums

Karolis Urbanavičius — Bass

Production Credits:

Self-produced by Vaidotas Darulis & Adomas Varnelis.
Mixed Vaidotas Darulis & Adomas Varnelis.
Mastered by Vaidotas Darulis.

Cover Art:

Photography by Vaidotas Darulis.

Vainius Česnauskas (https://www.instagram.com/vainius.art/),

Marija Česnauskienė-Dvarionaitė(https://www.instagram.com/maryces.art/).

Pre-order & Pre-save

https://orcd.co/erdveepigrama

Available Formats:

CD Digipak

Digital Download

12” Vinyl Gatefold — Black

12” Coloured Vinyl Gatefold — Silver, Black & White Marbled

Booking Contact:

Vaidotas Darulis

erdvelt@gmail.com

Follow Erdve:
Bandcamp: https://erdvesom.bandcamp.com/album/

Instagram: https://www.instagram.com/_erdve_/

Facebook: https://www.facebook.com/erdvelt/

TikTok: https://www.tiktok.com/@erdve

Spotify: https://open.spotify.com/artist/7uctedT9WR5dzqjAOx3jKN

Apple Music: https://music.apple.com/artist/erdve/1299788970

Tidal: https://tidal.com/artist/9229661

Deezer: https://www.deezer.com/artist/13602259

Folk Duo Tabernis Reveals New Single "Mel Obscurum (Palästinalied)" + Video

March 19, 2026

Folk duo TABERNIS channel the Middle Ages with their new single, "Mel Obscurum (Palästinalied)." The second single off of their upcoming album, Seasons of the Dark Hive, out April 24 via Napalm Records, shows their alluring devotion to the craft, as it is a rendition of an actual medieval song! Their version of celebrated German poet Walther von der Vogelweide's 13th-century "Palestine Song," one of the most famous surviving medieval songs, bestows a special historicism upon TABERNIS' alluring debut.

TABERNIS about "Mel Obscurum (Palästinalied)":
"We have covered the instrumental version of this iconic medieval masterpiece, which is known to everyone. Out of deep respect for the original work, we decided to adapt it to our own style. In our version, the music is interwoven with a text evoking the season of our Dark Hive: Vespera — the rest, the twilight. As the cold covers the land, the bees huddle together to protect their Queen and preserve the heart of the hive."

Watch the official video for "Mel Obscurum (Palästinalied)" Below:

Hear the call: TABERNIS summon the shadows for their debut album, Seasons of the Dark Hive, coming April 26 via Napalm Records. Born out of a passion for history, the enigmatic folk duo created an immersive sound, with bagpipes and davul bringing medieval times to life. TABERNIS intertwine ancient tradition and dark mysticism, their haunting harmonies gifting melodies to the delicate art of beekeeping. Already having performed at major festivals like Wacken and Summer Breeze Open Air off of their debut EP, Seasons of the Dark Hive will divulge more of the band's secrets to an ever-growing following.

Crafting captivating tunes from echoes of the past, TABERNIS explore age-old heritage with an almost other-worldly charm. Reaching out into the darkness, the duo arranges an ethereal undertow as seductive as honey. Seasons of the Dark Hive is an intoxicating experience, an alluring journey into the shadows. Amidst the bees, you are never alone. Together, we rise. Welcome to the Dark Hive.

TABERNIS about Seasons of the Dark Hive:
"The album Season of the Dark Hive came to life naturally, without ever forcing anything. We let the energies that live within us come out in an authentic way, using the keys we have at our disposal. With the support of Napalm Records, we can deliver quality work and open the world of TABERNIS to humans from all horizons. We drew from cultures and musical styles from all eras, from everything that has inspired us through the ages, while keeping our foundation: drum & bagpipe. This is only the beginning of the story. The energies of the seasons guide our lives and our strength, just as they do on this album."

Order Your Copy of Seasons of the Dark Hive NOW!

TABERNIS LIVE 2026:
Festivals
4/4 — Mons, Belgium — Trolls & Légendes
5/23 — Leipzig, Germany — Wave-Gotik-Treffen
6/11–6/12 — Kranichfeld, Germany — Sternenklang Festival
6/13 — Holzappel, Germany — Mahlstrom Open Air
6/20 — Merseburg, Germany — Schlossfestspiele Merseburg
8/8–8/9 — Hildesheim, Germany — M’era Luna
9/12 — Erfurt, Germany — Fantasypark

TABERNIS are:
Noxifer (Beekeeper) – Bagpipe
Umbrae (Beekeeper) – Davul

Thundermother Release Video For New Live Single "Can You Feel It — Live in Cologne"

March 19, 2026

Swedish rockers THUNDERMOTHER let us join the energetic experience that is their live shows once again with the third single from their upcoming live album, Live'n'Alive, coming digitally on April 17 via Napalm Records. Next up as a pre-taste of their first album with their new label is "Can You Feel It," originally released on their latest studio album, Dirty & Divine, in 2025.

The track from THUNDERMOTHER's first album with their current lineup shines just as bright in its new live setting as previous hits. Recorded during a show in Cologne, Germany, in February 2025, "Can You Feel It" is now a powerful kick-off for a powerful album. Alongside it, THUNDERMOTHER share video footage, mirroring the thrilling atmosphere, as well as two further songs: "I Don’t Know You — Live in Cologne" (Black and Gold, 2022) and "Thunderous — Live in Copenhagen" (Rock 'N' Roll Disaster, 2014) are also available to stream now. This is pure rock'n'roll — and you can feel it!

Filippa Nässil about "Can You Feel It — Live in Cologne":
"There's something magical that happens when a good riff comes on through a Marshall stack. I came up with the idea for the song while walking and blasting rock music. We've opened gigs with this song, and therefore it also opens the live album since it follows the setlist. It's heavier and even better than the studio recording. Enjoy."

Watch the Official Live Video for "Can You Feel It — Live in Cologne" Below:

Swedish rock'n'roll powerhouse THUNDERMOTHER are set to unleash a thrilling new live album, Live'n'Alive, out digitally on April 17 and physically on July 10 via Napalm Records! Founded in 2009 by guitarist Filippa Nässil, the band is well-known for their electrifying rock anthems and relentless touring – some live highlights include supporting the legendary Scorpions both in North America and Europe, playing the KISS Kruise, and performing regularly at major festivals such as Wacken Open Air. In 2025, THUNDERMOTHER unleashed their highly acclaimed sixth album, Dirty & Divine — their first with the new lineup consisting of Filippa Nässil, vocalist Linnéa Vikström Egg, returning bass player Majsan Lindberg, and drummer Joan Massing — hitting the top 3 on the Official German Rock/Metal Charts. Live'n'Alive was recorded on the European headline tour that followed – this hefty 19-track offering showcases THUNDERMOTHER’s explosive live energy through their 2025 setlist.

With no backing tracks, overdubs or re-recording of instruments, Live'n'Alive makes no compromises. This is THUNDERMOTHER – 100% live, 100% rock'n'roll! Live'n'Alive will be available as a digital album first — stay tuned for physical formats!

Filippa Nässil about Live’n’Alive:
"It's all live. We use no backing tracks like almost every band does today. We have made no overdubs or re-recordings of instruments. It's ALL live and rock'n'roll. Me on guitar, Majsan Lindberg on bass, Joan Massing on drums, and Linnéa Vikström on lead vox and rhythm guitars on some songs. Song order is not compromised, it's our setlist of 2025, through and through. Hell yeah, this is how it's done."

Pre-Save Live'n'Alive NOW

THUNDERMOTHER LIVE 2026:
Supporting Judas Priest w/ DOMINUM
8/23 — Sankt Goarshausen, Germany — Freilichtbühne Loreley

THUNDERMOTHER ARE:
Filippa Nässil — Guitar, Backing Vox
Majsan Lindberg — Bass, Backing Vox
Linnéa Vikström Egg —Lead Vox, Guitar
Joan Massing — Drums

HUMANKIND Release Moving Piano Version Of “The Darkness I Own” New Official Video Out Now

March 18, 2026

Modern metal collective HUMANKIND have released a deeply emotional piano version of their single “The Darkness I Own,” accompanied by a brand new official video. Stripping the song down to its emotional core, the new rendition highlights the vulnerability and introspective weight behind the original track, offering listeners a more intimate perspective on one of the band’s most powerful songs.

While the original song - released in May 2025 via ROAR here - gained attention for its dynamic blend of heavy modern metal and raw emotional intensity, the piano version reveals another layer of the song’s meaning. With its minimal arrangement and haunting atmosphere, the track places the focus squarely on the lyrics and the emotional journey at the heart of the song, emphasizing themes of inner struggle, self-reflection, and personal growth

"The Darkness I Own deals with depression and mental issues as a constant companion in life," says the band about the song. "Sometimes healing is not possible and we have to learn to accept the circumstances we find ourselves in, yet drawing strength from this acceptance and learning to persevere and finally prevail."

Stream: https://humankind.rpm.link/darknesspianoPR
Watch the video clip below:

HUMANKIND are an emerging force in the modern heavy music scene, blending elements of modern metal, alternative and metalcore into a sound that balances intensity and atmosphere. Through emotionally driven songwriting and immersive soundscapes, the band has quickly built a growing and dedicated audience.

Powerful vocals, atmospheric arrangements and a clear artistic vision shape HUMANKIND’s identity. Their music explores universal themes such as inner conflict, resilience and self-discovery, delivering songs that feel honest, intense and deeply relatable.

For More Info Visit:
Facebook | https://www.facebook.com/HumanKindBandDE
Instagram | https://www.instagram.com/humankind_band
TikTok | https://www.tiktok.com/@humankindband_de
YouTube | https://www.youtube.com/channel/UC_0DaiKu5cYlQ2h-s62EYhQ

HUMANKIND is:
Samuel Scholz (Vocals)
Maria Kimberly Huehn (Guitar)
Simon Keil (Guitar)
Dominik “Doemsen” Stotzem (Bass)
Silas Schué (Drums)